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Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","Material related to the Federal Theatre Project includes newspaper clippings and programs for the productions: American Holiday, Class of '29, Ethiopia, A Hero is Born, It Can't Happen Here, Murder in the Cathedral, and the Sun and I. Also related to the Federal Theatre Project is the publication Red Spotlight, the WPA Federal Theatre Unit Communist Party newsletter. 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Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.\u003c/abstract\u003e"],"abstract_tesim":["The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s."],"names_coll_ssim":["Federal Theatre Project (U.S.)","Rice, Adams T., 1892-","Bonstelle, Jessie"],"names_ssim":["George Mason University. Libraries. 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Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","Material related to the Federal Theatre Project includes newspaper clippings and programs for the productions: American Holiday, Class of '29, Ethiopia, A Hero is Born, It Can't Happen Here, Murder in the Cathedral, and the Sun and I. Also related to the Federal Theatre Project is the publication Red Spotlight, the WPA Federal Theatre Unit Communist Party newsletter. The scrapbooks document the Rice's work with the Bonstelle Company, the Detroit Players, and the Federal Theatre Project.","Programs and photocopies of newspaper clippings","WPA Federal Theatre Unit Communist Party newsletter","Photographs and program for lecture","Theatre production photographs, portraits, Helen Morrow","Newspaper clippings about the Detroit Players.","Dr. Charlotte Richmond, The Detroit Players publicity. Includes newspaper clippings, programs, letters, and handwritten notes."],"userestrict_html_tesm":["\u003cp\u003eMaterials created prior to 1925 are in the Public Domain. These materials have no known restrictions.\u003c/p\u003e\n","\u003cp\u003eThe copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e\n","\u003cp\u003ePermission to publish material from the Adams T. Rice papers must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Permission to publish material from the Adams T. Rice papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_efd0b3341aecb07369dde0fb21a7a439\" label=\"Summary\"\u003eThe Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.\u003c/abstract\u003e"],"abstract_tesim":["The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s."],"names_coll_ssim":["Federal Theatre Project (U.S.)","Rice, Adams T., 1892-","Bonstelle, Jessie"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Rice, Adams T., 1892-","Bonstelle, Jessie"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"persname_ssim":["Rice, Adams T., 1892-","Bonstelle, Jessie"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":38,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:10:52.964Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_359"}},{"id":"vifgm_repositories_2_resources_344","type":"collection","attributes":{"title":"Arnold Sundgaard papers","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_344#creator","type":"document_value","attributes":{"value":"Sundgaard, Arnold, 1909-2006","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_344#abstract_or_scope","type":"document_value","attributes":{"value":"The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_344#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_344","ead_ssi":"vifgm_repositories_2_resources_344","_root_":"vifgm_repositories_2_resources_344","_nest_parent_":"vifgm_repositories_2_resources_344","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_344.xml","title_ssm":["Arnold Sundgaard papers"],"title_tesim":["Arnold Sundgaard papers"],"unitdate_ssm":["1925-1988"],"unitdate_inclusive_ssm":["1925-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0226","/repositories/2/resources/344"],"text":["C0226","/repositories/2/resources/344","Arnold Sundgaard papers","Children's theater","New Deal, 1933-1939","Performing arts","Playwriting","Theater -- United States","Collection is open to research.","There are also additional documents from this and related collections in the  .","This collection is organized into 8 series based on material type.","Series Series 1: Correspondence, 1933-1988 (Boxes 1-5) Series 2: Musical Scores, 1947-1982 (Boxes 5-6, 44-46) Series 3: Newspaper Clippings, 1935-1976 (Boxes 6-8, 43) Series 4: Photographs, 1933-1982 (Boxes 8, 42, 44) Series 5: Playscripts, 1932-1978 (Boxes 8-21, 42) Series 6: Programs and Posters, 1925-1988 (Boxes 22-29, oversize folder) Series 7: Writings, Reviews, Publications, 1933-1988 (Boxes 29-37, 43, 44) Series 8: Audio Recordings, 1955-1980s (Boxes 38-41)","Arnold Olaf Sundgaard was born in St. Paul, Minnesota on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin. ","Sundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage.  The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.","After working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays suchs as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.","Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in July 2022.","The Special Collections Research center also holds the Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers related to the Federal Theatre Project.","The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.  ","Series 1: Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Series 2: Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Series 3: Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. ","Series 4: Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.","Series 5: Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. ","Series 6: Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Series 7: Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Series 8: Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","Series 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Includes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.","Includes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".","Correspondence regarding the royalties from Everywhere I Roam.","Note commenting on Sundgaard's first play at Yale.","Correspondence regarding music and Seven Joys of Buddy Biloxi.","Correspondence regarding plays, rights, and membership in the Guild.","Correspondence with Stephen Murray who appeared in Dublin.","In memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.","Correspondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.","Series 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Original draft to Arnold Sundgaard from Louis Bellson.","Cumberland Fair: A Jamboree; Down in the Valley; Gallantry.","Kittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.","Sunday Excursion; The Lowland Sea; The Lonesome Dove.","Shepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?","Sheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".","Includes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".","Series 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.","Press releases, newspaper and magazine clippings.","Includes newspaper clippings, program, broadside.","Includes newspaper and clippings, promotional letters and mailings.","Includes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.","Mostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.","Includes mostly newspaper clippings, some programs, one photograph.","Series 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.","Four 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.","Series 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.","Includes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.","Includes: black and white photographs; program; newspaper clipping.","Outline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.","Outline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.","Sundgaard's first play written in Madison, Wisconsin.","Scripts for a school opera from 1945, and a film version in 1974.","Performed by the Columbia Opera Workshop March 8 to April 7, 1951.","Performed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.","Scripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.","Written for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.","A comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.","Includes: two playscripts, postcard.","Written for first year class in playwriting at Yale during the Fall of 1932.","Yale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.","Free adaptation in collaboration with Albert Marre for Joan Dehner).","Adaptation of Sardou play.","Series 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Two posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.","America Hurrah; Absence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.","The American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.","The Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.","Brigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.","Cabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.","The Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.","Comedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.","The Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.","The D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.","Eastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.","A Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.","Mexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.","The Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.","Habimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hateful of Rain; Helen; Hello Solly!","Henry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.","I am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.","I was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.","Jamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.","The King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.","The Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.","A Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.","Madam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.","Martha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.","Miss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.","Forests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.","Rhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.","Two issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.","Nobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.","The National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company;  New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.","Not Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.","Oakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.","Oxford University Players - The Alchemist King Lear; Operation Sidewinder.","Philemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.","Pilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.","The Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.","The Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.","Ceremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.","Sandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.","Show Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.","The Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.","Tamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Thieves Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.","Ti-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;","Under Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.","Very Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.","Waiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.","The Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.","Promised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.","Series 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Short story published by Norske Tidende of Brooklyn.","Article in Living magazine.","John Brown for Erich Hawkins; Forty-Second Street.","Written for the Federal Writers' Project New Orleans.","Text for film written with and for Anton Refregier.","Correspondence, ephemera on Hermann, Missouri.","Report written for Dr. Edna Levine of New York University and deafness research. Includes photographs.","\"Postwar Relaxation, a Story\" article by Sundgaard.","Articles \"The Realtors\" and \"The Lesson of the Potato\".","Speech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.","Unpublished, music by Alec Wilder.","Scenario for a film commissioned by Jed Harris.","Scenario for a film commissioned by Jed Harris.","Cassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.","Article published in International Musician \"Opera in America\".","Issue of The New Yorker containing a review for \"Everywhere I Roam\".","Three issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".","During 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.","\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.","About Unesco; \"Footsteps of Greatness…along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.","\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.","The New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).","Two issues of Manuscript; The New Talent; The Lance.","Story; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.","Voices: A Journal of Poetry; Everybody's Digest.","Indian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!","Tury; The Invader.","The Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.","I am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.","The Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.","Tramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.","Series 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970);  Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".","Montparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.","Contains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.","An Axe, an Apple, and  a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings.","Map Case 22.4","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Sundgaard, Arnold, 1909-2006","English"],"unitid_tesim":["C0226","/repositories/2/resources/344"],"normalized_title_ssm":["Arnold Sundgaard papers"],"collection_title_tesim":["Arnold Sundgaard papers"],"collection_ssim":["Arnold Sundgaard papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Sundgaard, Arnold, 1909-2006"],"creator_ssim":["Sundgaard, Arnold, 1909-2006"],"creator_persname_ssim":["Sundgaard, Arnold, 1909-2006"],"creators_ssim":["Sundgaard, Arnold, 1909-2006"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arnold Sundgaard to Special Collections and Archives on October 19, 1978."],"access_subjects_ssim":["Children's theater","New Deal, 1933-1939","Performing arts","Playwriting","Theater -- United States"],"access_subjects_ssm":["Children's theater","New Deal, 1933-1939","Performing arts","Playwriting","Theater -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["19 Linear Feet 46 boxes"],"extent_tesim":["19 Linear Feet 46 boxes"],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"altformavail_html_tesm":["\u003cp\u003eThere are also additional documents from this and related collections in the \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["There are also additional documents from this and related collections in the  ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into 8 series based on material type.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence, 1933-1988 (Boxes 1-5)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Musical Scores, 1947-1982 (Boxes 5-6, 44-46)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Newspaper Clippings, 1935-1976 (Boxes 6-8, 43)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Photographs, 1933-1982 (Boxes 8, 42, 44)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Playscripts, 1932-1978 (Boxes 8-21, 42)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Programs and Posters, 1925-1988 (Boxes 22-29, oversize folder)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Writings, Reviews, Publications, 1933-1988 (Boxes 29-37, 43, 44)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Audio Recordings, 1955-1980s (Boxes 38-41)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into 8 series based on material type.","Series Series 1: Correspondence, 1933-1988 (Boxes 1-5) Series 2: Musical Scores, 1947-1982 (Boxes 5-6, 44-46) Series 3: Newspaper Clippings, 1935-1976 (Boxes 6-8, 43) Series 4: Photographs, 1933-1982 (Boxes 8, 42, 44) Series 5: Playscripts, 1932-1978 (Boxes 8-21, 42) Series 6: Programs and Posters, 1925-1988 (Boxes 22-29, oversize folder) Series 7: Writings, Reviews, Publications, 1933-1988 (Boxes 29-37, 43, 44) Series 8: Audio Recordings, 1955-1980s (Boxes 38-41)"],"bioghist_html_tesm":["\u003cp\u003eArnold Olaf Sundgaard was born in St. Paul, Minnesota on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin. \u003c/p\u003e\n","\u003cp\u003eSundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage.  The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.\u003c/p\u003e\n","\u003cp\u003eAfter working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays suchs as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Arnold Olaf Sundgaard was born in St. Paul, Minnesota on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin. ","Sundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage.  The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.","After working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays suchs as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur."],"prefercite_html_tesm":["\u003cp\u003eArnold Sundgaard papers, C0226, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arnold Sundgaard papers, C0226, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in October 2012 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in July 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in July 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research center also holds the Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers related to the Federal Theatre Project.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research center also holds the Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers related to the Federal Theatre Project."],"scopecontent_html_tesm":["\u003cp\u003eThe Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.  \u003c/p\u003e\n","\u003cp\u003eSeries 1: Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. \u003c/p\u003e\n","\u003cp\u003eSeries 4: Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. \u003c/p\u003e\n","\u003cp\u003eSeries 6: Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.\u003c/p\u003e\n","\u003cp\u003eSeries 7: Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.\u003c/p\u003e\n","\u003cp\u003eSeries 8: Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.\u003c/p\u003e","\u003cp\u003eSeries 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.\u003c/p\u003e","\u003cp\u003eIncludes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.\u003c/p\u003e","\u003cp\u003eIncludes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".\u003c/p\u003e","\u003cp\u003eCorrespondence regarding the royalties from Everywhere I Roam.\u003c/p\u003e","\u003cp\u003eNote commenting on Sundgaard's first play at Yale.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding music and Seven Joys of Buddy Biloxi.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding plays, rights, and membership in the Guild.\u003c/p\u003e","\u003cp\u003eCorrespondence with Stephen Murray who appeared in Dublin.\u003c/p\u003e","\u003cp\u003eIn memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.\u003c/p\u003e","\u003cp\u003eSeries 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.\u003c/p\u003e","\u003cp\u003eOriginal draft to Arnold Sundgaard from Louis Bellson.\u003c/p\u003e","\u003cp\u003eCumberland Fair: A Jamboree; Down in the Valley; Gallantry.\u003c/p\u003e","\u003cp\u003eKittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.\u003c/p\u003e","\u003cp\u003eSunday Excursion; The Lowland Sea; The Lonesome Dove.\u003c/p\u003e","\u003cp\u003eShepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?\u003c/p\u003e","\u003cp\u003eSheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".\u003c/p\u003e","\u003cp\u003eIncludes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".\u003c/p\u003e","\u003cp\u003eSeries 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.\u003c/p\u003e","\u003cp\u003ePress releases, newspaper and magazine clippings.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings, program, broadside.\u003c/p\u003e","\u003cp\u003eIncludes newspaper and clippings, promotional letters and mailings.\u003c/p\u003e","\u003cp\u003eIncludes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.\u003c/p\u003e","\u003cp\u003eMostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.\u003c/p\u003e","\u003cp\u003eIncludes mostly newspaper clippings, some programs, one photograph.\u003c/p\u003e","\u003cp\u003eSeries 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.\u003c/p\u003e","\u003cp\u003eFour 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.\u003c/p\u003e","\u003cp\u003eSeries 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.\u003c/p\u003e","\u003cp\u003eIncludes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.\u003c/p\u003e","\u003cp\u003eIncludes: black and white photographs; program; newspaper clipping.\u003c/p\u003e","\u003cp\u003eOutline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.\u003c/p\u003e","\u003cp\u003eOutline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.\u003c/p\u003e","\u003cp\u003eSundgaard's first play written in Madison, Wisconsin.\u003c/p\u003e","\u003cp\u003eScripts for a school opera from 1945, and a film version in 1974.\u003c/p\u003e","\u003cp\u003ePerformed by the Columbia Opera Workshop March 8 to April 7, 1951.\u003c/p\u003e","\u003cp\u003ePerformed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.\u003c/p\u003e","\u003cp\u003eScripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.\u003c/p\u003e","\u003cp\u003eWritten for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.\u003c/p\u003e","\u003cp\u003eA comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.\u003c/p\u003e","\u003cp\u003eIncludes: two playscripts, postcard.\u003c/p\u003e","\u003cp\u003eWritten for first year class in playwriting at Yale during the Fall of 1932.\u003c/p\u003e","\u003cp\u003eYale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.\u003c/p\u003e","\u003cp\u003eFree adaptation in collaboration with Albert Marre for Joan Dehner).\u003c/p\u003e","\u003cp\u003eAdaptation of Sardou play.\u003c/p\u003e","\u003cp\u003eSeries 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.\u003c/p\u003e","\u003cp\u003eTwo posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.\u003c/p\u003e","\u003cp\u003eAmerica Hurrah; Absence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.\u003c/p\u003e","\u003cp\u003eThe American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.\u003c/p\u003e","\u003cp\u003eThe Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.\u003c/p\u003e","\u003cp\u003eBrigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.\u003c/p\u003e","\u003cp\u003eCabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.\u003c/p\u003e","\u003cp\u003eThe Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.\u003c/p\u003e","\u003cp\u003eComedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.\u003c/p\u003e","\u003cp\u003eThe Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.\u003c/p\u003e","\u003cp\u003eThe D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.\u003c/p\u003e","\u003cp\u003eEastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.\u003c/p\u003e","\u003cp\u003eA Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.\u003c/p\u003e","\u003cp\u003eMexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.\u003c/p\u003e","\u003cp\u003eThe Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.\u003c/p\u003e","\u003cp\u003eHabimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hateful of Rain; Helen; Hello Solly!\u003c/p\u003e","\u003cp\u003eHenry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.\u003c/p\u003e","\u003cp\u003eI am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.\u003c/p\u003e","\u003cp\u003eI was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.\u003c/p\u003e","\u003cp\u003eJamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.\u003c/p\u003e","\u003cp\u003eThe King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.\u003c/p\u003e","\u003cp\u003eThe Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.\u003c/p\u003e","\u003cp\u003eA Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.\u003c/p\u003e","\u003cp\u003eMadam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.\u003c/p\u003e","\u003cp\u003eMartha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.\u003c/p\u003e","\u003cp\u003eMiss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.\u003c/p\u003e","\u003cp\u003eForests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.\u003c/p\u003e","\u003cp\u003eRhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.\u003c/p\u003e","\u003cp\u003eTwo issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.\u003c/p\u003e","\u003cp\u003eNobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.\u003c/p\u003e","\u003cp\u003eThe National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company;  New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.\u003c/p\u003e","\u003cp\u003eNot Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.\u003c/p\u003e","\u003cp\u003eOakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.\u003c/p\u003e","\u003cp\u003eOxford University Players - The Alchemist King Lear; Operation Sidewinder.\u003c/p\u003e","\u003cp\u003ePhilemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.\u003c/p\u003e","\u003cp\u003ePilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.\u003c/p\u003e","\u003cp\u003eThe Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.\u003c/p\u003e","\u003cp\u003eThe Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.\u003c/p\u003e","\u003cp\u003eCeremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.\u003c/p\u003e","\u003cp\u003eSandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.\u003c/p\u003e","\u003cp\u003eShow Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.\u003c/p\u003e","\u003cp\u003eThe Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.\u003c/p\u003e","\u003cp\u003eTamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Thieves Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.\u003c/p\u003e","\u003cp\u003eTi-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;\u003c/p\u003e","\u003cp\u003eUnder Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.\u003c/p\u003e","\u003cp\u003eVery Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.\u003c/p\u003e","\u003cp\u003eWaiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.\u003c/p\u003e","\u003cp\u003eThe Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.\u003c/p\u003e","\u003cp\u003ePromised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eSeries 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.\u003c/p\u003e","\u003cp\u003eShort story published by Norske Tidende of Brooklyn.\u003c/p\u003e","\u003cp\u003eArticle in Living magazine.\u003c/p\u003e","\u003cp\u003eJohn Brown for Erich Hawkins; Forty-Second Street.\u003c/p\u003e","\u003cp\u003eWritten for the Federal Writers' Project New Orleans.\u003c/p\u003e","\u003cp\u003eText for film written with and for Anton Refregier.\u003c/p\u003e","\u003cp\u003eCorrespondence, ephemera on Hermann, Missouri.\u003c/p\u003e","\u003cp\u003eReport written for Dr. Edna Levine of New York University and deafness research. Includes photographs.\u003c/p\u003e","\u003cp\u003e\"Postwar Relaxation, a Story\" article by Sundgaard.\u003c/p\u003e","\u003cp\u003eArticles \"The Realtors\" and \"The Lesson of the Potato\".\u003c/p\u003e","\u003cp\u003eSpeech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.\u003c/p\u003e","\u003cp\u003eUnpublished, music by Alec Wilder.\u003c/p\u003e","\u003cp\u003eScenario for a film commissioned by Jed Harris.\u003c/p\u003e","\u003cp\u003eScenario for a film commissioned by Jed Harris.\u003c/p\u003e","\u003cp\u003eCassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.\u003c/p\u003e","\u003cp\u003eArticle published in International Musician \"Opera in America\".\u003c/p\u003e","\u003cp\u003eIssue of The New Yorker containing a review for \"Everywhere I Roam\".\u003c/p\u003e","\u003cp\u003eThree issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".\u003c/p\u003e","\u003cp\u003eDuring 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.\u003c/p\u003e","\u003cp\u003e\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.\u003c/p\u003e","\u003cp\u003eAbout Unesco; \"Footsteps of Greatness…along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.\u003c/p\u003e","\u003cp\u003e\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.\u003c/p\u003e","\u003cp\u003eThe New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).\u003c/p\u003e","\u003cp\u003eTwo issues of Manuscript; The New Talent; The Lance.\u003c/p\u003e","\u003cp\u003eStory; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.\u003c/p\u003e","\u003cp\u003eVoices: A Journal of Poetry; Everybody's Digest.\u003c/p\u003e","\u003cp\u003eIndian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!\u003c/p\u003e","\u003cp\u003eTury; The Invader.\u003c/p\u003e","\u003cp\u003eThe Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.\u003c/p\u003e","\u003cp\u003eI am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.\u003c/p\u003e","\u003cp\u003eThe Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.\u003c/p\u003e","\u003cp\u003eTramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.\u003c/p\u003e","\u003cp\u003eSeries 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.\u003c/p\u003e","\u003cp\u003e\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970);  Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".\u003c/p\u003e","\u003cp\u003eMontparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.\u003c/p\u003e","\u003cp\u003eContains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.\u003c/p\u003e","\u003cp\u003eAn Axe, an Apple, and  a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.  ","Series 1: Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Series 2: Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Series 3: Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. ","Series 4: Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.","Series 5: Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. ","Series 6: Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Series 7: Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Series 8: Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","Series 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Includes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.","Includes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".","Correspondence regarding the royalties from Everywhere I Roam.","Note commenting on Sundgaard's first play at Yale.","Correspondence regarding music and Seven Joys of Buddy Biloxi.","Correspondence regarding plays, rights, and membership in the Guild.","Correspondence with Stephen Murray who appeared in Dublin.","In memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.","Correspondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.","Series 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Original draft to Arnold Sundgaard from Louis Bellson.","Cumberland Fair: A Jamboree; Down in the Valley; Gallantry.","Kittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.","Sunday Excursion; The Lowland Sea; The Lonesome Dove.","Shepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?","Sheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".","Includes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".","Series 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.","Press releases, newspaper and magazine clippings.","Includes newspaper clippings, program, broadside.","Includes newspaper and clippings, promotional letters and mailings.","Includes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.","Mostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.","Includes mostly newspaper clippings, some programs, one photograph.","Series 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.","Four 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.","Series 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.","Includes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.","Includes: black and white photographs; program; newspaper clipping.","Outline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.","Outline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.","Sundgaard's first play written in Madison, Wisconsin.","Scripts for a school opera from 1945, and a film version in 1974.","Performed by the Columbia Opera Workshop March 8 to April 7, 1951.","Performed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.","Scripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.","Written for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.","A comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.","Includes: two playscripts, postcard.","Written for first year class in playwriting at Yale during the Fall of 1932.","Yale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.","Free adaptation in collaboration with Albert Marre for Joan Dehner).","Adaptation of Sardou play.","Series 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Two posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.","America Hurrah; Absence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.","The American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.","The Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.","Brigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.","Cabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.","The Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.","Comedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.","The Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.","The D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.","Eastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.","A Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.","Mexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.","The Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.","Habimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hateful of Rain; Helen; Hello Solly!","Henry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.","I am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.","I was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.","Jamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.","The King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.","The Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.","A Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.","Madam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.","Martha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.","Miss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.","Forests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.","Rhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.","Two issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.","Nobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.","The National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company;  New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.","Not Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.","Oakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.","Oxford University Players - The Alchemist King Lear; Operation Sidewinder.","Philemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.","Pilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.","The Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.","The Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.","Ceremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.","Sandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.","Show Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.","The Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.","Tamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Thieves Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.","Ti-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;","Under Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.","Very Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.","Waiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.","The Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.","Promised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.","Series 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Short story published by Norske Tidende of Brooklyn.","Article in Living magazine.","John Brown for Erich Hawkins; Forty-Second Street.","Written for the Federal Writers' Project New Orleans.","Text for film written with and for Anton Refregier.","Correspondence, ephemera on Hermann, Missouri.","Report written for Dr. Edna Levine of New York University and deafness research. Includes photographs.","\"Postwar Relaxation, a Story\" article by Sundgaard.","Articles \"The Realtors\" and \"The Lesson of the Potato\".","Speech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.","Unpublished, music by Alec Wilder.","Scenario for a film commissioned by Jed Harris.","Scenario for a film commissioned by Jed Harris.","Cassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.","Article published in International Musician \"Opera in America\".","Issue of The New Yorker containing a review for \"Everywhere I Roam\".","Three issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".","During 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.","\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.","About Unesco; \"Footsteps of Greatness…along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.","\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.","The New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).","Two issues of Manuscript; The New Talent; The Lance.","Story; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.","Voices: A Journal of Poetry; Everybody's Digest.","Indian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!","Tury; The Invader.","The Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.","I am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.","The Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.","Tramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.","Series 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970);  Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".","Montparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.","Contains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.","An Axe, an Apple, and  a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_81b1393c5a8bb601d6b50fdcc01513d0\" label=\"Abstract\"\u003eThe Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings.\u003c/abstract\u003e"],"abstract_tesim":["The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_4e8da7bbdb61d3efe004415f7a003934\"\u003eMap Case 22.4\u003c/physloc\u003e"],"physloc_tesim":["Map Case 22.4"],"names_coll_ssim":["Federal Theatre Project (U.S.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Sundgaard, Arnold, 1909-2006"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"persname_ssim":["Sundgaard, Arnold, 1909-2006"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":527,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:08:29.094Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_344","ead_ssi":"vifgm_repositories_2_resources_344","_root_":"vifgm_repositories_2_resources_344","_nest_parent_":"vifgm_repositories_2_resources_344","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_344.xml","title_ssm":["Arnold Sundgaard papers"],"title_tesim":["Arnold Sundgaard papers"],"unitdate_ssm":["1925-1988"],"unitdate_inclusive_ssm":["1925-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0226","/repositories/2/resources/344"],"text":["C0226","/repositories/2/resources/344","Arnold Sundgaard papers","Children's theater","New Deal, 1933-1939","Performing arts","Playwriting","Theater -- United States","Collection is open to research.","There are also additional documents from this and related collections in the  .","This collection is organized into 8 series based on material type.","Series Series 1: Correspondence, 1933-1988 (Boxes 1-5) Series 2: Musical Scores, 1947-1982 (Boxes 5-6, 44-46) Series 3: Newspaper Clippings, 1935-1976 (Boxes 6-8, 43) Series 4: Photographs, 1933-1982 (Boxes 8, 42, 44) Series 5: Playscripts, 1932-1978 (Boxes 8-21, 42) Series 6: Programs and Posters, 1925-1988 (Boxes 22-29, oversize folder) Series 7: Writings, Reviews, Publications, 1933-1988 (Boxes 29-37, 43, 44) Series 8: Audio Recordings, 1955-1980s (Boxes 38-41)","Arnold Olaf Sundgaard was born in St. Paul, Minnesota on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin. ","Sundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage.  The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.","After working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays suchs as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.","Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in July 2022.","The Special Collections Research center also holds the Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers related to the Federal Theatre Project.","The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.  ","Series 1: Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Series 2: Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Series 3: Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. ","Series 4: Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.","Series 5: Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. ","Series 6: Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Series 7: Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Series 8: Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","Series 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Includes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.","Includes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".","Correspondence regarding the royalties from Everywhere I Roam.","Note commenting on Sundgaard's first play at Yale.","Correspondence regarding music and Seven Joys of Buddy Biloxi.","Correspondence regarding plays, rights, and membership in the Guild.","Correspondence with Stephen Murray who appeared in Dublin.","In memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.","Correspondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.","Series 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Original draft to Arnold Sundgaard from Louis Bellson.","Cumberland Fair: A Jamboree; Down in the Valley; Gallantry.","Kittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.","Sunday Excursion; The Lowland Sea; The Lonesome Dove.","Shepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?","Sheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".","Includes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".","Series 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.","Press releases, newspaper and magazine clippings.","Includes newspaper clippings, program, broadside.","Includes newspaper and clippings, promotional letters and mailings.","Includes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.","Mostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.","Includes mostly newspaper clippings, some programs, one photograph.","Series 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.","Four 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.","Series 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.","Includes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.","Includes: black and white photographs; program; newspaper clipping.","Outline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.","Outline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.","Sundgaard's first play written in Madison, Wisconsin.","Scripts for a school opera from 1945, and a film version in 1974.","Performed by the Columbia Opera Workshop March 8 to April 7, 1951.","Performed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.","Scripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.","Written for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.","A comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.","Includes: two playscripts, postcard.","Written for first year class in playwriting at Yale during the Fall of 1932.","Yale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.","Free adaptation in collaboration with Albert Marre for Joan Dehner).","Adaptation of Sardou play.","Series 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Two posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.","America Hurrah; Absence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.","The American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.","The Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.","Brigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.","Cabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.","The Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.","Comedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.","The Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.","The D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.","Eastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.","A Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.","Mexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.","The Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.","Habimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hateful of Rain; Helen; Hello Solly!","Henry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.","I am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.","I was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.","Jamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.","The King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.","The Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.","A Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.","Madam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.","Martha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.","Miss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.","Forests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.","Rhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.","Two issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.","Nobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.","The National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company;  New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.","Not Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.","Oakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.","Oxford University Players - The Alchemist King Lear; Operation Sidewinder.","Philemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.","Pilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.","The Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.","The Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.","Ceremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.","Sandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.","Show Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.","The Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.","Tamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Thieves Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.","Ti-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;","Under Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.","Very Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.","Waiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.","The Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.","Promised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.","Series 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Short story published by Norske Tidende of Brooklyn.","Article in Living magazine.","John Brown for Erich Hawkins; Forty-Second Street.","Written for the Federal Writers' Project New Orleans.","Text for film written with and for Anton Refregier.","Correspondence, ephemera on Hermann, Missouri.","Report written for Dr. Edna Levine of New York University and deafness research. Includes photographs.","\"Postwar Relaxation, a Story\" article by Sundgaard.","Articles \"The Realtors\" and \"The Lesson of the Potato\".","Speech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.","Unpublished, music by Alec Wilder.","Scenario for a film commissioned by Jed Harris.","Scenario for a film commissioned by Jed Harris.","Cassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.","Article published in International Musician \"Opera in America\".","Issue of The New Yorker containing a review for \"Everywhere I Roam\".","Three issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".","During 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.","\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.","About Unesco; \"Footsteps of Greatness…along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.","\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.","The New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).","Two issues of Manuscript; The New Talent; The Lance.","Story; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.","Voices: A Journal of Poetry; Everybody's Digest.","Indian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!","Tury; The Invader.","The Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.","I am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.","The Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.","Tramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.","Series 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970);  Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".","Montparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.","Contains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.","An Axe, an Apple, and  a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings.","Map Case 22.4","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Sundgaard, Arnold, 1909-2006","English"],"unitid_tesim":["C0226","/repositories/2/resources/344"],"normalized_title_ssm":["Arnold Sundgaard papers"],"collection_title_tesim":["Arnold Sundgaard papers"],"collection_ssim":["Arnold Sundgaard papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Sundgaard, Arnold, 1909-2006"],"creator_ssim":["Sundgaard, Arnold, 1909-2006"],"creator_persname_ssim":["Sundgaard, Arnold, 1909-2006"],"creators_ssim":["Sundgaard, Arnold, 1909-2006"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arnold Sundgaard to Special Collections and Archives on October 19, 1978."],"access_subjects_ssim":["Children's theater","New Deal, 1933-1939","Performing arts","Playwriting","Theater -- United States"],"access_subjects_ssm":["Children's theater","New Deal, 1933-1939","Performing arts","Playwriting","Theater -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["19 Linear Feet 46 boxes"],"extent_tesim":["19 Linear Feet 46 boxes"],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"altformavail_html_tesm":["\u003cp\u003eThere are also additional documents from this and related collections in the \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["There are also additional documents from this and related collections in the  ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into 8 series based on material type.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence, 1933-1988 (Boxes 1-5)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Musical Scores, 1947-1982 (Boxes 5-6, 44-46)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Newspaper Clippings, 1935-1976 (Boxes 6-8, 43)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Photographs, 1933-1982 (Boxes 8, 42, 44)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Playscripts, 1932-1978 (Boxes 8-21, 42)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Programs and Posters, 1925-1988 (Boxes 22-29, oversize folder)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Writings, Reviews, Publications, 1933-1988 (Boxes 29-37, 43, 44)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Audio Recordings, 1955-1980s (Boxes 38-41)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into 8 series based on material type.","Series Series 1: Correspondence, 1933-1988 (Boxes 1-5) Series 2: Musical Scores, 1947-1982 (Boxes 5-6, 44-46) Series 3: Newspaper Clippings, 1935-1976 (Boxes 6-8, 43) Series 4: Photographs, 1933-1982 (Boxes 8, 42, 44) Series 5: Playscripts, 1932-1978 (Boxes 8-21, 42) Series 6: Programs and Posters, 1925-1988 (Boxes 22-29, oversize folder) Series 7: Writings, Reviews, Publications, 1933-1988 (Boxes 29-37, 43, 44) Series 8: Audio Recordings, 1955-1980s (Boxes 38-41)"],"bioghist_html_tesm":["\u003cp\u003eArnold Olaf Sundgaard was born in St. Paul, Minnesota on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin. \u003c/p\u003e\n","\u003cp\u003eSundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage.  The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.\u003c/p\u003e\n","\u003cp\u003eAfter working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays suchs as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Arnold Olaf Sundgaard was born in St. Paul, Minnesota on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin. ","Sundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage.  The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.","After working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays suchs as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur."],"prefercite_html_tesm":["\u003cp\u003eArnold Sundgaard papers, C0226, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arnold Sundgaard papers, C0226, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in October 2012 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in July 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in July 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research center also holds the Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers related to the Federal Theatre Project.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research center also holds the Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers related to the Federal Theatre Project."],"scopecontent_html_tesm":["\u003cp\u003eThe Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.  \u003c/p\u003e\n","\u003cp\u003eSeries 1: Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. \u003c/p\u003e\n","\u003cp\u003eSeries 4: Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. \u003c/p\u003e\n","\u003cp\u003eSeries 6: Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.\u003c/p\u003e\n","\u003cp\u003eSeries 7: Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.\u003c/p\u003e\n","\u003cp\u003eSeries 8: Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.\u003c/p\u003e","\u003cp\u003eSeries 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.\u003c/p\u003e","\u003cp\u003eIncludes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.\u003c/p\u003e","\u003cp\u003eIncludes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".\u003c/p\u003e","\u003cp\u003eCorrespondence regarding the royalties from Everywhere I Roam.\u003c/p\u003e","\u003cp\u003eNote commenting on Sundgaard's first play at Yale.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding music and Seven Joys of Buddy Biloxi.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding plays, rights, and membership in the Guild.\u003c/p\u003e","\u003cp\u003eCorrespondence with Stephen Murray who appeared in Dublin.\u003c/p\u003e","\u003cp\u003eIn memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.\u003c/p\u003e","\u003cp\u003eSeries 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.\u003c/p\u003e","\u003cp\u003eOriginal draft to Arnold Sundgaard from Louis Bellson.\u003c/p\u003e","\u003cp\u003eCumberland Fair: A Jamboree; Down in the Valley; Gallantry.\u003c/p\u003e","\u003cp\u003eKittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.\u003c/p\u003e","\u003cp\u003eSunday Excursion; The Lowland Sea; The Lonesome Dove.\u003c/p\u003e","\u003cp\u003eShepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?\u003c/p\u003e","\u003cp\u003eSheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".\u003c/p\u003e","\u003cp\u003eIncludes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".\u003c/p\u003e","\u003cp\u003eSeries 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.\u003c/p\u003e","\u003cp\u003ePress releases, newspaper and magazine clippings.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings, program, broadside.\u003c/p\u003e","\u003cp\u003eIncludes newspaper and clippings, promotional letters and mailings.\u003c/p\u003e","\u003cp\u003eIncludes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.\u003c/p\u003e","\u003cp\u003eMostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.\u003c/p\u003e","\u003cp\u003eIncludes mostly newspaper clippings, some programs, one photograph.\u003c/p\u003e","\u003cp\u003eSeries 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.\u003c/p\u003e","\u003cp\u003eFour 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.\u003c/p\u003e","\u003cp\u003eSeries 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.\u003c/p\u003e","\u003cp\u003eIncludes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.\u003c/p\u003e","\u003cp\u003eIncludes: black and white photographs; program; newspaper clipping.\u003c/p\u003e","\u003cp\u003eOutline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.\u003c/p\u003e","\u003cp\u003eOutline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.\u003c/p\u003e","\u003cp\u003eSundgaard's first play written in Madison, Wisconsin.\u003c/p\u003e","\u003cp\u003eScripts for a school opera from 1945, and a film version in 1974.\u003c/p\u003e","\u003cp\u003ePerformed by the Columbia Opera Workshop March 8 to April 7, 1951.\u003c/p\u003e","\u003cp\u003ePerformed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.\u003c/p\u003e","\u003cp\u003eScripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.\u003c/p\u003e","\u003cp\u003eWritten for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.\u003c/p\u003e","\u003cp\u003eA comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.\u003c/p\u003e","\u003cp\u003eIncludes: two playscripts, postcard.\u003c/p\u003e","\u003cp\u003eWritten for first year class in playwriting at Yale during the Fall of 1932.\u003c/p\u003e","\u003cp\u003eYale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.\u003c/p\u003e","\u003cp\u003eFree adaptation in collaboration with Albert Marre for Joan Dehner).\u003c/p\u003e","\u003cp\u003eAdaptation of Sardou play.\u003c/p\u003e","\u003cp\u003eSeries 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.\u003c/p\u003e","\u003cp\u003eTwo posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.\u003c/p\u003e","\u003cp\u003eAmerica Hurrah; Absence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.\u003c/p\u003e","\u003cp\u003eThe American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.\u003c/p\u003e","\u003cp\u003eThe Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.\u003c/p\u003e","\u003cp\u003eBrigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.\u003c/p\u003e","\u003cp\u003eCabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.\u003c/p\u003e","\u003cp\u003eThe Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.\u003c/p\u003e","\u003cp\u003eComedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.\u003c/p\u003e","\u003cp\u003eThe Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.\u003c/p\u003e","\u003cp\u003eThe D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.\u003c/p\u003e","\u003cp\u003eEastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.\u003c/p\u003e","\u003cp\u003eA Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.\u003c/p\u003e","\u003cp\u003eMexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.\u003c/p\u003e","\u003cp\u003eThe Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.\u003c/p\u003e","\u003cp\u003eHabimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hateful of Rain; Helen; Hello Solly!\u003c/p\u003e","\u003cp\u003eHenry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.\u003c/p\u003e","\u003cp\u003eI am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.\u003c/p\u003e","\u003cp\u003eI was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.\u003c/p\u003e","\u003cp\u003eJamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.\u003c/p\u003e","\u003cp\u003eThe King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.\u003c/p\u003e","\u003cp\u003eThe Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.\u003c/p\u003e","\u003cp\u003eA Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.\u003c/p\u003e","\u003cp\u003eMadam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.\u003c/p\u003e","\u003cp\u003eMartha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.\u003c/p\u003e","\u003cp\u003eMiss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.\u003c/p\u003e","\u003cp\u003eForests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.\u003c/p\u003e","\u003cp\u003eRhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.\u003c/p\u003e","\u003cp\u003eTwo issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.\u003c/p\u003e","\u003cp\u003eNobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.\u003c/p\u003e","\u003cp\u003eThe National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company;  New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.\u003c/p\u003e","\u003cp\u003eNot Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.\u003c/p\u003e","\u003cp\u003eOakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.\u003c/p\u003e","\u003cp\u003eOxford University Players - The Alchemist King Lear; Operation Sidewinder.\u003c/p\u003e","\u003cp\u003ePhilemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.\u003c/p\u003e","\u003cp\u003ePilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.\u003c/p\u003e","\u003cp\u003eThe Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.\u003c/p\u003e","\u003cp\u003eThe Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.\u003c/p\u003e","\u003cp\u003eCeremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.\u003c/p\u003e","\u003cp\u003eSandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.\u003c/p\u003e","\u003cp\u003eShow Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.\u003c/p\u003e","\u003cp\u003eThe Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.\u003c/p\u003e","\u003cp\u003eTamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Thieves Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.\u003c/p\u003e","\u003cp\u003eTi-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;\u003c/p\u003e","\u003cp\u003eUnder Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.\u003c/p\u003e","\u003cp\u003eVery Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.\u003c/p\u003e","\u003cp\u003eWaiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.\u003c/p\u003e","\u003cp\u003eThe Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.\u003c/p\u003e","\u003cp\u003ePromised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eSeries 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.\u003c/p\u003e","\u003cp\u003eShort story published by Norske Tidende of Brooklyn.\u003c/p\u003e","\u003cp\u003eArticle in Living magazine.\u003c/p\u003e","\u003cp\u003eJohn Brown for Erich Hawkins; Forty-Second Street.\u003c/p\u003e","\u003cp\u003eWritten for the Federal Writers' Project New Orleans.\u003c/p\u003e","\u003cp\u003eText for film written with and for Anton Refregier.\u003c/p\u003e","\u003cp\u003eCorrespondence, ephemera on Hermann, Missouri.\u003c/p\u003e","\u003cp\u003eReport written for Dr. Edna Levine of New York University and deafness research. Includes photographs.\u003c/p\u003e","\u003cp\u003e\"Postwar Relaxation, a Story\" article by Sundgaard.\u003c/p\u003e","\u003cp\u003eArticles \"The Realtors\" and \"The Lesson of the Potato\".\u003c/p\u003e","\u003cp\u003eSpeech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.\u003c/p\u003e","\u003cp\u003eUnpublished, music by Alec Wilder.\u003c/p\u003e","\u003cp\u003eScenario for a film commissioned by Jed Harris.\u003c/p\u003e","\u003cp\u003eScenario for a film commissioned by Jed Harris.\u003c/p\u003e","\u003cp\u003eCassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.\u003c/p\u003e","\u003cp\u003eArticle published in International Musician \"Opera in America\".\u003c/p\u003e","\u003cp\u003eIssue of The New Yorker containing a review for \"Everywhere I Roam\".\u003c/p\u003e","\u003cp\u003eThree issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".\u003c/p\u003e","\u003cp\u003eDuring 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.\u003c/p\u003e","\u003cp\u003e\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.\u003c/p\u003e","\u003cp\u003eAbout Unesco; \"Footsteps of Greatness…along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.\u003c/p\u003e","\u003cp\u003e\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.\u003c/p\u003e","\u003cp\u003eThe New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).\u003c/p\u003e","\u003cp\u003eTwo issues of Manuscript; The New Talent; The Lance.\u003c/p\u003e","\u003cp\u003eStory; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.\u003c/p\u003e","\u003cp\u003eVoices: A Journal of Poetry; Everybody's Digest.\u003c/p\u003e","\u003cp\u003eIndian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!\u003c/p\u003e","\u003cp\u003eTury; The Invader.\u003c/p\u003e","\u003cp\u003eThe Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.\u003c/p\u003e","\u003cp\u003eI am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.\u003c/p\u003e","\u003cp\u003eThe Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.\u003c/p\u003e","\u003cp\u003eTramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.\u003c/p\u003e","\u003cp\u003eSeries 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.\u003c/p\u003e","\u003cp\u003e\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970);  Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".\u003c/p\u003e","\u003cp\u003eMontparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.\u003c/p\u003e","\u003cp\u003eContains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.\u003c/p\u003e","\u003cp\u003eAn Axe, an Apple, and  a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.  ","Series 1: Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Series 2: Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Series 3: Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. ","Series 4: Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.","Series 5: Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. ","Series 6: Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Series 7: Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Series 8: Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","Series 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Includes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.","Includes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".","Correspondence regarding the royalties from Everywhere I Roam.","Note commenting on Sundgaard's first play at Yale.","Correspondence regarding music and Seven Joys of Buddy Biloxi.","Correspondence regarding plays, rights, and membership in the Guild.","Correspondence with Stephen Murray who appeared in Dublin.","In memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.","Correspondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.","Series 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Original draft to Arnold Sundgaard from Louis Bellson.","Cumberland Fair: A Jamboree; Down in the Valley; Gallantry.","Kittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.","Sunday Excursion; The Lowland Sea; The Lonesome Dove.","Shepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?","Sheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".","Includes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".","Series 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.","Press releases, newspaper and magazine clippings.","Includes newspaper clippings, program, broadside.","Includes newspaper and clippings, promotional letters and mailings.","Includes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.","Mostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.","Includes mostly newspaper clippings, some programs, one photograph.","Series 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.","Four 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.","Series 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.","Includes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.","Includes: black and white photographs; program; newspaper clipping.","Outline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.","Outline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.","Sundgaard's first play written in Madison, Wisconsin.","Scripts for a school opera from 1945, and a film version in 1974.","Performed by the Columbia Opera Workshop March 8 to April 7, 1951.","Performed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.","Scripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.","Written for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.","A comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.","Includes: two playscripts, postcard.","Written for first year class in playwriting at Yale during the Fall of 1932.","Yale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.","Free adaptation in collaboration with Albert Marre for Joan Dehner).","Adaptation of Sardou play.","Series 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Two posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.","America Hurrah; Absence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.","The American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.","The Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.","Brigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.","Cabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.","The Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.","Comedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.","The Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.","The D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.","Eastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.","A Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.","Mexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.","The Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.","Habimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hateful of Rain; Helen; Hello Solly!","Henry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.","I am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.","I was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.","Jamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.","The King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.","The Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.","A Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.","Madam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.","Martha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.","Miss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.","Forests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.","Rhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.","Two issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.","Nobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.","The National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company;  New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.","Not Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.","Oakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.","Oxford University Players - The Alchemist King Lear; Operation Sidewinder.","Philemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.","Pilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.","The Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.","The Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.","Ceremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.","Sandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.","Show Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.","The Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.","Tamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Thieves Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.","Ti-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;","Under Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.","Very Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.","Waiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.","The Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.","Promised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.","Series 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Short story published by Norske Tidende of Brooklyn.","Article in Living magazine.","John Brown for Erich Hawkins; Forty-Second Street.","Written for the Federal Writers' Project New Orleans.","Text for film written with and for Anton Refregier.","Correspondence, ephemera on Hermann, Missouri.","Report written for Dr. Edna Levine of New York University and deafness research. Includes photographs.","\"Postwar Relaxation, a Story\" article by Sundgaard.","Articles \"The Realtors\" and \"The Lesson of the Potato\".","Speech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.","Unpublished, music by Alec Wilder.","Scenario for a film commissioned by Jed Harris.","Scenario for a film commissioned by Jed Harris.","Cassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.","Article published in International Musician \"Opera in America\".","Issue of The New Yorker containing a review for \"Everywhere I Roam\".","Three issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".","During 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.","\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.","About Unesco; \"Footsteps of Greatness…along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.","\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.","The New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).","Two issues of Manuscript; The New Talent; The Lance.","Story; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.","Voices: A Journal of Poetry; Everybody's Digest.","Indian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!","Tury; The Invader.","The Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.","I am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.","The Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.","Tramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.","Series 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970);  Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".","Montparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.","Contains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.","An Axe, an Apple, and  a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_81b1393c5a8bb601d6b50fdcc01513d0\" label=\"Abstract\"\u003eThe Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings.\u003c/abstract\u003e"],"abstract_tesim":["The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_4e8da7bbdb61d3efe004415f7a003934\"\u003eMap Case 22.4\u003c/physloc\u003e"],"physloc_tesim":["Map Case 22.4"],"names_coll_ssim":["Federal Theatre Project (U.S.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Sundgaard, Arnold, 1909-2006"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"persname_ssim":["Sundgaard, Arnold, 1909-2006"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":527,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:08:29.094Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_344"}},{"id":"viu_repositories_4_resources_634","type":"collection","attributes":{"title":"Carl McFarland papers","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_634#creator","type":"document_value","attributes":{"value":"McFarland, Carl, 1904-1979","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_634#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThese papers, which are almost entirely professional, have been arranged in groups corresponding to the stages of Carl McFarland's career. The earliest records originated during his tenure at the Department of Justice in the 1930's, and contain valuable information concerning the Wagner Act, the Agricultural Adjustment Act, and other New Deal legislation. McFarland's work as chairman of the American Bar Association's committee on administrative law, which resulted in the 1946 passage of the Administrative Procedure Act, is fully documented, as is his brief term as chairman of the Civil Service Commission's Hearing Examiner Board. While there is little material documenting his term as president of the University of Montana, there are records of his activities on the Hoover Commission, the President's Conference on Administrative Law, and the Virginia Code Commission. McFarland's role as literary executor for former Attorney General Homer S. Cummings is documented in detail.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_634#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_4_resources_634","ead_ssi":"viu_repositories_4_resources_634","_root_":"viu_repositories_4_resources_634","_nest_parent_":"viu_repositories_4_resources_634","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_634.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/118521","title_ssm":["Carl McFarland papers"],"title_tesim":["Carl McFarland papers"],"unitdate_ssm":["circa 1920 - 1980"],"unitdate_inclusive_ssm":["circa 1920 - 1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.85.3","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/634"],"text":["MSS.85.3","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/634","Carl McFarland papers","Administrative procedure -- United States","Civil service","Law  -- Study and teaching","New Deal, 1933-1939","clippings (information artifacts)","photographs","Born in Seattle, Washington, in 1904, Carl McFarland received his B.A. (1928), his M.A. (1929), and his LL.B. (1930) from the University of Montana. In 1932 he earned an S.J.D. from Harvard Law School, and a year later his dissertation, Judicial Control of the Federal Trade Commission and Interstate Commerce Commission, was published. Returning to Montana in the fall of 1932, McFarland joined the law firm of Toomey and McFarland in Helena. Early in 1933, he accepted the Montana State Supreme Court's offer to act as Commissioner of the codification of the Montana statutes. He had barely begun this work when he left to join the Department of Justice in Washington. First employed as a special assistant anti-trust attorney, McFarland was later appointed assistant attorney general. In charge of the vast Lands Division, he was instrumental in drafting much New Deal legislation. Also during this period McFarland co-wrote  Federal Justice  with Attorney General Homer S. Cummings. He received the American Bar Association's first Ross Award in 1934.","By 1939, both men had left the Justice Department. McFarland joined Cummings in private practice at the latter's Washington firm of Cummings and Stanley (later called McFarland and Sellers). Beginning in 1940, McFarland was active in American Bar Association committees, chiefly the Legislation and Administrative Law Committee. In this capacity he was the principal draftsman of the Administrative Procedure Act, the federal statute which provides for the governing of more than one hundred governmental agencies, and which was voted into law in 1946 without a single dissent in either house. For his contributions to this legislative achievement, McFarland was awarded the American Bar Association's Gold Medallion. Following the passage of the bill, he served a brief term as Chairman of the Civil Service Commission's Hearing Examiner Board in 1948-1949. Leaving private practice in 1951, McFarland began an eight-year stint as president of the University of Montana. He joined the faculty of the University of Virginia Law School in 1959. His courses included Administrative Law and Legislation. An authority on legislative and administrative law, McFarland served on the Hoover Commission, the President's Conference on Administrative Procedure in 1954-1955, and the Virginia Code Commission. He was consultant to the Virginia Commission on Constitutional Revision, and chairman of the 1968 United States Public Land Law Revision Commission. He died in 1979.","\"(1)Text of S. 7, (2) a revised text develop through informal conferences with interest parties, (3) brief explanatory statements, and (4) a summary of suggestions and objections respecting the revised text.\"","There are also loose documents inserted in the document.","(3 folders)","[2 folders]","(2 folders)","Oversized document transfered to oversized cabinet in March od 2021.","These papers, which are almost entirely professional, have been arranged in groups corresponding to the stages of Carl McFarland's career. 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Cummings is documented in detail.","Later files include many drafts of a proposed casebook, Legislation and Administrative Law, as well as much teaching material, primarily notes and exams from courses taught at the University of Virginia. These files contain many folders of research notes and clippings related to his various professional interests. A list of published material found in the collection is enclosed in the control folder.","McFarland's correspondents include Griffin Bell, Raymond Bice, William J. Brennan, Mortimer Caplin, Tom Clark, Homer S. Cummings, Hardy Dillard, Northcutt Ely, Paul Freund, William Harbaugh, Frank Hereford, William Leuchtenberg, Miles Lord, Pat McCarran, Frank Murphy, Allan Nevins, Monrad Paulsen, Stanley Reed, Jack Ritchie, Franklin Roosevelt, Emerson Spies, Robert F. Wagner, Henry A. Wallace, and Sumner Welles.","McFarland's papers will be of interest to scholars of administrative and legislative law, as well as the New Deal era.","There are no restrictions on the use of the Carl McFarland papers.","(2 folders)","(3 folders)","(2 folders)","(2 folders)","(2 folders; copies of Report to Congress)","(2 folders)","(3 folders)","(1 folder + Committee Hearing Transcripts)","(3 folders)","(12 folders)","(14 folders)","[40 folders] 2 boxes of indexed note cards","(4 folders)","(2 folders)","(2 folders)","(5 folders)","(3 folders)","(5 folders)","(2 folders)","[4 -- 3 oversize]","[2 folders]","Arthur J. Morris Law Library Special Collections","United States. 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She deposited additional papers in 1989, 1990, 1999."],"access_subjects_ssim":["Administrative procedure -- United States","Civil service","Law  -- Study and teaching","New Deal, 1933-1939","clippings (information artifacts)","photographs"],"access_subjects_ssm":["Administrative procedure -- United States","Civil service","Law  -- Study and teaching","New Deal, 1933-1939","clippings (information artifacts)","photographs"],"has_online_content_ssim":["false"],"extent_ssm":["16 Cubic Feet 28 archival boxes, plus photographs and some oversized materials."],"extent_tesim":["16 Cubic Feet 28 archival boxes, plus photographs and some oversized materials."],"genreform_ssim":["clippings (information artifacts)","photographs"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"bioghist_html_tesm":["\u003cp\u003eBorn in Seattle, Washington, in 1904, Carl McFarland received his B.A. (1928), his M.A. (1929), and his LL.B. 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In 1932 he earned an S.J.D. from Harvard Law School, and a year later his dissertation, Judicial Control of the Federal Trade Commission and Interstate Commerce Commission, was published. Returning to Montana in the fall of 1932, McFarland joined the law firm of Toomey and McFarland in Helena. Early in 1933, he accepted the Montana State Supreme Court's offer to act as Commissioner of the codification of the Montana statutes. He had barely begun this work when he left to join the Department of Justice in Washington. First employed as a special assistant anti-trust attorney, McFarland was later appointed assistant attorney general. In charge of the vast Lands Division, he was instrumental in drafting much New Deal legislation. Also during this period McFarland co-wrote  Federal Justice  with Attorney General Homer S. Cummings. He received the American Bar Association's first Ross Award in 1934.","By 1939, both men had left the Justice Department. McFarland joined Cummings in private practice at the latter's Washington firm of Cummings and Stanley (later called McFarland and Sellers). Beginning in 1940, McFarland was active in American Bar Association committees, chiefly the Legislation and Administrative Law Committee. In this capacity he was the principal draftsman of the Administrative Procedure Act, the federal statute which provides for the governing of more than one hundred governmental agencies, and which was voted into law in 1946 without a single dissent in either house. For his contributions to this legislative achievement, McFarland was awarded the American Bar Association's Gold Medallion. Following the passage of the bill, he served a brief term as Chairman of the Civil Service Commission's Hearing Examiner Board in 1948-1949. Leaving private practice in 1951, McFarland began an eight-year stint as president of the University of Montana. He joined the faculty of the University of Virginia Law School in 1959. His courses included Administrative Law and Legislation. An authority on legislative and administrative law, McFarland served on the Hoover Commission, the President's Conference on Administrative Procedure in 1954-1955, and the Virginia Code Commission. He was consultant to the Virginia Commission on Constitutional Revision, and chairman of the 1968 United States Public Land Law Revision Commission. He died in 1979."],"odd_html_tesm":["\u003cp\u003e\"(1)Text of S. 7, (2) a revised text develop through informal conferences with interest parties, (3) brief explanatory statements, and (4) a summary of suggestions and objections respecting the revised text.\"\u003c/p\u003e","\u003cp\u003eThere are also loose documents inserted in the document.\u003c/p\u003e","\u003cp\u003e(3 folders)\u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e(2 folders)\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General"],"odd_tesim":["\"(1)Text of S. 7, (2) a revised text develop through informal conferences with interest parties, (3) brief explanatory statements, and (4) a summary of suggestions and objections respecting the revised text.\"","There are also loose documents inserted in the document.","(3 folders)","[2 folders]","(2 folders)"],"processinfo_html_tesm":["\u003cp\u003eOversized document transfered to oversized cabinet in March od 2021.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Oversized document transfered to oversized cabinet in March od 2021."],"scopecontent_html_tesm":["\u003cp\u003eThese papers, which are almost entirely professional, have been arranged in groups corresponding to the stages of Carl McFarland's career. The earliest records originated during his tenure at the Department of Justice in the 1930's, and contain valuable information concerning the Wagner Act, the Agricultural Adjustment Act, and other New Deal legislation. McFarland's work as chairman of the American Bar Association's committee on administrative law, which resulted in the 1946 passage of the Administrative Procedure Act, is fully documented, as is his brief term as chairman of the Civil Service Commission's Hearing Examiner Board. While there is little material documenting his term as president of the University of Montana, there are records of his activities on the Hoover Commission, the President's Conference on Administrative Law, and the Virginia Code Commission. McFarland's role as literary executor for former Attorney General Homer S. 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The earliest records originated during his tenure at the Department of Justice in the 1930's, and contain valuable information concerning the Wagner Act, the Agricultural Adjustment Act, and other New Deal legislation. McFarland's work as chairman of the American Bar Association's committee on administrative law, which resulted in the 1946 passage of the Administrative Procedure Act, is fully documented, as is his brief term as chairman of the Civil Service Commission's Hearing Examiner Board. While there is little material documenting his term as president of the University of Montana, there are records of his activities on the Hoover Commission, the President's Conference on Administrative Law, and the Virginia Code Commission. McFarland's role as literary executor for former Attorney General Homer S. Cummings is documented in detail.","Later files include many drafts of a proposed casebook, Legislation and Administrative Law, as well as much teaching material, primarily notes and exams from courses taught at the University of Virginia. These files contain many folders of research notes and clippings related to his various professional interests. A list of published material found in the collection is enclosed in the control folder.","McFarland's correspondents include Griffin Bell, Raymond Bice, William J. Brennan, Mortimer Caplin, Tom Clark, Homer S. Cummings, Hardy Dillard, Northcutt Ely, Paul Freund, William Harbaugh, Frank Hereford, William Leuchtenberg, Miles Lord, Pat McCarran, Frank Murphy, Allan Nevins, Monrad Paulsen, Stanley Reed, Jack Ritchie, Franklin Roosevelt, Emerson Spies, Robert F. Wagner, Henry A. 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His courses included Administrative Law and Legislation. An authority on legislative and administrative law, McFarland served on the Hoover Commission, the President's Conference on Administrative Procedure in 1954-1955, and the Virginia Code Commission. He was consultant to the Virginia Commission on Constitutional Revision, and chairman of the 1968 United States Public Land Law Revision Commission. He died in 1979.","\"(1)Text of S. 7, (2) a revised text develop through informal conferences with interest parties, (3) brief explanatory statements, and (4) a summary of suggestions and objections respecting the revised text.\"","There are also loose documents inserted in the document.","(3 folders)","[2 folders]","(2 folders)","Oversized document transfered to oversized cabinet in March od 2021.","These papers, which are almost entirely professional, have been arranged in groups corresponding to the stages of Carl McFarland's career. 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McFarland joined Cummings in private practice at the latter's Washington firm of Cummings and Stanley (later called McFarland and Sellers). Beginning in 1940, McFarland was active in American Bar Association committees, chiefly the Legislation and Administrative Law Committee. In this capacity he was the principal draftsman of the Administrative Procedure Act, the federal statute which provides for the governing of more than one hundred governmental agencies, and which was voted into law in 1946 without a single dissent in either house. For his contributions to this legislative achievement, McFarland was awarded the American Bar Association's Gold Medallion. Following the passage of the bill, he served a brief term as Chairman of the Civil Service Commission's Hearing Examiner Board in 1948-1949. Leaving private practice in 1951, McFarland began an eight-year stint as president of the University of Montana. He joined the faculty of the University of Virginia Law School in 1959. 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Department of Justice"],"persname_ssim":["McFarland, Carl, 1904-1979"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":236,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:22:35.753Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_4_resources_634"}},{"id":"wvmturhc_repositories_2_resources_2652","type":"collection","attributes":{"title":"Clarence Edwin Smith (1885-1959) Papers","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2652#creator","type":"document_value","attributes":{"value":"Smith, Clarence Edwin, 1885-1959","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2652#abstract_or_scope","type":"document_value","attributes":{"value":"Correspondence, business and legal records, account books, news releases, clippings, and family papers and photographs of a U.S. marshal (1916-1922); editor of the Fairmont TIMES (1925-1959) and Wheeling REGISTER (1933-1935); Democratic politician; member of the National Bituminous Coal Commission (1935-1939); and businessman. Subjects include: Smith's student days at Virginia Military Institute; West Virginia National Guard; Monongah Mine Relief Committee; Associated Press; Association Against the Prohibition Amendment; Eighteenth Amendment; presidential elections and national and state politics, 1916-1956; John W. Davis; Alfred E. Smith; post-World War I radicalism and reaction; Ku Klux Klan; United Mine Workers; National Miners' Union; labor conflict, 1920s; U.S. Railway Administration; New Deal agencies; and Mountain Lake Park, Maryland. Correspondents include Van A. Bittner, William E. Chilton, William G. Conley, John J. Cornwell, John W. Davis, Eugene V. Debs, James A. Farley, William Green, Averell Harriman, Homer Adams Holt, Rush Dew Holt, Hugh S. Johnson, Louis Johnson, Harley M. Kilgore, H.G. Kump, John L. Lewis, William A. MacCorkle, J. Howard McGrath, Clarence W. Meadows, M.M. Neely, Okey L. Patteson, Jennings Randolph, Adlai E. Stevenson, Clarence W. Watson, and James O. Watson. There are also papers of Clarence L. Smith (1850-1905), editor of the Fairmont INDEX (1889) and founder of the Fairmont TIMES (1900), which include a domestic diary of his wife, 1876-1910; minute book of the Fleming Association, 1890-1894; papers of Clarence Edwin Smith, Jr., 1940-1941; papers of Thomas Barns (1750-1836), and his sons, John S. (delegate to Second Wheeling Convention) and James F.; Marion County millers and manufacturers, 1795-1908. There are also papers of Waitman T. Willey and a taped interview with C.E. Smith, 1956. Correspondents include John L. Lewis, Matthew M. Neely, Francis H. Pierpont, and John J. Cornwell. There are also papers, 1917-1950, of Smith's brother, Earl H. (1880-1941), co-founder and editor of the Fairmont TIMES (1900-1925), state legislator, officer in the National Guard, and state commander of the American Legion. Subjects include World War I; Woodrow Wilson; American Legion; and state and national politics, 1918-1940. Correspondents include John J. Cornwell, John W. Davis, Sam T. Mallison, M.M. Neely, Jennings Randolph, and Howard Sutherland. The collection also includes papers, 1908-1940, of Herschel H. Rose, Smith's son-in-law, Fairmont attorney, Democrat politician, and circuit court judge. M.M. Neely is a correspondent. Financial records include account books, 1826-1893, of Thomas Barns, John S. Barns and Company, Barns, Fleming and Company (1857), James R. Fleming, woolen and flour milling, shoe manufacturing, and general merchandise operations in Marion County; account book of Mary Fleming Smith, 1888-1912; Fairmont Newspaper Publishing Company, 1919-1949; Fairmont Broadcasting Company, 1932, 1947-1949; and Jackson Coal Company, 1917-1924; Fairmont Coal Company founding mortgage document, 1901 (box 2, folder 4).","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2652#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_2652","ead_ssi":"wvmturhc_repositories_2_resources_2652","_root_":"wvmturhc_repositories_2_resources_2652","_nest_parent_":"wvmturhc_repositories_2_resources_2652","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_2652.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196718","title_ssm":["Clarence Edwin Smith (1885-1959) Papers"],"title_tesim":["Clarence Edwin Smith (1885-1959) Papers"],"unitdate_ssm":["1787-1957"],"unitdate_inclusive_ssm":["1787-1957"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 0258","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2652"],"text":["A\u0026M 0258","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2652","Clarence Edwin Smith (1885-1959) Papers","Fairmont.","Marion County (W. Va.)","Mountain Lake Park (Md.)","Academies (Private schools)","Account books","Coal mining - coal companies.","Diaries and journals.","Editors - letters and papers.","Elections","General stores","Judges - letters and papers.","Labor organization. SEE ALSO Coal mining - labor","Lawyers - letters and papers.","Mills and mill-work","Politics and government.","Railroads","Unions.","New Deal, 1933-1939","Women's history -- 1850-1899","Women's history -- 1900-1929","World War, 1914-1918","No special access restriction applies.","258, 1604, 1606","Separated to Rare Books Collection from Box 2, Folder 2:","Stowe, Harriet Beecher. Uncle Tom's Cabin; or, Life Among the Lowly. Dramatized by George L. Aiken. New York: Samuel French, 1858.","Separated to Rare Signatures, A\u0026M 435:","Letter from James A. Farley to C.E. Smith, December 1939.","Letter from Franklin D. Roosevelt to C.E. Smith, March 17, 1938.","Letter from Harry S. Truman to C.E. Smith, February 23, 1950.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Correspondence, business and legal records, account books, news releases, clippings, and family papers and photographs of a U.S. marshal (1916-1922); editor of the Fairmont TIMES (1925-1959) and Wheeling REGISTER (1933-1935); Democratic politician; member of the National Bituminous Coal Commission (1935-1939); and businessman. Subjects include: Smith's student days at Virginia Military Institute; West Virginia National Guard; Monongah Mine Relief Committee; Associated Press; Association Against the Prohibition Amendment; Eighteenth Amendment; presidential elections and national and state politics, 1916-1956; John W. Davis; Alfred E. Smith; post-World War I radicalism and reaction; Ku Klux Klan; United Mine Workers; National Miners' Union; labor conflict, 1920s; U.S. Railway Administration; New Deal agencies; and Mountain Lake Park, Maryland. Correspondents include Van A. Bittner, William E. Chilton, William G. Conley, John J. Cornwell, John W. Davis, Eugene V. Debs, James A. Farley, William Green, Averell Harriman, Homer Adams Holt, Rush Dew Holt, Hugh S. Johnson, Louis Johnson, Harley M. Kilgore, H.G. Kump, John L. Lewis, William A. MacCorkle, J. Howard McGrath, Clarence W. Meadows, M.M. Neely, Okey L. Patteson, Jennings Randolph, Adlai E. Stevenson, Clarence W. Watson, and James O. Watson. There are also papers of Clarence L. Smith (1850-1905), editor of the Fairmont INDEX (1889) and founder of the Fairmont TIMES (1900), which include a domestic diary of his wife, 1876-1910; minute book of the Fleming Association, 1890-1894; papers of Clarence Edwin Smith, Jr., 1940-1941; papers of Thomas Barns (1750-1836), and his sons, John S. (delegate to Second Wheeling Convention) and James F.; Marion County millers and manufacturers, 1795-1908. There are also papers of Waitman T. Willey and a taped interview with C.E. Smith, 1956. Correspondents include John L. Lewis, Matthew M. Neely, Francis H. Pierpont, and John J. Cornwell. There are also papers, 1917-1950, of Smith's brother, Earl H. (1880-1941), co-founder and editor of the Fairmont TIMES (1900-1925), state legislator, officer in the National Guard, and state commander of the American Legion. Subjects include World War I; Woodrow Wilson; American Legion; and state and national politics, 1918-1940. Correspondents include John J. Cornwell, John W. Davis, Sam T. Mallison, M.M. Neely, Jennings Randolph, and Howard Sutherland. The collection also includes papers, 1908-1940, of Herschel H. Rose, Smith's son-in-law, Fairmont attorney, Democrat politician, and circuit court judge. M.M. Neely is a correspondent. Financial records include account books, 1826-1893, of Thomas Barns, John S. Barns and Company, Barns, Fleming and Company (1857), James R. Fleming, woolen and flour milling, shoe manufacturing, and general merchandise operations in Marion County; account book of Mary Fleming Smith, 1888-1912; Fairmont Newspaper Publishing Company, 1919-1949; Fairmont Broadcasting Company, 1932, 1947-1949; and Jackson Coal Company, 1917-1924; Fairmont Coal Company founding mortgage document, 1901 (box 2, folder 4).","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute","Smith, Clarence Edwin, 1885-1959","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924","English"],"unitid_tesim":["A\u0026M 0258","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2652"],"normalized_title_ssm":["Clarence Edwin Smith (1885-1959) Papers"],"collection_title_tesim":["Clarence Edwin Smith (1885-1959) Papers"],"collection_ssim":["Clarence Edwin Smith (1885-1959) Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Fairmont.","Marion County (W. Va.)","Mountain Lake Park (Md.)"],"geogname_ssim":["Fairmont.","Marion County (W. Va.)","Mountain Lake Park (Md.)"],"creator_ssm":["Smith, Clarence Edwin, 1885-1959"],"creator_ssim":["Smith, Clarence Edwin, 1885-1959"],"creator_persname_ssim":["Smith, Clarence Edwin, 1885-1959"],"creators_ssim":["Smith, Clarence Edwin, 1885-1959"],"places_ssim":["Fairmont.","Marion County (W. Va.)","Mountain Lake Park (Md.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Academies (Private schools)","Account books","Coal mining - coal companies.","Diaries and journals.","Editors - letters and papers.","Elections","General stores","Judges - letters and papers.","Labor organization. SEE ALSO Coal mining - labor","Lawyers - letters and papers.","Mills and mill-work","Politics and government.","Railroads","Unions.","New Deal, 1933-1939","Women's history -- 1850-1899","Women's history -- 1900-1929","World War, 1914-1918"],"access_subjects_ssm":["Academies (Private schools)","Account books","Coal mining - coal companies.","Diaries and journals.","Editors - letters and papers.","Elections","General stores","Judges - letters and papers.","Labor organization. SEE ALSO Coal mining - labor","Lawyers - letters and papers.","Mills and mill-work","Politics and government.","Railroads","Unions.","New Deal, 1933-1939","Women's history -- 1850-1899","Women's history -- 1900-1929","World War, 1914-1918"],"has_online_content_ssim":["false"],"extent_ssm":["1.25 Linear Feet Summary: 1 ft. 2 1/2 in. (2 document cases, 5 in. each); (2 folders, 1 1/2 in.); (1 scrapbook, 3 in.); (1 oversize folder, 3 items)"],"extent_tesim":["1.25 Linear Feet Summary: 1 ft. 2 1/2 in. (2 document cases, 5 in. each); (2 folders, 1 1/2 in.); (1 scrapbook, 3 in.); (1 oversize folder, 3 items)"],"date_range_isim":[1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Clarence Edwin Smith (1885-1959) Papers, A\u0026amp;M 0258, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Clarence Edwin Smith (1885-1959) Papers, A\u0026M 0258, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e258, 1604, 1606\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["258, 1604, 1606"],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to Rare Books Collection from Box 2, Folder 2:\u003c/p\u003e\n","\u003cp\u003eStowe, Harriet Beecher. Uncle Tom's Cabin; or, Life Among the Lowly. Dramatized by George L. Aiken. New York: Samuel French, 1858.\u003c/p\u003e\n","\u003cp\u003eSeparated to Rare Signatures, A\u0026amp;M 435:\u003c/p\u003e\n","\u003cp\u003eLetter from James A. Farley to C.E. Smith, December 1939.\u003c/p\u003e\n","\u003cp\u003eLetter from Franklin D. Roosevelt to C.E. Smith, March 17, 1938.\u003c/p\u003e\n","\u003cp\u003eLetter from Harry S. Truman to C.E. Smith, February 23, 1950.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to Rare Books Collection from Box 2, Folder 2:","Stowe, Harriet Beecher. Uncle Tom's Cabin; or, Life Among the Lowly. Dramatized by George L. Aiken. New York: Samuel French, 1858.","Separated to Rare Signatures, A\u0026M 435:","Letter from James A. Farley to C.E. Smith, December 1939.","Letter from Franklin D. Roosevelt to C.E. Smith, March 17, 1938.","Letter from Harry S. Truman to C.E. Smith, February 23, 1950."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_822786b86ccd09f6a7d09b106ca58e3b\"\u003eCorrespondence, business and legal records, account books, news releases, clippings, and family papers and photographs of a U.S. marshal (1916-1922); editor of the Fairmont TIMES (1925-1959) and Wheeling REGISTER (1933-1935); Democratic politician; member of the National Bituminous Coal Commission (1935-1939); and businessman. Subjects include: Smith's student days at Virginia Military Institute; West Virginia National Guard; Monongah Mine Relief Committee; Associated Press; Association Against the Prohibition Amendment; Eighteenth Amendment; presidential elections and national and state politics, 1916-1956; John W. Davis; Alfred E. Smith; post-World War I radicalism and reaction; Ku Klux Klan; United Mine Workers; National Miners' Union; labor conflict, 1920s; U.S. Railway Administration; New Deal agencies; and Mountain Lake Park, Maryland. Correspondents include Van A. Bittner, William E. Chilton, William G. Conley, John J. Cornwell, John W. Davis, Eugene V. Debs, James A. Farley, William Green, Averell Harriman, Homer Adams Holt, Rush Dew Holt, Hugh S. Johnson, Louis Johnson, Harley M. Kilgore, H.G. Kump, John L. Lewis, William A. MacCorkle, J. Howard McGrath, Clarence W. Meadows, M.M. Neely, Okey L. Patteson, Jennings Randolph, Adlai E. Stevenson, Clarence W. Watson, and James O. Watson. There are also papers of Clarence L. Smith (1850-1905), editor of the Fairmont INDEX (1889) and founder of the Fairmont TIMES (1900), which include a domestic diary of his wife, 1876-1910; minute book of the Fleming Association, 1890-1894; papers of Clarence Edwin Smith, Jr., 1940-1941; papers of Thomas Barns (1750-1836), and his sons, John S. (delegate to Second Wheeling Convention) and James F.; Marion County millers and manufacturers, 1795-1908. There are also papers of Waitman T. Willey and a taped interview with C.E. Smith, 1956. Correspondents include John L. Lewis, Matthew M. Neely, Francis H. Pierpont, and John J. Cornwell. There are also papers, 1917-1950, of Smith's brother, Earl H. (1880-1941), co-founder and editor of the Fairmont TIMES (1900-1925), state legislator, officer in the National Guard, and state commander of the American Legion. Subjects include World War I; Woodrow Wilson; American Legion; and state and national politics, 1918-1940. Correspondents include John J. Cornwell, John W. Davis, Sam T. Mallison, M.M. Neely, Jennings Randolph, and Howard Sutherland. The collection also includes papers, 1908-1940, of Herschel H. Rose, Smith's son-in-law, Fairmont attorney, Democrat politician, and circuit court judge. M.M. Neely is a correspondent. Financial records include account books, 1826-1893, of Thomas Barns, John S. Barns and Company, Barns, Fleming and Company (1857), James R. Fleming, woolen and flour milling, shoe manufacturing, and general merchandise operations in Marion County; account book of Mary Fleming Smith, 1888-1912; Fairmont Newspaper Publishing Company, 1919-1949; Fairmont Broadcasting Company, 1932, 1947-1949; and Jackson Coal Company, 1917-1924; Fairmont Coal Company founding mortgage document, 1901 (box 2, folder 4).\u003c/abstract\u003e"],"abstract_tesim":["Correspondence, business and legal records, account books, news releases, clippings, and family papers and photographs of a U.S. marshal (1916-1922); editor of the Fairmont TIMES (1925-1959) and Wheeling REGISTER (1933-1935); Democratic politician; member of the National Bituminous Coal Commission (1935-1939); and businessman. Subjects include: Smith's student days at Virginia Military Institute; West Virginia National Guard; Monongah Mine Relief Committee; Associated Press; Association Against the Prohibition Amendment; Eighteenth Amendment; presidential elections and national and state politics, 1916-1956; John W. Davis; Alfred E. Smith; post-World War I radicalism and reaction; Ku Klux Klan; United Mine Workers; National Miners' Union; labor conflict, 1920s; U.S. Railway Administration; New Deal agencies; and Mountain Lake Park, Maryland. Correspondents include Van A. Bittner, William E. Chilton, William G. Conley, John J. Cornwell, John W. Davis, Eugene V. Debs, James A. Farley, William Green, Averell Harriman, Homer Adams Holt, Rush Dew Holt, Hugh S. Johnson, Louis Johnson, Harley M. Kilgore, H.G. Kump, John L. Lewis, William A. MacCorkle, J. Howard McGrath, Clarence W. Meadows, M.M. Neely, Okey L. Patteson, Jennings Randolph, Adlai E. Stevenson, Clarence W. Watson, and James O. Watson. There are also papers of Clarence L. Smith (1850-1905), editor of the Fairmont INDEX (1889) and founder of the Fairmont TIMES (1900), which include a domestic diary of his wife, 1876-1910; minute book of the Fleming Association, 1890-1894; papers of Clarence Edwin Smith, Jr., 1940-1941; papers of Thomas Barns (1750-1836), and his sons, John S. (delegate to Second Wheeling Convention) and James F.; Marion County millers and manufacturers, 1795-1908. There are also papers of Waitman T. Willey and a taped interview with C.E. Smith, 1956. Correspondents include John L. Lewis, Matthew M. Neely, Francis H. Pierpont, and John J. Cornwell. There are also papers, 1917-1950, of Smith's brother, Earl H. (1880-1941), co-founder and editor of the Fairmont TIMES (1900-1925), state legislator, officer in the National Guard, and state commander of the American Legion. Subjects include World War I; Woodrow Wilson; American Legion; and state and national politics, 1918-1940. Correspondents include John J. Cornwell, John W. Davis, Sam T. Mallison, M.M. Neely, Jennings Randolph, and Howard Sutherland. The collection also includes papers, 1908-1940, of Herschel H. Rose, Smith's son-in-law, Fairmont attorney, Democrat politician, and circuit court judge. M.M. Neely is a correspondent. Financial records include account books, 1826-1893, of Thomas Barns, John S. Barns and Company, Barns, Fleming and Company (1857), James R. Fleming, woolen and flour milling, shoe manufacturing, and general merchandise operations in Marion County; account book of Mary Fleming Smith, 1888-1912; Fairmont Newspaper Publishing Company, 1919-1949; Fairmont Broadcasting Company, 1932, 1947-1949; and Jackson Coal Company, 1917-1924; Fairmont Coal Company founding mortgage document, 1901 (box 2, folder 4)."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_40930189a97d42a1cb8019af11f98966\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence Edwin, 1885-1959","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924"],"names_ssim":["West Virginia and Regional History Center","American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute","Smith, Clarence Edwin, 1885-1959","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924"],"corpname_ssim":["West Virginia and Regional History Center","American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute"],"persname_ssim":["Smith, Clarence Edwin, 1885-1959","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:35:13.743Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_2652","ead_ssi":"wvmturhc_repositories_2_resources_2652","_root_":"wvmturhc_repositories_2_resources_2652","_nest_parent_":"wvmturhc_repositories_2_resources_2652","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_2652.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196718","title_ssm":["Clarence Edwin Smith (1885-1959) Papers"],"title_tesim":["Clarence Edwin Smith (1885-1959) Papers"],"unitdate_ssm":["1787-1957"],"unitdate_inclusive_ssm":["1787-1957"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 0258","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2652"],"text":["A\u0026M 0258","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2652","Clarence Edwin Smith (1885-1959) Papers","Fairmont.","Marion County (W. Va.)","Mountain Lake Park (Md.)","Academies (Private schools)","Account books","Coal mining - coal companies.","Diaries and journals.","Editors - letters and papers.","Elections","General stores","Judges - letters and papers.","Labor organization. SEE ALSO Coal mining - labor","Lawyers - letters and papers.","Mills and mill-work","Politics and government.","Railroads","Unions.","New Deal, 1933-1939","Women's history -- 1850-1899","Women's history -- 1900-1929","World War, 1914-1918","No special access restriction applies.","258, 1604, 1606","Separated to Rare Books Collection from Box 2, Folder 2:","Stowe, Harriet Beecher. Uncle Tom's Cabin; or, Life Among the Lowly. Dramatized by George L. Aiken. New York: Samuel French, 1858.","Separated to Rare Signatures, A\u0026M 435:","Letter from James A. Farley to C.E. Smith, December 1939.","Letter from Franklin D. Roosevelt to C.E. Smith, March 17, 1938.","Letter from Harry S. Truman to C.E. Smith, February 23, 1950.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Correspondence, business and legal records, account books, news releases, clippings, and family papers and photographs of a U.S. marshal (1916-1922); editor of the Fairmont TIMES (1925-1959) and Wheeling REGISTER (1933-1935); Democratic politician; member of the National Bituminous Coal Commission (1935-1939); and businessman. Subjects include: Smith's student days at Virginia Military Institute; West Virginia National Guard; Monongah Mine Relief Committee; Associated Press; Association Against the Prohibition Amendment; Eighteenth Amendment; presidential elections and national and state politics, 1916-1956; John W. Davis; Alfred E. Smith; post-World War I radicalism and reaction; Ku Klux Klan; United Mine Workers; National Miners' Union; labor conflict, 1920s; U.S. Railway Administration; New Deal agencies; and Mountain Lake Park, Maryland. Correspondents include Van A. Bittner, William E. Chilton, William G. Conley, John J. Cornwell, John W. Davis, Eugene V. Debs, James A. Farley, William Green, Averell Harriman, Homer Adams Holt, Rush Dew Holt, Hugh S. Johnson, Louis Johnson, Harley M. Kilgore, H.G. Kump, John L. Lewis, William A. MacCorkle, J. Howard McGrath, Clarence W. Meadows, M.M. Neely, Okey L. Patteson, Jennings Randolph, Adlai E. Stevenson, Clarence W. Watson, and James O. Watson. There are also papers of Clarence L. Smith (1850-1905), editor of the Fairmont INDEX (1889) and founder of the Fairmont TIMES (1900), which include a domestic diary of his wife, 1876-1910; minute book of the Fleming Association, 1890-1894; papers of Clarence Edwin Smith, Jr., 1940-1941; papers of Thomas Barns (1750-1836), and his sons, John S. (delegate to Second Wheeling Convention) and James F.; Marion County millers and manufacturers, 1795-1908. There are also papers of Waitman T. Willey and a taped interview with C.E. Smith, 1956. Correspondents include John L. Lewis, Matthew M. Neely, Francis H. Pierpont, and John J. Cornwell. There are also papers, 1917-1950, of Smith's brother, Earl H. (1880-1941), co-founder and editor of the Fairmont TIMES (1900-1925), state legislator, officer in the National Guard, and state commander of the American Legion. Subjects include World War I; Woodrow Wilson; American Legion; and state and national politics, 1918-1940. Correspondents include John J. Cornwell, John W. Davis, Sam T. Mallison, M.M. Neely, Jennings Randolph, and Howard Sutherland. The collection also includes papers, 1908-1940, of Herschel H. Rose, Smith's son-in-law, Fairmont attorney, Democrat politician, and circuit court judge. M.M. Neely is a correspondent. Financial records include account books, 1826-1893, of Thomas Barns, John S. Barns and Company, Barns, Fleming and Company (1857), James R. Fleming, woolen and flour milling, shoe manufacturing, and general merchandise operations in Marion County; account book of Mary Fleming Smith, 1888-1912; Fairmont Newspaper Publishing Company, 1919-1949; Fairmont Broadcasting Company, 1932, 1947-1949; and Jackson Coal Company, 1917-1924; Fairmont Coal Company founding mortgage document, 1901 (box 2, folder 4).","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute","Smith, Clarence Edwin, 1885-1959","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924","English"],"unitid_tesim":["A\u0026M 0258","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2652"],"normalized_title_ssm":["Clarence Edwin Smith (1885-1959) Papers"],"collection_title_tesim":["Clarence Edwin Smith (1885-1959) Papers"],"collection_ssim":["Clarence Edwin Smith (1885-1959) Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Fairmont.","Marion County (W. Va.)","Mountain Lake Park (Md.)"],"geogname_ssim":["Fairmont.","Marion County (W. Va.)","Mountain Lake Park (Md.)"],"creator_ssm":["Smith, Clarence Edwin, 1885-1959"],"creator_ssim":["Smith, Clarence Edwin, 1885-1959"],"creator_persname_ssim":["Smith, Clarence Edwin, 1885-1959"],"creators_ssim":["Smith, Clarence Edwin, 1885-1959"],"places_ssim":["Fairmont.","Marion County (W. Va.)","Mountain Lake Park (Md.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Academies (Private schools)","Account books","Coal mining - coal companies.","Diaries and journals.","Editors - letters and papers.","Elections","General stores","Judges - letters and papers.","Labor organization. SEE ALSO Coal mining - labor","Lawyers - letters and papers.","Mills and mill-work","Politics and government.","Railroads","Unions.","New Deal, 1933-1939","Women's history -- 1850-1899","Women's history -- 1900-1929","World War, 1914-1918"],"access_subjects_ssm":["Academies (Private schools)","Account books","Coal mining - coal companies.","Diaries and journals.","Editors - letters and papers.","Elections","General stores","Judges - letters and papers.","Labor organization. SEE ALSO Coal mining - labor","Lawyers - letters and papers.","Mills and mill-work","Politics and government.","Railroads","Unions.","New Deal, 1933-1939","Women's history -- 1850-1899","Women's history -- 1900-1929","World War, 1914-1918"],"has_online_content_ssim":["false"],"extent_ssm":["1.25 Linear Feet Summary: 1 ft. 2 1/2 in. (2 document cases, 5 in. each); (2 folders, 1 1/2 in.); (1 scrapbook, 3 in.); (1 oversize folder, 3 items)"],"extent_tesim":["1.25 Linear Feet Summary: 1 ft. 2 1/2 in. (2 document cases, 5 in. each); (2 folders, 1 1/2 in.); (1 scrapbook, 3 in.); (1 oversize folder, 3 items)"],"date_range_isim":[1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Clarence Edwin Smith (1885-1959) Papers, A\u0026amp;M 0258, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Clarence Edwin Smith (1885-1959) Papers, A\u0026M 0258, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e258, 1604, 1606\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["258, 1604, 1606"],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to Rare Books Collection from Box 2, Folder 2:\u003c/p\u003e\n","\u003cp\u003eStowe, Harriet Beecher. Uncle Tom's Cabin; or, Life Among the Lowly. Dramatized by George L. Aiken. New York: Samuel French, 1858.\u003c/p\u003e\n","\u003cp\u003eSeparated to Rare Signatures, A\u0026amp;M 435:\u003c/p\u003e\n","\u003cp\u003eLetter from James A. Farley to C.E. Smith, December 1939.\u003c/p\u003e\n","\u003cp\u003eLetter from Franklin D. Roosevelt to C.E. Smith, March 17, 1938.\u003c/p\u003e\n","\u003cp\u003eLetter from Harry S. Truman to C.E. Smith, February 23, 1950.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to Rare Books Collection from Box 2, Folder 2:","Stowe, Harriet Beecher. Uncle Tom's Cabin; or, Life Among the Lowly. Dramatized by George L. Aiken. New York: Samuel French, 1858.","Separated to Rare Signatures, A\u0026M 435:","Letter from James A. Farley to C.E. Smith, December 1939.","Letter from Franklin D. Roosevelt to C.E. Smith, March 17, 1938.","Letter from Harry S. Truman to C.E. Smith, February 23, 1950."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_822786b86ccd09f6a7d09b106ca58e3b\"\u003eCorrespondence, business and legal records, account books, news releases, clippings, and family papers and photographs of a U.S. marshal (1916-1922); editor of the Fairmont TIMES (1925-1959) and Wheeling REGISTER (1933-1935); Democratic politician; member of the National Bituminous Coal Commission (1935-1939); and businessman. Subjects include: Smith's student days at Virginia Military Institute; West Virginia National Guard; Monongah Mine Relief Committee; Associated Press; Association Against the Prohibition Amendment; Eighteenth Amendment; presidential elections and national and state politics, 1916-1956; John W. Davis; Alfred E. Smith; post-World War I radicalism and reaction; Ku Klux Klan; United Mine Workers; National Miners' Union; labor conflict, 1920s; U.S. Railway Administration; New Deal agencies; and Mountain Lake Park, Maryland. Correspondents include Van A. Bittner, William E. Chilton, William G. Conley, John J. Cornwell, John W. Davis, Eugene V. Debs, James A. Farley, William Green, Averell Harriman, Homer Adams Holt, Rush Dew Holt, Hugh S. Johnson, Louis Johnson, Harley M. Kilgore, H.G. Kump, John L. Lewis, William A. MacCorkle, J. Howard McGrath, Clarence W. Meadows, M.M. Neely, Okey L. Patteson, Jennings Randolph, Adlai E. Stevenson, Clarence W. Watson, and James O. Watson. There are also papers of Clarence L. Smith (1850-1905), editor of the Fairmont INDEX (1889) and founder of the Fairmont TIMES (1900), which include a domestic diary of his wife, 1876-1910; minute book of the Fleming Association, 1890-1894; papers of Clarence Edwin Smith, Jr., 1940-1941; papers of Thomas Barns (1750-1836), and his sons, John S. (delegate to Second Wheeling Convention) and James F.; Marion County millers and manufacturers, 1795-1908. There are also papers of Waitman T. Willey and a taped interview with C.E. Smith, 1956. Correspondents include John L. Lewis, Matthew M. Neely, Francis H. Pierpont, and John J. Cornwell. There are also papers, 1917-1950, of Smith's brother, Earl H. (1880-1941), co-founder and editor of the Fairmont TIMES (1900-1925), state legislator, officer in the National Guard, and state commander of the American Legion. Subjects include World War I; Woodrow Wilson; American Legion; and state and national politics, 1918-1940. Correspondents include John J. Cornwell, John W. Davis, Sam T. Mallison, M.M. Neely, Jennings Randolph, and Howard Sutherland. The collection also includes papers, 1908-1940, of Herschel H. Rose, Smith's son-in-law, Fairmont attorney, Democrat politician, and circuit court judge. M.M. Neely is a correspondent. Financial records include account books, 1826-1893, of Thomas Barns, John S. Barns and Company, Barns, Fleming and Company (1857), James R. Fleming, woolen and flour milling, shoe manufacturing, and general merchandise operations in Marion County; account book of Mary Fleming Smith, 1888-1912; Fairmont Newspaper Publishing Company, 1919-1949; Fairmont Broadcasting Company, 1932, 1947-1949; and Jackson Coal Company, 1917-1924; Fairmont Coal Company founding mortgage document, 1901 (box 2, folder 4).\u003c/abstract\u003e"],"abstract_tesim":["Correspondence, business and legal records, account books, news releases, clippings, and family papers and photographs of a U.S. marshal (1916-1922); editor of the Fairmont TIMES (1925-1959) and Wheeling REGISTER (1933-1935); Democratic politician; member of the National Bituminous Coal Commission (1935-1939); and businessman. Subjects include: Smith's student days at Virginia Military Institute; West Virginia National Guard; Monongah Mine Relief Committee; Associated Press; Association Against the Prohibition Amendment; Eighteenth Amendment; presidential elections and national and state politics, 1916-1956; John W. Davis; Alfred E. Smith; post-World War I radicalism and reaction; Ku Klux Klan; United Mine Workers; National Miners' Union; labor conflict, 1920s; U.S. Railway Administration; New Deal agencies; and Mountain Lake Park, Maryland. Correspondents include Van A. Bittner, William E. Chilton, William G. Conley, John J. Cornwell, John W. Davis, Eugene V. Debs, James A. Farley, William Green, Averell Harriman, Homer Adams Holt, Rush Dew Holt, Hugh S. Johnson, Louis Johnson, Harley M. Kilgore, H.G. Kump, John L. Lewis, William A. MacCorkle, J. Howard McGrath, Clarence W. Meadows, M.M. Neely, Okey L. Patteson, Jennings Randolph, Adlai E. Stevenson, Clarence W. Watson, and James O. Watson. There are also papers of Clarence L. Smith (1850-1905), editor of the Fairmont INDEX (1889) and founder of the Fairmont TIMES (1900), which include a domestic diary of his wife, 1876-1910; minute book of the Fleming Association, 1890-1894; papers of Clarence Edwin Smith, Jr., 1940-1941; papers of Thomas Barns (1750-1836), and his sons, John S. (delegate to Second Wheeling Convention) and James F.; Marion County millers and manufacturers, 1795-1908. There are also papers of Waitman T. Willey and a taped interview with C.E. Smith, 1956. Correspondents include John L. Lewis, Matthew M. Neely, Francis H. Pierpont, and John J. Cornwell. There are also papers, 1917-1950, of Smith's brother, Earl H. (1880-1941), co-founder and editor of the Fairmont TIMES (1900-1925), state legislator, officer in the National Guard, and state commander of the American Legion. Subjects include World War I; Woodrow Wilson; American Legion; and state and national politics, 1918-1940. Correspondents include John J. Cornwell, John W. Davis, Sam T. Mallison, M.M. Neely, Jennings Randolph, and Howard Sutherland. The collection also includes papers, 1908-1940, of Herschel H. Rose, Smith's son-in-law, Fairmont attorney, Democrat politician, and circuit court judge. M.M. Neely is a correspondent. Financial records include account books, 1826-1893, of Thomas Barns, John S. Barns and Company, Barns, Fleming and Company (1857), James R. Fleming, woolen and flour milling, shoe manufacturing, and general merchandise operations in Marion County; account book of Mary Fleming Smith, 1888-1912; Fairmont Newspaper Publishing Company, 1919-1949; Fairmont Broadcasting Company, 1932, 1947-1949; and Jackson Coal Company, 1917-1924; Fairmont Coal Company founding mortgage document, 1901 (box 2, folder 4)."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_40930189a97d42a1cb8019af11f98966\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence Edwin, 1885-1959","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924"],"names_ssim":["West Virginia and Regional History Center","American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute","Smith, Clarence Edwin, 1885-1959","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924"],"corpname_ssim":["West Virginia and Regional History Center","American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute"],"persname_ssim":["Smith, Clarence Edwin, 1885-1959","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:35:13.743Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2652"}},{"id":"wvmturhc_repositories_2_resources_4993","type":"collection","attributes":{"title":"Clarence Edwin Smith (1885-1959) Papers","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4993#creator","type":"document_value","attributes":{"value":"Smith, Clarence Edwin, 1885-1959","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4993#abstract_or_scope","type":"document_value","attributes":{"value":"Correspondence, business and legal records, account books, news releases, clippings, and family papers and photographs of a U.S. Marshall (1916-1922); editor of the Fairmont TIMES (1925-1959) and Wheeling REGISTER (1933-1935); Democratic politician; member of the National Bituminous Coal Commission (1935-1939); and businessman. Subjects include: Smith's student days at Virginia Military Institute; West Virginia National Guard; Monongah Mine Relief Committee; Associated Press; Association Against the Prohibition Amendment; Eighteenth Amendment; presidential elections and national and state politics, 1916-1956; John W. Davis; Alfred E. Smith; post-World War I radicalism and reaction; Ku Klux Klan; United Mine Workers; National Miners' Union; labor conflict, 1920s; U.S. Railway Administration; New Deal agencies; and Mountain Lake Park, Maryland. Correspondents include Van A. Bittner, William E. Chilton, William G. Conley, John J. Cornwell, John W. Davis, Eugene V. Debs, James A. Farley, William Green, Averell Harriman, Homer Adams Holt, Rush Dew Holt, Hugh S. Johnson, Louis Johnson, Harley M. Kilgore, H.G. Kump, John L. Lewis, William A. MacCorkle, J. Howard McGrath, Clarence W. Meadows, M.M. Neely, Okey L. Patteson, Jennings Randolph, Franklin D. Roosevelt, Adlai E. Stevenson, Harry S. Truman, Clarence W. Watson, and James O. Watson. There are also papers of Clarence L. Smith (1850-1905), editor of the Fairmont INDEX (1889) and founder of the Fairmont TIMES (1900), which include a domestic diary of his wife, 1876-1910; minute book of the Fleming Association, 1890-1894; papers of Clarence Edwin Smith, Jr., 1940-1941; papers of Thomas Barns (1750-1836), and his sons, John S. and James F.; Marion County millers and manufacturers, 1795-1908. There are also papers of Waitman T. Willey and a taped interview with C.E. Smith, 1956. Correspondents include John L. Lewis, George B. McClellan, Matthew M. Neely, Francis H. Pierpont, John J. Cornwell, Franklin D. Roosevelt, and Harry S. Truman. There are also papers, 1917-1950, of Smith's brother, Earl H. (1880-1941), co-founder and editor of the Fairmont TIMES (1900-1925), state legislator, officer in the National Guard, and state commander of the American Legion. Subjects include World War I; Woodrow Wilson; American Legion; and state and national politics, 1918-1940. Correspondents include John J. Cornwell, John W. Davis, Sam T. Mallison, M.M. Neely, Jennings Randolph, and Howard Sutherland. The collection also includes papers, 1908-1940, of Herschel H. Rose, Smith's son-in-law, Fairmont attorney, Democrat politician, and circuit court judge. M.M. Neely is a correspondent. Financial records include account books, 1826-1893, of Thomas Barns, John S. Barns and Company, Barns, Fleming and Company (1857), James R. Fleming, woolen and flour milling, shoe manufacturing, and general merchandise operations in Marion County; account book of Mary Fleming Smith, 1888-1912; Fairmont Newspaper Publishing Company, 1919-1949; Fairmont Broadcasting Company, 1932, 1947-1949; and Jackson Coal Company, 1917-1924.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4993#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_4993","ead_ssi":"wvmturhc_repositories_2_resources_4993","_root_":"wvmturhc_repositories_2_resources_4993","_nest_parent_":"wvmturhc_repositories_2_resources_4993","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_4993.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198477","title_ssm":["Clarence Edwin Smith (1885-1959) Papers"],"title_tesim":["Clarence Edwin Smith (1885-1959) Papers"],"unitdate_ssm":["1787-1957"],"unitdate_inclusive_ssm":["1787-1957"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 1606","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4993"],"text":["A\u0026M 1606","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4993","Clarence Edwin Smith (1885-1959) Papers","Fairmont.","Marion County (W. Va.)","Mountain Lake Park (Md.)","Academies (Private schools)","Account books","Coal mining - coal companies.","Diaries and journals.","Editors - letters and papers.","Elections","General stores","Judges - letters and papers.","Labor organization. SEE ALSO Coal mining - labor","Lawyers - letters and papers.","Mills and mill-work","Politics and government.","Railroads","Unions.","New Deal, 1933-1939","Women's history -- 1850-1899","Women's history -- 1900-1929","World War, 1914-1918","No special access restriction applies.","258, 1604, 1606","15 photos separated to A\u0026M 4168, Panoramic Photos Collection:","\nOfficers, 201st Infantry WV NG [National Guard?] In Camp, Point Pleasant, WV; 1928","\n201st WV Infantry WV NG [National Guard?] Camp, Point Pleasant, WV, 1928/08/19-1928/09/02; 1928/08","\nPetroleum Industry Conference, Washington, D.C.; 1933/07","\nDemocratic National Convention, International Amphitheatre, Chicago, IL; 1952/07/21","\nJefferson-Jackson Victory Dinner, Mayflower Hotel, Washington, D.C.; 1949/02/24","\nClubhouse, Hialeah Park, Florida (Miami Jockey Club); 1938/02/05","\nDemocratic National Convention, Chicago Stadium, Chicago, IL (2 items); 1940/07/15","\nDemocratic National Convention, International Amphitheatre, Chicago, IL; 1952/07/21","\nDemocratic National Convention, Chicago Stadium, Chicago, IL; 1932/06/27","\nThe Kentucky Democratic Club of Washington, D.C., in honor of Senator Alben W. Barkley and Senator Marvel Mills Logan of Kentucky; undated","\nDemocratic National Convention, Convention Hall, Philadelphia, Pennsylvania, Hon. James A. Farley, Chairman; 1936/06/23","\nWV Delegation Caucus, Democratic National Convention, Chicago; 1932/06","\nDemocratic National Convention, Houston, TX; 1928","\nDemocratic National Convention, New York City, NY; 1924/06/24","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Correspondence, business and legal records, account books, news releases, clippings, and family papers and photographs of a U.S. Marshall (1916-1922); editor of the Fairmont TIMES (1925-1959) and Wheeling REGISTER (1933-1935); Democratic politician; member of the National Bituminous Coal Commission (1935-1939); and businessman. Subjects include: Smith's student days at Virginia Military Institute; West Virginia National Guard; Monongah Mine Relief Committee; Associated Press; Association Against the Prohibition Amendment; Eighteenth Amendment; presidential elections and national and state politics, 1916-1956; John W. Davis; Alfred E. Smith; post-World War I radicalism and reaction; Ku Klux Klan; United Mine Workers; National Miners' Union; labor conflict, 1920s; U.S. Railway Administration; New Deal agencies; and Mountain Lake Park, Maryland. Correspondents include Van A. Bittner, William E. Chilton, William G. Conley, John J. Cornwell, John W. Davis, Eugene V. Debs, James A. Farley, William Green, Averell Harriman, Homer Adams Holt, Rush Dew Holt, Hugh S. Johnson, Louis Johnson, Harley M. Kilgore, H.G. Kump, John L. Lewis, William A. MacCorkle, J. Howard McGrath, Clarence W. Meadows, M.M. Neely, Okey L. Patteson, Jennings Randolph, Franklin D. Roosevelt, Adlai E. Stevenson, Harry S. Truman, Clarence W. Watson, and James O. Watson. There are also papers of Clarence L. Smith (1850-1905), editor of the Fairmont INDEX (1889) and founder of the Fairmont TIMES (1900), which include a domestic diary of his wife, 1876-1910; minute book of the Fleming Association, 1890-1894; papers of Clarence Edwin Smith, Jr., 1940-1941; papers of Thomas Barns (1750-1836), and his sons, John S. and James F.; Marion County millers and manufacturers, 1795-1908. There are also papers of Waitman T. Willey and a taped interview with C.E. Smith, 1956. Correspondents include John L. Lewis, George B. McClellan, Matthew M. Neely, Francis H. Pierpont, John J. Cornwell, Franklin D. Roosevelt, and Harry S. Truman. There are also papers, 1917-1950, of Smith's brother, Earl H. (1880-1941), co-founder and editor of the Fairmont TIMES (1900-1925), state legislator, officer in the National Guard, and state commander of the American Legion. Subjects include World War I; Woodrow Wilson; American Legion; and state and national politics, 1918-1940. Correspondents include John J. Cornwell, John W. Davis, Sam T. Mallison, M.M. Neely, Jennings Randolph, and Howard Sutherland. The collection also includes papers, 1908-1940, of Herschel H. Rose, Smith's son-in-law, Fairmont attorney, Democrat politician, and circuit court judge. M.M. Neely is a correspondent. Financial records include account books, 1826-1893, of Thomas Barns, John S. Barns and Company, Barns, Fleming and Company (1857), James R. Fleming, woolen and flour milling, shoe manufacturing, and general merchandise operations in Marion County; account book of Mary Fleming Smith, 1888-1912; Fairmont Newspaper Publishing Company, 1919-1949; Fairmont Broadcasting Company, 1932, 1947-1949; and Jackson Coal Company, 1917-1924.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute","Smith, Clarence Edwin, 1885-1959","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924","English"],"unitid_tesim":["A\u0026M 1606","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4993"],"normalized_title_ssm":["Clarence Edwin Smith (1885-1959) Papers"],"collection_title_tesim":["Clarence Edwin Smith (1885-1959) Papers"],"collection_ssim":["Clarence Edwin Smith (1885-1959) Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Fairmont.","Marion County (W. Va.)","Mountain Lake Park (Md.)"],"geogname_ssim":["Fairmont.","Marion County (W. Va.)","Mountain Lake Park (Md.)"],"creator_ssm":["Smith, Clarence Edwin, 1885-1959"],"creator_ssim":["Smith, Clarence Edwin, 1885-1959"],"creator_persname_ssim":["Smith, Clarence Edwin, 1885-1959"],"creators_ssim":["Smith, Clarence Edwin, 1885-1959"],"places_ssim":["Fairmont.","Marion County (W. Va.)","Mountain Lake Park (Md.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Academies (Private schools)","Account books","Coal mining - coal companies.","Diaries and journals.","Editors - letters and papers.","Elections","General stores","Judges - letters and papers.","Labor organization. SEE ALSO Coal mining - labor","Lawyers - letters and papers.","Mills and mill-work","Politics and government.","Railroads","Unions.","New Deal, 1933-1939","Women's history -- 1850-1899","Women's history -- 1900-1929","World War, 1914-1918"],"access_subjects_ssm":["Academies (Private schools)","Account books","Coal mining - coal companies.","Diaries and journals.","Editors - letters and papers.","Elections","General stores","Judges - letters and papers.","Labor organization. SEE ALSO Coal mining - labor","Lawyers - letters and papers.","Mills and mill-work","Politics and government.","Railroads","Unions.","New Deal, 1933-1939","Women's history -- 1850-1899","Women's history -- 1900-1929","World War, 1914-1918"],"has_online_content_ssim":["false"],"extent_ssm":["19.4 Linear Feet Summary: 19 ft. 5 in. (44 document cases, 5 in. each); (1 small flat storage box, 3 in.); (8 ledgers, 8 1/2 in.); (2 wrapped packages, 1 1/2 in.); (1 oversize folder, 1 item.)"],"extent_tesim":["19.4 Linear Feet Summary: 19 ft. 5 in. (44 document cases, 5 in. each); (1 small flat storage box, 3 in.); (8 ledgers, 8 1/2 in.); (2 wrapped packages, 1 1/2 in.); (1 oversize folder, 1 item.)"],"date_range_isim":[1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Clarence Edwin Smith (1885-1959) Papers, A\u0026amp;M 1606, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Clarence Edwin Smith (1885-1959) Papers, A\u0026M 1606, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e258, 1604, 1606\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["258, 1604, 1606"],"separatedmaterial_html_tesm":["\u003cp\u003e15 photos separated to A\u0026amp;M 4168, Panoramic Photos Collection:\u003c/p\u003e\n","\u003cp\u003e\nOfficers, 201st Infantry WV NG [National Guard?] In Camp, Point Pleasant, WV; 1928\u003c/p\u003e\n","\u003cp\u003e\n201st WV Infantry WV NG [National Guard?] Camp, Point Pleasant, WV, 1928/08/19-1928/09/02; 1928/08\u003c/p\u003e\n","\u003cp\u003e\nPetroleum Industry Conference, Washington, D.C.; 1933/07\u003c/p\u003e\n","\u003cp\u003e\nDemocratic National Convention, International Amphitheatre, Chicago, IL; 1952/07/21\u003c/p\u003e\n","\u003cp\u003e\nJefferson-Jackson Victory Dinner, Mayflower Hotel, Washington, D.C.; 1949/02/24\u003c/p\u003e\n","\u003cp\u003e\nClubhouse, Hialeah Park, Florida (Miami Jockey Club); 1938/02/05\u003c/p\u003e\n","\u003cp\u003e\nDemocratic National Convention, Chicago Stadium, Chicago, IL (2 items); 1940/07/15\u003c/p\u003e\n","\u003cp\u003e\nDemocratic National Convention, International Amphitheatre, Chicago, IL; 1952/07/21\u003c/p\u003e\n","\u003cp\u003e\nDemocratic National Convention, Chicago Stadium, Chicago, IL; 1932/06/27\u003c/p\u003e\n","\u003cp\u003e\nThe Kentucky Democratic Club of Washington, D.C., in honor of Senator Alben W. Barkley and Senator Marvel Mills Logan of Kentucky; undated\u003c/p\u003e\n","\u003cp\u003e\nDemocratic National Convention, Convention Hall, Philadelphia, Pennsylvania, Hon. James A. Farley, Chairman; 1936/06/23\u003c/p\u003e\n","\u003cp\u003e\nWV Delegation Caucus, Democratic National Convention, Chicago; 1932/06\u003c/p\u003e\n","\u003cp\u003e\nDemocratic National Convention, Houston, TX; 1928\u003c/p\u003e\n","\u003cp\u003e\nDemocratic National Convention, New York City, NY; 1924/06/24\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["15 photos separated to A\u0026M 4168, Panoramic Photos Collection:","\nOfficers, 201st Infantry WV NG [National Guard?] In Camp, Point Pleasant, WV; 1928","\n201st WV Infantry WV NG [National Guard?] Camp, Point Pleasant, WV, 1928/08/19-1928/09/02; 1928/08","\nPetroleum Industry Conference, Washington, D.C.; 1933/07","\nDemocratic National Convention, International Amphitheatre, Chicago, IL; 1952/07/21","\nJefferson-Jackson Victory Dinner, Mayflower Hotel, Washington, D.C.; 1949/02/24","\nClubhouse, Hialeah Park, Florida (Miami Jockey Club); 1938/02/05","\nDemocratic National Convention, Chicago Stadium, Chicago, IL (2 items); 1940/07/15","\nDemocratic National Convention, International Amphitheatre, Chicago, IL; 1952/07/21","\nDemocratic National Convention, Chicago Stadium, Chicago, IL; 1932/06/27","\nThe Kentucky Democratic Club of Washington, D.C., in honor of Senator Alben W. Barkley and Senator Marvel Mills Logan of Kentucky; undated","\nDemocratic National Convention, Convention Hall, Philadelphia, Pennsylvania, Hon. James A. Farley, Chairman; 1936/06/23","\nWV Delegation Caucus, Democratic National Convention, Chicago; 1932/06","\nDemocratic National Convention, Houston, TX; 1928","\nDemocratic National Convention, New York City, NY; 1924/06/24"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ed9fc27db8d0b68f8fb31adb20eabc65\"\u003eCorrespondence, business and legal records, account books, news releases, clippings, and family papers and photographs of a U.S. Marshall (1916-1922); editor of the Fairmont TIMES (1925-1959) and Wheeling REGISTER (1933-1935); Democratic politician; member of the National Bituminous Coal Commission (1935-1939); and businessman. Subjects include: Smith's student days at Virginia Military Institute; West Virginia National Guard; Monongah Mine Relief Committee; Associated Press; Association Against the Prohibition Amendment; Eighteenth Amendment; presidential elections and national and state politics, 1916-1956; John W. Davis; Alfred E. Smith; post-World War I radicalism and reaction; Ku Klux Klan; United Mine Workers; National Miners' Union; labor conflict, 1920s; U.S. Railway Administration; New Deal agencies; and Mountain Lake Park, Maryland. Correspondents include Van A. Bittner, William E. Chilton, William G. Conley, John J. Cornwell, John W. Davis, Eugene V. Debs, James A. Farley, William Green, Averell Harriman, Homer Adams Holt, Rush Dew Holt, Hugh S. Johnson, Louis Johnson, Harley M. Kilgore, H.G. Kump, John L. Lewis, William A. MacCorkle, J. Howard McGrath, Clarence W. Meadows, M.M. Neely, Okey L. Patteson, Jennings Randolph, Franklin D. Roosevelt, Adlai E. Stevenson, Harry S. Truman, Clarence W. Watson, and James O. Watson. There are also papers of Clarence L. Smith (1850-1905), editor of the Fairmont INDEX (1889) and founder of the Fairmont TIMES (1900), which include a domestic diary of his wife, 1876-1910; minute book of the Fleming Association, 1890-1894; papers of Clarence Edwin Smith, Jr., 1940-1941; papers of Thomas Barns (1750-1836), and his sons, John S. and James F.; Marion County millers and manufacturers, 1795-1908. There are also papers of Waitman T. Willey and a taped interview with C.E. Smith, 1956. Correspondents include John L. Lewis, George B. McClellan, Matthew M. Neely, Francis H. Pierpont, John J. Cornwell, Franklin D. Roosevelt, and Harry S. Truman. There are also papers, 1917-1950, of Smith's brother, Earl H. (1880-1941), co-founder and editor of the Fairmont TIMES (1900-1925), state legislator, officer in the National Guard, and state commander of the American Legion. Subjects include World War I; Woodrow Wilson; American Legion; and state and national politics, 1918-1940. Correspondents include John J. Cornwell, John W. Davis, Sam T. Mallison, M.M. Neely, Jennings Randolph, and Howard Sutherland. The collection also includes papers, 1908-1940, of Herschel H. Rose, Smith's son-in-law, Fairmont attorney, Democrat politician, and circuit court judge. M.M. Neely is a correspondent. Financial records include account books, 1826-1893, of Thomas Barns, John S. Barns and Company, Barns, Fleming and Company (1857), James R. Fleming, woolen and flour milling, shoe manufacturing, and general merchandise operations in Marion County; account book of Mary Fleming Smith, 1888-1912; Fairmont Newspaper Publishing Company, 1919-1949; Fairmont Broadcasting Company, 1932, 1947-1949; and Jackson Coal Company, 1917-1924.\u003c/abstract\u003e"],"abstract_tesim":["Correspondence, business and legal records, account books, news releases, clippings, and family papers and photographs of a U.S. Marshall (1916-1922); editor of the Fairmont TIMES (1925-1959) and Wheeling REGISTER (1933-1935); Democratic politician; member of the National Bituminous Coal Commission (1935-1939); and businessman. Subjects include: Smith's student days at Virginia Military Institute; West Virginia National Guard; Monongah Mine Relief Committee; Associated Press; Association Against the Prohibition Amendment; Eighteenth Amendment; presidential elections and national and state politics, 1916-1956; John W. Davis; Alfred E. Smith; post-World War I radicalism and reaction; Ku Klux Klan; United Mine Workers; National Miners' Union; labor conflict, 1920s; U.S. Railway Administration; New Deal agencies; and Mountain Lake Park, Maryland. Correspondents include Van A. Bittner, William E. Chilton, William G. Conley, John J. Cornwell, John W. Davis, Eugene V. Debs, James A. Farley, William Green, Averell Harriman, Homer Adams Holt, Rush Dew Holt, Hugh S. Johnson, Louis Johnson, Harley M. Kilgore, H.G. Kump, John L. Lewis, William A. MacCorkle, J. Howard McGrath, Clarence W. Meadows, M.M. Neely, Okey L. Patteson, Jennings Randolph, Franklin D. Roosevelt, Adlai E. Stevenson, Harry S. Truman, Clarence W. Watson, and James O. Watson. There are also papers of Clarence L. Smith (1850-1905), editor of the Fairmont INDEX (1889) and founder of the Fairmont TIMES (1900), which include a domestic diary of his wife, 1876-1910; minute book of the Fleming Association, 1890-1894; papers of Clarence Edwin Smith, Jr., 1940-1941; papers of Thomas Barns (1750-1836), and his sons, John S. and James F.; Marion County millers and manufacturers, 1795-1908. There are also papers of Waitman T. Willey and a taped interview with C.E. Smith, 1956. Correspondents include John L. Lewis, George B. McClellan, Matthew M. Neely, Francis H. Pierpont, John J. Cornwell, Franklin D. Roosevelt, and Harry S. Truman. There are also papers, 1917-1950, of Smith's brother, Earl H. (1880-1941), co-founder and editor of the Fairmont TIMES (1900-1925), state legislator, officer in the National Guard, and state commander of the American Legion. Subjects include World War I; Woodrow Wilson; American Legion; and state and national politics, 1918-1940. Correspondents include John J. Cornwell, John W. Davis, Sam T. Mallison, M.M. Neely, Jennings Randolph, and Howard Sutherland. The collection also includes papers, 1908-1940, of Herschel H. Rose, Smith's son-in-law, Fairmont attorney, Democrat politician, and circuit court judge. M.M. Neely is a correspondent. Financial records include account books, 1826-1893, of Thomas Barns, John S. Barns and Company, Barns, Fleming and Company (1857), James R. Fleming, woolen and flour milling, shoe manufacturing, and general merchandise operations in Marion County; account book of Mary Fleming Smith, 1888-1912; Fairmont Newspaper Publishing Company, 1919-1949; Fairmont Broadcasting Company, 1932, 1947-1949; and Jackson Coal Company, 1917-1924."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3bcab522bbd37afdbec35d3a482d3cc6\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence Edwin, 1885-1959","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924"],"names_ssim":["West Virginia and Regional History Center","American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute","Smith, Clarence Edwin, 1885-1959","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924"],"corpname_ssim":["West Virginia and Regional History Center","American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute"],"persname_ssim":["Smith, Clarence Edwin, 1885-1959","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:48:48.702Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_4993","ead_ssi":"wvmturhc_repositories_2_resources_4993","_root_":"wvmturhc_repositories_2_resources_4993","_nest_parent_":"wvmturhc_repositories_2_resources_4993","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_4993.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198477","title_ssm":["Clarence Edwin Smith (1885-1959) Papers"],"title_tesim":["Clarence Edwin Smith (1885-1959) Papers"],"unitdate_ssm":["1787-1957"],"unitdate_inclusive_ssm":["1787-1957"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 1606","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4993"],"text":["A\u0026M 1606","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4993","Clarence Edwin Smith (1885-1959) Papers","Fairmont.","Marion County (W. Va.)","Mountain Lake Park (Md.)","Academies (Private schools)","Account books","Coal mining - coal companies.","Diaries and journals.","Editors - letters and papers.","Elections","General stores","Judges - letters and papers.","Labor organization. SEE ALSO Coal mining - labor","Lawyers - letters and papers.","Mills and mill-work","Politics and government.","Railroads","Unions.","New Deal, 1933-1939","Women's history -- 1850-1899","Women's history -- 1900-1929","World War, 1914-1918","No special access restriction applies.","258, 1604, 1606","15 photos separated to A\u0026M 4168, Panoramic Photos Collection:","\nOfficers, 201st Infantry WV NG [National Guard?] In Camp, Point Pleasant, WV; 1928","\n201st WV Infantry WV NG [National Guard?] Camp, Point Pleasant, WV, 1928/08/19-1928/09/02; 1928/08","\nPetroleum Industry Conference, Washington, D.C.; 1933/07","\nDemocratic National Convention, International Amphitheatre, Chicago, IL; 1952/07/21","\nJefferson-Jackson Victory Dinner, Mayflower Hotel, Washington, D.C.; 1949/02/24","\nClubhouse, Hialeah Park, Florida (Miami Jockey Club); 1938/02/05","\nDemocratic National Convention, Chicago Stadium, Chicago, IL (2 items); 1940/07/15","\nDemocratic National Convention, International Amphitheatre, Chicago, IL; 1952/07/21","\nDemocratic National Convention, Chicago Stadium, Chicago, IL; 1932/06/27","\nThe Kentucky Democratic Club of Washington, D.C., in honor of Senator Alben W. Barkley and Senator Marvel Mills Logan of Kentucky; undated","\nDemocratic National Convention, Convention Hall, Philadelphia, Pennsylvania, Hon. James A. Farley, Chairman; 1936/06/23","\nWV Delegation Caucus, Democratic National Convention, Chicago; 1932/06","\nDemocratic National Convention, Houston, TX; 1928","\nDemocratic National Convention, New York City, NY; 1924/06/24","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Correspondence, business and legal records, account books, news releases, clippings, and family papers and photographs of a U.S. Marshall (1916-1922); editor of the Fairmont TIMES (1925-1959) and Wheeling REGISTER (1933-1935); Democratic politician; member of the National Bituminous Coal Commission (1935-1939); and businessman. Subjects include: Smith's student days at Virginia Military Institute; West Virginia National Guard; Monongah Mine Relief Committee; Associated Press; Association Against the Prohibition Amendment; Eighteenth Amendment; presidential elections and national and state politics, 1916-1956; John W. Davis; Alfred E. Smith; post-World War I radicalism and reaction; Ku Klux Klan; United Mine Workers; National Miners' Union; labor conflict, 1920s; U.S. Railway Administration; New Deal agencies; and Mountain Lake Park, Maryland. Correspondents include Van A. Bittner, William E. Chilton, William G. Conley, John J. Cornwell, John W. Davis, Eugene V. Debs, James A. Farley, William Green, Averell Harriman, Homer Adams Holt, Rush Dew Holt, Hugh S. Johnson, Louis Johnson, Harley M. Kilgore, H.G. Kump, John L. Lewis, William A. MacCorkle, J. Howard McGrath, Clarence W. Meadows, M.M. Neely, Okey L. Patteson, Jennings Randolph, Franklin D. Roosevelt, Adlai E. Stevenson, Harry S. Truman, Clarence W. Watson, and James O. Watson. There are also papers of Clarence L. Smith (1850-1905), editor of the Fairmont INDEX (1889) and founder of the Fairmont TIMES (1900), which include a domestic diary of his wife, 1876-1910; minute book of the Fleming Association, 1890-1894; papers of Clarence Edwin Smith, Jr., 1940-1941; papers of Thomas Barns (1750-1836), and his sons, John S. and James F.; Marion County millers and manufacturers, 1795-1908. There are also papers of Waitman T. Willey and a taped interview with C.E. Smith, 1956. Correspondents include John L. Lewis, George B. McClellan, Matthew M. Neely, Francis H. Pierpont, John J. Cornwell, Franklin D. Roosevelt, and Harry S. Truman. There are also papers, 1917-1950, of Smith's brother, Earl H. (1880-1941), co-founder and editor of the Fairmont TIMES (1900-1925), state legislator, officer in the National Guard, and state commander of the American Legion. Subjects include World War I; Woodrow Wilson; American Legion; and state and national politics, 1918-1940. Correspondents include John J. Cornwell, John W. Davis, Sam T. Mallison, M.M. Neely, Jennings Randolph, and Howard Sutherland. The collection also includes papers, 1908-1940, of Herschel H. Rose, Smith's son-in-law, Fairmont attorney, Democrat politician, and circuit court judge. M.M. Neely is a correspondent. Financial records include account books, 1826-1893, of Thomas Barns, John S. Barns and Company, Barns, Fleming and Company (1857), James R. Fleming, woolen and flour milling, shoe manufacturing, and general merchandise operations in Marion County; account book of Mary Fleming Smith, 1888-1912; Fairmont Newspaper Publishing Company, 1919-1949; Fairmont Broadcasting Company, 1932, 1947-1949; and Jackson Coal Company, 1917-1924.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute","Smith, Clarence Edwin, 1885-1959","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924","English"],"unitid_tesim":["A\u0026M 1606","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4993"],"normalized_title_ssm":["Clarence Edwin Smith (1885-1959) Papers"],"collection_title_tesim":["Clarence Edwin Smith (1885-1959) Papers"],"collection_ssim":["Clarence Edwin Smith (1885-1959) Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Fairmont.","Marion County (W. Va.)","Mountain Lake Park (Md.)"],"geogname_ssim":["Fairmont.","Marion County (W. Va.)","Mountain Lake Park (Md.)"],"creator_ssm":["Smith, Clarence Edwin, 1885-1959"],"creator_ssim":["Smith, Clarence Edwin, 1885-1959"],"creator_persname_ssim":["Smith, Clarence Edwin, 1885-1959"],"creators_ssim":["Smith, Clarence Edwin, 1885-1959"],"places_ssim":["Fairmont.","Marion County (W. Va.)","Mountain Lake Park (Md.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Academies (Private schools)","Account books","Coal mining - coal companies.","Diaries and journals.","Editors - letters and papers.","Elections","General stores","Judges - letters and papers.","Labor organization. SEE ALSO Coal mining - labor","Lawyers - letters and papers.","Mills and mill-work","Politics and government.","Railroads","Unions.","New Deal, 1933-1939","Women's history -- 1850-1899","Women's history -- 1900-1929","World War, 1914-1918"],"access_subjects_ssm":["Academies (Private schools)","Account books","Coal mining - coal companies.","Diaries and journals.","Editors - letters and papers.","Elections","General stores","Judges - letters and papers.","Labor organization. SEE ALSO Coal mining - labor","Lawyers - letters and papers.","Mills and mill-work","Politics and government.","Railroads","Unions.","New Deal, 1933-1939","Women's history -- 1850-1899","Women's history -- 1900-1929","World War, 1914-1918"],"has_online_content_ssim":["false"],"extent_ssm":["19.4 Linear Feet Summary: 19 ft. 5 in. (44 document cases, 5 in. each); (1 small flat storage box, 3 in.); (8 ledgers, 8 1/2 in.); (2 wrapped packages, 1 1/2 in.); (1 oversize folder, 1 item.)"],"extent_tesim":["19.4 Linear Feet Summary: 19 ft. 5 in. (44 document cases, 5 in. each); (1 small flat storage box, 3 in.); (8 ledgers, 8 1/2 in.); (2 wrapped packages, 1 1/2 in.); (1 oversize folder, 1 item.)"],"date_range_isim":[1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Clarence Edwin Smith (1885-1959) Papers, A\u0026amp;M 1606, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Clarence Edwin Smith (1885-1959) Papers, A\u0026M 1606, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e258, 1604, 1606\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["258, 1604, 1606"],"separatedmaterial_html_tesm":["\u003cp\u003e15 photos separated to A\u0026amp;M 4168, Panoramic Photos Collection:\u003c/p\u003e\n","\u003cp\u003e\nOfficers, 201st Infantry WV NG [National Guard?] In Camp, Point Pleasant, WV; 1928\u003c/p\u003e\n","\u003cp\u003e\n201st WV Infantry WV NG [National Guard?] Camp, Point Pleasant, WV, 1928/08/19-1928/09/02; 1928/08\u003c/p\u003e\n","\u003cp\u003e\nPetroleum Industry Conference, Washington, D.C.; 1933/07\u003c/p\u003e\n","\u003cp\u003e\nDemocratic National Convention, International Amphitheatre, Chicago, IL; 1952/07/21\u003c/p\u003e\n","\u003cp\u003e\nJefferson-Jackson Victory Dinner, Mayflower Hotel, Washington, D.C.; 1949/02/24\u003c/p\u003e\n","\u003cp\u003e\nClubhouse, Hialeah Park, Florida (Miami Jockey Club); 1938/02/05\u003c/p\u003e\n","\u003cp\u003e\nDemocratic National Convention, Chicago Stadium, Chicago, IL (2 items); 1940/07/15\u003c/p\u003e\n","\u003cp\u003e\nDemocratic National Convention, International Amphitheatre, Chicago, IL; 1952/07/21\u003c/p\u003e\n","\u003cp\u003e\nDemocratic National Convention, Chicago Stadium, Chicago, IL; 1932/06/27\u003c/p\u003e\n","\u003cp\u003e\nThe Kentucky Democratic Club of Washington, D.C., in honor of Senator Alben W. Barkley and Senator Marvel Mills Logan of Kentucky; undated\u003c/p\u003e\n","\u003cp\u003e\nDemocratic National Convention, Convention Hall, Philadelphia, Pennsylvania, Hon. James A. Farley, Chairman; 1936/06/23\u003c/p\u003e\n","\u003cp\u003e\nWV Delegation Caucus, Democratic National Convention, Chicago; 1932/06\u003c/p\u003e\n","\u003cp\u003e\nDemocratic National Convention, Houston, TX; 1928\u003c/p\u003e\n","\u003cp\u003e\nDemocratic National Convention, New York City, NY; 1924/06/24\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["15 photos separated to A\u0026M 4168, Panoramic Photos Collection:","\nOfficers, 201st Infantry WV NG [National Guard?] In Camp, Point Pleasant, WV; 1928","\n201st WV Infantry WV NG [National Guard?] Camp, Point Pleasant, WV, 1928/08/19-1928/09/02; 1928/08","\nPetroleum Industry Conference, Washington, D.C.; 1933/07","\nDemocratic National Convention, International Amphitheatre, Chicago, IL; 1952/07/21","\nJefferson-Jackson Victory Dinner, Mayflower Hotel, Washington, D.C.; 1949/02/24","\nClubhouse, Hialeah Park, Florida (Miami Jockey Club); 1938/02/05","\nDemocratic National Convention, Chicago Stadium, Chicago, IL (2 items); 1940/07/15","\nDemocratic National Convention, International Amphitheatre, Chicago, IL; 1952/07/21","\nDemocratic National Convention, Chicago Stadium, Chicago, IL; 1932/06/27","\nThe Kentucky Democratic Club of Washington, D.C., in honor of Senator Alben W. Barkley and Senator Marvel Mills Logan of Kentucky; undated","\nDemocratic National Convention, Convention Hall, Philadelphia, Pennsylvania, Hon. James A. Farley, Chairman; 1936/06/23","\nWV Delegation Caucus, Democratic National Convention, Chicago; 1932/06","\nDemocratic National Convention, Houston, TX; 1928","\nDemocratic National Convention, New York City, NY; 1924/06/24"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ed9fc27db8d0b68f8fb31adb20eabc65\"\u003eCorrespondence, business and legal records, account books, news releases, clippings, and family papers and photographs of a U.S. Marshall (1916-1922); editor of the Fairmont TIMES (1925-1959) and Wheeling REGISTER (1933-1935); Democratic politician; member of the National Bituminous Coal Commission (1935-1939); and businessman. Subjects include: Smith's student days at Virginia Military Institute; West Virginia National Guard; Monongah Mine Relief Committee; Associated Press; Association Against the Prohibition Amendment; Eighteenth Amendment; presidential elections and national and state politics, 1916-1956; John W. Davis; Alfred E. Smith; post-World War I radicalism and reaction; Ku Klux Klan; United Mine Workers; National Miners' Union; labor conflict, 1920s; U.S. Railway Administration; New Deal agencies; and Mountain Lake Park, Maryland. Correspondents include Van A. Bittner, William E. Chilton, William G. Conley, John J. Cornwell, John W. Davis, Eugene V. Debs, James A. Farley, William Green, Averell Harriman, Homer Adams Holt, Rush Dew Holt, Hugh S. Johnson, Louis Johnson, Harley M. Kilgore, H.G. Kump, John L. Lewis, William A. MacCorkle, J. Howard McGrath, Clarence W. Meadows, M.M. Neely, Okey L. Patteson, Jennings Randolph, Franklin D. Roosevelt, Adlai E. Stevenson, Harry S. Truman, Clarence W. Watson, and James O. Watson. There are also papers of Clarence L. Smith (1850-1905), editor of the Fairmont INDEX (1889) and founder of the Fairmont TIMES (1900), which include a domestic diary of his wife, 1876-1910; minute book of the Fleming Association, 1890-1894; papers of Clarence Edwin Smith, Jr., 1940-1941; papers of Thomas Barns (1750-1836), and his sons, John S. and James F.; Marion County millers and manufacturers, 1795-1908. There are also papers of Waitman T. Willey and a taped interview with C.E. Smith, 1956. Correspondents include John L. Lewis, George B. McClellan, Matthew M. Neely, Francis H. Pierpont, John J. Cornwell, Franklin D. Roosevelt, and Harry S. Truman. There are also papers, 1917-1950, of Smith's brother, Earl H. (1880-1941), co-founder and editor of the Fairmont TIMES (1900-1925), state legislator, officer in the National Guard, and state commander of the American Legion. Subjects include World War I; Woodrow Wilson; American Legion; and state and national politics, 1918-1940. Correspondents include John J. Cornwell, John W. Davis, Sam T. Mallison, M.M. Neely, Jennings Randolph, and Howard Sutherland. The collection also includes papers, 1908-1940, of Herschel H. Rose, Smith's son-in-law, Fairmont attorney, Democrat politician, and circuit court judge. M.M. Neely is a correspondent. Financial records include account books, 1826-1893, of Thomas Barns, John S. Barns and Company, Barns, Fleming and Company (1857), James R. Fleming, woolen and flour milling, shoe manufacturing, and general merchandise operations in Marion County; account book of Mary Fleming Smith, 1888-1912; Fairmont Newspaper Publishing Company, 1919-1949; Fairmont Broadcasting Company, 1932, 1947-1949; and Jackson Coal Company, 1917-1924.\u003c/abstract\u003e"],"abstract_tesim":["Correspondence, business and legal records, account books, news releases, clippings, and family papers and photographs of a U.S. Marshall (1916-1922); editor of the Fairmont TIMES (1925-1959) and Wheeling REGISTER (1933-1935); Democratic politician; member of the National Bituminous Coal Commission (1935-1939); and businessman. Subjects include: Smith's student days at Virginia Military Institute; West Virginia National Guard; Monongah Mine Relief Committee; Associated Press; Association Against the Prohibition Amendment; Eighteenth Amendment; presidential elections and national and state politics, 1916-1956; John W. Davis; Alfred E. Smith; post-World War I radicalism and reaction; Ku Klux Klan; United Mine Workers; National Miners' Union; labor conflict, 1920s; U.S. Railway Administration; New Deal agencies; and Mountain Lake Park, Maryland. Correspondents include Van A. Bittner, William E. Chilton, William G. Conley, John J. Cornwell, John W. Davis, Eugene V. Debs, James A. Farley, William Green, Averell Harriman, Homer Adams Holt, Rush Dew Holt, Hugh S. Johnson, Louis Johnson, Harley M. Kilgore, H.G. Kump, John L. Lewis, William A. MacCorkle, J. Howard McGrath, Clarence W. Meadows, M.M. Neely, Okey L. Patteson, Jennings Randolph, Franklin D. Roosevelt, Adlai E. Stevenson, Harry S. Truman, Clarence W. Watson, and James O. Watson. There are also papers of Clarence L. Smith (1850-1905), editor of the Fairmont INDEX (1889) and founder of the Fairmont TIMES (1900), which include a domestic diary of his wife, 1876-1910; minute book of the Fleming Association, 1890-1894; papers of Clarence Edwin Smith, Jr., 1940-1941; papers of Thomas Barns (1750-1836), and his sons, John S. and James F.; Marion County millers and manufacturers, 1795-1908. There are also papers of Waitman T. Willey and a taped interview with C.E. Smith, 1956. Correspondents include John L. Lewis, George B. McClellan, Matthew M. Neely, Francis H. Pierpont, John J. Cornwell, Franklin D. Roosevelt, and Harry S. Truman. There are also papers, 1917-1950, of Smith's brother, Earl H. (1880-1941), co-founder and editor of the Fairmont TIMES (1900-1925), state legislator, officer in the National Guard, and state commander of the American Legion. Subjects include World War I; Woodrow Wilson; American Legion; and state and national politics, 1918-1940. Correspondents include John J. Cornwell, John W. Davis, Sam T. Mallison, M.M. Neely, Jennings Randolph, and Howard Sutherland. The collection also includes papers, 1908-1940, of Herschel H. Rose, Smith's son-in-law, Fairmont attorney, Democrat politician, and circuit court judge. M.M. Neely is a correspondent. Financial records include account books, 1826-1893, of Thomas Barns, John S. Barns and Company, Barns, Fleming and Company (1857), James R. Fleming, woolen and flour milling, shoe manufacturing, and general merchandise operations in Marion County; account book of Mary Fleming Smith, 1888-1912; Fairmont Newspaper Publishing Company, 1919-1949; Fairmont Broadcasting Company, 1932, 1947-1949; and Jackson Coal Company, 1917-1924."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3bcab522bbd37afdbec35d3a482d3cc6\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence Edwin, 1885-1959","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924"],"names_ssim":["West Virginia and Regional History Center","American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute","Smith, Clarence Edwin, 1885-1959","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924"],"corpname_ssim":["West Virginia and Regional History Center","American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute"],"persname_ssim":["Smith, Clarence Edwin, 1885-1959","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:48:48.702Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4993"}},{"id":"wvmturhc_repositories_2_resources_657","type":"collection","attributes":{"title":"Elma H. Martin Papers","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_657#creator","type":"document_value","attributes":{"value":"Martin, Elma H.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_657#abstract_or_scope","type":"document_value","attributes":{"value":"Correspondence, newsletters, news clippings, photographs, scrapbooks, and materials relating to the family of Elma Hicks Martin, originally of Webster Springs, West Virginia. The bulk of the material documents everyday life of Mrs. Martin's sisters, Mary Lee and Aretas Eudora Hicks. The former was a high school home economics teacher in Colorado, and the latter a home economics teacher at West Liberty State College, West Virginia. The correspondence of Mary Lee Hicks relates to her personal and professional life, covering her illness, marriages, and formal education. The Aretas Eudora Hicks correspondence cover two trips to Europe and her career in home economics.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_657#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_657","ead_ssi":"wvmturhc_repositories_2_resources_657","_root_":"wvmturhc_repositories_2_resources_657","_nest_parent_":"wvmturhc_repositories_2_resources_657","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_657.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195158","title_ssm":["Elma H. Martin Papers"],"title_tesim":["Elma H. Martin Papers"],"unitdate_ssm":["1917-1979"],"unitdate_inclusive_ssm":["1917-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2634","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/657"],"text":["A\u0026M 2634","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/657","Elma H. Martin Papers","Camp Cranberry","Europe","Webster Springs (W. Va.)","Diaries and journals.","New Deal, 1933-1939","Poetry - Alice Scudder.","Teachers","Scudder, Alice - poetry.","Stanard Salute.","Travel accounts.","West Liberty State College -- Faculty","No special access restriction applies.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Correspondence, newsletters, news clippings, photographs, scrapbooks, and materials relating to the family of Elma Hicks Martin, originally of Webster Springs, West Virginia. The bulk of the material documents everyday life of Mrs. Martin's sisters, Mary Lee and Aretas Eudora Hicks. The former was a high school home economics teacher in Colorado, and the latter a home economics teacher at West Liberty State College, West Virginia. The correspondence of Mary Lee Hicks relates to her personal and professional life, covering her illness, marriages, and formal education. The Aretas Eudora Hicks correspondence cover two trips to Europe and her career in home economics.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Civilian Conservation Corps (U.S.)","West Liberty State College","Webster Springs High School  (Webster Springs, W. Va.)","Martin family.","Bryant/Carden/Standard family.","Carden/Bryant/Standard family.","Standard/Bryant/Carden family.","Martin, Elma H.","Dotson, Jack","Hicks, Areta Eudora.","Hicks, Dana Minter.","Hicks, Mary Lee.","Hobart, Grace.","Martin, Elma Hicks","McQuain, Glenn.","Miller, Woodrow.","Payne, Alfred.","Stanard, J. Dyer.","Stanard, Oliver Huffman.","English"],"unitid_tesim":["A\u0026M 2634","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/657"],"normalized_title_ssm":["Elma H. Martin Papers"],"collection_title_tesim":["Elma H. Martin Papers"],"collection_ssim":["Elma H. Martin Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Camp Cranberry","Europe","Webster Springs (W. Va.)"],"geogname_ssim":["Camp Cranberry","Europe","Webster Springs (W. Va.)"],"creator_ssm":["Martin, Elma H.","Martin family."],"creator_ssim":["Martin, Elma H.","Martin family."],"creator_persname_ssim":["Martin, Elma H."],"creator_famname_ssim":["Martin family."],"creators_ssim":["Martin, Elma H.","Martin family."],"places_ssim":["Camp Cranberry","Europe","Webster Springs (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Diaries and journals.","New Deal, 1933-1939","Poetry - Alice Scudder.","Teachers","Scudder, Alice - poetry.","Stanard Salute.","Travel accounts.","West Liberty State College -- Faculty"],"access_subjects_ssm":["Diaries and journals.","New Deal, 1933-1939","Poetry - Alice Scudder.","Teachers","Scudder, Alice - poetry.","Stanard Salute.","Travel accounts.","West Liberty State College -- Faculty"],"has_online_content_ssim":["false"],"extent_ssm":["0.8 Linear Feet Summary: 10 in. (2 document cases, 5 in. each)"],"extent_tesim":["0.8 Linear Feet Summary: 10 in. (2 document cases, 5 in. each)"],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Elma H. Martin Papers, A\u0026amp;M 2634, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Elma H. Martin Papers, A\u0026M 2634, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_314e7b70f1d5473ce57cb055e25d9962\"\u003eCorrespondence, newsletters, news clippings, photographs, scrapbooks, and materials relating to the family of Elma Hicks Martin, originally of Webster Springs, West Virginia. The bulk of the material documents everyday life of Mrs. Martin's sisters, Mary Lee and Aretas Eudora Hicks. The former was a high school home economics teacher in Colorado, and the latter a home economics teacher at West Liberty State College, West Virginia. The correspondence of Mary Lee Hicks relates to her personal and professional life, covering her illness, marriages, and formal education. The Aretas Eudora Hicks correspondence cover two trips to Europe and her career in home economics.\u003c/abstract\u003e"],"abstract_tesim":["Correspondence, newsletters, news clippings, photographs, scrapbooks, and materials relating to the family of Elma Hicks Martin, originally of Webster Springs, West Virginia. The bulk of the material documents everyday life of Mrs. Martin's sisters, Mary Lee and Aretas Eudora Hicks. The former was a high school home economics teacher in Colorado, and the latter a home economics teacher at West Liberty State College, West Virginia. The correspondence of Mary Lee Hicks relates to her personal and professional life, covering her illness, marriages, and formal education. The Aretas Eudora Hicks correspondence cover two trips to Europe and her career in home economics."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_fe3f26491f0e90c5186d918fd3904e85\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Civilian Conservation Corps (U.S.)","West Liberty State College","Webster Springs High School  (Webster Springs, W. Va.)","Bryant/Carden/Standard family.","Carden/Bryant/Standard family.","Standard/Bryant/Carden family.","Dotson, Jack","Hicks, Areta Eudora.","Hicks, Dana Minter.","Hicks, Mary Lee.","Hobart, Grace.","Martin, Elma Hicks","McQuain, Glenn.","Miller, Woodrow.","Payne, Alfred.","Stanard, J. Dyer.","Stanard, Oliver Huffman."],"names_ssim":["West Virginia and Regional History Center","Civilian Conservation Corps (U.S.)","West Liberty State College","Webster Springs High School  (Webster Springs, W. Va.)","Martin family.","Bryant/Carden/Standard family.","Carden/Bryant/Standard family.","Standard/Bryant/Carden family.","Martin, Elma H.","Dotson, Jack","Hicks, Areta Eudora.","Hicks, Dana Minter.","Hicks, Mary Lee.","Hobart, Grace.","Martin, Elma Hicks","McQuain, Glenn.","Miller, Woodrow.","Payne, Alfred.","Stanard, J. Dyer.","Stanard, Oliver Huffman."],"corpname_ssim":["West Virginia and Regional History Center","Civilian Conservation Corps (U.S.)","West Liberty State College","Webster Springs High School  (Webster Springs, W. Va.)"],"famname_ssim":["Martin family.","Bryant/Carden/Standard family.","Carden/Bryant/Standard family.","Standard/Bryant/Carden family."],"persname_ssim":["Martin, Elma H.","Dotson, Jack","Hicks, Areta Eudora.","Hicks, Dana Minter.","Hicks, Mary Lee.","Hobart, Grace.","Martin, Elma Hicks","McQuain, Glenn.","Miller, Woodrow.","Payne, Alfred.","Stanard, J. Dyer.","Stanard, Oliver Huffman."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:31:49.839Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_657","ead_ssi":"wvmturhc_repositories_2_resources_657","_root_":"wvmturhc_repositories_2_resources_657","_nest_parent_":"wvmturhc_repositories_2_resources_657","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_657.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195158","title_ssm":["Elma H. Martin Papers"],"title_tesim":["Elma H. Martin Papers"],"unitdate_ssm":["1917-1979"],"unitdate_inclusive_ssm":["1917-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2634","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/657"],"text":["A\u0026M 2634","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/657","Elma H. Martin Papers","Camp Cranberry","Europe","Webster Springs (W. Va.)","Diaries and journals.","New Deal, 1933-1939","Poetry - Alice Scudder.","Teachers","Scudder, Alice - poetry.","Stanard Salute.","Travel accounts.","West Liberty State College -- Faculty","No special access restriction applies.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Correspondence, newsletters, news clippings, photographs, scrapbooks, and materials relating to the family of Elma Hicks Martin, originally of Webster Springs, West Virginia. The bulk of the material documents everyday life of Mrs. Martin's sisters, Mary Lee and Aretas Eudora Hicks. The former was a high school home economics teacher in Colorado, and the latter a home economics teacher at West Liberty State College, West Virginia. The correspondence of Mary Lee Hicks relates to her personal and professional life, covering her illness, marriages, and formal education. The Aretas Eudora Hicks correspondence cover two trips to Europe and her career in home economics.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Civilian Conservation Corps (U.S.)","West Liberty State College","Webster Springs High School  (Webster Springs, W. Va.)","Martin family.","Bryant/Carden/Standard family.","Carden/Bryant/Standard family.","Standard/Bryant/Carden family.","Martin, Elma H.","Dotson, Jack","Hicks, Areta Eudora.","Hicks, Dana Minter.","Hicks, Mary Lee.","Hobart, Grace.","Martin, Elma Hicks","McQuain, Glenn.","Miller, Woodrow.","Payne, Alfred.","Stanard, J. Dyer.","Stanard, Oliver Huffman.","English"],"unitid_tesim":["A\u0026M 2634","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/657"],"normalized_title_ssm":["Elma H. Martin Papers"],"collection_title_tesim":["Elma H. Martin Papers"],"collection_ssim":["Elma H. Martin Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Camp Cranberry","Europe","Webster Springs (W. Va.)"],"geogname_ssim":["Camp Cranberry","Europe","Webster Springs (W. Va.)"],"creator_ssm":["Martin, Elma H.","Martin family."],"creator_ssim":["Martin, Elma H.","Martin family."],"creator_persname_ssim":["Martin, Elma H."],"creator_famname_ssim":["Martin family."],"creators_ssim":["Martin, Elma H.","Martin family."],"places_ssim":["Camp Cranberry","Europe","Webster Springs (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Diaries and journals.","New Deal, 1933-1939","Poetry - Alice Scudder.","Teachers","Scudder, Alice - poetry.","Stanard Salute.","Travel accounts.","West Liberty State College -- Faculty"],"access_subjects_ssm":["Diaries and journals.","New Deal, 1933-1939","Poetry - Alice Scudder.","Teachers","Scudder, Alice - poetry.","Stanard Salute.","Travel accounts.","West Liberty State College -- Faculty"],"has_online_content_ssim":["false"],"extent_ssm":["0.8 Linear Feet Summary: 10 in. (2 document cases, 5 in. each)"],"extent_tesim":["0.8 Linear Feet Summary: 10 in. (2 document cases, 5 in. each)"],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Elma H. Martin Papers, A\u0026amp;M 2634, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Elma H. Martin Papers, A\u0026M 2634, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_314e7b70f1d5473ce57cb055e25d9962\"\u003eCorrespondence, newsletters, news clippings, photographs, scrapbooks, and materials relating to the family of Elma Hicks Martin, originally of Webster Springs, West Virginia. The bulk of the material documents everyday life of Mrs. Martin's sisters, Mary Lee and Aretas Eudora Hicks. The former was a high school home economics teacher in Colorado, and the latter a home economics teacher at West Liberty State College, West Virginia. The correspondence of Mary Lee Hicks relates to her personal and professional life, covering her illness, marriages, and formal education. The Aretas Eudora Hicks correspondence cover two trips to Europe and her career in home economics.\u003c/abstract\u003e"],"abstract_tesim":["Correspondence, newsletters, news clippings, photographs, scrapbooks, and materials relating to the family of Elma Hicks Martin, originally of Webster Springs, West Virginia. The bulk of the material documents everyday life of Mrs. Martin's sisters, Mary Lee and Aretas Eudora Hicks. The former was a high school home economics teacher in Colorado, and the latter a home economics teacher at West Liberty State College, West Virginia. The correspondence of Mary Lee Hicks relates to her personal and professional life, covering her illness, marriages, and formal education. The Aretas Eudora Hicks correspondence cover two trips to Europe and her career in home economics."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_fe3f26491f0e90c5186d918fd3904e85\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Civilian Conservation Corps (U.S.)","West Liberty State College","Webster Springs High School  (Webster Springs, W. Va.)","Bryant/Carden/Standard family.","Carden/Bryant/Standard family.","Standard/Bryant/Carden family.","Dotson, Jack","Hicks, Areta Eudora.","Hicks, Dana Minter.","Hicks, Mary Lee.","Hobart, Grace.","Martin, Elma Hicks","McQuain, Glenn.","Miller, Woodrow.","Payne, Alfred.","Stanard, J. Dyer.","Stanard, Oliver Huffman."],"names_ssim":["West Virginia and Regional History Center","Civilian Conservation Corps (U.S.)","West Liberty State College","Webster Springs High School  (Webster Springs, W. Va.)","Martin family.","Bryant/Carden/Standard family.","Carden/Bryant/Standard family.","Standard/Bryant/Carden family.","Martin, Elma H.","Dotson, Jack","Hicks, Areta Eudora.","Hicks, Dana Minter.","Hicks, Mary Lee.","Hobart, Grace.","Martin, Elma Hicks","McQuain, Glenn.","Miller, Woodrow.","Payne, Alfred.","Stanard, J. Dyer.","Stanard, Oliver Huffman."],"corpname_ssim":["West Virginia and Regional History Center","Civilian Conservation Corps (U.S.)","West Liberty State College","Webster Springs High School  (Webster Springs, W. Va.)"],"famname_ssim":["Martin family.","Bryant/Carden/Standard family.","Carden/Bryant/Standard family.","Standard/Bryant/Carden family."],"persname_ssim":["Martin, Elma H.","Dotson, Jack","Hicks, Areta Eudora.","Hicks, Dana Minter.","Hicks, Mary Lee.","Hobart, Grace.","Martin, Elma Hicks","McQuain, Glenn.","Miller, Woodrow.","Payne, Alfred.","Stanard, J. Dyer.","Stanard, Oliver Huffman."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:31:49.839Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_657"}},{"id":"vifgm_repositories_2_resources_331","type":"collection","attributes":{"title":"Federal Theatre Project collection","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_331#creator","type":"document_value","attributes":{"value":"Federal Theatre Project (U.S.)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_331#abstract_or_scope","type":"document_value","attributes":{"value":"The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_331#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_331","ead_ssi":"vifgm_repositories_2_resources_331","_root_":"vifgm_repositories_2_resources_331","_nest_parent_":"vifgm_repositories_2_resources_331","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_331.xml","title_filing_ssi":"Federal Theatre Project collection","title_ssm":["Federal Theatre Project collection"],"title_tesim":["Federal Theatre Project collection"],"unitdate_ssm":["circa 1885-1986","1935-1939"],"unitdate_bulk_ssim":["1935-1939"],"unitdate_inclusive_ssm":["circa 1885-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0002","/repositories/2/resources/331"],"text":["C0002","/repositories/2/resources/331","Federal Theatre Project collection","Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript","There are no access restrictions.","The scripts are also available as a series in the   in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections   .","Arranged into five series.","Series Series 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368) Series 2: Play Service and Research Records, 1935-1939 (Boxes 5-105) Series 3: Library Records, 1885-1986 (Boxes 106-306) Series 4: Production Records, 193-193 (Boxes 307-363, 366-367) Series 5: Costumes, circa 1935-1939 (Boxes 369-371)","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.","The Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.","Processed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023.","The Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.","The scripts are also available as a series in the  . ","Content Warning: Some materials contain racist language and slurs, including play titles.","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Series 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Available in digital format.","The House Committee on Un-American Activities (HUAC)","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","Includes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"","Issues of New Theatre (1934-1936).","Oversize color reprint of article from Fortune","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.","Contains blueprints and photographs of portable theatres","Subseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Subseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.","by John Wiley; based on an Edgar Allen Poe story (photocopy)","by Beth Brown","by Elmer L. Rice","by Francis Bosworth","by Buell R. Fuller","Director Georgia S. Fink","by Virginia Yetes (photocopy)","by Ruth Morris","by Gladys Unger and Walter Armitage","by David Arnold Balch","by William Mahl","by William Mahl","by William Mahl","by Eugene O'Neill","by Eugene O'Neill","by Edmond Rostand","by Edmond Rostand","by Edmond Rostand","by Yasha Frank","director Georgia S. Fink","adapted by S.S. Weiss","adapted by Ralph Chesse","by Sidney Howard","by Sidney Howard","by Eugene O'Neil","by Homer Little and Myla Jo Closser","by Homer Little and Myla Jo Closser","by Hardie Albright","by Hardie Albright","by Thomas Hall Rogers, photocopy from February 20, 1991","by Thomas Hall Rogers, 2 photocopies","by Thomas Hall Rogers","by Thomas Hall Rogers","by Thomas Hall Rogers","published in The Catholic School Journal","by Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy","by Edwin and Albert Barker","by Edwin and Albert Barker","by Elmer L. Rice","by Elmer L. Rice","by Elmer L. Rice","by Talbot Jennings","by Mrs. Alexander Mathis","by Vera Smirnova","by Edwin Burke","by Louis Weitzenkorn","by George Bernard Shaw","by Langston Hughes; A One-Act Play of Negro Life, photocopy","by Eugene O'Neill","by Eugene O'Neill","by Rose Franken","by Rose Franken","by St. John Ervine","by Elizabeth de Vautibault","by Elizabeth de Vautibault","by Rev. Henry N. Hudson","by Rev. Henry N. Hudson","by Rudolph Wittenberg","by Laurance Moore","by Margaret Brooks and Constance Wyckoff","by George Bernard Shaw","by George Bernard Shaw","by Martin Flavin","by Martin Flavin","by Yale Dramatic Association","by Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy","by W. H. Auden and Christopher Isherwood","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Lockhart North","by T. R. Arkell","by Owen Davis","by C. L. Anthony","by Clifford Odets","by Clifford Odets","by Clifford Odets","by Ruth Fenisong and Remo Bufano","by Lester Fuller, 2 copies, 1 of which is a photocopy","by Margaret Mayo","by Porter Emerson Brown","by Porter Emerson Brown","by H. R. Hays","by H. R. Hays","by Padriac Colum","by Padriac Colum","by Herb Meadow","by Herb Meadow, 2 photocopies","by Katharine Clugston","by Katharine Clugston","by Walter Hackett","by Maxwell Anderson","by Michael Blankfort and Michael Gold, photocopy","by Michael Blankfort and Michael Gold","by Michael Blankfort and Michael Gold","by Frederick Stowers","by Mary Dirnberger; Dramatized from the familiar fairy tale","by Mary Dirnberger; Dramatized from the familiar fairy tale","Transcribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma","by Albert Powels","by Alfred Lord Tennyson","by Alfred Lord Tennyson","by Brian J. Byrne","by George S. Kaufman and Marc Connelly","by George S. Kaufman and Marc Connelly","by Aodh de Blacam","by Belmont Ashton","by Lawrence Houseman","by Walter Abbott","by Walter Abbott","by Anonymous","by Eugene O'Neill","by Eugene O'Neill","by John W. Dunn; A play of early Oklahoma life","by John W. Dunn; A play of early Oklahoma life","by William Beyer","by Theodore Pratt, photocopy","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Samuel Sayer","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy","Synopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre","by Charles M. Barras","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Seymour G. Link","by Martin Flavin","by Maurice Maeterlinck","by Georgia Douglas Johnson, photocopy","by Ruth Fenisong","photocopy","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Eugene O'Neill","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Robin Taylor","Revision by Florence Elberta Barns","by Ruth Comfort Mitchel and Alfred Allen, photocopy","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Will Cotton","by Will Cotton","by Robert Hare Powel","by Robert Hare Powel","by Emmet Lavery","by Martin Flavin","by Martin Flavin","by Ruth Fenisong","by Frank Wilson","by Frank Wilson","by Frank Wilson","by Emmet Lavery","by Miss Mabel Osborne","by Emma Ehrlich Levinger","by Irwin Shaw","by Beth Brown and Gilbert Laurence","by Leopold L. Atlas","by Leopold L. Atlas","Original by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by George Bernard Shaw","by George Bernard Shaw","by Frank L. Moss and Richard Dana","by Frank L. Moss and Richard Dana","by Arnold Zweig","by Robert Peele Noble","by Robert Peele Noble","by Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy","by George Bernard Shaw","by George Bernard Shaw","by Carl Glick","by Arthur Goodrich and Rose A. Palmer","by Arthur Goodrich and Rose A. Palmer","by George Bernard Shaw","by George Bernard Shaw","by Robt. A. Bromley (revised edition)","by Zelma Bruce Tiden","by Zelma Bruce Tiden","by Peretz Hirshbein","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Estelle L. Silverman","by Jules Renard","by Rollo Wayne","by Rollo Wayne","by Rollo Wayne","by George McEnlee, photocopy","by George McEnlee","by H. Leivick","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg (revised)","by German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy","by A. Barto","by James Parish","by Y. L. Peretz","by John Woodworth, photocopy","by John Woodworth","by Ruth Fenisong","by John W. Dunn, photocopy","by John W. Dunn","by Stanislaus Stange","by sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw","Hedley Gordon Graham","by Essex Dane","by George Huntington Clark","by George Huntington Clark","by H. Jack Bates; A Negro Folk Play, photocopy","by Ruth Welty and Gene Renouf","by Rose Carlyn, photocopy","Three by Rose Carlyn; Three by Fannie Engle","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Gilbert Lennox","by Paul Vincent Carroll","by Noel Harris Houston","by Gertrude Worthington Jeffries","by Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy","by Rudolph Fisher, photocopy","by Rudolph Fisher, photocopy","by A. Callen, M. Worthington, and I. Reuben, photocopy","by Oliver Haserodt, photocopy","by Oliver Haserodt","by Royall Tyler","by M. Manisoff","by a seventh grade in Louisville, Kentucky","by a seventh grade in Louisville, Kentucky","by Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Marc Blitzstein, 2 photocopies","by Marc Blitzstein","by John H. Floyd","by members of the Play Bureau of the Southwest","by Betty Lessler Lyman","by John Hunter Booth","by John Hunter Booth, photocopy","by John Hunter Booth, photocopy","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director","by W. S. Gilbert","by Charles Dickens adapted by Gilmor Brown","Marionette Division, Buffalo, N.Y.","by Edgar Wallace","by James Stephens","by Walt Anderson","by Walt Anderson","by A. Barto","by A. Barto","by Laurette MacDuffie","by Anna Best Joder","by Elizabeth Leigh Vaughan","by W. H. Auden","by Joaquin Miller, photocopy","by Joaquin Miller","by Ruby Lorraine Radford","by S. Ansky","by L. W. Barrus","by George Foss, photocopy","by George Foss","by George Foss","by Grant Moss","by Grant Moss","by George W. Cronyn","by Rose Carlyn","by J. C. Furnes","by Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen","by Eugene O'Neill","by Benn W. Levy; A Religious Comedy, photocopy","by Benn W. Levy; A Religious Comedy","by George Bernard Shaw","by George Bernard Shaw","by Elmer Rice","by Eugene O'Neill","by Eugene O'Neill","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play","by Andrew Barton","by Andrew Barton","by Andrew Barton","by Merrill Denison","by Christopher Marlowe, arranged for marionettes by Robert Larson","by Twort (?) Gilbert and Edward Rosen","by Christopher Marlowe","by Christopher Marlowe","by Moliere","by Jules Romans, English version by Harley Granville-Barker","by Minnie H. Niemier","by Lope de Vega","by Harlan E. Glazier","by David Pinski","by Fred Ballard","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","by Elizabeth McFadden","by Charlotte Kohler, photocopy","by Joan and Michale A. Slane","by Carl Glick","by Rosa Carlyn","published by the National Tuberculosis Association","by Eugene O'Neill","by W. H. Smith","by Luis Quinones de Benavente","by Emily Percy Denison","by S. Ansky","by S. Ansky","by S. Ansky","by Arthur Goodman","by Elise Jerard","by Samuel Shipman and John B. Hymer","by Samuel Shipman and John B. Hymer","by Ossip Dymow","by Ossip Dymow","by Ossip Dymow","by Jack Larric","by Jack Larric","by Peretz Hirshbein","by Charlotte Charpenning","by Charlotte Charpenning","by Joseph Liss","by Paul Green","by Paul Green","by Paul Green","by C. C. Parsons","by Henrik Ibsen","by Henrik Ibsen","by Henrik Ibsen","by Sean O'Casey","by Demetre Bohris","by John Galsworthy","by Arthur Arent, photocopy","by Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy","by Arthur Arent, photocopy received June 11, 1991","by Kjeld Abell","by Paul Lawrence Dunbar (adaptation)","by Paul Lawrence Dunbar","by Sylvia Regan","by Sylvia Regan","by G. J. Graves","by G. J. Graves","by Will T. Goodwin; Working Script","by Emmet Lavery","by Emmet Lavery","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Bradbury Foote","by Bradbury Foote","by Cervantes","by Doris Troutman","by Luis Quinones de Benavente","adapted by Maurice Jagendorf","adapted by Maurice Jagendorf","by Irving P. Kapner","by Frank B. Elser and Marc Connelly","by Frank B. Elser and Marc Connelly","by Brian Doherty","by Brian Doherty","by Lope de Vega","by Maxwell Anderson","by H. A. Archibald","by Munro Leaf","by Paul Green","by Paul Green","by Rachel Lyman Field","by Weldon Stone","by Weldon Stone","by John Van Antwerp","by John Van Antwerp","by A. Barto","by Eugene O'Neill","by Frank Craven","by George H. Corey, photocopy","by George H. Corey","by E. and P. Green","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy","by Oscar Saul and Louis Lantz","by Oscar Saul and Louis Lantz","by Pearl S. Buck","by Pearl S. Buck","A play for boys and girls with radio participation, experiment number 1 by Berthold Brecht","by John W. Dunn","by Graham Rawson","by Graham Rawson","by Gene Stone and Jack Rosenblum","by Phile Higley","by Myrtle L. Barger","by E. P. Conkle","by Harry B. Smith","by Harry B. Smith","by Ada Sterling","by Ada Sterling","by Eleanor Garland","by Eugene O'Neill","by Eugene O'Neill","by Harry Sackler","by Georgia Douglas Johnson, photocopy","by Georgia Douglas Johnson","by Harriet Wedgwood, a health play for children, reprinted from Hygeia","by Samuel Shipman and Aaron Hoffman","by Samuel Shipman and Aaron Hoffman","by B. R. Fuller","by Leopold L. Atlas","by Beverly Hamer in the Carolina Play Book volume X, number 3","by William Stevenson","by B. K. Simkhovitch","by B. K. Simkhovitch","by B. K. Simkhovitch","by Felix Doherty","by Nando Vitali","by Ben Russak","by Ben Russak","by Ben Russak","by Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.","by Edward Lynn","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Isidore Reuben","by Philo Higley","by Arnold Ridley","by Buell R. Fuller","by Aldous Huxley","photocopy","by Ferenc Molnar","by Ferenc Molnar","by Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy","adapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Jacob Gordon","by J. J. Robbins","by J. J. Robbins","by Philip Stevenson","by Leon Crozier","by Paul Armstrong and Rex Beach","by Paul Smith","by Louise Franklin Bache","by Lewis Beach","by Lewis Beach","by Lewis Beach","by Kermit Love","by Rose Carlyn","by Ridgely Torrence; A Play for the Negro Theatre, photocopy","by Howard Koch; A Comedy of Recent Times, photocopy","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Warwick F. Williams","by William R. Randall","by Anna Friedman; A Roosevelt Play, photocopy","by Gertrude Worthington Jeffries, photocopy","by Gertrude Worthington Jeffries","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by George Bernard Shaw","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Bernard Szold and E. P. O'Donnell","by Bernard Szold and E. P. O'Donnell","by Marc Connelly","adapted by Stephen Weiss","by William J. Langman, S. J.","by Eugene O'Neill","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by Noah Elstein","by Grace Dorcas Ruthenberg","by Harlan E. Glazier","by Yasha Frank","by Thornton Wilder","by Thornton Wilder","by Wilfrido Ma Guerrero","by Donald Davis and Samuel Ornitz","by Joseph Lehmann","by Charles Prentiss","by Julius Hay","by Julius Hay","by Arthur Kober","by Arthur Kober","by Elizabeth Jane Astley","by Philip Atlee and Edmund Van Zandt","by Philip Atlee and Edmund Van Zandt","by David Belasco","by George Bernard Shaw","by Albert Bein","by Albert Bein","by Helen Clare Nelson","by Barry Conners","by Abram Hill, photocopy","by Margaret Sperry","by Margaret Sperry","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Theresa Helburn","by Theresa Helburn","by Theresa Helburn","adapted and translated by Donald Fay Robinson","adapted by Kent Pease Hamdent High School, Hamdent, Connecticut","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Mary B. Stafford","by Harlan E. Glazier","by Lee Freeson","by Howard Koch and Ben Russak","by Howard Koch and Ben Russak","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by John Wiley","by Harold Courlander","by Sally Coulter","by Herb Meadow","by Dorothy Hailpern","by Dorothy Hailpern","by Michael Swift","by Philip Barry","by Philip Barry","by John Alan Haughton","by Marion Holbrook","by Joseph Liss","by Paul Green","by Sara E. Bower","by Bertram M. Gross","by Alan Sidney","by Edith Kunz","by The Historical Project, Federal Writers Project of Minnesota","by Paul Green","by Paul Green","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by Margaret MacNamera","by Margaret MacNamera","by Edwin Burke","by Rufus King and Milton Lazarus","by Rufus King and Milton Lazarus","by Perez Hirschbaum","by Maria M. Coxe, photocopy","by Maria M. Coxe","by Maria M. Coxe","by Maria M. Coxe","by Paul Green","by Eugene O'Neill","by Bertolt Brecht","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by Maurice Stoller","by Norman Roston","by Noah Elstein, photocopy","by Noah Elstein","by Noah Elstein","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by Raymond Reeves, photocopy","by Raymond Reeves","by St. John G. Ervine","by St. John G. Ervine","by John McGee","adapted by Federal Theatre Project Los Angeles, California","by H. L. Fishel, photocopy","by H. L. Fishel, photocopy","by H. L. Fishel","by H. L. Fishel","by Martha Hodgson Ellis","by David Schrieber","by St. John G. Ervine","by St. John G. Ervine","by Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Paul Green","by Paul Green","by Luidmilla Vepritskaya","by Alma Shaw","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by Warren Coleman; A Negro Comedy, 2 photocopies","Elmer Rice","by Shakespeare","by Thomas A. Langan","by Emmet Lavery","by Ruth Fenisong","by J. C. Nugent and Elliott Nugent","by J. C. Nugent and Elliott Nugent","by Edgar Slaughter","The Living Newspaper Presents","The Living Newspaper Presents","by James Bridie","by Catherine Reighard","by Max M. Dill","by Don Mullally","by David Pinski","by T. C. Robinson and Rena M. Vale, photocopy","by T. C. Robinson and Rena M. Vale, photocopy","by Lawrence J. Bernard","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by George Scudder","by Irving Kaye Davis","by Irving Kaye Davis","by Irving Kaye Davis","by James Bridie","by James Bridie","by Sidney Howard","by Sidney Howard","by Harry King Tootle","by Harry King Tootle","by William Beyer","by William Beyer","by Oliver La Farge","by V. Beldon?","by Harry King Tootle","by Ernest Chamberlain","by Ernest Chamberlain","by Elmer Rice","by Moliere","by A. Barto","by Maurice Stoller","by Charlotte Chorpenning","by Bertram Robinson","photocopy","photocopy","photocopy","by Edward Hopter","by George Sklar","by George Sklar","by George Sklar","by George Sklar","by Gilbert Laurence","by Giuseppe Giacosa","by Giuseppe Giacosa","by Marion Flexner and Dorothy Park Clark","by Franz Molnar","by Franz Molnar","by Alma Shaw","by C. B. Chorpenning, photocopy","by C. B. Chorpenning","by C. B. Chorpenning","by C. B. Chorpenning","by Molka Reich of Miami Florida Project","translated from Flemish by Jacob Borut and Lola Sachs","translated from Flemish by Jacob Borut and Lola Sachs","by Marc Connelly","by Alexei Tolstoi","by Eleanor Glendower Griffith","by Lawrence and Sylvia Martin, photocopy","by Lawrence and Sylvia Martin, photocopy","by Howard Koch","by Howard Koch","by Howard Koch","by Thornton Wilder","by Eugene O'Neill","by Charles George","by T. C. Upham","by T. C. Upham","by Isidore Reuben","by Charles Alan","by Charles Alan","by Thornton Wilder","by John Galsworthy","by Maud Wood Park, photocopy","by Maud Wood Park","by Maud Wood Park","by Maud Wood Park revised by Robert Finch","by Theodore Browne; An \"African Version\", photocopy","by Clarence H. Talbot","reprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Blake","by Victoria Heindel","by Lee Freeson","by Louis Golding and A. R. Rawlinson","by Bernard Shaw","by Bernard Shaw","by Alfred Sutro","by John Woodworth","by John Woodworth","by Mr. Beete","by Mr. Beete","by Hollister Noble and Edward R. Sammis","by Hollister Noble and Edward R. Sammis","by Paul Green","by Anatole France","by Jules Eckert Goodman and Eckert Goodman","by Jules Eckert Goodman and Eckert Goodman","by Earnest Andai and Lajos Balint","by Federal Theatres, Los Angeles, California","by Anton Chekhov","by Rena B. Johnson","by Tom Taylor and Charles Reade","by Mabel DeVries Tanner","by Mabel DeVries Tanner","by Mabel DeVries Tanner","photocopy","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","by John Le Touche","by Brandon Tynan","by Victor Victor","by Victor Victor","by William Shakespeare","by H. Richard Oliver and John McCain Rimassa","by William Shakespeare","by Rose Dubin","by Ruth Fenisong and Samuel Sayer","By W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.","by W. S. Gilbert; The Town of Titifu, photocopy","by W. S. Gilbert; The Town of Titifu","by W. S. Gilbert; The Town of Titifu","by Plautus; translated by Clarence P. Bill, photocopy","photocopy","by Lynn Root and Harry Clork","by Wallace L. Waite","by Wallace L. Waite","by B. R. Fuller","by Dee Burque","by Hans Chlumberg, photocopy","by Nahum Brind","by John Crosby","by John Crosby","Page has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.","by John Charles Brownell","by E. B. Ginty","by E. B. Ginty","by Louise Franklin Bache","by Rose Franken and Jane Lewin","by Rose Franken and Jane Lewin","by Holger Cahill","by Holger Cahill","by Holger Cahill","by Michael Gold","by J. R. Perkins","by Emmet Lavery","by Denis Johnston","by Denis Johnston","by Eugene O'Neill","by Richard Maibaum","by Richard Maibaum","by Richard Maibaum","by Samuel French","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Joseph Liss","by Ruth Fenisong","by Louise Franklin Bache","by Ramon Romero, photocopy","by Ramon Romero, photocopy","by Ramon Romero","by Ramon Romero","by T. S. Eliot","by T. S. Eliot","by T. S. Eliot","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Buell R. Fuller","by Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy","by Cecil E. Reynolds","by Cecil E. Reynolds","by Rose Carlyn","from volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry","by Nathalie Satz and Sergei Rosaanov","by Anemone Pemberton","photocopy","photocopy","by Maxwell Anderson","by Arthur Arent; A Living Newspaper Play, photocopy","by Arthur Arent; A Living Newspaper Play","by Arthur Arent; A Living Newspaper Play","by students of Commonwealth College; Commonwealth College Fortnightly, photocopy","by Eleanor Flexner","by Eleanor Flexner","by Arthur Strawn and Henry Rosendahl","by Talbot Jennings","by Ernest Toller","by Ernest Toller","by Lilian Gill","by Jerome Geneson","by George Smedley Smith and Bernard Szold","by George Smedley Smith and Bernard Szold","by Ethel Watts Mumford and Lily Strickland","by Elmer Rice","by Elmer Rice","by Nathan Spiegel","by Joseph Hergesheimer","by Joseph Hergesheimer","by Sid Kuller and Ray Golden","by Sid Kuller and Ray Golden","by Harold Igo, photocopy","by Harold Igo","by Harold Igo","by Bernard Shaw","by James Knox Millen","by James Knox Millen","by Denman Thompson","adapted for marionettes by Ruth Fenisong and Samuel Sayer","adapted for marionettes by Ruth Fenisong and Samuel Sayer","by Benjamin M. Kaye","by Benjamin M. Kaye","by Bernard Shaw","by Bernard Shaw","by Bernard Shaw","by Marian Katherine Brown","by Seyril Schochen","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","by Kenneth Webb","by Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","dramatized from L. Feuchtwanger's novel by Clayton Fritchi","by Remo Bufano","by Irvin Wilson Baker","by Irvin Wilson Baker","by Irvin Wilson Baker","by Harry Hamilton","by Lillian Day and Lyon Mearson","by Lillian Day and Lyon Mearson","by Irving P. Kapner","by John Mason Brown","by Grace H. Swift, photocopy","by Catherine F. Reighard","by Gladys E. Murray","by Hughes Allison, photocopy","by Faye L. Tornquist","by Irving De W. Talmadge","by Irving De W. Talmadge","by Arthur Goodman","by Aristophanes","by Aristophanes","by Howard J. Green and Raymond Leslie Goldman","by Howard J. Green and Raymond Leslie Goldman","by Lope de Vega","translation by Joan Vanderpool","by Marion Holbrook","by Martha B. King","by Robert Sherwood","by Robert Sherwood","by Harlan E. Glazier","by members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania","by Alan Sidney","after the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget","adapted by Federal Theatre Project, Omaha, Nebraska","by Sarah Neuman","a Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales","adapted by Yasha Frank, photocopy","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","by Frank Kintrea","by Adelaide C. Rowell","by Adelaide C. Rowell","by Adelaide C. Rowell","by Phil Cook and McElbert Moore","by Ben Bengal","by A. Korneichuk","by J. Liss","by Margaret Naumberg","by Rose Carlyn","by Alvin Kerr","by Alvin Kerr","by Alvin Kerr","by George Kelly","by Robert Russell, photocopy","by Robert Russell","by Robert Russell","by Dorothy Heyward and DuBose Heyward","Living Newspaper, photocopy","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","by Karel Capek","by Karel Capek","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","Content warning: racist language/slur.","Full title:  Prancing Nigger . By E. England suggested from the novel by Ronald Firbank of the same name ","Content warning: racist language/slur.","Full title:  Prancing Nigger .","by Robert Whitehand, photocopy","by Robert Whitehand","by Robert Whitehand","by Albert Maltz; Anti-Fascist Play, photocopy","by Alfred Kreymborg","by John Howard Lawson, photocopy","by John Howard Lawson, photocopy","by John Howard Lawson","by John Howard Lawson","by John Garrett Underhill","by Freidrich Wolf, photocopy","by Friedrich Wolf","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by Claudia Hatch, photocopy","by Eldridge Lindsay","by Thornton Wilder","by Lawrence Langner and Armina Marshall Langner","by Leonora Kaghan and Anita Phillips","by Tonia Bakina","by Karel Capek","by Karel Capek","by Ferdinand Bruckner","by Ferdinand Bruckner","by Bradbury Foote","by Bradbury Foote","by Bradbury Foote","by Edward Stirling, Esq.","by Edward Stirling, Esq.","by Fred Ballard","by Blanding Sloan","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by L. Resnick","by Robert Sturgis, photocopy","by Fritz Karinthy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life","by P. Washington Porter; A Tragedy of Negro Life","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz","by Federal Theater Project, Los Angeles","by Federal Theater Project, Los Angeles","by Frances Montgomery","by Jan Klokog","as produced by the Federal Theater Project at Omaha, Nebraska","adapted for Buffalo Historical Marionette Theatre","by Lee Freeson","photocopy","by Richard Oliver; A Living Newspaper Play, photocopy","by Charles Vildrac","by Charles Vildrac","Dramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip","by Lynn Riggs","by Lynn Riggs","by Joseph Liss","by Joseph Liss","by John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")","by John W. Dunn","by Edith Grossberg Whitesell","by Edith Grossberg Whitesell","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa","by Hassard Short and Maurice Henniquin","by Hall Johnson, photocopy","by Hall Johnson, photocopy","by Hall Johnson","Living Newspaper, photocopy","by Charles Vildrac","by Francisco Rodrigo","by Leonide Andreyeff","by A. Barto","by Lope de Vega","by Countee Cullen and Arna Bontemps, photocopy","by Countee Cullen and Arna Bontemps","by Upton Sinclair; A Little Play for the White Collar Folks,","by Upton Sinclair; A Little Play for the White Collar Folks,","by Robert A Bromley and Al Carthe","by Robert A Bromley and Al Carthe","by Paul Green","by Maxwell Anderson","by Maxwell Anderson","by Micha Hawkins","The Adventures of a Bunny","by Frances Lester Warner","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Christobel Morley Cordell, photocopy","by Richard Brinsley Sheridan","by Maxwell Anderson","by Harold Whitehall","by Harold Whitehall","by Harold Whitehall","by Phyllis Clare Flannery; A Farce Satire, photocopy","by George Savage, Dramatist Guild Contest Play #60, photocopy","by George Savage, photocopy","by George Savage, Dramatist Guild Contest Play #60","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage","by Elmer Rice","by Elmer Rice","by Bertolt Brecht, translated by Keene Wallis","by Leonard J. Tyle","by William Evans","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by R. Edgar Moore","by R. Edgar Moore","by Florence Clothier; A Play of the Labrador Coast, photocopy","by Oliver Goldsmith; The Mistakes of a Night, photocopy","compiled from Old English nativity plays by Robert Larson","by Ruth Fenisong and Samuel Sayer","by Andrews and Anne Wilson Peabody","by George Kelly, version used by Negro Theatre Unit, New York City","by George Kelly","by Morgan Burke","by Morgan Burke","by Robert K. Ryland","photocopy","by Howard Koch","by Howard Koch","by Sholem Ash","by Isabel Anderson (Mrs. Larz Anderson)","by Fall River, photocopy","by F. S. Hill","by Miles Malleson","by Janet Hartman and Hallie Flanagan, photocopy","by Buell R. Fuller and Stephen Weiss","by Sedarmee Club Madison House","by Jo Basshe, photocopy","by Robert A. Bromley and Al Carthe","by Robert A. Bromley and Al Carthe","by Betty Smith","by Joseph Lawrence, photocopy","by Joseph Lawrence","by H. Leivick","an ancient Japanese farce translated by Michio Itow and Louis V. Ledoux","by Grace Welsh Lutgen, photocopy","by J. S. Coppard","by B. R. Fuller","photocopy","photocopy","by Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy","three copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.","by Arnold Sundgaard, photocopy","by Arnold Sundgaard, photocopy","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by James P. Judge","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Helen Fitzgerald","by Victor Victor","by Victor Victor","by Robert Ardrey; A Comedy, photocopy","by Robert Ardrey; A Comedy","by Ward Courtney; a Living Newspaper Play, photocopy","by Ward Courtney; a Living Newspaper Play, photocopy","by Otis Chatfield-Taylor, photocopy","by Charles Irving","by Charles Irving","photocopy","by Harold Robbins","by Elmer Rice","by Paul Peters and George Sklar","by Robert T. Colwell and Robert A. Simon","by Elmer Rice","by Elmer Rice","by Paul Tripp","by Mary Manning","by Mary Manning","by Barrie and Leonia Stavis","by Barrie and Leonia Stavis","by Henry C. Haskell","by Henry C. Haskell","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray, photocopy","by Lula Vollmer","by Norman Foster and Harry Hamilton","by Norman Foster and Harry Hamilton","by Georgie Douglass Johnson","by George Cram Cook and Susan Glaspell","by C. Liberman","by August Strindberg","photocopy","Federal Theatre of Oklahoma","by Maurice Stoller","by Katharine Clugston","by Katharine Clugston","by Katharine Clugston","by David Pinski, photocopy","by David Pinski","by David Pinski","by David Pinsky","by William Shakespeare","by William Shakespeare","by William Shakespeare","by William Shakespeare","by David Lano","Vagabond Puppeteers for the Federal Theatre of Oklahoma","by Shotwell Callvert, photocopy","by William dorsey Blake; A Living Newspaper Play, photocopy","by Anthony Armstrong","by Charles H. Hoyt","by Charles H. Hoyt","by Florine Schwartz; A Play for Children, photocopy","by Anna M. Lutkenhaus, photocopy","by Arthur A. Miller, photocopy","by Ivan Rowan and Martin Delman","by Ivan Rowan and Martin Delman","by Raymond Bond","by Raymond Bond","by Raymond Bond","by William Kozlenko","by Converse Tyler","by Converse Tyler","by Converse Tyler","by Knox Herold","by Betty Smith","by Yury Olesha","by Yury Olesha","by Gertrude Tonkonogy, photocopy","by Marita Rosler","by Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy","by Marie Baume from the novel by Leane Zugsmith; photocopy","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by William Shakespeare","by William Shakespeare","by William Shakespeare","by James Bridie","by Samuel Sayer","by Robert Wallsten","by Isabel Barber; A dramatist guild contest play #552","by Isabel Barber","by Isabel Barber","by John Broome, photocopy","by John Broome","by Ruth Fenisong","by Ruth Fenisong","by Robinson Jeffers; A Play in Poetic Form, photocopy","by Robinson Jeffers; A Play in Poetic Form","by George Murray and David Pelts; A Living Newspaper on Pensions; photocopy","by Philip Stevenson","by Rose Carlyn","by Jules Eckert Goodman, photocopy","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Remo Bufano","by Remo Bufano","by Stephen Spender","by Hughes Allison, photocopy","by Hughes Allison, photocopy","by Hughes Allison","by Hughes Allison","by Hughes Allison","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","Based on Homer and Euripides, includes photocopied program, photocopy","Based on Trojan Women of Euripides","Based on Trojan Women of Euripides","by Philip H. Davis","translated by Edith Hamilton","translated by Edith Hamilton","translated by Edith Hamilton","by Eleanor Phelps, photocopy","by Langston Hughes, photocopy","by Langston Hughes","by Langston Hughes","by Harry Sackler","Content Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.","by J. M. Barrie","by McElbert Moore","by McElbert Moore","by H. R. Lenormand","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by A. Barto","by E. P. Conkle","by Whitfield Cook, photocopy","by Whitfield Cook","by Whitfield Cook","by Robert Larson","Jacksonville, Florida script 1939, photocopy","by Anton Chekhov","by Augustin Daly","by Bernice McQuilken","by Gene Buck","by Helen Fitzgerald","by Mrs. William Hyman","by Charles Allen Smart","by Vincent Moran","by Vincent Moran","by Karl Gutzkov","by Eden White; A Rollicking Comedy","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","by Ruth Fenisong","by Marietta Fouche","by Marietta Fouche","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by I. L. Peretz","by John F. Burns","by Stefan Zweig","photocopy","Living Newspaper","by Caroline C. Lovell","by William C. de Mille","by William C. de Mille","by Percy Mackaye","by William L. Price","by Frances Gordon Strunsky","by Helen Gholson Kittredge","by Irving R. Kapner","translated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy","by Elmer Rice, photocopy","by Elmer Rice","by Gerhart Hauptmann","by Eugene O'Neill","translated from the Russian by Aaron Chorover","by W. Alan Coutts","by Rose Carlyn","by Ten Orcross","by Ten Orcross","by George H. Broadhurst","by Philip Stevenson","by Philip Stevenson","by Charles Zerner and Ben S. Gross","by Albert Hackett","by J. Sackville Martin and Carl E. Freybe","by J. Sackville Martin and Carl E. Freybe","by Katherine Peabody Gurling","by A. Barto","by John Bowaldeth","by Lelia May Smith","by Harry B. Smith","by Converse Tyler","by Lucien Chantel","by John Emerson and Anita Loos","by Harlan E. Glazier","by Paul Green","by Joseph Liss","by Clemence Dane, photocopy","by David Pay Robinson","by Marcus L. Bach","by Marcus L. Bach","by Marcus L. Bach (revised Chicago version)","by Kenneth White","by Rae Abraham","by Allan Davis","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Samuel Jesse Warshawsky, photocopy","by Buell R. Fuller","by Virgil L. Baker","by Charles Frederic Nirdlinger","by Charles Frederic Nirdlinger","by Charles Bruce Millholland","by Charles Bruce Millholland","by Edward Lynn","by Josef and Karel Capek","by Molly Day Thacher, photocopy","by Tom Jewett","by Chase Varney","by Chase Varney","by Chase Varney","by Jakob Loewenberg","by Peter Arnow","by Mark Reed","by Ulysses S. Elam","by Bernard Shaw","by Bernard Shaw","by Rose Carlyn","by Margaret Knox and Anna M. Lufkenhaus","by Dorothy L. Sayers","by M. Daniel","Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.","by Howard Warwick","by Gene Stafford","photocopy","by Arthur McCaffery","by Charles Brownell","by Friedrich Wolfe","by Howard Koch","by Leo Fontaine","two versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams, photocopy and original","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Harold Hartogensis","by Boyd","by Philip Massinger, adapted by Leah Jonas","by Ben Jonson, adapted by Leah Jonas","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Sergei Prokofiev, 5 front pages and 2 full copies","by Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson","by Richard Wright","by Pauline Simmons","by Marshall Davidson","by Martha Foley","by Dr. Charles Russell","by A. Hyatt Mayor","by David Canfield","by David Canfield","by David Canfield","by Morris Watson","interview with Martha Graham and Leah Plotkin","interview with Pietro di Donato and Leah Plotkin","interview with Estelle Liebling and Leah Plotkin","by Howard Koch adapted by Lawrence Levey (photocopy and original)","by Barrie and Leona Stavis, adapted by Edward Morton","by Theodore Pezman and Donald Murray, adapted by Edward Morton","by Carl Glick, adapted by Philip Ansel Roll","photocopy","by Karl Barron","by Phyllis Frederic","by Phyllis Frederic","adapted by Cecil Stevenson","adapted by Charles Crumpton","by Michael Davidson","by Matty Cohen and B. F. Kamsler","by Edward H. Smith","by Lewis W. Moyer","by Lewis W. Moyer","by Joseph W. Miller","both by Jeanette Despres","by Edward H. Smith","by Georgia Fawcett, first 25 pages","both by Jeanette Despres","by Michael Davidson","by unknown; by Harry Goldsmith","by John T. Mole","by Gertrude Onnen and Phyllis Frederic; by Jeanette Despres","by Phyllis Frederic","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted by Charles Crumpton, photocopy","by Henrik Ibsen, adapted by Lewis Meyer","by Henrik Ibsen, adapted by Georgia Fawcett, photocopy","by Clifford Odets, adapted by Maurice Kurtz","by Jules Verne, adapted by Lewis W. Moyer","by Jules Verne, adapted by W. M. Sutton","by Jules Verne, adapted by George Thorp","by Harold Parke Godwin; by Frederick Prokosch","by Arthur McCaffery, incomplete copy - first 13 pages","by Michael Davidson","by Paul de Kruif","by Lawrence Bearson; by Leo Fontaine","by T. O. Day","by Maxine Schiel, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by Jack Barefield, photocopy","by Georgia Backus, photocopy","by Maxine Schiel, photocopy","by Ben Hawthorne, photocopy","by John Fleming, photocopy","by Arthur Arendt","by David Lesan","by David Lesan","by William N. Robson","dramatization by Robert Lewis Shayon","by Edward Solomon","by Bucalossi","by Michael William Balfe","by Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan","by Charles Lecocq","by Sidney Jones","by Sidney Jones","by Charles Lecocq","by Karl W. Schulz","by W. Vincent Wallace","by W. Vincent Wallace","by Edmond Audran","by Robert Planquette","by Edmond Audran","by Robert Planquette","by Lajos Serly","by Sir William S. Gilbert and Sir Arthur Sullivan","by Oscar Wilde, adapted by Donald Macfarlane, photocopy","by Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy","by Oscar Wilde, adapted by Lews W. Moyer, photocopy","by Oscar Wilde, adapted by Charles Crumpton","by Rose Albert Porter","by Rose Albert Porter","by Rose Albert Porter","by George J. Thorp","by George J. Thorp","by George J. Thorp","by Sylvia Altman","by Sylvia Altman and Jeanette Gussin","by Charles Dickens adapted by Cecil Stevenson","by Charles Dickens adapted by Cecil Stevenson","by Victor E. Smith; by Joel Hammil","by Will Glickman","by Phyllis Frederic","by Lewis W. Moyer; by W. M. Sutton","by John I. Mole","by Victor E. Smith","by Victor E. Smith","by Maxwell Wolodin; by Edward H. Smith","by Victor E. Smith; by John I. Mole","by Lewis W. Moyer; by Michael Davidson","by Will Glickman","by Phyllis Frederic","by Lee Fontainbleu; by Laurence U. Shloss","by Edward H. Smith","by Georgia Fawcett","by Georgia Fawcett","by Georgia Fawcett","by Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni","by John I. Mole","by Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman","By Herbert Lewis; by Bob Frank","by Bob Frank","by Bob Frank","by Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer","by Paul Vulpius, adapted by Barry Williams","by Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams","by Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton","by George Harmon Coxe, adapted by Victor E. Smith","by George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson","by Laura Z. Hobson, adapted by Lawrence Bearson","by Jerome Beatty, adapted by Victor E. Smith","by Manuel Komroff, adapted by Joel Hammil","by Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts","by George Rolland","by George Rolland","by Barrie Williams; by Brian J. Byrne","by Dean Charel","by Dean Charel","by Dean Charel","by Frank Burrill","by Dean Charel","by Victor E. Smith","by Herb Meadow; adaptation by Joel Hammil and Leo Fontaine","by A. L. Tyler","photocopy","by Hugh Lester","by Leo Fontaine","by Harold Hartogensis; by Phyllis Frederic","by Benet Costa, photocopy","by Jane Ashman; also includes Women as Homemakers first page","by Leo Fontaine, photocopy","Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.","Proposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley","Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.","American Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud","The Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home","Accent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion","Festival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland","The Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle","The Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla","Class of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla","Programs from \"Folk plays of the Carolina playmakers\"","The Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband","Abu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear","In Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern","Ten Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights","The Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville","Anna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring","Hamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under","The Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted","Blind Alley; Brothers; It Can't Happen Here; Rachel's Man","One-Third of a Nation; Roll Sweet Chariot; Room Service","Big Vaudeville Musical Revue  (79 copies from different performances around Maine)","Announcing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do","It Can't Happen Here; Liliom; The Road to Rome","Ladies of the Jury","It Can't Happen Here","Vodvil Show  (vaudeville)","It Can't Happen Here","Programs:  Adalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional","Buffalo Historical Marionettes available in digital format.","Programs:  Professor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps","Flyers and playbills: Current productions flyer -  Big Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language  (9 copies);  The Bat  (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival;  The Cradle Will Rock; The Emperor's New Clothes  (3 copies);  Fair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe  (4 copies);  It Can't Happen Here  (14 copies);  Life and Death of an American; Moving Along  (2 copies);  Oliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal  (10 copies) ","Buffalo Historical Marionettes Benefit Performance is available in digital format.","Flyers and playbills:  Sing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh . 8.5x14\" flyers and playbills:  Adam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny","Newspaper format program for  One-Third of a Nation . Volume V number 3 to number 14","Newspaper format program for  One-Third of a Nation . Volume V number 15-17, 19-23","Newspaper format program for  Power . Volume II number 1, Volume III number 1","Criminal at Large","Her Majesty the Widow","Personal Appearance","Post Road","Remember the Day","Saturday's Children","Tamed and How","Another Language; The Barker; The Old Maid; There's Always Juliet","As Husbands Go; I Want a Policeman","The First Mrs. Fraser","The Good Fairy","It's a Wise Child","The Late Christopher Bean","Ned McCobbs Daughter","Possession","Sun Up","Tea for Three","They Knew What They Wanted","Three Cornered Moon","Fresh Fields","First Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning","The Bad Man; Boy Meets Girl; The Christmas Carol ; Federal Theatre for Youth (overview);  The First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under","Alice in Wonderland; Counsellor-At-Law; One-Third of a Nation ; Third Annual Central Oklahoma Folk Festival;","The Living Newspaper ( One-Third of a Nation );  Prelude to Spring ; Puppet Pageant at the Philadelphia Museum of Art;  Stepping Stars ; Vaudeville","Christmas with Dickens","Alice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore","Green Grow the Lilacs; Old Heidelberg","photocopies, many with original performance dates handwritten on them -  Adelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps . Photocopies.","Adam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing","Oversize posters where each poster is a piece of a larger whole. There are seven pieces for  Alison's House  and five for  The Warrior's Husband . Roughly each piece measures 42 inches high and 28 inches wide.","The Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow","Oversize posters where each poster is a piece of a larger whole. There are three pieces for  Bill of Divorcement , two for  Blind Alley , two for  Gods of the Lightning , and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play  Pursuit of Happiness  performed at the Mayan Theatre in Los Angeles in August of 1937.","The Case of Philip Lawrence; Chalk Dust; The Cherokee Night ; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus,  The World's Greatest Circus; Class of '29 ; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939;  Conjure Man Dies; Coriolanus; The Cradle Will Rock","The Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)","Einmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal ; Eugene O'Neill's One-Act Plays of the Sea","Fair and Warmer; Fantasy 1939; Flight","H.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern","The Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here","Life and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone","Macbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral","Native Ground; No More Peace; Noah","On the Rocks; On Top; One-Third of a Nation; Outside Looking In","The Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory","Das Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up","The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night","The Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)","Programs, flyers, and playbills:  Walk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in","Programs, flyers, and playbills: Various plays in Yiddish;  The Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)","Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","includes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California","by Willy B. Stahl and Walter C. Schad, Los Angeles, California","includes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass","violin music, arranged by M. L. Lake","by Eddison von Ottenfeld","by Eddison von Ottenfeld","by Alex North","by Fred Miller Jr. and L. Leslie Loth","by Herbert Kingsley, New York, New York","includes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California","music for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager","music for vocal lead on \"Sweet by and by\"","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","photocopy","photocopy","photocopy","photocopy","photocopy","photocopy","by Hans Bruno Meyer, New York, New York","violin music \"If She Says No\"","music for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"","Chicago, Illinois","violin music \"Flow Gently, Sweet Afton\", Los Angeles, California","by Charles J. Levy","includes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"","by Charles Wakefield Cadman","by R. E. Austin","by Irvin Cooper","[Eddison von Ottenfeld] Los Angeles, California","by Meyer Rappaport and Emile Cote","From the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof","by Marshall Bartholomew","music by Genevieve Pitot, New York","by F. Melius Christiansen","by Paul Lincke","by Ralph Story","by Paul Lincke","by Mozart-Shelley","by Daniel Wood and Sumner Salter","Ernestine Valencia, arranged by Dan J. Michaud","by Edward Elgar and Arthur Fagge","by J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"","by Hans Bruno Meyer","by Hans Bruno Meyer","paraphrase for mixed voices by William Schaeffer","by Ivor Tchervanow and Ralph L. Baldwin","by Rimsky-Korsikoff, arranged by Jacob Schwartzdorf","by May H. Brahe","violin music, by Edna R. Heard","Piano music \"Party Entre Act 1-2\", Los Angeles, California","by Max Hirschfeld, New York, New York","by Jean Stor, New York, New York","by David Sheinfeld","by John Ansell","This series includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Long red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"","A long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"","Two pairs of men's pants, one yellow, one red. Both pants stop below the knee. Both pants have a label that reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" In the waist band of the yellow pant the name Don Chiles is handwritten.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","English"],"unitid_tesim":["C0002","/repositories/2/resources/331"],"normalized_title_ssm":["Federal Theatre Project collection"],"collection_title_tesim":["Federal Theatre Project collection"],"collection_ssim":["Federal Theatre Project collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Federal Theatre Project (U.S.)"],"creator_ssim":["Federal Theatre Project (U.S.)"],"creator_corpname_ssim":["Federal Theatre Project (U.S.)"],"creators_ssim":["Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"acqinfo_ssim":["Donated by the Library of Congress."],"access_subjects_ssim":["Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript"],"access_subjects_ssm":["Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript"],"has_online_content_ssim":["false"],"extent_ssm":["185 Linear Feet 371 boxes"],"extent_tesim":["185 Linear Feet 371 boxes"],"genreform_ssim":["Playscript"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe scripts are also available as a series in the \u003cextptr href=\"https://mars.gmu.edu/handle/1920/3478\" title=\"Federal Theatre Project Materials Collection\" show=\"new\"\u003e\u003c/extptr\u003e in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections  \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"available here\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The scripts are also available as a series in the   in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections   ."],"arrangement_html_tesm":["\u003cp\u003eArranged into five series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Play Service and Research Records, 1935-1939 (Boxes 5-105)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Library Records, 1885-1986 (Boxes 106-306)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Production Records, 193-193 (Boxes 307-363, 366-367)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Costumes, circa 1935-1939 (Boxes 369-371)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into five series.","Series Series 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368) Series 2: Play Service and Research Records, 1935-1939 (Boxes 5-105) Series 3: Library Records, 1885-1986 (Boxes 106-306) Series 4: Production Records, 193-193 (Boxes 307-363, 366-367) Series 5: Costumes, circa 1935-1939 (Boxes 369-371)"],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.\u003c/p\u003e\n","\u003cp\u003eLike many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.\u003c/p\u003e\n","\u003cp\u003eBut it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"\u003c/p\u003e\n","\u003cp\u003eFlanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.\u003c/p\u003e\n","\u003cp\u003eThe productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.\u003c/p\u003e\n","\u003cp\u003eThe Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.","The Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck."],"prefercite_html_tesm":["\u003cp\u003eFederal Theatre Project collection, C0002, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Federal Theatre Project collection, C0002, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.\u003c/p\u003e\n","\u003cp\u003eThe scripts are also available as a series in the \u003cextptr show=\"new\" title=\"FTP digital collection\" href=\"https://mars.gmu.edu/handle/1920/3478\"\u003e\u003c/extptr\u003e. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.","The scripts are also available as a series in the  . "],"scopecontent_html_tesm":["\u003cp\u003eContent Warning: Some materials contain racist language and slurs, including play titles.\u003c/p\u003e\n","\u003cp\u003eThe Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.\u003c/p\u003e\n","\u003cp\u003eSeries 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.\u003c/p\u003e\n","\u003cp\u003eSeries 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e\n","\u003cp\u003eSeries 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e\n","\u003cp\u003eSeries 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSeries 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThe House Committee on Un-American Activities (HUAC)\u003c/p\u003e","\u003cp\u003eMcMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.\u003c/p\u003e","\u003cp\u003eMcMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.\u003c/p\u003e","\u003cp\u003eIncludes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"\u003c/p\u003e","\u003cp\u003eIssues of New Theatre (1934-1936).\u003c/p\u003e","\u003cp\u003eOversize color reprint of article from Fortune\u003c/p\u003e","\u003cp\u003eSeries 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.\u003c/p\u003e","\u003cp\u003eSubseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eContains blueprints and photographs of portable theatres\u003c/p\u003e","\u003cp\u003eSubseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.\u003c/p\u003e","\u003cp\u003eSeries 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e","\u003cp\u003eSubseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eby John Wiley; based on an Edgar Allen Poe story (photocopy)\u003c/p\u003e","\u003cp\u003eby Beth Brown\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Francis Bosworth\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eDirector Georgia S. Fink\u003c/p\u003e","\u003cp\u003eby Virginia Yetes (photocopy)\u003c/p\u003e","\u003cp\u003eby Ruth Morris\u003c/p\u003e","\u003cp\u003eby Gladys Unger and Walter Armitage\u003c/p\u003e","\u003cp\u003eby David Arnold Balch\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Yasha Frank\u003c/p\u003e","\u003cp\u003edirector Georgia S. Fink\u003c/p\u003e","\u003cp\u003eadapted by S.S. Weiss\u003c/p\u003e","\u003cp\u003eadapted by Ralph Chesse\u003c/p\u003e","\u003cp\u003eby Sidney Howard\u003c/p\u003e","\u003cp\u003eby Sidney Howard\u003c/p\u003e","\u003cp\u003eby Eugene O'Neil\u003c/p\u003e","\u003cp\u003eby Homer Little and Myla Jo Closser\u003c/p\u003e","\u003cp\u003eby Homer Little and Myla Jo Closser\u003c/p\u003e","\u003cp\u003eby Hardie Albright\u003c/p\u003e","\u003cp\u003eby Hardie Albright\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers, photocopy from February 20, 1991\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003epublished in The Catholic School Journal\u003c/p\u003e","\u003cp\u003eby Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy\u003c/p\u003e","\u003cp\u003eby Edwin and Albert Barker\u003c/p\u003e","\u003cp\u003eby Edwin and Albert Barker\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Talbot Jennings\u003c/p\u003e","\u003cp\u003eby Mrs. Alexander Mathis\u003c/p\u003e","\u003cp\u003eby Vera Smirnova\u003c/p\u003e","\u003cp\u003eby Edwin Burke\u003c/p\u003e","\u003cp\u003eby Louis Weitzenkorn\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Langston Hughes; A One-Act Play of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Rose Franken\u003c/p\u003e","\u003cp\u003eby Rose Franken\u003c/p\u003e","\u003cp\u003eby St. John Ervine\u003c/p\u003e","\u003cp\u003eby Elizabeth de Vautibault\u003c/p\u003e","\u003cp\u003eby Elizabeth de Vautibault\u003c/p\u003e","\u003cp\u003eby Rev. Henry N. Hudson\u003c/p\u003e","\u003cp\u003eby Rev. Henry N. Hudson\u003c/p\u003e","\u003cp\u003eby Rudolph Wittenberg\u003c/p\u003e","\u003cp\u003eby Laurance Moore\u003c/p\u003e","\u003cp\u003eby Margaret Brooks and Constance Wyckoff\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Yale Dramatic Association\u003c/p\u003e","\u003cp\u003eby Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy\u003c/p\u003e","\u003cp\u003eby W. H. Auden and Christopher Isherwood\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Lockhart North\u003c/p\u003e","\u003cp\u003eby T. R. Arkell\u003c/p\u003e","\u003cp\u003eby Owen Davis\u003c/p\u003e","\u003cp\u003eby C. L. Anthony\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Remo Bufano\u003c/p\u003e","\u003cp\u003eby Lester Fuller, 2 copies, 1 of which is a photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Mayo\u003c/p\u003e","\u003cp\u003eby Porter Emerson Brown\u003c/p\u003e","\u003cp\u003eby Porter Emerson Brown\u003c/p\u003e","\u003cp\u003eby H. R. Hays\u003c/p\u003e","\u003cp\u003eby H. R. Hays\u003c/p\u003e","\u003cp\u003eby Padriac Colum\u003c/p\u003e","\u003cp\u003eby Padriac Colum\u003c/p\u003e","\u003cp\u003eby Herb Meadow\u003c/p\u003e","\u003cp\u003eby Herb Meadow, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Walter Hackett\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold, photocopy\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold\u003c/p\u003e","\u003cp\u003eby Frederick Stowers\u003c/p\u003e","\u003cp\u003eby Mary Dirnberger; Dramatized from the familiar fairy tale\u003c/p\u003e","\u003cp\u003eby Mary Dirnberger; Dramatized from the familiar fairy tale\u003c/p\u003e","\u003cp\u003eTranscribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Albert Powels\u003c/p\u003e","\u003cp\u003eby Alfred Lord Tennyson\u003c/p\u003e","\u003cp\u003eby Alfred Lord Tennyson\u003c/p\u003e","\u003cp\u003eby Brian J. Byrne\u003c/p\u003e","\u003cp\u003eby George S. Kaufman and Marc Connelly\u003c/p\u003e","\u003cp\u003eby George S. Kaufman and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Aodh de Blacam\u003c/p\u003e","\u003cp\u003eby Belmont Ashton\u003c/p\u003e","\u003cp\u003eby Lawrence Houseman\u003c/p\u003e","\u003cp\u003eby Walter Abbott\u003c/p\u003e","\u003cp\u003eby Walter Abbott\u003c/p\u003e","\u003cp\u003eby Anonymous\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby John W. Dunn; A play of early Oklahoma life\u003c/p\u003e","\u003cp\u003eby John W. Dunn; A play of early Oklahoma life\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby Theodore Pratt, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy\u003c/p\u003e","\u003cp\u003eSynopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre\u003c/p\u003e","\u003cp\u003eby Charles M. Barras\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Seymour G. Link\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Maurice Maeterlinck\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Robin Taylor\u003c/p\u003e","\u003cp\u003eRevision by Florence Elberta Barns\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Will Cotton\u003c/p\u003e","\u003cp\u003eby Will Cotton\u003c/p\u003e","\u003cp\u003eby Robert Hare Powel\u003c/p\u003e","\u003cp\u003eby Robert Hare Powel\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Miss Mabel Osborne\u003c/p\u003e","\u003cp\u003eby Emma Ehrlich Levinger\u003c/p\u003e","\u003cp\u003eby Irwin Shaw\u003c/p\u003e","\u003cp\u003eby Beth Brown and Gilbert Laurence\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eOriginal by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Frank L. Moss and Richard Dana\u003c/p\u003e","\u003cp\u003eby Frank L. Moss and Richard Dana\u003c/p\u003e","\u003cp\u003eby Arnold Zweig\u003c/p\u003e","\u003cp\u003eby Robert Peele Noble\u003c/p\u003e","\u003cp\u003eby Robert Peele Noble\u003c/p\u003e","\u003cp\u003eby Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Carl Glick\u003c/p\u003e","\u003cp\u003eby Arthur Goodrich and Rose A. Palmer\u003c/p\u003e","\u003cp\u003eby Arthur Goodrich and Rose A. Palmer\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Robt. A. Bromley (revised edition)\u003c/p\u003e","\u003cp\u003eby Zelma Bruce Tiden\u003c/p\u003e","\u003cp\u003eby Zelma Bruce Tiden\u003c/p\u003e","\u003cp\u003eby Peretz Hirshbein\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Estelle L. Silverman\u003c/p\u003e","\u003cp\u003eby Jules Renard\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby George McEnlee, photocopy\u003c/p\u003e","\u003cp\u003eby George McEnlee\u003c/p\u003e","\u003cp\u003eby H. Leivick\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg (revised)\u003c/p\u003e","\u003cp\u003eby German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby James Parish\u003c/p\u003e","\u003cp\u003eby Y. L. Peretz\u003c/p\u003e","\u003cp\u003eby John Woodworth, photocopy\u003c/p\u003e","\u003cp\u003eby John Woodworth\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby John W. Dunn, photocopy\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Stanislaus Stange\u003c/p\u003e","\u003cp\u003eby sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey\u003c/p\u003e","\u003cp\u003eby Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw\u003c/p\u003e","\u003cp\u003eHedley Gordon Graham\u003c/p\u003e","\u003cp\u003eby Essex Dane\u003c/p\u003e","\u003cp\u003eby George Huntington Clark\u003c/p\u003e","\u003cp\u003eby George Huntington Clark\u003c/p\u003e","\u003cp\u003eby H. Jack Bates; A Negro Folk Play, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Welty and Gene Renouf\u003c/p\u003e","\u003cp\u003eby Rose Carlyn, photocopy\u003c/p\u003e","\u003cp\u003eThree by Rose Carlyn; Three by Fannie Engle\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Gilbert Lennox\u003c/p\u003e","\u003cp\u003eby Paul Vincent Carroll\u003c/p\u003e","\u003cp\u003eby Noel Harris Houston\u003c/p\u003e","\u003cp\u003eby Gertrude Worthington Jeffries\u003c/p\u003e","\u003cp\u003eby Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy\u003c/p\u003e","\u003cp\u003eby Rudolph Fisher, photocopy\u003c/p\u003e","\u003cp\u003eby Rudolph Fisher, photocopy\u003c/p\u003e","\u003cp\u003eby A. Callen, M. Worthington, and I. Reuben, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Haserodt, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Haserodt\u003c/p\u003e","\u003cp\u003eby Royall Tyler\u003c/p\u003e","\u003cp\u003eby M. Manisoff\u003c/p\u003e","\u003cp\u003eby a seventh grade in Louisville, Kentucky\u003c/p\u003e","\u003cp\u003eby a seventh grade in Louisville, Kentucky\u003c/p\u003e","\u003cp\u003eby Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Marc Blitzstein, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Marc Blitzstein\u003c/p\u003e","\u003cp\u003eby John H. Floyd\u003c/p\u003e","\u003cp\u003eby members of the Play Bureau of the Southwest\u003c/p\u003e","\u003cp\u003eby Betty Lessler Lyman\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth, photocopy\u003c/p\u003e","\u003cp\u003eby John Hunter Booth, photocopy\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Gilmor Brown\u003c/p\u003e","\u003cp\u003eMarionette Division, Buffalo, N.Y.\u003c/p\u003e","\u003cp\u003eby Edgar Wallace\u003c/p\u003e","\u003cp\u003eby James Stephens\u003c/p\u003e","\u003cp\u003eby Walt Anderson\u003c/p\u003e","\u003cp\u003eby Walt Anderson\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Laurette MacDuffie\u003c/p\u003e","\u003cp\u003eby Anna Best Joder\u003c/p\u003e","\u003cp\u003eby Elizabeth Leigh Vaughan\u003c/p\u003e","\u003cp\u003eby W. H. Auden\u003c/p\u003e","\u003cp\u003eby Joaquin Miller, photocopy\u003c/p\u003e","\u003cp\u003eby Joaquin Miller\u003c/p\u003e","\u003cp\u003eby Ruby Lorraine Radford\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby L. W. Barrus\u003c/p\u003e","\u003cp\u003eby George Foss, photocopy\u003c/p\u003e","\u003cp\u003eby George Foss\u003c/p\u003e","\u003cp\u003eby George Foss\u003c/p\u003e","\u003cp\u003eby Grant Moss\u003c/p\u003e","\u003cp\u003eby Grant Moss\u003c/p\u003e","\u003cp\u003eby George W. Cronyn\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby J. C. Furnes\u003c/p\u003e","\u003cp\u003eby Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Benn W. Levy; A Religious Comedy, photocopy\u003c/p\u003e","\u003cp\u003eby Benn W. Levy; A Religious Comedy\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Merrill Denison\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe, arranged for marionettes by Robert Larson\u003c/p\u003e","\u003cp\u003eby Twort (?) Gilbert and Edward Rosen\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe\u003c/p\u003e","\u003cp\u003eby Moliere\u003c/p\u003e","\u003cp\u003eby Jules Romans, English version by Harley Granville-Barker\u003c/p\u003e","\u003cp\u003eby Minnie H. Niemier\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby Fred Ballard\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eby Elizabeth McFadden\u003c/p\u003e","\u003cp\u003eby Charlotte Kohler, photocopy\u003c/p\u003e","\u003cp\u003eby Joan and Michale A. Slane\u003c/p\u003e","\u003cp\u003eby Carl Glick\u003c/p\u003e","\u003cp\u003eby Rosa Carlyn\u003c/p\u003e","\u003cp\u003epublished by the National Tuberculosis Association\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby W. H. Smith\u003c/p\u003e","\u003cp\u003eby Luis Quinones de Benavente\u003c/p\u003e","\u003cp\u003eby Emily Percy Denison\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby Arthur Goodman\u003c/p\u003e","\u003cp\u003eby Elise Jerard\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and John B. Hymer\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and John B. Hymer\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Jack Larric\u003c/p\u003e","\u003cp\u003eby Jack Larric\u003c/p\u003e","\u003cp\u003eby Peretz Hirshbein\u003c/p\u003e","\u003cp\u003eby Charlotte Charpenning\u003c/p\u003e","\u003cp\u003eby Charlotte Charpenning\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby C. C. Parsons\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Sean O'Casey\u003c/p\u003e","\u003cp\u003eby Demetre Bohris\u003c/p\u003e","\u003cp\u003eby John Galsworthy\u003c/p\u003e","\u003cp\u003eby Arthur Arent, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent, photocopy received June 11, 1991\u003c/p\u003e","\u003cp\u003eby Kjeld Abell\u003c/p\u003e","\u003cp\u003eby Paul Lawrence Dunbar (adaptation)\u003c/p\u003e","\u003cp\u003eby Paul Lawrence Dunbar\u003c/p\u003e","\u003cp\u003eby Sylvia Regan\u003c/p\u003e","\u003cp\u003eby Sylvia Regan\u003c/p\u003e","\u003cp\u003eby G. J. Graves\u003c/p\u003e","\u003cp\u003eby G. J. Graves\u003c/p\u003e","\u003cp\u003eby Will T. Goodwin; Working Script\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Cervantes\u003c/p\u003e","\u003cp\u003eby Doris Troutman\u003c/p\u003e","\u003cp\u003eby Luis Quinones de Benavente\u003c/p\u003e","\u003cp\u003eadapted by Maurice Jagendorf\u003c/p\u003e","\u003cp\u003eadapted by Maurice Jagendorf\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Frank B. Elser and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Frank B. Elser and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Brian Doherty\u003c/p\u003e","\u003cp\u003eby Brian Doherty\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby H. A. Archibald\u003c/p\u003e","\u003cp\u003eby Munro Leaf\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Rachel Lyman Field\u003c/p\u003e","\u003cp\u003eby Weldon Stone\u003c/p\u003e","\u003cp\u003eby Weldon Stone\u003c/p\u003e","\u003cp\u003eby John Van Antwerp\u003c/p\u003e","\u003cp\u003eby John Van Antwerp\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Frank Craven\u003c/p\u003e","\u003cp\u003eby George H. Corey, photocopy\u003c/p\u003e","\u003cp\u003eby George H. Corey\u003c/p\u003e","\u003cp\u003eby E. and P. Green\u003c/p\u003e","\u003cp\u003eby Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"\u003c/p\u003e","\u003cp\u003eby Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Louis Lantz\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Louis Lantz\u003c/p\u003e","\u003cp\u003eby Pearl S. Buck\u003c/p\u003e","\u003cp\u003eby Pearl S. Buck\u003c/p\u003e","\u003cp\u003eA play for boys and girls with radio participation, experiment number 1 by Berthold Brecht\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Graham Rawson\u003c/p\u003e","\u003cp\u003eby Graham Rawson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Rosenblum\u003c/p\u003e","\u003cp\u003eby Phile Higley\u003c/p\u003e","\u003cp\u003eby Myrtle L. Barger\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Ada Sterling\u003c/p\u003e","\u003cp\u003eby Ada Sterling\u003c/p\u003e","\u003cp\u003eby Eleanor Garland\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Harry Sackler\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson\u003c/p\u003e","\u003cp\u003eby Harriet Wedgwood, a health play for children, reprinted from Hygeia\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and Aaron Hoffman\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and Aaron Hoffman\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eby Beverly Hamer in the Carolina Play Book volume X, number 3\u003c/p\u003e","\u003cp\u003eby William Stevenson\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby Felix Doherty\u003c/p\u003e","\u003cp\u003eby Nando Vitali\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.\u003c/p\u003e","\u003cp\u003eby Edward Lynn\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Isidore Reuben\u003c/p\u003e","\u003cp\u003eby Philo Higley\u003c/p\u003e","\u003cp\u003eby Arnold Ridley\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Aldous Huxley\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Ferenc Molnar\u003c/p\u003e","\u003cp\u003eby Ferenc Molnar\u003c/p\u003e","\u003cp\u003eby Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy\u003c/p\u003e","\u003cp\u003eadapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Jacob Gordon\u003c/p\u003e","\u003cp\u003eby J. J. Robbins\u003c/p\u003e","\u003cp\u003eby J. J. Robbins\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Leon Crozier\u003c/p\u003e","\u003cp\u003eby Paul Armstrong and Rex Beach\u003c/p\u003e","\u003cp\u003eby Paul Smith\u003c/p\u003e","\u003cp\u003eby Louise Franklin Bache\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Kermit Love\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Ridgely Torrence; A Play for the Negro Theatre, photocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch; A Comedy of Recent Times, photocopy\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Warwick F. Williams\u003c/p\u003e","\u003cp\u003eby William R. Randall\u003c/p\u003e","\u003cp\u003eby Anna Friedman; A Roosevelt Play, photocopy\u003c/p\u003e","\u003cp\u003eby Gertrude Worthington Jeffries, photocopy\u003c/p\u003e","\u003cp\u003eby Gertrude Worthington Jeffries\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Bernard Szold and E. P. O'Donnell\u003c/p\u003e","\u003cp\u003eby Bernard Szold and E. P. O'Donnell\u003c/p\u003e","\u003cp\u003eby Marc Connelly\u003c/p\u003e","\u003cp\u003eadapted by Stephen Weiss\u003c/p\u003e","\u003cp\u003eby William J. Langman, S. J.\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby Grace Dorcas Ruthenberg\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Yasha Frank\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Wilfrido Ma Guerrero\u003c/p\u003e","\u003cp\u003eby Donald Davis and Samuel Ornitz\u003c/p\u003e","\u003cp\u003eby Joseph Lehmann\u003c/p\u003e","\u003cp\u003eby Charles Prentiss\u003c/p\u003e","\u003cp\u003eby Julius Hay\u003c/p\u003e","\u003cp\u003eby Julius Hay\u003c/p\u003e","\u003cp\u003eby Arthur Kober\u003c/p\u003e","\u003cp\u003eby Arthur Kober\u003c/p\u003e","\u003cp\u003eby Elizabeth Jane Astley\u003c/p\u003e","\u003cp\u003eby Philip Atlee and Edmund Van Zandt\u003c/p\u003e","\u003cp\u003eby Philip Atlee and Edmund Van Zandt\u003c/p\u003e","\u003cp\u003eby David Belasco\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Albert Bein\u003c/p\u003e","\u003cp\u003eby Albert Bein\u003c/p\u003e","\u003cp\u003eby Helen Clare Nelson\u003c/p\u003e","\u003cp\u003eby Barry Conners\u003c/p\u003e","\u003cp\u003eby Abram Hill, photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Sperry\u003c/p\u003e","\u003cp\u003eby Margaret Sperry\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eadapted and translated by Donald Fay Robinson\u003c/p\u003e","\u003cp\u003eadapted by Kent Pease Hamdent High School, Hamdent, Connecticut\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Mary B. Stafford\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003eby Howard Koch and Ben Russak\u003c/p\u003e","\u003cp\u003eby Howard Koch and Ben Russak\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby John Wiley\u003c/p\u003e","\u003cp\u003eby Harold Courlander\u003c/p\u003e","\u003cp\u003eby Sally Coulter\u003c/p\u003e","\u003cp\u003eby Herb Meadow\u003c/p\u003e","\u003cp\u003eby Dorothy Hailpern\u003c/p\u003e","\u003cp\u003eby Dorothy Hailpern\u003c/p\u003e","\u003cp\u003eby Michael Swift\u003c/p\u003e","\u003cp\u003eby Philip Barry\u003c/p\u003e","\u003cp\u003eby Philip Barry\u003c/p\u003e","\u003cp\u003eby John Alan Haughton\u003c/p\u003e","\u003cp\u003eby Marion Holbrook\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Sara E. Bower\u003c/p\u003e","\u003cp\u003eby Bertram M. Gross\u003c/p\u003e","\u003cp\u003eby Alan Sidney\u003c/p\u003e","\u003cp\u003eby Edith Kunz\u003c/p\u003e","\u003cp\u003eby The Historical Project, Federal Writers Project of Minnesota\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby Margaret MacNamera\u003c/p\u003e","\u003cp\u003eby Margaret MacNamera\u003c/p\u003e","\u003cp\u003eby Edwin Burke\u003c/p\u003e","\u003cp\u003eby Rufus King and Milton Lazarus\u003c/p\u003e","\u003cp\u003eby Rufus King and Milton Lazarus\u003c/p\u003e","\u003cp\u003eby Perez Hirschbaum\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe, photocopy\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Bertolt Brecht\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Norman Roston\u003c/p\u003e","\u003cp\u003eby Noah Elstein, photocopy\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby Raymond Reeves, photocopy\u003c/p\u003e","\u003cp\u003eby Raymond Reeves\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby John McGee\u003c/p\u003e","\u003cp\u003eadapted by Federal Theatre Project Los Angeles, California\u003c/p\u003e","\u003cp\u003eby H. L. Fishel, photocopy\u003c/p\u003e","\u003cp\u003eby H. L. Fishel, photocopy\u003c/p\u003e","\u003cp\u003eby H. L. Fishel\u003c/p\u003e","\u003cp\u003eby H. L. Fishel\u003c/p\u003e","\u003cp\u003eby Martha Hodgson Ellis\u003c/p\u003e","\u003cp\u003eby David Schrieber\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Luidmilla Vepritskaya\u003c/p\u003e","\u003cp\u003eby Alma Shaw\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby Warren Coleman; A Negro Comedy, 2 photocopies\u003c/p\u003e","\u003cp\u003eElmer Rice\u003c/p\u003e","\u003cp\u003eby Shakespeare\u003c/p\u003e","\u003cp\u003eby Thomas A. Langan\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby J. C. Nugent and Elliott Nugent\u003c/p\u003e","\u003cp\u003eby J. C. Nugent and Elliott Nugent\u003c/p\u003e","\u003cp\u003eby Edgar Slaughter\u003c/p\u003e","\u003cp\u003eThe Living Newspaper Presents\u003c/p\u003e","\u003cp\u003eThe Living Newspaper Presents\u003c/p\u003e","\u003cp\u003eby James Bridie\u003c/p\u003e","\u003cp\u003eby Catherine Reighard\u003c/p\u003e","\u003cp\u003eby Max M. Dill\u003c/p\u003e","\u003cp\u003eby Don Mullally\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby T. C. Robinson and Rena M. Vale, photocopy\u003c/p\u003e","\u003cp\u003eby T. C. Robinson and Rena M. Vale, photocopy\u003c/p\u003e","\u003cp\u003eby Lawrence J. 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Beldon?\u003c/p\u003e","\u003cp\u003eby Harry King Tootle\u003c/p\u003e","\u003cp\u003eby Ernest Chamberlain\u003c/p\u003e","\u003cp\u003eby Ernest Chamberlain\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Moliere\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Charlotte Chorpenning\u003c/p\u003e","\u003cp\u003eby Bertram Robinson\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Edward Hopter\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby Gilbert Laurence\u003c/p\u003e","\u003cp\u003eby Giuseppe Giacosa\u003c/p\u003e","\u003cp\u003eby Giuseppe Giacosa\u003c/p\u003e","\u003cp\u003eby Marion Flexner and Dorothy Park Clark\u003c/p\u003e","\u003cp\u003eby Franz Molnar\u003c/p\u003e","\u003cp\u003eby Franz Molnar\u003c/p\u003e","\u003cp\u003eby Alma Shaw\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning, photocopy\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning\u003c/p\u003e","\u003cp\u003eby Molka Reich of Miami Florida Project\u003c/p\u003e","\u003cp\u003etranslated from Flemish by Jacob Borut and Lola Sachs\u003c/p\u003e","\u003cp\u003etranslated from Flemish by Jacob Borut and Lola Sachs\u003c/p\u003e","\u003cp\u003eby Marc Connelly\u003c/p\u003e","\u003cp\u003eby Alexei Tolstoi\u003c/p\u003e","\u003cp\u003eby Eleanor Glendower Griffith\u003c/p\u003e","\u003cp\u003eby Lawrence and Sylvia Martin, photocopy\u003c/p\u003e","\u003cp\u003eby Lawrence and Sylvia Martin, photocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Charles George\u003c/p\u003e","\u003cp\u003eby T. C. Upham\u003c/p\u003e","\u003cp\u003eby T. C. Upham\u003c/p\u003e","\u003cp\u003eby Isidore Reuben\u003c/p\u003e","\u003cp\u003eby Charles Alan\u003c/p\u003e","\u003cp\u003eby Charles Alan\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby John Galsworthy\u003c/p\u003e","\u003cp\u003eby Maud Wood Park, photocopy\u003c/p\u003e","\u003cp\u003eby Maud Wood Park\u003c/p\u003e","\u003cp\u003eby Maud Wood Park\u003c/p\u003e","\u003cp\u003eby Maud Wood Park revised by Robert Finch\u003c/p\u003e","\u003cp\u003eby Theodore Browne; An \"African Version\", photocopy\u003c/p\u003e","\u003cp\u003eby Clarence H. Talbot\u003c/p\u003e","\u003cp\u003ereprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays\u003c/p\u003e","\u003cp\u003eby William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936\u003c/p\u003e","\u003cp\u003eby William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Blake\u003c/p\u003e","\u003cp\u003eby Victoria Heindel\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003eby Louis Golding and A. R. Rawlinson\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Alfred Sutro\u003c/p\u003e","\u003cp\u003eby John Woodworth\u003c/p\u003e","\u003cp\u003eby John Woodworth\u003c/p\u003e","\u003cp\u003eby Mr. Beete\u003c/p\u003e","\u003cp\u003eby Mr. Beete\u003c/p\u003e","\u003cp\u003eby Hollister Noble and Edward R. Sammis\u003c/p\u003e","\u003cp\u003eby Hollister Noble and Edward R. Sammis\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Anatole France\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman and Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman and Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Earnest Andai and Lajos Balint\u003c/p\u003e","\u003cp\u003eby Federal Theatres, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Anton Chekhov\u003c/p\u003e","\u003cp\u003eby Rena B. Johnson\u003c/p\u003e","\u003cp\u003eby Tom Taylor and Charles Reade\u003c/p\u003e","\u003cp\u003eby Mabel DeVries Tanner\u003c/p\u003e","\u003cp\u003eby Mabel DeVries Tanner\u003c/p\u003e","\u003cp\u003eby Mabel DeVries Tanner\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003erevised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul\u003c/p\u003e","\u003cp\u003erevised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul\u003c/p\u003e","\u003cp\u003eby John Le Touche\u003c/p\u003e","\u003cp\u003eby Brandon Tynan\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby H. Richard Oliver and John McCain Rimassa\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby Rose Dubin\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eBy W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert; The Town of Titifu, photocopy\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert; The Town of Titifu\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert; The Town of Titifu\u003c/p\u003e","\u003cp\u003eby Plautus; translated by Clarence P. Bill, photocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Lynn Root and Harry Clork\u003c/p\u003e","\u003cp\u003eby Wallace L. Waite\u003c/p\u003e","\u003cp\u003eby Wallace L. Waite\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003eby Dee Burque\u003c/p\u003e","\u003cp\u003eby Hans Chlumberg, photocopy\u003c/p\u003e","\u003cp\u003eby Nahum Brind\u003c/p\u003e","\u003cp\u003eby John Crosby\u003c/p\u003e","\u003cp\u003eby John Crosby\u003c/p\u003e","\u003cp\u003ePage has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.\u003c/p\u003e","\u003cp\u003eby John Charles Brownell\u003c/p\u003e","\u003cp\u003eby E. B. Ginty\u003c/p\u003e","\u003cp\u003eby E. B. Ginty\u003c/p\u003e","\u003cp\u003eby Louise Franklin Bache\u003c/p\u003e","\u003cp\u003eby Rose Franken and Jane Lewin\u003c/p\u003e","\u003cp\u003eby Rose Franken and Jane Lewin\u003c/p\u003e","\u003cp\u003eby Holger Cahill\u003c/p\u003e","\u003cp\u003eby Holger Cahill\u003c/p\u003e","\u003cp\u003eby Holger Cahill\u003c/p\u003e","\u003cp\u003eby Michael Gold\u003c/p\u003e","\u003cp\u003eby J. R. Perkins\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Denis Johnston\u003c/p\u003e","\u003cp\u003eby Denis Johnston\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Richard Maibaum\u003c/p\u003e","\u003cp\u003eby Richard Maibaum\u003c/p\u003e","\u003cp\u003eby Richard Maibaum\u003c/p\u003e","\u003cp\u003eby Samuel French\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Louise Franklin Bache\u003c/p\u003e","\u003cp\u003eby Ramon Romero, photocopy\u003c/p\u003e","\u003cp\u003eby Ramon Romero, photocopy\u003c/p\u003e","\u003cp\u003eby Ramon Romero\u003c/p\u003e","\u003cp\u003eby Ramon Romero\u003c/p\u003e","\u003cp\u003eby T. S. Eliot\u003c/p\u003e","\u003cp\u003eby T. S. Eliot\u003c/p\u003e","\u003cp\u003eby T. S. Eliot\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy\u003c/p\u003e","\u003cp\u003eby Cecil E. Reynolds\u003c/p\u003e","\u003cp\u003eby Cecil E. Reynolds\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003efrom volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson\u003c/p\u003e","\u003cp\u003eby Theodore Brown; Based on the Legend of John Henry, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Brown; Based on the Legend of John Henry, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Brown; Based on the Legend of John Henry\u003c/p\u003e","\u003cp\u003eby Nathalie Satz and Sergei Rosaanov\u003c/p\u003e","\u003cp\u003eby Anemone Pemberton\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper Play\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper Play\u003c/p\u003e","\u003cp\u003eby students of Commonwealth College; Commonwealth College Fortnightly, photocopy\u003c/p\u003e","\u003cp\u003eby Eleanor Flexner\u003c/p\u003e","\u003cp\u003eby Eleanor Flexner\u003c/p\u003e","\u003cp\u003eby Arthur Strawn and Henry Rosendahl\u003c/p\u003e","\u003cp\u003eby Talbot Jennings\u003c/p\u003e","\u003cp\u003eby Ernest Toller\u003c/p\u003e","\u003cp\u003eby Ernest Toller\u003c/p\u003e","\u003cp\u003eby Lilian Gill\u003c/p\u003e","\u003cp\u003eby Jerome Geneson\u003c/p\u003e","\u003cp\u003eby George Smedley Smith and Bernard Szold\u003c/p\u003e","\u003cp\u003eby George Smedley Smith and Bernard Szold\u003c/p\u003e","\u003cp\u003eby Ethel Watts Mumford and Lily Strickland\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Nathan Spiegel\u003c/p\u003e","\u003cp\u003eby Joseph Hergesheimer\u003c/p\u003e","\u003cp\u003eby Joseph Hergesheimer\u003c/p\u003e","\u003cp\u003eby Sid Kuller and Ray Golden\u003c/p\u003e","\u003cp\u003eby Sid Kuller and Ray Golden\u003c/p\u003e","\u003cp\u003eby Harold Igo, photocopy\u003c/p\u003e","\u003cp\u003eby Harold Igo\u003c/p\u003e","\u003cp\u003eby Harold Igo\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby James Knox Millen\u003c/p\u003e","\u003cp\u003eby James Knox Millen\u003c/p\u003e","\u003cp\u003eby Denman Thompson\u003c/p\u003e","\u003cp\u003eadapted for marionettes by Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eadapted for marionettes by Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Benjamin M. Kaye\u003c/p\u003e","\u003cp\u003eby Benjamin M. Kaye\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Marian Katherine Brown\u003c/p\u003e","\u003cp\u003eby Seyril Schochen\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003eby Kenneth Webb\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003edramatized from L. Feuchtwanger's novel by Clayton Fritchi\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Lillian Day and Lyon Mearson\u003c/p\u003e","\u003cp\u003eby Lillian Day and Lyon Mearson\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby John Mason Brown\u003c/p\u003e","\u003cp\u003eby Grace H. Swift, photocopy\u003c/p\u003e","\u003cp\u003eby Catherine F. Reighard\u003c/p\u003e","\u003cp\u003eby Gladys E. Murray\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Faye L. Tornquist\u003c/p\u003e","\u003cp\u003eby Irving De W. Talmadge\u003c/p\u003e","\u003cp\u003eby Irving De W. Talmadge\u003c/p\u003e","\u003cp\u003eby Arthur Goodman\u003c/p\u003e","\u003cp\u003eby Aristophanes\u003c/p\u003e","\u003cp\u003eby Aristophanes\u003c/p\u003e","\u003cp\u003eby Howard J. Green and Raymond Leslie Goldman\u003c/p\u003e","\u003cp\u003eby Howard J. Green and Raymond Leslie Goldman\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003etranslation by Joan Vanderpool\u003c/p\u003e","\u003cp\u003eby Marion Holbrook\u003c/p\u003e","\u003cp\u003eby Martha B. King\u003c/p\u003e","\u003cp\u003eby Robert Sherwood\u003c/p\u003e","\u003cp\u003eby Robert Sherwood\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003eby Alan Sidney\u003c/p\u003e","\u003cp\u003eafter the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget\u003c/p\u003e","\u003cp\u003eadapted by Federal Theatre Project, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003eby Sarah Neuman\u003c/p\u003e","\u003cp\u003ea Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank, photocopy\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eby Frank Kintrea\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Phil Cook and McElbert Moore\u003c/p\u003e","\u003cp\u003eby Ben Bengal\u003c/p\u003e","\u003cp\u003eby A. Korneichuk\u003c/p\u003e","\u003cp\u003eby J. Liss\u003c/p\u003e","\u003cp\u003eby Margaret Naumberg\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby George Kelly\u003c/p\u003e","\u003cp\u003eby Robert Russell, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Russell\u003c/p\u003e","\u003cp\u003eby Robert Russell\u003c/p\u003e","\u003cp\u003eby Dorothy Heyward and DuBose Heyward\u003c/p\u003e","\u003cp\u003eLiving Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eContent warning: racist language/slur.\u003c/p\u003e\n","\u003cp\u003eFull title: \u003ctitle\u003ePrancing Nigger\u003c/title\u003e. By E. England suggested from the novel by Ronald Firbank of the same name \u003c/p\u003e","\u003cp\u003eContent warning: racist language/slur.\u003c/p\u003e\n","\u003cp\u003eFull title: \u003ctitle\u003ePrancing Nigger\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eby Robert Whitehand, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Whitehand\u003c/p\u003e","\u003cp\u003eby Robert Whitehand\u003c/p\u003e","\u003cp\u003eby Albert Maltz; Anti-Fascist Play, photocopy\u003c/p\u003e","\u003cp\u003eby Alfred Kreymborg\u003c/p\u003e","\u003cp\u003eby John Howard Lawson, photocopy\u003c/p\u003e","\u003cp\u003eby John Howard Lawson, photocopy\u003c/p\u003e","\u003cp\u003eby John Howard Lawson\u003c/p\u003e","\u003cp\u003eby John Howard Lawson\u003c/p\u003e","\u003cp\u003eby John Garrett Underhill\u003c/p\u003e","\u003cp\u003eby Freidrich Wolf, photocopy\u003c/p\u003e","\u003cp\u003eby Friedrich Wolf\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Claudia Hatch, photocopy\u003c/p\u003e","\u003cp\u003eby Eldridge Lindsay\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Lawrence Langner and Armina Marshall Langner\u003c/p\u003e","\u003cp\u003eby Leonora Kaghan and Anita Phillips\u003c/p\u003e","\u003cp\u003eby Tonia Bakina\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Ferdinand Bruckner\u003c/p\u003e","\u003cp\u003eby Ferdinand Bruckner\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Edward Stirling, Esq.\u003c/p\u003e","\u003cp\u003eby Edward Stirling, Esq.\u003c/p\u003e","\u003cp\u003eby Fred Ballard\u003c/p\u003e","\u003cp\u003eby Blanding Sloan\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby L. Resnick\u003c/p\u003e","\u003cp\u003eby Robert Sturgis, photocopy\u003c/p\u003e","\u003cp\u003eby Fritz Karinthy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz\u003c/p\u003e","\u003cp\u003eby Federal Theater Project, Los Angeles\u003c/p\u003e","\u003cp\u003eby Federal Theater Project, Los Angeles\u003c/p\u003e","\u003cp\u003eby Frances Montgomery\u003c/p\u003e","\u003cp\u003eby Jan Klokog\u003c/p\u003e","\u003cp\u003eas produced by the Federal Theater Project at Omaha, Nebraska\u003c/p\u003e","\u003cp\u003eadapted for Buffalo Historical Marionette Theatre\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Richard Oliver; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eDramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Edith Grossberg Whitesell\u003c/p\u003e","\u003cp\u003eby Edith Grossberg Whitesell\u003c/p\u003e","\u003cp\u003eby Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Lesueur and Momodu Johnson; a Drama of Native Africa\u003c/p\u003e","\u003cp\u003eby Hassard Short and Maurice Henniquin\u003c/p\u003e","\u003cp\u003eby Hall Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Hall Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Hall Johnson\u003c/p\u003e","\u003cp\u003eLiving Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eby Francisco Rodrigo\u003c/p\u003e","\u003cp\u003eby Leonide Andreyeff\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Countee Cullen and Arna Bontemps, photocopy\u003c/p\u003e","\u003cp\u003eby Countee Cullen and Arna Bontemps\u003c/p\u003e","\u003cp\u003eby Upton Sinclair; A Little Play for the White Collar Folks,\u003c/p\u003e","\u003cp\u003eby Upton Sinclair; A Little Play for the White Collar Folks,\u003c/p\u003e","\u003cp\u003eby Robert A Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Robert A Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Micha Hawkins\u003c/p\u003e","\u003cp\u003eThe Adventures of a Bunny\u003c/p\u003e","\u003cp\u003eby Frances Lester Warner\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Christobel Morley Cordell, photocopy\u003c/p\u003e","\u003cp\u003eby Richard Brinsley Sheridan\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Phyllis Clare Flannery; A Farce Satire, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, Dramatist Guild Contest Play #60, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, Dramatist Guild Contest Play #60\u003c/p\u003e","\u003cp\u003eby George Savage, English Department, University of Washington, Seattle, Washington\u003c/p\u003e","\u003cp\u003eby George Savage, English Department, University of Washington, Seattle, Washington\u003c/p\u003e","\u003cp\u003eby George Savage\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Bertolt Brecht, translated by Keene Wallis\u003c/p\u003e","\u003cp\u003eby Leonard J. Tyle\u003c/p\u003e","\u003cp\u003eby William Evans\u003c/p\u003e","\u003cp\u003eby Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler\u003c/p\u003e","\u003cp\u003eby Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler\u003c/p\u003e","\u003cp\u003eby R. Edgar Moore\u003c/p\u003e","\u003cp\u003eby R. Edgar Moore\u003c/p\u003e","\u003cp\u003eby Florence Clothier; A Play of the Labrador Coast, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Goldsmith; The Mistakes of a Night, photocopy\u003c/p\u003e","\u003cp\u003ecompiled from Old English nativity plays by Robert Larson\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Andrews and Anne Wilson Peabody\u003c/p\u003e","\u003cp\u003eby George Kelly, version used by Negro Theatre Unit, New York City\u003c/p\u003e","\u003cp\u003eby George Kelly\u003c/p\u003e","\u003cp\u003eby Morgan Burke\u003c/p\u003e","\u003cp\u003eby Morgan Burke\u003c/p\u003e","\u003cp\u003eby Robert K. Ryland\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Sholem Ash\u003c/p\u003e","\u003cp\u003eby Isabel Anderson (Mrs. Larz Anderson)\u003c/p\u003e","\u003cp\u003eby Fall River, photocopy\u003c/p\u003e","\u003cp\u003eby F. S. Hill\u003c/p\u003e","\u003cp\u003eby Miles Malleson\u003c/p\u003e","\u003cp\u003eby Janet Hartman and Hallie Flanagan, photocopy\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller and Stephen Weiss\u003c/p\u003e","\u003cp\u003eby Sedarmee Club Madison House\u003c/p\u003e","\u003cp\u003eby Jo Basshe, photocopy\u003c/p\u003e","\u003cp\u003eby Robert A. Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Robert A. Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Betty Smith\u003c/p\u003e","\u003cp\u003eby Joseph Lawrence, photocopy\u003c/p\u003e","\u003cp\u003eby Joseph Lawrence\u003c/p\u003e","\u003cp\u003eby H. Leivick\u003c/p\u003e","\u003cp\u003ean ancient Japanese farce translated by Michio Itow and Louis V. Ledoux\u003c/p\u003e","\u003cp\u003eby Grace Welsh Lutgen, photocopy\u003c/p\u003e","\u003cp\u003eby J. S. Coppard\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003ethree copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard, photocopy\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard, photocopy\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby James P. Judge\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Helen Fitzgerald\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Robert Ardrey; A Comedy, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Ardrey; A Comedy\u003c/p\u003e","\u003cp\u003eby Ward Courtney; a Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Ward Courtney; a Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Otis Chatfield-Taylor, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Irving\u003c/p\u003e","\u003cp\u003eby Charles Irving\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Harold Robbins\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Paul Peters and George Sklar\u003c/p\u003e","\u003cp\u003eby Robert T. Colwell and Robert A. Simon\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Paul Tripp\u003c/p\u003e","\u003cp\u003eby Mary Manning\u003c/p\u003e","\u003cp\u003eby Mary Manning\u003c/p\u003e","\u003cp\u003eby Barrie and Leonia Stavis\u003c/p\u003e","\u003cp\u003eby Barrie and Leonia Stavis\u003c/p\u003e","\u003cp\u003eby Henry C. Haskell\u003c/p\u003e","\u003cp\u003eby Henry C. Haskell\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray, photocopy\u003c/p\u003e","\u003cp\u003eby Lula Vollmer\u003c/p\u003e","\u003cp\u003eby Norman Foster and Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Norman Foster and Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Georgie Douglass Johnson\u003c/p\u003e","\u003cp\u003eby George Cram Cook and Susan Glaspell\u003c/p\u003e","\u003cp\u003eby C. Liberman\u003c/p\u003e","\u003cp\u003eby August Strindberg\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eFederal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby David Pinski, photocopy\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby David Pinsky\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby David Lano\u003c/p\u003e","\u003cp\u003eVagabond Puppeteers for the Federal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Shotwell Callvert, photocopy\u003c/p\u003e","\u003cp\u003eby William dorsey Blake; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Anthony Armstrong\u003c/p\u003e","\u003cp\u003eby Charles H. Hoyt\u003c/p\u003e","\u003cp\u003eby Charles H. Hoyt\u003c/p\u003e","\u003cp\u003eby Florine Schwartz; A Play for Children, photocopy\u003c/p\u003e","\u003cp\u003eby Anna M. Lutkenhaus, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur A. Miller, photocopy\u003c/p\u003e","\u003cp\u003eby Ivan Rowan and Martin Delman\u003c/p\u003e","\u003cp\u003eby Ivan Rowan and Martin Delman\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby William Kozlenko\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Knox Herold\u003c/p\u003e","\u003cp\u003eby Betty Smith\u003c/p\u003e","\u003cp\u003eby Yury Olesha\u003c/p\u003e","\u003cp\u003eby Yury Olesha\u003c/p\u003e","\u003cp\u003eby Gertrude Tonkonogy, photocopy\u003c/p\u003e","\u003cp\u003eby Marita Rosler\u003c/p\u003e","\u003cp\u003eby Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith; photocopy\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby James Bridie\u003c/p\u003e","\u003cp\u003eby Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Robert Wallsten\u003c/p\u003e","\u003cp\u003eby Isabel Barber; A dramatist guild contest play #552\u003c/p\u003e","\u003cp\u003eby Isabel Barber\u003c/p\u003e","\u003cp\u003eby Isabel Barber\u003c/p\u003e","\u003cp\u003eby John Broome, photocopy\u003c/p\u003e","\u003cp\u003eby John Broome\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Robinson Jeffers; A Play in Poetic Form, photocopy\u003c/p\u003e","\u003cp\u003eby Robinson Jeffers; A Play in Poetic Form\u003c/p\u003e","\u003cp\u003eby George Murray and David Pelts; A Living Newspaper on Pensions; photocopy\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman, photocopy\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Stephen Spender\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Ward Courtney; The Moon is Steel; Carnival for Bolt; North\u003c/p\u003e","\u003cp\u003eby Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ereissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City\u003c/p\u003e","\u003cp\u003ereissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City\u003c/p\u003e","\u003cp\u003eBased on Homer and Euripides, includes photocopied program, photocopy\u003c/p\u003e","\u003cp\u003eBased on Trojan Women of Euripides\u003c/p\u003e","\u003cp\u003eBased on Trojan Women of Euripides\u003c/p\u003e","\u003cp\u003eby Philip H. Davis\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003eby Eleanor Phelps, photocopy\u003c/p\u003e","\u003cp\u003eby Langston Hughes, photocopy\u003c/p\u003e","\u003cp\u003eby Langston Hughes\u003c/p\u003e","\u003cp\u003eby Langston Hughes\u003c/p\u003e","\u003cp\u003eby Harry Sackler\u003c/p\u003e","\u003cp\u003eContent Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.\u003c/p\u003e","\u003cp\u003eby J. M. Barrie\u003c/p\u003e","\u003cp\u003eby McElbert Moore\u003c/p\u003e","\u003cp\u003eby McElbert Moore\u003c/p\u003e","\u003cp\u003eby H. R. Lenormand\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Whitfield Cook, photocopy\u003c/p\u003e","\u003cp\u003eby Whitfield Cook\u003c/p\u003e","\u003cp\u003eby Whitfield Cook\u003c/p\u003e","\u003cp\u003eby Robert Larson\u003c/p\u003e","\u003cp\u003eJacksonville, Florida script 1939, photocopy\u003c/p\u003e","\u003cp\u003eby Anton Chekhov\u003c/p\u003e","\u003cp\u003eby Augustin Daly\u003c/p\u003e","\u003cp\u003eby Bernice McQuilken\u003c/p\u003e","\u003cp\u003eby Gene Buck\u003c/p\u003e","\u003cp\u003eby Helen Fitzgerald\u003c/p\u003e","\u003cp\u003eby Mrs. William Hyman\u003c/p\u003e","\u003cp\u003eby Charles Allen Smart\u003c/p\u003e","\u003cp\u003eby Vincent Moran\u003c/p\u003e","\u003cp\u003eby Vincent Moran\u003c/p\u003e","\u003cp\u003eby Karl Gutzkov\u003c/p\u003e","\u003cp\u003eby Eden White; A Rollicking Comedy\u003c/p\u003e","\u003cp\u003eedited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low\u003c/p\u003e","\u003cp\u003eedited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Marietta Fouche\u003c/p\u003e","\u003cp\u003eby Marietta Fouche\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby I. L. Peretz\u003c/p\u003e","\u003cp\u003eby John F. Burns\u003c/p\u003e","\u003cp\u003eby Stefan Zweig\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eby Caroline C. Lovell\u003c/p\u003e","\u003cp\u003eby William C. de Mille\u003c/p\u003e","\u003cp\u003eby William C. de Mille\u003c/p\u003e","\u003cp\u003eby Percy Mackaye\u003c/p\u003e","\u003cp\u003eby William L. Price\u003c/p\u003e","\u003cp\u003eby Frances Gordon Strunsky\u003c/p\u003e","\u003cp\u003eby Helen Gholson Kittredge\u003c/p\u003e","\u003cp\u003eby Irving R. Kapner\u003c/p\u003e","\u003cp\u003etranslated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy\u003c/p\u003e","\u003cp\u003eby Elmer Rice, photocopy\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Gerhart Hauptmann\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003etranslated from the Russian by Aaron Chorover\u003c/p\u003e","\u003cp\u003eby W. Alan Coutts\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Ten Orcross\u003c/p\u003e","\u003cp\u003eby Ten Orcross\u003c/p\u003e","\u003cp\u003eby George H. Broadhurst\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Charles Zerner and Ben S. Gross\u003c/p\u003e","\u003cp\u003eby Albert Hackett\u003c/p\u003e","\u003cp\u003eby J. Sackville Martin and Carl E. Freybe\u003c/p\u003e","\u003cp\u003eby J. Sackville Martin and Carl E. Freybe\u003c/p\u003e","\u003cp\u003eby Katherine Peabody Gurling\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby John Bowaldeth\u003c/p\u003e","\u003cp\u003eby Lelia May Smith\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Lucien Chantel\u003c/p\u003e","\u003cp\u003eby John Emerson and Anita Loos\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Clemence Dane, photocopy\u003c/p\u003e","\u003cp\u003eby David Pay Robinson\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach (revised Chicago version)\u003c/p\u003e","\u003cp\u003eby Kenneth White\u003c/p\u003e","\u003cp\u003eby Rae Abraham\u003c/p\u003e","\u003cp\u003eby Allan Davis\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Samuel Jesse Warshawsky, photocopy\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Virgil L. Baker\u003c/p\u003e","\u003cp\u003eby Charles Frederic Nirdlinger\u003c/p\u003e","\u003cp\u003eby Charles Frederic Nirdlinger\u003c/p\u003e","\u003cp\u003eby Charles Bruce Millholland\u003c/p\u003e","\u003cp\u003eby Charles Bruce Millholland\u003c/p\u003e","\u003cp\u003eby Edward Lynn\u003c/p\u003e","\u003cp\u003eby Josef and Karel Capek\u003c/p\u003e","\u003cp\u003eby Molly Day Thacher, photocopy\u003c/p\u003e","\u003cp\u003eby Tom Jewett\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Jakob Loewenberg\u003c/p\u003e","\u003cp\u003eby Peter Arnow\u003c/p\u003e","\u003cp\u003eby Mark Reed\u003c/p\u003e","\u003cp\u003eby Ulysses S. Elam\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Margaret Knox and Anna M. Lufkenhaus\u003c/p\u003e","\u003cp\u003eby Dorothy L. Sayers\u003c/p\u003e","\u003cp\u003eby M. Daniel\u003c/p\u003e","\u003cp\u003eSubseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.\u003c/p\u003e","\u003cp\u003eby Howard Warwick\u003c/p\u003e","\u003cp\u003eby Gene Stafford\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Arthur McCaffery\u003c/p\u003e","\u003cp\u003eby Charles Brownell\u003c/p\u003e","\u003cp\u003eby Friedrich Wolfe\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003etwo versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams, photocopy and original\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Harold Hartogensis\u003c/p\u003e","\u003cp\u003eby Boyd\u003c/p\u003e","\u003cp\u003eby Philip Massinger, adapted by Leah Jonas\u003c/p\u003e","\u003cp\u003eby Ben Jonson, adapted by Leah Jonas\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Sergei Prokofiev, 5 front pages and 2 full copies\u003c/p\u003e","\u003cp\u003eby Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Richard Wright\u003c/p\u003e","\u003cp\u003eby Pauline Simmons\u003c/p\u003e","\u003cp\u003eby Marshall Davidson\u003c/p\u003e","\u003cp\u003eby Martha Foley\u003c/p\u003e","\u003cp\u003eby Dr. Charles Russell\u003c/p\u003e","\u003cp\u003eby A. Hyatt Mayor\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby Morris Watson\u003c/p\u003e","\u003cp\u003einterview with Martha Graham and Leah Plotkin\u003c/p\u003e","\u003cp\u003einterview with Pietro di Donato and Leah Plotkin\u003c/p\u003e","\u003cp\u003einterview with Estelle Liebling and Leah Plotkin\u003c/p\u003e","\u003cp\u003eby Howard Koch adapted by Lawrence Levey (photocopy and original)\u003c/p\u003e","\u003cp\u003eby Barrie and Leona Stavis, adapted by Edward Morton\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray, adapted by Edward Morton\u003c/p\u003e","\u003cp\u003eby Carl Glick, adapted by Philip Ansel Roll\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Karl Barron\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eadapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eadapted by Charles Crumpton\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby Matty Cohen and B. F. Kamsler\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Joseph W. Miller\u003c/p\u003e","\u003cp\u003eboth by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett, first 25 pages\u003c/p\u003e","\u003cp\u003eboth by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby unknown; by Harry Goldsmith\u003c/p\u003e","\u003cp\u003eby John T. Mole\u003c/p\u003e","\u003cp\u003eby Gertrude Onnen and Phyllis Frederic; by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Charles Crumpton, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Lewis Meyer\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Georgia Fawcett, photocopy\u003c/p\u003e","\u003cp\u003eby Clifford Odets, adapted by Maurice Kurtz\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by W. M. Sutton\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by George Thorp\u003c/p\u003e","\u003cp\u003eby Harold Parke Godwin; by Frederick Prokosch\u003c/p\u003e","\u003cp\u003eby Arthur McCaffery, incomplete copy - first 13 pages\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby Paul de Kruif\u003c/p\u003e","\u003cp\u003eby Lawrence Bearson; by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby T. O. Day\u003c/p\u003e","\u003cp\u003eby Maxine Schiel, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby Jack Barefield, photocopy\u003c/p\u003e","\u003cp\u003eby Georgia Backus, photocopy\u003c/p\u003e","\u003cp\u003eby Maxine Schiel, photocopy\u003c/p\u003e","\u003cp\u003eby Ben Hawthorne, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arendt\u003c/p\u003e","\u003cp\u003eby David Lesan\u003c/p\u003e","\u003cp\u003eby David Lesan\u003c/p\u003e","\u003cp\u003eby William N. Robson\u003c/p\u003e","\u003cp\u003edramatization by Robert Lewis Shayon\u003c/p\u003e","\u003cp\u003eby Edward Solomon\u003c/p\u003e","\u003cp\u003eby Bucalossi\u003c/p\u003e","\u003cp\u003eby Michael William Balfe\u003c/p\u003e","\u003cp\u003eby Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan\u003c/p\u003e","\u003cp\u003eby Charles Lecocq\u003c/p\u003e","\u003cp\u003eby Sidney Jones\u003c/p\u003e","\u003cp\u003eby Sidney Jones\u003c/p\u003e","\u003cp\u003eby Charles Lecocq\u003c/p\u003e","\u003cp\u003eby Karl W. Schulz\u003c/p\u003e","\u003cp\u003eby W. Vincent Wallace\u003c/p\u003e","\u003cp\u003eby W. Vincent Wallace\u003c/p\u003e","\u003cp\u003eby Edmond Audran\u003c/p\u003e","\u003cp\u003eby Robert Planquette\u003c/p\u003e","\u003cp\u003eby Edmond Audran\u003c/p\u003e","\u003cp\u003eby Robert Planquette\u003c/p\u003e","\u003cp\u003eby Lajos Serly\u003c/p\u003e","\u003cp\u003eby Sir William S. Gilbert and Sir Arthur Sullivan\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Lews W. Moyer, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Charles Crumpton\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby Sylvia Altman\u003c/p\u003e","\u003cp\u003eby Sylvia Altman and Jeanette Gussin\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Victor E. Smith; by Joel Hammil\u003c/p\u003e","\u003cp\u003eby Will Glickman\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer; by W. M. Sutton\u003c/p\u003e","\u003cp\u003eby John I. Mole\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Maxwell Wolodin; by Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Victor E. Smith; by John I. Mole\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer; by Michael Davidson\u003c/p\u003e","\u003cp\u003eby Will Glickman\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Lee Fontainbleu; by Laurence U. Shloss\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni\u003c/p\u003e","\u003cp\u003eby John I. Mole\u003c/p\u003e","\u003cp\u003eby Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman\u003c/p\u003e","\u003cp\u003eBy Herbert Lewis; by Bob Frank\u003c/p\u003e","\u003cp\u003eby Bob Frank\u003c/p\u003e","\u003cp\u003eby Bob Frank\u003c/p\u003e","\u003cp\u003eby Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer\u003c/p\u003e","\u003cp\u003eby Paul Vulpius, adapted by Barry Williams\u003c/p\u003e","\u003cp\u003eby Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams\u003c/p\u003e","\u003cp\u003eby Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton\u003c/p\u003e","\u003cp\u003eby George Harmon Coxe, adapted by Victor E. Smith\u003c/p\u003e","\u003cp\u003eby George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson\u003c/p\u003e","\u003cp\u003eby Laura Z. Hobson, adapted by Lawrence Bearson\u003c/p\u003e","\u003cp\u003eby Jerome Beatty, adapted by Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Manuel Komroff, adapted by Joel Hammil\u003c/p\u003e","\u003cp\u003eby Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts\u003c/p\u003e","\u003cp\u003eby George Rolland\u003c/p\u003e","\u003cp\u003eby George Rolland\u003c/p\u003e","\u003cp\u003eby Barrie Williams; by Brian J. Byrne\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Frank Burrill\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Herb Meadow; adaptation by Joel Hammil and Leo Fontaine\u003c/p\u003e","\u003cp\u003eby A. L. Tyler\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Hugh Lester\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Harold Hartogensis; by Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Benet Costa, photocopy\u003c/p\u003e","\u003cp\u003eby Jane Ashman; also includes Women as Homemakers first page\u003c/p\u003e","\u003cp\u003eby Leo Fontaine, photocopy\u003c/p\u003e","\u003cp\u003eSubseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e","\u003cp\u003eSeries 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e","\u003cp\u003eSubseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eProposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley\u003c/p\u003e","\u003cp\u003eSubseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAmerican Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAccent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFestival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eClass of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms from \"Folk plays of the Carolina playmakers\"\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAbu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIn Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTen Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eHamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eBlind Alley; Brothers; It Can't Happen Here; Rachel's Man\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eOne-Third of a Nation; Roll Sweet Chariot; Room Service\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eBig Vaudeville Musical Revue\u003c/title\u003e (79 copies from different performances around Maine)\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnnouncing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here; Liliom; The Road to Rome\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eLadies of the Jury\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eVodvil Show\u003c/title\u003e (vaudeville)\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms: \u003ctitle\u003eAdalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional\u003c/title\u003e\u003c/p\u003e\n","\u003cp\u003eBuffalo Historical Marionettes available in digital format.\u003c/p\u003e","\u003cp\u003ePrograms: \u003ctitle\u003eProfessor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eFlyers and playbills: Current productions flyer - \u003ctitle\u003eBig Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language\u003c/title\u003e (9 copies); \u003ctitle\u003eThe Bat\u003c/title\u003e (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival; \u003ctitle\u003eThe Cradle Will Rock; The Emperor's New Clothes\u003c/title\u003e (3 copies); \u003ctitle\u003eFair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe\u003c/title\u003e (4 copies); \u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e (14 copies); \u003ctitle\u003eLife and Death of an American; Moving Along\u003c/title\u003e (2 copies); \u003ctitle\u003eOliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal\u003c/title\u003e (10 copies) \u003c/p\u003e\n","\u003cp\u003eBuffalo Historical Marionettes Benefit Performance is available in digital format.\u003c/p\u003e","\u003cp\u003eFlyers and playbills: \u003ctitle\u003eSing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh\u003c/title\u003e. 8.5x14\" flyers and playbills: \u003ctitle\u003eAdam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e. Volume V number 3 to number 14\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e. Volume V number 15-17, 19-23\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003ePower\u003c/title\u003e. Volume II number 1, Volume III number 1\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eCriminal at Large\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eHer Majesty the Widow\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePersonal Appearance\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePost Road\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eRemember the Day\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSaturday's Children\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTamed and How\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnother Language; The Barker; The Old Maid; There's Always Juliet\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAs Husbands Go; I Want a Policeman\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe First Mrs. Fraser\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Good Fairy\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt's a Wise Child\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Late Christopher Bean\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eNed McCobbs Daughter\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePossession\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSun Up\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTea for Three\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThey Knew What They Wanted\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThree Cornered Moon\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFresh Fields\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFirst Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Bad Man; Boy Meets Girl; The Christmas Carol\u003c/title\u003e; Federal Theatre for Youth (overview); \u003ctitle\u003eThe First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAlice in Wonderland; Counsellor-At-Law; One-Third of a Nation\u003c/title\u003e; Third Annual Central Oklahoma Folk Festival;\u003c/p\u003e","\u003cp\u003eThe Living Newspaper (\u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e); \u003ctitle\u003ePrelude to Spring\u003c/title\u003e; Puppet Pageant at the Philadelphia Museum of Art; \u003ctitle\u003eStepping Stars\u003c/title\u003e; Vaudeville\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eChristmas with Dickens\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAlice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eGreen Grow the Lilacs; Old Heidelberg\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ephotocopies, many with original performance dates handwritten on them - \u003ctitle\u003eAdelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps\u003c/title\u003e. Photocopies.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAdam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eOversize posters where each poster is a piece of a larger whole. There are seven pieces for \u003ctitle\u003eAlison's House\u003c/title\u003e and five for \u003ctitle\u003eThe Warrior's Husband\u003c/title\u003e. Roughly each piece measures 42 inches high and 28 inches wide.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eOversize posters where each poster is a piece of a larger whole. There are three pieces for \u003ctitle\u003eBill of Divorcement\u003c/title\u003e, two for \u003ctitle\u003eBlind Alley\u003c/title\u003e, two for \u003ctitle\u003eGods of the Lightning\u003c/title\u003e, and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play \u003ctitle\u003ePursuit of Happiness\u003c/title\u003e performed at the Mayan Theatre in Los Angeles in August of 1937.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Case of Philip Lawrence; Chalk Dust; The Cherokee Night\u003c/title\u003e; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus, \u003ctitle\u003eThe World's Greatest Circus; Class of '29\u003c/title\u003e; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939; \u003ctitle\u003eConjure Man Dies; Coriolanus; The Cradle Will Rock\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eEinmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal\u003c/title\u003e; Eugene O'Neill's One-Act Plays of the Sea\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFair and Warmer; Fantasy 1939; Flight\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eH.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eLife and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMacbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eNative Ground; No More Peace; Noah\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eOn the Rocks; On Top; One-Third of a Nation; Outside Looking In\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eDas Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThe Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)\u003c/p\u003e","\u003cp\u003ePrograms, flyers, and playbills: \u003ctitle\u003eWalk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms, flyers, and playbills: Various plays in Yiddish; \u003ctitle\u003eThe Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eSubseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los 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Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eincludes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Willy B. Stahl and Walter C. Schad, Los Angeles, California\u003c/p\u003e","\u003cp\u003eincludes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass\u003c/p\u003e","\u003cp\u003eviolin music, arranged by M. L. Lake\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld\u003c/p\u003e","\u003cp\u003eby Alex North\u003c/p\u003e","\u003cp\u003eby Fred Miller Jr. and L. Leslie Loth\u003c/p\u003e","\u003cp\u003eby Herbert Kingsley, New York, New York\u003c/p\u003e","\u003cp\u003eincludes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California\u003c/p\u003e","\u003cp\u003emusic for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager\u003c/p\u003e","\u003cp\u003emusic for vocal lead on \"Sweet by and by\"\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer, New York, New York\u003c/p\u003e","\u003cp\u003eviolin music \"If She Says No\"\u003c/p\u003e","\u003cp\u003emusic for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"\u003c/p\u003e","\u003cp\u003eChicago, Illinois\u003c/p\u003e","\u003cp\u003eviolin music \"Flow Gently, Sweet Afton\", Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Charles J. Levy\u003c/p\u003e","\u003cp\u003eincludes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"\u003c/p\u003e","\u003cp\u003eby Charles Wakefield Cadman\u003c/p\u003e","\u003cp\u003eby R. E. Austin\u003c/p\u003e","\u003cp\u003eby Irvin Cooper\u003c/p\u003e","\u003cp\u003e[Eddison von Ottenfeld] Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Meyer Rappaport and Emile Cote\u003c/p\u003e","\u003cp\u003eFrom the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof\u003c/p\u003e","\u003cp\u003eby Marshall Bartholomew\u003c/p\u003e","\u003cp\u003emusic by Genevieve Pitot, New York\u003c/p\u003e","\u003cp\u003eby F. Melius Christiansen\u003c/p\u003e","\u003cp\u003eby Paul Lincke\u003c/p\u003e","\u003cp\u003eby Ralph Story\u003c/p\u003e","\u003cp\u003eby Paul Lincke\u003c/p\u003e","\u003cp\u003eby Mozart-Shelley\u003c/p\u003e","\u003cp\u003eby Daniel Wood and Sumner Salter\u003c/p\u003e","\u003cp\u003eErnestine Valencia, arranged by Dan J. Michaud\u003c/p\u003e","\u003cp\u003eby Edward Elgar and Arthur Fagge\u003c/p\u003e","\u003cp\u003eby J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer\u003c/p\u003e","\u003cp\u003eparaphrase for mixed voices by William Schaeffer\u003c/p\u003e","\u003cp\u003eby Ivor Tchervanow and Ralph L. Baldwin\u003c/p\u003e","\u003cp\u003eby Rimsky-Korsikoff, arranged by Jacob Schwartzdorf\u003c/p\u003e","\u003cp\u003eby May H. Brahe\u003c/p\u003e","\u003cp\u003eviolin music, by Edna R. Heard\u003c/p\u003e","\u003cp\u003ePiano music \"Party Entre Act 1-2\", Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Max Hirschfeld, New York, New York\u003c/p\u003e","\u003cp\u003eby Jean Stor, New York, New York\u003c/p\u003e","\u003cp\u003eby David Sheinfeld\u003c/p\u003e","\u003cp\u003eby John Ansell\u003c/p\u003e","\u003cp\u003eThis series includes two coats and two pairs of pants created and used by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLong red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"\u003c/p\u003e","\u003cp\u003eA long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"\u003c/p\u003e","\u003cp\u003eTwo pairs of men's pants, one yellow, one red. Both pants stop below the knee. Both pants have a label that reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" In the waist band of the yellow pant the name Don Chiles is handwritten.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["Content Warning: Some materials contain racist language and slurs, including play titles.","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Series 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Available in digital format.","The House Committee on Un-American Activities (HUAC)","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","Includes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"","Issues of New Theatre (1934-1936).","Oversize color reprint of article from Fortune","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.","Contains blueprints and photographs of portable theatres","Subseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Subseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.","by John Wiley; based on an Edgar Allen Poe story (photocopy)","by Beth Brown","by Elmer L. Rice","by Francis Bosworth","by Buell R. Fuller","Director Georgia S. Fink","by Virginia Yetes (photocopy)","by Ruth Morris","by Gladys Unger and Walter Armitage","by David Arnold Balch","by William Mahl","by William Mahl","by William Mahl","by Eugene O'Neill","by Eugene O'Neill","by Edmond Rostand","by Edmond Rostand","by Edmond Rostand","by Yasha Frank","director Georgia S. Fink","adapted by S.S. Weiss","adapted by Ralph Chesse","by Sidney Howard","by Sidney Howard","by Eugene O'Neil","by Homer Little and Myla Jo Closser","by Homer Little and Myla Jo Closser","by Hardie Albright","by Hardie Albright","by Thomas Hall Rogers, photocopy from February 20, 1991","by Thomas Hall Rogers, 2 photocopies","by Thomas Hall Rogers","by Thomas Hall Rogers","by Thomas Hall Rogers","published in The Catholic School Journal","by Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy","by Edwin and Albert Barker","by Edwin and Albert Barker","by Elmer L. Rice","by Elmer L. Rice","by Elmer L. Rice","by Talbot Jennings","by Mrs. Alexander Mathis","by Vera Smirnova","by Edwin Burke","by Louis Weitzenkorn","by George Bernard Shaw","by Langston Hughes; A One-Act Play of Negro Life, photocopy","by Eugene O'Neill","by Eugene O'Neill","by Rose Franken","by Rose Franken","by St. John Ervine","by Elizabeth de Vautibault","by Elizabeth de Vautibault","by Rev. Henry N. Hudson","by Rev. Henry N. Hudson","by Rudolph Wittenberg","by Laurance Moore","by Margaret Brooks and Constance Wyckoff","by George Bernard Shaw","by George Bernard Shaw","by Martin Flavin","by Martin Flavin","by Yale Dramatic Association","by Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy","by W. H. Auden and Christopher Isherwood","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Lockhart North","by T. R. Arkell","by Owen Davis","by C. L. Anthony","by Clifford Odets","by Clifford Odets","by Clifford Odets","by Ruth Fenisong and Remo Bufano","by Lester Fuller, 2 copies, 1 of which is a photocopy","by Margaret Mayo","by Porter Emerson Brown","by Porter Emerson Brown","by H. R. Hays","by H. R. Hays","by Padriac Colum","by Padriac Colum","by Herb Meadow","by Herb Meadow, 2 photocopies","by Katharine Clugston","by Katharine Clugston","by Walter Hackett","by Maxwell Anderson","by Michael Blankfort and Michael Gold, photocopy","by Michael Blankfort and Michael Gold","by Michael Blankfort and Michael Gold","by Frederick Stowers","by Mary Dirnberger; Dramatized from the familiar fairy tale","by Mary Dirnberger; Dramatized from the familiar fairy tale","Transcribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma","by Albert Powels","by Alfred Lord Tennyson","by Alfred Lord Tennyson","by Brian J. Byrne","by George S. Kaufman and Marc Connelly","by George S. Kaufman and Marc Connelly","by Aodh de Blacam","by Belmont Ashton","by Lawrence Houseman","by Walter Abbott","by Walter Abbott","by Anonymous","by Eugene O'Neill","by Eugene O'Neill","by John W. Dunn; A play of early Oklahoma life","by John W. Dunn; A play of early Oklahoma life","by William Beyer","by Theodore Pratt, photocopy","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Samuel Sayer","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy","Synopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre","by Charles M. Barras","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Seymour G. Link","by Martin Flavin","by Maurice Maeterlinck","by Georgia Douglas Johnson, photocopy","by Ruth Fenisong","photocopy","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Eugene O'Neill","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Robin Taylor","Revision by Florence Elberta Barns","by Ruth Comfort Mitchel and Alfred Allen, photocopy","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Will Cotton","by Will Cotton","by Robert Hare Powel","by Robert Hare Powel","by Emmet Lavery","by Martin Flavin","by Martin Flavin","by Ruth Fenisong","by Frank Wilson","by Frank Wilson","by Frank Wilson","by Emmet Lavery","by Miss Mabel Osborne","by Emma Ehrlich Levinger","by Irwin Shaw","by Beth Brown and Gilbert Laurence","by Leopold L. Atlas","by Leopold L. Atlas","Original by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by George Bernard Shaw","by George Bernard Shaw","by Frank L. Moss and Richard Dana","by Frank L. Moss and Richard Dana","by Arnold Zweig","by Robert Peele Noble","by Robert Peele Noble","by Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy","by George Bernard Shaw","by George Bernard Shaw","by Carl Glick","by Arthur Goodrich and Rose A. Palmer","by Arthur Goodrich and Rose A. Palmer","by George Bernard Shaw","by George Bernard Shaw","by Robt. A. Bromley (revised edition)","by Zelma Bruce Tiden","by Zelma Bruce Tiden","by Peretz Hirshbein","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Estelle L. Silverman","by Jules Renard","by Rollo Wayne","by Rollo Wayne","by Rollo Wayne","by George McEnlee, photocopy","by George McEnlee","by H. Leivick","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg (revised)","by German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy","by A. Barto","by James Parish","by Y. L. Peretz","by John Woodworth, photocopy","by John Woodworth","by Ruth Fenisong","by John W. Dunn, photocopy","by John W. Dunn","by Stanislaus Stange","by sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw","Hedley Gordon Graham","by Essex Dane","by George Huntington Clark","by George Huntington Clark","by H. Jack Bates; A Negro Folk Play, photocopy","by Ruth Welty and Gene Renouf","by Rose Carlyn, photocopy","Three by Rose Carlyn; Three by Fannie Engle","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Gilbert Lennox","by Paul Vincent Carroll","by Noel Harris Houston","by Gertrude Worthington Jeffries","by Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy","by Rudolph Fisher, photocopy","by Rudolph Fisher, photocopy","by A. Callen, M. Worthington, and I. Reuben, photocopy","by Oliver Haserodt, photocopy","by Oliver Haserodt","by Royall Tyler","by M. Manisoff","by a seventh grade in Louisville, Kentucky","by a seventh grade in Louisville, Kentucky","by Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Marc Blitzstein, 2 photocopies","by Marc Blitzstein","by John H. Floyd","by members of the Play Bureau of the Southwest","by Betty Lessler Lyman","by John Hunter Booth","by John Hunter Booth, photocopy","by John Hunter Booth, photocopy","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director","by W. S. Gilbert","by Charles Dickens adapted by Gilmor Brown","Marionette Division, Buffalo, N.Y.","by Edgar Wallace","by James Stephens","by Walt Anderson","by Walt Anderson","by A. Barto","by A. Barto","by Laurette MacDuffie","by Anna Best Joder","by Elizabeth Leigh Vaughan","by W. H. Auden","by Joaquin Miller, photocopy","by Joaquin Miller","by Ruby Lorraine Radford","by S. Ansky","by L. W. Barrus","by George Foss, photocopy","by George Foss","by George Foss","by Grant Moss","by Grant Moss","by George W. Cronyn","by Rose Carlyn","by J. C. Furnes","by Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen","by Eugene O'Neill","by Benn W. Levy; A Religious Comedy, photocopy","by Benn W. Levy; A Religious Comedy","by George Bernard Shaw","by George Bernard Shaw","by Elmer Rice","by Eugene O'Neill","by Eugene O'Neill","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play","by Andrew Barton","by Andrew Barton","by Andrew Barton","by Merrill Denison","by Christopher Marlowe, arranged for marionettes by Robert Larson","by Twort (?) Gilbert and Edward Rosen","by Christopher Marlowe","by Christopher Marlowe","by Moliere","by Jules Romans, English version by Harley Granville-Barker","by Minnie H. Niemier","by Lope de Vega","by Harlan E. Glazier","by David Pinski","by Fred Ballard","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","by Elizabeth McFadden","by Charlotte Kohler, photocopy","by Joan and Michale A. Slane","by Carl Glick","by Rosa Carlyn","published by the National Tuberculosis Association","by Eugene O'Neill","by W. H. Smith","by Luis Quinones de Benavente","by Emily Percy Denison","by S. Ansky","by S. Ansky","by S. Ansky","by Arthur Goodman","by Elise Jerard","by Samuel Shipman and John B. Hymer","by Samuel Shipman and John B. Hymer","by Ossip Dymow","by Ossip Dymow","by Ossip Dymow","by Jack Larric","by Jack Larric","by Peretz Hirshbein","by Charlotte Charpenning","by Charlotte Charpenning","by Joseph Liss","by Paul Green","by Paul Green","by Paul Green","by C. C. Parsons","by Henrik Ibsen","by Henrik Ibsen","by Henrik Ibsen","by Sean O'Casey","by Demetre Bohris","by John Galsworthy","by Arthur Arent, photocopy","by Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy","by Arthur Arent, photocopy received June 11, 1991","by Kjeld Abell","by Paul Lawrence Dunbar (adaptation)","by Paul Lawrence Dunbar","by Sylvia Regan","by Sylvia Regan","by G. J. Graves","by G. J. Graves","by Will T. Goodwin; Working Script","by Emmet Lavery","by Emmet Lavery","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Bradbury Foote","by Bradbury Foote","by Cervantes","by Doris Troutman","by Luis Quinones de Benavente","adapted by Maurice Jagendorf","adapted by Maurice Jagendorf","by Irving P. Kapner","by Frank B. Elser and Marc Connelly","by Frank B. Elser and Marc Connelly","by Brian Doherty","by Brian Doherty","by Lope de Vega","by Maxwell Anderson","by H. A. Archibald","by Munro Leaf","by Paul Green","by Paul Green","by Rachel Lyman Field","by Weldon Stone","by Weldon Stone","by John Van Antwerp","by John Van Antwerp","by A. Barto","by Eugene O'Neill","by Frank Craven","by George H. Corey, photocopy","by George H. Corey","by E. and P. Green","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy","by Oscar Saul and Louis Lantz","by Oscar Saul and Louis Lantz","by Pearl S. Buck","by Pearl S. Buck","A play for boys and girls with radio participation, experiment number 1 by Berthold Brecht","by John W. Dunn","by Graham Rawson","by Graham Rawson","by Gene Stone and Jack Rosenblum","by Phile Higley","by Myrtle L. Barger","by E. P. Conkle","by Harry B. Smith","by Harry B. Smith","by Ada Sterling","by Ada Sterling","by Eleanor Garland","by Eugene O'Neill","by Eugene O'Neill","by Harry Sackler","by Georgia Douglas Johnson, photocopy","by Georgia Douglas Johnson","by Harriet Wedgwood, a health play for children, reprinted from Hygeia","by Samuel Shipman and Aaron Hoffman","by Samuel Shipman and Aaron Hoffman","by B. R. Fuller","by Leopold L. Atlas","by Beverly Hamer in the Carolina Play Book volume X, number 3","by William Stevenson","by B. K. Simkhovitch","by B. K. Simkhovitch","by B. K. Simkhovitch","by Felix Doherty","by Nando Vitali","by Ben Russak","by Ben Russak","by Ben Russak","by Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.","by Edward Lynn","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Isidore Reuben","by Philo Higley","by Arnold Ridley","by Buell R. Fuller","by Aldous Huxley","photocopy","by Ferenc Molnar","by Ferenc Molnar","by Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy","adapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Jacob Gordon","by J. J. Robbins","by J. J. Robbins","by Philip Stevenson","by Leon Crozier","by Paul Armstrong and Rex Beach","by Paul Smith","by Louise Franklin Bache","by Lewis Beach","by Lewis Beach","by Lewis Beach","by Kermit Love","by Rose Carlyn","by Ridgely Torrence; A Play for the Negro Theatre, photocopy","by Howard Koch; A Comedy of Recent Times, photocopy","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Warwick F. Williams","by William R. Randall","by Anna Friedman; A Roosevelt Play, photocopy","by Gertrude Worthington Jeffries, photocopy","by Gertrude Worthington Jeffries","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by George Bernard Shaw","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Bernard Szold and E. P. O'Donnell","by Bernard Szold and E. P. O'Donnell","by Marc Connelly","adapted by Stephen Weiss","by William J. Langman, S. J.","by Eugene O'Neill","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by Noah Elstein","by Grace Dorcas Ruthenberg","by Harlan E. Glazier","by Yasha Frank","by Thornton Wilder","by Thornton Wilder","by Wilfrido Ma Guerrero","by Donald Davis and Samuel Ornitz","by Joseph Lehmann","by Charles Prentiss","by Julius Hay","by Julius Hay","by Arthur Kober","by Arthur Kober","by Elizabeth Jane Astley","by Philip Atlee and Edmund Van Zandt","by Philip Atlee and Edmund Van Zandt","by David Belasco","by George Bernard Shaw","by Albert Bein","by Albert Bein","by Helen Clare Nelson","by Barry Conners","by Abram Hill, photocopy","by Margaret Sperry","by Margaret Sperry","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Theresa Helburn","by Theresa Helburn","by Theresa Helburn","adapted and translated by Donald Fay Robinson","adapted by Kent Pease Hamdent High School, Hamdent, Connecticut","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Mary B. Stafford","by Harlan E. Glazier","by Lee Freeson","by Howard Koch and Ben Russak","by Howard Koch and Ben Russak","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by John Wiley","by Harold Courlander","by Sally Coulter","by Herb Meadow","by Dorothy Hailpern","by Dorothy Hailpern","by Michael Swift","by Philip Barry","by Philip Barry","by John Alan Haughton","by Marion Holbrook","by Joseph Liss","by Paul Green","by Sara E. Bower","by Bertram M. Gross","by Alan Sidney","by Edith Kunz","by The Historical Project, Federal Writers Project of Minnesota","by Paul Green","by Paul Green","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by Margaret MacNamera","by Margaret MacNamera","by Edwin Burke","by Rufus King and Milton Lazarus","by Rufus King and Milton Lazarus","by Perez Hirschbaum","by Maria M. Coxe, photocopy","by Maria M. Coxe","by Maria M. Coxe","by Maria M. Coxe","by Paul Green","by Eugene O'Neill","by Bertolt Brecht","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by Maurice Stoller","by Norman Roston","by Noah Elstein, photocopy","by Noah Elstein","by Noah Elstein","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by Raymond Reeves, photocopy","by Raymond Reeves","by St. John G. Ervine","by St. John G. Ervine","by John McGee","adapted by Federal Theatre Project Los Angeles, California","by H. L. Fishel, photocopy","by H. L. Fishel, photocopy","by H. L. Fishel","by H. L. Fishel","by Martha Hodgson Ellis","by David Schrieber","by St. John G. Ervine","by St. John G. Ervine","by Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Paul Green","by Paul Green","by Luidmilla Vepritskaya","by Alma Shaw","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by Warren Coleman; A Negro Comedy, 2 photocopies","Elmer Rice","by Shakespeare","by Thomas A. Langan","by Emmet Lavery","by Ruth Fenisong","by J. C. Nugent and Elliott Nugent","by J. C. Nugent and Elliott Nugent","by Edgar Slaughter","The Living Newspaper Presents","The Living Newspaper Presents","by James Bridie","by Catherine Reighard","by Max M. Dill","by Don Mullally","by David Pinski","by T. C. Robinson and Rena M. Vale, photocopy","by T. C. Robinson and Rena M. Vale, photocopy","by Lawrence J. Bernard","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by George Scudder","by Irving Kaye Davis","by Irving Kaye Davis","by Irving Kaye Davis","by James Bridie","by James Bridie","by Sidney Howard","by Sidney Howard","by Harry King Tootle","by Harry King Tootle","by William Beyer","by William Beyer","by Oliver La Farge","by V. Beldon?","by Harry King Tootle","by Ernest Chamberlain","by Ernest Chamberlain","by Elmer Rice","by Moliere","by A. Barto","by Maurice Stoller","by Charlotte Chorpenning","by Bertram Robinson","photocopy","photocopy","photocopy","by Edward Hopter","by George Sklar","by George Sklar","by George Sklar","by George Sklar","by Gilbert Laurence","by Giuseppe Giacosa","by Giuseppe Giacosa","by Marion Flexner and Dorothy Park Clark","by Franz Molnar","by Franz Molnar","by Alma Shaw","by C. B. Chorpenning, photocopy","by C. B. Chorpenning","by C. B. Chorpenning","by C. B. Chorpenning","by Molka Reich of Miami Florida Project","translated from Flemish by Jacob Borut and Lola Sachs","translated from Flemish by Jacob Borut and Lola Sachs","by Marc Connelly","by Alexei Tolstoi","by Eleanor Glendower Griffith","by Lawrence and Sylvia Martin, photocopy","by Lawrence and Sylvia Martin, photocopy","by Howard Koch","by Howard Koch","by Howard Koch","by Thornton Wilder","by Eugene O'Neill","by Charles George","by T. C. Upham","by T. C. Upham","by Isidore Reuben","by Charles Alan","by Charles Alan","by Thornton Wilder","by John Galsworthy","by Maud Wood Park, photocopy","by Maud Wood Park","by Maud Wood Park","by Maud Wood Park revised by Robert Finch","by Theodore Browne; An \"African Version\", photocopy","by Clarence H. Talbot","reprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Blake","by Victoria Heindel","by Lee Freeson","by Louis Golding and A. R. Rawlinson","by Bernard Shaw","by Bernard Shaw","by Alfred Sutro","by John Woodworth","by John Woodworth","by Mr. Beete","by Mr. Beete","by Hollister Noble and Edward R. Sammis","by Hollister Noble and Edward R. Sammis","by Paul Green","by Anatole France","by Jules Eckert Goodman and Eckert Goodman","by Jules Eckert Goodman and Eckert Goodman","by Earnest Andai and Lajos Balint","by Federal Theatres, Los Angeles, California","by Anton Chekhov","by Rena B. Johnson","by Tom Taylor and Charles Reade","by Mabel DeVries Tanner","by Mabel DeVries Tanner","by Mabel DeVries Tanner","photocopy","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","by John Le Touche","by Brandon Tynan","by Victor Victor","by Victor Victor","by William Shakespeare","by H. Richard Oliver and John McCain Rimassa","by William Shakespeare","by Rose Dubin","by Ruth Fenisong and Samuel Sayer","By W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.","by W. S. Gilbert; The Town of Titifu, photocopy","by W. S. Gilbert; The Town of Titifu","by W. S. Gilbert; The Town of Titifu","by Plautus; translated by Clarence P. Bill, photocopy","photocopy","by Lynn Root and Harry Clork","by Wallace L. Waite","by Wallace L. Waite","by B. R. Fuller","by Dee Burque","by Hans Chlumberg, photocopy","by Nahum Brind","by John Crosby","by John Crosby","Page has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.","by John Charles Brownell","by E. B. Ginty","by E. B. Ginty","by Louise Franklin Bache","by Rose Franken and Jane Lewin","by Rose Franken and Jane Lewin","by Holger Cahill","by Holger Cahill","by Holger Cahill","by Michael Gold","by J. R. Perkins","by Emmet Lavery","by Denis Johnston","by Denis Johnston","by Eugene O'Neill","by Richard Maibaum","by Richard Maibaum","by Richard Maibaum","by Samuel French","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Joseph Liss","by Ruth Fenisong","by Louise Franklin Bache","by Ramon Romero, photocopy","by Ramon Romero, photocopy","by Ramon Romero","by Ramon Romero","by T. S. Eliot","by T. S. Eliot","by T. S. Eliot","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Buell R. Fuller","by Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy","by Cecil E. Reynolds","by Cecil E. Reynolds","by Rose Carlyn","from volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry","by Nathalie Satz and Sergei Rosaanov","by Anemone Pemberton","photocopy","photocopy","by Maxwell Anderson","by Arthur Arent; A Living Newspaper Play, photocopy","by Arthur Arent; A Living Newspaper Play","by Arthur Arent; A Living Newspaper Play","by students of Commonwealth College; Commonwealth College Fortnightly, photocopy","by Eleanor Flexner","by Eleanor Flexner","by Arthur Strawn and Henry Rosendahl","by Talbot Jennings","by Ernest Toller","by Ernest Toller","by Lilian Gill","by Jerome Geneson","by George Smedley Smith and Bernard Szold","by George Smedley Smith and Bernard Szold","by Ethel Watts Mumford and Lily Strickland","by Elmer Rice","by Elmer Rice","by Nathan Spiegel","by Joseph Hergesheimer","by Joseph Hergesheimer","by Sid Kuller and Ray Golden","by Sid Kuller and Ray Golden","by Harold Igo, photocopy","by Harold Igo","by Harold Igo","by Bernard Shaw","by James Knox Millen","by James Knox Millen","by Denman Thompson","adapted for marionettes by Ruth Fenisong and Samuel Sayer","adapted for marionettes by Ruth Fenisong and Samuel Sayer","by Benjamin M. Kaye","by Benjamin M. Kaye","by Bernard Shaw","by Bernard Shaw","by Bernard Shaw","by Marian Katherine Brown","by Seyril Schochen","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","by Kenneth Webb","by Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","dramatized from L. Feuchtwanger's novel by Clayton Fritchi","by Remo Bufano","by Irvin Wilson Baker","by Irvin Wilson Baker","by Irvin Wilson Baker","by Harry Hamilton","by Lillian Day and Lyon Mearson","by Lillian Day and Lyon Mearson","by Irving P. Kapner","by John Mason Brown","by Grace H. Swift, photocopy","by Catherine F. Reighard","by Gladys E. Murray","by Hughes Allison, photocopy","by Faye L. Tornquist","by Irving De W. Talmadge","by Irving De W. Talmadge","by Arthur Goodman","by Aristophanes","by Aristophanes","by Howard J. Green and Raymond Leslie Goldman","by Howard J. Green and Raymond Leslie Goldman","by Lope de Vega","translation by Joan Vanderpool","by Marion Holbrook","by Martha B. King","by Robert Sherwood","by Robert Sherwood","by Harlan E. Glazier","by members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania","by Alan Sidney","after the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget","adapted by Federal Theatre Project, Omaha, Nebraska","by Sarah Neuman","a Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales","adapted by Yasha Frank, photocopy","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","by Frank Kintrea","by Adelaide C. Rowell","by Adelaide C. Rowell","by Adelaide C. Rowell","by Phil Cook and McElbert Moore","by Ben Bengal","by A. Korneichuk","by J. Liss","by Margaret Naumberg","by Rose Carlyn","by Alvin Kerr","by Alvin Kerr","by Alvin Kerr","by George Kelly","by Robert Russell, photocopy","by Robert Russell","by Robert Russell","by Dorothy Heyward and DuBose Heyward","Living Newspaper, photocopy","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","by Karel Capek","by Karel Capek","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","Content warning: racist language/slur.","Full title:  Prancing Nigger . By E. England suggested from the novel by Ronald Firbank of the same name ","Content warning: racist language/slur.","Full title:  Prancing Nigger .","by Robert Whitehand, photocopy","by Robert Whitehand","by Robert Whitehand","by Albert Maltz; Anti-Fascist Play, photocopy","by Alfred Kreymborg","by John Howard Lawson, photocopy","by John Howard Lawson, photocopy","by John Howard Lawson","by John Howard Lawson","by John Garrett Underhill","by Freidrich Wolf, photocopy","by Friedrich Wolf","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by Claudia Hatch, photocopy","by Eldridge Lindsay","by Thornton Wilder","by Lawrence Langner and Armina Marshall Langner","by Leonora Kaghan and Anita Phillips","by Tonia Bakina","by Karel Capek","by Karel Capek","by Ferdinand Bruckner","by Ferdinand Bruckner","by Bradbury Foote","by Bradbury Foote","by Bradbury Foote","by Edward Stirling, Esq.","by Edward Stirling, Esq.","by Fred Ballard","by Blanding Sloan","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by L. Resnick","by Robert Sturgis, photocopy","by Fritz Karinthy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life","by P. Washington Porter; A Tragedy of Negro Life","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz","by Federal Theater Project, Los Angeles","by Federal Theater Project, Los Angeles","by Frances Montgomery","by Jan Klokog","as produced by the Federal Theater Project at Omaha, Nebraska","adapted for Buffalo Historical Marionette Theatre","by Lee Freeson","photocopy","by Richard Oliver; A Living Newspaper Play, photocopy","by Charles Vildrac","by Charles Vildrac","Dramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip","by Lynn Riggs","by Lynn Riggs","by Joseph Liss","by Joseph Liss","by John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")","by John W. Dunn","by Edith Grossberg Whitesell","by Edith Grossberg Whitesell","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa","by Hassard Short and Maurice Henniquin","by Hall Johnson, photocopy","by Hall Johnson, photocopy","by Hall Johnson","Living Newspaper, photocopy","by Charles Vildrac","by Francisco Rodrigo","by Leonide Andreyeff","by A. Barto","by Lope de Vega","by Countee Cullen and Arna Bontemps, photocopy","by Countee Cullen and Arna Bontemps","by Upton Sinclair; A Little Play for the White Collar Folks,","by Upton Sinclair; A Little Play for the White Collar Folks,","by Robert A Bromley and Al Carthe","by Robert A Bromley and Al Carthe","by Paul Green","by Maxwell Anderson","by Maxwell Anderson","by Micha Hawkins","The Adventures of a Bunny","by Frances Lester Warner","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Christobel Morley Cordell, photocopy","by Richard Brinsley Sheridan","by Maxwell Anderson","by Harold Whitehall","by Harold Whitehall","by Harold Whitehall","by Phyllis Clare Flannery; A Farce Satire, photocopy","by George Savage, Dramatist Guild Contest Play #60, photocopy","by George Savage, photocopy","by George Savage, Dramatist Guild Contest Play #60","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage","by Elmer Rice","by Elmer Rice","by Bertolt Brecht, translated by Keene Wallis","by Leonard J. Tyle","by William Evans","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by R. Edgar Moore","by R. Edgar Moore","by Florence Clothier; A Play of the Labrador Coast, photocopy","by Oliver Goldsmith; The Mistakes of a Night, photocopy","compiled from Old English nativity plays by Robert Larson","by Ruth Fenisong and Samuel Sayer","by Andrews and Anne Wilson Peabody","by George Kelly, version used by Negro Theatre Unit, New York City","by George Kelly","by Morgan Burke","by Morgan Burke","by Robert K. Ryland","photocopy","by Howard Koch","by Howard Koch","by Sholem Ash","by Isabel Anderson (Mrs. Larz Anderson)","by Fall River, photocopy","by F. S. Hill","by Miles Malleson","by Janet Hartman and Hallie Flanagan, photocopy","by Buell R. Fuller and Stephen Weiss","by Sedarmee Club Madison House","by Jo Basshe, photocopy","by Robert A. Bromley and Al Carthe","by Robert A. Bromley and Al Carthe","by Betty Smith","by Joseph Lawrence, photocopy","by Joseph Lawrence","by H. Leivick","an ancient Japanese farce translated by Michio Itow and Louis V. Ledoux","by Grace Welsh Lutgen, photocopy","by J. S. Coppard","by B. R. Fuller","photocopy","photocopy","by Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy","three copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.","by Arnold Sundgaard, photocopy","by Arnold Sundgaard, photocopy","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by James P. Judge","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Helen Fitzgerald","by Victor Victor","by Victor Victor","by Robert Ardrey; A Comedy, photocopy","by Robert Ardrey; A Comedy","by Ward Courtney; a Living Newspaper Play, photocopy","by Ward Courtney; a Living Newspaper Play, photocopy","by Otis Chatfield-Taylor, photocopy","by Charles Irving","by Charles Irving","photocopy","by Harold Robbins","by Elmer Rice","by Paul Peters and George Sklar","by Robert T. Colwell and Robert A. Simon","by Elmer Rice","by Elmer Rice","by Paul Tripp","by Mary Manning","by Mary Manning","by Barrie and Leonia Stavis","by Barrie and Leonia Stavis","by Henry C. Haskell","by Henry C. Haskell","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray, photocopy","by Lula Vollmer","by Norman Foster and Harry Hamilton","by Norman Foster and Harry Hamilton","by Georgie Douglass Johnson","by George Cram Cook and Susan Glaspell","by C. Liberman","by August Strindberg","photocopy","Federal Theatre of Oklahoma","by Maurice Stoller","by Katharine Clugston","by Katharine Clugston","by Katharine Clugston","by David Pinski, photocopy","by David Pinski","by David Pinski","by David Pinsky","by William Shakespeare","by William Shakespeare","by William Shakespeare","by William Shakespeare","by David Lano","Vagabond Puppeteers for the Federal Theatre of Oklahoma","by Shotwell Callvert, photocopy","by William dorsey Blake; A Living Newspaper Play, photocopy","by Anthony Armstrong","by Charles H. Hoyt","by Charles H. Hoyt","by Florine Schwartz; A Play for Children, photocopy","by Anna M. Lutkenhaus, photocopy","by Arthur A. Miller, photocopy","by Ivan Rowan and Martin Delman","by Ivan Rowan and Martin Delman","by Raymond Bond","by Raymond Bond","by Raymond Bond","by William Kozlenko","by Converse Tyler","by Converse Tyler","by Converse Tyler","by Knox Herold","by Betty Smith","by Yury Olesha","by Yury Olesha","by Gertrude Tonkonogy, photocopy","by Marita Rosler","by Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy","by Marie Baume from the novel by Leane Zugsmith; photocopy","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by William Shakespeare","by William Shakespeare","by William Shakespeare","by James Bridie","by Samuel Sayer","by Robert Wallsten","by Isabel Barber; A dramatist guild contest play #552","by Isabel Barber","by Isabel Barber","by John Broome, photocopy","by John Broome","by Ruth Fenisong","by Ruth Fenisong","by Robinson Jeffers; A Play in Poetic Form, photocopy","by Robinson Jeffers; A Play in Poetic Form","by George Murray and David Pelts; A Living Newspaper on Pensions; photocopy","by Philip Stevenson","by Rose Carlyn","by Jules Eckert Goodman, photocopy","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Remo Bufano","by Remo Bufano","by Stephen Spender","by Hughes Allison, photocopy","by Hughes Allison, photocopy","by Hughes Allison","by Hughes Allison","by Hughes Allison","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","Based on Homer and Euripides, includes photocopied program, photocopy","Based on Trojan Women of Euripides","Based on Trojan Women of Euripides","by Philip H. Davis","translated by Edith Hamilton","translated by Edith Hamilton","translated by Edith Hamilton","by Eleanor Phelps, photocopy","by Langston Hughes, photocopy","by Langston Hughes","by Langston Hughes","by Harry Sackler","Content Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.","by J. M. Barrie","by McElbert Moore","by McElbert Moore","by H. R. Lenormand","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by A. Barto","by E. P. Conkle","by Whitfield Cook, photocopy","by Whitfield Cook","by Whitfield Cook","by Robert Larson","Jacksonville, Florida script 1939, photocopy","by Anton Chekhov","by Augustin Daly","by Bernice McQuilken","by Gene Buck","by Helen Fitzgerald","by Mrs. William Hyman","by Charles Allen Smart","by Vincent Moran","by Vincent Moran","by Karl Gutzkov","by Eden White; A Rollicking Comedy","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","by Ruth Fenisong","by Marietta Fouche","by Marietta Fouche","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by I. L. Peretz","by John F. Burns","by Stefan Zweig","photocopy","Living Newspaper","by Caroline C. Lovell","by William C. de Mille","by William C. de Mille","by Percy Mackaye","by William L. Price","by Frances Gordon Strunsky","by Helen Gholson Kittredge","by Irving R. Kapner","translated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy","by Elmer Rice, photocopy","by Elmer Rice","by Gerhart Hauptmann","by Eugene O'Neill","translated from the Russian by Aaron Chorover","by W. Alan Coutts","by Rose Carlyn","by Ten Orcross","by Ten Orcross","by George H. Broadhurst","by Philip Stevenson","by Philip Stevenson","by Charles Zerner and Ben S. Gross","by Albert Hackett","by J. Sackville Martin and Carl E. Freybe","by J. Sackville Martin and Carl E. Freybe","by Katherine Peabody Gurling","by A. Barto","by John Bowaldeth","by Lelia May Smith","by Harry B. Smith","by Converse Tyler","by Lucien Chantel","by John Emerson and Anita Loos","by Harlan E. Glazier","by Paul Green","by Joseph Liss","by Clemence Dane, photocopy","by David Pay Robinson","by Marcus L. Bach","by Marcus L. Bach","by Marcus L. Bach (revised Chicago version)","by Kenneth White","by Rae Abraham","by Allan Davis","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Samuel Jesse Warshawsky, photocopy","by Buell R. Fuller","by Virgil L. Baker","by Charles Frederic Nirdlinger","by Charles Frederic Nirdlinger","by Charles Bruce Millholland","by Charles Bruce Millholland","by Edward Lynn","by Josef and Karel Capek","by Molly Day Thacher, photocopy","by Tom Jewett","by Chase Varney","by Chase Varney","by Chase Varney","by Jakob Loewenberg","by Peter Arnow","by Mark Reed","by Ulysses S. Elam","by Bernard Shaw","by Bernard Shaw","by Rose Carlyn","by Margaret Knox and Anna M. Lufkenhaus","by Dorothy L. Sayers","by M. Daniel","Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.","by Howard Warwick","by Gene Stafford","photocopy","by Arthur McCaffery","by Charles Brownell","by Friedrich Wolfe","by Howard Koch","by Leo Fontaine","two versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams, photocopy and original","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Harold Hartogensis","by Boyd","by Philip Massinger, adapted by Leah Jonas","by Ben Jonson, adapted by Leah Jonas","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Sergei Prokofiev, 5 front pages and 2 full copies","by Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson","by Richard Wright","by Pauline Simmons","by Marshall Davidson","by Martha Foley","by Dr. Charles Russell","by A. Hyatt Mayor","by David Canfield","by David Canfield","by David Canfield","by Morris Watson","interview with Martha Graham and Leah Plotkin","interview with Pietro di Donato and Leah Plotkin","interview with Estelle Liebling and Leah Plotkin","by Howard Koch adapted by Lawrence Levey (photocopy and original)","by Barrie and Leona Stavis, adapted by Edward Morton","by Theodore Pezman and Donald Murray, adapted by Edward Morton","by Carl Glick, adapted by Philip Ansel Roll","photocopy","by Karl Barron","by Phyllis Frederic","by Phyllis Frederic","adapted by Cecil Stevenson","adapted by Charles Crumpton","by Michael Davidson","by Matty Cohen and B. F. Kamsler","by Edward H. Smith","by Lewis W. Moyer","by Lewis W. Moyer","by Joseph W. Miller","both by Jeanette Despres","by Edward H. Smith","by Georgia Fawcett, first 25 pages","both by Jeanette Despres","by Michael Davidson","by unknown; by Harry Goldsmith","by John T. Mole","by Gertrude Onnen and Phyllis Frederic; by Jeanette Despres","by Phyllis Frederic","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted by Charles Crumpton, photocopy","by Henrik Ibsen, adapted by Lewis Meyer","by Henrik Ibsen, adapted by Georgia Fawcett, photocopy","by Clifford Odets, adapted by Maurice Kurtz","by Jules Verne, adapted by Lewis W. Moyer","by Jules Verne, adapted by W. M. Sutton","by Jules Verne, adapted by George Thorp","by Harold Parke Godwin; by Frederick Prokosch","by Arthur McCaffery, incomplete copy - first 13 pages","by Michael Davidson","by Paul de Kruif","by Lawrence Bearson; by Leo Fontaine","by T. O. Day","by Maxine Schiel, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by Jack Barefield, photocopy","by Georgia Backus, photocopy","by Maxine Schiel, photocopy","by Ben Hawthorne, photocopy","by John Fleming, photocopy","by Arthur Arendt","by David Lesan","by David Lesan","by William N. Robson","dramatization by Robert Lewis Shayon","by Edward Solomon","by Bucalossi","by Michael William Balfe","by Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan","by Charles Lecocq","by Sidney Jones","by Sidney Jones","by Charles Lecocq","by Karl W. Schulz","by W. Vincent Wallace","by W. Vincent Wallace","by Edmond Audran","by Robert Planquette","by Edmond Audran","by Robert Planquette","by Lajos Serly","by Sir William S. Gilbert and Sir Arthur Sullivan","by Oscar Wilde, adapted by Donald Macfarlane, photocopy","by Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy","by Oscar Wilde, adapted by Lews W. Moyer, photocopy","by Oscar Wilde, adapted by Charles Crumpton","by Rose Albert Porter","by Rose Albert Porter","by Rose Albert Porter","by George J. Thorp","by George J. Thorp","by George J. Thorp","by Sylvia Altman","by Sylvia Altman and Jeanette Gussin","by Charles Dickens adapted by Cecil Stevenson","by Charles Dickens adapted by Cecil Stevenson","by Victor E. Smith; by Joel Hammil","by Will Glickman","by Phyllis Frederic","by Lewis W. Moyer; by W. M. Sutton","by John I. Mole","by Victor E. Smith","by Victor E. Smith","by Maxwell Wolodin; by Edward H. Smith","by Victor E. Smith; by John I. Mole","by Lewis W. Moyer; by Michael Davidson","by Will Glickman","by Phyllis Frederic","by Lee Fontainbleu; by Laurence U. Shloss","by Edward H. Smith","by Georgia Fawcett","by Georgia Fawcett","by Georgia Fawcett","by Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni","by John I. Mole","by Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman","By Herbert Lewis; by Bob Frank","by Bob Frank","by Bob Frank","by Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer","by Paul Vulpius, adapted by Barry Williams","by Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams","by Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton","by George Harmon Coxe, adapted by Victor E. Smith","by George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson","by Laura Z. Hobson, adapted by Lawrence Bearson","by Jerome Beatty, adapted by Victor E. Smith","by Manuel Komroff, adapted by Joel Hammil","by Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts","by George Rolland","by George Rolland","by Barrie Williams; by Brian J. Byrne","by Dean Charel","by Dean Charel","by Dean Charel","by Frank Burrill","by Dean Charel","by Victor E. Smith","by Herb Meadow; adaptation by Joel Hammil and Leo Fontaine","by A. L. Tyler","photocopy","by Hugh Lester","by Leo Fontaine","by Harold Hartogensis; by Phyllis Frederic","by Benet Costa, photocopy","by Jane Ashman; also includes Women as Homemakers first page","by Leo Fontaine, photocopy","Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.","Proposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley","Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.","American Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud","The Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home","Accent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion","Festival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland","The Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle","The Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla","Class of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla","Programs from \"Folk plays of the Carolina playmakers\"","The Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband","Abu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear","In Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern","Ten Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights","The Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville","Anna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring","Hamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under","The Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted","Blind Alley; Brothers; It Can't Happen Here; Rachel's Man","One-Third of a Nation; Roll Sweet Chariot; Room Service","Big Vaudeville Musical Revue  (79 copies from different performances around Maine)","Announcing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do","It Can't Happen Here; Liliom; The Road to Rome","Ladies of the Jury","It Can't Happen Here","Vodvil Show  (vaudeville)","It Can't Happen Here","Programs:  Adalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional","Buffalo Historical Marionettes available in digital format.","Programs:  Professor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps","Flyers and playbills: Current productions flyer -  Big Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language  (9 copies);  The Bat  (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival;  The Cradle Will Rock; The Emperor's New Clothes  (3 copies);  Fair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe  (4 copies);  It Can't Happen Here  (14 copies);  Life and Death of an American; Moving Along  (2 copies);  Oliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal  (10 copies) ","Buffalo Historical Marionettes Benefit Performance is available in digital format.","Flyers and playbills:  Sing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh . 8.5x14\" flyers and playbills:  Adam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny","Newspaper format program for  One-Third of a Nation . Volume V number 3 to number 14","Newspaper format program for  One-Third of a Nation . Volume V number 15-17, 19-23","Newspaper format program for  Power . Volume II number 1, Volume III number 1","Criminal at Large","Her Majesty the Widow","Personal Appearance","Post Road","Remember the Day","Saturday's Children","Tamed and How","Another Language; The Barker; The Old Maid; There's Always Juliet","As Husbands Go; I Want a Policeman","The First Mrs. Fraser","The Good Fairy","It's a Wise Child","The Late Christopher Bean","Ned McCobbs Daughter","Possession","Sun Up","Tea for Three","They Knew What They Wanted","Three Cornered Moon","Fresh Fields","First Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning","The Bad Man; Boy Meets Girl; The Christmas Carol ; Federal Theatre for Youth (overview);  The First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under","Alice in Wonderland; Counsellor-At-Law; One-Third of a Nation ; Third Annual Central Oklahoma Folk Festival;","The Living Newspaper ( One-Third of a Nation );  Prelude to Spring ; Puppet Pageant at the Philadelphia Museum of Art;  Stepping Stars ; Vaudeville","Christmas with Dickens","Alice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore","Green Grow the Lilacs; Old Heidelberg","photocopies, many with original performance dates handwritten on them -  Adelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps . Photocopies.","Adam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing","Oversize posters where each poster is a piece of a larger whole. There are seven pieces for  Alison's House  and five for  The Warrior's Husband . Roughly each piece measures 42 inches high and 28 inches wide.","The Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow","Oversize posters where each poster is a piece of a larger whole. There are three pieces for  Bill of Divorcement , two for  Blind Alley , two for  Gods of the Lightning , and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play  Pursuit of Happiness  performed at the Mayan Theatre in Los Angeles in August of 1937.","The Case of Philip Lawrence; Chalk Dust; The Cherokee Night ; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus,  The World's Greatest Circus; Class of '29 ; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939;  Conjure Man Dies; Coriolanus; The Cradle Will Rock","The Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)","Einmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal ; Eugene O'Neill's One-Act Plays of the Sea","Fair and Warmer; Fantasy 1939; Flight","H.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern","The Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here","Life and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone","Macbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral","Native Ground; No More Peace; Noah","On the Rocks; On Top; One-Third of a Nation; Outside Looking In","The Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory","Das Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up","The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night","The Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)","Programs, flyers, and playbills:  Walk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in","Programs, flyers, and playbills: Various plays in Yiddish;  The Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)","Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","includes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California","by Willy B. Stahl and Walter C. Schad, Los Angeles, California","includes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass","violin music, arranged by M. L. Lake","by Eddison von Ottenfeld","by Eddison von Ottenfeld","by Alex North","by Fred Miller Jr. and L. Leslie Loth","by Herbert Kingsley, New York, New York","includes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California","music for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager","music for vocal lead on \"Sweet by and by\"","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","photocopy","photocopy","photocopy","photocopy","photocopy","photocopy","by Hans Bruno Meyer, New York, New York","violin music \"If She Says No\"","music for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"","Chicago, Illinois","violin music \"Flow Gently, Sweet Afton\", Los Angeles, California","by Charles J. Levy","includes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"","by Charles Wakefield Cadman","by R. E. Austin","by Irvin Cooper","[Eddison von Ottenfeld] Los Angeles, California","by Meyer Rappaport and Emile Cote","From the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof","by Marshall Bartholomew","music by Genevieve Pitot, New York","by F. Melius Christiansen","by Paul Lincke","by Ralph Story","by Paul Lincke","by Mozart-Shelley","by Daniel Wood and Sumner Salter","Ernestine Valencia, arranged by Dan J. Michaud","by Edward Elgar and Arthur Fagge","by J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"","by Hans Bruno Meyer","by Hans Bruno Meyer","paraphrase for mixed voices by William Schaeffer","by Ivor Tchervanow and Ralph L. Baldwin","by Rimsky-Korsikoff, arranged by Jacob Schwartzdorf","by May H. Brahe","violin music, by Edna R. Heard","Piano music \"Party Entre Act 1-2\", Los Angeles, California","by Max Hirschfeld, New York, New York","by Jean Stor, New York, New York","by David Sheinfeld","by John Ansell","This series includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Long red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"","A long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"","Two pairs of men's pants, one yellow, one red. Both pants stop below the knee. Both pants have a label that reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" In the waist band of the yellow pant the name Don Chiles is handwritten."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0f4707cda45d410e12f09ae2a350510a\" label=\"Abstract\"\u003eThe Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.\u003c/abstract\u003e"],"abstract_tesim":["The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d65479dc2ffe44debbb5af464a6479da\"\u003e\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2\u003c/physloc\u003e"],"physloc_tesim":["\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3180,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:00:26.619Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_331","ead_ssi":"vifgm_repositories_2_resources_331","_root_":"vifgm_repositories_2_resources_331","_nest_parent_":"vifgm_repositories_2_resources_331","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_331.xml","title_filing_ssi":"Federal Theatre Project collection","title_ssm":["Federal Theatre Project collection"],"title_tesim":["Federal Theatre Project collection"],"unitdate_ssm":["circa 1885-1986","1935-1939"],"unitdate_bulk_ssim":["1935-1939"],"unitdate_inclusive_ssm":["circa 1885-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0002","/repositories/2/resources/331"],"text":["C0002","/repositories/2/resources/331","Federal Theatre Project collection","Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript","There are no access restrictions.","The scripts are also available as a series in the   in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections   .","Arranged into five series.","Series Series 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368) Series 2: Play Service and Research Records, 1935-1939 (Boxes 5-105) Series 3: Library Records, 1885-1986 (Boxes 106-306) Series 4: Production Records, 193-193 (Boxes 307-363, 366-367) Series 5: Costumes, circa 1935-1939 (Boxes 369-371)","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.","The Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.","Processed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023.","The Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.","The scripts are also available as a series in the  . ","Content Warning: Some materials contain racist language and slurs, including play titles.","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Series 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Available in digital format.","The House Committee on Un-American Activities (HUAC)","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","Includes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"","Issues of New Theatre (1934-1936).","Oversize color reprint of article from Fortune","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.","Contains blueprints and photographs of portable theatres","Subseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Subseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.","by John Wiley; based on an Edgar Allen Poe story (photocopy)","by Beth Brown","by Elmer L. Rice","by Francis Bosworth","by Buell R. Fuller","Director Georgia S. Fink","by Virginia Yetes (photocopy)","by Ruth Morris","by Gladys Unger and Walter Armitage","by David Arnold Balch","by William Mahl","by William Mahl","by William Mahl","by Eugene O'Neill","by Eugene O'Neill","by Edmond Rostand","by Edmond Rostand","by Edmond Rostand","by Yasha Frank","director Georgia S. Fink","adapted by S.S. Weiss","adapted by Ralph Chesse","by Sidney Howard","by Sidney Howard","by Eugene O'Neil","by Homer Little and Myla Jo Closser","by Homer Little and Myla Jo Closser","by Hardie Albright","by Hardie Albright","by Thomas Hall Rogers, photocopy from February 20, 1991","by Thomas Hall Rogers, 2 photocopies","by Thomas Hall Rogers","by Thomas Hall Rogers","by Thomas Hall Rogers","published in The Catholic School Journal","by Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy","by Edwin and Albert Barker","by Edwin and Albert Barker","by Elmer L. Rice","by Elmer L. Rice","by Elmer L. Rice","by Talbot Jennings","by Mrs. Alexander Mathis","by Vera Smirnova","by Edwin Burke","by Louis Weitzenkorn","by George Bernard Shaw","by Langston Hughes; A One-Act Play of Negro Life, photocopy","by Eugene O'Neill","by Eugene O'Neill","by Rose Franken","by Rose Franken","by St. John Ervine","by Elizabeth de Vautibault","by Elizabeth de Vautibault","by Rev. Henry N. Hudson","by Rev. Henry N. Hudson","by Rudolph Wittenberg","by Laurance Moore","by Margaret Brooks and Constance Wyckoff","by George Bernard Shaw","by George Bernard Shaw","by Martin Flavin","by Martin Flavin","by Yale Dramatic Association","by Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy","by W. H. Auden and Christopher Isherwood","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Lockhart North","by T. R. Arkell","by Owen Davis","by C. L. Anthony","by Clifford Odets","by Clifford Odets","by Clifford Odets","by Ruth Fenisong and Remo Bufano","by Lester Fuller, 2 copies, 1 of which is a photocopy","by Margaret Mayo","by Porter Emerson Brown","by Porter Emerson Brown","by H. R. Hays","by H. R. Hays","by Padriac Colum","by Padriac Colum","by Herb Meadow","by Herb Meadow, 2 photocopies","by Katharine Clugston","by Katharine Clugston","by Walter Hackett","by Maxwell Anderson","by Michael Blankfort and Michael Gold, photocopy","by Michael Blankfort and Michael Gold","by Michael Blankfort and Michael Gold","by Frederick Stowers","by Mary Dirnberger; Dramatized from the familiar fairy tale","by Mary Dirnberger; Dramatized from the familiar fairy tale","Transcribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma","by Albert Powels","by Alfred Lord Tennyson","by Alfred Lord Tennyson","by Brian J. Byrne","by George S. Kaufman and Marc Connelly","by George S. Kaufman and Marc Connelly","by Aodh de Blacam","by Belmont Ashton","by Lawrence Houseman","by Walter Abbott","by Walter Abbott","by Anonymous","by Eugene O'Neill","by Eugene O'Neill","by John W. Dunn; A play of early Oklahoma life","by John W. Dunn; A play of early Oklahoma life","by William Beyer","by Theodore Pratt, photocopy","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Samuel Sayer","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy","Synopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre","by Charles M. Barras","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Seymour G. Link","by Martin Flavin","by Maurice Maeterlinck","by Georgia Douglas Johnson, photocopy","by Ruth Fenisong","photocopy","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Eugene O'Neill","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Robin Taylor","Revision by Florence Elberta Barns","by Ruth Comfort Mitchel and Alfred Allen, photocopy","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Will Cotton","by Will Cotton","by Robert Hare Powel","by Robert Hare Powel","by Emmet Lavery","by Martin Flavin","by Martin Flavin","by Ruth Fenisong","by Frank Wilson","by Frank Wilson","by Frank Wilson","by Emmet Lavery","by Miss Mabel Osborne","by Emma Ehrlich Levinger","by Irwin Shaw","by Beth Brown and Gilbert Laurence","by Leopold L. Atlas","by Leopold L. Atlas","Original by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by George Bernard Shaw","by George Bernard Shaw","by Frank L. Moss and Richard Dana","by Frank L. Moss and Richard Dana","by Arnold Zweig","by Robert Peele Noble","by Robert Peele Noble","by Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy","by George Bernard Shaw","by George Bernard Shaw","by Carl Glick","by Arthur Goodrich and Rose A. Palmer","by Arthur Goodrich and Rose A. Palmer","by George Bernard Shaw","by George Bernard Shaw","by Robt. A. Bromley (revised edition)","by Zelma Bruce Tiden","by Zelma Bruce Tiden","by Peretz Hirshbein","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Estelle L. Silverman","by Jules Renard","by Rollo Wayne","by Rollo Wayne","by Rollo Wayne","by George McEnlee, photocopy","by George McEnlee","by H. Leivick","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg (revised)","by German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy","by A. Barto","by James Parish","by Y. L. Peretz","by John Woodworth, photocopy","by John Woodworth","by Ruth Fenisong","by John W. Dunn, photocopy","by John W. Dunn","by Stanislaus Stange","by sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw","Hedley Gordon Graham","by Essex Dane","by George Huntington Clark","by George Huntington Clark","by H. Jack Bates; A Negro Folk Play, photocopy","by Ruth Welty and Gene Renouf","by Rose Carlyn, photocopy","Three by Rose Carlyn; Three by Fannie Engle","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Gilbert Lennox","by Paul Vincent Carroll","by Noel Harris Houston","by Gertrude Worthington Jeffries","by Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy","by Rudolph Fisher, photocopy","by Rudolph Fisher, photocopy","by A. Callen, M. Worthington, and I. Reuben, photocopy","by Oliver Haserodt, photocopy","by Oliver Haserodt","by Royall Tyler","by M. Manisoff","by a seventh grade in Louisville, Kentucky","by a seventh grade in Louisville, Kentucky","by Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Marc Blitzstein, 2 photocopies","by Marc Blitzstein","by John H. Floyd","by members of the Play Bureau of the Southwest","by Betty Lessler Lyman","by John Hunter Booth","by John Hunter Booth, photocopy","by John Hunter Booth, photocopy","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director","by W. S. Gilbert","by Charles Dickens adapted by Gilmor Brown","Marionette Division, Buffalo, N.Y.","by Edgar Wallace","by James Stephens","by Walt Anderson","by Walt Anderson","by A. Barto","by A. Barto","by Laurette MacDuffie","by Anna Best Joder","by Elizabeth Leigh Vaughan","by W. H. Auden","by Joaquin Miller, photocopy","by Joaquin Miller","by Ruby Lorraine Radford","by S. Ansky","by L. W. Barrus","by George Foss, photocopy","by George Foss","by George Foss","by Grant Moss","by Grant Moss","by George W. Cronyn","by Rose Carlyn","by J. C. Furnes","by Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen","by Eugene O'Neill","by Benn W. Levy; A Religious Comedy, photocopy","by Benn W. Levy; A Religious Comedy","by George Bernard Shaw","by George Bernard Shaw","by Elmer Rice","by Eugene O'Neill","by Eugene O'Neill","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play","by Andrew Barton","by Andrew Barton","by Andrew Barton","by Merrill Denison","by Christopher Marlowe, arranged for marionettes by Robert Larson","by Twort (?) Gilbert and Edward Rosen","by Christopher Marlowe","by Christopher Marlowe","by Moliere","by Jules Romans, English version by Harley Granville-Barker","by Minnie H. Niemier","by Lope de Vega","by Harlan E. Glazier","by David Pinski","by Fred Ballard","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","by Elizabeth McFadden","by Charlotte Kohler, photocopy","by Joan and Michale A. Slane","by Carl Glick","by Rosa Carlyn","published by the National Tuberculosis Association","by Eugene O'Neill","by W. H. Smith","by Luis Quinones de Benavente","by Emily Percy Denison","by S. Ansky","by S. Ansky","by S. Ansky","by Arthur Goodman","by Elise Jerard","by Samuel Shipman and John B. Hymer","by Samuel Shipman and John B. Hymer","by Ossip Dymow","by Ossip Dymow","by Ossip Dymow","by Jack Larric","by Jack Larric","by Peretz Hirshbein","by Charlotte Charpenning","by Charlotte Charpenning","by Joseph Liss","by Paul Green","by Paul Green","by Paul Green","by C. C. Parsons","by Henrik Ibsen","by Henrik Ibsen","by Henrik Ibsen","by Sean O'Casey","by Demetre Bohris","by John Galsworthy","by Arthur Arent, photocopy","by Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy","by Arthur Arent, photocopy received June 11, 1991","by Kjeld Abell","by Paul Lawrence Dunbar (adaptation)","by Paul Lawrence Dunbar","by Sylvia Regan","by Sylvia Regan","by G. J. Graves","by G. J. Graves","by Will T. Goodwin; Working Script","by Emmet Lavery","by Emmet Lavery","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Bradbury Foote","by Bradbury Foote","by Cervantes","by Doris Troutman","by Luis Quinones de Benavente","adapted by Maurice Jagendorf","adapted by Maurice Jagendorf","by Irving P. Kapner","by Frank B. Elser and Marc Connelly","by Frank B. Elser and Marc Connelly","by Brian Doherty","by Brian Doherty","by Lope de Vega","by Maxwell Anderson","by H. A. Archibald","by Munro Leaf","by Paul Green","by Paul Green","by Rachel Lyman Field","by Weldon Stone","by Weldon Stone","by John Van Antwerp","by John Van Antwerp","by A. Barto","by Eugene O'Neill","by Frank Craven","by George H. Corey, photocopy","by George H. Corey","by E. and P. Green","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy","by Oscar Saul and Louis Lantz","by Oscar Saul and Louis Lantz","by Pearl S. Buck","by Pearl S. Buck","A play for boys and girls with radio participation, experiment number 1 by Berthold Brecht","by John W. Dunn","by Graham Rawson","by Graham Rawson","by Gene Stone and Jack Rosenblum","by Phile Higley","by Myrtle L. Barger","by E. P. Conkle","by Harry B. Smith","by Harry B. Smith","by Ada Sterling","by Ada Sterling","by Eleanor Garland","by Eugene O'Neill","by Eugene O'Neill","by Harry Sackler","by Georgia Douglas Johnson, photocopy","by Georgia Douglas Johnson","by Harriet Wedgwood, a health play for children, reprinted from Hygeia","by Samuel Shipman and Aaron Hoffman","by Samuel Shipman and Aaron Hoffman","by B. R. Fuller","by Leopold L. Atlas","by Beverly Hamer in the Carolina Play Book volume X, number 3","by William Stevenson","by B. K. Simkhovitch","by B. K. Simkhovitch","by B. K. Simkhovitch","by Felix Doherty","by Nando Vitali","by Ben Russak","by Ben Russak","by Ben Russak","by Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.","by Edward Lynn","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Isidore Reuben","by Philo Higley","by Arnold Ridley","by Buell R. Fuller","by Aldous Huxley","photocopy","by Ferenc Molnar","by Ferenc Molnar","by Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy","adapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Jacob Gordon","by J. J. Robbins","by J. J. Robbins","by Philip Stevenson","by Leon Crozier","by Paul Armstrong and Rex Beach","by Paul Smith","by Louise Franklin Bache","by Lewis Beach","by Lewis Beach","by Lewis Beach","by Kermit Love","by Rose Carlyn","by Ridgely Torrence; A Play for the Negro Theatre, photocopy","by Howard Koch; A Comedy of Recent Times, photocopy","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Warwick F. Williams","by William R. Randall","by Anna Friedman; A Roosevelt Play, photocopy","by Gertrude Worthington Jeffries, photocopy","by Gertrude Worthington Jeffries","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by George Bernard Shaw","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Bernard Szold and E. P. O'Donnell","by Bernard Szold and E. P. O'Donnell","by Marc Connelly","adapted by Stephen Weiss","by William J. Langman, S. J.","by Eugene O'Neill","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by Noah Elstein","by Grace Dorcas Ruthenberg","by Harlan E. Glazier","by Yasha Frank","by Thornton Wilder","by Thornton Wilder","by Wilfrido Ma Guerrero","by Donald Davis and Samuel Ornitz","by Joseph Lehmann","by Charles Prentiss","by Julius Hay","by Julius Hay","by Arthur Kober","by Arthur Kober","by Elizabeth Jane Astley","by Philip Atlee and Edmund Van Zandt","by Philip Atlee and Edmund Van Zandt","by David Belasco","by George Bernard Shaw","by Albert Bein","by Albert Bein","by Helen Clare Nelson","by Barry Conners","by Abram Hill, photocopy","by Margaret Sperry","by Margaret Sperry","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Theresa Helburn","by Theresa Helburn","by Theresa Helburn","adapted and translated by Donald Fay Robinson","adapted by Kent Pease Hamdent High School, Hamdent, Connecticut","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Mary B. Stafford","by Harlan E. Glazier","by Lee Freeson","by Howard Koch and Ben Russak","by Howard Koch and Ben Russak","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by John Wiley","by Harold Courlander","by Sally Coulter","by Herb Meadow","by Dorothy Hailpern","by Dorothy Hailpern","by Michael Swift","by Philip Barry","by Philip Barry","by John Alan Haughton","by Marion Holbrook","by Joseph Liss","by Paul Green","by Sara E. Bower","by Bertram M. Gross","by Alan Sidney","by Edith Kunz","by The Historical Project, Federal Writers Project of Minnesota","by Paul Green","by Paul Green","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by Margaret MacNamera","by Margaret MacNamera","by Edwin Burke","by Rufus King and Milton Lazarus","by Rufus King and Milton Lazarus","by Perez Hirschbaum","by Maria M. Coxe, photocopy","by Maria M. Coxe","by Maria M. Coxe","by Maria M. Coxe","by Paul Green","by Eugene O'Neill","by Bertolt Brecht","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by Maurice Stoller","by Norman Roston","by Noah Elstein, photocopy","by Noah Elstein","by Noah Elstein","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by Raymond Reeves, photocopy","by Raymond Reeves","by St. John G. Ervine","by St. John G. Ervine","by John McGee","adapted by Federal Theatre Project Los Angeles, California","by H. L. Fishel, photocopy","by H. L. Fishel, photocopy","by H. L. Fishel","by H. L. Fishel","by Martha Hodgson Ellis","by David Schrieber","by St. John G. Ervine","by St. John G. Ervine","by Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Paul Green","by Paul Green","by Luidmilla Vepritskaya","by Alma Shaw","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by Warren Coleman; A Negro Comedy, 2 photocopies","Elmer Rice","by Shakespeare","by Thomas A. Langan","by Emmet Lavery","by Ruth Fenisong","by J. C. Nugent and Elliott Nugent","by J. C. Nugent and Elliott Nugent","by Edgar Slaughter","The Living Newspaper Presents","The Living Newspaper Presents","by James Bridie","by Catherine Reighard","by Max M. Dill","by Don Mullally","by David Pinski","by T. C. Robinson and Rena M. Vale, photocopy","by T. C. Robinson and Rena M. Vale, photocopy","by Lawrence J. Bernard","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by George Scudder","by Irving Kaye Davis","by Irving Kaye Davis","by Irving Kaye Davis","by James Bridie","by James Bridie","by Sidney Howard","by Sidney Howard","by Harry King Tootle","by Harry King Tootle","by William Beyer","by William Beyer","by Oliver La Farge","by V. Beldon?","by Harry King Tootle","by Ernest Chamberlain","by Ernest Chamberlain","by Elmer Rice","by Moliere","by A. Barto","by Maurice Stoller","by Charlotte Chorpenning","by Bertram Robinson","photocopy","photocopy","photocopy","by Edward Hopter","by George Sklar","by George Sklar","by George Sklar","by George Sklar","by Gilbert Laurence","by Giuseppe Giacosa","by Giuseppe Giacosa","by Marion Flexner and Dorothy Park Clark","by Franz Molnar","by Franz Molnar","by Alma Shaw","by C. B. Chorpenning, photocopy","by C. B. Chorpenning","by C. B. Chorpenning","by C. B. Chorpenning","by Molka Reich of Miami Florida Project","translated from Flemish by Jacob Borut and Lola Sachs","translated from Flemish by Jacob Borut and Lola Sachs","by Marc Connelly","by Alexei Tolstoi","by Eleanor Glendower Griffith","by Lawrence and Sylvia Martin, photocopy","by Lawrence and Sylvia Martin, photocopy","by Howard Koch","by Howard Koch","by Howard Koch","by Thornton Wilder","by Eugene O'Neill","by Charles George","by T. C. Upham","by T. C. Upham","by Isidore Reuben","by Charles Alan","by Charles Alan","by Thornton Wilder","by John Galsworthy","by Maud Wood Park, photocopy","by Maud Wood Park","by Maud Wood Park","by Maud Wood Park revised by Robert Finch","by Theodore Browne; An \"African Version\", photocopy","by Clarence H. Talbot","reprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Blake","by Victoria Heindel","by Lee Freeson","by Louis Golding and A. R. Rawlinson","by Bernard Shaw","by Bernard Shaw","by Alfred Sutro","by John Woodworth","by John Woodworth","by Mr. Beete","by Mr. Beete","by Hollister Noble and Edward R. Sammis","by Hollister Noble and Edward R. Sammis","by Paul Green","by Anatole France","by Jules Eckert Goodman and Eckert Goodman","by Jules Eckert Goodman and Eckert Goodman","by Earnest Andai and Lajos Balint","by Federal Theatres, Los Angeles, California","by Anton Chekhov","by Rena B. Johnson","by Tom Taylor and Charles Reade","by Mabel DeVries Tanner","by Mabel DeVries Tanner","by Mabel DeVries Tanner","photocopy","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","by John Le Touche","by Brandon Tynan","by Victor Victor","by Victor Victor","by William Shakespeare","by H. Richard Oliver and John McCain Rimassa","by William Shakespeare","by Rose Dubin","by Ruth Fenisong and Samuel Sayer","By W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.","by W. S. Gilbert; The Town of Titifu, photocopy","by W. S. Gilbert; The Town of Titifu","by W. S. Gilbert; The Town of Titifu","by Plautus; translated by Clarence P. Bill, photocopy","photocopy","by Lynn Root and Harry Clork","by Wallace L. Waite","by Wallace L. Waite","by B. R. Fuller","by Dee Burque","by Hans Chlumberg, photocopy","by Nahum Brind","by John Crosby","by John Crosby","Page has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.","by John Charles Brownell","by E. B. Ginty","by E. B. Ginty","by Louise Franklin Bache","by Rose Franken and Jane Lewin","by Rose Franken and Jane Lewin","by Holger Cahill","by Holger Cahill","by Holger Cahill","by Michael Gold","by J. R. Perkins","by Emmet Lavery","by Denis Johnston","by Denis Johnston","by Eugene O'Neill","by Richard Maibaum","by Richard Maibaum","by Richard Maibaum","by Samuel French","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Joseph Liss","by Ruth Fenisong","by Louise Franklin Bache","by Ramon Romero, photocopy","by Ramon Romero, photocopy","by Ramon Romero","by Ramon Romero","by T. S. Eliot","by T. S. Eliot","by T. S. Eliot","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Buell R. Fuller","by Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy","by Cecil E. Reynolds","by Cecil E. Reynolds","by Rose Carlyn","from volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry","by Nathalie Satz and Sergei Rosaanov","by Anemone Pemberton","photocopy","photocopy","by Maxwell Anderson","by Arthur Arent; A Living Newspaper Play, photocopy","by Arthur Arent; A Living Newspaper Play","by Arthur Arent; A Living Newspaper Play","by students of Commonwealth College; Commonwealth College Fortnightly, photocopy","by Eleanor Flexner","by Eleanor Flexner","by Arthur Strawn and Henry Rosendahl","by Talbot Jennings","by Ernest Toller","by Ernest Toller","by Lilian Gill","by Jerome Geneson","by George Smedley Smith and Bernard Szold","by George Smedley Smith and Bernard Szold","by Ethel Watts Mumford and Lily Strickland","by Elmer Rice","by Elmer Rice","by Nathan Spiegel","by Joseph Hergesheimer","by Joseph Hergesheimer","by Sid Kuller and Ray Golden","by Sid Kuller and Ray Golden","by Harold Igo, photocopy","by Harold Igo","by Harold Igo","by Bernard Shaw","by James Knox Millen","by James Knox Millen","by Denman Thompson","adapted for marionettes by Ruth Fenisong and Samuel Sayer","adapted for marionettes by Ruth Fenisong and Samuel Sayer","by Benjamin M. Kaye","by Benjamin M. Kaye","by Bernard Shaw","by Bernard Shaw","by Bernard Shaw","by Marian Katherine Brown","by Seyril Schochen","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","by Kenneth Webb","by Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","dramatized from L. Feuchtwanger's novel by Clayton Fritchi","by Remo Bufano","by Irvin Wilson Baker","by Irvin Wilson Baker","by Irvin Wilson Baker","by Harry Hamilton","by Lillian Day and Lyon Mearson","by Lillian Day and Lyon Mearson","by Irving P. Kapner","by John Mason Brown","by Grace H. Swift, photocopy","by Catherine F. Reighard","by Gladys E. Murray","by Hughes Allison, photocopy","by Faye L. Tornquist","by Irving De W. Talmadge","by Irving De W. Talmadge","by Arthur Goodman","by Aristophanes","by Aristophanes","by Howard J. Green and Raymond Leslie Goldman","by Howard J. Green and Raymond Leslie Goldman","by Lope de Vega","translation by Joan Vanderpool","by Marion Holbrook","by Martha B. King","by Robert Sherwood","by Robert Sherwood","by Harlan E. Glazier","by members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania","by Alan Sidney","after the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget","adapted by Federal Theatre Project, Omaha, Nebraska","by Sarah Neuman","a Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales","adapted by Yasha Frank, photocopy","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","by Frank Kintrea","by Adelaide C. Rowell","by Adelaide C. Rowell","by Adelaide C. Rowell","by Phil Cook and McElbert Moore","by Ben Bengal","by A. Korneichuk","by J. Liss","by Margaret Naumberg","by Rose Carlyn","by Alvin Kerr","by Alvin Kerr","by Alvin Kerr","by George Kelly","by Robert Russell, photocopy","by Robert Russell","by Robert Russell","by Dorothy Heyward and DuBose Heyward","Living Newspaper, photocopy","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","by Karel Capek","by Karel Capek","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","Content warning: racist language/slur.","Full title:  Prancing Nigger . By E. England suggested from the novel by Ronald Firbank of the same name ","Content warning: racist language/slur.","Full title:  Prancing Nigger .","by Robert Whitehand, photocopy","by Robert Whitehand","by Robert Whitehand","by Albert Maltz; Anti-Fascist Play, photocopy","by Alfred Kreymborg","by John Howard Lawson, photocopy","by John Howard Lawson, photocopy","by John Howard Lawson","by John Howard Lawson","by John Garrett Underhill","by Freidrich Wolf, photocopy","by Friedrich Wolf","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by Claudia Hatch, photocopy","by Eldridge Lindsay","by Thornton Wilder","by Lawrence Langner and Armina Marshall Langner","by Leonora Kaghan and Anita Phillips","by Tonia Bakina","by Karel Capek","by Karel Capek","by Ferdinand Bruckner","by Ferdinand Bruckner","by Bradbury Foote","by Bradbury Foote","by Bradbury Foote","by Edward Stirling, Esq.","by Edward Stirling, Esq.","by Fred Ballard","by Blanding Sloan","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by L. Resnick","by Robert Sturgis, photocopy","by Fritz Karinthy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life","by P. Washington Porter; A Tragedy of Negro Life","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz","by Federal Theater Project, Los Angeles","by Federal Theater Project, Los Angeles","by Frances Montgomery","by Jan Klokog","as produced by the Federal Theater Project at Omaha, Nebraska","adapted for Buffalo Historical Marionette Theatre","by Lee Freeson","photocopy","by Richard Oliver; A Living Newspaper Play, photocopy","by Charles Vildrac","by Charles Vildrac","Dramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip","by Lynn Riggs","by Lynn Riggs","by Joseph Liss","by Joseph Liss","by John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")","by John W. Dunn","by Edith Grossberg Whitesell","by Edith Grossberg Whitesell","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa","by Hassard Short and Maurice Henniquin","by Hall Johnson, photocopy","by Hall Johnson, photocopy","by Hall Johnson","Living Newspaper, photocopy","by Charles Vildrac","by Francisco Rodrigo","by Leonide Andreyeff","by A. Barto","by Lope de Vega","by Countee Cullen and Arna Bontemps, photocopy","by Countee Cullen and Arna Bontemps","by Upton Sinclair; A Little Play for the White Collar Folks,","by Upton Sinclair; A Little Play for the White Collar Folks,","by Robert A Bromley and Al Carthe","by Robert A Bromley and Al Carthe","by Paul Green","by Maxwell Anderson","by Maxwell Anderson","by Micha Hawkins","The Adventures of a Bunny","by Frances Lester Warner","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Christobel Morley Cordell, photocopy","by Richard Brinsley Sheridan","by Maxwell Anderson","by Harold Whitehall","by Harold Whitehall","by Harold Whitehall","by Phyllis Clare Flannery; A Farce Satire, photocopy","by George Savage, Dramatist Guild Contest Play #60, photocopy","by George Savage, photocopy","by George Savage, Dramatist Guild Contest Play #60","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage","by Elmer Rice","by Elmer Rice","by Bertolt Brecht, translated by Keene Wallis","by Leonard J. Tyle","by William Evans","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by R. Edgar Moore","by R. Edgar Moore","by Florence Clothier; A Play of the Labrador Coast, photocopy","by Oliver Goldsmith; The Mistakes of a Night, photocopy","compiled from Old English nativity plays by Robert Larson","by Ruth Fenisong and Samuel Sayer","by Andrews and Anne Wilson Peabody","by George Kelly, version used by Negro Theatre Unit, New York City","by George Kelly","by Morgan Burke","by Morgan Burke","by Robert K. Ryland","photocopy","by Howard Koch","by Howard Koch","by Sholem Ash","by Isabel Anderson (Mrs. Larz Anderson)","by Fall River, photocopy","by F. S. Hill","by Miles Malleson","by Janet Hartman and Hallie Flanagan, photocopy","by Buell R. Fuller and Stephen Weiss","by Sedarmee Club Madison House","by Jo Basshe, photocopy","by Robert A. Bromley and Al Carthe","by Robert A. Bromley and Al Carthe","by Betty Smith","by Joseph Lawrence, photocopy","by Joseph Lawrence","by H. Leivick","an ancient Japanese farce translated by Michio Itow and Louis V. Ledoux","by Grace Welsh Lutgen, photocopy","by J. S. Coppard","by B. R. Fuller","photocopy","photocopy","by Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy","three copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.","by Arnold Sundgaard, photocopy","by Arnold Sundgaard, photocopy","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by James P. Judge","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Helen Fitzgerald","by Victor Victor","by Victor Victor","by Robert Ardrey; A Comedy, photocopy","by Robert Ardrey; A Comedy","by Ward Courtney; a Living Newspaper Play, photocopy","by Ward Courtney; a Living Newspaper Play, photocopy","by Otis Chatfield-Taylor, photocopy","by Charles Irving","by Charles Irving","photocopy","by Harold Robbins","by Elmer Rice","by Paul Peters and George Sklar","by Robert T. Colwell and Robert A. Simon","by Elmer Rice","by Elmer Rice","by Paul Tripp","by Mary Manning","by Mary Manning","by Barrie and Leonia Stavis","by Barrie and Leonia Stavis","by Henry C. Haskell","by Henry C. Haskell","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray, photocopy","by Lula Vollmer","by Norman Foster and Harry Hamilton","by Norman Foster and Harry Hamilton","by Georgie Douglass Johnson","by George Cram Cook and Susan Glaspell","by C. Liberman","by August Strindberg","photocopy","Federal Theatre of Oklahoma","by Maurice Stoller","by Katharine Clugston","by Katharine Clugston","by Katharine Clugston","by David Pinski, photocopy","by David Pinski","by David Pinski","by David Pinsky","by William Shakespeare","by William Shakespeare","by William Shakespeare","by William Shakespeare","by David Lano","Vagabond Puppeteers for the Federal Theatre of Oklahoma","by Shotwell Callvert, photocopy","by William dorsey Blake; A Living Newspaper Play, photocopy","by Anthony Armstrong","by Charles H. Hoyt","by Charles H. Hoyt","by Florine Schwartz; A Play for Children, photocopy","by Anna M. Lutkenhaus, photocopy","by Arthur A. Miller, photocopy","by Ivan Rowan and Martin Delman","by Ivan Rowan and Martin Delman","by Raymond Bond","by Raymond Bond","by Raymond Bond","by William Kozlenko","by Converse Tyler","by Converse Tyler","by Converse Tyler","by Knox Herold","by Betty Smith","by Yury Olesha","by Yury Olesha","by Gertrude Tonkonogy, photocopy","by Marita Rosler","by Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy","by Marie Baume from the novel by Leane Zugsmith; photocopy","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by William Shakespeare","by William Shakespeare","by William Shakespeare","by James Bridie","by Samuel Sayer","by Robert Wallsten","by Isabel Barber; A dramatist guild contest play #552","by Isabel Barber","by Isabel Barber","by John Broome, photocopy","by John Broome","by Ruth Fenisong","by Ruth Fenisong","by Robinson Jeffers; A Play in Poetic Form, photocopy","by Robinson Jeffers; A Play in Poetic Form","by George Murray and David Pelts; A Living Newspaper on Pensions; photocopy","by Philip Stevenson","by Rose Carlyn","by Jules Eckert Goodman, photocopy","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Remo Bufano","by Remo Bufano","by Stephen Spender","by Hughes Allison, photocopy","by Hughes Allison, photocopy","by Hughes Allison","by Hughes Allison","by Hughes Allison","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","Based on Homer and Euripides, includes photocopied program, photocopy","Based on Trojan Women of Euripides","Based on Trojan Women of Euripides","by Philip H. Davis","translated by Edith Hamilton","translated by Edith Hamilton","translated by Edith Hamilton","by Eleanor Phelps, photocopy","by Langston Hughes, photocopy","by Langston Hughes","by Langston Hughes","by Harry Sackler","Content Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.","by J. M. Barrie","by McElbert Moore","by McElbert Moore","by H. R. Lenormand","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by A. Barto","by E. P. Conkle","by Whitfield Cook, photocopy","by Whitfield Cook","by Whitfield Cook","by Robert Larson","Jacksonville, Florida script 1939, photocopy","by Anton Chekhov","by Augustin Daly","by Bernice McQuilken","by Gene Buck","by Helen Fitzgerald","by Mrs. William Hyman","by Charles Allen Smart","by Vincent Moran","by Vincent Moran","by Karl Gutzkov","by Eden White; A Rollicking Comedy","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","by Ruth Fenisong","by Marietta Fouche","by Marietta Fouche","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by I. L. Peretz","by John F. Burns","by Stefan Zweig","photocopy","Living Newspaper","by Caroline C. Lovell","by William C. de Mille","by William C. de Mille","by Percy Mackaye","by William L. Price","by Frances Gordon Strunsky","by Helen Gholson Kittredge","by Irving R. Kapner","translated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy","by Elmer Rice, photocopy","by Elmer Rice","by Gerhart Hauptmann","by Eugene O'Neill","translated from the Russian by Aaron Chorover","by W. Alan Coutts","by Rose Carlyn","by Ten Orcross","by Ten Orcross","by George H. Broadhurst","by Philip Stevenson","by Philip Stevenson","by Charles Zerner and Ben S. Gross","by Albert Hackett","by J. Sackville Martin and Carl E. Freybe","by J. Sackville Martin and Carl E. Freybe","by Katherine Peabody Gurling","by A. Barto","by John Bowaldeth","by Lelia May Smith","by Harry B. Smith","by Converse Tyler","by Lucien Chantel","by John Emerson and Anita Loos","by Harlan E. Glazier","by Paul Green","by Joseph Liss","by Clemence Dane, photocopy","by David Pay Robinson","by Marcus L. Bach","by Marcus L. Bach","by Marcus L. Bach (revised Chicago version)","by Kenneth White","by Rae Abraham","by Allan Davis","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Samuel Jesse Warshawsky, photocopy","by Buell R. Fuller","by Virgil L. Baker","by Charles Frederic Nirdlinger","by Charles Frederic Nirdlinger","by Charles Bruce Millholland","by Charles Bruce Millholland","by Edward Lynn","by Josef and Karel Capek","by Molly Day Thacher, photocopy","by Tom Jewett","by Chase Varney","by Chase Varney","by Chase Varney","by Jakob Loewenberg","by Peter Arnow","by Mark Reed","by Ulysses S. Elam","by Bernard Shaw","by Bernard Shaw","by Rose Carlyn","by Margaret Knox and Anna M. Lufkenhaus","by Dorothy L. Sayers","by M. Daniel","Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.","by Howard Warwick","by Gene Stafford","photocopy","by Arthur McCaffery","by Charles Brownell","by Friedrich Wolfe","by Howard Koch","by Leo Fontaine","two versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams, photocopy and original","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Harold Hartogensis","by Boyd","by Philip Massinger, adapted by Leah Jonas","by Ben Jonson, adapted by Leah Jonas","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Sergei Prokofiev, 5 front pages and 2 full copies","by Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson","by Richard Wright","by Pauline Simmons","by Marshall Davidson","by Martha Foley","by Dr. Charles Russell","by A. Hyatt Mayor","by David Canfield","by David Canfield","by David Canfield","by Morris Watson","interview with Martha Graham and Leah Plotkin","interview with Pietro di Donato and Leah Plotkin","interview with Estelle Liebling and Leah Plotkin","by Howard Koch adapted by Lawrence Levey (photocopy and original)","by Barrie and Leona Stavis, adapted by Edward Morton","by Theodore Pezman and Donald Murray, adapted by Edward Morton","by Carl Glick, adapted by Philip Ansel Roll","photocopy","by Karl Barron","by Phyllis Frederic","by Phyllis Frederic","adapted by Cecil Stevenson","adapted by Charles Crumpton","by Michael Davidson","by Matty Cohen and B. F. Kamsler","by Edward H. Smith","by Lewis W. Moyer","by Lewis W. Moyer","by Joseph W. Miller","both by Jeanette Despres","by Edward H. Smith","by Georgia Fawcett, first 25 pages","both by Jeanette Despres","by Michael Davidson","by unknown; by Harry Goldsmith","by John T. Mole","by Gertrude Onnen and Phyllis Frederic; by Jeanette Despres","by Phyllis Frederic","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted by Charles Crumpton, photocopy","by Henrik Ibsen, adapted by Lewis Meyer","by Henrik Ibsen, adapted by Georgia Fawcett, photocopy","by Clifford Odets, adapted by Maurice Kurtz","by Jules Verne, adapted by Lewis W. Moyer","by Jules Verne, adapted by W. M. Sutton","by Jules Verne, adapted by George Thorp","by Harold Parke Godwin; by Frederick Prokosch","by Arthur McCaffery, incomplete copy - first 13 pages","by Michael Davidson","by Paul de Kruif","by Lawrence Bearson; by Leo Fontaine","by T. O. Day","by Maxine Schiel, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by Jack Barefield, photocopy","by Georgia Backus, photocopy","by Maxine Schiel, photocopy","by Ben Hawthorne, photocopy","by John Fleming, photocopy","by Arthur Arendt","by David Lesan","by David Lesan","by William N. Robson","dramatization by Robert Lewis Shayon","by Edward Solomon","by Bucalossi","by Michael William Balfe","by Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan","by Charles Lecocq","by Sidney Jones","by Sidney Jones","by Charles Lecocq","by Karl W. Schulz","by W. Vincent Wallace","by W. Vincent Wallace","by Edmond Audran","by Robert Planquette","by Edmond Audran","by Robert Planquette","by Lajos Serly","by Sir William S. Gilbert and Sir Arthur Sullivan","by Oscar Wilde, adapted by Donald Macfarlane, photocopy","by Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy","by Oscar Wilde, adapted by Lews W. Moyer, photocopy","by Oscar Wilde, adapted by Charles Crumpton","by Rose Albert Porter","by Rose Albert Porter","by Rose Albert Porter","by George J. Thorp","by George J. Thorp","by George J. Thorp","by Sylvia Altman","by Sylvia Altman and Jeanette Gussin","by Charles Dickens adapted by Cecil Stevenson","by Charles Dickens adapted by Cecil Stevenson","by Victor E. Smith; by Joel Hammil","by Will Glickman","by Phyllis Frederic","by Lewis W. Moyer; by W. M. Sutton","by John I. Mole","by Victor E. Smith","by Victor E. Smith","by Maxwell Wolodin; by Edward H. Smith","by Victor E. Smith; by John I. Mole","by Lewis W. Moyer; by Michael Davidson","by Will Glickman","by Phyllis Frederic","by Lee Fontainbleu; by Laurence U. Shloss","by Edward H. Smith","by Georgia Fawcett","by Georgia Fawcett","by Georgia Fawcett","by Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni","by John I. Mole","by Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman","By Herbert Lewis; by Bob Frank","by Bob Frank","by Bob Frank","by Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer","by Paul Vulpius, adapted by Barry Williams","by Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams","by Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton","by George Harmon Coxe, adapted by Victor E. Smith","by George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson","by Laura Z. Hobson, adapted by Lawrence Bearson","by Jerome Beatty, adapted by Victor E. Smith","by Manuel Komroff, adapted by Joel Hammil","by Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts","by George Rolland","by George Rolland","by Barrie Williams; by Brian J. Byrne","by Dean Charel","by Dean Charel","by Dean Charel","by Frank Burrill","by Dean Charel","by Victor E. Smith","by Herb Meadow; adaptation by Joel Hammil and Leo Fontaine","by A. L. Tyler","photocopy","by Hugh Lester","by Leo Fontaine","by Harold Hartogensis; by Phyllis Frederic","by Benet Costa, photocopy","by Jane Ashman; also includes Women as Homemakers first page","by Leo Fontaine, photocopy","Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.","Proposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley","Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.","American Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud","The Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home","Accent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion","Festival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland","The Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle","The Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla","Class of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla","Programs from \"Folk plays of the Carolina playmakers\"","The Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband","Abu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear","In Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern","Ten Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights","The Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville","Anna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring","Hamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under","The Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted","Blind Alley; Brothers; It Can't Happen Here; Rachel's Man","One-Third of a Nation; Roll Sweet Chariot; Room Service","Big Vaudeville Musical Revue  (79 copies from different performances around Maine)","Announcing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do","It Can't Happen Here; Liliom; The Road to Rome","Ladies of the Jury","It Can't Happen Here","Vodvil Show  (vaudeville)","It Can't Happen Here","Programs:  Adalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional","Buffalo Historical Marionettes available in digital format.","Programs:  Professor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps","Flyers and playbills: Current productions flyer -  Big Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language  (9 copies);  The Bat  (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival;  The Cradle Will Rock; The Emperor's New Clothes  (3 copies);  Fair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe  (4 copies);  It Can't Happen Here  (14 copies);  Life and Death of an American; Moving Along  (2 copies);  Oliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal  (10 copies) ","Buffalo Historical Marionettes Benefit Performance is available in digital format.","Flyers and playbills:  Sing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh . 8.5x14\" flyers and playbills:  Adam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny","Newspaper format program for  One-Third of a Nation . Volume V number 3 to number 14","Newspaper format program for  One-Third of a Nation . Volume V number 15-17, 19-23","Newspaper format program for  Power . Volume II number 1, Volume III number 1","Criminal at Large","Her Majesty the Widow","Personal Appearance","Post Road","Remember the Day","Saturday's Children","Tamed and How","Another Language; The Barker; The Old Maid; There's Always Juliet","As Husbands Go; I Want a Policeman","The First Mrs. Fraser","The Good Fairy","It's a Wise Child","The Late Christopher Bean","Ned McCobbs Daughter","Possession","Sun Up","Tea for Three","They Knew What They Wanted","Three Cornered Moon","Fresh Fields","First Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning","The Bad Man; Boy Meets Girl; The Christmas Carol ; Federal Theatre for Youth (overview);  The First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under","Alice in Wonderland; Counsellor-At-Law; One-Third of a Nation ; Third Annual Central Oklahoma Folk Festival;","The Living Newspaper ( One-Third of a Nation );  Prelude to Spring ; Puppet Pageant at the Philadelphia Museum of Art;  Stepping Stars ; Vaudeville","Christmas with Dickens","Alice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore","Green Grow the Lilacs; Old Heidelberg","photocopies, many with original performance dates handwritten on them -  Adelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps . Photocopies.","Adam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing","Oversize posters where each poster is a piece of a larger whole. There are seven pieces for  Alison's House  and five for  The Warrior's Husband . Roughly each piece measures 42 inches high and 28 inches wide.","The Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow","Oversize posters where each poster is a piece of a larger whole. There are three pieces for  Bill of Divorcement , two for  Blind Alley , two for  Gods of the Lightning , and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play  Pursuit of Happiness  performed at the Mayan Theatre in Los Angeles in August of 1937.","The Case of Philip Lawrence; Chalk Dust; The Cherokee Night ; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus,  The World's Greatest Circus; Class of '29 ; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939;  Conjure Man Dies; Coriolanus; The Cradle Will Rock","The Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)","Einmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal ; Eugene O'Neill's One-Act Plays of the Sea","Fair and Warmer; Fantasy 1939; Flight","H.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern","The Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here","Life and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone","Macbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral","Native Ground; No More Peace; Noah","On the Rocks; On Top; One-Third of a Nation; Outside Looking In","The Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory","Das Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up","The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night","The Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)","Programs, flyers, and playbills:  Walk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in","Programs, flyers, and playbills: Various plays in Yiddish;  The Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)","Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","includes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California","by Willy B. Stahl and Walter C. Schad, Los Angeles, California","includes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass","violin music, arranged by M. L. Lake","by Eddison von Ottenfeld","by Eddison von Ottenfeld","by Alex North","by Fred Miller Jr. and L. Leslie Loth","by Herbert Kingsley, New York, New York","includes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California","music for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager","music for vocal lead on \"Sweet by and by\"","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","photocopy","photocopy","photocopy","photocopy","photocopy","photocopy","by Hans Bruno Meyer, New York, New York","violin music \"If She Says No\"","music for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"","Chicago, Illinois","violin music \"Flow Gently, Sweet Afton\", Los Angeles, California","by Charles J. Levy","includes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"","by Charles Wakefield Cadman","by R. E. Austin","by Irvin Cooper","[Eddison von Ottenfeld] Los Angeles, California","by Meyer Rappaport and Emile Cote","From the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof","by Marshall Bartholomew","music by Genevieve Pitot, New York","by F. Melius Christiansen","by Paul Lincke","by Ralph Story","by Paul Lincke","by Mozart-Shelley","by Daniel Wood and Sumner Salter","Ernestine Valencia, arranged by Dan J. Michaud","by Edward Elgar and Arthur Fagge","by J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"","by Hans Bruno Meyer","by Hans Bruno Meyer","paraphrase for mixed voices by William Schaeffer","by Ivor Tchervanow and Ralph L. Baldwin","by Rimsky-Korsikoff, arranged by Jacob Schwartzdorf","by May H. Brahe","violin music, by Edna R. Heard","Piano music \"Party Entre Act 1-2\", Los Angeles, California","by Max Hirschfeld, New York, New York","by Jean Stor, New York, New York","by David Sheinfeld","by John Ansell","This series includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Long red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"","A long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"","Two pairs of men's pants, one yellow, one red. Both pants stop below the knee. Both pants have a label that reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" In the waist band of the yellow pant the name Don Chiles is handwritten.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","English"],"unitid_tesim":["C0002","/repositories/2/resources/331"],"normalized_title_ssm":["Federal Theatre Project collection"],"collection_title_tesim":["Federal Theatre Project collection"],"collection_ssim":["Federal Theatre Project collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Federal Theatre Project (U.S.)"],"creator_ssim":["Federal Theatre Project (U.S.)"],"creator_corpname_ssim":["Federal Theatre Project (U.S.)"],"creators_ssim":["Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"acqinfo_ssim":["Donated by the Library of Congress."],"access_subjects_ssim":["Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript"],"access_subjects_ssm":["Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript"],"has_online_content_ssim":["false"],"extent_ssm":["185 Linear Feet 371 boxes"],"extent_tesim":["185 Linear Feet 371 boxes"],"genreform_ssim":["Playscript"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe scripts are also available as a series in the \u003cextptr href=\"https://mars.gmu.edu/handle/1920/3478\" title=\"Federal Theatre Project Materials Collection\" show=\"new\"\u003e\u003c/extptr\u003e in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections  \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"available here\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The scripts are also available as a series in the   in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections   ."],"arrangement_html_tesm":["\u003cp\u003eArranged into five series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Play Service and Research Records, 1935-1939 (Boxes 5-105)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Library Records, 1885-1986 (Boxes 106-306)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Production Records, 193-193 (Boxes 307-363, 366-367)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Costumes, circa 1935-1939 (Boxes 369-371)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into five series.","Series Series 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368) Series 2: Play Service and Research Records, 1935-1939 (Boxes 5-105) Series 3: Library Records, 1885-1986 (Boxes 106-306) Series 4: Production Records, 193-193 (Boxes 307-363, 366-367) Series 5: Costumes, circa 1935-1939 (Boxes 369-371)"],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.\u003c/p\u003e\n","\u003cp\u003eLike many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.\u003c/p\u003e\n","\u003cp\u003eBut it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"\u003c/p\u003e\n","\u003cp\u003eFlanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.\u003c/p\u003e\n","\u003cp\u003eThe productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.\u003c/p\u003e\n","\u003cp\u003eThe Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.","The Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck."],"prefercite_html_tesm":["\u003cp\u003eFederal Theatre Project collection, C0002, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Federal Theatre Project collection, C0002, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.\u003c/p\u003e\n","\u003cp\u003eThe scripts are also available as a series in the \u003cextptr show=\"new\" title=\"FTP digital collection\" href=\"https://mars.gmu.edu/handle/1920/3478\"\u003e\u003c/extptr\u003e. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.","The scripts are also available as a series in the  . "],"scopecontent_html_tesm":["\u003cp\u003eContent Warning: Some materials contain racist language and slurs, including play titles.\u003c/p\u003e\n","\u003cp\u003eThe Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.\u003c/p\u003e\n","\u003cp\u003eSeries 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.\u003c/p\u003e\n","\u003cp\u003eSeries 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e\n","\u003cp\u003eSeries 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e\n","\u003cp\u003eSeries 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSeries 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThe House Committee on Un-American Activities (HUAC)\u003c/p\u003e","\u003cp\u003eMcMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.\u003c/p\u003e","\u003cp\u003eMcMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.\u003c/p\u003e","\u003cp\u003eIncludes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"\u003c/p\u003e","\u003cp\u003eIssues of New Theatre (1934-1936).\u003c/p\u003e","\u003cp\u003eOversize color reprint of article from Fortune\u003c/p\u003e","\u003cp\u003eSeries 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.\u003c/p\u003e","\u003cp\u003eSubseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eContains blueprints and photographs of portable theatres\u003c/p\u003e","\u003cp\u003eSubseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.\u003c/p\u003e","\u003cp\u003eSeries 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e","\u003cp\u003eSubseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eby John Wiley; based on an Edgar Allen Poe story (photocopy)\u003c/p\u003e","\u003cp\u003eby Beth Brown\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Francis Bosworth\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eDirector Georgia S. Fink\u003c/p\u003e","\u003cp\u003eby Virginia Yetes (photocopy)\u003c/p\u003e","\u003cp\u003eby Ruth Morris\u003c/p\u003e","\u003cp\u003eby Gladys Unger and Walter Armitage\u003c/p\u003e","\u003cp\u003eby David Arnold Balch\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Yasha Frank\u003c/p\u003e","\u003cp\u003edirector Georgia S. Fink\u003c/p\u003e","\u003cp\u003eadapted by S.S. Weiss\u003c/p\u003e","\u003cp\u003eadapted by Ralph Chesse\u003c/p\u003e","\u003cp\u003eby Sidney Howard\u003c/p\u003e","\u003cp\u003eby Sidney Howard\u003c/p\u003e","\u003cp\u003eby Eugene O'Neil\u003c/p\u003e","\u003cp\u003eby Homer Little and Myla Jo Closser\u003c/p\u003e","\u003cp\u003eby Homer Little and Myla Jo Closser\u003c/p\u003e","\u003cp\u003eby Hardie Albright\u003c/p\u003e","\u003cp\u003eby Hardie Albright\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers, photocopy from February 20, 1991\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003epublished in The Catholic School Journal\u003c/p\u003e","\u003cp\u003eby Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy\u003c/p\u003e","\u003cp\u003eby Edwin and Albert Barker\u003c/p\u003e","\u003cp\u003eby Edwin and Albert Barker\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Talbot Jennings\u003c/p\u003e","\u003cp\u003eby Mrs. Alexander Mathis\u003c/p\u003e","\u003cp\u003eby Vera Smirnova\u003c/p\u003e","\u003cp\u003eby Edwin Burke\u003c/p\u003e","\u003cp\u003eby Louis Weitzenkorn\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Langston Hughes; A One-Act Play of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Rose Franken\u003c/p\u003e","\u003cp\u003eby Rose Franken\u003c/p\u003e","\u003cp\u003eby St. John Ervine\u003c/p\u003e","\u003cp\u003eby Elizabeth de Vautibault\u003c/p\u003e","\u003cp\u003eby Elizabeth de Vautibault\u003c/p\u003e","\u003cp\u003eby Rev. Henry N. Hudson\u003c/p\u003e","\u003cp\u003eby Rev. Henry N. Hudson\u003c/p\u003e","\u003cp\u003eby Rudolph Wittenberg\u003c/p\u003e","\u003cp\u003eby Laurance Moore\u003c/p\u003e","\u003cp\u003eby Margaret Brooks and Constance Wyckoff\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Yale Dramatic Association\u003c/p\u003e","\u003cp\u003eby Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy\u003c/p\u003e","\u003cp\u003eby W. H. Auden and Christopher Isherwood\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Lockhart North\u003c/p\u003e","\u003cp\u003eby T. R. Arkell\u003c/p\u003e","\u003cp\u003eby Owen Davis\u003c/p\u003e","\u003cp\u003eby C. L. Anthony\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Remo Bufano\u003c/p\u003e","\u003cp\u003eby Lester Fuller, 2 copies, 1 of which is a photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Mayo\u003c/p\u003e","\u003cp\u003eby Porter Emerson Brown\u003c/p\u003e","\u003cp\u003eby Porter Emerson Brown\u003c/p\u003e","\u003cp\u003eby H. R. Hays\u003c/p\u003e","\u003cp\u003eby H. R. Hays\u003c/p\u003e","\u003cp\u003eby Padriac Colum\u003c/p\u003e","\u003cp\u003eby Padriac Colum\u003c/p\u003e","\u003cp\u003eby Herb Meadow\u003c/p\u003e","\u003cp\u003eby Herb Meadow, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Walter Hackett\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold, photocopy\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold\u003c/p\u003e","\u003cp\u003eby Frederick Stowers\u003c/p\u003e","\u003cp\u003eby Mary Dirnberger; Dramatized from the familiar fairy tale\u003c/p\u003e","\u003cp\u003eby Mary Dirnberger; Dramatized from the familiar fairy tale\u003c/p\u003e","\u003cp\u003eTranscribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Albert Powels\u003c/p\u003e","\u003cp\u003eby Alfred Lord Tennyson\u003c/p\u003e","\u003cp\u003eby Alfred Lord Tennyson\u003c/p\u003e","\u003cp\u003eby Brian J. Byrne\u003c/p\u003e","\u003cp\u003eby George S. Kaufman and Marc Connelly\u003c/p\u003e","\u003cp\u003eby George S. Kaufman and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Aodh de Blacam\u003c/p\u003e","\u003cp\u003eby Belmont Ashton\u003c/p\u003e","\u003cp\u003eby Lawrence Houseman\u003c/p\u003e","\u003cp\u003eby Walter Abbott\u003c/p\u003e","\u003cp\u003eby Walter Abbott\u003c/p\u003e","\u003cp\u003eby Anonymous\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby John W. Dunn; A play of early Oklahoma life\u003c/p\u003e","\u003cp\u003eby John W. Dunn; A play of early Oklahoma life\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby Theodore Pratt, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy\u003c/p\u003e","\u003cp\u003eSynopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre\u003c/p\u003e","\u003cp\u003eby Charles M. Barras\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Seymour G. Link\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Maurice Maeterlinck\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Robin Taylor\u003c/p\u003e","\u003cp\u003eRevision by Florence Elberta Barns\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Will Cotton\u003c/p\u003e","\u003cp\u003eby Will Cotton\u003c/p\u003e","\u003cp\u003eby Robert Hare Powel\u003c/p\u003e","\u003cp\u003eby Robert Hare Powel\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Miss Mabel Osborne\u003c/p\u003e","\u003cp\u003eby Emma Ehrlich Levinger\u003c/p\u003e","\u003cp\u003eby Irwin Shaw\u003c/p\u003e","\u003cp\u003eby Beth Brown and Gilbert Laurence\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eOriginal by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Frank L. Moss and Richard Dana\u003c/p\u003e","\u003cp\u003eby Frank L. Moss and Richard Dana\u003c/p\u003e","\u003cp\u003eby Arnold Zweig\u003c/p\u003e","\u003cp\u003eby Robert Peele Noble\u003c/p\u003e","\u003cp\u003eby Robert Peele Noble\u003c/p\u003e","\u003cp\u003eby Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Carl Glick\u003c/p\u003e","\u003cp\u003eby Arthur Goodrich and Rose A. Palmer\u003c/p\u003e","\u003cp\u003eby Arthur Goodrich and Rose A. Palmer\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Robt. A. Bromley (revised edition)\u003c/p\u003e","\u003cp\u003eby Zelma Bruce Tiden\u003c/p\u003e","\u003cp\u003eby Zelma Bruce Tiden\u003c/p\u003e","\u003cp\u003eby Peretz Hirshbein\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Estelle L. Silverman\u003c/p\u003e","\u003cp\u003eby Jules Renard\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby George McEnlee, photocopy\u003c/p\u003e","\u003cp\u003eby George McEnlee\u003c/p\u003e","\u003cp\u003eby H. Leivick\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg (revised)\u003c/p\u003e","\u003cp\u003eby German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby James Parish\u003c/p\u003e","\u003cp\u003eby Y. L. Peretz\u003c/p\u003e","\u003cp\u003eby John Woodworth, photocopy\u003c/p\u003e","\u003cp\u003eby John Woodworth\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby John W. Dunn, photocopy\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Stanislaus Stange\u003c/p\u003e","\u003cp\u003eby sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey\u003c/p\u003e","\u003cp\u003eby Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw\u003c/p\u003e","\u003cp\u003eHedley Gordon Graham\u003c/p\u003e","\u003cp\u003eby Essex Dane\u003c/p\u003e","\u003cp\u003eby George Huntington Clark\u003c/p\u003e","\u003cp\u003eby George Huntington Clark\u003c/p\u003e","\u003cp\u003eby H. Jack Bates; A Negro Folk Play, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Welty and Gene Renouf\u003c/p\u003e","\u003cp\u003eby Rose Carlyn, photocopy\u003c/p\u003e","\u003cp\u003eThree by Rose Carlyn; Three by Fannie Engle\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Gilbert Lennox\u003c/p\u003e","\u003cp\u003eby Paul Vincent Carroll\u003c/p\u003e","\u003cp\u003eby Noel Harris Houston\u003c/p\u003e","\u003cp\u003eby Gertrude Worthington Jeffries\u003c/p\u003e","\u003cp\u003eby Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy\u003c/p\u003e","\u003cp\u003eby Rudolph Fisher, photocopy\u003c/p\u003e","\u003cp\u003eby Rudolph Fisher, photocopy\u003c/p\u003e","\u003cp\u003eby A. Callen, M. Worthington, and I. Reuben, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Haserodt, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Haserodt\u003c/p\u003e","\u003cp\u003eby Royall Tyler\u003c/p\u003e","\u003cp\u003eby M. Manisoff\u003c/p\u003e","\u003cp\u003eby a seventh grade in Louisville, Kentucky\u003c/p\u003e","\u003cp\u003eby a seventh grade in Louisville, Kentucky\u003c/p\u003e","\u003cp\u003eby Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Marc Blitzstein, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Marc Blitzstein\u003c/p\u003e","\u003cp\u003eby John H. Floyd\u003c/p\u003e","\u003cp\u003eby members of the Play Bureau of the Southwest\u003c/p\u003e","\u003cp\u003eby Betty Lessler Lyman\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth, photocopy\u003c/p\u003e","\u003cp\u003eby John Hunter Booth, photocopy\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Gilmor Brown\u003c/p\u003e","\u003cp\u003eMarionette Division, Buffalo, N.Y.\u003c/p\u003e","\u003cp\u003eby Edgar Wallace\u003c/p\u003e","\u003cp\u003eby James Stephens\u003c/p\u003e","\u003cp\u003eby Walt Anderson\u003c/p\u003e","\u003cp\u003eby Walt Anderson\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Laurette MacDuffie\u003c/p\u003e","\u003cp\u003eby Anna Best Joder\u003c/p\u003e","\u003cp\u003eby Elizabeth Leigh Vaughan\u003c/p\u003e","\u003cp\u003eby W. H. Auden\u003c/p\u003e","\u003cp\u003eby Joaquin Miller, photocopy\u003c/p\u003e","\u003cp\u003eby Joaquin Miller\u003c/p\u003e","\u003cp\u003eby Ruby Lorraine Radford\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby L. W. Barrus\u003c/p\u003e","\u003cp\u003eby George Foss, photocopy\u003c/p\u003e","\u003cp\u003eby George Foss\u003c/p\u003e","\u003cp\u003eby George Foss\u003c/p\u003e","\u003cp\u003eby Grant Moss\u003c/p\u003e","\u003cp\u003eby Grant Moss\u003c/p\u003e","\u003cp\u003eby George W. Cronyn\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby J. C. Furnes\u003c/p\u003e","\u003cp\u003eby Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Benn W. Levy; A Religious Comedy, photocopy\u003c/p\u003e","\u003cp\u003eby Benn W. Levy; A Religious Comedy\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Merrill Denison\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe, arranged for marionettes by Robert Larson\u003c/p\u003e","\u003cp\u003eby Twort (?) Gilbert and Edward Rosen\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe\u003c/p\u003e","\u003cp\u003eby Moliere\u003c/p\u003e","\u003cp\u003eby Jules Romans, English version by Harley Granville-Barker\u003c/p\u003e","\u003cp\u003eby Minnie H. Niemier\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby Fred Ballard\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eby Elizabeth McFadden\u003c/p\u003e","\u003cp\u003eby Charlotte Kohler, photocopy\u003c/p\u003e","\u003cp\u003eby Joan and Michale A. Slane\u003c/p\u003e","\u003cp\u003eby Carl Glick\u003c/p\u003e","\u003cp\u003eby Rosa Carlyn\u003c/p\u003e","\u003cp\u003epublished by the National Tuberculosis Association\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby W. H. Smith\u003c/p\u003e","\u003cp\u003eby Luis Quinones de Benavente\u003c/p\u003e","\u003cp\u003eby Emily Percy Denison\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby Arthur Goodman\u003c/p\u003e","\u003cp\u003eby Elise Jerard\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and John B. Hymer\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and John B. Hymer\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Jack Larric\u003c/p\u003e","\u003cp\u003eby Jack Larric\u003c/p\u003e","\u003cp\u003eby Peretz Hirshbein\u003c/p\u003e","\u003cp\u003eby Charlotte Charpenning\u003c/p\u003e","\u003cp\u003eby Charlotte Charpenning\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby C. C. Parsons\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Sean O'Casey\u003c/p\u003e","\u003cp\u003eby Demetre Bohris\u003c/p\u003e","\u003cp\u003eby John Galsworthy\u003c/p\u003e","\u003cp\u003eby Arthur Arent, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent, photocopy received June 11, 1991\u003c/p\u003e","\u003cp\u003eby Kjeld Abell\u003c/p\u003e","\u003cp\u003eby Paul Lawrence Dunbar (adaptation)\u003c/p\u003e","\u003cp\u003eby Paul Lawrence Dunbar\u003c/p\u003e","\u003cp\u003eby Sylvia Regan\u003c/p\u003e","\u003cp\u003eby Sylvia Regan\u003c/p\u003e","\u003cp\u003eby G. J. Graves\u003c/p\u003e","\u003cp\u003eby G. J. Graves\u003c/p\u003e","\u003cp\u003eby Will T. Goodwin; Working Script\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Cervantes\u003c/p\u003e","\u003cp\u003eby Doris Troutman\u003c/p\u003e","\u003cp\u003eby Luis Quinones de Benavente\u003c/p\u003e","\u003cp\u003eadapted by Maurice Jagendorf\u003c/p\u003e","\u003cp\u003eadapted by Maurice Jagendorf\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Frank B. Elser and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Frank B. Elser and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Brian Doherty\u003c/p\u003e","\u003cp\u003eby Brian Doherty\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby H. A. Archibald\u003c/p\u003e","\u003cp\u003eby Munro Leaf\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Rachel Lyman Field\u003c/p\u003e","\u003cp\u003eby Weldon Stone\u003c/p\u003e","\u003cp\u003eby Weldon Stone\u003c/p\u003e","\u003cp\u003eby John Van Antwerp\u003c/p\u003e","\u003cp\u003eby John Van Antwerp\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Frank Craven\u003c/p\u003e","\u003cp\u003eby George H. Corey, photocopy\u003c/p\u003e","\u003cp\u003eby George H. Corey\u003c/p\u003e","\u003cp\u003eby E. and P. Green\u003c/p\u003e","\u003cp\u003eby Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"\u003c/p\u003e","\u003cp\u003eby Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Louis Lantz\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Louis Lantz\u003c/p\u003e","\u003cp\u003eby Pearl S. Buck\u003c/p\u003e","\u003cp\u003eby Pearl S. Buck\u003c/p\u003e","\u003cp\u003eA play for boys and girls with radio participation, experiment number 1 by Berthold Brecht\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Graham Rawson\u003c/p\u003e","\u003cp\u003eby Graham Rawson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Rosenblum\u003c/p\u003e","\u003cp\u003eby Phile Higley\u003c/p\u003e","\u003cp\u003eby Myrtle L. Barger\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Ada Sterling\u003c/p\u003e","\u003cp\u003eby Ada Sterling\u003c/p\u003e","\u003cp\u003eby Eleanor Garland\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Harry Sackler\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson\u003c/p\u003e","\u003cp\u003eby Harriet Wedgwood, a health play for children, reprinted from Hygeia\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and Aaron Hoffman\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and Aaron Hoffman\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eby Beverly Hamer in the Carolina Play Book volume X, number 3\u003c/p\u003e","\u003cp\u003eby William Stevenson\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby Felix Doherty\u003c/p\u003e","\u003cp\u003eby Nando Vitali\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.\u003c/p\u003e","\u003cp\u003eby Edward Lynn\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Isidore Reuben\u003c/p\u003e","\u003cp\u003eby Philo Higley\u003c/p\u003e","\u003cp\u003eby Arnold Ridley\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Aldous Huxley\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Ferenc Molnar\u003c/p\u003e","\u003cp\u003eby Ferenc Molnar\u003c/p\u003e","\u003cp\u003eby Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy\u003c/p\u003e","\u003cp\u003eadapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Jacob Gordon\u003c/p\u003e","\u003cp\u003eby J. J. Robbins\u003c/p\u003e","\u003cp\u003eby J. J. Robbins\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Leon Crozier\u003c/p\u003e","\u003cp\u003eby Paul Armstrong and Rex Beach\u003c/p\u003e","\u003cp\u003eby Paul Smith\u003c/p\u003e","\u003cp\u003eby Louise Franklin Bache\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Kermit Love\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Ridgely Torrence; A Play for the Negro Theatre, photocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch; A Comedy of Recent Times, photocopy\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Warwick F. Williams\u003c/p\u003e","\u003cp\u003eby William R. Randall\u003c/p\u003e","\u003cp\u003eby Anna Friedman; A Roosevelt Play, photocopy\u003c/p\u003e","\u003cp\u003eby Gertrude Worthington Jeffries, photocopy\u003c/p\u003e","\u003cp\u003eby Gertrude Worthington Jeffries\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Bernard Szold and E. P. O'Donnell\u003c/p\u003e","\u003cp\u003eby Bernard Szold and E. P. O'Donnell\u003c/p\u003e","\u003cp\u003eby Marc Connelly\u003c/p\u003e","\u003cp\u003eadapted by Stephen Weiss\u003c/p\u003e","\u003cp\u003eby William J. Langman, S. J.\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby Grace Dorcas Ruthenberg\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Yasha Frank\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Wilfrido Ma Guerrero\u003c/p\u003e","\u003cp\u003eby Donald Davis and Samuel Ornitz\u003c/p\u003e","\u003cp\u003eby Joseph Lehmann\u003c/p\u003e","\u003cp\u003eby Charles Prentiss\u003c/p\u003e","\u003cp\u003eby Julius Hay\u003c/p\u003e","\u003cp\u003eby Julius Hay\u003c/p\u003e","\u003cp\u003eby Arthur Kober\u003c/p\u003e","\u003cp\u003eby Arthur Kober\u003c/p\u003e","\u003cp\u003eby Elizabeth Jane Astley\u003c/p\u003e","\u003cp\u003eby Philip Atlee and Edmund Van Zandt\u003c/p\u003e","\u003cp\u003eby Philip Atlee and Edmund Van Zandt\u003c/p\u003e","\u003cp\u003eby David Belasco\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Albert Bein\u003c/p\u003e","\u003cp\u003eby Albert Bein\u003c/p\u003e","\u003cp\u003eby Helen Clare Nelson\u003c/p\u003e","\u003cp\u003eby Barry Conners\u003c/p\u003e","\u003cp\u003eby Abram Hill, photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Sperry\u003c/p\u003e","\u003cp\u003eby Margaret Sperry\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eadapted and translated by Donald Fay Robinson\u003c/p\u003e","\u003cp\u003eadapted by Kent Pease Hamdent High School, Hamdent, Connecticut\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Mary B. Stafford\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003eby Howard Koch and Ben Russak\u003c/p\u003e","\u003cp\u003eby Howard Koch and Ben Russak\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby John Wiley\u003c/p\u003e","\u003cp\u003eby Harold Courlander\u003c/p\u003e","\u003cp\u003eby Sally Coulter\u003c/p\u003e","\u003cp\u003eby Herb Meadow\u003c/p\u003e","\u003cp\u003eby Dorothy Hailpern\u003c/p\u003e","\u003cp\u003eby Dorothy Hailpern\u003c/p\u003e","\u003cp\u003eby Michael Swift\u003c/p\u003e","\u003cp\u003eby Philip Barry\u003c/p\u003e","\u003cp\u003eby Philip Barry\u003c/p\u003e","\u003cp\u003eby John Alan Haughton\u003c/p\u003e","\u003cp\u003eby Marion Holbrook\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Sara E. Bower\u003c/p\u003e","\u003cp\u003eby Bertram M. Gross\u003c/p\u003e","\u003cp\u003eby Alan Sidney\u003c/p\u003e","\u003cp\u003eby Edith Kunz\u003c/p\u003e","\u003cp\u003eby The Historical Project, Federal Writers Project of Minnesota\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby Margaret MacNamera\u003c/p\u003e","\u003cp\u003eby Margaret MacNamera\u003c/p\u003e","\u003cp\u003eby Edwin Burke\u003c/p\u003e","\u003cp\u003eby Rufus King and Milton Lazarus\u003c/p\u003e","\u003cp\u003eby Rufus King and Milton Lazarus\u003c/p\u003e","\u003cp\u003eby Perez Hirschbaum\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe, photocopy\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Bertolt Brecht\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Norman Roston\u003c/p\u003e","\u003cp\u003eby Noah Elstein, photocopy\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby Raymond Reeves, photocopy\u003c/p\u003e","\u003cp\u003eby Raymond Reeves\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby John McGee\u003c/p\u003e","\u003cp\u003eadapted by Federal Theatre Project Los Angeles, California\u003c/p\u003e","\u003cp\u003eby H. L. Fishel, photocopy\u003c/p\u003e","\u003cp\u003eby H. L. Fishel, photocopy\u003c/p\u003e","\u003cp\u003eby H. L. Fishel\u003c/p\u003e","\u003cp\u003eby H. L. Fishel\u003c/p\u003e","\u003cp\u003eby Martha Hodgson Ellis\u003c/p\u003e","\u003cp\u003eby David Schrieber\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby St. John G. 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Langan\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby J. C. Nugent and Elliott Nugent\u003c/p\u003e","\u003cp\u003eby J. C. Nugent and Elliott Nugent\u003c/p\u003e","\u003cp\u003eby Edgar Slaughter\u003c/p\u003e","\u003cp\u003eThe Living Newspaper Presents\u003c/p\u003e","\u003cp\u003eThe Living Newspaper Presents\u003c/p\u003e","\u003cp\u003eby James Bridie\u003c/p\u003e","\u003cp\u003eby Catherine Reighard\u003c/p\u003e","\u003cp\u003eby Max M. Dill\u003c/p\u003e","\u003cp\u003eby Don Mullally\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby T. C. Robinson and Rena M. Vale, photocopy\u003c/p\u003e","\u003cp\u003eby T. C. Robinson and Rena M. Vale, photocopy\u003c/p\u003e","\u003cp\u003eby Lawrence J. 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Beldon?\u003c/p\u003e","\u003cp\u003eby Harry King Tootle\u003c/p\u003e","\u003cp\u003eby Ernest Chamberlain\u003c/p\u003e","\u003cp\u003eby Ernest Chamberlain\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Moliere\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Charlotte Chorpenning\u003c/p\u003e","\u003cp\u003eby Bertram Robinson\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Edward Hopter\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby Gilbert Laurence\u003c/p\u003e","\u003cp\u003eby Giuseppe Giacosa\u003c/p\u003e","\u003cp\u003eby Giuseppe Giacosa\u003c/p\u003e","\u003cp\u003eby Marion Flexner and Dorothy Park Clark\u003c/p\u003e","\u003cp\u003eby Franz Molnar\u003c/p\u003e","\u003cp\u003eby Franz Molnar\u003c/p\u003e","\u003cp\u003eby Alma Shaw\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning, photocopy\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning\u003c/p\u003e","\u003cp\u003eby C. B. 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Upham\u003c/p\u003e","\u003cp\u003eby Isidore Reuben\u003c/p\u003e","\u003cp\u003eby Charles Alan\u003c/p\u003e","\u003cp\u003eby Charles Alan\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby John Galsworthy\u003c/p\u003e","\u003cp\u003eby Maud Wood Park, photocopy\u003c/p\u003e","\u003cp\u003eby Maud Wood Park\u003c/p\u003e","\u003cp\u003eby Maud Wood Park\u003c/p\u003e","\u003cp\u003eby Maud Wood Park revised by Robert Finch\u003c/p\u003e","\u003cp\u003eby Theodore Browne; An \"African Version\", photocopy\u003c/p\u003e","\u003cp\u003eby Clarence H. 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Kaye\u003c/p\u003e","\u003cp\u003eby Benjamin M. Kaye\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Marian Katherine Brown\u003c/p\u003e","\u003cp\u003eby Seyril Schochen\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003eby Kenneth Webb\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003edramatized from L. Feuchtwanger's novel by Clayton Fritchi\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Lillian Day and Lyon Mearson\u003c/p\u003e","\u003cp\u003eby Lillian Day and Lyon Mearson\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby John Mason Brown\u003c/p\u003e","\u003cp\u003eby Grace H. Swift, photocopy\u003c/p\u003e","\u003cp\u003eby Catherine F. Reighard\u003c/p\u003e","\u003cp\u003eby Gladys E. Murray\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Faye L. Tornquist\u003c/p\u003e","\u003cp\u003eby Irving De W. Talmadge\u003c/p\u003e","\u003cp\u003eby Irving De W. Talmadge\u003c/p\u003e","\u003cp\u003eby Arthur Goodman\u003c/p\u003e","\u003cp\u003eby Aristophanes\u003c/p\u003e","\u003cp\u003eby Aristophanes\u003c/p\u003e","\u003cp\u003eby Howard J. Green and Raymond Leslie Goldman\u003c/p\u003e","\u003cp\u003eby Howard J. Green and Raymond Leslie Goldman\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003etranslation by Joan Vanderpool\u003c/p\u003e","\u003cp\u003eby Marion Holbrook\u003c/p\u003e","\u003cp\u003eby Martha B. King\u003c/p\u003e","\u003cp\u003eby Robert Sherwood\u003c/p\u003e","\u003cp\u003eby Robert Sherwood\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003eby Alan Sidney\u003c/p\u003e","\u003cp\u003eafter the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget\u003c/p\u003e","\u003cp\u003eadapted by Federal Theatre Project, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003eby Sarah Neuman\u003c/p\u003e","\u003cp\u003ea Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank, photocopy\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eby Frank Kintrea\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Phil Cook and McElbert Moore\u003c/p\u003e","\u003cp\u003eby Ben Bengal\u003c/p\u003e","\u003cp\u003eby A. Korneichuk\u003c/p\u003e","\u003cp\u003eby J. Liss\u003c/p\u003e","\u003cp\u003eby Margaret Naumberg\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby George Kelly\u003c/p\u003e","\u003cp\u003eby Robert Russell, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Russell\u003c/p\u003e","\u003cp\u003eby Robert Russell\u003c/p\u003e","\u003cp\u003eby Dorothy Heyward and DuBose Heyward\u003c/p\u003e","\u003cp\u003eLiving Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eContent warning: racist language/slur.\u003c/p\u003e\n","\u003cp\u003eFull title: \u003ctitle\u003ePrancing Nigger\u003c/title\u003e. By E. England suggested from the novel by Ronald Firbank of the same name \u003c/p\u003e","\u003cp\u003eContent warning: racist language/slur.\u003c/p\u003e\n","\u003cp\u003eFull title: \u003ctitle\u003ePrancing Nigger\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eby Robert Whitehand, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Whitehand\u003c/p\u003e","\u003cp\u003eby Robert Whitehand\u003c/p\u003e","\u003cp\u003eby Albert Maltz; Anti-Fascist Play, photocopy\u003c/p\u003e","\u003cp\u003eby Alfred Kreymborg\u003c/p\u003e","\u003cp\u003eby John Howard Lawson, photocopy\u003c/p\u003e","\u003cp\u003eby John Howard Lawson, photocopy\u003c/p\u003e","\u003cp\u003eby John Howard Lawson\u003c/p\u003e","\u003cp\u003eby John Howard Lawson\u003c/p\u003e","\u003cp\u003eby John Garrett Underhill\u003c/p\u003e","\u003cp\u003eby Freidrich Wolf, photocopy\u003c/p\u003e","\u003cp\u003eby Friedrich Wolf\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Claudia Hatch, photocopy\u003c/p\u003e","\u003cp\u003eby Eldridge Lindsay\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Lawrence Langner and Armina Marshall Langner\u003c/p\u003e","\u003cp\u003eby Leonora Kaghan and Anita Phillips\u003c/p\u003e","\u003cp\u003eby Tonia Bakina\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Ferdinand Bruckner\u003c/p\u003e","\u003cp\u003eby Ferdinand Bruckner\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Edward Stirling, Esq.\u003c/p\u003e","\u003cp\u003eby Edward Stirling, Esq.\u003c/p\u003e","\u003cp\u003eby Fred Ballard\u003c/p\u003e","\u003cp\u003eby Blanding Sloan\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby L. Resnick\u003c/p\u003e","\u003cp\u003eby Robert Sturgis, photocopy\u003c/p\u003e","\u003cp\u003eby Fritz Karinthy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz\u003c/p\u003e","\u003cp\u003eby Federal Theater Project, Los Angeles\u003c/p\u003e","\u003cp\u003eby Federal Theater Project, Los Angeles\u003c/p\u003e","\u003cp\u003eby Frances Montgomery\u003c/p\u003e","\u003cp\u003eby Jan Klokog\u003c/p\u003e","\u003cp\u003eas produced by the Federal Theater Project at Omaha, Nebraska\u003c/p\u003e","\u003cp\u003eadapted for Buffalo Historical Marionette Theatre\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Richard Oliver; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eDramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Edith Grossberg Whitesell\u003c/p\u003e","\u003cp\u003eby Edith Grossberg Whitesell\u003c/p\u003e","\u003cp\u003eby Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Lesueur and Momodu Johnson; a Drama of Native Africa\u003c/p\u003e","\u003cp\u003eby Hassard Short and Maurice Henniquin\u003c/p\u003e","\u003cp\u003eby Hall Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Hall Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Hall Johnson\u003c/p\u003e","\u003cp\u003eLiving Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eby Francisco Rodrigo\u003c/p\u003e","\u003cp\u003eby Leonide Andreyeff\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Countee Cullen and Arna Bontemps, photocopy\u003c/p\u003e","\u003cp\u003eby Countee Cullen and Arna Bontemps\u003c/p\u003e","\u003cp\u003eby Upton Sinclair; A Little Play for the White Collar Folks,\u003c/p\u003e","\u003cp\u003eby Upton Sinclair; A Little Play for the White Collar Folks,\u003c/p\u003e","\u003cp\u003eby Robert A Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Robert A Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Micha Hawkins\u003c/p\u003e","\u003cp\u003eThe Adventures of a Bunny\u003c/p\u003e","\u003cp\u003eby Frances Lester Warner\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Christobel Morley Cordell, photocopy\u003c/p\u003e","\u003cp\u003eby Richard Brinsley Sheridan\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Phyllis Clare Flannery; A Farce Satire, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, Dramatist Guild Contest Play #60, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, Dramatist Guild Contest Play #60\u003c/p\u003e","\u003cp\u003eby George Savage, English Department, University of Washington, Seattle, Washington\u003c/p\u003e","\u003cp\u003eby George Savage, English Department, University of Washington, Seattle, Washington\u003c/p\u003e","\u003cp\u003eby George Savage\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Bertolt Brecht, translated by Keene Wallis\u003c/p\u003e","\u003cp\u003eby Leonard J. Tyle\u003c/p\u003e","\u003cp\u003eby William Evans\u003c/p\u003e","\u003cp\u003eby Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler\u003c/p\u003e","\u003cp\u003eby Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler\u003c/p\u003e","\u003cp\u003eby R. Edgar Moore\u003c/p\u003e","\u003cp\u003eby R. Edgar Moore\u003c/p\u003e","\u003cp\u003eby Florence Clothier; A Play of the Labrador Coast, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Goldsmith; The Mistakes of a Night, photocopy\u003c/p\u003e","\u003cp\u003ecompiled from Old English nativity plays by Robert Larson\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Andrews and Anne Wilson Peabody\u003c/p\u003e","\u003cp\u003eby George Kelly, version used by Negro Theatre Unit, New York City\u003c/p\u003e","\u003cp\u003eby George Kelly\u003c/p\u003e","\u003cp\u003eby Morgan Burke\u003c/p\u003e","\u003cp\u003eby Morgan Burke\u003c/p\u003e","\u003cp\u003eby Robert K. Ryland\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Sholem Ash\u003c/p\u003e","\u003cp\u003eby Isabel Anderson (Mrs. Larz Anderson)\u003c/p\u003e","\u003cp\u003eby Fall River, photocopy\u003c/p\u003e","\u003cp\u003eby F. S. Hill\u003c/p\u003e","\u003cp\u003eby Miles Malleson\u003c/p\u003e","\u003cp\u003eby Janet Hartman and Hallie Flanagan, photocopy\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller and Stephen Weiss\u003c/p\u003e","\u003cp\u003eby Sedarmee Club Madison House\u003c/p\u003e","\u003cp\u003eby Jo Basshe, photocopy\u003c/p\u003e","\u003cp\u003eby Robert A. Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Robert A. Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Betty Smith\u003c/p\u003e","\u003cp\u003eby Joseph Lawrence, photocopy\u003c/p\u003e","\u003cp\u003eby Joseph Lawrence\u003c/p\u003e","\u003cp\u003eby H. Leivick\u003c/p\u003e","\u003cp\u003ean ancient Japanese farce translated by Michio Itow and Louis V. Ledoux\u003c/p\u003e","\u003cp\u003eby Grace Welsh Lutgen, photocopy\u003c/p\u003e","\u003cp\u003eby J. S. Coppard\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003ethree copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard, photocopy\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard, photocopy\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby James P. Judge\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Helen Fitzgerald\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Robert Ardrey; A Comedy, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Ardrey; A Comedy\u003c/p\u003e","\u003cp\u003eby Ward Courtney; a Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Ward Courtney; a Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Otis Chatfield-Taylor, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Irving\u003c/p\u003e","\u003cp\u003eby Charles Irving\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Harold Robbins\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Paul Peters and George Sklar\u003c/p\u003e","\u003cp\u003eby Robert T. Colwell and Robert A. Simon\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Paul Tripp\u003c/p\u003e","\u003cp\u003eby Mary Manning\u003c/p\u003e","\u003cp\u003eby Mary Manning\u003c/p\u003e","\u003cp\u003eby Barrie and Leonia Stavis\u003c/p\u003e","\u003cp\u003eby Barrie and Leonia Stavis\u003c/p\u003e","\u003cp\u003eby Henry C. Haskell\u003c/p\u003e","\u003cp\u003eby Henry C. Haskell\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray, photocopy\u003c/p\u003e","\u003cp\u003eby Lula Vollmer\u003c/p\u003e","\u003cp\u003eby Norman Foster and Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Norman Foster and Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Georgie Douglass Johnson\u003c/p\u003e","\u003cp\u003eby George Cram Cook and Susan Glaspell\u003c/p\u003e","\u003cp\u003eby C. Liberman\u003c/p\u003e","\u003cp\u003eby August Strindberg\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eFederal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby David Pinski, photocopy\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby David Pinsky\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby David Lano\u003c/p\u003e","\u003cp\u003eVagabond Puppeteers for the Federal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Shotwell Callvert, photocopy\u003c/p\u003e","\u003cp\u003eby William dorsey Blake; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Anthony Armstrong\u003c/p\u003e","\u003cp\u003eby Charles H. Hoyt\u003c/p\u003e","\u003cp\u003eby Charles H. Hoyt\u003c/p\u003e","\u003cp\u003eby Florine Schwartz; A Play for Children, photocopy\u003c/p\u003e","\u003cp\u003eby Anna M. Lutkenhaus, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur A. Miller, photocopy\u003c/p\u003e","\u003cp\u003eby Ivan Rowan and Martin Delman\u003c/p\u003e","\u003cp\u003eby Ivan Rowan and Martin Delman\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby William Kozlenko\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Knox Herold\u003c/p\u003e","\u003cp\u003eby Betty Smith\u003c/p\u003e","\u003cp\u003eby Yury Olesha\u003c/p\u003e","\u003cp\u003eby Yury Olesha\u003c/p\u003e","\u003cp\u003eby Gertrude Tonkonogy, photocopy\u003c/p\u003e","\u003cp\u003eby Marita Rosler\u003c/p\u003e","\u003cp\u003eby Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith; photocopy\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby James Bridie\u003c/p\u003e","\u003cp\u003eby Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Robert Wallsten\u003c/p\u003e","\u003cp\u003eby Isabel Barber; A dramatist guild contest play #552\u003c/p\u003e","\u003cp\u003eby Isabel Barber\u003c/p\u003e","\u003cp\u003eby Isabel Barber\u003c/p\u003e","\u003cp\u003eby John Broome, photocopy\u003c/p\u003e","\u003cp\u003eby John Broome\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Robinson Jeffers; A Play in Poetic Form, photocopy\u003c/p\u003e","\u003cp\u003eby Robinson Jeffers; A Play in Poetic Form\u003c/p\u003e","\u003cp\u003eby George Murray and David Pelts; A Living Newspaper on Pensions; photocopy\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman, photocopy\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Stephen Spender\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Ward Courtney; The Moon is Steel; Carnival for Bolt; North\u003c/p\u003e","\u003cp\u003eby Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ereissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City\u003c/p\u003e","\u003cp\u003ereissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City\u003c/p\u003e","\u003cp\u003eBased on Homer and Euripides, includes photocopied program, photocopy\u003c/p\u003e","\u003cp\u003eBased on Trojan Women of Euripides\u003c/p\u003e","\u003cp\u003eBased on Trojan Women of Euripides\u003c/p\u003e","\u003cp\u003eby Philip H. Davis\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003eby Eleanor Phelps, photocopy\u003c/p\u003e","\u003cp\u003eby Langston Hughes, photocopy\u003c/p\u003e","\u003cp\u003eby Langston Hughes\u003c/p\u003e","\u003cp\u003eby Langston Hughes\u003c/p\u003e","\u003cp\u003eby Harry Sackler\u003c/p\u003e","\u003cp\u003eContent Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.\u003c/p\u003e","\u003cp\u003eby J. M. Barrie\u003c/p\u003e","\u003cp\u003eby McElbert Moore\u003c/p\u003e","\u003cp\u003eby McElbert Moore\u003c/p\u003e","\u003cp\u003eby H. R. Lenormand\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Whitfield Cook, photocopy\u003c/p\u003e","\u003cp\u003eby Whitfield Cook\u003c/p\u003e","\u003cp\u003eby Whitfield Cook\u003c/p\u003e","\u003cp\u003eby Robert Larson\u003c/p\u003e","\u003cp\u003eJacksonville, Florida script 1939, photocopy\u003c/p\u003e","\u003cp\u003eby Anton Chekhov\u003c/p\u003e","\u003cp\u003eby Augustin Daly\u003c/p\u003e","\u003cp\u003eby Bernice McQuilken\u003c/p\u003e","\u003cp\u003eby Gene Buck\u003c/p\u003e","\u003cp\u003eby Helen Fitzgerald\u003c/p\u003e","\u003cp\u003eby Mrs. William Hyman\u003c/p\u003e","\u003cp\u003eby Charles Allen Smart\u003c/p\u003e","\u003cp\u003eby Vincent Moran\u003c/p\u003e","\u003cp\u003eby Vincent Moran\u003c/p\u003e","\u003cp\u003eby Karl Gutzkov\u003c/p\u003e","\u003cp\u003eby Eden White; A Rollicking Comedy\u003c/p\u003e","\u003cp\u003eedited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low\u003c/p\u003e","\u003cp\u003eedited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Marietta Fouche\u003c/p\u003e","\u003cp\u003eby Marietta Fouche\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby I. L. Peretz\u003c/p\u003e","\u003cp\u003eby John F. Burns\u003c/p\u003e","\u003cp\u003eby Stefan Zweig\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eby Caroline C. Lovell\u003c/p\u003e","\u003cp\u003eby William C. de Mille\u003c/p\u003e","\u003cp\u003eby William C. de Mille\u003c/p\u003e","\u003cp\u003eby Percy Mackaye\u003c/p\u003e","\u003cp\u003eby William L. Price\u003c/p\u003e","\u003cp\u003eby Frances Gordon Strunsky\u003c/p\u003e","\u003cp\u003eby Helen Gholson Kittredge\u003c/p\u003e","\u003cp\u003eby Irving R. Kapner\u003c/p\u003e","\u003cp\u003etranslated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy\u003c/p\u003e","\u003cp\u003eby Elmer Rice, photocopy\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Gerhart Hauptmann\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003etranslated from the Russian by Aaron Chorover\u003c/p\u003e","\u003cp\u003eby W. Alan Coutts\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Ten Orcross\u003c/p\u003e","\u003cp\u003eby Ten Orcross\u003c/p\u003e","\u003cp\u003eby George H. Broadhurst\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Charles Zerner and Ben S. Gross\u003c/p\u003e","\u003cp\u003eby Albert Hackett\u003c/p\u003e","\u003cp\u003eby J. Sackville Martin and Carl E. Freybe\u003c/p\u003e","\u003cp\u003eby J. Sackville Martin and Carl E. Freybe\u003c/p\u003e","\u003cp\u003eby Katherine Peabody Gurling\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby John Bowaldeth\u003c/p\u003e","\u003cp\u003eby Lelia May Smith\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Lucien Chantel\u003c/p\u003e","\u003cp\u003eby John Emerson and Anita Loos\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Clemence Dane, photocopy\u003c/p\u003e","\u003cp\u003eby David Pay Robinson\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach (revised Chicago version)\u003c/p\u003e","\u003cp\u003eby Kenneth White\u003c/p\u003e","\u003cp\u003eby Rae Abraham\u003c/p\u003e","\u003cp\u003eby Allan Davis\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Samuel Jesse Warshawsky, photocopy\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Virgil L. Baker\u003c/p\u003e","\u003cp\u003eby Charles Frederic Nirdlinger\u003c/p\u003e","\u003cp\u003eby Charles Frederic Nirdlinger\u003c/p\u003e","\u003cp\u003eby Charles Bruce Millholland\u003c/p\u003e","\u003cp\u003eby Charles Bruce Millholland\u003c/p\u003e","\u003cp\u003eby Edward Lynn\u003c/p\u003e","\u003cp\u003eby Josef and Karel Capek\u003c/p\u003e","\u003cp\u003eby Molly Day Thacher, photocopy\u003c/p\u003e","\u003cp\u003eby Tom Jewett\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Jakob Loewenberg\u003c/p\u003e","\u003cp\u003eby Peter Arnow\u003c/p\u003e","\u003cp\u003eby Mark Reed\u003c/p\u003e","\u003cp\u003eby Ulysses S. Elam\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Margaret Knox and Anna M. Lufkenhaus\u003c/p\u003e","\u003cp\u003eby Dorothy L. Sayers\u003c/p\u003e","\u003cp\u003eby M. Daniel\u003c/p\u003e","\u003cp\u003eSubseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.\u003c/p\u003e","\u003cp\u003eby Howard Warwick\u003c/p\u003e","\u003cp\u003eby Gene Stafford\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Arthur McCaffery\u003c/p\u003e","\u003cp\u003eby Charles Brownell\u003c/p\u003e","\u003cp\u003eby Friedrich Wolfe\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003etwo versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams, photocopy and original\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Harold Hartogensis\u003c/p\u003e","\u003cp\u003eby Boyd\u003c/p\u003e","\u003cp\u003eby Philip Massinger, adapted by Leah Jonas\u003c/p\u003e","\u003cp\u003eby Ben Jonson, adapted by Leah Jonas\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Sergei Prokofiev, 5 front pages and 2 full copies\u003c/p\u003e","\u003cp\u003eby Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Richard Wright\u003c/p\u003e","\u003cp\u003eby Pauline Simmons\u003c/p\u003e","\u003cp\u003eby Marshall Davidson\u003c/p\u003e","\u003cp\u003eby Martha Foley\u003c/p\u003e","\u003cp\u003eby Dr. Charles Russell\u003c/p\u003e","\u003cp\u003eby A. Hyatt Mayor\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby Morris Watson\u003c/p\u003e","\u003cp\u003einterview with Martha Graham and Leah Plotkin\u003c/p\u003e","\u003cp\u003einterview with Pietro di Donato and Leah Plotkin\u003c/p\u003e","\u003cp\u003einterview with Estelle Liebling and Leah Plotkin\u003c/p\u003e","\u003cp\u003eby Howard Koch adapted by Lawrence Levey (photocopy and original)\u003c/p\u003e","\u003cp\u003eby Barrie and Leona Stavis, adapted by Edward Morton\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray, adapted by Edward Morton\u003c/p\u003e","\u003cp\u003eby Carl Glick, adapted by Philip Ansel Roll\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Karl Barron\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eadapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eadapted by Charles Crumpton\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby Matty Cohen and B. F. Kamsler\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Joseph W. Miller\u003c/p\u003e","\u003cp\u003eboth by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett, first 25 pages\u003c/p\u003e","\u003cp\u003eboth by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby unknown; by Harry Goldsmith\u003c/p\u003e","\u003cp\u003eby John T. Mole\u003c/p\u003e","\u003cp\u003eby Gertrude Onnen and Phyllis Frederic; by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Charles Crumpton, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Lewis Meyer\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Georgia Fawcett, photocopy\u003c/p\u003e","\u003cp\u003eby Clifford Odets, adapted by Maurice Kurtz\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by W. M. Sutton\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by George Thorp\u003c/p\u003e","\u003cp\u003eby Harold Parke Godwin; by Frederick Prokosch\u003c/p\u003e","\u003cp\u003eby Arthur McCaffery, incomplete copy - first 13 pages\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby Paul de Kruif\u003c/p\u003e","\u003cp\u003eby Lawrence Bearson; by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby T. O. Day\u003c/p\u003e","\u003cp\u003eby Maxine Schiel, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby Jack Barefield, photocopy\u003c/p\u003e","\u003cp\u003eby Georgia Backus, photocopy\u003c/p\u003e","\u003cp\u003eby Maxine Schiel, photocopy\u003c/p\u003e","\u003cp\u003eby Ben Hawthorne, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arendt\u003c/p\u003e","\u003cp\u003eby David Lesan\u003c/p\u003e","\u003cp\u003eby David Lesan\u003c/p\u003e","\u003cp\u003eby William N. Robson\u003c/p\u003e","\u003cp\u003edramatization by Robert Lewis Shayon\u003c/p\u003e","\u003cp\u003eby Edward Solomon\u003c/p\u003e","\u003cp\u003eby Bucalossi\u003c/p\u003e","\u003cp\u003eby Michael William Balfe\u003c/p\u003e","\u003cp\u003eby Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan\u003c/p\u003e","\u003cp\u003eby Charles Lecocq\u003c/p\u003e","\u003cp\u003eby Sidney Jones\u003c/p\u003e","\u003cp\u003eby Sidney Jones\u003c/p\u003e","\u003cp\u003eby Charles Lecocq\u003c/p\u003e","\u003cp\u003eby Karl W. Schulz\u003c/p\u003e","\u003cp\u003eby W. Vincent Wallace\u003c/p\u003e","\u003cp\u003eby W. Vincent Wallace\u003c/p\u003e","\u003cp\u003eby Edmond Audran\u003c/p\u003e","\u003cp\u003eby Robert Planquette\u003c/p\u003e","\u003cp\u003eby Edmond Audran\u003c/p\u003e","\u003cp\u003eby Robert Planquette\u003c/p\u003e","\u003cp\u003eby Lajos Serly\u003c/p\u003e","\u003cp\u003eby Sir William S. Gilbert and Sir Arthur Sullivan\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Lews W. Moyer, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Charles Crumpton\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby Sylvia Altman\u003c/p\u003e","\u003cp\u003eby Sylvia Altman and Jeanette Gussin\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Victor E. Smith; by Joel Hammil\u003c/p\u003e","\u003cp\u003eby Will Glickman\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer; by W. M. Sutton\u003c/p\u003e","\u003cp\u003eby John I. Mole\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Maxwell Wolodin; by Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Victor E. Smith; by John I. Mole\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer; by Michael Davidson\u003c/p\u003e","\u003cp\u003eby Will Glickman\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Lee Fontainbleu; by Laurence U. Shloss\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni\u003c/p\u003e","\u003cp\u003eby John I. Mole\u003c/p\u003e","\u003cp\u003eby Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman\u003c/p\u003e","\u003cp\u003eBy Herbert Lewis; by Bob Frank\u003c/p\u003e","\u003cp\u003eby Bob Frank\u003c/p\u003e","\u003cp\u003eby Bob Frank\u003c/p\u003e","\u003cp\u003eby Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer\u003c/p\u003e","\u003cp\u003eby Paul Vulpius, adapted by Barry Williams\u003c/p\u003e","\u003cp\u003eby Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams\u003c/p\u003e","\u003cp\u003eby Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton\u003c/p\u003e","\u003cp\u003eby George Harmon Coxe, adapted by Victor E. Smith\u003c/p\u003e","\u003cp\u003eby George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson\u003c/p\u003e","\u003cp\u003eby Laura Z. Hobson, adapted by Lawrence Bearson\u003c/p\u003e","\u003cp\u003eby Jerome Beatty, adapted by Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Manuel Komroff, adapted by Joel Hammil\u003c/p\u003e","\u003cp\u003eby Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts\u003c/p\u003e","\u003cp\u003eby George Rolland\u003c/p\u003e","\u003cp\u003eby George Rolland\u003c/p\u003e","\u003cp\u003eby Barrie Williams; by Brian J. Byrne\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Frank Burrill\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Herb Meadow; adaptation by Joel Hammil and Leo Fontaine\u003c/p\u003e","\u003cp\u003eby A. L. Tyler\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Hugh Lester\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Harold Hartogensis; by Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Benet Costa, photocopy\u003c/p\u003e","\u003cp\u003eby Jane Ashman; also includes Women as Homemakers first page\u003c/p\u003e","\u003cp\u003eby Leo Fontaine, photocopy\u003c/p\u003e","\u003cp\u003eSubseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e","\u003cp\u003eSeries 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e","\u003cp\u003eSubseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eProposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley\u003c/p\u003e","\u003cp\u003eSubseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAmerican Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAccent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFestival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eClass of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms from \"Folk plays of the Carolina playmakers\"\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAbu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIn Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTen Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eHamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eBlind Alley; Brothers; It Can't Happen Here; Rachel's Man\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eOne-Third of a Nation; Roll Sweet Chariot; Room Service\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eBig Vaudeville Musical Revue\u003c/title\u003e (79 copies from different performances around Maine)\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnnouncing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here; Liliom; The Road to Rome\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eLadies of the Jury\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eVodvil Show\u003c/title\u003e (vaudeville)\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms: \u003ctitle\u003eAdalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional\u003c/title\u003e\u003c/p\u003e\n","\u003cp\u003eBuffalo Historical Marionettes available in digital format.\u003c/p\u003e","\u003cp\u003ePrograms: \u003ctitle\u003eProfessor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eFlyers and playbills: Current productions flyer - \u003ctitle\u003eBig Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language\u003c/title\u003e (9 copies); \u003ctitle\u003eThe Bat\u003c/title\u003e (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival; \u003ctitle\u003eThe Cradle Will Rock; The Emperor's New Clothes\u003c/title\u003e (3 copies); \u003ctitle\u003eFair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe\u003c/title\u003e (4 copies); \u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e (14 copies); \u003ctitle\u003eLife and Death of an American; Moving Along\u003c/title\u003e (2 copies); \u003ctitle\u003eOliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal\u003c/title\u003e (10 copies) \u003c/p\u003e\n","\u003cp\u003eBuffalo Historical Marionettes Benefit Performance is available in digital format.\u003c/p\u003e","\u003cp\u003eFlyers and playbills: \u003ctitle\u003eSing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh\u003c/title\u003e. 8.5x14\" flyers and playbills: \u003ctitle\u003eAdam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e. Volume V number 3 to number 14\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e. Volume V number 15-17, 19-23\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003ePower\u003c/title\u003e. Volume II number 1, Volume III number 1\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eCriminal at Large\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eHer Majesty the Widow\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePersonal Appearance\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePost Road\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eRemember the Day\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSaturday's Children\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTamed and How\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnother Language; The Barker; The Old Maid; There's Always Juliet\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAs Husbands Go; I Want a Policeman\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe First Mrs. Fraser\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Good Fairy\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt's a Wise Child\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Late Christopher Bean\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eNed McCobbs Daughter\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePossession\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSun Up\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTea for Three\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThey Knew What They Wanted\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThree Cornered Moon\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFresh Fields\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFirst Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Bad Man; Boy Meets Girl; The Christmas Carol\u003c/title\u003e; Federal Theatre for Youth (overview); \u003ctitle\u003eThe First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAlice in Wonderland; Counsellor-At-Law; One-Third of a Nation\u003c/title\u003e; Third Annual Central Oklahoma Folk Festival;\u003c/p\u003e","\u003cp\u003eThe Living Newspaper (\u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e); \u003ctitle\u003ePrelude to Spring\u003c/title\u003e; Puppet Pageant at the Philadelphia Museum of Art; \u003ctitle\u003eStepping Stars\u003c/title\u003e; Vaudeville\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eChristmas with Dickens\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAlice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eGreen Grow the Lilacs; Old Heidelberg\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ephotocopies, many with original performance dates handwritten on them - \u003ctitle\u003eAdelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps\u003c/title\u003e. Photocopies.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAdam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eOversize posters where each poster is a piece of a larger whole. There are seven pieces for \u003ctitle\u003eAlison's House\u003c/title\u003e and five for \u003ctitle\u003eThe Warrior's Husband\u003c/title\u003e. Roughly each piece measures 42 inches high and 28 inches wide.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eOversize posters where each poster is a piece of a larger whole. There are three pieces for \u003ctitle\u003eBill of Divorcement\u003c/title\u003e, two for \u003ctitle\u003eBlind Alley\u003c/title\u003e, two for \u003ctitle\u003eGods of the Lightning\u003c/title\u003e, and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play \u003ctitle\u003ePursuit of Happiness\u003c/title\u003e performed at the Mayan Theatre in Los Angeles in August of 1937.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Case of Philip Lawrence; Chalk Dust; The Cherokee Night\u003c/title\u003e; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus, \u003ctitle\u003eThe World's Greatest Circus; Class of '29\u003c/title\u003e; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939; \u003ctitle\u003eConjure Man Dies; Coriolanus; The Cradle Will Rock\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eEinmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal\u003c/title\u003e; Eugene O'Neill's One-Act Plays of the Sea\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFair and Warmer; Fantasy 1939; Flight\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eH.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eLife and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMacbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eNative Ground; No More Peace; Noah\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eOn the Rocks; On Top; One-Third of a Nation; Outside Looking In\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eDas Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThe Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)\u003c/p\u003e","\u003cp\u003ePrograms, flyers, and playbills: \u003ctitle\u003eWalk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms, flyers, and playbills: Various plays in Yiddish; \u003ctitle\u003eThe Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eSubseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eincludes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Willy B. Stahl and Walter C. Schad, Los Angeles, California\u003c/p\u003e","\u003cp\u003eincludes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass\u003c/p\u003e","\u003cp\u003eviolin music, arranged by M. L. Lake\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld\u003c/p\u003e","\u003cp\u003eby Alex North\u003c/p\u003e","\u003cp\u003eby Fred Miller Jr. and L. Leslie Loth\u003c/p\u003e","\u003cp\u003eby Herbert Kingsley, New York, New York\u003c/p\u003e","\u003cp\u003eincludes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California\u003c/p\u003e","\u003cp\u003emusic for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager\u003c/p\u003e","\u003cp\u003emusic for vocal lead on \"Sweet by and by\"\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, 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von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer, New York, New York\u003c/p\u003e","\u003cp\u003eviolin music \"If She Says No\"\u003c/p\u003e","\u003cp\u003emusic for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"\u003c/p\u003e","\u003cp\u003eChicago, Illinois\u003c/p\u003e","\u003cp\u003eviolin music \"Flow Gently, Sweet Afton\", Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Charles J. Levy\u003c/p\u003e","\u003cp\u003eincludes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"\u003c/p\u003e","\u003cp\u003eby Charles Wakefield Cadman\u003c/p\u003e","\u003cp\u003eby R. E. Austin\u003c/p\u003e","\u003cp\u003eby Irvin Cooper\u003c/p\u003e","\u003cp\u003e[Eddison von Ottenfeld] Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Meyer Rappaport and Emile Cote\u003c/p\u003e","\u003cp\u003eFrom the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof\u003c/p\u003e","\u003cp\u003eby Marshall Bartholomew\u003c/p\u003e","\u003cp\u003emusic by Genevieve Pitot, New York\u003c/p\u003e","\u003cp\u003eby F. Melius Christiansen\u003c/p\u003e","\u003cp\u003eby Paul Lincke\u003c/p\u003e","\u003cp\u003eby Ralph Story\u003c/p\u003e","\u003cp\u003eby Paul Lincke\u003c/p\u003e","\u003cp\u003eby Mozart-Shelley\u003c/p\u003e","\u003cp\u003eby Daniel Wood and Sumner Salter\u003c/p\u003e","\u003cp\u003eErnestine Valencia, arranged by Dan J. Michaud\u003c/p\u003e","\u003cp\u003eby Edward Elgar and Arthur Fagge\u003c/p\u003e","\u003cp\u003eby J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer\u003c/p\u003e","\u003cp\u003eparaphrase for mixed voices by William Schaeffer\u003c/p\u003e","\u003cp\u003eby Ivor Tchervanow and Ralph L. Baldwin\u003c/p\u003e","\u003cp\u003eby Rimsky-Korsikoff, arranged by Jacob Schwartzdorf\u003c/p\u003e","\u003cp\u003eby May H. Brahe\u003c/p\u003e","\u003cp\u003eviolin music, by Edna R. Heard\u003c/p\u003e","\u003cp\u003ePiano music \"Party Entre Act 1-2\", Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Max Hirschfeld, New York, New York\u003c/p\u003e","\u003cp\u003eby Jean Stor, New York, New York\u003c/p\u003e","\u003cp\u003eby David Sheinfeld\u003c/p\u003e","\u003cp\u003eby John Ansell\u003c/p\u003e","\u003cp\u003eThis series includes two coats and two pairs of pants created and used by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLong red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"\u003c/p\u003e","\u003cp\u003eA long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"\u003c/p\u003e","\u003cp\u003eTwo pairs of men's pants, one yellow, one red. Both pants stop below the knee. 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note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["Content Warning: Some materials contain racist language and slurs, including play titles.","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Series 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Available in digital format.","The House Committee on Un-American Activities (HUAC)","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","Includes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"","Issues of New Theatre (1934-1936).","Oversize color reprint of article from Fortune","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.","Contains blueprints and photographs of portable theatres","Subseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Subseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.","by John Wiley; based on an Edgar Allen Poe story (photocopy)","by Beth Brown","by Elmer L. Rice","by Francis Bosworth","by Buell R. Fuller","Director Georgia S. Fink","by Virginia Yetes (photocopy)","by Ruth Morris","by Gladys Unger and Walter Armitage","by David Arnold Balch","by William Mahl","by William Mahl","by William Mahl","by Eugene O'Neill","by Eugene O'Neill","by Edmond Rostand","by Edmond Rostand","by Edmond Rostand","by Yasha Frank","director Georgia S. Fink","adapted by S.S. Weiss","adapted by Ralph Chesse","by Sidney Howard","by Sidney Howard","by Eugene O'Neil","by Homer Little and Myla Jo Closser","by Homer Little and Myla Jo Closser","by Hardie Albright","by Hardie Albright","by Thomas Hall Rogers, photocopy from February 20, 1991","by Thomas Hall Rogers, 2 photocopies","by Thomas Hall Rogers","by Thomas Hall Rogers","by Thomas Hall Rogers","published in The Catholic School Journal","by Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy","by Edwin and Albert Barker","by Edwin and Albert Barker","by Elmer L. Rice","by Elmer L. Rice","by Elmer L. Rice","by Talbot Jennings","by Mrs. Alexander Mathis","by Vera Smirnova","by Edwin Burke","by Louis Weitzenkorn","by George Bernard Shaw","by Langston Hughes; A One-Act Play of Negro Life, photocopy","by Eugene O'Neill","by Eugene O'Neill","by Rose Franken","by Rose Franken","by St. John Ervine","by Elizabeth de Vautibault","by Elizabeth de Vautibault","by Rev. Henry N. Hudson","by Rev. Henry N. Hudson","by Rudolph Wittenberg","by Laurance Moore","by Margaret Brooks and Constance Wyckoff","by George Bernard Shaw","by George Bernard Shaw","by Martin Flavin","by Martin Flavin","by Yale Dramatic Association","by Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy","by W. H. Auden and Christopher Isherwood","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Lockhart North","by T. R. Arkell","by Owen Davis","by C. L. Anthony","by Clifford Odets","by Clifford Odets","by Clifford Odets","by Ruth Fenisong and Remo Bufano","by Lester Fuller, 2 copies, 1 of which is a photocopy","by Margaret Mayo","by Porter Emerson Brown","by Porter Emerson Brown","by H. R. Hays","by H. R. Hays","by Padriac Colum","by Padriac Colum","by Herb Meadow","by Herb Meadow, 2 photocopies","by Katharine Clugston","by Katharine Clugston","by Walter Hackett","by Maxwell Anderson","by Michael Blankfort and Michael Gold, photocopy","by Michael Blankfort and Michael Gold","by Michael Blankfort and Michael Gold","by Frederick Stowers","by Mary Dirnberger; Dramatized from the familiar fairy tale","by Mary Dirnberger; Dramatized from the familiar fairy tale","Transcribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma","by Albert Powels","by Alfred Lord Tennyson","by Alfred Lord Tennyson","by Brian J. Byrne","by George S. Kaufman and Marc Connelly","by George S. Kaufman and Marc Connelly","by Aodh de Blacam","by Belmont Ashton","by Lawrence Houseman","by Walter Abbott","by Walter Abbott","by Anonymous","by Eugene O'Neill","by Eugene O'Neill","by John W. Dunn; A play of early Oklahoma life","by John W. Dunn; A play of early Oklahoma life","by William Beyer","by Theodore Pratt, photocopy","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Samuel Sayer","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy","Synopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre","by Charles M. Barras","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Seymour G. Link","by Martin Flavin","by Maurice Maeterlinck","by Georgia Douglas Johnson, photocopy","by Ruth Fenisong","photocopy","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Eugene O'Neill","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Robin Taylor","Revision by Florence Elberta Barns","by Ruth Comfort Mitchel and Alfred Allen, photocopy","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Will Cotton","by Will Cotton","by Robert Hare Powel","by Robert Hare Powel","by Emmet Lavery","by Martin Flavin","by Martin Flavin","by Ruth Fenisong","by Frank Wilson","by Frank Wilson","by Frank Wilson","by Emmet Lavery","by Miss Mabel Osborne","by Emma Ehrlich Levinger","by Irwin Shaw","by Beth Brown and Gilbert Laurence","by Leopold L. Atlas","by Leopold L. Atlas","Original by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by George Bernard Shaw","by George Bernard Shaw","by Frank L. Moss and Richard Dana","by Frank L. Moss and Richard Dana","by Arnold Zweig","by Robert Peele Noble","by Robert Peele Noble","by Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy","by George Bernard Shaw","by George Bernard Shaw","by Carl Glick","by Arthur Goodrich and Rose A. Palmer","by Arthur Goodrich and Rose A. Palmer","by George Bernard Shaw","by George Bernard Shaw","by Robt. A. Bromley (revised edition)","by Zelma Bruce Tiden","by Zelma Bruce Tiden","by Peretz Hirshbein","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Estelle L. Silverman","by Jules Renard","by Rollo Wayne","by Rollo Wayne","by Rollo Wayne","by George McEnlee, photocopy","by George McEnlee","by H. Leivick","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg (revised)","by German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy","by A. Barto","by James Parish","by Y. L. Peretz","by John Woodworth, photocopy","by John Woodworth","by Ruth Fenisong","by John W. Dunn, photocopy","by John W. Dunn","by Stanislaus Stange","by sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw","Hedley Gordon Graham","by Essex Dane","by George Huntington Clark","by George Huntington Clark","by H. Jack Bates; A Negro Folk Play, photocopy","by Ruth Welty and Gene Renouf","by Rose Carlyn, photocopy","Three by Rose Carlyn; Three by Fannie Engle","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Gilbert Lennox","by Paul Vincent Carroll","by Noel Harris Houston","by Gertrude Worthington Jeffries","by Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy","by Rudolph Fisher, photocopy","by Rudolph Fisher, photocopy","by A. Callen, M. Worthington, and I. Reuben, photocopy","by Oliver Haserodt, photocopy","by Oliver Haserodt","by Royall Tyler","by M. Manisoff","by a seventh grade in Louisville, Kentucky","by a seventh grade in Louisville, Kentucky","by Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Marc Blitzstein, 2 photocopies","by Marc Blitzstein","by John H. Floyd","by members of the Play Bureau of the Southwest","by Betty Lessler Lyman","by John Hunter Booth","by John Hunter Booth, photocopy","by John Hunter Booth, photocopy","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director","by W. S. Gilbert","by Charles Dickens adapted by Gilmor Brown","Marionette Division, Buffalo, N.Y.","by Edgar Wallace","by James Stephens","by Walt Anderson","by Walt Anderson","by A. Barto","by A. Barto","by Laurette MacDuffie","by Anna Best Joder","by Elizabeth Leigh Vaughan","by W. H. Auden","by Joaquin Miller, photocopy","by Joaquin Miller","by Ruby Lorraine Radford","by S. Ansky","by L. W. Barrus","by George Foss, photocopy","by George Foss","by George Foss","by Grant Moss","by Grant Moss","by George W. Cronyn","by Rose Carlyn","by J. C. Furnes","by Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen","by Eugene O'Neill","by Benn W. Levy; A Religious Comedy, photocopy","by Benn W. Levy; A Religious Comedy","by George Bernard Shaw","by George Bernard Shaw","by Elmer Rice","by Eugene O'Neill","by Eugene O'Neill","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play","by Andrew Barton","by Andrew Barton","by Andrew Barton","by Merrill Denison","by Christopher Marlowe, arranged for marionettes by Robert Larson","by Twort (?) Gilbert and Edward Rosen","by Christopher Marlowe","by Christopher Marlowe","by Moliere","by Jules Romans, English version by Harley Granville-Barker","by Minnie H. Niemier","by Lope de Vega","by Harlan E. Glazier","by David Pinski","by Fred Ballard","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","by Elizabeth McFadden","by Charlotte Kohler, photocopy","by Joan and Michale A. Slane","by Carl Glick","by Rosa Carlyn","published by the National Tuberculosis Association","by Eugene O'Neill","by W. H. Smith","by Luis Quinones de Benavente","by Emily Percy Denison","by S. Ansky","by S. Ansky","by S. Ansky","by Arthur Goodman","by Elise Jerard","by Samuel Shipman and John B. Hymer","by Samuel Shipman and John B. Hymer","by Ossip Dymow","by Ossip Dymow","by Ossip Dymow","by Jack Larric","by Jack Larric","by Peretz Hirshbein","by Charlotte Charpenning","by Charlotte Charpenning","by Joseph Liss","by Paul Green","by Paul Green","by Paul Green","by C. C. Parsons","by Henrik Ibsen","by Henrik Ibsen","by Henrik Ibsen","by Sean O'Casey","by Demetre Bohris","by John Galsworthy","by Arthur Arent, photocopy","by Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy","by Arthur Arent, photocopy received June 11, 1991","by Kjeld Abell","by Paul Lawrence Dunbar (adaptation)","by Paul Lawrence Dunbar","by Sylvia Regan","by Sylvia Regan","by G. J. Graves","by G. J. Graves","by Will T. Goodwin; Working Script","by Emmet Lavery","by Emmet Lavery","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Bradbury Foote","by Bradbury Foote","by Cervantes","by Doris Troutman","by Luis Quinones de Benavente","adapted by Maurice Jagendorf","adapted by Maurice Jagendorf","by Irving P. Kapner","by Frank B. Elser and Marc Connelly","by Frank B. Elser and Marc Connelly","by Brian Doherty","by Brian Doherty","by Lope de Vega","by Maxwell Anderson","by H. A. Archibald","by Munro Leaf","by Paul Green","by Paul Green","by Rachel Lyman Field","by Weldon Stone","by Weldon Stone","by John Van Antwerp","by John Van Antwerp","by A. Barto","by Eugene O'Neill","by Frank Craven","by George H. Corey, photocopy","by George H. Corey","by E. and P. Green","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy","by Oscar Saul and Louis Lantz","by Oscar Saul and Louis Lantz","by Pearl S. Buck","by Pearl S. Buck","A play for boys and girls with radio participation, experiment number 1 by Berthold Brecht","by John W. Dunn","by Graham Rawson","by Graham Rawson","by Gene Stone and Jack Rosenblum","by Phile Higley","by Myrtle L. Barger","by E. P. Conkle","by Harry B. Smith","by Harry B. Smith","by Ada Sterling","by Ada Sterling","by Eleanor Garland","by Eugene O'Neill","by Eugene O'Neill","by Harry Sackler","by Georgia Douglas Johnson, photocopy","by Georgia Douglas Johnson","by Harriet Wedgwood, a health play for children, reprinted from Hygeia","by Samuel Shipman and Aaron Hoffman","by Samuel Shipman and Aaron Hoffman","by B. R. Fuller","by Leopold L. Atlas","by Beverly Hamer in the Carolina Play Book volume X, number 3","by William Stevenson","by B. K. Simkhovitch","by B. K. Simkhovitch","by B. K. Simkhovitch","by Felix Doherty","by Nando Vitali","by Ben Russak","by Ben Russak","by Ben Russak","by Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.","by Edward Lynn","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Isidore Reuben","by Philo Higley","by Arnold Ridley","by Buell R. Fuller","by Aldous Huxley","photocopy","by Ferenc Molnar","by Ferenc Molnar","by Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy","adapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Jacob Gordon","by J. J. Robbins","by J. J. Robbins","by Philip Stevenson","by Leon Crozier","by Paul Armstrong and Rex Beach","by Paul Smith","by Louise Franklin Bache","by Lewis Beach","by Lewis Beach","by Lewis Beach","by Kermit Love","by Rose Carlyn","by Ridgely Torrence; A Play for the Negro Theatre, photocopy","by Howard Koch; A Comedy of Recent Times, photocopy","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Warwick F. Williams","by William R. Randall","by Anna Friedman; A Roosevelt Play, photocopy","by Gertrude Worthington Jeffries, photocopy","by Gertrude Worthington Jeffries","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by George Bernard Shaw","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Bernard Szold and E. P. O'Donnell","by Bernard Szold and E. P. O'Donnell","by Marc Connelly","adapted by Stephen Weiss","by William J. Langman, S. J.","by Eugene O'Neill","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by Noah Elstein","by Grace Dorcas Ruthenberg","by Harlan E. Glazier","by Yasha Frank","by Thornton Wilder","by Thornton Wilder","by Wilfrido Ma Guerrero","by Donald Davis and Samuel Ornitz","by Joseph Lehmann","by Charles Prentiss","by Julius Hay","by Julius Hay","by Arthur Kober","by Arthur Kober","by Elizabeth Jane Astley","by Philip Atlee and Edmund Van Zandt","by Philip Atlee and Edmund Van Zandt","by David Belasco","by George Bernard Shaw","by Albert Bein","by Albert Bein","by Helen Clare Nelson","by Barry Conners","by Abram Hill, photocopy","by Margaret Sperry","by Margaret Sperry","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Theresa Helburn","by Theresa Helburn","by Theresa Helburn","adapted and translated by Donald Fay Robinson","adapted by Kent Pease Hamdent High School, Hamdent, Connecticut","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Mary B. Stafford","by Harlan E. Glazier","by Lee Freeson","by Howard Koch and Ben Russak","by Howard Koch and Ben Russak","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by John Wiley","by Harold Courlander","by Sally Coulter","by Herb Meadow","by Dorothy Hailpern","by Dorothy Hailpern","by Michael Swift","by Philip Barry","by Philip Barry","by John Alan Haughton","by Marion Holbrook","by Joseph Liss","by Paul Green","by Sara E. Bower","by Bertram M. Gross","by Alan Sidney","by Edith Kunz","by The Historical Project, Federal Writers Project of Minnesota","by Paul Green","by Paul Green","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by Margaret MacNamera","by Margaret MacNamera","by Edwin Burke","by Rufus King and Milton Lazarus","by Rufus King and Milton Lazarus","by Perez Hirschbaum","by Maria M. Coxe, photocopy","by Maria M. Coxe","by Maria M. Coxe","by Maria M. Coxe","by Paul Green","by Eugene O'Neill","by Bertolt Brecht","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by Maurice Stoller","by Norman Roston","by Noah Elstein, photocopy","by Noah Elstein","by Noah Elstein","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by Raymond Reeves, photocopy","by Raymond Reeves","by St. John G. Ervine","by St. John G. Ervine","by John McGee","adapted by Federal Theatre Project Los Angeles, California","by H. L. Fishel, photocopy","by H. L. Fishel, photocopy","by H. L. Fishel","by H. L. Fishel","by Martha Hodgson Ellis","by David Schrieber","by St. John G. Ervine","by St. John G. Ervine","by Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Paul Green","by Paul Green","by Luidmilla Vepritskaya","by Alma Shaw","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by Warren Coleman; A Negro Comedy, 2 photocopies","Elmer Rice","by Shakespeare","by Thomas A. Langan","by Emmet Lavery","by Ruth Fenisong","by J. C. Nugent and Elliott Nugent","by J. C. Nugent and Elliott Nugent","by Edgar Slaughter","The Living Newspaper Presents","The Living Newspaper Presents","by James Bridie","by Catherine Reighard","by Max M. Dill","by Don Mullally","by David Pinski","by T. C. Robinson and Rena M. Vale, photocopy","by T. C. Robinson and Rena M. Vale, photocopy","by Lawrence J. Bernard","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by George Scudder","by Irving Kaye Davis","by Irving Kaye Davis","by Irving Kaye Davis","by James Bridie","by James Bridie","by Sidney Howard","by Sidney Howard","by Harry King Tootle","by Harry King Tootle","by William Beyer","by William Beyer","by Oliver La Farge","by V. Beldon?","by Harry King Tootle","by Ernest Chamberlain","by Ernest Chamberlain","by Elmer Rice","by Moliere","by A. Barto","by Maurice Stoller","by Charlotte Chorpenning","by Bertram Robinson","photocopy","photocopy","photocopy","by Edward Hopter","by George Sklar","by George Sklar","by George Sklar","by George Sklar","by Gilbert Laurence","by Giuseppe Giacosa","by Giuseppe Giacosa","by Marion Flexner and Dorothy Park Clark","by Franz Molnar","by Franz Molnar","by Alma Shaw","by C. B. Chorpenning, photocopy","by C. B. Chorpenning","by C. B. Chorpenning","by C. B. Chorpenning","by Molka Reich of Miami Florida Project","translated from Flemish by Jacob Borut and Lola Sachs","translated from Flemish by Jacob Borut and Lola Sachs","by Marc Connelly","by Alexei Tolstoi","by Eleanor Glendower Griffith","by Lawrence and Sylvia Martin, photocopy","by Lawrence and Sylvia Martin, photocopy","by Howard Koch","by Howard Koch","by Howard Koch","by Thornton Wilder","by Eugene O'Neill","by Charles George","by T. C. Upham","by T. C. Upham","by Isidore Reuben","by Charles Alan","by Charles Alan","by Thornton Wilder","by John Galsworthy","by Maud Wood Park, photocopy","by Maud Wood Park","by Maud Wood Park","by Maud Wood Park revised by Robert Finch","by Theodore Browne; An \"African Version\", photocopy","by Clarence H. Talbot","reprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Blake","by Victoria Heindel","by Lee Freeson","by Louis Golding and A. R. Rawlinson","by Bernard Shaw","by Bernard Shaw","by Alfred Sutro","by John Woodworth","by John Woodworth","by Mr. Beete","by Mr. Beete","by Hollister Noble and Edward R. Sammis","by Hollister Noble and Edward R. Sammis","by Paul Green","by Anatole France","by Jules Eckert Goodman and Eckert Goodman","by Jules Eckert Goodman and Eckert Goodman","by Earnest Andai and Lajos Balint","by Federal Theatres, Los Angeles, California","by Anton Chekhov","by Rena B. Johnson","by Tom Taylor and Charles Reade","by Mabel DeVries Tanner","by Mabel DeVries Tanner","by Mabel DeVries Tanner","photocopy","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","by John Le Touche","by Brandon Tynan","by Victor Victor","by Victor Victor","by William Shakespeare","by H. Richard Oliver and John McCain Rimassa","by William Shakespeare","by Rose Dubin","by Ruth Fenisong and Samuel Sayer","By W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.","by W. S. Gilbert; The Town of Titifu, photocopy","by W. S. Gilbert; The Town of Titifu","by W. S. Gilbert; The Town of Titifu","by Plautus; translated by Clarence P. Bill, photocopy","photocopy","by Lynn Root and Harry Clork","by Wallace L. Waite","by Wallace L. Waite","by B. R. Fuller","by Dee Burque","by Hans Chlumberg, photocopy","by Nahum Brind","by John Crosby","by John Crosby","Page has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.","by John Charles Brownell","by E. B. Ginty","by E. B. Ginty","by Louise Franklin Bache","by Rose Franken and Jane Lewin","by Rose Franken and Jane Lewin","by Holger Cahill","by Holger Cahill","by Holger Cahill","by Michael Gold","by J. R. Perkins","by Emmet Lavery","by Denis Johnston","by Denis Johnston","by Eugene O'Neill","by Richard Maibaum","by Richard Maibaum","by Richard Maibaum","by Samuel French","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Joseph Liss","by Ruth Fenisong","by Louise Franklin Bache","by Ramon Romero, photocopy","by Ramon Romero, photocopy","by Ramon Romero","by Ramon Romero","by T. S. Eliot","by T. S. Eliot","by T. S. Eliot","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Buell R. Fuller","by Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy","by Cecil E. Reynolds","by Cecil E. Reynolds","by Rose Carlyn","from volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry","by Nathalie Satz and Sergei Rosaanov","by Anemone Pemberton","photocopy","photocopy","by Maxwell Anderson","by Arthur Arent; A Living Newspaper Play, photocopy","by Arthur Arent; A Living Newspaper Play","by Arthur Arent; A Living Newspaper Play","by students of Commonwealth College; Commonwealth College Fortnightly, photocopy","by Eleanor Flexner","by Eleanor Flexner","by Arthur Strawn and Henry Rosendahl","by Talbot Jennings","by Ernest Toller","by Ernest Toller","by Lilian Gill","by Jerome Geneson","by George Smedley Smith and Bernard Szold","by George Smedley Smith and Bernard Szold","by Ethel Watts Mumford and Lily Strickland","by Elmer Rice","by Elmer Rice","by Nathan Spiegel","by Joseph Hergesheimer","by Joseph Hergesheimer","by Sid Kuller and Ray Golden","by Sid Kuller and Ray Golden","by Harold Igo, photocopy","by Harold Igo","by Harold Igo","by Bernard Shaw","by James Knox Millen","by James Knox Millen","by Denman Thompson","adapted for marionettes by Ruth Fenisong and Samuel Sayer","adapted for marionettes by Ruth Fenisong and Samuel Sayer","by Benjamin M. Kaye","by Benjamin M. Kaye","by Bernard Shaw","by Bernard Shaw","by Bernard Shaw","by Marian Katherine Brown","by Seyril Schochen","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","by Kenneth Webb","by Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","dramatized from L. Feuchtwanger's novel by Clayton Fritchi","by Remo Bufano","by Irvin Wilson Baker","by Irvin Wilson Baker","by Irvin Wilson Baker","by Harry Hamilton","by Lillian Day and Lyon Mearson","by Lillian Day and Lyon Mearson","by Irving P. Kapner","by John Mason Brown","by Grace H. Swift, photocopy","by Catherine F. Reighard","by Gladys E. Murray","by Hughes Allison, photocopy","by Faye L. Tornquist","by Irving De W. Talmadge","by Irving De W. Talmadge","by Arthur Goodman","by Aristophanes","by Aristophanes","by Howard J. Green and Raymond Leslie Goldman","by Howard J. Green and Raymond Leslie Goldman","by Lope de Vega","translation by Joan Vanderpool","by Marion Holbrook","by Martha B. King","by Robert Sherwood","by Robert Sherwood","by Harlan E. Glazier","by members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania","by Alan Sidney","after the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget","adapted by Federal Theatre Project, Omaha, Nebraska","by Sarah Neuman","a Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales","adapted by Yasha Frank, photocopy","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","by Frank Kintrea","by Adelaide C. Rowell","by Adelaide C. Rowell","by Adelaide C. Rowell","by Phil Cook and McElbert Moore","by Ben Bengal","by A. Korneichuk","by J. Liss","by Margaret Naumberg","by Rose Carlyn","by Alvin Kerr","by Alvin Kerr","by Alvin Kerr","by George Kelly","by Robert Russell, photocopy","by Robert Russell","by Robert Russell","by Dorothy Heyward and DuBose Heyward","Living Newspaper, photocopy","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","by Karel Capek","by Karel Capek","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","Content warning: racist language/slur.","Full title:  Prancing Nigger . By E. England suggested from the novel by Ronald Firbank of the same name ","Content warning: racist language/slur.","Full title:  Prancing Nigger .","by Robert Whitehand, photocopy","by Robert Whitehand","by Robert Whitehand","by Albert Maltz; Anti-Fascist Play, photocopy","by Alfred Kreymborg","by John Howard Lawson, photocopy","by John Howard Lawson, photocopy","by John Howard Lawson","by John Howard Lawson","by John Garrett Underhill","by Freidrich Wolf, photocopy","by Friedrich Wolf","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by Claudia Hatch, photocopy","by Eldridge Lindsay","by Thornton Wilder","by Lawrence Langner and Armina Marshall Langner","by Leonora Kaghan and Anita Phillips","by Tonia Bakina","by Karel Capek","by Karel Capek","by Ferdinand Bruckner","by Ferdinand Bruckner","by Bradbury Foote","by Bradbury Foote","by Bradbury Foote","by Edward Stirling, Esq.","by Edward Stirling, Esq.","by Fred Ballard","by Blanding Sloan","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by L. Resnick","by Robert Sturgis, photocopy","by Fritz Karinthy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life","by P. Washington Porter; A Tragedy of Negro Life","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz","by Federal Theater Project, Los Angeles","by Federal Theater Project, Los Angeles","by Frances Montgomery","by Jan Klokog","as produced by the Federal Theater Project at Omaha, Nebraska","adapted for Buffalo Historical Marionette Theatre","by Lee Freeson","photocopy","by Richard Oliver; A Living Newspaper Play, photocopy","by Charles Vildrac","by Charles Vildrac","Dramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip","by Lynn Riggs","by Lynn Riggs","by Joseph Liss","by Joseph Liss","by John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")","by John W. Dunn","by Edith Grossberg Whitesell","by Edith Grossberg Whitesell","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa","by Hassard Short and Maurice Henniquin","by Hall Johnson, photocopy","by Hall Johnson, photocopy","by Hall Johnson","Living Newspaper, photocopy","by Charles Vildrac","by Francisco Rodrigo","by Leonide Andreyeff","by A. Barto","by Lope de Vega","by Countee Cullen and Arna Bontemps, photocopy","by Countee Cullen and Arna Bontemps","by Upton Sinclair; A Little Play for the White Collar Folks,","by Upton Sinclair; A Little Play for the White Collar Folks,","by Robert A Bromley and Al Carthe","by Robert A Bromley and Al Carthe","by Paul Green","by Maxwell Anderson","by Maxwell Anderson","by Micha Hawkins","The Adventures of a Bunny","by Frances Lester Warner","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Christobel Morley Cordell, photocopy","by Richard Brinsley Sheridan","by Maxwell Anderson","by Harold Whitehall","by Harold Whitehall","by Harold Whitehall","by Phyllis Clare Flannery; A Farce Satire, photocopy","by George Savage, Dramatist Guild Contest Play #60, photocopy","by George Savage, photocopy","by George Savage, Dramatist Guild Contest Play #60","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage","by Elmer Rice","by Elmer Rice","by Bertolt Brecht, translated by Keene Wallis","by Leonard J. Tyle","by William Evans","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by R. Edgar Moore","by R. Edgar Moore","by Florence Clothier; A Play of the Labrador Coast, photocopy","by Oliver Goldsmith; The Mistakes of a Night, photocopy","compiled from Old English nativity plays by Robert Larson","by Ruth Fenisong and Samuel Sayer","by Andrews and Anne Wilson Peabody","by George Kelly, version used by Negro Theatre Unit, New York City","by George Kelly","by Morgan Burke","by Morgan Burke","by Robert K. Ryland","photocopy","by Howard Koch","by Howard Koch","by Sholem Ash","by Isabel Anderson (Mrs. Larz Anderson)","by Fall River, photocopy","by F. S. Hill","by Miles Malleson","by Janet Hartman and Hallie Flanagan, photocopy","by Buell R. Fuller and Stephen Weiss","by Sedarmee Club Madison House","by Jo Basshe, photocopy","by Robert A. Bromley and Al Carthe","by Robert A. Bromley and Al Carthe","by Betty Smith","by Joseph Lawrence, photocopy","by Joseph Lawrence","by H. Leivick","an ancient Japanese farce translated by Michio Itow and Louis V. Ledoux","by Grace Welsh Lutgen, photocopy","by J. S. Coppard","by B. R. Fuller","photocopy","photocopy","by Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy","three copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.","by Arnold Sundgaard, photocopy","by Arnold Sundgaard, photocopy","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by James P. Judge","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Helen Fitzgerald","by Victor Victor","by Victor Victor","by Robert Ardrey; A Comedy, photocopy","by Robert Ardrey; A Comedy","by Ward Courtney; a Living Newspaper Play, photocopy","by Ward Courtney; a Living Newspaper Play, photocopy","by Otis Chatfield-Taylor, photocopy","by Charles Irving","by Charles Irving","photocopy","by Harold Robbins","by Elmer Rice","by Paul Peters and George Sklar","by Robert T. Colwell and Robert A. Simon","by Elmer Rice","by Elmer Rice","by Paul Tripp","by Mary Manning","by Mary Manning","by Barrie and Leonia Stavis","by Barrie and Leonia Stavis","by Henry C. Haskell","by Henry C. Haskell","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray, photocopy","by Lula Vollmer","by Norman Foster and Harry Hamilton","by Norman Foster and Harry Hamilton","by Georgie Douglass Johnson","by George Cram Cook and Susan Glaspell","by C. Liberman","by August Strindberg","photocopy","Federal Theatre of Oklahoma","by Maurice Stoller","by Katharine Clugston","by Katharine Clugston","by Katharine Clugston","by David Pinski, photocopy","by David Pinski","by David Pinski","by David Pinsky","by William Shakespeare","by William Shakespeare","by William Shakespeare","by William Shakespeare","by David Lano","Vagabond Puppeteers for the Federal Theatre of Oklahoma","by Shotwell Callvert, photocopy","by William dorsey Blake; A Living Newspaper Play, photocopy","by Anthony Armstrong","by Charles H. Hoyt","by Charles H. Hoyt","by Florine Schwartz; A Play for Children, photocopy","by Anna M. Lutkenhaus, photocopy","by Arthur A. Miller, photocopy","by Ivan Rowan and Martin Delman","by Ivan Rowan and Martin Delman","by Raymond Bond","by Raymond Bond","by Raymond Bond","by William Kozlenko","by Converse Tyler","by Converse Tyler","by Converse Tyler","by Knox Herold","by Betty Smith","by Yury Olesha","by Yury Olesha","by Gertrude Tonkonogy, photocopy","by Marita Rosler","by Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy","by Marie Baume from the novel by Leane Zugsmith; photocopy","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by William Shakespeare","by William Shakespeare","by William Shakespeare","by James Bridie","by Samuel Sayer","by Robert Wallsten","by Isabel Barber; A dramatist guild contest play #552","by Isabel Barber","by Isabel Barber","by John Broome, photocopy","by John Broome","by Ruth Fenisong","by Ruth Fenisong","by Robinson Jeffers; A Play in Poetic Form, photocopy","by Robinson Jeffers; A Play in Poetic Form","by George Murray and David Pelts; A Living Newspaper on Pensions; photocopy","by Philip Stevenson","by Rose Carlyn","by Jules Eckert Goodman, photocopy","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Remo Bufano","by Remo Bufano","by Stephen Spender","by Hughes Allison, photocopy","by Hughes Allison, photocopy","by Hughes Allison","by Hughes Allison","by Hughes Allison","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","Based on Homer and Euripides, includes photocopied program, photocopy","Based on Trojan Women of Euripides","Based on Trojan Women of Euripides","by Philip H. Davis","translated by Edith Hamilton","translated by Edith Hamilton","translated by Edith Hamilton","by Eleanor Phelps, photocopy","by Langston Hughes, photocopy","by Langston Hughes","by Langston Hughes","by Harry Sackler","Content Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.","by J. M. Barrie","by McElbert Moore","by McElbert Moore","by H. R. Lenormand","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by A. Barto","by E. P. Conkle","by Whitfield Cook, photocopy","by Whitfield Cook","by Whitfield Cook","by Robert Larson","Jacksonville, Florida script 1939, photocopy","by Anton Chekhov","by Augustin Daly","by Bernice McQuilken","by Gene Buck","by Helen Fitzgerald","by Mrs. William Hyman","by Charles Allen Smart","by Vincent Moran","by Vincent Moran","by Karl Gutzkov","by Eden White; A Rollicking Comedy","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","by Ruth Fenisong","by Marietta Fouche","by Marietta Fouche","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by I. L. Peretz","by John F. Burns","by Stefan Zweig","photocopy","Living Newspaper","by Caroline C. Lovell","by William C. de Mille","by William C. de Mille","by Percy Mackaye","by William L. Price","by Frances Gordon Strunsky","by Helen Gholson Kittredge","by Irving R. Kapner","translated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy","by Elmer Rice, photocopy","by Elmer Rice","by Gerhart Hauptmann","by Eugene O'Neill","translated from the Russian by Aaron Chorover","by W. Alan Coutts","by Rose Carlyn","by Ten Orcross","by Ten Orcross","by George H. Broadhurst","by Philip Stevenson","by Philip Stevenson","by Charles Zerner and Ben S. Gross","by Albert Hackett","by J. Sackville Martin and Carl E. Freybe","by J. Sackville Martin and Carl E. Freybe","by Katherine Peabody Gurling","by A. Barto","by John Bowaldeth","by Lelia May Smith","by Harry B. Smith","by Converse Tyler","by Lucien Chantel","by John Emerson and Anita Loos","by Harlan E. Glazier","by Paul Green","by Joseph Liss","by Clemence Dane, photocopy","by David Pay Robinson","by Marcus L. Bach","by Marcus L. Bach","by Marcus L. Bach (revised Chicago version)","by Kenneth White","by Rae Abraham","by Allan Davis","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Samuel Jesse Warshawsky, photocopy","by Buell R. Fuller","by Virgil L. Baker","by Charles Frederic Nirdlinger","by Charles Frederic Nirdlinger","by Charles Bruce Millholland","by Charles Bruce Millholland","by Edward Lynn","by Josef and Karel Capek","by Molly Day Thacher, photocopy","by Tom Jewett","by Chase Varney","by Chase Varney","by Chase Varney","by Jakob Loewenberg","by Peter Arnow","by Mark Reed","by Ulysses S. Elam","by Bernard Shaw","by Bernard Shaw","by Rose Carlyn","by Margaret Knox and Anna M. Lufkenhaus","by Dorothy L. Sayers","by M. Daniel","Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.","by Howard Warwick","by Gene Stafford","photocopy","by Arthur McCaffery","by Charles Brownell","by Friedrich Wolfe","by Howard Koch","by Leo Fontaine","two versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams, photocopy and original","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Harold Hartogensis","by Boyd","by Philip Massinger, adapted by Leah Jonas","by Ben Jonson, adapted by Leah Jonas","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Sergei Prokofiev, 5 front pages and 2 full copies","by Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson","by Richard Wright","by Pauline Simmons","by Marshall Davidson","by Martha Foley","by Dr. Charles Russell","by A. Hyatt Mayor","by David Canfield","by David Canfield","by David Canfield","by Morris Watson","interview with Martha Graham and Leah Plotkin","interview with Pietro di Donato and Leah Plotkin","interview with Estelle Liebling and Leah Plotkin","by Howard Koch adapted by Lawrence Levey (photocopy and original)","by Barrie and Leona Stavis, adapted by Edward Morton","by Theodore Pezman and Donald Murray, adapted by Edward Morton","by Carl Glick, adapted by Philip Ansel Roll","photocopy","by Karl Barron","by Phyllis Frederic","by Phyllis Frederic","adapted by Cecil Stevenson","adapted by Charles Crumpton","by Michael Davidson","by Matty Cohen and B. F. Kamsler","by Edward H. Smith","by Lewis W. Moyer","by Lewis W. Moyer","by Joseph W. Miller","both by Jeanette Despres","by Edward H. Smith","by Georgia Fawcett, first 25 pages","both by Jeanette Despres","by Michael Davidson","by unknown; by Harry Goldsmith","by John T. Mole","by Gertrude Onnen and Phyllis Frederic; by Jeanette Despres","by Phyllis Frederic","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted by Charles Crumpton, photocopy","by Henrik Ibsen, adapted by Lewis Meyer","by Henrik Ibsen, adapted by Georgia Fawcett, photocopy","by Clifford Odets, adapted by Maurice Kurtz","by Jules Verne, adapted by Lewis W. Moyer","by Jules Verne, adapted by W. M. Sutton","by Jules Verne, adapted by George Thorp","by Harold Parke Godwin; by Frederick Prokosch","by Arthur McCaffery, incomplete copy - first 13 pages","by Michael Davidson","by Paul de Kruif","by Lawrence Bearson; by Leo Fontaine","by T. O. Day","by Maxine Schiel, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by Jack Barefield, photocopy","by Georgia Backus, photocopy","by Maxine Schiel, photocopy","by Ben Hawthorne, photocopy","by John Fleming, photocopy","by Arthur Arendt","by David Lesan","by David Lesan","by William N. Robson","dramatization by Robert Lewis Shayon","by Edward Solomon","by Bucalossi","by Michael William Balfe","by Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan","by Charles Lecocq","by Sidney Jones","by Sidney Jones","by Charles Lecocq","by Karl W. Schulz","by W. Vincent Wallace","by W. Vincent Wallace","by Edmond Audran","by Robert Planquette","by Edmond Audran","by Robert Planquette","by Lajos Serly","by Sir William S. Gilbert and Sir Arthur Sullivan","by Oscar Wilde, adapted by Donald Macfarlane, photocopy","by Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy","by Oscar Wilde, adapted by Lews W. Moyer, photocopy","by Oscar Wilde, adapted by Charles Crumpton","by Rose Albert Porter","by Rose Albert Porter","by Rose Albert Porter","by George J. Thorp","by George J. Thorp","by George J. Thorp","by Sylvia Altman","by Sylvia Altman and Jeanette Gussin","by Charles Dickens adapted by Cecil Stevenson","by Charles Dickens adapted by Cecil Stevenson","by Victor E. Smith; by Joel Hammil","by Will Glickman","by Phyllis Frederic","by Lewis W. Moyer; by W. M. Sutton","by John I. Mole","by Victor E. Smith","by Victor E. Smith","by Maxwell Wolodin; by Edward H. Smith","by Victor E. Smith; by John I. Mole","by Lewis W. Moyer; by Michael Davidson","by Will Glickman","by Phyllis Frederic","by Lee Fontainbleu; by Laurence U. Shloss","by Edward H. Smith","by Georgia Fawcett","by Georgia Fawcett","by Georgia Fawcett","by Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni","by John I. Mole","by Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman","By Herbert Lewis; by Bob Frank","by Bob Frank","by Bob Frank","by Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer","by Paul Vulpius, adapted by Barry Williams","by Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams","by Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton","by George Harmon Coxe, adapted by Victor E. Smith","by George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson","by Laura Z. Hobson, adapted by Lawrence Bearson","by Jerome Beatty, adapted by Victor E. Smith","by Manuel Komroff, adapted by Joel Hammil","by Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts","by George Rolland","by George Rolland","by Barrie Williams; by Brian J. Byrne","by Dean Charel","by Dean Charel","by Dean Charel","by Frank Burrill","by Dean Charel","by Victor E. Smith","by Herb Meadow; adaptation by Joel Hammil and Leo Fontaine","by A. L. Tyler","photocopy","by Hugh Lester","by Leo Fontaine","by Harold Hartogensis; by Phyllis Frederic","by Benet Costa, photocopy","by Jane Ashman; also includes Women as Homemakers first page","by Leo Fontaine, photocopy","Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.","Proposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley","Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.","American Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud","The Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home","Accent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion","Festival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland","The Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle","The Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla","Class of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla","Programs from \"Folk plays of the Carolina playmakers\"","The Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband","Abu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear","In Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern","Ten Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights","The Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville","Anna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring","Hamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under","The Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted","Blind Alley; Brothers; It Can't Happen Here; Rachel's Man","One-Third of a Nation; Roll Sweet Chariot; Room Service","Big Vaudeville Musical Revue  (79 copies from different performances around Maine)","Announcing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do","It Can't Happen Here; Liliom; The Road to Rome","Ladies of the Jury","It Can't Happen Here","Vodvil Show  (vaudeville)","It Can't Happen Here","Programs:  Adalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional","Buffalo Historical Marionettes available in digital format.","Programs:  Professor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps","Flyers and playbills: Current productions flyer -  Big Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language  (9 copies);  The Bat  (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival;  The Cradle Will Rock; The Emperor's New Clothes  (3 copies);  Fair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe  (4 copies);  It Can't Happen Here  (14 copies);  Life and Death of an American; Moving Along  (2 copies);  Oliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal  (10 copies) ","Buffalo Historical Marionettes Benefit Performance is available in digital format.","Flyers and playbills:  Sing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh . 8.5x14\" flyers and playbills:  Adam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny","Newspaper format program for  One-Third of a Nation . Volume V number 3 to number 14","Newspaper format program for  One-Third of a Nation . Volume V number 15-17, 19-23","Newspaper format program for  Power . Volume II number 1, Volume III number 1","Criminal at Large","Her Majesty the Widow","Personal Appearance","Post Road","Remember the Day","Saturday's Children","Tamed and How","Another Language; The Barker; The Old Maid; There's Always Juliet","As Husbands Go; I Want a Policeman","The First Mrs. Fraser","The Good Fairy","It's a Wise Child","The Late Christopher Bean","Ned McCobbs Daughter","Possession","Sun Up","Tea for Three","They Knew What They Wanted","Three Cornered Moon","Fresh Fields","First Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning","The Bad Man; Boy Meets Girl; The Christmas Carol ; Federal Theatre for Youth (overview);  The First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under","Alice in Wonderland; Counsellor-At-Law; One-Third of a Nation ; Third Annual Central Oklahoma Folk Festival;","The Living Newspaper ( One-Third of a Nation );  Prelude to Spring ; Puppet Pageant at the Philadelphia Museum of Art;  Stepping Stars ; Vaudeville","Christmas with Dickens","Alice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore","Green Grow the Lilacs; Old Heidelberg","photocopies, many with original performance dates handwritten on them -  Adelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps . Photocopies.","Adam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing","Oversize posters where each poster is a piece of a larger whole. There are seven pieces for  Alison's House  and five for  The Warrior's Husband . Roughly each piece measures 42 inches high and 28 inches wide.","The Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow","Oversize posters where each poster is a piece of a larger whole. There are three pieces for  Bill of Divorcement , two for  Blind Alley , two for  Gods of the Lightning , and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play  Pursuit of Happiness  performed at the Mayan Theatre in Los Angeles in August of 1937.","The Case of Philip Lawrence; Chalk Dust; The Cherokee Night ; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus,  The World's Greatest Circus; Class of '29 ; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939;  Conjure Man Dies; Coriolanus; The Cradle Will Rock","The Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)","Einmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal ; Eugene O'Neill's One-Act Plays of the Sea","Fair and Warmer; Fantasy 1939; Flight","H.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern","The Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here","Life and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone","Macbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral","Native Ground; No More Peace; Noah","On the Rocks; On Top; One-Third of a Nation; Outside Looking In","The Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory","Das Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up","The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night","The Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)","Programs, flyers, and playbills:  Walk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in","Programs, flyers, and playbills: Various plays in Yiddish;  The Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)","Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","includes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California","by Willy B. Stahl and Walter C. Schad, Los Angeles, California","includes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass","violin music, arranged by M. L. Lake","by Eddison von Ottenfeld","by Eddison von Ottenfeld","by Alex North","by Fred Miller Jr. and L. Leslie Loth","by Herbert Kingsley, New York, New York","includes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California","music for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager","music for vocal lead on \"Sweet by and by\"","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","photocopy","photocopy","photocopy","photocopy","photocopy","photocopy","by Hans Bruno Meyer, New York, New York","violin music \"If She Says No\"","music for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"","Chicago, Illinois","violin music \"Flow Gently, Sweet Afton\", Los Angeles, California","by Charles J. Levy","includes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"","by Charles Wakefield Cadman","by R. E. Austin","by Irvin Cooper","[Eddison von Ottenfeld] Los Angeles, California","by Meyer Rappaport and Emile Cote","From the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof","by Marshall Bartholomew","music by Genevieve Pitot, New York","by F. Melius Christiansen","by Paul Lincke","by Ralph Story","by Paul Lincke","by Mozart-Shelley","by Daniel Wood and Sumner Salter","Ernestine Valencia, arranged by Dan J. Michaud","by Edward Elgar and Arthur Fagge","by J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"","by Hans Bruno Meyer","by Hans Bruno Meyer","paraphrase for mixed voices by William Schaeffer","by Ivor Tchervanow and Ralph L. Baldwin","by Rimsky-Korsikoff, arranged by Jacob Schwartzdorf","by May H. Brahe","violin music, by Edna R. Heard","Piano music \"Party Entre Act 1-2\", Los Angeles, California","by Max Hirschfeld, New York, New York","by Jean Stor, New York, New York","by David Sheinfeld","by John Ansell","This series includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Long red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"","A long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"","Two pairs of men's pants, one yellow, one red. Both pants stop below the knee. Both pants have a label that reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" In the waist band of the yellow pant the name Don Chiles is handwritten."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0f4707cda45d410e12f09ae2a350510a\" label=\"Abstract\"\u003eThe Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.\u003c/abstract\u003e"],"abstract_tesim":["The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d65479dc2ffe44debbb5af464a6479da\"\u003e\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2\u003c/physloc\u003e"],"physloc_tesim":["\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3180,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:00:26.619Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_331"}},{"id":"vifgm_repositories_2_resources_345","type":"collection","attributes":{"title":"Federal Theatre Project personal papers","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_345#creator","type":"document_value","attributes":{"value":"Federal Theatre Project (U.S.)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_345#abstract_or_scope","type":"document_value","attributes":{"value":"This collection brings together over 90 individual donations of Federal Theatre Project material. The material in this collection consists of employment papers, correspondence, scrapbooks, newspaper and magazine clippings, photographs, playscripts, programs, fliers, and production notebooks.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_345#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_345","ead_ssi":"vifgm_repositories_2_resources_345","_root_":"vifgm_repositories_2_resources_345","_nest_parent_":"vifgm_repositories_2_resources_345","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_345.xml","title_ssm":["Federal Theatre Project personal papers"],"title_tesim":["Federal Theatre Project personal papers"],"unitdate_ssm":["1926 - 1993","1936-1939"],"unitdate_bulk_ssim":["1936-1939"],"unitdate_inclusive_ssm":["1926 - 1993"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0227","/repositories/2/resources/345"],"text":["C0227","/repositories/2/resources/345","Federal Theatre Project personal papers","Children's theater","New Deal, 1933-1939","Performing arts","Puppet theater","Radio and theater","Theater -- United States","Collection is open to research.","Arranged alphabetically by last name.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre Project began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.  Individuals worked with the Federal Theatre Project in a number of capacities, including stage managers, directors, actors and actresses, puppeteers, conductors, dancers, set and costume designers, composers, and authors.","Processing completed in October 2012 by Greta Kuriger Suiter. EAD markup completed in January 2013 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","This collection brings together over 90 individual donations of Federal Theatre Project material.  The material in this collection consists of employment papers, correspondence, scrapbooks, newspaper and magazine clippings, photographs, playscripts, programs, fliers, and production notebooks from people who worked in a multitude of capacities with the Federal Theatre in locations around the United States.","Set designs by Frederick Stover for Los Angeles productions of The Warrior's Husband, Chalk Dust, and Days Without End.","Newspaper articles from fake newspapers distributed in theaters in the 1930s - The Morning-Evening and Chicago Star-Gazette. One article from The Springfield Union, November 8, 1949, \"'Street Scene' inaugurated American Series at Smith\".","Correspondence between Lorraine Brown and Doris Abramson with accompanying unidentified production photograph.","Correspondence between Abramson and Theodore Browne.","Radio scripts: The F.M.P. Negro Melody Singers, The Negro Melody Singers, Negro Art Singers, Symphony no. 5 in E minor, opus 64, page 2 from The Story of Swing.","Photocopy of It's Up to You playscript","Article Puppets and Marionettes from unknown publication.","Article Take it away, Hollywood: transcript of the memorable coast-to-coast broadcast for WPA on Monday midnight, June 26 [1939] from unknown publication.","Photocopy of original music \"Ain't We Got Love\" from Swing It.","Photocopy of original music \"By the Sweat of Your Brow\" from Swing It.","Photocopy of original music \"Green and Blue\" from Swing It.","Photocopy of original music \"Huggin' and Muggin'\" from Swing It.","Translation of review of Professor Mamlock in the Morning Journal; letter from an audience survey of Professor Mamlock.","The Dog Beneath the Skin director's copy playscript.","Medicine Show costume design original sketches (1 of 3),","Medicine Show costume design original sketches (2 of 3),","Medicine Show costume design original sketches (3 of 3),","Medicine Show handwritten notes and drawings.","Costume designs for Miles Gloriousus.","Costume designs for One-Third of a Nation.","One-Third of a Nation newspaper articles, costume design notes and lists.","Unidentified costume designs.","2 programs for Abu Hassan and The Princess and the Pea.","Multiple articles and newspaper clippings on puppet and marionette productions.","Non Federal Theatre Project play programs, many of which are marionette productions.","Scrapbook pages with articles about puppets and marionettes.","Captain Kidd playscript.","Playscript and newspaper article for One-Third of a Nation Philadelphia version.","Federal Theatre Project press scrapbook containing primarily newspaper and press clippings, programs, and a form letter to Harry Hopkins in regards to the firing of Elmer Rice.","Letter to Tony Buttitta from Eva Le Gallienne with accompanying photograph of Hallie Flanagan.","Photocopy of publicity pages for a production of Trojan Incident at St. James Theatre.","Photocopies of: program notes for The Dance of Death, newspaper articles on the Federal Theatre Project, correspondence.","Unpublished manuscript by Clugston titled Very Like a Whale (1 of 4).","Unpublished manuscript by Clugston titled Very Like a Whale (2 of 4).","Unpublished manuscript by Clugston titled Very Like a Whale (3 of 4).","Unpublished manuscript by Clugston titled Very Like a Whale (4 of 4).","Program for the marionette play Crock of Gold.","Newspaper clippings featuring the plays The Farmer's Wife, It Can't Happen Here, and Chalk Dust. One book review titled Theater: New York and Moscow.","Photocopies of miscellaneous newspaper clippings including a 1935 Philadelphia Inquirer article about Helen Schoeni, assistant regional director of the WPA theatrical projects and an article form a 1935 Boston Transcript about the Hedgerow Theatre.","Puppet teaching materials.","Clown marionette donated by Alan Cook, made by Lora Pattison who taught puppetry under the WPA Recreation Project at Oneonta Grammer School, South Pasadena, California. Mrs. Pattison received her puppet training in the Pasadena WPA Recreation Project.","Photocopies of correspondence, newspaper articles, play programs, and plays written by Courlander.","Hand drawn set design for Playboy of the Western World.","Employee's identification card; notice of termination of employment.","Scrapbook page with newspaper clippings.","Correspondence between Jed Davis and Hallie Flanagan and correspondence between the Library of Congress and Davis on researching the Federal Theatre collection.","3 programs for The Dance Theatre, A Dance Program for Young Folk, A Doris Humphrey-Charles Weidman Dance Program.","Photocopy of the play Abraham's Bosom by Paul Green.","Photocopies of Peter Goes to the Fair playscript, newspaper reviews, program, and production notes.","Programs for The Dance of Death and Pinocchio. Newspaper article on broken scrapbook backing featuring The Dance of Death.","Programs for Chalk Dust, Cricket on the Hearth, The Devil Passes, Rip Van Winkle, The Sun and I, Prologue to Glory, The Life of Abraham Lincoln, It Can't Happen Here, Nude with Pineapple, Marionette Vaudeville, The Emperor Jones, Alice in Wonderland, Battle Hymn. Mailed flier for Squaring the Circle. Newspaper clippings.","The Witch of Guinness Crag by Michele Elliott.","Color play announcement pamphlet featuring Prologue to Glory, Haiti, On the Rocks, and One-Third of a Nation.","Photocopies. Contents include Director's letter series 2 number 2, memorandum, Little Black Sambo script excerpt and program, Holy Night newspaper clipping and production notes, Rip Van Winkle program.","Playscript of Dirt a living newspaper.","Eloise Moore dance file. Contents include newspaper clippings featuring play and dance reviews, texts used for dance productions, article Chicago Dance Notes.","Eloise Moore dance file. Programs.","I Told Santa Claus to Bring Me You sheet music.","Playscript of It Can't Happen Here with handwritten note on title page by Sinclair Lewis.","Can You Hear Their Voices? correspondence and scripts, Vassar Experimental Theatre.","Ladies Are Made script.","Programs, flyers, and two photographs from the Vassar College Experimental Theatre.","First Legion production bulletin.","Prologue to Glory research file.","Scrapbook containing photographs, newspaper clippings, and programs. Photographs include portraits (some of which are signed), production photographs, and cast group portraits. Much material relates to productions at the Alcazar Theatre in San Francisco. Shows represented include Prologue to Glory, The Sun and I, Spirochete, Power, It Can't Happen Here, and The Taming of the Shrew.","Oversize. Blueprint for the preliminary elevation and ground plan castle scene of Macbeth, designed by Nat Karson.","Photocopies of actors notes and cues for Macbeth.","Bryn Mawr Summer School songs.","Federal Theatre Project official documents transferring rights of works.","Program for A Festival of American Dance, 12 photographs by Ralph Samuels of American Holidays dance production.","Revue of Reviews sheet music.","Bird of Paradise program.","Correspondence, memoranda, Federal Theatre Project in San Francisco survey.","Newspaper clippings.","Photograph of Hallie Flanagan signed to Gerwing.","Publications including issues of Federal Theatre, The Prompter, Variety, and The Federal Theatre Show Parade.","Scrapbook titled \"Curtains up on Region of the West.\" Contains painted costume and set designs, photographs depicting staged productions, Civilian Conservation Corps camps, miniature theatre models. There is also one painted over photograph.","Photocopies of correspondence between Gilder and Hallie Flanagan.","Photocopies of newspaper clippings, program material for a production of Faust, program for Page-Stone Ballet, program for Graff Ballet.","Newspaper clippings featuring Spirochete, Taming of the Shrew, and Ready, Aim, Fire?. Photocopy of newspaper clipping featuring the Los Angeles Federal Theatre Project. Notice of reinstatement for terminated employees to continue on the payroll until September 30, 1939.","Stage brace believed to be from the Federal Theatre Project.","Federal Theatre employment papers, birthday card, newspaper clipping.","King Henry the Fifth prologue, poem titled A Nightmare, exercises for speech, speech drills.","Peer Gynt script.","Photographs from oversize \"The Spiral\" scrapbook.","Loose material removed from \"The Spiral\" scrapbook. Newspaper clippings, invitation to \"The Mask and the Face,\" program for \"Smilin' Through.\"","Scrapbook on the Miami Federal Players (1 of 2). Newspaper clippings and programs.","Scrapbook on the Miami Federal Players (2 of 2). Newspaper clippings and programs about the Miami Federal Players, also programs for Cloyd Head's Miami Players, Shawn and his men dancers, Temple Theatre, and a script titled \"Blocks\" by Molly Day Thatcher.","Scrapbook with a brown cover (1 of 2). Portrait and production photographs include Dorothea Thomas Lynch, and Scott Griffin, programs, newspaper and magazine clippings, some pertaining to Molka Reich and marionettes.","Scrapbook with a brown cover (2 of 2). Programs, newspaper clippings relating to the Miami Federal Theatre. Photographs of marionette productions, material relating to Molka Reich.","Brown scrapbook covers; \"The Spiral\" scrapbook which contains Federal Theatre Project newspaper clippings, telegrams, and programs related to the Miami Federal Players. There is also a program for the Erlanger Theatre in Atlanta, Georgia for a production of The Barretts of Wimpole Street.","Copies of 3 articles from the Saturday Evening Post about the Federal Theatre Project.","Scrapbook with writing inside the front cover: \"Federal Theatre of the Midwest year 1939. Prologue to Glory production - 75 performances. R. Lyle Hagan as 'Abe' Lincoln.\" Includes newspaper and magazine clippings including a newspaper from 1931 and a New Yorker from 1942, programs, and photographs. The photographs include signed headshots, actors at work, and outside of work.","Contains: one photograph of a muppet created by Bil Bairds walking in a parade from the 1990s; photographs from productions at the Great Northern Theatre in July 1938 that include Kurt Graff, Ruth Page, Carl Harms and others; programs; magazine articles; notice of assignment for Carl Harms.","Newspaper clippings.","Programs for Atlanta productions of The Drunkard, Altars of Steel, Mary the Third, The Torch Bearers, Excursion, Boy Meets Girl, Around the Corner, The Devil's Disciple, By Candlelight.","Flyers and newspaper clippings about Federal Theatre productions in Atlanta, program for Faust, photocopy of photograph of Julian Harris, documents include a proposed working agreement between Atlanta Theatre Guild and the Atlanta Federal Theatre, and notice of termination of employment.","Miniature theatre models constructed by Research Bureau Regional Service Department Federal Theater Project Region of the West booklet.","The Story of Ferdinand and String Fever program, photocopies of newspaper clippings on The Story of Ferdinand and String Fever performances from the 1940s to the 1980s.","Power playscript.","One-Third of a Nation living newspaper program.","Program for The Dance of Death; Murder in the Federal Theatre! Published by the Federal Theatre Project Supervisors' Council; Promotional material for Injunction Granted! and One-Third of a Nation; Memorandum from T. A. Mauntz to Ethel Aaron.","Scenic and set designs, by Hjalmar Hermanson for the plays Ethiopia, Triple-A Plowed Under, and 1935. Designs are mounted onto storyboards that measure 15 inches high by 20 inches wide. There are four for Ethiopia, Five for Triple-A Plowed Under, and five for 1935.","Triple-A Plowed Under photographs.","1935 photographs.","The Conjure Man Dies playscript.","The Conjure Man Dies playscript.","The Conjure Man Dies playscript.","Program for The Lonely Man.","Photographs of puppet performance in Philadelphia as well as performances of One-Third of a Nation and the Federal Theatre Dance Project.","Scrapbook pages removed from scrapbook containing mostly newspaper clippings and programs relating to Seattle productions.","Programs, photographs, artwork from Seattle Federal Theatre Project productions including Is Zat So, Brer Rabbit, Black Empire, Flight, One-Third of a Nation, Mother Goose.","Programs for The Emperor's New Clothes, Native Ground, Seattle Children's Theatre, Medicine Show, Love in Humble Life, Julius Caesar, The Path of Flowers, Sweet Land, The Straw, The Show-Off, The Pursuit of Happiness, Professor Mamlock, Haiti, The Mikado.","Contains: Employee identification card, telegrams, letters regarding employment, recommendation letters; flyers, announcements, newspaper clippings about Seattle productions.","Two photographs possibly of Injunction Granted.","Script for Mother Goose and Us (children's play).","Photocopies of newspaper clippings and a letter.","Photocopies of newspaper clippings and programs.","Photocopy of unpublished material by Lavery that was planned as a chapter in The Flexible Stage. A copy of The Flexible Stage is found in the  Federal Theatre Project collection box 154 folders 8 and 9.","Photocopy of script for Papa's Got a Job; script for Pop's a Cop in Jersey City;  photocopy of opening scene of Sing For Your Supper.","Sing For Your Supper production notebook.","Sing For Your Supper sheet music - Imagine My Finding You Here.","Sing For Your Supper sheet music - Papa's Got a Job.","Cherokee Nights set sketches for performance at the Provincetown Playhouse.","Cherokee Nights set model. It is made out of paper, wood, and clay and measures approximately 12 inches by 9 1/5 inches by 11 1/2 inches. The set consists of a box painted black with the top and one side exposed. There are two pieces of string that criss cross the top part of the box. The set itself has four moveable parts, two of which look like rock piles, one looks like a doorway that comes out of a rock pile, and the last piece is a wooden fence. The background consists of three pieces of paper that are painted blue.","Hand in Glove set model. Made out of wood and paper. The model consists of two main parts that swivel 360 degrees to provide two different sets. One is of the back of a house, the other is inside the house. The walls of the house has pencil drawings on it. The model measures 13.5 inches long by 8 inches high by 10 1/4 inches wide. Two stamps are present on the front of the model. Both are for the United Scenic Artists Local 829. Handwritten on the front is \"For Arthur Edison, Hand in Glove, by C.K. Freeman \u0026 G. Savory Scale 1/4\" = 1', 10-6-44, S. Leve.\"","Set model for unknown production, approximately 7 1/2 inches wide and 4 1/4 inches high. Made out of wood, paper, and clay, the set features a hill with trees and two walls with part of a grass hut roof. There are pencil sketches on the walls of the hut.","Set model for the play Dinosaur Wharf produced at the National Theatre in 1951. Set is made out of wood and paper, and measures 13 inches by 7 3/8 inches by 8 1/4 inches. The set consists of a wharf with a small building on the left hand side. In the background is a hand drawn cityscape. The model is encased in glass. A label on the model states: \"'Dinosaur Wharf,' at the National Theatre. Presented by Terese Hayden. Written by Joel Wyman. Directed by Miss Hayden. Setting designed by Samuel Leve.\"","Scrapbook containing Milwaukee newspaper clippings about the Federal Theatre Project. Most clippings are from May to October 1936.","Can You Hear Their Voices? By Hallie Flanagan and Margaret Ellen Clifford for Vassar Experimental Theatre plays; Program for Can You Hear Their Voices?; encyclopedia entry on Federal Theatre; What was Federal Theatre? pamphlet by Hallie Flanagan.","2 Photocopies of images of dancers.","Federal Theatre Project costume that includes a green velvet vest and pants.","Tomato marionette.","Oakland Recreation Department marionette report (in scrapbook form) includes report, photographs, scripts.","Puppet teaching - all cloth puppets manual for the city of New York Education and Recreation Department.","Newspaper clippings. Programs: Prelude to Swing, Spirochete, Unto Such Glory / Hymn to the Rising Sun.","Photographs of the production Unto Such Glory; photograph of Blanding Sloan, George Gerwing, Hallie Flanagan, and Herbert Humphreys at the first Sponsors' meeting in Philadelphia; photograph of crowd outside theatre in Philadelphia, cast of Spirochete; postcard from Katherine Calé.","Production bulletin for Philadelphia production of Spirochete includes set and costume design, newspaper clippings, programs.","Federal Theatre magazine - First Federal Summer Theatre…A Report; Two documents: General outline for statement of the plan; Planning Committee on Field Problems, resolutions.","Photocopy of review of Big Blow from the New York Times.","Photocopies of programs from productions performed in Jacksonville, Florida : Carrier-Jamboree; Aida; Criminal at Large; A Doll's House; Dulcy; Escape; Fly Away Home; The Girl of the Golden West; Hay Fever and Anne Pedersdotter; Lightnin'; The Ninth Guest; One Sunday Afternoon; The Pizen Song; R-U-R; Remember the Day; The Rise of Silas Lapham; Saturday's Children; She Stoops to Conquer (original and photocopy); Smilin' Through; Twelfth Night; Ten Nights in a Barroom;  Uncle Tom's Cabin (original).","Florida Federal Theatre report - Analysis of attendance records, with averages and recapitulations; Historical drama tour series outlines for class study - When Knighthood was in Flower; Time Magazine clipping; article - Our Theatre by Lerom, L. D.; typewritten copy of Movie stars plead for Jacksonville Federal Theatre article originally in the Jacksonvelle Journal; photocopies of newspaper articles.","Negatives and three slides. Copies of photographs of Federal Theatre productions in Jacksonville, Florida; slides of a drawing of the Florida Federal Theatre bus.","Photocopies. Correspondence between Medovoy and Federal Theatre employees; radio talk titled Yiddish Theatre in the California WPA; photographs of scenes and sets from Yiddish Federal Theatre productions.","Photocopies of a review and publicity about the Federal Theatre in California, and the Experimental Theatre.","Androcles and the Lion playscript.","The Dragon's Wishbone playscript.","Letter to Lorraine Brown and newspaper clippings.","Loose materials removed from scrapbook pages. Includes: Newspaper clippings, programs, Federal Theatre project research on plays, memoranda and correspondence.","Sleeping Beauty playscript.","Snow White and the Seven Dwarfs script, Syl file.","Syl (Art Director of the FTP) file on the play Coppelia, includes hand drawn set designs and typed production notes.","Syl (Art Director of the FTP) file includes memoranda, handwritten notes, set and stage designs.","Scrapbook pages containing programs, newspaper clippings, telegrams, tickets, some Federal Theatre correspondence, and three pasted in artifacts - doll clothing created by the WPA Sewing Colored Unit and a doll size artists palette. Much of the material is from the Centro Asturiano Theatre, or relates to Tampa, Florida productions. Some Spanish language material.","Program and newspaper review for production of Jefferson Davis; Morcom identification work card.","Photocopies of correspondence between Murray, Hallie Flanagan, and E. Woodward regarding J. Howard Miller.","Photocopies of newspaper articles and programs about the WPA dance unit productions and strikes.","Bassa Moona program, New York.","The Bat program performed in Los Angeles.","Two programs for Battle Hymn as produced in New York.","Two programs for Big Blow performed in Chicago.","Candide program.","Program and flyer for Chalk Dust performed in New York.","Class of '29 program, New York production.","Seven programs for Doctor Faustus performed in New York. One program contains an insert and an audience survey questionnaire.","Gilbert \u0026 Sullivan Opera Company program.","Help Yourself, three programs from New York.","Horse Eats Hat program from New York.","Laburnum Grove program from Hartford, Connecticut production.","The Mikado (swing version) two programs from New York City productions.","Murder in the Cathedral program from New York production.","One-Third of a Nation, two Living Newspaper programs for productions in Seattle, Washington.","Programs including the following productions: Haiti; How Long Brethren?; It Can't Happen Here; Life and Death of an American; Macbeth; The Mikado; The Path of Flowers; Pinocchio; Processional; Prologue to Glory; Unto Such Glory.","Sing For Your Supper, five programs from New York productions.","The Theatre Abroad volume 1 number 4.","The Theatre Abroad volume 1 number 5.","The Theatre Abroad volume 1 number 6.","Scrapbook containing newspaper clippings, programs, and photographs of actors from Federal Theatre plays produced at B. F. Keith's theatre in Indianapolis.","November 13, 1935 Dr. Lee Norvelle was appointed Director of the Indiana State Federal Theatre Project. He was granted a leave of absence from Indiana University, and moved to Indianapolis on November 18 to initiate the project. B. F. Keith's theatre was leased and served as the headquarters of the project for it's duration. The first production opened March 2, 1936. The last production closed in June 1937.","Photocopies of reviews of the production Frankie and Johnny.","Macbeth program.","Federal Theatre programs: Hamlet, Chalk Dust, Rip Van Winkle, Spirochete, An Evening of Short Plays by Eugene O'Neill, The Lonely Man (with multiple signatures), Burning the Mortgage, The Good Old Summertime, Triple A Plowed Under; Newspaper clipping for \"That's a Laff\" (1944); entries on Federal Theatre plays from a book on Theatre.","Fool's Gold script.","Photocopies. From Ben Russak files - press release for Treasure Hunt (The Disappointment); notes and correspondence about the adaptation of The Disappointment.","Photocopies. Chart of San Francisco productions through June 9, 1937; organization chart; Toward a Living Theatre; first draft of Answers to Questions from Howard Miller. Foster identification cards and termination notice.","Please Communicate playscript.","Correspondence between various Federal Theatre administrators; speech given by Rhodes on the Federal Theatre; blank personnel forms.","Three pages of Hallie Flanagan notes; Programs for One-Third of a Nation, Doctor Faustus, Swing It, Pinocchio.","Flat Lux playbill autographed by Rodericks.","Photocopies of programs for Battle Hymn, and A Touch of Brimstone.","Revolt of the Beavers published script.","Green scrapbook with newspaper clippings covering productions of the play Medicine Show.","Promotional flier for Awake and Sing at Daly's Theatre; program for The Taming of the Shrew; flier for Summer Theatre in Seattle.","Newspaper clippings and five photographs depicting Savage, Mrs. James, J. Howard Miller and Guy Williams, Burton James, Federal Theatre theatre.","Newspaper clipping from 1989 about the Federal Theatre; Programs: Sunday Night Varieties; Pins and Needles; Here's Looking at You.","Injunction Granted and One-Third of a Nation living newspaper programs.","Programs: The Cradle Will Rock; Pinocchio; Adelante; Battle Hymn; Big Blow; Class of '29; A Doris Humphrey-Charles Weidman Dance Program; The Dance of Death; Doctor Faustus; The Mikado; Life and Death of an American; It Can't Happen Here; Haiti; How Long Brethern?; On the Rocks; Prologue to Glory; Processional; The Sun and I; Run Little Chillun; Buffalo Historical Marionettes; Turpentine,","Buffalo Historical Marionettes is available in digital format.","Playbill and herald for the New York production of On The Rocks.","Souvenir program for The Lost Colony.","Four photographs of Eleanor Shibley in costume. These are not the original photographs.","Paper on the Federal Theatre Project.","Programs: Triple A Plowed Under; Power; 1935; If Ye Break Faith; Mississippi Rainbow; The Man in the Tree; High Tor; Faust; The Farmer Takes a Wife; An Enemy of the People; Outside Looking In; The Party is Over; Petrified Forest; Whom Dreams Possess.","Correspondence from Silvera to Ben Russak concerning the Negro Theatre and Theodore Brown.","Photocopies of correspondence and flyer regarding the Detrot Federal Theatre.","A Nationwide Search for Early American Printing: A talk over station WDAF (Kansas City) by Douglas C. McMurtrie.","Newsclippings about the play \"This Pretty World,\" program for a production of \"And You, My Friend, Farewell.\"","Awake and Sing, typed reviews and handwritten notes.","The Children of Salem marionette playscript.","Circus Days hand drawn set designs; marionette review.","The Disappointment playscript.","Miscellaneous - flyers, contest announcements, weekly program schedules. Includes: color pamphlet for upcoming productions including Eugene O'Neill's Four One Act Plays of the Sea, Processional, A Hero is Born; Buffalo historical marionettes brochure; Beaver club letter; caravan herald; contest information; covers for weekly schedules, Daly's Childrens' schedule; Drama week herald; Elliott's Repertory; Federal Theatre presents brochure; Living Theatre herald for talks; marionettes in the news; Marionette Theatre brochure; new summer session of the Negro Dramatists Lab herald.\nMarionette Theatre brochure is available in digital format.","The Poetic Theatre program,","Tobias and the Angel program,","The Totem marionettes playscript.","Photocopy of Joseph Lentz letter to Alice Vaeth,","Theatre Arts magazine: The Negro in the American Theatre.","Brooklyn Museum print show. Printed booklet titled: Information for artists on the Brooklyn Museum Print Show.","Native Ground painted promotional design, original artwork.","Correspondence on the Federal Art Project and Velonis possible employment on a traveling art project.","The Path of Flowers original artwork.","R.U.R. original artwork for poster.","Serigraph Quarterly volume II number 2.","Sketches documenting silkscreening practices and tools.","Pencil sketch titled \"New Voices.\"","Technique, Art and Power, handwritten three page essay.","What is a Silkscreen Print? five page typed essay.","Photocopy of script for The Willow Plate - an original hand puppet play based on an old Chinese legend.","Script for New Living Newspaper volume 1 number 2 by Irene Wagner with Barry Levy and Richard Vitere.","American Jubilee sheet music.","The Forgotten Music of Triple A Plowed Under (1936), Power (1937), and One Third of a Nation (1938) by Deborah Novak, thesis.","Leaning on a Shovel  sheet music.","Newsclippings; Living Newspaper programs.","Orchestration for scenes from unnamed play. \"ARR. G.A.E. 12/2/36\" written on sheet music.","Orchestration for Power, sheet music and lyrics.","Power - TVA song, sheet music.","Power newspaper clippings, Processional program, Federal Music Program Composers Forum Laboratory featuring Werner Josten program, small play production photograph.","Power script with small scrap of sheet music.","Sing For Your Supper, lyrics and sheet music for Opening Night.","Sing For Your Supper, lyrics and sheet music for Perspiration.","Sing For Your Supper, sheet music for Sixty Families.","Sing For Your Supper, sheet music for Sixty Families.","Sing For Your Supper, published sheet music for The Story of Horn.","Sing For Your Supper playscript.","Sing For Your Supper playscript.","Federal Theatre volume 2 number 4 with drawing on cover; Programs for Trojan Incident, Adelante, Ballet Caravan; Four issues of Federal Theatre Project Dance Bulletin; Administrative memorandum on vacations; House of Representatives Bill H.R. 8239; Newspaper clippings.","Programs: Gods of the Lightning; Run, Little Chillun; Days Without End.","Jobless Blues lyrics and sheet music.","Administrative correspondence; Instructions for Federal Theatre Projects; WPA supplement number 1 to bulletin 29; Washington Marionette Festival notice; Semi-monthly letter of the Federal Theatre Project.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection brings together over 90 individual donations of Federal Theatre Project material. The material in this collection consists of employment papers, correspondence, scrapbooks, newspaper and magazine clippings, photographs, playscripts, programs, fliers, and production notebooks.","\nR 46, C 3, S2 - S 5 \n\n\nR 46, C 5, S 1\n\n\nOS R 3, C 5, S 2\n\n\nMap Case 22.4\n","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","English"],"unitid_tesim":["C0227","/repositories/2/resources/345"],"normalized_title_ssm":["Federal Theatre Project personal papers"],"collection_title_tesim":["Federal Theatre Project personal papers"],"collection_ssim":["Federal Theatre Project personal papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Federal Theatre Project (U.S.)"],"creator_ssim":["Federal Theatre Project (U.S.)"],"creator_corpname_ssim":["Federal Theatre Project (U.S.)"],"creators_ssim":["Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Multiple donations to the Federal Theatre Project Research Center by those named in this finding aid between 1975 and 1984."],"access_subjects_ssim":["Children's theater","New Deal, 1933-1939","Performing arts","Puppet theater","Radio and theater","Theater -- United States"],"access_subjects_ssm":["Children's theater","New Deal, 1933-1939","Performing arts","Puppet theater","Radio and theater","Theater -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["15 Linear Feet 29 boxes"],"extent_tesim":["15 Linear Feet 29 boxes"],"date_range_isim":[1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eArranged alphabetically by last name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged alphabetically by last name."],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre Project began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.  Individuals worked with the Federal Theatre Project in a number of capacities, including stage managers, directors, actors and actresses, puppeteers, conductors, dancers, set and costume designers, composers, and authors.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical note"],"bioghist_tesim":["The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre Project began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.  Individuals worked with the Federal Theatre Project in a number of capacities, including stage managers, directors, actors and actresses, puppeteers, conductors, dancers, set and costume designers, composers, and authors."],"prefercite_html_tesm":["\u003cp\u003eThe Federal Theatre Project personal papers, C0227, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["The Federal Theatre Project personal papers, C0227, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed in October 2012 by Greta Kuriger Suiter. EAD markup completed in January 2013 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed in October 2012 by Greta Kuriger Suiter. EAD markup completed in January 2013 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThis collection brings together over 90 individual donations of Federal Theatre Project material.  The material in this collection consists of employment papers, correspondence, scrapbooks, newspaper and magazine clippings, photographs, playscripts, programs, fliers, and production notebooks from people who worked in a multitude of capacities with the Federal Theatre in locations around the United States.\u003c/p\u003e","\u003cp\u003eSet designs by Frederick Stover for Los Angeles productions of The Warrior's Husband, Chalk Dust, and Days Without End.\u003c/p\u003e","\u003cp\u003eNewspaper articles from fake newspapers distributed in theaters in the 1930s - The Morning-Evening and Chicago Star-Gazette. One article from The Springfield Union, November 8, 1949, \"'Street Scene' inaugurated American Series at Smith\".\u003c/p\u003e","\u003cp\u003eCorrespondence between Lorraine Brown and Doris Abramson with accompanying unidentified production photograph.\u003c/p\u003e","\u003cp\u003eCorrespondence between Abramson and Theodore Browne.\u003c/p\u003e","\u003cp\u003eRadio scripts: The F.M.P. Negro Melody Singers, The Negro Melody Singers, Negro Art Singers, Symphony no. 5 in E minor, opus 64, page 2 from The Story of Swing.\u003c/p\u003e","\u003cp\u003ePhotocopy of It's Up to You playscript\u003c/p\u003e","\u003cp\u003eArticle Puppets and Marionettes from unknown publication.\u003c/p\u003e","\u003cp\u003eArticle Take it away, Hollywood: transcript of the memorable coast-to-coast broadcast for WPA on Monday midnight, June 26 [1939] from unknown publication.\u003c/p\u003e","\u003cp\u003ePhotocopy of original music \"Ain't We Got Love\" from Swing It.\u003c/p\u003e","\u003cp\u003ePhotocopy of original music \"By the Sweat of Your Brow\" from Swing It.\u003c/p\u003e","\u003cp\u003ePhotocopy of original music \"Green and Blue\" from Swing It.\u003c/p\u003e","\u003cp\u003ePhotocopy of original music \"Huggin' and Muggin'\" from Swing It.\u003c/p\u003e","\u003cp\u003eTranslation of review of Professor Mamlock in the Morning Journal; letter from an audience survey of Professor Mamlock.\u003c/p\u003e","\u003cp\u003eThe Dog Beneath the Skin director's copy playscript.\u003c/p\u003e","\u003cp\u003eMedicine Show costume design original sketches (1 of 3),\u003c/p\u003e","\u003cp\u003eMedicine Show costume design original sketches (2 of 3),\u003c/p\u003e","\u003cp\u003eMedicine Show costume design original sketches (3 of 3),\u003c/p\u003e","\u003cp\u003eMedicine Show handwritten notes and drawings.\u003c/p\u003e","\u003cp\u003eCostume designs for Miles Gloriousus.\u003c/p\u003e","\u003cp\u003eCostume designs for One-Third of a Nation.\u003c/p\u003e","\u003cp\u003eOne-Third of a Nation newspaper articles, costume design notes and lists.\u003c/p\u003e","\u003cp\u003eUnidentified costume designs.\u003c/p\u003e","\u003cp\u003e2 programs for Abu Hassan and The Princess and the Pea.\u003c/p\u003e","\u003cp\u003eMultiple articles and newspaper clippings on puppet and marionette productions.\u003c/p\u003e","\u003cp\u003eNon Federal Theatre Project play programs, many of which are marionette productions.\u003c/p\u003e","\u003cp\u003eScrapbook pages with articles about puppets and marionettes.\u003c/p\u003e","\u003cp\u003eCaptain Kidd playscript.\u003c/p\u003e","\u003cp\u003ePlayscript and newspaper article for One-Third of a Nation Philadelphia version.\u003c/p\u003e","\u003cp\u003eFederal Theatre Project press scrapbook containing primarily newspaper and press clippings, programs, and a form letter to Harry Hopkins in regards to the firing of Elmer Rice.\u003c/p\u003e","\u003cp\u003eLetter to Tony Buttitta from Eva Le Gallienne with accompanying photograph of Hallie Flanagan.\u003c/p\u003e","\u003cp\u003ePhotocopy of publicity pages for a production of Trojan Incident at St. James Theatre.\u003c/p\u003e","\u003cp\u003ePhotocopies of: program notes for The Dance of Death, newspaper articles on the Federal Theatre Project, correspondence.\u003c/p\u003e","\u003cp\u003eUnpublished manuscript by Clugston titled Very Like a Whale (1 of 4).\u003c/p\u003e","\u003cp\u003eUnpublished manuscript by Clugston titled Very Like a Whale (2 of 4).\u003c/p\u003e","\u003cp\u003eUnpublished manuscript by Clugston titled Very Like a Whale (3 of 4).\u003c/p\u003e","\u003cp\u003eUnpublished manuscript by Clugston titled Very Like a Whale (4 of 4).\u003c/p\u003e","\u003cp\u003eProgram for the marionette play Crock of Gold.\u003c/p\u003e","\u003cp\u003eNewspaper clippings featuring the plays The Farmer's Wife, It Can't Happen Here, and Chalk Dust. One book review titled Theater: New York and Moscow.\u003c/p\u003e","\u003cp\u003ePhotocopies of miscellaneous newspaper clippings including a 1935 Philadelphia Inquirer article about Helen Schoeni, assistant regional director of the WPA theatrical projects and an article form a 1935 Boston Transcript about the Hedgerow Theatre.\u003c/p\u003e","\u003cp\u003ePuppet teaching materials.\u003c/p\u003e","\u003cp\u003eClown marionette donated by Alan Cook, made by Lora Pattison who taught puppetry under the WPA Recreation Project at Oneonta Grammer School, South Pasadena, California. Mrs. Pattison received her puppet training in the Pasadena WPA Recreation Project.\u003c/p\u003e","\u003cp\u003ePhotocopies of correspondence, newspaper articles, play programs, and plays written by Courlander.\u003c/p\u003e","\u003cp\u003eHand drawn set design for Playboy of the Western World.\u003c/p\u003e","\u003cp\u003eEmployee's identification card; notice of termination of employment.\u003c/p\u003e","\u003cp\u003eScrapbook page with newspaper clippings.\u003c/p\u003e","\u003cp\u003eCorrespondence between Jed Davis and Hallie Flanagan and correspondence between the Library of Congress and Davis on researching the Federal Theatre collection.\u003c/p\u003e","\u003cp\u003e3 programs for The Dance Theatre, A Dance Program for Young Folk, A Doris Humphrey-Charles Weidman Dance Program.\u003c/p\u003e","\u003cp\u003ePhotocopy of the play Abraham's Bosom by Paul Green.\u003c/p\u003e","\u003cp\u003ePhotocopies of Peter Goes to the Fair playscript, newspaper reviews, program, and production notes.\u003c/p\u003e","\u003cp\u003ePrograms for The Dance of Death and Pinocchio. Newspaper article on broken scrapbook backing featuring The Dance of Death.\u003c/p\u003e","\u003cp\u003ePrograms for Chalk Dust, Cricket on the Hearth, The Devil Passes, Rip Van Winkle, The Sun and I, Prologue to Glory, The Life of Abraham Lincoln, It Can't Happen Here, Nude with Pineapple, Marionette Vaudeville, The Emperor Jones, Alice in Wonderland, Battle Hymn. Mailed flier for Squaring the Circle. Newspaper clippings.\u003c/p\u003e","\u003cp\u003eThe Witch of Guinness Crag by Michele Elliott.\u003c/p\u003e","\u003cp\u003eColor play announcement pamphlet featuring Prologue to Glory, Haiti, On the Rocks, and One-Third of a Nation.\u003c/p\u003e","\u003cp\u003ePhotocopies. Contents include Director's letter series 2 number 2, memorandum, Little Black Sambo script excerpt and program, Holy Night newspaper clipping and production notes, Rip Van Winkle program.\u003c/p\u003e","\u003cp\u003ePlayscript of Dirt a living newspaper.\u003c/p\u003e","\u003cp\u003eEloise Moore dance file. Contents include newspaper clippings featuring play and dance reviews, texts used for dance productions, article Chicago Dance Notes.\u003c/p\u003e","\u003cp\u003eEloise Moore dance file. Programs.\u003c/p\u003e","\u003cp\u003eI Told Santa Claus to Bring Me You sheet music.\u003c/p\u003e","\u003cp\u003ePlayscript of It Can't Happen Here with handwritten note on title page by Sinclair Lewis.\u003c/p\u003e","\u003cp\u003eCan You Hear Their Voices? correspondence and scripts, Vassar Experimental Theatre.\u003c/p\u003e","\u003cp\u003eLadies Are Made script.\u003c/p\u003e","\u003cp\u003ePrograms, flyers, and two photographs from the Vassar College Experimental Theatre.\u003c/p\u003e","\u003cp\u003eFirst Legion production bulletin.\u003c/p\u003e","\u003cp\u003ePrologue to Glory research file.\u003c/p\u003e","\u003cp\u003eScrapbook containing photographs, newspaper clippings, and programs. Photographs include portraits (some of which are signed), production photographs, and cast group portraits. Much material relates to productions at the Alcazar Theatre in San Francisco. Shows represented include Prologue to Glory, The Sun and I, Spirochete, Power, It Can't Happen Here, and The Taming of the Shrew.\u003c/p\u003e","\u003cp\u003eOversize. Blueprint for the preliminary elevation and ground plan castle scene of Macbeth, designed by Nat Karson.\u003c/p\u003e","\u003cp\u003ePhotocopies of actors notes and cues for Macbeth.\u003c/p\u003e","\u003cp\u003eBryn Mawr Summer School songs.\u003c/p\u003e","\u003cp\u003eFederal Theatre Project official documents transferring rights of works.\u003c/p\u003e","\u003cp\u003eProgram for A Festival of American Dance, 12 photographs by Ralph Samuels of American Holidays dance production.\u003c/p\u003e","\u003cp\u003eRevue of Reviews sheet music.\u003c/p\u003e","\u003cp\u003eBird of Paradise program.\u003c/p\u003e","\u003cp\u003eCorrespondence, memoranda, Federal Theatre Project in San Francisco survey.\u003c/p\u003e","\u003cp\u003eNewspaper clippings.\u003c/p\u003e","\u003cp\u003ePhotograph of Hallie Flanagan signed to Gerwing.\u003c/p\u003e","\u003cp\u003ePublications including issues of Federal Theatre, The Prompter, Variety, and The Federal Theatre Show Parade.\u003c/p\u003e","\u003cp\u003eScrapbook titled \"Curtains up on Region of the West.\" Contains painted costume and set designs, photographs depicting staged productions, Civilian Conservation Corps camps, miniature theatre models. There is also one painted over photograph.\u003c/p\u003e","\u003cp\u003ePhotocopies of correspondence between Gilder and Hallie Flanagan.\u003c/p\u003e","\u003cp\u003ePhotocopies of newspaper clippings, program material for a production of Faust, program for Page-Stone Ballet, program for Graff Ballet.\u003c/p\u003e","\u003cp\u003eNewspaper clippings featuring Spirochete, Taming of the Shrew, and Ready, Aim, Fire?. Photocopy of newspaper clipping featuring the Los Angeles Federal Theatre Project. Notice of reinstatement for terminated employees to continue on the payroll until September 30, 1939.\u003c/p\u003e","\u003cp\u003eStage brace believed to be from the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eFederal Theatre employment papers, birthday card, newspaper clipping.\u003c/p\u003e","\u003cp\u003eKing Henry the Fifth prologue, poem titled A Nightmare, exercises for speech, speech drills.\u003c/p\u003e","\u003cp\u003ePeer Gynt script.\u003c/p\u003e","\u003cp\u003ePhotographs from oversize \"The Spiral\" scrapbook.\u003c/p\u003e","\u003cp\u003eLoose material removed from \"The Spiral\" scrapbook. Newspaper clippings, invitation to \"The Mask and the Face,\" program for \"Smilin' Through.\"\u003c/p\u003e","\u003cp\u003eScrapbook on the Miami Federal Players (1 of 2). Newspaper clippings and programs.\u003c/p\u003e","\u003cp\u003eScrapbook on the Miami Federal Players (2 of 2). Newspaper clippings and programs about the Miami Federal Players, also programs for Cloyd Head's Miami Players, Shawn and his men dancers, Temple Theatre, and a script titled \"Blocks\" by Molly Day Thatcher.\u003c/p\u003e","\u003cp\u003eScrapbook with a brown cover (1 of 2). Portrait and production photographs include Dorothea Thomas Lynch, and Scott Griffin, programs, newspaper and magazine clippings, some pertaining to Molka Reich and marionettes.\u003c/p\u003e","\u003cp\u003eScrapbook with a brown cover (2 of 2). Programs, newspaper clippings relating to the Miami Federal Theatre. Photographs of marionette productions, material relating to Molka Reich.\u003c/p\u003e","\u003cp\u003eBrown scrapbook covers; \"The Spiral\" scrapbook which contains Federal Theatre Project newspaper clippings, telegrams, and programs related to the Miami Federal Players. There is also a program for the Erlanger Theatre in Atlanta, Georgia for a production of The Barretts of Wimpole Street.\u003c/p\u003e","\u003cp\u003eCopies of 3 articles from the Saturday Evening Post about the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eScrapbook with writing inside the front cover: \"Federal Theatre of the Midwest year 1939. Prologue to Glory production - 75 performances. R. Lyle Hagan as 'Abe' Lincoln.\" Includes newspaper and magazine clippings including a newspaper from 1931 and a New Yorker from 1942, programs, and photographs. The photographs include signed headshots, actors at work, and outside of work.\u003c/p\u003e","\u003cp\u003eContains: one photograph of a muppet created by Bil Bairds walking in a parade from the 1990s; photographs from productions at the Great Northern Theatre in July 1938 that include Kurt Graff, Ruth Page, Carl Harms and others; programs; magazine articles; notice of assignment for Carl Harms.\u003c/p\u003e","\u003cp\u003eNewspaper clippings.\u003c/p\u003e","\u003cp\u003ePrograms for Atlanta productions of The Drunkard, Altars of Steel, Mary the Third, The Torch Bearers, Excursion, Boy Meets Girl, Around the Corner, The Devil's Disciple, By Candlelight.\u003c/p\u003e","\u003cp\u003eFlyers and newspaper clippings about Federal Theatre productions in Atlanta, program for Faust, photocopy of photograph of Julian Harris, documents include a proposed working agreement between Atlanta Theatre Guild and the Atlanta Federal Theatre, and notice of termination of employment.\u003c/p\u003e","\u003cp\u003eMiniature theatre models constructed by Research Bureau Regional Service Department Federal Theater Project Region of the West booklet.\u003c/p\u003e","\u003cp\u003eThe Story of Ferdinand and String Fever program, photocopies of newspaper clippings on The Story of Ferdinand and String Fever performances from the 1940s to the 1980s.\u003c/p\u003e","\u003cp\u003ePower playscript.\u003c/p\u003e","\u003cp\u003eOne-Third of a Nation living newspaper program.\u003c/p\u003e","\u003cp\u003eProgram for The Dance of Death; Murder in the Federal Theatre! Published by the Federal Theatre Project Supervisors' Council; Promotional material for Injunction Granted! and One-Third of a Nation; Memorandum from T. A. Mauntz to Ethel Aaron.\u003c/p\u003e","\u003cp\u003eScenic and set designs, by Hjalmar Hermanson for the plays Ethiopia, Triple-A Plowed Under, and 1935. Designs are mounted onto storyboards that measure 15 inches high by 20 inches wide. There are four for Ethiopia, Five for Triple-A Plowed Under, and five for 1935.\u003c/p\u003e","\u003cp\u003eTriple-A Plowed Under photographs.\u003c/p\u003e","\u003cp\u003e1935 photographs.\u003c/p\u003e","\u003cp\u003eThe Conjure Man Dies playscript.\u003c/p\u003e","\u003cp\u003eThe Conjure Man Dies playscript.\u003c/p\u003e","\u003cp\u003eThe Conjure Man Dies playscript.\u003c/p\u003e","\u003cp\u003eProgram for The Lonely Man.\u003c/p\u003e","\u003cp\u003ePhotographs of puppet performance in Philadelphia as well as performances of One-Third of a Nation and the Federal Theatre Dance Project.\u003c/p\u003e","\u003cp\u003eScrapbook pages removed from scrapbook containing mostly newspaper clippings and programs relating to Seattle productions.\u003c/p\u003e","\u003cp\u003ePrograms, photographs, artwork from Seattle Federal Theatre Project productions including Is Zat So, Brer Rabbit, Black Empire, Flight, One-Third of a Nation, Mother Goose.\u003c/p\u003e","\u003cp\u003ePrograms for The Emperor's New Clothes, Native Ground, Seattle Children's Theatre, Medicine Show, Love in Humble Life, Julius Caesar, The Path of Flowers, Sweet Land, The Straw, The Show-Off, The Pursuit of Happiness, Professor Mamlock, Haiti, The Mikado.\u003c/p\u003e","\u003cp\u003eContains: Employee identification card, telegrams, letters regarding employment, recommendation letters; flyers, announcements, newspaper clippings about Seattle productions.\u003c/p\u003e","\u003cp\u003eTwo photographs possibly of Injunction Granted.\u003c/p\u003e","\u003cp\u003eScript for Mother Goose and Us (children's play).\u003c/p\u003e","\u003cp\u003ePhotocopies of newspaper clippings and a letter.\u003c/p\u003e","\u003cp\u003ePhotocopies of newspaper clippings and programs.\u003c/p\u003e","\u003cp\u003ePhotocopy of unpublished material by Lavery that was planned as a chapter in The Flexible Stage. A copy of The Flexible Stage is found in the  Federal Theatre Project collection box 154 folders 8 and 9.\u003c/p\u003e","\u003cp\u003ePhotocopy of script for Papa's Got a Job; script for Pop's a Cop in Jersey City;  photocopy of opening scene of Sing For Your Supper.\u003c/p\u003e","\u003cp\u003eSing For Your Supper production notebook.\u003c/p\u003e","\u003cp\u003eSing For Your Supper sheet music - Imagine My Finding You Here.\u003c/p\u003e","\u003cp\u003eSing For Your Supper sheet music - Papa's Got a Job.\u003c/p\u003e","\u003cp\u003eCherokee Nights set sketches for performance at the Provincetown Playhouse.\u003c/p\u003e","\u003cp\u003eCherokee Nights set model. It is made out of paper, wood, and clay and measures approximately 12 inches by 9 1/5 inches by 11 1/2 inches. The set consists of a box painted black with the top and one side exposed. There are two pieces of string that criss cross the top part of the box. The set itself has four moveable parts, two of which look like rock piles, one looks like a doorway that comes out of a rock pile, and the last piece is a wooden fence. The background consists of three pieces of paper that are painted blue.\u003c/p\u003e","\u003cp\u003eHand in Glove set model. Made out of wood and paper. The model consists of two main parts that swivel 360 degrees to provide two different sets. One is of the back of a house, the other is inside the house. The walls of the house has pencil drawings on it. The model measures 13.5 inches long by 8 inches high by 10 1/4 inches wide. Two stamps are present on the front of the model. Both are for the United Scenic Artists Local 829. Handwritten on the front is \"For Arthur Edison, Hand in Glove, by C.K. Freeman \u0026amp; G. Savory Scale 1/4\" = 1', 10-6-44, S. Leve.\"\u003c/p\u003e","\u003cp\u003eSet model for unknown production, approximately 7 1/2 inches wide and 4 1/4 inches high. Made out of wood, paper, and clay, the set features a hill with trees and two walls with part of a grass hut roof. There are pencil sketches on the walls of the hut.\u003c/p\u003e","\u003cp\u003eSet model for the play Dinosaur Wharf produced at the National Theatre in 1951. Set is made out of wood and paper, and measures 13 inches by 7 3/8 inches by 8 1/4 inches. The set consists of a wharf with a small building on the left hand side. In the background is a hand drawn cityscape. The model is encased in glass. A label on the model states: \"'Dinosaur Wharf,' at the National Theatre. Presented by Terese Hayden. Written by Joel Wyman. Directed by Miss Hayden. Setting designed by Samuel Leve.\"\u003c/p\u003e","\u003cp\u003eScrapbook containing Milwaukee newspaper clippings about the Federal Theatre Project. Most clippings are from May to October 1936.\u003c/p\u003e","\u003cp\u003eCan You Hear Their Voices? By Hallie Flanagan and Margaret Ellen Clifford for Vassar Experimental Theatre plays; Program for Can You Hear Their Voices?; encyclopedia entry on Federal Theatre; What was Federal Theatre? pamphlet by Hallie Flanagan.\u003c/p\u003e","\u003cp\u003e2 Photocopies of images of dancers.\u003c/p\u003e","\u003cp\u003eFederal Theatre Project costume that includes a green velvet vest and pants.\u003c/p\u003e","\u003cp\u003eTomato marionette.\u003c/p\u003e","\u003cp\u003eOakland Recreation Department marionette report (in scrapbook form) includes report, photographs, scripts.\u003c/p\u003e","\u003cp\u003ePuppet teaching - all cloth puppets manual for the city of New York Education and Recreation Department.\u003c/p\u003e","\u003cp\u003eNewspaper clippings. Programs: Prelude to Swing, Spirochete, Unto Such Glory / Hymn to the Rising Sun.\u003c/p\u003e","\u003cp\u003ePhotographs of the production Unto Such Glory; photograph of Blanding Sloan, George Gerwing, Hallie Flanagan, and Herbert Humphreys at the first Sponsors' meeting in Philadelphia; photograph of crowd outside theatre in Philadelphia, cast of Spirochete; postcard from Katherine Calé.\u003c/p\u003e","\u003cp\u003eProduction bulletin for Philadelphia production of Spirochete includes set and costume design, newspaper clippings, programs.\u003c/p\u003e","\u003cp\u003eFederal Theatre magazine - First Federal Summer Theatre…A Report; Two documents: General outline for statement of the plan; Planning Committee on Field Problems, resolutions.\u003c/p\u003e","\u003cp\u003ePhotocopy of review of Big Blow from the New York Times.\u003c/p\u003e","\u003cp\u003ePhotocopies of programs from productions performed in Jacksonville, Florida : Carrier-Jamboree; Aida; Criminal at Large; A Doll's House; Dulcy; Escape; Fly Away Home; The Girl of the Golden West; Hay Fever and Anne Pedersdotter; Lightnin'; The Ninth Guest; One Sunday Afternoon; The Pizen Song; R-U-R; Remember the Day; The Rise of Silas Lapham; Saturday's Children; She Stoops to Conquer (original and photocopy); Smilin' Through; Twelfth Night; Ten Nights in a Barroom;  Uncle Tom's Cabin (original).\u003c/p\u003e","\u003cp\u003eFlorida Federal Theatre report - Analysis of attendance records, with averages and recapitulations; Historical drama tour series outlines for class study - When Knighthood was in Flower; Time Magazine clipping; article - Our Theatre by Lerom, L. D.; typewritten copy of Movie stars plead for Jacksonville Federal Theatre article originally in the Jacksonvelle Journal; photocopies of newspaper articles.\u003c/p\u003e","\u003cp\u003eNegatives and three slides. Copies of photographs of Federal Theatre productions in Jacksonville, Florida; slides of a drawing of the Florida Federal Theatre bus.\u003c/p\u003e","\u003cp\u003ePhotocopies. Correspondence between Medovoy and Federal Theatre employees; radio talk titled Yiddish Theatre in the California WPA; photographs of scenes and sets from Yiddish Federal Theatre productions.\u003c/p\u003e","\u003cp\u003ePhotocopies of a review and publicity about the Federal Theatre in California, and the Experimental Theatre.\u003c/p\u003e","\u003cp\u003eAndrocles and the Lion playscript.\u003c/p\u003e","\u003cp\u003eThe Dragon's Wishbone playscript.\u003c/p\u003e","\u003cp\u003eLetter to Lorraine Brown and newspaper clippings.\u003c/p\u003e","\u003cp\u003eLoose materials removed from scrapbook pages. Includes: Newspaper clippings, programs, Federal Theatre project research on plays, memoranda and correspondence.\u003c/p\u003e","\u003cp\u003eSleeping Beauty playscript.\u003c/p\u003e","\u003cp\u003eSnow White and the Seven Dwarfs script, Syl file.\u003c/p\u003e","\u003cp\u003eSyl (Art Director of the FTP) file on the play Coppelia, includes hand drawn set designs and typed production notes.\u003c/p\u003e","\u003cp\u003eSyl (Art Director of the FTP) file includes memoranda, handwritten notes, set and stage designs.\u003c/p\u003e","\u003cp\u003eScrapbook pages containing programs, newspaper clippings, telegrams, tickets, some Federal Theatre correspondence, and three pasted in artifacts - doll clothing created by the WPA Sewing Colored Unit and a doll size artists palette. Much of the material is from the Centro Asturiano Theatre, or relates to Tampa, Florida productions. Some Spanish language material.\u003c/p\u003e","\u003cp\u003eProgram and newspaper review for production of Jefferson Davis; Morcom identification work card.\u003c/p\u003e","\u003cp\u003ePhotocopies of correspondence between Murray, Hallie Flanagan, and E. Woodward regarding J. Howard Miller.\u003c/p\u003e","\u003cp\u003ePhotocopies of newspaper articles and programs about the WPA dance unit productions and strikes.\u003c/p\u003e","\u003cp\u003eBassa Moona program, New York.\u003c/p\u003e","\u003cp\u003eThe Bat program performed in Los Angeles.\u003c/p\u003e","\u003cp\u003eTwo programs for Battle Hymn as produced in New York.\u003c/p\u003e","\u003cp\u003eTwo programs for Big Blow performed in Chicago.\u003c/p\u003e","\u003cp\u003eCandide program.\u003c/p\u003e","\u003cp\u003eProgram and flyer for Chalk Dust performed in New York.\u003c/p\u003e","\u003cp\u003eClass of '29 program, New York production.\u003c/p\u003e","\u003cp\u003eSeven programs for Doctor Faustus performed in New York. One program contains an insert and an audience survey questionnaire.\u003c/p\u003e","\u003cp\u003eGilbert \u0026amp; Sullivan Opera Company program.\u003c/p\u003e","\u003cp\u003eHelp Yourself, three programs from New York.\u003c/p\u003e","\u003cp\u003eHorse Eats Hat program from New York.\u003c/p\u003e","\u003cp\u003eLaburnum Grove program from Hartford, Connecticut production.\u003c/p\u003e","\u003cp\u003eThe Mikado (swing version) two programs from New York City productions.\u003c/p\u003e","\u003cp\u003eMurder in the Cathedral program from New York production.\u003c/p\u003e","\u003cp\u003eOne-Third of a Nation, two Living Newspaper programs for productions in Seattle, Washington.\u003c/p\u003e","\u003cp\u003ePrograms including the following productions: Haiti; How Long Brethren?; It Can't Happen Here; Life and Death of an American; Macbeth; The Mikado; The Path of Flowers; Pinocchio; Processional; Prologue to Glory; Unto Such Glory.\u003c/p\u003e","\u003cp\u003eSing For Your Supper, five programs from New York productions.\u003c/p\u003e","\u003cp\u003eThe Theatre Abroad volume 1 number 4.\u003c/p\u003e","\u003cp\u003eThe Theatre Abroad volume 1 number 5.\u003c/p\u003e","\u003cp\u003eThe Theatre Abroad volume 1 number 6.\u003c/p\u003e","\u003cp\u003eScrapbook containing newspaper clippings, programs, and photographs of actors from Federal Theatre plays produced at B. F. Keith's theatre in Indianapolis.\u003c/p\u003e\n","\u003cp\u003eNovember 13, 1935 Dr. Lee Norvelle was appointed Director of the Indiana State Federal Theatre Project. He was granted a leave of absence from Indiana University, and moved to Indianapolis on November 18 to initiate the project. B. F. Keith's theatre was leased and served as the headquarters of the project for it's duration. The first production opened March 2, 1936. The last production closed in June 1937.\u003c/p\u003e","\u003cp\u003ePhotocopies of reviews of the production Frankie and Johnny.\u003c/p\u003e","\u003cp\u003eMacbeth program.\u003c/p\u003e","\u003cp\u003eFederal Theatre programs: Hamlet, Chalk Dust, Rip Van Winkle, Spirochete, An Evening of Short Plays by Eugene O'Neill, The Lonely Man (with multiple signatures), Burning the Mortgage, The Good Old Summertime, Triple A Plowed Under; Newspaper clipping for \"That's a Laff\" (1944); entries on Federal Theatre plays from a book on Theatre.\u003c/p\u003e","\u003cp\u003eFool's Gold script.\u003c/p\u003e","\u003cp\u003ePhotocopies. From Ben Russak files - press release for Treasure Hunt (The Disappointment); notes and correspondence about the adaptation of The Disappointment.\u003c/p\u003e","\u003cp\u003ePhotocopies. Chart of San Francisco productions through June 9, 1937; organization chart; Toward a Living Theatre; first draft of Answers to Questions from Howard Miller. Foster identification cards and termination notice.\u003c/p\u003e","\u003cp\u003ePlease Communicate playscript.\u003c/p\u003e","\u003cp\u003eCorrespondence between various Federal Theatre administrators; speech given by Rhodes on the Federal Theatre; blank personnel forms.\u003c/p\u003e","\u003cp\u003eThree pages of Hallie Flanagan notes; Programs for One-Third of a Nation, Doctor Faustus, Swing It, Pinocchio.\u003c/p\u003e","\u003cp\u003eFlat Lux playbill autographed by Rodericks.\u003c/p\u003e","\u003cp\u003ePhotocopies of programs for Battle Hymn, and A Touch of Brimstone.\u003c/p\u003e","\u003cp\u003eRevolt of the Beavers published script.\u003c/p\u003e","\u003cp\u003eGreen scrapbook with newspaper clippings covering productions of the play Medicine Show.\u003c/p\u003e","\u003cp\u003ePromotional flier for Awake and Sing at Daly's Theatre; program for The Taming of the Shrew; flier for Summer Theatre in Seattle.\u003c/p\u003e","\u003cp\u003eNewspaper clippings and five photographs depicting Savage, Mrs. James, J. Howard Miller and Guy Williams, Burton James, Federal Theatre theatre.\u003c/p\u003e","\u003cp\u003eNewspaper clipping from 1989 about the Federal Theatre; Programs: Sunday Night Varieties; Pins and Needles; Here's Looking at You.\u003c/p\u003e","\u003cp\u003eInjunction Granted and One-Third of a Nation living newspaper programs.\u003c/p\u003e","\u003cp\u003ePrograms: The Cradle Will Rock; Pinocchio; Adelante; Battle Hymn; Big Blow; Class of '29; A Doris Humphrey-Charles Weidman Dance Program; The Dance of Death; Doctor Faustus; The Mikado; Life and Death of an American; It Can't Happen Here; Haiti; How Long Brethern?; On the Rocks; Prologue to Glory; Processional; The Sun and I; Run Little Chillun; Buffalo Historical Marionettes; Turpentine,\u003c/p\u003e\n","\u003cp\u003eBuffalo Historical Marionettes is available in digital format.\u003c/p\u003e","\u003cp\u003ePlaybill and herald for the New York production of On The Rocks.\u003c/p\u003e","\u003cp\u003eSouvenir program for The Lost Colony.\u003c/p\u003e","\u003cp\u003eFour photographs of Eleanor Shibley in costume. These are not the original photographs.\u003c/p\u003e","\u003cp\u003ePaper on the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePrograms: Triple A Plowed Under; Power; 1935; If Ye Break Faith; Mississippi Rainbow; The Man in the Tree; High Tor; Faust; The Farmer Takes a Wife; An Enemy of the People; Outside Looking In; The Party is Over; Petrified Forest; Whom Dreams Possess.\u003c/p\u003e","\u003cp\u003eCorrespondence from Silvera to Ben Russak concerning the Negro Theatre and Theodore Brown.\u003c/p\u003e","\u003cp\u003ePhotocopies of correspondence and flyer regarding the Detrot Federal Theatre.\u003c/p\u003e","\u003cp\u003eA Nationwide Search for Early American Printing: A talk over station WDAF (Kansas City) by Douglas C. McMurtrie.\u003c/p\u003e","\u003cp\u003eNewsclippings about the play \"This Pretty World,\" program for a production of \"And You, My Friend, Farewell.\"\u003c/p\u003e","\u003cp\u003eAwake and Sing, typed reviews and handwritten notes.\u003c/p\u003e","\u003cp\u003eThe Children of Salem marionette playscript.\u003c/p\u003e","\u003cp\u003eCircus Days hand drawn set designs; marionette review.\u003c/p\u003e","\u003cp\u003eThe Disappointment playscript.\u003c/p\u003e","\u003cp\u003eMiscellaneous - flyers, contest announcements, weekly program schedules. Includes: color pamphlet for upcoming productions including Eugene O'Neill's Four One Act Plays of the Sea, Processional, A Hero is Born; Buffalo historical marionettes brochure; Beaver club letter; caravan herald; contest information; covers for weekly schedules, Daly's Childrens' schedule; Drama week herald; Elliott's Repertory; Federal Theatre presents brochure; Living Theatre herald for talks; marionettes in the news; Marionette Theatre brochure; new summer session of the Negro Dramatists Lab herald.\nMarionette Theatre brochure is available in digital format.\u003c/p\u003e","\u003cp\u003eThe Poetic Theatre program,\u003c/p\u003e","\u003cp\u003eTobias and the Angel program,\u003c/p\u003e","\u003cp\u003eThe Totem marionettes playscript.\u003c/p\u003e","\u003cp\u003ePhotocopy of Joseph Lentz letter to Alice Vaeth,\u003c/p\u003e","\u003cp\u003eTheatre Arts magazine: The Negro in the American Theatre.\u003c/p\u003e","\u003cp\u003eBrooklyn Museum print show. Printed booklet titled: Information for artists on the Brooklyn Museum Print Show.\u003c/p\u003e","\u003cp\u003eNative Ground painted promotional design, original artwork.\u003c/p\u003e","\u003cp\u003eCorrespondence on the Federal Art Project and Velonis possible employment on a traveling art project.\u003c/p\u003e","\u003cp\u003eThe Path of Flowers original artwork.\u003c/p\u003e","\u003cp\u003eR.U.R. original artwork for poster.\u003c/p\u003e","\u003cp\u003eSerigraph Quarterly volume II number 2.\u003c/p\u003e","\u003cp\u003eSketches documenting silkscreening practices and tools.\u003c/p\u003e","\u003cp\u003ePencil sketch titled \"New Voices.\"\u003c/p\u003e","\u003cp\u003eTechnique, Art and Power, handwritten three page essay.\u003c/p\u003e","\u003cp\u003eWhat is a Silkscreen Print? five page typed essay.\u003c/p\u003e","\u003cp\u003ePhotocopy of script for The Willow Plate - an original hand puppet play based on an old Chinese legend.\u003c/p\u003e","\u003cp\u003eScript for New Living Newspaper volume 1 number 2 by Irene Wagner with Barry Levy and Richard Vitere.\u003c/p\u003e","\u003cp\u003eAmerican Jubilee sheet music.\u003c/p\u003e","\u003cp\u003eThe Forgotten Music of Triple A Plowed Under (1936), Power (1937), and One Third of a Nation (1938) by Deborah Novak, thesis.\u003c/p\u003e","\u003cp\u003eLeaning on a Shovel  sheet music.\u003c/p\u003e","\u003cp\u003eNewsclippings; Living Newspaper programs.\u003c/p\u003e","\u003cp\u003eOrchestration for scenes from unnamed play. \"ARR. G.A.E. 12/2/36\" written on sheet music.\u003c/p\u003e","\u003cp\u003eOrchestration for Power, sheet music and lyrics.\u003c/p\u003e","\u003cp\u003ePower - TVA song, sheet music.\u003c/p\u003e","\u003cp\u003ePower newspaper clippings, Processional program, Federal Music Program Composers Forum Laboratory featuring Werner Josten program, small play production photograph.\u003c/p\u003e","\u003cp\u003ePower script with small scrap of sheet music.\u003c/p\u003e","\u003cp\u003eSing For Your Supper, lyrics and sheet music for Opening Night.\u003c/p\u003e","\u003cp\u003eSing For Your Supper, lyrics and sheet music for Perspiration.\u003c/p\u003e","\u003cp\u003eSing For Your Supper, sheet music for Sixty Families.\u003c/p\u003e","\u003cp\u003eSing For Your Supper, sheet music for Sixty Families.\u003c/p\u003e","\u003cp\u003eSing For Your Supper, published sheet music for The Story of Horn.\u003c/p\u003e","\u003cp\u003eSing For Your Supper playscript.\u003c/p\u003e","\u003cp\u003eSing For Your Supper playscript.\u003c/p\u003e","\u003cp\u003eFederal Theatre volume 2 number 4 with drawing on cover; Programs for Trojan Incident, Adelante, Ballet Caravan; Four issues of Federal Theatre Project Dance Bulletin; Administrative memorandum on vacations; House of Representatives Bill H.R. 8239; Newspaper clippings.\u003c/p\u003e","\u003cp\u003ePrograms: Gods of the Lightning; Run, Little Chillun; Days Without End.\u003c/p\u003e","\u003cp\u003eJobless Blues lyrics and sheet music.\u003c/p\u003e","\u003cp\u003eAdministrative correspondence; Instructions for Federal Theatre Projects; WPA supplement number 1 to bulletin 29; Washington Marionette Festival notice; Semi-monthly letter of the Federal Theatre Project.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection brings together over 90 individual donations of Federal Theatre Project material.  The material in this collection consists of employment papers, correspondence, scrapbooks, newspaper and magazine clippings, photographs, playscripts, programs, fliers, and production notebooks from people who worked in a multitude of capacities with the Federal Theatre in locations around the United States.","Set designs by Frederick Stover for Los Angeles productions of The Warrior's Husband, Chalk Dust, and Days Without End.","Newspaper articles from fake newspapers distributed in theaters in the 1930s - The Morning-Evening and Chicago Star-Gazette. One article from The Springfield Union, November 8, 1949, \"'Street Scene' inaugurated American Series at Smith\".","Correspondence between Lorraine Brown and Doris Abramson with accompanying unidentified production photograph.","Correspondence between Abramson and Theodore Browne.","Radio scripts: The F.M.P. Negro Melody Singers, The Negro Melody Singers, Negro Art Singers, Symphony no. 5 in E minor, opus 64, page 2 from The Story of Swing.","Photocopy of It's Up to You playscript","Article Puppets and Marionettes from unknown publication.","Article Take it away, Hollywood: transcript of the memorable coast-to-coast broadcast for WPA on Monday midnight, June 26 [1939] from unknown publication.","Photocopy of original music \"Ain't We Got Love\" from Swing It.","Photocopy of original music \"By the Sweat of Your Brow\" from Swing It.","Photocopy of original music \"Green and Blue\" from Swing It.","Photocopy of original music \"Huggin' and Muggin'\" from Swing It.","Translation of review of Professor Mamlock in the Morning Journal; letter from an audience survey of Professor Mamlock.","The Dog Beneath the Skin director's copy playscript.","Medicine Show costume design original sketches (1 of 3),","Medicine Show costume design original sketches (2 of 3),","Medicine Show costume design original sketches (3 of 3),","Medicine Show handwritten notes and drawings.","Costume designs for Miles Gloriousus.","Costume designs for One-Third of a Nation.","One-Third of a Nation newspaper articles, costume design notes and lists.","Unidentified costume designs.","2 programs for Abu Hassan and The Princess and the Pea.","Multiple articles and newspaper clippings on puppet and marionette productions.","Non Federal Theatre Project play programs, many of which are marionette productions.","Scrapbook pages with articles about puppets and marionettes.","Captain Kidd playscript.","Playscript and newspaper article for One-Third of a Nation Philadelphia version.","Federal Theatre Project press scrapbook containing primarily newspaper and press clippings, programs, and a form letter to Harry Hopkins in regards to the firing of Elmer Rice.","Letter to Tony Buttitta from Eva Le Gallienne with accompanying photograph of Hallie Flanagan.","Photocopy of publicity pages for a production of Trojan Incident at St. James Theatre.","Photocopies of: program notes for The Dance of Death, newspaper articles on the Federal Theatre Project, correspondence.","Unpublished manuscript by Clugston titled Very Like a Whale (1 of 4).","Unpublished manuscript by Clugston titled Very Like a Whale (2 of 4).","Unpublished manuscript by Clugston titled Very Like a Whale (3 of 4).","Unpublished manuscript by Clugston titled Very Like a Whale (4 of 4).","Program for the marionette play Crock of Gold.","Newspaper clippings featuring the plays The Farmer's Wife, It Can't Happen Here, and Chalk Dust. One book review titled Theater: New York and Moscow.","Photocopies of miscellaneous newspaper clippings including a 1935 Philadelphia Inquirer article about Helen Schoeni, assistant regional director of the WPA theatrical projects and an article form a 1935 Boston Transcript about the Hedgerow Theatre.","Puppet teaching materials.","Clown marionette donated by Alan Cook, made by Lora Pattison who taught puppetry under the WPA Recreation Project at Oneonta Grammer School, South Pasadena, California. Mrs. Pattison received her puppet training in the Pasadena WPA Recreation Project.","Photocopies of correspondence, newspaper articles, play programs, and plays written by Courlander.","Hand drawn set design for Playboy of the Western World.","Employee's identification card; notice of termination of employment.","Scrapbook page with newspaper clippings.","Correspondence between Jed Davis and Hallie Flanagan and correspondence between the Library of Congress and Davis on researching the Federal Theatre collection.","3 programs for The Dance Theatre, A Dance Program for Young Folk, A Doris Humphrey-Charles Weidman Dance Program.","Photocopy of the play Abraham's Bosom by Paul Green.","Photocopies of Peter Goes to the Fair playscript, newspaper reviews, program, and production notes.","Programs for The Dance of Death and Pinocchio. Newspaper article on broken scrapbook backing featuring The Dance of Death.","Programs for Chalk Dust, Cricket on the Hearth, The Devil Passes, Rip Van Winkle, The Sun and I, Prologue to Glory, The Life of Abraham Lincoln, It Can't Happen Here, Nude with Pineapple, Marionette Vaudeville, The Emperor Jones, Alice in Wonderland, Battle Hymn. Mailed flier for Squaring the Circle. Newspaper clippings.","The Witch of Guinness Crag by Michele Elliott.","Color play announcement pamphlet featuring Prologue to Glory, Haiti, On the Rocks, and One-Third of a Nation.","Photocopies. Contents include Director's letter series 2 number 2, memorandum, Little Black Sambo script excerpt and program, Holy Night newspaper clipping and production notes, Rip Van Winkle program.","Playscript of Dirt a living newspaper.","Eloise Moore dance file. Contents include newspaper clippings featuring play and dance reviews, texts used for dance productions, article Chicago Dance Notes.","Eloise Moore dance file. Programs.","I Told Santa Claus to Bring Me You sheet music.","Playscript of It Can't Happen Here with handwritten note on title page by Sinclair Lewis.","Can You Hear Their Voices? correspondence and scripts, Vassar Experimental Theatre.","Ladies Are Made script.","Programs, flyers, and two photographs from the Vassar College Experimental Theatre.","First Legion production bulletin.","Prologue to Glory research file.","Scrapbook containing photographs, newspaper clippings, and programs. Photographs include portraits (some of which are signed), production photographs, and cast group portraits. Much material relates to productions at the Alcazar Theatre in San Francisco. Shows represented include Prologue to Glory, The Sun and I, Spirochete, Power, It Can't Happen Here, and The Taming of the Shrew.","Oversize. Blueprint for the preliminary elevation and ground plan castle scene of Macbeth, designed by Nat Karson.","Photocopies of actors notes and cues for Macbeth.","Bryn Mawr Summer School songs.","Federal Theatre Project official documents transferring rights of works.","Program for A Festival of American Dance, 12 photographs by Ralph Samuels of American Holidays dance production.","Revue of Reviews sheet music.","Bird of Paradise program.","Correspondence, memoranda, Federal Theatre Project in San Francisco survey.","Newspaper clippings.","Photograph of Hallie Flanagan signed to Gerwing.","Publications including issues of Federal Theatre, The Prompter, Variety, and The Federal Theatre Show Parade.","Scrapbook titled \"Curtains up on Region of the West.\" Contains painted costume and set designs, photographs depicting staged productions, Civilian Conservation Corps camps, miniature theatre models. There is also one painted over photograph.","Photocopies of correspondence between Gilder and Hallie Flanagan.","Photocopies of newspaper clippings, program material for a production of Faust, program for Page-Stone Ballet, program for Graff Ballet.","Newspaper clippings featuring Spirochete, Taming of the Shrew, and Ready, Aim, Fire?. Photocopy of newspaper clipping featuring the Los Angeles Federal Theatre Project. Notice of reinstatement for terminated employees to continue on the payroll until September 30, 1939.","Stage brace believed to be from the Federal Theatre Project.","Federal Theatre employment papers, birthday card, newspaper clipping.","King Henry the Fifth prologue, poem titled A Nightmare, exercises for speech, speech drills.","Peer Gynt script.","Photographs from oversize \"The Spiral\" scrapbook.","Loose material removed from \"The Spiral\" scrapbook. Newspaper clippings, invitation to \"The Mask and the Face,\" program for \"Smilin' Through.\"","Scrapbook on the Miami Federal Players (1 of 2). Newspaper clippings and programs.","Scrapbook on the Miami Federal Players (2 of 2). Newspaper clippings and programs about the Miami Federal Players, also programs for Cloyd Head's Miami Players, Shawn and his men dancers, Temple Theatre, and a script titled \"Blocks\" by Molly Day Thatcher.","Scrapbook with a brown cover (1 of 2). Portrait and production photographs include Dorothea Thomas Lynch, and Scott Griffin, programs, newspaper and magazine clippings, some pertaining to Molka Reich and marionettes.","Scrapbook with a brown cover (2 of 2). Programs, newspaper clippings relating to the Miami Federal Theatre. Photographs of marionette productions, material relating to Molka Reich.","Brown scrapbook covers; \"The Spiral\" scrapbook which contains Federal Theatre Project newspaper clippings, telegrams, and programs related to the Miami Federal Players. There is also a program for the Erlanger Theatre in Atlanta, Georgia for a production of The Barretts of Wimpole Street.","Copies of 3 articles from the Saturday Evening Post about the Federal Theatre Project.","Scrapbook with writing inside the front cover: \"Federal Theatre of the Midwest year 1939. Prologue to Glory production - 75 performances. R. Lyle Hagan as 'Abe' Lincoln.\" Includes newspaper and magazine clippings including a newspaper from 1931 and a New Yorker from 1942, programs, and photographs. The photographs include signed headshots, actors at work, and outside of work.","Contains: one photograph of a muppet created by Bil Bairds walking in a parade from the 1990s; photographs from productions at the Great Northern Theatre in July 1938 that include Kurt Graff, Ruth Page, Carl Harms and others; programs; magazine articles; notice of assignment for Carl Harms.","Newspaper clippings.","Programs for Atlanta productions of The Drunkard, Altars of Steel, Mary the Third, The Torch Bearers, Excursion, Boy Meets Girl, Around the Corner, The Devil's Disciple, By Candlelight.","Flyers and newspaper clippings about Federal Theatre productions in Atlanta, program for Faust, photocopy of photograph of Julian Harris, documents include a proposed working agreement between Atlanta Theatre Guild and the Atlanta Federal Theatre, and notice of termination of employment.","Miniature theatre models constructed by Research Bureau Regional Service Department Federal Theater Project Region of the West booklet.","The Story of Ferdinand and String Fever program, photocopies of newspaper clippings on The Story of Ferdinand and String Fever performances from the 1940s to the 1980s.","Power playscript.","One-Third of a Nation living newspaper program.","Program for The Dance of Death; Murder in the Federal Theatre! Published by the Federal Theatre Project Supervisors' Council; Promotional material for Injunction Granted! and One-Third of a Nation; Memorandum from T. A. Mauntz to Ethel Aaron.","Scenic and set designs, by Hjalmar Hermanson for the plays Ethiopia, Triple-A Plowed Under, and 1935. Designs are mounted onto storyboards that measure 15 inches high by 20 inches wide. There are four for Ethiopia, Five for Triple-A Plowed Under, and five for 1935.","Triple-A Plowed Under photographs.","1935 photographs.","The Conjure Man Dies playscript.","The Conjure Man Dies playscript.","The Conjure Man Dies playscript.","Program for The Lonely Man.","Photographs of puppet performance in Philadelphia as well as performances of One-Third of a Nation and the Federal Theatre Dance Project.","Scrapbook pages removed from scrapbook containing mostly newspaper clippings and programs relating to Seattle productions.","Programs, photographs, artwork from Seattle Federal Theatre Project productions including Is Zat So, Brer Rabbit, Black Empire, Flight, One-Third of a Nation, Mother Goose.","Programs for The Emperor's New Clothes, Native Ground, Seattle Children's Theatre, Medicine Show, Love in Humble Life, Julius Caesar, The Path of Flowers, Sweet Land, The Straw, The Show-Off, The Pursuit of Happiness, Professor Mamlock, Haiti, The Mikado.","Contains: Employee identification card, telegrams, letters regarding employment, recommendation letters; flyers, announcements, newspaper clippings about Seattle productions.","Two photographs possibly of Injunction Granted.","Script for Mother Goose and Us (children's play).","Photocopies of newspaper clippings and a letter.","Photocopies of newspaper clippings and programs.","Photocopy of unpublished material by Lavery that was planned as a chapter in The Flexible Stage. A copy of The Flexible Stage is found in the  Federal Theatre Project collection box 154 folders 8 and 9.","Photocopy of script for Papa's Got a Job; script for Pop's a Cop in Jersey City;  photocopy of opening scene of Sing For Your Supper.","Sing For Your Supper production notebook.","Sing For Your Supper sheet music - Imagine My Finding You Here.","Sing For Your Supper sheet music - Papa's Got a Job.","Cherokee Nights set sketches for performance at the Provincetown Playhouse.","Cherokee Nights set model. It is made out of paper, wood, and clay and measures approximately 12 inches by 9 1/5 inches by 11 1/2 inches. The set consists of a box painted black with the top and one side exposed. There are two pieces of string that criss cross the top part of the box. The set itself has four moveable parts, two of which look like rock piles, one looks like a doorway that comes out of a rock pile, and the last piece is a wooden fence. The background consists of three pieces of paper that are painted blue.","Hand in Glove set model. Made out of wood and paper. The model consists of two main parts that swivel 360 degrees to provide two different sets. One is of the back of a house, the other is inside the house. The walls of the house has pencil drawings on it. The model measures 13.5 inches long by 8 inches high by 10 1/4 inches wide. Two stamps are present on the front of the model. Both are for the United Scenic Artists Local 829. Handwritten on the front is \"For Arthur Edison, Hand in Glove, by C.K. Freeman \u0026 G. Savory Scale 1/4\" = 1', 10-6-44, S. Leve.\"","Set model for unknown production, approximately 7 1/2 inches wide and 4 1/4 inches high. Made out of wood, paper, and clay, the set features a hill with trees and two walls with part of a grass hut roof. There are pencil sketches on the walls of the hut.","Set model for the play Dinosaur Wharf produced at the National Theatre in 1951. Set is made out of wood and paper, and measures 13 inches by 7 3/8 inches by 8 1/4 inches. The set consists of a wharf with a small building on the left hand side. In the background is a hand drawn cityscape. The model is encased in glass. A label on the model states: \"'Dinosaur Wharf,' at the National Theatre. Presented by Terese Hayden. Written by Joel Wyman. Directed by Miss Hayden. Setting designed by Samuel Leve.\"","Scrapbook containing Milwaukee newspaper clippings about the Federal Theatre Project. Most clippings are from May to October 1936.","Can You Hear Their Voices? By Hallie Flanagan and Margaret Ellen Clifford for Vassar Experimental Theatre plays; Program for Can You Hear Their Voices?; encyclopedia entry on Federal Theatre; What was Federal Theatre? pamphlet by Hallie Flanagan.","2 Photocopies of images of dancers.","Federal Theatre Project costume that includes a green velvet vest and pants.","Tomato marionette.","Oakland Recreation Department marionette report (in scrapbook form) includes report, photographs, scripts.","Puppet teaching - all cloth puppets manual for the city of New York Education and Recreation Department.","Newspaper clippings. Programs: Prelude to Swing, Spirochete, Unto Such Glory / Hymn to the Rising Sun.","Photographs of the production Unto Such Glory; photograph of Blanding Sloan, George Gerwing, Hallie Flanagan, and Herbert Humphreys at the first Sponsors' meeting in Philadelphia; photograph of crowd outside theatre in Philadelphia, cast of Spirochete; postcard from Katherine Calé.","Production bulletin for Philadelphia production of Spirochete includes set and costume design, newspaper clippings, programs.","Federal Theatre magazine - First Federal Summer Theatre…A Report; Two documents: General outline for statement of the plan; Planning Committee on Field Problems, resolutions.","Photocopy of review of Big Blow from the New York Times.","Photocopies of programs from productions performed in Jacksonville, Florida : Carrier-Jamboree; Aida; Criminal at Large; A Doll's House; Dulcy; Escape; Fly Away Home; The Girl of the Golden West; Hay Fever and Anne Pedersdotter; Lightnin'; The Ninth Guest; One Sunday Afternoon; The Pizen Song; R-U-R; Remember the Day; The Rise of Silas Lapham; Saturday's Children; She Stoops to Conquer (original and photocopy); Smilin' Through; Twelfth Night; Ten Nights in a Barroom;  Uncle Tom's Cabin (original).","Florida Federal Theatre report - Analysis of attendance records, with averages and recapitulations; Historical drama tour series outlines for class study - When Knighthood was in Flower; Time Magazine clipping; article - Our Theatre by Lerom, L. D.; typewritten copy of Movie stars plead for Jacksonville Federal Theatre article originally in the Jacksonvelle Journal; photocopies of newspaper articles.","Negatives and three slides. Copies of photographs of Federal Theatre productions in Jacksonville, Florida; slides of a drawing of the Florida Federal Theatre bus.","Photocopies. Correspondence between Medovoy and Federal Theatre employees; radio talk titled Yiddish Theatre in the California WPA; photographs of scenes and sets from Yiddish Federal Theatre productions.","Photocopies of a review and publicity about the Federal Theatre in California, and the Experimental Theatre.","Androcles and the Lion playscript.","The Dragon's Wishbone playscript.","Letter to Lorraine Brown and newspaper clippings.","Loose materials removed from scrapbook pages. Includes: Newspaper clippings, programs, Federal Theatre project research on plays, memoranda and correspondence.","Sleeping Beauty playscript.","Snow White and the Seven Dwarfs script, Syl file.","Syl (Art Director of the FTP) file on the play Coppelia, includes hand drawn set designs and typed production notes.","Syl (Art Director of the FTP) file includes memoranda, handwritten notes, set and stage designs.","Scrapbook pages containing programs, newspaper clippings, telegrams, tickets, some Federal Theatre correspondence, and three pasted in artifacts - doll clothing created by the WPA Sewing Colored Unit and a doll size artists palette. Much of the material is from the Centro Asturiano Theatre, or relates to Tampa, Florida productions. Some Spanish language material.","Program and newspaper review for production of Jefferson Davis; Morcom identification work card.","Photocopies of correspondence between Murray, Hallie Flanagan, and E. Woodward regarding J. Howard Miller.","Photocopies of newspaper articles and programs about the WPA dance unit productions and strikes.","Bassa Moona program, New York.","The Bat program performed in Los Angeles.","Two programs for Battle Hymn as produced in New York.","Two programs for Big Blow performed in Chicago.","Candide program.","Program and flyer for Chalk Dust performed in New York.","Class of '29 program, New York production.","Seven programs for Doctor Faustus performed in New York. One program contains an insert and an audience survey questionnaire.","Gilbert \u0026 Sullivan Opera Company program.","Help Yourself, three programs from New York.","Horse Eats Hat program from New York.","Laburnum Grove program from Hartford, Connecticut production.","The Mikado (swing version) two programs from New York City productions.","Murder in the Cathedral program from New York production.","One-Third of a Nation, two Living Newspaper programs for productions in Seattle, Washington.","Programs including the following productions: Haiti; How Long Brethren?; It Can't Happen Here; Life and Death of an American; Macbeth; The Mikado; The Path of Flowers; Pinocchio; Processional; Prologue to Glory; Unto Such Glory.","Sing For Your Supper, five programs from New York productions.","The Theatre Abroad volume 1 number 4.","The Theatre Abroad volume 1 number 5.","The Theatre Abroad volume 1 number 6.","Scrapbook containing newspaper clippings, programs, and photographs of actors from Federal Theatre plays produced at B. F. Keith's theatre in Indianapolis.","November 13, 1935 Dr. Lee Norvelle was appointed Director of the Indiana State Federal Theatre Project. He was granted a leave of absence from Indiana University, and moved to Indianapolis on November 18 to initiate the project. B. F. Keith's theatre was leased and served as the headquarters of the project for it's duration. The first production opened March 2, 1936. The last production closed in June 1937.","Photocopies of reviews of the production Frankie and Johnny.","Macbeth program.","Federal Theatre programs: Hamlet, Chalk Dust, Rip Van Winkle, Spirochete, An Evening of Short Plays by Eugene O'Neill, The Lonely Man (with multiple signatures), Burning the Mortgage, The Good Old Summertime, Triple A Plowed Under; Newspaper clipping for \"That's a Laff\" (1944); entries on Federal Theatre plays from a book on Theatre.","Fool's Gold script.","Photocopies. From Ben Russak files - press release for Treasure Hunt (The Disappointment); notes and correspondence about the adaptation of The Disappointment.","Photocopies. Chart of San Francisco productions through June 9, 1937; organization chart; Toward a Living Theatre; first draft of Answers to Questions from Howard Miller. Foster identification cards and termination notice.","Please Communicate playscript.","Correspondence between various Federal Theatre administrators; speech given by Rhodes on the Federal Theatre; blank personnel forms.","Three pages of Hallie Flanagan notes; Programs for One-Third of a Nation, Doctor Faustus, Swing It, Pinocchio.","Flat Lux playbill autographed by Rodericks.","Photocopies of programs for Battle Hymn, and A Touch of Brimstone.","Revolt of the Beavers published script.","Green scrapbook with newspaper clippings covering productions of the play Medicine Show.","Promotional flier for Awake and Sing at Daly's Theatre; program for The Taming of the Shrew; flier for Summer Theatre in Seattle.","Newspaper clippings and five photographs depicting Savage, Mrs. James, J. Howard Miller and Guy Williams, Burton James, Federal Theatre theatre.","Newspaper clipping from 1989 about the Federal Theatre; Programs: Sunday Night Varieties; Pins and Needles; Here's Looking at You.","Injunction Granted and One-Third of a Nation living newspaper programs.","Programs: The Cradle Will Rock; Pinocchio; Adelante; Battle Hymn; Big Blow; Class of '29; A Doris Humphrey-Charles Weidman Dance Program; The Dance of Death; Doctor Faustus; The Mikado; Life and Death of an American; It Can't Happen Here; Haiti; How Long Brethern?; On the Rocks; Prologue to Glory; Processional; The Sun and I; Run Little Chillun; Buffalo Historical Marionettes; Turpentine,","Buffalo Historical Marionettes is available in digital format.","Playbill and herald for the New York production of On The Rocks.","Souvenir program for The Lost Colony.","Four photographs of Eleanor Shibley in costume. These are not the original photographs.","Paper on the Federal Theatre Project.","Programs: Triple A Plowed Under; Power; 1935; If Ye Break Faith; Mississippi Rainbow; The Man in the Tree; High Tor; Faust; The Farmer Takes a Wife; An Enemy of the People; Outside Looking In; The Party is Over; Petrified Forest; Whom Dreams Possess.","Correspondence from Silvera to Ben Russak concerning the Negro Theatre and Theodore Brown.","Photocopies of correspondence and flyer regarding the Detrot Federal Theatre.","A Nationwide Search for Early American Printing: A talk over station WDAF (Kansas City) by Douglas C. McMurtrie.","Newsclippings about the play \"This Pretty World,\" program for a production of \"And You, My Friend, Farewell.\"","Awake and Sing, typed reviews and handwritten notes.","The Children of Salem marionette playscript.","Circus Days hand drawn set designs; marionette review.","The Disappointment playscript.","Miscellaneous - flyers, contest announcements, weekly program schedules. Includes: color pamphlet for upcoming productions including Eugene O'Neill's Four One Act Plays of the Sea, Processional, A Hero is Born; Buffalo historical marionettes brochure; Beaver club letter; caravan herald; contest information; covers for weekly schedules, Daly's Childrens' schedule; Drama week herald; Elliott's Repertory; Federal Theatre presents brochure; Living Theatre herald for talks; marionettes in the news; Marionette Theatre brochure; new summer session of the Negro Dramatists Lab herald.\nMarionette Theatre brochure is available in digital format.","The Poetic Theatre program,","Tobias and the Angel program,","The Totem marionettes playscript.","Photocopy of Joseph Lentz letter to Alice Vaeth,","Theatre Arts magazine: The Negro in the American Theatre.","Brooklyn Museum print show. Printed booklet titled: Information for artists on the Brooklyn Museum Print Show.","Native Ground painted promotional design, original artwork.","Correspondence on the Federal Art Project and Velonis possible employment on a traveling art project.","The Path of Flowers original artwork.","R.U.R. original artwork for poster.","Serigraph Quarterly volume II number 2.","Sketches documenting silkscreening practices and tools.","Pencil sketch titled \"New Voices.\"","Technique, Art and Power, handwritten three page essay.","What is a Silkscreen Print? five page typed essay.","Photocopy of script for The Willow Plate - an original hand puppet play based on an old Chinese legend.","Script for New Living Newspaper volume 1 number 2 by Irene Wagner with Barry Levy and Richard Vitere.","American Jubilee sheet music.","The Forgotten Music of Triple A Plowed Under (1936), Power (1937), and One Third of a Nation (1938) by Deborah Novak, thesis.","Leaning on a Shovel  sheet music.","Newsclippings; Living Newspaper programs.","Orchestration for scenes from unnamed play. \"ARR. G.A.E. 12/2/36\" written on sheet music.","Orchestration for Power, sheet music and lyrics.","Power - TVA song, sheet music.","Power newspaper clippings, Processional program, Federal Music Program Composers Forum Laboratory featuring Werner Josten program, small play production photograph.","Power script with small scrap of sheet music.","Sing For Your Supper, lyrics and sheet music for Opening Night.","Sing For Your Supper, lyrics and sheet music for Perspiration.","Sing For Your Supper, sheet music for Sixty Families.","Sing For Your Supper, sheet music for Sixty Families.","Sing For Your Supper, published sheet music for The Story of Horn.","Sing For Your Supper playscript.","Sing For Your Supper playscript.","Federal Theatre volume 2 number 4 with drawing on cover; Programs for Trojan Incident, Adelante, Ballet Caravan; Four issues of Federal Theatre Project Dance Bulletin; Administrative memorandum on vacations; House of Representatives Bill H.R. 8239; Newspaper clippings.","Programs: Gods of the Lightning; Run, Little Chillun; Days Without End.","Jobless Blues lyrics and sheet music.","Administrative correspondence; Instructions for Federal Theatre Projects; WPA supplement number 1 to bulletin 29; Washington Marionette Festival notice; Semi-monthly letter of the Federal Theatre Project."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_15828e7b77a3bc261a75a7c6ca039cac\" label=\"Summary\"\u003eThis collection brings together over 90 individual donations of Federal Theatre Project material. The material in this collection consists of employment papers, correspondence, scrapbooks, newspaper and magazine clippings, photographs, playscripts, programs, fliers, and production notebooks.\u003c/abstract\u003e"],"abstract_tesim":["This collection brings together over 90 individual donations of Federal Theatre Project material. The material in this collection consists of employment papers, correspondence, scrapbooks, newspaper and magazine clippings, photographs, playscripts, programs, fliers, and production notebooks."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_9d57557dcf579bc9f23fe848b0ac690f\"\u003e\nR 46, C 3, S2 - S 5 \n\n\nR 46, C 5, S 1\n\n\nOS R 3, C 5, S 2\n\n\nMap Case 22.4\n\u003c/physloc\u003e"],"physloc_tesim":["\nR 46, C 3, S2 - S 5 \n\n\nR 46, C 5, S 1\n\n\nOS R 3, C 5, S 2\n\n\nMap Case 22.4\n"],"names_coll_ssim":["Federal Theatre Project (U.S.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":249,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:27:03.377Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_345","ead_ssi":"vifgm_repositories_2_resources_345","_root_":"vifgm_repositories_2_resources_345","_nest_parent_":"vifgm_repositories_2_resources_345","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_345.xml","title_ssm":["Federal Theatre Project personal papers"],"title_tesim":["Federal Theatre Project personal papers"],"unitdate_ssm":["1926 - 1993","1936-1939"],"unitdate_bulk_ssim":["1936-1939"],"unitdate_inclusive_ssm":["1926 - 1993"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0227","/repositories/2/resources/345"],"text":["C0227","/repositories/2/resources/345","Federal Theatre Project personal papers","Children's theater","New Deal, 1933-1939","Performing arts","Puppet theater","Radio and theater","Theater -- United States","Collection is open to research.","Arranged alphabetically by last name.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre Project began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.  Individuals worked with the Federal Theatre Project in a number of capacities, including stage managers, directors, actors and actresses, puppeteers, conductors, dancers, set and costume designers, composers, and authors.","Processing completed in October 2012 by Greta Kuriger Suiter. EAD markup completed in January 2013 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","This collection brings together over 90 individual donations of Federal Theatre Project material.  The material in this collection consists of employment papers, correspondence, scrapbooks, newspaper and magazine clippings, photographs, playscripts, programs, fliers, and production notebooks from people who worked in a multitude of capacities with the Federal Theatre in locations around the United States.","Set designs by Frederick Stover for Los Angeles productions of The Warrior's Husband, Chalk Dust, and Days Without End.","Newspaper articles from fake newspapers distributed in theaters in the 1930s - The Morning-Evening and Chicago Star-Gazette. One article from The Springfield Union, November 8, 1949, \"'Street Scene' inaugurated American Series at Smith\".","Correspondence between Lorraine Brown and Doris Abramson with accompanying unidentified production photograph.","Correspondence between Abramson and Theodore Browne.","Radio scripts: The F.M.P. Negro Melody Singers, The Negro Melody Singers, Negro Art Singers, Symphony no. 5 in E minor, opus 64, page 2 from The Story of Swing.","Photocopy of It's Up to You playscript","Article Puppets and Marionettes from unknown publication.","Article Take it away, Hollywood: transcript of the memorable coast-to-coast broadcast for WPA on Monday midnight, June 26 [1939] from unknown publication.","Photocopy of original music \"Ain't We Got Love\" from Swing It.","Photocopy of original music \"By the Sweat of Your Brow\" from Swing It.","Photocopy of original music \"Green and Blue\" from Swing It.","Photocopy of original music \"Huggin' and Muggin'\" from Swing It.","Translation of review of Professor Mamlock in the Morning Journal; letter from an audience survey of Professor Mamlock.","The Dog Beneath the Skin director's copy playscript.","Medicine Show costume design original sketches (1 of 3),","Medicine Show costume design original sketches (2 of 3),","Medicine Show costume design original sketches (3 of 3),","Medicine Show handwritten notes and drawings.","Costume designs for Miles Gloriousus.","Costume designs for One-Third of a Nation.","One-Third of a Nation newspaper articles, costume design notes and lists.","Unidentified costume designs.","2 programs for Abu Hassan and The Princess and the Pea.","Multiple articles and newspaper clippings on puppet and marionette productions.","Non Federal Theatre Project play programs, many of which are marionette productions.","Scrapbook pages with articles about puppets and marionettes.","Captain Kidd playscript.","Playscript and newspaper article for One-Third of a Nation Philadelphia version.","Federal Theatre Project press scrapbook containing primarily newspaper and press clippings, programs, and a form letter to Harry Hopkins in regards to the firing of Elmer Rice.","Letter to Tony Buttitta from Eva Le Gallienne with accompanying photograph of Hallie Flanagan.","Photocopy of publicity pages for a production of Trojan Incident at St. James Theatre.","Photocopies of: program notes for The Dance of Death, newspaper articles on the Federal Theatre Project, correspondence.","Unpublished manuscript by Clugston titled Very Like a Whale (1 of 4).","Unpublished manuscript by Clugston titled Very Like a Whale (2 of 4).","Unpublished manuscript by Clugston titled Very Like a Whale (3 of 4).","Unpublished manuscript by Clugston titled Very Like a Whale (4 of 4).","Program for the marionette play Crock of Gold.","Newspaper clippings featuring the plays The Farmer's Wife, It Can't Happen Here, and Chalk Dust. One book review titled Theater: New York and Moscow.","Photocopies of miscellaneous newspaper clippings including a 1935 Philadelphia Inquirer article about Helen Schoeni, assistant regional director of the WPA theatrical projects and an article form a 1935 Boston Transcript about the Hedgerow Theatre.","Puppet teaching materials.","Clown marionette donated by Alan Cook, made by Lora Pattison who taught puppetry under the WPA Recreation Project at Oneonta Grammer School, South Pasadena, California. Mrs. Pattison received her puppet training in the Pasadena WPA Recreation Project.","Photocopies of correspondence, newspaper articles, play programs, and plays written by Courlander.","Hand drawn set design for Playboy of the Western World.","Employee's identification card; notice of termination of employment.","Scrapbook page with newspaper clippings.","Correspondence between Jed Davis and Hallie Flanagan and correspondence between the Library of Congress and Davis on researching the Federal Theatre collection.","3 programs for The Dance Theatre, A Dance Program for Young Folk, A Doris Humphrey-Charles Weidman Dance Program.","Photocopy of the play Abraham's Bosom by Paul Green.","Photocopies of Peter Goes to the Fair playscript, newspaper reviews, program, and production notes.","Programs for The Dance of Death and Pinocchio. Newspaper article on broken scrapbook backing featuring The Dance of Death.","Programs for Chalk Dust, Cricket on the Hearth, The Devil Passes, Rip Van Winkle, The Sun and I, Prologue to Glory, The Life of Abraham Lincoln, It Can't Happen Here, Nude with Pineapple, Marionette Vaudeville, The Emperor Jones, Alice in Wonderland, Battle Hymn. Mailed flier for Squaring the Circle. Newspaper clippings.","The Witch of Guinness Crag by Michele Elliott.","Color play announcement pamphlet featuring Prologue to Glory, Haiti, On the Rocks, and One-Third of a Nation.","Photocopies. Contents include Director's letter series 2 number 2, memorandum, Little Black Sambo script excerpt and program, Holy Night newspaper clipping and production notes, Rip Van Winkle program.","Playscript of Dirt a living newspaper.","Eloise Moore dance file. Contents include newspaper clippings featuring play and dance reviews, texts used for dance productions, article Chicago Dance Notes.","Eloise Moore dance file. Programs.","I Told Santa Claus to Bring Me You sheet music.","Playscript of It Can't Happen Here with handwritten note on title page by Sinclair Lewis.","Can You Hear Their Voices? correspondence and scripts, Vassar Experimental Theatre.","Ladies Are Made script.","Programs, flyers, and two photographs from the Vassar College Experimental Theatre.","First Legion production bulletin.","Prologue to Glory research file.","Scrapbook containing photographs, newspaper clippings, and programs. Photographs include portraits (some of which are signed), production photographs, and cast group portraits. Much material relates to productions at the Alcazar Theatre in San Francisco. Shows represented include Prologue to Glory, The Sun and I, Spirochete, Power, It Can't Happen Here, and The Taming of the Shrew.","Oversize. Blueprint for the preliminary elevation and ground plan castle scene of Macbeth, designed by Nat Karson.","Photocopies of actors notes and cues for Macbeth.","Bryn Mawr Summer School songs.","Federal Theatre Project official documents transferring rights of works.","Program for A Festival of American Dance, 12 photographs by Ralph Samuels of American Holidays dance production.","Revue of Reviews sheet music.","Bird of Paradise program.","Correspondence, memoranda, Federal Theatre Project in San Francisco survey.","Newspaper clippings.","Photograph of Hallie Flanagan signed to Gerwing.","Publications including issues of Federal Theatre, The Prompter, Variety, and The Federal Theatre Show Parade.","Scrapbook titled \"Curtains up on Region of the West.\" Contains painted costume and set designs, photographs depicting staged productions, Civilian Conservation Corps camps, miniature theatre models. There is also one painted over photograph.","Photocopies of correspondence between Gilder and Hallie Flanagan.","Photocopies of newspaper clippings, program material for a production of Faust, program for Page-Stone Ballet, program for Graff Ballet.","Newspaper clippings featuring Spirochete, Taming of the Shrew, and Ready, Aim, Fire?. Photocopy of newspaper clipping featuring the Los Angeles Federal Theatre Project. Notice of reinstatement for terminated employees to continue on the payroll until September 30, 1939.","Stage brace believed to be from the Federal Theatre Project.","Federal Theatre employment papers, birthday card, newspaper clipping.","King Henry the Fifth prologue, poem titled A Nightmare, exercises for speech, speech drills.","Peer Gynt script.","Photographs from oversize \"The Spiral\" scrapbook.","Loose material removed from \"The Spiral\" scrapbook. Newspaper clippings, invitation to \"The Mask and the Face,\" program for \"Smilin' Through.\"","Scrapbook on the Miami Federal Players (1 of 2). Newspaper clippings and programs.","Scrapbook on the Miami Federal Players (2 of 2). Newspaper clippings and programs about the Miami Federal Players, also programs for Cloyd Head's Miami Players, Shawn and his men dancers, Temple Theatre, and a script titled \"Blocks\" by Molly Day Thatcher.","Scrapbook with a brown cover (1 of 2). Portrait and production photographs include Dorothea Thomas Lynch, and Scott Griffin, programs, newspaper and magazine clippings, some pertaining to Molka Reich and marionettes.","Scrapbook with a brown cover (2 of 2). Programs, newspaper clippings relating to the Miami Federal Theatre. Photographs of marionette productions, material relating to Molka Reich.","Brown scrapbook covers; \"The Spiral\" scrapbook which contains Federal Theatre Project newspaper clippings, telegrams, and programs related to the Miami Federal Players. There is also a program for the Erlanger Theatre in Atlanta, Georgia for a production of The Barretts of Wimpole Street.","Copies of 3 articles from the Saturday Evening Post about the Federal Theatre Project.","Scrapbook with writing inside the front cover: \"Federal Theatre of the Midwest year 1939. Prologue to Glory production - 75 performances. R. Lyle Hagan as 'Abe' Lincoln.\" Includes newspaper and magazine clippings including a newspaper from 1931 and a New Yorker from 1942, programs, and photographs. The photographs include signed headshots, actors at work, and outside of work.","Contains: one photograph of a muppet created by Bil Bairds walking in a parade from the 1990s; photographs from productions at the Great Northern Theatre in July 1938 that include Kurt Graff, Ruth Page, Carl Harms and others; programs; magazine articles; notice of assignment for Carl Harms.","Newspaper clippings.","Programs for Atlanta productions of The Drunkard, Altars of Steel, Mary the Third, The Torch Bearers, Excursion, Boy Meets Girl, Around the Corner, The Devil's Disciple, By Candlelight.","Flyers and newspaper clippings about Federal Theatre productions in Atlanta, program for Faust, photocopy of photograph of Julian Harris, documents include a proposed working agreement between Atlanta Theatre Guild and the Atlanta Federal Theatre, and notice of termination of employment.","Miniature theatre models constructed by Research Bureau Regional Service Department Federal Theater Project Region of the West booklet.","The Story of Ferdinand and String Fever program, photocopies of newspaper clippings on The Story of Ferdinand and String Fever performances from the 1940s to the 1980s.","Power playscript.","One-Third of a Nation living newspaper program.","Program for The Dance of Death; Murder in the Federal Theatre! Published by the Federal Theatre Project Supervisors' Council; Promotional material for Injunction Granted! and One-Third of a Nation; Memorandum from T. A. Mauntz to Ethel Aaron.","Scenic and set designs, by Hjalmar Hermanson for the plays Ethiopia, Triple-A Plowed Under, and 1935. Designs are mounted onto storyboards that measure 15 inches high by 20 inches wide. There are four for Ethiopia, Five for Triple-A Plowed Under, and five for 1935.","Triple-A Plowed Under photographs.","1935 photographs.","The Conjure Man Dies playscript.","The Conjure Man Dies playscript.","The Conjure Man Dies playscript.","Program for The Lonely Man.","Photographs of puppet performance in Philadelphia as well as performances of One-Third of a Nation and the Federal Theatre Dance Project.","Scrapbook pages removed from scrapbook containing mostly newspaper clippings and programs relating to Seattle productions.","Programs, photographs, artwork from Seattle Federal Theatre Project productions including Is Zat So, Brer Rabbit, Black Empire, Flight, One-Third of a Nation, Mother Goose.","Programs for The Emperor's New Clothes, Native Ground, Seattle Children's Theatre, Medicine Show, Love in Humble Life, Julius Caesar, The Path of Flowers, Sweet Land, The Straw, The Show-Off, The Pursuit of Happiness, Professor Mamlock, Haiti, The Mikado.","Contains: Employee identification card, telegrams, letters regarding employment, recommendation letters; flyers, announcements, newspaper clippings about Seattle productions.","Two photographs possibly of Injunction Granted.","Script for Mother Goose and Us (children's play).","Photocopies of newspaper clippings and a letter.","Photocopies of newspaper clippings and programs.","Photocopy of unpublished material by Lavery that was planned as a chapter in The Flexible Stage. A copy of The Flexible Stage is found in the  Federal Theatre Project collection box 154 folders 8 and 9.","Photocopy of script for Papa's Got a Job; script for Pop's a Cop in Jersey City;  photocopy of opening scene of Sing For Your Supper.","Sing For Your Supper production notebook.","Sing For Your Supper sheet music - Imagine My Finding You Here.","Sing For Your Supper sheet music - Papa's Got a Job.","Cherokee Nights set sketches for performance at the Provincetown Playhouse.","Cherokee Nights set model. It is made out of paper, wood, and clay and measures approximately 12 inches by 9 1/5 inches by 11 1/2 inches. The set consists of a box painted black with the top and one side exposed. There are two pieces of string that criss cross the top part of the box. The set itself has four moveable parts, two of which look like rock piles, one looks like a doorway that comes out of a rock pile, and the last piece is a wooden fence. The background consists of three pieces of paper that are painted blue.","Hand in Glove set model. Made out of wood and paper. The model consists of two main parts that swivel 360 degrees to provide two different sets. One is of the back of a house, the other is inside the house. The walls of the house has pencil drawings on it. The model measures 13.5 inches long by 8 inches high by 10 1/4 inches wide. Two stamps are present on the front of the model. Both are for the United Scenic Artists Local 829. Handwritten on the front is \"For Arthur Edison, Hand in Glove, by C.K. Freeman \u0026 G. Savory Scale 1/4\" = 1', 10-6-44, S. Leve.\"","Set model for unknown production, approximately 7 1/2 inches wide and 4 1/4 inches high. Made out of wood, paper, and clay, the set features a hill with trees and two walls with part of a grass hut roof. There are pencil sketches on the walls of the hut.","Set model for the play Dinosaur Wharf produced at the National Theatre in 1951. Set is made out of wood and paper, and measures 13 inches by 7 3/8 inches by 8 1/4 inches. The set consists of a wharf with a small building on the left hand side. In the background is a hand drawn cityscape. The model is encased in glass. A label on the model states: \"'Dinosaur Wharf,' at the National Theatre. Presented by Terese Hayden. Written by Joel Wyman. Directed by Miss Hayden. Setting designed by Samuel Leve.\"","Scrapbook containing Milwaukee newspaper clippings about the Federal Theatre Project. Most clippings are from May to October 1936.","Can You Hear Their Voices? By Hallie Flanagan and Margaret Ellen Clifford for Vassar Experimental Theatre plays; Program for Can You Hear Their Voices?; encyclopedia entry on Federal Theatre; What was Federal Theatre? pamphlet by Hallie Flanagan.","2 Photocopies of images of dancers.","Federal Theatre Project costume that includes a green velvet vest and pants.","Tomato marionette.","Oakland Recreation Department marionette report (in scrapbook form) includes report, photographs, scripts.","Puppet teaching - all cloth puppets manual for the city of New York Education and Recreation Department.","Newspaper clippings. Programs: Prelude to Swing, Spirochete, Unto Such Glory / Hymn to the Rising Sun.","Photographs of the production Unto Such Glory; photograph of Blanding Sloan, George Gerwing, Hallie Flanagan, and Herbert Humphreys at the first Sponsors' meeting in Philadelphia; photograph of crowd outside theatre in Philadelphia, cast of Spirochete; postcard from Katherine Calé.","Production bulletin for Philadelphia production of Spirochete includes set and costume design, newspaper clippings, programs.","Federal Theatre magazine - First Federal Summer Theatre…A Report; Two documents: General outline for statement of the plan; Planning Committee on Field Problems, resolutions.","Photocopy of review of Big Blow from the New York Times.","Photocopies of programs from productions performed in Jacksonville, Florida : Carrier-Jamboree; Aida; Criminal at Large; A Doll's House; Dulcy; Escape; Fly Away Home; The Girl of the Golden West; Hay Fever and Anne Pedersdotter; Lightnin'; The Ninth Guest; One Sunday Afternoon; The Pizen Song; R-U-R; Remember the Day; The Rise of Silas Lapham; Saturday's Children; She Stoops to Conquer (original and photocopy); Smilin' Through; Twelfth Night; Ten Nights in a Barroom;  Uncle Tom's Cabin (original).","Florida Federal Theatre report - Analysis of attendance records, with averages and recapitulations; Historical drama tour series outlines for class study - When Knighthood was in Flower; Time Magazine clipping; article - Our Theatre by Lerom, L. D.; typewritten copy of Movie stars plead for Jacksonville Federal Theatre article originally in the Jacksonvelle Journal; photocopies of newspaper articles.","Negatives and three slides. Copies of photographs of Federal Theatre productions in Jacksonville, Florida; slides of a drawing of the Florida Federal Theatre bus.","Photocopies. Correspondence between Medovoy and Federal Theatre employees; radio talk titled Yiddish Theatre in the California WPA; photographs of scenes and sets from Yiddish Federal Theatre productions.","Photocopies of a review and publicity about the Federal Theatre in California, and the Experimental Theatre.","Androcles and the Lion playscript.","The Dragon's Wishbone playscript.","Letter to Lorraine Brown and newspaper clippings.","Loose materials removed from scrapbook pages. Includes: Newspaper clippings, programs, Federal Theatre project research on plays, memoranda and correspondence.","Sleeping Beauty playscript.","Snow White and the Seven Dwarfs script, Syl file.","Syl (Art Director of the FTP) file on the play Coppelia, includes hand drawn set designs and typed production notes.","Syl (Art Director of the FTP) file includes memoranda, handwritten notes, set and stage designs.","Scrapbook pages containing programs, newspaper clippings, telegrams, tickets, some Federal Theatre correspondence, and three pasted in artifacts - doll clothing created by the WPA Sewing Colored Unit and a doll size artists palette. Much of the material is from the Centro Asturiano Theatre, or relates to Tampa, Florida productions. Some Spanish language material.","Program and newspaper review for production of Jefferson Davis; Morcom identification work card.","Photocopies of correspondence between Murray, Hallie Flanagan, and E. Woodward regarding J. Howard Miller.","Photocopies of newspaper articles and programs about the WPA dance unit productions and strikes.","Bassa Moona program, New York.","The Bat program performed in Los Angeles.","Two programs for Battle Hymn as produced in New York.","Two programs for Big Blow performed in Chicago.","Candide program.","Program and flyer for Chalk Dust performed in New York.","Class of '29 program, New York production.","Seven programs for Doctor Faustus performed in New York. One program contains an insert and an audience survey questionnaire.","Gilbert \u0026 Sullivan Opera Company program.","Help Yourself, three programs from New York.","Horse Eats Hat program from New York.","Laburnum Grove program from Hartford, Connecticut production.","The Mikado (swing version) two programs from New York City productions.","Murder in the Cathedral program from New York production.","One-Third of a Nation, two Living Newspaper programs for productions in Seattle, Washington.","Programs including the following productions: Haiti; How Long Brethren?; It Can't Happen Here; Life and Death of an American; Macbeth; The Mikado; The Path of Flowers; Pinocchio; Processional; Prologue to Glory; Unto Such Glory.","Sing For Your Supper, five programs from New York productions.","The Theatre Abroad volume 1 number 4.","The Theatre Abroad volume 1 number 5.","The Theatre Abroad volume 1 number 6.","Scrapbook containing newspaper clippings, programs, and photographs of actors from Federal Theatre plays produced at B. F. Keith's theatre in Indianapolis.","November 13, 1935 Dr. Lee Norvelle was appointed Director of the Indiana State Federal Theatre Project. He was granted a leave of absence from Indiana University, and moved to Indianapolis on November 18 to initiate the project. B. F. Keith's theatre was leased and served as the headquarters of the project for it's duration. The first production opened March 2, 1936. The last production closed in June 1937.","Photocopies of reviews of the production Frankie and Johnny.","Macbeth program.","Federal Theatre programs: Hamlet, Chalk Dust, Rip Van Winkle, Spirochete, An Evening of Short Plays by Eugene O'Neill, The Lonely Man (with multiple signatures), Burning the Mortgage, The Good Old Summertime, Triple A Plowed Under; Newspaper clipping for \"That's a Laff\" (1944); entries on Federal Theatre plays from a book on Theatre.","Fool's Gold script.","Photocopies. From Ben Russak files - press release for Treasure Hunt (The Disappointment); notes and correspondence about the adaptation of The Disappointment.","Photocopies. Chart of San Francisco productions through June 9, 1937; organization chart; Toward a Living Theatre; first draft of Answers to Questions from Howard Miller. Foster identification cards and termination notice.","Please Communicate playscript.","Correspondence between various Federal Theatre administrators; speech given by Rhodes on the Federal Theatre; blank personnel forms.","Three pages of Hallie Flanagan notes; Programs for One-Third of a Nation, Doctor Faustus, Swing It, Pinocchio.","Flat Lux playbill autographed by Rodericks.","Photocopies of programs for Battle Hymn, and A Touch of Brimstone.","Revolt of the Beavers published script.","Green scrapbook with newspaper clippings covering productions of the play Medicine Show.","Promotional flier for Awake and Sing at Daly's Theatre; program for The Taming of the Shrew; flier for Summer Theatre in Seattle.","Newspaper clippings and five photographs depicting Savage, Mrs. James, J. Howard Miller and Guy Williams, Burton James, Federal Theatre theatre.","Newspaper clipping from 1989 about the Federal Theatre; Programs: Sunday Night Varieties; Pins and Needles; Here's Looking at You.","Injunction Granted and One-Third of a Nation living newspaper programs.","Programs: The Cradle Will Rock; Pinocchio; Adelante; Battle Hymn; Big Blow; Class of '29; A Doris Humphrey-Charles Weidman Dance Program; The Dance of Death; Doctor Faustus; The Mikado; Life and Death of an American; It Can't Happen Here; Haiti; How Long Brethern?; On the Rocks; Prologue to Glory; Processional; The Sun and I; Run Little Chillun; Buffalo Historical Marionettes; Turpentine,","Buffalo Historical Marionettes is available in digital format.","Playbill and herald for the New York production of On The Rocks.","Souvenir program for The Lost Colony.","Four photographs of Eleanor Shibley in costume. These are not the original photographs.","Paper on the Federal Theatre Project.","Programs: Triple A Plowed Under; Power; 1935; If Ye Break Faith; Mississippi Rainbow; The Man in the Tree; High Tor; Faust; The Farmer Takes a Wife; An Enemy of the People; Outside Looking In; The Party is Over; Petrified Forest; Whom Dreams Possess.","Correspondence from Silvera to Ben Russak concerning the Negro Theatre and Theodore Brown.","Photocopies of correspondence and flyer regarding the Detrot Federal Theatre.","A Nationwide Search for Early American Printing: A talk over station WDAF (Kansas City) by Douglas C. McMurtrie.","Newsclippings about the play \"This Pretty World,\" program for a production of \"And You, My Friend, Farewell.\"","Awake and Sing, typed reviews and handwritten notes.","The Children of Salem marionette playscript.","Circus Days hand drawn set designs; marionette review.","The Disappointment playscript.","Miscellaneous - flyers, contest announcements, weekly program schedules. Includes: color pamphlet for upcoming productions including Eugene O'Neill's Four One Act Plays of the Sea, Processional, A Hero is Born; Buffalo historical marionettes brochure; Beaver club letter; caravan herald; contest information; covers for weekly schedules, Daly's Childrens' schedule; Drama week herald; Elliott's Repertory; Federal Theatre presents brochure; Living Theatre herald for talks; marionettes in the news; Marionette Theatre brochure; new summer session of the Negro Dramatists Lab herald.\nMarionette Theatre brochure is available in digital format.","The Poetic Theatre program,","Tobias and the Angel program,","The Totem marionettes playscript.","Photocopy of Joseph Lentz letter to Alice Vaeth,","Theatre Arts magazine: The Negro in the American Theatre.","Brooklyn Museum print show. Printed booklet titled: Information for artists on the Brooklyn Museum Print Show.","Native Ground painted promotional design, original artwork.","Correspondence on the Federal Art Project and Velonis possible employment on a traveling art project.","The Path of Flowers original artwork.","R.U.R. original artwork for poster.","Serigraph Quarterly volume II number 2.","Sketches documenting silkscreening practices and tools.","Pencil sketch titled \"New Voices.\"","Technique, Art and Power, handwritten three page essay.","What is a Silkscreen Print? five page typed essay.","Photocopy of script for The Willow Plate - an original hand puppet play based on an old Chinese legend.","Script for New Living Newspaper volume 1 number 2 by Irene Wagner with Barry Levy and Richard Vitere.","American Jubilee sheet music.","The Forgotten Music of Triple A Plowed Under (1936), Power (1937), and One Third of a Nation (1938) by Deborah Novak, thesis.","Leaning on a Shovel  sheet music.","Newsclippings; Living Newspaper programs.","Orchestration for scenes from unnamed play. \"ARR. G.A.E. 12/2/36\" written on sheet music.","Orchestration for Power, sheet music and lyrics.","Power - TVA song, sheet music.","Power newspaper clippings, Processional program, Federal Music Program Composers Forum Laboratory featuring Werner Josten program, small play production photograph.","Power script with small scrap of sheet music.","Sing For Your Supper, lyrics and sheet music for Opening Night.","Sing For Your Supper, lyrics and sheet music for Perspiration.","Sing For Your Supper, sheet music for Sixty Families.","Sing For Your Supper, sheet music for Sixty Families.","Sing For Your Supper, published sheet music for The Story of Horn.","Sing For Your Supper playscript.","Sing For Your Supper playscript.","Federal Theatre volume 2 number 4 with drawing on cover; Programs for Trojan Incident, Adelante, Ballet Caravan; Four issues of Federal Theatre Project Dance Bulletin; Administrative memorandum on vacations; House of Representatives Bill H.R. 8239; Newspaper clippings.","Programs: Gods of the Lightning; Run, Little Chillun; Days Without End.","Jobless Blues lyrics and sheet music.","Administrative correspondence; Instructions for Federal Theatre Projects; WPA supplement number 1 to bulletin 29; Washington Marionette Festival notice; Semi-monthly letter of the Federal Theatre Project.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection brings together over 90 individual donations of Federal Theatre Project material. The material in this collection consists of employment papers, correspondence, scrapbooks, newspaper and magazine clippings, photographs, playscripts, programs, fliers, and production notebooks.","\nR 46, C 3, S2 - S 5 \n\n\nR 46, C 5, S 1\n\n\nOS R 3, C 5, S 2\n\n\nMap Case 22.4\n","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","English"],"unitid_tesim":["C0227","/repositories/2/resources/345"],"normalized_title_ssm":["Federal Theatre Project personal papers"],"collection_title_tesim":["Federal Theatre Project personal papers"],"collection_ssim":["Federal Theatre Project personal papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Federal Theatre Project (U.S.)"],"creator_ssim":["Federal Theatre Project (U.S.)"],"creator_corpname_ssim":["Federal Theatre Project (U.S.)"],"creators_ssim":["Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Multiple donations to the Federal Theatre Project Research Center by those named in this finding aid between 1975 and 1984."],"access_subjects_ssim":["Children's theater","New Deal, 1933-1939","Performing arts","Puppet theater","Radio and theater","Theater -- United States"],"access_subjects_ssm":["Children's theater","New Deal, 1933-1939","Performing arts","Puppet theater","Radio and theater","Theater -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["15 Linear Feet 29 boxes"],"extent_tesim":["15 Linear Feet 29 boxes"],"date_range_isim":[1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eArranged alphabetically by last name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged alphabetically by last name."],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre Project began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.  Individuals worked with the Federal Theatre Project in a number of capacities, including stage managers, directors, actors and actresses, puppeteers, conductors, dancers, set and costume designers, composers, and authors.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical note"],"bioghist_tesim":["The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre Project began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.  Individuals worked with the Federal Theatre Project in a number of capacities, including stage managers, directors, actors and actresses, puppeteers, conductors, dancers, set and costume designers, composers, and authors."],"prefercite_html_tesm":["\u003cp\u003eThe Federal Theatre Project personal papers, C0227, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["The Federal Theatre Project personal papers, C0227, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed in October 2012 by Greta Kuriger Suiter. EAD markup completed in January 2013 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed in October 2012 by Greta Kuriger Suiter. EAD markup completed in January 2013 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThis collection brings together over 90 individual donations of Federal Theatre Project material.  The material in this collection consists of employment papers, correspondence, scrapbooks, newspaper and magazine clippings, photographs, playscripts, programs, fliers, and production notebooks from people who worked in a multitude of capacities with the Federal Theatre in locations around the United States.\u003c/p\u003e","\u003cp\u003eSet designs by Frederick Stover for Los Angeles productions of The Warrior's Husband, Chalk Dust, and Days Without End.\u003c/p\u003e","\u003cp\u003eNewspaper articles from fake newspapers distributed in theaters in the 1930s - The Morning-Evening and Chicago Star-Gazette. One article from The Springfield Union, November 8, 1949, \"'Street Scene' inaugurated American Series at Smith\".\u003c/p\u003e","\u003cp\u003eCorrespondence between Lorraine Brown and Doris Abramson with accompanying unidentified production photograph.\u003c/p\u003e","\u003cp\u003eCorrespondence between Abramson and Theodore Browne.\u003c/p\u003e","\u003cp\u003eRadio scripts: The F.M.P. Negro Melody Singers, The Negro Melody Singers, Negro Art Singers, Symphony no. 5 in E minor, opus 64, page 2 from The Story of Swing.\u003c/p\u003e","\u003cp\u003ePhotocopy of It's Up to You playscript\u003c/p\u003e","\u003cp\u003eArticle Puppets and Marionettes from unknown publication.\u003c/p\u003e","\u003cp\u003eArticle Take it away, Hollywood: transcript of the memorable coast-to-coast broadcast for WPA on Monday midnight, June 26 [1939] from unknown publication.\u003c/p\u003e","\u003cp\u003ePhotocopy of original music \"Ain't We Got Love\" from Swing It.\u003c/p\u003e","\u003cp\u003ePhotocopy of original music \"By the Sweat of Your Brow\" from Swing It.\u003c/p\u003e","\u003cp\u003ePhotocopy of original music \"Green and Blue\" from Swing It.\u003c/p\u003e","\u003cp\u003ePhotocopy of original music \"Huggin' and Muggin'\" from Swing It.\u003c/p\u003e","\u003cp\u003eTranslation of review of Professor Mamlock in the Morning Journal; letter from an audience survey of Professor Mamlock.\u003c/p\u003e","\u003cp\u003eThe Dog Beneath the Skin director's copy playscript.\u003c/p\u003e","\u003cp\u003eMedicine Show costume design original sketches (1 of 3),\u003c/p\u003e","\u003cp\u003eMedicine Show costume design original sketches (2 of 3),\u003c/p\u003e","\u003cp\u003eMedicine Show costume design original sketches (3 of 3),\u003c/p\u003e","\u003cp\u003eMedicine Show handwritten notes and drawings.\u003c/p\u003e","\u003cp\u003eCostume designs for Miles Gloriousus.\u003c/p\u003e","\u003cp\u003eCostume designs for One-Third of a Nation.\u003c/p\u003e","\u003cp\u003eOne-Third of a Nation newspaper articles, costume design notes and lists.\u003c/p\u003e","\u003cp\u003eUnidentified costume designs.\u003c/p\u003e","\u003cp\u003e2 programs for Abu Hassan and The Princess and the Pea.\u003c/p\u003e","\u003cp\u003eMultiple articles and newspaper clippings on puppet and marionette productions.\u003c/p\u003e","\u003cp\u003eNon Federal Theatre Project play programs, many of which are marionette productions.\u003c/p\u003e","\u003cp\u003eScrapbook pages with articles about puppets and marionettes.\u003c/p\u003e","\u003cp\u003eCaptain Kidd playscript.\u003c/p\u003e","\u003cp\u003ePlayscript and newspaper article for One-Third of a Nation Philadelphia version.\u003c/p\u003e","\u003cp\u003eFederal Theatre Project press scrapbook containing primarily newspaper and press clippings, programs, and a form letter to Harry Hopkins in regards to the firing of Elmer Rice.\u003c/p\u003e","\u003cp\u003eLetter to Tony Buttitta from Eva Le Gallienne with accompanying photograph of Hallie Flanagan.\u003c/p\u003e","\u003cp\u003ePhotocopy of publicity pages for a production of Trojan Incident at St. James Theatre.\u003c/p\u003e","\u003cp\u003ePhotocopies of: program notes for The Dance of Death, newspaper articles on the Federal Theatre Project, correspondence.\u003c/p\u003e","\u003cp\u003eUnpublished manuscript by Clugston titled Very Like a Whale (1 of 4).\u003c/p\u003e","\u003cp\u003eUnpublished manuscript by Clugston titled Very Like a Whale (2 of 4).\u003c/p\u003e","\u003cp\u003eUnpublished manuscript by Clugston titled Very Like a Whale (3 of 4).\u003c/p\u003e","\u003cp\u003eUnpublished manuscript by Clugston titled Very Like a Whale (4 of 4).\u003c/p\u003e","\u003cp\u003eProgram for the marionette play Crock of Gold.\u003c/p\u003e","\u003cp\u003eNewspaper clippings featuring the plays The Farmer's Wife, It Can't Happen Here, and Chalk Dust. One book review titled Theater: New York and Moscow.\u003c/p\u003e","\u003cp\u003ePhotocopies of miscellaneous newspaper clippings including a 1935 Philadelphia Inquirer article about Helen Schoeni, assistant regional director of the WPA theatrical projects and an article form a 1935 Boston Transcript about the Hedgerow Theatre.\u003c/p\u003e","\u003cp\u003ePuppet teaching materials.\u003c/p\u003e","\u003cp\u003eClown marionette donated by Alan Cook, made by Lora Pattison who taught puppetry under the WPA Recreation Project at Oneonta Grammer School, South Pasadena, California. Mrs. Pattison received her puppet training in the Pasadena WPA Recreation Project.\u003c/p\u003e","\u003cp\u003ePhotocopies of correspondence, newspaper articles, play programs, and plays written by Courlander.\u003c/p\u003e","\u003cp\u003eHand drawn set design for Playboy of the Western World.\u003c/p\u003e","\u003cp\u003eEmployee's identification card; notice of termination of employment.\u003c/p\u003e","\u003cp\u003eScrapbook page with newspaper clippings.\u003c/p\u003e","\u003cp\u003eCorrespondence between Jed Davis and Hallie Flanagan and correspondence between the Library of Congress and Davis on researching the Federal Theatre collection.\u003c/p\u003e","\u003cp\u003e3 programs for The Dance Theatre, A Dance Program for Young Folk, A Doris Humphrey-Charles Weidman Dance Program.\u003c/p\u003e","\u003cp\u003ePhotocopy of the play Abraham's Bosom by Paul Green.\u003c/p\u003e","\u003cp\u003ePhotocopies of Peter Goes to the Fair playscript, newspaper reviews, program, and production notes.\u003c/p\u003e","\u003cp\u003ePrograms for The Dance of Death and Pinocchio. Newspaper article on broken scrapbook backing featuring The Dance of Death.\u003c/p\u003e","\u003cp\u003ePrograms for Chalk Dust, Cricket on the Hearth, The Devil Passes, Rip Van Winkle, The Sun and I, Prologue to Glory, The Life of Abraham Lincoln, It Can't Happen Here, Nude with Pineapple, Marionette Vaudeville, The Emperor Jones, Alice in Wonderland, Battle Hymn. Mailed flier for Squaring the Circle. Newspaper clippings.\u003c/p\u003e","\u003cp\u003eThe Witch of Guinness Crag by Michele Elliott.\u003c/p\u003e","\u003cp\u003eColor play announcement pamphlet featuring Prologue to Glory, Haiti, On the Rocks, and One-Third of a Nation.\u003c/p\u003e","\u003cp\u003ePhotocopies. Contents include Director's letter series 2 number 2, memorandum, Little Black Sambo script excerpt and program, Holy Night newspaper clipping and production notes, Rip Van Winkle program.\u003c/p\u003e","\u003cp\u003ePlayscript of Dirt a living newspaper.\u003c/p\u003e","\u003cp\u003eEloise Moore dance file. Contents include newspaper clippings featuring play and dance reviews, texts used for dance productions, article Chicago Dance Notes.\u003c/p\u003e","\u003cp\u003eEloise Moore dance file. Programs.\u003c/p\u003e","\u003cp\u003eI Told Santa Claus to Bring Me You sheet music.\u003c/p\u003e","\u003cp\u003ePlayscript of It Can't Happen Here with handwritten note on title page by Sinclair Lewis.\u003c/p\u003e","\u003cp\u003eCan You Hear Their Voices? correspondence and scripts, Vassar Experimental Theatre.\u003c/p\u003e","\u003cp\u003eLadies Are Made script.\u003c/p\u003e","\u003cp\u003ePrograms, flyers, and two photographs from the Vassar College Experimental Theatre.\u003c/p\u003e","\u003cp\u003eFirst Legion production bulletin.\u003c/p\u003e","\u003cp\u003ePrologue to Glory research file.\u003c/p\u003e","\u003cp\u003eScrapbook containing photographs, newspaper clippings, and programs. Photographs include portraits (some of which are signed), production photographs, and cast group portraits. Much material relates to productions at the Alcazar Theatre in San Francisco. Shows represented include Prologue to Glory, The Sun and I, Spirochete, Power, It Can't Happen Here, and The Taming of the Shrew.\u003c/p\u003e","\u003cp\u003eOversize. Blueprint for the preliminary elevation and ground plan castle scene of Macbeth, designed by Nat Karson.\u003c/p\u003e","\u003cp\u003ePhotocopies of actors notes and cues for Macbeth.\u003c/p\u003e","\u003cp\u003eBryn Mawr Summer School songs.\u003c/p\u003e","\u003cp\u003eFederal Theatre Project official documents transferring rights of works.\u003c/p\u003e","\u003cp\u003eProgram for A Festival of American Dance, 12 photographs by Ralph Samuels of American Holidays dance production.\u003c/p\u003e","\u003cp\u003eRevue of Reviews sheet music.\u003c/p\u003e","\u003cp\u003eBird of Paradise program.\u003c/p\u003e","\u003cp\u003eCorrespondence, memoranda, Federal Theatre Project in San Francisco survey.\u003c/p\u003e","\u003cp\u003eNewspaper clippings.\u003c/p\u003e","\u003cp\u003ePhotograph of Hallie Flanagan signed to Gerwing.\u003c/p\u003e","\u003cp\u003ePublications including issues of Federal Theatre, The Prompter, Variety, and The Federal Theatre Show Parade.\u003c/p\u003e","\u003cp\u003eScrapbook titled \"Curtains up on Region of the West.\" Contains painted costume and set designs, photographs depicting staged productions, Civilian Conservation Corps camps, miniature theatre models. There is also one painted over photograph.\u003c/p\u003e","\u003cp\u003ePhotocopies of correspondence between Gilder and Hallie Flanagan.\u003c/p\u003e","\u003cp\u003ePhotocopies of newspaper clippings, program material for a production of Faust, program for Page-Stone Ballet, program for Graff Ballet.\u003c/p\u003e","\u003cp\u003eNewspaper clippings featuring Spirochete, Taming of the Shrew, and Ready, Aim, Fire?. Photocopy of newspaper clipping featuring the Los Angeles Federal Theatre Project. Notice of reinstatement for terminated employees to continue on the payroll until September 30, 1939.\u003c/p\u003e","\u003cp\u003eStage brace believed to be from the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eFederal Theatre employment papers, birthday card, newspaper clipping.\u003c/p\u003e","\u003cp\u003eKing Henry the Fifth prologue, poem titled A Nightmare, exercises for speech, speech drills.\u003c/p\u003e","\u003cp\u003ePeer Gynt script.\u003c/p\u003e","\u003cp\u003ePhotographs from oversize \"The Spiral\" scrapbook.\u003c/p\u003e","\u003cp\u003eLoose material removed from \"The Spiral\" scrapbook. Newspaper clippings, invitation to \"The Mask and the Face,\" program for \"Smilin' Through.\"\u003c/p\u003e","\u003cp\u003eScrapbook on the Miami Federal Players (1 of 2). Newspaper clippings and programs.\u003c/p\u003e","\u003cp\u003eScrapbook on the Miami Federal Players (2 of 2). Newspaper clippings and programs about the Miami Federal Players, also programs for Cloyd Head's Miami Players, Shawn and his men dancers, Temple Theatre, and a script titled \"Blocks\" by Molly Day Thatcher.\u003c/p\u003e","\u003cp\u003eScrapbook with a brown cover (1 of 2). Portrait and production photographs include Dorothea Thomas Lynch, and Scott Griffin, programs, newspaper and magazine clippings, some pertaining to Molka Reich and marionettes.\u003c/p\u003e","\u003cp\u003eScrapbook with a brown cover (2 of 2). Programs, newspaper clippings relating to the Miami Federal Theatre. Photographs of marionette productions, material relating to Molka Reich.\u003c/p\u003e","\u003cp\u003eBrown scrapbook covers; \"The Spiral\" scrapbook which contains Federal Theatre Project newspaper clippings, telegrams, and programs related to the Miami Federal Players. There is also a program for the Erlanger Theatre in Atlanta, Georgia for a production of The Barretts of Wimpole Street.\u003c/p\u003e","\u003cp\u003eCopies of 3 articles from the Saturday Evening Post about the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eScrapbook with writing inside the front cover: \"Federal Theatre of the Midwest year 1939. Prologue to Glory production - 75 performances. R. Lyle Hagan as 'Abe' Lincoln.\" Includes newspaper and magazine clippings including a newspaper from 1931 and a New Yorker from 1942, programs, and photographs. The photographs include signed headshots, actors at work, and outside of work.\u003c/p\u003e","\u003cp\u003eContains: one photograph of a muppet created by Bil Bairds walking in a parade from the 1990s; photographs from productions at the Great Northern Theatre in July 1938 that include Kurt Graff, Ruth Page, Carl Harms and others; programs; magazine articles; notice of assignment for Carl Harms.\u003c/p\u003e","\u003cp\u003eNewspaper clippings.\u003c/p\u003e","\u003cp\u003ePrograms for Atlanta productions of The Drunkard, Altars of Steel, Mary the Third, The Torch Bearers, Excursion, Boy Meets Girl, Around the Corner, The Devil's Disciple, By Candlelight.\u003c/p\u003e","\u003cp\u003eFlyers and newspaper clippings about Federal Theatre productions in Atlanta, program for Faust, photocopy of photograph of Julian Harris, documents include a proposed working agreement between Atlanta Theatre Guild and the Atlanta Federal Theatre, and notice of termination of employment.\u003c/p\u003e","\u003cp\u003eMiniature theatre models constructed by Research Bureau Regional Service Department Federal Theater Project Region of the West booklet.\u003c/p\u003e","\u003cp\u003eThe Story of Ferdinand and String Fever program, photocopies of newspaper clippings on The Story of Ferdinand and String Fever performances from the 1940s to the 1980s.\u003c/p\u003e","\u003cp\u003ePower playscript.\u003c/p\u003e","\u003cp\u003eOne-Third of a Nation living newspaper program.\u003c/p\u003e","\u003cp\u003eProgram for The Dance of Death; Murder in the Federal Theatre! Published by the Federal Theatre Project Supervisors' Council; Promotional material for Injunction Granted! and One-Third of a Nation; Memorandum from T. A. Mauntz to Ethel Aaron.\u003c/p\u003e","\u003cp\u003eScenic and set designs, by Hjalmar Hermanson for the plays Ethiopia, Triple-A Plowed Under, and 1935. Designs are mounted onto storyboards that measure 15 inches high by 20 inches wide. There are four for Ethiopia, Five for Triple-A Plowed Under, and five for 1935.\u003c/p\u003e","\u003cp\u003eTriple-A Plowed Under photographs.\u003c/p\u003e","\u003cp\u003e1935 photographs.\u003c/p\u003e","\u003cp\u003eThe Conjure Man Dies playscript.\u003c/p\u003e","\u003cp\u003eThe Conjure Man Dies playscript.\u003c/p\u003e","\u003cp\u003eThe Conjure Man Dies playscript.\u003c/p\u003e","\u003cp\u003eProgram for The Lonely Man.\u003c/p\u003e","\u003cp\u003ePhotographs of puppet performance in Philadelphia as well as performances of One-Third of a Nation and the Federal Theatre Dance Project.\u003c/p\u003e","\u003cp\u003eScrapbook pages removed from scrapbook containing mostly newspaper clippings and programs relating to Seattle productions.\u003c/p\u003e","\u003cp\u003ePrograms, photographs, artwork from Seattle Federal Theatre Project productions including Is Zat So, Brer Rabbit, Black Empire, Flight, One-Third of a Nation, Mother Goose.\u003c/p\u003e","\u003cp\u003ePrograms for The Emperor's New Clothes, Native Ground, Seattle Children's Theatre, Medicine Show, Love in Humble Life, Julius Caesar, The Path of Flowers, Sweet Land, The Straw, The Show-Off, The Pursuit of Happiness, Professor Mamlock, Haiti, The Mikado.\u003c/p\u003e","\u003cp\u003eContains: Employee identification card, telegrams, letters regarding employment, recommendation letters; flyers, announcements, newspaper clippings about Seattle productions.\u003c/p\u003e","\u003cp\u003eTwo photographs possibly of Injunction Granted.\u003c/p\u003e","\u003cp\u003eScript for Mother Goose and Us (children's play).\u003c/p\u003e","\u003cp\u003ePhotocopies of newspaper clippings and a letter.\u003c/p\u003e","\u003cp\u003ePhotocopies of newspaper clippings and programs.\u003c/p\u003e","\u003cp\u003ePhotocopy of unpublished material by Lavery that was planned as a chapter in The Flexible Stage. A copy of The Flexible Stage is found in the  Federal Theatre Project collection box 154 folders 8 and 9.\u003c/p\u003e","\u003cp\u003ePhotocopy of script for Papa's Got a Job; script for Pop's a Cop in Jersey City;  photocopy of opening scene of Sing For Your Supper.\u003c/p\u003e","\u003cp\u003eSing For Your Supper production notebook.\u003c/p\u003e","\u003cp\u003eSing For Your Supper sheet music - Imagine My Finding You Here.\u003c/p\u003e","\u003cp\u003eSing For Your Supper sheet music - Papa's Got a Job.\u003c/p\u003e","\u003cp\u003eCherokee Nights set sketches for performance at the Provincetown Playhouse.\u003c/p\u003e","\u003cp\u003eCherokee Nights set model. It is made out of paper, wood, and clay and measures approximately 12 inches by 9 1/5 inches by 11 1/2 inches. The set consists of a box painted black with the top and one side exposed. There are two pieces of string that criss cross the top part of the box. The set itself has four moveable parts, two of which look like rock piles, one looks like a doorway that comes out of a rock pile, and the last piece is a wooden fence. The background consists of three pieces of paper that are painted blue.\u003c/p\u003e","\u003cp\u003eHand in Glove set model. Made out of wood and paper. The model consists of two main parts that swivel 360 degrees to provide two different sets. One is of the back of a house, the other is inside the house. The walls of the house has pencil drawings on it. The model measures 13.5 inches long by 8 inches high by 10 1/4 inches wide. Two stamps are present on the front of the model. Both are for the United Scenic Artists Local 829. Handwritten on the front is \"For Arthur Edison, Hand in Glove, by C.K. Freeman \u0026amp; G. Savory Scale 1/4\" = 1', 10-6-44, S. Leve.\"\u003c/p\u003e","\u003cp\u003eSet model for unknown production, approximately 7 1/2 inches wide and 4 1/4 inches high. Made out of wood, paper, and clay, the set features a hill with trees and two walls with part of a grass hut roof. There are pencil sketches on the walls of the hut.\u003c/p\u003e","\u003cp\u003eSet model for the play Dinosaur Wharf produced at the National Theatre in 1951. Set is made out of wood and paper, and measures 13 inches by 7 3/8 inches by 8 1/4 inches. The set consists of a wharf with a small building on the left hand side. In the background is a hand drawn cityscape. The model is encased in glass. A label on the model states: \"'Dinosaur Wharf,' at the National Theatre. Presented by Terese Hayden. Written by Joel Wyman. Directed by Miss Hayden. Setting designed by Samuel Leve.\"\u003c/p\u003e","\u003cp\u003eScrapbook containing Milwaukee newspaper clippings about the Federal Theatre Project. Most clippings are from May to October 1936.\u003c/p\u003e","\u003cp\u003eCan You Hear Their Voices? By Hallie Flanagan and Margaret Ellen Clifford for Vassar Experimental Theatre plays; Program for Can You Hear Their Voices?; encyclopedia entry on Federal Theatre; What was Federal Theatre? pamphlet by Hallie Flanagan.\u003c/p\u003e","\u003cp\u003e2 Photocopies of images of dancers.\u003c/p\u003e","\u003cp\u003eFederal Theatre Project costume that includes a green velvet vest and pants.\u003c/p\u003e","\u003cp\u003eTomato marionette.\u003c/p\u003e","\u003cp\u003eOakland Recreation Department marionette report (in scrapbook form) includes report, photographs, scripts.\u003c/p\u003e","\u003cp\u003ePuppet teaching - all cloth puppets manual for the city of New York Education and Recreation Department.\u003c/p\u003e","\u003cp\u003eNewspaper clippings. Programs: Prelude to Swing, Spirochete, Unto Such Glory / Hymn to the Rising Sun.\u003c/p\u003e","\u003cp\u003ePhotographs of the production Unto Such Glory; photograph of Blanding Sloan, George Gerwing, Hallie Flanagan, and Herbert Humphreys at the first Sponsors' meeting in Philadelphia; photograph of crowd outside theatre in Philadelphia, cast of Spirochete; postcard from Katherine Calé.\u003c/p\u003e","\u003cp\u003eProduction bulletin for Philadelphia production of Spirochete includes set and costume design, newspaper clippings, programs.\u003c/p\u003e","\u003cp\u003eFederal Theatre magazine - First Federal Summer Theatre…A Report; Two documents: General outline for statement of the plan; Planning Committee on Field Problems, resolutions.\u003c/p\u003e","\u003cp\u003ePhotocopy of review of Big Blow from the New York Times.\u003c/p\u003e","\u003cp\u003ePhotocopies of programs from productions performed in Jacksonville, Florida : Carrier-Jamboree; Aida; Criminal at Large; A Doll's House; Dulcy; Escape; Fly Away Home; The Girl of the Golden West; Hay Fever and Anne Pedersdotter; Lightnin'; The Ninth Guest; One Sunday Afternoon; The Pizen Song; R-U-R; Remember the Day; The Rise of Silas Lapham; Saturday's Children; She Stoops to Conquer (original and photocopy); Smilin' Through; Twelfth Night; Ten Nights in a Barroom;  Uncle Tom's Cabin (original).\u003c/p\u003e","\u003cp\u003eFlorida Federal Theatre report - Analysis of attendance records, with averages and recapitulations; Historical drama tour series outlines for class study - When Knighthood was in Flower; Time Magazine clipping; article - Our Theatre by Lerom, L. D.; typewritten copy of Movie stars plead for Jacksonville Federal Theatre article originally in the Jacksonvelle Journal; photocopies of newspaper articles.\u003c/p\u003e","\u003cp\u003eNegatives and three slides. Copies of photographs of Federal Theatre productions in Jacksonville, Florida; slides of a drawing of the Florida Federal Theatre bus.\u003c/p\u003e","\u003cp\u003ePhotocopies. Correspondence between Medovoy and Federal Theatre employees; radio talk titled Yiddish Theatre in the California WPA; photographs of scenes and sets from Yiddish Federal Theatre productions.\u003c/p\u003e","\u003cp\u003ePhotocopies of a review and publicity about the Federal Theatre in California, and the Experimental Theatre.\u003c/p\u003e","\u003cp\u003eAndrocles and the Lion playscript.\u003c/p\u003e","\u003cp\u003eThe Dragon's Wishbone playscript.\u003c/p\u003e","\u003cp\u003eLetter to Lorraine Brown and newspaper clippings.\u003c/p\u003e","\u003cp\u003eLoose materials removed from scrapbook pages. Includes: Newspaper clippings, programs, Federal Theatre project research on plays, memoranda and correspondence.\u003c/p\u003e","\u003cp\u003eSleeping Beauty playscript.\u003c/p\u003e","\u003cp\u003eSnow White and the Seven Dwarfs script, Syl file.\u003c/p\u003e","\u003cp\u003eSyl (Art Director of the FTP) file on the play Coppelia, includes hand drawn set designs and typed production notes.\u003c/p\u003e","\u003cp\u003eSyl (Art Director of the FTP) file includes memoranda, handwritten notes, set and stage designs.\u003c/p\u003e","\u003cp\u003eScrapbook pages containing programs, newspaper clippings, telegrams, tickets, some Federal Theatre correspondence, and three pasted in artifacts - doll clothing created by the WPA Sewing Colored Unit and a doll size artists palette. Much of the material is from the Centro Asturiano Theatre, or relates to Tampa, Florida productions. Some Spanish language material.\u003c/p\u003e","\u003cp\u003eProgram and newspaper review for production of Jefferson Davis; Morcom identification work card.\u003c/p\u003e","\u003cp\u003ePhotocopies of correspondence between Murray, Hallie Flanagan, and E. Woodward regarding J. Howard Miller.\u003c/p\u003e","\u003cp\u003ePhotocopies of newspaper articles and programs about the WPA dance unit productions and strikes.\u003c/p\u003e","\u003cp\u003eBassa Moona program, New York.\u003c/p\u003e","\u003cp\u003eThe Bat program performed in Los Angeles.\u003c/p\u003e","\u003cp\u003eTwo programs for Battle Hymn as produced in New York.\u003c/p\u003e","\u003cp\u003eTwo programs for Big Blow performed in Chicago.\u003c/p\u003e","\u003cp\u003eCandide program.\u003c/p\u003e","\u003cp\u003eProgram and flyer for Chalk Dust performed in New York.\u003c/p\u003e","\u003cp\u003eClass of '29 program, New York production.\u003c/p\u003e","\u003cp\u003eSeven programs for Doctor Faustus performed in New York. One program contains an insert and an audience survey questionnaire.\u003c/p\u003e","\u003cp\u003eGilbert \u0026amp; Sullivan Opera Company program.\u003c/p\u003e","\u003cp\u003eHelp Yourself, three programs from New York.\u003c/p\u003e","\u003cp\u003eHorse Eats Hat program from New York.\u003c/p\u003e","\u003cp\u003eLaburnum Grove program from Hartford, Connecticut production.\u003c/p\u003e","\u003cp\u003eThe Mikado (swing version) two programs from New York City productions.\u003c/p\u003e","\u003cp\u003eMurder in the Cathedral program from New York production.\u003c/p\u003e","\u003cp\u003eOne-Third of a Nation, two Living Newspaper programs for productions in Seattle, Washington.\u003c/p\u003e","\u003cp\u003ePrograms including the following productions: Haiti; How Long Brethren?; It Can't Happen Here; Life and Death of an American; Macbeth; The Mikado; The Path of Flowers; Pinocchio; Processional; Prologue to Glory; Unto Such Glory.\u003c/p\u003e","\u003cp\u003eSing For Your Supper, five programs from New York productions.\u003c/p\u003e","\u003cp\u003eThe Theatre Abroad volume 1 number 4.\u003c/p\u003e","\u003cp\u003eThe Theatre Abroad volume 1 number 5.\u003c/p\u003e","\u003cp\u003eThe Theatre Abroad volume 1 number 6.\u003c/p\u003e","\u003cp\u003eScrapbook containing newspaper clippings, programs, and photographs of actors from Federal Theatre plays produced at B. F. Keith's theatre in Indianapolis.\u003c/p\u003e\n","\u003cp\u003eNovember 13, 1935 Dr. Lee Norvelle was appointed Director of the Indiana State Federal Theatre Project. He was granted a leave of absence from Indiana University, and moved to Indianapolis on November 18 to initiate the project. B. F. Keith's theatre was leased and served as the headquarters of the project for it's duration. The first production opened March 2, 1936. The last production closed in June 1937.\u003c/p\u003e","\u003cp\u003ePhotocopies of reviews of the production Frankie and Johnny.\u003c/p\u003e","\u003cp\u003eMacbeth program.\u003c/p\u003e","\u003cp\u003eFederal Theatre programs: Hamlet, Chalk Dust, Rip Van Winkle, Spirochete, An Evening of Short Plays by Eugene O'Neill, The Lonely Man (with multiple signatures), Burning the Mortgage, The Good Old Summertime, Triple A Plowed Under; Newspaper clipping for \"That's a Laff\" (1944); entries on Federal Theatre plays from a book on Theatre.\u003c/p\u003e","\u003cp\u003eFool's Gold script.\u003c/p\u003e","\u003cp\u003ePhotocopies. From Ben Russak files - press release for Treasure Hunt (The Disappointment); notes and correspondence about the adaptation of The Disappointment.\u003c/p\u003e","\u003cp\u003ePhotocopies. Chart of San Francisco productions through June 9, 1937; organization chart; Toward a Living Theatre; first draft of Answers to Questions from Howard Miller. Foster identification cards and termination notice.\u003c/p\u003e","\u003cp\u003ePlease Communicate playscript.\u003c/p\u003e","\u003cp\u003eCorrespondence between various Federal Theatre administrators; speech given by Rhodes on the Federal Theatre; blank personnel forms.\u003c/p\u003e","\u003cp\u003eThree pages of Hallie Flanagan notes; Programs for One-Third of a Nation, Doctor Faustus, Swing It, Pinocchio.\u003c/p\u003e","\u003cp\u003eFlat Lux playbill autographed by Rodericks.\u003c/p\u003e","\u003cp\u003ePhotocopies of programs for Battle Hymn, and A Touch of Brimstone.\u003c/p\u003e","\u003cp\u003eRevolt of the Beavers published script.\u003c/p\u003e","\u003cp\u003eGreen scrapbook with newspaper clippings covering productions of the play Medicine Show.\u003c/p\u003e","\u003cp\u003ePromotional flier for Awake and Sing at Daly's Theatre; program for The Taming of the Shrew; flier for Summer Theatre in Seattle.\u003c/p\u003e","\u003cp\u003eNewspaper clippings and five photographs depicting Savage, Mrs. James, J. Howard Miller and Guy Williams, Burton James, Federal Theatre theatre.\u003c/p\u003e","\u003cp\u003eNewspaper clipping from 1989 about the Federal Theatre; Programs: Sunday Night Varieties; Pins and Needles; Here's Looking at You.\u003c/p\u003e","\u003cp\u003eInjunction Granted and One-Third of a Nation living newspaper programs.\u003c/p\u003e","\u003cp\u003ePrograms: The Cradle Will Rock; Pinocchio; Adelante; Battle Hymn; Big Blow; Class of '29; A Doris Humphrey-Charles Weidman Dance Program; The Dance of Death; Doctor Faustus; The Mikado; Life and Death of an American; It Can't Happen Here; Haiti; How Long Brethern?; On the Rocks; Prologue to Glory; Processional; The Sun and I; Run Little Chillun; Buffalo Historical Marionettes; Turpentine,\u003c/p\u003e\n","\u003cp\u003eBuffalo Historical Marionettes is available in digital format.\u003c/p\u003e","\u003cp\u003ePlaybill and herald for the New York production of On The Rocks.\u003c/p\u003e","\u003cp\u003eSouvenir program for The Lost Colony.\u003c/p\u003e","\u003cp\u003eFour photographs of Eleanor Shibley in costume. These are not the original photographs.\u003c/p\u003e","\u003cp\u003ePaper on the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePrograms: Triple A Plowed Under; Power; 1935; If Ye Break Faith; Mississippi Rainbow; The Man in the Tree; High Tor; Faust; The Farmer Takes a Wife; An Enemy of the People; Outside Looking In; The Party is Over; Petrified Forest; Whom Dreams Possess.\u003c/p\u003e","\u003cp\u003eCorrespondence from Silvera to Ben Russak concerning the Negro Theatre and Theodore Brown.\u003c/p\u003e","\u003cp\u003ePhotocopies of correspondence and flyer regarding the Detrot Federal Theatre.\u003c/p\u003e","\u003cp\u003eA Nationwide Search for Early American Printing: A talk over station WDAF (Kansas City) by Douglas C. McMurtrie.\u003c/p\u003e","\u003cp\u003eNewsclippings about the play \"This Pretty World,\" program for a production of \"And You, My Friend, Farewell.\"\u003c/p\u003e","\u003cp\u003eAwake and Sing, typed reviews and handwritten notes.\u003c/p\u003e","\u003cp\u003eThe Children of Salem marionette playscript.\u003c/p\u003e","\u003cp\u003eCircus Days hand drawn set designs; marionette review.\u003c/p\u003e","\u003cp\u003eThe Disappointment playscript.\u003c/p\u003e","\u003cp\u003eMiscellaneous - flyers, contest announcements, weekly program schedules. Includes: color pamphlet for upcoming productions including Eugene O'Neill's Four One Act Plays of the Sea, Processional, A Hero is Born; Buffalo historical marionettes brochure; Beaver club letter; caravan herald; contest information; covers for weekly schedules, Daly's Childrens' schedule; Drama week herald; Elliott's Repertory; Federal Theatre presents brochure; Living Theatre herald for talks; marionettes in the news; Marionette Theatre brochure; new summer session of the Negro Dramatists Lab herald.\nMarionette Theatre brochure is available in digital format.\u003c/p\u003e","\u003cp\u003eThe Poetic Theatre program,\u003c/p\u003e","\u003cp\u003eTobias and the Angel program,\u003c/p\u003e","\u003cp\u003eThe Totem marionettes playscript.\u003c/p\u003e","\u003cp\u003ePhotocopy of Joseph Lentz letter to Alice Vaeth,\u003c/p\u003e","\u003cp\u003eTheatre Arts magazine: The Negro in the American Theatre.\u003c/p\u003e","\u003cp\u003eBrooklyn Museum print show. Printed booklet titled: Information for artists on the Brooklyn Museum Print Show.\u003c/p\u003e","\u003cp\u003eNative Ground painted promotional design, original artwork.\u003c/p\u003e","\u003cp\u003eCorrespondence on the Federal Art Project and Velonis possible employment on a traveling art project.\u003c/p\u003e","\u003cp\u003eThe Path of Flowers original artwork.\u003c/p\u003e","\u003cp\u003eR.U.R. original artwork for poster.\u003c/p\u003e","\u003cp\u003eSerigraph Quarterly volume II number 2.\u003c/p\u003e","\u003cp\u003eSketches documenting silkscreening practices and tools.\u003c/p\u003e","\u003cp\u003ePencil sketch titled \"New Voices.\"\u003c/p\u003e","\u003cp\u003eTechnique, Art and Power, handwritten three page essay.\u003c/p\u003e","\u003cp\u003eWhat is a Silkscreen Print? five page typed essay.\u003c/p\u003e","\u003cp\u003ePhotocopy of script for The Willow Plate - an original hand puppet play based on an old Chinese legend.\u003c/p\u003e","\u003cp\u003eScript for New Living Newspaper volume 1 number 2 by Irene Wagner with Barry Levy and Richard Vitere.\u003c/p\u003e","\u003cp\u003eAmerican Jubilee sheet music.\u003c/p\u003e","\u003cp\u003eThe Forgotten Music of Triple A Plowed Under (1936), Power (1937), and One Third of a Nation (1938) by Deborah Novak, thesis.\u003c/p\u003e","\u003cp\u003eLeaning on a Shovel  sheet music.\u003c/p\u003e","\u003cp\u003eNewsclippings; Living Newspaper programs.\u003c/p\u003e","\u003cp\u003eOrchestration for scenes from unnamed play. \"ARR. G.A.E. 12/2/36\" written on sheet music.\u003c/p\u003e","\u003cp\u003eOrchestration for Power, sheet music and lyrics.\u003c/p\u003e","\u003cp\u003ePower - TVA song, sheet music.\u003c/p\u003e","\u003cp\u003ePower newspaper clippings, Processional program, Federal Music Program Composers Forum Laboratory featuring Werner Josten program, small play production photograph.\u003c/p\u003e","\u003cp\u003ePower script with small scrap of sheet music.\u003c/p\u003e","\u003cp\u003eSing For Your Supper, lyrics and sheet music for Opening Night.\u003c/p\u003e","\u003cp\u003eSing For Your Supper, lyrics and sheet music for Perspiration.\u003c/p\u003e","\u003cp\u003eSing For Your Supper, sheet music for Sixty Families.\u003c/p\u003e","\u003cp\u003eSing For Your Supper, sheet music for Sixty Families.\u003c/p\u003e","\u003cp\u003eSing For Your Supper, published sheet music for The Story of Horn.\u003c/p\u003e","\u003cp\u003eSing For Your Supper playscript.\u003c/p\u003e","\u003cp\u003eSing For Your Supper playscript.\u003c/p\u003e","\u003cp\u003eFederal Theatre volume 2 number 4 with drawing on cover; Programs for Trojan Incident, Adelante, Ballet Caravan; Four issues of Federal Theatre Project Dance Bulletin; Administrative memorandum on vacations; House of Representatives Bill H.R. 8239; Newspaper clippings.\u003c/p\u003e","\u003cp\u003ePrograms: Gods of the Lightning; Run, Little Chillun; Days Without End.\u003c/p\u003e","\u003cp\u003eJobless Blues lyrics and sheet music.\u003c/p\u003e","\u003cp\u003eAdministrative correspondence; Instructions for Federal Theatre Projects; WPA supplement number 1 to bulletin 29; Washington Marionette Festival notice; Semi-monthly letter of the Federal Theatre Project.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection brings together over 90 individual donations of Federal Theatre Project material.  The material in this collection consists of employment papers, correspondence, scrapbooks, newspaper and magazine clippings, photographs, playscripts, programs, fliers, and production notebooks from people who worked in a multitude of capacities with the Federal Theatre in locations around the United States.","Set designs by Frederick Stover for Los Angeles productions of The Warrior's Husband, Chalk Dust, and Days Without End.","Newspaper articles from fake newspapers distributed in theaters in the 1930s - The Morning-Evening and Chicago Star-Gazette. One article from The Springfield Union, November 8, 1949, \"'Street Scene' inaugurated American Series at Smith\".","Correspondence between Lorraine Brown and Doris Abramson with accompanying unidentified production photograph.","Correspondence between Abramson and Theodore Browne.","Radio scripts: The F.M.P. Negro Melody Singers, The Negro Melody Singers, Negro Art Singers, Symphony no. 5 in E minor, opus 64, page 2 from The Story of Swing.","Photocopy of It's Up to You playscript","Article Puppets and Marionettes from unknown publication.","Article Take it away, Hollywood: transcript of the memorable coast-to-coast broadcast for WPA on Monday midnight, June 26 [1939] from unknown publication.","Photocopy of original music \"Ain't We Got Love\" from Swing It.","Photocopy of original music \"By the Sweat of Your Brow\" from Swing It.","Photocopy of original music \"Green and Blue\" from Swing It.","Photocopy of original music \"Huggin' and Muggin'\" from Swing It.","Translation of review of Professor Mamlock in the Morning Journal; letter from an audience survey of Professor Mamlock.","The Dog Beneath the Skin director's copy playscript.","Medicine Show costume design original sketches (1 of 3),","Medicine Show costume design original sketches (2 of 3),","Medicine Show costume design original sketches (3 of 3),","Medicine Show handwritten notes and drawings.","Costume designs for Miles Gloriousus.","Costume designs for One-Third of a Nation.","One-Third of a Nation newspaper articles, costume design notes and lists.","Unidentified costume designs.","2 programs for Abu Hassan and The Princess and the Pea.","Multiple articles and newspaper clippings on puppet and marionette productions.","Non Federal Theatre Project play programs, many of which are marionette productions.","Scrapbook pages with articles about puppets and marionettes.","Captain Kidd playscript.","Playscript and newspaper article for One-Third of a Nation Philadelphia version.","Federal Theatre Project press scrapbook containing primarily newspaper and press clippings, programs, and a form letter to Harry Hopkins in regards to the firing of Elmer Rice.","Letter to Tony Buttitta from Eva Le Gallienne with accompanying photograph of Hallie Flanagan.","Photocopy of publicity pages for a production of Trojan Incident at St. James Theatre.","Photocopies of: program notes for The Dance of Death, newspaper articles on the Federal Theatre Project, correspondence.","Unpublished manuscript by Clugston titled Very Like a Whale (1 of 4).","Unpublished manuscript by Clugston titled Very Like a Whale (2 of 4).","Unpublished manuscript by Clugston titled Very Like a Whale (3 of 4).","Unpublished manuscript by Clugston titled Very Like a Whale (4 of 4).","Program for the marionette play Crock of Gold.","Newspaper clippings featuring the plays The Farmer's Wife, It Can't Happen Here, and Chalk Dust. One book review titled Theater: New York and Moscow.","Photocopies of miscellaneous newspaper clippings including a 1935 Philadelphia Inquirer article about Helen Schoeni, assistant regional director of the WPA theatrical projects and an article form a 1935 Boston Transcript about the Hedgerow Theatre.","Puppet teaching materials.","Clown marionette donated by Alan Cook, made by Lora Pattison who taught puppetry under the WPA Recreation Project at Oneonta Grammer School, South Pasadena, California. Mrs. Pattison received her puppet training in the Pasadena WPA Recreation Project.","Photocopies of correspondence, newspaper articles, play programs, and plays written by Courlander.","Hand drawn set design for Playboy of the Western World.","Employee's identification card; notice of termination of employment.","Scrapbook page with newspaper clippings.","Correspondence between Jed Davis and Hallie Flanagan and correspondence between the Library of Congress and Davis on researching the Federal Theatre collection.","3 programs for The Dance Theatre, A Dance Program for Young Folk, A Doris Humphrey-Charles Weidman Dance Program.","Photocopy of the play Abraham's Bosom by Paul Green.","Photocopies of Peter Goes to the Fair playscript, newspaper reviews, program, and production notes.","Programs for The Dance of Death and Pinocchio. Newspaper article on broken scrapbook backing featuring The Dance of Death.","Programs for Chalk Dust, Cricket on the Hearth, The Devil Passes, Rip Van Winkle, The Sun and I, Prologue to Glory, The Life of Abraham Lincoln, It Can't Happen Here, Nude with Pineapple, Marionette Vaudeville, The Emperor Jones, Alice in Wonderland, Battle Hymn. Mailed flier for Squaring the Circle. Newspaper clippings.","The Witch of Guinness Crag by Michele Elliott.","Color play announcement pamphlet featuring Prologue to Glory, Haiti, On the Rocks, and One-Third of a Nation.","Photocopies. Contents include Director's letter series 2 number 2, memorandum, Little Black Sambo script excerpt and program, Holy Night newspaper clipping and production notes, Rip Van Winkle program.","Playscript of Dirt a living newspaper.","Eloise Moore dance file. Contents include newspaper clippings featuring play and dance reviews, texts used for dance productions, article Chicago Dance Notes.","Eloise Moore dance file. Programs.","I Told Santa Claus to Bring Me You sheet music.","Playscript of It Can't Happen Here with handwritten note on title page by Sinclair Lewis.","Can You Hear Their Voices? correspondence and scripts, Vassar Experimental Theatre.","Ladies Are Made script.","Programs, flyers, and two photographs from the Vassar College Experimental Theatre.","First Legion production bulletin.","Prologue to Glory research file.","Scrapbook containing photographs, newspaper clippings, and programs. Photographs include portraits (some of which are signed), production photographs, and cast group portraits. Much material relates to productions at the Alcazar Theatre in San Francisco. Shows represented include Prologue to Glory, The Sun and I, Spirochete, Power, It Can't Happen Here, and The Taming of the Shrew.","Oversize. Blueprint for the preliminary elevation and ground plan castle scene of Macbeth, designed by Nat Karson.","Photocopies of actors notes and cues for Macbeth.","Bryn Mawr Summer School songs.","Federal Theatre Project official documents transferring rights of works.","Program for A Festival of American Dance, 12 photographs by Ralph Samuels of American Holidays dance production.","Revue of Reviews sheet music.","Bird of Paradise program.","Correspondence, memoranda, Federal Theatre Project in San Francisco survey.","Newspaper clippings.","Photograph of Hallie Flanagan signed to Gerwing.","Publications including issues of Federal Theatre, The Prompter, Variety, and The Federal Theatre Show Parade.","Scrapbook titled \"Curtains up on Region of the West.\" Contains painted costume and set designs, photographs depicting staged productions, Civilian Conservation Corps camps, miniature theatre models. There is also one painted over photograph.","Photocopies of correspondence between Gilder and Hallie Flanagan.","Photocopies of newspaper clippings, program material for a production of Faust, program for Page-Stone Ballet, program for Graff Ballet.","Newspaper clippings featuring Spirochete, Taming of the Shrew, and Ready, Aim, Fire?. Photocopy of newspaper clipping featuring the Los Angeles Federal Theatre Project. Notice of reinstatement for terminated employees to continue on the payroll until September 30, 1939.","Stage brace believed to be from the Federal Theatre Project.","Federal Theatre employment papers, birthday card, newspaper clipping.","King Henry the Fifth prologue, poem titled A Nightmare, exercises for speech, speech drills.","Peer Gynt script.","Photographs from oversize \"The Spiral\" scrapbook.","Loose material removed from \"The Spiral\" scrapbook. Newspaper clippings, invitation to \"The Mask and the Face,\" program for \"Smilin' Through.\"","Scrapbook on the Miami Federal Players (1 of 2). Newspaper clippings and programs.","Scrapbook on the Miami Federal Players (2 of 2). Newspaper clippings and programs about the Miami Federal Players, also programs for Cloyd Head's Miami Players, Shawn and his men dancers, Temple Theatre, and a script titled \"Blocks\" by Molly Day Thatcher.","Scrapbook with a brown cover (1 of 2). Portrait and production photographs include Dorothea Thomas Lynch, and Scott Griffin, programs, newspaper and magazine clippings, some pertaining to Molka Reich and marionettes.","Scrapbook with a brown cover (2 of 2). Programs, newspaper clippings relating to the Miami Federal Theatre. Photographs of marionette productions, material relating to Molka Reich.","Brown scrapbook covers; \"The Spiral\" scrapbook which contains Federal Theatre Project newspaper clippings, telegrams, and programs related to the Miami Federal Players. There is also a program for the Erlanger Theatre in Atlanta, Georgia for a production of The Barretts of Wimpole Street.","Copies of 3 articles from the Saturday Evening Post about the Federal Theatre Project.","Scrapbook with writing inside the front cover: \"Federal Theatre of the Midwest year 1939. Prologue to Glory production - 75 performances. R. Lyle Hagan as 'Abe' Lincoln.\" Includes newspaper and magazine clippings including a newspaper from 1931 and a New Yorker from 1942, programs, and photographs. The photographs include signed headshots, actors at work, and outside of work.","Contains: one photograph of a muppet created by Bil Bairds walking in a parade from the 1990s; photographs from productions at the Great Northern Theatre in July 1938 that include Kurt Graff, Ruth Page, Carl Harms and others; programs; magazine articles; notice of assignment for Carl Harms.","Newspaper clippings.","Programs for Atlanta productions of The Drunkard, Altars of Steel, Mary the Third, The Torch Bearers, Excursion, Boy Meets Girl, Around the Corner, The Devil's Disciple, By Candlelight.","Flyers and newspaper clippings about Federal Theatre productions in Atlanta, program for Faust, photocopy of photograph of Julian Harris, documents include a proposed working agreement between Atlanta Theatre Guild and the Atlanta Federal Theatre, and notice of termination of employment.","Miniature theatre models constructed by Research Bureau Regional Service Department Federal Theater Project Region of the West booklet.","The Story of Ferdinand and String Fever program, photocopies of newspaper clippings on The Story of Ferdinand and String Fever performances from the 1940s to the 1980s.","Power playscript.","One-Third of a Nation living newspaper program.","Program for The Dance of Death; Murder in the Federal Theatre! Published by the Federal Theatre Project Supervisors' Council; Promotional material for Injunction Granted! and One-Third of a Nation; Memorandum from T. A. Mauntz to Ethel Aaron.","Scenic and set designs, by Hjalmar Hermanson for the plays Ethiopia, Triple-A Plowed Under, and 1935. Designs are mounted onto storyboards that measure 15 inches high by 20 inches wide. There are four for Ethiopia, Five for Triple-A Plowed Under, and five for 1935.","Triple-A Plowed Under photographs.","1935 photographs.","The Conjure Man Dies playscript.","The Conjure Man Dies playscript.","The Conjure Man Dies playscript.","Program for The Lonely Man.","Photographs of puppet performance in Philadelphia as well as performances of One-Third of a Nation and the Federal Theatre Dance Project.","Scrapbook pages removed from scrapbook containing mostly newspaper clippings and programs relating to Seattle productions.","Programs, photographs, artwork from Seattle Federal Theatre Project productions including Is Zat So, Brer Rabbit, Black Empire, Flight, One-Third of a Nation, Mother Goose.","Programs for The Emperor's New Clothes, Native Ground, Seattle Children's Theatre, Medicine Show, Love in Humble Life, Julius Caesar, The Path of Flowers, Sweet Land, The Straw, The Show-Off, The Pursuit of Happiness, Professor Mamlock, Haiti, The Mikado.","Contains: Employee identification card, telegrams, letters regarding employment, recommendation letters; flyers, announcements, newspaper clippings about Seattle productions.","Two photographs possibly of Injunction Granted.","Script for Mother Goose and Us (children's play).","Photocopies of newspaper clippings and a letter.","Photocopies of newspaper clippings and programs.","Photocopy of unpublished material by Lavery that was planned as a chapter in The Flexible Stage. A copy of The Flexible Stage is found in the  Federal Theatre Project collection box 154 folders 8 and 9.","Photocopy of script for Papa's Got a Job; script for Pop's a Cop in Jersey City;  photocopy of opening scene of Sing For Your Supper.","Sing For Your Supper production notebook.","Sing For Your Supper sheet music - Imagine My Finding You Here.","Sing For Your Supper sheet music - Papa's Got a Job.","Cherokee Nights set sketches for performance at the Provincetown Playhouse.","Cherokee Nights set model. It is made out of paper, wood, and clay and measures approximately 12 inches by 9 1/5 inches by 11 1/2 inches. The set consists of a box painted black with the top and one side exposed. There are two pieces of string that criss cross the top part of the box. The set itself has four moveable parts, two of which look like rock piles, one looks like a doorway that comes out of a rock pile, and the last piece is a wooden fence. The background consists of three pieces of paper that are painted blue.","Hand in Glove set model. Made out of wood and paper. The model consists of two main parts that swivel 360 degrees to provide two different sets. One is of the back of a house, the other is inside the house. The walls of the house has pencil drawings on it. The model measures 13.5 inches long by 8 inches high by 10 1/4 inches wide. Two stamps are present on the front of the model. Both are for the United Scenic Artists Local 829. Handwritten on the front is \"For Arthur Edison, Hand in Glove, by C.K. Freeman \u0026 G. Savory Scale 1/4\" = 1', 10-6-44, S. Leve.\"","Set model for unknown production, approximately 7 1/2 inches wide and 4 1/4 inches high. Made out of wood, paper, and clay, the set features a hill with trees and two walls with part of a grass hut roof. There are pencil sketches on the walls of the hut.","Set model for the play Dinosaur Wharf produced at the National Theatre in 1951. Set is made out of wood and paper, and measures 13 inches by 7 3/8 inches by 8 1/4 inches. The set consists of a wharf with a small building on the left hand side. In the background is a hand drawn cityscape. The model is encased in glass. A label on the model states: \"'Dinosaur Wharf,' at the National Theatre. Presented by Terese Hayden. Written by Joel Wyman. Directed by Miss Hayden. Setting designed by Samuel Leve.\"","Scrapbook containing Milwaukee newspaper clippings about the Federal Theatre Project. Most clippings are from May to October 1936.","Can You Hear Their Voices? By Hallie Flanagan and Margaret Ellen Clifford for Vassar Experimental Theatre plays; Program for Can You Hear Their Voices?; encyclopedia entry on Federal Theatre; What was Federal Theatre? pamphlet by Hallie Flanagan.","2 Photocopies of images of dancers.","Federal Theatre Project costume that includes a green velvet vest and pants.","Tomato marionette.","Oakland Recreation Department marionette report (in scrapbook form) includes report, photographs, scripts.","Puppet teaching - all cloth puppets manual for the city of New York Education and Recreation Department.","Newspaper clippings. Programs: Prelude to Swing, Spirochete, Unto Such Glory / Hymn to the Rising Sun.","Photographs of the production Unto Such Glory; photograph of Blanding Sloan, George Gerwing, Hallie Flanagan, and Herbert Humphreys at the first Sponsors' meeting in Philadelphia; photograph of crowd outside theatre in Philadelphia, cast of Spirochete; postcard from Katherine Calé.","Production bulletin for Philadelphia production of Spirochete includes set and costume design, newspaper clippings, programs.","Federal Theatre magazine - First Federal Summer Theatre…A Report; Two documents: General outline for statement of the plan; Planning Committee on Field Problems, resolutions.","Photocopy of review of Big Blow from the New York Times.","Photocopies of programs from productions performed in Jacksonville, Florida : Carrier-Jamboree; Aida; Criminal at Large; A Doll's House; Dulcy; Escape; Fly Away Home; The Girl of the Golden West; Hay Fever and Anne Pedersdotter; Lightnin'; The Ninth Guest; One Sunday Afternoon; The Pizen Song; R-U-R; Remember the Day; The Rise of Silas Lapham; Saturday's Children; She Stoops to Conquer (original and photocopy); Smilin' Through; Twelfth Night; Ten Nights in a Barroom;  Uncle Tom's Cabin (original).","Florida Federal Theatre report - Analysis of attendance records, with averages and recapitulations; Historical drama tour series outlines for class study - When Knighthood was in Flower; Time Magazine clipping; article - Our Theatre by Lerom, L. D.; typewritten copy of Movie stars plead for Jacksonville Federal Theatre article originally in the Jacksonvelle Journal; photocopies of newspaper articles.","Negatives and three slides. Copies of photographs of Federal Theatre productions in Jacksonville, Florida; slides of a drawing of the Florida Federal Theatre bus.","Photocopies. Correspondence between Medovoy and Federal Theatre employees; radio talk titled Yiddish Theatre in the California WPA; photographs of scenes and sets from Yiddish Federal Theatre productions.","Photocopies of a review and publicity about the Federal Theatre in California, and the Experimental Theatre.","Androcles and the Lion playscript.","The Dragon's Wishbone playscript.","Letter to Lorraine Brown and newspaper clippings.","Loose materials removed from scrapbook pages. Includes: Newspaper clippings, programs, Federal Theatre project research on plays, memoranda and correspondence.","Sleeping Beauty playscript.","Snow White and the Seven Dwarfs script, Syl file.","Syl (Art Director of the FTP) file on the play Coppelia, includes hand drawn set designs and typed production notes.","Syl (Art Director of the FTP) file includes memoranda, handwritten notes, set and stage designs.","Scrapbook pages containing programs, newspaper clippings, telegrams, tickets, some Federal Theatre correspondence, and three pasted in artifacts - doll clothing created by the WPA Sewing Colored Unit and a doll size artists palette. Much of the material is from the Centro Asturiano Theatre, or relates to Tampa, Florida productions. Some Spanish language material.","Program and newspaper review for production of Jefferson Davis; Morcom identification work card.","Photocopies of correspondence between Murray, Hallie Flanagan, and E. Woodward regarding J. Howard Miller.","Photocopies of newspaper articles and programs about the WPA dance unit productions and strikes.","Bassa Moona program, New York.","The Bat program performed in Los Angeles.","Two programs for Battle Hymn as produced in New York.","Two programs for Big Blow performed in Chicago.","Candide program.","Program and flyer for Chalk Dust performed in New York.","Class of '29 program, New York production.","Seven programs for Doctor Faustus performed in New York. One program contains an insert and an audience survey questionnaire.","Gilbert \u0026 Sullivan Opera Company program.","Help Yourself, three programs from New York.","Horse Eats Hat program from New York.","Laburnum Grove program from Hartford, Connecticut production.","The Mikado (swing version) two programs from New York City productions.","Murder in the Cathedral program from New York production.","One-Third of a Nation, two Living Newspaper programs for productions in Seattle, Washington.","Programs including the following productions: Haiti; How Long Brethren?; It Can't Happen Here; Life and Death of an American; Macbeth; The Mikado; The Path of Flowers; Pinocchio; Processional; Prologue to Glory; Unto Such Glory.","Sing For Your Supper, five programs from New York productions.","The Theatre Abroad volume 1 number 4.","The Theatre Abroad volume 1 number 5.","The Theatre Abroad volume 1 number 6.","Scrapbook containing newspaper clippings, programs, and photographs of actors from Federal Theatre plays produced at B. F. Keith's theatre in Indianapolis.","November 13, 1935 Dr. Lee Norvelle was appointed Director of the Indiana State Federal Theatre Project. He was granted a leave of absence from Indiana University, and moved to Indianapolis on November 18 to initiate the project. B. F. Keith's theatre was leased and served as the headquarters of the project for it's duration. The first production opened March 2, 1936. The last production closed in June 1937.","Photocopies of reviews of the production Frankie and Johnny.","Macbeth program.","Federal Theatre programs: Hamlet, Chalk Dust, Rip Van Winkle, Spirochete, An Evening of Short Plays by Eugene O'Neill, The Lonely Man (with multiple signatures), Burning the Mortgage, The Good Old Summertime, Triple A Plowed Under; Newspaper clipping for \"That's a Laff\" (1944); entries on Federal Theatre plays from a book on Theatre.","Fool's Gold script.","Photocopies. From Ben Russak files - press release for Treasure Hunt (The Disappointment); notes and correspondence about the adaptation of The Disappointment.","Photocopies. Chart of San Francisco productions through June 9, 1937; organization chart; Toward a Living Theatre; first draft of Answers to Questions from Howard Miller. Foster identification cards and termination notice.","Please Communicate playscript.","Correspondence between various Federal Theatre administrators; speech given by Rhodes on the Federal Theatre; blank personnel forms.","Three pages of Hallie Flanagan notes; Programs for One-Third of a Nation, Doctor Faustus, Swing It, Pinocchio.","Flat Lux playbill autographed by Rodericks.","Photocopies of programs for Battle Hymn, and A Touch of Brimstone.","Revolt of the Beavers published script.","Green scrapbook with newspaper clippings covering productions of the play Medicine Show.","Promotional flier for Awake and Sing at Daly's Theatre; program for The Taming of the Shrew; flier for Summer Theatre in Seattle.","Newspaper clippings and five photographs depicting Savage, Mrs. James, J. Howard Miller and Guy Williams, Burton James, Federal Theatre theatre.","Newspaper clipping from 1989 about the Federal Theatre; Programs: Sunday Night Varieties; Pins and Needles; Here's Looking at You.","Injunction Granted and One-Third of a Nation living newspaper programs.","Programs: The Cradle Will Rock; Pinocchio; Adelante; Battle Hymn; Big Blow; Class of '29; A Doris Humphrey-Charles Weidman Dance Program; The Dance of Death; Doctor Faustus; The Mikado; Life and Death of an American; It Can't Happen Here; Haiti; How Long Brethern?; On the Rocks; Prologue to Glory; Processional; The Sun and I; Run Little Chillun; Buffalo Historical Marionettes; Turpentine,","Buffalo Historical Marionettes is available in digital format.","Playbill and herald for the New York production of On The Rocks.","Souvenir program for The Lost Colony.","Four photographs of Eleanor Shibley in costume. These are not the original photographs.","Paper on the Federal Theatre Project.","Programs: Triple A Plowed Under; Power; 1935; If Ye Break Faith; Mississippi Rainbow; The Man in the Tree; High Tor; Faust; The Farmer Takes a Wife; An Enemy of the People; Outside Looking In; The Party is Over; Petrified Forest; Whom Dreams Possess.","Correspondence from Silvera to Ben Russak concerning the Negro Theatre and Theodore Brown.","Photocopies of correspondence and flyer regarding the Detrot Federal Theatre.","A Nationwide Search for Early American Printing: A talk over station WDAF (Kansas City) by Douglas C. McMurtrie.","Newsclippings about the play \"This Pretty World,\" program for a production of \"And You, My Friend, Farewell.\"","Awake and Sing, typed reviews and handwritten notes.","The Children of Salem marionette playscript.","Circus Days hand drawn set designs; marionette review.","The Disappointment playscript.","Miscellaneous - flyers, contest announcements, weekly program schedules. Includes: color pamphlet for upcoming productions including Eugene O'Neill's Four One Act Plays of the Sea, Processional, A Hero is Born; Buffalo historical marionettes brochure; Beaver club letter; caravan herald; contest information; covers for weekly schedules, Daly's Childrens' schedule; Drama week herald; Elliott's Repertory; Federal Theatre presents brochure; Living Theatre herald for talks; marionettes in the news; Marionette Theatre brochure; new summer session of the Negro Dramatists Lab herald.\nMarionette Theatre brochure is available in digital format.","The Poetic Theatre program,","Tobias and the Angel program,","The Totem marionettes playscript.","Photocopy of Joseph Lentz letter to Alice Vaeth,","Theatre Arts magazine: The Negro in the American Theatre.","Brooklyn Museum print show. Printed booklet titled: Information for artists on the Brooklyn Museum Print Show.","Native Ground painted promotional design, original artwork.","Correspondence on the Federal Art Project and Velonis possible employment on a traveling art project.","The Path of Flowers original artwork.","R.U.R. original artwork for poster.","Serigraph Quarterly volume II number 2.","Sketches documenting silkscreening practices and tools.","Pencil sketch titled \"New Voices.\"","Technique, Art and Power, handwritten three page essay.","What is a Silkscreen Print? five page typed essay.","Photocopy of script for The Willow Plate - an original hand puppet play based on an old Chinese legend.","Script for New Living Newspaper volume 1 number 2 by Irene Wagner with Barry Levy and Richard Vitere.","American Jubilee sheet music.","The Forgotten Music of Triple A Plowed Under (1936), Power (1937), and One Third of a Nation (1938) by Deborah Novak, thesis.","Leaning on a Shovel  sheet music.","Newsclippings; Living Newspaper programs.","Orchestration for scenes from unnamed play. \"ARR. G.A.E. 12/2/36\" written on sheet music.","Orchestration for Power, sheet music and lyrics.","Power - TVA song, sheet music.","Power newspaper clippings, Processional program, Federal Music Program Composers Forum Laboratory featuring Werner Josten program, small play production photograph.","Power script with small scrap of sheet music.","Sing For Your Supper, lyrics and sheet music for Opening Night.","Sing For Your Supper, lyrics and sheet music for Perspiration.","Sing For Your Supper, sheet music for Sixty Families.","Sing For Your Supper, sheet music for Sixty Families.","Sing For Your Supper, published sheet music for The Story of Horn.","Sing For Your Supper playscript.","Sing For Your Supper playscript.","Federal Theatre volume 2 number 4 with drawing on cover; Programs for Trojan Incident, Adelante, Ballet Caravan; Four issues of Federal Theatre Project Dance Bulletin; Administrative memorandum on vacations; House of Representatives Bill H.R. 8239; Newspaper clippings.","Programs: Gods of the Lightning; Run, Little Chillun; Days Without End.","Jobless Blues lyrics and sheet music.","Administrative correspondence; Instructions for Federal Theatre Projects; WPA supplement number 1 to bulletin 29; Washington Marionette Festival notice; Semi-monthly letter of the Federal Theatre Project."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_15828e7b77a3bc261a75a7c6ca039cac\" label=\"Summary\"\u003eThis collection brings together over 90 individual donations of Federal Theatre Project material. The material in this collection consists of employment papers, correspondence, scrapbooks, newspaper and magazine clippings, photographs, playscripts, programs, fliers, and production notebooks.\u003c/abstract\u003e"],"abstract_tesim":["This collection brings together over 90 individual donations of Federal Theatre Project material. The material in this collection consists of employment papers, correspondence, scrapbooks, newspaper and magazine clippings, photographs, playscripts, programs, fliers, and production notebooks."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_9d57557dcf579bc9f23fe848b0ac690f\"\u003e\nR 46, C 3, S2 - S 5 \n\n\nR 46, C 5, S 1\n\n\nOS R 3, C 5, S 2\n\n\nMap Case 22.4\n\u003c/physloc\u003e"],"physloc_tesim":["\nR 46, C 3, S2 - S 5 \n\n\nR 46, C 5, S 1\n\n\nOS R 3, C 5, S 2\n\n\nMap Case 22.4\n"],"names_coll_ssim":["Federal Theatre Project (U.S.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":249,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:27:03.377Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_345"}},{"id":"wvmturhc_repositories_2_resources_2247","type":"collection","attributes":{"title":"Franklin Brand, Lawyer and Politician, Papers","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2247#abstract_or_scope","type":"document_value","attributes":{"value":"Papers of Franklin Marion Brand, lawyer and politician of Monongalia County, West Virginia. Includes mostly correspondence related to legal and political matters (some personal) in Monongalia County and the state of West Virginia (inclusive dates: 1917-1944; bulk dates: 1935-1943). Diverse in content, this correspondence includes material regarding activities of city government (Morgantown), local schools and churches, bar associations, the Republican State Committee, state government, and other organizations. A series of correspondence dating from 1943, labeled \"legislative\" by Brand, includes a wide range of material reflecting his activities as a delegate from Monongalia County. There is also an extensive series of political handbills and pamphlets, many of which advocate Republican opposition to the New Deal policies of President Franklin Roosevelt. See scope and content note for details.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2247#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_2247","ead_ssi":"wvmturhc_repositories_2_resources_2247","_root_":"wvmturhc_repositories_2_resources_2247","_nest_parent_":"wvmturhc_repositories_2_resources_2247","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_2247.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/206827","title_ssm":["Franklin Brand, Lawyer and Politician, Papers"],"title_tesim":["Franklin Brand, Lawyer and Politician, Papers"],"unitdate_ssm":["ca. 1917-1967","ca. 1930-1945"],"unitdate_bulk_ssim":["ca. 1930-1945"],"unitdate_inclusive_ssm":["ca. 1917-1967"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3796","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2247"],"text":["A\u0026M 3796","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2247","Franklin Brand, Lawyer and Politician, Papers","Monongalia County (W. Va.)","Morgantown (W. Va.)","Lawyers - letters and papers.","New Deal, 1933-1939","No special access restriction applies.","Franklin Marion Brand (1880-1963), also known as Frank M. Brand, was born in Monongalia County, West Virginia, on 13 March 1880. He was the son of James C. Brown and Mary Alice (Fleming) Brand. He married Myrtle O. Core on 12 November 1910. He was a lawyer, and served in the West Virginia house of delegates as a Republican from Monongalia County in 1919-1920 and 1943-1944; he was defeated in the 1940, 1950, 1952, and 1954 elections. He was a member of the American Bar Association and the Sigma Nu fraternity.","Papers of Franklin Marion Brand, lawyer and politician of Monongalia County, West Virginia.","Includes mostly correspondence related to legal and political matters (some personal) in Monongalia County and the state of West Virginia (inclusive dates: 1917-1944; bulk dates: 1935-1943). Diverse in content, this correspondence includes material regarding activities of city government (Morgantown), local schools and churches, bar associations, the Republican State Committee, state government, and other organizations.","A series of correspondence dating from 1943, labeled \"legislative\" by Brand, includes a wide range of material reflecting his activities as a delegate from Monongalia County.","There is also an extensive series of political handbills and pamphlets, many of which advocate Republican opposition to the New Deal policies of President Franklin Roosevelt.","The collection also includes a series of land records, including many deeds related to Brand family properties.","Other material includes:","ephemera (including West Virginia University football schedules from 1935, 1937, and 1939; and a printed note card with a history of Laurel Run School in Marion County, 1893-1943), and","Civil War Service Certificates issued by the Ohio Adjutant General's Office (4 items for Private Albert G. Fleming, Nathan F. Lemert, Private David A. Sherrard, all from 1930).","Scattered throughout the collection are many political handbills from the office of Senator Rush Holt. Some of these items evidence advocacy of coal company interests.","Oversize material includes four newspapers, one complete issue of each:","1. \"The News Index, A Weekly Magazine of Current Events in West Virginia\", 9 February 1935, Vol. 1, No. 2","2. \"Market Bulletin, Publication of the West Virginia Department of Agriculture\", 1 March 1938, Vol. 22, No. 3","3. \"Voice of Labor\", 4 November 1938, Vol. 4, No. 16","4. \"The Cairo Enterprise\", 28 January 1943, Vol. 39, No. 23 (includes prohibition related front page article regarding proposed beer law)","Genealogy work by Frank M. Brand can be found in:","A\u0026M 1266 (genealogical notes on the Family of Thomas Minor)","A\u0026M 1463 (\"The Joseph Weaver Family of Monongalia County, West Virginia\")","A\u0026M 1576 and A\u0026M 1602 (genealogical notes on the family of Samuel and Elizabeth Musgrave and the McDougal family)","Brand family papers can be found in:","A\u0026M 1576 and A\u0026M 1602","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Papers of Franklin Marion Brand, lawyer and politician of Monongalia County, West Virginia. Includes mostly correspondence related to legal and political matters (some personal) in Monongalia County and the state of West Virginia (inclusive dates: 1917-1944; bulk dates: 1935-1943). Diverse in content, this correspondence includes material regarding activities of city government (Morgantown), local schools and churches, bar associations, the Republican State Committee, state government, and other organizations. A series of correspondence dating from 1943, labeled \"legislative\" by Brand, includes a wide range of material reflecting his activities as a delegate from Monongalia County. There is also an extensive series of political handbills and pamphlets, many of which advocate Republican opposition to the New Deal policies of President Franklin Roosevelt. See scope and content note for details.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Republican Party (U.S. : 1854- )","Brandt family","Brand, Frank Marion, 1880-1963","English"],"unitid_tesim":["A\u0026M 3796","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2247"],"normalized_title_ssm":["Franklin Brand, Lawyer and Politician, Papers"],"collection_title_tesim":["Franklin Brand, Lawyer and Politician, Papers"],"collection_ssim":["Franklin Brand, Lawyer and Politician, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Monongalia County (W. Va.)","Morgantown (W. Va.)"],"geogname_ssim":["Monongalia County (W. Va.)","Morgantown (W. Va.)"],"places_ssim":["Monongalia County (W. Va.)","Morgantown (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Lawyers - letters and papers.","New Deal, 1933-1939"],"access_subjects_ssm":["Lawyers - letters and papers.","New Deal, 1933-1939"],"has_online_content_ssim":["false"],"extent_ssm":["2.5 Linear Feet 2 ft. 6 in. (2 record cartons, 15 in. each); (1 oversize folder, 31 leaves)"],"extent_tesim":["2.5 Linear Feet 2 ft. 6 in. (2 record cartons, 15 in. each); (1 oversize folder, 31 leaves)"],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eFranklin Marion Brand (1880-1963), also known as Frank M. Brand, was born in Monongalia County, West Virginia, on 13 March 1880. He was the son of James C. Brown and Mary Alice (Fleming) Brand. He married Myrtle O. Core on 12 November 1910. He was a lawyer, and served in the West Virginia house of delegates as a Republican from Monongalia County in 1919-1920 and 1943-1944; he was defeated in the 1940, 1950, 1952, and 1954 elections. He was a member of the American Bar Association and the Sigma Nu fraternity.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Franklin Marion Brand (1880-1963), also known as Frank M. Brand, was born in Monongalia County, West Virginia, on 13 March 1880. He was the son of James C. Brown and Mary Alice (Fleming) Brand. He married Myrtle O. Core on 12 November 1910. He was a lawyer, and served in the West Virginia house of delegates as a Republican from Monongalia County in 1919-1920 and 1943-1944; he was defeated in the 1940, 1950, 1952, and 1954 elections. He was a member of the American Bar Association and the Sigma Nu fraternity."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Franklin Brand, Lawyer and Politician, Papers, A\u0026amp;M 3796, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Franklin Brand, Lawyer and Politician, Papers, A\u0026M 3796, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePapers of Franklin Marion Brand, lawyer and politician of Monongalia County, West Virginia.\u003c/p\u003e\n","\u003cp\u003eIncludes mostly correspondence related to legal and political matters (some personal) in Monongalia County and the state of West Virginia (inclusive dates: 1917-1944; bulk dates: 1935-1943). Diverse in content, this correspondence includes material regarding activities of city government (Morgantown), local schools and churches, bar associations, the Republican State Committee, state government, and other organizations.\u003c/p\u003e\n","\u003cp\u003eA series of correspondence dating from 1943, labeled \"legislative\" by Brand, includes a wide range of material reflecting his activities as a delegate from Monongalia County.\u003c/p\u003e\n","\u003cp\u003eThere is also an extensive series of political handbills and pamphlets, many of which advocate Republican opposition to the New Deal policies of President Franklin Roosevelt.\u003c/p\u003e\n","\u003cp\u003eThe collection also includes a series of land records, including many deeds related to Brand family properties.\u003c/p\u003e\n","\u003cp\u003eOther material includes:\u003c/p\u003e\n","\u003cp\u003eephemera (including West Virginia University football schedules from 1935, 1937, and 1939; and a printed note card with a history of Laurel Run School in Marion County, 1893-1943), and\u003c/p\u003e\n","\u003cp\u003eCivil War Service Certificates issued by the Ohio Adjutant General's Office (4 items for Private Albert G. Fleming, Nathan F. Lemert, Private David A. Sherrard, all from 1930).\u003c/p\u003e\n","\u003cp\u003eScattered throughout the collection are many political handbills from the office of Senator Rush Holt. Some of these items evidence advocacy of coal company interests.\u003c/p\u003e\n","\u003cp\u003eOversize material includes four newspapers, one complete issue of each:\u003c/p\u003e\n","\u003cp\u003e1. \"The News Index, A Weekly Magazine of Current Events in West Virginia\", 9 February 1935, Vol. 1, No. 2\u003c/p\u003e\n","\u003cp\u003e2. \"Market Bulletin, Publication of the West Virginia Department of Agriculture\", 1 March 1938, Vol. 22, No. 3\u003c/p\u003e\n","\u003cp\u003e3. \"Voice of Labor\", 4 November 1938, Vol. 4, No. 16\u003c/p\u003e\n","\u003cp\u003e4. \"The Cairo Enterprise\", 28 January 1943, Vol. 39, No. 23 (includes prohibition related front page article regarding proposed beer law)\u003c/p\u003e\n","\u003cp\u003eGenealogy work by Frank M. Brand can be found in:\u003c/p\u003e\n","\u003cp\u003eA\u0026amp;M 1266 (genealogical notes on the Family of Thomas Minor)\u003c/p\u003e\n","\u003cp\u003eA\u0026amp;M 1463 (\"The Joseph Weaver Family of Monongalia County, West Virginia\")\u003c/p\u003e\n","\u003cp\u003eA\u0026amp;M 1576 and A\u0026amp;M 1602 (genealogical notes on the family of Samuel and Elizabeth Musgrave and the McDougal family)\u003c/p\u003e\n","\u003cp\u003eBrand family papers can be found in:\u003c/p\u003e\n","\u003cp\u003eA\u0026amp;M 1576 and A\u0026amp;M 1602\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers of Franklin Marion Brand, lawyer and politician of Monongalia County, West Virginia.","Includes mostly correspondence related to legal and political matters (some personal) in Monongalia County and the state of West Virginia (inclusive dates: 1917-1944; bulk dates: 1935-1943). Diverse in content, this correspondence includes material regarding activities of city government (Morgantown), local schools and churches, bar associations, the Republican State Committee, state government, and other organizations.","A series of correspondence dating from 1943, labeled \"legislative\" by Brand, includes a wide range of material reflecting his activities as a delegate from Monongalia County.","There is also an extensive series of political handbills and pamphlets, many of which advocate Republican opposition to the New Deal policies of President Franklin Roosevelt.","The collection also includes a series of land records, including many deeds related to Brand family properties.","Other material includes:","ephemera (including West Virginia University football schedules from 1935, 1937, and 1939; and a printed note card with a history of Laurel Run School in Marion County, 1893-1943), and","Civil War Service Certificates issued by the Ohio Adjutant General's Office (4 items for Private Albert G. Fleming, Nathan F. Lemert, Private David A. Sherrard, all from 1930).","Scattered throughout the collection are many political handbills from the office of Senator Rush Holt. Some of these items evidence advocacy of coal company interests.","Oversize material includes four newspapers, one complete issue of each:","1. \"The News Index, A Weekly Magazine of Current Events in West Virginia\", 9 February 1935, Vol. 1, No. 2","2. \"Market Bulletin, Publication of the West Virginia Department of Agriculture\", 1 March 1938, Vol. 22, No. 3","3. \"Voice of Labor\", 4 November 1938, Vol. 4, No. 16","4. \"The Cairo Enterprise\", 28 January 1943, Vol. 39, No. 23 (includes prohibition related front page article regarding proposed beer law)","Genealogy work by Frank M. Brand can be found in:","A\u0026M 1266 (genealogical notes on the Family of Thomas Minor)","A\u0026M 1463 (\"The Joseph Weaver Family of Monongalia County, West Virginia\")","A\u0026M 1576 and A\u0026M 1602 (genealogical notes on the family of Samuel and Elizabeth Musgrave and the McDougal family)","Brand family papers can be found in:","A\u0026M 1576 and A\u0026M 1602"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ef17b603063a9fd89398066078689cc3\"\u003ePapers of Franklin Marion Brand, lawyer and politician of Monongalia County, West Virginia. Includes mostly correspondence related to legal and political matters (some personal) in Monongalia County and the state of West Virginia (inclusive dates: 1917-1944; bulk dates: 1935-1943). Diverse in content, this correspondence includes material regarding activities of city government (Morgantown), local schools and churches, bar associations, the Republican State Committee, state government, and other organizations. A series of correspondence dating from 1943, labeled \"legislative\" by Brand, includes a wide range of material reflecting his activities as a delegate from Monongalia County. There is also an extensive series of political handbills and pamphlets, many of which advocate Republican opposition to the New Deal policies of President Franklin Roosevelt. See scope and content note for details.\u003c/abstract\u003e"],"abstract_tesim":["Papers of Franklin Marion Brand, lawyer and politician of Monongalia County, West Virginia. Includes mostly correspondence related to legal and political matters (some personal) in Monongalia County and the state of West Virginia (inclusive dates: 1917-1944; bulk dates: 1935-1943). Diverse in content, this correspondence includes material regarding activities of city government (Morgantown), local schools and churches, bar associations, the Republican State Committee, state government, and other organizations. A series of correspondence dating from 1943, labeled \"legislative\" by Brand, includes a wide range of material reflecting his activities as a delegate from Monongalia County. There is also an extensive series of political handbills and pamphlets, many of which advocate Republican opposition to the New Deal policies of President Franklin Roosevelt. See scope and content note for details."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_897028da8f8e9259b5a0fa45eb909eda\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Republican Party (U.S. : 1854- )","Brandt family","Brand, Frank Marion, 1880-1963"],"names_ssim":["West Virginia and Regional History Center","Republican Party (U.S. : 1854- )","Brandt family","Brand, Frank Marion, 1880-1963"],"corpname_ssim":["West Virginia and Regional History Center","Republican Party (U.S. : 1854- )"],"famname_ssim":["Brandt family"],"persname_ssim":["Brand, Frank Marion, 1880-1963"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:39:06.586Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_2247","ead_ssi":"wvmturhc_repositories_2_resources_2247","_root_":"wvmturhc_repositories_2_resources_2247","_nest_parent_":"wvmturhc_repositories_2_resources_2247","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_2247.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/206827","title_ssm":["Franklin Brand, Lawyer and Politician, Papers"],"title_tesim":["Franklin Brand, Lawyer and Politician, Papers"],"unitdate_ssm":["ca. 1917-1967","ca. 1930-1945"],"unitdate_bulk_ssim":["ca. 1930-1945"],"unitdate_inclusive_ssm":["ca. 1917-1967"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3796","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2247"],"text":["A\u0026M 3796","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2247","Franklin Brand, Lawyer and Politician, Papers","Monongalia County (W. Va.)","Morgantown (W. Va.)","Lawyers - letters and papers.","New Deal, 1933-1939","No special access restriction applies.","Franklin Marion Brand (1880-1963), also known as Frank M. Brand, was born in Monongalia County, West Virginia, on 13 March 1880. He was the son of James C. Brown and Mary Alice (Fleming) Brand. He married Myrtle O. Core on 12 November 1910. He was a lawyer, and served in the West Virginia house of delegates as a Republican from Monongalia County in 1919-1920 and 1943-1944; he was defeated in the 1940, 1950, 1952, and 1954 elections. He was a member of the American Bar Association and the Sigma Nu fraternity.","Papers of Franklin Marion Brand, lawyer and politician of Monongalia County, West Virginia.","Includes mostly correspondence related to legal and political matters (some personal) in Monongalia County and the state of West Virginia (inclusive dates: 1917-1944; bulk dates: 1935-1943). Diverse in content, this correspondence includes material regarding activities of city government (Morgantown), local schools and churches, bar associations, the Republican State Committee, state government, and other organizations.","A series of correspondence dating from 1943, labeled \"legislative\" by Brand, includes a wide range of material reflecting his activities as a delegate from Monongalia County.","There is also an extensive series of political handbills and pamphlets, many of which advocate Republican opposition to the New Deal policies of President Franklin Roosevelt.","The collection also includes a series of land records, including many deeds related to Brand family properties.","Other material includes:","ephemera (including West Virginia University football schedules from 1935, 1937, and 1939; and a printed note card with a history of Laurel Run School in Marion County, 1893-1943), and","Civil War Service Certificates issued by the Ohio Adjutant General's Office (4 items for Private Albert G. Fleming, Nathan F. Lemert, Private David A. Sherrard, all from 1930).","Scattered throughout the collection are many political handbills from the office of Senator Rush Holt. Some of these items evidence advocacy of coal company interests.","Oversize material includes four newspapers, one complete issue of each:","1. \"The News Index, A Weekly Magazine of Current Events in West Virginia\", 9 February 1935, Vol. 1, No. 2","2. \"Market Bulletin, Publication of the West Virginia Department of Agriculture\", 1 March 1938, Vol. 22, No. 3","3. \"Voice of Labor\", 4 November 1938, Vol. 4, No. 16","4. \"The Cairo Enterprise\", 28 January 1943, Vol. 39, No. 23 (includes prohibition related front page article regarding proposed beer law)","Genealogy work by Frank M. Brand can be found in:","A\u0026M 1266 (genealogical notes on the Family of Thomas Minor)","A\u0026M 1463 (\"The Joseph Weaver Family of Monongalia County, West Virginia\")","A\u0026M 1576 and A\u0026M 1602 (genealogical notes on the family of Samuel and Elizabeth Musgrave and the McDougal family)","Brand family papers can be found in:","A\u0026M 1576 and A\u0026M 1602","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Papers of Franklin Marion Brand, lawyer and politician of Monongalia County, West Virginia. Includes mostly correspondence related to legal and political matters (some personal) in Monongalia County and the state of West Virginia (inclusive dates: 1917-1944; bulk dates: 1935-1943). Diverse in content, this correspondence includes material regarding activities of city government (Morgantown), local schools and churches, bar associations, the Republican State Committee, state government, and other organizations. A series of correspondence dating from 1943, labeled \"legislative\" by Brand, includes a wide range of material reflecting his activities as a delegate from Monongalia County. There is also an extensive series of political handbills and pamphlets, many of which advocate Republican opposition to the New Deal policies of President Franklin Roosevelt. See scope and content note for details.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Republican Party (U.S. : 1854- )","Brandt family","Brand, Frank Marion, 1880-1963","English"],"unitid_tesim":["A\u0026M 3796","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2247"],"normalized_title_ssm":["Franklin Brand, Lawyer and Politician, Papers"],"collection_title_tesim":["Franklin Brand, Lawyer and Politician, Papers"],"collection_ssim":["Franklin Brand, Lawyer and Politician, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Monongalia County (W. Va.)","Morgantown (W. Va.)"],"geogname_ssim":["Monongalia County (W. Va.)","Morgantown (W. Va.)"],"places_ssim":["Monongalia County (W. Va.)","Morgantown (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Lawyers - letters and papers.","New Deal, 1933-1939"],"access_subjects_ssm":["Lawyers - letters and papers.","New Deal, 1933-1939"],"has_online_content_ssim":["false"],"extent_ssm":["2.5 Linear Feet 2 ft. 6 in. (2 record cartons, 15 in. each); (1 oversize folder, 31 leaves)"],"extent_tesim":["2.5 Linear Feet 2 ft. 6 in. (2 record cartons, 15 in. each); (1 oversize folder, 31 leaves)"],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eFranklin Marion Brand (1880-1963), also known as Frank M. Brand, was born in Monongalia County, West Virginia, on 13 March 1880. He was the son of James C. Brown and Mary Alice (Fleming) Brand. He married Myrtle O. Core on 12 November 1910. He was a lawyer, and served in the West Virginia house of delegates as a Republican from Monongalia County in 1919-1920 and 1943-1944; he was defeated in the 1940, 1950, 1952, and 1954 elections. He was a member of the American Bar Association and the Sigma Nu fraternity.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Franklin Marion Brand (1880-1963), also known as Frank M. Brand, was born in Monongalia County, West Virginia, on 13 March 1880. He was the son of James C. Brown and Mary Alice (Fleming) Brand. He married Myrtle O. Core on 12 November 1910. He was a lawyer, and served in the West Virginia house of delegates as a Republican from Monongalia County in 1919-1920 and 1943-1944; he was defeated in the 1940, 1950, 1952, and 1954 elections. He was a member of the American Bar Association and the Sigma Nu fraternity."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Franklin Brand, Lawyer and Politician, Papers, A\u0026amp;M 3796, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Franklin Brand, Lawyer and Politician, Papers, A\u0026M 3796, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePapers of Franklin Marion Brand, lawyer and politician of Monongalia County, West Virginia.\u003c/p\u003e\n","\u003cp\u003eIncludes mostly correspondence related to legal and political matters (some personal) in Monongalia County and the state of West Virginia (inclusive dates: 1917-1944; bulk dates: 1935-1943). Diverse in content, this correspondence includes material regarding activities of city government (Morgantown), local schools and churches, bar associations, the Republican State Committee, state government, and other organizations.\u003c/p\u003e\n","\u003cp\u003eA series of correspondence dating from 1943, labeled \"legislative\" by Brand, includes a wide range of material reflecting his activities as a delegate from Monongalia County.\u003c/p\u003e\n","\u003cp\u003eThere is also an extensive series of political handbills and pamphlets, many of which advocate Republican opposition to the New Deal policies of President Franklin Roosevelt.\u003c/p\u003e\n","\u003cp\u003eThe collection also includes a series of land records, including many deeds related to Brand family properties.\u003c/p\u003e\n","\u003cp\u003eOther material includes:\u003c/p\u003e\n","\u003cp\u003eephemera (including West Virginia University football schedules from 1935, 1937, and 1939; and a printed note card with a history of Laurel Run School in Marion County, 1893-1943), and\u003c/p\u003e\n","\u003cp\u003eCivil War Service Certificates issued by the Ohio Adjutant General's Office (4 items for Private Albert G. Fleming, Nathan F. Lemert, Private David A. Sherrard, all from 1930).\u003c/p\u003e\n","\u003cp\u003eScattered throughout the collection are many political handbills from the office of Senator Rush Holt. Some of these items evidence advocacy of coal company interests.\u003c/p\u003e\n","\u003cp\u003eOversize material includes four newspapers, one complete issue of each:\u003c/p\u003e\n","\u003cp\u003e1. \"The News Index, A Weekly Magazine of Current Events in West Virginia\", 9 February 1935, Vol. 1, No. 2\u003c/p\u003e\n","\u003cp\u003e2. \"Market Bulletin, Publication of the West Virginia Department of Agriculture\", 1 March 1938, Vol. 22, No. 3\u003c/p\u003e\n","\u003cp\u003e3. \"Voice of Labor\", 4 November 1938, Vol. 4, No. 16\u003c/p\u003e\n","\u003cp\u003e4. \"The Cairo Enterprise\", 28 January 1943, Vol. 39, No. 23 (includes prohibition related front page article regarding proposed beer law)\u003c/p\u003e\n","\u003cp\u003eGenealogy work by Frank M. Brand can be found in:\u003c/p\u003e\n","\u003cp\u003eA\u0026amp;M 1266 (genealogical notes on the Family of Thomas Minor)\u003c/p\u003e\n","\u003cp\u003eA\u0026amp;M 1463 (\"The Joseph Weaver Family of Monongalia County, West Virginia\")\u003c/p\u003e\n","\u003cp\u003eA\u0026amp;M 1576 and A\u0026amp;M 1602 (genealogical notes on the family of Samuel and Elizabeth Musgrave and the McDougal family)\u003c/p\u003e\n","\u003cp\u003eBrand family papers can be found in:\u003c/p\u003e\n","\u003cp\u003eA\u0026amp;M 1576 and A\u0026amp;M 1602\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers of Franklin Marion Brand, lawyer and politician of Monongalia County, West Virginia.","Includes mostly correspondence related to legal and political matters (some personal) in Monongalia County and the state of West Virginia (inclusive dates: 1917-1944; bulk dates: 1935-1943). Diverse in content, this correspondence includes material regarding activities of city government (Morgantown), local schools and churches, bar associations, the Republican State Committee, state government, and other organizations.","A series of correspondence dating from 1943, labeled \"legislative\" by Brand, includes a wide range of material reflecting his activities as a delegate from Monongalia County.","There is also an extensive series of political handbills and pamphlets, many of which advocate Republican opposition to the New Deal policies of President Franklin Roosevelt.","The collection also includes a series of land records, including many deeds related to Brand family properties.","Other material includes:","ephemera (including West Virginia University football schedules from 1935, 1937, and 1939; and a printed note card with a history of Laurel Run School in Marion County, 1893-1943), and","Civil War Service Certificates issued by the Ohio Adjutant General's Office (4 items for Private Albert G. Fleming, Nathan F. Lemert, Private David A. Sherrard, all from 1930).","Scattered throughout the collection are many political handbills from the office of Senator Rush Holt. Some of these items evidence advocacy of coal company interests.","Oversize material includes four newspapers, one complete issue of each:","1. \"The News Index, A Weekly Magazine of Current Events in West Virginia\", 9 February 1935, Vol. 1, No. 2","2. \"Market Bulletin, Publication of the West Virginia Department of Agriculture\", 1 March 1938, Vol. 22, No. 3","3. \"Voice of Labor\", 4 November 1938, Vol. 4, No. 16","4. \"The Cairo Enterprise\", 28 January 1943, Vol. 39, No. 23 (includes prohibition related front page article regarding proposed beer law)","Genealogy work by Frank M. Brand can be found in:","A\u0026M 1266 (genealogical notes on the Family of Thomas Minor)","A\u0026M 1463 (\"The Joseph Weaver Family of Monongalia County, West Virginia\")","A\u0026M 1576 and A\u0026M 1602 (genealogical notes on the family of Samuel and Elizabeth Musgrave and the McDougal family)","Brand family papers can be found in:","A\u0026M 1576 and A\u0026M 1602"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ef17b603063a9fd89398066078689cc3\"\u003ePapers of Franklin Marion Brand, lawyer and politician of Monongalia County, West Virginia. Includes mostly correspondence related to legal and political matters (some personal) in Monongalia County and the state of West Virginia (inclusive dates: 1917-1944; bulk dates: 1935-1943). Diverse in content, this correspondence includes material regarding activities of city government (Morgantown), local schools and churches, bar associations, the Republican State Committee, state government, and other organizations. A series of correspondence dating from 1943, labeled \"legislative\" by Brand, includes a wide range of material reflecting his activities as a delegate from Monongalia County. There is also an extensive series of political handbills and pamphlets, many of which advocate Republican opposition to the New Deal policies of President Franklin Roosevelt. See scope and content note for details.\u003c/abstract\u003e"],"abstract_tesim":["Papers of Franklin Marion Brand, lawyer and politician of Monongalia County, West Virginia. Includes mostly correspondence related to legal and political matters (some personal) in Monongalia County and the state of West Virginia (inclusive dates: 1917-1944; bulk dates: 1935-1943). Diverse in content, this correspondence includes material regarding activities of city government (Morgantown), local schools and churches, bar associations, the Republican State Committee, state government, and other organizations. A series of correspondence dating from 1943, labeled \"legislative\" by Brand, includes a wide range of material reflecting his activities as a delegate from Monongalia County. There is also an extensive series of political handbills and pamphlets, many of which advocate Republican opposition to the New Deal policies of President Franklin Roosevelt. See scope and content note for details."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_897028da8f8e9259b5a0fa45eb909eda\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Republican Party (U.S. : 1854- )","Brandt family","Brand, Frank Marion, 1880-1963"],"names_ssim":["West Virginia and Regional History Center","Republican Party (U.S. : 1854- )","Brandt family","Brand, Frank Marion, 1880-1963"],"corpname_ssim":["West Virginia and Regional History Center","Republican Party (U.S. : 1854- )"],"famname_ssim":["Brandt family"],"persname_ssim":["Brand, Frank Marion, 1880-1963"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:39:06.586Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2247"}},{"id":"vifgm_repositories_2_resources_361","type":"collection","attributes":{"title":"Hedley Gordon Graham papers","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_361#creator","type":"document_value","attributes":{"value":"Graham, Hedley Gordon","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_361#abstract_or_scope","type":"document_value","attributes":{"value":"The Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. 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This series is organized alphabetically.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.","The collection is divided into two series.","Series one consists of documents and photographs and is organized alphabetically. ","Series two consists of oversize materials including three portrait photographs, a diploma, and a scrapbook.","Series one contains acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. This series is organized alphabetically by folder title.","Federal Theatre Project","Acting class and record books","Includes photocopies of lyrics to the songs \"I could go for you,\" \"O say can you sing,\" \"The show must go on,\" and \"When we're out of the red and into the blue.\"","Personal photographs and Federal Theatre Project related. Altars of Steel in Atlanta and the Living Newspaper production 1935.","Series two consists of three large portrait photographs, a diploma, and Hedley Gordon Graham's Federal Theatre Project related scrapbook. This series is organized alphabetically."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e\n","\u003cp\u003ePermission to publish material from the Hedley Gordon Graham papers must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Permission to publish material from the Hedley Gordon Graham papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b1ba4d4ad20f3518d1769d1c3b1f07ad\" label=\"Summary\"\u003eThe Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.\u003c/abstract\u003e"],"abstract_tesim":["The Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago."],"names_coll_ssim":["Federal Theatre Project (U.S.)","Graham, Hedley Gordon"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Graham, Hedley Gordon"],"corpname_ssim":["George Mason University. 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This series is organized alphabetically.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Permission to publish material from the Hedley Gordon Graham papers must be obtained from Special Collections and Archives, George Mason University Libraries.","The Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Graham, Hedley Gordon","English \n.    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For the Federal Theatre Project he worked as the Assistant Executive Director of the I6 states and directed The Living Newspaper Theatre in Chicago for two years. He also taught at a variety of institutions including the American Academy of Dramatic Arts, Adelphi College, Columbia University, Warner Brothers, Easthampton School of Rythmics (which he also owned), and the Theatre School of Drama at Carnegie Hall."],"prefercite_html_tesm":["\u003cp\u003eThe Hedley Gordon Graham papers, C0240, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["The Hedley Gordon Graham papers, C0240, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Greta Kuriger Suiter in September 2013. 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Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.\u003c/p\u003e\n","\u003cp\u003eThe collection is divided into two series.\u003c/p\u003e\n","\u003cp\u003eSeries one consists of documents and photographs and is organized alphabetically. \u003c/p\u003e\n","\u003cp\u003eSeries two consists of oversize materials including three portrait photographs, a diploma, and a scrapbook.\u003c/p\u003e","\u003cp\u003eSeries one contains acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. This series is organized alphabetically by folder title.\u003c/p\u003e","\u003cp\u003eFederal Theatre Project\u003c/p\u003e","\u003cp\u003eActing class and record books\u003c/p\u003e","\u003cp\u003eIncludes photocopies of lyrics to the songs \"I could go for you,\" \"O say can you sing,\" \"The show must go on,\" and \"When we're out of the red and into the blue.\"\u003c/p\u003e","\u003cp\u003ePersonal photographs and Federal Theatre Project related. Altars of Steel in Atlanta and the Living Newspaper production 1935.\u003c/p\u003e","\u003cp\u003eSeries two consists of three large portrait photographs, a diploma, and Hedley Gordon Graham's Federal Theatre Project related scrapbook. This series is organized alphabetically.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.","The collection is divided into two series.","Series one consists of documents and photographs and is organized alphabetically. ","Series two consists of oversize materials including three portrait photographs, a diploma, and a scrapbook.","Series one contains acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. This series is organized alphabetically by folder title.","Federal Theatre Project","Acting class and record books","Includes photocopies of lyrics to the songs \"I could go for you,\" \"O say can you sing,\" \"The show must go on,\" and \"When we're out of the red and into the blue.\"","Personal photographs and Federal Theatre Project related. Altars of Steel in Atlanta and the Living Newspaper production 1935.","Series two consists of three large portrait photographs, a diploma, and Hedley Gordon Graham's Federal Theatre Project related scrapbook. This series is organized alphabetically."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e\n","\u003cp\u003ePermission to publish material from the Hedley Gordon Graham papers must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Permission to publish material from the Hedley Gordon Graham papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b1ba4d4ad20f3518d1769d1c3b1f07ad\" label=\"Summary\"\u003eThe Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. 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