{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=New+Deal%2C+1933-1939\u0026f%5Bdate_range%5D%5B%5D=1905","next":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=New+Deal%2C+1933-1939\u0026f%5Bdate_range%5D%5B%5D=1905\u0026page=2","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=New+Deal%2C+1933-1939\u0026f%5Bdate_range%5D%5B%5D=1905\u0026page=2"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":2,"limit_value":10,"offset_value":0,"total_count":12,"first_page?":true,"last_page?":false}},"data":[{"id":"wvmturhc_repositories_2_resources_2652","type":"collection","attributes":{"title":"Clarence Edwin Smith (1885-1959) Papers, 1787/1957","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2652#creator","type":"document_value","attributes":{"value":"Smith, Clarence Edwin, 1885-1959","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2652#abstract_or_scope","type":"document_value","attributes":{"value":"Correspondence, business and legal records, account books, news releases, clippings, and family papers and photographs of a U.S. marshal (1916-1922); editor of the Fairmont TIMES (1925-1959) and Wheeling REGISTER (1933-1935); Democratic politician; member of the National Bituminous Coal Commission (1935-1939); and businessman. Subjects include: Smith's student days at Virginia Military Institute; West Virginia National Guard; Monongah Mine Relief Committee; Associated Press; Association Against the Prohibition Amendment; Eighteenth Amendment; presidential elections and national and state politics, 1916-1956; John W. Davis; Alfred E. Smith; post-World War I radicalism and reaction; Ku Klux Klan; United Mine Workers; National Miners' Union; labor conflict, 1920s; U.S. Railway Administration; New Deal agencies; and Mountain Lake Park, Maryland. Correspondents include Van A. Bittner, William E. Chilton, William G. Conley, John J. Cornwell, John W. Davis, Eugene V. Debs, James A. Farley, William Green, Averell Harriman, Homer Adams Holt, Rush Dew Holt, Hugh S. Johnson, Louis Johnson, Harley M. Kilgore, H.G. Kump, John L. Lewis, William A. MacCorkle, J. Howard McGrath, Clarence W. Meadows, M.M. Neely, Okey L. Patteson, Jennings Randolph, Adlai E. Stevenson, Clarence W. Watson, and James O. Watson. There are also papers of Clarence L. Smith (1850-1905), editor of the Fairmont INDEX (1889) and founder of the Fairmont TIMES (1900), which include a domestic diary of his wife, 1876-1910; minute book of the Fleming Association, 1890-1894; papers of Clarence Edwin Smith, Jr., 1940-1941; papers of Thomas Barns (1750-1836), and his sons, John S. (delegate to Second Wheeling Convention) and James F.; Marion County millers and manufacturers, 1795-1908. There are also papers of Waitman T. Willey and a taped interview with C.E. Smith, 1956. Correspondents include John L. Lewis, Matthew M. Neely, Francis H. Pierpont, and John J. Cornwell. There are also papers, 1917-1950, of Smith's brother, Earl H. (1880-1941), co-founder and editor of the Fairmont TIMES (1900-1925), state legislator, officer in the National Guard, and state commander of the American Legion. Subjects include World War I; Woodrow Wilson; American Legion; and state and national politics, 1918-1940. Correspondents include John J. Cornwell, John W. Davis, Sam T. Mallison, M.M. Neely, Jennings Randolph, and Howard Sutherland. The collection also includes papers, 1908-1940, of Herschel H. Rose, Smith's son-in-law, Fairmont attorney, Democrat politician, and circuit court judge. M.M. Neely is a correspondent. Financial records include account books, 1826-1893, of Thomas Barns, John S. Barns and Company, Barns, Fleming and Company (1857), James R. Fleming, woolen and flour milling, shoe manufacturing, and general merchandise operations in Marion County; account book of Mary Fleming Smith, 1888-1912; Fairmont Newspaper Publishing Company, 1919-1949; Fairmont Broadcasting Company, 1932, 1947-1949; and Jackson Coal Company, 1917-1924; Fairmont Coal Company founding mortgage document, 1901 (box 2, folder 4).","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2652#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_2652","ead_ssi":"wvmturhc_repositories_2_resources_2652","_root_":"wvmturhc_repositories_2_resources_2652","_nest_parent_":"wvmturhc_repositories_2_resources_2652","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_2652.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196718","title_ssm":["Clarence Edwin Smith (1885-1959) Papers"],"title_tesim":["Clarence Edwin Smith (1885-1959) Papers"],"unitdate_ssm":["1787-1957"],"unitdate_inclusive_ssm":["1787-1957"],"normalized_date_ssm":["1787/1957"],"normalized_title_ssm":["Clarence Edwin Smith (1885-1959) Papers, 1787/1957"],"text":["Clarence Edwin Smith (1885-1959) Papers, 1787/1957","A\u0026M 0258","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2652","Fairmont.","Marion County (W. Va.)","Mountain Lake Park (Md.)","Academies (Private schools)","Account books","Coal mining - coal companies.","Diaries and journals.","Editors - letters and papers.","Elections","General stores","Judges - letters and papers.","Labor organization. SEE ALSO Coal mining - labor","Lawyers - letters and papers.","Mills and mill-work","Politics and government.","Railroads","Unions.","New Deal, 1933-1939","Women's history -- 1850-1899","Women's history -- 1900-1929","World War, 1914-1918","No special access restriction applies.","258, 1604, 1606","Separated to Rare Books Collection from Box 2, Folder 2:","Stowe, Harriet Beecher. Uncle Tom's Cabin; or, Life Among the Lowly. Dramatized by George L. Aiken. New York: Samuel French, 1858.","Separated to Rare Signatures, A\u0026M 435:","Letter from James A. Farley to C.E. Smith, December 1939.","Letter from Franklin D. Roosevelt to C.E. Smith, March 17, 1938.","Letter from Harry S. Truman to C.E. Smith, February 23, 1950.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Correspondence, business and legal records, account books, news releases, clippings, and family papers and photographs of a U.S. marshal (1916-1922); editor of the Fairmont TIMES (1925-1959) and Wheeling REGISTER (1933-1935); Democratic politician; member of the National Bituminous Coal Commission (1935-1939); and businessman. Subjects include: Smith's student days at Virginia Military Institute; West Virginia National Guard; Monongah Mine Relief Committee; Associated Press; Association Against the Prohibition Amendment; Eighteenth Amendment; presidential elections and national and state politics, 1916-1956; John W. Davis; Alfred E. Smith; post-World War I radicalism and reaction; Ku Klux Klan; United Mine Workers; National Miners' Union; labor conflict, 1920s; U.S. Railway Administration; New Deal agencies; and Mountain Lake Park, Maryland. Correspondents include Van A. Bittner, William E. Chilton, William G. Conley, John J. Cornwell, John W. Davis, Eugene V. Debs, James A. Farley, William Green, Averell Harriman, Homer Adams Holt, Rush Dew Holt, Hugh S. Johnson, Louis Johnson, Harley M. Kilgore, H.G. Kump, John L. Lewis, William A. MacCorkle, J. Howard McGrath, Clarence W. Meadows, M.M. Neely, Okey L. Patteson, Jennings Randolph, Adlai E. Stevenson, Clarence W. Watson, and James O. Watson. There are also papers of Clarence L. Smith (1850-1905), editor of the Fairmont INDEX (1889) and founder of the Fairmont TIMES (1900), which include a domestic diary of his wife, 1876-1910; minute book of the Fleming Association, 1890-1894; papers of Clarence Edwin Smith, Jr., 1940-1941; papers of Thomas Barns (1750-1836), and his sons, John S. (delegate to Second Wheeling Convention) and James F.; Marion County millers and manufacturers, 1795-1908. There are also papers of Waitman T. Willey and a taped interview with C.E. Smith, 1956. Correspondents include John L. Lewis, Matthew M. Neely, Francis H. Pierpont, and John J. Cornwell. There are also papers, 1917-1950, of Smith's brother, Earl H. (1880-1941), co-founder and editor of the Fairmont TIMES (1900-1925), state legislator, officer in the National Guard, and state commander of the American Legion. Subjects include World War I; Woodrow Wilson; American Legion; and state and national politics, 1918-1940. Correspondents include John J. Cornwell, John W. Davis, Sam T. Mallison, M.M. Neely, Jennings Randolph, and Howard Sutherland. The collection also includes papers, 1908-1940, of Herschel H. Rose, Smith's son-in-law, Fairmont attorney, Democrat politician, and circuit court judge. M.M. Neely is a correspondent. Financial records include account books, 1826-1893, of Thomas Barns, John S. Barns and Company, Barns, Fleming and Company (1857), James R. Fleming, woolen and flour milling, shoe manufacturing, and general merchandise operations in Marion County; account book of Mary Fleming Smith, 1888-1912; Fairmont Newspaper Publishing Company, 1919-1949; Fairmont Broadcasting Company, 1932, 1947-1949; and Jackson Coal Company, 1917-1924; Fairmont Coal Company founding mortgage document, 1901 (box 2, folder 4).","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute","Smith, Clarence Edwin, 1885-1959","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924","English"],"collection_title_tesim":["Clarence Edwin Smith (1885-1959) Papers, 1787/1957"],"collection_ssim":["Clarence Edwin Smith (1885-1959) Papers, 1787/1957"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 0258","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2652"],"unitid_tesim":["A\u0026M 0258","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2652"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Fairmont.","Marion County (W. Va.)","Mountain Lake Park (Md.)"],"geogname_ssim":["Fairmont.","Marion County (W. Va.)","Mountain Lake Park (Md.)"],"places_ssim":["Fairmont.","Marion County (W. Va.)","Mountain Lake Park (Md.)"],"creator_ssm":["Smith, Clarence Edwin, 1885-1959"],"creator_ssim":["Smith, Clarence Edwin, 1885-1959"],"creator_persname_ssim":["Smith, Clarence Edwin, 1885-1959","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924"],"creator_corpname_ssim":["West Virginia and Regional History Center","American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute"],"creators_ssim":["Smith, Clarence Edwin, 1885-1959","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924","West Virginia and Regional History Center","American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Academies (Private schools)","Account books","Coal mining - coal companies.","Diaries and journals.","Editors - letters and papers.","Elections","General stores","Judges - letters and papers.","Labor organization. SEE ALSO Coal mining - labor","Lawyers - letters and papers.","Mills and mill-work","Politics and government.","Railroads","Unions.","New Deal, 1933-1939","Women's history -- 1850-1899","Women's history -- 1900-1929","World War, 1914-1918"],"access_subjects_ssm":["Academies (Private schools)","Account books","Coal mining - coal companies.","Diaries and journals.","Editors - letters and papers.","Elections","General stores","Judges - letters and papers.","Labor organization. SEE ALSO Coal mining - labor","Lawyers - letters and papers.","Mills and mill-work","Politics and government.","Railroads","Unions.","New Deal, 1933-1939","Women's history -- 1850-1899","Women's history -- 1900-1929","World War, 1914-1918"],"has_online_content_ssim":["false"],"extent_ssm":["1.25 Linear Feet Summary: 1 ft. 2 1/2 in. (2 document cases, 5 in. each); (2 folders, 1 1/2 in.); (1 scrapbook, 3 in.); (1 oversize folder, 3 items)"],"extent_tesim":["1.25 Linear Feet Summary: 1 ft. 2 1/2 in. (2 document cases, 5 in. each); (2 folders, 1 1/2 in.); (1 scrapbook, 3 in.); (1 oversize folder, 3 items)"],"date_range_isim":[1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Clarence Edwin Smith (1885-1959) Papers, A\u0026amp;M 0258, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Clarence Edwin Smith (1885-1959) Papers, A\u0026M 0258, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e258, 1604, 1606\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["258, 1604, 1606"],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to Rare Books Collection from Box 2, Folder 2:\u003c/p\u003e","\u003cp\u003eStowe, Harriet Beecher. Uncle Tom's Cabin; or, Life Among the Lowly. Dramatized by George L. Aiken. New York: Samuel French, 1858.\u003c/p\u003e","\u003cp\u003eSeparated to Rare Signatures, A\u0026amp;M 435:\u003c/p\u003e","\u003cp\u003eLetter from James A. Farley to C.E. Smith, December 1939.\u003c/p\u003e","\u003cp\u003eLetter from Franklin D. Roosevelt to C.E. Smith, March 17, 1938.\u003c/p\u003e","\u003cp\u003eLetter from Harry S. Truman to C.E. Smith, February 23, 1950.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to Rare Books Collection from Box 2, Folder 2:","Stowe, Harriet Beecher. Uncle Tom's Cabin; or, Life Among the Lowly. Dramatized by George L. Aiken. New York: Samuel French, 1858.","Separated to Rare Signatures, A\u0026M 435:","Letter from James A. Farley to C.E. Smith, December 1939.","Letter from Franklin D. Roosevelt to C.E. Smith, March 17, 1938.","Letter from Harry S. Truman to C.E. Smith, February 23, 1950."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_822786b86ccd09f6a7d09b106ca58e3b\"\u003eCorrespondence, business and legal records, account books, news releases, clippings, and family papers and photographs of a U.S. marshal (1916-1922); editor of the Fairmont TIMES (1925-1959) and Wheeling REGISTER (1933-1935); Democratic politician; member of the National Bituminous Coal Commission (1935-1939); and businessman. Subjects include: Smith's student days at Virginia Military Institute; West Virginia National Guard; Monongah Mine Relief Committee; Associated Press; Association Against the Prohibition Amendment; Eighteenth Amendment; presidential elections and national and state politics, 1916-1956; John W. Davis; Alfred E. Smith; post-World War I radicalism and reaction; Ku Klux Klan; United Mine Workers; National Miners' Union; labor conflict, 1920s; U.S. Railway Administration; New Deal agencies; and Mountain Lake Park, Maryland. Correspondents include Van A. Bittner, William E. Chilton, William G. Conley, John J. Cornwell, John W. Davis, Eugene V. Debs, James A. Farley, William Green, Averell Harriman, Homer Adams Holt, Rush Dew Holt, Hugh S. Johnson, Louis Johnson, Harley M. Kilgore, H.G. Kump, John L. Lewis, William A. MacCorkle, J. Howard McGrath, Clarence W. Meadows, M.M. Neely, Okey L. Patteson, Jennings Randolph, Adlai E. Stevenson, Clarence W. Watson, and James O. Watson. There are also papers of Clarence L. Smith (1850-1905), editor of the Fairmont INDEX (1889) and founder of the Fairmont TIMES (1900), which include a domestic diary of his wife, 1876-1910; minute book of the Fleming Association, 1890-1894; papers of Clarence Edwin Smith, Jr., 1940-1941; papers of Thomas Barns (1750-1836), and his sons, John S. (delegate to Second Wheeling Convention) and James F.; Marion County millers and manufacturers, 1795-1908. There are also papers of Waitman T. Willey and a taped interview with C.E. Smith, 1956. Correspondents include John L. Lewis, Matthew M. Neely, Francis H. Pierpont, and John J. Cornwell. There are also papers, 1917-1950, of Smith's brother, Earl H. (1880-1941), co-founder and editor of the Fairmont TIMES (1900-1925), state legislator, officer in the National Guard, and state commander of the American Legion. Subjects include World War I; Woodrow Wilson; American Legion; and state and national politics, 1918-1940. Correspondents include John J. Cornwell, John W. Davis, Sam T. Mallison, M.M. Neely, Jennings Randolph, and Howard Sutherland. The collection also includes papers, 1908-1940, of Herschel H. Rose, Smith's son-in-law, Fairmont attorney, Democrat politician, and circuit court judge. M.M. Neely is a correspondent. Financial records include account books, 1826-1893, of Thomas Barns, John S. Barns and Company, Barns, Fleming and Company (1857), James R. Fleming, woolen and flour milling, shoe manufacturing, and general merchandise operations in Marion County; account book of Mary Fleming Smith, 1888-1912; Fairmont Newspaper Publishing Company, 1919-1949; Fairmont Broadcasting Company, 1932, 1947-1949; and Jackson Coal Company, 1917-1924; Fairmont Coal Company founding mortgage document, 1901 (box 2, folder 4).\u003c/abstract\u003e\n    "],"abstract_tesim":["Correspondence, business and legal records, account books, news releases, clippings, and family papers and photographs of a U.S. marshal (1916-1922); editor of the Fairmont TIMES (1925-1959) and Wheeling REGISTER (1933-1935); Democratic politician; member of the National Bituminous Coal Commission (1935-1939); and businessman. Subjects include: Smith's student days at Virginia Military Institute; West Virginia National Guard; Monongah Mine Relief Committee; Associated Press; Association Against the Prohibition Amendment; Eighteenth Amendment; presidential elections and national and state politics, 1916-1956; John W. Davis; Alfred E. Smith; post-World War I radicalism and reaction; Ku Klux Klan; United Mine Workers; National Miners' Union; labor conflict, 1920s; U.S. Railway Administration; New Deal agencies; and Mountain Lake Park, Maryland. Correspondents include Van A. Bittner, William E. Chilton, William G. Conley, John J. Cornwell, John W. Davis, Eugene V. Debs, James A. Farley, William Green, Averell Harriman, Homer Adams Holt, Rush Dew Holt, Hugh S. Johnson, Louis Johnson, Harley M. Kilgore, H.G. Kump, John L. Lewis, William A. MacCorkle, J. Howard McGrath, Clarence W. Meadows, M.M. Neely, Okey L. Patteson, Jennings Randolph, Adlai E. Stevenson, Clarence W. Watson, and James O. Watson. There are also papers of Clarence L. Smith (1850-1905), editor of the Fairmont INDEX (1889) and founder of the Fairmont TIMES (1900), which include a domestic diary of his wife, 1876-1910; minute book of the Fleming Association, 1890-1894; papers of Clarence Edwin Smith, Jr., 1940-1941; papers of Thomas Barns (1750-1836), and his sons, John S. (delegate to Second Wheeling Convention) and James F.; Marion County millers and manufacturers, 1795-1908. There are also papers of Waitman T. Willey and a taped interview with C.E. Smith, 1956. Correspondents include John L. Lewis, Matthew M. Neely, Francis H. Pierpont, and John J. Cornwell. There are also papers, 1917-1950, of Smith's brother, Earl H. (1880-1941), co-founder and editor of the Fairmont TIMES (1900-1925), state legislator, officer in the National Guard, and state commander of the American Legion. Subjects include World War I; Woodrow Wilson; American Legion; and state and national politics, 1918-1940. Correspondents include John J. Cornwell, John W. Davis, Sam T. Mallison, M.M. Neely, Jennings Randolph, and Howard Sutherland. The collection also includes papers, 1908-1940, of Herschel H. Rose, Smith's son-in-law, Fairmont attorney, Democrat politician, and circuit court judge. M.M. Neely is a correspondent. Financial records include account books, 1826-1893, of Thomas Barns, John S. Barns and Company, Barns, Fleming and Company (1857), James R. Fleming, woolen and flour milling, shoe manufacturing, and general merchandise operations in Marion County; account book of Mary Fleming Smith, 1888-1912; Fairmont Newspaper Publishing Company, 1919-1949; Fairmont Broadcasting Company, 1932, 1947-1949; and Jackson Coal Company, 1917-1924; Fairmont Coal Company founding mortgage document, 1901 (box 2, folder 4)."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_40930189a97d42a1cb8019af11f98966\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute"],"names_coll_ssim":["American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence Edwin, 1885-1959","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924"],"persname_ssim":["Smith, Clarence Edwin, 1885-1959","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924"],"names_ssim":["West Virginia and Regional History Center","American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute","Smith, Clarence Edwin, 1885-1959","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:54:54.254Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_2652","ead_ssi":"wvmturhc_repositories_2_resources_2652","_root_":"wvmturhc_repositories_2_resources_2652","_nest_parent_":"wvmturhc_repositories_2_resources_2652","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_2652.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196718","title_ssm":["Clarence Edwin Smith (1885-1959) Papers"],"title_tesim":["Clarence Edwin Smith (1885-1959) Papers"],"unitdate_ssm":["1787-1957"],"unitdate_inclusive_ssm":["1787-1957"],"normalized_date_ssm":["1787/1957"],"normalized_title_ssm":["Clarence Edwin Smith (1885-1959) Papers, 1787/1957"],"text":["Clarence Edwin Smith (1885-1959) Papers, 1787/1957","A\u0026M 0258","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2652","Fairmont.","Marion County (W. Va.)","Mountain Lake Park (Md.)","Academies (Private schools)","Account books","Coal mining - coal companies.","Diaries and journals.","Editors - letters and papers.","Elections","General stores","Judges - letters and papers.","Labor organization. SEE ALSO Coal mining - labor","Lawyers - letters and papers.","Mills and mill-work","Politics and government.","Railroads","Unions.","New Deal, 1933-1939","Women's history -- 1850-1899","Women's history -- 1900-1929","World War, 1914-1918","No special access restriction applies.","258, 1604, 1606","Separated to Rare Books Collection from Box 2, Folder 2:","Stowe, Harriet Beecher. Uncle Tom's Cabin; or, Life Among the Lowly. Dramatized by George L. Aiken. New York: Samuel French, 1858.","Separated to Rare Signatures, A\u0026M 435:","Letter from James A. Farley to C.E. Smith, December 1939.","Letter from Franklin D. Roosevelt to C.E. Smith, March 17, 1938.","Letter from Harry S. Truman to C.E. Smith, February 23, 1950.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Correspondence, business and legal records, account books, news releases, clippings, and family papers and photographs of a U.S. marshal (1916-1922); editor of the Fairmont TIMES (1925-1959) and Wheeling REGISTER (1933-1935); Democratic politician; member of the National Bituminous Coal Commission (1935-1939); and businessman. Subjects include: Smith's student days at Virginia Military Institute; West Virginia National Guard; Monongah Mine Relief Committee; Associated Press; Association Against the Prohibition Amendment; Eighteenth Amendment; presidential elections and national and state politics, 1916-1956; John W. Davis; Alfred E. Smith; post-World War I radicalism and reaction; Ku Klux Klan; United Mine Workers; National Miners' Union; labor conflict, 1920s; U.S. Railway Administration; New Deal agencies; and Mountain Lake Park, Maryland. Correspondents include Van A. Bittner, William E. Chilton, William G. Conley, John J. Cornwell, John W. Davis, Eugene V. Debs, James A. Farley, William Green, Averell Harriman, Homer Adams Holt, Rush Dew Holt, Hugh S. Johnson, Louis Johnson, Harley M. Kilgore, H.G. Kump, John L. Lewis, William A. MacCorkle, J. Howard McGrath, Clarence W. Meadows, M.M. Neely, Okey L. Patteson, Jennings Randolph, Adlai E. Stevenson, Clarence W. Watson, and James O. Watson. There are also papers of Clarence L. Smith (1850-1905), editor of the Fairmont INDEX (1889) and founder of the Fairmont TIMES (1900), which include a domestic diary of his wife, 1876-1910; minute book of the Fleming Association, 1890-1894; papers of Clarence Edwin Smith, Jr., 1940-1941; papers of Thomas Barns (1750-1836), and his sons, John S. (delegate to Second Wheeling Convention) and James F.; Marion County millers and manufacturers, 1795-1908. There are also papers of Waitman T. Willey and a taped interview with C.E. Smith, 1956. Correspondents include John L. Lewis, Matthew M. Neely, Francis H. Pierpont, and John J. Cornwell. There are also papers, 1917-1950, of Smith's brother, Earl H. (1880-1941), co-founder and editor of the Fairmont TIMES (1900-1925), state legislator, officer in the National Guard, and state commander of the American Legion. Subjects include World War I; Woodrow Wilson; American Legion; and state and national politics, 1918-1940. Correspondents include John J. Cornwell, John W. Davis, Sam T. Mallison, M.M. Neely, Jennings Randolph, and Howard Sutherland. The collection also includes papers, 1908-1940, of Herschel H. Rose, Smith's son-in-law, Fairmont attorney, Democrat politician, and circuit court judge. M.M. Neely is a correspondent. Financial records include account books, 1826-1893, of Thomas Barns, John S. Barns and Company, Barns, Fleming and Company (1857), James R. Fleming, woolen and flour milling, shoe manufacturing, and general merchandise operations in Marion County; account book of Mary Fleming Smith, 1888-1912; Fairmont Newspaper Publishing Company, 1919-1949; Fairmont Broadcasting Company, 1932, 1947-1949; and Jackson Coal Company, 1917-1924; Fairmont Coal Company founding mortgage document, 1901 (box 2, folder 4).","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute","Smith, Clarence Edwin, 1885-1959","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924","English"],"collection_title_tesim":["Clarence Edwin Smith (1885-1959) Papers, 1787/1957"],"collection_ssim":["Clarence Edwin Smith (1885-1959) Papers, 1787/1957"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 0258","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2652"],"unitid_tesim":["A\u0026M 0258","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2652"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Fairmont.","Marion County (W. Va.)","Mountain Lake Park (Md.)"],"geogname_ssim":["Fairmont.","Marion County (W. Va.)","Mountain Lake Park (Md.)"],"places_ssim":["Fairmont.","Marion County (W. Va.)","Mountain Lake Park (Md.)"],"creator_ssm":["Smith, Clarence Edwin, 1885-1959"],"creator_ssim":["Smith, Clarence Edwin, 1885-1959"],"creator_persname_ssim":["Smith, Clarence Edwin, 1885-1959","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924"],"creator_corpname_ssim":["West Virginia and Regional History Center","American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute"],"creators_ssim":["Smith, Clarence Edwin, 1885-1959","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924","West Virginia and Regional History Center","American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Academies (Private schools)","Account books","Coal mining - coal companies.","Diaries and journals.","Editors - letters and papers.","Elections","General stores","Judges - letters and papers.","Labor organization. SEE ALSO Coal mining - labor","Lawyers - letters and papers.","Mills and mill-work","Politics and government.","Railroads","Unions.","New Deal, 1933-1939","Women's history -- 1850-1899","Women's history -- 1900-1929","World War, 1914-1918"],"access_subjects_ssm":["Academies (Private schools)","Account books","Coal mining - coal companies.","Diaries and journals.","Editors - letters and papers.","Elections","General stores","Judges - letters and papers.","Labor organization. SEE ALSO Coal mining - labor","Lawyers - letters and papers.","Mills and mill-work","Politics and government.","Railroads","Unions.","New Deal, 1933-1939","Women's history -- 1850-1899","Women's history -- 1900-1929","World War, 1914-1918"],"has_online_content_ssim":["false"],"extent_ssm":["1.25 Linear Feet Summary: 1 ft. 2 1/2 in. (2 document cases, 5 in. each); (2 folders, 1 1/2 in.); (1 scrapbook, 3 in.); (1 oversize folder, 3 items)"],"extent_tesim":["1.25 Linear Feet Summary: 1 ft. 2 1/2 in. (2 document cases, 5 in. each); (2 folders, 1 1/2 in.); (1 scrapbook, 3 in.); (1 oversize folder, 3 items)"],"date_range_isim":[1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Clarence Edwin Smith (1885-1959) Papers, A\u0026amp;M 0258, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Clarence Edwin Smith (1885-1959) Papers, A\u0026M 0258, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e258, 1604, 1606\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["258, 1604, 1606"],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to Rare Books Collection from Box 2, Folder 2:\u003c/p\u003e","\u003cp\u003eStowe, Harriet Beecher. Uncle Tom's Cabin; or, Life Among the Lowly. Dramatized by George L. Aiken. New York: Samuel French, 1858.\u003c/p\u003e","\u003cp\u003eSeparated to Rare Signatures, A\u0026amp;M 435:\u003c/p\u003e","\u003cp\u003eLetter from James A. Farley to C.E. Smith, December 1939.\u003c/p\u003e","\u003cp\u003eLetter from Franklin D. Roosevelt to C.E. Smith, March 17, 1938.\u003c/p\u003e","\u003cp\u003eLetter from Harry S. Truman to C.E. Smith, February 23, 1950.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to Rare Books Collection from Box 2, Folder 2:","Stowe, Harriet Beecher. Uncle Tom's Cabin; or, Life Among the Lowly. Dramatized by George L. Aiken. New York: Samuel French, 1858.","Separated to Rare Signatures, A\u0026M 435:","Letter from James A. Farley to C.E. Smith, December 1939.","Letter from Franklin D. Roosevelt to C.E. Smith, March 17, 1938.","Letter from Harry S. Truman to C.E. Smith, February 23, 1950."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_822786b86ccd09f6a7d09b106ca58e3b\"\u003eCorrespondence, business and legal records, account books, news releases, clippings, and family papers and photographs of a U.S. marshal (1916-1922); editor of the Fairmont TIMES (1925-1959) and Wheeling REGISTER (1933-1935); Democratic politician; member of the National Bituminous Coal Commission (1935-1939); and businessman. Subjects include: Smith's student days at Virginia Military Institute; West Virginia National Guard; Monongah Mine Relief Committee; Associated Press; Association Against the Prohibition Amendment; Eighteenth Amendment; presidential elections and national and state politics, 1916-1956; John W. Davis; Alfred E. Smith; post-World War I radicalism and reaction; Ku Klux Klan; United Mine Workers; National Miners' Union; labor conflict, 1920s; U.S. Railway Administration; New Deal agencies; and Mountain Lake Park, Maryland. Correspondents include Van A. Bittner, William E. Chilton, William G. Conley, John J. Cornwell, John W. Davis, Eugene V. Debs, James A. Farley, William Green, Averell Harriman, Homer Adams Holt, Rush Dew Holt, Hugh S. Johnson, Louis Johnson, Harley M. Kilgore, H.G. Kump, John L. Lewis, William A. MacCorkle, J. Howard McGrath, Clarence W. Meadows, M.M. Neely, Okey L. Patteson, Jennings Randolph, Adlai E. Stevenson, Clarence W. Watson, and James O. Watson. There are also papers of Clarence L. Smith (1850-1905), editor of the Fairmont INDEX (1889) and founder of the Fairmont TIMES (1900), which include a domestic diary of his wife, 1876-1910; minute book of the Fleming Association, 1890-1894; papers of Clarence Edwin Smith, Jr., 1940-1941; papers of Thomas Barns (1750-1836), and his sons, John S. (delegate to Second Wheeling Convention) and James F.; Marion County millers and manufacturers, 1795-1908. There are also papers of Waitman T. Willey and a taped interview with C.E. Smith, 1956. Correspondents include John L. Lewis, Matthew M. Neely, Francis H. Pierpont, and John J. Cornwell. There are also papers, 1917-1950, of Smith's brother, Earl H. (1880-1941), co-founder and editor of the Fairmont TIMES (1900-1925), state legislator, officer in the National Guard, and state commander of the American Legion. Subjects include World War I; Woodrow Wilson; American Legion; and state and national politics, 1918-1940. Correspondents include John J. Cornwell, John W. Davis, Sam T. Mallison, M.M. Neely, Jennings Randolph, and Howard Sutherland. The collection also includes papers, 1908-1940, of Herschel H. Rose, Smith's son-in-law, Fairmont attorney, Democrat politician, and circuit court judge. M.M. Neely is a correspondent. Financial records include account books, 1826-1893, of Thomas Barns, John S. Barns and Company, Barns, Fleming and Company (1857), James R. Fleming, woolen and flour milling, shoe manufacturing, and general merchandise operations in Marion County; account book of Mary Fleming Smith, 1888-1912; Fairmont Newspaper Publishing Company, 1919-1949; Fairmont Broadcasting Company, 1932, 1947-1949; and Jackson Coal Company, 1917-1924; Fairmont Coal Company founding mortgage document, 1901 (box 2, folder 4).\u003c/abstract\u003e\n    "],"abstract_tesim":["Correspondence, business and legal records, account books, news releases, clippings, and family papers and photographs of a U.S. marshal (1916-1922); editor of the Fairmont TIMES (1925-1959) and Wheeling REGISTER (1933-1935); Democratic politician; member of the National Bituminous Coal Commission (1935-1939); and businessman. Subjects include: Smith's student days at Virginia Military Institute; West Virginia National Guard; Monongah Mine Relief Committee; Associated Press; Association Against the Prohibition Amendment; Eighteenth Amendment; presidential elections and national and state politics, 1916-1956; John W. Davis; Alfred E. Smith; post-World War I radicalism and reaction; Ku Klux Klan; United Mine Workers; National Miners' Union; labor conflict, 1920s; U.S. Railway Administration; New Deal agencies; and Mountain Lake Park, Maryland. Correspondents include Van A. Bittner, William E. Chilton, William G. Conley, John J. Cornwell, John W. Davis, Eugene V. Debs, James A. Farley, William Green, Averell Harriman, Homer Adams Holt, Rush Dew Holt, Hugh S. Johnson, Louis Johnson, Harley M. Kilgore, H.G. Kump, John L. Lewis, William A. MacCorkle, J. Howard McGrath, Clarence W. Meadows, M.M. Neely, Okey L. Patteson, Jennings Randolph, Adlai E. Stevenson, Clarence W. Watson, and James O. Watson. There are also papers of Clarence L. Smith (1850-1905), editor of the Fairmont INDEX (1889) and founder of the Fairmont TIMES (1900), which include a domestic diary of his wife, 1876-1910; minute book of the Fleming Association, 1890-1894; papers of Clarence Edwin Smith, Jr., 1940-1941; papers of Thomas Barns (1750-1836), and his sons, John S. (delegate to Second Wheeling Convention) and James F.; Marion County millers and manufacturers, 1795-1908. There are also papers of Waitman T. Willey and a taped interview with C.E. Smith, 1956. Correspondents include John L. Lewis, Matthew M. Neely, Francis H. Pierpont, and John J. Cornwell. There are also papers, 1917-1950, of Smith's brother, Earl H. (1880-1941), co-founder and editor of the Fairmont TIMES (1900-1925), state legislator, officer in the National Guard, and state commander of the American Legion. Subjects include World War I; Woodrow Wilson; American Legion; and state and national politics, 1918-1940. Correspondents include John J. Cornwell, John W. Davis, Sam T. Mallison, M.M. Neely, Jennings Randolph, and Howard Sutherland. The collection also includes papers, 1908-1940, of Herschel H. Rose, Smith's son-in-law, Fairmont attorney, Democrat politician, and circuit court judge. M.M. Neely is a correspondent. Financial records include account books, 1826-1893, of Thomas Barns, John S. Barns and Company, Barns, Fleming and Company (1857), James R. Fleming, woolen and flour milling, shoe manufacturing, and general merchandise operations in Marion County; account book of Mary Fleming Smith, 1888-1912; Fairmont Newspaper Publishing Company, 1919-1949; Fairmont Broadcasting Company, 1932, 1947-1949; and Jackson Coal Company, 1917-1924; Fairmont Coal Company founding mortgage document, 1901 (box 2, folder 4)."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_40930189a97d42a1cb8019af11f98966\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute"],"names_coll_ssim":["American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence Edwin, 1885-1959","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924"],"persname_ssim":["Smith, Clarence Edwin, 1885-1959","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924"],"names_ssim":["West Virginia and Regional History Center","American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute","Smith, Clarence Edwin, 1885-1959","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:54:54.254Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2652"}},{"id":"wvmturhc_repositories_2_resources_4993","type":"collection","attributes":{"title":"Clarence Edwin Smith (1885-1959) Papers, 1787/1957","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4993#creator","type":"document_value","attributes":{"value":"Smith, Clarence Edwin, 1885-1959","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4993#abstract_or_scope","type":"document_value","attributes":{"value":"Correspondence, business and legal records, account books, news releases, clippings, and family papers and photographs of a U.S. Marshall (1916-1922); editor of the Fairmont TIMES (1925-1959) and Wheeling REGISTER (1933-1935); Democratic politician; member of the National Bituminous Coal Commission (1935-1939); and businessman. Subjects include: Smith's student days at Virginia Military Institute; West Virginia National Guard; Monongah Mine Relief Committee; Associated Press; Association Against the Prohibition Amendment; Eighteenth Amendment; presidential elections and national and state politics, 1916-1956; John W. Davis; Alfred E. Smith; post-World War I radicalism and reaction; Ku Klux Klan; United Mine Workers; National Miners' Union; labor conflict, 1920s; U.S. Railway Administration; New Deal agencies; and Mountain Lake Park, Maryland. Correspondents include Van A. Bittner, William E. Chilton, William G. Conley, John J. Cornwell, John W. Davis, Eugene V. Debs, James A. Farley, William Green, Averell Harriman, Homer Adams Holt, Rush Dew Holt, Hugh S. Johnson, Louis Johnson, Harley M. Kilgore, H.G. Kump, John L. Lewis, William A. MacCorkle, J. Howard McGrath, Clarence W. Meadows, M.M. Neely, Okey L. Patteson, Jennings Randolph, Franklin D. Roosevelt, Adlai E. Stevenson, Harry S. Truman, Clarence W. Watson, and James O. Watson. There are also papers of Clarence L. Smith (1850-1905), editor of the Fairmont INDEX (1889) and founder of the Fairmont TIMES (1900), which include a domestic diary of his wife, 1876-1910; minute book of the Fleming Association, 1890-1894; papers of Clarence Edwin Smith, Jr., 1940-1941; papers of Thomas Barns (1750-1836), and his sons, John S. and James F.; Marion County millers and manufacturers, 1795-1908. There are also papers of Waitman T. Willey and a taped interview with C.E. Smith, 1956. Correspondents include John L. Lewis, George B. McClellan, Matthew M. Neely, Francis H. Pierpont, John J. Cornwell, Franklin D. Roosevelt, and Harry S. Truman. There are also papers, 1917-1950, of Smith's brother, Earl H. (1880-1941), co-founder and editor of the Fairmont TIMES (1900-1925), state legislator, officer in the National Guard, and state commander of the American Legion. Subjects include World War I; Woodrow Wilson; American Legion; and state and national politics, 1918-1940. Correspondents include John J. Cornwell, John W. Davis, Sam T. Mallison, M.M. Neely, Jennings Randolph, and Howard Sutherland. The collection also includes papers, 1908-1940, of Herschel H. Rose, Smith's son-in-law, Fairmont attorney, Democrat politician, and circuit court judge. M.M. Neely is a correspondent. Financial records include account books, 1826-1893, of Thomas Barns, John S. Barns and Company, Barns, Fleming and Company (1857), James R. Fleming, woolen and flour milling, shoe manufacturing, and general merchandise operations in Marion County; account book of Mary Fleming Smith, 1888-1912; Fairmont Newspaper Publishing Company, 1919-1949; Fairmont Broadcasting Company, 1932, 1947-1949; and Jackson Coal Company, 1917-1924.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4993#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_4993","ead_ssi":"wvmturhc_repositories_2_resources_4993","_root_":"wvmturhc_repositories_2_resources_4993","_nest_parent_":"wvmturhc_repositories_2_resources_4993","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_4993.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198477","title_ssm":["Clarence Edwin Smith (1885-1959) Papers"],"title_tesim":["Clarence Edwin Smith (1885-1959) Papers"],"unitdate_ssm":["1787-1957"],"unitdate_inclusive_ssm":["1787-1957"],"normalized_date_ssm":["1787/1957"],"normalized_title_ssm":["Clarence Edwin Smith (1885-1959) Papers, 1787/1957"],"text":["Clarence Edwin Smith (1885-1959) Papers, 1787/1957","A\u0026M 1606","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4993","Fairmont.","Marion County (W. Va.)","Mountain Lake Park (Md.)","Academies (Private schools)","Account books","Coal mining - coal companies.","Diaries and journals.","Editors - letters and papers.","Elections","General stores","Judges - letters and papers.","Labor organization. SEE ALSO Coal mining - labor","Lawyers - letters and papers.","Mills and mill-work","Politics and government.","Railroads","Unions.","New Deal, 1933-1939","Women's history -- 1850-1899","Women's history -- 1900-1929","World War, 1914-1918","No special access restriction applies.","258, 1604, 1606","15 photos separated to A\u0026M 4168, Panoramic Photos Collection:","Officers, 201st Infantry WV NG [National Guard?] In Camp, Point Pleasant, WV; 1928","201st WV Infantry WV NG [National Guard?] Camp, Point Pleasant, WV, 1928/08/19-1928/09/02; 1928/08","Petroleum Industry Conference, Washington, D.C.; 1933/07","Democratic National Convention, International Amphitheatre, Chicago, IL; 1952/07/21","Jefferson-Jackson Victory Dinner, Mayflower Hotel, Washington, D.C.; 1949/02/24","Clubhouse, Hialeah Park, Florida (Miami Jockey Club); 1938/02/05","Democratic National Convention, Chicago Stadium, Chicago, IL (2 items); 1940/07/15","Democratic National Convention, International Amphitheatre, Chicago, IL; 1952/07/21","Democratic National Convention, Chicago Stadium, Chicago, IL; 1932/06/27","The Kentucky Democratic Club of Washington, D.C., in honor of Senator Alben W. Barkley and Senator Marvel Mills Logan of Kentucky; undated","Democratic National Convention, Convention Hall, Philadelphia, Pennsylvania, Hon. James A. Farley, Chairman; 1936/06/23","WV Delegation Caucus, Democratic National Convention, Chicago; 1932/06","Democratic National Convention, Houston, TX; 1928","Democratic National Convention, New York City, NY; 1924/06/24","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Correspondence, business and legal records, account books, news releases, clippings, and family papers and photographs of a U.S. Marshall (1916-1922); editor of the Fairmont TIMES (1925-1959) and Wheeling REGISTER (1933-1935); Democratic politician; member of the National Bituminous Coal Commission (1935-1939); and businessman. Subjects include: Smith's student days at Virginia Military Institute; West Virginia National Guard; Monongah Mine Relief Committee; Associated Press; Association Against the Prohibition Amendment; Eighteenth Amendment; presidential elections and national and state politics, 1916-1956; John W. Davis; Alfred E. Smith; post-World War I radicalism and reaction; Ku Klux Klan; United Mine Workers; National Miners' Union; labor conflict, 1920s; U.S. Railway Administration; New Deal agencies; and Mountain Lake Park, Maryland. Correspondents include Van A. Bittner, William E. Chilton, William G. Conley, John J. Cornwell, John W. Davis, Eugene V. Debs, James A. Farley, William Green, Averell Harriman, Homer Adams Holt, Rush Dew Holt, Hugh S. Johnson, Louis Johnson, Harley M. Kilgore, H.G. Kump, John L. Lewis, William A. MacCorkle, J. Howard McGrath, Clarence W. Meadows, M.M. Neely, Okey L. Patteson, Jennings Randolph, Franklin D. Roosevelt, Adlai E. Stevenson, Harry S. Truman, Clarence W. Watson, and James O. Watson. There are also papers of Clarence L. Smith (1850-1905), editor of the Fairmont INDEX (1889) and founder of the Fairmont TIMES (1900), which include a domestic diary of his wife, 1876-1910; minute book of the Fleming Association, 1890-1894; papers of Clarence Edwin Smith, Jr., 1940-1941; papers of Thomas Barns (1750-1836), and his sons, John S. and James F.; Marion County millers and manufacturers, 1795-1908. There are also papers of Waitman T. Willey and a taped interview with C.E. Smith, 1956. Correspondents include John L. Lewis, George B. McClellan, Matthew M. Neely, Francis H. Pierpont, John J. Cornwell, Franklin D. Roosevelt, and Harry S. Truman. There are also papers, 1917-1950, of Smith's brother, Earl H. (1880-1941), co-founder and editor of the Fairmont TIMES (1900-1925), state legislator, officer in the National Guard, and state commander of the American Legion. Subjects include World War I; Woodrow Wilson; American Legion; and state and national politics, 1918-1940. Correspondents include John J. Cornwell, John W. Davis, Sam T. Mallison, M.M. Neely, Jennings Randolph, and Howard Sutherland. The collection also includes papers, 1908-1940, of Herschel H. Rose, Smith's son-in-law, Fairmont attorney, Democrat politician, and circuit court judge. M.M. Neely is a correspondent. Financial records include account books, 1826-1893, of Thomas Barns, John S. Barns and Company, Barns, Fleming and Company (1857), James R. Fleming, woolen and flour milling, shoe manufacturing, and general merchandise operations in Marion County; account book of Mary Fleming Smith, 1888-1912; Fairmont Newspaper Publishing Company, 1919-1949; Fairmont Broadcasting Company, 1932, 1947-1949; and Jackson Coal Company, 1917-1924.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute","Smith, Clarence Edwin, 1885-1959","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924","English"],"collection_title_tesim":["Clarence Edwin Smith (1885-1959) Papers, 1787/1957"],"collection_ssim":["Clarence Edwin Smith (1885-1959) Papers, 1787/1957"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 1606","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4993"],"unitid_tesim":["A\u0026M 1606","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4993"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Fairmont.","Marion County (W. Va.)","Mountain Lake Park (Md.)"],"geogname_ssim":["Fairmont.","Marion County (W. Va.)","Mountain Lake Park (Md.)"],"places_ssim":["Fairmont.","Marion County (W. Va.)","Mountain Lake Park (Md.)"],"creator_ssm":["Smith, Clarence Edwin, 1885-1959"],"creator_ssim":["Smith, Clarence Edwin, 1885-1959"],"creator_persname_ssim":["Smith, Clarence Edwin, 1885-1959","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924"],"creator_corpname_ssim":["West Virginia and Regional History Center","American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute"],"creators_ssim":["Smith, Clarence Edwin, 1885-1959","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924","West Virginia and Regional History Center","American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Academies (Private schools)","Account books","Coal mining - coal companies.","Diaries and journals.","Editors - letters and papers.","Elections","General stores","Judges - letters and papers.","Labor organization. SEE ALSO Coal mining - labor","Lawyers - letters and papers.","Mills and mill-work","Politics and government.","Railroads","Unions.","New Deal, 1933-1939","Women's history -- 1850-1899","Women's history -- 1900-1929","World War, 1914-1918"],"access_subjects_ssm":["Academies (Private schools)","Account books","Coal mining - coal companies.","Diaries and journals.","Editors - letters and papers.","Elections","General stores","Judges - letters and papers.","Labor organization. SEE ALSO Coal mining - labor","Lawyers - letters and papers.","Mills and mill-work","Politics and government.","Railroads","Unions.","New Deal, 1933-1939","Women's history -- 1850-1899","Women's history -- 1900-1929","World War, 1914-1918"],"has_online_content_ssim":["false"],"extent_ssm":["19.4 Linear Feet Summary: 19 ft. 5 in. (44 document cases, 5 in. each); (1 small flat storage box, 3 in.); (8 ledgers, 8 1/2 in.); (2 wrapped packages, 1 1/2 in.); (1 oversize folder, 1 item.)"],"extent_tesim":["19.4 Linear Feet Summary: 19 ft. 5 in. (44 document cases, 5 in. each); (1 small flat storage box, 3 in.); (8 ledgers, 8 1/2 in.); (2 wrapped packages, 1 1/2 in.); (1 oversize folder, 1 item.)"],"date_range_isim":[1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Clarence Edwin Smith (1885-1959) Papers, A\u0026amp;M 1606, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Clarence Edwin Smith (1885-1959) Papers, A\u0026M 1606, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e258, 1604, 1606\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["258, 1604, 1606"],"separatedmaterial_html_tesm":["\u003cp\u003e15 photos separated to A\u0026amp;M 4168, Panoramic Photos Collection:\u003c/p\u003e","\u003cp\u003e\nOfficers, 201st Infantry WV NG [National Guard?] In Camp, Point Pleasant, WV; 1928\u003c/p\u003e","\u003cp\u003e\n201st WV Infantry WV NG [National Guard?] Camp, Point Pleasant, WV, 1928/08/19-1928/09/02; 1928/08\u003c/p\u003e","\u003cp\u003e\nPetroleum Industry Conference, Washington, D.C.; 1933/07\u003c/p\u003e","\u003cp\u003e\nDemocratic National Convention, International Amphitheatre, Chicago, IL; 1952/07/21\u003c/p\u003e","\u003cp\u003e\nJefferson-Jackson Victory Dinner, Mayflower Hotel, Washington, D.C.; 1949/02/24\u003c/p\u003e","\u003cp\u003e\nClubhouse, Hialeah Park, Florida (Miami Jockey Club); 1938/02/05\u003c/p\u003e","\u003cp\u003e\nDemocratic National Convention, Chicago Stadium, Chicago, IL (2 items); 1940/07/15\u003c/p\u003e","\u003cp\u003e\nDemocratic National Convention, International Amphitheatre, Chicago, IL; 1952/07/21\u003c/p\u003e","\u003cp\u003e\nDemocratic National Convention, Chicago Stadium, Chicago, IL; 1932/06/27\u003c/p\u003e","\u003cp\u003e\nThe Kentucky Democratic Club of Washington, D.C., in honor of Senator Alben W. Barkley and Senator Marvel Mills Logan of Kentucky; undated\u003c/p\u003e","\u003cp\u003e\nDemocratic National Convention, Convention Hall, Philadelphia, Pennsylvania, Hon. James A. Farley, Chairman; 1936/06/23\u003c/p\u003e","\u003cp\u003e\nWV Delegation Caucus, Democratic National Convention, Chicago; 1932/06\u003c/p\u003e","\u003cp\u003e\nDemocratic National Convention, Houston, TX; 1928\u003c/p\u003e","\u003cp\u003e\nDemocratic National Convention, New York City, NY; 1924/06/24\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["15 photos separated to A\u0026M 4168, Panoramic Photos Collection:","Officers, 201st Infantry WV NG [National Guard?] In Camp, Point Pleasant, WV; 1928","201st WV Infantry WV NG [National Guard?] Camp, Point Pleasant, WV, 1928/08/19-1928/09/02; 1928/08","Petroleum Industry Conference, Washington, D.C.; 1933/07","Democratic National Convention, International Amphitheatre, Chicago, IL; 1952/07/21","Jefferson-Jackson Victory Dinner, Mayflower Hotel, Washington, D.C.; 1949/02/24","Clubhouse, Hialeah Park, Florida (Miami Jockey Club); 1938/02/05","Democratic National Convention, Chicago Stadium, Chicago, IL (2 items); 1940/07/15","Democratic National Convention, International Amphitheatre, Chicago, IL; 1952/07/21","Democratic National Convention, Chicago Stadium, Chicago, IL; 1932/06/27","The Kentucky Democratic Club of Washington, D.C., in honor of Senator Alben W. Barkley and Senator Marvel Mills Logan of Kentucky; undated","Democratic National Convention, Convention Hall, Philadelphia, Pennsylvania, Hon. James A. Farley, Chairman; 1936/06/23","WV Delegation Caucus, Democratic National Convention, Chicago; 1932/06","Democratic National Convention, Houston, TX; 1928","Democratic National Convention, New York City, NY; 1924/06/24"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ed9fc27db8d0b68f8fb31adb20eabc65\"\u003eCorrespondence, business and legal records, account books, news releases, clippings, and family papers and photographs of a U.S. Marshall (1916-1922); editor of the Fairmont TIMES (1925-1959) and Wheeling REGISTER (1933-1935); Democratic politician; member of the National Bituminous Coal Commission (1935-1939); and businessman. Subjects include: Smith's student days at Virginia Military Institute; West Virginia National Guard; Monongah Mine Relief Committee; Associated Press; Association Against the Prohibition Amendment; Eighteenth Amendment; presidential elections and national and state politics, 1916-1956; John W. Davis; Alfred E. Smith; post-World War I radicalism and reaction; Ku Klux Klan; United Mine Workers; National Miners' Union; labor conflict, 1920s; U.S. Railway Administration; New Deal agencies; and Mountain Lake Park, Maryland. Correspondents include Van A. Bittner, William E. Chilton, William G. Conley, John J. Cornwell, John W. Davis, Eugene V. Debs, James A. Farley, William Green, Averell Harriman, Homer Adams Holt, Rush Dew Holt, Hugh S. Johnson, Louis Johnson, Harley M. Kilgore, H.G. Kump, John L. Lewis, William A. MacCorkle, J. Howard McGrath, Clarence W. Meadows, M.M. Neely, Okey L. Patteson, Jennings Randolph, Franklin D. Roosevelt, Adlai E. Stevenson, Harry S. Truman, Clarence W. Watson, and James O. Watson. There are also papers of Clarence L. Smith (1850-1905), editor of the Fairmont INDEX (1889) and founder of the Fairmont TIMES (1900), which include a domestic diary of his wife, 1876-1910; minute book of the Fleming Association, 1890-1894; papers of Clarence Edwin Smith, Jr., 1940-1941; papers of Thomas Barns (1750-1836), and his sons, John S. and James F.; Marion County millers and manufacturers, 1795-1908. There are also papers of Waitman T. Willey and a taped interview with C.E. Smith, 1956. Correspondents include John L. Lewis, George B. McClellan, Matthew M. Neely, Francis H. Pierpont, John J. Cornwell, Franklin D. Roosevelt, and Harry S. Truman. There are also papers, 1917-1950, of Smith's brother, Earl H. (1880-1941), co-founder and editor of the Fairmont TIMES (1900-1925), state legislator, officer in the National Guard, and state commander of the American Legion. Subjects include World War I; Woodrow Wilson; American Legion; and state and national politics, 1918-1940. Correspondents include John J. Cornwell, John W. Davis, Sam T. Mallison, M.M. Neely, Jennings Randolph, and Howard Sutherland. The collection also includes papers, 1908-1940, of Herschel H. Rose, Smith's son-in-law, Fairmont attorney, Democrat politician, and circuit court judge. M.M. Neely is a correspondent. Financial records include account books, 1826-1893, of Thomas Barns, John S. Barns and Company, Barns, Fleming and Company (1857), James R. Fleming, woolen and flour milling, shoe manufacturing, and general merchandise operations in Marion County; account book of Mary Fleming Smith, 1888-1912; Fairmont Newspaper Publishing Company, 1919-1949; Fairmont Broadcasting Company, 1932, 1947-1949; and Jackson Coal Company, 1917-1924.\u003c/abstract\u003e\n    "],"abstract_tesim":["Correspondence, business and legal records, account books, news releases, clippings, and family papers and photographs of a U.S. Marshall (1916-1922); editor of the Fairmont TIMES (1925-1959) and Wheeling REGISTER (1933-1935); Democratic politician; member of the National Bituminous Coal Commission (1935-1939); and businessman. Subjects include: Smith's student days at Virginia Military Institute; West Virginia National Guard; Monongah Mine Relief Committee; Associated Press; Association Against the Prohibition Amendment; Eighteenth Amendment; presidential elections and national and state politics, 1916-1956; John W. Davis; Alfred E. Smith; post-World War I radicalism and reaction; Ku Klux Klan; United Mine Workers; National Miners' Union; labor conflict, 1920s; U.S. Railway Administration; New Deal agencies; and Mountain Lake Park, Maryland. Correspondents include Van A. Bittner, William E. Chilton, William G. Conley, John J. Cornwell, John W. Davis, Eugene V. Debs, James A. Farley, William Green, Averell Harriman, Homer Adams Holt, Rush Dew Holt, Hugh S. Johnson, Louis Johnson, Harley M. Kilgore, H.G. Kump, John L. Lewis, William A. MacCorkle, J. Howard McGrath, Clarence W. Meadows, M.M. Neely, Okey L. Patteson, Jennings Randolph, Franklin D. Roosevelt, Adlai E. Stevenson, Harry S. Truman, Clarence W. Watson, and James O. Watson. There are also papers of Clarence L. Smith (1850-1905), editor of the Fairmont INDEX (1889) and founder of the Fairmont TIMES (1900), which include a domestic diary of his wife, 1876-1910; minute book of the Fleming Association, 1890-1894; papers of Clarence Edwin Smith, Jr., 1940-1941; papers of Thomas Barns (1750-1836), and his sons, John S. and James F.; Marion County millers and manufacturers, 1795-1908. There are also papers of Waitman T. Willey and a taped interview with C.E. Smith, 1956. Correspondents include John L. Lewis, George B. McClellan, Matthew M. Neely, Francis H. Pierpont, John J. Cornwell, Franklin D. Roosevelt, and Harry S. Truman. There are also papers, 1917-1950, of Smith's brother, Earl H. (1880-1941), co-founder and editor of the Fairmont TIMES (1900-1925), state legislator, officer in the National Guard, and state commander of the American Legion. Subjects include World War I; Woodrow Wilson; American Legion; and state and national politics, 1918-1940. Correspondents include John J. Cornwell, John W. Davis, Sam T. Mallison, M.M. Neely, Jennings Randolph, and Howard Sutherland. The collection also includes papers, 1908-1940, of Herschel H. Rose, Smith's son-in-law, Fairmont attorney, Democrat politician, and circuit court judge. M.M. Neely is a correspondent. Financial records include account books, 1826-1893, of Thomas Barns, John S. Barns and Company, Barns, Fleming and Company (1857), James R. Fleming, woolen and flour milling, shoe manufacturing, and general merchandise operations in Marion County; account book of Mary Fleming Smith, 1888-1912; Fairmont Newspaper Publishing Company, 1919-1949; Fairmont Broadcasting Company, 1932, 1947-1949; and Jackson Coal Company, 1917-1924."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3bcab522bbd37afdbec35d3a482d3cc6\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute"],"names_coll_ssim":["American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence Edwin, 1885-1959","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924"],"persname_ssim":["Smith, Clarence Edwin, 1885-1959","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924"],"names_ssim":["West Virginia and Regional History Center","American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute","Smith, Clarence Edwin, 1885-1959","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:57:04.936Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_4993","ead_ssi":"wvmturhc_repositories_2_resources_4993","_root_":"wvmturhc_repositories_2_resources_4993","_nest_parent_":"wvmturhc_repositories_2_resources_4993","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_4993.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198477","title_ssm":["Clarence Edwin Smith (1885-1959) Papers"],"title_tesim":["Clarence Edwin Smith (1885-1959) Papers"],"unitdate_ssm":["1787-1957"],"unitdate_inclusive_ssm":["1787-1957"],"normalized_date_ssm":["1787/1957"],"normalized_title_ssm":["Clarence Edwin Smith (1885-1959) Papers, 1787/1957"],"text":["Clarence Edwin Smith (1885-1959) Papers, 1787/1957","A\u0026M 1606","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4993","Fairmont.","Marion County (W. Va.)","Mountain Lake Park (Md.)","Academies (Private schools)","Account books","Coal mining - coal companies.","Diaries and journals.","Editors - letters and papers.","Elections","General stores","Judges - letters and papers.","Labor organization. SEE ALSO Coal mining - labor","Lawyers - letters and papers.","Mills and mill-work","Politics and government.","Railroads","Unions.","New Deal, 1933-1939","Women's history -- 1850-1899","Women's history -- 1900-1929","World War, 1914-1918","No special access restriction applies.","258, 1604, 1606","15 photos separated to A\u0026M 4168, Panoramic Photos Collection:","Officers, 201st Infantry WV NG [National Guard?] In Camp, Point Pleasant, WV; 1928","201st WV Infantry WV NG [National Guard?] Camp, Point Pleasant, WV, 1928/08/19-1928/09/02; 1928/08","Petroleum Industry Conference, Washington, D.C.; 1933/07","Democratic National Convention, International Amphitheatre, Chicago, IL; 1952/07/21","Jefferson-Jackson Victory Dinner, Mayflower Hotel, Washington, D.C.; 1949/02/24","Clubhouse, Hialeah Park, Florida (Miami Jockey Club); 1938/02/05","Democratic National Convention, Chicago Stadium, Chicago, IL (2 items); 1940/07/15","Democratic National Convention, International Amphitheatre, Chicago, IL; 1952/07/21","Democratic National Convention, Chicago Stadium, Chicago, IL; 1932/06/27","The Kentucky Democratic Club of Washington, D.C., in honor of Senator Alben W. Barkley and Senator Marvel Mills Logan of Kentucky; undated","Democratic National Convention, Convention Hall, Philadelphia, Pennsylvania, Hon. James A. Farley, Chairman; 1936/06/23","WV Delegation Caucus, Democratic National Convention, Chicago; 1932/06","Democratic National Convention, Houston, TX; 1928","Democratic National Convention, New York City, NY; 1924/06/24","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Correspondence, business and legal records, account books, news releases, clippings, and family papers and photographs of a U.S. Marshall (1916-1922); editor of the Fairmont TIMES (1925-1959) and Wheeling REGISTER (1933-1935); Democratic politician; member of the National Bituminous Coal Commission (1935-1939); and businessman. Subjects include: Smith's student days at Virginia Military Institute; West Virginia National Guard; Monongah Mine Relief Committee; Associated Press; Association Against the Prohibition Amendment; Eighteenth Amendment; presidential elections and national and state politics, 1916-1956; John W. Davis; Alfred E. Smith; post-World War I radicalism and reaction; Ku Klux Klan; United Mine Workers; National Miners' Union; labor conflict, 1920s; U.S. Railway Administration; New Deal agencies; and Mountain Lake Park, Maryland. Correspondents include Van A. Bittner, William E. Chilton, William G. Conley, John J. Cornwell, John W. Davis, Eugene V. Debs, James A. Farley, William Green, Averell Harriman, Homer Adams Holt, Rush Dew Holt, Hugh S. Johnson, Louis Johnson, Harley M. Kilgore, H.G. Kump, John L. Lewis, William A. MacCorkle, J. Howard McGrath, Clarence W. Meadows, M.M. Neely, Okey L. Patteson, Jennings Randolph, Franklin D. Roosevelt, Adlai E. Stevenson, Harry S. Truman, Clarence W. Watson, and James O. Watson. There are also papers of Clarence L. Smith (1850-1905), editor of the Fairmont INDEX (1889) and founder of the Fairmont TIMES (1900), which include a domestic diary of his wife, 1876-1910; minute book of the Fleming Association, 1890-1894; papers of Clarence Edwin Smith, Jr., 1940-1941; papers of Thomas Barns (1750-1836), and his sons, John S. and James F.; Marion County millers and manufacturers, 1795-1908. There are also papers of Waitman T. Willey and a taped interview with C.E. Smith, 1956. Correspondents include John L. Lewis, George B. McClellan, Matthew M. Neely, Francis H. Pierpont, John J. Cornwell, Franklin D. Roosevelt, and Harry S. Truman. There are also papers, 1917-1950, of Smith's brother, Earl H. (1880-1941), co-founder and editor of the Fairmont TIMES (1900-1925), state legislator, officer in the National Guard, and state commander of the American Legion. Subjects include World War I; Woodrow Wilson; American Legion; and state and national politics, 1918-1940. Correspondents include John J. Cornwell, John W. Davis, Sam T. Mallison, M.M. Neely, Jennings Randolph, and Howard Sutherland. The collection also includes papers, 1908-1940, of Herschel H. Rose, Smith's son-in-law, Fairmont attorney, Democrat politician, and circuit court judge. M.M. Neely is a correspondent. Financial records include account books, 1826-1893, of Thomas Barns, John S. Barns and Company, Barns, Fleming and Company (1857), James R. Fleming, woolen and flour milling, shoe manufacturing, and general merchandise operations in Marion County; account book of Mary Fleming Smith, 1888-1912; Fairmont Newspaper Publishing Company, 1919-1949; Fairmont Broadcasting Company, 1932, 1947-1949; and Jackson Coal Company, 1917-1924.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute","Smith, Clarence Edwin, 1885-1959","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924","English"],"collection_title_tesim":["Clarence Edwin Smith (1885-1959) Papers, 1787/1957"],"collection_ssim":["Clarence Edwin Smith (1885-1959) Papers, 1787/1957"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 1606","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4993"],"unitid_tesim":["A\u0026M 1606","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4993"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Fairmont.","Marion County (W. Va.)","Mountain Lake Park (Md.)"],"geogname_ssim":["Fairmont.","Marion County (W. Va.)","Mountain Lake Park (Md.)"],"places_ssim":["Fairmont.","Marion County (W. Va.)","Mountain Lake Park (Md.)"],"creator_ssm":["Smith, Clarence Edwin, 1885-1959"],"creator_ssim":["Smith, Clarence Edwin, 1885-1959"],"creator_persname_ssim":["Smith, Clarence Edwin, 1885-1959","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924"],"creator_corpname_ssim":["West Virginia and Regional History Center","American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute"],"creators_ssim":["Smith, Clarence Edwin, 1885-1959","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924","West Virginia and Regional History Center","American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Academies (Private schools)","Account books","Coal mining - coal companies.","Diaries and journals.","Editors - letters and papers.","Elections","General stores","Judges - letters and papers.","Labor organization. SEE ALSO Coal mining - labor","Lawyers - letters and papers.","Mills and mill-work","Politics and government.","Railroads","Unions.","New Deal, 1933-1939","Women's history -- 1850-1899","Women's history -- 1900-1929","World War, 1914-1918"],"access_subjects_ssm":["Academies (Private schools)","Account books","Coal mining - coal companies.","Diaries and journals.","Editors - letters and papers.","Elections","General stores","Judges - letters and papers.","Labor organization. SEE ALSO Coal mining - labor","Lawyers - letters and papers.","Mills and mill-work","Politics and government.","Railroads","Unions.","New Deal, 1933-1939","Women's history -- 1850-1899","Women's history -- 1900-1929","World War, 1914-1918"],"has_online_content_ssim":["false"],"extent_ssm":["19.4 Linear Feet Summary: 19 ft. 5 in. (44 document cases, 5 in. each); (1 small flat storage box, 3 in.); (8 ledgers, 8 1/2 in.); (2 wrapped packages, 1 1/2 in.); (1 oversize folder, 1 item.)"],"extent_tesim":["19.4 Linear Feet Summary: 19 ft. 5 in. (44 document cases, 5 in. each); (1 small flat storage box, 3 in.); (8 ledgers, 8 1/2 in.); (2 wrapped packages, 1 1/2 in.); (1 oversize folder, 1 item.)"],"date_range_isim":[1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Clarence Edwin Smith (1885-1959) Papers, A\u0026amp;M 1606, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Clarence Edwin Smith (1885-1959) Papers, A\u0026M 1606, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e258, 1604, 1606\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["258, 1604, 1606"],"separatedmaterial_html_tesm":["\u003cp\u003e15 photos separated to A\u0026amp;M 4168, Panoramic Photos Collection:\u003c/p\u003e","\u003cp\u003e\nOfficers, 201st Infantry WV NG [National Guard?] In Camp, Point Pleasant, WV; 1928\u003c/p\u003e","\u003cp\u003e\n201st WV Infantry WV NG [National Guard?] Camp, Point Pleasant, WV, 1928/08/19-1928/09/02; 1928/08\u003c/p\u003e","\u003cp\u003e\nPetroleum Industry Conference, Washington, D.C.; 1933/07\u003c/p\u003e","\u003cp\u003e\nDemocratic National Convention, International Amphitheatre, Chicago, IL; 1952/07/21\u003c/p\u003e","\u003cp\u003e\nJefferson-Jackson Victory Dinner, Mayflower Hotel, Washington, D.C.; 1949/02/24\u003c/p\u003e","\u003cp\u003e\nClubhouse, Hialeah Park, Florida (Miami Jockey Club); 1938/02/05\u003c/p\u003e","\u003cp\u003e\nDemocratic National Convention, Chicago Stadium, Chicago, IL (2 items); 1940/07/15\u003c/p\u003e","\u003cp\u003e\nDemocratic National Convention, International Amphitheatre, Chicago, IL; 1952/07/21\u003c/p\u003e","\u003cp\u003e\nDemocratic National Convention, Chicago Stadium, Chicago, IL; 1932/06/27\u003c/p\u003e","\u003cp\u003e\nThe Kentucky Democratic Club of Washington, D.C., in honor of Senator Alben W. Barkley and Senator Marvel Mills Logan of Kentucky; undated\u003c/p\u003e","\u003cp\u003e\nDemocratic National Convention, Convention Hall, Philadelphia, Pennsylvania, Hon. James A. Farley, Chairman; 1936/06/23\u003c/p\u003e","\u003cp\u003e\nWV Delegation Caucus, Democratic National Convention, Chicago; 1932/06\u003c/p\u003e","\u003cp\u003e\nDemocratic National Convention, Houston, TX; 1928\u003c/p\u003e","\u003cp\u003e\nDemocratic National Convention, New York City, NY; 1924/06/24\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["15 photos separated to A\u0026M 4168, Panoramic Photos Collection:","Officers, 201st Infantry WV NG [National Guard?] In Camp, Point Pleasant, WV; 1928","201st WV Infantry WV NG [National Guard?] Camp, Point Pleasant, WV, 1928/08/19-1928/09/02; 1928/08","Petroleum Industry Conference, Washington, D.C.; 1933/07","Democratic National Convention, International Amphitheatre, Chicago, IL; 1952/07/21","Jefferson-Jackson Victory Dinner, Mayflower Hotel, Washington, D.C.; 1949/02/24","Clubhouse, Hialeah Park, Florida (Miami Jockey Club); 1938/02/05","Democratic National Convention, Chicago Stadium, Chicago, IL (2 items); 1940/07/15","Democratic National Convention, International Amphitheatre, Chicago, IL; 1952/07/21","Democratic National Convention, Chicago Stadium, Chicago, IL; 1932/06/27","The Kentucky Democratic Club of Washington, D.C., in honor of Senator Alben W. Barkley and Senator Marvel Mills Logan of Kentucky; undated","Democratic National Convention, Convention Hall, Philadelphia, Pennsylvania, Hon. James A. Farley, Chairman; 1936/06/23","WV Delegation Caucus, Democratic National Convention, Chicago; 1932/06","Democratic National Convention, Houston, TX; 1928","Democratic National Convention, New York City, NY; 1924/06/24"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ed9fc27db8d0b68f8fb31adb20eabc65\"\u003eCorrespondence, business and legal records, account books, news releases, clippings, and family papers and photographs of a U.S. Marshall (1916-1922); editor of the Fairmont TIMES (1925-1959) and Wheeling REGISTER (1933-1935); Democratic politician; member of the National Bituminous Coal Commission (1935-1939); and businessman. Subjects include: Smith's student days at Virginia Military Institute; West Virginia National Guard; Monongah Mine Relief Committee; Associated Press; Association Against the Prohibition Amendment; Eighteenth Amendment; presidential elections and national and state politics, 1916-1956; John W. Davis; Alfred E. Smith; post-World War I radicalism and reaction; Ku Klux Klan; United Mine Workers; National Miners' Union; labor conflict, 1920s; U.S. Railway Administration; New Deal agencies; and Mountain Lake Park, Maryland. Correspondents include Van A. Bittner, William E. Chilton, William G. Conley, John J. Cornwell, John W. Davis, Eugene V. Debs, James A. Farley, William Green, Averell Harriman, Homer Adams Holt, Rush Dew Holt, Hugh S. Johnson, Louis Johnson, Harley M. Kilgore, H.G. Kump, John L. Lewis, William A. MacCorkle, J. Howard McGrath, Clarence W. Meadows, M.M. Neely, Okey L. Patteson, Jennings Randolph, Franklin D. Roosevelt, Adlai E. Stevenson, Harry S. Truman, Clarence W. Watson, and James O. Watson. There are also papers of Clarence L. Smith (1850-1905), editor of the Fairmont INDEX (1889) and founder of the Fairmont TIMES (1900), which include a domestic diary of his wife, 1876-1910; minute book of the Fleming Association, 1890-1894; papers of Clarence Edwin Smith, Jr., 1940-1941; papers of Thomas Barns (1750-1836), and his sons, John S. and James F.; Marion County millers and manufacturers, 1795-1908. There are also papers of Waitman T. Willey and a taped interview with C.E. Smith, 1956. Correspondents include John L. Lewis, George B. McClellan, Matthew M. Neely, Francis H. Pierpont, John J. Cornwell, Franklin D. Roosevelt, and Harry S. Truman. There are also papers, 1917-1950, of Smith's brother, Earl H. (1880-1941), co-founder and editor of the Fairmont TIMES (1900-1925), state legislator, officer in the National Guard, and state commander of the American Legion. Subjects include World War I; Woodrow Wilson; American Legion; and state and national politics, 1918-1940. Correspondents include John J. Cornwell, John W. Davis, Sam T. Mallison, M.M. Neely, Jennings Randolph, and Howard Sutherland. The collection also includes papers, 1908-1940, of Herschel H. Rose, Smith's son-in-law, Fairmont attorney, Democrat politician, and circuit court judge. M.M. Neely is a correspondent. Financial records include account books, 1826-1893, of Thomas Barns, John S. Barns and Company, Barns, Fleming and Company (1857), James R. Fleming, woolen and flour milling, shoe manufacturing, and general merchandise operations in Marion County; account book of Mary Fleming Smith, 1888-1912; Fairmont Newspaper Publishing Company, 1919-1949; Fairmont Broadcasting Company, 1932, 1947-1949; and Jackson Coal Company, 1917-1924.\u003c/abstract\u003e\n    "],"abstract_tesim":["Correspondence, business and legal records, account books, news releases, clippings, and family papers and photographs of a U.S. Marshall (1916-1922); editor of the Fairmont TIMES (1925-1959) and Wheeling REGISTER (1933-1935); Democratic politician; member of the National Bituminous Coal Commission (1935-1939); and businessman. Subjects include: Smith's student days at Virginia Military Institute; West Virginia National Guard; Monongah Mine Relief Committee; Associated Press; Association Against the Prohibition Amendment; Eighteenth Amendment; presidential elections and national and state politics, 1916-1956; John W. Davis; Alfred E. Smith; post-World War I radicalism and reaction; Ku Klux Klan; United Mine Workers; National Miners' Union; labor conflict, 1920s; U.S. Railway Administration; New Deal agencies; and Mountain Lake Park, Maryland. Correspondents include Van A. Bittner, William E. Chilton, William G. Conley, John J. Cornwell, John W. Davis, Eugene V. Debs, James A. Farley, William Green, Averell Harriman, Homer Adams Holt, Rush Dew Holt, Hugh S. Johnson, Louis Johnson, Harley M. Kilgore, H.G. Kump, John L. Lewis, William A. MacCorkle, J. Howard McGrath, Clarence W. Meadows, M.M. Neely, Okey L. Patteson, Jennings Randolph, Franklin D. Roosevelt, Adlai E. Stevenson, Harry S. Truman, Clarence W. Watson, and James O. Watson. There are also papers of Clarence L. Smith (1850-1905), editor of the Fairmont INDEX (1889) and founder of the Fairmont TIMES (1900), which include a domestic diary of his wife, 1876-1910; minute book of the Fleming Association, 1890-1894; papers of Clarence Edwin Smith, Jr., 1940-1941; papers of Thomas Barns (1750-1836), and his sons, John S. and James F.; Marion County millers and manufacturers, 1795-1908. There are also papers of Waitman T. Willey and a taped interview with C.E. Smith, 1956. Correspondents include John L. Lewis, George B. McClellan, Matthew M. Neely, Francis H. Pierpont, John J. Cornwell, Franklin D. Roosevelt, and Harry S. Truman. There are also papers, 1917-1950, of Smith's brother, Earl H. (1880-1941), co-founder and editor of the Fairmont TIMES (1900-1925), state legislator, officer in the National Guard, and state commander of the American Legion. Subjects include World War I; Woodrow Wilson; American Legion; and state and national politics, 1918-1940. Correspondents include John J. Cornwell, John W. Davis, Sam T. Mallison, M.M. Neely, Jennings Randolph, and Howard Sutherland. The collection also includes papers, 1908-1940, of Herschel H. Rose, Smith's son-in-law, Fairmont attorney, Democrat politician, and circuit court judge. M.M. Neely is a correspondent. Financial records include account books, 1826-1893, of Thomas Barns, John S. Barns and Company, Barns, Fleming and Company (1857), James R. Fleming, woolen and flour milling, shoe manufacturing, and general merchandise operations in Marion County; account book of Mary Fleming Smith, 1888-1912; Fairmont Newspaper Publishing Company, 1919-1949; Fairmont Broadcasting Company, 1932, 1947-1949; and Jackson Coal Company, 1917-1924."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3bcab522bbd37afdbec35d3a482d3cc6\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute"],"names_coll_ssim":["American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence Edwin, 1885-1959","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924"],"persname_ssim":["Smith, Clarence Edwin, 1885-1959","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924"],"names_ssim":["West Virginia and Regional History Center","American Legion","Associated Press","Association Against the Prohibition Amendment","Barns, Fleming and Company","Barns, John S. and Company","Democratic Party (U.S.)","Fairmont Broadcasting Company.","Fairmont Newspaper Publishing Company","Fleming Association","Jackson Coal Company","Ku Klux Klan (1915- )","Monongah Mines Relief Committee","United States. National Bituminous Coal Commission","National Miners' Union (U.S.)","United Mine Workers of America","United States - Railway Administration.","United States National Guard - West Virginia.","Virginia Military Institute","Smith, Clarence Edwin, 1885-1959","Barns, James F.","Barns, John S.","Barns, Thomas.","Bittner, Van A. (Van Amberg), 1885-1949","Chilton, William E. (William Edwin), 1858-1939","Conley, William G. (William Gustavus), 1866-1940","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Debs, Eugene V. (Eugene Victor), 1855-1926","Farley, James A. (James Aloysius), 1888-1976","Fleming, James R.","Green, William.","Harriman, W. Averell (William Averell), 1891-1986","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, Hugh S. (Hugh Samuel), 1882-1942","Johnson, Louis.","Kilgore, Harley Martin, 1893-1956","Kump, Herman Guy, 1877-1962","Lewis, John L. (John Llewellyn), 1880-1969","MacCorkle, William Alexander, 1857-1930","Mallison, Samuel T.","McClellan, George B. (George Brinton), 1826-1885","McGrath, J. Howard (James Howard), 1903-1966","Meadows, Clarence W.","Neely, Matthew Mansfield, 1874-1958","Patteson, Okey L.","Pierpont, Francis Harrison, 1814-1899","Randolph, Jennings, 1902-1998","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rose, Herschel H.","Smith, Alfred Emanuel, 1873-1944","Smith, Clarence Edwin Jr.","Smith, Clarence L.","Smith, Earl H.","Smith, Mary Fleming.","Stevenson, Adlai E. (Adlai Ewing), 1900-1965","Sutherland, Howard, 1865-1950","Truman, Harry S., 1884-1972","Watson, C. W.","Watson, James O.","Willey, Waitman T. (Waitman Thomas), 1811-1900","Wilson, Woodrow, 1856-1924"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:57:04.936Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4993"}},{"id":"vifgm_repositories_2_resources_331","type":"collection","attributes":{"title":"Federal Theatre Project collection, 1885/1986, bulk 1935/1939","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_331#creator","type":"document_value","attributes":{"value":"Federal Theatre Project (U.S.)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_331#abstract_or_scope","type":"document_value","attributes":{"value":"The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_331#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_331","ead_ssi":"vifgm_repositories_2_resources_331","_root_":"vifgm_repositories_2_resources_331","_nest_parent_":"vifgm_repositories_2_resources_331","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_331.xml","title_filing_ssi":"Federal Theatre Project collection","title_ssm":["Federal Theatre Project collection"],"title_tesim":["Federal Theatre Project collection"],"unitdate_ssm":["circa 1885-1986","1935-1939"],"unitdate_inclusive_ssm":["circa 1885-1986"],"unitdate_bulk_ssim":["1935-1939"],"normalized_date_ssm":["1885/1986, bulk 1935/1939"],"normalized_title_ssm":["Federal Theatre Project collection, 1885/1986, bulk 1935/1939"],"text":["Federal Theatre Project collection, 1885/1986, bulk 1935/1939","C0002","/repositories/2/resources/331","Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript","There are no access restrictions.","The scripts are also available as a series in the  in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections  .","Arranged into five series.","Series\n      Series 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368)\n      Series 2: Play Service and Research Records, 1935-1939 (Boxes 5-105)\n      Series 3: Library Records, 1885-1986 (Boxes 106-306)\n      Series 4: Production Records, 193-193 (Boxes 307-363, 366-367)\n      Series 5: Costumes, circa 1935-1939 (Boxes 369-371)","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.","The Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.","Processed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023.","The Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.","The scripts are also available as a series in the .","Content Warning: Some materials contain racist language and slurs, including play titles.","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Series 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Available in digital format.","The House Committee on Un-American Activities (HUAC)","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","Includes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"","Issues of New Theatre (1934-1936).","Oversize color reprint of article from Fortune","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.","Contains blueprints and photographs of portable theatres","Subseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Subseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.","by John Wiley; based on an Edgar Allen Poe story (photocopy)","by Beth Brown","by Elmer L. Rice","by Francis Bosworth","by Buell R. Fuller","Director Georgia S. Fink","by Virginia Yetes (photocopy)","by Ruth Morris","by Gladys Unger and Walter Armitage","by David Arnold Balch","by William Mahl","by William Mahl","by William Mahl","by Eugene O'Neill","by Eugene O'Neill","by Edmond Rostand","by Edmond Rostand","by Edmond Rostand","by Yasha Frank","director Georgia S. Fink","adapted by S.S. Weiss","adapted by Ralph Chesse","by Sidney Howard","by Sidney Howard","by Eugene O'Neil","by Homer Little and Myla Jo Closser","by Homer Little and Myla Jo Closser","by Hardie Albright","by Hardie Albright","by Thomas Hall Rogers, photocopy from February 20, 1991","by Thomas Hall Rogers, 2 photocopies","by Thomas Hall Rogers","by Thomas Hall Rogers","by Thomas Hall Rogers","published in The Catholic School Journal","by Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy","by Edwin and Albert Barker","by Edwin and Albert Barker","by Elmer L. Rice","by Elmer L. Rice","by Elmer L. Rice","by Talbot Jennings","by Mrs. Alexander Mathis","by Vera Smirnova","by Edwin Burke","by Louis Weitzenkorn","by George Bernard Shaw","by Langston Hughes; A One-Act Play of Negro Life, photocopy","by Eugene O'Neill","by Eugene O'Neill","by Rose Franken","by Rose Franken","by St. John Ervine","by Elizabeth de Vautibault","by Elizabeth de Vautibault","by Rev. Henry N. Hudson","by Rev. Henry N. Hudson","by Rudolph Wittenberg","by Laurance Moore","by Margaret Brooks and Constance Wyckoff","by George Bernard Shaw","by George Bernard Shaw","by Martin Flavin","by Martin Flavin","by Yale Dramatic Association","by Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy","by W. H. Auden and Christopher Isherwood","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Lockhart North","by T. R. Arkell","by Owen Davis","by C. L. Anthony","by Clifford Odets","by Clifford Odets","by Clifford Odets","by Ruth Fenisong and Remo Bufano","by Lester Fuller, 2 copies, 1 of which is a photocopy","by Margaret Mayo","by Porter Emerson Brown","by Porter Emerson Brown","by H. R. Hays","by H. R. Hays","by Padriac Colum","by Padriac Colum","by Herb Meadow","by Herb Meadow, 2 photocopies","by Katharine Clugston","by Katharine Clugston","by Walter Hackett","by Maxwell Anderson","by Michael Blankfort and Michael Gold, photocopy","by Michael Blankfort and Michael Gold","by Michael Blankfort and Michael Gold","by Frederick Stowers","by Mary Dirnberger; Dramatized from the familiar fairy tale","by Mary Dirnberger; Dramatized from the familiar fairy tale","Transcribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma","by Albert Powels","by Alfred Lord Tennyson","by Alfred Lord Tennyson","by Brian J. Byrne","by George S. Kaufman and Marc Connelly","by George S. Kaufman and Marc Connelly","by Aodh de Blacam","by Belmont Ashton","by Lawrence Houseman","by Walter Abbott","by Walter Abbott","by Anonymous","by Eugene O'Neill","by Eugene O'Neill","by John W. Dunn; A play of early Oklahoma life","by John W. Dunn; A play of early Oklahoma life","by William Beyer","by Theodore Pratt, photocopy","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Samuel Sayer","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy","Synopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre","by Charles M. Barras","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Seymour G. Link","by Martin Flavin","by Maurice Maeterlinck","by Georgia Douglas Johnson, photocopy","by Ruth Fenisong","photocopy","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Eugene O'Neill","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Robin Taylor","Revision by Florence Elberta Barns","by Ruth Comfort Mitchel and Alfred Allen, photocopy","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Will Cotton","by Will Cotton","by Robert Hare Powel","by Robert Hare Powel","by Emmet Lavery","by Martin Flavin","by Martin Flavin","by Ruth Fenisong","by Frank Wilson","by Frank Wilson","by Frank Wilson","by Emmet Lavery","by Miss Mabel Osborne","by Emma Ehrlich Levinger","by Irwin Shaw","by Beth Brown and Gilbert Laurence","by Leopold L. Atlas","by Leopold L. Atlas","Original by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by George Bernard Shaw","by George Bernard Shaw","by Frank L. Moss and Richard Dana","by Frank L. Moss and Richard Dana","by Arnold Zweig","by Robert Peele Noble","by Robert Peele Noble","by Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy","by George Bernard Shaw","by George Bernard Shaw","by Carl Glick","by Arthur Goodrich and Rose A. Palmer","by Arthur Goodrich and Rose A. Palmer","by George Bernard Shaw","by George Bernard Shaw","by Robt. A. Bromley (revised edition)","by Zelma Bruce Tiden","by Zelma Bruce Tiden","by Peretz Hirshbein","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Estelle L. Silverman","by Jules Renard","by Rollo Wayne","by Rollo Wayne","by Rollo Wayne","by George McEnlee, photocopy","by George McEnlee","by H. Leivick","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg (revised)","by German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy","by A. Barto","by James Parish","by Y. L. Peretz","by John Woodworth, photocopy","by John Woodworth","by Ruth Fenisong","by John W. Dunn, photocopy","by John W. Dunn","by Stanislaus Stange","by sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw","Hedley Gordon Graham","by Essex Dane","by George Huntington Clark","by George Huntington Clark","by H. Jack Bates; A Negro Folk Play, photocopy","by Ruth Welty and Gene Renouf","by Rose Carlyn, photocopy","Three by Rose Carlyn; Three by Fannie Engle","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Gilbert Lennox","by Paul Vincent Carroll","by Noel Harris Houston","by Gertrude Worthington Jeffries","by Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy","by Rudolph Fisher, photocopy","by Rudolph Fisher, photocopy","by A. Callen, M. Worthington, and I. Reuben, photocopy","by Oliver Haserodt, photocopy","by Oliver Haserodt","by Royall Tyler","by M. Manisoff","by a seventh grade in Louisville, Kentucky","by a seventh grade in Louisville, Kentucky","by Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Marc Blitzstein, 2 photocopies","by Marc Blitzstein","by John H. Floyd","by members of the Play Bureau of the Southwest","by Betty Lessler Lyman","by John Hunter Booth","by John Hunter Booth, photocopy","by John Hunter Booth, photocopy","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director","by W. S. Gilbert","by Charles Dickens adapted by Gilmor Brown","Marionette Division, Buffalo, N.Y.","by Edgar Wallace","by James Stephens","by Walt Anderson","by Walt Anderson","by A. Barto","by A. Barto","by Laurette MacDuffie","by Anna Best Joder","by Elizabeth Leigh Vaughan","by W. H. Auden","by Joaquin Miller, photocopy","by Joaquin Miller","by Ruby Lorraine Radford","by S. Ansky","by L. W. Barrus","by George Foss, photocopy","by George Foss","by George Foss","by Grant Moss","by Grant Moss","by George W. Cronyn","by Rose Carlyn","by J. C. Furnes","by Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen","by Eugene O'Neill","by Benn W. Levy; A Religious Comedy, photocopy","by Benn W. Levy; A Religious Comedy","by George Bernard Shaw","by George Bernard Shaw","by Elmer Rice","by Eugene O'Neill","by Eugene O'Neill","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play","by Andrew Barton","by Andrew Barton","by Andrew Barton","by Merrill Denison","by Christopher Marlowe, arranged for marionettes by Robert Larson","by Twort (?) Gilbert and Edward Rosen","by Christopher Marlowe","by Christopher Marlowe","by Moliere","by Jules Romans, English version by Harley Granville-Barker","by Minnie H. Niemier","by Lope de Vega","by Harlan E. Glazier","by David Pinski","by Fred Ballard","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","by Elizabeth McFadden","by Charlotte Kohler, photocopy","by Joan and Michale A. Slane","by Carl Glick","by Rosa Carlyn","published by the National Tuberculosis Association","by Eugene O'Neill","by W. H. Smith","by Luis Quinones de Benavente","by Emily Percy Denison","by S. Ansky","by S. Ansky","by S. Ansky","by Arthur Goodman","by Elise Jerard","by Samuel Shipman and John B. Hymer","by Samuel Shipman and John B. Hymer","by Ossip Dymow","by Ossip Dymow","by Ossip Dymow","by Jack Larric","by Jack Larric","by Peretz Hirshbein","by Charlotte Charpenning","by Charlotte Charpenning","by Joseph Liss","by Paul Green","by Paul Green","by Paul Green","by C. C. Parsons","by Henrik Ibsen","by Henrik Ibsen","by Henrik Ibsen","by Sean O'Casey","by Demetre Bohris","by John Galsworthy","by Arthur Arent, photocopy","by Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy","by Arthur Arent, photocopy received June 11, 1991","by Kjeld Abell","by Paul Lawrence Dunbar (adaptation)","by Paul Lawrence Dunbar","by Sylvia Regan","by Sylvia Regan","by G. J. Graves","by G. J. Graves","by Will T. Goodwin; Working Script","by Emmet Lavery","by Emmet Lavery","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Bradbury Foote","by Bradbury Foote","by Cervantes","by Doris Troutman","by Luis Quinones de Benavente","adapted by Maurice Jagendorf","adapted by Maurice Jagendorf","by Irving P. Kapner","by Frank B. Elser and Marc Connelly","by Frank B. Elser and Marc Connelly","by Brian Doherty","by Brian Doherty","by Lope de Vega","by Maxwell Anderson","by H. A. Archibald","by Munro Leaf","by Paul Green","by Paul Green","by Rachel Lyman Field","by Weldon Stone","by Weldon Stone","by John Van Antwerp","by John Van Antwerp","by A. Barto","by Eugene O'Neill","by Frank Craven","by George H. Corey, photocopy","by George H. Corey","by E. and P. Green","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy","by Oscar Saul and Louis Lantz","by Oscar Saul and Louis Lantz","by Pearl S. Buck","by Pearl S. Buck","A play for boys and girls with radio participation, experiment number 1 by Berthold Brecht","by John W. Dunn","by Graham Rawson","by Graham Rawson","by Gene Stone and Jack Rosenblum","by Phile Higley","by Myrtle L. Barger","by E. P. Conkle","by Harry B. Smith","by Harry B. Smith","by Ada Sterling","by Ada Sterling","by Eleanor Garland","by Eugene O'Neill","by Eugene O'Neill","by Harry Sackler","by Georgia Douglas Johnson, photocopy","by Georgia Douglas Johnson","by Harriet Wedgwood, a health play for children, reprinted from Hygeia","by Samuel Shipman and Aaron Hoffman","by Samuel Shipman and Aaron Hoffman","by B. R. Fuller","by Leopold L. Atlas","by Beverly Hamer in the Carolina Play Book volume X, number 3","by William Stevenson","by B. K. Simkhovitch","by B. K. Simkhovitch","by B. K. Simkhovitch","by Felix Doherty","by Nando Vitali","by Ben Russak","by Ben Russak","by Ben Russak","by Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.","by Edward Lynn","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Isidore Reuben","by Philo Higley","by Arnold Ridley","by Buell R. Fuller","by Aldous Huxley","photocopy","by Ferenc Molnar","by Ferenc Molnar","by Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy","adapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Jacob Gordon","by J. J. Robbins","by J. J. Robbins","by Philip Stevenson","by Leon Crozier","by Paul Armstrong and Rex Beach","by Paul Smith","by Louise Franklin Bache","by Lewis Beach","by Lewis Beach","by Lewis Beach","by Kermit Love","by Rose Carlyn","by Ridgely Torrence; A Play for the Negro Theatre, photocopy","by Howard Koch; A Comedy of Recent Times, photocopy","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Warwick F. Williams","by William R. Randall","by Anna Friedman; A Roosevelt Play, photocopy","by Gertrude Worthington Jeffries, photocopy","by Gertrude Worthington Jeffries","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by George Bernard Shaw","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Bernard Szold and E. P. O'Donnell","by Bernard Szold and E. P. O'Donnell","by Marc Connelly","adapted by Stephen Weiss","by William J. Langman, S. J.","by Eugene O'Neill","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by Noah Elstein","by Grace Dorcas Ruthenberg","by Harlan E. Glazier","by Yasha Frank","by Thornton Wilder","by Thornton Wilder","by Wilfrido Ma Guerrero","by Donald Davis and Samuel Ornitz","by Joseph Lehmann","by Charles Prentiss","by Julius Hay","by Julius Hay","by Arthur Kober","by Arthur Kober","by Elizabeth Jane Astley","by Philip Atlee and Edmund Van Zandt","by Philip Atlee and Edmund Van Zandt","by David Belasco","by George Bernard Shaw","by Albert Bein","by Albert Bein","by Helen Clare Nelson","by Barry Conners","by Abram Hill, photocopy","by Margaret Sperry","by Margaret Sperry","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Theresa Helburn","by Theresa Helburn","by Theresa Helburn","adapted and translated by Donald Fay Robinson","adapted by Kent Pease Hamdent High School, Hamdent, Connecticut","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Mary B. Stafford","by Harlan E. Glazier","by Lee Freeson","by Howard Koch and Ben Russak","by Howard Koch and Ben Russak","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by John Wiley","by Harold Courlander","by Sally Coulter","by Herb Meadow","by Dorothy Hailpern","by Dorothy Hailpern","by Michael Swift","by Philip Barry","by Philip Barry","by John Alan Haughton","by Marion Holbrook","by Joseph Liss","by Paul Green","by Sara E. Bower","by Bertram M. Gross","by Alan Sidney","by Edith Kunz","by The Historical Project, Federal Writers Project of Minnesota","by Paul Green","by Paul Green","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by Margaret MacNamera","by Margaret MacNamera","by Edwin Burke","by Rufus King and Milton Lazarus","by Rufus King and Milton Lazarus","by Perez Hirschbaum","by Maria M. Coxe, photocopy","by Maria M. Coxe","by Maria M. Coxe","by Maria M. Coxe","by Paul Green","by Eugene O'Neill","by Bertolt Brecht","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by Maurice Stoller","by Norman Roston","by Noah Elstein, photocopy","by Noah Elstein","by Noah Elstein","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by Raymond Reeves, photocopy","by Raymond Reeves","by St. John G. Ervine","by St. John G. Ervine","by John McGee","adapted by Federal Theatre Project Los Angeles, California","by H. L. Fishel, photocopy","by H. L. Fishel, photocopy","by H. L. Fishel","by H. L. Fishel","by Martha Hodgson Ellis","by David Schrieber","by St. John G. Ervine","by St. John G. Ervine","by Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Paul Green","by Paul Green","by Luidmilla Vepritskaya","by Alma Shaw","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by Warren Coleman; A Negro Comedy, 2 photocopies","Elmer Rice","by Shakespeare","by Thomas A. Langan","by Emmet Lavery","by Ruth Fenisong","by J. C. Nugent and Elliott Nugent","by J. C. Nugent and Elliott Nugent","by Edgar Slaughter","The Living Newspaper Presents","The Living Newspaper Presents","by James Bridie","by Catherine Reighard","by Max M. Dill","by Don Mullally","by David Pinski","by T. C. Robinson and Rena M. Vale, photocopy","by T. C. Robinson and Rena M. Vale, photocopy","by Lawrence J. Bernard","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by George Scudder","by Irving Kaye Davis","by Irving Kaye Davis","by Irving Kaye Davis","by James Bridie","by James Bridie","by Sidney Howard","by Sidney Howard","by Harry King Tootle","by Harry King Tootle","by William Beyer","by William Beyer","by Oliver La Farge","by V. Beldon?","by Harry King Tootle","by Ernest Chamberlain","by Ernest Chamberlain","by Elmer Rice","by Moliere","by A. Barto","by Maurice Stoller","by Charlotte Chorpenning","by Bertram Robinson","photocopy","photocopy","photocopy","by Edward Hopter","by George Sklar","by George Sklar","by George Sklar","by George Sklar","by Gilbert Laurence","by Giuseppe Giacosa","by Giuseppe Giacosa","by Marion Flexner and Dorothy Park Clark","by Franz Molnar","by Franz Molnar","by Alma Shaw","by C. B. Chorpenning, photocopy","by C. B. Chorpenning","by C. B. Chorpenning","by C. B. Chorpenning","by Molka Reich of Miami Florida Project","translated from Flemish by Jacob Borut and Lola Sachs","translated from Flemish by Jacob Borut and Lola Sachs","by Marc Connelly","by Alexei Tolstoi","by Eleanor Glendower Griffith","by Lawrence and Sylvia Martin, photocopy","by Lawrence and Sylvia Martin, photocopy","by Howard Koch","by Howard Koch","by Howard Koch","by Thornton Wilder","by Eugene O'Neill","by Charles George","by T. C. Upham","by T. C. Upham","by Isidore Reuben","by Charles Alan","by Charles Alan","by Thornton Wilder","by John Galsworthy","by Maud Wood Park, photocopy","by Maud Wood Park","by Maud Wood Park","by Maud Wood Park revised by Robert Finch","by Theodore Browne; An \"African Version\", photocopy","by Clarence H. Talbot","reprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Blake","by Victoria Heindel","by Lee Freeson","by Louis Golding and A. R. Rawlinson","by Bernard Shaw","by Bernard Shaw","by Alfred Sutro","by John Woodworth","by John Woodworth","by Mr. Beete","by Mr. Beete","by Hollister Noble and Edward R. Sammis","by Hollister Noble and Edward R. Sammis","by Paul Green","by Anatole France","by Jules Eckert Goodman and Eckert Goodman","by Jules Eckert Goodman and Eckert Goodman","by Earnest Andai and Lajos Balint","by Federal Theatres, Los Angeles, California","by Anton Chekhov","by Rena B. Johnson","by Tom Taylor and Charles Reade","by Mabel DeVries Tanner","by Mabel DeVries Tanner","by Mabel DeVries Tanner","photocopy","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","by John Le Touche","by Brandon Tynan","by Victor Victor","by Victor Victor","by William Shakespeare","by H. Richard Oliver and John McCain Rimassa","by William Shakespeare","by Rose Dubin","by Ruth Fenisong and Samuel Sayer","By W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.","by W. S. Gilbert; The Town of Titifu, photocopy","by W. S. Gilbert; The Town of Titifu","by W. S. Gilbert; The Town of Titifu","by Plautus; translated by Clarence P. Bill, photocopy","photocopy","by Lynn Root and Harry Clork","by Wallace L. Waite","by Wallace L. Waite","by B. R. Fuller","by Dee Burque","by Hans Chlumberg, photocopy","by Nahum Brind","by John Crosby","by John Crosby","Page has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.","by John Charles Brownell","by E. B. Ginty","by E. B. Ginty","by Louise Franklin Bache","by Rose Franken and Jane Lewin","by Rose Franken and Jane Lewin","by Holger Cahill","by Holger Cahill","by Holger Cahill","by Michael Gold","by J. R. Perkins","by Emmet Lavery","by Denis Johnston","by Denis Johnston","by Eugene O'Neill","by Richard Maibaum","by Richard Maibaum","by Richard Maibaum","by Samuel French","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Joseph Liss","by Ruth Fenisong","by Louise Franklin Bache","by Ramon Romero, photocopy","by Ramon Romero, photocopy","by Ramon Romero","by Ramon Romero","by T. S. Eliot","by T. S. Eliot","by T. S. Eliot","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Buell R. Fuller","by Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy","by Cecil E. Reynolds","by Cecil E. Reynolds","by Rose Carlyn","from volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry","by Nathalie Satz and Sergei Rosaanov","by Anemone Pemberton","photocopy","photocopy","by Maxwell Anderson","by Arthur Arent; A Living Newspaper Play, photocopy","by Arthur Arent; A Living Newspaper Play","by Arthur Arent; A Living Newspaper Play","by students of Commonwealth College; Commonwealth College Fortnightly, photocopy","by Eleanor Flexner","by Eleanor Flexner","by Arthur Strawn and Henry Rosendahl","by Talbot Jennings","by Ernest Toller","by Ernest Toller","by Lilian Gill","by Jerome Geneson","by George Smedley Smith and Bernard Szold","by George Smedley Smith and Bernard Szold","by Ethel Watts Mumford and Lily Strickland","by Elmer Rice","by Elmer Rice","by Nathan Spiegel","by Joseph Hergesheimer","by Joseph Hergesheimer","by Sid Kuller and Ray Golden","by Sid Kuller and Ray Golden","by Harold Igo, photocopy","by Harold Igo","by Harold Igo","by Bernard Shaw","by James Knox Millen","by James Knox Millen","by Denman Thompson","adapted for marionettes by Ruth Fenisong and Samuel Sayer","adapted for marionettes by Ruth Fenisong and Samuel Sayer","by Benjamin M. Kaye","by Benjamin M. Kaye","by Bernard Shaw","by Bernard Shaw","by Bernard Shaw","by Marian Katherine Brown","by Seyril Schochen","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","by Kenneth Webb","by Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","dramatized from L. Feuchtwanger's novel by Clayton Fritchi","by Remo Bufano","by Irvin Wilson Baker","by Irvin Wilson Baker","by Irvin Wilson Baker","by Harry Hamilton","by Lillian Day and Lyon Mearson","by Lillian Day and Lyon Mearson","by Irving P. Kapner","by John Mason Brown","by Grace H. Swift, photocopy","by Catherine F. Reighard","by Gladys E. Murray","by Hughes Allison, photocopy","by Faye L. Tornquist","by Irving De W. Talmadge","by Irving De W. Talmadge","by Arthur Goodman","by Aristophanes","by Aristophanes","by Howard J. Green and Raymond Leslie Goldman","by Howard J. Green and Raymond Leslie Goldman","by Lope de Vega","translation by Joan Vanderpool","by Marion Holbrook","by Martha B. King","by Robert Sherwood","by Robert Sherwood","by Harlan E. Glazier","by members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania","by Alan Sidney","after the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget","adapted by Federal Theatre Project, Omaha, Nebraska","by Sarah Neuman","a Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales","adapted by Yasha Frank, photocopy","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","by Frank Kintrea","by Adelaide C. Rowell","by Adelaide C. Rowell","by Adelaide C. Rowell","by Phil Cook and McElbert Moore","by Ben Bengal","by A. Korneichuk","by J. Liss","by Margaret Naumberg","by Rose Carlyn","by Alvin Kerr","by Alvin Kerr","by Alvin Kerr","by George Kelly","by Robert Russell, photocopy","by Robert Russell","by Robert Russell","by Dorothy Heyward and DuBose Heyward","Living Newspaper, photocopy","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","by Karel Capek","by Karel Capek","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","Content warning: racist language/slur.","Full title: Prancing Nigger. By E. England suggested from the novel by Ronald Firbank of the same name","Content warning: racist language/slur.","Full title: Prancing Nigger.","by Robert Whitehand, photocopy","by Robert Whitehand","by Robert Whitehand","by Albert Maltz; Anti-Fascist Play, photocopy","by Alfred Kreymborg","by John Howard Lawson, photocopy","by John Howard Lawson, photocopy","by John Howard Lawson","by John Howard Lawson","by John Garrett Underhill","by Freidrich Wolf, photocopy","by Friedrich Wolf","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by Claudia Hatch, photocopy","by Eldridge Lindsay","by Thornton Wilder","by Lawrence Langner and Armina Marshall Langner","by Leonora Kaghan and Anita Phillips","by Tonia Bakina","by Karel Capek","by Karel Capek","by Ferdinand Bruckner","by Ferdinand Bruckner","by Bradbury Foote","by Bradbury Foote","by Bradbury Foote","by Edward Stirling, Esq.","by Edward Stirling, Esq.","by Fred Ballard","by Blanding Sloan","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by L. Resnick","by Robert Sturgis, photocopy","by Fritz Karinthy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life","by P. Washington Porter; A Tragedy of Negro Life","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz","by Federal Theater Project, Los Angeles","by Federal Theater Project, Los Angeles","by Frances Montgomery","by Jan Klokog","as produced by the Federal Theater Project at Omaha, Nebraska","adapted for Buffalo Historical Marionette Theatre","by Lee Freeson","photocopy","by Richard Oliver; A Living Newspaper Play, photocopy","by Charles Vildrac","by Charles Vildrac","Dramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip","by Lynn Riggs","by Lynn Riggs","by Joseph Liss","by Joseph Liss","by John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")","by John W. Dunn","by Edith Grossberg Whitesell","by Edith Grossberg Whitesell","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa","by Hassard Short and Maurice Henniquin","by Hall Johnson, photocopy","by Hall Johnson, photocopy","by Hall Johnson","Living Newspaper, photocopy","by Charles Vildrac","by Francisco Rodrigo","by Leonide Andreyeff","by A. Barto","by Lope de Vega","by Countee Cullen and Arna Bontemps, photocopy","by Countee Cullen and Arna Bontemps","by Upton Sinclair; A Little Play for the White Collar Folks,","by Upton Sinclair; A Little Play for the White Collar Folks,","by Robert A Bromley and Al Carthe","by Robert A Bromley and Al Carthe","by Paul Green","by Maxwell Anderson","by Maxwell Anderson","by Micha Hawkins","The Adventures of a Bunny","by Frances Lester Warner","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Christobel Morley Cordell, photocopy","by Richard Brinsley Sheridan","by Maxwell Anderson","by Harold Whitehall","by Harold Whitehall","by Harold Whitehall","by Phyllis Clare Flannery; A Farce Satire, photocopy","by George Savage, Dramatist Guild Contest Play #60, photocopy","by George Savage, photocopy","by George Savage, Dramatist Guild Contest Play #60","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage","by Elmer Rice","by Elmer Rice","by Bertolt Brecht, translated by Keene Wallis","by Leonard J. Tyle","by William Evans","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by R. Edgar Moore","by R. Edgar Moore","by Florence Clothier; A Play of the Labrador Coast, photocopy","by Oliver Goldsmith; The Mistakes of a Night, photocopy","compiled from Old English nativity plays by Robert Larson","by Ruth Fenisong and Samuel Sayer","by Andrews and Anne Wilson Peabody","by George Kelly, version used by Negro Theatre Unit, New York City","by George Kelly","by Morgan Burke","by Morgan Burke","by Robert K. Ryland","photocopy","by Howard Koch","by Howard Koch","by Sholem Ash","by Isabel Anderson (Mrs. Larz Anderson)","by Fall River, photocopy","by F. S. Hill","by Miles Malleson","by Janet Hartman and Hallie Flanagan, photocopy","by Buell R. Fuller and Stephen Weiss","by Sedarmee Club Madison House","by Jo Basshe, photocopy","by Robert A. Bromley and Al Carthe","by Robert A. Bromley and Al Carthe","by Betty Smith","by Joseph Lawrence, photocopy","by Joseph Lawrence","by H. Leivick","an ancient Japanese farce translated by Michio Itow and Louis V. Ledoux","by Grace Welsh Lutgen, photocopy","by J. S. Coppard","by B. R. Fuller","photocopy","photocopy","by Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy","three copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.","by Arnold Sundgaard, photocopy","by Arnold Sundgaard, photocopy","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by James P. Judge","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Helen Fitzgerald","by Victor Victor","by Victor Victor","by Robert Ardrey; A Comedy, photocopy","by Robert Ardrey; A Comedy","by Ward Courtney; a Living Newspaper Play, photocopy","by Ward Courtney; a Living Newspaper Play, photocopy","by Otis Chatfield-Taylor, photocopy","by Charles Irving","by Charles Irving","photocopy","by Harold Robbins","by Elmer Rice","by Paul Peters and George Sklar","by Robert T. Colwell and Robert A. Simon","by Elmer Rice","by Elmer Rice","by Paul Tripp","by Mary Manning","by Mary Manning","by Barrie and Leonia Stavis","by Barrie and Leonia Stavis","by Henry C. Haskell","by Henry C. Haskell","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray, photocopy","by Lula Vollmer","by Norman Foster and Harry Hamilton","by Norman Foster and Harry Hamilton","by Georgie Douglass Johnson","by George Cram Cook and Susan Glaspell","by C. Liberman","by August Strindberg","photocopy","Federal Theatre of Oklahoma","by Maurice Stoller","by Katharine Clugston","by Katharine Clugston","by Katharine Clugston","by David Pinski, photocopy","by David Pinski","by David Pinski","by David Pinsky","by William Shakespeare","by William Shakespeare","by William Shakespeare","by William Shakespeare","by David Lano","Vagabond Puppeteers for the Federal Theatre of Oklahoma","by Shotwell Callvert, photocopy","by William dorsey Blake; A Living Newspaper Play, photocopy","by Anthony Armstrong","by Charles H. Hoyt","by Charles H. Hoyt","by Florine Schwartz; A Play for Children, photocopy","by Anna M. Lutkenhaus, photocopy","by Arthur A. Miller, photocopy","by Ivan Rowan and Martin Delman","by Ivan Rowan and Martin Delman","by Raymond Bond","by Raymond Bond","by Raymond Bond","by William Kozlenko","by Converse Tyler","by Converse Tyler","by Converse Tyler","by Knox Herold","by Betty Smith","by Yury Olesha","by Yury Olesha","by Gertrude Tonkonogy, photocopy","by Marita Rosler","by Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy","by Marie Baume from the novel by Leane Zugsmith; photocopy","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by William Shakespeare","by William Shakespeare","by William Shakespeare","by James Bridie","by Samuel Sayer","by Robert Wallsten","by Isabel Barber; A dramatist guild contest play #552","by Isabel Barber","by Isabel Barber","by John Broome, photocopy","by John Broome","by Ruth Fenisong","by Ruth Fenisong","by Robinson Jeffers; A Play in Poetic Form, photocopy","by Robinson Jeffers; A Play in Poetic Form","by George Murray and David Pelts; A Living Newspaper on Pensions; photocopy","by Philip Stevenson","by Rose Carlyn","by Jules Eckert Goodman, photocopy","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Remo Bufano","by Remo Bufano","by Stephen Spender","by Hughes Allison, photocopy","by Hughes Allison, photocopy","by Hughes Allison","by Hughes Allison","by Hughes Allison","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","Based on Homer and Euripides, includes photocopied program, photocopy","Based on Trojan Women of Euripides","Based on Trojan Women of Euripides","by Philip H. Davis","translated by Edith Hamilton","translated by Edith Hamilton","translated by Edith Hamilton","by Eleanor Phelps, photocopy","by Langston Hughes, photocopy","by Langston Hughes","by Langston Hughes","by Harry Sackler","Content Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.","by J. M. Barrie","by McElbert Moore","by McElbert Moore","by H. R. Lenormand","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by A. Barto","by E. P. Conkle","by Whitfield Cook, photocopy","by Whitfield Cook","by Whitfield Cook","by Robert Larson","Jacksonville, Florida script 1939, photocopy","by Anton Chekhov","by Augustin Daly","by Bernice McQuilken","by Gene Buck","by Helen Fitzgerald","by Mrs. William Hyman","by Charles Allen Smart","by Vincent Moran","by Vincent Moran","by Karl Gutzkov","by Eden White; A Rollicking Comedy","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","by Ruth Fenisong","by Marietta Fouche","by Marietta Fouche","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by I. L. Peretz","by John F. Burns","by Stefan Zweig","photocopy","Living Newspaper","by Caroline C. Lovell","by William C. de Mille","by William C. de Mille","by Percy Mackaye","by William L. Price","by Frances Gordon Strunsky","by Helen Gholson Kittredge","by Irving R. Kapner","translated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy","by Elmer Rice, photocopy","by Elmer Rice","by Gerhart Hauptmann","by Eugene O'Neill","translated from the Russian by Aaron Chorover","by W. Alan Coutts","by Rose Carlyn","by Ten Orcross","by Ten Orcross","by George H. Broadhurst","by Philip Stevenson","by Philip Stevenson","by Charles Zerner and Ben S. Gross","by Albert Hackett","by J. Sackville Martin and Carl E. Freybe","by J. Sackville Martin and Carl E. Freybe","by Katherine Peabody Gurling","by A. Barto","by John Bowaldeth","by Lelia May Smith","by Harry B. Smith","by Converse Tyler","by Lucien Chantel","by John Emerson and Anita Loos","by Harlan E. Glazier","by Paul Green","by Joseph Liss","by Clemence Dane, photocopy","by David Pay Robinson","by Marcus L. Bach","by Marcus L. Bach","by Marcus L. Bach (revised Chicago version)","by Kenneth White","by Rae Abraham","by Allan Davis","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Samuel Jesse Warshawsky, photocopy","by Buell R. Fuller","by Virgil L. Baker","by Charles Frederic Nirdlinger","by Charles Frederic Nirdlinger","by Charles Bruce Millholland","by Charles Bruce Millholland","by Edward Lynn","by Josef and Karel Capek","by Molly Day Thacher, photocopy","by Tom Jewett","by Chase Varney","by Chase Varney","by Chase Varney","by Jakob Loewenberg","by Peter Arnow","by Mark Reed","by Ulysses S. Elam","by Bernard Shaw","by Bernard Shaw","by Rose Carlyn","by Margaret Knox and Anna M. Lufkenhaus","by Dorothy L. Sayers","by M. Daniel","Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.","by Howard Warwick","by Gene Stafford","photocopy","by Arthur McCaffery","by Charles Brownell","by Friedrich Wolfe","by Howard Koch","by Leo Fontaine","two versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams, photocopy and original","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Harold Hartogensis","by Boyd","by Philip Massinger, adapted by Leah Jonas","by Ben Jonson, adapted by Leah Jonas","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Sergei Prokofiev, 5 front pages and 2 full copies","by Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson","by Richard Wright","by Pauline Simmons","by Marshall Davidson","by Martha Foley","by Dr. Charles Russell","by A. Hyatt Mayor","by David Canfield","by David Canfield","by David Canfield","by Morris Watson","interview with Martha Graham and Leah Plotkin","interview with Pietro di Donato and Leah Plotkin","interview with Estelle Liebling and Leah Plotkin","by Howard Koch adapted by Lawrence Levey (photocopy and original)","by Barrie and Leona Stavis, adapted by Edward Morton","by Theodore Pezman and Donald Murray, adapted by Edward Morton","by Carl Glick, adapted by Philip Ansel Roll","photocopy","by Karl Barron","by Phyllis Frederic","by Phyllis Frederic","adapted by Cecil Stevenson","adapted by Charles Crumpton","by Michael Davidson","by Matty Cohen and B. F. Kamsler","by Edward H. Smith","by Lewis W. Moyer","by Lewis W. Moyer","by Joseph W. Miller","both by Jeanette Despres","by Edward H. Smith","by Georgia Fawcett, first 25 pages","both by Jeanette Despres","by Michael Davidson","by unknown; by Harry Goldsmith","by John T. Mole","by Gertrude Onnen and Phyllis Frederic; by Jeanette Despres","by Phyllis Frederic","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted by Charles Crumpton, photocopy","by Henrik Ibsen, adapted by Lewis Meyer","by Henrik Ibsen, adapted by Georgia Fawcett, photocopy","by Clifford Odets, adapted by Maurice Kurtz","by Jules Verne, adapted by Lewis W. Moyer","by Jules Verne, adapted by W. M. Sutton","by Jules Verne, adapted by George Thorp","by Harold Parke Godwin; by Frederick Prokosch","by Arthur McCaffery, incomplete copy - first 13 pages","by Michael Davidson","by Paul de Kruif","by Lawrence Bearson; by Leo Fontaine","by T. O. Day","by Maxine Schiel, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by Jack Barefield, photocopy","by Georgia Backus, photocopy","by Maxine Schiel, photocopy","by Ben Hawthorne, photocopy","by John Fleming, photocopy","by Arthur Arendt","by David Lesan","by David Lesan","by William N. Robson","dramatization by Robert Lewis Shayon","by Edward Solomon","by Bucalossi","by Michael William Balfe","by Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan","by Charles Lecocq","by Sidney Jones","by Sidney Jones","by Charles Lecocq","by Karl W. Schulz","by W. Vincent Wallace","by W. Vincent Wallace","by Edmond Audran","by Robert Planquette","by Edmond Audran","by Robert Planquette","by Lajos Serly","by Sir William S. Gilbert and Sir Arthur Sullivan","by Oscar Wilde, adapted by Donald Macfarlane, photocopy","by Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy","by Oscar Wilde, adapted by Lews W. Moyer, photocopy","by Oscar Wilde, adapted by Charles Crumpton","by Rose Albert Porter","by Rose Albert Porter","by Rose Albert Porter","by George J. Thorp","by George J. Thorp","by George J. Thorp","by Sylvia Altman","by Sylvia Altman and Jeanette Gussin","by Charles Dickens adapted by Cecil Stevenson","by Charles Dickens adapted by Cecil Stevenson","by Victor E. Smith; by Joel Hammil","by Will Glickman","by Phyllis Frederic","by Lewis W. Moyer; by W. M. Sutton","by John I. Mole","by Victor E. Smith","by Victor E. Smith","by Maxwell Wolodin; by Edward H. Smith","by Victor E. Smith; by John I. Mole","by Lewis W. Moyer; by Michael Davidson","by Will Glickman","by Phyllis Frederic","by Lee Fontainbleu; by Laurence U. Shloss","by Edward H. Smith","by Georgia Fawcett","by Georgia Fawcett","by Georgia Fawcett","by Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni","by John I. Mole","by Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman","By Herbert Lewis; by Bob Frank","by Bob Frank","by Bob Frank","by Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer","by Paul Vulpius, adapted by Barry Williams","by Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams","by Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton","by George Harmon Coxe, adapted by Victor E. Smith","by George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson","by Laura Z. Hobson, adapted by Lawrence Bearson","by Jerome Beatty, adapted by Victor E. Smith","by Manuel Komroff, adapted by Joel Hammil","by Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts","by George Rolland","by George Rolland","by Barrie Williams; by Brian J. Byrne","by Dean Charel","by Dean Charel","by Dean Charel","by Frank Burrill","by Dean Charel","by Victor E. Smith","by Herb Meadow; adaptation by Joel Hammil and Leo Fontaine","by A. L. Tyler","photocopy","by Hugh Lester","by Leo Fontaine","by Harold Hartogensis; by Phyllis Frederic","by Benet Costa, photocopy","by Jane Ashman; also includes Women as Homemakers first page","by Leo Fontaine, photocopy","Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.","Proposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley","Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.","American Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud","The Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home","Accent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion","Festival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland","The Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle","The Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla","Class of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla","Programs from \"Folk plays of the Carolina playmakers\"","The Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband","Abu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear","In Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern","Ten Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights","The Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville","Anna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring","Hamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under","The Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted","Blind Alley; Brothers; It Can't Happen Here; Rachel's Man","One-Third of a Nation; Roll Sweet Chariot; Room Service","Big Vaudeville Musical Revue (79 copies from different performances around Maine)","Announcing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do","It Can't Happen Here; Liliom; The Road to Rome","Ladies of the Jury","It Can't Happen Here","Vodvil Show (vaudeville)","It Can't Happen Here","Programs: Adalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional","Buffalo Historical Marionettes available in digital format.","Programs: Professor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps","Flyers and playbills: Current productions flyer - Big Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language (9 copies); The Bat (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival; The Cradle Will Rock; The Emperor's New Clothes (3 copies); Fair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe (4 copies); It Can't Happen Here (14 copies); Life and Death of an American; Moving Along (2 copies); Oliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal (10 copies)","Buffalo Historical Marionettes Benefit Performance is available in digital format.","Flyers and playbills: Sing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh. 8.5x14\" flyers and playbills: Adam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny","Newspaper format program for One-Third of a Nation. Volume V number 3 to number 14","Newspaper format program for One-Third of a Nation. Volume V number 15-17, 19-23","Newspaper format program for Power. Volume II number 1, Volume III number 1","Criminal at Large","Her Majesty the Widow","Personal Appearance","Post Road","Remember the Day","Saturday's Children","Tamed and How","Another Language; The Barker; The Old Maid; There's Always Juliet","As Husbands Go; I Want a Policeman","The First Mrs. Fraser","The Good Fairy","It's a Wise Child","The Late Christopher Bean","Ned McCobbs Daughter","Possession","Sun Up","Tea for Three","They Knew What They Wanted","Three Cornered Moon","Fresh Fields","First Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning","The Bad Man; Boy Meets Girl; The Christmas Carol; Federal Theatre for Youth (overview); The First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under","Alice in Wonderland; Counsellor-At-Law; One-Third of a Nation; Third Annual Central Oklahoma Folk Festival;","The Living Newspaper (One-Third of a Nation); Prelude to Spring; Puppet Pageant at the Philadelphia Museum of Art; Stepping Stars; Vaudeville","Christmas with Dickens","Alice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore","Green Grow the Lilacs; Old Heidelberg","photocopies, many with original performance dates handwritten on them - Adelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps. Photocopies.","Adam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing","Oversize posters where each poster is a piece of a larger whole. There are seven pieces for Alison's House and five for The Warrior's Husband. Roughly each piece measures 42 inches high and 28 inches wide.","The Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow","Oversize posters where each poster is a piece of a larger whole. There are three pieces for Bill of Divorcement, two for Blind Alley, two for Gods of the Lightning, and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play Pursuit of Happiness performed at the Mayan Theatre in Los Angeles in August of 1937.","The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus, The World's Greatest Circus; Class of '29; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939; Conjure Man Dies; Coriolanus; The Cradle Will Rock","The Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)","Einmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal; Eugene O'Neill's One-Act Plays of the Sea","Fair and Warmer; Fantasy 1939; Flight","H.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern","The Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here","Life and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone","Macbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral","Native Ground; No More Peace; Noah","On the Rocks; On Top; One-Third of a Nation; Outside Looking In","The Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory","Das Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up","The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night","The Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)","Programs, flyers, and playbills: Walk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in","Programs, flyers, and playbills: Various plays in Yiddish; The Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)","Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","includes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California","by Willy B. Stahl and Walter C. Schad, Los Angeles, California","includes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass","violin music, arranged by M. L. Lake","by Eddison von Ottenfeld","by Eddison von Ottenfeld","by Alex North","by Fred Miller Jr. and L. Leslie Loth","by Herbert Kingsley, New York, New York","includes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California","music for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager","music for vocal lead on \"Sweet by and by\"","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","photocopy","photocopy","photocopy","photocopy","photocopy","photocopy","by Hans Bruno Meyer, New York, New York","violin music \"If She Says No\"","music for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"","Chicago, Illinois","violin music \"Flow Gently, Sweet Afton\", Los Angeles, California","by Charles J. Levy","includes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"","by Charles Wakefield Cadman","by R. E. Austin","by Irvin Cooper","[Eddison von Ottenfeld] Los Angeles, California","by Meyer Rappaport and Emile Cote","From the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof","by Marshall Bartholomew","music by Genevieve Pitot, New York","by F. Melius Christiansen","by Paul Lincke","by Ralph Story","by Paul Lincke","by Mozart-Shelley","by Daniel Wood and Sumner Salter","Ernestine Valencia, arranged by Dan J. Michaud","by Edward Elgar and Arthur Fagge","by J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"","by Hans Bruno Meyer","by Hans Bruno Meyer","paraphrase for mixed voices by William Schaeffer","by Ivor Tchervanow and Ralph L. Baldwin","by Rimsky-Korsikoff, arranged by Jacob Schwartzdorf","by May H. Brahe","violin music, by Edna R. Heard","Piano music \"Party Entre Act 1-2\", Los Angeles, California","by Max Hirschfeld, New York, New York","by Jean Stor, New York, New York","by David Sheinfeld","by John Ansell","This series includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Long red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"","A long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"","Two pairs of men's pants, one yellow, one red. Both pants stop below the knee. Both pants have a label that reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" In the waist band of the yellow pant the name Don Chiles is handwritten.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","R 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","English"],"collection_title_tesim":["Federal Theatre Project collection, 1885/1986, bulk 1935/1939"],"collection_ssim":["Federal Theatre Project collection, 1885/1986, bulk 1935/1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0002","/repositories/2/resources/331"],"unitid_tesim":["C0002","/repositories/2/resources/331"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Federal Theatre Project (U.S.)"],"creator_ssim":["Federal Theatre Project (U.S.)"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"acqinfo_ssim":["Donated by the Library of Congress."],"access_subjects_ssim":["Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript"],"access_subjects_ssm":["Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript"],"has_online_content_ssim":["false"],"extent_ssm":["185 Linear Feet 371 boxes"],"extent_tesim":["185 Linear Feet 371 boxes"],"genreform_ssim":["Playscript"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe scripts are also available as a series in the \u003cextptr href=\"https://mars.gmu.edu/handle/1920/3478\" title=\"Federal Theatre Project Materials Collection\" show=\"new\"\u003e\u003c/extptr\u003e in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections  \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"available here\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The scripts are also available as a series in the  in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections  ."],"arrangement_html_tesm":["\u003cp\u003eArranged into five series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Play Service and Research Records, 1935-1939 (Boxes 5-105)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Library Records, 1885-1986 (Boxes 106-306)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Production Records, 193-193 (Boxes 307-363, 366-367)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Costumes, circa 1935-1939 (Boxes 369-371)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into five series.","Series\n      Series 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368)\n      Series 2: Play Service and Research Records, 1935-1939 (Boxes 5-105)\n      Series 3: Library Records, 1885-1986 (Boxes 106-306)\n      Series 4: Production Records, 193-193 (Boxes 307-363, 366-367)\n      Series 5: Costumes, circa 1935-1939 (Boxes 369-371)"],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.\u003c/p\u003e","\u003cp\u003eLike many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.\u003c/p\u003e","\u003cp\u003eBut it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"\u003c/p\u003e","\u003cp\u003eFlanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.\u003c/p\u003e","\u003cp\u003eThe productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.\u003c/p\u003e","\u003cp\u003eThe Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.","The Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck."],"prefercite_html_tesm":["\u003cp\u003eFederal Theatre Project collection, C0002, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Federal Theatre Project collection, C0002, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.\u003c/p\u003e","\u003cp\u003eThe scripts are also available as a series in the \u003cextptr show=\"new\" title=\"FTP digital collection\" href=\"https://mars.gmu.edu/handle/1920/3478\"\u003e\u003c/extptr\u003e. \u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.","The scripts are also available as a series in the ."],"scopecontent_html_tesm":["\u003cp\u003eContent Warning: Some materials contain racist language and slurs, including play titles.\u003c/p\u003e","\u003cp\u003eThe Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.\u003c/p\u003e","\u003cp\u003eSeries 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSeries 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.\u003c/p\u003e","\u003cp\u003eSeries 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e","\u003cp\u003eSeries 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e","\u003cp\u003eSeries 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.\u003c/p\u003e  ","\u003cp\u003eSeries 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThe House Committee on Un-American Activities (HUAC)\u003c/p\u003e","\u003cp\u003eMcMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.\u003c/p\u003e","\u003cp\u003eMcMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.\u003c/p\u003e","\u003cp\u003eIncludes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"\u003c/p\u003e","\u003cp\u003eIssues of New Theatre (1934-1936).\u003c/p\u003e","\u003cp\u003eOversize color reprint of article from Fortune\u003c/p\u003e","\u003cp\u003eSeries 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.\u003c/p\u003e","\u003cp\u003eSubseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eContains blueprints and photographs of portable theatres\u003c/p\u003e","\u003cp\u003eSubseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.\u003c/p\u003e","\u003cp\u003eSeries 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e","\u003cp\u003eSubseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eby John Wiley; based on an Edgar Allen Poe story (photocopy)\u003c/p\u003e","\u003cp\u003eby Beth Brown\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Francis Bosworth\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eDirector Georgia S. Fink\u003c/p\u003e","\u003cp\u003eby Virginia Yetes (photocopy)\u003c/p\u003e","\u003cp\u003eby Ruth Morris\u003c/p\u003e","\u003cp\u003eby Gladys Unger and Walter Armitage\u003c/p\u003e","\u003cp\u003eby David Arnold Balch\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Yasha Frank\u003c/p\u003e","\u003cp\u003edirector Georgia S. Fink\u003c/p\u003e","\u003cp\u003eadapted by S.S. Weiss\u003c/p\u003e","\u003cp\u003eadapted by Ralph Chesse\u003c/p\u003e","\u003cp\u003eby Sidney Howard\u003c/p\u003e","\u003cp\u003eby Sidney Howard\u003c/p\u003e","\u003cp\u003eby Eugene O'Neil\u003c/p\u003e","\u003cp\u003eby Homer Little and Myla Jo Closser\u003c/p\u003e","\u003cp\u003eby Homer Little and Myla Jo Closser\u003c/p\u003e","\u003cp\u003eby Hardie Albright\u003c/p\u003e","\u003cp\u003eby Hardie Albright\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers, photocopy from February 20, 1991\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003epublished in The Catholic School Journal\u003c/p\u003e","\u003cp\u003eby Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy\u003c/p\u003e","\u003cp\u003eby Edwin and Albert Barker\u003c/p\u003e","\u003cp\u003eby Edwin and Albert Barker\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Talbot Jennings\u003c/p\u003e","\u003cp\u003eby Mrs. Alexander Mathis\u003c/p\u003e","\u003cp\u003eby Vera Smirnova\u003c/p\u003e","\u003cp\u003eby Edwin Burke\u003c/p\u003e","\u003cp\u003eby Louis Weitzenkorn\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Langston Hughes; A One-Act Play of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Rose Franken\u003c/p\u003e","\u003cp\u003eby Rose Franken\u003c/p\u003e","\u003cp\u003eby St. John Ervine\u003c/p\u003e","\u003cp\u003eby Elizabeth de Vautibault\u003c/p\u003e","\u003cp\u003eby Elizabeth de Vautibault\u003c/p\u003e","\u003cp\u003eby Rev. Henry N. Hudson\u003c/p\u003e","\u003cp\u003eby Rev. Henry N. Hudson\u003c/p\u003e","\u003cp\u003eby Rudolph Wittenberg\u003c/p\u003e","\u003cp\u003eby Laurance Moore\u003c/p\u003e","\u003cp\u003eby Margaret Brooks and Constance Wyckoff\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Yale Dramatic Association\u003c/p\u003e","\u003cp\u003eby Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy\u003c/p\u003e","\u003cp\u003eby W. H. Auden and Christopher Isherwood\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Lockhart North\u003c/p\u003e","\u003cp\u003eby T. R. Arkell\u003c/p\u003e","\u003cp\u003eby Owen Davis\u003c/p\u003e","\u003cp\u003eby C. L. Anthony\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Remo Bufano\u003c/p\u003e","\u003cp\u003eby Lester Fuller, 2 copies, 1 of which is a photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Mayo\u003c/p\u003e","\u003cp\u003eby Porter Emerson Brown\u003c/p\u003e","\u003cp\u003eby Porter Emerson Brown\u003c/p\u003e","\u003cp\u003eby H. R. Hays\u003c/p\u003e","\u003cp\u003eby H. R. Hays\u003c/p\u003e","\u003cp\u003eby Padriac Colum\u003c/p\u003e","\u003cp\u003eby Padriac Colum\u003c/p\u003e","\u003cp\u003eby Herb Meadow\u003c/p\u003e","\u003cp\u003eby Herb Meadow, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Walter Hackett\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold, photocopy\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold\u003c/p\u003e","\u003cp\u003eby Frederick Stowers\u003c/p\u003e","\u003cp\u003eby Mary Dirnberger; Dramatized from the familiar fairy tale\u003c/p\u003e","\u003cp\u003eby Mary Dirnberger; Dramatized from the familiar fairy tale\u003c/p\u003e","\u003cp\u003eTranscribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Albert Powels\u003c/p\u003e","\u003cp\u003eby Alfred Lord Tennyson\u003c/p\u003e","\u003cp\u003eby Alfred Lord Tennyson\u003c/p\u003e","\u003cp\u003eby Brian J. Byrne\u003c/p\u003e","\u003cp\u003eby George S. Kaufman and Marc Connelly\u003c/p\u003e","\u003cp\u003eby George S. Kaufman and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Aodh de Blacam\u003c/p\u003e","\u003cp\u003eby Belmont Ashton\u003c/p\u003e","\u003cp\u003eby Lawrence Houseman\u003c/p\u003e","\u003cp\u003eby Walter Abbott\u003c/p\u003e","\u003cp\u003eby Walter Abbott\u003c/p\u003e","\u003cp\u003eby Anonymous\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby John W. Dunn; A play of early Oklahoma life\u003c/p\u003e","\u003cp\u003eby John W. Dunn; A play of early Oklahoma life\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby Theodore Pratt, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy\u003c/p\u003e","\u003cp\u003eSynopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre\u003c/p\u003e","\u003cp\u003eby Charles M. Barras\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Seymour G. Link\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Maurice Maeterlinck\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Robin Taylor\u003c/p\u003e","\u003cp\u003eRevision by Florence Elberta Barns\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Will Cotton\u003c/p\u003e","\u003cp\u003eby Will Cotton\u003c/p\u003e","\u003cp\u003eby Robert Hare Powel\u003c/p\u003e","\u003cp\u003eby Robert Hare Powel\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Miss Mabel Osborne\u003c/p\u003e","\u003cp\u003eby Emma Ehrlich Levinger\u003c/p\u003e","\u003cp\u003eby Irwin Shaw\u003c/p\u003e","\u003cp\u003eby Beth Brown and Gilbert Laurence\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eOriginal by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Frank L. Moss and Richard Dana\u003c/p\u003e","\u003cp\u003eby Frank L. Moss and Richard Dana\u003c/p\u003e","\u003cp\u003eby Arnold Zweig\u003c/p\u003e","\u003cp\u003eby Robert Peele Noble\u003c/p\u003e","\u003cp\u003eby Robert Peele Noble\u003c/p\u003e","\u003cp\u003eby Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Carl Glick\u003c/p\u003e","\u003cp\u003eby Arthur Goodrich and Rose A. Palmer\u003c/p\u003e","\u003cp\u003eby Arthur Goodrich and Rose A. Palmer\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Robt. A. Bromley (revised edition)\u003c/p\u003e","\u003cp\u003eby Zelma Bruce Tiden\u003c/p\u003e","\u003cp\u003eby Zelma Bruce Tiden\u003c/p\u003e","\u003cp\u003eby Peretz Hirshbein\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Estelle L. Silverman\u003c/p\u003e","\u003cp\u003eby Jules Renard\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby George McEnlee, photocopy\u003c/p\u003e","\u003cp\u003eby George McEnlee\u003c/p\u003e","\u003cp\u003eby H. Leivick\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg (revised)\u003c/p\u003e","\u003cp\u003eby German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby James Parish\u003c/p\u003e","\u003cp\u003eby Y. L. Peretz\u003c/p\u003e","\u003cp\u003eby John Woodworth, photocopy\u003c/p\u003e","\u003cp\u003eby John Woodworth\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby John W. Dunn, photocopy\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Stanislaus Stange\u003c/p\u003e","\u003cp\u003eby sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey\u003c/p\u003e","\u003cp\u003eby Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw\u003c/p\u003e","\u003cp\u003eHedley Gordon Graham\u003c/p\u003e","\u003cp\u003eby Essex Dane\u003c/p\u003e","\u003cp\u003eby George Huntington Clark\u003c/p\u003e","\u003cp\u003eby George Huntington Clark\u003c/p\u003e","\u003cp\u003eby H. Jack Bates; A Negro Folk Play, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Welty and Gene Renouf\u003c/p\u003e","\u003cp\u003eby Rose Carlyn, photocopy\u003c/p\u003e","\u003cp\u003eThree by Rose Carlyn; Three by Fannie Engle\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Gilbert Lennox\u003c/p\u003e","\u003cp\u003eby Paul Vincent Carroll\u003c/p\u003e","\u003cp\u003eby Noel Harris Houston\u003c/p\u003e","\u003cp\u003eby Gertrude Worthington Jeffries\u003c/p\u003e","\u003cp\u003eby Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy\u003c/p\u003e","\u003cp\u003eby Rudolph Fisher, photocopy\u003c/p\u003e","\u003cp\u003eby Rudolph Fisher, photocopy\u003c/p\u003e","\u003cp\u003eby A. Callen, M. Worthington, and I. Reuben, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Haserodt, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Haserodt\u003c/p\u003e","\u003cp\u003eby Royall Tyler\u003c/p\u003e","\u003cp\u003eby M. Manisoff\u003c/p\u003e","\u003cp\u003eby a seventh grade in Louisville, Kentucky\u003c/p\u003e","\u003cp\u003eby a seventh grade in Louisville, Kentucky\u003c/p\u003e","\u003cp\u003eby Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Marc Blitzstein, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Marc Blitzstein\u003c/p\u003e","\u003cp\u003eby John H. Floyd\u003c/p\u003e","\u003cp\u003eby members of the Play Bureau of the Southwest\u003c/p\u003e","\u003cp\u003eby Betty Lessler Lyman\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth, photocopy\u003c/p\u003e","\u003cp\u003eby John Hunter Booth, photocopy\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Gilmor Brown\u003c/p\u003e","\u003cp\u003eMarionette Division, Buffalo, N.Y.\u003c/p\u003e","\u003cp\u003eby Edgar Wallace\u003c/p\u003e","\u003cp\u003eby James Stephens\u003c/p\u003e","\u003cp\u003eby Walt Anderson\u003c/p\u003e","\u003cp\u003eby Walt Anderson\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Laurette MacDuffie\u003c/p\u003e","\u003cp\u003eby Anna Best Joder\u003c/p\u003e","\u003cp\u003eby Elizabeth Leigh Vaughan\u003c/p\u003e","\u003cp\u003eby W. H. Auden\u003c/p\u003e","\u003cp\u003eby Joaquin Miller, photocopy\u003c/p\u003e","\u003cp\u003eby Joaquin Miller\u003c/p\u003e","\u003cp\u003eby Ruby Lorraine Radford\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby L. W. Barrus\u003c/p\u003e","\u003cp\u003eby George Foss, photocopy\u003c/p\u003e","\u003cp\u003eby George Foss\u003c/p\u003e","\u003cp\u003eby George Foss\u003c/p\u003e","\u003cp\u003eby Grant Moss\u003c/p\u003e","\u003cp\u003eby Grant Moss\u003c/p\u003e","\u003cp\u003eby George W. Cronyn\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby J. C. Furnes\u003c/p\u003e","\u003cp\u003eby Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Benn W. Levy; A Religious Comedy, photocopy\u003c/p\u003e","\u003cp\u003eby Benn W. Levy; A Religious Comedy\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Merrill Denison\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe, arranged for marionettes by Robert Larson\u003c/p\u003e","\u003cp\u003eby Twort (?) Gilbert and Edward Rosen\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe\u003c/p\u003e","\u003cp\u003eby Moliere\u003c/p\u003e","\u003cp\u003eby Jules Romans, English version by Harley Granville-Barker\u003c/p\u003e","\u003cp\u003eby Minnie H. Niemier\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby Fred Ballard\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eby Elizabeth McFadden\u003c/p\u003e","\u003cp\u003eby Charlotte Kohler, photocopy\u003c/p\u003e","\u003cp\u003eby Joan and Michale A. Slane\u003c/p\u003e","\u003cp\u003eby Carl Glick\u003c/p\u003e","\u003cp\u003eby Rosa Carlyn\u003c/p\u003e","\u003cp\u003epublished by the National Tuberculosis Association\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby W. H. Smith\u003c/p\u003e","\u003cp\u003eby Luis Quinones de Benavente\u003c/p\u003e","\u003cp\u003eby Emily Percy Denison\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby Arthur Goodman\u003c/p\u003e","\u003cp\u003eby Elise Jerard\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and John B. Hymer\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and John B. Hymer\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Jack Larric\u003c/p\u003e","\u003cp\u003eby Jack Larric\u003c/p\u003e","\u003cp\u003eby Peretz Hirshbein\u003c/p\u003e","\u003cp\u003eby Charlotte Charpenning\u003c/p\u003e","\u003cp\u003eby Charlotte Charpenning\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby C. C. Parsons\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Sean O'Casey\u003c/p\u003e","\u003cp\u003eby Demetre Bohris\u003c/p\u003e","\u003cp\u003eby John Galsworthy\u003c/p\u003e","\u003cp\u003eby Arthur Arent, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent, photocopy received June 11, 1991\u003c/p\u003e","\u003cp\u003eby Kjeld Abell\u003c/p\u003e","\u003cp\u003eby Paul Lawrence Dunbar (adaptation)\u003c/p\u003e","\u003cp\u003eby Paul Lawrence Dunbar\u003c/p\u003e","\u003cp\u003eby Sylvia Regan\u003c/p\u003e","\u003cp\u003eby Sylvia Regan\u003c/p\u003e","\u003cp\u003eby G. J. Graves\u003c/p\u003e","\u003cp\u003eby G. J. Graves\u003c/p\u003e","\u003cp\u003eby Will T. Goodwin; Working Script\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Cervantes\u003c/p\u003e","\u003cp\u003eby Doris Troutman\u003c/p\u003e","\u003cp\u003eby Luis Quinones de Benavente\u003c/p\u003e","\u003cp\u003eadapted by Maurice Jagendorf\u003c/p\u003e","\u003cp\u003eadapted by Maurice Jagendorf\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Frank B. Elser and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Frank B. Elser and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Brian Doherty\u003c/p\u003e","\u003cp\u003eby Brian Doherty\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby H. A. Archibald\u003c/p\u003e","\u003cp\u003eby Munro Leaf\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Rachel Lyman Field\u003c/p\u003e","\u003cp\u003eby Weldon Stone\u003c/p\u003e","\u003cp\u003eby Weldon Stone\u003c/p\u003e","\u003cp\u003eby John Van Antwerp\u003c/p\u003e","\u003cp\u003eby John Van Antwerp\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Frank Craven\u003c/p\u003e","\u003cp\u003eby George H. Corey, photocopy\u003c/p\u003e","\u003cp\u003eby George H. Corey\u003c/p\u003e","\u003cp\u003eby E. and P. Green\u003c/p\u003e","\u003cp\u003eby Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"\u003c/p\u003e","\u003cp\u003eby Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Louis Lantz\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Louis Lantz\u003c/p\u003e","\u003cp\u003eby Pearl S. Buck\u003c/p\u003e","\u003cp\u003eby Pearl S. Buck\u003c/p\u003e","\u003cp\u003eA play for boys and girls with radio participation, experiment number 1 by Berthold Brecht\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Graham Rawson\u003c/p\u003e","\u003cp\u003eby Graham Rawson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Rosenblum\u003c/p\u003e","\u003cp\u003eby Phile Higley\u003c/p\u003e","\u003cp\u003eby Myrtle L. Barger\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Ada Sterling\u003c/p\u003e","\u003cp\u003eby Ada Sterling\u003c/p\u003e","\u003cp\u003eby Eleanor Garland\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Harry Sackler\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson\u003c/p\u003e","\u003cp\u003eby Harriet Wedgwood, a health play for children, reprinted from Hygeia\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and Aaron Hoffman\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and Aaron Hoffman\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eby Beverly Hamer in the Carolina Play Book volume X, number 3\u003c/p\u003e","\u003cp\u003eby William Stevenson\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby Felix Doherty\u003c/p\u003e","\u003cp\u003eby Nando Vitali\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.\u003c/p\u003e","\u003cp\u003eby Edward Lynn\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Isidore Reuben\u003c/p\u003e","\u003cp\u003eby Philo Higley\u003c/p\u003e","\u003cp\u003eby Arnold Ridley\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Aldous Huxley\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Ferenc Molnar\u003c/p\u003e","\u003cp\u003eby Ferenc Molnar\u003c/p\u003e","\u003cp\u003eby Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy\u003c/p\u003e","\u003cp\u003eadapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Jacob Gordon\u003c/p\u003e","\u003cp\u003eby J. J. Robbins\u003c/p\u003e","\u003cp\u003eby J. J. Robbins\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Leon Crozier\u003c/p\u003e","\u003cp\u003eby Paul Armstrong and Rex Beach\u003c/p\u003e","\u003cp\u003eby Paul Smith\u003c/p\u003e","\u003cp\u003eby Louise Franklin Bache\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Kermit Love\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Ridgely Torrence; A Play for the Negro Theatre, photocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch; A Comedy of Recent Times, photocopy\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Warwick F. Williams\u003c/p\u003e","\u003cp\u003eby William R. Randall\u003c/p\u003e","\u003cp\u003eby Anna Friedman; A Roosevelt Play, photocopy\u003c/p\u003e","\u003cp\u003eby Gertrude Worthington Jeffries, photocopy\u003c/p\u003e","\u003cp\u003eby Gertrude Worthington Jeffries\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Bernard Szold and E. P. O'Donnell\u003c/p\u003e","\u003cp\u003eby Bernard Szold and E. P. O'Donnell\u003c/p\u003e","\u003cp\u003eby Marc Connelly\u003c/p\u003e","\u003cp\u003eadapted by Stephen Weiss\u003c/p\u003e","\u003cp\u003eby William J. Langman, S. J.\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby Grace Dorcas Ruthenberg\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Yasha Frank\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Wilfrido Ma Guerrero\u003c/p\u003e","\u003cp\u003eby Donald Davis and Samuel Ornitz\u003c/p\u003e","\u003cp\u003eby Joseph Lehmann\u003c/p\u003e","\u003cp\u003eby Charles Prentiss\u003c/p\u003e","\u003cp\u003eby Julius Hay\u003c/p\u003e","\u003cp\u003eby Julius Hay\u003c/p\u003e","\u003cp\u003eby Arthur Kober\u003c/p\u003e","\u003cp\u003eby Arthur Kober\u003c/p\u003e","\u003cp\u003eby Elizabeth Jane Astley\u003c/p\u003e","\u003cp\u003eby Philip Atlee and Edmund Van Zandt\u003c/p\u003e","\u003cp\u003eby Philip Atlee and Edmund Van Zandt\u003c/p\u003e","\u003cp\u003eby David Belasco\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Albert Bein\u003c/p\u003e","\u003cp\u003eby Albert Bein\u003c/p\u003e","\u003cp\u003eby Helen Clare Nelson\u003c/p\u003e","\u003cp\u003eby Barry Conners\u003c/p\u003e","\u003cp\u003eby Abram Hill, photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Sperry\u003c/p\u003e","\u003cp\u003eby Margaret Sperry\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eadapted and translated by Donald Fay Robinson\u003c/p\u003e","\u003cp\u003eadapted by Kent Pease Hamdent High School, Hamdent, Connecticut\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Mary B. Stafford\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003eby Howard Koch and Ben Russak\u003c/p\u003e","\u003cp\u003eby Howard Koch and Ben Russak\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby John Wiley\u003c/p\u003e","\u003cp\u003eby Harold Courlander\u003c/p\u003e","\u003cp\u003eby Sally Coulter\u003c/p\u003e","\u003cp\u003eby Herb Meadow\u003c/p\u003e","\u003cp\u003eby Dorothy Hailpern\u003c/p\u003e","\u003cp\u003eby Dorothy Hailpern\u003c/p\u003e","\u003cp\u003eby Michael Swift\u003c/p\u003e","\u003cp\u003eby Philip Barry\u003c/p\u003e","\u003cp\u003eby Philip Barry\u003c/p\u003e","\u003cp\u003eby John Alan Haughton\u003c/p\u003e","\u003cp\u003eby Marion Holbrook\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Sara E. Bower\u003c/p\u003e","\u003cp\u003eby Bertram M. Gross\u003c/p\u003e","\u003cp\u003eby Alan Sidney\u003c/p\u003e","\u003cp\u003eby Edith Kunz\u003c/p\u003e","\u003cp\u003eby The Historical Project, Federal Writers Project of Minnesota\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby Margaret MacNamera\u003c/p\u003e","\u003cp\u003eby Margaret MacNamera\u003c/p\u003e","\u003cp\u003eby Edwin Burke\u003c/p\u003e","\u003cp\u003eby Rufus King and Milton Lazarus\u003c/p\u003e","\u003cp\u003eby Rufus King and Milton Lazarus\u003c/p\u003e","\u003cp\u003eby Perez Hirschbaum\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe, photocopy\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Bertolt Brecht\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Norman Roston\u003c/p\u003e","\u003cp\u003eby Noah Elstein, photocopy\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby Raymond Reeves, photocopy\u003c/p\u003e","\u003cp\u003eby Raymond Reeves\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby John McGee\u003c/p\u003e","\u003cp\u003eadapted by Federal Theatre Project Los Angeles, California\u003c/p\u003e","\u003cp\u003eby H. L. Fishel, photocopy\u003c/p\u003e","\u003cp\u003eby H. L. Fishel, photocopy\u003c/p\u003e","\u003cp\u003eby H. L. Fishel\u003c/p\u003e","\u003cp\u003eby H. L. Fishel\u003c/p\u003e","\u003cp\u003eby Martha Hodgson Ellis\u003c/p\u003e","\u003cp\u003eby David Schrieber\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Luidmilla Vepritskaya\u003c/p\u003e","\u003cp\u003eby Alma Shaw\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby Warren Coleman; A Negro Comedy, 2 photocopies\u003c/p\u003e","\u003cp\u003eElmer Rice\u003c/p\u003e","\u003cp\u003eby Shakespeare\u003c/p\u003e","\u003cp\u003eby Thomas A. Langan\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby J. C. Nugent and Elliott Nugent\u003c/p\u003e","\u003cp\u003eby J. C. Nugent and Elliott Nugent\u003c/p\u003e","\u003cp\u003eby Edgar Slaughter\u003c/p\u003e","\u003cp\u003eThe Living Newspaper Presents\u003c/p\u003e","\u003cp\u003eThe Living Newspaper Presents\u003c/p\u003e","\u003cp\u003eby James Bridie\u003c/p\u003e","\u003cp\u003eby Catherine Reighard\u003c/p\u003e","\u003cp\u003eby Max M. Dill\u003c/p\u003e","\u003cp\u003eby Don Mullally\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby T. C. Robinson and Rena M. Vale, photocopy\u003c/p\u003e","\u003cp\u003eby T. C. Robinson and Rena M. Vale, photocopy\u003c/p\u003e","\u003cp\u003eby Lawrence J. Bernard\u003c/p\u003e","\u003cp\u003eby Frances Nimmo Greene and Robert Harvey Greene\u003c/p\u003e","\u003cp\u003eby Frances Nimmo Greene and Robert Harvey Greene\u003c/p\u003e","\u003cp\u003eby Frances Nimmo Greene and Robert Harvey Greene\u003c/p\u003e","\u003cp\u003eby George Scudder\u003c/p\u003e","\u003cp\u003eby Irving Kaye Davis\u003c/p\u003e","\u003cp\u003eby Irving Kaye Davis\u003c/p\u003e","\u003cp\u003eby Irving Kaye Davis\u003c/p\u003e","\u003cp\u003eby James Bridie\u003c/p\u003e","\u003cp\u003eby James Bridie\u003c/p\u003e","\u003cp\u003eby Sidney Howard\u003c/p\u003e","\u003cp\u003eby Sidney Howard\u003c/p\u003e","\u003cp\u003eby Harry King Tootle\u003c/p\u003e","\u003cp\u003eby Harry King Tootle\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby Oliver La Farge\u003c/p\u003e","\u003cp\u003eby V. Beldon?\u003c/p\u003e","\u003cp\u003eby Harry King Tootle\u003c/p\u003e","\u003cp\u003eby Ernest Chamberlain\u003c/p\u003e","\u003cp\u003eby Ernest Chamberlain\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Moliere\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Charlotte Chorpenning\u003c/p\u003e","\u003cp\u003eby Bertram Robinson\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Edward Hopter\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby Gilbert Laurence\u003c/p\u003e","\u003cp\u003eby Giuseppe Giacosa\u003c/p\u003e","\u003cp\u003eby Giuseppe Giacosa\u003c/p\u003e","\u003cp\u003eby Marion Flexner and Dorothy Park Clark\u003c/p\u003e","\u003cp\u003eby Franz Molnar\u003c/p\u003e","\u003cp\u003eby Franz Molnar\u003c/p\u003e","\u003cp\u003eby Alma Shaw\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning, photocopy\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning\u003c/p\u003e","\u003cp\u003eby Molka Reich of Miami Florida Project\u003c/p\u003e","\u003cp\u003etranslated from Flemish by Jacob Borut and Lola Sachs\u003c/p\u003e","\u003cp\u003etranslated from Flemish by Jacob Borut and Lola Sachs\u003c/p\u003e","\u003cp\u003eby Marc Connelly\u003c/p\u003e","\u003cp\u003eby Alexei Tolstoi\u003c/p\u003e","\u003cp\u003eby Eleanor Glendower Griffith\u003c/p\u003e","\u003cp\u003eby Lawrence and Sylvia Martin, photocopy\u003c/p\u003e","\u003cp\u003eby Lawrence and Sylvia Martin, photocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Charles George\u003c/p\u003e","\u003cp\u003eby T. C. Upham\u003c/p\u003e","\u003cp\u003eby T. C. Upham\u003c/p\u003e","\u003cp\u003eby Isidore Reuben\u003c/p\u003e","\u003cp\u003eby Charles Alan\u003c/p\u003e","\u003cp\u003eby Charles Alan\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby John Galsworthy\u003c/p\u003e","\u003cp\u003eby Maud Wood Park, photocopy\u003c/p\u003e","\u003cp\u003eby Maud Wood Park\u003c/p\u003e","\u003cp\u003eby Maud Wood Park\u003c/p\u003e","\u003cp\u003eby Maud Wood Park revised by Robert Finch\u003c/p\u003e","\u003cp\u003eby Theodore Browne; An \"African Version\", photocopy\u003c/p\u003e","\u003cp\u003eby Clarence H. Talbot\u003c/p\u003e","\u003cp\u003ereprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays\u003c/p\u003e","\u003cp\u003eby William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936\u003c/p\u003e","\u003cp\u003eby William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Blake\u003c/p\u003e","\u003cp\u003eby Victoria Heindel\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003eby Louis Golding and A. R. Rawlinson\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Alfred Sutro\u003c/p\u003e","\u003cp\u003eby John Woodworth\u003c/p\u003e","\u003cp\u003eby John Woodworth\u003c/p\u003e","\u003cp\u003eby Mr. Beete\u003c/p\u003e","\u003cp\u003eby Mr. Beete\u003c/p\u003e","\u003cp\u003eby Hollister Noble and Edward R. Sammis\u003c/p\u003e","\u003cp\u003eby Hollister Noble and Edward R. Sammis\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Anatole France\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman and Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman and Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Earnest Andai and Lajos Balint\u003c/p\u003e","\u003cp\u003eby Federal Theatres, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Anton Chekhov\u003c/p\u003e","\u003cp\u003eby Rena B. Johnson\u003c/p\u003e","\u003cp\u003eby Tom Taylor and Charles Reade\u003c/p\u003e","\u003cp\u003eby Mabel DeVries Tanner\u003c/p\u003e","\u003cp\u003eby Mabel DeVries Tanner\u003c/p\u003e","\u003cp\u003eby Mabel DeVries Tanner\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003erevised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul\u003c/p\u003e","\u003cp\u003erevised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul\u003c/p\u003e","\u003cp\u003eby John Le Touche\u003c/p\u003e","\u003cp\u003eby Brandon Tynan\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby H. Richard Oliver and John McCain Rimassa\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby Rose Dubin\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eBy W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert; The Town of Titifu, photocopy\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert; The Town of Titifu\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert; The Town of Titifu\u003c/p\u003e","\u003cp\u003eby Plautus; translated by Clarence P. Bill, photocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Lynn Root and Harry Clork\u003c/p\u003e","\u003cp\u003eby Wallace L. Waite\u003c/p\u003e","\u003cp\u003eby Wallace L. Waite\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003eby Dee Burque\u003c/p\u003e","\u003cp\u003eby Hans Chlumberg, photocopy\u003c/p\u003e","\u003cp\u003eby Nahum Brind\u003c/p\u003e","\u003cp\u003eby John Crosby\u003c/p\u003e","\u003cp\u003eby John Crosby\u003c/p\u003e","\u003cp\u003ePage has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.\u003c/p\u003e","\u003cp\u003eby John Charles Brownell\u003c/p\u003e","\u003cp\u003eby E. B. Ginty\u003c/p\u003e","\u003cp\u003eby E. B. Ginty\u003c/p\u003e","\u003cp\u003eby Louise Franklin Bache\u003c/p\u003e","\u003cp\u003eby Rose Franken and Jane Lewin\u003c/p\u003e","\u003cp\u003eby Rose Franken and Jane Lewin\u003c/p\u003e","\u003cp\u003eby Holger Cahill\u003c/p\u003e","\u003cp\u003eby Holger Cahill\u003c/p\u003e","\u003cp\u003eby Holger Cahill\u003c/p\u003e","\u003cp\u003eby Michael Gold\u003c/p\u003e","\u003cp\u003eby J. R. Perkins\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Denis Johnston\u003c/p\u003e","\u003cp\u003eby Denis Johnston\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Richard Maibaum\u003c/p\u003e","\u003cp\u003eby Richard Maibaum\u003c/p\u003e","\u003cp\u003eby Richard Maibaum\u003c/p\u003e","\u003cp\u003eby Samuel French\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Louise Franklin Bache\u003c/p\u003e","\u003cp\u003eby Ramon Romero, photocopy\u003c/p\u003e","\u003cp\u003eby Ramon Romero, photocopy\u003c/p\u003e","\u003cp\u003eby Ramon Romero\u003c/p\u003e","\u003cp\u003eby Ramon Romero\u003c/p\u003e","\u003cp\u003eby T. S. Eliot\u003c/p\u003e","\u003cp\u003eby T. S. Eliot\u003c/p\u003e","\u003cp\u003eby T. S. Eliot\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy\u003c/p\u003e","\u003cp\u003eby Cecil E. Reynolds\u003c/p\u003e","\u003cp\u003eby Cecil E. Reynolds\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003efrom volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson\u003c/p\u003e","\u003cp\u003eby Theodore Brown; Based on the Legend of John Henry, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Brown; Based on the Legend of John Henry, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Brown; Based on the Legend of John Henry\u003c/p\u003e","\u003cp\u003eby Nathalie Satz and Sergei Rosaanov\u003c/p\u003e","\u003cp\u003eby Anemone Pemberton\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper Play\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper Play\u003c/p\u003e","\u003cp\u003eby students of Commonwealth College; Commonwealth College Fortnightly, photocopy\u003c/p\u003e","\u003cp\u003eby Eleanor Flexner\u003c/p\u003e","\u003cp\u003eby Eleanor Flexner\u003c/p\u003e","\u003cp\u003eby Arthur Strawn and Henry Rosendahl\u003c/p\u003e","\u003cp\u003eby Talbot Jennings\u003c/p\u003e","\u003cp\u003eby Ernest Toller\u003c/p\u003e","\u003cp\u003eby Ernest Toller\u003c/p\u003e","\u003cp\u003eby Lilian Gill\u003c/p\u003e","\u003cp\u003eby Jerome Geneson\u003c/p\u003e","\u003cp\u003eby George Smedley Smith and Bernard Szold\u003c/p\u003e","\u003cp\u003eby George Smedley Smith and Bernard Szold\u003c/p\u003e","\u003cp\u003eby Ethel Watts Mumford and Lily Strickland\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Nathan Spiegel\u003c/p\u003e","\u003cp\u003eby Joseph Hergesheimer\u003c/p\u003e","\u003cp\u003eby Joseph Hergesheimer\u003c/p\u003e","\u003cp\u003eby Sid Kuller and Ray Golden\u003c/p\u003e","\u003cp\u003eby Sid Kuller and Ray Golden\u003c/p\u003e","\u003cp\u003eby Harold Igo, photocopy\u003c/p\u003e","\u003cp\u003eby Harold Igo\u003c/p\u003e","\u003cp\u003eby Harold Igo\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby James Knox Millen\u003c/p\u003e","\u003cp\u003eby James Knox Millen\u003c/p\u003e","\u003cp\u003eby Denman Thompson\u003c/p\u003e","\u003cp\u003eadapted for marionettes by Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eadapted for marionettes by Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Benjamin M. Kaye\u003c/p\u003e","\u003cp\u003eby Benjamin M. Kaye\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Marian Katherine Brown\u003c/p\u003e","\u003cp\u003eby Seyril Schochen\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003eby Kenneth Webb\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003edramatized from L. Feuchtwanger's novel by Clayton Fritchi\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Lillian Day and Lyon Mearson\u003c/p\u003e","\u003cp\u003eby Lillian Day and Lyon Mearson\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby John Mason Brown\u003c/p\u003e","\u003cp\u003eby Grace H. Swift, photocopy\u003c/p\u003e","\u003cp\u003eby Catherine F. Reighard\u003c/p\u003e","\u003cp\u003eby Gladys E. Murray\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Faye L. Tornquist\u003c/p\u003e","\u003cp\u003eby Irving De W. Talmadge\u003c/p\u003e","\u003cp\u003eby Irving De W. Talmadge\u003c/p\u003e","\u003cp\u003eby Arthur Goodman\u003c/p\u003e","\u003cp\u003eby Aristophanes\u003c/p\u003e","\u003cp\u003eby Aristophanes\u003c/p\u003e","\u003cp\u003eby Howard J. Green and Raymond Leslie Goldman\u003c/p\u003e","\u003cp\u003eby Howard J. Green and Raymond Leslie Goldman\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003etranslation by Joan Vanderpool\u003c/p\u003e","\u003cp\u003eby Marion Holbrook\u003c/p\u003e","\u003cp\u003eby Martha B. King\u003c/p\u003e","\u003cp\u003eby Robert Sherwood\u003c/p\u003e","\u003cp\u003eby Robert Sherwood\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003eby Alan Sidney\u003c/p\u003e","\u003cp\u003eafter the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget\u003c/p\u003e","\u003cp\u003eadapted by Federal Theatre Project, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003eby Sarah Neuman\u003c/p\u003e","\u003cp\u003ea Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank, photocopy\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eby Frank Kintrea\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Phil Cook and McElbert Moore\u003c/p\u003e","\u003cp\u003eby Ben Bengal\u003c/p\u003e","\u003cp\u003eby A. Korneichuk\u003c/p\u003e","\u003cp\u003eby J. Liss\u003c/p\u003e","\u003cp\u003eby Margaret Naumberg\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby George Kelly\u003c/p\u003e","\u003cp\u003eby Robert Russell, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Russell\u003c/p\u003e","\u003cp\u003eby Robert Russell\u003c/p\u003e","\u003cp\u003eby Dorothy Heyward and DuBose Heyward\u003c/p\u003e","\u003cp\u003eLiving Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eContent warning: racist language/slur.\u003c/p\u003e","\u003cp\u003eFull title: \u003ctitle\u003ePrancing Nigger\u003c/title\u003e. By E. England suggested from the novel by Ronald Firbank of the same name \u003c/p\u003e","\u003cp\u003eContent warning: racist language/slur.\u003c/p\u003e","\u003cp\u003eFull title: \u003ctitle\u003ePrancing Nigger\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eby Robert Whitehand, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Whitehand\u003c/p\u003e","\u003cp\u003eby Robert Whitehand\u003c/p\u003e","\u003cp\u003eby Albert Maltz; Anti-Fascist Play, photocopy\u003c/p\u003e","\u003cp\u003eby Alfred Kreymborg\u003c/p\u003e","\u003cp\u003eby John Howard Lawson, photocopy\u003c/p\u003e","\u003cp\u003eby John Howard Lawson, photocopy\u003c/p\u003e","\u003cp\u003eby John Howard Lawson\u003c/p\u003e","\u003cp\u003eby John Howard Lawson\u003c/p\u003e","\u003cp\u003eby John Garrett Underhill\u003c/p\u003e","\u003cp\u003eby Freidrich Wolf, photocopy\u003c/p\u003e","\u003cp\u003eby Friedrich Wolf\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Claudia Hatch, photocopy\u003c/p\u003e","\u003cp\u003eby Eldridge Lindsay\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Lawrence Langner and Armina Marshall Langner\u003c/p\u003e","\u003cp\u003eby Leonora Kaghan and Anita Phillips\u003c/p\u003e","\u003cp\u003eby Tonia Bakina\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Ferdinand Bruckner\u003c/p\u003e","\u003cp\u003eby Ferdinand Bruckner\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Edward Stirling, Esq.\u003c/p\u003e","\u003cp\u003eby Edward Stirling, Esq.\u003c/p\u003e","\u003cp\u003eby Fred Ballard\u003c/p\u003e","\u003cp\u003eby Blanding Sloan\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby L. Resnick\u003c/p\u003e","\u003cp\u003eby Robert Sturgis, photocopy\u003c/p\u003e","\u003cp\u003eby Fritz Karinthy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz\u003c/p\u003e","\u003cp\u003eby Federal Theater Project, Los Angeles\u003c/p\u003e","\u003cp\u003eby Federal Theater Project, Los Angeles\u003c/p\u003e","\u003cp\u003eby Frances Montgomery\u003c/p\u003e","\u003cp\u003eby Jan Klokog\u003c/p\u003e","\u003cp\u003eas produced by the Federal Theater Project at Omaha, Nebraska\u003c/p\u003e","\u003cp\u003eadapted for Buffalo Historical Marionette Theatre\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Richard Oliver; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eDramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Edith Grossberg Whitesell\u003c/p\u003e","\u003cp\u003eby Edith Grossberg Whitesell\u003c/p\u003e","\u003cp\u003eby Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Lesueur and Momodu Johnson; a Drama of Native Africa\u003c/p\u003e","\u003cp\u003eby Hassard Short and Maurice Henniquin\u003c/p\u003e","\u003cp\u003eby Hall Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Hall Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Hall Johnson\u003c/p\u003e","\u003cp\u003eLiving Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eby Francisco Rodrigo\u003c/p\u003e","\u003cp\u003eby Leonide Andreyeff\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Countee Cullen and Arna Bontemps, photocopy\u003c/p\u003e","\u003cp\u003eby Countee Cullen and Arna Bontemps\u003c/p\u003e","\u003cp\u003eby Upton Sinclair; A Little Play for the White Collar Folks,\u003c/p\u003e","\u003cp\u003eby Upton Sinclair; A Little Play for the White Collar Folks,\u003c/p\u003e","\u003cp\u003eby Robert A Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Robert A Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Micha Hawkins\u003c/p\u003e","\u003cp\u003eThe Adventures of a Bunny\u003c/p\u003e","\u003cp\u003eby Frances Lester Warner\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Christobel Morley Cordell, photocopy\u003c/p\u003e","\u003cp\u003eby Richard Brinsley Sheridan\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Phyllis Clare Flannery; A Farce Satire, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, Dramatist Guild Contest Play #60, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, Dramatist Guild Contest Play #60\u003c/p\u003e","\u003cp\u003eby George Savage, English Department, University of Washington, Seattle, Washington\u003c/p\u003e","\u003cp\u003eby George Savage, English Department, University of Washington, Seattle, Washington\u003c/p\u003e","\u003cp\u003eby George Savage\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Bertolt Brecht, translated by Keene Wallis\u003c/p\u003e","\u003cp\u003eby Leonard J. Tyle\u003c/p\u003e","\u003cp\u003eby William Evans\u003c/p\u003e","\u003cp\u003eby Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler\u003c/p\u003e","\u003cp\u003eby Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler\u003c/p\u003e","\u003cp\u003eby R. Edgar Moore\u003c/p\u003e","\u003cp\u003eby R. Edgar Moore\u003c/p\u003e","\u003cp\u003eby Florence Clothier; A Play of the Labrador Coast, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Goldsmith; The Mistakes of a Night, photocopy\u003c/p\u003e","\u003cp\u003ecompiled from Old English nativity plays by Robert Larson\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Andrews and Anne Wilson Peabody\u003c/p\u003e","\u003cp\u003eby George Kelly, version used by Negro Theatre Unit, New York City\u003c/p\u003e","\u003cp\u003eby George Kelly\u003c/p\u003e","\u003cp\u003eby Morgan Burke\u003c/p\u003e","\u003cp\u003eby Morgan Burke\u003c/p\u003e","\u003cp\u003eby Robert K. Ryland\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Sholem Ash\u003c/p\u003e","\u003cp\u003eby Isabel Anderson (Mrs. Larz Anderson)\u003c/p\u003e","\u003cp\u003eby Fall River, photocopy\u003c/p\u003e","\u003cp\u003eby F. S. Hill\u003c/p\u003e","\u003cp\u003eby Miles Malleson\u003c/p\u003e","\u003cp\u003eby Janet Hartman and Hallie Flanagan, photocopy\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller and Stephen Weiss\u003c/p\u003e","\u003cp\u003eby Sedarmee Club Madison House\u003c/p\u003e","\u003cp\u003eby Jo Basshe, photocopy\u003c/p\u003e","\u003cp\u003eby Robert A. Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Robert A. Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Betty Smith\u003c/p\u003e","\u003cp\u003eby Joseph Lawrence, photocopy\u003c/p\u003e","\u003cp\u003eby Joseph Lawrence\u003c/p\u003e","\u003cp\u003eby H. Leivick\u003c/p\u003e","\u003cp\u003ean ancient Japanese farce translated by Michio Itow and Louis V. Ledoux\u003c/p\u003e","\u003cp\u003eby Grace Welsh Lutgen, photocopy\u003c/p\u003e","\u003cp\u003eby J. S. Coppard\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003ethree copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard, photocopy\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard, photocopy\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby James P. Judge\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Helen Fitzgerald\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Robert Ardrey; A Comedy, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Ardrey; A Comedy\u003c/p\u003e","\u003cp\u003eby Ward Courtney; a Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Ward Courtney; a Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Otis Chatfield-Taylor, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Irving\u003c/p\u003e","\u003cp\u003eby Charles Irving\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Harold Robbins\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Paul Peters and George Sklar\u003c/p\u003e","\u003cp\u003eby Robert T. Colwell and Robert A. Simon\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Paul Tripp\u003c/p\u003e","\u003cp\u003eby Mary Manning\u003c/p\u003e","\u003cp\u003eby Mary Manning\u003c/p\u003e","\u003cp\u003eby Barrie and Leonia Stavis\u003c/p\u003e","\u003cp\u003eby Barrie and Leonia Stavis\u003c/p\u003e","\u003cp\u003eby Henry C. Haskell\u003c/p\u003e","\u003cp\u003eby Henry C. Haskell\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray, photocopy\u003c/p\u003e","\u003cp\u003eby Lula Vollmer\u003c/p\u003e","\u003cp\u003eby Norman Foster and Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Norman Foster and Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Georgie Douglass Johnson\u003c/p\u003e","\u003cp\u003eby George Cram Cook and Susan Glaspell\u003c/p\u003e","\u003cp\u003eby C. Liberman\u003c/p\u003e","\u003cp\u003eby August Strindberg\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eFederal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby David Pinski, photocopy\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby David Pinsky\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby David Lano\u003c/p\u003e","\u003cp\u003eVagabond Puppeteers for the Federal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Shotwell Callvert, photocopy\u003c/p\u003e","\u003cp\u003eby William dorsey Blake; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Anthony Armstrong\u003c/p\u003e","\u003cp\u003eby Charles H. Hoyt\u003c/p\u003e","\u003cp\u003eby Charles H. Hoyt\u003c/p\u003e","\u003cp\u003eby Florine Schwartz; A Play for Children, photocopy\u003c/p\u003e","\u003cp\u003eby Anna M. Lutkenhaus, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur A. Miller, photocopy\u003c/p\u003e","\u003cp\u003eby Ivan Rowan and Martin Delman\u003c/p\u003e","\u003cp\u003eby Ivan Rowan and Martin Delman\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby William Kozlenko\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Knox Herold\u003c/p\u003e","\u003cp\u003eby Betty Smith\u003c/p\u003e","\u003cp\u003eby Yury Olesha\u003c/p\u003e","\u003cp\u003eby Yury Olesha\u003c/p\u003e","\u003cp\u003eby Gertrude Tonkonogy, photocopy\u003c/p\u003e","\u003cp\u003eby Marita Rosler\u003c/p\u003e","\u003cp\u003eby Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith; photocopy\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby James Bridie\u003c/p\u003e","\u003cp\u003eby Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Robert Wallsten\u003c/p\u003e","\u003cp\u003eby Isabel Barber; A dramatist guild contest play #552\u003c/p\u003e","\u003cp\u003eby Isabel Barber\u003c/p\u003e","\u003cp\u003eby Isabel Barber\u003c/p\u003e","\u003cp\u003eby John Broome, photocopy\u003c/p\u003e","\u003cp\u003eby John Broome\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Robinson Jeffers; A Play in Poetic Form, photocopy\u003c/p\u003e","\u003cp\u003eby Robinson Jeffers; A Play in Poetic Form\u003c/p\u003e","\u003cp\u003eby George Murray and David Pelts; A Living Newspaper on Pensions; photocopy\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman, photocopy\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Stephen Spender\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Ward Courtney; The Moon is Steel; Carnival for Bolt; North\u003c/p\u003e","\u003cp\u003eby Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ereissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City\u003c/p\u003e","\u003cp\u003ereissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City\u003c/p\u003e","\u003cp\u003eBased on Homer and Euripides, includes photocopied program, photocopy\u003c/p\u003e","\u003cp\u003eBased on Trojan Women of Euripides\u003c/p\u003e","\u003cp\u003eBased on Trojan Women of Euripides\u003c/p\u003e","\u003cp\u003eby Philip H. Davis\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003eby Eleanor Phelps, photocopy\u003c/p\u003e","\u003cp\u003eby Langston Hughes, photocopy\u003c/p\u003e","\u003cp\u003eby Langston Hughes\u003c/p\u003e","\u003cp\u003eby Langston Hughes\u003c/p\u003e","\u003cp\u003eby Harry Sackler\u003c/p\u003e","\u003cp\u003eContent Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.\u003c/p\u003e","\u003cp\u003eby J. M. Barrie\u003c/p\u003e","\u003cp\u003eby McElbert Moore\u003c/p\u003e","\u003cp\u003eby McElbert Moore\u003c/p\u003e","\u003cp\u003eby H. R. Lenormand\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Whitfield Cook, photocopy\u003c/p\u003e","\u003cp\u003eby Whitfield Cook\u003c/p\u003e","\u003cp\u003eby Whitfield Cook\u003c/p\u003e","\u003cp\u003eby Robert Larson\u003c/p\u003e","\u003cp\u003eJacksonville, Florida script 1939, photocopy\u003c/p\u003e","\u003cp\u003eby Anton Chekhov\u003c/p\u003e","\u003cp\u003eby Augustin Daly\u003c/p\u003e","\u003cp\u003eby Bernice McQuilken\u003c/p\u003e","\u003cp\u003eby Gene Buck\u003c/p\u003e","\u003cp\u003eby Helen Fitzgerald\u003c/p\u003e","\u003cp\u003eby Mrs. William Hyman\u003c/p\u003e","\u003cp\u003eby Charles Allen Smart\u003c/p\u003e","\u003cp\u003eby Vincent Moran\u003c/p\u003e","\u003cp\u003eby Vincent Moran\u003c/p\u003e","\u003cp\u003eby Karl Gutzkov\u003c/p\u003e","\u003cp\u003eby Eden White; A Rollicking Comedy\u003c/p\u003e","\u003cp\u003eedited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low\u003c/p\u003e","\u003cp\u003eedited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Marietta Fouche\u003c/p\u003e","\u003cp\u003eby Marietta Fouche\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby I. L. Peretz\u003c/p\u003e","\u003cp\u003eby John F. Burns\u003c/p\u003e","\u003cp\u003eby Stefan Zweig\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eby Caroline C. Lovell\u003c/p\u003e","\u003cp\u003eby William C. de Mille\u003c/p\u003e","\u003cp\u003eby William C. de Mille\u003c/p\u003e","\u003cp\u003eby Percy Mackaye\u003c/p\u003e","\u003cp\u003eby William L. Price\u003c/p\u003e","\u003cp\u003eby Frances Gordon Strunsky\u003c/p\u003e","\u003cp\u003eby Helen Gholson Kittredge\u003c/p\u003e","\u003cp\u003eby Irving R. Kapner\u003c/p\u003e","\u003cp\u003etranslated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy\u003c/p\u003e","\u003cp\u003eby Elmer Rice, photocopy\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Gerhart Hauptmann\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003etranslated from the Russian by Aaron Chorover\u003c/p\u003e","\u003cp\u003eby W. Alan Coutts\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Ten Orcross\u003c/p\u003e","\u003cp\u003eby Ten Orcross\u003c/p\u003e","\u003cp\u003eby George H. Broadhurst\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Charles Zerner and Ben S. Gross\u003c/p\u003e","\u003cp\u003eby Albert Hackett\u003c/p\u003e","\u003cp\u003eby J. Sackville Martin and Carl E. Freybe\u003c/p\u003e","\u003cp\u003eby J. Sackville Martin and Carl E. Freybe\u003c/p\u003e","\u003cp\u003eby Katherine Peabody Gurling\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby John Bowaldeth\u003c/p\u003e","\u003cp\u003eby Lelia May Smith\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Lucien Chantel\u003c/p\u003e","\u003cp\u003eby John Emerson and Anita Loos\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Clemence Dane, photocopy\u003c/p\u003e","\u003cp\u003eby David Pay Robinson\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach (revised Chicago version)\u003c/p\u003e","\u003cp\u003eby Kenneth White\u003c/p\u003e","\u003cp\u003eby Rae Abraham\u003c/p\u003e","\u003cp\u003eby Allan Davis\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Samuel Jesse Warshawsky, photocopy\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Virgil L. Baker\u003c/p\u003e","\u003cp\u003eby Charles Frederic Nirdlinger\u003c/p\u003e","\u003cp\u003eby Charles Frederic Nirdlinger\u003c/p\u003e","\u003cp\u003eby Charles Bruce Millholland\u003c/p\u003e","\u003cp\u003eby Charles Bruce Millholland\u003c/p\u003e","\u003cp\u003eby Edward Lynn\u003c/p\u003e","\u003cp\u003eby Josef and Karel Capek\u003c/p\u003e","\u003cp\u003eby Molly Day Thacher, photocopy\u003c/p\u003e","\u003cp\u003eby Tom Jewett\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Jakob Loewenberg\u003c/p\u003e","\u003cp\u003eby Peter Arnow\u003c/p\u003e","\u003cp\u003eby Mark Reed\u003c/p\u003e","\u003cp\u003eby Ulysses S. Elam\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Margaret Knox and Anna M. Lufkenhaus\u003c/p\u003e","\u003cp\u003eby Dorothy L. Sayers\u003c/p\u003e","\u003cp\u003eby M. Daniel\u003c/p\u003e","\u003cp\u003eSubseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.\u003c/p\u003e","\u003cp\u003eby Howard Warwick\u003c/p\u003e","\u003cp\u003eby Gene Stafford\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Arthur McCaffery\u003c/p\u003e","\u003cp\u003eby Charles Brownell\u003c/p\u003e","\u003cp\u003eby Friedrich Wolfe\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003etwo versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams, photocopy and original\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Harold Hartogensis\u003c/p\u003e","\u003cp\u003eby Boyd\u003c/p\u003e","\u003cp\u003eby Philip Massinger, adapted by Leah Jonas\u003c/p\u003e","\u003cp\u003eby Ben Jonson, adapted by Leah Jonas\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Sergei Prokofiev, 5 front pages and 2 full copies\u003c/p\u003e","\u003cp\u003eby Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Richard Wright\u003c/p\u003e","\u003cp\u003eby Pauline Simmons\u003c/p\u003e","\u003cp\u003eby Marshall Davidson\u003c/p\u003e","\u003cp\u003eby Martha Foley\u003c/p\u003e","\u003cp\u003eby Dr. Charles Russell\u003c/p\u003e","\u003cp\u003eby A. Hyatt Mayor\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby Morris Watson\u003c/p\u003e","\u003cp\u003einterview with Martha Graham and Leah Plotkin\u003c/p\u003e","\u003cp\u003einterview with Pietro di Donato and Leah Plotkin\u003c/p\u003e","\u003cp\u003einterview with Estelle Liebling and Leah Plotkin\u003c/p\u003e","\u003cp\u003eby Howard Koch adapted by Lawrence Levey (photocopy and original)\u003c/p\u003e","\u003cp\u003eby Barrie and Leona Stavis, adapted by Edward Morton\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray, adapted by Edward Morton\u003c/p\u003e","\u003cp\u003eby Carl Glick, adapted by Philip Ansel Roll\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Karl Barron\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eadapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eadapted by Charles Crumpton\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby Matty Cohen and B. F. Kamsler\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Joseph W. Miller\u003c/p\u003e","\u003cp\u003eboth by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett, first 25 pages\u003c/p\u003e","\u003cp\u003eboth by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby unknown; by Harry Goldsmith\u003c/p\u003e","\u003cp\u003eby John T. Mole\u003c/p\u003e","\u003cp\u003eby Gertrude Onnen and Phyllis Frederic; by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Charles Crumpton, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Lewis Meyer\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Georgia Fawcett, photocopy\u003c/p\u003e","\u003cp\u003eby Clifford Odets, adapted by Maurice Kurtz\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by W. M. Sutton\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by George Thorp\u003c/p\u003e","\u003cp\u003eby Harold Parke Godwin; by Frederick Prokosch\u003c/p\u003e","\u003cp\u003eby Arthur McCaffery, incomplete copy - first 13 pages\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby Paul de Kruif\u003c/p\u003e","\u003cp\u003eby Lawrence Bearson; by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby T. O. Day\u003c/p\u003e","\u003cp\u003eby Maxine Schiel, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby Jack Barefield, photocopy\u003c/p\u003e","\u003cp\u003eby Georgia Backus, photocopy\u003c/p\u003e","\u003cp\u003eby Maxine Schiel, photocopy\u003c/p\u003e","\u003cp\u003eby Ben Hawthorne, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arendt\u003c/p\u003e","\u003cp\u003eby David Lesan\u003c/p\u003e","\u003cp\u003eby David Lesan\u003c/p\u003e","\u003cp\u003eby William N. Robson\u003c/p\u003e","\u003cp\u003edramatization by Robert Lewis Shayon\u003c/p\u003e","\u003cp\u003eby Edward Solomon\u003c/p\u003e","\u003cp\u003eby Bucalossi\u003c/p\u003e","\u003cp\u003eby Michael William Balfe\u003c/p\u003e","\u003cp\u003eby Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan\u003c/p\u003e","\u003cp\u003eby Charles Lecocq\u003c/p\u003e","\u003cp\u003eby Sidney Jones\u003c/p\u003e","\u003cp\u003eby Sidney Jones\u003c/p\u003e","\u003cp\u003eby Charles Lecocq\u003c/p\u003e","\u003cp\u003eby Karl W. Schulz\u003c/p\u003e","\u003cp\u003eby W. Vincent Wallace\u003c/p\u003e","\u003cp\u003eby W. Vincent Wallace\u003c/p\u003e","\u003cp\u003eby Edmond Audran\u003c/p\u003e","\u003cp\u003eby Robert Planquette\u003c/p\u003e","\u003cp\u003eby Edmond Audran\u003c/p\u003e","\u003cp\u003eby Robert Planquette\u003c/p\u003e","\u003cp\u003eby Lajos Serly\u003c/p\u003e","\u003cp\u003eby Sir William S. Gilbert and Sir Arthur Sullivan\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Lews W. Moyer, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Charles Crumpton\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby Sylvia Altman\u003c/p\u003e","\u003cp\u003eby Sylvia Altman and Jeanette Gussin\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Victor E. Smith; by Joel Hammil\u003c/p\u003e","\u003cp\u003eby Will Glickman\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer; by W. M. Sutton\u003c/p\u003e","\u003cp\u003eby John I. Mole\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Maxwell Wolodin; by Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Victor E. Smith; by John I. Mole\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer; by Michael Davidson\u003c/p\u003e","\u003cp\u003eby Will Glickman\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Lee Fontainbleu; by Laurence U. Shloss\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni\u003c/p\u003e","\u003cp\u003eby John I. Mole\u003c/p\u003e","\u003cp\u003eby Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman\u003c/p\u003e","\u003cp\u003eBy Herbert Lewis; by Bob Frank\u003c/p\u003e","\u003cp\u003eby Bob Frank\u003c/p\u003e","\u003cp\u003eby Bob Frank\u003c/p\u003e","\u003cp\u003eby Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer\u003c/p\u003e","\u003cp\u003eby Paul Vulpius, adapted by Barry Williams\u003c/p\u003e","\u003cp\u003eby Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams\u003c/p\u003e","\u003cp\u003eby Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton\u003c/p\u003e","\u003cp\u003eby George Harmon Coxe, adapted by Victor E. Smith\u003c/p\u003e","\u003cp\u003eby George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson\u003c/p\u003e","\u003cp\u003eby Laura Z. Hobson, adapted by Lawrence Bearson\u003c/p\u003e","\u003cp\u003eby Jerome Beatty, adapted by Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Manuel Komroff, adapted by Joel Hammil\u003c/p\u003e","\u003cp\u003eby Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts\u003c/p\u003e","\u003cp\u003eby George Rolland\u003c/p\u003e","\u003cp\u003eby George Rolland\u003c/p\u003e","\u003cp\u003eby Barrie Williams; by Brian J. Byrne\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Frank Burrill\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Herb Meadow; adaptation by Joel Hammil and Leo Fontaine\u003c/p\u003e","\u003cp\u003eby A. L. Tyler\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Hugh Lester\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Harold Hartogensis; by Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Benet Costa, photocopy\u003c/p\u003e","\u003cp\u003eby Jane Ashman; also includes Women as Homemakers first page\u003c/p\u003e","\u003cp\u003eby Leo Fontaine, photocopy\u003c/p\u003e","\u003cp\u003eSubseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e","\u003cp\u003eSeries 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e","\u003cp\u003eSubseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eProposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley\u003c/p\u003e","\u003cp\u003eSubseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAmerican Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAccent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFestival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eClass of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms from \"Folk plays of the Carolina playmakers\"\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAbu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIn Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTen Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eHamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eBlind Alley; Brothers; It Can't Happen Here; Rachel's Man\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eOne-Third of a Nation; Roll Sweet Chariot; Room Service\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eBig Vaudeville Musical Revue\u003c/title\u003e (79 copies from different performances around Maine)\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnnouncing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here; Liliom; The Road to Rome\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eLadies of the Jury\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eVodvil Show\u003c/title\u003e (vaudeville)\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms: \u003ctitle\u003eAdalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eBuffalo Historical Marionettes available in digital format.\u003c/p\u003e","\u003cp\u003ePrograms: \u003ctitle\u003eProfessor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eFlyers and playbills: Current productions flyer - \u003ctitle\u003eBig Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language\u003c/title\u003e (9 copies); \u003ctitle\u003eThe Bat\u003c/title\u003e (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival; \u003ctitle\u003eThe Cradle Will Rock; The Emperor's New Clothes\u003c/title\u003e (3 copies); \u003ctitle\u003eFair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe\u003c/title\u003e (4 copies); \u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e (14 copies); \u003ctitle\u003eLife and Death of an American; Moving Along\u003c/title\u003e (2 copies); \u003ctitle\u003eOliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal\u003c/title\u003e (10 copies) \u003c/p\u003e","\u003cp\u003eBuffalo Historical Marionettes Benefit Performance is available in digital format.\u003c/p\u003e","\u003cp\u003eFlyers and playbills: \u003ctitle\u003eSing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh\u003c/title\u003e. 8.5x14\" flyers and playbills: \u003ctitle\u003eAdam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e. Volume V number 3 to number 14\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e. Volume V number 15-17, 19-23\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003ePower\u003c/title\u003e. Volume II number 1, Volume III number 1\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eCriminal at Large\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eHer Majesty the Widow\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePersonal Appearance\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePost Road\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eRemember the Day\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSaturday's Children\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTamed and How\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnother Language; The Barker; The Old Maid; There's Always Juliet\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAs Husbands Go; I Want a Policeman\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe First Mrs. Fraser\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Good Fairy\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt's a Wise Child\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Late Christopher Bean\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eNed McCobbs Daughter\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePossession\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSun Up\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTea for Three\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThey Knew What They Wanted\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThree Cornered Moon\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFresh Fields\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFirst Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Bad Man; Boy Meets Girl; The Christmas Carol\u003c/title\u003e; Federal Theatre for Youth (overview); \u003ctitle\u003eThe First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAlice in Wonderland; Counsellor-At-Law; One-Third of a Nation\u003c/title\u003e; Third Annual Central Oklahoma Folk Festival;\u003c/p\u003e","\u003cp\u003eThe Living Newspaper (\u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e); \u003ctitle\u003ePrelude to Spring\u003c/title\u003e; Puppet Pageant at the Philadelphia Museum of Art; \u003ctitle\u003eStepping Stars\u003c/title\u003e; Vaudeville\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eChristmas with Dickens\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAlice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eGreen Grow the Lilacs; Old Heidelberg\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ephotocopies, many with original performance dates handwritten on them - \u003ctitle\u003eAdelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps\u003c/title\u003e. Photocopies.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAdam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eOversize posters where each poster is a piece of a larger whole. There are seven pieces for \u003ctitle\u003eAlison's House\u003c/title\u003e and five for \u003ctitle\u003eThe Warrior's Husband\u003c/title\u003e. Roughly each piece measures 42 inches high and 28 inches wide.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eOversize posters where each poster is a piece of a larger whole. There are three pieces for \u003ctitle\u003eBill of Divorcement\u003c/title\u003e, two for \u003ctitle\u003eBlind Alley\u003c/title\u003e, two for \u003ctitle\u003eGods of the Lightning\u003c/title\u003e, and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play \u003ctitle\u003ePursuit of Happiness\u003c/title\u003e performed at the Mayan Theatre in Los Angeles in August of 1937.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Case of Philip Lawrence; Chalk Dust; The Cherokee Night\u003c/title\u003e; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus, \u003ctitle\u003eThe World's Greatest Circus; Class of '29\u003c/title\u003e; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939; \u003ctitle\u003eConjure Man Dies; Coriolanus; The Cradle Will Rock\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eEinmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal\u003c/title\u003e; Eugene O'Neill's One-Act Plays of the Sea\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFair and Warmer; Fantasy 1939; Flight\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eH.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eLife and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMacbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eNative Ground; No More Peace; Noah\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eOn the Rocks; On Top; One-Third of a Nation; Outside Looking In\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eDas Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThe Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)\u003c/p\u003e","\u003cp\u003ePrograms, flyers, and playbills: \u003ctitle\u003eWalk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms, flyers, and playbills: Various plays in Yiddish; \u003ctitle\u003eThe Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eSubseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eincludes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Willy B. Stahl and Walter C. Schad, Los Angeles, California\u003c/p\u003e","\u003cp\u003eincludes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass\u003c/p\u003e","\u003cp\u003eviolin music, arranged by M. L. Lake\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld\u003c/p\u003e","\u003cp\u003eby Alex North\u003c/p\u003e","\u003cp\u003eby Fred Miller Jr. and L. Leslie Loth\u003c/p\u003e","\u003cp\u003eby Herbert Kingsley, New York, New York\u003c/p\u003e","\u003cp\u003eincludes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California\u003c/p\u003e","\u003cp\u003emusic for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager\u003c/p\u003e","\u003cp\u003emusic for vocal lead on \"Sweet by and by\"\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, 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von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer, New York, New York\u003c/p\u003e","\u003cp\u003eviolin music \"If She Says No\"\u003c/p\u003e","\u003cp\u003emusic for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"\u003c/p\u003e","\u003cp\u003eChicago, Illinois\u003c/p\u003e","\u003cp\u003eviolin music \"Flow Gently, Sweet Afton\", Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Charles J. Levy\u003c/p\u003e","\u003cp\u003eincludes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"\u003c/p\u003e","\u003cp\u003eby Charles Wakefield Cadman\u003c/p\u003e","\u003cp\u003eby R. E. Austin\u003c/p\u003e","\u003cp\u003eby Irvin Cooper\u003c/p\u003e","\u003cp\u003e[Eddison von Ottenfeld] Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Meyer Rappaport and Emile Cote\u003c/p\u003e","\u003cp\u003eFrom the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof\u003c/p\u003e","\u003cp\u003eby Marshall Bartholomew\u003c/p\u003e","\u003cp\u003emusic by Genevieve Pitot, New York\u003c/p\u003e","\u003cp\u003eby F. Melius Christiansen\u003c/p\u003e","\u003cp\u003eby Paul Lincke\u003c/p\u003e","\u003cp\u003eby Ralph Story\u003c/p\u003e","\u003cp\u003eby Paul Lincke\u003c/p\u003e","\u003cp\u003eby Mozart-Shelley\u003c/p\u003e","\u003cp\u003eby Daniel Wood and Sumner Salter\u003c/p\u003e","\u003cp\u003eErnestine Valencia, arranged by Dan J. Michaud\u003c/p\u003e","\u003cp\u003eby Edward Elgar and Arthur Fagge\u003c/p\u003e","\u003cp\u003eby J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer\u003c/p\u003e","\u003cp\u003eparaphrase for mixed voices by William Schaeffer\u003c/p\u003e","\u003cp\u003eby Ivor Tchervanow and Ralph L. Baldwin\u003c/p\u003e","\u003cp\u003eby Rimsky-Korsikoff, arranged by Jacob Schwartzdorf\u003c/p\u003e","\u003cp\u003eby May H. Brahe\u003c/p\u003e","\u003cp\u003eviolin music, by Edna R. Heard\u003c/p\u003e","\u003cp\u003ePiano music \"Party Entre Act 1-2\", Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Max Hirschfeld, New York, New York\u003c/p\u003e","\u003cp\u003eby Jean Stor, New York, New York\u003c/p\u003e","\u003cp\u003eby David Sheinfeld\u003c/p\u003e","\u003cp\u003eby John Ansell\u003c/p\u003e","\u003cp\u003eThis series includes two coats and two pairs of pants created and used by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLong red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"\u003c/p\u003e","\u003cp\u003eA long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"\u003c/p\u003e","\u003cp\u003eTwo pairs of men's pants, one yellow, one red. Both pants stop below the knee. 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note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["Content Warning: Some materials contain racist language and slurs, including play titles.","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Series 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Available in digital format.","The House Committee on Un-American Activities (HUAC)","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","Includes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"","Issues of New Theatre (1934-1936).","Oversize color reprint of article from Fortune","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.","Contains blueprints and photographs of portable theatres","Subseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Subseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.","by John Wiley; based on an Edgar Allen Poe story (photocopy)","by Beth Brown","by Elmer L. Rice","by Francis Bosworth","by Buell R. Fuller","Director Georgia S. Fink","by Virginia Yetes (photocopy)","by Ruth Morris","by Gladys Unger and Walter Armitage","by David Arnold Balch","by William Mahl","by William Mahl","by William Mahl","by Eugene O'Neill","by Eugene O'Neill","by Edmond Rostand","by Edmond Rostand","by Edmond Rostand","by Yasha Frank","director Georgia S. Fink","adapted by S.S. Weiss","adapted by Ralph Chesse","by Sidney Howard","by Sidney Howard","by Eugene O'Neil","by Homer Little and Myla Jo Closser","by Homer Little and Myla Jo Closser","by Hardie Albright","by Hardie Albright","by Thomas Hall Rogers, photocopy from February 20, 1991","by Thomas Hall Rogers, 2 photocopies","by Thomas Hall Rogers","by Thomas Hall Rogers","by Thomas Hall Rogers","published in The Catholic School Journal","by Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy","by Edwin and Albert Barker","by Edwin and Albert Barker","by Elmer L. Rice","by Elmer L. Rice","by Elmer L. Rice","by Talbot Jennings","by Mrs. Alexander Mathis","by Vera Smirnova","by Edwin Burke","by Louis Weitzenkorn","by George Bernard Shaw","by Langston Hughes; A One-Act Play of Negro Life, photocopy","by Eugene O'Neill","by Eugene O'Neill","by Rose Franken","by Rose Franken","by St. John Ervine","by Elizabeth de Vautibault","by Elizabeth de Vautibault","by Rev. Henry N. Hudson","by Rev. Henry N. Hudson","by Rudolph Wittenberg","by Laurance Moore","by Margaret Brooks and Constance Wyckoff","by George Bernard Shaw","by George Bernard Shaw","by Martin Flavin","by Martin Flavin","by Yale Dramatic Association","by Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy","by W. H. Auden and Christopher Isherwood","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Lockhart North","by T. R. Arkell","by Owen Davis","by C. L. Anthony","by Clifford Odets","by Clifford Odets","by Clifford Odets","by Ruth Fenisong and Remo Bufano","by Lester Fuller, 2 copies, 1 of which is a photocopy","by Margaret Mayo","by Porter Emerson Brown","by Porter Emerson Brown","by H. R. Hays","by H. R. Hays","by Padriac Colum","by Padriac Colum","by Herb Meadow","by Herb Meadow, 2 photocopies","by Katharine Clugston","by Katharine Clugston","by Walter Hackett","by Maxwell Anderson","by Michael Blankfort and Michael Gold, photocopy","by Michael Blankfort and Michael Gold","by Michael Blankfort and Michael Gold","by Frederick Stowers","by Mary Dirnberger; Dramatized from the familiar fairy tale","by Mary Dirnberger; Dramatized from the familiar fairy tale","Transcribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma","by Albert Powels","by Alfred Lord Tennyson","by Alfred Lord Tennyson","by Brian J. Byrne","by George S. Kaufman and Marc Connelly","by George S. Kaufman and Marc Connelly","by Aodh de Blacam","by Belmont Ashton","by Lawrence Houseman","by Walter Abbott","by Walter Abbott","by Anonymous","by Eugene O'Neill","by Eugene O'Neill","by John W. Dunn; A play of early Oklahoma life","by John W. Dunn; A play of early Oklahoma life","by William Beyer","by Theodore Pratt, photocopy","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Samuel Sayer","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy","Synopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre","by Charles M. Barras","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Seymour G. Link","by Martin Flavin","by Maurice Maeterlinck","by Georgia Douglas Johnson, photocopy","by Ruth Fenisong","photocopy","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Eugene O'Neill","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Robin Taylor","Revision by Florence Elberta Barns","by Ruth Comfort Mitchel and Alfred Allen, photocopy","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Will Cotton","by Will Cotton","by Robert Hare Powel","by Robert Hare Powel","by Emmet Lavery","by Martin Flavin","by Martin Flavin","by Ruth Fenisong","by Frank Wilson","by Frank Wilson","by Frank Wilson","by Emmet Lavery","by Miss Mabel Osborne","by Emma Ehrlich Levinger","by Irwin Shaw","by Beth Brown and Gilbert Laurence","by Leopold L. Atlas","by Leopold L. Atlas","Original by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by George Bernard Shaw","by George Bernard Shaw","by Frank L. Moss and Richard Dana","by Frank L. Moss and Richard Dana","by Arnold Zweig","by Robert Peele Noble","by Robert Peele Noble","by Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy","by George Bernard Shaw","by George Bernard Shaw","by Carl Glick","by Arthur Goodrich and Rose A. Palmer","by Arthur Goodrich and Rose A. Palmer","by George Bernard Shaw","by George Bernard Shaw","by Robt. A. Bromley (revised edition)","by Zelma Bruce Tiden","by Zelma Bruce Tiden","by Peretz Hirshbein","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Estelle L. Silverman","by Jules Renard","by Rollo Wayne","by Rollo Wayne","by Rollo Wayne","by George McEnlee, photocopy","by George McEnlee","by H. Leivick","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg (revised)","by German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy","by A. Barto","by James Parish","by Y. L. Peretz","by John Woodworth, photocopy","by John Woodworth","by Ruth Fenisong","by John W. Dunn, photocopy","by John W. Dunn","by Stanislaus Stange","by sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw","Hedley Gordon Graham","by Essex Dane","by George Huntington Clark","by George Huntington Clark","by H. Jack Bates; A Negro Folk Play, photocopy","by Ruth Welty and Gene Renouf","by Rose Carlyn, photocopy","Three by Rose Carlyn; Three by Fannie Engle","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Gilbert Lennox","by Paul Vincent Carroll","by Noel Harris Houston","by Gertrude Worthington Jeffries","by Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy","by Rudolph Fisher, photocopy","by Rudolph Fisher, photocopy","by A. Callen, M. Worthington, and I. Reuben, photocopy","by Oliver Haserodt, photocopy","by Oliver Haserodt","by Royall Tyler","by M. Manisoff","by a seventh grade in Louisville, Kentucky","by a seventh grade in Louisville, Kentucky","by Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Marc Blitzstein, 2 photocopies","by Marc Blitzstein","by John H. Floyd","by members of the Play Bureau of the Southwest","by Betty Lessler Lyman","by John Hunter Booth","by John Hunter Booth, photocopy","by John Hunter Booth, photocopy","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director","by W. S. Gilbert","by Charles Dickens adapted by Gilmor Brown","Marionette Division, Buffalo, N.Y.","by Edgar Wallace","by James Stephens","by Walt Anderson","by Walt Anderson","by A. Barto","by A. Barto","by Laurette MacDuffie","by Anna Best Joder","by Elizabeth Leigh Vaughan","by W. H. Auden","by Joaquin Miller, photocopy","by Joaquin Miller","by Ruby Lorraine Radford","by S. Ansky","by L. W. Barrus","by George Foss, photocopy","by George Foss","by George Foss","by Grant Moss","by Grant Moss","by George W. Cronyn","by Rose Carlyn","by J. C. Furnes","by Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen","by Eugene O'Neill","by Benn W. Levy; A Religious Comedy, photocopy","by Benn W. Levy; A Religious Comedy","by George Bernard Shaw","by George Bernard Shaw","by Elmer Rice","by Eugene O'Neill","by Eugene O'Neill","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play","by Andrew Barton","by Andrew Barton","by Andrew Barton","by Merrill Denison","by Christopher Marlowe, arranged for marionettes by Robert Larson","by Twort (?) Gilbert and Edward Rosen","by Christopher Marlowe","by Christopher Marlowe","by Moliere","by Jules Romans, English version by Harley Granville-Barker","by Minnie H. Niemier","by Lope de Vega","by Harlan E. Glazier","by David Pinski","by Fred Ballard","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","by Elizabeth McFadden","by Charlotte Kohler, photocopy","by Joan and Michale A. Slane","by Carl Glick","by Rosa Carlyn","published by the National Tuberculosis Association","by Eugene O'Neill","by W. H. Smith","by Luis Quinones de Benavente","by Emily Percy Denison","by S. Ansky","by S. Ansky","by S. Ansky","by Arthur Goodman","by Elise Jerard","by Samuel Shipman and John B. Hymer","by Samuel Shipman and John B. Hymer","by Ossip Dymow","by Ossip Dymow","by Ossip Dymow","by Jack Larric","by Jack Larric","by Peretz Hirshbein","by Charlotte Charpenning","by Charlotte Charpenning","by Joseph Liss","by Paul Green","by Paul Green","by Paul Green","by C. C. Parsons","by Henrik Ibsen","by Henrik Ibsen","by Henrik Ibsen","by Sean O'Casey","by Demetre Bohris","by John Galsworthy","by Arthur Arent, photocopy","by Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy","by Arthur Arent, photocopy received June 11, 1991","by Kjeld Abell","by Paul Lawrence Dunbar (adaptation)","by Paul Lawrence Dunbar","by Sylvia Regan","by Sylvia Regan","by G. J. Graves","by G. J. Graves","by Will T. Goodwin; Working Script","by Emmet Lavery","by Emmet Lavery","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Bradbury Foote","by Bradbury Foote","by Cervantes","by Doris Troutman","by Luis Quinones de Benavente","adapted by Maurice Jagendorf","adapted by Maurice Jagendorf","by Irving P. Kapner","by Frank B. Elser and Marc Connelly","by Frank B. Elser and Marc Connelly","by Brian Doherty","by Brian Doherty","by Lope de Vega","by Maxwell Anderson","by H. A. Archibald","by Munro Leaf","by Paul Green","by Paul Green","by Rachel Lyman Field","by Weldon Stone","by Weldon Stone","by John Van Antwerp","by John Van Antwerp","by A. Barto","by Eugene O'Neill","by Frank Craven","by George H. Corey, photocopy","by George H. Corey","by E. and P. Green","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy","by Oscar Saul and Louis Lantz","by Oscar Saul and Louis Lantz","by Pearl S. Buck","by Pearl S. Buck","A play for boys and girls with radio participation, experiment number 1 by Berthold Brecht","by John W. Dunn","by Graham Rawson","by Graham Rawson","by Gene Stone and Jack Rosenblum","by Phile Higley","by Myrtle L. Barger","by E. P. Conkle","by Harry B. Smith","by Harry B. Smith","by Ada Sterling","by Ada Sterling","by Eleanor Garland","by Eugene O'Neill","by Eugene O'Neill","by Harry Sackler","by Georgia Douglas Johnson, photocopy","by Georgia Douglas Johnson","by Harriet Wedgwood, a health play for children, reprinted from Hygeia","by Samuel Shipman and Aaron Hoffman","by Samuel Shipman and Aaron Hoffman","by B. R. Fuller","by Leopold L. Atlas","by Beverly Hamer in the Carolina Play Book volume X, number 3","by William Stevenson","by B. K. Simkhovitch","by B. K. Simkhovitch","by B. K. Simkhovitch","by Felix Doherty","by Nando Vitali","by Ben Russak","by Ben Russak","by Ben Russak","by Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.","by Edward Lynn","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Isidore Reuben","by Philo Higley","by Arnold Ridley","by Buell R. Fuller","by Aldous Huxley","photocopy","by Ferenc Molnar","by Ferenc Molnar","by Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy","adapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Jacob Gordon","by J. J. Robbins","by J. J. Robbins","by Philip Stevenson","by Leon Crozier","by Paul Armstrong and Rex Beach","by Paul Smith","by Louise Franklin Bache","by Lewis Beach","by Lewis Beach","by Lewis Beach","by Kermit Love","by Rose Carlyn","by Ridgely Torrence; A Play for the Negro Theatre, photocopy","by Howard Koch; A Comedy of Recent Times, photocopy","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Warwick F. Williams","by William R. Randall","by Anna Friedman; A Roosevelt Play, photocopy","by Gertrude Worthington Jeffries, photocopy","by Gertrude Worthington Jeffries","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by George Bernard Shaw","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Bernard Szold and E. P. O'Donnell","by Bernard Szold and E. P. O'Donnell","by Marc Connelly","adapted by Stephen Weiss","by William J. Langman, S. J.","by Eugene O'Neill","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by Noah Elstein","by Grace Dorcas Ruthenberg","by Harlan E. Glazier","by Yasha Frank","by Thornton Wilder","by Thornton Wilder","by Wilfrido Ma Guerrero","by Donald Davis and Samuel Ornitz","by Joseph Lehmann","by Charles Prentiss","by Julius Hay","by Julius Hay","by Arthur Kober","by Arthur Kober","by Elizabeth Jane Astley","by Philip Atlee and Edmund Van Zandt","by Philip Atlee and Edmund Van Zandt","by David Belasco","by George Bernard Shaw","by Albert Bein","by Albert Bein","by Helen Clare Nelson","by Barry Conners","by Abram Hill, photocopy","by Margaret Sperry","by Margaret Sperry","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Theresa Helburn","by Theresa Helburn","by Theresa Helburn","adapted and translated by Donald Fay Robinson","adapted by Kent Pease Hamdent High School, Hamdent, Connecticut","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Mary B. Stafford","by Harlan E. Glazier","by Lee Freeson","by Howard Koch and Ben Russak","by Howard Koch and Ben Russak","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by John Wiley","by Harold Courlander","by Sally Coulter","by Herb Meadow","by Dorothy Hailpern","by Dorothy Hailpern","by Michael Swift","by Philip Barry","by Philip Barry","by John Alan Haughton","by Marion Holbrook","by Joseph Liss","by Paul Green","by Sara E. Bower","by Bertram M. Gross","by Alan Sidney","by Edith Kunz","by The Historical Project, Federal Writers Project of Minnesota","by Paul Green","by Paul Green","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by Margaret MacNamera","by Margaret MacNamera","by Edwin Burke","by Rufus King and Milton Lazarus","by Rufus King and Milton Lazarus","by Perez Hirschbaum","by Maria M. Coxe, photocopy","by Maria M. Coxe","by Maria M. Coxe","by Maria M. Coxe","by Paul Green","by Eugene O'Neill","by Bertolt Brecht","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by Maurice Stoller","by Norman Roston","by Noah Elstein, photocopy","by Noah Elstein","by Noah Elstein","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by Raymond Reeves, photocopy","by Raymond Reeves","by St. John G. Ervine","by St. John G. Ervine","by John McGee","adapted by Federal Theatre Project Los Angeles, California","by H. L. Fishel, photocopy","by H. L. Fishel, photocopy","by H. L. Fishel","by H. L. Fishel","by Martha Hodgson Ellis","by David Schrieber","by St. John G. Ervine","by St. John G. Ervine","by Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Paul Green","by Paul Green","by Luidmilla Vepritskaya","by Alma Shaw","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by Warren Coleman; A Negro Comedy, 2 photocopies","Elmer Rice","by Shakespeare","by Thomas A. Langan","by Emmet Lavery","by Ruth Fenisong","by J. C. Nugent and Elliott Nugent","by J. C. Nugent and Elliott Nugent","by Edgar Slaughter","The Living Newspaper Presents","The Living Newspaper Presents","by James Bridie","by Catherine Reighard","by Max M. Dill","by Don Mullally","by David Pinski","by T. C. Robinson and Rena M. Vale, photocopy","by T. C. Robinson and Rena M. Vale, photocopy","by Lawrence J. Bernard","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by George Scudder","by Irving Kaye Davis","by Irving Kaye Davis","by Irving Kaye Davis","by James Bridie","by James Bridie","by Sidney Howard","by Sidney Howard","by Harry King Tootle","by Harry King Tootle","by William Beyer","by William Beyer","by Oliver La Farge","by V. Beldon?","by Harry King Tootle","by Ernest Chamberlain","by Ernest Chamberlain","by Elmer Rice","by Moliere","by A. Barto","by Maurice Stoller","by Charlotte Chorpenning","by Bertram Robinson","photocopy","photocopy","photocopy","by Edward Hopter","by George Sklar","by George Sklar","by George Sklar","by George Sklar","by Gilbert Laurence","by Giuseppe Giacosa","by Giuseppe Giacosa","by Marion Flexner and Dorothy Park Clark","by Franz Molnar","by Franz Molnar","by Alma Shaw","by C. B. Chorpenning, photocopy","by C. B. Chorpenning","by C. B. Chorpenning","by C. B. Chorpenning","by Molka Reich of Miami Florida Project","translated from Flemish by Jacob Borut and Lola Sachs","translated from Flemish by Jacob Borut and Lola Sachs","by Marc Connelly","by Alexei Tolstoi","by Eleanor Glendower Griffith","by Lawrence and Sylvia Martin, photocopy","by Lawrence and Sylvia Martin, photocopy","by Howard Koch","by Howard Koch","by Howard Koch","by Thornton Wilder","by Eugene O'Neill","by Charles George","by T. C. Upham","by T. C. Upham","by Isidore Reuben","by Charles Alan","by Charles Alan","by Thornton Wilder","by John Galsworthy","by Maud Wood Park, photocopy","by Maud Wood Park","by Maud Wood Park","by Maud Wood Park revised by Robert Finch","by Theodore Browne; An \"African Version\", photocopy","by Clarence H. Talbot","reprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Blake","by Victoria Heindel","by Lee Freeson","by Louis Golding and A. R. Rawlinson","by Bernard Shaw","by Bernard Shaw","by Alfred Sutro","by John Woodworth","by John Woodworth","by Mr. Beete","by Mr. Beete","by Hollister Noble and Edward R. Sammis","by Hollister Noble and Edward R. Sammis","by Paul Green","by Anatole France","by Jules Eckert Goodman and Eckert Goodman","by Jules Eckert Goodman and Eckert Goodman","by Earnest Andai and Lajos Balint","by Federal Theatres, Los Angeles, California","by Anton Chekhov","by Rena B. Johnson","by Tom Taylor and Charles Reade","by Mabel DeVries Tanner","by Mabel DeVries Tanner","by Mabel DeVries Tanner","photocopy","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","by John Le Touche","by Brandon Tynan","by Victor Victor","by Victor Victor","by William Shakespeare","by H. Richard Oliver and John McCain Rimassa","by William Shakespeare","by Rose Dubin","by Ruth Fenisong and Samuel Sayer","By W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.","by W. S. Gilbert; The Town of Titifu, photocopy","by W. S. Gilbert; The Town of Titifu","by W. S. Gilbert; The Town of Titifu","by Plautus; translated by Clarence P. Bill, photocopy","photocopy","by Lynn Root and Harry Clork","by Wallace L. Waite","by Wallace L. Waite","by B. R. Fuller","by Dee Burque","by Hans Chlumberg, photocopy","by Nahum Brind","by John Crosby","by John Crosby","Page has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.","by John Charles Brownell","by E. B. Ginty","by E. B. Ginty","by Louise Franklin Bache","by Rose Franken and Jane Lewin","by Rose Franken and Jane Lewin","by Holger Cahill","by Holger Cahill","by Holger Cahill","by Michael Gold","by J. R. Perkins","by Emmet Lavery","by Denis Johnston","by Denis Johnston","by Eugene O'Neill","by Richard Maibaum","by Richard Maibaum","by Richard Maibaum","by Samuel French","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Joseph Liss","by Ruth Fenisong","by Louise Franklin Bache","by Ramon Romero, photocopy","by Ramon Romero, photocopy","by Ramon Romero","by Ramon Romero","by T. S. Eliot","by T. S. Eliot","by T. S. Eliot","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Buell R. Fuller","by Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy","by Cecil E. Reynolds","by Cecil E. Reynolds","by Rose Carlyn","from volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry","by Nathalie Satz and Sergei Rosaanov","by Anemone Pemberton","photocopy","photocopy","by Maxwell Anderson","by Arthur Arent; A Living Newspaper Play, photocopy","by Arthur Arent; A Living Newspaper Play","by Arthur Arent; A Living Newspaper Play","by students of Commonwealth College; Commonwealth College Fortnightly, photocopy","by Eleanor Flexner","by Eleanor Flexner","by Arthur Strawn and Henry Rosendahl","by Talbot Jennings","by Ernest Toller","by Ernest Toller","by Lilian Gill","by Jerome Geneson","by George Smedley Smith and Bernard Szold","by George Smedley Smith and Bernard Szold","by Ethel Watts Mumford and Lily Strickland","by Elmer Rice","by Elmer Rice","by Nathan Spiegel","by Joseph Hergesheimer","by Joseph Hergesheimer","by Sid Kuller and Ray Golden","by Sid Kuller and Ray Golden","by Harold Igo, photocopy","by Harold Igo","by Harold Igo","by Bernard Shaw","by James Knox Millen","by James Knox Millen","by Denman Thompson","adapted for marionettes by Ruth Fenisong and Samuel Sayer","adapted for marionettes by Ruth Fenisong and Samuel Sayer","by Benjamin M. Kaye","by Benjamin M. Kaye","by Bernard Shaw","by Bernard Shaw","by Bernard Shaw","by Marian Katherine Brown","by Seyril Schochen","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","by Kenneth Webb","by Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","dramatized from L. Feuchtwanger's novel by Clayton Fritchi","by Remo Bufano","by Irvin Wilson Baker","by Irvin Wilson Baker","by Irvin Wilson Baker","by Harry Hamilton","by Lillian Day and Lyon Mearson","by Lillian Day and Lyon Mearson","by Irving P. Kapner","by John Mason Brown","by Grace H. Swift, photocopy","by Catherine F. Reighard","by Gladys E. Murray","by Hughes Allison, photocopy","by Faye L. Tornquist","by Irving De W. Talmadge","by Irving De W. Talmadge","by Arthur Goodman","by Aristophanes","by Aristophanes","by Howard J. Green and Raymond Leslie Goldman","by Howard J. Green and Raymond Leslie Goldman","by Lope de Vega","translation by Joan Vanderpool","by Marion Holbrook","by Martha B. King","by Robert Sherwood","by Robert Sherwood","by Harlan E. Glazier","by members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania","by Alan Sidney","after the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget","adapted by Federal Theatre Project, Omaha, Nebraska","by Sarah Neuman","a Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales","adapted by Yasha Frank, photocopy","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","by Frank Kintrea","by Adelaide C. Rowell","by Adelaide C. Rowell","by Adelaide C. Rowell","by Phil Cook and McElbert Moore","by Ben Bengal","by A. Korneichuk","by J. Liss","by Margaret Naumberg","by Rose Carlyn","by Alvin Kerr","by Alvin Kerr","by Alvin Kerr","by George Kelly","by Robert Russell, photocopy","by Robert Russell","by Robert Russell","by Dorothy Heyward and DuBose Heyward","Living Newspaper, photocopy","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","by Karel Capek","by Karel Capek","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","Content warning: racist language/slur.","Full title: Prancing Nigger. By E. England suggested from the novel by Ronald Firbank of the same name","Content warning: racist language/slur.","Full title: Prancing Nigger.","by Robert Whitehand, photocopy","by Robert Whitehand","by Robert Whitehand","by Albert Maltz; Anti-Fascist Play, photocopy","by Alfred Kreymborg","by John Howard Lawson, photocopy","by John Howard Lawson, photocopy","by John Howard Lawson","by John Howard Lawson","by John Garrett Underhill","by Freidrich Wolf, photocopy","by Friedrich Wolf","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by Claudia Hatch, photocopy","by Eldridge Lindsay","by Thornton Wilder","by Lawrence Langner and Armina Marshall Langner","by Leonora Kaghan and Anita Phillips","by Tonia Bakina","by Karel Capek","by Karel Capek","by Ferdinand Bruckner","by Ferdinand Bruckner","by Bradbury Foote","by Bradbury Foote","by Bradbury Foote","by Edward Stirling, Esq.","by Edward Stirling, Esq.","by Fred Ballard","by Blanding Sloan","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by L. Resnick","by Robert Sturgis, photocopy","by Fritz Karinthy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life","by P. Washington Porter; A Tragedy of Negro Life","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz","by Federal Theater Project, Los Angeles","by Federal Theater Project, Los Angeles","by Frances Montgomery","by Jan Klokog","as produced by the Federal Theater Project at Omaha, Nebraska","adapted for Buffalo Historical Marionette Theatre","by Lee Freeson","photocopy","by Richard Oliver; A Living Newspaper Play, photocopy","by Charles Vildrac","by Charles Vildrac","Dramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip","by Lynn Riggs","by Lynn Riggs","by Joseph Liss","by Joseph Liss","by John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")","by John W. Dunn","by Edith Grossberg Whitesell","by Edith Grossberg Whitesell","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa","by Hassard Short and Maurice Henniquin","by Hall Johnson, photocopy","by Hall Johnson, photocopy","by Hall Johnson","Living Newspaper, photocopy","by Charles Vildrac","by Francisco Rodrigo","by Leonide Andreyeff","by A. Barto","by Lope de Vega","by Countee Cullen and Arna Bontemps, photocopy","by Countee Cullen and Arna Bontemps","by Upton Sinclair; A Little Play for the White Collar Folks,","by Upton Sinclair; A Little Play for the White Collar Folks,","by Robert A Bromley and Al Carthe","by Robert A Bromley and Al Carthe","by Paul Green","by Maxwell Anderson","by Maxwell Anderson","by Micha Hawkins","The Adventures of a Bunny","by Frances Lester Warner","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Christobel Morley Cordell, photocopy","by Richard Brinsley Sheridan","by Maxwell Anderson","by Harold Whitehall","by Harold Whitehall","by Harold Whitehall","by Phyllis Clare Flannery; A Farce Satire, photocopy","by George Savage, Dramatist Guild Contest Play #60, photocopy","by George Savage, photocopy","by George Savage, Dramatist Guild Contest Play #60","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage","by Elmer Rice","by Elmer Rice","by Bertolt Brecht, translated by Keene Wallis","by Leonard J. Tyle","by William Evans","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by R. Edgar Moore","by R. Edgar Moore","by Florence Clothier; A Play of the Labrador Coast, photocopy","by Oliver Goldsmith; The Mistakes of a Night, photocopy","compiled from Old English nativity plays by Robert Larson","by Ruth Fenisong and Samuel Sayer","by Andrews and Anne Wilson Peabody","by George Kelly, version used by Negro Theatre Unit, New York City","by George Kelly","by Morgan Burke","by Morgan Burke","by Robert K. Ryland","photocopy","by Howard Koch","by Howard Koch","by Sholem Ash","by Isabel Anderson (Mrs. Larz Anderson)","by Fall River, photocopy","by F. S. Hill","by Miles Malleson","by Janet Hartman and Hallie Flanagan, photocopy","by Buell R. Fuller and Stephen Weiss","by Sedarmee Club Madison House","by Jo Basshe, photocopy","by Robert A. Bromley and Al Carthe","by Robert A. Bromley and Al Carthe","by Betty Smith","by Joseph Lawrence, photocopy","by Joseph Lawrence","by H. Leivick","an ancient Japanese farce translated by Michio Itow and Louis V. Ledoux","by Grace Welsh Lutgen, photocopy","by J. S. Coppard","by B. R. Fuller","photocopy","photocopy","by Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy","three copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.","by Arnold Sundgaard, photocopy","by Arnold Sundgaard, photocopy","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by James P. Judge","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Helen Fitzgerald","by Victor Victor","by Victor Victor","by Robert Ardrey; A Comedy, photocopy","by Robert Ardrey; A Comedy","by Ward Courtney; a Living Newspaper Play, photocopy","by Ward Courtney; a Living Newspaper Play, photocopy","by Otis Chatfield-Taylor, photocopy","by Charles Irving","by Charles Irving","photocopy","by Harold Robbins","by Elmer Rice","by Paul Peters and George Sklar","by Robert T. Colwell and Robert A. Simon","by Elmer Rice","by Elmer Rice","by Paul Tripp","by Mary Manning","by Mary Manning","by Barrie and Leonia Stavis","by Barrie and Leonia Stavis","by Henry C. Haskell","by Henry C. Haskell","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray, photocopy","by Lula Vollmer","by Norman Foster and Harry Hamilton","by Norman Foster and Harry Hamilton","by Georgie Douglass Johnson","by George Cram Cook and Susan Glaspell","by C. Liberman","by August Strindberg","photocopy","Federal Theatre of Oklahoma","by Maurice Stoller","by Katharine Clugston","by Katharine Clugston","by Katharine Clugston","by David Pinski, photocopy","by David Pinski","by David Pinski","by David Pinsky","by William Shakespeare","by William Shakespeare","by William Shakespeare","by William Shakespeare","by David Lano","Vagabond Puppeteers for the Federal Theatre of Oklahoma","by Shotwell Callvert, photocopy","by William dorsey Blake; A Living Newspaper Play, photocopy","by Anthony Armstrong","by Charles H. Hoyt","by Charles H. Hoyt","by Florine Schwartz; A Play for Children, photocopy","by Anna M. Lutkenhaus, photocopy","by Arthur A. Miller, photocopy","by Ivan Rowan and Martin Delman","by Ivan Rowan and Martin Delman","by Raymond Bond","by Raymond Bond","by Raymond Bond","by William Kozlenko","by Converse Tyler","by Converse Tyler","by Converse Tyler","by Knox Herold","by Betty Smith","by Yury Olesha","by Yury Olesha","by Gertrude Tonkonogy, photocopy","by Marita Rosler","by Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy","by Marie Baume from the novel by Leane Zugsmith; photocopy","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by William Shakespeare","by William Shakespeare","by William Shakespeare","by James Bridie","by Samuel Sayer","by Robert Wallsten","by Isabel Barber; A dramatist guild contest play #552","by Isabel Barber","by Isabel Barber","by John Broome, photocopy","by John Broome","by Ruth Fenisong","by Ruth Fenisong","by Robinson Jeffers; A Play in Poetic Form, photocopy","by Robinson Jeffers; A Play in Poetic Form","by George Murray and David Pelts; A Living Newspaper on Pensions; photocopy","by Philip Stevenson","by Rose Carlyn","by Jules Eckert Goodman, photocopy","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Remo Bufano","by Remo Bufano","by Stephen Spender","by Hughes Allison, photocopy","by Hughes Allison, photocopy","by Hughes Allison","by Hughes Allison","by Hughes Allison","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","Based on Homer and Euripides, includes photocopied program, photocopy","Based on Trojan Women of Euripides","Based on Trojan Women of Euripides","by Philip H. Davis","translated by Edith Hamilton","translated by Edith Hamilton","translated by Edith Hamilton","by Eleanor Phelps, photocopy","by Langston Hughes, photocopy","by Langston Hughes","by Langston Hughes","by Harry Sackler","Content Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.","by J. M. Barrie","by McElbert Moore","by McElbert Moore","by H. R. Lenormand","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by A. Barto","by E. P. Conkle","by Whitfield Cook, photocopy","by Whitfield Cook","by Whitfield Cook","by Robert Larson","Jacksonville, Florida script 1939, photocopy","by Anton Chekhov","by Augustin Daly","by Bernice McQuilken","by Gene Buck","by Helen Fitzgerald","by Mrs. William Hyman","by Charles Allen Smart","by Vincent Moran","by Vincent Moran","by Karl Gutzkov","by Eden White; A Rollicking Comedy","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","by Ruth Fenisong","by Marietta Fouche","by Marietta Fouche","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by I. L. Peretz","by John F. Burns","by Stefan Zweig","photocopy","Living Newspaper","by Caroline C. Lovell","by William C. de Mille","by William C. de Mille","by Percy Mackaye","by William L. Price","by Frances Gordon Strunsky","by Helen Gholson Kittredge","by Irving R. Kapner","translated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy","by Elmer Rice, photocopy","by Elmer Rice","by Gerhart Hauptmann","by Eugene O'Neill","translated from the Russian by Aaron Chorover","by W. Alan Coutts","by Rose Carlyn","by Ten Orcross","by Ten Orcross","by George H. Broadhurst","by Philip Stevenson","by Philip Stevenson","by Charles Zerner and Ben S. Gross","by Albert Hackett","by J. Sackville Martin and Carl E. Freybe","by J. Sackville Martin and Carl E. Freybe","by Katherine Peabody Gurling","by A. Barto","by John Bowaldeth","by Lelia May Smith","by Harry B. Smith","by Converse Tyler","by Lucien Chantel","by John Emerson and Anita Loos","by Harlan E. Glazier","by Paul Green","by Joseph Liss","by Clemence Dane, photocopy","by David Pay Robinson","by Marcus L. Bach","by Marcus L. Bach","by Marcus L. Bach (revised Chicago version)","by Kenneth White","by Rae Abraham","by Allan Davis","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Samuel Jesse Warshawsky, photocopy","by Buell R. Fuller","by Virgil L. Baker","by Charles Frederic Nirdlinger","by Charles Frederic Nirdlinger","by Charles Bruce Millholland","by Charles Bruce Millholland","by Edward Lynn","by Josef and Karel Capek","by Molly Day Thacher, photocopy","by Tom Jewett","by Chase Varney","by Chase Varney","by Chase Varney","by Jakob Loewenberg","by Peter Arnow","by Mark Reed","by Ulysses S. Elam","by Bernard Shaw","by Bernard Shaw","by Rose Carlyn","by Margaret Knox and Anna M. Lufkenhaus","by Dorothy L. Sayers","by M. Daniel","Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.","by Howard Warwick","by Gene Stafford","photocopy","by Arthur McCaffery","by Charles Brownell","by Friedrich Wolfe","by Howard Koch","by Leo Fontaine","two versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams, photocopy and original","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Harold Hartogensis","by Boyd","by Philip Massinger, adapted by Leah Jonas","by Ben Jonson, adapted by Leah Jonas","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Sergei Prokofiev, 5 front pages and 2 full copies","by Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson","by Richard Wright","by Pauline Simmons","by Marshall Davidson","by Martha Foley","by Dr. Charles Russell","by A. Hyatt Mayor","by David Canfield","by David Canfield","by David Canfield","by Morris Watson","interview with Martha Graham and Leah Plotkin","interview with Pietro di Donato and Leah Plotkin","interview with Estelle Liebling and Leah Plotkin","by Howard Koch adapted by Lawrence Levey (photocopy and original)","by Barrie and Leona Stavis, adapted by Edward Morton","by Theodore Pezman and Donald Murray, adapted by Edward Morton","by Carl Glick, adapted by Philip Ansel Roll","photocopy","by Karl Barron","by Phyllis Frederic","by Phyllis Frederic","adapted by Cecil Stevenson","adapted by Charles Crumpton","by Michael Davidson","by Matty Cohen and B. F. Kamsler","by Edward H. Smith","by Lewis W. Moyer","by Lewis W. Moyer","by Joseph W. Miller","both by Jeanette Despres","by Edward H. Smith","by Georgia Fawcett, first 25 pages","both by Jeanette Despres","by Michael Davidson","by unknown; by Harry Goldsmith","by John T. Mole","by Gertrude Onnen and Phyllis Frederic; by Jeanette Despres","by Phyllis Frederic","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted by Charles Crumpton, photocopy","by Henrik Ibsen, adapted by Lewis Meyer","by Henrik Ibsen, adapted by Georgia Fawcett, photocopy","by Clifford Odets, adapted by Maurice Kurtz","by Jules Verne, adapted by Lewis W. Moyer","by Jules Verne, adapted by W. M. Sutton","by Jules Verne, adapted by George Thorp","by Harold Parke Godwin; by Frederick Prokosch","by Arthur McCaffery, incomplete copy - first 13 pages","by Michael Davidson","by Paul de Kruif","by Lawrence Bearson; by Leo Fontaine","by T. O. Day","by Maxine Schiel, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by Jack Barefield, photocopy","by Georgia Backus, photocopy","by Maxine Schiel, photocopy","by Ben Hawthorne, photocopy","by John Fleming, photocopy","by Arthur Arendt","by David Lesan","by David Lesan","by William N. Robson","dramatization by Robert Lewis Shayon","by Edward Solomon","by Bucalossi","by Michael William Balfe","by Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan","by Charles Lecocq","by Sidney Jones","by Sidney Jones","by Charles Lecocq","by Karl W. Schulz","by W. Vincent Wallace","by W. Vincent Wallace","by Edmond Audran","by Robert Planquette","by Edmond Audran","by Robert Planquette","by Lajos Serly","by Sir William S. Gilbert and Sir Arthur Sullivan","by Oscar Wilde, adapted by Donald Macfarlane, photocopy","by Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy","by Oscar Wilde, adapted by Lews W. Moyer, photocopy","by Oscar Wilde, adapted by Charles Crumpton","by Rose Albert Porter","by Rose Albert Porter","by Rose Albert Porter","by George J. Thorp","by George J. Thorp","by George J. Thorp","by Sylvia Altman","by Sylvia Altman and Jeanette Gussin","by Charles Dickens adapted by Cecil Stevenson","by Charles Dickens adapted by Cecil Stevenson","by Victor E. Smith; by Joel Hammil","by Will Glickman","by Phyllis Frederic","by Lewis W. Moyer; by W. M. Sutton","by John I. Mole","by Victor E. Smith","by Victor E. Smith","by Maxwell Wolodin; by Edward H. Smith","by Victor E. Smith; by John I. Mole","by Lewis W. Moyer; by Michael Davidson","by Will Glickman","by Phyllis Frederic","by Lee Fontainbleu; by Laurence U. Shloss","by Edward H. Smith","by Georgia Fawcett","by Georgia Fawcett","by Georgia Fawcett","by Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni","by John I. Mole","by Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman","By Herbert Lewis; by Bob Frank","by Bob Frank","by Bob Frank","by Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer","by Paul Vulpius, adapted by Barry Williams","by Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams","by Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton","by George Harmon Coxe, adapted by Victor E. Smith","by George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson","by Laura Z. Hobson, adapted by Lawrence Bearson","by Jerome Beatty, adapted by Victor E. Smith","by Manuel Komroff, adapted by Joel Hammil","by Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts","by George Rolland","by George Rolland","by Barrie Williams; by Brian J. Byrne","by Dean Charel","by Dean Charel","by Dean Charel","by Frank Burrill","by Dean Charel","by Victor E. Smith","by Herb Meadow; adaptation by Joel Hammil and Leo Fontaine","by A. L. Tyler","photocopy","by Hugh Lester","by Leo Fontaine","by Harold Hartogensis; by Phyllis Frederic","by Benet Costa, photocopy","by Jane Ashman; also includes Women as Homemakers first page","by Leo Fontaine, photocopy","Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.","Proposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley","Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.","American Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud","The Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home","Accent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion","Festival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland","The Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle","The Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla","Class of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla","Programs from \"Folk plays of the Carolina playmakers\"","The Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband","Abu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear","In Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern","Ten Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights","The Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville","Anna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring","Hamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under","The Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted","Blind Alley; Brothers; It Can't Happen Here; Rachel's Man","One-Third of a Nation; Roll Sweet Chariot; Room Service","Big Vaudeville Musical Revue (79 copies from different performances around Maine)","Announcing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do","It Can't Happen Here; Liliom; The Road to Rome","Ladies of the Jury","It Can't Happen Here","Vodvil Show (vaudeville)","It Can't Happen Here","Programs: Adalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional","Buffalo Historical Marionettes available in digital format.","Programs: Professor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps","Flyers and playbills: Current productions flyer - Big Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language (9 copies); The Bat (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival; The Cradle Will Rock; The Emperor's New Clothes (3 copies); Fair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe (4 copies); It Can't Happen Here (14 copies); Life and Death of an American; Moving Along (2 copies); Oliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal (10 copies)","Buffalo Historical Marionettes Benefit Performance is available in digital format.","Flyers and playbills: Sing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh. 8.5x14\" flyers and playbills: Adam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny","Newspaper format program for One-Third of a Nation. Volume V number 3 to number 14","Newspaper format program for One-Third of a Nation. Volume V number 15-17, 19-23","Newspaper format program for Power. Volume II number 1, Volume III number 1","Criminal at Large","Her Majesty the Widow","Personal Appearance","Post Road","Remember the Day","Saturday's Children","Tamed and How","Another Language; The Barker; The Old Maid; There's Always Juliet","As Husbands Go; I Want a Policeman","The First Mrs. Fraser","The Good Fairy","It's a Wise Child","The Late Christopher Bean","Ned McCobbs Daughter","Possession","Sun Up","Tea for Three","They Knew What They Wanted","Three Cornered Moon","Fresh Fields","First Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning","The Bad Man; Boy Meets Girl; The Christmas Carol; Federal Theatre for Youth (overview); The First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under","Alice in Wonderland; Counsellor-At-Law; One-Third of a Nation; Third Annual Central Oklahoma Folk Festival;","The Living Newspaper (One-Third of a Nation); Prelude to Spring; Puppet Pageant at the Philadelphia Museum of Art; Stepping Stars; Vaudeville","Christmas with Dickens","Alice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore","Green Grow the Lilacs; Old Heidelberg","photocopies, many with original performance dates handwritten on them - Adelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps. Photocopies.","Adam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing","Oversize posters where each poster is a piece of a larger whole. There are seven pieces for Alison's House and five for The Warrior's Husband. Roughly each piece measures 42 inches high and 28 inches wide.","The Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow","Oversize posters where each poster is a piece of a larger whole. There are three pieces for Bill of Divorcement, two for Blind Alley, two for Gods of the Lightning, and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play Pursuit of Happiness performed at the Mayan Theatre in Los Angeles in August of 1937.","The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus, The World's Greatest Circus; Class of '29; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939; Conjure Man Dies; Coriolanus; The Cradle Will Rock","The Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)","Einmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal; Eugene O'Neill's One-Act Plays of the Sea","Fair and Warmer; Fantasy 1939; Flight","H.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern","The Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here","Life and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone","Macbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral","Native Ground; No More Peace; Noah","On the Rocks; On Top; One-Third of a Nation; Outside Looking In","The Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory","Das Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up","The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night","The Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)","Programs, flyers, and playbills: Walk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in","Programs, flyers, and playbills: Various plays in Yiddish; The Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)","Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","includes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California","by Willy B. Stahl and Walter C. Schad, Los Angeles, California","includes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass","violin music, arranged by M. L. Lake","by Eddison von Ottenfeld","by Eddison von Ottenfeld","by Alex North","by Fred Miller Jr. and L. Leslie Loth","by Herbert Kingsley, New York, New York","includes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California","music for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager","music for vocal lead on \"Sweet by and by\"","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","photocopy","photocopy","photocopy","photocopy","photocopy","photocopy","by Hans Bruno Meyer, New York, New York","violin music \"If She Says No\"","music for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"","Chicago, Illinois","violin music \"Flow Gently, Sweet Afton\", Los Angeles, California","by Charles J. Levy","includes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"","by Charles Wakefield Cadman","by R. E. Austin","by Irvin Cooper","[Eddison von Ottenfeld] Los Angeles, California","by Meyer Rappaport and Emile Cote","From the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof","by Marshall Bartholomew","music by Genevieve Pitot, New York","by F. Melius Christiansen","by Paul Lincke","by Ralph Story","by Paul Lincke","by Mozart-Shelley","by Daniel Wood and Sumner Salter","Ernestine Valencia, arranged by Dan J. Michaud","by Edward Elgar and Arthur Fagge","by J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"","by Hans Bruno Meyer","by Hans Bruno Meyer","paraphrase for mixed voices by William Schaeffer","by Ivor Tchervanow and Ralph L. Baldwin","by Rimsky-Korsikoff, arranged by Jacob Schwartzdorf","by May H. Brahe","violin music, by Edna R. Heard","Piano music \"Party Entre Act 1-2\", Los Angeles, California","by Max Hirschfeld, New York, New York","by Jean Stor, New York, New York","by David Sheinfeld","by John Ansell","This series includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Long red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"","A long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"","Two pairs of men's pants, one yellow, one red. Both pants stop below the knee. Both pants have a label that reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" In the waist band of the yellow pant the name Don Chiles is handwritten."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0f4707cda45d410e12f09ae2a350510a\" label=\"Abstract\"\u003eThe Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d65479dc2ffe44debbb5af464a6479da\"\u003e\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2\u003c/physloc\u003e\n    "],"physloc_tesim":["R 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3180,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:54:01.106Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_331","ead_ssi":"vifgm_repositories_2_resources_331","_root_":"vifgm_repositories_2_resources_331","_nest_parent_":"vifgm_repositories_2_resources_331","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_331.xml","title_filing_ssi":"Federal Theatre Project collection","title_ssm":["Federal Theatre Project collection"],"title_tesim":["Federal Theatre Project collection"],"unitdate_ssm":["circa 1885-1986","1935-1939"],"unitdate_inclusive_ssm":["circa 1885-1986"],"unitdate_bulk_ssim":["1935-1939"],"normalized_date_ssm":["1885/1986, bulk 1935/1939"],"normalized_title_ssm":["Federal Theatre Project collection, 1885/1986, bulk 1935/1939"],"text":["Federal Theatre Project collection, 1885/1986, bulk 1935/1939","C0002","/repositories/2/resources/331","Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript","There are no access restrictions.","The scripts are also available as a series in the  in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections  .","Arranged into five series.","Series\n      Series 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368)\n      Series 2: Play Service and Research Records, 1935-1939 (Boxes 5-105)\n      Series 3: Library Records, 1885-1986 (Boxes 106-306)\n      Series 4: Production Records, 193-193 (Boxes 307-363, 366-367)\n      Series 5: Costumes, circa 1935-1939 (Boxes 369-371)","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.","The Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.","Processed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023.","The Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.","The scripts are also available as a series in the .","Content Warning: Some materials contain racist language and slurs, including play titles.","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Series 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Available in digital format.","The House Committee on Un-American Activities (HUAC)","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","Includes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"","Issues of New Theatre (1934-1936).","Oversize color reprint of article from Fortune","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.","Contains blueprints and photographs of portable theatres","Subseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Subseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.","by John Wiley; based on an Edgar Allen Poe story (photocopy)","by Beth Brown","by Elmer L. Rice","by Francis Bosworth","by Buell R. Fuller","Director Georgia S. Fink","by Virginia Yetes (photocopy)","by Ruth Morris","by Gladys Unger and Walter Armitage","by David Arnold Balch","by William Mahl","by William Mahl","by William Mahl","by Eugene O'Neill","by Eugene O'Neill","by Edmond Rostand","by Edmond Rostand","by Edmond Rostand","by Yasha Frank","director Georgia S. Fink","adapted by S.S. Weiss","adapted by Ralph Chesse","by Sidney Howard","by Sidney Howard","by Eugene O'Neil","by Homer Little and Myla Jo Closser","by Homer Little and Myla Jo Closser","by Hardie Albright","by Hardie Albright","by Thomas Hall Rogers, photocopy from February 20, 1991","by Thomas Hall Rogers, 2 photocopies","by Thomas Hall Rogers","by Thomas Hall Rogers","by Thomas Hall Rogers","published in The Catholic School Journal","by Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy","by Edwin and Albert Barker","by Edwin and Albert Barker","by Elmer L. Rice","by Elmer L. Rice","by Elmer L. Rice","by Talbot Jennings","by Mrs. Alexander Mathis","by Vera Smirnova","by Edwin Burke","by Louis Weitzenkorn","by George Bernard Shaw","by Langston Hughes; A One-Act Play of Negro Life, photocopy","by Eugene O'Neill","by Eugene O'Neill","by Rose Franken","by Rose Franken","by St. John Ervine","by Elizabeth de Vautibault","by Elizabeth de Vautibault","by Rev. Henry N. Hudson","by Rev. Henry N. Hudson","by Rudolph Wittenberg","by Laurance Moore","by Margaret Brooks and Constance Wyckoff","by George Bernard Shaw","by George Bernard Shaw","by Martin Flavin","by Martin Flavin","by Yale Dramatic Association","by Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy","by W. H. Auden and Christopher Isherwood","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Lockhart North","by T. R. Arkell","by Owen Davis","by C. L. Anthony","by Clifford Odets","by Clifford Odets","by Clifford Odets","by Ruth Fenisong and Remo Bufano","by Lester Fuller, 2 copies, 1 of which is a photocopy","by Margaret Mayo","by Porter Emerson Brown","by Porter Emerson Brown","by H. R. Hays","by H. R. Hays","by Padriac Colum","by Padriac Colum","by Herb Meadow","by Herb Meadow, 2 photocopies","by Katharine Clugston","by Katharine Clugston","by Walter Hackett","by Maxwell Anderson","by Michael Blankfort and Michael Gold, photocopy","by Michael Blankfort and Michael Gold","by Michael Blankfort and Michael Gold","by Frederick Stowers","by Mary Dirnberger; Dramatized from the familiar fairy tale","by Mary Dirnberger; Dramatized from the familiar fairy tale","Transcribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma","by Albert Powels","by Alfred Lord Tennyson","by Alfred Lord Tennyson","by Brian J. Byrne","by George S. Kaufman and Marc Connelly","by George S. Kaufman and Marc Connelly","by Aodh de Blacam","by Belmont Ashton","by Lawrence Houseman","by Walter Abbott","by Walter Abbott","by Anonymous","by Eugene O'Neill","by Eugene O'Neill","by John W. Dunn; A play of early Oklahoma life","by John W. Dunn; A play of early Oklahoma life","by William Beyer","by Theodore Pratt, photocopy","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Samuel Sayer","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy","Synopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre","by Charles M. Barras","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Seymour G. Link","by Martin Flavin","by Maurice Maeterlinck","by Georgia Douglas Johnson, photocopy","by Ruth Fenisong","photocopy","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Eugene O'Neill","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Robin Taylor","Revision by Florence Elberta Barns","by Ruth Comfort Mitchel and Alfred Allen, photocopy","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Will Cotton","by Will Cotton","by Robert Hare Powel","by Robert Hare Powel","by Emmet Lavery","by Martin Flavin","by Martin Flavin","by Ruth Fenisong","by Frank Wilson","by Frank Wilson","by Frank Wilson","by Emmet Lavery","by Miss Mabel Osborne","by Emma Ehrlich Levinger","by Irwin Shaw","by Beth Brown and Gilbert Laurence","by Leopold L. Atlas","by Leopold L. Atlas","Original by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by George Bernard Shaw","by George Bernard Shaw","by Frank L. Moss and Richard Dana","by Frank L. Moss and Richard Dana","by Arnold Zweig","by Robert Peele Noble","by Robert Peele Noble","by Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy","by George Bernard Shaw","by George Bernard Shaw","by Carl Glick","by Arthur Goodrich and Rose A. Palmer","by Arthur Goodrich and Rose A. Palmer","by George Bernard Shaw","by George Bernard Shaw","by Robt. A. Bromley (revised edition)","by Zelma Bruce Tiden","by Zelma Bruce Tiden","by Peretz Hirshbein","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Estelle L. Silverman","by Jules Renard","by Rollo Wayne","by Rollo Wayne","by Rollo Wayne","by George McEnlee, photocopy","by George McEnlee","by H. Leivick","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg (revised)","by German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy","by A. Barto","by James Parish","by Y. L. Peretz","by John Woodworth, photocopy","by John Woodworth","by Ruth Fenisong","by John W. Dunn, photocopy","by John W. Dunn","by Stanislaus Stange","by sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw","Hedley Gordon Graham","by Essex Dane","by George Huntington Clark","by George Huntington Clark","by H. Jack Bates; A Negro Folk Play, photocopy","by Ruth Welty and Gene Renouf","by Rose Carlyn, photocopy","Three by Rose Carlyn; Three by Fannie Engle","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Gilbert Lennox","by Paul Vincent Carroll","by Noel Harris Houston","by Gertrude Worthington Jeffries","by Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy","by Rudolph Fisher, photocopy","by Rudolph Fisher, photocopy","by A. Callen, M. Worthington, and I. Reuben, photocopy","by Oliver Haserodt, photocopy","by Oliver Haserodt","by Royall Tyler","by M. Manisoff","by a seventh grade in Louisville, Kentucky","by a seventh grade in Louisville, Kentucky","by Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Marc Blitzstein, 2 photocopies","by Marc Blitzstein","by John H. Floyd","by members of the Play Bureau of the Southwest","by Betty Lessler Lyman","by John Hunter Booth","by John Hunter Booth, photocopy","by John Hunter Booth, photocopy","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director","by W. S. Gilbert","by Charles Dickens adapted by Gilmor Brown","Marionette Division, Buffalo, N.Y.","by Edgar Wallace","by James Stephens","by Walt Anderson","by Walt Anderson","by A. Barto","by A. Barto","by Laurette MacDuffie","by Anna Best Joder","by Elizabeth Leigh Vaughan","by W. H. Auden","by Joaquin Miller, photocopy","by Joaquin Miller","by Ruby Lorraine Radford","by S. Ansky","by L. W. Barrus","by George Foss, photocopy","by George Foss","by George Foss","by Grant Moss","by Grant Moss","by George W. Cronyn","by Rose Carlyn","by J. C. Furnes","by Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen","by Eugene O'Neill","by Benn W. Levy; A Religious Comedy, photocopy","by Benn W. Levy; A Religious Comedy","by George Bernard Shaw","by George Bernard Shaw","by Elmer Rice","by Eugene O'Neill","by Eugene O'Neill","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play","by Andrew Barton","by Andrew Barton","by Andrew Barton","by Merrill Denison","by Christopher Marlowe, arranged for marionettes by Robert Larson","by Twort (?) Gilbert and Edward Rosen","by Christopher Marlowe","by Christopher Marlowe","by Moliere","by Jules Romans, English version by Harley Granville-Barker","by Minnie H. Niemier","by Lope de Vega","by Harlan E. Glazier","by David Pinski","by Fred Ballard","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","by Elizabeth McFadden","by Charlotte Kohler, photocopy","by Joan and Michale A. Slane","by Carl Glick","by Rosa Carlyn","published by the National Tuberculosis Association","by Eugene O'Neill","by W. H. Smith","by Luis Quinones de Benavente","by Emily Percy Denison","by S. Ansky","by S. Ansky","by S. Ansky","by Arthur Goodman","by Elise Jerard","by Samuel Shipman and John B. Hymer","by Samuel Shipman and John B. Hymer","by Ossip Dymow","by Ossip Dymow","by Ossip Dymow","by Jack Larric","by Jack Larric","by Peretz Hirshbein","by Charlotte Charpenning","by Charlotte Charpenning","by Joseph Liss","by Paul Green","by Paul Green","by Paul Green","by C. C. Parsons","by Henrik Ibsen","by Henrik Ibsen","by Henrik Ibsen","by Sean O'Casey","by Demetre Bohris","by John Galsworthy","by Arthur Arent, photocopy","by Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy","by Arthur Arent, photocopy received June 11, 1991","by Kjeld Abell","by Paul Lawrence Dunbar (adaptation)","by Paul Lawrence Dunbar","by Sylvia Regan","by Sylvia Regan","by G. J. Graves","by G. J. Graves","by Will T. Goodwin; Working Script","by Emmet Lavery","by Emmet Lavery","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Bradbury Foote","by Bradbury Foote","by Cervantes","by Doris Troutman","by Luis Quinones de Benavente","adapted by Maurice Jagendorf","adapted by Maurice Jagendorf","by Irving P. Kapner","by Frank B. Elser and Marc Connelly","by Frank B. Elser and Marc Connelly","by Brian Doherty","by Brian Doherty","by Lope de Vega","by Maxwell Anderson","by H. A. Archibald","by Munro Leaf","by Paul Green","by Paul Green","by Rachel Lyman Field","by Weldon Stone","by Weldon Stone","by John Van Antwerp","by John Van Antwerp","by A. Barto","by Eugene O'Neill","by Frank Craven","by George H. Corey, photocopy","by George H. Corey","by E. and P. Green","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy","by Oscar Saul and Louis Lantz","by Oscar Saul and Louis Lantz","by Pearl S. Buck","by Pearl S. Buck","A play for boys and girls with radio participation, experiment number 1 by Berthold Brecht","by John W. Dunn","by Graham Rawson","by Graham Rawson","by Gene Stone and Jack Rosenblum","by Phile Higley","by Myrtle L. Barger","by E. P. Conkle","by Harry B. Smith","by Harry B. Smith","by Ada Sterling","by Ada Sterling","by Eleanor Garland","by Eugene O'Neill","by Eugene O'Neill","by Harry Sackler","by Georgia Douglas Johnson, photocopy","by Georgia Douglas Johnson","by Harriet Wedgwood, a health play for children, reprinted from Hygeia","by Samuel Shipman and Aaron Hoffman","by Samuel Shipman and Aaron Hoffman","by B. R. Fuller","by Leopold L. Atlas","by Beverly Hamer in the Carolina Play Book volume X, number 3","by William Stevenson","by B. K. Simkhovitch","by B. K. Simkhovitch","by B. K. Simkhovitch","by Felix Doherty","by Nando Vitali","by Ben Russak","by Ben Russak","by Ben Russak","by Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.","by Edward Lynn","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Isidore Reuben","by Philo Higley","by Arnold Ridley","by Buell R. Fuller","by Aldous Huxley","photocopy","by Ferenc Molnar","by Ferenc Molnar","by Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy","adapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Jacob Gordon","by J. J. Robbins","by J. J. Robbins","by Philip Stevenson","by Leon Crozier","by Paul Armstrong and Rex Beach","by Paul Smith","by Louise Franklin Bache","by Lewis Beach","by Lewis Beach","by Lewis Beach","by Kermit Love","by Rose Carlyn","by Ridgely Torrence; A Play for the Negro Theatre, photocopy","by Howard Koch; A Comedy of Recent Times, photocopy","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Warwick F. Williams","by William R. Randall","by Anna Friedman; A Roosevelt Play, photocopy","by Gertrude Worthington Jeffries, photocopy","by Gertrude Worthington Jeffries","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by George Bernard Shaw","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Bernard Szold and E. P. O'Donnell","by Bernard Szold and E. P. O'Donnell","by Marc Connelly","adapted by Stephen Weiss","by William J. Langman, S. J.","by Eugene O'Neill","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by Noah Elstein","by Grace Dorcas Ruthenberg","by Harlan E. Glazier","by Yasha Frank","by Thornton Wilder","by Thornton Wilder","by Wilfrido Ma Guerrero","by Donald Davis and Samuel Ornitz","by Joseph Lehmann","by Charles Prentiss","by Julius Hay","by Julius Hay","by Arthur Kober","by Arthur Kober","by Elizabeth Jane Astley","by Philip Atlee and Edmund Van Zandt","by Philip Atlee and Edmund Van Zandt","by David Belasco","by George Bernard Shaw","by Albert Bein","by Albert Bein","by Helen Clare Nelson","by Barry Conners","by Abram Hill, photocopy","by Margaret Sperry","by Margaret Sperry","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Theresa Helburn","by Theresa Helburn","by Theresa Helburn","adapted and translated by Donald Fay Robinson","adapted by Kent Pease Hamdent High School, Hamdent, Connecticut","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Mary B. Stafford","by Harlan E. Glazier","by Lee Freeson","by Howard Koch and Ben Russak","by Howard Koch and Ben Russak","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by John Wiley","by Harold Courlander","by Sally Coulter","by Herb Meadow","by Dorothy Hailpern","by Dorothy Hailpern","by Michael Swift","by Philip Barry","by Philip Barry","by John Alan Haughton","by Marion Holbrook","by Joseph Liss","by Paul Green","by Sara E. Bower","by Bertram M. Gross","by Alan Sidney","by Edith Kunz","by The Historical Project, Federal Writers Project of Minnesota","by Paul Green","by Paul Green","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by Margaret MacNamera","by Margaret MacNamera","by Edwin Burke","by Rufus King and Milton Lazarus","by Rufus King and Milton Lazarus","by Perez Hirschbaum","by Maria M. Coxe, photocopy","by Maria M. Coxe","by Maria M. Coxe","by Maria M. Coxe","by Paul Green","by Eugene O'Neill","by Bertolt Brecht","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by Maurice Stoller","by Norman Roston","by Noah Elstein, photocopy","by Noah Elstein","by Noah Elstein","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by Raymond Reeves, photocopy","by Raymond Reeves","by St. John G. Ervine","by St. John G. Ervine","by John McGee","adapted by Federal Theatre Project Los Angeles, California","by H. L. Fishel, photocopy","by H. L. Fishel, photocopy","by H. L. Fishel","by H. L. Fishel","by Martha Hodgson Ellis","by David Schrieber","by St. John G. Ervine","by St. John G. Ervine","by Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Paul Green","by Paul Green","by Luidmilla Vepritskaya","by Alma Shaw","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by Warren Coleman; A Negro Comedy, 2 photocopies","Elmer Rice","by Shakespeare","by Thomas A. Langan","by Emmet Lavery","by Ruth Fenisong","by J. C. Nugent and Elliott Nugent","by J. C. Nugent and Elliott Nugent","by Edgar Slaughter","The Living Newspaper Presents","The Living Newspaper Presents","by James Bridie","by Catherine Reighard","by Max M. Dill","by Don Mullally","by David Pinski","by T. C. Robinson and Rena M. Vale, photocopy","by T. C. Robinson and Rena M. Vale, photocopy","by Lawrence J. Bernard","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by George Scudder","by Irving Kaye Davis","by Irving Kaye Davis","by Irving Kaye Davis","by James Bridie","by James Bridie","by Sidney Howard","by Sidney Howard","by Harry King Tootle","by Harry King Tootle","by William Beyer","by William Beyer","by Oliver La Farge","by V. Beldon?","by Harry King Tootle","by Ernest Chamberlain","by Ernest Chamberlain","by Elmer Rice","by Moliere","by A. Barto","by Maurice Stoller","by Charlotte Chorpenning","by Bertram Robinson","photocopy","photocopy","photocopy","by Edward Hopter","by George Sklar","by George Sklar","by George Sklar","by George Sklar","by Gilbert Laurence","by Giuseppe Giacosa","by Giuseppe Giacosa","by Marion Flexner and Dorothy Park Clark","by Franz Molnar","by Franz Molnar","by Alma Shaw","by C. B. Chorpenning, photocopy","by C. B. Chorpenning","by C. B. Chorpenning","by C. B. Chorpenning","by Molka Reich of Miami Florida Project","translated from Flemish by Jacob Borut and Lola Sachs","translated from Flemish by Jacob Borut and Lola Sachs","by Marc Connelly","by Alexei Tolstoi","by Eleanor Glendower Griffith","by Lawrence and Sylvia Martin, photocopy","by Lawrence and Sylvia Martin, photocopy","by Howard Koch","by Howard Koch","by Howard Koch","by Thornton Wilder","by Eugene O'Neill","by Charles George","by T. C. Upham","by T. C. Upham","by Isidore Reuben","by Charles Alan","by Charles Alan","by Thornton Wilder","by John Galsworthy","by Maud Wood Park, photocopy","by Maud Wood Park","by Maud Wood Park","by Maud Wood Park revised by Robert Finch","by Theodore Browne; An \"African Version\", photocopy","by Clarence H. Talbot","reprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Blake","by Victoria Heindel","by Lee Freeson","by Louis Golding and A. R. Rawlinson","by Bernard Shaw","by Bernard Shaw","by Alfred Sutro","by John Woodworth","by John Woodworth","by Mr. Beete","by Mr. Beete","by Hollister Noble and Edward R. Sammis","by Hollister Noble and Edward R. Sammis","by Paul Green","by Anatole France","by Jules Eckert Goodman and Eckert Goodman","by Jules Eckert Goodman and Eckert Goodman","by Earnest Andai and Lajos Balint","by Federal Theatres, Los Angeles, California","by Anton Chekhov","by Rena B. Johnson","by Tom Taylor and Charles Reade","by Mabel DeVries Tanner","by Mabel DeVries Tanner","by Mabel DeVries Tanner","photocopy","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","by John Le Touche","by Brandon Tynan","by Victor Victor","by Victor Victor","by William Shakespeare","by H. Richard Oliver and John McCain Rimassa","by William Shakespeare","by Rose Dubin","by Ruth Fenisong and Samuel Sayer","By W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.","by W. S. Gilbert; The Town of Titifu, photocopy","by W. S. Gilbert; The Town of Titifu","by W. S. Gilbert; The Town of Titifu","by Plautus; translated by Clarence P. Bill, photocopy","photocopy","by Lynn Root and Harry Clork","by Wallace L. Waite","by Wallace L. Waite","by B. R. Fuller","by Dee Burque","by Hans Chlumberg, photocopy","by Nahum Brind","by John Crosby","by John Crosby","Page has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.","by John Charles Brownell","by E. B. Ginty","by E. B. Ginty","by Louise Franklin Bache","by Rose Franken and Jane Lewin","by Rose Franken and Jane Lewin","by Holger Cahill","by Holger Cahill","by Holger Cahill","by Michael Gold","by J. R. Perkins","by Emmet Lavery","by Denis Johnston","by Denis Johnston","by Eugene O'Neill","by Richard Maibaum","by Richard Maibaum","by Richard Maibaum","by Samuel French","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Joseph Liss","by Ruth Fenisong","by Louise Franklin Bache","by Ramon Romero, photocopy","by Ramon Romero, photocopy","by Ramon Romero","by Ramon Romero","by T. S. Eliot","by T. S. Eliot","by T. S. Eliot","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Buell R. Fuller","by Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy","by Cecil E. Reynolds","by Cecil E. Reynolds","by Rose Carlyn","from volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry","by Nathalie Satz and Sergei Rosaanov","by Anemone Pemberton","photocopy","photocopy","by Maxwell Anderson","by Arthur Arent; A Living Newspaper Play, photocopy","by Arthur Arent; A Living Newspaper Play","by Arthur Arent; A Living Newspaper Play","by students of Commonwealth College; Commonwealth College Fortnightly, photocopy","by Eleanor Flexner","by Eleanor Flexner","by Arthur Strawn and Henry Rosendahl","by Talbot Jennings","by Ernest Toller","by Ernest Toller","by Lilian Gill","by Jerome Geneson","by George Smedley Smith and Bernard Szold","by George Smedley Smith and Bernard Szold","by Ethel Watts Mumford and Lily Strickland","by Elmer Rice","by Elmer Rice","by Nathan Spiegel","by Joseph Hergesheimer","by Joseph Hergesheimer","by Sid Kuller and Ray Golden","by Sid Kuller and Ray Golden","by Harold Igo, photocopy","by Harold Igo","by Harold Igo","by Bernard Shaw","by James Knox Millen","by James Knox Millen","by Denman Thompson","adapted for marionettes by Ruth Fenisong and Samuel Sayer","adapted for marionettes by Ruth Fenisong and Samuel Sayer","by Benjamin M. Kaye","by Benjamin M. Kaye","by Bernard Shaw","by Bernard Shaw","by Bernard Shaw","by Marian Katherine Brown","by Seyril Schochen","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","by Kenneth Webb","by Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","dramatized from L. Feuchtwanger's novel by Clayton Fritchi","by Remo Bufano","by Irvin Wilson Baker","by Irvin Wilson Baker","by Irvin Wilson Baker","by Harry Hamilton","by Lillian Day and Lyon Mearson","by Lillian Day and Lyon Mearson","by Irving P. Kapner","by John Mason Brown","by Grace H. Swift, photocopy","by Catherine F. Reighard","by Gladys E. Murray","by Hughes Allison, photocopy","by Faye L. Tornquist","by Irving De W. Talmadge","by Irving De W. Talmadge","by Arthur Goodman","by Aristophanes","by Aristophanes","by Howard J. Green and Raymond Leslie Goldman","by Howard J. Green and Raymond Leslie Goldman","by Lope de Vega","translation by Joan Vanderpool","by Marion Holbrook","by Martha B. King","by Robert Sherwood","by Robert Sherwood","by Harlan E. Glazier","by members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania","by Alan Sidney","after the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget","adapted by Federal Theatre Project, Omaha, Nebraska","by Sarah Neuman","a Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales","adapted by Yasha Frank, photocopy","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","by Frank Kintrea","by Adelaide C. Rowell","by Adelaide C. Rowell","by Adelaide C. Rowell","by Phil Cook and McElbert Moore","by Ben Bengal","by A. Korneichuk","by J. Liss","by Margaret Naumberg","by Rose Carlyn","by Alvin Kerr","by Alvin Kerr","by Alvin Kerr","by George Kelly","by Robert Russell, photocopy","by Robert Russell","by Robert Russell","by Dorothy Heyward and DuBose Heyward","Living Newspaper, photocopy","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","by Karel Capek","by Karel Capek","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","Content warning: racist language/slur.","Full title: Prancing Nigger. By E. England suggested from the novel by Ronald Firbank of the same name","Content warning: racist language/slur.","Full title: Prancing Nigger.","by Robert Whitehand, photocopy","by Robert Whitehand","by Robert Whitehand","by Albert Maltz; Anti-Fascist Play, photocopy","by Alfred Kreymborg","by John Howard Lawson, photocopy","by John Howard Lawson, photocopy","by John Howard Lawson","by John Howard Lawson","by John Garrett Underhill","by Freidrich Wolf, photocopy","by Friedrich Wolf","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by Claudia Hatch, photocopy","by Eldridge Lindsay","by Thornton Wilder","by Lawrence Langner and Armina Marshall Langner","by Leonora Kaghan and Anita Phillips","by Tonia Bakina","by Karel Capek","by Karel Capek","by Ferdinand Bruckner","by Ferdinand Bruckner","by Bradbury Foote","by Bradbury Foote","by Bradbury Foote","by Edward Stirling, Esq.","by Edward Stirling, Esq.","by Fred Ballard","by Blanding Sloan","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by L. Resnick","by Robert Sturgis, photocopy","by Fritz Karinthy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life","by P. Washington Porter; A Tragedy of Negro Life","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz","by Federal Theater Project, Los Angeles","by Federal Theater Project, Los Angeles","by Frances Montgomery","by Jan Klokog","as produced by the Federal Theater Project at Omaha, Nebraska","adapted for Buffalo Historical Marionette Theatre","by Lee Freeson","photocopy","by Richard Oliver; A Living Newspaper Play, photocopy","by Charles Vildrac","by Charles Vildrac","Dramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip","by Lynn Riggs","by Lynn Riggs","by Joseph Liss","by Joseph Liss","by John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")","by John W. Dunn","by Edith Grossberg Whitesell","by Edith Grossberg Whitesell","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa","by Hassard Short and Maurice Henniquin","by Hall Johnson, photocopy","by Hall Johnson, photocopy","by Hall Johnson","Living Newspaper, photocopy","by Charles Vildrac","by Francisco Rodrigo","by Leonide Andreyeff","by A. Barto","by Lope de Vega","by Countee Cullen and Arna Bontemps, photocopy","by Countee Cullen and Arna Bontemps","by Upton Sinclair; A Little Play for the White Collar Folks,","by Upton Sinclair; A Little Play for the White Collar Folks,","by Robert A Bromley and Al Carthe","by Robert A Bromley and Al Carthe","by Paul Green","by Maxwell Anderson","by Maxwell Anderson","by Micha Hawkins","The Adventures of a Bunny","by Frances Lester Warner","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Christobel Morley Cordell, photocopy","by Richard Brinsley Sheridan","by Maxwell Anderson","by Harold Whitehall","by Harold Whitehall","by Harold Whitehall","by Phyllis Clare Flannery; A Farce Satire, photocopy","by George Savage, Dramatist Guild Contest Play #60, photocopy","by George Savage, photocopy","by George Savage, Dramatist Guild Contest Play #60","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage","by Elmer Rice","by Elmer Rice","by Bertolt Brecht, translated by Keene Wallis","by Leonard J. Tyle","by William Evans","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by R. Edgar Moore","by R. Edgar Moore","by Florence Clothier; A Play of the Labrador Coast, photocopy","by Oliver Goldsmith; The Mistakes of a Night, photocopy","compiled from Old English nativity plays by Robert Larson","by Ruth Fenisong and Samuel Sayer","by Andrews and Anne Wilson Peabody","by George Kelly, version used by Negro Theatre Unit, New York City","by George Kelly","by Morgan Burke","by Morgan Burke","by Robert K. Ryland","photocopy","by Howard Koch","by Howard Koch","by Sholem Ash","by Isabel Anderson (Mrs. Larz Anderson)","by Fall River, photocopy","by F. S. Hill","by Miles Malleson","by Janet Hartman and Hallie Flanagan, photocopy","by Buell R. Fuller and Stephen Weiss","by Sedarmee Club Madison House","by Jo Basshe, photocopy","by Robert A. Bromley and Al Carthe","by Robert A. Bromley and Al Carthe","by Betty Smith","by Joseph Lawrence, photocopy","by Joseph Lawrence","by H. Leivick","an ancient Japanese farce translated by Michio Itow and Louis V. Ledoux","by Grace Welsh Lutgen, photocopy","by J. S. Coppard","by B. R. Fuller","photocopy","photocopy","by Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy","three copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.","by Arnold Sundgaard, photocopy","by Arnold Sundgaard, photocopy","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by James P. Judge","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Helen Fitzgerald","by Victor Victor","by Victor Victor","by Robert Ardrey; A Comedy, photocopy","by Robert Ardrey; A Comedy","by Ward Courtney; a Living Newspaper Play, photocopy","by Ward Courtney; a Living Newspaper Play, photocopy","by Otis Chatfield-Taylor, photocopy","by Charles Irving","by Charles Irving","photocopy","by Harold Robbins","by Elmer Rice","by Paul Peters and George Sklar","by Robert T. Colwell and Robert A. Simon","by Elmer Rice","by Elmer Rice","by Paul Tripp","by Mary Manning","by Mary Manning","by Barrie and Leonia Stavis","by Barrie and Leonia Stavis","by Henry C. Haskell","by Henry C. Haskell","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray, photocopy","by Lula Vollmer","by Norman Foster and Harry Hamilton","by Norman Foster and Harry Hamilton","by Georgie Douglass Johnson","by George Cram Cook and Susan Glaspell","by C. Liberman","by August Strindberg","photocopy","Federal Theatre of Oklahoma","by Maurice Stoller","by Katharine Clugston","by Katharine Clugston","by Katharine Clugston","by David Pinski, photocopy","by David Pinski","by David Pinski","by David Pinsky","by William Shakespeare","by William Shakespeare","by William Shakespeare","by William Shakespeare","by David Lano","Vagabond Puppeteers for the Federal Theatre of Oklahoma","by Shotwell Callvert, photocopy","by William dorsey Blake; A Living Newspaper Play, photocopy","by Anthony Armstrong","by Charles H. Hoyt","by Charles H. Hoyt","by Florine Schwartz; A Play for Children, photocopy","by Anna M. Lutkenhaus, photocopy","by Arthur A. Miller, photocopy","by Ivan Rowan and Martin Delman","by Ivan Rowan and Martin Delman","by Raymond Bond","by Raymond Bond","by Raymond Bond","by William Kozlenko","by Converse Tyler","by Converse Tyler","by Converse Tyler","by Knox Herold","by Betty Smith","by Yury Olesha","by Yury Olesha","by Gertrude Tonkonogy, photocopy","by Marita Rosler","by Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy","by Marie Baume from the novel by Leane Zugsmith; photocopy","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by William Shakespeare","by William Shakespeare","by William Shakespeare","by James Bridie","by Samuel Sayer","by Robert Wallsten","by Isabel Barber; A dramatist guild contest play #552","by Isabel Barber","by Isabel Barber","by John Broome, photocopy","by John Broome","by Ruth Fenisong","by Ruth Fenisong","by Robinson Jeffers; A Play in Poetic Form, photocopy","by Robinson Jeffers; A Play in Poetic Form","by George Murray and David Pelts; A Living Newspaper on Pensions; photocopy","by Philip Stevenson","by Rose Carlyn","by Jules Eckert Goodman, photocopy","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Remo Bufano","by Remo Bufano","by Stephen Spender","by Hughes Allison, photocopy","by Hughes Allison, photocopy","by Hughes Allison","by Hughes Allison","by Hughes Allison","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","Based on Homer and Euripides, includes photocopied program, photocopy","Based on Trojan Women of Euripides","Based on Trojan Women of Euripides","by Philip H. Davis","translated by Edith Hamilton","translated by Edith Hamilton","translated by Edith Hamilton","by Eleanor Phelps, photocopy","by Langston Hughes, photocopy","by Langston Hughes","by Langston Hughes","by Harry Sackler","Content Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.","by J. M. Barrie","by McElbert Moore","by McElbert Moore","by H. R. Lenormand","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by A. Barto","by E. P. Conkle","by Whitfield Cook, photocopy","by Whitfield Cook","by Whitfield Cook","by Robert Larson","Jacksonville, Florida script 1939, photocopy","by Anton Chekhov","by Augustin Daly","by Bernice McQuilken","by Gene Buck","by Helen Fitzgerald","by Mrs. William Hyman","by Charles Allen Smart","by Vincent Moran","by Vincent Moran","by Karl Gutzkov","by Eden White; A Rollicking Comedy","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","by Ruth Fenisong","by Marietta Fouche","by Marietta Fouche","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by I. L. Peretz","by John F. Burns","by Stefan Zweig","photocopy","Living Newspaper","by Caroline C. Lovell","by William C. de Mille","by William C. de Mille","by Percy Mackaye","by William L. Price","by Frances Gordon Strunsky","by Helen Gholson Kittredge","by Irving R. Kapner","translated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy","by Elmer Rice, photocopy","by Elmer Rice","by Gerhart Hauptmann","by Eugene O'Neill","translated from the Russian by Aaron Chorover","by W. Alan Coutts","by Rose Carlyn","by Ten Orcross","by Ten Orcross","by George H. Broadhurst","by Philip Stevenson","by Philip Stevenson","by Charles Zerner and Ben S. Gross","by Albert Hackett","by J. Sackville Martin and Carl E. Freybe","by J. Sackville Martin and Carl E. Freybe","by Katherine Peabody Gurling","by A. Barto","by John Bowaldeth","by Lelia May Smith","by Harry B. Smith","by Converse Tyler","by Lucien Chantel","by John Emerson and Anita Loos","by Harlan E. Glazier","by Paul Green","by Joseph Liss","by Clemence Dane, photocopy","by David Pay Robinson","by Marcus L. Bach","by Marcus L. Bach","by Marcus L. Bach (revised Chicago version)","by Kenneth White","by Rae Abraham","by Allan Davis","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Samuel Jesse Warshawsky, photocopy","by Buell R. Fuller","by Virgil L. Baker","by Charles Frederic Nirdlinger","by Charles Frederic Nirdlinger","by Charles Bruce Millholland","by Charles Bruce Millholland","by Edward Lynn","by Josef and Karel Capek","by Molly Day Thacher, photocopy","by Tom Jewett","by Chase Varney","by Chase Varney","by Chase Varney","by Jakob Loewenberg","by Peter Arnow","by Mark Reed","by Ulysses S. Elam","by Bernard Shaw","by Bernard Shaw","by Rose Carlyn","by Margaret Knox and Anna M. Lufkenhaus","by Dorothy L. Sayers","by M. Daniel","Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.","by Howard Warwick","by Gene Stafford","photocopy","by Arthur McCaffery","by Charles Brownell","by Friedrich Wolfe","by Howard Koch","by Leo Fontaine","two versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams, photocopy and original","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Harold Hartogensis","by Boyd","by Philip Massinger, adapted by Leah Jonas","by Ben Jonson, adapted by Leah Jonas","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Sergei Prokofiev, 5 front pages and 2 full copies","by Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson","by Richard Wright","by Pauline Simmons","by Marshall Davidson","by Martha Foley","by Dr. Charles Russell","by A. Hyatt Mayor","by David Canfield","by David Canfield","by David Canfield","by Morris Watson","interview with Martha Graham and Leah Plotkin","interview with Pietro di Donato and Leah Plotkin","interview with Estelle Liebling and Leah Plotkin","by Howard Koch adapted by Lawrence Levey (photocopy and original)","by Barrie and Leona Stavis, adapted by Edward Morton","by Theodore Pezman and Donald Murray, adapted by Edward Morton","by Carl Glick, adapted by Philip Ansel Roll","photocopy","by Karl Barron","by Phyllis Frederic","by Phyllis Frederic","adapted by Cecil Stevenson","adapted by Charles Crumpton","by Michael Davidson","by Matty Cohen and B. F. Kamsler","by Edward H. Smith","by Lewis W. Moyer","by Lewis W. Moyer","by Joseph W. Miller","both by Jeanette Despres","by Edward H. Smith","by Georgia Fawcett, first 25 pages","both by Jeanette Despres","by Michael Davidson","by unknown; by Harry Goldsmith","by John T. Mole","by Gertrude Onnen and Phyllis Frederic; by Jeanette Despres","by Phyllis Frederic","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted by Charles Crumpton, photocopy","by Henrik Ibsen, adapted by Lewis Meyer","by Henrik Ibsen, adapted by Georgia Fawcett, photocopy","by Clifford Odets, adapted by Maurice Kurtz","by Jules Verne, adapted by Lewis W. Moyer","by Jules Verne, adapted by W. M. Sutton","by Jules Verne, adapted by George Thorp","by Harold Parke Godwin; by Frederick Prokosch","by Arthur McCaffery, incomplete copy - first 13 pages","by Michael Davidson","by Paul de Kruif","by Lawrence Bearson; by Leo Fontaine","by T. O. Day","by Maxine Schiel, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by Jack Barefield, photocopy","by Georgia Backus, photocopy","by Maxine Schiel, photocopy","by Ben Hawthorne, photocopy","by John Fleming, photocopy","by Arthur Arendt","by David Lesan","by David Lesan","by William N. Robson","dramatization by Robert Lewis Shayon","by Edward Solomon","by Bucalossi","by Michael William Balfe","by Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan","by Charles Lecocq","by Sidney Jones","by Sidney Jones","by Charles Lecocq","by Karl W. Schulz","by W. Vincent Wallace","by W. Vincent Wallace","by Edmond Audran","by Robert Planquette","by Edmond Audran","by Robert Planquette","by Lajos Serly","by Sir William S. Gilbert and Sir Arthur Sullivan","by Oscar Wilde, adapted by Donald Macfarlane, photocopy","by Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy","by Oscar Wilde, adapted by Lews W. Moyer, photocopy","by Oscar Wilde, adapted by Charles Crumpton","by Rose Albert Porter","by Rose Albert Porter","by Rose Albert Porter","by George J. Thorp","by George J. Thorp","by George J. Thorp","by Sylvia Altman","by Sylvia Altman and Jeanette Gussin","by Charles Dickens adapted by Cecil Stevenson","by Charles Dickens adapted by Cecil Stevenson","by Victor E. Smith; by Joel Hammil","by Will Glickman","by Phyllis Frederic","by Lewis W. Moyer; by W. M. Sutton","by John I. Mole","by Victor E. Smith","by Victor E. Smith","by Maxwell Wolodin; by Edward H. Smith","by Victor E. Smith; by John I. Mole","by Lewis W. Moyer; by Michael Davidson","by Will Glickman","by Phyllis Frederic","by Lee Fontainbleu; by Laurence U. Shloss","by Edward H. Smith","by Georgia Fawcett","by Georgia Fawcett","by Georgia Fawcett","by Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni","by John I. Mole","by Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman","By Herbert Lewis; by Bob Frank","by Bob Frank","by Bob Frank","by Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer","by Paul Vulpius, adapted by Barry Williams","by Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams","by Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton","by George Harmon Coxe, adapted by Victor E. Smith","by George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson","by Laura Z. Hobson, adapted by Lawrence Bearson","by Jerome Beatty, adapted by Victor E. Smith","by Manuel Komroff, adapted by Joel Hammil","by Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts","by George Rolland","by George Rolland","by Barrie Williams; by Brian J. Byrne","by Dean Charel","by Dean Charel","by Dean Charel","by Frank Burrill","by Dean Charel","by Victor E. Smith","by Herb Meadow; adaptation by Joel Hammil and Leo Fontaine","by A. L. Tyler","photocopy","by Hugh Lester","by Leo Fontaine","by Harold Hartogensis; by Phyllis Frederic","by Benet Costa, photocopy","by Jane Ashman; also includes Women as Homemakers first page","by Leo Fontaine, photocopy","Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.","Proposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley","Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.","American Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud","The Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home","Accent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion","Festival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland","The Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle","The Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla","Class of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla","Programs from \"Folk plays of the Carolina playmakers\"","The Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband","Abu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear","In Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern","Ten Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights","The Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville","Anna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring","Hamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under","The Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted","Blind Alley; Brothers; It Can't Happen Here; Rachel's Man","One-Third of a Nation; Roll Sweet Chariot; Room Service","Big Vaudeville Musical Revue (79 copies from different performances around Maine)","Announcing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do","It Can't Happen Here; Liliom; The Road to Rome","Ladies of the Jury","It Can't Happen Here","Vodvil Show (vaudeville)","It Can't Happen Here","Programs: Adalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional","Buffalo Historical Marionettes available in digital format.","Programs: Professor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps","Flyers and playbills: Current productions flyer - Big Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language (9 copies); The Bat (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival; The Cradle Will Rock; The Emperor's New Clothes (3 copies); Fair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe (4 copies); It Can't Happen Here (14 copies); Life and Death of an American; Moving Along (2 copies); Oliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal (10 copies)","Buffalo Historical Marionettes Benefit Performance is available in digital format.","Flyers and playbills: Sing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh. 8.5x14\" flyers and playbills: Adam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny","Newspaper format program for One-Third of a Nation. Volume V number 3 to number 14","Newspaper format program for One-Third of a Nation. Volume V number 15-17, 19-23","Newspaper format program for Power. Volume II number 1, Volume III number 1","Criminal at Large","Her Majesty the Widow","Personal Appearance","Post Road","Remember the Day","Saturday's Children","Tamed and How","Another Language; The Barker; The Old Maid; There's Always Juliet","As Husbands Go; I Want a Policeman","The First Mrs. Fraser","The Good Fairy","It's a Wise Child","The Late Christopher Bean","Ned McCobbs Daughter","Possession","Sun Up","Tea for Three","They Knew What They Wanted","Three Cornered Moon","Fresh Fields","First Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning","The Bad Man; Boy Meets Girl; The Christmas Carol; Federal Theatre for Youth (overview); The First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under","Alice in Wonderland; Counsellor-At-Law; One-Third of a Nation; Third Annual Central Oklahoma Folk Festival;","The Living Newspaper (One-Third of a Nation); Prelude to Spring; Puppet Pageant at the Philadelphia Museum of Art; Stepping Stars; Vaudeville","Christmas with Dickens","Alice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore","Green Grow the Lilacs; Old Heidelberg","photocopies, many with original performance dates handwritten on them - Adelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps. Photocopies.","Adam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing","Oversize posters where each poster is a piece of a larger whole. There are seven pieces for Alison's House and five for The Warrior's Husband. Roughly each piece measures 42 inches high and 28 inches wide.","The Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow","Oversize posters where each poster is a piece of a larger whole. There are three pieces for Bill of Divorcement, two for Blind Alley, two for Gods of the Lightning, and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play Pursuit of Happiness performed at the Mayan Theatre in Los Angeles in August of 1937.","The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus, The World's Greatest Circus; Class of '29; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939; Conjure Man Dies; Coriolanus; The Cradle Will Rock","The Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)","Einmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal; Eugene O'Neill's One-Act Plays of the Sea","Fair and Warmer; Fantasy 1939; Flight","H.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern","The Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here","Life and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone","Macbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral","Native Ground; No More Peace; Noah","On the Rocks; On Top; One-Third of a Nation; Outside Looking In","The Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory","Das Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up","The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night","The Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)","Programs, flyers, and playbills: Walk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in","Programs, flyers, and playbills: Various plays in Yiddish; The Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)","Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","includes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California","by Willy B. Stahl and Walter C. Schad, Los Angeles, California","includes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass","violin music, arranged by M. L. Lake","by Eddison von Ottenfeld","by Eddison von Ottenfeld","by Alex North","by Fred Miller Jr. and L. Leslie Loth","by Herbert Kingsley, New York, New York","includes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California","music for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager","music for vocal lead on \"Sweet by and by\"","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","photocopy","photocopy","photocopy","photocopy","photocopy","photocopy","by Hans Bruno Meyer, New York, New York","violin music \"If She Says No\"","music for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"","Chicago, Illinois","violin music \"Flow Gently, Sweet Afton\", Los Angeles, California","by Charles J. Levy","includes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"","by Charles Wakefield Cadman","by R. E. Austin","by Irvin Cooper","[Eddison von Ottenfeld] Los Angeles, California","by Meyer Rappaport and Emile Cote","From the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof","by Marshall Bartholomew","music by Genevieve Pitot, New York","by F. Melius Christiansen","by Paul Lincke","by Ralph Story","by Paul Lincke","by Mozart-Shelley","by Daniel Wood and Sumner Salter","Ernestine Valencia, arranged by Dan J. Michaud","by Edward Elgar and Arthur Fagge","by J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"","by Hans Bruno Meyer","by Hans Bruno Meyer","paraphrase for mixed voices by William Schaeffer","by Ivor Tchervanow and Ralph L. Baldwin","by Rimsky-Korsikoff, arranged by Jacob Schwartzdorf","by May H. Brahe","violin music, by Edna R. Heard","Piano music \"Party Entre Act 1-2\", Los Angeles, California","by Max Hirschfeld, New York, New York","by Jean Stor, New York, New York","by David Sheinfeld","by John Ansell","This series includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Long red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"","A long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"","Two pairs of men's pants, one yellow, one red. Both pants stop below the knee. Both pants have a label that reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" In the waist band of the yellow pant the name Don Chiles is handwritten.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","R 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","English"],"collection_title_tesim":["Federal Theatre Project collection, 1885/1986, bulk 1935/1939"],"collection_ssim":["Federal Theatre Project collection, 1885/1986, bulk 1935/1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0002","/repositories/2/resources/331"],"unitid_tesim":["C0002","/repositories/2/resources/331"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Federal Theatre Project (U.S.)"],"creator_ssim":["Federal Theatre Project (U.S.)"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"acqinfo_ssim":["Donated by the Library of Congress."],"access_subjects_ssim":["Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript"],"access_subjects_ssm":["Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript"],"has_online_content_ssim":["false"],"extent_ssm":["185 Linear Feet 371 boxes"],"extent_tesim":["185 Linear Feet 371 boxes"],"genreform_ssim":["Playscript"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe scripts are also available as a series in the \u003cextptr href=\"https://mars.gmu.edu/handle/1920/3478\" title=\"Federal Theatre Project Materials Collection\" show=\"new\"\u003e\u003c/extptr\u003e in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections  \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"available here\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The scripts are also available as a series in the  in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections  ."],"arrangement_html_tesm":["\u003cp\u003eArranged into five series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Play Service and Research Records, 1935-1939 (Boxes 5-105)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Library Records, 1885-1986 (Boxes 106-306)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Production Records, 193-193 (Boxes 307-363, 366-367)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Costumes, circa 1935-1939 (Boxes 369-371)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into five series.","Series\n      Series 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368)\n      Series 2: Play Service and Research Records, 1935-1939 (Boxes 5-105)\n      Series 3: Library Records, 1885-1986 (Boxes 106-306)\n      Series 4: Production Records, 193-193 (Boxes 307-363, 366-367)\n      Series 5: Costumes, circa 1935-1939 (Boxes 369-371)"],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.\u003c/p\u003e","\u003cp\u003eLike many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.\u003c/p\u003e","\u003cp\u003eBut it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"\u003c/p\u003e","\u003cp\u003eFlanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.\u003c/p\u003e","\u003cp\u003eThe productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.\u003c/p\u003e","\u003cp\u003eThe Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.","The Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck."],"prefercite_html_tesm":["\u003cp\u003eFederal Theatre Project collection, C0002, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Federal Theatre Project collection, C0002, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.\u003c/p\u003e","\u003cp\u003eThe scripts are also available as a series in the \u003cextptr show=\"new\" title=\"FTP digital collection\" href=\"https://mars.gmu.edu/handle/1920/3478\"\u003e\u003c/extptr\u003e. \u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.","The scripts are also available as a series in the ."],"scopecontent_html_tesm":["\u003cp\u003eContent Warning: Some materials contain racist language and slurs, including play titles.\u003c/p\u003e","\u003cp\u003eThe Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.\u003c/p\u003e","\u003cp\u003eSeries 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSeries 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.\u003c/p\u003e","\u003cp\u003eSeries 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e","\u003cp\u003eSeries 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e","\u003cp\u003eSeries 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.\u003c/p\u003e  ","\u003cp\u003eSeries 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThe House Committee on Un-American Activities (HUAC)\u003c/p\u003e","\u003cp\u003eMcMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.\u003c/p\u003e","\u003cp\u003eMcMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.\u003c/p\u003e","\u003cp\u003eIncludes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"\u003c/p\u003e","\u003cp\u003eIssues of New Theatre (1934-1936).\u003c/p\u003e","\u003cp\u003eOversize color reprint of article from Fortune\u003c/p\u003e","\u003cp\u003eSeries 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.\u003c/p\u003e","\u003cp\u003eSubseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eContains blueprints and photographs of portable theatres\u003c/p\u003e","\u003cp\u003eSubseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.\u003c/p\u003e","\u003cp\u003eSeries 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e","\u003cp\u003eSubseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eby John Wiley; based on an Edgar Allen Poe story (photocopy)\u003c/p\u003e","\u003cp\u003eby Beth Brown\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Francis Bosworth\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eDirector Georgia S. Fink\u003c/p\u003e","\u003cp\u003eby Virginia Yetes (photocopy)\u003c/p\u003e","\u003cp\u003eby Ruth Morris\u003c/p\u003e","\u003cp\u003eby Gladys Unger and Walter Armitage\u003c/p\u003e","\u003cp\u003eby David Arnold Balch\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Yasha Frank\u003c/p\u003e","\u003cp\u003edirector Georgia S. Fink\u003c/p\u003e","\u003cp\u003eadapted by S.S. Weiss\u003c/p\u003e","\u003cp\u003eadapted by Ralph Chesse\u003c/p\u003e","\u003cp\u003eby Sidney Howard\u003c/p\u003e","\u003cp\u003eby Sidney Howard\u003c/p\u003e","\u003cp\u003eby Eugene O'Neil\u003c/p\u003e","\u003cp\u003eby Homer Little and Myla Jo Closser\u003c/p\u003e","\u003cp\u003eby Homer Little and Myla Jo Closser\u003c/p\u003e","\u003cp\u003eby Hardie Albright\u003c/p\u003e","\u003cp\u003eby Hardie Albright\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers, photocopy from February 20, 1991\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003epublished in The Catholic School Journal\u003c/p\u003e","\u003cp\u003eby Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy\u003c/p\u003e","\u003cp\u003eby Edwin and Albert Barker\u003c/p\u003e","\u003cp\u003eby Edwin and Albert Barker\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Talbot Jennings\u003c/p\u003e","\u003cp\u003eby Mrs. Alexander Mathis\u003c/p\u003e","\u003cp\u003eby Vera Smirnova\u003c/p\u003e","\u003cp\u003eby Edwin Burke\u003c/p\u003e","\u003cp\u003eby Louis Weitzenkorn\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Langston Hughes; A One-Act Play of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Rose Franken\u003c/p\u003e","\u003cp\u003eby Rose Franken\u003c/p\u003e","\u003cp\u003eby St. John Ervine\u003c/p\u003e","\u003cp\u003eby Elizabeth de Vautibault\u003c/p\u003e","\u003cp\u003eby Elizabeth de Vautibault\u003c/p\u003e","\u003cp\u003eby Rev. Henry N. Hudson\u003c/p\u003e","\u003cp\u003eby Rev. Henry N. Hudson\u003c/p\u003e","\u003cp\u003eby Rudolph Wittenberg\u003c/p\u003e","\u003cp\u003eby Laurance Moore\u003c/p\u003e","\u003cp\u003eby Margaret Brooks and Constance Wyckoff\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Yale Dramatic Association\u003c/p\u003e","\u003cp\u003eby Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy\u003c/p\u003e","\u003cp\u003eby W. H. Auden and Christopher Isherwood\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Lockhart North\u003c/p\u003e","\u003cp\u003eby T. R. Arkell\u003c/p\u003e","\u003cp\u003eby Owen Davis\u003c/p\u003e","\u003cp\u003eby C. L. Anthony\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Remo Bufano\u003c/p\u003e","\u003cp\u003eby Lester Fuller, 2 copies, 1 of which is a photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Mayo\u003c/p\u003e","\u003cp\u003eby Porter Emerson Brown\u003c/p\u003e","\u003cp\u003eby Porter Emerson Brown\u003c/p\u003e","\u003cp\u003eby H. R. Hays\u003c/p\u003e","\u003cp\u003eby H. R. Hays\u003c/p\u003e","\u003cp\u003eby Padriac Colum\u003c/p\u003e","\u003cp\u003eby Padriac Colum\u003c/p\u003e","\u003cp\u003eby Herb Meadow\u003c/p\u003e","\u003cp\u003eby Herb Meadow, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Walter Hackett\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold, photocopy\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold\u003c/p\u003e","\u003cp\u003eby Frederick Stowers\u003c/p\u003e","\u003cp\u003eby Mary Dirnberger; Dramatized from the familiar fairy tale\u003c/p\u003e","\u003cp\u003eby Mary Dirnberger; Dramatized from the familiar fairy tale\u003c/p\u003e","\u003cp\u003eTranscribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Albert Powels\u003c/p\u003e","\u003cp\u003eby Alfred Lord Tennyson\u003c/p\u003e","\u003cp\u003eby Alfred Lord Tennyson\u003c/p\u003e","\u003cp\u003eby Brian J. Byrne\u003c/p\u003e","\u003cp\u003eby George S. Kaufman and Marc Connelly\u003c/p\u003e","\u003cp\u003eby George S. Kaufman and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Aodh de Blacam\u003c/p\u003e","\u003cp\u003eby Belmont Ashton\u003c/p\u003e","\u003cp\u003eby Lawrence Houseman\u003c/p\u003e","\u003cp\u003eby Walter Abbott\u003c/p\u003e","\u003cp\u003eby Walter Abbott\u003c/p\u003e","\u003cp\u003eby Anonymous\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby John W. Dunn; A play of early Oklahoma life\u003c/p\u003e","\u003cp\u003eby John W. Dunn; A play of early Oklahoma life\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby Theodore Pratt, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy\u003c/p\u003e","\u003cp\u003eSynopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre\u003c/p\u003e","\u003cp\u003eby Charles M. Barras\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Seymour G. Link\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Maurice Maeterlinck\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Robin Taylor\u003c/p\u003e","\u003cp\u003eRevision by Florence Elberta Barns\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Will Cotton\u003c/p\u003e","\u003cp\u003eby Will Cotton\u003c/p\u003e","\u003cp\u003eby Robert Hare Powel\u003c/p\u003e","\u003cp\u003eby Robert Hare Powel\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Miss Mabel Osborne\u003c/p\u003e","\u003cp\u003eby Emma Ehrlich Levinger\u003c/p\u003e","\u003cp\u003eby Irwin Shaw\u003c/p\u003e","\u003cp\u003eby Beth Brown and Gilbert Laurence\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eOriginal by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Frank L. Moss and Richard Dana\u003c/p\u003e","\u003cp\u003eby Frank L. Moss and Richard Dana\u003c/p\u003e","\u003cp\u003eby Arnold Zweig\u003c/p\u003e","\u003cp\u003eby Robert Peele Noble\u003c/p\u003e","\u003cp\u003eby Robert Peele Noble\u003c/p\u003e","\u003cp\u003eby Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Carl Glick\u003c/p\u003e","\u003cp\u003eby Arthur Goodrich and Rose A. Palmer\u003c/p\u003e","\u003cp\u003eby Arthur Goodrich and Rose A. Palmer\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Robt. A. Bromley (revised edition)\u003c/p\u003e","\u003cp\u003eby Zelma Bruce Tiden\u003c/p\u003e","\u003cp\u003eby Zelma Bruce Tiden\u003c/p\u003e","\u003cp\u003eby Peretz Hirshbein\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Estelle L. Silverman\u003c/p\u003e","\u003cp\u003eby Jules Renard\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby George McEnlee, photocopy\u003c/p\u003e","\u003cp\u003eby George McEnlee\u003c/p\u003e","\u003cp\u003eby H. Leivick\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg (revised)\u003c/p\u003e","\u003cp\u003eby German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby James Parish\u003c/p\u003e","\u003cp\u003eby Y. L. Peretz\u003c/p\u003e","\u003cp\u003eby John Woodworth, photocopy\u003c/p\u003e","\u003cp\u003eby John Woodworth\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby John W. Dunn, photocopy\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Stanislaus Stange\u003c/p\u003e","\u003cp\u003eby sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey\u003c/p\u003e","\u003cp\u003eby Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw\u003c/p\u003e","\u003cp\u003eHedley Gordon Graham\u003c/p\u003e","\u003cp\u003eby Essex Dane\u003c/p\u003e","\u003cp\u003eby George Huntington Clark\u003c/p\u003e","\u003cp\u003eby George Huntington Clark\u003c/p\u003e","\u003cp\u003eby H. Jack Bates; A Negro Folk Play, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Welty and Gene Renouf\u003c/p\u003e","\u003cp\u003eby Rose Carlyn, photocopy\u003c/p\u003e","\u003cp\u003eThree by Rose Carlyn; Three by Fannie Engle\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Gilbert Lennox\u003c/p\u003e","\u003cp\u003eby Paul Vincent Carroll\u003c/p\u003e","\u003cp\u003eby Noel Harris Houston\u003c/p\u003e","\u003cp\u003eby Gertrude Worthington Jeffries\u003c/p\u003e","\u003cp\u003eby Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy\u003c/p\u003e","\u003cp\u003eby Rudolph Fisher, photocopy\u003c/p\u003e","\u003cp\u003eby Rudolph Fisher, photocopy\u003c/p\u003e","\u003cp\u003eby A. Callen, M. Worthington, and I. Reuben, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Haserodt, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Haserodt\u003c/p\u003e","\u003cp\u003eby Royall Tyler\u003c/p\u003e","\u003cp\u003eby M. Manisoff\u003c/p\u003e","\u003cp\u003eby a seventh grade in Louisville, Kentucky\u003c/p\u003e","\u003cp\u003eby a seventh grade in Louisville, Kentucky\u003c/p\u003e","\u003cp\u003eby Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Marc Blitzstein, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Marc Blitzstein\u003c/p\u003e","\u003cp\u003eby John H. Floyd\u003c/p\u003e","\u003cp\u003eby members of the Play Bureau of the Southwest\u003c/p\u003e","\u003cp\u003eby Betty Lessler Lyman\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth, photocopy\u003c/p\u003e","\u003cp\u003eby John Hunter Booth, photocopy\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Gilmor Brown\u003c/p\u003e","\u003cp\u003eMarionette Division, Buffalo, N.Y.\u003c/p\u003e","\u003cp\u003eby Edgar Wallace\u003c/p\u003e","\u003cp\u003eby James Stephens\u003c/p\u003e","\u003cp\u003eby Walt Anderson\u003c/p\u003e","\u003cp\u003eby Walt Anderson\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Laurette MacDuffie\u003c/p\u003e","\u003cp\u003eby Anna Best Joder\u003c/p\u003e","\u003cp\u003eby Elizabeth Leigh Vaughan\u003c/p\u003e","\u003cp\u003eby W. H. Auden\u003c/p\u003e","\u003cp\u003eby Joaquin Miller, photocopy\u003c/p\u003e","\u003cp\u003eby Joaquin Miller\u003c/p\u003e","\u003cp\u003eby Ruby Lorraine Radford\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby L. W. Barrus\u003c/p\u003e","\u003cp\u003eby George Foss, photocopy\u003c/p\u003e","\u003cp\u003eby George Foss\u003c/p\u003e","\u003cp\u003eby George Foss\u003c/p\u003e","\u003cp\u003eby Grant Moss\u003c/p\u003e","\u003cp\u003eby Grant Moss\u003c/p\u003e","\u003cp\u003eby George W. Cronyn\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby J. C. Furnes\u003c/p\u003e","\u003cp\u003eby Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Benn W. Levy; A Religious Comedy, photocopy\u003c/p\u003e","\u003cp\u003eby Benn W. Levy; A Religious Comedy\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Merrill Denison\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe, arranged for marionettes by Robert Larson\u003c/p\u003e","\u003cp\u003eby Twort (?) Gilbert and Edward Rosen\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe\u003c/p\u003e","\u003cp\u003eby Moliere\u003c/p\u003e","\u003cp\u003eby Jules Romans, English version by Harley Granville-Barker\u003c/p\u003e","\u003cp\u003eby Minnie H. Niemier\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby Fred Ballard\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eby Elizabeth McFadden\u003c/p\u003e","\u003cp\u003eby Charlotte Kohler, photocopy\u003c/p\u003e","\u003cp\u003eby Joan and Michale A. Slane\u003c/p\u003e","\u003cp\u003eby Carl Glick\u003c/p\u003e","\u003cp\u003eby Rosa Carlyn\u003c/p\u003e","\u003cp\u003epublished by the National Tuberculosis Association\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby W. H. Smith\u003c/p\u003e","\u003cp\u003eby Luis Quinones de Benavente\u003c/p\u003e","\u003cp\u003eby Emily Percy Denison\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby Arthur Goodman\u003c/p\u003e","\u003cp\u003eby Elise Jerard\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and John B. Hymer\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and John B. Hymer\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Jack Larric\u003c/p\u003e","\u003cp\u003eby Jack Larric\u003c/p\u003e","\u003cp\u003eby Peretz Hirshbein\u003c/p\u003e","\u003cp\u003eby Charlotte Charpenning\u003c/p\u003e","\u003cp\u003eby Charlotte Charpenning\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby C. C. Parsons\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Sean O'Casey\u003c/p\u003e","\u003cp\u003eby Demetre Bohris\u003c/p\u003e","\u003cp\u003eby John Galsworthy\u003c/p\u003e","\u003cp\u003eby Arthur Arent, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent, photocopy received June 11, 1991\u003c/p\u003e","\u003cp\u003eby Kjeld Abell\u003c/p\u003e","\u003cp\u003eby Paul Lawrence Dunbar (adaptation)\u003c/p\u003e","\u003cp\u003eby Paul Lawrence Dunbar\u003c/p\u003e","\u003cp\u003eby Sylvia Regan\u003c/p\u003e","\u003cp\u003eby Sylvia Regan\u003c/p\u003e","\u003cp\u003eby G. J. Graves\u003c/p\u003e","\u003cp\u003eby G. J. Graves\u003c/p\u003e","\u003cp\u003eby Will T. Goodwin; Working Script\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Cervantes\u003c/p\u003e","\u003cp\u003eby Doris Troutman\u003c/p\u003e","\u003cp\u003eby Luis Quinones de Benavente\u003c/p\u003e","\u003cp\u003eadapted by Maurice Jagendorf\u003c/p\u003e","\u003cp\u003eadapted by Maurice Jagendorf\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Frank B. Elser and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Frank B. Elser and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Brian Doherty\u003c/p\u003e","\u003cp\u003eby Brian Doherty\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby H. A. Archibald\u003c/p\u003e","\u003cp\u003eby Munro Leaf\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Rachel Lyman Field\u003c/p\u003e","\u003cp\u003eby Weldon Stone\u003c/p\u003e","\u003cp\u003eby Weldon Stone\u003c/p\u003e","\u003cp\u003eby John Van Antwerp\u003c/p\u003e","\u003cp\u003eby John Van Antwerp\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Frank Craven\u003c/p\u003e","\u003cp\u003eby George H. Corey, photocopy\u003c/p\u003e","\u003cp\u003eby George H. Corey\u003c/p\u003e","\u003cp\u003eby E. and P. Green\u003c/p\u003e","\u003cp\u003eby Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"\u003c/p\u003e","\u003cp\u003eby Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Louis Lantz\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Louis Lantz\u003c/p\u003e","\u003cp\u003eby Pearl S. Buck\u003c/p\u003e","\u003cp\u003eby Pearl S. Buck\u003c/p\u003e","\u003cp\u003eA play for boys and girls with radio participation, experiment number 1 by Berthold Brecht\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Graham Rawson\u003c/p\u003e","\u003cp\u003eby Graham Rawson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Rosenblum\u003c/p\u003e","\u003cp\u003eby Phile Higley\u003c/p\u003e","\u003cp\u003eby Myrtle L. Barger\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Ada Sterling\u003c/p\u003e","\u003cp\u003eby Ada Sterling\u003c/p\u003e","\u003cp\u003eby Eleanor Garland\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Harry Sackler\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson\u003c/p\u003e","\u003cp\u003eby Harriet Wedgwood, a health play for children, reprinted from Hygeia\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and Aaron Hoffman\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and Aaron Hoffman\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eby Beverly Hamer in the Carolina Play Book volume X, number 3\u003c/p\u003e","\u003cp\u003eby William Stevenson\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby Felix Doherty\u003c/p\u003e","\u003cp\u003eby Nando Vitali\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.\u003c/p\u003e","\u003cp\u003eby Edward Lynn\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Isidore Reuben\u003c/p\u003e","\u003cp\u003eby Philo Higley\u003c/p\u003e","\u003cp\u003eby Arnold Ridley\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Aldous Huxley\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Ferenc Molnar\u003c/p\u003e","\u003cp\u003eby Ferenc Molnar\u003c/p\u003e","\u003cp\u003eby Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy\u003c/p\u003e","\u003cp\u003eadapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Jacob Gordon\u003c/p\u003e","\u003cp\u003eby J. J. Robbins\u003c/p\u003e","\u003cp\u003eby J. J. Robbins\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Leon Crozier\u003c/p\u003e","\u003cp\u003eby Paul Armstrong and Rex Beach\u003c/p\u003e","\u003cp\u003eby Paul Smith\u003c/p\u003e","\u003cp\u003eby Louise Franklin Bache\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Kermit Love\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Ridgely Torrence; A Play for the Negro Theatre, photocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch; A Comedy of Recent Times, photocopy\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Warwick F. 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O'Donnell\u003c/p\u003e","\u003cp\u003eby Marc Connelly\u003c/p\u003e","\u003cp\u003eadapted by Stephen Weiss\u003c/p\u003e","\u003cp\u003eby William J. Langman, S. J.\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby Grace Dorcas Ruthenberg\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Yasha Frank\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Wilfrido Ma Guerrero\u003c/p\u003e","\u003cp\u003eby Donald Davis and Samuel Ornitz\u003c/p\u003e","\u003cp\u003eby Joseph Lehmann\u003c/p\u003e","\u003cp\u003eby Charles Prentiss\u003c/p\u003e","\u003cp\u003eby Julius Hay\u003c/p\u003e","\u003cp\u003eby Julius Hay\u003c/p\u003e","\u003cp\u003eby Arthur Kober\u003c/p\u003e","\u003cp\u003eby Arthur Kober\u003c/p\u003e","\u003cp\u003eby Elizabeth Jane Astley\u003c/p\u003e","\u003cp\u003eby Philip Atlee and Edmund Van Zandt\u003c/p\u003e","\u003cp\u003eby Philip Atlee and Edmund Van Zandt\u003c/p\u003e","\u003cp\u003eby David Belasco\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Albert Bein\u003c/p\u003e","\u003cp\u003eby Albert Bein\u003c/p\u003e","\u003cp\u003eby Helen Clare Nelson\u003c/p\u003e","\u003cp\u003eby Barry Conners\u003c/p\u003e","\u003cp\u003eby Abram Hill, photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Sperry\u003c/p\u003e","\u003cp\u003eby Margaret Sperry\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eadapted and translated by Donald Fay Robinson\u003c/p\u003e","\u003cp\u003eadapted by Kent Pease Hamdent High School, Hamdent, Connecticut\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Mary B. Stafford\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003eby Howard Koch and Ben Russak\u003c/p\u003e","\u003cp\u003eby Howard Koch and Ben Russak\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby John Wiley\u003c/p\u003e","\u003cp\u003eby Harold Courlander\u003c/p\u003e","\u003cp\u003eby Sally Coulter\u003c/p\u003e","\u003cp\u003eby Herb Meadow\u003c/p\u003e","\u003cp\u003eby Dorothy Hailpern\u003c/p\u003e","\u003cp\u003eby Dorothy Hailpern\u003c/p\u003e","\u003cp\u003eby Michael Swift\u003c/p\u003e","\u003cp\u003eby Philip Barry\u003c/p\u003e","\u003cp\u003eby Philip Barry\u003c/p\u003e","\u003cp\u003eby John Alan Haughton\u003c/p\u003e","\u003cp\u003eby Marion Holbrook\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Sara E. Bower\u003c/p\u003e","\u003cp\u003eby Bertram M. Gross\u003c/p\u003e","\u003cp\u003eby Alan Sidney\u003c/p\u003e","\u003cp\u003eby Edith Kunz\u003c/p\u003e","\u003cp\u003eby The Historical Project, Federal Writers Project of Minnesota\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby Margaret MacNamera\u003c/p\u003e","\u003cp\u003eby Margaret MacNamera\u003c/p\u003e","\u003cp\u003eby Edwin Burke\u003c/p\u003e","\u003cp\u003eby Rufus King and Milton Lazarus\u003c/p\u003e","\u003cp\u003eby Rufus King and Milton Lazarus\u003c/p\u003e","\u003cp\u003eby Perez Hirschbaum\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe, photocopy\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Bertolt Brecht\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Norman Roston\u003c/p\u003e","\u003cp\u003eby Noah Elstein, photocopy\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby Raymond Reeves, photocopy\u003c/p\u003e","\u003cp\u003eby Raymond Reeves\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby John McGee\u003c/p\u003e","\u003cp\u003eadapted by Federal Theatre Project Los Angeles, California\u003c/p\u003e","\u003cp\u003eby H. L. Fishel, photocopy\u003c/p\u003e","\u003cp\u003eby H. L. Fishel, photocopy\u003c/p\u003e","\u003cp\u003eby H. L. Fishel\u003c/p\u003e","\u003cp\u003eby H. L. Fishel\u003c/p\u003e","\u003cp\u003eby Martha Hodgson Ellis\u003c/p\u003e","\u003cp\u003eby David Schrieber\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Luidmilla Vepritskaya\u003c/p\u003e","\u003cp\u003eby Alma Shaw\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby Warren Coleman; A Negro Comedy, 2 photocopies\u003c/p\u003e","\u003cp\u003eElmer Rice\u003c/p\u003e","\u003cp\u003eby Shakespeare\u003c/p\u003e","\u003cp\u003eby Thomas A. Langan\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby J. C. Nugent and Elliott Nugent\u003c/p\u003e","\u003cp\u003eby J. C. Nugent and Elliott Nugent\u003c/p\u003e","\u003cp\u003eby Edgar Slaughter\u003c/p\u003e","\u003cp\u003eThe Living Newspaper Presents\u003c/p\u003e","\u003cp\u003eThe Living Newspaper Presents\u003c/p\u003e","\u003cp\u003eby James Bridie\u003c/p\u003e","\u003cp\u003eby Catherine Reighard\u003c/p\u003e","\u003cp\u003eby Max M. Dill\u003c/p\u003e","\u003cp\u003eby Don Mullally\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby T. C. Robinson and Rena M. Vale, photocopy\u003c/p\u003e","\u003cp\u003eby T. C. Robinson and Rena M. Vale, photocopy\u003c/p\u003e","\u003cp\u003eby Lawrence J. 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Beldon?\u003c/p\u003e","\u003cp\u003eby Harry King Tootle\u003c/p\u003e","\u003cp\u003eby Ernest Chamberlain\u003c/p\u003e","\u003cp\u003eby Ernest Chamberlain\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Moliere\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Charlotte Chorpenning\u003c/p\u003e","\u003cp\u003eby Bertram Robinson\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Edward Hopter\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby Gilbert Laurence\u003c/p\u003e","\u003cp\u003eby Giuseppe Giacosa\u003c/p\u003e","\u003cp\u003eby Giuseppe Giacosa\u003c/p\u003e","\u003cp\u003eby Marion Flexner and Dorothy Park Clark\u003c/p\u003e","\u003cp\u003eby Franz Molnar\u003c/p\u003e","\u003cp\u003eby Franz Molnar\u003c/p\u003e","\u003cp\u003eby Alma Shaw\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning, photocopy\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning\u003c/p\u003e","\u003cp\u003eby Molka Reich of Miami Florida Project\u003c/p\u003e","\u003cp\u003etranslated from Flemish by Jacob Borut and Lola Sachs\u003c/p\u003e","\u003cp\u003etranslated from Flemish by Jacob Borut and Lola Sachs\u003c/p\u003e","\u003cp\u003eby Marc Connelly\u003c/p\u003e","\u003cp\u003eby Alexei Tolstoi\u003c/p\u003e","\u003cp\u003eby Eleanor Glendower Griffith\u003c/p\u003e","\u003cp\u003eby Lawrence and Sylvia Martin, photocopy\u003c/p\u003e","\u003cp\u003eby Lawrence and Sylvia Martin, photocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Charles George\u003c/p\u003e","\u003cp\u003eby T. C. Upham\u003c/p\u003e","\u003cp\u003eby T. C. Upham\u003c/p\u003e","\u003cp\u003eby Isidore Reuben\u003c/p\u003e","\u003cp\u003eby Charles Alan\u003c/p\u003e","\u003cp\u003eby Charles Alan\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby John Galsworthy\u003c/p\u003e","\u003cp\u003eby Maud Wood Park, photocopy\u003c/p\u003e","\u003cp\u003eby Maud Wood Park\u003c/p\u003e","\u003cp\u003eby Maud Wood Park\u003c/p\u003e","\u003cp\u003eby Maud Wood Park revised by Robert Finch\u003c/p\u003e","\u003cp\u003eby Theodore Browne; An \"African Version\", photocopy\u003c/p\u003e","\u003cp\u003eby Clarence H. Talbot\u003c/p\u003e","\u003cp\u003ereprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays\u003c/p\u003e","\u003cp\u003eby William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936\u003c/p\u003e","\u003cp\u003eby William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Blake\u003c/p\u003e","\u003cp\u003eby Victoria Heindel\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003eby Louis Golding and A. R. Rawlinson\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Alfred Sutro\u003c/p\u003e","\u003cp\u003eby John Woodworth\u003c/p\u003e","\u003cp\u003eby John Woodworth\u003c/p\u003e","\u003cp\u003eby Mr. Beete\u003c/p\u003e","\u003cp\u003eby Mr. Beete\u003c/p\u003e","\u003cp\u003eby Hollister Noble and Edward R. Sammis\u003c/p\u003e","\u003cp\u003eby Hollister Noble and Edward R. Sammis\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Anatole France\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman and Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman and Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Earnest Andai and Lajos Balint\u003c/p\u003e","\u003cp\u003eby Federal Theatres, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Anton Chekhov\u003c/p\u003e","\u003cp\u003eby Rena B. Johnson\u003c/p\u003e","\u003cp\u003eby Tom Taylor and Charles Reade\u003c/p\u003e","\u003cp\u003eby Mabel DeVries Tanner\u003c/p\u003e","\u003cp\u003eby Mabel DeVries Tanner\u003c/p\u003e","\u003cp\u003eby Mabel DeVries Tanner\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003erevised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul\u003c/p\u003e","\u003cp\u003erevised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul\u003c/p\u003e","\u003cp\u003eby John Le Touche\u003c/p\u003e","\u003cp\u003eby Brandon Tynan\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby H. Richard Oliver and John McCain Rimassa\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby Rose Dubin\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eBy W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert; The Town of Titifu, photocopy\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert; The Town of Titifu\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert; The Town of Titifu\u003c/p\u003e","\u003cp\u003eby Plautus; translated by Clarence P. Bill, photocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Lynn Root and Harry Clork\u003c/p\u003e","\u003cp\u003eby Wallace L. Waite\u003c/p\u003e","\u003cp\u003eby Wallace L. Waite\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003eby Dee Burque\u003c/p\u003e","\u003cp\u003eby Hans Chlumberg, photocopy\u003c/p\u003e","\u003cp\u003eby Nahum Brind\u003c/p\u003e","\u003cp\u003eby John Crosby\u003c/p\u003e","\u003cp\u003eby John Crosby\u003c/p\u003e","\u003cp\u003ePage has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.\u003c/p\u003e","\u003cp\u003eby John Charles Brownell\u003c/p\u003e","\u003cp\u003eby E. B. Ginty\u003c/p\u003e","\u003cp\u003eby E. B. Ginty\u003c/p\u003e","\u003cp\u003eby Louise Franklin Bache\u003c/p\u003e","\u003cp\u003eby Rose Franken and Jane Lewin\u003c/p\u003e","\u003cp\u003eby Rose Franken and Jane Lewin\u003c/p\u003e","\u003cp\u003eby Holger Cahill\u003c/p\u003e","\u003cp\u003eby Holger Cahill\u003c/p\u003e","\u003cp\u003eby Holger Cahill\u003c/p\u003e","\u003cp\u003eby Michael Gold\u003c/p\u003e","\u003cp\u003eby J. R. Perkins\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Denis Johnston\u003c/p\u003e","\u003cp\u003eby Denis Johnston\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Richard Maibaum\u003c/p\u003e","\u003cp\u003eby Richard Maibaum\u003c/p\u003e","\u003cp\u003eby Richard Maibaum\u003c/p\u003e","\u003cp\u003eby Samuel French\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Louise Franklin Bache\u003c/p\u003e","\u003cp\u003eby Ramon Romero, photocopy\u003c/p\u003e","\u003cp\u003eby Ramon Romero, photocopy\u003c/p\u003e","\u003cp\u003eby Ramon Romero\u003c/p\u003e","\u003cp\u003eby Ramon Romero\u003c/p\u003e","\u003cp\u003eby T. S. Eliot\u003c/p\u003e","\u003cp\u003eby T. S. Eliot\u003c/p\u003e","\u003cp\u003eby T. S. Eliot\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy\u003c/p\u003e","\u003cp\u003eby Cecil E. Reynolds\u003c/p\u003e","\u003cp\u003eby Cecil E. Reynolds\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003efrom volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson\u003c/p\u003e","\u003cp\u003eby Theodore Brown; Based on the Legend of John Henry, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Brown; Based on the Legend of John Henry, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Brown; Based on the Legend of John Henry\u003c/p\u003e","\u003cp\u003eby Nathalie Satz and Sergei Rosaanov\u003c/p\u003e","\u003cp\u003eby Anemone Pemberton\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper Play\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper Play\u003c/p\u003e","\u003cp\u003eby students of Commonwealth College; Commonwealth College Fortnightly, photocopy\u003c/p\u003e","\u003cp\u003eby Eleanor Flexner\u003c/p\u003e","\u003cp\u003eby Eleanor Flexner\u003c/p\u003e","\u003cp\u003eby Arthur Strawn and Henry Rosendahl\u003c/p\u003e","\u003cp\u003eby Talbot Jennings\u003c/p\u003e","\u003cp\u003eby Ernest Toller\u003c/p\u003e","\u003cp\u003eby Ernest Toller\u003c/p\u003e","\u003cp\u003eby Lilian Gill\u003c/p\u003e","\u003cp\u003eby Jerome Geneson\u003c/p\u003e","\u003cp\u003eby George Smedley Smith and Bernard Szold\u003c/p\u003e","\u003cp\u003eby George Smedley Smith and Bernard Szold\u003c/p\u003e","\u003cp\u003eby Ethel Watts Mumford and Lily Strickland\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Nathan Spiegel\u003c/p\u003e","\u003cp\u003eby Joseph Hergesheimer\u003c/p\u003e","\u003cp\u003eby Joseph Hergesheimer\u003c/p\u003e","\u003cp\u003eby Sid Kuller and Ray Golden\u003c/p\u003e","\u003cp\u003eby Sid Kuller and Ray Golden\u003c/p\u003e","\u003cp\u003eby Harold Igo, photocopy\u003c/p\u003e","\u003cp\u003eby Harold Igo\u003c/p\u003e","\u003cp\u003eby Harold Igo\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby James Knox Millen\u003c/p\u003e","\u003cp\u003eby James Knox Millen\u003c/p\u003e","\u003cp\u003eby Denman Thompson\u003c/p\u003e","\u003cp\u003eadapted for marionettes by Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eadapted for marionettes by Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Benjamin M. Kaye\u003c/p\u003e","\u003cp\u003eby Benjamin M. Kaye\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Marian Katherine Brown\u003c/p\u003e","\u003cp\u003eby Seyril Schochen\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003eby Kenneth Webb\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003edramatized from L. Feuchtwanger's novel by Clayton Fritchi\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Lillian Day and Lyon Mearson\u003c/p\u003e","\u003cp\u003eby Lillian Day and Lyon Mearson\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby John Mason Brown\u003c/p\u003e","\u003cp\u003eby Grace H. Swift, photocopy\u003c/p\u003e","\u003cp\u003eby Catherine F. Reighard\u003c/p\u003e","\u003cp\u003eby Gladys E. Murray\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Faye L. Tornquist\u003c/p\u003e","\u003cp\u003eby Irving De W. Talmadge\u003c/p\u003e","\u003cp\u003eby Irving De W. Talmadge\u003c/p\u003e","\u003cp\u003eby Arthur Goodman\u003c/p\u003e","\u003cp\u003eby Aristophanes\u003c/p\u003e","\u003cp\u003eby Aristophanes\u003c/p\u003e","\u003cp\u003eby Howard J. Green and Raymond Leslie Goldman\u003c/p\u003e","\u003cp\u003eby Howard J. Green and Raymond Leslie Goldman\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003etranslation by Joan Vanderpool\u003c/p\u003e","\u003cp\u003eby Marion Holbrook\u003c/p\u003e","\u003cp\u003eby Martha B. King\u003c/p\u003e","\u003cp\u003eby Robert Sherwood\u003c/p\u003e","\u003cp\u003eby Robert Sherwood\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003eby Alan Sidney\u003c/p\u003e","\u003cp\u003eafter the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget\u003c/p\u003e","\u003cp\u003eadapted by Federal Theatre Project, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003eby Sarah Neuman\u003c/p\u003e","\u003cp\u003ea Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank, photocopy\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eby Frank Kintrea\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Phil Cook and McElbert Moore\u003c/p\u003e","\u003cp\u003eby Ben Bengal\u003c/p\u003e","\u003cp\u003eby A. Korneichuk\u003c/p\u003e","\u003cp\u003eby J. Liss\u003c/p\u003e","\u003cp\u003eby Margaret Naumberg\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby George Kelly\u003c/p\u003e","\u003cp\u003eby Robert Russell, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Russell\u003c/p\u003e","\u003cp\u003eby Robert Russell\u003c/p\u003e","\u003cp\u003eby Dorothy Heyward and DuBose Heyward\u003c/p\u003e","\u003cp\u003eLiving Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eContent warning: racist language/slur.\u003c/p\u003e","\u003cp\u003eFull title: \u003ctitle\u003ePrancing Nigger\u003c/title\u003e. By E. England suggested from the novel by Ronald Firbank of the same name \u003c/p\u003e","\u003cp\u003eContent warning: racist language/slur.\u003c/p\u003e","\u003cp\u003eFull title: \u003ctitle\u003ePrancing Nigger\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eby Robert Whitehand, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Whitehand\u003c/p\u003e","\u003cp\u003eby Robert Whitehand\u003c/p\u003e","\u003cp\u003eby Albert Maltz; Anti-Fascist Play, photocopy\u003c/p\u003e","\u003cp\u003eby Alfred Kreymborg\u003c/p\u003e","\u003cp\u003eby John Howard Lawson, photocopy\u003c/p\u003e","\u003cp\u003eby John Howard Lawson, photocopy\u003c/p\u003e","\u003cp\u003eby John Howard Lawson\u003c/p\u003e","\u003cp\u003eby John Howard Lawson\u003c/p\u003e","\u003cp\u003eby John Garrett Underhill\u003c/p\u003e","\u003cp\u003eby Freidrich Wolf, photocopy\u003c/p\u003e","\u003cp\u003eby Friedrich Wolf\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Claudia Hatch, photocopy\u003c/p\u003e","\u003cp\u003eby Eldridge Lindsay\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Lawrence Langner and Armina Marshall Langner\u003c/p\u003e","\u003cp\u003eby Leonora Kaghan and Anita Phillips\u003c/p\u003e","\u003cp\u003eby Tonia Bakina\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Ferdinand Bruckner\u003c/p\u003e","\u003cp\u003eby Ferdinand Bruckner\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Edward Stirling, Esq.\u003c/p\u003e","\u003cp\u003eby Edward Stirling, Esq.\u003c/p\u003e","\u003cp\u003eby Fred Ballard\u003c/p\u003e","\u003cp\u003eby Blanding Sloan\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby L. Resnick\u003c/p\u003e","\u003cp\u003eby Robert Sturgis, photocopy\u003c/p\u003e","\u003cp\u003eby Fritz Karinthy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz\u003c/p\u003e","\u003cp\u003eby Federal Theater Project, Los Angeles\u003c/p\u003e","\u003cp\u003eby Federal Theater Project, Los Angeles\u003c/p\u003e","\u003cp\u003eby Frances Montgomery\u003c/p\u003e","\u003cp\u003eby Jan Klokog\u003c/p\u003e","\u003cp\u003eas produced by the Federal Theater Project at Omaha, Nebraska\u003c/p\u003e","\u003cp\u003eadapted for Buffalo Historical Marionette Theatre\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Richard Oliver; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eDramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Edith Grossberg Whitesell\u003c/p\u003e","\u003cp\u003eby Edith Grossberg Whitesell\u003c/p\u003e","\u003cp\u003eby Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Lesueur and Momodu Johnson; a Drama of Native Africa\u003c/p\u003e","\u003cp\u003eby Hassard Short and Maurice Henniquin\u003c/p\u003e","\u003cp\u003eby Hall Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Hall Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Hall Johnson\u003c/p\u003e","\u003cp\u003eLiving Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eby Francisco Rodrigo\u003c/p\u003e","\u003cp\u003eby Leonide Andreyeff\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Countee Cullen and Arna Bontemps, photocopy\u003c/p\u003e","\u003cp\u003eby Countee Cullen and Arna Bontemps\u003c/p\u003e","\u003cp\u003eby Upton Sinclair; A Little Play for the White Collar Folks,\u003c/p\u003e","\u003cp\u003eby Upton Sinclair; A Little Play for the White Collar Folks,\u003c/p\u003e","\u003cp\u003eby Robert A Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Robert A Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Micha Hawkins\u003c/p\u003e","\u003cp\u003eThe Adventures of a Bunny\u003c/p\u003e","\u003cp\u003eby Frances Lester Warner\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Christobel Morley Cordell, photocopy\u003c/p\u003e","\u003cp\u003eby Richard Brinsley Sheridan\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Phyllis Clare Flannery; A Farce Satire, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, Dramatist Guild Contest Play #60, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, Dramatist Guild Contest Play #60\u003c/p\u003e","\u003cp\u003eby George Savage, English Department, University of Washington, Seattle, Washington\u003c/p\u003e","\u003cp\u003eby George Savage, English Department, University of Washington, Seattle, Washington\u003c/p\u003e","\u003cp\u003eby George Savage\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Bertolt Brecht, translated by Keene Wallis\u003c/p\u003e","\u003cp\u003eby Leonard J. Tyle\u003c/p\u003e","\u003cp\u003eby William Evans\u003c/p\u003e","\u003cp\u003eby Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler\u003c/p\u003e","\u003cp\u003eby Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler\u003c/p\u003e","\u003cp\u003eby R. Edgar Moore\u003c/p\u003e","\u003cp\u003eby R. Edgar Moore\u003c/p\u003e","\u003cp\u003eby Florence Clothier; A Play of the Labrador Coast, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Goldsmith; The Mistakes of a Night, photocopy\u003c/p\u003e","\u003cp\u003ecompiled from Old English nativity plays by Robert Larson\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Andrews and Anne Wilson Peabody\u003c/p\u003e","\u003cp\u003eby George Kelly, version used by Negro Theatre Unit, New York City\u003c/p\u003e","\u003cp\u003eby George Kelly\u003c/p\u003e","\u003cp\u003eby Morgan Burke\u003c/p\u003e","\u003cp\u003eby Morgan Burke\u003c/p\u003e","\u003cp\u003eby Robert K. Ryland\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Sholem Ash\u003c/p\u003e","\u003cp\u003eby Isabel Anderson (Mrs. Larz Anderson)\u003c/p\u003e","\u003cp\u003eby Fall River, photocopy\u003c/p\u003e","\u003cp\u003eby F. S. Hill\u003c/p\u003e","\u003cp\u003eby Miles Malleson\u003c/p\u003e","\u003cp\u003eby Janet Hartman and Hallie Flanagan, photocopy\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller and Stephen Weiss\u003c/p\u003e","\u003cp\u003eby Sedarmee Club Madison House\u003c/p\u003e","\u003cp\u003eby Jo Basshe, photocopy\u003c/p\u003e","\u003cp\u003eby Robert A. Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Robert A. Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Betty Smith\u003c/p\u003e","\u003cp\u003eby Joseph Lawrence, photocopy\u003c/p\u003e","\u003cp\u003eby Joseph Lawrence\u003c/p\u003e","\u003cp\u003eby H. Leivick\u003c/p\u003e","\u003cp\u003ean ancient Japanese farce translated by Michio Itow and Louis V. Ledoux\u003c/p\u003e","\u003cp\u003eby Grace Welsh Lutgen, photocopy\u003c/p\u003e","\u003cp\u003eby J. S. Coppard\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003ethree copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard, photocopy\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard, photocopy\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby James P. Judge\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Helen Fitzgerald\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Robert Ardrey; A Comedy, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Ardrey; A Comedy\u003c/p\u003e","\u003cp\u003eby Ward Courtney; a Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Ward Courtney; a Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Otis Chatfield-Taylor, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Irving\u003c/p\u003e","\u003cp\u003eby Charles Irving\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Harold Robbins\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Paul Peters and George Sklar\u003c/p\u003e","\u003cp\u003eby Robert T. Colwell and Robert A. Simon\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Paul Tripp\u003c/p\u003e","\u003cp\u003eby Mary Manning\u003c/p\u003e","\u003cp\u003eby Mary Manning\u003c/p\u003e","\u003cp\u003eby Barrie and Leonia Stavis\u003c/p\u003e","\u003cp\u003eby Barrie and Leonia Stavis\u003c/p\u003e","\u003cp\u003eby Henry C. Haskell\u003c/p\u003e","\u003cp\u003eby Henry C. Haskell\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray, photocopy\u003c/p\u003e","\u003cp\u003eby Lula Vollmer\u003c/p\u003e","\u003cp\u003eby Norman Foster and Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Norman Foster and Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Georgie Douglass Johnson\u003c/p\u003e","\u003cp\u003eby George Cram Cook and Susan Glaspell\u003c/p\u003e","\u003cp\u003eby C. Liberman\u003c/p\u003e","\u003cp\u003eby August Strindberg\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eFederal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby David Pinski, photocopy\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby David Pinsky\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby David Lano\u003c/p\u003e","\u003cp\u003eVagabond Puppeteers for the Federal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Shotwell Callvert, photocopy\u003c/p\u003e","\u003cp\u003eby William dorsey Blake; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Anthony Armstrong\u003c/p\u003e","\u003cp\u003eby Charles H. Hoyt\u003c/p\u003e","\u003cp\u003eby Charles H. Hoyt\u003c/p\u003e","\u003cp\u003eby Florine Schwartz; A Play for Children, photocopy\u003c/p\u003e","\u003cp\u003eby Anna M. Lutkenhaus, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur A. Miller, photocopy\u003c/p\u003e","\u003cp\u003eby Ivan Rowan and Martin Delman\u003c/p\u003e","\u003cp\u003eby Ivan Rowan and Martin Delman\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby William Kozlenko\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Knox Herold\u003c/p\u003e","\u003cp\u003eby Betty Smith\u003c/p\u003e","\u003cp\u003eby Yury Olesha\u003c/p\u003e","\u003cp\u003eby Yury Olesha\u003c/p\u003e","\u003cp\u003eby Gertrude Tonkonogy, photocopy\u003c/p\u003e","\u003cp\u003eby Marita Rosler\u003c/p\u003e","\u003cp\u003eby Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith; photocopy\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby James Bridie\u003c/p\u003e","\u003cp\u003eby Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Robert Wallsten\u003c/p\u003e","\u003cp\u003eby Isabel Barber; A dramatist guild contest play #552\u003c/p\u003e","\u003cp\u003eby Isabel Barber\u003c/p\u003e","\u003cp\u003eby Isabel Barber\u003c/p\u003e","\u003cp\u003eby John Broome, photocopy\u003c/p\u003e","\u003cp\u003eby John Broome\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Robinson Jeffers; A Play in Poetic Form, photocopy\u003c/p\u003e","\u003cp\u003eby Robinson Jeffers; A Play in Poetic Form\u003c/p\u003e","\u003cp\u003eby George Murray and David Pelts; A Living Newspaper on Pensions; photocopy\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman, photocopy\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Stephen Spender\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Ward Courtney; The Moon is Steel; Carnival for Bolt; North\u003c/p\u003e","\u003cp\u003eby Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ereissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City\u003c/p\u003e","\u003cp\u003ereissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City\u003c/p\u003e","\u003cp\u003eBased on Homer and Euripides, includes photocopied program, photocopy\u003c/p\u003e","\u003cp\u003eBased on Trojan Women of Euripides\u003c/p\u003e","\u003cp\u003eBased on Trojan Women of Euripides\u003c/p\u003e","\u003cp\u003eby Philip H. Davis\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003eby Eleanor Phelps, photocopy\u003c/p\u003e","\u003cp\u003eby Langston Hughes, photocopy\u003c/p\u003e","\u003cp\u003eby Langston Hughes\u003c/p\u003e","\u003cp\u003eby Langston Hughes\u003c/p\u003e","\u003cp\u003eby Harry Sackler\u003c/p\u003e","\u003cp\u003eContent Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.\u003c/p\u003e","\u003cp\u003eby J. M. Barrie\u003c/p\u003e","\u003cp\u003eby McElbert Moore\u003c/p\u003e","\u003cp\u003eby McElbert Moore\u003c/p\u003e","\u003cp\u003eby H. R. Lenormand\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Whitfield Cook, photocopy\u003c/p\u003e","\u003cp\u003eby Whitfield Cook\u003c/p\u003e","\u003cp\u003eby Whitfield Cook\u003c/p\u003e","\u003cp\u003eby Robert Larson\u003c/p\u003e","\u003cp\u003eJacksonville, Florida script 1939, photocopy\u003c/p\u003e","\u003cp\u003eby Anton Chekhov\u003c/p\u003e","\u003cp\u003eby Augustin Daly\u003c/p\u003e","\u003cp\u003eby Bernice McQuilken\u003c/p\u003e","\u003cp\u003eby Gene Buck\u003c/p\u003e","\u003cp\u003eby Helen Fitzgerald\u003c/p\u003e","\u003cp\u003eby Mrs. William Hyman\u003c/p\u003e","\u003cp\u003eby Charles Allen Smart\u003c/p\u003e","\u003cp\u003eby Vincent Moran\u003c/p\u003e","\u003cp\u003eby Vincent Moran\u003c/p\u003e","\u003cp\u003eby Karl Gutzkov\u003c/p\u003e","\u003cp\u003eby Eden White; A Rollicking Comedy\u003c/p\u003e","\u003cp\u003eedited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low\u003c/p\u003e","\u003cp\u003eedited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Marietta Fouche\u003c/p\u003e","\u003cp\u003eby Marietta Fouche\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby I. L. Peretz\u003c/p\u003e","\u003cp\u003eby John F. Burns\u003c/p\u003e","\u003cp\u003eby Stefan Zweig\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eby Caroline C. Lovell\u003c/p\u003e","\u003cp\u003eby William C. de Mille\u003c/p\u003e","\u003cp\u003eby William C. de Mille\u003c/p\u003e","\u003cp\u003eby Percy Mackaye\u003c/p\u003e","\u003cp\u003eby William L. Price\u003c/p\u003e","\u003cp\u003eby Frances Gordon Strunsky\u003c/p\u003e","\u003cp\u003eby Helen Gholson Kittredge\u003c/p\u003e","\u003cp\u003eby Irving R. Kapner\u003c/p\u003e","\u003cp\u003etranslated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy\u003c/p\u003e","\u003cp\u003eby Elmer Rice, photocopy\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Gerhart Hauptmann\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003etranslated from the Russian by Aaron Chorover\u003c/p\u003e","\u003cp\u003eby W. Alan Coutts\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Ten Orcross\u003c/p\u003e","\u003cp\u003eby Ten Orcross\u003c/p\u003e","\u003cp\u003eby George H. Broadhurst\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Charles Zerner and Ben S. Gross\u003c/p\u003e","\u003cp\u003eby Albert Hackett\u003c/p\u003e","\u003cp\u003eby J. Sackville Martin and Carl E. Freybe\u003c/p\u003e","\u003cp\u003eby J. Sackville Martin and Carl E. Freybe\u003c/p\u003e","\u003cp\u003eby Katherine Peabody Gurling\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby John Bowaldeth\u003c/p\u003e","\u003cp\u003eby Lelia May Smith\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Lucien Chantel\u003c/p\u003e","\u003cp\u003eby John Emerson and Anita Loos\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Clemence Dane, photocopy\u003c/p\u003e","\u003cp\u003eby David Pay Robinson\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach (revised Chicago version)\u003c/p\u003e","\u003cp\u003eby Kenneth White\u003c/p\u003e","\u003cp\u003eby Rae Abraham\u003c/p\u003e","\u003cp\u003eby Allan Davis\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Samuel Jesse Warshawsky, photocopy\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Virgil L. Baker\u003c/p\u003e","\u003cp\u003eby Charles Frederic Nirdlinger\u003c/p\u003e","\u003cp\u003eby Charles Frederic Nirdlinger\u003c/p\u003e","\u003cp\u003eby Charles Bruce Millholland\u003c/p\u003e","\u003cp\u003eby Charles Bruce Millholland\u003c/p\u003e","\u003cp\u003eby Edward Lynn\u003c/p\u003e","\u003cp\u003eby Josef and Karel Capek\u003c/p\u003e","\u003cp\u003eby Molly Day Thacher, photocopy\u003c/p\u003e","\u003cp\u003eby Tom Jewett\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Jakob Loewenberg\u003c/p\u003e","\u003cp\u003eby Peter Arnow\u003c/p\u003e","\u003cp\u003eby Mark Reed\u003c/p\u003e","\u003cp\u003eby Ulysses S. Elam\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Margaret Knox and Anna M. Lufkenhaus\u003c/p\u003e","\u003cp\u003eby Dorothy L. Sayers\u003c/p\u003e","\u003cp\u003eby M. Daniel\u003c/p\u003e","\u003cp\u003eSubseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.\u003c/p\u003e","\u003cp\u003eby Howard Warwick\u003c/p\u003e","\u003cp\u003eby Gene Stafford\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Arthur McCaffery\u003c/p\u003e","\u003cp\u003eby Charles Brownell\u003c/p\u003e","\u003cp\u003eby Friedrich Wolfe\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003etwo versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams, photocopy and original\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Harold Hartogensis\u003c/p\u003e","\u003cp\u003eby Boyd\u003c/p\u003e","\u003cp\u003eby Philip Massinger, adapted by Leah Jonas\u003c/p\u003e","\u003cp\u003eby Ben Jonson, adapted by Leah Jonas\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Sergei Prokofiev, 5 front pages and 2 full copies\u003c/p\u003e","\u003cp\u003eby Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Richard Wright\u003c/p\u003e","\u003cp\u003eby Pauline Simmons\u003c/p\u003e","\u003cp\u003eby Marshall Davidson\u003c/p\u003e","\u003cp\u003eby Martha Foley\u003c/p\u003e","\u003cp\u003eby Dr. Charles Russell\u003c/p\u003e","\u003cp\u003eby A. Hyatt Mayor\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby Morris Watson\u003c/p\u003e","\u003cp\u003einterview with Martha Graham and Leah Plotkin\u003c/p\u003e","\u003cp\u003einterview with Pietro di Donato and Leah Plotkin\u003c/p\u003e","\u003cp\u003einterview with Estelle Liebling and Leah Plotkin\u003c/p\u003e","\u003cp\u003eby Howard Koch adapted by Lawrence Levey (photocopy and original)\u003c/p\u003e","\u003cp\u003eby Barrie and Leona Stavis, adapted by Edward Morton\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray, adapted by Edward Morton\u003c/p\u003e","\u003cp\u003eby Carl Glick, adapted by Philip Ansel Roll\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Karl Barron\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eadapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eadapted by Charles Crumpton\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby Matty Cohen and B. F. Kamsler\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Joseph W. Miller\u003c/p\u003e","\u003cp\u003eboth by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett, first 25 pages\u003c/p\u003e","\u003cp\u003eboth by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby unknown; by Harry Goldsmith\u003c/p\u003e","\u003cp\u003eby John T. Mole\u003c/p\u003e","\u003cp\u003eby Gertrude Onnen and Phyllis Frederic; by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Charles Crumpton, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Lewis Meyer\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Georgia Fawcett, photocopy\u003c/p\u003e","\u003cp\u003eby Clifford Odets, adapted by Maurice Kurtz\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by W. M. Sutton\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by George Thorp\u003c/p\u003e","\u003cp\u003eby Harold Parke Godwin; by Frederick Prokosch\u003c/p\u003e","\u003cp\u003eby Arthur McCaffery, incomplete copy - first 13 pages\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby Paul de Kruif\u003c/p\u003e","\u003cp\u003eby Lawrence Bearson; by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby T. O. Day\u003c/p\u003e","\u003cp\u003eby Maxine Schiel, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby Jack Barefield, photocopy\u003c/p\u003e","\u003cp\u003eby Georgia Backus, photocopy\u003c/p\u003e","\u003cp\u003eby Maxine Schiel, photocopy\u003c/p\u003e","\u003cp\u003eby Ben Hawthorne, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arendt\u003c/p\u003e","\u003cp\u003eby David Lesan\u003c/p\u003e","\u003cp\u003eby David Lesan\u003c/p\u003e","\u003cp\u003eby William N. Robson\u003c/p\u003e","\u003cp\u003edramatization by Robert Lewis Shayon\u003c/p\u003e","\u003cp\u003eby Edward Solomon\u003c/p\u003e","\u003cp\u003eby Bucalossi\u003c/p\u003e","\u003cp\u003eby Michael William Balfe\u003c/p\u003e","\u003cp\u003eby Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan\u003c/p\u003e","\u003cp\u003eby Charles Lecocq\u003c/p\u003e","\u003cp\u003eby Sidney Jones\u003c/p\u003e","\u003cp\u003eby Sidney Jones\u003c/p\u003e","\u003cp\u003eby Charles Lecocq\u003c/p\u003e","\u003cp\u003eby Karl W. Schulz\u003c/p\u003e","\u003cp\u003eby W. Vincent Wallace\u003c/p\u003e","\u003cp\u003eby W. Vincent Wallace\u003c/p\u003e","\u003cp\u003eby Edmond Audran\u003c/p\u003e","\u003cp\u003eby Robert Planquette\u003c/p\u003e","\u003cp\u003eby Edmond Audran\u003c/p\u003e","\u003cp\u003eby Robert Planquette\u003c/p\u003e","\u003cp\u003eby Lajos Serly\u003c/p\u003e","\u003cp\u003eby Sir William S. Gilbert and Sir Arthur Sullivan\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Lews W. Moyer, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Charles Crumpton\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby Sylvia Altman\u003c/p\u003e","\u003cp\u003eby Sylvia Altman and Jeanette Gussin\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Victor E. Smith; by Joel Hammil\u003c/p\u003e","\u003cp\u003eby Will Glickman\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer; by W. M. Sutton\u003c/p\u003e","\u003cp\u003eby John I. Mole\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Maxwell Wolodin; by Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Victor E. Smith; by John I. Mole\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer; by Michael Davidson\u003c/p\u003e","\u003cp\u003eby Will Glickman\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Lee Fontainbleu; by Laurence U. Shloss\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni\u003c/p\u003e","\u003cp\u003eby John I. Mole\u003c/p\u003e","\u003cp\u003eby Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman\u003c/p\u003e","\u003cp\u003eBy Herbert Lewis; by Bob Frank\u003c/p\u003e","\u003cp\u003eby Bob Frank\u003c/p\u003e","\u003cp\u003eby Bob Frank\u003c/p\u003e","\u003cp\u003eby Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer\u003c/p\u003e","\u003cp\u003eby Paul Vulpius, adapted by Barry Williams\u003c/p\u003e","\u003cp\u003eby Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams\u003c/p\u003e","\u003cp\u003eby Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton\u003c/p\u003e","\u003cp\u003eby George Harmon Coxe, adapted by Victor E. Smith\u003c/p\u003e","\u003cp\u003eby George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson\u003c/p\u003e","\u003cp\u003eby Laura Z. Hobson, adapted by Lawrence Bearson\u003c/p\u003e","\u003cp\u003eby Jerome Beatty, adapted by Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Manuel Komroff, adapted by Joel Hammil\u003c/p\u003e","\u003cp\u003eby Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts\u003c/p\u003e","\u003cp\u003eby George Rolland\u003c/p\u003e","\u003cp\u003eby George Rolland\u003c/p\u003e","\u003cp\u003eby Barrie Williams; by Brian J. Byrne\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Frank Burrill\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Herb Meadow; adaptation by Joel Hammil and Leo Fontaine\u003c/p\u003e","\u003cp\u003eby A. L. Tyler\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Hugh Lester\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Harold Hartogensis; by Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Benet Costa, photocopy\u003c/p\u003e","\u003cp\u003eby Jane Ashman; also includes Women as Homemakers first page\u003c/p\u003e","\u003cp\u003eby Leo Fontaine, photocopy\u003c/p\u003e","\u003cp\u003eSubseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e","\u003cp\u003eSeries 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e","\u003cp\u003eSubseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eProposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley\u003c/p\u003e","\u003cp\u003eSubseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAmerican Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAccent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFestival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eClass of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms from \"Folk plays of the Carolina playmakers\"\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAbu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIn Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTen Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eHamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eBlind Alley; Brothers; It Can't Happen Here; Rachel's Man\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eOne-Third of a Nation; Roll Sweet Chariot; Room Service\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eBig Vaudeville Musical Revue\u003c/title\u003e (79 copies from different performances around Maine)\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnnouncing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here; Liliom; The Road to Rome\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eLadies of the Jury\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eVodvil Show\u003c/title\u003e (vaudeville)\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms: \u003ctitle\u003eAdalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eBuffalo Historical Marionettes available in digital format.\u003c/p\u003e","\u003cp\u003ePrograms: \u003ctitle\u003eProfessor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eFlyers and playbills: Current productions flyer - \u003ctitle\u003eBig Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language\u003c/title\u003e (9 copies); \u003ctitle\u003eThe Bat\u003c/title\u003e (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival; \u003ctitle\u003eThe Cradle Will Rock; The Emperor's New Clothes\u003c/title\u003e (3 copies); \u003ctitle\u003eFair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe\u003c/title\u003e (4 copies); \u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e (14 copies); \u003ctitle\u003eLife and Death of an American; Moving Along\u003c/title\u003e (2 copies); \u003ctitle\u003eOliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal\u003c/title\u003e (10 copies) \u003c/p\u003e","\u003cp\u003eBuffalo Historical Marionettes Benefit Performance is available in digital format.\u003c/p\u003e","\u003cp\u003eFlyers and playbills: \u003ctitle\u003eSing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh\u003c/title\u003e. 8.5x14\" flyers and playbills: \u003ctitle\u003eAdam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e. Volume V number 3 to number 14\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e. Volume V number 15-17, 19-23\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003ePower\u003c/title\u003e. Volume II number 1, Volume III number 1\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eCriminal at Large\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eHer Majesty the Widow\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePersonal Appearance\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePost Road\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eRemember the Day\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSaturday's Children\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTamed and How\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnother Language; The Barker; The Old Maid; There's Always Juliet\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAs Husbands Go; I Want a Policeman\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe First Mrs. Fraser\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Good Fairy\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt's a Wise Child\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Late Christopher Bean\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eNed McCobbs Daughter\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePossession\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSun Up\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTea for Three\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThey Knew What They Wanted\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThree Cornered Moon\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFresh Fields\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFirst Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Bad Man; Boy Meets Girl; The Christmas Carol\u003c/title\u003e; Federal Theatre for Youth (overview); \u003ctitle\u003eThe First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAlice in Wonderland; Counsellor-At-Law; One-Third of a Nation\u003c/title\u003e; Third Annual Central Oklahoma Folk Festival;\u003c/p\u003e","\u003cp\u003eThe Living Newspaper (\u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e); \u003ctitle\u003ePrelude to Spring\u003c/title\u003e; Puppet Pageant at the Philadelphia Museum of Art; \u003ctitle\u003eStepping Stars\u003c/title\u003e; Vaudeville\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eChristmas with Dickens\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAlice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eGreen Grow the Lilacs; Old Heidelberg\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ephotocopies, many with original performance dates handwritten on them - \u003ctitle\u003eAdelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps\u003c/title\u003e. Photocopies.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAdam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eOversize posters where each poster is a piece of a larger whole. There are seven pieces for \u003ctitle\u003eAlison's House\u003c/title\u003e and five for \u003ctitle\u003eThe Warrior's Husband\u003c/title\u003e. Roughly each piece measures 42 inches high and 28 inches wide.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eOversize posters where each poster is a piece of a larger whole. There are three pieces for \u003ctitle\u003eBill of Divorcement\u003c/title\u003e, two for \u003ctitle\u003eBlind Alley\u003c/title\u003e, two for \u003ctitle\u003eGods of the Lightning\u003c/title\u003e, and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play \u003ctitle\u003ePursuit of Happiness\u003c/title\u003e performed at the Mayan Theatre in Los Angeles in August of 1937.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Case of Philip Lawrence; Chalk Dust; The Cherokee Night\u003c/title\u003e; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus, \u003ctitle\u003eThe World's Greatest Circus; Class of '29\u003c/title\u003e; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939; \u003ctitle\u003eConjure Man Dies; Coriolanus; The Cradle Will Rock\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eEinmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal\u003c/title\u003e; Eugene O'Neill's One-Act Plays of the Sea\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFair and Warmer; Fantasy 1939; Flight\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eH.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eLife and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMacbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eNative Ground; No More Peace; Noah\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eOn the Rocks; On Top; One-Third of a Nation; Outside Looking In\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eDas Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThe Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)\u003c/p\u003e","\u003cp\u003ePrograms, flyers, and playbills: \u003ctitle\u003eWalk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms, flyers, and playbills: Various plays in Yiddish; \u003ctitle\u003eThe Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eSubseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eincludes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Willy B. Stahl and Walter C. Schad, Los Angeles, California\u003c/p\u003e","\u003cp\u003eincludes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass\u003c/p\u003e","\u003cp\u003eviolin music, arranged by M. L. Lake\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld\u003c/p\u003e","\u003cp\u003eby Alex North\u003c/p\u003e","\u003cp\u003eby Fred Miller Jr. and L. Leslie Loth\u003c/p\u003e","\u003cp\u003eby Herbert Kingsley, New York, New York\u003c/p\u003e","\u003cp\u003eincludes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California\u003c/p\u003e","\u003cp\u003emusic for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager\u003c/p\u003e","\u003cp\u003emusic for vocal lead on \"Sweet by and by\"\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, 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von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer, New York, New York\u003c/p\u003e","\u003cp\u003eviolin music \"If She Says No\"\u003c/p\u003e","\u003cp\u003emusic for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"\u003c/p\u003e","\u003cp\u003eChicago, Illinois\u003c/p\u003e","\u003cp\u003eviolin music \"Flow Gently, Sweet Afton\", Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Charles J. Levy\u003c/p\u003e","\u003cp\u003eincludes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"\u003c/p\u003e","\u003cp\u003eby Charles Wakefield Cadman\u003c/p\u003e","\u003cp\u003eby R. E. Austin\u003c/p\u003e","\u003cp\u003eby Irvin Cooper\u003c/p\u003e","\u003cp\u003e[Eddison von Ottenfeld] Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Meyer Rappaport and Emile Cote\u003c/p\u003e","\u003cp\u003eFrom the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof\u003c/p\u003e","\u003cp\u003eby Marshall Bartholomew\u003c/p\u003e","\u003cp\u003emusic by Genevieve Pitot, New York\u003c/p\u003e","\u003cp\u003eby F. Melius Christiansen\u003c/p\u003e","\u003cp\u003eby Paul Lincke\u003c/p\u003e","\u003cp\u003eby Ralph Story\u003c/p\u003e","\u003cp\u003eby Paul Lincke\u003c/p\u003e","\u003cp\u003eby Mozart-Shelley\u003c/p\u003e","\u003cp\u003eby Daniel Wood and Sumner Salter\u003c/p\u003e","\u003cp\u003eErnestine Valencia, arranged by Dan J. Michaud\u003c/p\u003e","\u003cp\u003eby Edward Elgar and Arthur Fagge\u003c/p\u003e","\u003cp\u003eby J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer\u003c/p\u003e","\u003cp\u003eparaphrase for mixed voices by William Schaeffer\u003c/p\u003e","\u003cp\u003eby Ivor Tchervanow and Ralph L. Baldwin\u003c/p\u003e","\u003cp\u003eby Rimsky-Korsikoff, arranged by Jacob Schwartzdorf\u003c/p\u003e","\u003cp\u003eby May H. Brahe\u003c/p\u003e","\u003cp\u003eviolin music, by Edna R. Heard\u003c/p\u003e","\u003cp\u003ePiano music \"Party Entre Act 1-2\", Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Max Hirschfeld, New York, New York\u003c/p\u003e","\u003cp\u003eby Jean Stor, New York, New York\u003c/p\u003e","\u003cp\u003eby David Sheinfeld\u003c/p\u003e","\u003cp\u003eby John Ansell\u003c/p\u003e","\u003cp\u003eThis series includes two coats and two pairs of pants created and used by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLong red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"\u003c/p\u003e","\u003cp\u003eA long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"\u003c/p\u003e","\u003cp\u003eTwo pairs of men's pants, one yellow, one red. Both pants stop below the knee. 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note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["Content Warning: Some materials contain racist language and slurs, including play titles.","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Series 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Available in digital format.","The House Committee on Un-American Activities (HUAC)","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","Includes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"","Issues of New Theatre (1934-1936).","Oversize color reprint of article from Fortune","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.","Contains blueprints and photographs of portable theatres","Subseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Subseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.","by John Wiley; based on an Edgar Allen Poe story (photocopy)","by Beth Brown","by Elmer L. Rice","by Francis Bosworth","by Buell R. Fuller","Director Georgia S. Fink","by Virginia Yetes (photocopy)","by Ruth Morris","by Gladys Unger and Walter Armitage","by David Arnold Balch","by William Mahl","by William Mahl","by William Mahl","by Eugene O'Neill","by Eugene O'Neill","by Edmond Rostand","by Edmond Rostand","by Edmond Rostand","by Yasha Frank","director Georgia S. Fink","adapted by S.S. Weiss","adapted by Ralph Chesse","by Sidney Howard","by Sidney Howard","by Eugene O'Neil","by Homer Little and Myla Jo Closser","by Homer Little and Myla Jo Closser","by Hardie Albright","by Hardie Albright","by Thomas Hall Rogers, photocopy from February 20, 1991","by Thomas Hall Rogers, 2 photocopies","by Thomas Hall Rogers","by Thomas Hall Rogers","by Thomas Hall Rogers","published in The Catholic School Journal","by Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy","by Edwin and Albert Barker","by Edwin and Albert Barker","by Elmer L. Rice","by Elmer L. Rice","by Elmer L. Rice","by Talbot Jennings","by Mrs. Alexander Mathis","by Vera Smirnova","by Edwin Burke","by Louis Weitzenkorn","by George Bernard Shaw","by Langston Hughes; A One-Act Play of Negro Life, photocopy","by Eugene O'Neill","by Eugene O'Neill","by Rose Franken","by Rose Franken","by St. John Ervine","by Elizabeth de Vautibault","by Elizabeth de Vautibault","by Rev. Henry N. Hudson","by Rev. Henry N. Hudson","by Rudolph Wittenberg","by Laurance Moore","by Margaret Brooks and Constance Wyckoff","by George Bernard Shaw","by George Bernard Shaw","by Martin Flavin","by Martin Flavin","by Yale Dramatic Association","by Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy","by W. H. Auden and Christopher Isherwood","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Lockhart North","by T. R. Arkell","by Owen Davis","by C. L. Anthony","by Clifford Odets","by Clifford Odets","by Clifford Odets","by Ruth Fenisong and Remo Bufano","by Lester Fuller, 2 copies, 1 of which is a photocopy","by Margaret Mayo","by Porter Emerson Brown","by Porter Emerson Brown","by H. R. Hays","by H. R. Hays","by Padriac Colum","by Padriac Colum","by Herb Meadow","by Herb Meadow, 2 photocopies","by Katharine Clugston","by Katharine Clugston","by Walter Hackett","by Maxwell Anderson","by Michael Blankfort and Michael Gold, photocopy","by Michael Blankfort and Michael Gold","by Michael Blankfort and Michael Gold","by Frederick Stowers","by Mary Dirnberger; Dramatized from the familiar fairy tale","by Mary Dirnberger; Dramatized from the familiar fairy tale","Transcribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma","by Albert Powels","by Alfred Lord Tennyson","by Alfred Lord Tennyson","by Brian J. Byrne","by George S. Kaufman and Marc Connelly","by George S. Kaufman and Marc Connelly","by Aodh de Blacam","by Belmont Ashton","by Lawrence Houseman","by Walter Abbott","by Walter Abbott","by Anonymous","by Eugene O'Neill","by Eugene O'Neill","by John W. Dunn; A play of early Oklahoma life","by John W. Dunn; A play of early Oklahoma life","by William Beyer","by Theodore Pratt, photocopy","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Samuel Sayer","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy","Synopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre","by Charles M. Barras","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Seymour G. Link","by Martin Flavin","by Maurice Maeterlinck","by Georgia Douglas Johnson, photocopy","by Ruth Fenisong","photocopy","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Eugene O'Neill","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Robin Taylor","Revision by Florence Elberta Barns","by Ruth Comfort Mitchel and Alfred Allen, photocopy","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Will Cotton","by Will Cotton","by Robert Hare Powel","by Robert Hare Powel","by Emmet Lavery","by Martin Flavin","by Martin Flavin","by Ruth Fenisong","by Frank Wilson","by Frank Wilson","by Frank Wilson","by Emmet Lavery","by Miss Mabel Osborne","by Emma Ehrlich Levinger","by Irwin Shaw","by Beth Brown and Gilbert Laurence","by Leopold L. Atlas","by Leopold L. Atlas","Original by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by George Bernard Shaw","by George Bernard Shaw","by Frank L. Moss and Richard Dana","by Frank L. Moss and Richard Dana","by Arnold Zweig","by Robert Peele Noble","by Robert Peele Noble","by Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy","by George Bernard Shaw","by George Bernard Shaw","by Carl Glick","by Arthur Goodrich and Rose A. Palmer","by Arthur Goodrich and Rose A. Palmer","by George Bernard Shaw","by George Bernard Shaw","by Robt. A. Bromley (revised edition)","by Zelma Bruce Tiden","by Zelma Bruce Tiden","by Peretz Hirshbein","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Estelle L. Silverman","by Jules Renard","by Rollo Wayne","by Rollo Wayne","by Rollo Wayne","by George McEnlee, photocopy","by George McEnlee","by H. Leivick","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg (revised)","by German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy","by A. Barto","by James Parish","by Y. L. Peretz","by John Woodworth, photocopy","by John Woodworth","by Ruth Fenisong","by John W. Dunn, photocopy","by John W. Dunn","by Stanislaus Stange","by sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw","Hedley Gordon Graham","by Essex Dane","by George Huntington Clark","by George Huntington Clark","by H. Jack Bates; A Negro Folk Play, photocopy","by Ruth Welty and Gene Renouf","by Rose Carlyn, photocopy","Three by Rose Carlyn; Three by Fannie Engle","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Gilbert Lennox","by Paul Vincent Carroll","by Noel Harris Houston","by Gertrude Worthington Jeffries","by Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy","by Rudolph Fisher, photocopy","by Rudolph Fisher, photocopy","by A. Callen, M. Worthington, and I. Reuben, photocopy","by Oliver Haserodt, photocopy","by Oliver Haserodt","by Royall Tyler","by M. Manisoff","by a seventh grade in Louisville, Kentucky","by a seventh grade in Louisville, Kentucky","by Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Marc Blitzstein, 2 photocopies","by Marc Blitzstein","by John H. Floyd","by members of the Play Bureau of the Southwest","by Betty Lessler Lyman","by John Hunter Booth","by John Hunter Booth, photocopy","by John Hunter Booth, photocopy","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director","by W. S. Gilbert","by Charles Dickens adapted by Gilmor Brown","Marionette Division, Buffalo, N.Y.","by Edgar Wallace","by James Stephens","by Walt Anderson","by Walt Anderson","by A. Barto","by A. Barto","by Laurette MacDuffie","by Anna Best Joder","by Elizabeth Leigh Vaughan","by W. H. Auden","by Joaquin Miller, photocopy","by Joaquin Miller","by Ruby Lorraine Radford","by S. Ansky","by L. W. Barrus","by George Foss, photocopy","by George Foss","by George Foss","by Grant Moss","by Grant Moss","by George W. Cronyn","by Rose Carlyn","by J. C. Furnes","by Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen","by Eugene O'Neill","by Benn W. Levy; A Religious Comedy, photocopy","by Benn W. Levy; A Religious Comedy","by George Bernard Shaw","by George Bernard Shaw","by Elmer Rice","by Eugene O'Neill","by Eugene O'Neill","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play","by Andrew Barton","by Andrew Barton","by Andrew Barton","by Merrill Denison","by Christopher Marlowe, arranged for marionettes by Robert Larson","by Twort (?) Gilbert and Edward Rosen","by Christopher Marlowe","by Christopher Marlowe","by Moliere","by Jules Romans, English version by Harley Granville-Barker","by Minnie H. Niemier","by Lope de Vega","by Harlan E. Glazier","by David Pinski","by Fred Ballard","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","by Elizabeth McFadden","by Charlotte Kohler, photocopy","by Joan and Michale A. Slane","by Carl Glick","by Rosa Carlyn","published by the National Tuberculosis Association","by Eugene O'Neill","by W. H. Smith","by Luis Quinones de Benavente","by Emily Percy Denison","by S. Ansky","by S. Ansky","by S. Ansky","by Arthur Goodman","by Elise Jerard","by Samuel Shipman and John B. Hymer","by Samuel Shipman and John B. Hymer","by Ossip Dymow","by Ossip Dymow","by Ossip Dymow","by Jack Larric","by Jack Larric","by Peretz Hirshbein","by Charlotte Charpenning","by Charlotte Charpenning","by Joseph Liss","by Paul Green","by Paul Green","by Paul Green","by C. C. Parsons","by Henrik Ibsen","by Henrik Ibsen","by Henrik Ibsen","by Sean O'Casey","by Demetre Bohris","by John Galsworthy","by Arthur Arent, photocopy","by Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy","by Arthur Arent, photocopy received June 11, 1991","by Kjeld Abell","by Paul Lawrence Dunbar (adaptation)","by Paul Lawrence Dunbar","by Sylvia Regan","by Sylvia Regan","by G. J. Graves","by G. J. Graves","by Will T. Goodwin; Working Script","by Emmet Lavery","by Emmet Lavery","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Bradbury Foote","by Bradbury Foote","by Cervantes","by Doris Troutman","by Luis Quinones de Benavente","adapted by Maurice Jagendorf","adapted by Maurice Jagendorf","by Irving P. Kapner","by Frank B. Elser and Marc Connelly","by Frank B. Elser and Marc Connelly","by Brian Doherty","by Brian Doherty","by Lope de Vega","by Maxwell Anderson","by H. A. Archibald","by Munro Leaf","by Paul Green","by Paul Green","by Rachel Lyman Field","by Weldon Stone","by Weldon Stone","by John Van Antwerp","by John Van Antwerp","by A. Barto","by Eugene O'Neill","by Frank Craven","by George H. Corey, photocopy","by George H. Corey","by E. and P. Green","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy","by Oscar Saul and Louis Lantz","by Oscar Saul and Louis Lantz","by Pearl S. Buck","by Pearl S. Buck","A play for boys and girls with radio participation, experiment number 1 by Berthold Brecht","by John W. Dunn","by Graham Rawson","by Graham Rawson","by Gene Stone and Jack Rosenblum","by Phile Higley","by Myrtle L. Barger","by E. P. Conkle","by Harry B. Smith","by Harry B. Smith","by Ada Sterling","by Ada Sterling","by Eleanor Garland","by Eugene O'Neill","by Eugene O'Neill","by Harry Sackler","by Georgia Douglas Johnson, photocopy","by Georgia Douglas Johnson","by Harriet Wedgwood, a health play for children, reprinted from Hygeia","by Samuel Shipman and Aaron Hoffman","by Samuel Shipman and Aaron Hoffman","by B. R. Fuller","by Leopold L. Atlas","by Beverly Hamer in the Carolina Play Book volume X, number 3","by William Stevenson","by B. K. Simkhovitch","by B. K. Simkhovitch","by B. K. Simkhovitch","by Felix Doherty","by Nando Vitali","by Ben Russak","by Ben Russak","by Ben Russak","by Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.","by Edward Lynn","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Isidore Reuben","by Philo Higley","by Arnold Ridley","by Buell R. Fuller","by Aldous Huxley","photocopy","by Ferenc Molnar","by Ferenc Molnar","by Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy","adapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Jacob Gordon","by J. J. Robbins","by J. J. Robbins","by Philip Stevenson","by Leon Crozier","by Paul Armstrong and Rex Beach","by Paul Smith","by Louise Franklin Bache","by Lewis Beach","by Lewis Beach","by Lewis Beach","by Kermit Love","by Rose Carlyn","by Ridgely Torrence; A Play for the Negro Theatre, photocopy","by Howard Koch; A Comedy of Recent Times, photocopy","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Warwick F. Williams","by William R. Randall","by Anna Friedman; A Roosevelt Play, photocopy","by Gertrude Worthington Jeffries, photocopy","by Gertrude Worthington Jeffries","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by George Bernard Shaw","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Bernard Szold and E. P. O'Donnell","by Bernard Szold and E. P. O'Donnell","by Marc Connelly","adapted by Stephen Weiss","by William J. Langman, S. J.","by Eugene O'Neill","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by Noah Elstein","by Grace Dorcas Ruthenberg","by Harlan E. Glazier","by Yasha Frank","by Thornton Wilder","by Thornton Wilder","by Wilfrido Ma Guerrero","by Donald Davis and Samuel Ornitz","by Joseph Lehmann","by Charles Prentiss","by Julius Hay","by Julius Hay","by Arthur Kober","by Arthur Kober","by Elizabeth Jane Astley","by Philip Atlee and Edmund Van Zandt","by Philip Atlee and Edmund Van Zandt","by David Belasco","by George Bernard Shaw","by Albert Bein","by Albert Bein","by Helen Clare Nelson","by Barry Conners","by Abram Hill, photocopy","by Margaret Sperry","by Margaret Sperry","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Theresa Helburn","by Theresa Helburn","by Theresa Helburn","adapted and translated by Donald Fay Robinson","adapted by Kent Pease Hamdent High School, Hamdent, Connecticut","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Mary B. Stafford","by Harlan E. Glazier","by Lee Freeson","by Howard Koch and Ben Russak","by Howard Koch and Ben Russak","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by John Wiley","by Harold Courlander","by Sally Coulter","by Herb Meadow","by Dorothy Hailpern","by Dorothy Hailpern","by Michael Swift","by Philip Barry","by Philip Barry","by John Alan Haughton","by Marion Holbrook","by Joseph Liss","by Paul Green","by Sara E. Bower","by Bertram M. Gross","by Alan Sidney","by Edith Kunz","by The Historical Project, Federal Writers Project of Minnesota","by Paul Green","by Paul Green","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by Margaret MacNamera","by Margaret MacNamera","by Edwin Burke","by Rufus King and Milton Lazarus","by Rufus King and Milton Lazarus","by Perez Hirschbaum","by Maria M. Coxe, photocopy","by Maria M. Coxe","by Maria M. Coxe","by Maria M. Coxe","by Paul Green","by Eugene O'Neill","by Bertolt Brecht","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by Maurice Stoller","by Norman Roston","by Noah Elstein, photocopy","by Noah Elstein","by Noah Elstein","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by Raymond Reeves, photocopy","by Raymond Reeves","by St. John G. Ervine","by St. John G. Ervine","by John McGee","adapted by Federal Theatre Project Los Angeles, California","by H. L. Fishel, photocopy","by H. L. Fishel, photocopy","by H. L. Fishel","by H. L. Fishel","by Martha Hodgson Ellis","by David Schrieber","by St. John G. Ervine","by St. John G. Ervine","by Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Paul Green","by Paul Green","by Luidmilla Vepritskaya","by Alma Shaw","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by Warren Coleman; A Negro Comedy, 2 photocopies","Elmer Rice","by Shakespeare","by Thomas A. Langan","by Emmet Lavery","by Ruth Fenisong","by J. C. Nugent and Elliott Nugent","by J. C. Nugent and Elliott Nugent","by Edgar Slaughter","The Living Newspaper Presents","The Living Newspaper Presents","by James Bridie","by Catherine Reighard","by Max M. Dill","by Don Mullally","by David Pinski","by T. C. Robinson and Rena M. Vale, photocopy","by T. C. Robinson and Rena M. Vale, photocopy","by Lawrence J. Bernard","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by George Scudder","by Irving Kaye Davis","by Irving Kaye Davis","by Irving Kaye Davis","by James Bridie","by James Bridie","by Sidney Howard","by Sidney Howard","by Harry King Tootle","by Harry King Tootle","by William Beyer","by William Beyer","by Oliver La Farge","by V. Beldon?","by Harry King Tootle","by Ernest Chamberlain","by Ernest Chamberlain","by Elmer Rice","by Moliere","by A. Barto","by Maurice Stoller","by Charlotte Chorpenning","by Bertram Robinson","photocopy","photocopy","photocopy","by Edward Hopter","by George Sklar","by George Sklar","by George Sklar","by George Sklar","by Gilbert Laurence","by Giuseppe Giacosa","by Giuseppe Giacosa","by Marion Flexner and Dorothy Park Clark","by Franz Molnar","by Franz Molnar","by Alma Shaw","by C. B. Chorpenning, photocopy","by C. B. Chorpenning","by C. B. Chorpenning","by C. B. Chorpenning","by Molka Reich of Miami Florida Project","translated from Flemish by Jacob Borut and Lola Sachs","translated from Flemish by Jacob Borut and Lola Sachs","by Marc Connelly","by Alexei Tolstoi","by Eleanor Glendower Griffith","by Lawrence and Sylvia Martin, photocopy","by Lawrence and Sylvia Martin, photocopy","by Howard Koch","by Howard Koch","by Howard Koch","by Thornton Wilder","by Eugene O'Neill","by Charles George","by T. C. Upham","by T. C. Upham","by Isidore Reuben","by Charles Alan","by Charles Alan","by Thornton Wilder","by John Galsworthy","by Maud Wood Park, photocopy","by Maud Wood Park","by Maud Wood Park","by Maud Wood Park revised by Robert Finch","by Theodore Browne; An \"African Version\", photocopy","by Clarence H. Talbot","reprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Blake","by Victoria Heindel","by Lee Freeson","by Louis Golding and A. R. Rawlinson","by Bernard Shaw","by Bernard Shaw","by Alfred Sutro","by John Woodworth","by John Woodworth","by Mr. Beete","by Mr. Beete","by Hollister Noble and Edward R. Sammis","by Hollister Noble and Edward R. Sammis","by Paul Green","by Anatole France","by Jules Eckert Goodman and Eckert Goodman","by Jules Eckert Goodman and Eckert Goodman","by Earnest Andai and Lajos Balint","by Federal Theatres, Los Angeles, California","by Anton Chekhov","by Rena B. Johnson","by Tom Taylor and Charles Reade","by Mabel DeVries Tanner","by Mabel DeVries Tanner","by Mabel DeVries Tanner","photocopy","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","by John Le Touche","by Brandon Tynan","by Victor Victor","by Victor Victor","by William Shakespeare","by H. Richard Oliver and John McCain Rimassa","by William Shakespeare","by Rose Dubin","by Ruth Fenisong and Samuel Sayer","By W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.","by W. S. Gilbert; The Town of Titifu, photocopy","by W. S. Gilbert; The Town of Titifu","by W. S. Gilbert; The Town of Titifu","by Plautus; translated by Clarence P. Bill, photocopy","photocopy","by Lynn Root and Harry Clork","by Wallace L. Waite","by Wallace L. Waite","by B. R. Fuller","by Dee Burque","by Hans Chlumberg, photocopy","by Nahum Brind","by John Crosby","by John Crosby","Page has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.","by John Charles Brownell","by E. B. Ginty","by E. B. Ginty","by Louise Franklin Bache","by Rose Franken and Jane Lewin","by Rose Franken and Jane Lewin","by Holger Cahill","by Holger Cahill","by Holger Cahill","by Michael Gold","by J. R. Perkins","by Emmet Lavery","by Denis Johnston","by Denis Johnston","by Eugene O'Neill","by Richard Maibaum","by Richard Maibaum","by Richard Maibaum","by Samuel French","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Joseph Liss","by Ruth Fenisong","by Louise Franklin Bache","by Ramon Romero, photocopy","by Ramon Romero, photocopy","by Ramon Romero","by Ramon Romero","by T. S. Eliot","by T. S. Eliot","by T. S. Eliot","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Buell R. Fuller","by Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy","by Cecil E. Reynolds","by Cecil E. Reynolds","by Rose Carlyn","from volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry","by Nathalie Satz and Sergei Rosaanov","by Anemone Pemberton","photocopy","photocopy","by Maxwell Anderson","by Arthur Arent; A Living Newspaper Play, photocopy","by Arthur Arent; A Living Newspaper Play","by Arthur Arent; A Living Newspaper Play","by students of Commonwealth College; Commonwealth College Fortnightly, photocopy","by Eleanor Flexner","by Eleanor Flexner","by Arthur Strawn and Henry Rosendahl","by Talbot Jennings","by Ernest Toller","by Ernest Toller","by Lilian Gill","by Jerome Geneson","by George Smedley Smith and Bernard Szold","by George Smedley Smith and Bernard Szold","by Ethel Watts Mumford and Lily Strickland","by Elmer Rice","by Elmer Rice","by Nathan Spiegel","by Joseph Hergesheimer","by Joseph Hergesheimer","by Sid Kuller and Ray Golden","by Sid Kuller and Ray Golden","by Harold Igo, photocopy","by Harold Igo","by Harold Igo","by Bernard Shaw","by James Knox Millen","by James Knox Millen","by Denman Thompson","adapted for marionettes by Ruth Fenisong and Samuel Sayer","adapted for marionettes by Ruth Fenisong and Samuel Sayer","by Benjamin M. Kaye","by Benjamin M. Kaye","by Bernard Shaw","by Bernard Shaw","by Bernard Shaw","by Marian Katherine Brown","by Seyril Schochen","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","by Kenneth Webb","by Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","dramatized from L. Feuchtwanger's novel by Clayton Fritchi","by Remo Bufano","by Irvin Wilson Baker","by Irvin Wilson Baker","by Irvin Wilson Baker","by Harry Hamilton","by Lillian Day and Lyon Mearson","by Lillian Day and Lyon Mearson","by Irving P. Kapner","by John Mason Brown","by Grace H. Swift, photocopy","by Catherine F. Reighard","by Gladys E. Murray","by Hughes Allison, photocopy","by Faye L. Tornquist","by Irving De W. Talmadge","by Irving De W. Talmadge","by Arthur Goodman","by Aristophanes","by Aristophanes","by Howard J. Green and Raymond Leslie Goldman","by Howard J. Green and Raymond Leslie Goldman","by Lope de Vega","translation by Joan Vanderpool","by Marion Holbrook","by Martha B. King","by Robert Sherwood","by Robert Sherwood","by Harlan E. Glazier","by members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania","by Alan Sidney","after the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget","adapted by Federal Theatre Project, Omaha, Nebraska","by Sarah Neuman","a Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales","adapted by Yasha Frank, photocopy","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","by Frank Kintrea","by Adelaide C. Rowell","by Adelaide C. Rowell","by Adelaide C. Rowell","by Phil Cook and McElbert Moore","by Ben Bengal","by A. Korneichuk","by J. Liss","by Margaret Naumberg","by Rose Carlyn","by Alvin Kerr","by Alvin Kerr","by Alvin Kerr","by George Kelly","by Robert Russell, photocopy","by Robert Russell","by Robert Russell","by Dorothy Heyward and DuBose Heyward","Living Newspaper, photocopy","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","by Karel Capek","by Karel Capek","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","Content warning: racist language/slur.","Full title: Prancing Nigger. By E. England suggested from the novel by Ronald Firbank of the same name","Content warning: racist language/slur.","Full title: Prancing Nigger.","by Robert Whitehand, photocopy","by Robert Whitehand","by Robert Whitehand","by Albert Maltz; Anti-Fascist Play, photocopy","by Alfred Kreymborg","by John Howard Lawson, photocopy","by John Howard Lawson, photocopy","by John Howard Lawson","by John Howard Lawson","by John Garrett Underhill","by Freidrich Wolf, photocopy","by Friedrich Wolf","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by Claudia Hatch, photocopy","by Eldridge Lindsay","by Thornton Wilder","by Lawrence Langner and Armina Marshall Langner","by Leonora Kaghan and Anita Phillips","by Tonia Bakina","by Karel Capek","by Karel Capek","by Ferdinand Bruckner","by Ferdinand Bruckner","by Bradbury Foote","by Bradbury Foote","by Bradbury Foote","by Edward Stirling, Esq.","by Edward Stirling, Esq.","by Fred Ballard","by Blanding Sloan","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by L. Resnick","by Robert Sturgis, photocopy","by Fritz Karinthy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life","by P. Washington Porter; A Tragedy of Negro Life","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz","by Federal Theater Project, Los Angeles","by Federal Theater Project, Los Angeles","by Frances Montgomery","by Jan Klokog","as produced by the Federal Theater Project at Omaha, Nebraska","adapted for Buffalo Historical Marionette Theatre","by Lee Freeson","photocopy","by Richard Oliver; A Living Newspaper Play, photocopy","by Charles Vildrac","by Charles Vildrac","Dramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip","by Lynn Riggs","by Lynn Riggs","by Joseph Liss","by Joseph Liss","by John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")","by John W. Dunn","by Edith Grossberg Whitesell","by Edith Grossberg Whitesell","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa","by Hassard Short and Maurice Henniquin","by Hall Johnson, photocopy","by Hall Johnson, photocopy","by Hall Johnson","Living Newspaper, photocopy","by Charles Vildrac","by Francisco Rodrigo","by Leonide Andreyeff","by A. Barto","by Lope de Vega","by Countee Cullen and Arna Bontemps, photocopy","by Countee Cullen and Arna Bontemps","by Upton Sinclair; A Little Play for the White Collar Folks,","by Upton Sinclair; A Little Play for the White Collar Folks,","by Robert A Bromley and Al Carthe","by Robert A Bromley and Al Carthe","by Paul Green","by Maxwell Anderson","by Maxwell Anderson","by Micha Hawkins","The Adventures of a Bunny","by Frances Lester Warner","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Christobel Morley Cordell, photocopy","by Richard Brinsley Sheridan","by Maxwell Anderson","by Harold Whitehall","by Harold Whitehall","by Harold Whitehall","by Phyllis Clare Flannery; A Farce Satire, photocopy","by George Savage, Dramatist Guild Contest Play #60, photocopy","by George Savage, photocopy","by George Savage, Dramatist Guild Contest Play #60","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage","by Elmer Rice","by Elmer Rice","by Bertolt Brecht, translated by Keene Wallis","by Leonard J. Tyle","by William Evans","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by R. Edgar Moore","by R. Edgar Moore","by Florence Clothier; A Play of the Labrador Coast, photocopy","by Oliver Goldsmith; The Mistakes of a Night, photocopy","compiled from Old English nativity plays by Robert Larson","by Ruth Fenisong and Samuel Sayer","by Andrews and Anne Wilson Peabody","by George Kelly, version used by Negro Theatre Unit, New York City","by George Kelly","by Morgan Burke","by Morgan Burke","by Robert K. Ryland","photocopy","by Howard Koch","by Howard Koch","by Sholem Ash","by Isabel Anderson (Mrs. Larz Anderson)","by Fall River, photocopy","by F. S. Hill","by Miles Malleson","by Janet Hartman and Hallie Flanagan, photocopy","by Buell R. Fuller and Stephen Weiss","by Sedarmee Club Madison House","by Jo Basshe, photocopy","by Robert A. Bromley and Al Carthe","by Robert A. Bromley and Al Carthe","by Betty Smith","by Joseph Lawrence, photocopy","by Joseph Lawrence","by H. Leivick","an ancient Japanese farce translated by Michio Itow and Louis V. Ledoux","by Grace Welsh Lutgen, photocopy","by J. S. Coppard","by B. R. Fuller","photocopy","photocopy","by Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy","three copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.","by Arnold Sundgaard, photocopy","by Arnold Sundgaard, photocopy","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by James P. Judge","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Helen Fitzgerald","by Victor Victor","by Victor Victor","by Robert Ardrey; A Comedy, photocopy","by Robert Ardrey; A Comedy","by Ward Courtney; a Living Newspaper Play, photocopy","by Ward Courtney; a Living Newspaper Play, photocopy","by Otis Chatfield-Taylor, photocopy","by Charles Irving","by Charles Irving","photocopy","by Harold Robbins","by Elmer Rice","by Paul Peters and George Sklar","by Robert T. Colwell and Robert A. Simon","by Elmer Rice","by Elmer Rice","by Paul Tripp","by Mary Manning","by Mary Manning","by Barrie and Leonia Stavis","by Barrie and Leonia Stavis","by Henry C. Haskell","by Henry C. Haskell","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray, photocopy","by Lula Vollmer","by Norman Foster and Harry Hamilton","by Norman Foster and Harry Hamilton","by Georgie Douglass Johnson","by George Cram Cook and Susan Glaspell","by C. Liberman","by August Strindberg","photocopy","Federal Theatre of Oklahoma","by Maurice Stoller","by Katharine Clugston","by Katharine Clugston","by Katharine Clugston","by David Pinski, photocopy","by David Pinski","by David Pinski","by David Pinsky","by William Shakespeare","by William Shakespeare","by William Shakespeare","by William Shakespeare","by David Lano","Vagabond Puppeteers for the Federal Theatre of Oklahoma","by Shotwell Callvert, photocopy","by William dorsey Blake; A Living Newspaper Play, photocopy","by Anthony Armstrong","by Charles H. Hoyt","by Charles H. Hoyt","by Florine Schwartz; A Play for Children, photocopy","by Anna M. Lutkenhaus, photocopy","by Arthur A. Miller, photocopy","by Ivan Rowan and Martin Delman","by Ivan Rowan and Martin Delman","by Raymond Bond","by Raymond Bond","by Raymond Bond","by William Kozlenko","by Converse Tyler","by Converse Tyler","by Converse Tyler","by Knox Herold","by Betty Smith","by Yury Olesha","by Yury Olesha","by Gertrude Tonkonogy, photocopy","by Marita Rosler","by Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy","by Marie Baume from the novel by Leane Zugsmith; photocopy","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by William Shakespeare","by William Shakespeare","by William Shakespeare","by James Bridie","by Samuel Sayer","by Robert Wallsten","by Isabel Barber; A dramatist guild contest play #552","by Isabel Barber","by Isabel Barber","by John Broome, photocopy","by John Broome","by Ruth Fenisong","by Ruth Fenisong","by Robinson Jeffers; A Play in Poetic Form, photocopy","by Robinson Jeffers; A Play in Poetic Form","by George Murray and David Pelts; A Living Newspaper on Pensions; photocopy","by Philip Stevenson","by Rose Carlyn","by Jules Eckert Goodman, photocopy","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Remo Bufano","by Remo Bufano","by Stephen Spender","by Hughes Allison, photocopy","by Hughes Allison, photocopy","by Hughes Allison","by Hughes Allison","by Hughes Allison","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","Based on Homer and Euripides, includes photocopied program, photocopy","Based on Trojan Women of Euripides","Based on Trojan Women of Euripides","by Philip H. Davis","translated by Edith Hamilton","translated by Edith Hamilton","translated by Edith Hamilton","by Eleanor Phelps, photocopy","by Langston Hughes, photocopy","by Langston Hughes","by Langston Hughes","by Harry Sackler","Content Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.","by J. M. Barrie","by McElbert Moore","by McElbert Moore","by H. R. Lenormand","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by A. Barto","by E. P. Conkle","by Whitfield Cook, photocopy","by Whitfield Cook","by Whitfield Cook","by Robert Larson","Jacksonville, Florida script 1939, photocopy","by Anton Chekhov","by Augustin Daly","by Bernice McQuilken","by Gene Buck","by Helen Fitzgerald","by Mrs. William Hyman","by Charles Allen Smart","by Vincent Moran","by Vincent Moran","by Karl Gutzkov","by Eden White; A Rollicking Comedy","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","by Ruth Fenisong","by Marietta Fouche","by Marietta Fouche","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by I. L. Peretz","by John F. Burns","by Stefan Zweig","photocopy","Living Newspaper","by Caroline C. Lovell","by William C. de Mille","by William C. de Mille","by Percy Mackaye","by William L. Price","by Frances Gordon Strunsky","by Helen Gholson Kittredge","by Irving R. Kapner","translated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy","by Elmer Rice, photocopy","by Elmer Rice","by Gerhart Hauptmann","by Eugene O'Neill","translated from the Russian by Aaron Chorover","by W. Alan Coutts","by Rose Carlyn","by Ten Orcross","by Ten Orcross","by George H. Broadhurst","by Philip Stevenson","by Philip Stevenson","by Charles Zerner and Ben S. Gross","by Albert Hackett","by J. Sackville Martin and Carl E. Freybe","by J. Sackville Martin and Carl E. Freybe","by Katherine Peabody Gurling","by A. Barto","by John Bowaldeth","by Lelia May Smith","by Harry B. Smith","by Converse Tyler","by Lucien Chantel","by John Emerson and Anita Loos","by Harlan E. Glazier","by Paul Green","by Joseph Liss","by Clemence Dane, photocopy","by David Pay Robinson","by Marcus L. Bach","by Marcus L. Bach","by Marcus L. Bach (revised Chicago version)","by Kenneth White","by Rae Abraham","by Allan Davis","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Samuel Jesse Warshawsky, photocopy","by Buell R. Fuller","by Virgil L. Baker","by Charles Frederic Nirdlinger","by Charles Frederic Nirdlinger","by Charles Bruce Millholland","by Charles Bruce Millholland","by Edward Lynn","by Josef and Karel Capek","by Molly Day Thacher, photocopy","by Tom Jewett","by Chase Varney","by Chase Varney","by Chase Varney","by Jakob Loewenberg","by Peter Arnow","by Mark Reed","by Ulysses S. Elam","by Bernard Shaw","by Bernard Shaw","by Rose Carlyn","by Margaret Knox and Anna M. Lufkenhaus","by Dorothy L. Sayers","by M. Daniel","Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.","by Howard Warwick","by Gene Stafford","photocopy","by Arthur McCaffery","by Charles Brownell","by Friedrich Wolfe","by Howard Koch","by Leo Fontaine","two versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams, photocopy and original","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Harold Hartogensis","by Boyd","by Philip Massinger, adapted by Leah Jonas","by Ben Jonson, adapted by Leah Jonas","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Sergei Prokofiev, 5 front pages and 2 full copies","by Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson","by Richard Wright","by Pauline Simmons","by Marshall Davidson","by Martha Foley","by Dr. Charles Russell","by A. Hyatt Mayor","by David Canfield","by David Canfield","by David Canfield","by Morris Watson","interview with Martha Graham and Leah Plotkin","interview with Pietro di Donato and Leah Plotkin","interview with Estelle Liebling and Leah Plotkin","by Howard Koch adapted by Lawrence Levey (photocopy and original)","by Barrie and Leona Stavis, adapted by Edward Morton","by Theodore Pezman and Donald Murray, adapted by Edward Morton","by Carl Glick, adapted by Philip Ansel Roll","photocopy","by Karl Barron","by Phyllis Frederic","by Phyllis Frederic","adapted by Cecil Stevenson","adapted by Charles Crumpton","by Michael Davidson","by Matty Cohen and B. F. Kamsler","by Edward H. Smith","by Lewis W. Moyer","by Lewis W. Moyer","by Joseph W. Miller","both by Jeanette Despres","by Edward H. Smith","by Georgia Fawcett, first 25 pages","both by Jeanette Despres","by Michael Davidson","by unknown; by Harry Goldsmith","by John T. Mole","by Gertrude Onnen and Phyllis Frederic; by Jeanette Despres","by Phyllis Frederic","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted by Charles Crumpton, photocopy","by Henrik Ibsen, adapted by Lewis Meyer","by Henrik Ibsen, adapted by Georgia Fawcett, photocopy","by Clifford Odets, adapted by Maurice Kurtz","by Jules Verne, adapted by Lewis W. Moyer","by Jules Verne, adapted by W. M. Sutton","by Jules Verne, adapted by George Thorp","by Harold Parke Godwin; by Frederick Prokosch","by Arthur McCaffery, incomplete copy - first 13 pages","by Michael Davidson","by Paul de Kruif","by Lawrence Bearson; by Leo Fontaine","by T. O. Day","by Maxine Schiel, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by Jack Barefield, photocopy","by Georgia Backus, photocopy","by Maxine Schiel, photocopy","by Ben Hawthorne, photocopy","by John Fleming, photocopy","by Arthur Arendt","by David Lesan","by David Lesan","by William N. Robson","dramatization by Robert Lewis Shayon","by Edward Solomon","by Bucalossi","by Michael William Balfe","by Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan","by Charles Lecocq","by Sidney Jones","by Sidney Jones","by Charles Lecocq","by Karl W. Schulz","by W. Vincent Wallace","by W. Vincent Wallace","by Edmond Audran","by Robert Planquette","by Edmond Audran","by Robert Planquette","by Lajos Serly","by Sir William S. Gilbert and Sir Arthur Sullivan","by Oscar Wilde, adapted by Donald Macfarlane, photocopy","by Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy","by Oscar Wilde, adapted by Lews W. Moyer, photocopy","by Oscar Wilde, adapted by Charles Crumpton","by Rose Albert Porter","by Rose Albert Porter","by Rose Albert Porter","by George J. Thorp","by George J. Thorp","by George J. Thorp","by Sylvia Altman","by Sylvia Altman and Jeanette Gussin","by Charles Dickens adapted by Cecil Stevenson","by Charles Dickens adapted by Cecil Stevenson","by Victor E. Smith; by Joel Hammil","by Will Glickman","by Phyllis Frederic","by Lewis W. Moyer; by W. M. Sutton","by John I. Mole","by Victor E. Smith","by Victor E. Smith","by Maxwell Wolodin; by Edward H. Smith","by Victor E. Smith; by John I. Mole","by Lewis W. Moyer; by Michael Davidson","by Will Glickman","by Phyllis Frederic","by Lee Fontainbleu; by Laurence U. Shloss","by Edward H. Smith","by Georgia Fawcett","by Georgia Fawcett","by Georgia Fawcett","by Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni","by John I. Mole","by Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman","By Herbert Lewis; by Bob Frank","by Bob Frank","by Bob Frank","by Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer","by Paul Vulpius, adapted by Barry Williams","by Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams","by Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton","by George Harmon Coxe, adapted by Victor E. Smith","by George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson","by Laura Z. Hobson, adapted by Lawrence Bearson","by Jerome Beatty, adapted by Victor E. Smith","by Manuel Komroff, adapted by Joel Hammil","by Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts","by George Rolland","by George Rolland","by Barrie Williams; by Brian J. Byrne","by Dean Charel","by Dean Charel","by Dean Charel","by Frank Burrill","by Dean Charel","by Victor E. Smith","by Herb Meadow; adaptation by Joel Hammil and Leo Fontaine","by A. L. Tyler","photocopy","by Hugh Lester","by Leo Fontaine","by Harold Hartogensis; by Phyllis Frederic","by Benet Costa, photocopy","by Jane Ashman; also includes Women as Homemakers first page","by Leo Fontaine, photocopy","Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.","Proposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley","Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.","American Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud","The Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home","Accent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion","Festival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland","The Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle","The Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla","Class of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla","Programs from \"Folk plays of the Carolina playmakers\"","The Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband","Abu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear","In Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern","Ten Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights","The Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville","Anna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring","Hamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under","The Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted","Blind Alley; Brothers; It Can't Happen Here; Rachel's Man","One-Third of a Nation; Roll Sweet Chariot; Room Service","Big Vaudeville Musical Revue (79 copies from different performances around Maine)","Announcing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do","It Can't Happen Here; Liliom; The Road to Rome","Ladies of the Jury","It Can't Happen Here","Vodvil Show (vaudeville)","It Can't Happen Here","Programs: Adalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional","Buffalo Historical Marionettes available in digital format.","Programs: Professor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps","Flyers and playbills: Current productions flyer - Big Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language (9 copies); The Bat (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival; The Cradle Will Rock; The Emperor's New Clothes (3 copies); Fair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe (4 copies); It Can't Happen Here (14 copies); Life and Death of an American; Moving Along (2 copies); Oliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal (10 copies)","Buffalo Historical Marionettes Benefit Performance is available in digital format.","Flyers and playbills: Sing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh. 8.5x14\" flyers and playbills: Adam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny","Newspaper format program for One-Third of a Nation. Volume V number 3 to number 14","Newspaper format program for One-Third of a Nation. Volume V number 15-17, 19-23","Newspaper format program for Power. Volume II number 1, Volume III number 1","Criminal at Large","Her Majesty the Widow","Personal Appearance","Post Road","Remember the Day","Saturday's Children","Tamed and How","Another Language; The Barker; The Old Maid; There's Always Juliet","As Husbands Go; I Want a Policeman","The First Mrs. Fraser","The Good Fairy","It's a Wise Child","The Late Christopher Bean","Ned McCobbs Daughter","Possession","Sun Up","Tea for Three","They Knew What They Wanted","Three Cornered Moon","Fresh Fields","First Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning","The Bad Man; Boy Meets Girl; The Christmas Carol; Federal Theatre for Youth (overview); The First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under","Alice in Wonderland; Counsellor-At-Law; One-Third of a Nation; Third Annual Central Oklahoma Folk Festival;","The Living Newspaper (One-Third of a Nation); Prelude to Spring; Puppet Pageant at the Philadelphia Museum of Art; Stepping Stars; Vaudeville","Christmas with Dickens","Alice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore","Green Grow the Lilacs; Old Heidelberg","photocopies, many with original performance dates handwritten on them - Adelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps. Photocopies.","Adam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing","Oversize posters where each poster is a piece of a larger whole. There are seven pieces for Alison's House and five for The Warrior's Husband. Roughly each piece measures 42 inches high and 28 inches wide.","The Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow","Oversize posters where each poster is a piece of a larger whole. There are three pieces for Bill of Divorcement, two for Blind Alley, two for Gods of the Lightning, and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play Pursuit of Happiness performed at the Mayan Theatre in Los Angeles in August of 1937.","The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus, The World's Greatest Circus; Class of '29; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939; Conjure Man Dies; Coriolanus; The Cradle Will Rock","The Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)","Einmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal; Eugene O'Neill's One-Act Plays of the Sea","Fair and Warmer; Fantasy 1939; Flight","H.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern","The Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here","Life and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone","Macbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral","Native Ground; No More Peace; Noah","On the Rocks; On Top; One-Third of a Nation; Outside Looking In","The Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory","Das Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up","The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night","The Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)","Programs, flyers, and playbills: Walk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in","Programs, flyers, and playbills: Various plays in Yiddish; The Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)","Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","includes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California","by Willy B. Stahl and Walter C. Schad, Los Angeles, California","includes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass","violin music, arranged by M. L. Lake","by Eddison von Ottenfeld","by Eddison von Ottenfeld","by Alex North","by Fred Miller Jr. and L. Leslie Loth","by Herbert Kingsley, New York, New York","includes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California","music for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager","music for vocal lead on \"Sweet by and by\"","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","photocopy","photocopy","photocopy","photocopy","photocopy","photocopy","by Hans Bruno Meyer, New York, New York","violin music \"If She Says No\"","music for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"","Chicago, Illinois","violin music \"Flow Gently, Sweet Afton\", Los Angeles, California","by Charles J. Levy","includes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"","by Charles Wakefield Cadman","by R. E. Austin","by Irvin Cooper","[Eddison von Ottenfeld] Los Angeles, California","by Meyer Rappaport and Emile Cote","From the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof","by Marshall Bartholomew","music by Genevieve Pitot, New York","by F. Melius Christiansen","by Paul Lincke","by Ralph Story","by Paul Lincke","by Mozart-Shelley","by Daniel Wood and Sumner Salter","Ernestine Valencia, arranged by Dan J. Michaud","by Edward Elgar and Arthur Fagge","by J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"","by Hans Bruno Meyer","by Hans Bruno Meyer","paraphrase for mixed voices by William Schaeffer","by Ivor Tchervanow and Ralph L. Baldwin","by Rimsky-Korsikoff, arranged by Jacob Schwartzdorf","by May H. Brahe","violin music, by Edna R. Heard","Piano music \"Party Entre Act 1-2\", Los Angeles, California","by Max Hirschfeld, New York, New York","by Jean Stor, New York, New York","by David Sheinfeld","by John Ansell","This series includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Long red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"","A long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"","Two pairs of men's pants, one yellow, one red. Both pants stop below the knee. Both pants have a label that reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" In the waist band of the yellow pant the name Don Chiles is handwritten."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0f4707cda45d410e12f09ae2a350510a\" label=\"Abstract\"\u003eThe Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d65479dc2ffe44debbb5af464a6479da\"\u003e\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2\u003c/physloc\u003e\n    "],"physloc_tesim":["R 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3180,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:54:01.106Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_331"}},{"id":"wvmturhc_repositories_2_resources_4995","type":"collection","attributes":{"title":"Herman Guy Kump (1877-1962), Lawyer and Politician, Papers, 1883/1960","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4995#creator","type":"document_value","attributes":{"value":"Kump, Herman Guy, 1877-1962","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4995#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eCorrespondence, legal papers, speeches, clippings, photographs, and printed material of a Randolph County prosecuting attorney, mayor of Elkins, judge of the Twenty-second Judicial Circuit, Democratic politician, and state governor, 1933-1937. Also features personal correspondence in Series 10.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4995#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_4995","ead_ssi":"wvmturhc_repositories_2_resources_4995","_root_":"wvmturhc_repositories_2_resources_4995","_nest_parent_":"wvmturhc_repositories_2_resources_4995","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_4995.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198479","title_ssm":["Herman Guy Kump (1877-1962), Lawyer and Politician, Papers"],"title_tesim":["Herman Guy Kump (1877-1962), Lawyer and Politician, Papers"],"unitdate_ssm":["1883-1960"],"unitdate_inclusive_ssm":["1883-1960"],"normalized_date_ssm":["1883/1960"],"normalized_title_ssm":["Herman Guy Kump (1877-1962), Lawyer and Politician, Papers, 1883/1960"],"text":["Herman Guy Kump (1877-1962), Lawyer and Politician, Papers, 1883/1960","A\u0026M 1609","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4995","Randolph County (W. Va.)","United States -- Politics and government","Canadian Reciprocity Agreement","Elections","Judges - letters and papers.","Lawyers - letters and papers.","Politics and government.","New Deal, 1933-1939","West Virginia - Five Year Plan.","West Virginia - Governors.","West Virginia - Prohibition Amendment.","Women -- Suffrage","Women's history -- 1900-1929","Women's history -- 1929-1950","Women -- United States -- History","Politicians -- United States","West Virginia - Politics and government.","No special access restriction applies.","Correspondence, legal papers, speeches, clippings, photographs, and printed material of a Randolph County prosecuting attorney, mayor of Elkins, judge of the Twenty-second Judicial Circuit, Democratic politician, and state governor, 1933-1937. Also features personal correspondence in Series 10.","Subjects include John T. McGraw's senate contest, 1911; Canadian Reciprocity Agreement, 1911; women suffrage; State Prohibition Amendment, 1911-1912; VIRGINIA v. WEST VIRGINIA; Joseph Brown lynch case; New Deal operations and agencies in the state; Kump's legal practice; Red House Resettlement Project; Five-Year Plan for West Virginia; state and national elections, and state politics, 1908-1936.","Correspondents include T. Coleman Andrews, Newton D. Baker, Alben W. Barkley, Harry F. Byrd, Richard E. Byrd, John J. Cornwell, John J. Davis, John W. Davis, James A. Farley, John Nance Garner, William E. Glasscock, Henry D. Hatfield, J. Edgar Hoover, Harold L. Ickes, Douglas MacArthur, John T. McGraw, Franklin D. Roosevelt, John F. Sly, Howard Sutherland, and Clarence Wayland Watson. See control folder for box level contents list.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Democratic Party (U.S.)","Red House Resettlement Project","Kump, Herman Guy, 1877-1962","Andrews, T. Coleman (Thomas Coleman), 1899-1983","Baker, Newton Diehl, 1871-1937","Barkley, Alben William, 1877-1956","Brown, Joseph.","Byrd, Harry F. (Harry Flood), 1887-1966","Byrd, Richard E.","Cornwell, John J. (John Jacob), 1867-1953","Davis, John J. (John James), 1835-1916","Davis, John W. (John William), 1873-1955","Farley, James A. (James Aloysius), 1888-1976","Garner, John Nance, 1868-1967","Glasscock, Wm. E. (William Ellsworth), 1862-1925","Hatfield, Henry Drury, 1875-1962","Hoover, J. Edgar (John Edgar), 1895-1972","Ickes, Harold L. (Harold LeClair), 1874-1952","MacArthur, Douglas, 1880-1964","McGraw, John T.","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Sly, John F.  (John Fairfield), 1893-1965","Sutherland, Howard, 1865-1950","Watson, C. W.","English\n."],"collection_title_tesim":["Herman Guy Kump (1877-1962), Lawyer and Politician, Papers, 1883/1960"],"collection_ssim":["Herman Guy Kump (1877-1962), Lawyer and Politician, Papers, 1883/1960"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 1609","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4995"],"unitid_tesim":["A\u0026M 1609","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4995"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Randolph County (W. Va.)","United States -- Politics and government"],"geogname_ssim":["Randolph County (W. Va.)","United States -- Politics and government"],"places_ssim":["Randolph County (W. Va.)","United States -- Politics and government"],"creator_ssm":["Kump, Herman Guy, 1877-1962"],"creator_ssim":["Kump, Herman Guy, 1877-1962"],"creator_persname_ssim":["Kump, Herman Guy, 1877-1962","Andrews, T. Coleman (Thomas Coleman), 1899-1983","Baker, Newton Diehl, 1871-1937","Barkley, Alben William, 1877-1956","Brown, Joseph.","Byrd, Harry F. (Harry Flood), 1887-1966","Byrd, Richard E.","Cornwell, John J. (John Jacob), 1867-1953","Davis, John J. (John James), 1835-1916","Davis, John W. (John William), 1873-1955","Farley, James A. (James Aloysius), 1888-1976","Garner, John Nance, 1868-1967","Glasscock, Wm. E. (William Ellsworth), 1862-1925","Hatfield, Henry Drury, 1875-1962","Hoover, J. Edgar (John Edgar), 1895-1972","Ickes, Harold L. (Harold LeClair), 1874-1952","MacArthur, Douglas, 1880-1964","McGraw, John T.","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Sly, John F.  (John Fairfield), 1893-1965","Sutherland, Howard, 1865-1950","Watson, C. W."],"creator_corpname_ssim":["West Virginia and Regional History Center","Democratic Party (U.S.)","Red House Resettlement Project"],"creators_ssim":["Kump, Herman Guy, 1877-1962","Andrews, T. Coleman (Thomas Coleman), 1899-1983","Baker, Newton Diehl, 1871-1937","Barkley, Alben William, 1877-1956","Brown, Joseph.","Byrd, Harry F. (Harry Flood), 1887-1966","Byrd, Richard E.","Cornwell, John J. (John Jacob), 1867-1953","Davis, John J. (John James), 1835-1916","Davis, John W. (John William), 1873-1955","Farley, James A. (James Aloysius), 1888-1976","Garner, John Nance, 1868-1967","Glasscock, Wm. E. (William Ellsworth), 1862-1925","Hatfield, Henry Drury, 1875-1962","Hoover, J. Edgar (John Edgar), 1895-1972","Ickes, Harold L. (Harold LeClair), 1874-1952","MacArthur, Douglas, 1880-1964","McGraw, John T.","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Sly, John F.  (John Fairfield), 1893-1965","Sutherland, Howard, 1865-1950","Watson, C. W.","West Virginia and Regional History Center","Democratic Party (U.S.)","Red House Resettlement Project"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Canadian Reciprocity Agreement","Elections","Judges - letters and papers.","Lawyers - letters and papers.","Politics and government.","New Deal, 1933-1939","West Virginia - Five Year Plan.","West Virginia - Governors.","West Virginia - Prohibition Amendment.","Women -- Suffrage","Women's history -- 1900-1929","Women's history -- 1929-1950","Women -- United States -- History","Politicians -- United States","West Virginia - Politics and government."],"access_subjects_ssm":["Canadian Reciprocity Agreement","Elections","Judges - letters and papers.","Lawyers - letters and papers.","Politics and government.","New Deal, 1933-1939","West Virginia - Five Year Plan.","West Virginia - Governors.","West Virginia - Prohibition Amendment.","Women -- Suffrage","Women's history -- 1900-1929","Women's history -- 1929-1950","Women -- United States -- History","Politicians -- United States","West Virginia - Politics and government."],"has_online_content_ssim":["false"],"extent_ssm":["36.25 Linear Feet 36 ft. 3 in. (86 document cases, 5 in. each); (2 document cases, 2 1/2 in. each)"],"extent_tesim":["36.25 Linear Feet 36 ft. 3 in. (86 document cases, 5 in. each); (2 document cases, 2 1/2 in. each)"],"date_range_isim":[1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Herman Guy Kump (1877-1962), Lawyer and Politician, Papers, A\u0026amp;M 1609, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Herman Guy Kump (1877-1962), Lawyer and Politician, Papers, A\u0026M 1609, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eCorrespondence, legal papers, speeches, clippings, photographs, and printed material of a Randolph County prosecuting attorney, mayor of Elkins, judge of the Twenty-second Judicial Circuit, Democratic politician, and state governor, 1933-1937. Also features personal correspondence in Series 10.\u003c/p\u003e","\u003cp\u003eSubjects include John T. McGraw's senate contest, 1911; Canadian Reciprocity Agreement, 1911; women suffrage; State Prohibition Amendment, 1911-1912; VIRGINIA v. WEST VIRGINIA; Joseph Brown lynch case; New Deal operations and agencies in the state; Kump's legal practice; Red House Resettlement Project; Five-Year Plan for West Virginia; state and national elections, and state politics, 1908-1936.\u003c/p\u003e","\u003cp\u003eCorrespondents include T. Coleman Andrews, Newton D. Baker, Alben W. Barkley, Harry F. Byrd, Richard E. Byrd, John J. Cornwell, John J. Davis, John W. Davis, James A. Farley, John Nance Garner, William E. Glasscock, Henry D. Hatfield, J. Edgar Hoover, Harold L. Ickes, Douglas MacArthur, John T. McGraw, Franklin D. Roosevelt, John F. Sly, Howard Sutherland, and Clarence Wayland Watson. See control folder for box level contents list.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Correspondence, legal papers, speeches, clippings, photographs, and printed material of a Randolph County prosecuting attorney, mayor of Elkins, judge of the Twenty-second Judicial Circuit, Democratic politician, and state governor, 1933-1937. Also features personal correspondence in Series 10.","Subjects include John T. McGraw's senate contest, 1911; Canadian Reciprocity Agreement, 1911; women suffrage; State Prohibition Amendment, 1911-1912; VIRGINIA v. WEST VIRGINIA; Joseph Brown lynch case; New Deal operations and agencies in the state; Kump's legal practice; Red House Resettlement Project; Five-Year Plan for West Virginia; state and national elections, and state politics, 1908-1936.","Correspondents include T. Coleman Andrews, Newton D. Baker, Alben W. Barkley, Harry F. Byrd, Richard E. Byrd, John J. Cornwell, John J. Davis, John W. Davis, James A. Farley, John Nance Garner, William E. Glasscock, Henry D. Hatfield, J. Edgar Hoover, Harold L. Ickes, Douglas MacArthur, John T. McGraw, Franklin D. Roosevelt, John F. Sly, Howard Sutherland, and Clarence Wayland Watson. See control folder for box level contents list."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. 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Davis, James A. Farley, John Nance Garner, William E. Glasscock, Henry D. Hatfield, J. Edgar Hoover, Harold L. Ickes, Douglas MacArthur, John T. McGraw, Franklin D. Roosevelt, John F. Sly, Howard Sutherland, and Clarence Wayland Watson. See control folder for box level contents list."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. 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Howard Miller papers, 1891/1946","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_346#creator","type":"document_value","attributes":{"value":"Miller, J. Howard","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_346#abstract_or_scope","type":"document_value","attributes":{"value":"The J. Howard Miller papers consist of scrapbooks and folders containing newspaper clippings, programs, photographs, telegrams, and other pieces of ephemera, most of which are related to Federal Theatre Project productions in Los Angeles, San Diego, Padua Hills, and Denver. Also included is correspondence to and from Miller and employee identification cards.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_346#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_346","ead_ssi":"vifgm_repositories_2_resources_346","_root_":"vifgm_repositories_2_resources_346","_nest_parent_":"vifgm_repositories_2_resources_346","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_346.xml","title_filing_ssi":"J. Howard Miller papers","title_ssm":["J. Howard Miller papers"],"title_tesim":["J. Howard Miller papers"],"unitdate_ssm":["1891-1946"],"unitdate_inclusive_ssm":["1891-1946"],"normalized_date_ssm":["1891/1946"],"normalized_title_ssm":["J. Howard Miller papers, 1891/1946"],"text":["J. Howard Miller papers, 1891/1946","C0228","/repositories/2/resources/346","Theater -- United States","New Deal, 1933-1939","There are no access restrictions.","This collection is arranged alphabetically by title.","Born on April 3, 1908 J. Howard Miller was a former actor and stage manager. He worked with the Federal Theatre Project as the Regional Director in the west, and later the Deputy National Director of the Federal Theatre Project.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.","Processing and EAD markup completed in November 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The J. Howard Miller papers contain eleven scrapbooks created by Miller. Scrapbooks are compiled around a location or play: one has general newsclippings about the Federal Theatre Project and the WPA, three are for productions from the Mayan Theatre in Los Angeles, two are for productions from the Savoy Theatre in San Diego, one is for the State Emergency Relief Administration (SERA), one covers the Federal Theatre unit in Denver, one covers the play It Can't Happen Here in it's many locations of production. There are also two scrapbooks for materials that did not originate with the Federal Theatre Project, one of these is filled with programs collected by Miller and the other is material from the Padua Players theatre group where Miller worked before joining the Federal Theatre. Also included in this collection is one folder of photographs featuring Federal Theatre sets and actors, and three folders with correspondence, miscellaneous newspaper clippings, and employee related material.","Includes correspondence to and from Miller from and to a multiple of peoples, a letter to Hallie Flanagan from Miller while he was in Seattle, correspondence from Flanagan, as well as memorandums, telegrams, an issue of Federal Theatre magazine, and payroll information.","Includes programs for productions of Plantation Days, Class of '29, Pursuit of Happiness, It Can't Happen Here, Blind Alley, Rachel's Man, Ten Minute Alibi, The Royal Family, Brothers, Help Yourself, Old Autumn. Includes one photograph of an empty stage from a production of Johnny Johnson, and one photograph of Hallie Flanagan and husband Phillip Davis sitting in a car together at Vassar.","Includes newspaper clippings about the Federal Theatre Project and the WPA in general, as well as an issue of Food Field Reporter from 1943. Personal documents include reassignment slips, and a permit to depart the United States in 1946 and reside in Canada.","Photographs of Federal Theatre Project productions. Photographs are of empty stages sets or performing actors on stage. Plays include: The Merchant of Venice; Uncle Vanya; The Warrior's Husband; Green Grow the Lilacs; House of Connelly; Mary Stuart; The Devil Passes; Purple is as Purple Does; Noah; It Can't Happen Here; Censored; Rachel's Man; Johnny Johnson; Revue of Reviews; Follow the Parade; Triple A Plowed Under; Blind Alley; The Nativity; Black Crook.","Scrapbook containing articles about the Federal Theatre Project from various magazines and newspapers.","Scrapbook contains programs, memorandums, and photographs from plays performed by the Denver unit. Contents have been removed from the original scrapbook and refoldered. Folder is separated and in box 4. Plays include: Censored; Rachel's Man; The Squall; Pursuit of Happiness; Criminal at Large; Me Third; If Ye Break Faith; The Animal Kingdom; Parents and Pigtails; Squaring the Circle; The Milky Way; Post Road; Cinderella; Know Your Onions; Lady of Letters; It's a Wise Child; Excursion; Hell Bent for Heaven; Help Yourself; Mystery of the Boardwalk Asylum; The Warrior's Husband. Also included is a small catalog titled Fashion Tops by Bonnie Frocks.","Loose programs and photographs removed from scrapbook.","Scrapbook containing programs, photographs, and newspaper clippings relating to the numerous productions of the play It Can't Happen Here.","Scrapbook includes photographs, posters, programs, and newspaper clippings for Voodoo Macbeth, Pursuit of Happiness, Gods of the Lightning, The World We Live In, Miss Quis, The Weavers, Ready! Aim! Fire!, Days Without End all performed at the Mayan Theatre in Los Angeles.","Scrapbook contains programs, flyers, posters, photographs, and other ephemera from productions at the Mayan Theatre in Los Angeles. Productions include: Under Two Flags; Black Empire; Miss Clementina Clutterbuck; Censored; Follow the Parade; If it Please the Court; Chalk Dust; The Mystery of the Boardwalk Asylum; Noah; Triple A Plowed Under; The Black Crook; John Henry; It Can't Happen Here (at the Figueroa Playhouse); It Can't Happen Here; It Can't Happen Here (at the President Theatre aka The Orpheum in Seattle); The Warrior's Husband (at the Hollywood Playhouse); The Nativity (St. Josephs Church); Green Grow the Lilacs; Roaring Girl; The House of Connelly; Blind Alley; Tomorrow's A Holiday; Johnny Johnson.","Scrapbook containing mostly programs for shows performed at the Mason Theatre (and Mason Opera House) at 127 South Broadway in Los Angeles. Productions include: The Octoroon; Our American Cousin; A Texas Steer; 7th Heaven; Turn to the Right; The Bat; Cradle Snatchers; Smilin' Through; Potash and Perlmutter; The Whole Town's Talking; Laff That Off; Madame X; Three Wise Fools; Vaudeville Frolic; The Fool; Old Autumn; East is West; The Goose Hangs High; What Anne Brought Home; Ladies of the Jury; Habit; Revue of Reviews; The Merchant of Venice; Help Yourself; Ah, Wilderness!; Boy Meets Girl; Dracula; Counsellor-at-Law; Accent on Youth; The Pursuit of Happiness; Brothers; Why Men Leave Home; Night Must Fall; What a Woman Wants; Mary's Other Husband; The Bishop Misbehaves; The Amazing Dr. Clitterhouse; To The Ladies!; The Milky Way; The Alarm Clock.\nAlso included are two costume design watercolor drawings.","Scrapbook containing programs, photographs, and newspaper clippings for productions at the Savoy Theatre in San Diego. Productions include: Counsellor-at-Law; Arms and the Man; Accent on Youth; The Ship; Alice in Wonderland; Ah, WIlderness!, Why Men Leave Home; The Last Warning; New Brooms; Night of January 16th; One Sunday Afternoon; The Bishop Misbehaves; To The Ladies!; What a Women Wants; Squaring the Circle; Judgment Day; The Milky Way; I Want a Policeman; The Very Great Man; Post Road; The Camel Through the Needle's Eye; Lady of Letters; Night Must Fall; Little Women; Meteor; A Bill of Divorcement; The Ninth Guest; Penny Wise; It Might Happen to You; American Family Robinson; That's My Wife; Penny Wise; Is Zat So; The Queen's Husband; Vaudeville Frolic.","Scrapbook contains programs, photographs, newspaper clippings, and other ephemera from productions performed at the Savoy Theatre in San Diego. Plays include: The First Mrs. Fraser; The Wild Duck; The Romantic Young Lady; Secret Service; Lightnin'; Three Wise Fools; Whistling in the Dark; Turn to the Right; Big Hearted Herbert; The Ghost Train; Take My Advice; Double Door; Cradle Snatchers; The Girl of the Golden West; Up Pops the Devil; Out of the Night; Is Zat So; The Fool; The Silver Cord; Ladies of the Jury; Blind Alley; The Mad Hopes; Tommy; Rachel's Man; The Wisdom Tooth; Oliver Oliver; Candle-Light; Another Language (program and newspaper clippings); The People's Choice; Hell Bent for Heaven; The Dover Road; Saturday's Children; Anna Christie; Boy Meets Girl.","Scrapbook containing programs, photographs, newspaper clippings, telegrams and memorandums relating to plays performed by the Drama Project of the State Emergency Relief Administration. Plays include: As You Like It; Rip Van Winkle; This Night in Bethlehem; Open-air stage productions; Constitution Day program; Vaudeville; Blessed Thunder. The scrapbook also includes a photograph of the Choral Project of the Los Angeles County Relief Administration as well as images of sponsors and other groups of people involved with productions, and identification cards belonging to Miller.","Howard Miller was the Theater Manager at the Little theatre in Padua Hills, California. This scrapbook includes newspaper clippings and programs from productions put on by the Padua Players from 1933 to 1934.","Scrapbook containing programs collected by Miller. Programs includes: The Huguenots performed by the Emma Juch Grand English Opera Company; The Sea King; The Three Guardsmen; Mark Twain at Maguire's Opera House; Little Robinson Crusoe; oversize flyer for Dion Boucicault's After Dark; Balieff's Chauve-Souris (The Bat Theatre of Moscow); Cuadros Castizos; There's Always Juliet; The Lilies of the Field; The First Legion; Ah, Wilderness!; Bitter Harvest; Hedda Gabler; Three Men on a Horse; Othello and Macbeth; Camille; Fata Morgana; Geraldine Farrar; Her Majesty, the Widow; Accent on Youth; Mexican Folk Plays; Mary of Scotland; As Thousands Cheer; The Green Bay Tree; Drama at Inish; East Lynne; Awake and Sing!; The Children's Hour; Night of January 16; Personal Appearance. This scrapbook also includes pieces of programs that only include the title.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The J. Howard Miller papers consist of scrapbooks and folders containing newspaper clippings, programs, photographs, telegrams, and other pieces of ephemera, most of which are related to Federal Theatre Project productions in Los Angeles, San Diego, Padua Hills, and Denver. Also included is correspondence to and from Miller and employee identification cards.","Map Case 9.1","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Miller, J. Howard","English"],"collection_title_tesim":["J. Howard Miller papers, 1891/1946"],"collection_ssim":["J. Howard Miller papers, 1891/1946"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0228","/repositories/2/resources/346"],"unitid_tesim":["C0228","/repositories/2/resources/346"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Miller, J. Howard"],"creator_ssim":["Miller, J. Howard"],"creator_persname_ssim":["Miller, J. Howard"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"creators_ssim":["Miller, J. Howard","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by J. Howard Miller on April 12, 1979."],"access_subjects_ssim":["Theater -- United States","New Deal, 1933-1939"],"access_subjects_ssm":["Theater -- United States","New Deal, 1933-1939"],"has_online_content_ssim":["false"],"extent_ssm":["2.5 Linear Feet 6 boxes"],"extent_tesim":["2.5 Linear Feet 6 boxes"],"date_range_isim":[1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by title.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by title."],"bioghist_html_tesm":["\u003cp\u003eBorn on April 3, 1908 J. Howard Miller was a former actor and stage manager. He worked with the Federal Theatre Project as the Regional Director in the west, and later the Deputy National Director of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born on April 3, 1908 J. Howard Miller was a former actor and stage manager. He worked with the Federal Theatre Project as the Regional Director in the west, and later the Deputy National Director of the Federal Theatre Project.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression."],"prefercite_html_tesm":["\u003cp\u003eJ. Howard Miller personal papers, C0228, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["J. Howard Miller personal papers, C0228, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in November 2012 by Greta Kuriger Suiter.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in November 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe J. Howard Miller papers contain eleven scrapbooks created by Miller. Scrapbooks are compiled around a location or play: one has general newsclippings about the Federal Theatre Project and the WPA, three are for productions from the Mayan Theatre in Los Angeles, two are for productions from the Savoy Theatre in San Diego, one is for the State Emergency Relief Administration (SERA), one covers the Federal Theatre unit in Denver, one covers the play It Can't Happen Here in it's many locations of production. There are also two scrapbooks for materials that did not originate with the Federal Theatre Project, one of these is filled with programs collected by Miller and the other is material from the Padua Players theatre group where Miller worked before joining the Federal Theatre. Also included in this collection is one folder of photographs featuring Federal Theatre sets and actors, and three folders with correspondence, miscellaneous newspaper clippings, and employee related material.\u003c/p\u003e  ","\u003cp\u003eIncludes correspondence to and from Miller from and to a multiple of peoples, a letter to Hallie Flanagan from Miller while he was in Seattle, correspondence from Flanagan, as well as memorandums, telegrams, an issue of Federal Theatre magazine, and payroll information.\u003c/p\u003e","\u003cp\u003eIncludes programs for productions of Plantation Days, Class of '29, Pursuit of Happiness, It Can't Happen Here, Blind Alley, Rachel's Man, Ten Minute Alibi, The Royal Family, Brothers, Help Yourself, Old Autumn. Includes one photograph of an empty stage from a production of Johnny Johnson, and one photograph of Hallie Flanagan and husband Phillip Davis sitting in a car together at Vassar.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings about the Federal Theatre Project and the WPA in general, as well as an issue of Food Field Reporter from 1943. Personal documents include reassignment slips, and a permit to depart the United States in 1946 and reside in Canada.\u003c/p\u003e","\u003cp\u003ePhotographs of Federal Theatre Project productions. Photographs are of empty stages sets or performing actors on stage. Plays include: The Merchant of Venice; Uncle Vanya; The Warrior's Husband; Green Grow the Lilacs; House of Connelly; Mary Stuart; The Devil Passes; Purple is as Purple Does; Noah; It Can't Happen Here; Censored; Rachel's Man; Johnny Johnson; Revue of Reviews; Follow the Parade; Triple A Plowed Under; Blind Alley; The Nativity; Black Crook.\u003c/p\u003e","\u003cp\u003eScrapbook containing articles about the Federal Theatre Project from various magazines and newspapers.\u003c/p\u003e","\u003cp\u003eScrapbook contains programs, memorandums, and photographs from plays performed by the Denver unit. Contents have been removed from the original scrapbook and refoldered. Folder is separated and in box 4. Plays include: Censored; Rachel's Man; The Squall; Pursuit of Happiness; Criminal at Large; Me Third; If Ye Break Faith; The Animal Kingdom; Parents and Pigtails; Squaring the Circle; The Milky Way; Post Road; Cinderella; Know Your Onions; Lady of Letters; It's a Wise Child; Excursion; Hell Bent for Heaven; Help Yourself; Mystery of the Boardwalk Asylum; The Warrior's Husband. Also included is a small catalog titled Fashion Tops by Bonnie Frocks.\u003c/p\u003e","\u003cp\u003eLoose programs and photographs removed from scrapbook.\u003c/p\u003e","\u003cp\u003eScrapbook containing programs, photographs, and newspaper clippings relating to the numerous productions of the play It Can't Happen Here.\u003c/p\u003e","\u003cp\u003eScrapbook includes photographs, posters, programs, and newspaper clippings for Voodoo Macbeth, Pursuit of Happiness, Gods of the Lightning, The World We Live In, Miss Quis, The Weavers, Ready! Aim! Fire!, Days Without End all performed at the Mayan Theatre in Los Angeles.\u003c/p\u003e","\u003cp\u003eScrapbook contains programs, flyers, posters, photographs, and other ephemera from productions at the Mayan Theatre in Los Angeles. Productions include: Under Two Flags; Black Empire; Miss Clementina Clutterbuck; Censored; Follow the Parade; If it Please the Court; Chalk Dust; The Mystery of the Boardwalk Asylum; Noah; Triple A Plowed Under; The Black Crook; John Henry; It Can't Happen Here (at the Figueroa Playhouse); It Can't Happen Here; It Can't Happen Here (at the President Theatre aka The Orpheum in Seattle); The Warrior's Husband (at the Hollywood Playhouse); The Nativity (St. Josephs Church); Green Grow the Lilacs; Roaring Girl; The House of Connelly; Blind Alley; Tomorrow's A Holiday; Johnny Johnson.\u003c/p\u003e","\u003cp\u003eScrapbook containing mostly programs for shows performed at the Mason Theatre (and Mason Opera House) at 127 South Broadway in Los Angeles. Productions include: The Octoroon; Our American Cousin; A Texas Steer; 7th Heaven; Turn to the Right; The Bat; Cradle Snatchers; Smilin' Through; Potash and Perlmutter; The Whole Town's Talking; Laff That Off; Madame X; Three Wise Fools; Vaudeville Frolic; The Fool; Old Autumn; East is West; The Goose Hangs High; What Anne Brought Home; Ladies of the Jury; Habit; Revue of Reviews; The Merchant of Venice; Help Yourself; Ah, Wilderness!; Boy Meets Girl; Dracula; Counsellor-at-Law; Accent on Youth; The Pursuit of Happiness; Brothers; Why Men Leave Home; Night Must Fall; What a Woman Wants; Mary's Other Husband; The Bishop Misbehaves; The Amazing Dr. Clitterhouse; To The Ladies!; The Milky Way; The Alarm Clock.\nAlso included are two costume design watercolor drawings.\u003c/p\u003e","\u003cp\u003eScrapbook containing programs, photographs, and newspaper clippings for productions at the Savoy Theatre in San Diego. Productions include: Counsellor-at-Law; Arms and the Man; Accent on Youth; The Ship; Alice in Wonderland; Ah, WIlderness!, Why Men Leave Home; The Last Warning; New Brooms; Night of January 16th; One Sunday Afternoon; The Bishop Misbehaves; To The Ladies!; What a Women Wants; Squaring the Circle; Judgment Day; The Milky Way; I Want a Policeman; The Very Great Man; Post Road; The Camel Through the Needle's Eye; Lady of Letters; Night Must Fall; Little Women; Meteor; A Bill of Divorcement; The Ninth Guest; Penny Wise; It Might Happen to You; American Family Robinson; That's My Wife; Penny Wise; Is Zat So; The Queen's Husband; Vaudeville Frolic.\u003c/p\u003e","\u003cp\u003eScrapbook contains programs, photographs, newspaper clippings, and other ephemera from productions performed at the Savoy Theatre in San Diego. Plays include: The First Mrs. Fraser; The Wild Duck; The Romantic Young Lady; Secret Service; Lightnin'; Three Wise Fools; Whistling in the Dark; Turn to the Right; Big Hearted Herbert; The Ghost Train; Take My Advice; Double Door; Cradle Snatchers; The Girl of the Golden West; Up Pops the Devil; Out of the Night; Is Zat So; The Fool; The Silver Cord; Ladies of the Jury; Blind Alley; The Mad Hopes; Tommy; Rachel's Man; The Wisdom Tooth; Oliver Oliver; Candle-Light; Another Language (program and newspaper clippings); The People's Choice; Hell Bent for Heaven; The Dover Road; Saturday's Children; Anna Christie; Boy Meets Girl.\u003c/p\u003e","\u003cp\u003eScrapbook containing programs, photographs, newspaper clippings, telegrams and memorandums relating to plays performed by the Drama Project of the State Emergency Relief Administration. Plays include: As You Like It; Rip Van Winkle; This Night in Bethlehem; Open-air stage productions; Constitution Day program; Vaudeville; Blessed Thunder. The scrapbook also includes a photograph of the Choral Project of the Los Angeles County Relief Administration as well as images of sponsors and other groups of people involved with productions, and identification cards belonging to Miller.\u003c/p\u003e","\u003cp\u003eHoward Miller was the Theater Manager at the Little theatre in Padua Hills, California. This scrapbook includes newspaper clippings and programs from productions put on by the Padua Players from 1933 to 1934.\u003c/p\u003e","\u003cp\u003eScrapbook containing programs collected by Miller. Programs includes: The Huguenots performed by the Emma Juch Grand English Opera Company; The Sea King; The Three Guardsmen; Mark Twain at Maguire's Opera House; Little Robinson Crusoe; oversize flyer for Dion Boucicault's After Dark; Balieff's Chauve-Souris (The Bat Theatre of Moscow); Cuadros Castizos; There's Always Juliet; The Lilies of the Field; The First Legion; Ah, Wilderness!; Bitter Harvest; Hedda Gabler; Three Men on a Horse; Othello and Macbeth; Camille; Fata Morgana; Geraldine Farrar; Her Majesty, the Widow; Accent on Youth; Mexican Folk Plays; Mary of Scotland; As Thousands Cheer; The Green Bay Tree; Drama at Inish; East Lynne; Awake and Sing!; The Children's Hour; Night of January 16; Personal Appearance. This scrapbook also includes pieces of programs that only include the title.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The J. Howard Miller papers contain eleven scrapbooks created by Miller. Scrapbooks are compiled around a location or play: one has general newsclippings about the Federal Theatre Project and the WPA, three are for productions from the Mayan Theatre in Los Angeles, two are for productions from the Savoy Theatre in San Diego, one is for the State Emergency Relief Administration (SERA), one covers the Federal Theatre unit in Denver, one covers the play It Can't Happen Here in it's many locations of production. There are also two scrapbooks for materials that did not originate with the Federal Theatre Project, one of these is filled with programs collected by Miller and the other is material from the Padua Players theatre group where Miller worked before joining the Federal Theatre. Also included in this collection is one folder of photographs featuring Federal Theatre sets and actors, and three folders with correspondence, miscellaneous newspaper clippings, and employee related material.","Includes correspondence to and from Miller from and to a multiple of peoples, a letter to Hallie Flanagan from Miller while he was in Seattle, correspondence from Flanagan, as well as memorandums, telegrams, an issue of Federal Theatre magazine, and payroll information.","Includes programs for productions of Plantation Days, Class of '29, Pursuit of Happiness, It Can't Happen Here, Blind Alley, Rachel's Man, Ten Minute Alibi, The Royal Family, Brothers, Help Yourself, Old Autumn. Includes one photograph of an empty stage from a production of Johnny Johnson, and one photograph of Hallie Flanagan and husband Phillip Davis sitting in a car together at Vassar.","Includes newspaper clippings about the Federal Theatre Project and the WPA in general, as well as an issue of Food Field Reporter from 1943. Personal documents include reassignment slips, and a permit to depart the United States in 1946 and reside in Canada.","Photographs of Federal Theatre Project productions. Photographs are of empty stages sets or performing actors on stage. Plays include: The Merchant of Venice; Uncle Vanya; The Warrior's Husband; Green Grow the Lilacs; House of Connelly; Mary Stuart; The Devil Passes; Purple is as Purple Does; Noah; It Can't Happen Here; Censored; Rachel's Man; Johnny Johnson; Revue of Reviews; Follow the Parade; Triple A Plowed Under; Blind Alley; The Nativity; Black Crook.","Scrapbook containing articles about the Federal Theatre Project from various magazines and newspapers.","Scrapbook contains programs, memorandums, and photographs from plays performed by the Denver unit. Contents have been removed from the original scrapbook and refoldered. Folder is separated and in box 4. Plays include: Censored; Rachel's Man; The Squall; Pursuit of Happiness; Criminal at Large; Me Third; If Ye Break Faith; The Animal Kingdom; Parents and Pigtails; Squaring the Circle; The Milky Way; Post Road; Cinderella; Know Your Onions; Lady of Letters; It's a Wise Child; Excursion; Hell Bent for Heaven; Help Yourself; Mystery of the Boardwalk Asylum; The Warrior's Husband. Also included is a small catalog titled Fashion Tops by Bonnie Frocks.","Loose programs and photographs removed from scrapbook.","Scrapbook containing programs, photographs, and newspaper clippings relating to the numerous productions of the play It Can't Happen Here.","Scrapbook includes photographs, posters, programs, and newspaper clippings for Voodoo Macbeth, Pursuit of Happiness, Gods of the Lightning, The World We Live In, Miss Quis, The Weavers, Ready! Aim! Fire!, Days Without End all performed at the Mayan Theatre in Los Angeles.","Scrapbook contains programs, flyers, posters, photographs, and other ephemera from productions at the Mayan Theatre in Los Angeles. Productions include: Under Two Flags; Black Empire; Miss Clementina Clutterbuck; Censored; Follow the Parade; If it Please the Court; Chalk Dust; The Mystery of the Boardwalk Asylum; Noah; Triple A Plowed Under; The Black Crook; John Henry; It Can't Happen Here (at the Figueroa Playhouse); It Can't Happen Here; It Can't Happen Here (at the President Theatre aka The Orpheum in Seattle); The Warrior's Husband (at the Hollywood Playhouse); The Nativity (St. Josephs Church); Green Grow the Lilacs; Roaring Girl; The House of Connelly; Blind Alley; Tomorrow's A Holiday; Johnny Johnson.","Scrapbook containing mostly programs for shows performed at the Mason Theatre (and Mason Opera House) at 127 South Broadway in Los Angeles. Productions include: The Octoroon; Our American Cousin; A Texas Steer; 7th Heaven; Turn to the Right; The Bat; Cradle Snatchers; Smilin' Through; Potash and Perlmutter; The Whole Town's Talking; Laff That Off; Madame X; Three Wise Fools; Vaudeville Frolic; The Fool; Old Autumn; East is West; The Goose Hangs High; What Anne Brought Home; Ladies of the Jury; Habit; Revue of Reviews; The Merchant of Venice; Help Yourself; Ah, Wilderness!; Boy Meets Girl; Dracula; Counsellor-at-Law; Accent on Youth; The Pursuit of Happiness; Brothers; Why Men Leave Home; Night Must Fall; What a Woman Wants; Mary's Other Husband; The Bishop Misbehaves; The Amazing Dr. Clitterhouse; To The Ladies!; The Milky Way; The Alarm Clock.\nAlso included are two costume design watercolor drawings.","Scrapbook containing programs, photographs, and newspaper clippings for productions at the Savoy Theatre in San Diego. Productions include: Counsellor-at-Law; Arms and the Man; Accent on Youth; The Ship; Alice in Wonderland; Ah, WIlderness!, Why Men Leave Home; The Last Warning; New Brooms; Night of January 16th; One Sunday Afternoon; The Bishop Misbehaves; To The Ladies!; What a Women Wants; Squaring the Circle; Judgment Day; The Milky Way; I Want a Policeman; The Very Great Man; Post Road; The Camel Through the Needle's Eye; Lady of Letters; Night Must Fall; Little Women; Meteor; A Bill of Divorcement; The Ninth Guest; Penny Wise; It Might Happen to You; American Family Robinson; That's My Wife; Penny Wise; Is Zat So; The Queen's Husband; Vaudeville Frolic.","Scrapbook contains programs, photographs, newspaper clippings, and other ephemera from productions performed at the Savoy Theatre in San Diego. Plays include: The First Mrs. Fraser; The Wild Duck; The Romantic Young Lady; Secret Service; Lightnin'; Three Wise Fools; Whistling in the Dark; Turn to the Right; Big Hearted Herbert; The Ghost Train; Take My Advice; Double Door; Cradle Snatchers; The Girl of the Golden West; Up Pops the Devil; Out of the Night; Is Zat So; The Fool; The Silver Cord; Ladies of the Jury; Blind Alley; The Mad Hopes; Tommy; Rachel's Man; The Wisdom Tooth; Oliver Oliver; Candle-Light; Another Language (program and newspaper clippings); The People's Choice; Hell Bent for Heaven; The Dover Road; Saturday's Children; Anna Christie; Boy Meets Girl.","Scrapbook containing programs, photographs, newspaper clippings, telegrams and memorandums relating to plays performed by the Drama Project of the State Emergency Relief Administration. Plays include: As You Like It; Rip Van Winkle; This Night in Bethlehem; Open-air stage productions; Constitution Day program; Vaudeville; Blessed Thunder. The scrapbook also includes a photograph of the Choral Project of the Los Angeles County Relief Administration as well as images of sponsors and other groups of people involved with productions, and identification cards belonging to Miller.","Howard Miller was the Theater Manager at the Little theatre in Padua Hills, California. This scrapbook includes newspaper clippings and programs from productions put on by the Padua Players from 1933 to 1934.","Scrapbook containing programs collected by Miller. Programs includes: The Huguenots performed by the Emma Juch Grand English Opera Company; The Sea King; The Three Guardsmen; Mark Twain at Maguire's Opera House; Little Robinson Crusoe; oversize flyer for Dion Boucicault's After Dark; Balieff's Chauve-Souris (The Bat Theatre of Moscow); Cuadros Castizos; There's Always Juliet; The Lilies of the Field; The First Legion; Ah, Wilderness!; Bitter Harvest; Hedda Gabler; Three Men on a Horse; Othello and Macbeth; Camille; Fata Morgana; Geraldine Farrar; Her Majesty, the Widow; Accent on Youth; Mexican Folk Plays; Mary of Scotland; As Thousands Cheer; The Green Bay Tree; Drama at Inish; East Lynne; Awake and Sing!; The Children's Hour; Night of January 16; Personal Appearance. This scrapbook also includes pieces of programs that only include the title."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_5c091e00e82823798960d1532cc52ff9\" label=\"Summary\"\u003eThe J. Howard Miller papers consist of scrapbooks and folders containing newspaper clippings, programs, photographs, telegrams, and other pieces of ephemera, most of which are related to Federal Theatre Project productions in Los Angeles, San Diego, Padua Hills, and Denver. Also included is correspondence to and from Miller and employee identification cards.\u003c/abstract\u003e\n    "],"abstract_tesim":["The J. Howard Miller papers consist of scrapbooks and folders containing newspaper clippings, programs, photographs, telegrams, and other pieces of ephemera, most of which are related to Federal Theatre Project productions in Los Angeles, San Diego, Padua Hills, and Denver. Also included is correspondence to and from Miller and employee identification cards."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_fd2c8824a22a79e4b1c6284aa68ef1f9\"\u003eMap Case 9.1\u003c/physloc\u003e\n    "],"physloc_tesim":["Map Case 9.1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"names_coll_ssim":["Federal Theatre Project (U.S.)"],"persname_ssim":["Miller, J. Howard"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Miller, J. Howard"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":20,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:54:01.106Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_346","ead_ssi":"vifgm_repositories_2_resources_346","_root_":"vifgm_repositories_2_resources_346","_nest_parent_":"vifgm_repositories_2_resources_346","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_346.xml","title_filing_ssi":"J. Howard Miller papers","title_ssm":["J. Howard Miller papers"],"title_tesim":["J. Howard Miller papers"],"unitdate_ssm":["1891-1946"],"unitdate_inclusive_ssm":["1891-1946"],"normalized_date_ssm":["1891/1946"],"normalized_title_ssm":["J. Howard Miller papers, 1891/1946"],"text":["J. Howard Miller papers, 1891/1946","C0228","/repositories/2/resources/346","Theater -- United States","New Deal, 1933-1939","There are no access restrictions.","This collection is arranged alphabetically by title.","Born on April 3, 1908 J. Howard Miller was a former actor and stage manager. He worked with the Federal Theatre Project as the Regional Director in the west, and later the Deputy National Director of the Federal Theatre Project.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.","Processing and EAD markup completed in November 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The J. Howard Miller papers contain eleven scrapbooks created by Miller. Scrapbooks are compiled around a location or play: one has general newsclippings about the Federal Theatre Project and the WPA, three are for productions from the Mayan Theatre in Los Angeles, two are for productions from the Savoy Theatre in San Diego, one is for the State Emergency Relief Administration (SERA), one covers the Federal Theatre unit in Denver, one covers the play It Can't Happen Here in it's many locations of production. There are also two scrapbooks for materials that did not originate with the Federal Theatre Project, one of these is filled with programs collected by Miller and the other is material from the Padua Players theatre group where Miller worked before joining the Federal Theatre. Also included in this collection is one folder of photographs featuring Federal Theatre sets and actors, and three folders with correspondence, miscellaneous newspaper clippings, and employee related material.","Includes correspondence to and from Miller from and to a multiple of peoples, a letter to Hallie Flanagan from Miller while he was in Seattle, correspondence from Flanagan, as well as memorandums, telegrams, an issue of Federal Theatre magazine, and payroll information.","Includes programs for productions of Plantation Days, Class of '29, Pursuit of Happiness, It Can't Happen Here, Blind Alley, Rachel's Man, Ten Minute Alibi, The Royal Family, Brothers, Help Yourself, Old Autumn. Includes one photograph of an empty stage from a production of Johnny Johnson, and one photograph of Hallie Flanagan and husband Phillip Davis sitting in a car together at Vassar.","Includes newspaper clippings about the Federal Theatre Project and the WPA in general, as well as an issue of Food Field Reporter from 1943. Personal documents include reassignment slips, and a permit to depart the United States in 1946 and reside in Canada.","Photographs of Federal Theatre Project productions. Photographs are of empty stages sets or performing actors on stage. Plays include: The Merchant of Venice; Uncle Vanya; The Warrior's Husband; Green Grow the Lilacs; House of Connelly; Mary Stuart; The Devil Passes; Purple is as Purple Does; Noah; It Can't Happen Here; Censored; Rachel's Man; Johnny Johnson; Revue of Reviews; Follow the Parade; Triple A Plowed Under; Blind Alley; The Nativity; Black Crook.","Scrapbook containing articles about the Federal Theatre Project from various magazines and newspapers.","Scrapbook contains programs, memorandums, and photographs from plays performed by the Denver unit. Contents have been removed from the original scrapbook and refoldered. Folder is separated and in box 4. Plays include: Censored; Rachel's Man; The Squall; Pursuit of Happiness; Criminal at Large; Me Third; If Ye Break Faith; The Animal Kingdom; Parents and Pigtails; Squaring the Circle; The Milky Way; Post Road; Cinderella; Know Your Onions; Lady of Letters; It's a Wise Child; Excursion; Hell Bent for Heaven; Help Yourself; Mystery of the Boardwalk Asylum; The Warrior's Husband. Also included is a small catalog titled Fashion Tops by Bonnie Frocks.","Loose programs and photographs removed from scrapbook.","Scrapbook containing programs, photographs, and newspaper clippings relating to the numerous productions of the play It Can't Happen Here.","Scrapbook includes photographs, posters, programs, and newspaper clippings for Voodoo Macbeth, Pursuit of Happiness, Gods of the Lightning, The World We Live In, Miss Quis, The Weavers, Ready! Aim! Fire!, Days Without End all performed at the Mayan Theatre in Los Angeles.","Scrapbook contains programs, flyers, posters, photographs, and other ephemera from productions at the Mayan Theatre in Los Angeles. Productions include: Under Two Flags; Black Empire; Miss Clementina Clutterbuck; Censored; Follow the Parade; If it Please the Court; Chalk Dust; The Mystery of the Boardwalk Asylum; Noah; Triple A Plowed Under; The Black Crook; John Henry; It Can't Happen Here (at the Figueroa Playhouse); It Can't Happen Here; It Can't Happen Here (at the President Theatre aka The Orpheum in Seattle); The Warrior's Husband (at the Hollywood Playhouse); The Nativity (St. Josephs Church); Green Grow the Lilacs; Roaring Girl; The House of Connelly; Blind Alley; Tomorrow's A Holiday; Johnny Johnson.","Scrapbook containing mostly programs for shows performed at the Mason Theatre (and Mason Opera House) at 127 South Broadway in Los Angeles. Productions include: The Octoroon; Our American Cousin; A Texas Steer; 7th Heaven; Turn to the Right; The Bat; Cradle Snatchers; Smilin' Through; Potash and Perlmutter; The Whole Town's Talking; Laff That Off; Madame X; Three Wise Fools; Vaudeville Frolic; The Fool; Old Autumn; East is West; The Goose Hangs High; What Anne Brought Home; Ladies of the Jury; Habit; Revue of Reviews; The Merchant of Venice; Help Yourself; Ah, Wilderness!; Boy Meets Girl; Dracula; Counsellor-at-Law; Accent on Youth; The Pursuit of Happiness; Brothers; Why Men Leave Home; Night Must Fall; What a Woman Wants; Mary's Other Husband; The Bishop Misbehaves; The Amazing Dr. Clitterhouse; To The Ladies!; The Milky Way; The Alarm Clock.\nAlso included are two costume design watercolor drawings.","Scrapbook containing programs, photographs, and newspaper clippings for productions at the Savoy Theatre in San Diego. Productions include: Counsellor-at-Law; Arms and the Man; Accent on Youth; The Ship; Alice in Wonderland; Ah, WIlderness!, Why Men Leave Home; The Last Warning; New Brooms; Night of January 16th; One Sunday Afternoon; The Bishop Misbehaves; To The Ladies!; What a Women Wants; Squaring the Circle; Judgment Day; The Milky Way; I Want a Policeman; The Very Great Man; Post Road; The Camel Through the Needle's Eye; Lady of Letters; Night Must Fall; Little Women; Meteor; A Bill of Divorcement; The Ninth Guest; Penny Wise; It Might Happen to You; American Family Robinson; That's My Wife; Penny Wise; Is Zat So; The Queen's Husband; Vaudeville Frolic.","Scrapbook contains programs, photographs, newspaper clippings, and other ephemera from productions performed at the Savoy Theatre in San Diego. Plays include: The First Mrs. Fraser; The Wild Duck; The Romantic Young Lady; Secret Service; Lightnin'; Three Wise Fools; Whistling in the Dark; Turn to the Right; Big Hearted Herbert; The Ghost Train; Take My Advice; Double Door; Cradle Snatchers; The Girl of the Golden West; Up Pops the Devil; Out of the Night; Is Zat So; The Fool; The Silver Cord; Ladies of the Jury; Blind Alley; The Mad Hopes; Tommy; Rachel's Man; The Wisdom Tooth; Oliver Oliver; Candle-Light; Another Language (program and newspaper clippings); The People's Choice; Hell Bent for Heaven; The Dover Road; Saturday's Children; Anna Christie; Boy Meets Girl.","Scrapbook containing programs, photographs, newspaper clippings, telegrams and memorandums relating to plays performed by the Drama Project of the State Emergency Relief Administration. Plays include: As You Like It; Rip Van Winkle; This Night in Bethlehem; Open-air stage productions; Constitution Day program; Vaudeville; Blessed Thunder. The scrapbook also includes a photograph of the Choral Project of the Los Angeles County Relief Administration as well as images of sponsors and other groups of people involved with productions, and identification cards belonging to Miller.","Howard Miller was the Theater Manager at the Little theatre in Padua Hills, California. This scrapbook includes newspaper clippings and programs from productions put on by the Padua Players from 1933 to 1934.","Scrapbook containing programs collected by Miller. Programs includes: The Huguenots performed by the Emma Juch Grand English Opera Company; The Sea King; The Three Guardsmen; Mark Twain at Maguire's Opera House; Little Robinson Crusoe; oversize flyer for Dion Boucicault's After Dark; Balieff's Chauve-Souris (The Bat Theatre of Moscow); Cuadros Castizos; There's Always Juliet; The Lilies of the Field; The First Legion; Ah, Wilderness!; Bitter Harvest; Hedda Gabler; Three Men on a Horse; Othello and Macbeth; Camille; Fata Morgana; Geraldine Farrar; Her Majesty, the Widow; Accent on Youth; Mexican Folk Plays; Mary of Scotland; As Thousands Cheer; The Green Bay Tree; Drama at Inish; East Lynne; Awake and Sing!; The Children's Hour; Night of January 16; Personal Appearance. This scrapbook also includes pieces of programs that only include the title.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The J. Howard Miller papers consist of scrapbooks and folders containing newspaper clippings, programs, photographs, telegrams, and other pieces of ephemera, most of which are related to Federal Theatre Project productions in Los Angeles, San Diego, Padua Hills, and Denver. Also included is correspondence to and from Miller and employee identification cards.","Map Case 9.1","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Miller, J. Howard","English"],"collection_title_tesim":["J. Howard Miller papers, 1891/1946"],"collection_ssim":["J. Howard Miller papers, 1891/1946"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0228","/repositories/2/resources/346"],"unitid_tesim":["C0228","/repositories/2/resources/346"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Miller, J. Howard"],"creator_ssim":["Miller, J. Howard"],"creator_persname_ssim":["Miller, J. Howard"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"creators_ssim":["Miller, J. Howard","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by J. Howard Miller on April 12, 1979."],"access_subjects_ssim":["Theater -- United States","New Deal, 1933-1939"],"access_subjects_ssm":["Theater -- United States","New Deal, 1933-1939"],"has_online_content_ssim":["false"],"extent_ssm":["2.5 Linear Feet 6 boxes"],"extent_tesim":["2.5 Linear Feet 6 boxes"],"date_range_isim":[1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by title.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by title."],"bioghist_html_tesm":["\u003cp\u003eBorn on April 3, 1908 J. Howard Miller was a former actor and stage manager. He worked with the Federal Theatre Project as the Regional Director in the west, and later the Deputy National Director of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born on April 3, 1908 J. Howard Miller was a former actor and stage manager. He worked with the Federal Theatre Project as the Regional Director in the west, and later the Deputy National Director of the Federal Theatre Project.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression."],"prefercite_html_tesm":["\u003cp\u003eJ. Howard Miller personal papers, C0228, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["J. Howard Miller personal papers, C0228, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in November 2012 by Greta Kuriger Suiter.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in November 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe J. Howard Miller papers contain eleven scrapbooks created by Miller. Scrapbooks are compiled around a location or play: one has general newsclippings about the Federal Theatre Project and the WPA, three are for productions from the Mayan Theatre in Los Angeles, two are for productions from the Savoy Theatre in San Diego, one is for the State Emergency Relief Administration (SERA), one covers the Federal Theatre unit in Denver, one covers the play It Can't Happen Here in it's many locations of production. There are also two scrapbooks for materials that did not originate with the Federal Theatre Project, one of these is filled with programs collected by Miller and the other is material from the Padua Players theatre group where Miller worked before joining the Federal Theatre. Also included in this collection is one folder of photographs featuring Federal Theatre sets and actors, and three folders with correspondence, miscellaneous newspaper clippings, and employee related material.\u003c/p\u003e  ","\u003cp\u003eIncludes correspondence to and from Miller from and to a multiple of peoples, a letter to Hallie Flanagan from Miller while he was in Seattle, correspondence from Flanagan, as well as memorandums, telegrams, an issue of Federal Theatre magazine, and payroll information.\u003c/p\u003e","\u003cp\u003eIncludes programs for productions of Plantation Days, Class of '29, Pursuit of Happiness, It Can't Happen Here, Blind Alley, Rachel's Man, Ten Minute Alibi, The Royal Family, Brothers, Help Yourself, Old Autumn. Includes one photograph of an empty stage from a production of Johnny Johnson, and one photograph of Hallie Flanagan and husband Phillip Davis sitting in a car together at Vassar.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings about the Federal Theatre Project and the WPA in general, as well as an issue of Food Field Reporter from 1943. Personal documents include reassignment slips, and a permit to depart the United States in 1946 and reside in Canada.\u003c/p\u003e","\u003cp\u003ePhotographs of Federal Theatre Project productions. Photographs are of empty stages sets or performing actors on stage. Plays include: The Merchant of Venice; Uncle Vanya; The Warrior's Husband; Green Grow the Lilacs; House of Connelly; Mary Stuart; The Devil Passes; Purple is as Purple Does; Noah; It Can't Happen Here; Censored; Rachel's Man; Johnny Johnson; Revue of Reviews; Follow the Parade; Triple A Plowed Under; Blind Alley; The Nativity; Black Crook.\u003c/p\u003e","\u003cp\u003eScrapbook containing articles about the Federal Theatre Project from various magazines and newspapers.\u003c/p\u003e","\u003cp\u003eScrapbook contains programs, memorandums, and photographs from plays performed by the Denver unit. Contents have been removed from the original scrapbook and refoldered. Folder is separated and in box 4. Plays include: Censored; Rachel's Man; The Squall; Pursuit of Happiness; Criminal at Large; Me Third; If Ye Break Faith; The Animal Kingdom; Parents and Pigtails; Squaring the Circle; The Milky Way; Post Road; Cinderella; Know Your Onions; Lady of Letters; It's a Wise Child; Excursion; Hell Bent for Heaven; Help Yourself; Mystery of the Boardwalk Asylum; The Warrior's Husband. Also included is a small catalog titled Fashion Tops by Bonnie Frocks.\u003c/p\u003e","\u003cp\u003eLoose programs and photographs removed from scrapbook.\u003c/p\u003e","\u003cp\u003eScrapbook containing programs, photographs, and newspaper clippings relating to the numerous productions of the play It Can't Happen Here.\u003c/p\u003e","\u003cp\u003eScrapbook includes photographs, posters, programs, and newspaper clippings for Voodoo Macbeth, Pursuit of Happiness, Gods of the Lightning, The World We Live In, Miss Quis, The Weavers, Ready! Aim! Fire!, Days Without End all performed at the Mayan Theatre in Los Angeles.\u003c/p\u003e","\u003cp\u003eScrapbook contains programs, flyers, posters, photographs, and other ephemera from productions at the Mayan Theatre in Los Angeles. Productions include: Under Two Flags; Black Empire; Miss Clementina Clutterbuck; Censored; Follow the Parade; If it Please the Court; Chalk Dust; The Mystery of the Boardwalk Asylum; Noah; Triple A Plowed Under; The Black Crook; John Henry; It Can't Happen Here (at the Figueroa Playhouse); It Can't Happen Here; It Can't Happen Here (at the President Theatre aka The Orpheum in Seattle); The Warrior's Husband (at the Hollywood Playhouse); The Nativity (St. Josephs Church); Green Grow the Lilacs; Roaring Girl; The House of Connelly; Blind Alley; Tomorrow's A Holiday; Johnny Johnson.\u003c/p\u003e","\u003cp\u003eScrapbook containing mostly programs for shows performed at the Mason Theatre (and Mason Opera House) at 127 South Broadway in Los Angeles. Productions include: The Octoroon; Our American Cousin; A Texas Steer; 7th Heaven; Turn to the Right; The Bat; Cradle Snatchers; Smilin' Through; Potash and Perlmutter; The Whole Town's Talking; Laff That Off; Madame X; Three Wise Fools; Vaudeville Frolic; The Fool; Old Autumn; East is West; The Goose Hangs High; What Anne Brought Home; Ladies of the Jury; Habit; Revue of Reviews; The Merchant of Venice; Help Yourself; Ah, Wilderness!; Boy Meets Girl; Dracula; Counsellor-at-Law; Accent on Youth; The Pursuit of Happiness; Brothers; Why Men Leave Home; Night Must Fall; What a Woman Wants; Mary's Other Husband; The Bishop Misbehaves; The Amazing Dr. Clitterhouse; To The Ladies!; The Milky Way; The Alarm Clock.\nAlso included are two costume design watercolor drawings.\u003c/p\u003e","\u003cp\u003eScrapbook containing programs, photographs, and newspaper clippings for productions at the Savoy Theatre in San Diego. Productions include: Counsellor-at-Law; Arms and the Man; Accent on Youth; The Ship; Alice in Wonderland; Ah, WIlderness!, Why Men Leave Home; The Last Warning; New Brooms; Night of January 16th; One Sunday Afternoon; The Bishop Misbehaves; To The Ladies!; What a Women Wants; Squaring the Circle; Judgment Day; The Milky Way; I Want a Policeman; The Very Great Man; Post Road; The Camel Through the Needle's Eye; Lady of Letters; Night Must Fall; Little Women; Meteor; A Bill of Divorcement; The Ninth Guest; Penny Wise; It Might Happen to You; American Family Robinson; That's My Wife; Penny Wise; Is Zat So; The Queen's Husband; Vaudeville Frolic.\u003c/p\u003e","\u003cp\u003eScrapbook contains programs, photographs, newspaper clippings, and other ephemera from productions performed at the Savoy Theatre in San Diego. Plays include: The First Mrs. Fraser; The Wild Duck; The Romantic Young Lady; Secret Service; Lightnin'; Three Wise Fools; Whistling in the Dark; Turn to the Right; Big Hearted Herbert; The Ghost Train; Take My Advice; Double Door; Cradle Snatchers; The Girl of the Golden West; Up Pops the Devil; Out of the Night; Is Zat So; The Fool; The Silver Cord; Ladies of the Jury; Blind Alley; The Mad Hopes; Tommy; Rachel's Man; The Wisdom Tooth; Oliver Oliver; Candle-Light; Another Language (program and newspaper clippings); The People's Choice; Hell Bent for Heaven; The Dover Road; Saturday's Children; Anna Christie; Boy Meets Girl.\u003c/p\u003e","\u003cp\u003eScrapbook containing programs, photographs, newspaper clippings, telegrams and memorandums relating to plays performed by the Drama Project of the State Emergency Relief Administration. Plays include: As You Like It; Rip Van Winkle; This Night in Bethlehem; Open-air stage productions; Constitution Day program; Vaudeville; Blessed Thunder. The scrapbook also includes a photograph of the Choral Project of the Los Angeles County Relief Administration as well as images of sponsors and other groups of people involved with productions, and identification cards belonging to Miller.\u003c/p\u003e","\u003cp\u003eHoward Miller was the Theater Manager at the Little theatre in Padua Hills, California. This scrapbook includes newspaper clippings and programs from productions put on by the Padua Players from 1933 to 1934.\u003c/p\u003e","\u003cp\u003eScrapbook containing programs collected by Miller. Programs includes: The Huguenots performed by the Emma Juch Grand English Opera Company; The Sea King; The Three Guardsmen; Mark Twain at Maguire's Opera House; Little Robinson Crusoe; oversize flyer for Dion Boucicault's After Dark; Balieff's Chauve-Souris (The Bat Theatre of Moscow); Cuadros Castizos; There's Always Juliet; The Lilies of the Field; The First Legion; Ah, Wilderness!; Bitter Harvest; Hedda Gabler; Three Men on a Horse; Othello and Macbeth; Camille; Fata Morgana; Geraldine Farrar; Her Majesty, the Widow; Accent on Youth; Mexican Folk Plays; Mary of Scotland; As Thousands Cheer; The Green Bay Tree; Drama at Inish; East Lynne; Awake and Sing!; The Children's Hour; Night of January 16; Personal Appearance. This scrapbook also includes pieces of programs that only include the title.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The J. Howard Miller papers contain eleven scrapbooks created by Miller. Scrapbooks are compiled around a location or play: one has general newsclippings about the Federal Theatre Project and the WPA, three are for productions from the Mayan Theatre in Los Angeles, two are for productions from the Savoy Theatre in San Diego, one is for the State Emergency Relief Administration (SERA), one covers the Federal Theatre unit in Denver, one covers the play It Can't Happen Here in it's many locations of production. There are also two scrapbooks for materials that did not originate with the Federal Theatre Project, one of these is filled with programs collected by Miller and the other is material from the Padua Players theatre group where Miller worked before joining the Federal Theatre. Also included in this collection is one folder of photographs featuring Federal Theatre sets and actors, and three folders with correspondence, miscellaneous newspaper clippings, and employee related material.","Includes correspondence to and from Miller from and to a multiple of peoples, a letter to Hallie Flanagan from Miller while he was in Seattle, correspondence from Flanagan, as well as memorandums, telegrams, an issue of Federal Theatre magazine, and payroll information.","Includes programs for productions of Plantation Days, Class of '29, Pursuit of Happiness, It Can't Happen Here, Blind Alley, Rachel's Man, Ten Minute Alibi, The Royal Family, Brothers, Help Yourself, Old Autumn. Includes one photograph of an empty stage from a production of Johnny Johnson, and one photograph of Hallie Flanagan and husband Phillip Davis sitting in a car together at Vassar.","Includes newspaper clippings about the Federal Theatre Project and the WPA in general, as well as an issue of Food Field Reporter from 1943. Personal documents include reassignment slips, and a permit to depart the United States in 1946 and reside in Canada.","Photographs of Federal Theatre Project productions. Photographs are of empty stages sets or performing actors on stage. Plays include: The Merchant of Venice; Uncle Vanya; The Warrior's Husband; Green Grow the Lilacs; House of Connelly; Mary Stuart; The Devil Passes; Purple is as Purple Does; Noah; It Can't Happen Here; Censored; Rachel's Man; Johnny Johnson; Revue of Reviews; Follow the Parade; Triple A Plowed Under; Blind Alley; The Nativity; Black Crook.","Scrapbook containing articles about the Federal Theatre Project from various magazines and newspapers.","Scrapbook contains programs, memorandums, and photographs from plays performed by the Denver unit. Contents have been removed from the original scrapbook and refoldered. Folder is separated and in box 4. Plays include: Censored; Rachel's Man; The Squall; Pursuit of Happiness; Criminal at Large; Me Third; If Ye Break Faith; The Animal Kingdom; Parents and Pigtails; Squaring the Circle; The Milky Way; Post Road; Cinderella; Know Your Onions; Lady of Letters; It's a Wise Child; Excursion; Hell Bent for Heaven; Help Yourself; Mystery of the Boardwalk Asylum; The Warrior's Husband. Also included is a small catalog titled Fashion Tops by Bonnie Frocks.","Loose programs and photographs removed from scrapbook.","Scrapbook containing programs, photographs, and newspaper clippings relating to the numerous productions of the play It Can't Happen Here.","Scrapbook includes photographs, posters, programs, and newspaper clippings for Voodoo Macbeth, Pursuit of Happiness, Gods of the Lightning, The World We Live In, Miss Quis, The Weavers, Ready! Aim! Fire!, Days Without End all performed at the Mayan Theatre in Los Angeles.","Scrapbook contains programs, flyers, posters, photographs, and other ephemera from productions at the Mayan Theatre in Los Angeles. Productions include: Under Two Flags; Black Empire; Miss Clementina Clutterbuck; Censored; Follow the Parade; If it Please the Court; Chalk Dust; The Mystery of the Boardwalk Asylum; Noah; Triple A Plowed Under; The Black Crook; John Henry; It Can't Happen Here (at the Figueroa Playhouse); It Can't Happen Here; It Can't Happen Here (at the President Theatre aka The Orpheum in Seattle); The Warrior's Husband (at the Hollywood Playhouse); The Nativity (St. Josephs Church); Green Grow the Lilacs; Roaring Girl; The House of Connelly; Blind Alley; Tomorrow's A Holiday; Johnny Johnson.","Scrapbook containing mostly programs for shows performed at the Mason Theatre (and Mason Opera House) at 127 South Broadway in Los Angeles. Productions include: The Octoroon; Our American Cousin; A Texas Steer; 7th Heaven; Turn to the Right; The Bat; Cradle Snatchers; Smilin' Through; Potash and Perlmutter; The Whole Town's Talking; Laff That Off; Madame X; Three Wise Fools; Vaudeville Frolic; The Fool; Old Autumn; East is West; The Goose Hangs High; What Anne Brought Home; Ladies of the Jury; Habit; Revue of Reviews; The Merchant of Venice; Help Yourself; Ah, Wilderness!; Boy Meets Girl; Dracula; Counsellor-at-Law; Accent on Youth; The Pursuit of Happiness; Brothers; Why Men Leave Home; Night Must Fall; What a Woman Wants; Mary's Other Husband; The Bishop Misbehaves; The Amazing Dr. Clitterhouse; To The Ladies!; The Milky Way; The Alarm Clock.\nAlso included are two costume design watercolor drawings.","Scrapbook containing programs, photographs, and newspaper clippings for productions at the Savoy Theatre in San Diego. Productions include: Counsellor-at-Law; Arms and the Man; Accent on Youth; The Ship; Alice in Wonderland; Ah, WIlderness!, Why Men Leave Home; The Last Warning; New Brooms; Night of January 16th; One Sunday Afternoon; The Bishop Misbehaves; To The Ladies!; What a Women Wants; Squaring the Circle; Judgment Day; The Milky Way; I Want a Policeman; The Very Great Man; Post Road; The Camel Through the Needle's Eye; Lady of Letters; Night Must Fall; Little Women; Meteor; A Bill of Divorcement; The Ninth Guest; Penny Wise; It Might Happen to You; American Family Robinson; That's My Wife; Penny Wise; Is Zat So; The Queen's Husband; Vaudeville Frolic.","Scrapbook contains programs, photographs, newspaper clippings, and other ephemera from productions performed at the Savoy Theatre in San Diego. Plays include: The First Mrs. Fraser; The Wild Duck; The Romantic Young Lady; Secret Service; Lightnin'; Three Wise Fools; Whistling in the Dark; Turn to the Right; Big Hearted Herbert; The Ghost Train; Take My Advice; Double Door; Cradle Snatchers; The Girl of the Golden West; Up Pops the Devil; Out of the Night; Is Zat So; The Fool; The Silver Cord; Ladies of the Jury; Blind Alley; The Mad Hopes; Tommy; Rachel's Man; The Wisdom Tooth; Oliver Oliver; Candle-Light; Another Language (program and newspaper clippings); The People's Choice; Hell Bent for Heaven; The Dover Road; Saturday's Children; Anna Christie; Boy Meets Girl.","Scrapbook containing programs, photographs, newspaper clippings, telegrams and memorandums relating to plays performed by the Drama Project of the State Emergency Relief Administration. Plays include: As You Like It; Rip Van Winkle; This Night in Bethlehem; Open-air stage productions; Constitution Day program; Vaudeville; Blessed Thunder. The scrapbook also includes a photograph of the Choral Project of the Los Angeles County Relief Administration as well as images of sponsors and other groups of people involved with productions, and identification cards belonging to Miller.","Howard Miller was the Theater Manager at the Little theatre in Padua Hills, California. This scrapbook includes newspaper clippings and programs from productions put on by the Padua Players from 1933 to 1934.","Scrapbook containing programs collected by Miller. Programs includes: The Huguenots performed by the Emma Juch Grand English Opera Company; The Sea King; The Three Guardsmen; Mark Twain at Maguire's Opera House; Little Robinson Crusoe; oversize flyer for Dion Boucicault's After Dark; Balieff's Chauve-Souris (The Bat Theatre of Moscow); Cuadros Castizos; There's Always Juliet; The Lilies of the Field; The First Legion; Ah, Wilderness!; Bitter Harvest; Hedda Gabler; Three Men on a Horse; Othello and Macbeth; Camille; Fata Morgana; Geraldine Farrar; Her Majesty, the Widow; Accent on Youth; Mexican Folk Plays; Mary of Scotland; As Thousands Cheer; The Green Bay Tree; Drama at Inish; East Lynne; Awake and Sing!; The Children's Hour; Night of January 16; Personal Appearance. This scrapbook also includes pieces of programs that only include the title."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_5c091e00e82823798960d1532cc52ff9\" label=\"Summary\"\u003eThe J. Howard Miller papers consist of scrapbooks and folders containing newspaper clippings, programs, photographs, telegrams, and other pieces of ephemera, most of which are related to Federal Theatre Project productions in Los Angeles, San Diego, Padua Hills, and Denver. Also included is correspondence to and from Miller and employee identification cards.\u003c/abstract\u003e\n    "],"abstract_tesim":["The J. Howard Miller papers consist of scrapbooks and folders containing newspaper clippings, programs, photographs, telegrams, and other pieces of ephemera, most of which are related to Federal Theatre Project productions in Los Angeles, San Diego, Padua Hills, and Denver. Also included is correspondence to and from Miller and employee identification cards."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_fd2c8824a22a79e4b1c6284aa68ef1f9\"\u003eMap Case 9.1\u003c/physloc\u003e\n    "],"physloc_tesim":["Map Case 9.1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"names_coll_ssim":["Federal Theatre Project (U.S.)"],"persname_ssim":["Miller, J. Howard"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Miller, J. Howard"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":20,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:54:01.106Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_346"}},{"id":"wvmturhc_repositories_2_resources_5444","type":"collection","attributes":{"title":"Justus Collins (1857-1934) Papers, 1887/1962","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5444#creator","type":"document_value","attributes":{"value":"Collins, Justus, 1857-1934","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5444#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eJustus Collins [1857-1934] was an entrepreneur who opened his first coal mine in the Pocahontas- Flat Top coal field of Southern West Virginia, and thereafter operated mines in the New River, Tug River, and Winding Gulf coal fields. He headed a coal sales agency, speculated in coal and timber lands, headed a cement company, and was interested financially in rubber, oil, and gas companies. He played an important role in organizing the Tug River Coal Operators Association, the Winding Gulf Operators' Association, and the Smokeless Coal Operators Association of West Virginia. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5444#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_5444","ead_ssi":"wvmturhc_repositories_2_resources_5444","_root_":"wvmturhc_repositories_2_resources_5444","_nest_parent_":"wvmturhc_repositories_2_resources_5444","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5444.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198682","title_ssm":["Justus Collins (1857-1934) Papers"],"title_tesim":["Justus Collins (1857-1934) Papers"],"unitdate_ssm":["1887-1962"],"unitdate_inclusive_ssm":["1887-1962"],"normalized_date_ssm":["1887/1962"],"normalized_title_ssm":["Justus Collins (1857-1934) Papers, 1887/1962"],"text":["Justus Collins (1857-1934) Papers, 1887/1962","A\u0026M 1824","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5444","Account books","Church buildings","Coal mining - coal and coke sales.","Coal mining - coal operators associations.","Coal mining - Regulation.","Coal mining - Safety.","Coal mining -- Strikes","Coal mining.","Education","Maps.","New River coalfields.","Pocahontas-Flat Top coalfield.","Politics and government.","Railroads - Chesapeake and Ohio Railroad.","Railroads - Norfolk and Western Railroad.","Railroads - Virginia Railway - Winding Gulf Branch.","Virginian Railroad -- Railroads","Schools. SEE ALSO Academies","Taxation","New Deal, 1933-1939","Winding Gulf (W. Va.) -- coalfields","Coal mining - New River field.","Coal mining - Winding Gulf field.","Coal Mining - Tug River field","No special access restriction applies.","1784, 1824","Justus Collins [1857-1934] was an entrepreneur who opened his first coal mine in the Pocahontas- Flat Top coal field of Southern West Virginia, and thereafter operated mines in the New River, Tug River, and Winding Gulf coal fields. He headed a coal sales agency, speculated in coal and timber lands, headed a cement company, and was interested financially in rubber, oil, and gas companies. He played an important role in organizing the Tug River Coal Operators Association, the Winding Gulf Operators' Association, and the Smokeless Coal Operators Association of West Virginia.","The materials include correspondence, agreements, contracts, deeds, financial statements, ledger books, magazines, maps, minute books, pamphlets, photographs, production and shipping records, reports, and stock books.","The bulk of the collection concerns the development of the law volatile, or smokeless, coal fields of Southern West Virginia, ca. 1900-1934. Subjects include: Coal company operation, (coal and coke sales, costs, marketing conditions, price-fixing, profits, salaries, taxes); coal operators' associations; government investigation and regulation of the coal industry (Interstate Commerce Commission, mining legislation, N.R.A. code, U.S. Railroad Administration) labor (insurance \"on transportation\", strikes, United Mine Workers of America, wages, workman's compensation, \"yellow-dog\" contract); law and order (Baldwin-Felts Detective Agency, courts, injunctions, mine guard system, National Guard, secret operatives, state troopers); life in mining camps (amusements, churches, health, housing, recreation, schools, stores); mining safety; railroads (Chesapeake \u0026 Ohio Railway, coal car distribution, freight rates, Norfolk \u0026 Western Railroad, railway fuel contracts, and Virginian Railway- Organization of Winding Gulf Branch); and  state and local politics. Other non-coal subjects include cement business, lumber business, tire and tire gauge manufacturing, and oil and gas drilling.","Correspondents include: S.R. Anderson; G. R. Collins; Jairus Collins; Justus Collins; Raymond DuPuy; W. J. Elgin; Lamar Epperly; H.D. Everett; T. L. Felts; A.M. Herndon; J.J. Holloway; L. E. Johnson; P. H. Kelly; E.W.  Knight; John Laing; I. T. Mann; C. H. Mead; C. J. Milton; J. H. Renahan, P. J. RIley: P. M. Snyder; Holly Stover; W. P. Tams; Jr.: J.J. Tierney; E.E. White; and George Wolfe.\n \nSeries include:\n1. General Correspondence, 1896–1934 (boxes 1-36) \n2. Baldwin-Felts Detective Agency, 1905–1934 (box 36) \n3. Coal Operators Association, 1911–1934 (boxes 37-39) \n4. Smokeless Fuel Company -- Sales Managers' Correspondence, 1914-1915, undated (boxes 40-42)\n5. Smokeless Fuel Company -- Smithing and Other Sales, 1914–1922 (boxes 43-44) \n6. Superior Portland Cement Company, 1905–1924 (boxes 45-47) \n7. Miscellaneous Printed Materials, 1899–1954 (boxes 48-56) \n8. Oversize Maps, Blueprints, and Charts, 1916-1962, undated (oversize folder)","This series includes general correspondence between Justus Collins and many others, including S.R. Anderson; G. R. Collins; Jairus Collins; Raymond DuPuy; W. J. Elgin; Lamar Epperly; H.D. Everett; T. L. Felts; A.M. Herndon; J.J. Holloway; L. E. Johnson; P. H. Kelly; E.W. Knight; John Laing; I. T. Mann; C. H. Mead; C. J. Milton; J. H. Renahan, P. J. Riley: P. M. Snyder; Holly Stover; W. P. Tams; Jr.: J.J. Tierney; E.E. White; and George Wolfe.","Subjects include coal company operation (coal and coke sales, costs, marketing conditions, price-fixing, profits, salaries, taxes), coal operators' associations, railroads (Chesapeake \u0026 Ohio Railway, coal car distribution, freight rates, Norfolk \u0026 Western Railroad, railway fuel contracts, and Virginian Railway- Organization of Winding Gulf Branch), and state and local politics.","This series includes material related to the Baldwin-Felts Detective Agency (ca. 1890s-1937), which was used by coal operators as strikebreakers in the 1910s and 1920s. Baldwin-Felts detectives were infamous for their violent involvement in the Coal Wars, the Battle of Matewan, and other coal union strikes.","This series includes correspondence regarding various coal operators associations, including the Tug River Valley Association, the Winding Gulf Association, the Pocahontas Assocation, and others.","This series includes sales managers' correspondence regarding the Smokeless Fuel Company.","This series includes material regarding smithing and other sales of the Smokeless Fuel Company.","This series includes material regarding the Superior Portland Cement Company.","This series includes assorted printed materials, including personal and business account books, surveys, stockholders meeting minutes, and other material.","This series includes oversize maps, blueprints, and charts, including maps of Collins's personal property; maps and blueprints of potential locations for housing, schools, and amenities at Whipple and other coal mines; assorted coal mine maps and blueprints; and statistical charts of productivity and other metrics of Winding Gulf Collieries and other coal companies.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Baldwin-Felts Detective Inc.","United States. Interstate Commerce Commission","Smokeless Coal Operators Association","Tug River Coal Operators Association","United Mine Workers of America","United States. Coal Commission","United States. Fuel Administration","United States. National Recovery Administration","United States - Railway Administration.","Winding Gulf Operators Association","Chesapeake and Ohio Railway Company","Norfolk and Western Railroad.","Virginian Railway- Organization of Winding Gulf Branch","Collins family","Collins, Justus, 1857-1934","Collins, Jarius.","Felts, T.L.","Holloway, J.J.","Laing, John B.","Mann, Isaac T. (Isaac Thomas), 1864-1932","Tams, W. P., Jr. (William Purviance), 1883-1977","Wolfe, George.","English\n."],"collection_title_tesim":["Justus Collins (1857-1934) Papers, 1887/1962"],"collection_ssim":["Justus Collins (1857-1934) Papers, 1887/1962"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 1824","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5444"],"unitid_tesim":["A\u0026M 1824","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5444"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Collins, Justus, 1857-1934"],"creator_ssim":["Collins, Justus, 1857-1934"],"creator_persname_ssim":["Collins, Justus, 1857-1934","Collins, Jarius.","Felts, T.L.","Holloway, J.J.","Laing, John B.","Mann, Isaac T. (Isaac Thomas), 1864-1932","Tams, W. P., Jr. (William Purviance), 1883-1977","Wolfe, George."],"creator_corpname_ssim":["West Virginia and Regional History Center","Baldwin-Felts Detective Inc.","United States. Interstate Commerce Commission","Smokeless Coal Operators Association","Tug River Coal Operators Association","United Mine Workers of America","United States. Coal Commission","United States. Fuel Administration","United States. National Recovery Administration","United States - Railway Administration.","Winding Gulf Operators Association","Chesapeake and Ohio Railway Company","Norfolk and Western Railroad.","Virginian Railway- Organization of Winding Gulf Branch"],"creator_famname_ssim":["Collins family"],"creators_ssim":["Collins, Justus, 1857-1934","Collins, Jarius.","Felts, T.L.","Holloway, J.J.","Laing, John B.","Mann, Isaac T. (Isaac Thomas), 1864-1932","Tams, W. P., Jr. (William Purviance), 1883-1977","Wolfe, George.","West Virginia and Regional History Center","Baldwin-Felts Detective Inc.","United States. Interstate Commerce Commission","Smokeless Coal Operators Association","Tug River Coal Operators Association","United Mine Workers of America","United States. Coal Commission","United States. Fuel Administration","United States. National Recovery Administration","United States - Railway Administration.","Winding Gulf Operators Association","Chesapeake and Ohio Railway Company","Norfolk and Western Railroad.","Virginian Railway- Organization of Winding Gulf Branch","Collins family"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Account books","Church buildings","Coal mining - coal and coke sales.","Coal mining - coal operators associations.","Coal mining - Regulation.","Coal mining - Safety.","Coal mining -- Strikes","Coal mining.","Education","Maps.","New River coalfields.","Pocahontas-Flat Top coalfield.","Politics and government.","Railroads - Chesapeake and Ohio Railroad.","Railroads - Norfolk and Western Railroad.","Railroads - Virginia Railway - Winding Gulf Branch.","Virginian Railroad -- Railroads","Schools. SEE ALSO Academies","Taxation","New Deal, 1933-1939","Winding Gulf (W. Va.) -- coalfields","Coal mining - New River field.","Coal mining - Winding Gulf field.","Coal Mining - Tug River field"],"access_subjects_ssm":["Account books","Church buildings","Coal mining - coal and coke sales.","Coal mining - coal operators associations.","Coal mining - Regulation.","Coal mining - Safety.","Coal mining -- Strikes","Coal mining.","Education","Maps.","New River coalfields.","Pocahontas-Flat Top coalfield.","Politics and government.","Railroads - Chesapeake and Ohio Railroad.","Railroads - Norfolk and Western Railroad.","Railroads - Virginia Railway - Winding Gulf Branch.","Virginian Railroad -- Railroads","Schools. SEE ALSO Academies","Taxation","New Deal, 1933-1939","Winding Gulf (W. Va.) -- coalfields","Coal mining - New River field.","Coal mining - Winding Gulf field.","Coal Mining - Tug River field"],"has_online_content_ssim":["false"],"extent_ssm":["23.3 Linear Feet Summary: 23 ft. 4 1/4 in. (56 document cases, 5 in. each); (1 oversize folder, 1/4 in.)"],"extent_tesim":["23.3 Linear Feet Summary: 23 ft. 4 1/4 in. (56 document cases, 5 in. each); (1 oversize folder, 1/4 in.)"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Justus Collins (1857-1934) Papers, A\u0026amp;M 1824, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Justus Collins (1857-1934) Papers, A\u0026M 1824, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e1784, 1824\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["1784, 1824"],"scopecontent_html_tesm":["\u003cp\u003eJustus Collins [1857-1934] was an entrepreneur who opened his first coal mine in the Pocahontas- Flat Top coal field of Southern West Virginia, and thereafter operated mines in the New River, Tug River, and Winding Gulf coal fields. He headed a coal sales agency, speculated in coal and timber lands, headed a cement company, and was interested financially in rubber, oil, and gas companies. He played an important role in organizing the Tug River Coal Operators Association, the Winding Gulf Operators' Association, and the Smokeless Coal Operators Association of West Virginia. \u003c/p\u003e","\u003cp\u003eThe materials include correspondence, agreements, contracts, deeds, financial statements, ledger books, magazines, maps, minute books, pamphlets, photographs, production and shipping records, reports, and stock books. \u003c/p\u003e","\u003cp\u003eThe bulk of the collection concerns the development of the law volatile, or smokeless, coal fields of Southern West Virginia, ca. 1900-1934. Subjects include: Coal company operation, (coal and coke sales, costs, marketing conditions, price-fixing, profits, salaries, taxes); coal operators' associations; government investigation and regulation of the coal industry (Interstate Commerce Commission, mining legislation, N.R.A. code, U.S. Railroad Administration) labor (insurance \"on transportation\", strikes, United Mine Workers of America, wages, workman's compensation, \"yellow-dog\" contract); law and order (Baldwin-Felts Detective Agency, courts, injunctions, mine guard system, National Guard, secret operatives, state troopers); life in mining camps (amusements, churches, health, housing, recreation, schools, stores); mining safety; railroads (Chesapeake \u0026amp; Ohio Railway, coal car distribution, freight rates, Norfolk \u0026amp; Western Railroad, railway fuel contracts, and Virginian Railway- Organization of Winding Gulf Branch); and  state and local politics. Other non-coal subjects include cement business, lumber business, tire and tire gauge manufacturing, and oil and gas drilling.\u003c/p\u003e","\u003cp\u003eCorrespondents include: S.R. Anderson; G. R. Collins; Jairus Collins; Justus Collins; Raymond DuPuy; W. J. Elgin; Lamar Epperly; H.D. Everett; T. L. Felts; A.M. Herndon; J.J. Holloway; L. E. Johnson; P. H. Kelly; E.W.  Knight; John Laing; I. T. Mann; C. H. Mead; C. J. Milton; J. H. Renahan, P. J. RIley: P. M. Snyder; Holly Stover; W. P. Tams; Jr.: J.J. Tierney; E.E. White; and George Wolfe.\n \nSeries include:\u003clb\u003e\u003c/lb\u003e\n1. General Correspondence, 1896–1934 (boxes 1-36) \u003clb\u003e\u003c/lb\u003e\n2. Baldwin-Felts Detective Agency, 1905–1934 (box 36) \u003clb\u003e\u003c/lb\u003e\n3. Coal Operators Association, 1911–1934 (boxes 37-39) \u003clb\u003e\u003c/lb\u003e\n4. Smokeless Fuel Company -- Sales Managers' Correspondence, 1914-1915, undated (boxes 40-42)\u003clb\u003e\u003c/lb\u003e\n5. Smokeless Fuel Company -- Smithing and Other Sales, 1914–1922 (boxes 43-44) \u003clb\u003e\u003c/lb\u003e\n6. Superior Portland Cement Company, 1905–1924 (boxes 45-47) \u003clb\u003e\u003c/lb\u003e\n7. Miscellaneous Printed Materials, 1899–1954 (boxes 48-56) \u003clb\u003e\u003c/lb\u003e\n8. Oversize Maps, Blueprints, and Charts, 1916-1962, undated (oversize folder)\u003c/p\u003e  ","\u003cp\u003eThis series includes general correspondence between Justus Collins and many others, including S.R. Anderson; G. R. Collins; Jairus Collins; Raymond DuPuy; W. J. Elgin; Lamar Epperly; H.D. Everett; T. L. Felts; A.M. Herndon; J.J. Holloway; L. E. Johnson; P. H. Kelly; E.W. Knight; John Laing; I. T. Mann; C. H. Mead; C. J. Milton; J. H. Renahan, P. J. Riley: P. M. Snyder; Holly Stover; W. P. Tams; Jr.: J.J. Tierney; E.E. White; and George Wolfe.\u003c/p\u003e","\u003cp\u003eSubjects include coal company operation (coal and coke sales, costs, marketing conditions, price-fixing, profits, salaries, taxes), coal operators' associations, railroads (Chesapeake \u0026amp; Ohio Railway, coal car distribution, freight rates, Norfolk \u0026amp; Western Railroad, railway fuel contracts, and Virginian Railway- Organization of Winding Gulf Branch), and state and local politics.\u003c/p\u003e","\u003cp\u003eThis series includes material related to the Baldwin-Felts Detective Agency (ca. 1890s-1937), which was used by coal operators as strikebreakers in the 1910s and 1920s. Baldwin-Felts detectives were infamous for their violent involvement in the Coal Wars, the Battle of Matewan, and other coal union strikes.\u003c/p\u003e","\u003cp\u003eThis series includes correspondence regarding various coal operators associations, including the Tug River Valley Association, the Winding Gulf Association, the Pocahontas Assocation, and others.\u003c/p\u003e","\u003cp\u003eThis series includes sales managers' correspondence regarding the Smokeless Fuel Company.\u003c/p\u003e","\u003cp\u003eThis series includes material regarding smithing and other sales of the Smokeless Fuel Company.\u003c/p\u003e","\u003cp\u003eThis series includes material regarding the Superior Portland Cement Company.\u003c/p\u003e","\u003cp\u003eThis series includes assorted printed materials, including personal and business account books, surveys, stockholders meeting minutes, and other material.\u003c/p\u003e","\u003cp\u003eThis series includes oversize maps, blueprints, and charts, including maps of Collins's personal property; maps and blueprints of potential locations for housing, schools, and amenities at Whipple and other coal mines; assorted coal mine maps and blueprints; and statistical charts of productivity and other metrics of Winding Gulf Collieries and other coal companies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Justus Collins [1857-1934] was an entrepreneur who opened his first coal mine in the Pocahontas- Flat Top coal field of Southern West Virginia, and thereafter operated mines in the New River, Tug River, and Winding Gulf coal fields. He headed a coal sales agency, speculated in coal and timber lands, headed a cement company, and was interested financially in rubber, oil, and gas companies. He played an important role in organizing the Tug River Coal Operators Association, the Winding Gulf Operators' Association, and the Smokeless Coal Operators Association of West Virginia.","The materials include correspondence, agreements, contracts, deeds, financial statements, ledger books, magazines, maps, minute books, pamphlets, photographs, production and shipping records, reports, and stock books.","The bulk of the collection concerns the development of the law volatile, or smokeless, coal fields of Southern West Virginia, ca. 1900-1934. Subjects include: Coal company operation, (coal and coke sales, costs, marketing conditions, price-fixing, profits, salaries, taxes); coal operators' associations; government investigation and regulation of the coal industry (Interstate Commerce Commission, mining legislation, N.R.A. code, U.S. Railroad Administration) labor (insurance \"on transportation\", strikes, United Mine Workers of America, wages, workman's compensation, \"yellow-dog\" contract); law and order (Baldwin-Felts Detective Agency, courts, injunctions, mine guard system, National Guard, secret operatives, state troopers); life in mining camps (amusements, churches, health, housing, recreation, schools, stores); mining safety; railroads (Chesapeake \u0026 Ohio Railway, coal car distribution, freight rates, Norfolk \u0026 Western Railroad, railway fuel contracts, and Virginian Railway- Organization of Winding Gulf Branch); and  state and local politics. Other non-coal subjects include cement business, lumber business, tire and tire gauge manufacturing, and oil and gas drilling.","Correspondents include: S.R. Anderson; G. R. Collins; Jairus Collins; Justus Collins; Raymond DuPuy; W. J. Elgin; Lamar Epperly; H.D. Everett; T. L. Felts; A.M. Herndon; J.J. Holloway; L. E. Johnson; P. H. Kelly; E.W.  Knight; John Laing; I. T. Mann; C. H. Mead; C. J. Milton; J. H. Renahan, P. J. RIley: P. M. Snyder; Holly Stover; W. P. Tams; Jr.: J.J. Tierney; E.E. White; and George Wolfe.\n \nSeries include:\n1. General Correspondence, 1896–1934 (boxes 1-36) \n2. Baldwin-Felts Detective Agency, 1905–1934 (box 36) \n3. Coal Operators Association, 1911–1934 (boxes 37-39) \n4. Smokeless Fuel Company -- Sales Managers' Correspondence, 1914-1915, undated (boxes 40-42)\n5. Smokeless Fuel Company -- Smithing and Other Sales, 1914–1922 (boxes 43-44) \n6. Superior Portland Cement Company, 1905–1924 (boxes 45-47) \n7. Miscellaneous Printed Materials, 1899–1954 (boxes 48-56) \n8. Oversize Maps, Blueprints, and Charts, 1916-1962, undated (oversize folder)","This series includes general correspondence between Justus Collins and many others, including S.R. Anderson; G. R. Collins; Jairus Collins; Raymond DuPuy; W. J. Elgin; Lamar Epperly; H.D. Everett; T. L. Felts; A.M. Herndon; J.J. Holloway; L. E. Johnson; P. H. Kelly; E.W. Knight; John Laing; I. T. Mann; C. H. Mead; C. J. Milton; J. H. Renahan, P. J. Riley: P. M. Snyder; Holly Stover; W. P. Tams; Jr.: J.J. Tierney; E.E. White; and George Wolfe.","Subjects include coal company operation (coal and coke sales, costs, marketing conditions, price-fixing, profits, salaries, taxes), coal operators' associations, railroads (Chesapeake \u0026 Ohio Railway, coal car distribution, freight rates, Norfolk \u0026 Western Railroad, railway fuel contracts, and Virginian Railway- Organization of Winding Gulf Branch), and state and local politics.","This series includes material related to the Baldwin-Felts Detective Agency (ca. 1890s-1937), which was used by coal operators as strikebreakers in the 1910s and 1920s. Baldwin-Felts detectives were infamous for their violent involvement in the Coal Wars, the Battle of Matewan, and other coal union strikes.","This series includes correspondence regarding various coal operators associations, including the Tug River Valley Association, the Winding Gulf Association, the Pocahontas Assocation, and others.","This series includes sales managers' correspondence regarding the Smokeless Fuel Company.","This series includes material regarding smithing and other sales of the Smokeless Fuel Company.","This series includes material regarding the Superior Portland Cement Company.","This series includes assorted printed materials, including personal and business account books, surveys, stockholders meeting minutes, and other material.","This series includes oversize maps, blueprints, and charts, including maps of Collins's personal property; maps and blueprints of potential locations for housing, schools, and amenities at Whipple and other coal mines; assorted coal mine maps and blueprints; and statistical charts of productivity and other metrics of Winding Gulf Collieries and other coal companies."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_34a483e0d98d950847652ad89abd4398\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","Baldwin-Felts Detective Inc.","United States. Interstate Commerce Commission","Smokeless Coal Operators Association","Tug River Coal Operators Association","United Mine Workers of America","United States. Coal Commission","United States. Fuel Administration","United States. National Recovery Administration","United States - Railway Administration.","Winding Gulf Operators Association","Chesapeake and Ohio Railway Company","Norfolk and Western Railroad.","Virginian Railway- Organization of Winding Gulf Branch"],"names_coll_ssim":["Baldwin-Felts Detective Inc.","United States. Interstate Commerce Commission","Smokeless Coal Operators Association","Tug River Coal Operators Association","United Mine Workers of America","United States. Coal Commission","United States. Fuel Administration","United States. National Recovery Administration","United States - Railway Administration.","Winding Gulf Operators Association","Chesapeake and Ohio Railway Company","Norfolk and Western Railroad.","Virginian Railway- Organization of Winding Gulf Branch","Collins family","Collins, Justus, 1857-1934","Collins, Jarius.","Felts, T.L.","Holloway, J.J.","Laing, John B.","Mann, Isaac T. (Isaac Thomas), 1864-1932","Tams, W. P., Jr. (William Purviance), 1883-1977","Wolfe, George."],"famname_ssim":["Collins family"],"persname_ssim":["Collins, Justus, 1857-1934","Collins, Jarius.","Felts, T.L.","Holloway, J.J.","Laing, John B.","Mann, Isaac T. (Isaac Thomas), 1864-1932","Tams, W. P., Jr. (William Purviance), 1883-1977","Wolfe, George."],"names_ssim":["West Virginia and Regional History Center","Baldwin-Felts Detective Inc.","United States. Interstate Commerce Commission","Smokeless Coal Operators Association","Tug River Coal Operators Association","United Mine Workers of America","United States. Coal Commission","United States. Fuel Administration","United States. National Recovery Administration","United States - Railway Administration.","Winding Gulf Operators Association","Chesapeake and Ohio Railway Company","Norfolk and Western Railroad.","Virginian Railway- Organization of Winding Gulf Branch","Collins family","Collins, Justus, 1857-1934","Collins, Jarius.","Felts, T.L.","Holloway, J.J.","Laing, John B.","Mann, Isaac T. (Isaac Thomas), 1864-1932","Tams, W. P., Jr. (William Purviance), 1883-1977","Wolfe, George."],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":65,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:57:35.934Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5444","ead_ssi":"wvmturhc_repositories_2_resources_5444","_root_":"wvmturhc_repositories_2_resources_5444","_nest_parent_":"wvmturhc_repositories_2_resources_5444","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5444.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198682","title_ssm":["Justus Collins (1857-1934) Papers"],"title_tesim":["Justus Collins (1857-1934) Papers"],"unitdate_ssm":["1887-1962"],"unitdate_inclusive_ssm":["1887-1962"],"normalized_date_ssm":["1887/1962"],"normalized_title_ssm":["Justus Collins (1857-1934) Papers, 1887/1962"],"text":["Justus Collins (1857-1934) Papers, 1887/1962","A\u0026M 1824","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5444","Account books","Church buildings","Coal mining - coal and coke sales.","Coal mining - coal operators associations.","Coal mining - Regulation.","Coal mining - Safety.","Coal mining -- Strikes","Coal mining.","Education","Maps.","New River coalfields.","Pocahontas-Flat Top coalfield.","Politics and government.","Railroads - Chesapeake and Ohio Railroad.","Railroads - Norfolk and Western Railroad.","Railroads - Virginia Railway - Winding Gulf Branch.","Virginian Railroad -- Railroads","Schools. SEE ALSO Academies","Taxation","New Deal, 1933-1939","Winding Gulf (W. Va.) -- coalfields","Coal mining - New River field.","Coal mining - Winding Gulf field.","Coal Mining - Tug River field","No special access restriction applies.","1784, 1824","Justus Collins [1857-1934] was an entrepreneur who opened his first coal mine in the Pocahontas- Flat Top coal field of Southern West Virginia, and thereafter operated mines in the New River, Tug River, and Winding Gulf coal fields. He headed a coal sales agency, speculated in coal and timber lands, headed a cement company, and was interested financially in rubber, oil, and gas companies. He played an important role in organizing the Tug River Coal Operators Association, the Winding Gulf Operators' Association, and the Smokeless Coal Operators Association of West Virginia.","The materials include correspondence, agreements, contracts, deeds, financial statements, ledger books, magazines, maps, minute books, pamphlets, photographs, production and shipping records, reports, and stock books.","The bulk of the collection concerns the development of the law volatile, or smokeless, coal fields of Southern West Virginia, ca. 1900-1934. Subjects include: Coal company operation, (coal and coke sales, costs, marketing conditions, price-fixing, profits, salaries, taxes); coal operators' associations; government investigation and regulation of the coal industry (Interstate Commerce Commission, mining legislation, N.R.A. code, U.S. Railroad Administration) labor (insurance \"on transportation\", strikes, United Mine Workers of America, wages, workman's compensation, \"yellow-dog\" contract); law and order (Baldwin-Felts Detective Agency, courts, injunctions, mine guard system, National Guard, secret operatives, state troopers); life in mining camps (amusements, churches, health, housing, recreation, schools, stores); mining safety; railroads (Chesapeake \u0026 Ohio Railway, coal car distribution, freight rates, Norfolk \u0026 Western Railroad, railway fuel contracts, and Virginian Railway- Organization of Winding Gulf Branch); and  state and local politics. Other non-coal subjects include cement business, lumber business, tire and tire gauge manufacturing, and oil and gas drilling.","Correspondents include: S.R. Anderson; G. R. Collins; Jairus Collins; Justus Collins; Raymond DuPuy; W. J. Elgin; Lamar Epperly; H.D. Everett; T. L. Felts; A.M. Herndon; J.J. Holloway; L. E. Johnson; P. H. Kelly; E.W.  Knight; John Laing; I. T. Mann; C. H. Mead; C. J. Milton; J. H. Renahan, P. J. RIley: P. M. Snyder; Holly Stover; W. P. Tams; Jr.: J.J. Tierney; E.E. White; and George Wolfe.\n \nSeries include:\n1. General Correspondence, 1896–1934 (boxes 1-36) \n2. Baldwin-Felts Detective Agency, 1905–1934 (box 36) \n3. Coal Operators Association, 1911–1934 (boxes 37-39) \n4. Smokeless Fuel Company -- Sales Managers' Correspondence, 1914-1915, undated (boxes 40-42)\n5. Smokeless Fuel Company -- Smithing and Other Sales, 1914–1922 (boxes 43-44) \n6. Superior Portland Cement Company, 1905–1924 (boxes 45-47) \n7. Miscellaneous Printed Materials, 1899–1954 (boxes 48-56) \n8. Oversize Maps, Blueprints, and Charts, 1916-1962, undated (oversize folder)","This series includes general correspondence between Justus Collins and many others, including S.R. Anderson; G. R. Collins; Jairus Collins; Raymond DuPuy; W. J. Elgin; Lamar Epperly; H.D. Everett; T. L. Felts; A.M. Herndon; J.J. Holloway; L. E. Johnson; P. H. Kelly; E.W. Knight; John Laing; I. T. Mann; C. H. Mead; C. J. Milton; J. H. Renahan, P. J. Riley: P. M. Snyder; Holly Stover; W. P. Tams; Jr.: J.J. Tierney; E.E. White; and George Wolfe.","Subjects include coal company operation (coal and coke sales, costs, marketing conditions, price-fixing, profits, salaries, taxes), coal operators' associations, railroads (Chesapeake \u0026 Ohio Railway, coal car distribution, freight rates, Norfolk \u0026 Western Railroad, railway fuel contracts, and Virginian Railway- Organization of Winding Gulf Branch), and state and local politics.","This series includes material related to the Baldwin-Felts Detective Agency (ca. 1890s-1937), which was used by coal operators as strikebreakers in the 1910s and 1920s. Baldwin-Felts detectives were infamous for their violent involvement in the Coal Wars, the Battle of Matewan, and other coal union strikes.","This series includes correspondence regarding various coal operators associations, including the Tug River Valley Association, the Winding Gulf Association, the Pocahontas Assocation, and others.","This series includes sales managers' correspondence regarding the Smokeless Fuel Company.","This series includes material regarding smithing and other sales of the Smokeless Fuel Company.","This series includes material regarding the Superior Portland Cement Company.","This series includes assorted printed materials, including personal and business account books, surveys, stockholders meeting minutes, and other material.","This series includes oversize maps, blueprints, and charts, including maps of Collins's personal property; maps and blueprints of potential locations for housing, schools, and amenities at Whipple and other coal mines; assorted coal mine maps and blueprints; and statistical charts of productivity and other metrics of Winding Gulf Collieries and other coal companies.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Baldwin-Felts Detective Inc.","United States. Interstate Commerce Commission","Smokeless Coal Operators Association","Tug River Coal Operators Association","United Mine Workers of America","United States. Coal Commission","United States. Fuel Administration","United States. National Recovery Administration","United States - Railway Administration.","Winding Gulf Operators Association","Chesapeake and Ohio Railway Company","Norfolk and Western Railroad.","Virginian Railway- Organization of Winding Gulf Branch","Collins family","Collins, Justus, 1857-1934","Collins, Jarius.","Felts, T.L.","Holloway, J.J.","Laing, John B.","Mann, Isaac T. (Isaac Thomas), 1864-1932","Tams, W. P., Jr. (William Purviance), 1883-1977","Wolfe, George.","English\n."],"collection_title_tesim":["Justus Collins (1857-1934) Papers, 1887/1962"],"collection_ssim":["Justus Collins (1857-1934) Papers, 1887/1962"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 1824","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5444"],"unitid_tesim":["A\u0026M 1824","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5444"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Collins, Justus, 1857-1934"],"creator_ssim":["Collins, Justus, 1857-1934"],"creator_persname_ssim":["Collins, Justus, 1857-1934","Collins, Jarius.","Felts, T.L.","Holloway, J.J.","Laing, John B.","Mann, Isaac T. (Isaac Thomas), 1864-1932","Tams, W. P., Jr. (William Purviance), 1883-1977","Wolfe, George."],"creator_corpname_ssim":["West Virginia and Regional History Center","Baldwin-Felts Detective Inc.","United States. Interstate Commerce Commission","Smokeless Coal Operators Association","Tug River Coal Operators Association","United Mine Workers of America","United States. Coal Commission","United States. Fuel Administration","United States. National Recovery Administration","United States - Railway Administration.","Winding Gulf Operators Association","Chesapeake and Ohio Railway Company","Norfolk and Western Railroad.","Virginian Railway- Organization of Winding Gulf Branch"],"creator_famname_ssim":["Collins family"],"creators_ssim":["Collins, Justus, 1857-1934","Collins, Jarius.","Felts, T.L.","Holloway, J.J.","Laing, John B.","Mann, Isaac T. (Isaac Thomas), 1864-1932","Tams, W. P., Jr. (William Purviance), 1883-1977","Wolfe, George.","West Virginia and Regional History Center","Baldwin-Felts Detective Inc.","United States. Interstate Commerce Commission","Smokeless Coal Operators Association","Tug River Coal Operators Association","United Mine Workers of America","United States. Coal Commission","United States. Fuel Administration","United States. National Recovery Administration","United States - Railway Administration.","Winding Gulf Operators Association","Chesapeake and Ohio Railway Company","Norfolk and Western Railroad.","Virginian Railway- Organization of Winding Gulf Branch","Collins family"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Account books","Church buildings","Coal mining - coal and coke sales.","Coal mining - coal operators associations.","Coal mining - Regulation.","Coal mining - Safety.","Coal mining -- Strikes","Coal mining.","Education","Maps.","New River coalfields.","Pocahontas-Flat Top coalfield.","Politics and government.","Railroads - Chesapeake and Ohio Railroad.","Railroads - Norfolk and Western Railroad.","Railroads - Virginia Railway - Winding Gulf Branch.","Virginian Railroad -- Railroads","Schools. SEE ALSO Academies","Taxation","New Deal, 1933-1939","Winding Gulf (W. 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(56 document cases, 5 in. each); (1 oversize folder, 1/4 in.)"],"extent_tesim":["23.3 Linear Feet Summary: 23 ft. 4 1/4 in. (56 document cases, 5 in. each); (1 oversize folder, 1/4 in.)"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Justus Collins (1857-1934) Papers, A\u0026amp;M 1824, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Justus Collins (1857-1934) Papers, A\u0026M 1824, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e1784, 1824\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["1784, 1824"],"scopecontent_html_tesm":["\u003cp\u003eJustus Collins [1857-1934] was an entrepreneur who opened his first coal mine in the Pocahontas- Flat Top coal field of Southern West Virginia, and thereafter operated mines in the New River, Tug River, and Winding Gulf coal fields. He headed a coal sales agency, speculated in coal and timber lands, headed a cement company, and was interested financially in rubber, oil, and gas companies. He played an important role in organizing the Tug River Coal Operators Association, the Winding Gulf Operators' Association, and the Smokeless Coal Operators Association of West Virginia. \u003c/p\u003e","\u003cp\u003eThe materials include correspondence, agreements, contracts, deeds, financial statements, ledger books, magazines, maps, minute books, pamphlets, photographs, production and shipping records, reports, and stock books. \u003c/p\u003e","\u003cp\u003eThe bulk of the collection concerns the development of the law volatile, or smokeless, coal fields of Southern West Virginia, ca. 1900-1934. Subjects include: Coal company operation, (coal and coke sales, costs, marketing conditions, price-fixing, profits, salaries, taxes); coal operators' associations; government investigation and regulation of the coal industry (Interstate Commerce Commission, mining legislation, N.R.A. code, U.S. Railroad Administration) labor (insurance \"on transportation\", strikes, United Mine Workers of America, wages, workman's compensation, \"yellow-dog\" contract); law and order (Baldwin-Felts Detective Agency, courts, injunctions, mine guard system, National Guard, secret operatives, state troopers); life in mining camps (amusements, churches, health, housing, recreation, schools, stores); mining safety; railroads (Chesapeake \u0026amp; Ohio Railway, coal car distribution, freight rates, Norfolk \u0026amp; Western Railroad, railway fuel contracts, and Virginian Railway- Organization of Winding Gulf Branch); and  state and local politics. Other non-coal subjects include cement business, lumber business, tire and tire gauge manufacturing, and oil and gas drilling.\u003c/p\u003e","\u003cp\u003eCorrespondents include: S.R. Anderson; G. R. Collins; Jairus Collins; Justus Collins; Raymond DuPuy; W. J. Elgin; Lamar Epperly; H.D. Everett; T. L. Felts; A.M. Herndon; J.J. Holloway; L. E. Johnson; P. H. Kelly; E.W.  Knight; John Laing; I. T. Mann; C. H. Mead; C. J. Milton; J. H. Renahan, P. J. RIley: P. M. Snyder; Holly Stover; W. P. Tams; Jr.: J.J. Tierney; E.E. White; and George Wolfe.\n \nSeries include:\u003clb\u003e\u003c/lb\u003e\n1. General Correspondence, 1896–1934 (boxes 1-36) \u003clb\u003e\u003c/lb\u003e\n2. Baldwin-Felts Detective Agency, 1905–1934 (box 36) \u003clb\u003e\u003c/lb\u003e\n3. Coal Operators Association, 1911–1934 (boxes 37-39) \u003clb\u003e\u003c/lb\u003e\n4. Smokeless Fuel Company -- Sales Managers' Correspondence, 1914-1915, undated (boxes 40-42)\u003clb\u003e\u003c/lb\u003e\n5. Smokeless Fuel Company -- Smithing and Other Sales, 1914–1922 (boxes 43-44) \u003clb\u003e\u003c/lb\u003e\n6. Superior Portland Cement Company, 1905–1924 (boxes 45-47) \u003clb\u003e\u003c/lb\u003e\n7. Miscellaneous Printed Materials, 1899–1954 (boxes 48-56) \u003clb\u003e\u003c/lb\u003e\n8. Oversize Maps, Blueprints, and Charts, 1916-1962, undated (oversize folder)\u003c/p\u003e  ","\u003cp\u003eThis series includes general correspondence between Justus Collins and many others, including S.R. Anderson; G. R. Collins; Jairus Collins; Raymond DuPuy; W. J. Elgin; Lamar Epperly; H.D. Everett; T. L. Felts; A.M. Herndon; J.J. Holloway; L. E. Johnson; P. H. Kelly; E.W. Knight; John Laing; I. T. Mann; C. H. Mead; C. J. Milton; J. H. Renahan, P. J. Riley: P. M. Snyder; Holly Stover; W. P. Tams; Jr.: J.J. Tierney; E.E. White; and George Wolfe.\u003c/p\u003e","\u003cp\u003eSubjects include coal company operation (coal and coke sales, costs, marketing conditions, price-fixing, profits, salaries, taxes), coal operators' associations, railroads (Chesapeake \u0026amp; Ohio Railway, coal car distribution, freight rates, Norfolk \u0026amp; Western Railroad, railway fuel contracts, and Virginian Railway- Organization of Winding Gulf Branch), and state and local politics.\u003c/p\u003e","\u003cp\u003eThis series includes material related to the Baldwin-Felts Detective Agency (ca. 1890s-1937), which was used by coal operators as strikebreakers in the 1910s and 1920s. Baldwin-Felts detectives were infamous for their violent involvement in the Coal Wars, the Battle of Matewan, and other coal union strikes.\u003c/p\u003e","\u003cp\u003eThis series includes correspondence regarding various coal operators associations, including the Tug River Valley Association, the Winding Gulf Association, the Pocahontas Assocation, and others.\u003c/p\u003e","\u003cp\u003eThis series includes sales managers' correspondence regarding the Smokeless Fuel Company.\u003c/p\u003e","\u003cp\u003eThis series includes material regarding smithing and other sales of the Smokeless Fuel Company.\u003c/p\u003e","\u003cp\u003eThis series includes material regarding the Superior Portland Cement Company.\u003c/p\u003e","\u003cp\u003eThis series includes assorted printed materials, including personal and business account books, surveys, stockholders meeting minutes, and other material.\u003c/p\u003e","\u003cp\u003eThis series includes oversize maps, blueprints, and charts, including maps of Collins's personal property; maps and blueprints of potential locations for housing, schools, and amenities at Whipple and other coal mines; assorted coal mine maps and blueprints; and statistical charts of productivity and other metrics of Winding Gulf Collieries and other coal companies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Justus Collins [1857-1934] was an entrepreneur who opened his first coal mine in the Pocahontas- Flat Top coal field of Southern West Virginia, and thereafter operated mines in the New River, Tug River, and Winding Gulf coal fields. He headed a coal sales agency, speculated in coal and timber lands, headed a cement company, and was interested financially in rubber, oil, and gas companies. He played an important role in organizing the Tug River Coal Operators Association, the Winding Gulf Operators' Association, and the Smokeless Coal Operators Association of West Virginia.","The materials include correspondence, agreements, contracts, deeds, financial statements, ledger books, magazines, maps, minute books, pamphlets, photographs, production and shipping records, reports, and stock books.","The bulk of the collection concerns the development of the law volatile, or smokeless, coal fields of Southern West Virginia, ca. 1900-1934. Subjects include: Coal company operation, (coal and coke sales, costs, marketing conditions, price-fixing, profits, salaries, taxes); coal operators' associations; government investigation and regulation of the coal industry (Interstate Commerce Commission, mining legislation, N.R.A. code, U.S. Railroad Administration) labor (insurance \"on transportation\", strikes, United Mine Workers of America, wages, workman's compensation, \"yellow-dog\" contract); law and order (Baldwin-Felts Detective Agency, courts, injunctions, mine guard system, National Guard, secret operatives, state troopers); life in mining camps (amusements, churches, health, housing, recreation, schools, stores); mining safety; railroads (Chesapeake \u0026 Ohio Railway, coal car distribution, freight rates, Norfolk \u0026 Western Railroad, railway fuel contracts, and Virginian Railway- Organization of Winding Gulf Branch); and  state and local politics. Other non-coal subjects include cement business, lumber business, tire and tire gauge manufacturing, and oil and gas drilling.","Correspondents include: S.R. Anderson; G. R. Collins; Jairus Collins; Justus Collins; Raymond DuPuy; W. J. Elgin; Lamar Epperly; H.D. Everett; T. L. Felts; A.M. Herndon; J.J. Holloway; L. E. Johnson; P. H. Kelly; E.W.  Knight; John Laing; I. T. Mann; C. H. Mead; C. J. Milton; J. H. Renahan, P. J. RIley: P. M. Snyder; Holly Stover; W. P. Tams; Jr.: J.J. Tierney; E.E. White; and George Wolfe.\n \nSeries include:\n1. General Correspondence, 1896–1934 (boxes 1-36) \n2. Baldwin-Felts Detective Agency, 1905–1934 (box 36) \n3. Coal Operators Association, 1911–1934 (boxes 37-39) \n4. Smokeless Fuel Company -- Sales Managers' Correspondence, 1914-1915, undated (boxes 40-42)\n5. Smokeless Fuel Company -- Smithing and Other Sales, 1914–1922 (boxes 43-44) \n6. Superior Portland Cement Company, 1905–1924 (boxes 45-47) \n7. Miscellaneous Printed Materials, 1899–1954 (boxes 48-56) \n8. Oversize Maps, Blueprints, and Charts, 1916-1962, undated (oversize folder)","This series includes general correspondence between Justus Collins and many others, including S.R. Anderson; G. R. Collins; Jairus Collins; Raymond DuPuy; W. J. Elgin; Lamar Epperly; H.D. Everett; T. L. Felts; A.M. Herndon; J.J. Holloway; L. E. Johnson; P. H. Kelly; E.W. Knight; John Laing; I. T. Mann; C. H. Mead; C. J. Milton; J. H. Renahan, P. J. Riley: P. M. Snyder; Holly Stover; W. P. Tams; Jr.: J.J. Tierney; E.E. White; and George Wolfe.","Subjects include coal company operation (coal and coke sales, costs, marketing conditions, price-fixing, profits, salaries, taxes), coal operators' associations, railroads (Chesapeake \u0026 Ohio Railway, coal car distribution, freight rates, Norfolk \u0026 Western Railroad, railway fuel contracts, and Virginian Railway- Organization of Winding Gulf Branch), and state and local politics.","This series includes material related to the Baldwin-Felts Detective Agency (ca. 1890s-1937), which was used by coal operators as strikebreakers in the 1910s and 1920s. Baldwin-Felts detectives were infamous for their violent involvement in the Coal Wars, the Battle of Matewan, and other coal union strikes.","This series includes correspondence regarding various coal operators associations, including the Tug River Valley Association, the Winding Gulf Association, the Pocahontas Assocation, and others.","This series includes sales managers' correspondence regarding the Smokeless Fuel Company.","This series includes material regarding smithing and other sales of the Smokeless Fuel Company.","This series includes material regarding the Superior Portland Cement Company.","This series includes assorted printed materials, including personal and business account books, surveys, stockholders meeting minutes, and other material.","This series includes oversize maps, blueprints, and charts, including maps of Collins's personal property; maps and blueprints of potential locations for housing, schools, and amenities at Whipple and other coal mines; assorted coal mine maps and blueprints; and statistical charts of productivity and other metrics of Winding Gulf Collieries and other coal companies."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_34a483e0d98d950847652ad89abd4398\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","Baldwin-Felts Detective Inc.","United States. Interstate Commerce Commission","Smokeless Coal Operators Association","Tug River Coal Operators Association","United Mine Workers of America","United States. Coal Commission","United States. Fuel Administration","United States. National Recovery Administration","United States - Railway Administration.","Winding Gulf Operators Association","Chesapeake and Ohio Railway Company","Norfolk and Western Railroad.","Virginian Railway- Organization of Winding Gulf Branch"],"names_coll_ssim":["Baldwin-Felts Detective Inc.","United States. Interstate Commerce Commission","Smokeless Coal Operators Association","Tug River Coal Operators Association","United Mine Workers of America","United States. Coal Commission","United States. Fuel Administration","United States. National Recovery Administration","United States - Railway Administration.","Winding Gulf Operators Association","Chesapeake and Ohio Railway Company","Norfolk and Western Railroad.","Virginian Railway- Organization of Winding Gulf Branch","Collins family","Collins, Justus, 1857-1934","Collins, Jarius.","Felts, T.L.","Holloway, J.J.","Laing, John B.","Mann, Isaac T. (Isaac Thomas), 1864-1932","Tams, W. P., Jr. (William Purviance), 1883-1977","Wolfe, George."],"famname_ssim":["Collins family"],"persname_ssim":["Collins, Justus, 1857-1934","Collins, Jarius.","Felts, T.L.","Holloway, J.J.","Laing, John B.","Mann, Isaac T. (Isaac Thomas), 1864-1932","Tams, W. P., Jr. (William Purviance), 1883-1977","Wolfe, George."],"names_ssim":["West Virginia and Regional History Center","Baldwin-Felts Detective Inc.","United States. Interstate Commerce Commission","Smokeless Coal Operators Association","Tug River Coal Operators Association","United Mine Workers of America","United States. Coal Commission","United States. Fuel Administration","United States. National Recovery Administration","United States - Railway Administration.","Winding Gulf Operators Association","Chesapeake and Ohio Railway Company","Norfolk and Western Railroad.","Virginian Railway- Organization of Winding Gulf Branch","Collins family","Collins, Justus, 1857-1934","Collins, Jarius.","Felts, T.L.","Holloway, J.J.","Laing, John B.","Mann, Isaac T. (Isaac Thomas), 1864-1932","Tams, W. P., Jr. (William Purviance), 1883-1977","Wolfe, George."],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":65,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:57:35.934Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5444"}},{"id":"vifgm_repositories_2_resources_348","type":"collection","attributes":{"title":"Molka Reich papers, 1904/1986","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_348#creator","type":"document_value","attributes":{"value":"Reich, Molka","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_348#abstract_or_scope","type":"document_value","attributes":{"value":"The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_348#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_348","ead_ssi":"vifgm_repositories_2_resources_348","_root_":"vifgm_repositories_2_resources_348","_nest_parent_":"vifgm_repositories_2_resources_348","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_348.xml","title_filing_ssi":"Molka Reich papers","title_ssm":["Molka Reich papers"],"title_tesim":["Molka Reich papers"],"unitdate_ssm":["1904-1986"],"unitdate_inclusive_ssm":["1904-1986"],"normalized_date_ssm":["1904/1986"],"normalized_title_ssm":["Molka Reich papers, 1904/1986"],"text":["Molka Reich papers, 1904/1986","C0229","/repositories/2/resources/348","Theater -- United States","New Deal, 1933-1939","There are no access restrictions.","Organized into six series:","Missing Title\n      Series 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9)\n      Series 2: Newspaper clippings, 1936-1986 (Box 2)\n      Series 3: Photographs, circa 1930s-1940s (Boxes 2, 9)\n      Series 4: Playscripts, 1920s-1953 (Boxes 2-6)\n      Series 5: Programs, 1928-1950s (Boxes 6-7)\n      Series 6: Scrapbooks, 1920s-1950s (Boxes 7-8)","Molka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club.","Processed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter.","The Special Collections Research Center also holds the , the , the , as well as numerous other personal papers.","The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Series 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Series 3 contains photographs both black and white and color and in a variety of sizes.  Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses and published plays and vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Blueprint for portable stage","Original artwork for set and other designs - watercolors, pencil drawings","Newsletters, catalogs, pamphlets related to dolls, marionettes, and puppets","Pamphlets and newsletters related to George Mason events revolving around puppetry and the Federal Theatre Project","\"Dear Charlotte\", possibly from Scott Griffin","Newsletters from The Puppetry Guild of Greater New York, The Puppeteers of America, The Puppeteers of America Regional Reporter for the Southeast Region, D. C. Puppetimes, George Mason University Golden Anniversary Puppetry Festival, The Puppet Guild of Greater Miami, Barry University Department of Theatre, The Puppet Masters calendar featuring famous puppeteers, itinerary for trip to Japan (UNIMA XV 1988)","12 Plays for Boys and Girls edited by Ben Blake with pictures by Bill Siegel; The Slave with Two Faces by Mary Carolyn Davies","Three issues: Art of Acting Issue (1936), Second Art of Acting Issue (1937), Fall Issue (1937)","Series 2 contains newspaper clippings from Miami, Florida newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Ah, Wilderness; Altars of Steel","Boy Meets Girl; The Bride the Sun Shines On","Candle Light; Chalk Dust; Coquette; Criminal at Large","Miami Federal Theatre;  Molka Reich; Mystery of the Boardwalk Asylum","\"New Director Named for Theatre Project\", article about Dorothea Lynch becoming state director for the Federal Theatre.","Smilin' Through; actor Scott Griffin","Series 3 contains photographs both black and white and color and in a variety of sizes.  Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of the Jack and the Beanstalk marionette. This series is arranged alphabetically.","1 production photograph featuring actors on stage. An actor in center is holding a gun to his head.","Color photographs of Jack and the beanstalk puppet.","12 oversize photographs, 10 of which are professional portraits taken by Charles Cooper in Miami, Florida.","2 oversize matted photographic portraits of Molka Reich.","14 color photographs of Reich leading a marionette demonstration.","9 black and white photographs of Reich's marionettes, staged productions with actors,  and includes two photographs of an audience of children watching Bimbo perform.","One photograph is of the play \"Engaged\" and the other is unidentified.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Includes script and sheet music","Abstract","Scott Griffin's copy","Photocopy","Director's copy","Includes note from Syl to Helen: \"Couldn't find the columns I mentioned to you, but in the search uncovered some old Morgan scripts I did for the Eversharp show. The enclosed is an excerpt, from about the only one that could be cut and still be effective. Probably would serve as a space filler and be good for a few laughs. Will try to find the other stuff for a later issue.\"","Photocopy of Federal Theatre Project script","Photocopy","Sheet music","Radio production with Andrew Jergens","Photocopy","Photocopy of script and sheet music","Photocopy","Script for the American Brotherhood: The National Conference of Christians and Jews","Photocopy. Includes four scripts, one for each actor.","Photocopy","Multiple scripts with holiday themes","Miscellaneous mostly handwritten pages of sheet music and lyrics, some for marionette productions","Photocopy","Script and sheet music","Includes script and music","Includes script and music","Photocopy","Photocopy","Pages 2 to 30. Characters include Mrs. Giles, Mrs. Adams, Harry, Miss Mobray, and Walter.","Scott Griffin's script","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Altars of Steel; Ah, Wilderness!; The Bishop Misbehaves; The Bride the Sun Shines On; Criminal at Large; Coquette; Chalk Dust; Craig's Wife; A Classic Vaudeville; The Emperor's New Clothes; Engaged; Folk Music in the Roosevelt White House (produced by the Smithsonian Institution Office of Folklife programs)","The Ghost Train; The Gallows Gate; The Great Sebastians","The Happiest Millionaire; If Ye Break Faith; Inherit the Wind; International Society for Contemporary Music; Lightnin (invitation and program); The Loud Red Patrick","Double sided one page flyer for the Marionette Unit directed by Molka Reich. The front page features reviews from places the troop performed, the back features their repertoire.","May Day; Margin for Error; The Mask and the Face; Mehitable Wing; The Matchmaker; The New York Idea; The 9th Guest; No Time for Sergeants; One More Spring; An Evening of Experimental One Act Plays; Post Road","Two invitations for events at the Molka Reich Studio.","The Starlight Theatre (1957 Summer calendar); Room Service; The Reluctant Debutante; Smilin' Through (includes ticket, programs, press release, for Jacksonville, Florida production); Separate Tables; Sabrina Fair; Twelfth Night; Visit to a Small Planet; Whom Dreams Possess; What a Life; What a Woman Wants; Witness for Prosecution","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Separated 8.25\"x9.25\" scrapbook pages with 5\"x7\" black and white photographs adhered to them. Photographs feature marionettes and Molka Reich.","1 of 5","2 of 5. Newspaper clippings, programs, telegrams, and handwritten notes to and about Scott Griffin regarding theatre productions including: Coquette, This Thing Called Love, two one act plays performed at the Little Theatre (Bereguisse and The Torch-Bearers), a calendar for plays at the Florida Forum and Assembly (1934), The Pretender, Broken Dishes, Hired Husbands, The Nervous Wreck, The Big Pond, Why Wives Worry, Smilin' Thru, Thank You, and The Love Critic.","3 of 5","4 of 5. Includes programs for The Last of Mrs. Cheney, Our Town, Little Women, and Room Service. Includes playscripts for If Ye Break Faith and Two Crooks and a Lady, as well as handwritten and typewritten notes, a flyer for the production of Coquette, and an entry ticket for the Manhattan Repertory Theatre Co. at the Miami Playhouse.","5 of 5. Material relating to Billy Griffin (later Scott Griffin). Includes negatives and portrait print as well as report cards and calling cards.","1 of 2. Contains primarily magazine and newspaper articles featuring marionettes. There is also a certificate for Mrs. Howard Fitch for completing the Cultural Olympics in Woodstown, New Jersey (May 5, 1938). Clippings and certificate are attached to scrapbook paper.","2 of 2. Contains loose newspaper and magazine clippings featuring articles on marionettes.","Includes newsclippings, newsclippings attached to paper, a program, and marionette patterns.","Includes programs for the West Florida Music and Arts Festival, International Society for Contemporary Music (1931), newspaper and magazine clippings featuring marionettes.","Newspaper articles from the Monitor titled \"Marionettes by Children\" that illustrate how one can make their own marionette.","Oversize. Molka Reich scrapbook featuring newspaper clippings and programs from Miami Federal Theatre and non Federal Theatre productions. Pages have been separated.","Oversize. Scrapbook pages separated, featuring programs and newspaper clipping from productions performed at Starlight Theater in Pawling, New York.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Reich, Molka","English"],"collection_title_tesim":["Molka Reich papers, 1904/1986"],"collection_ssim":["Molka Reich papers, 1904/1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0229","/repositories/2/resources/348"],"unitid_tesim":["C0229","/repositories/2/resources/348"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Reich, Molka"],"creator_ssim":["Reich, Molka"],"creator_persname_ssim":["Reich, Molka"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"creators_ssim":["Reich, Molka","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Molka Reich in 1980 and 1981. Scott Griffin material presented by Molka Reich for the Scott Griffin estate on June 25, 1979."],"access_subjects_ssim":["Theater -- United States","New Deal, 1933-1939"],"access_subjects_ssm":["Theater -- United States","New Deal, 1933-1939"],"has_online_content_ssim":["false"],"extent_ssm":["6 Linear Feet 9 boxes"],"extent_tesim":["6 Linear Feet 9 boxes"],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized into six series:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Newspaper clippings, 1936-1986 (Box 2)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, circa 1930s-1940s (Boxes 2, 9)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Playscripts, 1920s-1953 (Boxes 2-6)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Programs, 1928-1950s (Boxes 6-7)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Scrapbooks, 1920s-1950s (Boxes 7-8)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into six series:","Missing Title\n      Series 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9)\n      Series 2: Newspaper clippings, 1936-1986 (Box 2)\n      Series 3: Photographs, circa 1930s-1940s (Boxes 2, 9)\n      Series 4: Playscripts, 1920s-1953 (Boxes 2-6)\n      Series 5: Programs, 1928-1950s (Boxes 6-7)\n      Series 6: Scrapbooks, 1920s-1950s (Boxes 7-8)"],"bioghist_html_tesm":["\u003cp\u003eMolka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Molka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club."],"prefercite_html_tesm":["\u003cp\u003eMolka Reich papers, C0229, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Molka Reich papers, C0229, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0153\" title=\"Works Progress Administration oral histories collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0002\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0205\" title=\"Federal Theatre Project photograph collection\" show=\"new\"\u003e\u003c/extptr\u003e, as well as numerous other personal papers.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the , the , the , as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.\u003c/p\u003e","\u003cp\u003eSeries 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSeries 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSeries 3 contains photographs both black and white and color and in a variety of sizes.  Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSeries 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSeries 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSeries 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.\u003c/p\u003e  ","\u003cp\u003eSeries 1 contains many different types of materials including essays, puppetry newsletters, play synopses and published plays and vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.\u003c/p\u003e","\u003cp\u003eBlueprint for portable stage\u003c/p\u003e","\u003cp\u003eOriginal artwork for set and other designs - watercolors, pencil drawings\u003c/p\u003e","\u003cp\u003eNewsletters, catalogs, pamphlets related to dolls, marionettes, and puppets\u003c/p\u003e","\u003cp\u003ePamphlets and newsletters related to George Mason events revolving around puppetry and the Federal Theatre Project\u003c/p\u003e","\u003cp\u003e\"Dear Charlotte\", possibly from Scott Griffin\u003c/p\u003e","\u003cp\u003eNewsletters from The Puppetry Guild of Greater New York, The Puppeteers of America, The Puppeteers of America Regional Reporter for the Southeast Region, D. C. Puppetimes, George Mason University Golden Anniversary Puppetry Festival, The Puppet Guild of Greater Miami, Barry University Department of Theatre, The Puppet Masters calendar featuring famous puppeteers, itinerary for trip to Japan (UNIMA XV 1988)\u003c/p\u003e","\u003cp\u003e12 Plays for Boys and Girls edited by Ben Blake with pictures by Bill Siegel; The Slave with Two Faces by Mary Carolyn Davies\u003c/p\u003e","\u003cp\u003eThree issues: Art of Acting Issue (1936), Second Art of Acting Issue (1937), Fall Issue (1937)\u003c/p\u003e","\u003cp\u003eSeries 2 contains newspaper clippings from Miami, Florida newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eAh, Wilderness; Altars of Steel\u003c/p\u003e","\u003cp\u003eBoy Meets Girl; The Bride the Sun Shines On\u003c/p\u003e","\u003cp\u003eCandle Light; Chalk Dust; Coquette; Criminal at Large\u003c/p\u003e","\u003cp\u003eMiami Federal Theatre;  Molka Reich; Mystery of the Boardwalk Asylum\u003c/p\u003e","\u003cp\u003e\"New Director Named for Theatre Project\", article about Dorothea Lynch becoming state director for the Federal Theatre.\u003c/p\u003e","\u003cp\u003eSmilin' Through; actor Scott Griffin\u003c/p\u003e","\u003cp\u003eSeries 3 contains photographs both black and white and color and in a variety of sizes.  Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of the Jack and the Beanstalk marionette. This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003e1 production photograph featuring actors on stage. An actor in center is holding a gun to his head.\u003c/p\u003e","\u003cp\u003eColor photographs of Jack and the beanstalk puppet.\u003c/p\u003e","\u003cp\u003e12 oversize photographs, 10 of which are professional portraits taken by Charles Cooper in Miami, Florida.\u003c/p\u003e","\u003cp\u003e2 oversize matted photographic portraits of Molka Reich.\u003c/p\u003e","\u003cp\u003e14 color photographs of Reich leading a marionette demonstration.\u003c/p\u003e","\u003cp\u003e9 black and white photographs of Reich's marionettes, staged productions with actors,  and includes two photographs of an audience of children watching Bimbo perform.\u003c/p\u003e","\u003cp\u003eOne photograph is of the play \"Engaged\" and the other is unidentified.\u003c/p\u003e","\u003cp\u003eSeries 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eIncludes script and sheet music\u003c/p\u003e","\u003cp\u003eAbstract\u003c/p\u003e","\u003cp\u003eScott Griffin's copy\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003eDirector's copy\u003c/p\u003e","\u003cp\u003eIncludes note from Syl to Helen: \"Couldn't find the columns I mentioned to you, but in the search uncovered some old Morgan scripts I did for the Eversharp show. The enclosed is an excerpt, from about the only one that could be cut and still be effective. Probably would serve as a space filler and be good for a few laughs. Will try to find the other stuff for a later issue.\"\u003c/p\u003e","\u003cp\u003ePhotocopy of Federal Theatre Project script\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003eSheet music\u003c/p\u003e","\u003cp\u003eRadio production with Andrew Jergens\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003ePhotocopy of script and sheet music\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003eScript for the American Brotherhood: The National Conference of Christians and Jews\u003c/p\u003e","\u003cp\u003ePhotocopy. Includes four scripts, one for each actor.\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003eMultiple scripts with holiday themes\u003c/p\u003e","\u003cp\u003eMiscellaneous mostly handwritten pages of sheet music and lyrics, some for marionette productions\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003eScript and sheet music\u003c/p\u003e","\u003cp\u003eIncludes script and music\u003c/p\u003e","\u003cp\u003eIncludes script and music\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003ePages 2 to 30. Characters include Mrs. Giles, Mrs. Adams, Harry, Miss Mobray, and Walter.\u003c/p\u003e","\u003cp\u003eScott Griffin's script\u003c/p\u003e","\u003cp\u003eSeries 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eAltars of Steel; Ah, Wilderness!; The Bishop Misbehaves; The Bride the Sun Shines On; Criminal at Large; Coquette; Chalk Dust; Craig's Wife; A Classic Vaudeville; The Emperor's New Clothes; Engaged; Folk Music in the Roosevelt White House (produced by the Smithsonian Institution Office of Folklife programs)\u003c/p\u003e","\u003cp\u003eThe Ghost Train; The Gallows Gate; The Great Sebastians\u003c/p\u003e","\u003cp\u003eThe Happiest Millionaire; If Ye Break Faith; Inherit the Wind; International Society for Contemporary Music; Lightnin (invitation and program); The Loud Red Patrick\u003c/p\u003e","\u003cp\u003eDouble sided one page flyer for the Marionette Unit directed by Molka Reich. The front page features reviews from places the troop performed, the back features their repertoire.\u003c/p\u003e","\u003cp\u003eMay Day; Margin for Error; The Mask and the Face; Mehitable Wing; The Matchmaker; The New York Idea; The 9th Guest; No Time for Sergeants; One More Spring; An Evening of Experimental One Act Plays; Post Road\u003c/p\u003e","\u003cp\u003eTwo invitations for events at the Molka Reich Studio.\u003c/p\u003e","\u003cp\u003eThe Starlight Theatre (1957 Summer calendar); Room Service; The Reluctant Debutante; Smilin' Through (includes ticket, programs, press release, for Jacksonville, Florida production); Separate Tables; Sabrina Fair; Twelfth Night; Visit to a Small Planet; Whom Dreams Possess; What a Life; What a Woman Wants; Witness for Prosecution\u003c/p\u003e","\u003cp\u003eSeries 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.\u003c/p\u003e","\u003cp\u003eSeparated 8.25\"x9.25\" scrapbook pages with 5\"x7\" black and white photographs adhered to them. Photographs feature marionettes and Molka Reich.\u003c/p\u003e","\u003cp\u003e1 of 5\u003c/p\u003e","\u003cp\u003e2 of 5. Newspaper clippings, programs, telegrams, and handwritten notes to and about Scott Griffin regarding theatre productions including: Coquette, This Thing Called Love, two one act plays performed at the Little Theatre (Bereguisse and The Torch-Bearers), a calendar for plays at the Florida Forum and Assembly (1934), The Pretender, Broken Dishes, Hired Husbands, The Nervous Wreck, The Big Pond, Why Wives Worry, Smilin' Thru, Thank You, and The Love Critic.\u003c/p\u003e","\u003cp\u003e3 of 5\u003c/p\u003e","\u003cp\u003e4 of 5. Includes programs for The Last of Mrs. Cheney, Our Town, Little Women, and Room Service. Includes playscripts for If Ye Break Faith and Two Crooks and a Lady, as well as handwritten and typewritten notes, a flyer for the production of Coquette, and an entry ticket for the Manhattan Repertory Theatre Co. at the Miami Playhouse.\u003c/p\u003e","\u003cp\u003e5 of 5. Material relating to Billy Griffin (later Scott Griffin). Includes negatives and portrait print as well as report cards and calling cards.\u003c/p\u003e","\u003cp\u003e1 of 2. Contains primarily magazine and newspaper articles featuring marionettes. There is also a certificate for Mrs. Howard Fitch for completing the Cultural Olympics in Woodstown, New Jersey (May 5, 1938). Clippings and certificate are attached to scrapbook paper.\u003c/p\u003e","\u003cp\u003e2 of 2. Contains loose newspaper and magazine clippings featuring articles on marionettes.\u003c/p\u003e","\u003cp\u003eIncludes newsclippings, newsclippings attached to paper, a program, and marionette patterns.\u003c/p\u003e","\u003cp\u003eIncludes programs for the West Florida Music and Arts Festival, International Society for Contemporary Music (1931), newspaper and magazine clippings featuring marionettes.\u003c/p\u003e","\u003cp\u003eNewspaper articles from the Monitor titled \"Marionettes by Children\" that illustrate how one can make their own marionette.\u003c/p\u003e","\u003cp\u003eOversize. Molka Reich scrapbook featuring newspaper clippings and programs from Miami Federal Theatre and non Federal Theatre productions. Pages have been separated.\u003c/p\u003e","\u003cp\u003eOversize. Scrapbook pages separated, featuring programs and newspaper clipping from productions performed at Starlight Theater in Pawling, New York.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Series 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Series 3 contains photographs both black and white and color and in a variety of sizes.  Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses and published plays and vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Blueprint for portable stage","Original artwork for set and other designs - watercolors, pencil drawings","Newsletters, catalogs, pamphlets related to dolls, marionettes, and puppets","Pamphlets and newsletters related to George Mason events revolving around puppetry and the Federal Theatre Project","\"Dear Charlotte\", possibly from Scott Griffin","Newsletters from The Puppetry Guild of Greater New York, The Puppeteers of America, The Puppeteers of America Regional Reporter for the Southeast Region, D. C. Puppetimes, George Mason University Golden Anniversary Puppetry Festival, The Puppet Guild of Greater Miami, Barry University Department of Theatre, The Puppet Masters calendar featuring famous puppeteers, itinerary for trip to Japan (UNIMA XV 1988)","12 Plays for Boys and Girls edited by Ben Blake with pictures by Bill Siegel; The Slave with Two Faces by Mary Carolyn Davies","Three issues: Art of Acting Issue (1936), Second Art of Acting Issue (1937), Fall Issue (1937)","Series 2 contains newspaper clippings from Miami, Florida newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Ah, Wilderness; Altars of Steel","Boy Meets Girl; The Bride the Sun Shines On","Candle Light; Chalk Dust; Coquette; Criminal at Large","Miami Federal Theatre;  Molka Reich; Mystery of the Boardwalk Asylum","\"New Director Named for Theatre Project\", article about Dorothea Lynch becoming state director for the Federal Theatre.","Smilin' Through; actor Scott Griffin","Series 3 contains photographs both black and white and color and in a variety of sizes.  Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of the Jack and the Beanstalk marionette. This series is arranged alphabetically.","1 production photograph featuring actors on stage. An actor in center is holding a gun to his head.","Color photographs of Jack and the beanstalk puppet.","12 oversize photographs, 10 of which are professional portraits taken by Charles Cooper in Miami, Florida.","2 oversize matted photographic portraits of Molka Reich.","14 color photographs of Reich leading a marionette demonstration.","9 black and white photographs of Reich's marionettes, staged productions with actors,  and includes two photographs of an audience of children watching Bimbo perform.","One photograph is of the play \"Engaged\" and the other is unidentified.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Includes script and sheet music","Abstract","Scott Griffin's copy","Photocopy","Director's copy","Includes note from Syl to Helen: \"Couldn't find the columns I mentioned to you, but in the search uncovered some old Morgan scripts I did for the Eversharp show. The enclosed is an excerpt, from about the only one that could be cut and still be effective. Probably would serve as a space filler and be good for a few laughs. Will try to find the other stuff for a later issue.\"","Photocopy of Federal Theatre Project script","Photocopy","Sheet music","Radio production with Andrew Jergens","Photocopy","Photocopy of script and sheet music","Photocopy","Script for the American Brotherhood: The National Conference of Christians and Jews","Photocopy. Includes four scripts, one for each actor.","Photocopy","Multiple scripts with holiday themes","Miscellaneous mostly handwritten pages of sheet music and lyrics, some for marionette productions","Photocopy","Script and sheet music","Includes script and music","Includes script and music","Photocopy","Photocopy","Pages 2 to 30. Characters include Mrs. Giles, Mrs. Adams, Harry, Miss Mobray, and Walter.","Scott Griffin's script","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Altars of Steel; Ah, Wilderness!; The Bishop Misbehaves; The Bride the Sun Shines On; Criminal at Large; Coquette; Chalk Dust; Craig's Wife; A Classic Vaudeville; The Emperor's New Clothes; Engaged; Folk Music in the Roosevelt White House (produced by the Smithsonian Institution Office of Folklife programs)","The Ghost Train; The Gallows Gate; The Great Sebastians","The Happiest Millionaire; If Ye Break Faith; Inherit the Wind; International Society for Contemporary Music; Lightnin (invitation and program); The Loud Red Patrick","Double sided one page flyer for the Marionette Unit directed by Molka Reich. The front page features reviews from places the troop performed, the back features their repertoire.","May Day; Margin for Error; The Mask and the Face; Mehitable Wing; The Matchmaker; The New York Idea; The 9th Guest; No Time for Sergeants; One More Spring; An Evening of Experimental One Act Plays; Post Road","Two invitations for events at the Molka Reich Studio.","The Starlight Theatre (1957 Summer calendar); Room Service; The Reluctant Debutante; Smilin' Through (includes ticket, programs, press release, for Jacksonville, Florida production); Separate Tables; Sabrina Fair; Twelfth Night; Visit to a Small Planet; Whom Dreams Possess; What a Life; What a Woman Wants; Witness for Prosecution","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Separated 8.25\"x9.25\" scrapbook pages with 5\"x7\" black and white photographs adhered to them. Photographs feature marionettes and Molka Reich.","1 of 5","2 of 5. Newspaper clippings, programs, telegrams, and handwritten notes to and about Scott Griffin regarding theatre productions including: Coquette, This Thing Called Love, two one act plays performed at the Little Theatre (Bereguisse and The Torch-Bearers), a calendar for plays at the Florida Forum and Assembly (1934), The Pretender, Broken Dishes, Hired Husbands, The Nervous Wreck, The Big Pond, Why Wives Worry, Smilin' Thru, Thank You, and The Love Critic.","3 of 5","4 of 5. Includes programs for The Last of Mrs. Cheney, Our Town, Little Women, and Room Service. Includes playscripts for If Ye Break Faith and Two Crooks and a Lady, as well as handwritten and typewritten notes, a flyer for the production of Coquette, and an entry ticket for the Manhattan Repertory Theatre Co. at the Miami Playhouse.","5 of 5. Material relating to Billy Griffin (later Scott Griffin). Includes negatives and portrait print as well as report cards and calling cards.","1 of 2. Contains primarily magazine and newspaper articles featuring marionettes. There is also a certificate for Mrs. Howard Fitch for completing the Cultural Olympics in Woodstown, New Jersey (May 5, 1938). Clippings and certificate are attached to scrapbook paper.","2 of 2. Contains loose newspaper and magazine clippings featuring articles on marionettes.","Includes newsclippings, newsclippings attached to paper, a program, and marionette patterns.","Includes programs for the West Florida Music and Arts Festival, International Society for Contemporary Music (1931), newspaper and magazine clippings featuring marionettes.","Newspaper articles from the Monitor titled \"Marionettes by Children\" that illustrate how one can make their own marionette.","Oversize. Molka Reich scrapbook featuring newspaper clippings and programs from Miami Federal Theatre and non Federal Theatre productions. Pages have been separated.","Oversize. Scrapbook pages separated, featuring programs and newspaper clipping from productions performed at Starlight Theater in Pawling, New York."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_84dd143d1a81fa0708a802608718089b\"\u003eThe Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"names_coll_ssim":["Federal Theatre Project (U.S.)"],"persname_ssim":["Reich, Molka"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Reich, Molka"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":227,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:54:01.106Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_348","ead_ssi":"vifgm_repositories_2_resources_348","_root_":"vifgm_repositories_2_resources_348","_nest_parent_":"vifgm_repositories_2_resources_348","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_348.xml","title_filing_ssi":"Molka Reich papers","title_ssm":["Molka Reich papers"],"title_tesim":["Molka Reich papers"],"unitdate_ssm":["1904-1986"],"unitdate_inclusive_ssm":["1904-1986"],"normalized_date_ssm":["1904/1986"],"normalized_title_ssm":["Molka Reich papers, 1904/1986"],"text":["Molka Reich papers, 1904/1986","C0229","/repositories/2/resources/348","Theater -- United States","New Deal, 1933-1939","There are no access restrictions.","Organized into six series:","Missing Title\n      Series 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9)\n      Series 2: Newspaper clippings, 1936-1986 (Box 2)\n      Series 3: Photographs, circa 1930s-1940s (Boxes 2, 9)\n      Series 4: Playscripts, 1920s-1953 (Boxes 2-6)\n      Series 5: Programs, 1928-1950s (Boxes 6-7)\n      Series 6: Scrapbooks, 1920s-1950s (Boxes 7-8)","Molka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club.","Processed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter.","The Special Collections Research Center also holds the , the , the , as well as numerous other personal papers.","The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Series 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Series 3 contains photographs both black and white and color and in a variety of sizes.  Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses and published plays and vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Blueprint for portable stage","Original artwork for set and other designs - watercolors, pencil drawings","Newsletters, catalogs, pamphlets related to dolls, marionettes, and puppets","Pamphlets and newsletters related to George Mason events revolving around puppetry and the Federal Theatre Project","\"Dear Charlotte\", possibly from Scott Griffin","Newsletters from The Puppetry Guild of Greater New York, The Puppeteers of America, The Puppeteers of America Regional Reporter for the Southeast Region, D. C. Puppetimes, George Mason University Golden Anniversary Puppetry Festival, The Puppet Guild of Greater Miami, Barry University Department of Theatre, The Puppet Masters calendar featuring famous puppeteers, itinerary for trip to Japan (UNIMA XV 1988)","12 Plays for Boys and Girls edited by Ben Blake with pictures by Bill Siegel; The Slave with Two Faces by Mary Carolyn Davies","Three issues: Art of Acting Issue (1936), Second Art of Acting Issue (1937), Fall Issue (1937)","Series 2 contains newspaper clippings from Miami, Florida newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Ah, Wilderness; Altars of Steel","Boy Meets Girl; The Bride the Sun Shines On","Candle Light; Chalk Dust; Coquette; Criminal at Large","Miami Federal Theatre;  Molka Reich; Mystery of the Boardwalk Asylum","\"New Director Named for Theatre Project\", article about Dorothea Lynch becoming state director for the Federal Theatre.","Smilin' Through; actor Scott Griffin","Series 3 contains photographs both black and white and color and in a variety of sizes.  Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of the Jack and the Beanstalk marionette. This series is arranged alphabetically.","1 production photograph featuring actors on stage. An actor in center is holding a gun to his head.","Color photographs of Jack and the beanstalk puppet.","12 oversize photographs, 10 of which are professional portraits taken by Charles Cooper in Miami, Florida.","2 oversize matted photographic portraits of Molka Reich.","14 color photographs of Reich leading a marionette demonstration.","9 black and white photographs of Reich's marionettes, staged productions with actors,  and includes two photographs of an audience of children watching Bimbo perform.","One photograph is of the play \"Engaged\" and the other is unidentified.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Includes script and sheet music","Abstract","Scott Griffin's copy","Photocopy","Director's copy","Includes note from Syl to Helen: \"Couldn't find the columns I mentioned to you, but in the search uncovered some old Morgan scripts I did for the Eversharp show. The enclosed is an excerpt, from about the only one that could be cut and still be effective. Probably would serve as a space filler and be good for a few laughs. Will try to find the other stuff for a later issue.\"","Photocopy of Federal Theatre Project script","Photocopy","Sheet music","Radio production with Andrew Jergens","Photocopy","Photocopy of script and sheet music","Photocopy","Script for the American Brotherhood: The National Conference of Christians and Jews","Photocopy. Includes four scripts, one for each actor.","Photocopy","Multiple scripts with holiday themes","Miscellaneous mostly handwritten pages of sheet music and lyrics, some for marionette productions","Photocopy","Script and sheet music","Includes script and music","Includes script and music","Photocopy","Photocopy","Pages 2 to 30. Characters include Mrs. Giles, Mrs. Adams, Harry, Miss Mobray, and Walter.","Scott Griffin's script","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Altars of Steel; Ah, Wilderness!; The Bishop Misbehaves; The Bride the Sun Shines On; Criminal at Large; Coquette; Chalk Dust; Craig's Wife; A Classic Vaudeville; The Emperor's New Clothes; Engaged; Folk Music in the Roosevelt White House (produced by the Smithsonian Institution Office of Folklife programs)","The Ghost Train; The Gallows Gate; The Great Sebastians","The Happiest Millionaire; If Ye Break Faith; Inherit the Wind; International Society for Contemporary Music; Lightnin (invitation and program); The Loud Red Patrick","Double sided one page flyer for the Marionette Unit directed by Molka Reich. The front page features reviews from places the troop performed, the back features their repertoire.","May Day; Margin for Error; The Mask and the Face; Mehitable Wing; The Matchmaker; The New York Idea; The 9th Guest; No Time for Sergeants; One More Spring; An Evening of Experimental One Act Plays; Post Road","Two invitations for events at the Molka Reich Studio.","The Starlight Theatre (1957 Summer calendar); Room Service; The Reluctant Debutante; Smilin' Through (includes ticket, programs, press release, for Jacksonville, Florida production); Separate Tables; Sabrina Fair; Twelfth Night; Visit to a Small Planet; Whom Dreams Possess; What a Life; What a Woman Wants; Witness for Prosecution","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Separated 8.25\"x9.25\" scrapbook pages with 5\"x7\" black and white photographs adhered to them. Photographs feature marionettes and Molka Reich.","1 of 5","2 of 5. Newspaper clippings, programs, telegrams, and handwritten notes to and about Scott Griffin regarding theatre productions including: Coquette, This Thing Called Love, two one act plays performed at the Little Theatre (Bereguisse and The Torch-Bearers), a calendar for plays at the Florida Forum and Assembly (1934), The Pretender, Broken Dishes, Hired Husbands, The Nervous Wreck, The Big Pond, Why Wives Worry, Smilin' Thru, Thank You, and The Love Critic.","3 of 5","4 of 5. Includes programs for The Last of Mrs. Cheney, Our Town, Little Women, and Room Service. Includes playscripts for If Ye Break Faith and Two Crooks and a Lady, as well as handwritten and typewritten notes, a flyer for the production of Coquette, and an entry ticket for the Manhattan Repertory Theatre Co. at the Miami Playhouse.","5 of 5. Material relating to Billy Griffin (later Scott Griffin). Includes negatives and portrait print as well as report cards and calling cards.","1 of 2. Contains primarily magazine and newspaper articles featuring marionettes. There is also a certificate for Mrs. Howard Fitch for completing the Cultural Olympics in Woodstown, New Jersey (May 5, 1938). Clippings and certificate are attached to scrapbook paper.","2 of 2. Contains loose newspaper and magazine clippings featuring articles on marionettes.","Includes newsclippings, newsclippings attached to paper, a program, and marionette patterns.","Includes programs for the West Florida Music and Arts Festival, International Society for Contemporary Music (1931), newspaper and magazine clippings featuring marionettes.","Newspaper articles from the Monitor titled \"Marionettes by Children\" that illustrate how one can make their own marionette.","Oversize. Molka Reich scrapbook featuring newspaper clippings and programs from Miami Federal Theatre and non Federal Theatre productions. Pages have been separated.","Oversize. Scrapbook pages separated, featuring programs and newspaper clipping from productions performed at Starlight Theater in Pawling, New York.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Reich, Molka","English"],"collection_title_tesim":["Molka Reich papers, 1904/1986"],"collection_ssim":["Molka Reich papers, 1904/1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0229","/repositories/2/resources/348"],"unitid_tesim":["C0229","/repositories/2/resources/348"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Reich, Molka"],"creator_ssim":["Reich, Molka"],"creator_persname_ssim":["Reich, Molka"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"creators_ssim":["Reich, Molka","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Molka Reich in 1980 and 1981. Scott Griffin material presented by Molka Reich for the Scott Griffin estate on June 25, 1979."],"access_subjects_ssim":["Theater -- United States","New Deal, 1933-1939"],"access_subjects_ssm":["Theater -- United States","New Deal, 1933-1939"],"has_online_content_ssim":["false"],"extent_ssm":["6 Linear Feet 9 boxes"],"extent_tesim":["6 Linear Feet 9 boxes"],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized into six series:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Newspaper clippings, 1936-1986 (Box 2)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, circa 1930s-1940s (Boxes 2, 9)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Playscripts, 1920s-1953 (Boxes 2-6)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Programs, 1928-1950s (Boxes 6-7)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Scrapbooks, 1920s-1950s (Boxes 7-8)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into six series:","Missing Title\n      Series 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9)\n      Series 2: Newspaper clippings, 1936-1986 (Box 2)\n      Series 3: Photographs, circa 1930s-1940s (Boxes 2, 9)\n      Series 4: Playscripts, 1920s-1953 (Boxes 2-6)\n      Series 5: Programs, 1928-1950s (Boxes 6-7)\n      Series 6: Scrapbooks, 1920s-1950s (Boxes 7-8)"],"bioghist_html_tesm":["\u003cp\u003eMolka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Molka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club."],"prefercite_html_tesm":["\u003cp\u003eMolka Reich papers, C0229, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Molka Reich papers, C0229, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0153\" title=\"Works Progress Administration oral histories collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0002\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0205\" title=\"Federal Theatre Project photograph collection\" show=\"new\"\u003e\u003c/extptr\u003e, as well as numerous other personal papers.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the , the , the , as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.\u003c/p\u003e","\u003cp\u003eSeries 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSeries 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSeries 3 contains photographs both black and white and color and in a variety of sizes.  Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSeries 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSeries 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSeries 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.\u003c/p\u003e  ","\u003cp\u003eSeries 1 contains many different types of materials including essays, puppetry newsletters, play synopses and published plays and vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.\u003c/p\u003e","\u003cp\u003eBlueprint for portable stage\u003c/p\u003e","\u003cp\u003eOriginal artwork for set and other designs - watercolors, pencil drawings\u003c/p\u003e","\u003cp\u003eNewsletters, catalogs, pamphlets related to dolls, marionettes, and puppets\u003c/p\u003e","\u003cp\u003ePamphlets and newsletters related to George Mason events revolving around puppetry and the Federal Theatre Project\u003c/p\u003e","\u003cp\u003e\"Dear Charlotte\", possibly from Scott Griffin\u003c/p\u003e","\u003cp\u003eNewsletters from The Puppetry Guild of Greater New York, The Puppeteers of America, The Puppeteers of America Regional Reporter for the Southeast Region, D. C. Puppetimes, George Mason University Golden Anniversary Puppetry Festival, The Puppet Guild of Greater Miami, Barry University Department of Theatre, The Puppet Masters calendar featuring famous puppeteers, itinerary for trip to Japan (UNIMA XV 1988)\u003c/p\u003e","\u003cp\u003e12 Plays for Boys and Girls edited by Ben Blake with pictures by Bill Siegel; The Slave with Two Faces by Mary Carolyn Davies\u003c/p\u003e","\u003cp\u003eThree issues: Art of Acting Issue (1936), Second Art of Acting Issue (1937), Fall Issue (1937)\u003c/p\u003e","\u003cp\u003eSeries 2 contains newspaper clippings from Miami, Florida newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eAh, Wilderness; Altars of Steel\u003c/p\u003e","\u003cp\u003eBoy Meets Girl; The Bride the Sun Shines On\u003c/p\u003e","\u003cp\u003eCandle Light; Chalk Dust; Coquette; Criminal at Large\u003c/p\u003e","\u003cp\u003eMiami Federal Theatre;  Molka Reich; Mystery of the Boardwalk Asylum\u003c/p\u003e","\u003cp\u003e\"New Director Named for Theatre Project\", article about Dorothea Lynch becoming state director for the Federal Theatre.\u003c/p\u003e","\u003cp\u003eSmilin' Through; actor Scott Griffin\u003c/p\u003e","\u003cp\u003eSeries 3 contains photographs both black and white and color and in a variety of sizes.  Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of the Jack and the Beanstalk marionette. This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003e1 production photograph featuring actors on stage. An actor in center is holding a gun to his head.\u003c/p\u003e","\u003cp\u003eColor photographs of Jack and the beanstalk puppet.\u003c/p\u003e","\u003cp\u003e12 oversize photographs, 10 of which are professional portraits taken by Charles Cooper in Miami, Florida.\u003c/p\u003e","\u003cp\u003e2 oversize matted photographic portraits of Molka Reich.\u003c/p\u003e","\u003cp\u003e14 color photographs of Reich leading a marionette demonstration.\u003c/p\u003e","\u003cp\u003e9 black and white photographs of Reich's marionettes, staged productions with actors,  and includes two photographs of an audience of children watching Bimbo perform.\u003c/p\u003e","\u003cp\u003eOne photograph is of the play \"Engaged\" and the other is unidentified.\u003c/p\u003e","\u003cp\u003eSeries 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eIncludes script and sheet music\u003c/p\u003e","\u003cp\u003eAbstract\u003c/p\u003e","\u003cp\u003eScott Griffin's copy\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003eDirector's copy\u003c/p\u003e","\u003cp\u003eIncludes note from Syl to Helen: \"Couldn't find the columns I mentioned to you, but in the search uncovered some old Morgan scripts I did for the Eversharp show. The enclosed is an excerpt, from about the only one that could be cut and still be effective. Probably would serve as a space filler and be good for a few laughs. Will try to find the other stuff for a later issue.\"\u003c/p\u003e","\u003cp\u003ePhotocopy of Federal Theatre Project script\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003eSheet music\u003c/p\u003e","\u003cp\u003eRadio production with Andrew Jergens\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003ePhotocopy of script and sheet music\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003eScript for the American Brotherhood: The National Conference of Christians and Jews\u003c/p\u003e","\u003cp\u003ePhotocopy. Includes four scripts, one for each actor.\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003eMultiple scripts with holiday themes\u003c/p\u003e","\u003cp\u003eMiscellaneous mostly handwritten pages of sheet music and lyrics, some for marionette productions\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003eScript and sheet music\u003c/p\u003e","\u003cp\u003eIncludes script and music\u003c/p\u003e","\u003cp\u003eIncludes script and music\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003ePages 2 to 30. Characters include Mrs. Giles, Mrs. Adams, Harry, Miss Mobray, and Walter.\u003c/p\u003e","\u003cp\u003eScott Griffin's script\u003c/p\u003e","\u003cp\u003eSeries 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eAltars of Steel; Ah, Wilderness!; The Bishop Misbehaves; The Bride the Sun Shines On; Criminal at Large; Coquette; Chalk Dust; Craig's Wife; A Classic Vaudeville; The Emperor's New Clothes; Engaged; Folk Music in the Roosevelt White House (produced by the Smithsonian Institution Office of Folklife programs)\u003c/p\u003e","\u003cp\u003eThe Ghost Train; The Gallows Gate; The Great Sebastians\u003c/p\u003e","\u003cp\u003eThe Happiest Millionaire; If Ye Break Faith; Inherit the Wind; International Society for Contemporary Music; Lightnin (invitation and program); The Loud Red Patrick\u003c/p\u003e","\u003cp\u003eDouble sided one page flyer for the Marionette Unit directed by Molka Reich. The front page features reviews from places the troop performed, the back features their repertoire.\u003c/p\u003e","\u003cp\u003eMay Day; Margin for Error; The Mask and the Face; Mehitable Wing; The Matchmaker; The New York Idea; The 9th Guest; No Time for Sergeants; One More Spring; An Evening of Experimental One Act Plays; Post Road\u003c/p\u003e","\u003cp\u003eTwo invitations for events at the Molka Reich Studio.\u003c/p\u003e","\u003cp\u003eThe Starlight Theatre (1957 Summer calendar); Room Service; The Reluctant Debutante; Smilin' Through (includes ticket, programs, press release, for Jacksonville, Florida production); Separate Tables; Sabrina Fair; Twelfth Night; Visit to a Small Planet; Whom Dreams Possess; What a Life; What a Woman Wants; Witness for Prosecution\u003c/p\u003e","\u003cp\u003eSeries 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.\u003c/p\u003e","\u003cp\u003eSeparated 8.25\"x9.25\" scrapbook pages with 5\"x7\" black and white photographs adhered to them. Photographs feature marionettes and Molka Reich.\u003c/p\u003e","\u003cp\u003e1 of 5\u003c/p\u003e","\u003cp\u003e2 of 5. Newspaper clippings, programs, telegrams, and handwritten notes to and about Scott Griffin regarding theatre productions including: Coquette, This Thing Called Love, two one act plays performed at the Little Theatre (Bereguisse and The Torch-Bearers), a calendar for plays at the Florida Forum and Assembly (1934), The Pretender, Broken Dishes, Hired Husbands, The Nervous Wreck, The Big Pond, Why Wives Worry, Smilin' Thru, Thank You, and The Love Critic.\u003c/p\u003e","\u003cp\u003e3 of 5\u003c/p\u003e","\u003cp\u003e4 of 5. Includes programs for The Last of Mrs. Cheney, Our Town, Little Women, and Room Service. Includes playscripts for If Ye Break Faith and Two Crooks and a Lady, as well as handwritten and typewritten notes, a flyer for the production of Coquette, and an entry ticket for the Manhattan Repertory Theatre Co. at the Miami Playhouse.\u003c/p\u003e","\u003cp\u003e5 of 5. Material relating to Billy Griffin (later Scott Griffin). Includes negatives and portrait print as well as report cards and calling cards.\u003c/p\u003e","\u003cp\u003e1 of 2. Contains primarily magazine and newspaper articles featuring marionettes. There is also a certificate for Mrs. Howard Fitch for completing the Cultural Olympics in Woodstown, New Jersey (May 5, 1938). Clippings and certificate are attached to scrapbook paper.\u003c/p\u003e","\u003cp\u003e2 of 2. Contains loose newspaper and magazine clippings featuring articles on marionettes.\u003c/p\u003e","\u003cp\u003eIncludes newsclippings, newsclippings attached to paper, a program, and marionette patterns.\u003c/p\u003e","\u003cp\u003eIncludes programs for the West Florida Music and Arts Festival, International Society for Contemporary Music (1931), newspaper and magazine clippings featuring marionettes.\u003c/p\u003e","\u003cp\u003eNewspaper articles from the Monitor titled \"Marionettes by Children\" that illustrate how one can make their own marionette.\u003c/p\u003e","\u003cp\u003eOversize. Molka Reich scrapbook featuring newspaper clippings and programs from Miami Federal Theatre and non Federal Theatre productions. Pages have been separated.\u003c/p\u003e","\u003cp\u003eOversize. Scrapbook pages separated, featuring programs and newspaper clipping from productions performed at Starlight Theater in Pawling, New York.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Series 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Series 3 contains photographs both black and white and color and in a variety of sizes.  Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses and published plays and vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Blueprint for portable stage","Original artwork for set and other designs - watercolors, pencil drawings","Newsletters, catalogs, pamphlets related to dolls, marionettes, and puppets","Pamphlets and newsletters related to George Mason events revolving around puppetry and the Federal Theatre Project","\"Dear Charlotte\", possibly from Scott Griffin","Newsletters from The Puppetry Guild of Greater New York, The Puppeteers of America, The Puppeteers of America Regional Reporter for the Southeast Region, D. C. Puppetimes, George Mason University Golden Anniversary Puppetry Festival, The Puppet Guild of Greater Miami, Barry University Department of Theatre, The Puppet Masters calendar featuring famous puppeteers, itinerary for trip to Japan (UNIMA XV 1988)","12 Plays for Boys and Girls edited by Ben Blake with pictures by Bill Siegel; The Slave with Two Faces by Mary Carolyn Davies","Three issues: Art of Acting Issue (1936), Second Art of Acting Issue (1937), Fall Issue (1937)","Series 2 contains newspaper clippings from Miami, Florida newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Ah, Wilderness; Altars of Steel","Boy Meets Girl; The Bride the Sun Shines On","Candle Light; Chalk Dust; Coquette; Criminal at Large","Miami Federal Theatre;  Molka Reich; Mystery of the Boardwalk Asylum","\"New Director Named for Theatre Project\", article about Dorothea Lynch becoming state director for the Federal Theatre.","Smilin' Through; actor Scott Griffin","Series 3 contains photographs both black and white and color and in a variety of sizes.  Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of the Jack and the Beanstalk marionette. This series is arranged alphabetically.","1 production photograph featuring actors on stage. An actor in center is holding a gun to his head.","Color photographs of Jack and the beanstalk puppet.","12 oversize photographs, 10 of which are professional portraits taken by Charles Cooper in Miami, Florida.","2 oversize matted photographic portraits of Molka Reich.","14 color photographs of Reich leading a marionette demonstration.","9 black and white photographs of Reich's marionettes, staged productions with actors,  and includes two photographs of an audience of children watching Bimbo perform.","One photograph is of the play \"Engaged\" and the other is unidentified.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Includes script and sheet music","Abstract","Scott Griffin's copy","Photocopy","Director's copy","Includes note from Syl to Helen: \"Couldn't find the columns I mentioned to you, but in the search uncovered some old Morgan scripts I did for the Eversharp show. The enclosed is an excerpt, from about the only one that could be cut and still be effective. Probably would serve as a space filler and be good for a few laughs. Will try to find the other stuff for a later issue.\"","Photocopy of Federal Theatre Project script","Photocopy","Sheet music","Radio production with Andrew Jergens","Photocopy","Photocopy of script and sheet music","Photocopy","Script for the American Brotherhood: The National Conference of Christians and Jews","Photocopy. Includes four scripts, one for each actor.","Photocopy","Multiple scripts with holiday themes","Miscellaneous mostly handwritten pages of sheet music and lyrics, some for marionette productions","Photocopy","Script and sheet music","Includes script and music","Includes script and music","Photocopy","Photocopy","Pages 2 to 30. Characters include Mrs. Giles, Mrs. Adams, Harry, Miss Mobray, and Walter.","Scott Griffin's script","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Altars of Steel; Ah, Wilderness!; The Bishop Misbehaves; The Bride the Sun Shines On; Criminal at Large; Coquette; Chalk Dust; Craig's Wife; A Classic Vaudeville; The Emperor's New Clothes; Engaged; Folk Music in the Roosevelt White House (produced by the Smithsonian Institution Office of Folklife programs)","The Ghost Train; The Gallows Gate; The Great Sebastians","The Happiest Millionaire; If Ye Break Faith; Inherit the Wind; International Society for Contemporary Music; Lightnin (invitation and program); The Loud Red Patrick","Double sided one page flyer for the Marionette Unit directed by Molka Reich. The front page features reviews from places the troop performed, the back features their repertoire.","May Day; Margin for Error; The Mask and the Face; Mehitable Wing; The Matchmaker; The New York Idea; The 9th Guest; No Time for Sergeants; One More Spring; An Evening of Experimental One Act Plays; Post Road","Two invitations for events at the Molka Reich Studio.","The Starlight Theatre (1957 Summer calendar); Room Service; The Reluctant Debutante; Smilin' Through (includes ticket, programs, press release, for Jacksonville, Florida production); Separate Tables; Sabrina Fair; Twelfth Night; Visit to a Small Planet; Whom Dreams Possess; What a Life; What a Woman Wants; Witness for Prosecution","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Separated 8.25\"x9.25\" scrapbook pages with 5\"x7\" black and white photographs adhered to them. Photographs feature marionettes and Molka Reich.","1 of 5","2 of 5. Newspaper clippings, programs, telegrams, and handwritten notes to and about Scott Griffin regarding theatre productions including: Coquette, This Thing Called Love, two one act plays performed at the Little Theatre (Bereguisse and The Torch-Bearers), a calendar for plays at the Florida Forum and Assembly (1934), The Pretender, Broken Dishes, Hired Husbands, The Nervous Wreck, The Big Pond, Why Wives Worry, Smilin' Thru, Thank You, and The Love Critic.","3 of 5","4 of 5. Includes programs for The Last of Mrs. Cheney, Our Town, Little Women, and Room Service. Includes playscripts for If Ye Break Faith and Two Crooks and a Lady, as well as handwritten and typewritten notes, a flyer for the production of Coquette, and an entry ticket for the Manhattan Repertory Theatre Co. at the Miami Playhouse.","5 of 5. Material relating to Billy Griffin (later Scott Griffin). Includes negatives and portrait print as well as report cards and calling cards.","1 of 2. Contains primarily magazine and newspaper articles featuring marionettes. There is also a certificate for Mrs. Howard Fitch for completing the Cultural Olympics in Woodstown, New Jersey (May 5, 1938). Clippings and certificate are attached to scrapbook paper.","2 of 2. Contains loose newspaper and magazine clippings featuring articles on marionettes.","Includes newsclippings, newsclippings attached to paper, a program, and marionette patterns.","Includes programs for the West Florida Music and Arts Festival, International Society for Contemporary Music (1931), newspaper and magazine clippings featuring marionettes.","Newspaper articles from the Monitor titled \"Marionettes by Children\" that illustrate how one can make their own marionette.","Oversize. Molka Reich scrapbook featuring newspaper clippings and programs from Miami Federal Theatre and non Federal Theatre productions. Pages have been separated.","Oversize. Scrapbook pages separated, featuring programs and newspaper clipping from productions performed at Starlight Theater in Pawling, New York."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_84dd143d1a81fa0708a802608718089b\"\u003eThe Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"names_coll_ssim":["Federal Theatre Project (U.S.)"],"persname_ssim":["Reich, Molka"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Reich, Molka"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":227,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:54:01.106Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_348"}},{"id":"wvmturhc_repositories_2_resources_5874","type":"collection","attributes":{"title":"Oscar Clemens Stine Interview Transcript, 1884/1951","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5874#creator","type":"document_value","attributes":{"value":"Stine, O. C. (Oscar Clemen), 1884-1974","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5874#abstract_or_scope","type":"document_value","attributes":{"value":"A revised and indexed transcript copy of an interview with Dr. O.C. Stine, an expert in agricultural economics who was employed with the Department of Agriculture from the Progressive Era to that of the Fair Deal. Stine tells of his childhood on a farm in Jackson County, WV, his subsequent education in small town southeastern Ohio where his family moved, and his attendance and graduation from Ohio University with a bachelors in liberal arts and education. After teaching briefly on the secondary level agricultural vocation courses, he attained a masters in agricultural economy at the University of Wisconsin. Upon graduation he went to work in Washington, DC for the Bureau of Agricultural Economics, a statistically based research and survey branch of the U. S. Department of Agriculture. There he pioneered in the establishment of professionalized statistic keeping and in creating accurate economic forecast indicators. He was also helpful in the creation of various and changing proposals for parity farm price support programs. Privately, he was a founder of the Agricultural History Society. Of note, he mentions much interaction with the New Deal agency, Agricultural Adjustment Administration, and his opinion of it. He talks about an official trip to the Soviet Union, Nazi Germany, and Fascist Italy before World War II and comments on agriculture, the economy and society in Europe. Also he gives a candid evaluation of the Arthurdale project. Prominent names mentioned are: William J. Bryan, Calvin Coolidge, Howard M. Gore, Herbert Hoover, Benito Mussolini, Franklin D. Roosevelt, Theodore Roosevelt, Gray Silver, and Henry Wallace.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5874#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_5874","ead_ssi":"wvmturhc_repositories_2_resources_5874","_root_":"wvmturhc_repositories_2_resources_5874","_nest_parent_":"wvmturhc_repositories_2_resources_5874","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5874.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198951","title_ssm":["Oscar Clemens Stine Interview Transcript"],"title_tesim":["Oscar Clemens Stine Interview Transcript"],"unitdate_ssm":["1884-1951"],"unitdate_inclusive_ssm":["1884-1951"],"normalized_date_ssm":["1884/1951"],"normalized_title_ssm":["Oscar Clemens Stine Interview Transcript, 1884/1951"],"text":["Oscar Clemens Stine Interview Transcript, 1884/1951","A\u0026M 2194","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5874","Italy","Germany","Jackson County (W. Va.)","Soviet Union","Arthurdale (W. Va.)","Arthurdale Homestead Project.","Poetry.","New Deal, 1933-1939","Depression.","Universities and colleges","Agriculture","No special access restriction applies.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","A revised and indexed transcript copy of an interview with Dr. O.C. Stine, an expert in agricultural economics who was employed with the Department of Agriculture from the Progressive Era to that of the Fair Deal. Stine tells of his childhood on a farm in Jackson County, WV, his subsequent education in small town southeastern Ohio where his family moved, and his attendance and graduation from Ohio University with a bachelors in liberal arts and education. After teaching briefly on the secondary level agricultural vocation courses, he attained a masters in agricultural economy at the University of Wisconsin. Upon graduation he went to work in Washington, DC for the Bureau of Agricultural Economics, a statistically based research and survey branch of the U. S. Department of Agriculture. There he pioneered in the establishment of professionalized statistic keeping and in creating accurate economic forecast indicators. He was also helpful in the creation of various and changing proposals for parity farm price support programs. Privately, he was a founder of the Agricultural History Society. Of note, he mentions much interaction with the New Deal agency, Agricultural Adjustment Administration, and his opinion of it. He talks about an official trip to the Soviet Union, Nazi Germany, and Fascist Italy before World War II and comments on agriculture, the economy and society in Europe. Also he gives a candid evaluation of the Arthurdale project. Prominent names mentioned are: William J. Bryan, Calvin Coolidge, Howard M. Gore, Herbert Hoover, Benito Mussolini, Franklin D. Roosevelt, Theodore Roosevelt, Gray Silver, and Henry Wallace.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","United States. Agricultural Adjustment Administration","United States. Department of Agriculture","United States. Bureau of Agricultural Economics","Agricultural History Society","Stine, O. C. (Oscar Clemen), 1884-1974","Gore, Howard M.","Roosevelt, Theodore.","Coolidge, Calvin, 1872-1933","Silver, Gray.","Mussolini, Benito, 1883-1945","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Hoover, Herbert, 1874-1964","Wallace, Henry.","English"],"collection_title_tesim":["Oscar Clemens Stine Interview Transcript, 1884/1951"],"collection_ssim":["Oscar Clemens Stine Interview Transcript, 1884/1951"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2194","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5874"],"unitid_tesim":["A\u0026M 2194","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5874"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Italy","Germany","Jackson County (W. Va.)","Soviet Union","Arthurdale (W. Va.)"],"geogname_ssim":["Italy","Germany","Jackson County (W. Va.)","Soviet Union","Arthurdale (W. Va.)"],"places_ssim":["Italy","Germany","Jackson County (W. Va.)","Soviet Union","Arthurdale (W. Va.)"],"creator_ssm":["Stine, O. C. (Oscar Clemen), 1884-1974"],"creator_ssim":["Stine, O. C. (Oscar Clemen), 1884-1974"],"creator_persname_ssim":["Stine, O. C. (Oscar Clemen), 1884-1974","Gore, Howard M.","Roosevelt, Theodore.","Coolidge, Calvin, 1872-1933","Silver, Gray.","Mussolini, Benito, 1883-1945","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Hoover, Herbert, 1874-1964","Wallace, Henry."],"creator_corpname_ssim":["West Virginia and Regional History Center","United States. Agricultural Adjustment Administration","United States. Department of Agriculture","United States. Bureau of Agricultural Economics","Agricultural History Society"],"creators_ssim":["Stine, O. C. (Oscar Clemen), 1884-1974","Gore, Howard M.","Roosevelt, Theodore.","Coolidge, Calvin, 1872-1933","Silver, Gray.","Mussolini, Benito, 1883-1945","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Hoover, Herbert, 1874-1964","Wallace, Henry.","West Virginia and Regional History Center","United States. Agricultural Adjustment Administration","United States. Department of Agriculture","United States. Bureau of Agricultural Economics","Agricultural History Society"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Arthurdale Homestead Project.","Poetry.","New Deal, 1933-1939","Depression.","Universities and colleges","Agriculture"],"access_subjects_ssm":["Arthurdale Homestead Project.","Poetry.","New Deal, 1933-1939","Depression.","Universities and colleges","Agriculture"],"has_online_content_ssim":["false"],"extent_ssm":["0.2 Linear Feet Summary: 2 in."],"extent_tesim":["0.2 Linear Feet Summary: 2 in."],"date_range_isim":[1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Oscar Clemens Stine Interview Transcript, A\u0026amp;M 2194, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Oscar Clemens Stine Interview Transcript, A\u0026M 2194, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_36c75793124f1ca2085f32c65f9b7518\"\u003eA revised and indexed transcript copy of an interview with Dr. O.C. Stine, an expert in agricultural economics who was employed with the Department of Agriculture from the Progressive Era to that of the Fair Deal. Stine tells of his childhood on a farm in Jackson County, WV, his subsequent education in small town southeastern Ohio where his family moved, and his attendance and graduation from Ohio University with a bachelors in liberal arts and education. After teaching briefly on the secondary level agricultural vocation courses, he attained a masters in agricultural economy at the University of Wisconsin. Upon graduation he went to work in Washington, DC for the Bureau of Agricultural Economics, a statistically based research and survey branch of the U. S. Department of Agriculture. There he pioneered in the establishment of professionalized statistic keeping and in creating accurate economic forecast indicators. He was also helpful in the creation of various and changing proposals for parity farm price support programs. Privately, he was a founder of the Agricultural History Society. Of note, he mentions much interaction with the New Deal agency, Agricultural Adjustment Administration, and his opinion of it. He talks about an official trip to the Soviet Union, Nazi Germany, and Fascist Italy before World War II and comments on agriculture, the economy and society in Europe. Also he gives a candid evaluation of the Arthurdale project. Prominent names mentioned are: William J. Bryan, Calvin Coolidge, Howard M. Gore, Herbert Hoover, Benito Mussolini, Franklin D. Roosevelt, Theodore Roosevelt, Gray Silver, and Henry Wallace.\u003c/abstract\u003e\n    "],"abstract_tesim":["A revised and indexed transcript copy of an interview with Dr. O.C. Stine, an expert in agricultural economics who was employed with the Department of Agriculture from the Progressive Era to that of the Fair Deal. Stine tells of his childhood on a farm in Jackson County, WV, his subsequent education in small town southeastern Ohio where his family moved, and his attendance and graduation from Ohio University with a bachelors in liberal arts and education. After teaching briefly on the secondary level agricultural vocation courses, he attained a masters in agricultural economy at the University of Wisconsin. Upon graduation he went to work in Washington, DC for the Bureau of Agricultural Economics, a statistically based research and survey branch of the U. S. Department of Agriculture. There he pioneered in the establishment of professionalized statistic keeping and in creating accurate economic forecast indicators. He was also helpful in the creation of various and changing proposals for parity farm price support programs. Privately, he was a founder of the Agricultural History Society. 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Bureau of Agricultural Economics","Agricultural History Society","Gore, Howard M.","Roosevelt, Theodore.","Coolidge, Calvin, 1872-1933","Silver, Gray.","Mussolini, Benito, 1883-1945","Stine, O. C. (Oscar Clemen), 1884-1974","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Hoover, Herbert, 1874-1964","Wallace, Henry."],"persname_ssim":["Stine, O. C. (Oscar Clemen), 1884-1974","Gore, Howard M.","Roosevelt, Theodore.","Coolidge, Calvin, 1872-1933","Silver, Gray.","Mussolini, Benito, 1883-1945","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Hoover, Herbert, 1874-1964","Wallace, Henry."],"names_ssim":["West Virginia and Regional History Center","United States. Agricultural Adjustment Administration","United States. Department of Agriculture","United States. Bureau of Agricultural Economics","Agricultural History Society","Stine, O. C. 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Va.)","Soviet Union","Arthurdale (W. Va.)","Arthurdale Homestead Project.","Poetry.","New Deal, 1933-1939","Depression.","Universities and colleges","Agriculture","No special access restriction applies.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","A revised and indexed transcript copy of an interview with Dr. O.C. Stine, an expert in agricultural economics who was employed with the Department of Agriculture from the Progressive Era to that of the Fair Deal. Stine tells of his childhood on a farm in Jackson County, WV, his subsequent education in small town southeastern Ohio where his family moved, and his attendance and graduation from Ohio University with a bachelors in liberal arts and education. After teaching briefly on the secondary level agricultural vocation courses, he attained a masters in agricultural economy at the University of Wisconsin. Upon graduation he went to work in Washington, DC for the Bureau of Agricultural Economics, a statistically based research and survey branch of the U. S. Department of Agriculture. There he pioneered in the establishment of professionalized statistic keeping and in creating accurate economic forecast indicators. He was also helpful in the creation of various and changing proposals for parity farm price support programs. Privately, he was a founder of the Agricultural History Society. Of note, he mentions much interaction with the New Deal agency, Agricultural Adjustment Administration, and his opinion of it. He talks about an official trip to the Soviet Union, Nazi Germany, and Fascist Italy before World War II and comments on agriculture, the economy and society in Europe. Also he gives a candid evaluation of the Arthurdale project. Prominent names mentioned are: William J. Bryan, Calvin Coolidge, Howard M. Gore, Herbert Hoover, Benito Mussolini, Franklin D. Roosevelt, Theodore Roosevelt, Gray Silver, and Henry Wallace.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","United States. Agricultural Adjustment Administration","United States. Department of Agriculture","United States. Bureau of Agricultural Economics","Agricultural History Society","Stine, O. C. (Oscar Clemen), 1884-1974","Gore, Howard M.","Roosevelt, Theodore.","Coolidge, Calvin, 1872-1933","Silver, Gray.","Mussolini, Benito, 1883-1945","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Hoover, Herbert, 1874-1964","Wallace, Henry.","English"],"collection_title_tesim":["Oscar Clemens Stine Interview Transcript, 1884/1951"],"collection_ssim":["Oscar Clemens Stine Interview Transcript, 1884/1951"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2194","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5874"],"unitid_tesim":["A\u0026M 2194","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5874"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Italy","Germany","Jackson County (W. Va.)","Soviet Union","Arthurdale (W. Va.)"],"geogname_ssim":["Italy","Germany","Jackson County (W. Va.)","Soviet Union","Arthurdale (W. 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For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_36c75793124f1ca2085f32c65f9b7518\"\u003eA revised and indexed transcript copy of an interview with Dr. O.C. Stine, an expert in agricultural economics who was employed with the Department of Agriculture from the Progressive Era to that of the Fair Deal. 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Of note, he mentions much interaction with the New Deal agency, Agricultural Adjustment Administration, and his opinion of it. He talks about an official trip to the Soviet Union, Nazi Germany, and Fascist Italy before World War II and comments on agriculture, the economy and society in Europe. Also he gives a candid evaluation of the Arthurdale project. Prominent names mentioned are: William J. Bryan, Calvin Coolidge, Howard M. Gore, Herbert Hoover, Benito Mussolini, Franklin D. Roosevelt, Theodore Roosevelt, Gray Silver, and Henry Wallace.\u003c/abstract\u003e\n    "],"abstract_tesim":["A revised and indexed transcript copy of an interview with Dr. O.C. Stine, an expert in agricultural economics who was employed with the Department of Agriculture from the Progressive Era to that of the Fair Deal. 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(Oscar Clemen), 1884-1974","Gore, Howard M.","Roosevelt, Theodore.","Coolidge, Calvin, 1872-1933","Silver, Gray.","Mussolini, Benito, 1883-1945","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Hoover, Herbert, 1874-1964","Wallace, Henry."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:57:59.598Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5874"}},{"id":"wvmturhc_repositories_2_resources_423","type":"collection","attributes":{"title":"Robert Emmett McCabe, Lawyer, Papers, 1898/1952, bulk 1907/1941","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_423#creator","type":"document_value","attributes":{"value":"McCabe, Robert Emmett, Sr., 1883-1963","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_423#abstract_or_scope","type":"document_value","attributes":{"value":"Legal files of attorney Robert Emmett McCabe of Charleston, West Virginia. They contain letters and casework for individuals and businesses. There is also an addendum to this collection containing political and financial records and other material. See scope and content note for details.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_423#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_423","ead_ssi":"wvmturhc_repositories_2_resources_423","_root_":"wvmturhc_repositories_2_resources_423","_nest_parent_":"wvmturhc_repositories_2_resources_423","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_423.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/200929","title_ssm":["Robert Emmett McCabe, Lawyer, Papers"],"title_tesim":["Robert Emmett McCabe, Lawyer, Papers"],"unitdate_ssm":["1898-1952","1907-1941"],"unitdate_inclusive_ssm":["1898-1952"],"unitdate_bulk_ssim":["1907-1941"],"normalized_date_ssm":["1898/1952, bulk 1907/1941"],"normalized_title_ssm":["Robert Emmett McCabe, Lawyer, Papers, 1898/1952, bulk 1907/1941"],"text":["Robert Emmett McCabe, Lawyer, Papers, 1898/1952, bulk 1907/1941","A\u0026M 2409","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/423","Election of 1934.","Kanawha County - politics.","Lawyers - letters and papers.","New Deal, 1933-1939","No special access restriction applies.","Legal files of attorney Robert Emmett McCabe of Charleston, West Virginia. They contain letters and casework for individuals and businesses.","Addendum of 2011/02/28 contains political and financial records and other material, including: political correspondence (1912-1952, scattered); congressional election campaign records for sixth district (1934); financial statements for oil and gas interests (1937-1944); photographs (1898, 1930s); scrapbook of clippings regarding congressional campaign (1934); day book for cash (1907); ledgers of \"abstracts\" or notes regarding real estate (six volumes, 1907-1911); and artifact (printers block, undated). There are also oversize items (1904, 1930s). (1898-1952; 1 ft. 8 in.)","Political correspondence in this addendum pertains primarily to Kanawha County politics, although some national activities are covered as well.","Photographs in this addendum include a group portrait of the \"E.H.S.\" football team (1898), a picture of R.E. McCabe's law office (ca. 1930s), and portraits of R.E. McCabe (ca. 1930s).","Oversize items include a Virginia Law Certificate (1904), election campaign broadside for R.E. McCabe (1934), and original drawings of cartoons by \"Vinroux\" regarding New Deal politics (1930s).","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Legal files of attorney Robert Emmett McCabe of Charleston, West Virginia. They contain letters and casework for individuals and businesses. There is also an addendum to this collection containing political and financial records and other material. See scope and content note for details.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Election of 1934.","Kanawha County - politics.","Lawyers - letters and papers.","New Deal, 1933-1939"],"access_subjects_ssm":["Election of 1934.","Kanawha County - politics.","Lawyers - letters and papers.","New Deal, 1933-1939"],"has_online_content_ssim":["false"],"extent_ssm":["12.5 Linear Feet 12 ft. 6 1/4 in. (30 document cases, 5 in. each); (1 oversize folder, 1/4 in.)"],"extent_tesim":["12.5 Linear Feet 12 ft. 6 1/4 in. (30 document cases, 5 in. each); (1 oversize folder, 1/4 in.)"],"date_range_isim":[1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Robert Emmett McCabe, Lawyer, Papers, A\u0026amp;M 2409, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Robert Emmett McCabe, Lawyer, Papers, A\u0026M 2409, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eLegal files of attorney Robert Emmett McCabe of Charleston, West Virginia. They contain letters and casework for individuals and businesses.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eAddendum of 2011/02/28\u003c/emph\u003e contains political and financial records and other material, including: political correspondence (1912-1952, scattered); congressional election campaign records for sixth district (1934); financial statements for oil and gas interests (1937-1944); photographs (1898, 1930s); scrapbook of clippings regarding congressional campaign (1934); day book for cash (1907); ledgers of \"abstracts\" or notes regarding real estate (six volumes, 1907-1911); and artifact (printers block, undated). There are also oversize items (1904, 1930s). (1898-1952; 1 ft. 8 in.)\u003c/p\u003e","\u003cp\u003ePolitical correspondence in this addendum pertains primarily to Kanawha County politics, although some national activities are covered as well.\u003c/p\u003e","\u003cp\u003ePhotographs in this addendum include a group portrait of the \"E.H.S.\" football team (1898), a picture of R.E. McCabe's law office (ca. 1930s), and portraits of R.E. McCabe (ca. 1930s).\u003c/p\u003e","\u003cp\u003eOversize items include a Virginia Law Certificate (1904), election campaign broadside for R.E. McCabe (1934), and original drawings of cartoons by \"Vinroux\" regarding New Deal politics (1930s).\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Legal files of attorney Robert Emmett McCabe of Charleston, West Virginia. They contain letters and casework for individuals and businesses.","Addendum of 2011/02/28 contains political and financial records and other material, including: political correspondence (1912-1952, scattered); congressional election campaign records for sixth district (1934); financial statements for oil and gas interests (1937-1944); photographs (1898, 1930s); scrapbook of clippings regarding congressional campaign (1934); day book for cash (1907); ledgers of \"abstracts\" or notes regarding real estate (six volumes, 1907-1911); and artifact (printers block, undated). There are also oversize items (1904, 1930s). (1898-1952; 1 ft. 8 in.)","Political correspondence in this addendum pertains primarily to Kanawha County politics, although some national activities are covered as well.","Photographs in this addendum include a group portrait of the \"E.H.S.\" football team (1898), a picture of R.E. McCabe's law office (ca. 1930s), and portraits of R.E. McCabe (ca. 1930s).","Oversize items include a Virginia Law Certificate (1904), election campaign broadside for R.E. McCabe (1934), and original drawings of cartoons by \"Vinroux\" regarding New Deal politics (1930s)."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9eb987322e7eeca513cee77554855892\"\u003eLegal files of attorney Robert Emmett McCabe of Charleston, West Virginia. They contain letters and casework for individuals and businesses. There is also an addendum to this collection containing political and financial records and other material. See scope and content note for details.\u003c/abstract\u003e\n    "],"abstract_tesim":["Legal files of attorney Robert Emmett McCabe of Charleston, West Virginia. They contain letters and casework for individuals and businesses. There is also an addendum to this collection containing political and financial records and other material. See scope and content note for details."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f5095ade907313e2122ec35635f9374e\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["McCabe, Robert Emmett, Sr., 1883-1963","McCabe, Brooks F., Jr., 1949-"],"names_coll_ssim":["McCabe, Robert Emmett, Sr., 1883-1963","McCabe, Brooks F., Jr., 1949-"],"names_ssim":["West Virginia and Regional History Center","McCabe, Robert Emmett, Sr., 1883-1963","McCabe, Brooks F., Jr., 1949-"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:56:36.205Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_423","ead_ssi":"wvmturhc_repositories_2_resources_423","_root_":"wvmturhc_repositories_2_resources_423","_nest_parent_":"wvmturhc_repositories_2_resources_423","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_423.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/200929","title_ssm":["Robert Emmett McCabe, Lawyer, Papers"],"title_tesim":["Robert Emmett McCabe, Lawyer, Papers"],"unitdate_ssm":["1898-1952","1907-1941"],"unitdate_inclusive_ssm":["1898-1952"],"unitdate_bulk_ssim":["1907-1941"],"normalized_date_ssm":["1898/1952, bulk 1907/1941"],"normalized_title_ssm":["Robert Emmett McCabe, Lawyer, Papers, 1898/1952, bulk 1907/1941"],"text":["Robert Emmett McCabe, Lawyer, Papers, 1898/1952, bulk 1907/1941","A\u0026M 2409","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/423","Election of 1934.","Kanawha County - politics.","Lawyers - letters and papers.","New Deal, 1933-1939","No special access restriction applies.","Legal files of attorney Robert Emmett McCabe of Charleston, West Virginia. They contain letters and casework for individuals and businesses.","Addendum of 2011/02/28 contains political and financial records and other material, including: political correspondence (1912-1952, scattered); congressional election campaign records for sixth district (1934); financial statements for oil and gas interests (1937-1944); photographs (1898, 1930s); scrapbook of clippings regarding congressional campaign (1934); day book for cash (1907); ledgers of \"abstracts\" or notes regarding real estate (six volumes, 1907-1911); and artifact (printers block, undated). There are also oversize items (1904, 1930s). (1898-1952; 1 ft. 8 in.)","Political correspondence in this addendum pertains primarily to Kanawha County politics, although some national activities are covered as well.","Photographs in this addendum include a group portrait of the \"E.H.S.\" football team (1898), a picture of R.E. McCabe's law office (ca. 1930s), and portraits of R.E. McCabe (ca. 1930s).","Oversize items include a Virginia Law Certificate (1904), election campaign broadside for R.E. McCabe (1934), and original drawings of cartoons by \"Vinroux\" regarding New Deal politics (1930s).","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Legal files of attorney Robert Emmett McCabe of Charleston, West Virginia. They contain letters and casework for individuals and businesses. There is also an addendum to this collection containing political and financial records and other material. See scope and content note for details.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","McCabe, Robert Emmett, Sr., 1883-1963","McCabe, Brooks F., Jr., 1949-","English\n."],"collection_title_tesim":["Robert Emmett McCabe, Lawyer, Papers, 1898/1952, bulk 1907/1941"],"collection_ssim":["Robert Emmett McCabe, Lawyer, Papers, 1898/1952, bulk 1907/1941"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2409","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/423"],"unitid_tesim":["A\u0026M 2409","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/423"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["McCabe, Robert Emmett, Sr., 1883-1963","McCabe, Brooks F., Jr., 1949-"],"creator_ssim":["McCabe, Robert Emmett, Sr., 1883-1963","McCabe, Brooks F., Jr., 1949-"],"creator_persname_ssim":["McCabe, Robert Emmett, Sr., 1883-1963","McCabe, Brooks F., Jr., 1949-"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creators_ssim":["McCabe, Robert Emmett, Sr., 1883-1963","McCabe, Brooks F., Jr., 1949-","West Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Election of 1934.","Kanawha County - politics.","Lawyers - letters and papers.","New Deal, 1933-1939"],"access_subjects_ssm":["Election of 1934.","Kanawha County - politics.","Lawyers - letters and papers.","New Deal, 1933-1939"],"has_online_content_ssim":["false"],"extent_ssm":["12.5 Linear Feet 12 ft. 6 1/4 in. (30 document cases, 5 in. each); (1 oversize folder, 1/4 in.)"],"extent_tesim":["12.5 Linear Feet 12 ft. 6 1/4 in. (30 document cases, 5 in. each); (1 oversize folder, 1/4 in.)"],"date_range_isim":[1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Robert Emmett McCabe, Lawyer, Papers, A\u0026amp;M 2409, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Robert Emmett McCabe, Lawyer, Papers, A\u0026M 2409, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eLegal files of attorney Robert Emmett McCabe of Charleston, West Virginia. 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(1898-1952; 1 ft. 8 in.)\u003c/p\u003e","\u003cp\u003ePolitical correspondence in this addendum pertains primarily to Kanawha County politics, although some national activities are covered as well.\u003c/p\u003e","\u003cp\u003ePhotographs in this addendum include a group portrait of the \"E.H.S.\" football team (1898), a picture of R.E. McCabe's law office (ca. 1930s), and portraits of R.E. McCabe (ca. 1930s).\u003c/p\u003e","\u003cp\u003eOversize items include a Virginia Law Certificate (1904), election campaign broadside for R.E. McCabe (1934), and original drawings of cartoons by \"Vinroux\" regarding New Deal politics (1930s).\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Legal files of attorney Robert Emmett McCabe of Charleston, West Virginia. They contain letters and casework for individuals and businesses.","Addendum of 2011/02/28 contains political and financial records and other material, including: political correspondence (1912-1952, scattered); congressional election campaign records for sixth district (1934); financial statements for oil and gas interests (1937-1944); photographs (1898, 1930s); scrapbook of clippings regarding congressional campaign (1934); day book for cash (1907); ledgers of \"abstracts\" or notes regarding real estate (six volumes, 1907-1911); and artifact (printers block, undated). There are also oversize items (1904, 1930s). (1898-1952; 1 ft. 8 in.)","Political correspondence in this addendum pertains primarily to Kanawha County politics, although some national activities are covered as well.","Photographs in this addendum include a group portrait of the \"E.H.S.\" football team (1898), a picture of R.E. McCabe's law office (ca. 1930s), and portraits of R.E. McCabe (ca. 1930s).","Oversize items include a Virginia Law Certificate (1904), election campaign broadside for R.E. McCabe (1934), and original drawings of cartoons by \"Vinroux\" regarding New Deal politics (1930s)."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9eb987322e7eeca513cee77554855892\"\u003eLegal files of attorney Robert Emmett McCabe of Charleston, West Virginia. They contain letters and casework for individuals and businesses. There is also an addendum to this collection containing political and financial records and other material. See scope and content note for details.\u003c/abstract\u003e\n    "],"abstract_tesim":["Legal files of attorney Robert Emmett McCabe of Charleston, West Virginia. They contain letters and casework for individuals and businesses. There is also an addendum to this collection containing political and financial records and other material. See scope and content note for details."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f5095ade907313e2122ec35635f9374e\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["McCabe, Robert Emmett, Sr., 1883-1963","McCabe, Brooks F., Jr., 1949-"],"names_coll_ssim":["McCabe, Robert Emmett, Sr., 1883-1963","McCabe, Brooks F., Jr., 1949-"],"names_ssim":["West Virginia and Regional History Center","McCabe, Robert Emmett, Sr., 1883-1963","McCabe, Brooks F., Jr., 1949-"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:56:36.205Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_423"}},{"id":"wvmturhc_repositories_2_resources_3687","type":"collection","attributes":{"title":"Rush Dew Holt (1905-1955) Papers, 1840/2003, bulk 1918/1955","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3687#creator","type":"document_value","attributes":{"value":"Holt, Rush Dew, 1905-1955","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3687#abstract_or_scope","type":"document_value","attributes":{"value":"Papers of Rush Dew Holt, Sr. (1905-1955) relating to his personal and political activities. Types of material include publications, clippings, correspondence, photographs, and ephemera, among others. The collection is divided into six series: Personal and Political Papers (1840-2000 and undated), Artifacts (1939-1952 and undated), Legislative Records (1920-1955 and undated), Constituent Services (1923-1954 and undated), Press and Media Activity (1925-2003 and undated), and Administrative Files (1937-1940).","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3687#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_3687","ead_ssi":"wvmturhc_repositories_2_resources_3687","_root_":"wvmturhc_repositories_2_resources_3687","_nest_parent_":"wvmturhc_repositories_2_resources_3687","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3687.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/208740","title_ssm":["Rush Dew Holt (1905-1955) Papers"],"title_tesim":["Rush Dew Holt (1905-1955) Papers"],"unitdate_ssm":["1840-2003","1918-1955"],"unitdate_inclusive_ssm":["1840-2003"],"unitdate_bulk_ssim":["1918-1955"],"normalized_date_ssm":["1840/2003, bulk 1918/1955"],"normalized_title_ssm":["Rush Dew Holt (1905-1955) Papers, 1840/2003, bulk 1918/1955"],"text":["Rush Dew Holt (1905-1955) Papers, 1840/2003, bulk 1918/1955","A\u0026M 0873","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3687","Lewis County.","West Virginia -- Politics and government","United States -- Politics and government","Coal mining - Labor organization.","Education","Elections","Guffey Coal Act.","New Deal, 1933-1939","Politics and government.","Public utilities","Taxation","Unions.","United States - Social Security.","Social Security -- United States","Wheeler-Rayburn Holding Company Act","Isolationism -- United States -- History -- 20th Century","World War, 1939-1945","Politicians -- United States","No special access restriction applies.","This collection is one of five (see also A\u0026M 1858, 4218, 4039, and 3943) pertaining to Rush Dew Holt, Sr. and his family. The records have been gathered via multiple accruals from 1956 to 2016. Originally, these collections were divided between A\u0026M 873 and A\u0026M 1701, the latter also being composed of thirteen addenda and A\u0026M 1858.","In an attempt to organize the collections in a more coherent fashion for patron use and to reflect the creator(s) in a more concise manner, the material was reevaluated and reorganized into the three sets of papers with distinct series and subseries: A\u0026M 873: Rush Dew Holt (1905-1955) Papers; A\u0026M 1858: Helen Holt (1913-2015) Papers; and A\u0026M 4218: Rush Dew Holt Family Papers.","Because of the 2016-2017 reorganization, the physical arrangement no longer matches the intellectual arrangement and series order. Furthermore, any box and folder citations created prior to the above-mentioned project are likely no longer accurate.","For assistance locating material using an older citation, please ask a staff member of the West Virginia \u0026 Regional History Center.","Rush Dew Holt was born in Weston, West Virginia, on June 19, 1905 to parents, Dr. Matthew S. Holt and Chihela (Dew) Holt. From an early age, Holt displayed scholarly potential. By age three, he was able to read first-grade primers, and eventually became interested in numerous topics for which he was able to provide detailed statistics. Among these interests was politics, and by age six, Holt had decided he would become a Democrat.","The potential displayed by Holt as a child continued into his school years. At age five, he began public education in the second grade, and he skipped grades on two more occasions. He attended Weston High School, and after graduating with honors at age fourteen, Holt applied to the University of Cincinnati; however, the register rejected the application because Holt, while academically qualified, was considered too young. Not one to admit defeat, a trait that would prove to be a lifelong characteristic, Holt turned to West Virginia University where he was accepted. As the youngest member of the freshman class, Holt found it difficult to obtain full acceptance as a college student, and his academic record reflected his apparent dissatisfaction. After two years at West Virginia University, Holt transferred to Salem College where the enrollment was smaller (approximately 300 students) and where he was able to live with his uncle, Professor Samuel Dew. It was at Salem College that Holt regained his self-confidence. His academic performance improved, and he maintained a B-plus average. In addition to academics, Holt excelled on the debate team. He was the editor-in-chief of the school paper, and he managed the tennis team.","In 1924, Holt received a Bachelor of Arts Degree and qualification to teach at secondary schools. Shortly after his graduation, he was hired to teach at Bedford High School in Virginia where he taught English and history in addition to serving as the school's athletic director. After one academic year, Holt returned to Weston, West Virginia, where he took a position at St. Patrick's High School as the athletic director. Holt also coached the basketball team with abundant success, leading the team to two national tournaments for Catholic schools. During this time, Holt also taught history as a part-time instructor at Glenville Normal School and Salem College, but his fascination with athletics persisted. In addition to coaching and occasional officiating, Holt also began writing about sports. Eventually, he began to contribute columns to daily West Virginia newspapers.","By the late 1920s, Holt was attracted to the political environment, and he began to contribute to candidates who were friends of and/or who shared the views of his father. In the summer of 1928, Holt went one step further by announcing his candidacy as a Democrat for the West Virginia House of Delegates. Despite Lewis County having been predominately Republican, in addition to not having received significant party backing, Holt still obtained a higher-than-expected amount of support, losing his race by only 500 votes. Once again, however, Holt would not admit defeat. In 1930 Holt again announced his candidacy for the West Virginia House of Delegates. During the campaign, he visited locations all around Lewis County, spoke to anyone who would listen, and ensured that the grievances such as those concerning government cost, increased taxes, and the power of privately owned public utilities would all be addressed. As expected with any campaign, Holt received criticism, and those who opposed him likened the young politician to his father who they declared was a radical, a socialist, and an atheist. Despite the scornful claims, Holt, by a margin of 2,150 votes, was elected to his first public office as a Democrat to the West Virginia Legislature where he served from 1931-1935. During his years as a delegate, as promised during his campaign, Holt spoke out against corrupt practices such as government spending, an issue he addressed not even a week into the 1931 session. In addition to debating issues in the House, Holt also wrote to state supported universities, highway commissioners, and auditors in West Virginia and numerous other states to gather financial figures concerning spending, salaries, and taxes among others. Holt also began an investigation in 1931 to uncover rates, operating costs, and profits of privately and publically owned utility companies. All of these endeavors were only the first chapter in Holt's political career.","By 1934 he had gained the political support and the backing of union workers which was enough to defeat incumbent United States Senator Henry Hatfield. At age twenty-nine, Holt became the youngest person to win a United States Senate seat; however, there was immediate criticism. No sooner had the votes been tallied before a protest was filed concerning Holt's credentials: the fact that he had run for an office when he had not been of the required age. In addition to discontent within his own state, Holt also received overwhelming opposition in Washington, D.C. from Senate Republicans who threatened to object on the grounds of the constitutional age requirement. Despite the criticism, Holt's election was not overturned; however, he had to wait until he turned thirty, over five months after the Seventy-forth Congress had convened, before he could participate in senatorial proceedings.","Just as he had been active in the West Virginia Legislature, Holt did not hesitate to address both major and minor issues on Capitol Hill either. During his time in the Senate, Holt served on several committees including Education and Labor, Immigration, Mines and Mining, Naval Affairs, and Post Offices and Post Roads. He also served as a member of the United States delegation to the 1939 Interparliamentary Conference in Oslo, Norway.","Although Holt had once been referred to as President Franklin Delano Roosevelt's \"Golden Boy,\" such alliances and the policies that had formed them began to dissolve by 1936. He became estranged from fellow Democrat and West Virginian Senator Matthew Neely, and Holt ended his support for the United Mine Workers of America and the Works Progress Administration, the latter of which he claimed was corrupt. Eventually, Holt criticized the Roosevelt administration for its New Deal policies, he adamantly fought Roosevelt's attempt to alter the Supreme Court by changing the number of sitting justices from nine to twelve, and he spoke out against the proposition of allowing a presidential third term. Furthermore, as unrest began in Europe with Germany's invasion of Poland, Holt campaigned against any attempts by the administration to involve the United States in the War. The responses from constituents about Holt's actions were mixed; nevertheless, the young senator's sudden change led to his unsuccessful renomination attempt in 1940. Holt did not even make it past the primary election.","After his Senate term ended, Holt remained in Washington, D.C. and began to support himself as a lecturer and a writer of political issues, particularly neutrality for which he received the support of the America First Committee. It was also during this time that Holt met Helen Louise Froelich, a biology teacher at National Park College near Washington. They were married a year later and moved to West Virginia. The couple had two children: a daughter, Helen Jane Holt (born in 1945) and a son, Rush Dew Holt, Jr. (born in 1948). When Senator Holt's sister, Jane (Holt) Chase, died in 1952, the couple adopted her son, David. After the Holts returned to West Virginia in 1941, Holt stayed involved in politics by accepting speaking engagements.","During the remainder of the 1940s, Holt ran several times for state offices with modest success. He was elected to the State House of Delegates in 1942 and was reelected in 1944 by write-in vote and 1946 without opposition. After a failed attempt to win the West Virginia Democratic gubernatorial nomination in 1944 and the nomination for United States Senator in 1948, Holt changed political affiliation. Despite this, his lack of success to achieve positions beyond the House of Delegates continued. In 1950, he won the Republican nomination to represent West Virginia's Third District in the United States House of Representatives but lost in the general election, and in 1952 Holt came very close to winning the race for West Virginia governor as the Republican candidate but lost to William Marland by fewer than 30,000 votes. Success returned in 1954 when Holt was elected to the West Virginia House of Delegates by the voters of Lewis County, but he was unable to finish his term due to illness.","Holt died on February 8, 1955 after a long, tough campaign against cancer.","Chronological List of Events:","June 19, 1905: born","1920: graduated from high school","1920-1922: attended West Virginia University","1922-1924: attended Salem College, received a BA degree","1924-1925: taught English and history and served as athletic director at Bedford High School in Virginia","1925-1928: served as athletic director and basketball coach at St. Patrick's High School (Catholic school) in Weston, West Virginia; taught history as a part-time instructor at Glenville Normal School and Salem College; and contributed sport columns to daily West Virginia newspapers","1928: ran as a Democrat for the West Virginia House of Delegates, lost by 500 votes","1930: ran as a Democrat for the West Virginia House of Delegates, won by 2,150 votes, served from 1931-1935","1934: ran as a Democrat for the United States Senate and won despite being only twenty-nine years old","1939: served as a member of the United States delegation to the Interparliamentary Conference in Oslo, Norway","1940: ran for renomination to the Senate, failed to win the primary election","1941: married Helen Louise Froelich","1942: ran as a Democrat for the West Virginia House of Delegates and won, reelected in 1944, 1946, and 1948, served until 1950.","1944: ran as a Democrat for the West Virginia gubernatorial nomination but was unsuccessful","1945: birth of Helen Jane Holt","1948: birth of Rush Dew Holt, Jr.","1948: ran as a Democrat for the United States Senate nomination but was unsuccessful","1948: switched political affiliation to the Republican Party","1952: ran as the Republican candidate for West Virginia Governor but lost to William Marland by fewer than 30,000 votes","1954: ran as a Republican for the West Virginia House of Delegates and won","February 8, 1955: death","Sources:","Coffey, William Ellis. Rush Dew Holt: The Boy Senator. Dissertation, West Virginia University, 1970.","A\u0026M 0873, Rush Dew Holt (1905-1955) Papers, West Virginia and Regional History Center, West Virginia University Libraries.","1858, 3001, 3943, 4039, 4218, 4386","Papers of Rush Dew Holt, Sr. (1905-1955) relating to his personal and political activities. Types of material include publications, clippings, correspondence, photographs, and ephemera, among others. The collection is divided into six series: Personal and Political Papers (1840-2000 and undated) includes correspondence; invitations and cards; material representing campaign activities; and material from college courses, among other material that represents Rush Holt's personal life and political career; and ephemera collected by Rush Holt. Artifacts (1939-1952 and undated) includes personal and political items collected by Rush Holt. Legislative Records (1920-1955 and undated) includes correspondence, reports, publications, clippings, statistics, transcripts, financial records, and project records, among other miscellaneous material relative to Rush Holt's committee-based and general legislative activity. Constituent Services (1923-1954 and undated) includes mail received by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate from constituents providing political opinions to Holt or requesting government publications and bulletins, copies of speeches, educational material, and Rush Holt's recommendation to the United States Military or Naval Academy. Press and Media Activity (1925-2003 and undated) includes original and photocopied articles from newspapers and similar publications, typescripts of press releases, pen-and-ink drawn political cartoons, transcripts of speeches, and sound recordings, among other material representing Rush Holt's involvement with the press and media. Administrative Files (1937-1940) includes material documenting the daily office activities of Rush Holt and his staff during the former's senatorial term.","The collection is divided into six series as follows:","Series 1. Personal and Political Papers; 1840-2000 and undated (bulk 1918-1955)","Includes material related to Rush Holt's personal, family, and political life. Additional material related to his work in politics can be found in Series 3 through 6. Types of material include correspondence; invitations and cards; material representing campaign activities; material from college courses; bills for recordings, radio station receipts, and election expenditures; typescripts, newsletters, manuscripts, and photocopies of material written by Rush Holt; publications to which Rush Holt subscribed and collected; photographs that represent Rush Holt's personal life and political career; ephemera collected by Rush Holt; and election results collected by Rush Holt.","Series 2. Artifacts; 1939-1952 and undated","Includes personal and political items collected by Rush Holt.","Series 3. Legislative Records; 1920-1955 and undated","Includes correspondence, reports, publications, clippings, statistics, transcripts, financial records, and project records, among other miscellaneous material relative to Rush Holt's committee-based and general legislative activity.","Series 4. Constituent Services; 1923-1954 and undated","Includes mail received by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate from constituents requesting government publications and bulletins, copies of speeches, educational material, and Rush Holt's recommendation to the United States Military or Naval Academy. In some cases, this series also includes typescript responses, many of which are generic.","Series 5. Press and Media Activity; 1925-2003 and undated (bulk 1925-1955)","Includes original and photocopied articles from newspapers and similar publications, typescripts of press releases, pen-and-ink drawn political cartoons, transcripts of speeches, and sound recordings, among other material representing Rush Holt's involvement with the press and media.","Series 6. Administrative Files; 1937-1940","Includes material documenting the daily office activities of Rush Holt and his staff during the former's senatorial term.","Includes material related to Rush Holt's personal, family, and political life. Additional material related to his work in politics can be found in Series 3 through 6. Types of material include correspondence; invitations and cards; material representing campaign activities; material from college courses; bills for recordings, radio station receipts, and election expenditures; typescripts, newsletters, manuscripts, and photocopies of material written by Rush Holt; publications to which Rush Holt subscribed and collected; photographs that represent Rush Holt's personal life and political career; ephemera collected by Rush Holt; and election results collected by Rush Holt.","Includes correspondence relating to the personal and political issues of Rush Holt's life.","Because of different original series of correspondence, in addition to maintaining this original order, the material of this series, as a whole, is not in chronological order.","Personal correspondence topics include Rush Holt's marriage to Helen Louise Froelich, family matters such as births and deaths, holidays, Rush Holt's illness, and general correspondence with family and friends, among others.","Political correspondence topics include an anti-lynching bill which is represented by letters between Rush Holt and Walter White, former secretary for the National Association for the Advancement of Colored People; the United Mine Workers of America which is represented by correspondence between Rush Holt and Frank Miley, former president of the United Mine Workers of America, District 31; and the seating issue from when Rush Holt was first elected to the Senate; among others.","Other prominent correspondents/subjects of correspondence include Joe Alderson, former WPA Director in Lewis County, West Virginia; Van A. Bittner, former president of United Mine Workers Association District 12; James A. Farley, former chairman of the Democratic National Committee; and Frank Miley, former president of the United Mine Workers of America, District 31, among others.","Items of note include political-related correspondence with Spencer Bonaventure Tracey (located in box 229, folder 7), Louise B. Mayer (located in box 229, folder 8), Walt Disney (located in box 229, folder 9), and James Cagney (located in box 229, folder 11). Other items of note include a poem titled Rejected (not Holt's) that is set in Hell and portrays President Franklin D. Roosevelt as a sinner (located in box 238, folder 3), and a letter from President Harry S. Truman (located in box 357, folder 1).","For correspondence directly related to Rush Holt's campaigns, please see Series 1. Personal and Political Papers—Campaign Material.","For Utility Investigating Committee-related correspondence, please see Series 3. Legislative Records—West Virginia House of Delegates Utility Investigating Committee","For Government Costs Committee-related correspondence, please see Series 3. Legislative Records—West Virginia House of Delegates State Government Costs Committee.","For Interstate Cooperation Commission-related correspondence, please see Series 3. Legislative Records—West Virginia House of Delegates Interstate Cooperation Commission.","For Works Progress Administration-related correspondence, please see Series 3. Legislative Records—Works Progress Administration.","Includes invitations and cards retained by Rush Holt. Also includes a small subset of Holt's responses.","Invitations represent both public and private events including graduations, weddings, and dinners, among others.","Cards are inclusive of general greeting cards, sympathy cards for the deaths of Rush Holt's parents, and get-well cards.","Significant items include invitations to attend events at the White House (located in box 312, folder 10) and an invitation to attend the 1939 World's Fair (located in box 340, folder 5).","Included in this series are letters and telegrams that are interleaved with cards and that possess a similar theme.","Includes material representing Rush Holt's activities during his political campaigns for West Virginia and national offices.","Types of material include broadsides, correspondence, newspaper mats, publicity releases, and speeches, among others.","Items of note include certificates of election for the West Virginia House of Delegates (located in box 369, folder 1).","Includes Rush Holt's diploma from Weston High School and material from LaSalle Extension University Law and Practical Accounting courses in which Rush Holt enrolled.","Types of material include coursework, examinations, and records of final grades.","An item of note is Rush Holt's high school diploma (located in box 1, folder 6).","Includes bills for recordings, radio station receipts, and election expenditures information that Rush Holt retained.","For the sound recordings mentioned in this material in addition to other recordings by Rush Holt, please see Series 5. Press and Media Activity--Recordings.","Includes typescripts, newsletters, manuscripts, and photocopies of newspaper articles written by Rush Holt.","Typescripts include Facts and Figures (numbers 1-224) and Politics in West Virginia (numbers 1-118). These serial publications are also partially represented by the photocopied articles. Facts and Figures appears to be a regular column that Holt wrote from 1947 through 1953, though perhaps not continuously.","Copies of The West Virginia Taxpayer, a newsletter written and published by Rush Holt, are also included and span from December 1948 to November 1954. Correspondence regarding support for this publication can be found in Series 4. Constituent Services—General Constituent Mail.","Manuscripts by Rush Holt include Who's Who Among the War Mongers: Merchants of Death and Their Stooges (located in box 306, folders 1 and 2), The British Network: A Study of Fifth Column Activities in the United States (located in box 306, folders 3 and 4), and The President Moves Toward War (located in box 339, folders 4 and 5).","Includes publications such as magazines, newsletters, bulletins, brochures, and pamphlets, among other types of publications to which Rush Holt subscribed and collected.","Topics include neutrality, war propaganda, taxes, and utilities, among others.","Publications include Uncensored, Social Justice, Public Assistance, West Virginia utility reports, and tax publications from different states, among others.","An item of note is the photocopied section of Sherwood Anderson's Puzzled America that mentions Rush Holt (located in box 370, folder 10). A copy of the whole book is available through West Virginia University's Downtown Library (call number: E806.A652 1970).","Includes photographs that represent Rush Holt's personal life and political career. Photographs depict Rush Holt and his family, among other prominent individuals.","Personal life photographs include Rush Holt's and Helen Louise Froelich's wedding and photographs taken of Rush Holt and his family during holidays and other special occasions.","Political career photographs comprise the majority of this series and represent occasions such as sessions of the West Virginia Legislature, political conventions, and campaign events including Dwight Eisenhower's \"Whistle Stop\" presidential campaign through West Virginia (located in box 370, folder 13), among others.","Prominent individuals include James Farley, former postmaster general during the first two administrations of President Franklin D. Roosevelt (signed photograph located in box 1, folder 1); individuals involved with WCHS News, including Ron Edwards; and former Vice President John N. Garner (signed photograph located in box 370, folder 16), among other politicians.","For additional photographs of Rush Holt, please see the West Virginia \u0026 Regional History Center's digitized OnView collection.","Includes items collected by Rush Holt such as personal nameplates, political and historical ephemera, tickets to events, and personal items, among others.","Political and historical ephemera includes an \"America First\" ribbon (located in box 341, folder 2), a campaign ribbon from the 1840 Van Buren and Johnson election (located in box 341, folder 2), and a Confederate ten dollar bill (located in box 341, folder 2).","Tickets to events are representative of commencements and sporting events in West Virginia, the premiere of Disney's Fantasia in Washington, D.C., and the 1952 Republican National Convention, among others.","Personal items include material from a fraternity to which Rush Holt belonged, items (pictures, cards, licenses) from his wallets, and material from a Bible class Rush Holt taught.","The wallets from which the personal pictures, cards, and licenses were removed are located in Series 2. Artifacts.","Includes miscellaneous material collected by Rush Holt.","Types of material include newspaper clippings, reports, publications, and correspondence, and election-related records, among others.","Topics include other senators (e.g., Joe Guffey of Pennsylvania and H. D. Hatfield of West Virginia), labor, railroads, and the Supreme Court, among others.","Items of note include a certificate confirming Rush Holt's initiation into the National Society of the Sons of the American Revolution (located in box 1, loose); maps that detail election results for different offices including governor, House of Delegates, etc. in West Virginia (located in box 147, folder 8); Rush Holt's diary (located in box 166, folder 1), material relating to John L. Lewis and the Congress of Industrial Organizations (located in box 151, folders 1 to 3); a list of individuals who have sat in the same Senate desk that Rush Holt did (located in box 369, folder 13); a prayer authored by Rush Holt (located in box 372, folder 7); and material relating to the Rush Holt Endowment at West Virginia University (located in box 372, folder 8).","Includes election material collected by Holt, such as facsimile abstracts of votes, primary election results, lists of voters, and more. The main geographical focus is Lewis County, WV.","Includes personal and political items collected by Rush Holt.","Items of note include a personalized \"Holt for Governor\" license plate and a senatorial campaign button (located in box 374), a \"liberty\" embroidered cloth (located in box 4), and a West Virginia state flag (located in box 4).","Includes correspondence, reports, publications, clippings, statistics, transcripts, financial records, and project records, among other miscellaneous material relative to Rush Holt's committee-based and general legislative activity.","For records of speeches delivered in the West Virginia Legislature and the United States Senate, please see Series 5. Press and Media Activity—Speeches.","It should be noted that there exists a gap in the legislative records; thus, Rush Holt's senatorial papers are not represented as completely as those from the West Virginia House of Delegates. For material pertaining to the senatorial years, please refer to the Miscellaneous section of this series, or check the Records of the U.S. Senate at the National Archives and Records Administration.","Includes correspondence, reports, and clippings bearing primarily upon Rush Holt's activities as chairman of the Utility Investigating Committee","The material is representative of Rush Holt's interaction with and study of utility companies throughout West Virginia and the United States.","Topics include gas, electricity, fuel rates, and municipal-owned utilities, among others.","Material of note includes testimonies of utility representatives during special hearings to examine the costs of state utilities. These hearings were held in Charleston, West Virginia between February 6, 1933 and April 11, 1933 (located in box 177, folder 1 to box 180, folder 4).","Includes correspondence, statistics, reports, and transcripts relative to Rush Holt's activity with the Government Costs Committee.","Correspondence includes letters sent and received by Rush Holt regarding expenditures for West Virginia and other states.","Statistics and reports include information sent to and gathered by Rush Holt regarding state-owned cars in West Virginia.","Institutions and departments represented include the Department of Agriculture, West Virginia University, Huntington State Hospital, the Department of Mines, and the State Road Commission, among others.","The transcript document testimonies in the February 5 to March 1, 1943 hearings to investigate the cost of state government for which Rush Holt served as chairman. Entities represented by the testimonies include the Publicity Commission, the Bureau of Negro Welfare, the Road Commission, and the Labor Department, among others.","Includes financial records requested by and maintained by Rush Holt during his time as a member of the Interstate Cooperation Commission.","Types of records include correspondence, financial and payroll statistics, and budgetary reports, among others.","Entities represented include departments of state, governmental offices of state, educational institutions (including West Virginia University), and hospitals, among others.","Includes correspondence, payroll records, project records, and other miscellaneous material relative to the activities of the Works Progress Administration that Rush Holt gathered. It should be noted that while he was not an administrator of the Works Progress Administration, Rush Holt used his legislative position to discover and draw attention to the organization that he believed had been corrupted.","Correspondence is comprised of letters to and from Rush Holt concerning the status of projects in West Virginia counties. Also included are incoming letters from around the United States relating to Holt's speeches, actions, and beliefs concerning the Works Progress Administration.","Payroll records include copies of salaries received for positions of different projects in West Virginia counties. These records include location information, project numbers, position titles, and salary amounts.","Project records include information relating to the cost of rentals, supplies, and bids, among other project expenditures.","Includes typescripts, statistics, publications, reports, and other miscellaneous records pertaining to Rush Holt's legislative activity.","Topics represented by the material include municipal operations, education, neutrality, and immigration, among others.","Records of note include copies of the West Virginia Legislature Journal for the 1944 first extraordinary session of the state's House of Delegates and Senate (located in box 339, folder 14), a five-year plan for West Virginia highways (located in box 294, folder 6), and annual reports written and sent to the West Virginia Public Service Commission (located in box 296, folder 2 to box 297, folder 2).","Additional correspondence related to Holt's legislative activity, and more general political topics, can be found in Series 1. Personal and Political Papers—Correspondence and Miscellaneous.","Includes mail received by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate from constituents requesting government publications and bulletins, copies of speeches, educational material, and Rush Holt's recommendation to the United States Military or Naval Academy. In some cases, this series also includes typescript responses, many of which are generic.","Includes constituent mail received and sent by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate.","Because of different original series of correspondence (including general correspondence, second copies, and correspondence sorted by topic), in addition to maintaining this original order, the material of this series, as a whole, is not in chronological order. It should also be noted that the letters that have been sorted by topic are not a complete representation of that subject.","Topics include World War II, neutrality, political issues (such as the Supreme Court proposed alteration, Rush Holt's age at the time of his election to the Senate, presidential third terms, etc.), state construction projects (such as roads and infrastructure), and state programs and relief efforts for issues such as the 1936 silicosis incident in West Virginia, among others.","General correspondence is arranged chronologically, then foldered by first letter of last name. It includes basic requests for material, facts, or brief opinions. Copies of typescript responses are stapled to the original constituent letter.","Second copies correspondence is arranged chronologically, but it contains only the typescript copies of Rush Holt's responses. For some, the first copy typescript and original letter are located in general correspondence; however, others are not.","Supreme Court correspondence is organized into two groups: Individuals for and against the proposed change. Attached to the initial letters from constituents is Rush Holt's response, and for those against the change, there are also form letters offering a publication commemorating the 150th anniversary of the first congressional meeting.","There are also a few boxes of West Virginia Taxpayer correspondence that include outgoing typescript copies of letters, mostly letters of thanks and solicitation for donations/subscription to support Holt's newsletter/publication, the West Virginia Taxpayer. There is a small amount of incoming correspondence as well. Copies of this publication can be found in Series 1. Personal and Political Papers, Publications.","For an example of a constituent mail log, please see Series 6. Administrative Files.","Additional constituent mail may also be found in Series 1. Personal and Political Papers—Correspondence.","Includes copies of correspondence between Rush Holt and constituents asking for the former's recommendation to the United States Military Academy (West Point) or Naval Academy (Annapolis).","Includes constituent letters asking for government publications and bulletins, copies of speeches, and educational material. The material is generally separated by date and state or correspondent.","Requests for government publications and bulletins include a mixture of educational and personal use requests for publications such as the Agricultural Yearbook and the Farmer's Bulletin. Also included are requests for publications about political topics (e.g. a presidential third term).","Requests for speeches include letters from constituents reflecting their opinions about Rush Holt's speeches in addition to asking for copies. Topics of speeches requested include World War II (particularly the \"Youth Faces War\" and \"Keep America Neutral\" speeches), the Works Progress Administration, the Supreme Court issue, the Conscription bill, and the Burke-Wardsworth bill, among others.","Requests for educational material are primarily from teachers and students asking Rush Holt for material to support curriculum activities. Subjects represented include vocational school topics and issues, West Virginia and United States geography, and United States commerce, among others.","Includes original and photocopied articles from newspapers and similar publications, typescripts of press releases, pen-and-ink drawn political cartoons, transcripts of speeches, and sound recordings, among other material representing Rush Holt's involvement with the press and media.","Includes both original and photocopied articles from newspapers and similar publications retained by Rush Holt. Entire issues are also included in this series. Some clippings have been pasted into scrapbooks.","Topics represented are a combination of personal and political interests.","Personal topics include Rush Holt's wedding to Helen Louise Froelich, the Holt family, and the Rush Holt History Conference at West Virginia University (1998-2003), among others.","Political topics include Rush Holt's campaigns and elections, the Congress of Industrial Organizations, the Works Progress Administration, and neutrality issues, among others.","Includes copies of typed press releases regarding speeches delivered by Rush Holt, or those with similar opinions, throughout his political career.","Topics addressed include neutrality, foreign policy, social security, and the presidential third term issue, among others.","Includes pen and ink drawings by a variety of artists for political cartoons documenting news issues of the day including the West Virginia politics, President Franklin D. Roosevelt, World War II, and isolationism, among others.","Twenty-three of these cartoons were used for a campaign booklet advocating Rush Holt's candidacy for governor of West Virginia (1952).","To see digitized copies of these Holt political cartoons, please visit  the Rush Holt Political Cartoons digital collection.","Includes material documenting the daily office activities of Rush Holt and his staff during the former's senatorial term.","Types of material include daily reports, lists of letters received requesting information, and records of work performed by the office staff.","Daily reports document visits, appointments, and calls to Rush Holt's office for the periods of December 6, 1937 to December 31, 1938, the entire year of 1939, and January 3, 1940 to November 9, 1940.","Lists of letters received provide a chronological register of constituents' writings to Rush Holt between 1939 and 1940. It should be noted, however, that these records provide only basic information and do not indicate the subject of the correspondence.","Records of work performed provide documentation of tasks completed by Rush Holt's Senate office employees. It should be noted that these records, while detailed, are limited to the first half of 1940 (January to June).","For an example of outgoing political form letters, mass mailings, and mailing lists, see Series 4. Constituent Services—General Constituent Mail (boxes 291 and 292).","Ephemeral items not specific to Rush Dew Holt were moved to the Printed Ephemera Collection. Several local basketball scorecards were moved to A\u0026M 4216, the Annual West Virginia State High School Basketball Tournament Programs collection.","17 reels of undated sound recordings, chiefly relating to the political career of Rush Dew Holt, were separated to the oral history collection, C432 R699-R715 (17 tapes). These tapes include some personal material as well.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Papers of Rush Dew Holt, Sr. (1905-1955) relating to his personal and political activities. Types of material include publications, clippings, correspondence, photographs, and ephemera, among others. The collection is divided into six series: Personal and Political Papers (1840-2000 and undated), Artifacts (1939-1952 and undated), Legislative Records (1920-1955 and undated), Constituent Services (1923-1954 and undated), Press and Media Activity (1925-2003 and undated), and Administrative Files (1937-1940).","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","America First Committee","American Federation of Labor","Congress of Industrial Organizations (U.S.)","United States. National Bituminous Coal Commission","United States. National Labor Relations Board","Progressive Mine Workers of America","United Mine Workers of America","United States. National Recovery Administration","United States. Supreme Court","United States. Congress. Senate","West Virginia. Legislature","United States. Works Progress Administration","Democratic Party (U.S.)","Weston State Hospital","Holt, Rush Dew, 1905-1955","Bittner, Van A. (Van Amberg), 1885-1949","Black, Hugo LaFayette, 1886-1971","Coughlin, Charles E.","Edmiston, Andrew.","Farley, James A. (James Aloysius), 1888-1976","Green, William.","Holt, Helen Louise Froelich, 1913-2015","Holt, Mathew S., 1850-1939","Hopkins, Harry L. (Harry Lloyd), 1890-1946","Ickes, Harold L. (Harold LeClair), 1874-1952","Kump, Herman Guy, 1877-1962","La Follette, Robert M. (Robert Marion), 1855-1925","Neely, Matthew Mansfield, 1874-1958","Lewis, John L. (John Llewellyn), 1880-1969","Long, Huey Pierce, 1893-1935","English"],"collection_title_tesim":["Rush Dew Holt (1905-1955) Papers, 1840/2003, bulk 1918/1955"],"collection_ssim":["Rush Dew Holt (1905-1955) Papers, 1840/2003, bulk 1918/1955"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 0873","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3687"],"unitid_tesim":["A\u0026M 0873","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3687"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Lewis County.","West Virginia -- Politics and government","United States -- Politics and government"],"geogname_ssim":["Lewis County.","West Virginia -- Politics and government","United States -- Politics and government"],"places_ssim":["Lewis County.","West Virginia -- Politics and government","United States -- Politics and government"],"creator_ssm":["Holt, Rush Dew, 1905-1955"],"creator_ssim":["Holt, Rush Dew, 1905-1955"],"creator_persname_ssim":["Holt, Rush Dew, 1905-1955","Bittner, Van A. (Van Amberg), 1885-1949","Black, Hugo LaFayette, 1886-1971","Coughlin, Charles E.","Edmiston, Andrew.","Farley, James A. (James Aloysius), 1888-1976","Green, William.","Holt, Helen Louise Froelich, 1913-2015","Holt, Mathew S., 1850-1939","Hopkins, Harry L. (Harry Lloyd), 1890-1946","Ickes, Harold L. (Harold LeClair), 1874-1952","Kump, Herman Guy, 1877-1962","La Follette, Robert M. (Robert Marion), 1855-1925","Neely, Matthew Mansfield, 1874-1958","Lewis, John L. (John Llewellyn), 1880-1969","Long, Huey Pierce, 1893-1935"],"creator_corpname_ssim":["West Virginia and Regional History Center","America First Committee","American Federation of Labor","Congress of Industrial Organizations (U.S.)","United States. National Bituminous Coal Commission","United States. National Labor Relations Board","Progressive Mine Workers of America","United Mine Workers of America","United States. National Recovery Administration","United States. Supreme Court","United States. Congress. Senate","West Virginia. Legislature","United States. Works Progress Administration","Democratic Party (U.S.)","Weston State Hospital"],"creators_ssim":["Holt, Rush Dew, 1905-1955","Bittner, Van A. (Van Amberg), 1885-1949","Black, Hugo LaFayette, 1886-1971","Coughlin, Charles E.","Edmiston, Andrew.","Farley, James A. (James Aloysius), 1888-1976","Green, William.","Holt, Helen Louise Froelich, 1913-2015","Holt, Mathew S., 1850-1939","Hopkins, Harry L. (Harry Lloyd), 1890-1946","Ickes, Harold L. (Harold LeClair), 1874-1952","Kump, Herman Guy, 1877-1962","La Follette, Robert M. (Robert Marion), 1855-1925","Neely, Matthew Mansfield, 1874-1958","Lewis, John L. (John Llewellyn), 1880-1969","Long, Huey Pierce, 1893-1935","West Virginia and Regional History Center","America First Committee","American Federation of Labor","Congress of Industrial Organizations (U.S.)","United States. National Bituminous Coal Commission","United States. National Labor Relations Board","Progressive Mine Workers of America","United Mine Workers of America","United States. National Recovery Administration","United States. Supreme Court","United States. Congress. Senate","West Virginia. Legislature","United States. Works Progress Administration","Democratic Party (U.S.)","Weston State Hospital"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gifts of Holt, Helen F., 1956-2016."],"access_subjects_ssim":["Coal mining - Labor organization.","Education","Elections","Guffey Coal Act.","New Deal, 1933-1939","Politics and government.","Public utilities","Taxation","Unions.","United States - Social Security.","Social Security -- United States","Wheeler-Rayburn Holding Company Act","Isolationism -- United States -- History -- 20th Century","World War, 1939-1945","Politicians -- United States"],"access_subjects_ssm":["Coal mining - Labor organization.","Education","Elections","Guffey Coal Act.","New Deal, 1933-1939","Politics and government.","Public utilities","Taxation","Unions.","United States - Social Security.","Social Security -- United States","Wheeler-Rayburn Holding Company Act","Isolationism -- United States -- History -- 20th Century","World War, 1939-1945","Politicians -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["156.21 Linear Feet 156 ft. 2 1/2 in. (360 document cases, 5 in. each); (1 document case, 4 in.); (14 document cases, 2 1/2 in.); (1 flat storage box, 5 in.); (1 flat storage box, 3 1/2 in.); (2 flat storage boxes, 3 in. each); (3 flat storage boxes, 2 1/2 in. each); (9 flat storage boxes, 1 1/2 in. each); (\n44 photos in photograph filing cabinets)","11.7 Gigabytes 131 TIFF files, 2 PDF files"],"extent_tesim":["156.21 Linear Feet 156 ft. 2 1/2 in. (360 document cases, 5 in. each); (1 document case, 4 in.); (14 document cases, 2 1/2 in.); (1 flat storage box, 5 in.); (1 flat storage box, 3 1/2 in.); (2 flat storage boxes, 3 in. each); (3 flat storage boxes, 2 1/2 in. each); (9 flat storage boxes, 1 1/2 in. each); (\n44 photos in photograph filing cabinets)","11.7 Gigabytes 131 TIFF files, 2 PDF files"],"date_range_isim":[1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp style=\"color: red;\"\u003e\u003cemph render=\"bold\"\u003eNo special access restriction applies.\u003c/emph\u003e\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"arrangement_html_tesm":["\u003cp\u003eThis collection is one of five (see also A\u0026amp;M 1858, 4218, 4039, and 3943) pertaining to Rush Dew Holt, Sr. and his family. The records have been gathered via multiple accruals from 1956 to 2016. Originally, these collections were divided between A\u0026amp;M 873 and A\u0026amp;M 1701, the latter also being composed of thirteen addenda and A\u0026amp;M 1858. \u003c/p\u003e","\u003cp\u003eIn an attempt to organize the collections in a more coherent fashion for patron use and to reflect the creator(s) in a more concise manner, the material was reevaluated and reorganized into the three sets of papers with distinct series and subseries: A\u0026amp;M 873: Rush Dew Holt (1905-1955) Papers; A\u0026amp;M 1858: Helen Holt (1913-2015) Papers; and A\u0026amp;M 4218: Rush Dew Holt Family Papers.\u003c/p\u003e","\u003cp\u003eBecause of the 2016-2017 reorganization, the physical arrangement no longer matches the intellectual arrangement and series order. Furthermore, any box and folder citations created prior to the above-mentioned project are likely no longer accurate. \u003c/p\u003e","\u003cp\u003eFor assistance locating material using an older citation, please ask a staff member of the West Virginia \u0026amp; Regional History Center.    \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is one of five (see also A\u0026M 1858, 4218, 4039, and 3943) pertaining to Rush Dew Holt, Sr. and his family. The records have been gathered via multiple accruals from 1956 to 2016. Originally, these collections were divided between A\u0026M 873 and A\u0026M 1701, the latter also being composed of thirteen addenda and A\u0026M 1858.","In an attempt to organize the collections in a more coherent fashion for patron use and to reflect the creator(s) in a more concise manner, the material was reevaluated and reorganized into the three sets of papers with distinct series and subseries: A\u0026M 873: Rush Dew Holt (1905-1955) Papers; A\u0026M 1858: Helen Holt (1913-2015) Papers; and A\u0026M 4218: Rush Dew Holt Family Papers.","Because of the 2016-2017 reorganization, the physical arrangement no longer matches the intellectual arrangement and series order. Furthermore, any box and folder citations created prior to the above-mentioned project are likely no longer accurate.","For assistance locating material using an older citation, please ask a staff member of the West Virginia \u0026 Regional History Center."],"bioghist_html_tesm":["\u003cp\u003eRush Dew Holt was born in Weston, West Virginia, on June 19, 1905 to parents, Dr. Matthew S. Holt and Chihela (Dew) Holt. From an early age, Holt displayed scholarly potential. By age three, he was able to read first-grade primers, and eventually became interested in numerous topics for which he was able to provide detailed statistics. Among these interests was politics, and by age six, Holt had decided he would become a Democrat.\u003c/p\u003e","\u003cp\u003eThe potential displayed by Holt as a child continued into his school years. At age five, he began public education in the second grade, and he skipped grades on two more occasions. He attended Weston High School, and after graduating with honors at age fourteen, Holt applied to the University of Cincinnati; however, the register rejected the application because Holt, while academically qualified, was considered too young. Not one to admit defeat, a trait that would prove to be a lifelong characteristic, Holt turned to West Virginia University where he was accepted. As the youngest member of the freshman class, Holt found it difficult to obtain full acceptance as a college student, and his academic record reflected his apparent dissatisfaction. After two years at West Virginia University, Holt transferred to Salem College where the enrollment was smaller (approximately 300 students) and where he was able to live with his uncle, Professor Samuel Dew. It was at Salem College that Holt regained his self-confidence. His academic performance improved, and he maintained a B-plus average. In addition to academics, Holt excelled on the debate team. He was the editor-in-chief of the school paper, and he managed the tennis team.\u003c/p\u003e","\u003cp\u003eIn 1924, Holt received a Bachelor of Arts Degree and qualification to teach at secondary schools. Shortly after his graduation, he was hired to teach at Bedford High School in Virginia where he taught English and history in addition to serving as the school's athletic director. After one academic year, Holt returned to Weston, West Virginia, where he took a position at St. Patrick's High School as the athletic director. Holt also coached the basketball team with abundant success, leading the team to two national tournaments for Catholic schools. During this time, Holt also taught history as a part-time instructor at Glenville Normal School and Salem College, but his fascination with athletics persisted. In addition to coaching and occasional officiating, Holt also began writing about sports. Eventually, he began to contribute columns to daily West Virginia newspapers.\u003c/p\u003e","\u003cp\u003eBy the late 1920s, Holt was attracted to the political environment, and he began to contribute to candidates who were friends of and/or who shared the views of his father. In the summer of 1928, Holt went one step further by announcing his candidacy as a Democrat for the West Virginia House of Delegates. Despite Lewis County having been predominately Republican, in addition to not having received significant party backing, Holt still obtained a higher-than-expected amount of support, losing his race by only 500 votes. Once again, however, Holt would not admit defeat. In 1930 Holt again announced his candidacy for the West Virginia House of Delegates. During the campaign, he visited locations all around Lewis County, spoke to anyone who would listen, and ensured that the grievances such as those concerning government cost, increased taxes, and the power of privately owned public utilities would all be addressed. As expected with any campaign, Holt received criticism, and those who opposed him likened the young politician to his father who they declared was a radical, a socialist, and an atheist. Despite the scornful claims, Holt, by a margin of 2,150 votes, was elected to his first public office as a Democrat to the West Virginia Legislature where he served from 1931-1935. During his years as a delegate, as promised during his campaign, Holt spoke out against corrupt practices such as government spending, an issue he addressed not even a week into the 1931 session. In addition to debating issues in the House, Holt also wrote to state supported universities, highway commissioners, and auditors in West Virginia and numerous other states to gather financial figures concerning spending, salaries, and taxes among others. Holt also began an investigation in 1931 to uncover rates, operating costs, and profits of privately and publically owned utility companies. All of these endeavors were only the first chapter in Holt's political career.\u003c/p\u003e","\u003cp\u003eBy 1934 he had gained the political support and the backing of union workers which was enough to defeat incumbent United States Senator Henry Hatfield. At age twenty-nine, Holt became the youngest person to win a United States Senate seat; however, there was immediate criticism. No sooner had the votes been tallied before a protest was filed concerning Holt's credentials: the fact that he had run for an office when he had not been of the required age. In addition to discontent within his own state, Holt also received overwhelming opposition in Washington, D.C. from Senate Republicans who threatened to object on the grounds of the constitutional age requirement. Despite the criticism, Holt's election was not overturned; however, he had to wait until he turned thirty, over five months after the Seventy-forth Congress had convened, before he could participate in senatorial proceedings.\u003c/p\u003e","\u003cp\u003eJust as he had been active in the West Virginia Legislature, Holt did not hesitate to address both major and minor issues on Capitol Hill either. During his time in the Senate, Holt served on several committees including Education and Labor, Immigration, Mines and Mining, Naval Affairs, and Post Offices and Post Roads. He also served as a member of the United States delegation to the 1939 Interparliamentary Conference in Oslo, Norway.\u003c/p\u003e","\u003cp\u003eAlthough Holt had once been referred to as President Franklin Delano Roosevelt's \"Golden Boy,\" such alliances and the policies that had formed them began to dissolve by 1936. He became estranged from fellow Democrat and West Virginian Senator Matthew Neely, and Holt ended his support for the United Mine Workers of America and the Works Progress Administration, the latter of which he claimed was corrupt. Eventually, Holt criticized the Roosevelt administration for its New Deal policies, he adamantly fought Roosevelt's attempt to alter the Supreme Court by changing the number of sitting justices from nine to twelve, and he spoke out against the proposition of allowing a presidential third term. Furthermore, as unrest began in Europe with Germany's invasion of Poland, Holt campaigned against any attempts by the administration to involve the United States in the War. The responses from constituents about Holt's actions were mixed; nevertheless, the young senator's sudden change led to his unsuccessful renomination attempt in 1940. Holt did not even make it past the primary election.\u003c/p\u003e","\u003cp\u003eAfter his Senate term ended, Holt remained in Washington, D.C. and began to support himself as a lecturer and a writer of political issues, particularly neutrality for which he received the support of the America First Committee. It was also during this time that Holt met Helen Louise Froelich, a biology teacher at National Park College near Washington. They were married a year later and moved to West Virginia. The couple had two children: a daughter, Helen Jane Holt (born in 1945) and a son, Rush Dew Holt, Jr. (born in 1948). When Senator Holt's sister, Jane (Holt) Chase, died in 1952, the couple adopted her son, David. After the Holts returned to West Virginia in 1941, Holt stayed involved in politics by accepting speaking engagements. \u003c/p\u003e","\u003cp\u003eDuring the remainder of the 1940s, Holt ran several times for state offices with modest success. He was elected to the State House of Delegates in 1942 and was reelected in 1944 by write-in vote and 1946 without opposition. After a failed attempt to win the West Virginia Democratic gubernatorial nomination in 1944 and the nomination for United States Senator in 1948, Holt changed political affiliation. Despite this, his lack of success to achieve positions beyond the House of Delegates continued. In 1950, he won the Republican nomination to represent West Virginia's Third District in the United States House of Representatives but lost in the general election, and in 1952 Holt came very close to winning the race for West Virginia governor as the Republican candidate but lost to William Marland by fewer than 30,000 votes. Success returned in 1954 when Holt was elected to the West Virginia House of Delegates by the voters of Lewis County, but he was unable to finish his term due to illness.\u003c/p\u003e","\u003cp\u003eHolt died on February 8, 1955 after a long, tough campaign against cancer.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eChronological List of Events:\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eJune 19, 1905: born\u003c/p\u003e","\u003cp\u003e1920: graduated from high school\u003c/p\u003e","\u003cp\u003e1920-1922: attended West Virginia University\u003c/p\u003e","\u003cp\u003e1922-1924: attended Salem College, received a BA degree \u003c/p\u003e","\u003cp\u003e1924-1925: taught English and history and served as athletic director at Bedford High School in Virginia\u003c/p\u003e","\u003cp\u003e1925-1928: served as athletic director and basketball coach at St. Patrick's High School (Catholic school) in Weston, West Virginia; taught history as a part-time instructor at Glenville Normal School and Salem College; and contributed sport columns to daily West Virginia newspapers\u003c/p\u003e","\u003cp\u003e1928: ran as a Democrat for the West Virginia House of Delegates, lost by 500 votes \u003c/p\u003e","\u003cp\u003e1930: ran as a Democrat for the West Virginia House of Delegates, won by 2,150 votes, served from 1931-1935 \u003c/p\u003e","\u003cp\u003e1934: ran as a Democrat for the United States Senate and won despite being only twenty-nine years old\u003c/p\u003e","\u003cp\u003e1939: served as a member of the United States delegation to the Interparliamentary Conference in Oslo, Norway\u003c/p\u003e","\u003cp\u003e1940: ran for renomination to the Senate, failed to win the primary election\u003c/p\u003e","\u003cp\u003e1941: married Helen Louise Froelich\u003c/p\u003e","\u003cp\u003e1942: ran as a Democrat for the West Virginia House of Delegates and won, reelected in 1944, 1946, and 1948, served until 1950.\u003c/p\u003e","\u003cp\u003e1944: ran as a Democrat for the West Virginia gubernatorial nomination but was unsuccessful  \u003c/p\u003e","\u003cp\u003e1945: birth of Helen Jane Holt\u003c/p\u003e","\u003cp\u003e1948: birth of Rush Dew Holt, Jr.\u003c/p\u003e","\u003cp\u003e1948: ran as a Democrat for the United States Senate nomination but was unsuccessful \u003c/p\u003e","\u003cp\u003e1948: switched political affiliation to the Republican Party \u003c/p\u003e","\u003cp\u003e1952: ran as the Republican candidate for West Virginia Governor but lost to William Marland by fewer than 30,000 votes\u003c/p\u003e","\u003cp\u003e1954: ran as a Republican for the West Virginia House of Delegates and won\u003c/p\u003e","\u003cp\u003eFebruary 8, 1955: death \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSources:\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eCoffey, William Ellis. \u003cemph render=\"italic\"\u003eRush Dew Holt: The Boy Senator.\u003c/emph\u003e Dissertation, West Virginia University, 1970. \u003c/p\u003e","\u003cp\u003eA\u0026amp;M 0873, Rush Dew Holt (1905-1955) Papers, West Virginia and Regional History Center, West Virginia University Libraries.  \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Rush Dew Holt was born in Weston, West Virginia, on June 19, 1905 to parents, Dr. Matthew S. Holt and Chihela (Dew) Holt. From an early age, Holt displayed scholarly potential. By age three, he was able to read first-grade primers, and eventually became interested in numerous topics for which he was able to provide detailed statistics. Among these interests was politics, and by age six, Holt had decided he would become a Democrat.","The potential displayed by Holt as a child continued into his school years. At age five, he began public education in the second grade, and he skipped grades on two more occasions. He attended Weston High School, and after graduating with honors at age fourteen, Holt applied to the University of Cincinnati; however, the register rejected the application because Holt, while academically qualified, was considered too young. Not one to admit defeat, a trait that would prove to be a lifelong characteristic, Holt turned to West Virginia University where he was accepted. As the youngest member of the freshman class, Holt found it difficult to obtain full acceptance as a college student, and his academic record reflected his apparent dissatisfaction. After two years at West Virginia University, Holt transferred to Salem College where the enrollment was smaller (approximately 300 students) and where he was able to live with his uncle, Professor Samuel Dew. It was at Salem College that Holt regained his self-confidence. His academic performance improved, and he maintained a B-plus average. In addition to academics, Holt excelled on the debate team. He was the editor-in-chief of the school paper, and he managed the tennis team.","In 1924, Holt received a Bachelor of Arts Degree and qualification to teach at secondary schools. Shortly after his graduation, he was hired to teach at Bedford High School in Virginia where he taught English and history in addition to serving as the school's athletic director. After one academic year, Holt returned to Weston, West Virginia, where he took a position at St. Patrick's High School as the athletic director. Holt also coached the basketball team with abundant success, leading the team to two national tournaments for Catholic schools. During this time, Holt also taught history as a part-time instructor at Glenville Normal School and Salem College, but his fascination with athletics persisted. In addition to coaching and occasional officiating, Holt also began writing about sports. Eventually, he began to contribute columns to daily West Virginia newspapers.","By the late 1920s, Holt was attracted to the political environment, and he began to contribute to candidates who were friends of and/or who shared the views of his father. In the summer of 1928, Holt went one step further by announcing his candidacy as a Democrat for the West Virginia House of Delegates. Despite Lewis County having been predominately Republican, in addition to not having received significant party backing, Holt still obtained a higher-than-expected amount of support, losing his race by only 500 votes. Once again, however, Holt would not admit defeat. In 1930 Holt again announced his candidacy for the West Virginia House of Delegates. During the campaign, he visited locations all around Lewis County, spoke to anyone who would listen, and ensured that the grievances such as those concerning government cost, increased taxes, and the power of privately owned public utilities would all be addressed. As expected with any campaign, Holt received criticism, and those who opposed him likened the young politician to his father who they declared was a radical, a socialist, and an atheist. Despite the scornful claims, Holt, by a margin of 2,150 votes, was elected to his first public office as a Democrat to the West Virginia Legislature where he served from 1931-1935. During his years as a delegate, as promised during his campaign, Holt spoke out against corrupt practices such as government spending, an issue he addressed not even a week into the 1931 session. In addition to debating issues in the House, Holt also wrote to state supported universities, highway commissioners, and auditors in West Virginia and numerous other states to gather financial figures concerning spending, salaries, and taxes among others. Holt also began an investigation in 1931 to uncover rates, operating costs, and profits of privately and publically owned utility companies. All of these endeavors were only the first chapter in Holt's political career.","By 1934 he had gained the political support and the backing of union workers which was enough to defeat incumbent United States Senator Henry Hatfield. At age twenty-nine, Holt became the youngest person to win a United States Senate seat; however, there was immediate criticism. No sooner had the votes been tallied before a protest was filed concerning Holt's credentials: the fact that he had run for an office when he had not been of the required age. In addition to discontent within his own state, Holt also received overwhelming opposition in Washington, D.C. from Senate Republicans who threatened to object on the grounds of the constitutional age requirement. Despite the criticism, Holt's election was not overturned; however, he had to wait until he turned thirty, over five months after the Seventy-forth Congress had convened, before he could participate in senatorial proceedings.","Just as he had been active in the West Virginia Legislature, Holt did not hesitate to address both major and minor issues on Capitol Hill either. During his time in the Senate, Holt served on several committees including Education and Labor, Immigration, Mines and Mining, Naval Affairs, and Post Offices and Post Roads. He also served as a member of the United States delegation to the 1939 Interparliamentary Conference in Oslo, Norway.","Although Holt had once been referred to as President Franklin Delano Roosevelt's \"Golden Boy,\" such alliances and the policies that had formed them began to dissolve by 1936. He became estranged from fellow Democrat and West Virginian Senator Matthew Neely, and Holt ended his support for the United Mine Workers of America and the Works Progress Administration, the latter of which he claimed was corrupt. Eventually, Holt criticized the Roosevelt administration for its New Deal policies, he adamantly fought Roosevelt's attempt to alter the Supreme Court by changing the number of sitting justices from nine to twelve, and he spoke out against the proposition of allowing a presidential third term. Furthermore, as unrest began in Europe with Germany's invasion of Poland, Holt campaigned against any attempts by the administration to involve the United States in the War. The responses from constituents about Holt's actions were mixed; nevertheless, the young senator's sudden change led to his unsuccessful renomination attempt in 1940. Holt did not even make it past the primary election.","After his Senate term ended, Holt remained in Washington, D.C. and began to support himself as a lecturer and a writer of political issues, particularly neutrality for which he received the support of the America First Committee. It was also during this time that Holt met Helen Louise Froelich, a biology teacher at National Park College near Washington. They were married a year later and moved to West Virginia. The couple had two children: a daughter, Helen Jane Holt (born in 1945) and a son, Rush Dew Holt, Jr. (born in 1948). When Senator Holt's sister, Jane (Holt) Chase, died in 1952, the couple adopted her son, David. After the Holts returned to West Virginia in 1941, Holt stayed involved in politics by accepting speaking engagements.","During the remainder of the 1940s, Holt ran several times for state offices with modest success. He was elected to the State House of Delegates in 1942 and was reelected in 1944 by write-in vote and 1946 without opposition. After a failed attempt to win the West Virginia Democratic gubernatorial nomination in 1944 and the nomination for United States Senator in 1948, Holt changed political affiliation. Despite this, his lack of success to achieve positions beyond the House of Delegates continued. In 1950, he won the Republican nomination to represent West Virginia's Third District in the United States House of Representatives but lost in the general election, and in 1952 Holt came very close to winning the race for West Virginia governor as the Republican candidate but lost to William Marland by fewer than 30,000 votes. Success returned in 1954 when Holt was elected to the West Virginia House of Delegates by the voters of Lewis County, but he was unable to finish his term due to illness.","Holt died on February 8, 1955 after a long, tough campaign against cancer.","Chronological List of Events:","June 19, 1905: born","1920: graduated from high school","1920-1922: attended West Virginia University","1922-1924: attended Salem College, received a BA degree","1924-1925: taught English and history and served as athletic director at Bedford High School in Virginia","1925-1928: served as athletic director and basketball coach at St. Patrick's High School (Catholic school) in Weston, West Virginia; taught history as a part-time instructor at Glenville Normal School and Salem College; and contributed sport columns to daily West Virginia newspapers","1928: ran as a Democrat for the West Virginia House of Delegates, lost by 500 votes","1930: ran as a Democrat for the West Virginia House of Delegates, won by 2,150 votes, served from 1931-1935","1934: ran as a Democrat for the United States Senate and won despite being only twenty-nine years old","1939: served as a member of the United States delegation to the Interparliamentary Conference in Oslo, Norway","1940: ran for renomination to the Senate, failed to win the primary election","1941: married Helen Louise Froelich","1942: ran as a Democrat for the West Virginia House of Delegates and won, reelected in 1944, 1946, and 1948, served until 1950.","1944: ran as a Democrat for the West Virginia gubernatorial nomination but was unsuccessful","1945: birth of Helen Jane Holt","1948: birth of Rush Dew Holt, Jr.","1948: ran as a Democrat for the United States Senate nomination but was unsuccessful","1948: switched political affiliation to the Republican Party","1952: ran as the Republican candidate for West Virginia Governor but lost to William Marland by fewer than 30,000 votes","1954: ran as a Republican for the West Virginia House of Delegates and won","February 8, 1955: death","Sources:","Coffey, William Ellis. Rush Dew Holt: The Boy Senator. Dissertation, West Virginia University, 1970.","A\u0026M 0873, Rush Dew Holt (1905-1955) Papers, West Virginia and Regional History Center, West Virginia University Libraries."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Rush Dew Holt (1905-1955) Papers, A\u0026amp;M 0873, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Rush Dew Holt (1905-1955) Papers, A\u0026M 0873, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e1858, 3001, 3943, 4039, 4218, 4386\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["1858, 3001, 3943, 4039, 4218, 4386"],"scopecontent_html_tesm":["\u003cp\u003ePapers of Rush Dew Holt, Sr. (1905-1955) relating to his personal and political activities. Types of material include publications, clippings, correspondence, photographs, and ephemera, among others. The collection is divided into six series: Personal and Political Papers (1840-2000 and undated) includes correspondence; invitations and cards; material representing campaign activities; and material from college courses, among other material that represents Rush Holt's personal life and political career; and ephemera collected by Rush Holt. Artifacts (1939-1952 and undated) includes personal and political items collected by Rush Holt. Legislative Records (1920-1955 and undated) includes correspondence, reports, publications, clippings, statistics, transcripts, financial records, and project records, among other miscellaneous material relative to Rush Holt's committee-based and general legislative activity. Constituent Services (1923-1954 and undated) includes mail received by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate from constituents providing political opinions to Holt or requesting government publications and bulletins, copies of speeches, educational material, and Rush Holt's recommendation to the United States Military or Naval Academy. Press and Media Activity (1925-2003 and undated) includes original and photocopied articles from newspapers and similar publications, typescripts of press releases, pen-and-ink drawn political cartoons, transcripts of speeches, and sound recordings, among other material representing Rush Holt's involvement with the press and media. Administrative Files (1937-1940) includes material documenting the daily office activities of Rush Holt and his staff during the former's senatorial term.\u003c/p\u003e","\u003cp\u003eThe collection is divided into six series as follows:\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 1. Personal and Political Papers; 1840-2000 and undated (bulk 1918-1955)\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eIncludes material related to Rush Holt's personal, family, and political life. Additional material related to his work in politics can be found in Series 3 through 6. Types of material include correspondence; invitations and cards; material representing campaign activities; material from college courses; bills for recordings, radio station receipts, and election expenditures; typescripts, newsletters, manuscripts, and photocopies of material written by Rush Holt; publications to which Rush Holt subscribed and collected; photographs that represent Rush Holt's personal life and political career; ephemera collected by Rush Holt; and election results collected by Rush Holt.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 2. Artifacts; 1939-1952 and undated\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eIncludes personal and political items collected by Rush Holt.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 3. Legislative Records; 1920-1955 and undated\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eIncludes correspondence, reports, publications, clippings, statistics, transcripts, financial records, and project records, among other miscellaneous material relative to Rush Holt's committee-based and general legislative activity.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 4. Constituent Services; 1923-1954 and undated\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eIncludes mail received by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate from constituents requesting government publications and bulletins, copies of speeches, educational material, and Rush Holt's recommendation to the United States Military or Naval Academy. In some cases, this series also includes typescript responses, many of which are generic.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 5. Press and Media Activity; 1925-2003 and undated (bulk 1925-1955)\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eIncludes original and photocopied articles from newspapers and similar publications, typescripts of press releases, pen-and-ink drawn political cartoons, transcripts of speeches, and sound recordings, among other material representing Rush Holt's involvement with the press and media.    \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 6. Administrative Files; 1937-1940\u003c/emph\u003e \u003c/p\u003e","\u003cp\u003eIncludes material documenting the daily office activities of Rush Holt and his staff during the former's senatorial term.   \u003c/p\u003e  ","\u003cp\u003eIncludes material related to Rush Holt's personal, family, and political life. Additional material related to his work in politics can be found in Series 3 through 6. Types of material include correspondence; invitations and cards; material representing campaign activities; material from college courses; bills for recordings, radio station receipts, and election expenditures; typescripts, newsletters, manuscripts, and photocopies of material written by Rush Holt; publications to which Rush Holt subscribed and collected; photographs that represent Rush Holt's personal life and political career; ephemera collected by Rush Holt; and election results collected by Rush Holt.\u003c/p\u003e","\u003cp\u003eIncludes correspondence relating to the personal and political issues of Rush Holt's life. \u003c/p\u003e","\u003cp\u003e Because of different original series of correspondence, in addition to maintaining this original order, the material of this series, as a whole, is not in chronological order. \u003c/p\u003e","\u003cp\u003e Personal correspondence topics include Rush Holt's marriage to Helen Louise Froelich, family matters such as births and deaths, holidays, Rush Holt's illness, and general correspondence with family and friends, among others.\u003c/p\u003e","\u003cp\u003e Political correspondence topics include an anti-lynching bill which is represented by letters between Rush Holt and Walter White, former secretary for the National Association for the Advancement of Colored People; the United Mine Workers of America which is represented by correspondence between Rush Holt and Frank Miley, former president of the United Mine Workers of America, District 31; and the seating issue from when Rush Holt was first elected to the Senate; among others.\u003c/p\u003e","\u003cp\u003e Other prominent correspondents/subjects of correspondence include Joe Alderson, former WPA Director in Lewis County, West Virginia; Van A. Bittner, former president of United Mine Workers Association District 12; James A. Farley, former chairman of the Democratic National Committee; and Frank Miley, former president of the United Mine Workers of America, District 31, among others. \u003c/p\u003e","\u003cp\u003e Items of note include political-related correspondence with Spencer Bonaventure Tracey (located in box 229, folder 7), Louise B. Mayer (located in box 229, folder 8), Walt Disney (located in box 229, folder 9), and James Cagney (located in box 229, folder 11). Other items of note include a poem titled Rejected (not Holt's) that is set in Hell and portrays President Franklin D. Roosevelt as a sinner (located in box 238, folder 3), and a letter from President Harry S. Truman (located in box 357, folder 1).\u003c/p\u003e","\u003cp\u003e For correspondence directly related to Rush Holt's campaigns, please see Series 1. Personal and Political Papers—Campaign Material.\u003c/p\u003e","\u003cp\u003e For Utility Investigating Committee-related correspondence, please see Series 3. Legislative Records—West Virginia House of Delegates Utility Investigating Committee\u003c/p\u003e","\u003cp\u003e For Government Costs Committee-related correspondence, please see Series 3. Legislative Records—West Virginia House of Delegates State Government Costs Committee.\u003c/p\u003e","\u003cp\u003e For Interstate Cooperation Commission-related correspondence, please see Series 3. Legislative Records—West Virginia House of Delegates Interstate Cooperation Commission. \u003c/p\u003e","\u003cp\u003e For Works Progress Administration-related correspondence, please see Series 3. Legislative Records—Works Progress Administration.\u003c/p\u003e","\u003cp\u003eIncludes invitations and cards retained by Rush Holt. Also includes a small subset of Holt's responses.\u003c/p\u003e","\u003cp\u003e Invitations represent both public and private events including graduations, weddings, and dinners, among others.\u003c/p\u003e","\u003cp\u003e Cards are inclusive of general greeting cards, sympathy cards for the deaths of Rush Holt's parents, and get-well cards.\u003c/p\u003e","\u003cp\u003e Significant items include invitations to attend events at the White House (located in box 312, folder 10) and an invitation to attend the 1939 World's Fair (located in box 340, folder 5).\u003c/p\u003e","\u003cp\u003e Included in this series are letters and telegrams that are interleaved with cards and that possess a similar theme.\u003c/p\u003e","\u003cp\u003eIncludes material representing Rush Holt's activities during his political campaigns for West Virginia and national offices.\u003c/p\u003e","\u003cp\u003e Types of material include broadsides, correspondence, newspaper mats, publicity releases, and speeches, among others.\u003c/p\u003e","\u003cp\u003e Items of note include certificates of election for the West Virginia House of Delegates (located in box 369, folder 1).\u003c/p\u003e","\u003cp\u003eIncludes Rush Holt's diploma from Weston High School and material from LaSalle Extension University Law and Practical Accounting courses in which Rush Holt enrolled.\u003c/p\u003e","\u003cp\u003e Types of material include coursework, examinations, and records of final grades.\u003c/p\u003e","\u003cp\u003e An item of note is Rush Holt's high school diploma (located in box 1, folder 6).\u003c/p\u003e","\u003cp\u003eIncludes bills for recordings, radio station receipts, and election expenditures information that Rush Holt retained.\u003c/p\u003e","\u003cp\u003e For the sound recordings mentioned in this material in addition to other recordings by Rush Holt, please see Series 5. Press and Media Activity--Recordings.\u003c/p\u003e","\u003cp\u003eIncludes typescripts, newsletters, manuscripts, and photocopies of newspaper articles written by Rush Holt.\u003c/p\u003e","\u003cp\u003e Typescripts include \u003cemph render=\"italic\"\u003eFacts and Figures\u003c/emph\u003e (numbers 1-224) and \u003cemph render=\"italic\"\u003ePolitics in West Virginia\u003c/emph\u003e (numbers 1-118). These serial publications are also partially represented by the photocopied articles. \u003cemph render=\"italic\"\u003eFacts and Figures\u003c/emph\u003e appears to be a regular column that Holt wrote from 1947 through 1953, though perhaps not continuously.\u003c/p\u003e","\u003cp\u003e Copies of \u003cemph render=\"italic\"\u003eThe West Virginia Taxpayer\u003c/emph\u003e, a newsletter written and published by Rush Holt, are also included and span from December 1948 to November 1954. Correspondence regarding support for this publication can be found in Series 4. Constituent Services—General Constituent Mail.\u003c/p\u003e","\u003cp\u003e Manuscripts by Rush Holt include \u003cemph render=\"italic\"\u003eWho's Who Among the War Mongers: Merchants of Death and Their Stooges\u003c/emph\u003e (located in box 306, folders 1 and 2), \u003cemph render=\"italic\"\u003eThe British Network: A Study of Fifth Column Activities in the United States\u003c/emph\u003e (located in box 306, folders 3 and 4), and \u003cemph render=\"italic\"\u003eThe President Moves Toward War\u003c/emph\u003e (located in box 339, folders 4 and 5).\u003c/p\u003e","\u003cp\u003eIncludes publications such as magazines, newsletters, bulletins, brochures, and pamphlets, among other types of publications to which Rush Holt subscribed and collected.\u003c/p\u003e","\u003cp\u003e Topics include neutrality, war propaganda, taxes, and utilities, among others.\u003c/p\u003e","\u003cp\u003e Publications include Uncensored, Social Justice, Public Assistance, West Virginia utility reports, and tax publications from different states, among others.\u003c/p\u003e","\u003cp\u003e An item of note is the photocopied section of Sherwood Anderson's Puzzled America that mentions Rush Holt (located in box 370, folder 10). A copy of the whole book is available through West Virginia University's Downtown Library (call number: E806.A652 1970).\u003c/p\u003e","\u003cp\u003eIncludes photographs that represent Rush Holt's personal life and political career. Photographs depict Rush Holt and his family, among other prominent individuals.\u003c/p\u003e","\u003cp\u003e Personal life photographs include Rush Holt's and Helen Louise Froelich's wedding and photographs taken of Rush Holt and his family during holidays and other special occasions.\u003c/p\u003e","\u003cp\u003e Political career photographs comprise the majority of this series and represent occasions such as sessions of the West Virginia Legislature, political conventions, and campaign events including Dwight Eisenhower's \"Whistle Stop\" presidential campaign through West Virginia (located in box 370, folder 13), among others.\u003c/p\u003e","\u003cp\u003e Prominent individuals include James Farley, former postmaster general during the first two administrations of President Franklin D. Roosevelt (signed photograph located in box 1, folder 1); individuals involved with WCHS News, including Ron Edwards; and former Vice President John N. Garner (signed photograph located in box 370, folder 16), among other politicians.\u003c/p\u003e","\u003cp\u003e For additional photographs of Rush Holt, please see the West Virginia \u0026amp; Regional History Center's digitized OnView collection.\u003c/p\u003e","\u003cp\u003eIncludes items collected by Rush Holt such as personal nameplates, political and historical ephemera, tickets to events, and personal items, among others.\u003c/p\u003e","\u003cp\u003e Political and historical ephemera includes an \"America First\" ribbon (located in box 341, folder 2), a campaign ribbon from the 1840 Van Buren and Johnson election (located in box 341, folder 2), and a Confederate ten dollar bill (located in box 341, folder 2).\u003c/p\u003e","\u003cp\u003e Tickets to events are representative of commencements and sporting events in West Virginia, the premiere of Disney's \u003cemph renderrender=\"italic\"\u003eFantasia\u003c/emph\u003e in Washington, D.C., and the 1952 Republican National Convention, among others.\u003c/p\u003e","\u003cp\u003e Personal items include material from a fraternity to which Rush Holt belonged, items (pictures, cards, licenses) from his wallets, and material from a Bible class Rush Holt taught.\u003c/p\u003e","\u003cp\u003e The wallets from which the personal pictures, cards, and licenses were removed are located in Series 2. Artifacts.\u003c/p\u003e","\u003cp\u003eIncludes miscellaneous material collected by Rush Holt.\u003c/p\u003e","\u003cp\u003eTypes of material include newspaper clippings, reports, publications, and correspondence, and election-related records, among others.\u003c/p\u003e","\u003cp\u003eTopics include other senators (e.g., Joe Guffey of Pennsylvania and H. D. Hatfield of West Virginia), labor, railroads, and the Supreme Court, among others.\u003c/p\u003e","\u003cp\u003eItems of note include a certificate confirming Rush Holt's initiation into the National Society of the Sons of the American Revolution (located in box 1, loose); maps that detail election results for different offices including governor, House of Delegates, etc. in West Virginia (located in box 147, folder 8); Rush Holt's diary (located in box 166, folder 1), material relating to John L. Lewis and the Congress of Industrial Organizations (located in box 151, folders 1 to 3); a list of individuals who have sat in the same Senate desk that Rush Holt did (located in box 369, folder 13); a prayer authored by Rush Holt (located in box 372, folder 7); and material relating to the Rush Holt Endowment at West Virginia University (located in box 372, folder 8).\u003c/p\u003e","\u003cp\u003eIncludes election material collected by Holt, such as facsimile abstracts of votes, primary election results, lists of voters, and more. The main geographical focus is Lewis County, WV.\u003c/p\u003e","\u003cp\u003eIncludes personal and political items collected by Rush Holt.\u003c/p\u003e","\u003cp\u003e Items of note include a personalized \"Holt for Governor\" license plate and a senatorial campaign button (located in box 374), a \"liberty\" embroidered cloth (located in box 4), and a West Virginia state flag (located in box 4).\u003c/p\u003e","\u003cp\u003eIncludes correspondence, reports, publications, clippings, statistics, transcripts, financial records, and project records, among other miscellaneous material relative to Rush Holt's committee-based and general legislative activity.\u003c/p\u003e","\u003cp\u003e For records of speeches delivered in the West Virginia Legislature and the United States Senate, please see Series 5. Press and Media Activity—Speeches.\u003c/p\u003e","\u003cp\u003e It should be noted that there exists a gap in the legislative records; thus, Rush Holt's senatorial papers are not represented as completely as those from the West Virginia House of Delegates. For material pertaining to the senatorial years, please refer to the Miscellaneous section of this series, or check the Records of the U.S. Senate at the National Archives and Records Administration.\u003c/p\u003e","\u003cp\u003eIncludes correspondence, reports, and clippings bearing primarily upon Rush Holt's activities as chairman of the Utility Investigating Committee \u003c/p\u003e","\u003cp\u003e The material is representative of Rush Holt's interaction with and study of utility companies throughout West Virginia and the United States.\u003c/p\u003e","\u003cp\u003e Topics include gas, electricity, fuel rates, and municipal-owned utilities, among others.\u003c/p\u003e","\u003cp\u003e Material of note includes testimonies of utility representatives during special hearings to examine the costs of state utilities. These hearings were held in Charleston, West Virginia between February 6, 1933 and April 11, 1933 (located in box 177, folder 1 to box 180, folder 4).\u003c/p\u003e","\u003cp\u003eIncludes correspondence, statistics, reports, and transcripts relative to Rush Holt's activity with the Government Costs Committee.\u003c/p\u003e","\u003cp\u003e Correspondence includes letters sent and received by Rush Holt regarding expenditures for West Virginia and other states. \u003c/p\u003e","\u003cp\u003e Statistics and reports include information sent to and gathered by Rush Holt regarding state-owned cars in West Virginia.\u003c/p\u003e","\u003cp\u003e Institutions and departments represented include the Department of Agriculture, West Virginia University, Huntington State Hospital, the Department of Mines, and the State Road Commission, among others.\u003c/p\u003e","\u003cp\u003e The transcript document testimonies in the February 5 to March 1, 1943 hearings to investigate the cost of state government for which Rush Holt served as chairman. Entities represented by the testimonies include the Publicity Commission, the Bureau of Negro Welfare, the Road Commission, and the Labor Department, among others.\u003c/p\u003e","\u003cp\u003eIncludes financial records requested by and maintained by Rush Holt during his time as a member of the Interstate Cooperation Commission.\u003c/p\u003e","\u003cp\u003e Types of records include correspondence, financial and payroll statistics, and budgetary reports, among others.\u003c/p\u003e","\u003cp\u003e Entities represented include departments of state, governmental offices of state, educational institutions (including West Virginia University), and hospitals, among others.\u003c/p\u003e","\u003cp\u003eIncludes correspondence, payroll records, project records, and other miscellaneous material relative to the activities of the Works Progress Administration that Rush Holt gathered. It should be noted that while he was not an administrator of the Works Progress Administration, Rush Holt used his legislative position to discover and draw attention to the organization that he believed had been corrupted.\u003c/p\u003e","\u003cp\u003e Correspondence is comprised of letters to and from Rush Holt concerning the status of projects in West Virginia counties. Also included are incoming letters from around the United States relating to Holt's speeches, actions, and beliefs concerning the Works Progress Administration.\u003c/p\u003e","\u003cp\u003e Payroll records include copies of salaries received for positions of different projects in West Virginia counties. These records include location information, project numbers, position titles, and salary amounts.\u003c/p\u003e","\u003cp\u003e Project records include information relating to the cost of rentals, supplies, and bids, among other project expenditures.\u003c/p\u003e","\u003cp\u003eIncludes typescripts, statistics, publications, reports, and other miscellaneous records pertaining to Rush Holt's legislative activity.\u003c/p\u003e","\u003cp\u003eTopics represented by the material include municipal operations, education, neutrality, and immigration, among others.\u003c/p\u003e","\u003cp\u003eRecords of note include copies of the West \u003cemph renderrender=\"italic\"\u003eVirginia Legislature Journal\u003c/emph\u003e for the 1944 first extraordinary session of the state's House of Delegates and Senate (located in box 339, folder 14), a five-year plan for West Virginia highways (located in box 294, folder 6), and annual reports written and sent to the West Virginia Public Service Commission (located in box 296, folder 2 to box 297, folder 2).\u003c/p\u003e","\u003cp\u003e Additional correspondence related to Holt's legislative activity, and more general political topics, can be found in Series 1. Personal and Political Papers—Correspondence and Miscellaneous.\u003c/p\u003e","\u003cp\u003eIncludes mail received by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate from constituents requesting government publications and bulletins, copies of speeches, educational material, and Rush Holt's recommendation to the United States Military or Naval Academy. In some cases, this series also includes typescript responses, many of which are generic.\u003c/p\u003e","\u003cp\u003eIncludes constituent mail received and sent by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate. \u003c/p\u003e","\u003cp\u003eBecause of different original series of correspondence (including general correspondence, second copies, and correspondence sorted by topic), in addition to maintaining this original order, the material of this series, as a whole, is not in chronological order. It should also be noted that the letters that have been sorted by topic are not a complete representation of that subject. \u003c/p\u003e","\u003cp\u003eTopics include World War II, neutrality, political issues (such as the Supreme Court proposed alteration, Rush Holt's age at the time of his election to the Senate, presidential third terms, etc.), state construction projects (such as roads and infrastructure), and state programs and relief efforts for issues such as the 1936 silicosis incident in West Virginia, among others.\u003c/p\u003e","\u003cp\u003eGeneral correspondence is arranged chronologically, then foldered by first letter of last name. It includes basic requests for material, facts, or brief opinions. Copies of typescript responses are stapled to the original constituent letter. \u003c/p\u003e","\u003cp\u003eSecond copies correspondence is arranged chronologically, but it contains only the typescript copies of Rush Holt's responses. For some, the first copy typescript and original letter are located in general correspondence; however, others are not. \u003c/p\u003e","\u003cp\u003eSupreme Court correspondence is organized into two groups: Individuals for and against the proposed change. Attached to the initial letters from constituents is Rush Holt's response, and for those against the change, there are also form letters offering a publication commemorating the 150th anniversary of the first congressional meeting. \u003c/p\u003e","\u003cp\u003eThere are also a few boxes of \u003cemph renderrender=\"italic\"\u003eWest Virginia Taxpayer\u003c/emph\u003e correspondence that include outgoing typescript copies of letters, mostly letters of thanks and solicitation for donations/subscription to support Holt's newsletter/publication, the \u003cemph render=\"italic\"\u003eWest Virginia Taxpayer\u003c/emph\u003e. There is a small amount of incoming correspondence as well. Copies of this publication can be found in Series 1. Personal and Political Papers, Publications.\u003c/p\u003e","\u003cp\u003e For an example of a constituent mail log, please see Series 6. Administrative Files.\u003c/p\u003e","\u003cp\u003e Additional constituent mail may also be found in Series 1. Personal and Political Papers—Correspondence.\u003c/p\u003e","\u003cp\u003eIncludes copies of correspondence between Rush Holt and constituents asking for the former's recommendation to the United States Military Academy (West Point) or Naval Academy (Annapolis).\u003c/p\u003e","\u003cp\u003eIncludes constituent letters asking for government publications and bulletins, copies of speeches, and educational material. The material is generally separated by date and state or correspondent.\u003c/p\u003e","\u003cp\u003e Requests for government publications and bulletins include a mixture of educational and personal use requests for publications such as the \u003cemph renderrender=\"italic\"\u003eAgricultural Yearbook\u003c/emph\u003e and the \u003cemph renderrender=\"italic\"\u003eFarmer's Bulletin\u003c/emph\u003e. Also included are requests for publications about political topics (e.g. a presidential third term).\u003c/p\u003e","\u003cp\u003e Requests for speeches include letters from constituents reflecting their opinions about Rush Holt's speeches in addition to asking for copies. Topics of speeches requested include World War II (particularly the \"Youth Faces War\" and \"Keep America Neutral\" speeches), the Works Progress Administration, the Supreme Court issue, the Conscription bill, and the Burke-Wardsworth bill, among others. \u003c/p\u003e","\u003cp\u003e Requests for educational material are primarily from teachers and students asking Rush Holt for material to support curriculum activities. Subjects represented include vocational school topics and issues, West Virginia and United States geography, and United States commerce, among others.\u003c/p\u003e","\u003cp\u003eIncludes original and photocopied articles from newspapers and similar publications, typescripts of press releases, pen-and-ink drawn political cartoons, transcripts of speeches, and sound recordings, among other material representing Rush Holt's involvement with the press and media.\u003c/p\u003e","\u003cp\u003eIncludes both original and photocopied articles from newspapers and similar publications retained by Rush Holt. Entire issues are also included in this series. Some clippings have been pasted into scrapbooks.\u003c/p\u003e","\u003cp\u003e Topics represented are a combination of personal and political interests. \u003c/p\u003e","\u003cp\u003e Personal topics include Rush Holt's wedding to Helen Louise Froelich, the Holt family, and the Rush Holt History Conference at West Virginia University (1998-2003), among others.\u003c/p\u003e","\u003cp\u003e Political topics include Rush Holt's campaigns and elections, the Congress of Industrial Organizations, the Works Progress Administration, and neutrality issues, among others.\u003c/p\u003e","\u003cp\u003eIncludes copies of typed press releases regarding speeches delivered by Rush Holt, or those with similar opinions, throughout his political career. \u003c/p\u003e","\u003cp\u003e Topics addressed include neutrality, foreign policy, social security, and the presidential third term issue, among others.\u003c/p\u003e","\u003cp\u003eIncludes pen and ink drawings by a variety of artists for political cartoons documenting news issues of the day including the West Virginia politics, President Franklin D. Roosevelt, World War II, and isolationism, among others.\u003c/p\u003e","\u003cp\u003e Twenty-three of these cartoons were used for a campaign booklet advocating Rush Holt's candidacy for governor of West Virginia (1952).\u003c/p\u003e","\u003cp\u003e To see digitized copies of these Holt political cartoons, please visit \u003ca href=\"https://holt.lib.wvu.edu/?utf8=%E2%9C%93\u0026amp;search_field=all_fields\u0026amp;q\" target=\"_blank\"\u003e the Rush Holt Political Cartoons digital collection.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eIncludes material documenting the daily office activities of Rush Holt and his staff during the former's senatorial term. \u003c/p\u003e","\u003cp\u003e Types of material include daily reports, lists of letters received requesting information, and records of work performed by the office staff. \u003c/p\u003e","\u003cp\u003e Daily reports document visits, appointments, and calls to Rush Holt's office for the periods of December 6, 1937 to December 31, 1938, the entire year of 1939, and January 3, 1940 to November 9, 1940.\u003c/p\u003e","\u003cp\u003e Lists of letters received provide a chronological register of constituents' writings to Rush Holt between 1939 and 1940. It should be noted, however, that these records provide only basic information and do not indicate the subject of the correspondence. \u003c/p\u003e","\u003cp\u003e Records of work performed provide documentation of tasks completed by Rush Holt's Senate office employees. It should be noted that these records, while detailed, are limited to the first half of 1940 (January to June). \u003c/p\u003e","\u003cp\u003e For an example of outgoing political form letters, mass mailings, and mailing lists, see Series 4. Constituent Services—General Constituent Mail (boxes 291 and 292).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of Rush Dew Holt, Sr. (1905-1955) relating to his personal and political activities. Types of material include publications, clippings, correspondence, photographs, and ephemera, among others. The collection is divided into six series: Personal and Political Papers (1840-2000 and undated) includes correspondence; invitations and cards; material representing campaign activities; and material from college courses, among other material that represents Rush Holt's personal life and political career; and ephemera collected by Rush Holt. Artifacts (1939-1952 and undated) includes personal and political items collected by Rush Holt. Legislative Records (1920-1955 and undated) includes correspondence, reports, publications, clippings, statistics, transcripts, financial records, and project records, among other miscellaneous material relative to Rush Holt's committee-based and general legislative activity. Constituent Services (1923-1954 and undated) includes mail received by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate from constituents providing political opinions to Holt or requesting government publications and bulletins, copies of speeches, educational material, and Rush Holt's recommendation to the United States Military or Naval Academy. Press and Media Activity (1925-2003 and undated) includes original and photocopied articles from newspapers and similar publications, typescripts of press releases, pen-and-ink drawn political cartoons, transcripts of speeches, and sound recordings, among other material representing Rush Holt's involvement with the press and media. Administrative Files (1937-1940) includes material documenting the daily office activities of Rush Holt and his staff during the former's senatorial term.","The collection is divided into six series as follows:","Series 1. Personal and Political Papers; 1840-2000 and undated (bulk 1918-1955)","Includes material related to Rush Holt's personal, family, and political life. Additional material related to his work in politics can be found in Series 3 through 6. Types of material include correspondence; invitations and cards; material representing campaign activities; material from college courses; bills for recordings, radio station receipts, and election expenditures; typescripts, newsletters, manuscripts, and photocopies of material written by Rush Holt; publications to which Rush Holt subscribed and collected; photographs that represent Rush Holt's personal life and political career; ephemera collected by Rush Holt; and election results collected by Rush Holt.","Series 2. Artifacts; 1939-1952 and undated","Includes personal and political items collected by Rush Holt.","Series 3. Legislative Records; 1920-1955 and undated","Includes correspondence, reports, publications, clippings, statistics, transcripts, financial records, and project records, among other miscellaneous material relative to Rush Holt's committee-based and general legislative activity.","Series 4. Constituent Services; 1923-1954 and undated","Includes mail received by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate from constituents requesting government publications and bulletins, copies of speeches, educational material, and Rush Holt's recommendation to the United States Military or Naval Academy. In some cases, this series also includes typescript responses, many of which are generic.","Series 5. Press and Media Activity; 1925-2003 and undated (bulk 1925-1955)","Includes original and photocopied articles from newspapers and similar publications, typescripts of press releases, pen-and-ink drawn political cartoons, transcripts of speeches, and sound recordings, among other material representing Rush Holt's involvement with the press and media.","Series 6. Administrative Files; 1937-1940","Includes material documenting the daily office activities of Rush Holt and his staff during the former's senatorial term.","Includes material related to Rush Holt's personal, family, and political life. Additional material related to his work in politics can be found in Series 3 through 6. Types of material include correspondence; invitations and cards; material representing campaign activities; material from college courses; bills for recordings, radio station receipts, and election expenditures; typescripts, newsletters, manuscripts, and photocopies of material written by Rush Holt; publications to which Rush Holt subscribed and collected; photographs that represent Rush Holt's personal life and political career; ephemera collected by Rush Holt; and election results collected by Rush Holt.","Includes correspondence relating to the personal and political issues of Rush Holt's life.","Because of different original series of correspondence, in addition to maintaining this original order, the material of this series, as a whole, is not in chronological order.","Personal correspondence topics include Rush Holt's marriage to Helen Louise Froelich, family matters such as births and deaths, holidays, Rush Holt's illness, and general correspondence with family and friends, among others.","Political correspondence topics include an anti-lynching bill which is represented by letters between Rush Holt and Walter White, former secretary for the National Association for the Advancement of Colored People; the United Mine Workers of America which is represented by correspondence between Rush Holt and Frank Miley, former president of the United Mine Workers of America, District 31; and the seating issue from when Rush Holt was first elected to the Senate; among others.","Other prominent correspondents/subjects of correspondence include Joe Alderson, former WPA Director in Lewis County, West Virginia; Van A. Bittner, former president of United Mine Workers Association District 12; James A. Farley, former chairman of the Democratic National Committee; and Frank Miley, former president of the United Mine Workers of America, District 31, among others.","Items of note include political-related correspondence with Spencer Bonaventure Tracey (located in box 229, folder 7), Louise B. Mayer (located in box 229, folder 8), Walt Disney (located in box 229, folder 9), and James Cagney (located in box 229, folder 11). Other items of note include a poem titled Rejected (not Holt's) that is set in Hell and portrays President Franklin D. Roosevelt as a sinner (located in box 238, folder 3), and a letter from President Harry S. Truman (located in box 357, folder 1).","For correspondence directly related to Rush Holt's campaigns, please see Series 1. Personal and Political Papers—Campaign Material.","For Utility Investigating Committee-related correspondence, please see Series 3. Legislative Records—West Virginia House of Delegates Utility Investigating Committee","For Government Costs Committee-related correspondence, please see Series 3. Legislative Records—West Virginia House of Delegates State Government Costs Committee.","For Interstate Cooperation Commission-related correspondence, please see Series 3. Legislative Records—West Virginia House of Delegates Interstate Cooperation Commission.","For Works Progress Administration-related correspondence, please see Series 3. Legislative Records—Works Progress Administration.","Includes invitations and cards retained by Rush Holt. Also includes a small subset of Holt's responses.","Invitations represent both public and private events including graduations, weddings, and dinners, among others.","Cards are inclusive of general greeting cards, sympathy cards for the deaths of Rush Holt's parents, and get-well cards.","Significant items include invitations to attend events at the White House (located in box 312, folder 10) and an invitation to attend the 1939 World's Fair (located in box 340, folder 5).","Included in this series are letters and telegrams that are interleaved with cards and that possess a similar theme.","Includes material representing Rush Holt's activities during his political campaigns for West Virginia and national offices.","Types of material include broadsides, correspondence, newspaper mats, publicity releases, and speeches, among others.","Items of note include certificates of election for the West Virginia House of Delegates (located in box 369, folder 1).","Includes Rush Holt's diploma from Weston High School and material from LaSalle Extension University Law and Practical Accounting courses in which Rush Holt enrolled.","Types of material include coursework, examinations, and records of final grades.","An item of note is Rush Holt's high school diploma (located in box 1, folder 6).","Includes bills for recordings, radio station receipts, and election expenditures information that Rush Holt retained.","For the sound recordings mentioned in this material in addition to other recordings by Rush Holt, please see Series 5. Press and Media Activity--Recordings.","Includes typescripts, newsletters, manuscripts, and photocopies of newspaper articles written by Rush Holt.","Typescripts include Facts and Figures (numbers 1-224) and Politics in West Virginia (numbers 1-118). These serial publications are also partially represented by the photocopied articles. Facts and Figures appears to be a regular column that Holt wrote from 1947 through 1953, though perhaps not continuously.","Copies of The West Virginia Taxpayer, a newsletter written and published by Rush Holt, are also included and span from December 1948 to November 1954. Correspondence regarding support for this publication can be found in Series 4. Constituent Services—General Constituent Mail.","Manuscripts by Rush Holt include Who's Who Among the War Mongers: Merchants of Death and Their Stooges (located in box 306, folders 1 and 2), The British Network: A Study of Fifth Column Activities in the United States (located in box 306, folders 3 and 4), and The President Moves Toward War (located in box 339, folders 4 and 5).","Includes publications such as magazines, newsletters, bulletins, brochures, and pamphlets, among other types of publications to which Rush Holt subscribed and collected.","Topics include neutrality, war propaganda, taxes, and utilities, among others.","Publications include Uncensored, Social Justice, Public Assistance, West Virginia utility reports, and tax publications from different states, among others.","An item of note is the photocopied section of Sherwood Anderson's Puzzled America that mentions Rush Holt (located in box 370, folder 10). A copy of the whole book is available through West Virginia University's Downtown Library (call number: E806.A652 1970).","Includes photographs that represent Rush Holt's personal life and political career. Photographs depict Rush Holt and his family, among other prominent individuals.","Personal life photographs include Rush Holt's and Helen Louise Froelich's wedding and photographs taken of Rush Holt and his family during holidays and other special occasions.","Political career photographs comprise the majority of this series and represent occasions such as sessions of the West Virginia Legislature, political conventions, and campaign events including Dwight Eisenhower's \"Whistle Stop\" presidential campaign through West Virginia (located in box 370, folder 13), among others.","Prominent individuals include James Farley, former postmaster general during the first two administrations of President Franklin D. Roosevelt (signed photograph located in box 1, folder 1); individuals involved with WCHS News, including Ron Edwards; and former Vice President John N. Garner (signed photograph located in box 370, folder 16), among other politicians.","For additional photographs of Rush Holt, please see the West Virginia \u0026 Regional History Center's digitized OnView collection.","Includes items collected by Rush Holt such as personal nameplates, political and historical ephemera, tickets to events, and personal items, among others.","Political and historical ephemera includes an \"America First\" ribbon (located in box 341, folder 2), a campaign ribbon from the 1840 Van Buren and Johnson election (located in box 341, folder 2), and a Confederate ten dollar bill (located in box 341, folder 2).","Tickets to events are representative of commencements and sporting events in West Virginia, the premiere of Disney's Fantasia in Washington, D.C., and the 1952 Republican National Convention, among others.","Personal items include material from a fraternity to which Rush Holt belonged, items (pictures, cards, licenses) from his wallets, and material from a Bible class Rush Holt taught.","The wallets from which the personal pictures, cards, and licenses were removed are located in Series 2. Artifacts.","Includes miscellaneous material collected by Rush Holt.","Types of material include newspaper clippings, reports, publications, and correspondence, and election-related records, among others.","Topics include other senators (e.g., Joe Guffey of Pennsylvania and H. D. Hatfield of West Virginia), labor, railroads, and the Supreme Court, among others.","Items of note include a certificate confirming Rush Holt's initiation into the National Society of the Sons of the American Revolution (located in box 1, loose); maps that detail election results for different offices including governor, House of Delegates, etc. in West Virginia (located in box 147, folder 8); Rush Holt's diary (located in box 166, folder 1), material relating to John L. Lewis and the Congress of Industrial Organizations (located in box 151, folders 1 to 3); a list of individuals who have sat in the same Senate desk that Rush Holt did (located in box 369, folder 13); a prayer authored by Rush Holt (located in box 372, folder 7); and material relating to the Rush Holt Endowment at West Virginia University (located in box 372, folder 8).","Includes election material collected by Holt, such as facsimile abstracts of votes, primary election results, lists of voters, and more. The main geographical focus is Lewis County, WV.","Includes personal and political items collected by Rush Holt.","Items of note include a personalized \"Holt for Governor\" license plate and a senatorial campaign button (located in box 374), a \"liberty\" embroidered cloth (located in box 4), and a West Virginia state flag (located in box 4).","Includes correspondence, reports, publications, clippings, statistics, transcripts, financial records, and project records, among other miscellaneous material relative to Rush Holt's committee-based and general legislative activity.","For records of speeches delivered in the West Virginia Legislature and the United States Senate, please see Series 5. Press and Media Activity—Speeches.","It should be noted that there exists a gap in the legislative records; thus, Rush Holt's senatorial papers are not represented as completely as those from the West Virginia House of Delegates. For material pertaining to the senatorial years, please refer to the Miscellaneous section of this series, or check the Records of the U.S. Senate at the National Archives and Records Administration.","Includes correspondence, reports, and clippings bearing primarily upon Rush Holt's activities as chairman of the Utility Investigating Committee","The material is representative of Rush Holt's interaction with and study of utility companies throughout West Virginia and the United States.","Topics include gas, electricity, fuel rates, and municipal-owned utilities, among others.","Material of note includes testimonies of utility representatives during special hearings to examine the costs of state utilities. These hearings were held in Charleston, West Virginia between February 6, 1933 and April 11, 1933 (located in box 177, folder 1 to box 180, folder 4).","Includes correspondence, statistics, reports, and transcripts relative to Rush Holt's activity with the Government Costs Committee.","Correspondence includes letters sent and received by Rush Holt regarding expenditures for West Virginia and other states.","Statistics and reports include information sent to and gathered by Rush Holt regarding state-owned cars in West Virginia.","Institutions and departments represented include the Department of Agriculture, West Virginia University, Huntington State Hospital, the Department of Mines, and the State Road Commission, among others.","The transcript document testimonies in the February 5 to March 1, 1943 hearings to investigate the cost of state government for which Rush Holt served as chairman. Entities represented by the testimonies include the Publicity Commission, the Bureau of Negro Welfare, the Road Commission, and the Labor Department, among others.","Includes financial records requested by and maintained by Rush Holt during his time as a member of the Interstate Cooperation Commission.","Types of records include correspondence, financial and payroll statistics, and budgetary reports, among others.","Entities represented include departments of state, governmental offices of state, educational institutions (including West Virginia University), and hospitals, among others.","Includes correspondence, payroll records, project records, and other miscellaneous material relative to the activities of the Works Progress Administration that Rush Holt gathered. It should be noted that while he was not an administrator of the Works Progress Administration, Rush Holt used his legislative position to discover and draw attention to the organization that he believed had been corrupted.","Correspondence is comprised of letters to and from Rush Holt concerning the status of projects in West Virginia counties. Also included are incoming letters from around the United States relating to Holt's speeches, actions, and beliefs concerning the Works Progress Administration.","Payroll records include copies of salaries received for positions of different projects in West Virginia counties. These records include location information, project numbers, position titles, and salary amounts.","Project records include information relating to the cost of rentals, supplies, and bids, among other project expenditures.","Includes typescripts, statistics, publications, reports, and other miscellaneous records pertaining to Rush Holt's legislative activity.","Topics represented by the material include municipal operations, education, neutrality, and immigration, among others.","Records of note include copies of the West Virginia Legislature Journal for the 1944 first extraordinary session of the state's House of Delegates and Senate (located in box 339, folder 14), a five-year plan for West Virginia highways (located in box 294, folder 6), and annual reports written and sent to the West Virginia Public Service Commission (located in box 296, folder 2 to box 297, folder 2).","Additional correspondence related to Holt's legislative activity, and more general political topics, can be found in Series 1. Personal and Political Papers—Correspondence and Miscellaneous.","Includes mail received by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate from constituents requesting government publications and bulletins, copies of speeches, educational material, and Rush Holt's recommendation to the United States Military or Naval Academy. In some cases, this series also includes typescript responses, many of which are generic.","Includes constituent mail received and sent by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate.","Because of different original series of correspondence (including general correspondence, second copies, and correspondence sorted by topic), in addition to maintaining this original order, the material of this series, as a whole, is not in chronological order. It should also be noted that the letters that have been sorted by topic are not a complete representation of that subject.","Topics include World War II, neutrality, political issues (such as the Supreme Court proposed alteration, Rush Holt's age at the time of his election to the Senate, presidential third terms, etc.), state construction projects (such as roads and infrastructure), and state programs and relief efforts for issues such as the 1936 silicosis incident in West Virginia, among others.","General correspondence is arranged chronologically, then foldered by first letter of last name. It includes basic requests for material, facts, or brief opinions. Copies of typescript responses are stapled to the original constituent letter.","Second copies correspondence is arranged chronologically, but it contains only the typescript copies of Rush Holt's responses. For some, the first copy typescript and original letter are located in general correspondence; however, others are not.","Supreme Court correspondence is organized into two groups: Individuals for and against the proposed change. Attached to the initial letters from constituents is Rush Holt's response, and for those against the change, there are also form letters offering a publication commemorating the 150th anniversary of the first congressional meeting.","There are also a few boxes of West Virginia Taxpayer correspondence that include outgoing typescript copies of letters, mostly letters of thanks and solicitation for donations/subscription to support Holt's newsletter/publication, the West Virginia Taxpayer. There is a small amount of incoming correspondence as well. Copies of this publication can be found in Series 1. Personal and Political Papers, Publications.","For an example of a constituent mail log, please see Series 6. Administrative Files.","Additional constituent mail may also be found in Series 1. Personal and Political Papers—Correspondence.","Includes copies of correspondence between Rush Holt and constituents asking for the former's recommendation to the United States Military Academy (West Point) or Naval Academy (Annapolis).","Includes constituent letters asking for government publications and bulletins, copies of speeches, and educational material. The material is generally separated by date and state or correspondent.","Requests for government publications and bulletins include a mixture of educational and personal use requests for publications such as the Agricultural Yearbook and the Farmer's Bulletin. Also included are requests for publications about political topics (e.g. a presidential third term).","Requests for speeches include letters from constituents reflecting their opinions about Rush Holt's speeches in addition to asking for copies. Topics of speeches requested include World War II (particularly the \"Youth Faces War\" and \"Keep America Neutral\" speeches), the Works Progress Administration, the Supreme Court issue, the Conscription bill, and the Burke-Wardsworth bill, among others.","Requests for educational material are primarily from teachers and students asking Rush Holt for material to support curriculum activities. Subjects represented include vocational school topics and issues, West Virginia and United States geography, and United States commerce, among others.","Includes original and photocopied articles from newspapers and similar publications, typescripts of press releases, pen-and-ink drawn political cartoons, transcripts of speeches, and sound recordings, among other material representing Rush Holt's involvement with the press and media.","Includes both original and photocopied articles from newspapers and similar publications retained by Rush Holt. Entire issues are also included in this series. Some clippings have been pasted into scrapbooks.","Topics represented are a combination of personal and political interests.","Personal topics include Rush Holt's wedding to Helen Louise Froelich, the Holt family, and the Rush Holt History Conference at West Virginia University (1998-2003), among others.","Political topics include Rush Holt's campaigns and elections, the Congress of Industrial Organizations, the Works Progress Administration, and neutrality issues, among others.","Includes copies of typed press releases regarding speeches delivered by Rush Holt, or those with similar opinions, throughout his political career.","Topics addressed include neutrality, foreign policy, social security, and the presidential third term issue, among others.","Includes pen and ink drawings by a variety of artists for political cartoons documenting news issues of the day including the West Virginia politics, President Franklin D. Roosevelt, World War II, and isolationism, among others.","Twenty-three of these cartoons were used for a campaign booklet advocating Rush Holt's candidacy for governor of West Virginia (1952).","To see digitized copies of these Holt political cartoons, please visit  the Rush Holt Political Cartoons digital collection.","Includes material documenting the daily office activities of Rush Holt and his staff during the former's senatorial term.","Types of material include daily reports, lists of letters received requesting information, and records of work performed by the office staff.","Daily reports document visits, appointments, and calls to Rush Holt's office for the periods of December 6, 1937 to December 31, 1938, the entire year of 1939, and January 3, 1940 to November 9, 1940.","Lists of letters received provide a chronological register of constituents' writings to Rush Holt between 1939 and 1940. It should be noted, however, that these records provide only basic information and do not indicate the subject of the correspondence.","Records of work performed provide documentation of tasks completed by Rush Holt's Senate office employees. It should be noted that these records, while detailed, are limited to the first half of 1940 (January to June).","For an example of outgoing political form letters, mass mailings, and mailing lists, see Series 4. Constituent Services—General Constituent Mail (boxes 291 and 292)."],"separatedmaterial_html_tesm":["\u003cp\u003eEphemeral items not specific to Rush Dew Holt were moved to the Printed Ephemera Collection. Several local basketball scorecards were moved to A\u0026amp;M 4216, the Annual West Virginia State High School Basketball Tournament Programs collection.\u003c/p\u003e","\u003cp\u003e17 reels of undated sound recordings, chiefly relating to the political career of Rush Dew Holt, were separated to the oral history collection, C432 R699-R715 (17 tapes). These tapes include some personal material as well.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Ephemeral items not specific to Rush Dew Holt were moved to the Printed Ephemera Collection. Several local basketball scorecards were moved to A\u0026M 4216, the Annual West Virginia State High School Basketball Tournament Programs collection.","17 reels of undated sound recordings, chiefly relating to the political career of Rush Dew Holt, were separated to the oral history collection, C432 R699-R715 (17 tapes). These tapes include some personal material as well."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7f7aca18f594cb9e240c48f7fdefc04e\"\u003ePapers of Rush Dew Holt, Sr. (1905-1955) relating to his personal and political activities. Types of material include publications, clippings, correspondence, photographs, and ephemera, among others. The collection is divided into six series: Personal and Political Papers (1840-2000 and undated), Artifacts (1939-1952 and undated), Legislative Records (1920-1955 and undated), Constituent Services (1923-1954 and undated), Press and Media Activity (1925-2003 and undated), and Administrative Files (1937-1940).\u003c/abstract\u003e\n    "],"abstract_tesim":["Papers of Rush Dew Holt, Sr. (1905-1955) relating to his personal and political activities. Types of material include publications, clippings, correspondence, photographs, and ephemera, among others. The collection is divided into six series: Personal and Political Papers (1840-2000 and undated), Artifacts (1939-1952 and undated), Legislative Records (1920-1955 and undated), Constituent Services (1923-1954 and undated), Press and Media Activity (1925-2003 and undated), and Administrative Files (1937-1940)."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_c13cef4864374dc7a447894b02986413\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","America First Committee","American Federation of Labor","Congress of Industrial Organizations (U.S.)","United States. National Bituminous Coal Commission","United States. National Labor Relations Board","Progressive Mine Workers of America","United Mine Workers of America","United States. National Recovery Administration","United States. Supreme Court","United States. Congress. Senate","West Virginia. Legislature","United States. Works Progress Administration","Democratic Party (U.S.)","Weston State Hospital"],"names_coll_ssim":["America First Committee","American Federation of Labor","Congress of Industrial Organizations (U.S.)","United States. National Bituminous Coal Commission","United States. National Labor Relations Board","Progressive Mine Workers of America","United Mine Workers of America","United States. National Recovery Administration","United States. Supreme Court","United States. Congress. Senate","West Virginia. Legislature","United States. Works Progress Administration","Democratic Party (U.S.)","Weston State Hospital","Bittner, Van A. (Van Amberg), 1885-1949","Black, Hugo LaFayette, 1886-1971","Coughlin, Charles E.","Edmiston, Andrew.","Farley, James A. (James Aloysius), 1888-1976","Green, William.","Holt, Helen Louise Froelich, 1913-2015","Holt, Mathew S., 1850-1939","Holt, Rush Dew, 1905-1955","Hopkins, Harry L. (Harry Lloyd), 1890-1946","Ickes, Harold L. (Harold LeClair), 1874-1952","Kump, Herman Guy, 1877-1962","La Follette, Robert M. (Robert Marion), 1855-1925","Neely, Matthew Mansfield, 1874-1958","Lewis, John L. (John Llewellyn), 1880-1969","Long, Huey Pierce, 1893-1935"],"persname_ssim":["Holt, Rush Dew, 1905-1955","Bittner, Van A. (Van Amberg), 1885-1949","Black, Hugo LaFayette, 1886-1971","Coughlin, Charles E.","Edmiston, Andrew.","Farley, James A. (James Aloysius), 1888-1976","Green, William.","Holt, Helen Louise Froelich, 1913-2015","Holt, Mathew S., 1850-1939","Hopkins, Harry L. (Harry Lloyd), 1890-1946","Ickes, Harold L. (Harold LeClair), 1874-1952","Kump, Herman Guy, 1877-1962","La Follette, Robert M. (Robert Marion), 1855-1925","Neely, Matthew Mansfield, 1874-1958","Lewis, John L. (John Llewellyn), 1880-1969","Long, Huey Pierce, 1893-1935"],"names_ssim":["West Virginia and Regional History Center","America First Committee","American Federation of Labor","Congress of Industrial Organizations (U.S.)","United States. National Bituminous Coal Commission","United States. National Labor Relations Board","Progressive Mine Workers of America","United Mine Workers of America","United States. National Recovery Administration","United States. Supreme Court","United States. Congress. Senate","West Virginia. Legislature","United States. Works Progress Administration","Democratic Party (U.S.)","Weston State Hospital","Holt, Rush Dew, 1905-1955","Bittner, Van A. (Van Amberg), 1885-1949","Black, Hugo LaFayette, 1886-1971","Coughlin, Charles E.","Edmiston, Andrew.","Farley, James A. (James Aloysius), 1888-1976","Green, William.","Holt, Helen Louise Froelich, 1913-2015","Holt, Mathew S., 1850-1939","Hopkins, Harry L. (Harry Lloyd), 1890-1946","Ickes, Harold L. (Harold LeClair), 1874-1952","Kump, Herman Guy, 1877-1962","La Follette, Robert M. (Robert Marion), 1855-1925","Neely, Matthew Mansfield, 1874-1958","Lewis, John L. (John Llewellyn), 1880-1969","Long, Huey Pierce, 1893-1935"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":938,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:55:51.089Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_3687","ead_ssi":"wvmturhc_repositories_2_resources_3687","_root_":"wvmturhc_repositories_2_resources_3687","_nest_parent_":"wvmturhc_repositories_2_resources_3687","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3687.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/208740","title_ssm":["Rush Dew Holt (1905-1955) Papers"],"title_tesim":["Rush Dew Holt (1905-1955) Papers"],"unitdate_ssm":["1840-2003","1918-1955"],"unitdate_inclusive_ssm":["1840-2003"],"unitdate_bulk_ssim":["1918-1955"],"normalized_date_ssm":["1840/2003, bulk 1918/1955"],"normalized_title_ssm":["Rush Dew Holt (1905-1955) Papers, 1840/2003, bulk 1918/1955"],"text":["Rush Dew Holt (1905-1955) Papers, 1840/2003, bulk 1918/1955","A\u0026M 0873","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3687","Lewis County.","West Virginia -- Politics and government","United States -- Politics and government","Coal mining - Labor organization.","Education","Elections","Guffey Coal Act.","New Deal, 1933-1939","Politics and government.","Public utilities","Taxation","Unions.","United States - Social Security.","Social Security -- United States","Wheeler-Rayburn Holding Company Act","Isolationism -- United States -- History -- 20th Century","World War, 1939-1945","Politicians -- United States","No special access restriction applies.","This collection is one of five (see also A\u0026M 1858, 4218, 4039, and 3943) pertaining to Rush Dew Holt, Sr. and his family. The records have been gathered via multiple accruals from 1956 to 2016. Originally, these collections were divided between A\u0026M 873 and A\u0026M 1701, the latter also being composed of thirteen addenda and A\u0026M 1858.","In an attempt to organize the collections in a more coherent fashion for patron use and to reflect the creator(s) in a more concise manner, the material was reevaluated and reorganized into the three sets of papers with distinct series and subseries: A\u0026M 873: Rush Dew Holt (1905-1955) Papers; A\u0026M 1858: Helen Holt (1913-2015) Papers; and A\u0026M 4218: Rush Dew Holt Family Papers.","Because of the 2016-2017 reorganization, the physical arrangement no longer matches the intellectual arrangement and series order. Furthermore, any box and folder citations created prior to the above-mentioned project are likely no longer accurate.","For assistance locating material using an older citation, please ask a staff member of the West Virginia \u0026 Regional History Center.","Rush Dew Holt was born in Weston, West Virginia, on June 19, 1905 to parents, Dr. Matthew S. Holt and Chihela (Dew) Holt. From an early age, Holt displayed scholarly potential. By age three, he was able to read first-grade primers, and eventually became interested in numerous topics for which he was able to provide detailed statistics. Among these interests was politics, and by age six, Holt had decided he would become a Democrat.","The potential displayed by Holt as a child continued into his school years. At age five, he began public education in the second grade, and he skipped grades on two more occasions. He attended Weston High School, and after graduating with honors at age fourteen, Holt applied to the University of Cincinnati; however, the register rejected the application because Holt, while academically qualified, was considered too young. Not one to admit defeat, a trait that would prove to be a lifelong characteristic, Holt turned to West Virginia University where he was accepted. As the youngest member of the freshman class, Holt found it difficult to obtain full acceptance as a college student, and his academic record reflected his apparent dissatisfaction. After two years at West Virginia University, Holt transferred to Salem College where the enrollment was smaller (approximately 300 students) and where he was able to live with his uncle, Professor Samuel Dew. It was at Salem College that Holt regained his self-confidence. His academic performance improved, and he maintained a B-plus average. In addition to academics, Holt excelled on the debate team. He was the editor-in-chief of the school paper, and he managed the tennis team.","In 1924, Holt received a Bachelor of Arts Degree and qualification to teach at secondary schools. Shortly after his graduation, he was hired to teach at Bedford High School in Virginia where he taught English and history in addition to serving as the school's athletic director. After one academic year, Holt returned to Weston, West Virginia, where he took a position at St. Patrick's High School as the athletic director. Holt also coached the basketball team with abundant success, leading the team to two national tournaments for Catholic schools. During this time, Holt also taught history as a part-time instructor at Glenville Normal School and Salem College, but his fascination with athletics persisted. In addition to coaching and occasional officiating, Holt also began writing about sports. Eventually, he began to contribute columns to daily West Virginia newspapers.","By the late 1920s, Holt was attracted to the political environment, and he began to contribute to candidates who were friends of and/or who shared the views of his father. In the summer of 1928, Holt went one step further by announcing his candidacy as a Democrat for the West Virginia House of Delegates. Despite Lewis County having been predominately Republican, in addition to not having received significant party backing, Holt still obtained a higher-than-expected amount of support, losing his race by only 500 votes. Once again, however, Holt would not admit defeat. In 1930 Holt again announced his candidacy for the West Virginia House of Delegates. During the campaign, he visited locations all around Lewis County, spoke to anyone who would listen, and ensured that the grievances such as those concerning government cost, increased taxes, and the power of privately owned public utilities would all be addressed. As expected with any campaign, Holt received criticism, and those who opposed him likened the young politician to his father who they declared was a radical, a socialist, and an atheist. Despite the scornful claims, Holt, by a margin of 2,150 votes, was elected to his first public office as a Democrat to the West Virginia Legislature where he served from 1931-1935. During his years as a delegate, as promised during his campaign, Holt spoke out against corrupt practices such as government spending, an issue he addressed not even a week into the 1931 session. In addition to debating issues in the House, Holt also wrote to state supported universities, highway commissioners, and auditors in West Virginia and numerous other states to gather financial figures concerning spending, salaries, and taxes among others. Holt also began an investigation in 1931 to uncover rates, operating costs, and profits of privately and publically owned utility companies. All of these endeavors were only the first chapter in Holt's political career.","By 1934 he had gained the political support and the backing of union workers which was enough to defeat incumbent United States Senator Henry Hatfield. At age twenty-nine, Holt became the youngest person to win a United States Senate seat; however, there was immediate criticism. No sooner had the votes been tallied before a protest was filed concerning Holt's credentials: the fact that he had run for an office when he had not been of the required age. In addition to discontent within his own state, Holt also received overwhelming opposition in Washington, D.C. from Senate Republicans who threatened to object on the grounds of the constitutional age requirement. Despite the criticism, Holt's election was not overturned; however, he had to wait until he turned thirty, over five months after the Seventy-forth Congress had convened, before he could participate in senatorial proceedings.","Just as he had been active in the West Virginia Legislature, Holt did not hesitate to address both major and minor issues on Capitol Hill either. During his time in the Senate, Holt served on several committees including Education and Labor, Immigration, Mines and Mining, Naval Affairs, and Post Offices and Post Roads. He also served as a member of the United States delegation to the 1939 Interparliamentary Conference in Oslo, Norway.","Although Holt had once been referred to as President Franklin Delano Roosevelt's \"Golden Boy,\" such alliances and the policies that had formed them began to dissolve by 1936. He became estranged from fellow Democrat and West Virginian Senator Matthew Neely, and Holt ended his support for the United Mine Workers of America and the Works Progress Administration, the latter of which he claimed was corrupt. Eventually, Holt criticized the Roosevelt administration for its New Deal policies, he adamantly fought Roosevelt's attempt to alter the Supreme Court by changing the number of sitting justices from nine to twelve, and he spoke out against the proposition of allowing a presidential third term. Furthermore, as unrest began in Europe with Germany's invasion of Poland, Holt campaigned against any attempts by the administration to involve the United States in the War. The responses from constituents about Holt's actions were mixed; nevertheless, the young senator's sudden change led to his unsuccessful renomination attempt in 1940. Holt did not even make it past the primary election.","After his Senate term ended, Holt remained in Washington, D.C. and began to support himself as a lecturer and a writer of political issues, particularly neutrality for which he received the support of the America First Committee. It was also during this time that Holt met Helen Louise Froelich, a biology teacher at National Park College near Washington. They were married a year later and moved to West Virginia. The couple had two children: a daughter, Helen Jane Holt (born in 1945) and a son, Rush Dew Holt, Jr. (born in 1948). When Senator Holt's sister, Jane (Holt) Chase, died in 1952, the couple adopted her son, David. After the Holts returned to West Virginia in 1941, Holt stayed involved in politics by accepting speaking engagements.","During the remainder of the 1940s, Holt ran several times for state offices with modest success. He was elected to the State House of Delegates in 1942 and was reelected in 1944 by write-in vote and 1946 without opposition. After a failed attempt to win the West Virginia Democratic gubernatorial nomination in 1944 and the nomination for United States Senator in 1948, Holt changed political affiliation. Despite this, his lack of success to achieve positions beyond the House of Delegates continued. In 1950, he won the Republican nomination to represent West Virginia's Third District in the United States House of Representatives but lost in the general election, and in 1952 Holt came very close to winning the race for West Virginia governor as the Republican candidate but lost to William Marland by fewer than 30,000 votes. Success returned in 1954 when Holt was elected to the West Virginia House of Delegates by the voters of Lewis County, but he was unable to finish his term due to illness.","Holt died on February 8, 1955 after a long, tough campaign against cancer.","Chronological List of Events:","June 19, 1905: born","1920: graduated from high school","1920-1922: attended West Virginia University","1922-1924: attended Salem College, received a BA degree","1924-1925: taught English and history and served as athletic director at Bedford High School in Virginia","1925-1928: served as athletic director and basketball coach at St. Patrick's High School (Catholic school) in Weston, West Virginia; taught history as a part-time instructor at Glenville Normal School and Salem College; and contributed sport columns to daily West Virginia newspapers","1928: ran as a Democrat for the West Virginia House of Delegates, lost by 500 votes","1930: ran as a Democrat for the West Virginia House of Delegates, won by 2,150 votes, served from 1931-1935","1934: ran as a Democrat for the United States Senate and won despite being only twenty-nine years old","1939: served as a member of the United States delegation to the Interparliamentary Conference in Oslo, Norway","1940: ran for renomination to the Senate, failed to win the primary election","1941: married Helen Louise Froelich","1942: ran as a Democrat for the West Virginia House of Delegates and won, reelected in 1944, 1946, and 1948, served until 1950.","1944: ran as a Democrat for the West Virginia gubernatorial nomination but was unsuccessful","1945: birth of Helen Jane Holt","1948: birth of Rush Dew Holt, Jr.","1948: ran as a Democrat for the United States Senate nomination but was unsuccessful","1948: switched political affiliation to the Republican Party","1952: ran as the Republican candidate for West Virginia Governor but lost to William Marland by fewer than 30,000 votes","1954: ran as a Republican for the West Virginia House of Delegates and won","February 8, 1955: death","Sources:","Coffey, William Ellis. Rush Dew Holt: The Boy Senator. Dissertation, West Virginia University, 1970.","A\u0026M 0873, Rush Dew Holt (1905-1955) Papers, West Virginia and Regional History Center, West Virginia University Libraries.","1858, 3001, 3943, 4039, 4218, 4386","Papers of Rush Dew Holt, Sr. (1905-1955) relating to his personal and political activities. Types of material include publications, clippings, correspondence, photographs, and ephemera, among others. The collection is divided into six series: Personal and Political Papers (1840-2000 and undated) includes correspondence; invitations and cards; material representing campaign activities; and material from college courses, among other material that represents Rush Holt's personal life and political career; and ephemera collected by Rush Holt. Artifacts (1939-1952 and undated) includes personal and political items collected by Rush Holt. Legislative Records (1920-1955 and undated) includes correspondence, reports, publications, clippings, statistics, transcripts, financial records, and project records, among other miscellaneous material relative to Rush Holt's committee-based and general legislative activity. Constituent Services (1923-1954 and undated) includes mail received by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate from constituents providing political opinions to Holt or requesting government publications and bulletins, copies of speeches, educational material, and Rush Holt's recommendation to the United States Military or Naval Academy. Press and Media Activity (1925-2003 and undated) includes original and photocopied articles from newspapers and similar publications, typescripts of press releases, pen-and-ink drawn political cartoons, transcripts of speeches, and sound recordings, among other material representing Rush Holt's involvement with the press and media. Administrative Files (1937-1940) includes material documenting the daily office activities of Rush Holt and his staff during the former's senatorial term.","The collection is divided into six series as follows:","Series 1. Personal and Political Papers; 1840-2000 and undated (bulk 1918-1955)","Includes material related to Rush Holt's personal, family, and political life. Additional material related to his work in politics can be found in Series 3 through 6. Types of material include correspondence; invitations and cards; material representing campaign activities; material from college courses; bills for recordings, radio station receipts, and election expenditures; typescripts, newsletters, manuscripts, and photocopies of material written by Rush Holt; publications to which Rush Holt subscribed and collected; photographs that represent Rush Holt's personal life and political career; ephemera collected by Rush Holt; and election results collected by Rush Holt.","Series 2. Artifacts; 1939-1952 and undated","Includes personal and political items collected by Rush Holt.","Series 3. Legislative Records; 1920-1955 and undated","Includes correspondence, reports, publications, clippings, statistics, transcripts, financial records, and project records, among other miscellaneous material relative to Rush Holt's committee-based and general legislative activity.","Series 4. Constituent Services; 1923-1954 and undated","Includes mail received by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate from constituents requesting government publications and bulletins, copies of speeches, educational material, and Rush Holt's recommendation to the United States Military or Naval Academy. In some cases, this series also includes typescript responses, many of which are generic.","Series 5. Press and Media Activity; 1925-2003 and undated (bulk 1925-1955)","Includes original and photocopied articles from newspapers and similar publications, typescripts of press releases, pen-and-ink drawn political cartoons, transcripts of speeches, and sound recordings, among other material representing Rush Holt's involvement with the press and media.","Series 6. Administrative Files; 1937-1940","Includes material documenting the daily office activities of Rush Holt and his staff during the former's senatorial term.","Includes material related to Rush Holt's personal, family, and political life. Additional material related to his work in politics can be found in Series 3 through 6. Types of material include correspondence; invitations and cards; material representing campaign activities; material from college courses; bills for recordings, radio station receipts, and election expenditures; typescripts, newsletters, manuscripts, and photocopies of material written by Rush Holt; publications to which Rush Holt subscribed and collected; photographs that represent Rush Holt's personal life and political career; ephemera collected by Rush Holt; and election results collected by Rush Holt.","Includes correspondence relating to the personal and political issues of Rush Holt's life.","Because of different original series of correspondence, in addition to maintaining this original order, the material of this series, as a whole, is not in chronological order.","Personal correspondence topics include Rush Holt's marriage to Helen Louise Froelich, family matters such as births and deaths, holidays, Rush Holt's illness, and general correspondence with family and friends, among others.","Political correspondence topics include an anti-lynching bill which is represented by letters between Rush Holt and Walter White, former secretary for the National Association for the Advancement of Colored People; the United Mine Workers of America which is represented by correspondence between Rush Holt and Frank Miley, former president of the United Mine Workers of America, District 31; and the seating issue from when Rush Holt was first elected to the Senate; among others.","Other prominent correspondents/subjects of correspondence include Joe Alderson, former WPA Director in Lewis County, West Virginia; Van A. Bittner, former president of United Mine Workers Association District 12; James A. Farley, former chairman of the Democratic National Committee; and Frank Miley, former president of the United Mine Workers of America, District 31, among others.","Items of note include political-related correspondence with Spencer Bonaventure Tracey (located in box 229, folder 7), Louise B. Mayer (located in box 229, folder 8), Walt Disney (located in box 229, folder 9), and James Cagney (located in box 229, folder 11). Other items of note include a poem titled Rejected (not Holt's) that is set in Hell and portrays President Franklin D. Roosevelt as a sinner (located in box 238, folder 3), and a letter from President Harry S. Truman (located in box 357, folder 1).","For correspondence directly related to Rush Holt's campaigns, please see Series 1. Personal and Political Papers—Campaign Material.","For Utility Investigating Committee-related correspondence, please see Series 3. Legislative Records—West Virginia House of Delegates Utility Investigating Committee","For Government Costs Committee-related correspondence, please see Series 3. Legislative Records—West Virginia House of Delegates State Government Costs Committee.","For Interstate Cooperation Commission-related correspondence, please see Series 3. Legislative Records—West Virginia House of Delegates Interstate Cooperation Commission.","For Works Progress Administration-related correspondence, please see Series 3. Legislative Records—Works Progress Administration.","Includes invitations and cards retained by Rush Holt. Also includes a small subset of Holt's responses.","Invitations represent both public and private events including graduations, weddings, and dinners, among others.","Cards are inclusive of general greeting cards, sympathy cards for the deaths of Rush Holt's parents, and get-well cards.","Significant items include invitations to attend events at the White House (located in box 312, folder 10) and an invitation to attend the 1939 World's Fair (located in box 340, folder 5).","Included in this series are letters and telegrams that are interleaved with cards and that possess a similar theme.","Includes material representing Rush Holt's activities during his political campaigns for West Virginia and national offices.","Types of material include broadsides, correspondence, newspaper mats, publicity releases, and speeches, among others.","Items of note include certificates of election for the West Virginia House of Delegates (located in box 369, folder 1).","Includes Rush Holt's diploma from Weston High School and material from LaSalle Extension University Law and Practical Accounting courses in which Rush Holt enrolled.","Types of material include coursework, examinations, and records of final grades.","An item of note is Rush Holt's high school diploma (located in box 1, folder 6).","Includes bills for recordings, radio station receipts, and election expenditures information that Rush Holt retained.","For the sound recordings mentioned in this material in addition to other recordings by Rush Holt, please see Series 5. Press and Media Activity--Recordings.","Includes typescripts, newsletters, manuscripts, and photocopies of newspaper articles written by Rush Holt.","Typescripts include Facts and Figures (numbers 1-224) and Politics in West Virginia (numbers 1-118). These serial publications are also partially represented by the photocopied articles. Facts and Figures appears to be a regular column that Holt wrote from 1947 through 1953, though perhaps not continuously.","Copies of The West Virginia Taxpayer, a newsletter written and published by Rush Holt, are also included and span from December 1948 to November 1954. Correspondence regarding support for this publication can be found in Series 4. Constituent Services—General Constituent Mail.","Manuscripts by Rush Holt include Who's Who Among the War Mongers: Merchants of Death and Their Stooges (located in box 306, folders 1 and 2), The British Network: A Study of Fifth Column Activities in the United States (located in box 306, folders 3 and 4), and The President Moves Toward War (located in box 339, folders 4 and 5).","Includes publications such as magazines, newsletters, bulletins, brochures, and pamphlets, among other types of publications to which Rush Holt subscribed and collected.","Topics include neutrality, war propaganda, taxes, and utilities, among others.","Publications include Uncensored, Social Justice, Public Assistance, West Virginia utility reports, and tax publications from different states, among others.","An item of note is the photocopied section of Sherwood Anderson's Puzzled America that mentions Rush Holt (located in box 370, folder 10). A copy of the whole book is available through West Virginia University's Downtown Library (call number: E806.A652 1970).","Includes photographs that represent Rush Holt's personal life and political career. Photographs depict Rush Holt and his family, among other prominent individuals.","Personal life photographs include Rush Holt's and Helen Louise Froelich's wedding and photographs taken of Rush Holt and his family during holidays and other special occasions.","Political career photographs comprise the majority of this series and represent occasions such as sessions of the West Virginia Legislature, political conventions, and campaign events including Dwight Eisenhower's \"Whistle Stop\" presidential campaign through West Virginia (located in box 370, folder 13), among others.","Prominent individuals include James Farley, former postmaster general during the first two administrations of President Franklin D. Roosevelt (signed photograph located in box 1, folder 1); individuals involved with WCHS News, including Ron Edwards; and former Vice President John N. Garner (signed photograph located in box 370, folder 16), among other politicians.","For additional photographs of Rush Holt, please see the West Virginia \u0026 Regional History Center's digitized OnView collection.","Includes items collected by Rush Holt such as personal nameplates, political and historical ephemera, tickets to events, and personal items, among others.","Political and historical ephemera includes an \"America First\" ribbon (located in box 341, folder 2), a campaign ribbon from the 1840 Van Buren and Johnson election (located in box 341, folder 2), and a Confederate ten dollar bill (located in box 341, folder 2).","Tickets to events are representative of commencements and sporting events in West Virginia, the premiere of Disney's Fantasia in Washington, D.C., and the 1952 Republican National Convention, among others.","Personal items include material from a fraternity to which Rush Holt belonged, items (pictures, cards, licenses) from his wallets, and material from a Bible class Rush Holt taught.","The wallets from which the personal pictures, cards, and licenses were removed are located in Series 2. Artifacts.","Includes miscellaneous material collected by Rush Holt.","Types of material include newspaper clippings, reports, publications, and correspondence, and election-related records, among others.","Topics include other senators (e.g., Joe Guffey of Pennsylvania and H. D. Hatfield of West Virginia), labor, railroads, and the Supreme Court, among others.","Items of note include a certificate confirming Rush Holt's initiation into the National Society of the Sons of the American Revolution (located in box 1, loose); maps that detail election results for different offices including governor, House of Delegates, etc. in West Virginia (located in box 147, folder 8); Rush Holt's diary (located in box 166, folder 1), material relating to John L. Lewis and the Congress of Industrial Organizations (located in box 151, folders 1 to 3); a list of individuals who have sat in the same Senate desk that Rush Holt did (located in box 369, folder 13); a prayer authored by Rush Holt (located in box 372, folder 7); and material relating to the Rush Holt Endowment at West Virginia University (located in box 372, folder 8).","Includes election material collected by Holt, such as facsimile abstracts of votes, primary election results, lists of voters, and more. The main geographical focus is Lewis County, WV.","Includes personal and political items collected by Rush Holt.","Items of note include a personalized \"Holt for Governor\" license plate and a senatorial campaign button (located in box 374), a \"liberty\" embroidered cloth (located in box 4), and a West Virginia state flag (located in box 4).","Includes correspondence, reports, publications, clippings, statistics, transcripts, financial records, and project records, among other miscellaneous material relative to Rush Holt's committee-based and general legislative activity.","For records of speeches delivered in the West Virginia Legislature and the United States Senate, please see Series 5. Press and Media Activity—Speeches.","It should be noted that there exists a gap in the legislative records; thus, Rush Holt's senatorial papers are not represented as completely as those from the West Virginia House of Delegates. For material pertaining to the senatorial years, please refer to the Miscellaneous section of this series, or check the Records of the U.S. Senate at the National Archives and Records Administration.","Includes correspondence, reports, and clippings bearing primarily upon Rush Holt's activities as chairman of the Utility Investigating Committee","The material is representative of Rush Holt's interaction with and study of utility companies throughout West Virginia and the United States.","Topics include gas, electricity, fuel rates, and municipal-owned utilities, among others.","Material of note includes testimonies of utility representatives during special hearings to examine the costs of state utilities. These hearings were held in Charleston, West Virginia between February 6, 1933 and April 11, 1933 (located in box 177, folder 1 to box 180, folder 4).","Includes correspondence, statistics, reports, and transcripts relative to Rush Holt's activity with the Government Costs Committee.","Correspondence includes letters sent and received by Rush Holt regarding expenditures for West Virginia and other states.","Statistics and reports include information sent to and gathered by Rush Holt regarding state-owned cars in West Virginia.","Institutions and departments represented include the Department of Agriculture, West Virginia University, Huntington State Hospital, the Department of Mines, and the State Road Commission, among others.","The transcript document testimonies in the February 5 to March 1, 1943 hearings to investigate the cost of state government for which Rush Holt served as chairman. Entities represented by the testimonies include the Publicity Commission, the Bureau of Negro Welfare, the Road Commission, and the Labor Department, among others.","Includes financial records requested by and maintained by Rush Holt during his time as a member of the Interstate Cooperation Commission.","Types of records include correspondence, financial and payroll statistics, and budgetary reports, among others.","Entities represented include departments of state, governmental offices of state, educational institutions (including West Virginia University), and hospitals, among others.","Includes correspondence, payroll records, project records, and other miscellaneous material relative to the activities of the Works Progress Administration that Rush Holt gathered. It should be noted that while he was not an administrator of the Works Progress Administration, Rush Holt used his legislative position to discover and draw attention to the organization that he believed had been corrupted.","Correspondence is comprised of letters to and from Rush Holt concerning the status of projects in West Virginia counties. Also included are incoming letters from around the United States relating to Holt's speeches, actions, and beliefs concerning the Works Progress Administration.","Payroll records include copies of salaries received for positions of different projects in West Virginia counties. These records include location information, project numbers, position titles, and salary amounts.","Project records include information relating to the cost of rentals, supplies, and bids, among other project expenditures.","Includes typescripts, statistics, publications, reports, and other miscellaneous records pertaining to Rush Holt's legislative activity.","Topics represented by the material include municipal operations, education, neutrality, and immigration, among others.","Records of note include copies of the West Virginia Legislature Journal for the 1944 first extraordinary session of the state's House of Delegates and Senate (located in box 339, folder 14), a five-year plan for West Virginia highways (located in box 294, folder 6), and annual reports written and sent to the West Virginia Public Service Commission (located in box 296, folder 2 to box 297, folder 2).","Additional correspondence related to Holt's legislative activity, and more general political topics, can be found in Series 1. Personal and Political Papers—Correspondence and Miscellaneous.","Includes mail received by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate from constituents requesting government publications and bulletins, copies of speeches, educational material, and Rush Holt's recommendation to the United States Military or Naval Academy. In some cases, this series also includes typescript responses, many of which are generic.","Includes constituent mail received and sent by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate.","Because of different original series of correspondence (including general correspondence, second copies, and correspondence sorted by topic), in addition to maintaining this original order, the material of this series, as a whole, is not in chronological order. It should also be noted that the letters that have been sorted by topic are not a complete representation of that subject.","Topics include World War II, neutrality, political issues (such as the Supreme Court proposed alteration, Rush Holt's age at the time of his election to the Senate, presidential third terms, etc.), state construction projects (such as roads and infrastructure), and state programs and relief efforts for issues such as the 1936 silicosis incident in West Virginia, among others.","General correspondence is arranged chronologically, then foldered by first letter of last name. It includes basic requests for material, facts, or brief opinions. Copies of typescript responses are stapled to the original constituent letter.","Second copies correspondence is arranged chronologically, but it contains only the typescript copies of Rush Holt's responses. For some, the first copy typescript and original letter are located in general correspondence; however, others are not.","Supreme Court correspondence is organized into two groups: Individuals for and against the proposed change. Attached to the initial letters from constituents is Rush Holt's response, and for those against the change, there are also form letters offering a publication commemorating the 150th anniversary of the first congressional meeting.","There are also a few boxes of West Virginia Taxpayer correspondence that include outgoing typescript copies of letters, mostly letters of thanks and solicitation for donations/subscription to support Holt's newsletter/publication, the West Virginia Taxpayer. There is a small amount of incoming correspondence as well. Copies of this publication can be found in Series 1. Personal and Political Papers, Publications.","For an example of a constituent mail log, please see Series 6. Administrative Files.","Additional constituent mail may also be found in Series 1. Personal and Political Papers—Correspondence.","Includes copies of correspondence between Rush Holt and constituents asking for the former's recommendation to the United States Military Academy (West Point) or Naval Academy (Annapolis).","Includes constituent letters asking for government publications and bulletins, copies of speeches, and educational material. The material is generally separated by date and state or correspondent.","Requests for government publications and bulletins include a mixture of educational and personal use requests for publications such as the Agricultural Yearbook and the Farmer's Bulletin. Also included are requests for publications about political topics (e.g. a presidential third term).","Requests for speeches include letters from constituents reflecting their opinions about Rush Holt's speeches in addition to asking for copies. Topics of speeches requested include World War II (particularly the \"Youth Faces War\" and \"Keep America Neutral\" speeches), the Works Progress Administration, the Supreme Court issue, the Conscription bill, and the Burke-Wardsworth bill, among others.","Requests for educational material are primarily from teachers and students asking Rush Holt for material to support curriculum activities. Subjects represented include vocational school topics and issues, West Virginia and United States geography, and United States commerce, among others.","Includes original and photocopied articles from newspapers and similar publications, typescripts of press releases, pen-and-ink drawn political cartoons, transcripts of speeches, and sound recordings, among other material representing Rush Holt's involvement with the press and media.","Includes both original and photocopied articles from newspapers and similar publications retained by Rush Holt. Entire issues are also included in this series. Some clippings have been pasted into scrapbooks.","Topics represented are a combination of personal and political interests.","Personal topics include Rush Holt's wedding to Helen Louise Froelich, the Holt family, and the Rush Holt History Conference at West Virginia University (1998-2003), among others.","Political topics include Rush Holt's campaigns and elections, the Congress of Industrial Organizations, the Works Progress Administration, and neutrality issues, among others.","Includes copies of typed press releases regarding speeches delivered by Rush Holt, or those with similar opinions, throughout his political career.","Topics addressed include neutrality, foreign policy, social security, and the presidential third term issue, among others.","Includes pen and ink drawings by a variety of artists for political cartoons documenting news issues of the day including the West Virginia politics, President Franklin D. Roosevelt, World War II, and isolationism, among others.","Twenty-three of these cartoons were used for a campaign booklet advocating Rush Holt's candidacy for governor of West Virginia (1952).","To see digitized copies of these Holt political cartoons, please visit  the Rush Holt Political Cartoons digital collection.","Includes material documenting the daily office activities of Rush Holt and his staff during the former's senatorial term.","Types of material include daily reports, lists of letters received requesting information, and records of work performed by the office staff.","Daily reports document visits, appointments, and calls to Rush Holt's office for the periods of December 6, 1937 to December 31, 1938, the entire year of 1939, and January 3, 1940 to November 9, 1940.","Lists of letters received provide a chronological register of constituents' writings to Rush Holt between 1939 and 1940. It should be noted, however, that these records provide only basic information and do not indicate the subject of the correspondence.","Records of work performed provide documentation of tasks completed by Rush Holt's Senate office employees. It should be noted that these records, while detailed, are limited to the first half of 1940 (January to June).","For an example of outgoing political form letters, mass mailings, and mailing lists, see Series 4. Constituent Services—General Constituent Mail (boxes 291 and 292).","Ephemeral items not specific to Rush Dew Holt were moved to the Printed Ephemera Collection. Several local basketball scorecards were moved to A\u0026M 4216, the Annual West Virginia State High School Basketball Tournament Programs collection.","17 reels of undated sound recordings, chiefly relating to the political career of Rush Dew Holt, were separated to the oral history collection, C432 R699-R715 (17 tapes). These tapes include some personal material as well.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Papers of Rush Dew Holt, Sr. (1905-1955) relating to his personal and political activities. Types of material include publications, clippings, correspondence, photographs, and ephemera, among others. The collection is divided into six series: Personal and Political Papers (1840-2000 and undated), Artifacts (1939-1952 and undated), Legislative Records (1920-1955 and undated), Constituent Services (1923-1954 and undated), Press and Media Activity (1925-2003 and undated), and Administrative Files (1937-1940).","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","America First Committee","American Federation of Labor","Congress of Industrial Organizations (U.S.)","United States. National Bituminous Coal Commission","United States. National Labor Relations Board","Progressive Mine Workers of America","United Mine Workers of America","United States. National Recovery Administration","United States. Supreme Court","United States. Congress. Senate","West Virginia. Legislature","United States. Works Progress Administration","Democratic Party (U.S.)","Weston State Hospital","Holt, Rush Dew, 1905-1955","Bittner, Van A. (Van Amberg), 1885-1949","Black, Hugo LaFayette, 1886-1971","Coughlin, Charles E.","Edmiston, Andrew.","Farley, James A. (James Aloysius), 1888-1976","Green, William.","Holt, Helen Louise Froelich, 1913-2015","Holt, Mathew S., 1850-1939","Hopkins, Harry L. (Harry Lloyd), 1890-1946","Ickes, Harold L. (Harold LeClair), 1874-1952","Kump, Herman Guy, 1877-1962","La Follette, Robert M. (Robert Marion), 1855-1925","Neely, Matthew Mansfield, 1874-1958","Lewis, John L. (John Llewellyn), 1880-1969","Long, Huey Pierce, 1893-1935","English"],"collection_title_tesim":["Rush Dew Holt (1905-1955) Papers, 1840/2003, bulk 1918/1955"],"collection_ssim":["Rush Dew Holt (1905-1955) Papers, 1840/2003, bulk 1918/1955"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 0873","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3687"],"unitid_tesim":["A\u0026M 0873","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3687"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Lewis County.","West Virginia -- Politics and government","United States -- Politics and government"],"geogname_ssim":["Lewis County.","West Virginia -- Politics and government","United States -- Politics and government"],"places_ssim":["Lewis County.","West Virginia -- Politics and government","United States -- Politics and government"],"creator_ssm":["Holt, Rush Dew, 1905-1955"],"creator_ssim":["Holt, Rush Dew, 1905-1955"],"creator_persname_ssim":["Holt, Rush Dew, 1905-1955","Bittner, Van A. (Van Amberg), 1885-1949","Black, Hugo LaFayette, 1886-1971","Coughlin, Charles E.","Edmiston, Andrew.","Farley, James A. (James Aloysius), 1888-1976","Green, William.","Holt, Helen Louise Froelich, 1913-2015","Holt, Mathew S., 1850-1939","Hopkins, Harry L. (Harry Lloyd), 1890-1946","Ickes, Harold L. (Harold LeClair), 1874-1952","Kump, Herman Guy, 1877-1962","La Follette, Robert M. (Robert Marion), 1855-1925","Neely, Matthew Mansfield, 1874-1958","Lewis, John L. (John Llewellyn), 1880-1969","Long, Huey Pierce, 1893-1935"],"creator_corpname_ssim":["West Virginia and Regional History Center","America First Committee","American Federation of Labor","Congress of Industrial Organizations (U.S.)","United States. National Bituminous Coal Commission","United States. National Labor Relations Board","Progressive Mine Workers of America","United Mine Workers of America","United States. National Recovery Administration","United States. Supreme Court","United States. Congress. Senate","West Virginia. Legislature","United States. Works Progress Administration","Democratic Party (U.S.)","Weston State Hospital"],"creators_ssim":["Holt, Rush Dew, 1905-1955","Bittner, Van A. (Van Amberg), 1885-1949","Black, Hugo LaFayette, 1886-1971","Coughlin, Charles E.","Edmiston, Andrew.","Farley, James A. (James Aloysius), 1888-1976","Green, William.","Holt, Helen Louise Froelich, 1913-2015","Holt, Mathew S., 1850-1939","Hopkins, Harry L. (Harry Lloyd), 1890-1946","Ickes, Harold L. (Harold LeClair), 1874-1952","Kump, Herman Guy, 1877-1962","La Follette, Robert M. (Robert Marion), 1855-1925","Neely, Matthew Mansfield, 1874-1958","Lewis, John L. (John Llewellyn), 1880-1969","Long, Huey Pierce, 1893-1935","West Virginia and Regional History Center","America First Committee","American Federation of Labor","Congress of Industrial Organizations (U.S.)","United States. National Bituminous Coal Commission","United States. National Labor Relations Board","Progressive Mine Workers of America","United Mine Workers of America","United States. National Recovery Administration","United States. Supreme Court","United States. Congress. Senate","West Virginia. Legislature","United States. Works Progress Administration","Democratic Party (U.S.)","Weston State Hospital"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gifts of Holt, Helen F., 1956-2016."],"access_subjects_ssim":["Coal mining - Labor organization.","Education","Elections","Guffey Coal Act.","New Deal, 1933-1939","Politics and government.","Public utilities","Taxation","Unions.","United States - Social Security.","Social Security -- United States","Wheeler-Rayburn Holding Company Act","Isolationism -- United States -- History -- 20th Century","World War, 1939-1945","Politicians -- United States"],"access_subjects_ssm":["Coal mining - Labor organization.","Education","Elections","Guffey Coal Act.","New Deal, 1933-1939","Politics and government.","Public utilities","Taxation","Unions.","United States - Social Security.","Social Security -- United States","Wheeler-Rayburn Holding Company Act","Isolationism -- United States -- History -- 20th Century","World War, 1939-1945","Politicians -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["156.21 Linear Feet 156 ft. 2 1/2 in. (360 document cases, 5 in. each); (1 document case, 4 in.); (14 document cases, 2 1/2 in.); (1 flat storage box, 5 in.); (1 flat storage box, 3 1/2 in.); (2 flat storage boxes, 3 in. each); (3 flat storage boxes, 2 1/2 in. each); (9 flat storage boxes, 1 1/2 in. each); (\n44 photos in photograph filing cabinets)","11.7 Gigabytes 131 TIFF files, 2 PDF files"],"extent_tesim":["156.21 Linear Feet 156 ft. 2 1/2 in. (360 document cases, 5 in. each); (1 document case, 4 in.); (14 document cases, 2 1/2 in.); (1 flat storage box, 5 in.); (1 flat storage box, 3 1/2 in.); (2 flat storage boxes, 3 in. each); (3 flat storage boxes, 2 1/2 in. each); (9 flat storage boxes, 1 1/2 in. each); (\n44 photos in photograph filing cabinets)","11.7 Gigabytes 131 TIFF files, 2 PDF files"],"date_range_isim":[1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp style=\"color: red;\"\u003e\u003cemph render=\"bold\"\u003eNo special access restriction applies.\u003c/emph\u003e\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"arrangement_html_tesm":["\u003cp\u003eThis collection is one of five (see also A\u0026amp;M 1858, 4218, 4039, and 3943) pertaining to Rush Dew Holt, Sr. and his family. The records have been gathered via multiple accruals from 1956 to 2016. Originally, these collections were divided between A\u0026amp;M 873 and A\u0026amp;M 1701, the latter also being composed of thirteen addenda and A\u0026amp;M 1858. \u003c/p\u003e","\u003cp\u003eIn an attempt to organize the collections in a more coherent fashion for patron use and to reflect the creator(s) in a more concise manner, the material was reevaluated and reorganized into the three sets of papers with distinct series and subseries: A\u0026amp;M 873: Rush Dew Holt (1905-1955) Papers; A\u0026amp;M 1858: Helen Holt (1913-2015) Papers; and A\u0026amp;M 4218: Rush Dew Holt Family Papers.\u003c/p\u003e","\u003cp\u003eBecause of the 2016-2017 reorganization, the physical arrangement no longer matches the intellectual arrangement and series order. Furthermore, any box and folder citations created prior to the above-mentioned project are likely no longer accurate. \u003c/p\u003e","\u003cp\u003eFor assistance locating material using an older citation, please ask a staff member of the West Virginia \u0026amp; Regional History Center.    \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is one of five (see also A\u0026M 1858, 4218, 4039, and 3943) pertaining to Rush Dew Holt, Sr. and his family. The records have been gathered via multiple accruals from 1956 to 2016. Originally, these collections were divided between A\u0026M 873 and A\u0026M 1701, the latter also being composed of thirteen addenda and A\u0026M 1858.","In an attempt to organize the collections in a more coherent fashion for patron use and to reflect the creator(s) in a more concise manner, the material was reevaluated and reorganized into the three sets of papers with distinct series and subseries: A\u0026M 873: Rush Dew Holt (1905-1955) Papers; A\u0026M 1858: Helen Holt (1913-2015) Papers; and A\u0026M 4218: Rush Dew Holt Family Papers.","Because of the 2016-2017 reorganization, the physical arrangement no longer matches the intellectual arrangement and series order. Furthermore, any box and folder citations created prior to the above-mentioned project are likely no longer accurate.","For assistance locating material using an older citation, please ask a staff member of the West Virginia \u0026 Regional History Center."],"bioghist_html_tesm":["\u003cp\u003eRush Dew Holt was born in Weston, West Virginia, on June 19, 1905 to parents, Dr. Matthew S. Holt and Chihela (Dew) Holt. From an early age, Holt displayed scholarly potential. By age three, he was able to read first-grade primers, and eventually became interested in numerous topics for which he was able to provide detailed statistics. Among these interests was politics, and by age six, Holt had decided he would become a Democrat.\u003c/p\u003e","\u003cp\u003eThe potential displayed by Holt as a child continued into his school years. At age five, he began public education in the second grade, and he skipped grades on two more occasions. He attended Weston High School, and after graduating with honors at age fourteen, Holt applied to the University of Cincinnati; however, the register rejected the application because Holt, while academically qualified, was considered too young. Not one to admit defeat, a trait that would prove to be a lifelong characteristic, Holt turned to West Virginia University where he was accepted. As the youngest member of the freshman class, Holt found it difficult to obtain full acceptance as a college student, and his academic record reflected his apparent dissatisfaction. After two years at West Virginia University, Holt transferred to Salem College where the enrollment was smaller (approximately 300 students) and where he was able to live with his uncle, Professor Samuel Dew. It was at Salem College that Holt regained his self-confidence. His academic performance improved, and he maintained a B-plus average. In addition to academics, Holt excelled on the debate team. He was the editor-in-chief of the school paper, and he managed the tennis team.\u003c/p\u003e","\u003cp\u003eIn 1924, Holt received a Bachelor of Arts Degree and qualification to teach at secondary schools. Shortly after his graduation, he was hired to teach at Bedford High School in Virginia where he taught English and history in addition to serving as the school's athletic director. After one academic year, Holt returned to Weston, West Virginia, where he took a position at St. Patrick's High School as the athletic director. Holt also coached the basketball team with abundant success, leading the team to two national tournaments for Catholic schools. During this time, Holt also taught history as a part-time instructor at Glenville Normal School and Salem College, but his fascination with athletics persisted. In addition to coaching and occasional officiating, Holt also began writing about sports. Eventually, he began to contribute columns to daily West Virginia newspapers.\u003c/p\u003e","\u003cp\u003eBy the late 1920s, Holt was attracted to the political environment, and he began to contribute to candidates who were friends of and/or who shared the views of his father. In the summer of 1928, Holt went one step further by announcing his candidacy as a Democrat for the West Virginia House of Delegates. Despite Lewis County having been predominately Republican, in addition to not having received significant party backing, Holt still obtained a higher-than-expected amount of support, losing his race by only 500 votes. Once again, however, Holt would not admit defeat. In 1930 Holt again announced his candidacy for the West Virginia House of Delegates. During the campaign, he visited locations all around Lewis County, spoke to anyone who would listen, and ensured that the grievances such as those concerning government cost, increased taxes, and the power of privately owned public utilities would all be addressed. As expected with any campaign, Holt received criticism, and those who opposed him likened the young politician to his father who they declared was a radical, a socialist, and an atheist. Despite the scornful claims, Holt, by a margin of 2,150 votes, was elected to his first public office as a Democrat to the West Virginia Legislature where he served from 1931-1935. During his years as a delegate, as promised during his campaign, Holt spoke out against corrupt practices such as government spending, an issue he addressed not even a week into the 1931 session. In addition to debating issues in the House, Holt also wrote to state supported universities, highway commissioners, and auditors in West Virginia and numerous other states to gather financial figures concerning spending, salaries, and taxes among others. Holt also began an investigation in 1931 to uncover rates, operating costs, and profits of privately and publically owned utility companies. All of these endeavors were only the first chapter in Holt's political career.\u003c/p\u003e","\u003cp\u003eBy 1934 he had gained the political support and the backing of union workers which was enough to defeat incumbent United States Senator Henry Hatfield. At age twenty-nine, Holt became the youngest person to win a United States Senate seat; however, there was immediate criticism. No sooner had the votes been tallied before a protest was filed concerning Holt's credentials: the fact that he had run for an office when he had not been of the required age. In addition to discontent within his own state, Holt also received overwhelming opposition in Washington, D.C. from Senate Republicans who threatened to object on the grounds of the constitutional age requirement. Despite the criticism, Holt's election was not overturned; however, he had to wait until he turned thirty, over five months after the Seventy-forth Congress had convened, before he could participate in senatorial proceedings.\u003c/p\u003e","\u003cp\u003eJust as he had been active in the West Virginia Legislature, Holt did not hesitate to address both major and minor issues on Capitol Hill either. During his time in the Senate, Holt served on several committees including Education and Labor, Immigration, Mines and Mining, Naval Affairs, and Post Offices and Post Roads. He also served as a member of the United States delegation to the 1939 Interparliamentary Conference in Oslo, Norway.\u003c/p\u003e","\u003cp\u003eAlthough Holt had once been referred to as President Franklin Delano Roosevelt's \"Golden Boy,\" such alliances and the policies that had formed them began to dissolve by 1936. He became estranged from fellow Democrat and West Virginian Senator Matthew Neely, and Holt ended his support for the United Mine Workers of America and the Works Progress Administration, the latter of which he claimed was corrupt. Eventually, Holt criticized the Roosevelt administration for its New Deal policies, he adamantly fought Roosevelt's attempt to alter the Supreme Court by changing the number of sitting justices from nine to twelve, and he spoke out against the proposition of allowing a presidential third term. Furthermore, as unrest began in Europe with Germany's invasion of Poland, Holt campaigned against any attempts by the administration to involve the United States in the War. The responses from constituents about Holt's actions were mixed; nevertheless, the young senator's sudden change led to his unsuccessful renomination attempt in 1940. Holt did not even make it past the primary election.\u003c/p\u003e","\u003cp\u003eAfter his Senate term ended, Holt remained in Washington, D.C. and began to support himself as a lecturer and a writer of political issues, particularly neutrality for which he received the support of the America First Committee. It was also during this time that Holt met Helen Louise Froelich, a biology teacher at National Park College near Washington. They were married a year later and moved to West Virginia. The couple had two children: a daughter, Helen Jane Holt (born in 1945) and a son, Rush Dew Holt, Jr. (born in 1948). When Senator Holt's sister, Jane (Holt) Chase, died in 1952, the couple adopted her son, David. After the Holts returned to West Virginia in 1941, Holt stayed involved in politics by accepting speaking engagements. \u003c/p\u003e","\u003cp\u003eDuring the remainder of the 1940s, Holt ran several times for state offices with modest success. He was elected to the State House of Delegates in 1942 and was reelected in 1944 by write-in vote and 1946 without opposition. After a failed attempt to win the West Virginia Democratic gubernatorial nomination in 1944 and the nomination for United States Senator in 1948, Holt changed political affiliation. Despite this, his lack of success to achieve positions beyond the House of Delegates continued. In 1950, he won the Republican nomination to represent West Virginia's Third District in the United States House of Representatives but lost in the general election, and in 1952 Holt came very close to winning the race for West Virginia governor as the Republican candidate but lost to William Marland by fewer than 30,000 votes. Success returned in 1954 when Holt was elected to the West Virginia House of Delegates by the voters of Lewis County, but he was unable to finish his term due to illness.\u003c/p\u003e","\u003cp\u003eHolt died on February 8, 1955 after a long, tough campaign against cancer.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eChronological List of Events:\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eJune 19, 1905: born\u003c/p\u003e","\u003cp\u003e1920: graduated from high school\u003c/p\u003e","\u003cp\u003e1920-1922: attended West Virginia University\u003c/p\u003e","\u003cp\u003e1922-1924: attended Salem College, received a BA degree \u003c/p\u003e","\u003cp\u003e1924-1925: taught English and history and served as athletic director at Bedford High School in Virginia\u003c/p\u003e","\u003cp\u003e1925-1928: served as athletic director and basketball coach at St. Patrick's High School (Catholic school) in Weston, West Virginia; taught history as a part-time instructor at Glenville Normal School and Salem College; and contributed sport columns to daily West Virginia newspapers\u003c/p\u003e","\u003cp\u003e1928: ran as a Democrat for the West Virginia House of Delegates, lost by 500 votes \u003c/p\u003e","\u003cp\u003e1930: ran as a Democrat for the West Virginia House of Delegates, won by 2,150 votes, served from 1931-1935 \u003c/p\u003e","\u003cp\u003e1934: ran as a Democrat for the United States Senate and won despite being only twenty-nine years old\u003c/p\u003e","\u003cp\u003e1939: served as a member of the United States delegation to the Interparliamentary Conference in Oslo, Norway\u003c/p\u003e","\u003cp\u003e1940: ran for renomination to the Senate, failed to win the primary election\u003c/p\u003e","\u003cp\u003e1941: married Helen Louise Froelich\u003c/p\u003e","\u003cp\u003e1942: ran as a Democrat for the West Virginia House of Delegates and won, reelected in 1944, 1946, and 1948, served until 1950.\u003c/p\u003e","\u003cp\u003e1944: ran as a Democrat for the West Virginia gubernatorial nomination but was unsuccessful  \u003c/p\u003e","\u003cp\u003e1945: birth of Helen Jane Holt\u003c/p\u003e","\u003cp\u003e1948: birth of Rush Dew Holt, Jr.\u003c/p\u003e","\u003cp\u003e1948: ran as a Democrat for the United States Senate nomination but was unsuccessful \u003c/p\u003e","\u003cp\u003e1948: switched political affiliation to the Republican Party \u003c/p\u003e","\u003cp\u003e1952: ran as the Republican candidate for West Virginia Governor but lost to William Marland by fewer than 30,000 votes\u003c/p\u003e","\u003cp\u003e1954: ran as a Republican for the West Virginia House of Delegates and won\u003c/p\u003e","\u003cp\u003eFebruary 8, 1955: death \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSources:\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eCoffey, William Ellis. \u003cemph render=\"italic\"\u003eRush Dew Holt: The Boy Senator.\u003c/emph\u003e Dissertation, West Virginia University, 1970. \u003c/p\u003e","\u003cp\u003eA\u0026amp;M 0873, Rush Dew Holt (1905-1955) Papers, West Virginia and Regional History Center, West Virginia University Libraries.  \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Rush Dew Holt was born in Weston, West Virginia, on June 19, 1905 to parents, Dr. Matthew S. Holt and Chihela (Dew) Holt. From an early age, Holt displayed scholarly potential. By age three, he was able to read first-grade primers, and eventually became interested in numerous topics for which he was able to provide detailed statistics. Among these interests was politics, and by age six, Holt had decided he would become a Democrat.","The potential displayed by Holt as a child continued into his school years. At age five, he began public education in the second grade, and he skipped grades on two more occasions. He attended Weston High School, and after graduating with honors at age fourteen, Holt applied to the University of Cincinnati; however, the register rejected the application because Holt, while academically qualified, was considered too young. Not one to admit defeat, a trait that would prove to be a lifelong characteristic, Holt turned to West Virginia University where he was accepted. As the youngest member of the freshman class, Holt found it difficult to obtain full acceptance as a college student, and his academic record reflected his apparent dissatisfaction. After two years at West Virginia University, Holt transferred to Salem College where the enrollment was smaller (approximately 300 students) and where he was able to live with his uncle, Professor Samuel Dew. It was at Salem College that Holt regained his self-confidence. His academic performance improved, and he maintained a B-plus average. In addition to academics, Holt excelled on the debate team. He was the editor-in-chief of the school paper, and he managed the tennis team.","In 1924, Holt received a Bachelor of Arts Degree and qualification to teach at secondary schools. Shortly after his graduation, he was hired to teach at Bedford High School in Virginia where he taught English and history in addition to serving as the school's athletic director. After one academic year, Holt returned to Weston, West Virginia, where he took a position at St. Patrick's High School as the athletic director. Holt also coached the basketball team with abundant success, leading the team to two national tournaments for Catholic schools. During this time, Holt also taught history as a part-time instructor at Glenville Normal School and Salem College, but his fascination with athletics persisted. In addition to coaching and occasional officiating, Holt also began writing about sports. Eventually, he began to contribute columns to daily West Virginia newspapers.","By the late 1920s, Holt was attracted to the political environment, and he began to contribute to candidates who were friends of and/or who shared the views of his father. In the summer of 1928, Holt went one step further by announcing his candidacy as a Democrat for the West Virginia House of Delegates. Despite Lewis County having been predominately Republican, in addition to not having received significant party backing, Holt still obtained a higher-than-expected amount of support, losing his race by only 500 votes. Once again, however, Holt would not admit defeat. In 1930 Holt again announced his candidacy for the West Virginia House of Delegates. During the campaign, he visited locations all around Lewis County, spoke to anyone who would listen, and ensured that the grievances such as those concerning government cost, increased taxes, and the power of privately owned public utilities would all be addressed. As expected with any campaign, Holt received criticism, and those who opposed him likened the young politician to his father who they declared was a radical, a socialist, and an atheist. Despite the scornful claims, Holt, by a margin of 2,150 votes, was elected to his first public office as a Democrat to the West Virginia Legislature where he served from 1931-1935. During his years as a delegate, as promised during his campaign, Holt spoke out against corrupt practices such as government spending, an issue he addressed not even a week into the 1931 session. In addition to debating issues in the House, Holt also wrote to state supported universities, highway commissioners, and auditors in West Virginia and numerous other states to gather financial figures concerning spending, salaries, and taxes among others. Holt also began an investigation in 1931 to uncover rates, operating costs, and profits of privately and publically owned utility companies. All of these endeavors were only the first chapter in Holt's political career.","By 1934 he had gained the political support and the backing of union workers which was enough to defeat incumbent United States Senator Henry Hatfield. At age twenty-nine, Holt became the youngest person to win a United States Senate seat; however, there was immediate criticism. No sooner had the votes been tallied before a protest was filed concerning Holt's credentials: the fact that he had run for an office when he had not been of the required age. In addition to discontent within his own state, Holt also received overwhelming opposition in Washington, D.C. from Senate Republicans who threatened to object on the grounds of the constitutional age requirement. Despite the criticism, Holt's election was not overturned; however, he had to wait until he turned thirty, over five months after the Seventy-forth Congress had convened, before he could participate in senatorial proceedings.","Just as he had been active in the West Virginia Legislature, Holt did not hesitate to address both major and minor issues on Capitol Hill either. During his time in the Senate, Holt served on several committees including Education and Labor, Immigration, Mines and Mining, Naval Affairs, and Post Offices and Post Roads. He also served as a member of the United States delegation to the 1939 Interparliamentary Conference in Oslo, Norway.","Although Holt had once been referred to as President Franklin Delano Roosevelt's \"Golden Boy,\" such alliances and the policies that had formed them began to dissolve by 1936. He became estranged from fellow Democrat and West Virginian Senator Matthew Neely, and Holt ended his support for the United Mine Workers of America and the Works Progress Administration, the latter of which he claimed was corrupt. Eventually, Holt criticized the Roosevelt administration for its New Deal policies, he adamantly fought Roosevelt's attempt to alter the Supreme Court by changing the number of sitting justices from nine to twelve, and he spoke out against the proposition of allowing a presidential third term. Furthermore, as unrest began in Europe with Germany's invasion of Poland, Holt campaigned against any attempts by the administration to involve the United States in the War. The responses from constituents about Holt's actions were mixed; nevertheless, the young senator's sudden change led to his unsuccessful renomination attempt in 1940. Holt did not even make it past the primary election.","After his Senate term ended, Holt remained in Washington, D.C. and began to support himself as a lecturer and a writer of political issues, particularly neutrality for which he received the support of the America First Committee. It was also during this time that Holt met Helen Louise Froelich, a biology teacher at National Park College near Washington. They were married a year later and moved to West Virginia. The couple had two children: a daughter, Helen Jane Holt (born in 1945) and a son, Rush Dew Holt, Jr. (born in 1948). When Senator Holt's sister, Jane (Holt) Chase, died in 1952, the couple adopted her son, David. After the Holts returned to West Virginia in 1941, Holt stayed involved in politics by accepting speaking engagements.","During the remainder of the 1940s, Holt ran several times for state offices with modest success. He was elected to the State House of Delegates in 1942 and was reelected in 1944 by write-in vote and 1946 without opposition. After a failed attempt to win the West Virginia Democratic gubernatorial nomination in 1944 and the nomination for United States Senator in 1948, Holt changed political affiliation. Despite this, his lack of success to achieve positions beyond the House of Delegates continued. In 1950, he won the Republican nomination to represent West Virginia's Third District in the United States House of Representatives but lost in the general election, and in 1952 Holt came very close to winning the race for West Virginia governor as the Republican candidate but lost to William Marland by fewer than 30,000 votes. Success returned in 1954 when Holt was elected to the West Virginia House of Delegates by the voters of Lewis County, but he was unable to finish his term due to illness.","Holt died on February 8, 1955 after a long, tough campaign against cancer.","Chronological List of Events:","June 19, 1905: born","1920: graduated from high school","1920-1922: attended West Virginia University","1922-1924: attended Salem College, received a BA degree","1924-1925: taught English and history and served as athletic director at Bedford High School in Virginia","1925-1928: served as athletic director and basketball coach at St. Patrick's High School (Catholic school) in Weston, West Virginia; taught history as a part-time instructor at Glenville Normal School and Salem College; and contributed sport columns to daily West Virginia newspapers","1928: ran as a Democrat for the West Virginia House of Delegates, lost by 500 votes","1930: ran as a Democrat for the West Virginia House of Delegates, won by 2,150 votes, served from 1931-1935","1934: ran as a Democrat for the United States Senate and won despite being only twenty-nine years old","1939: served as a member of the United States delegation to the Interparliamentary Conference in Oslo, Norway","1940: ran for renomination to the Senate, failed to win the primary election","1941: married Helen Louise Froelich","1942: ran as a Democrat for the West Virginia House of Delegates and won, reelected in 1944, 1946, and 1948, served until 1950.","1944: ran as a Democrat for the West Virginia gubernatorial nomination but was unsuccessful","1945: birth of Helen Jane Holt","1948: birth of Rush Dew Holt, Jr.","1948: ran as a Democrat for the United States Senate nomination but was unsuccessful","1948: switched political affiliation to the Republican Party","1952: ran as the Republican candidate for West Virginia Governor but lost to William Marland by fewer than 30,000 votes","1954: ran as a Republican for the West Virginia House of Delegates and won","February 8, 1955: death","Sources:","Coffey, William Ellis. Rush Dew Holt: The Boy Senator. Dissertation, West Virginia University, 1970.","A\u0026M 0873, Rush Dew Holt (1905-1955) Papers, West Virginia and Regional History Center, West Virginia University Libraries."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Rush Dew Holt (1905-1955) Papers, A\u0026amp;M 0873, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Rush Dew Holt (1905-1955) Papers, A\u0026M 0873, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e1858, 3001, 3943, 4039, 4218, 4386\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["1858, 3001, 3943, 4039, 4218, 4386"],"scopecontent_html_tesm":["\u003cp\u003ePapers of Rush Dew Holt, Sr. (1905-1955) relating to his personal and political activities. Types of material include publications, clippings, correspondence, photographs, and ephemera, among others. The collection is divided into six series: Personal and Political Papers (1840-2000 and undated) includes correspondence; invitations and cards; material representing campaign activities; and material from college courses, among other material that represents Rush Holt's personal life and political career; and ephemera collected by Rush Holt. Artifacts (1939-1952 and undated) includes personal and political items collected by Rush Holt. Legislative Records (1920-1955 and undated) includes correspondence, reports, publications, clippings, statistics, transcripts, financial records, and project records, among other miscellaneous material relative to Rush Holt's committee-based and general legislative activity. Constituent Services (1923-1954 and undated) includes mail received by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate from constituents providing political opinions to Holt or requesting government publications and bulletins, copies of speeches, educational material, and Rush Holt's recommendation to the United States Military or Naval Academy. Press and Media Activity (1925-2003 and undated) includes original and photocopied articles from newspapers and similar publications, typescripts of press releases, pen-and-ink drawn political cartoons, transcripts of speeches, and sound recordings, among other material representing Rush Holt's involvement with the press and media. Administrative Files (1937-1940) includes material documenting the daily office activities of Rush Holt and his staff during the former's senatorial term.\u003c/p\u003e","\u003cp\u003eThe collection is divided into six series as follows:\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 1. Personal and Political Papers; 1840-2000 and undated (bulk 1918-1955)\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eIncludes material related to Rush Holt's personal, family, and political life. Additional material related to his work in politics can be found in Series 3 through 6. Types of material include correspondence; invitations and cards; material representing campaign activities; material from college courses; bills for recordings, radio station receipts, and election expenditures; typescripts, newsletters, manuscripts, and photocopies of material written by Rush Holt; publications to which Rush Holt subscribed and collected; photographs that represent Rush Holt's personal life and political career; ephemera collected by Rush Holt; and election results collected by Rush Holt.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 2. Artifacts; 1939-1952 and undated\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eIncludes personal and political items collected by Rush Holt.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 3. Legislative Records; 1920-1955 and undated\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eIncludes correspondence, reports, publications, clippings, statistics, transcripts, financial records, and project records, among other miscellaneous material relative to Rush Holt's committee-based and general legislative activity.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 4. Constituent Services; 1923-1954 and undated\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eIncludes mail received by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate from constituents requesting government publications and bulletins, copies of speeches, educational material, and Rush Holt's recommendation to the United States Military or Naval Academy. In some cases, this series also includes typescript responses, many of which are generic.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 5. Press and Media Activity; 1925-2003 and undated (bulk 1925-1955)\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eIncludes original and photocopied articles from newspapers and similar publications, typescripts of press releases, pen-and-ink drawn political cartoons, transcripts of speeches, and sound recordings, among other material representing Rush Holt's involvement with the press and media.    \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 6. Administrative Files; 1937-1940\u003c/emph\u003e \u003c/p\u003e","\u003cp\u003eIncludes material documenting the daily office activities of Rush Holt and his staff during the former's senatorial term.   \u003c/p\u003e  ","\u003cp\u003eIncludes material related to Rush Holt's personal, family, and political life. Additional material related to his work in politics can be found in Series 3 through 6. Types of material include correspondence; invitations and cards; material representing campaign activities; material from college courses; bills for recordings, radio station receipts, and election expenditures; typescripts, newsletters, manuscripts, and photocopies of material written by Rush Holt; publications to which Rush Holt subscribed and collected; photographs that represent Rush Holt's personal life and political career; ephemera collected by Rush Holt; and election results collected by Rush Holt.\u003c/p\u003e","\u003cp\u003eIncludes correspondence relating to the personal and political issues of Rush Holt's life. \u003c/p\u003e","\u003cp\u003e Because of different original series of correspondence, in addition to maintaining this original order, the material of this series, as a whole, is not in chronological order. \u003c/p\u003e","\u003cp\u003e Personal correspondence topics include Rush Holt's marriage to Helen Louise Froelich, family matters such as births and deaths, holidays, Rush Holt's illness, and general correspondence with family and friends, among others.\u003c/p\u003e","\u003cp\u003e Political correspondence topics include an anti-lynching bill which is represented by letters between Rush Holt and Walter White, former secretary for the National Association for the Advancement of Colored People; the United Mine Workers of America which is represented by correspondence between Rush Holt and Frank Miley, former president of the United Mine Workers of America, District 31; and the seating issue from when Rush Holt was first elected to the Senate; among others.\u003c/p\u003e","\u003cp\u003e Other prominent correspondents/subjects of correspondence include Joe Alderson, former WPA Director in Lewis County, West Virginia; Van A. Bittner, former president of United Mine Workers Association District 12; James A. Farley, former chairman of the Democratic National Committee; and Frank Miley, former president of the United Mine Workers of America, District 31, among others. \u003c/p\u003e","\u003cp\u003e Items of note include political-related correspondence with Spencer Bonaventure Tracey (located in box 229, folder 7), Louise B. Mayer (located in box 229, folder 8), Walt Disney (located in box 229, folder 9), and James Cagney (located in box 229, folder 11). Other items of note include a poem titled Rejected (not Holt's) that is set in Hell and portrays President Franklin D. Roosevelt as a sinner (located in box 238, folder 3), and a letter from President Harry S. Truman (located in box 357, folder 1).\u003c/p\u003e","\u003cp\u003e For correspondence directly related to Rush Holt's campaigns, please see Series 1. Personal and Political Papers—Campaign Material.\u003c/p\u003e","\u003cp\u003e For Utility Investigating Committee-related correspondence, please see Series 3. Legislative Records—West Virginia House of Delegates Utility Investigating Committee\u003c/p\u003e","\u003cp\u003e For Government Costs Committee-related correspondence, please see Series 3. Legislative Records—West Virginia House of Delegates State Government Costs Committee.\u003c/p\u003e","\u003cp\u003e For Interstate Cooperation Commission-related correspondence, please see Series 3. Legislative Records—West Virginia House of Delegates Interstate Cooperation Commission. \u003c/p\u003e","\u003cp\u003e For Works Progress Administration-related correspondence, please see Series 3. Legislative Records—Works Progress Administration.\u003c/p\u003e","\u003cp\u003eIncludes invitations and cards retained by Rush Holt. Also includes a small subset of Holt's responses.\u003c/p\u003e","\u003cp\u003e Invitations represent both public and private events including graduations, weddings, and dinners, among others.\u003c/p\u003e","\u003cp\u003e Cards are inclusive of general greeting cards, sympathy cards for the deaths of Rush Holt's parents, and get-well cards.\u003c/p\u003e","\u003cp\u003e Significant items include invitations to attend events at the White House (located in box 312, folder 10) and an invitation to attend the 1939 World's Fair (located in box 340, folder 5).\u003c/p\u003e","\u003cp\u003e Included in this series are letters and telegrams that are interleaved with cards and that possess a similar theme.\u003c/p\u003e","\u003cp\u003eIncludes material representing Rush Holt's activities during his political campaigns for West Virginia and national offices.\u003c/p\u003e","\u003cp\u003e Types of material include broadsides, correspondence, newspaper mats, publicity releases, and speeches, among others.\u003c/p\u003e","\u003cp\u003e Items of note include certificates of election for the West Virginia House of Delegates (located in box 369, folder 1).\u003c/p\u003e","\u003cp\u003eIncludes Rush Holt's diploma from Weston High School and material from LaSalle Extension University Law and Practical Accounting courses in which Rush Holt enrolled.\u003c/p\u003e","\u003cp\u003e Types of material include coursework, examinations, and records of final grades.\u003c/p\u003e","\u003cp\u003e An item of note is Rush Holt's high school diploma (located in box 1, folder 6).\u003c/p\u003e","\u003cp\u003eIncludes bills for recordings, radio station receipts, and election expenditures information that Rush Holt retained.\u003c/p\u003e","\u003cp\u003e For the sound recordings mentioned in this material in addition to other recordings by Rush Holt, please see Series 5. Press and Media Activity--Recordings.\u003c/p\u003e","\u003cp\u003eIncludes typescripts, newsletters, manuscripts, and photocopies of newspaper articles written by Rush Holt.\u003c/p\u003e","\u003cp\u003e Typescripts include \u003cemph render=\"italic\"\u003eFacts and Figures\u003c/emph\u003e (numbers 1-224) and \u003cemph render=\"italic\"\u003ePolitics in West Virginia\u003c/emph\u003e (numbers 1-118). These serial publications are also partially represented by the photocopied articles. \u003cemph render=\"italic\"\u003eFacts and Figures\u003c/emph\u003e appears to be a regular column that Holt wrote from 1947 through 1953, though perhaps not continuously.\u003c/p\u003e","\u003cp\u003e Copies of \u003cemph render=\"italic\"\u003eThe West Virginia Taxpayer\u003c/emph\u003e, a newsletter written and published by Rush Holt, are also included and span from December 1948 to November 1954. Correspondence regarding support for this publication can be found in Series 4. Constituent Services—General Constituent Mail.\u003c/p\u003e","\u003cp\u003e Manuscripts by Rush Holt include \u003cemph render=\"italic\"\u003eWho's Who Among the War Mongers: Merchants of Death and Their Stooges\u003c/emph\u003e (located in box 306, folders 1 and 2), \u003cemph render=\"italic\"\u003eThe British Network: A Study of Fifth Column Activities in the United States\u003c/emph\u003e (located in box 306, folders 3 and 4), and \u003cemph render=\"italic\"\u003eThe President Moves Toward War\u003c/emph\u003e (located in box 339, folders 4 and 5).\u003c/p\u003e","\u003cp\u003eIncludes publications such as magazines, newsletters, bulletins, brochures, and pamphlets, among other types of publications to which Rush Holt subscribed and collected.\u003c/p\u003e","\u003cp\u003e Topics include neutrality, war propaganda, taxes, and utilities, among others.\u003c/p\u003e","\u003cp\u003e Publications include Uncensored, Social Justice, Public Assistance, West Virginia utility reports, and tax publications from different states, among others.\u003c/p\u003e","\u003cp\u003e An item of note is the photocopied section of Sherwood Anderson's Puzzled America that mentions Rush Holt (located in box 370, folder 10). A copy of the whole book is available through West Virginia University's Downtown Library (call number: E806.A652 1970).\u003c/p\u003e","\u003cp\u003eIncludes photographs that represent Rush Holt's personal life and political career. Photographs depict Rush Holt and his family, among other prominent individuals.\u003c/p\u003e","\u003cp\u003e Personal life photographs include Rush Holt's and Helen Louise Froelich's wedding and photographs taken of Rush Holt and his family during holidays and other special occasions.\u003c/p\u003e","\u003cp\u003e Political career photographs comprise the majority of this series and represent occasions such as sessions of the West Virginia Legislature, political conventions, and campaign events including Dwight Eisenhower's \"Whistle Stop\" presidential campaign through West Virginia (located in box 370, folder 13), among others.\u003c/p\u003e","\u003cp\u003e Prominent individuals include James Farley, former postmaster general during the first two administrations of President Franklin D. Roosevelt (signed photograph located in box 1, folder 1); individuals involved with WCHS News, including Ron Edwards; and former Vice President John N. Garner (signed photograph located in box 370, folder 16), among other politicians.\u003c/p\u003e","\u003cp\u003e For additional photographs of Rush Holt, please see the West Virginia \u0026amp; Regional History Center's digitized OnView collection.\u003c/p\u003e","\u003cp\u003eIncludes items collected by Rush Holt such as personal nameplates, political and historical ephemera, tickets to events, and personal items, among others.\u003c/p\u003e","\u003cp\u003e Political and historical ephemera includes an \"America First\" ribbon (located in box 341, folder 2), a campaign ribbon from the 1840 Van Buren and Johnson election (located in box 341, folder 2), and a Confederate ten dollar bill (located in box 341, folder 2).\u003c/p\u003e","\u003cp\u003e Tickets to events are representative of commencements and sporting events in West Virginia, the premiere of Disney's \u003cemph renderrender=\"italic\"\u003eFantasia\u003c/emph\u003e in Washington, D.C., and the 1952 Republican National Convention, among others.\u003c/p\u003e","\u003cp\u003e Personal items include material from a fraternity to which Rush Holt belonged, items (pictures, cards, licenses) from his wallets, and material from a Bible class Rush Holt taught.\u003c/p\u003e","\u003cp\u003e The wallets from which the personal pictures, cards, and licenses were removed are located in Series 2. Artifacts.\u003c/p\u003e","\u003cp\u003eIncludes miscellaneous material collected by Rush Holt.\u003c/p\u003e","\u003cp\u003eTypes of material include newspaper clippings, reports, publications, and correspondence, and election-related records, among others.\u003c/p\u003e","\u003cp\u003eTopics include other senators (e.g., Joe Guffey of Pennsylvania and H. D. Hatfield of West Virginia), labor, railroads, and the Supreme Court, among others.\u003c/p\u003e","\u003cp\u003eItems of note include a certificate confirming Rush Holt's initiation into the National Society of the Sons of the American Revolution (located in box 1, loose); maps that detail election results for different offices including governor, House of Delegates, etc. in West Virginia (located in box 147, folder 8); Rush Holt's diary (located in box 166, folder 1), material relating to John L. Lewis and the Congress of Industrial Organizations (located in box 151, folders 1 to 3); a list of individuals who have sat in the same Senate desk that Rush Holt did (located in box 369, folder 13); a prayer authored by Rush Holt (located in box 372, folder 7); and material relating to the Rush Holt Endowment at West Virginia University (located in box 372, folder 8).\u003c/p\u003e","\u003cp\u003eIncludes election material collected by Holt, such as facsimile abstracts of votes, primary election results, lists of voters, and more. The main geographical focus is Lewis County, WV.\u003c/p\u003e","\u003cp\u003eIncludes personal and political items collected by Rush Holt.\u003c/p\u003e","\u003cp\u003e Items of note include a personalized \"Holt for Governor\" license plate and a senatorial campaign button (located in box 374), a \"liberty\" embroidered cloth (located in box 4), and a West Virginia state flag (located in box 4).\u003c/p\u003e","\u003cp\u003eIncludes correspondence, reports, publications, clippings, statistics, transcripts, financial records, and project records, among other miscellaneous material relative to Rush Holt's committee-based and general legislative activity.\u003c/p\u003e","\u003cp\u003e For records of speeches delivered in the West Virginia Legislature and the United States Senate, please see Series 5. Press and Media Activity—Speeches.\u003c/p\u003e","\u003cp\u003e It should be noted that there exists a gap in the legislative records; thus, Rush Holt's senatorial papers are not represented as completely as those from the West Virginia House of Delegates. For material pertaining to the senatorial years, please refer to the Miscellaneous section of this series, or check the Records of the U.S. Senate at the National Archives and Records Administration.\u003c/p\u003e","\u003cp\u003eIncludes correspondence, reports, and clippings bearing primarily upon Rush Holt's activities as chairman of the Utility Investigating Committee \u003c/p\u003e","\u003cp\u003e The material is representative of Rush Holt's interaction with and study of utility companies throughout West Virginia and the United States.\u003c/p\u003e","\u003cp\u003e Topics include gas, electricity, fuel rates, and municipal-owned utilities, among others.\u003c/p\u003e","\u003cp\u003e Material of note includes testimonies of utility representatives during special hearings to examine the costs of state utilities. These hearings were held in Charleston, West Virginia between February 6, 1933 and April 11, 1933 (located in box 177, folder 1 to box 180, folder 4).\u003c/p\u003e","\u003cp\u003eIncludes correspondence, statistics, reports, and transcripts relative to Rush Holt's activity with the Government Costs Committee.\u003c/p\u003e","\u003cp\u003e Correspondence includes letters sent and received by Rush Holt regarding expenditures for West Virginia and other states. \u003c/p\u003e","\u003cp\u003e Statistics and reports include information sent to and gathered by Rush Holt regarding state-owned cars in West Virginia.\u003c/p\u003e","\u003cp\u003e Institutions and departments represented include the Department of Agriculture, West Virginia University, Huntington State Hospital, the Department of Mines, and the State Road Commission, among others.\u003c/p\u003e","\u003cp\u003e The transcript document testimonies in the February 5 to March 1, 1943 hearings to investigate the cost of state government for which Rush Holt served as chairman. Entities represented by the testimonies include the Publicity Commission, the Bureau of Negro Welfare, the Road Commission, and the Labor Department, among others.\u003c/p\u003e","\u003cp\u003eIncludes financial records requested by and maintained by Rush Holt during his time as a member of the Interstate Cooperation Commission.\u003c/p\u003e","\u003cp\u003e Types of records include correspondence, financial and payroll statistics, and budgetary reports, among others.\u003c/p\u003e","\u003cp\u003e Entities represented include departments of state, governmental offices of state, educational institutions (including West Virginia University), and hospitals, among others.\u003c/p\u003e","\u003cp\u003eIncludes correspondence, payroll records, project records, and other miscellaneous material relative to the activities of the Works Progress Administration that Rush Holt gathered. It should be noted that while he was not an administrator of the Works Progress Administration, Rush Holt used his legislative position to discover and draw attention to the organization that he believed had been corrupted.\u003c/p\u003e","\u003cp\u003e Correspondence is comprised of letters to and from Rush Holt concerning the status of projects in West Virginia counties. Also included are incoming letters from around the United States relating to Holt's speeches, actions, and beliefs concerning the Works Progress Administration.\u003c/p\u003e","\u003cp\u003e Payroll records include copies of salaries received for positions of different projects in West Virginia counties. These records include location information, project numbers, position titles, and salary amounts.\u003c/p\u003e","\u003cp\u003e Project records include information relating to the cost of rentals, supplies, and bids, among other project expenditures.\u003c/p\u003e","\u003cp\u003eIncludes typescripts, statistics, publications, reports, and other miscellaneous records pertaining to Rush Holt's legislative activity.\u003c/p\u003e","\u003cp\u003eTopics represented by the material include municipal operations, education, neutrality, and immigration, among others.\u003c/p\u003e","\u003cp\u003eRecords of note include copies of the West \u003cemph renderrender=\"italic\"\u003eVirginia Legislature Journal\u003c/emph\u003e for the 1944 first extraordinary session of the state's House of Delegates and Senate (located in box 339, folder 14), a five-year plan for West Virginia highways (located in box 294, folder 6), and annual reports written and sent to the West Virginia Public Service Commission (located in box 296, folder 2 to box 297, folder 2).\u003c/p\u003e","\u003cp\u003e Additional correspondence related to Holt's legislative activity, and more general political topics, can be found in Series 1. Personal and Political Papers—Correspondence and Miscellaneous.\u003c/p\u003e","\u003cp\u003eIncludes mail received by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate from constituents requesting government publications and bulletins, copies of speeches, educational material, and Rush Holt's recommendation to the United States Military or Naval Academy. In some cases, this series also includes typescript responses, many of which are generic.\u003c/p\u003e","\u003cp\u003eIncludes constituent mail received and sent by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate. \u003c/p\u003e","\u003cp\u003eBecause of different original series of correspondence (including general correspondence, second copies, and correspondence sorted by topic), in addition to maintaining this original order, the material of this series, as a whole, is not in chronological order. It should also be noted that the letters that have been sorted by topic are not a complete representation of that subject. \u003c/p\u003e","\u003cp\u003eTopics include World War II, neutrality, political issues (such as the Supreme Court proposed alteration, Rush Holt's age at the time of his election to the Senate, presidential third terms, etc.), state construction projects (such as roads and infrastructure), and state programs and relief efforts for issues such as the 1936 silicosis incident in West Virginia, among others.\u003c/p\u003e","\u003cp\u003eGeneral correspondence is arranged chronologically, then foldered by first letter of last name. It includes basic requests for material, facts, or brief opinions. Copies of typescript responses are stapled to the original constituent letter. \u003c/p\u003e","\u003cp\u003eSecond copies correspondence is arranged chronologically, but it contains only the typescript copies of Rush Holt's responses. For some, the first copy typescript and original letter are located in general correspondence; however, others are not. \u003c/p\u003e","\u003cp\u003eSupreme Court correspondence is organized into two groups: Individuals for and against the proposed change. Attached to the initial letters from constituents is Rush Holt's response, and for those against the change, there are also form letters offering a publication commemorating the 150th anniversary of the first congressional meeting. \u003c/p\u003e","\u003cp\u003eThere are also a few boxes of \u003cemph renderrender=\"italic\"\u003eWest Virginia Taxpayer\u003c/emph\u003e correspondence that include outgoing typescript copies of letters, mostly letters of thanks and solicitation for donations/subscription to support Holt's newsletter/publication, the \u003cemph render=\"italic\"\u003eWest Virginia Taxpayer\u003c/emph\u003e. There is a small amount of incoming correspondence as well. Copies of this publication can be found in Series 1. Personal and Political Papers, Publications.\u003c/p\u003e","\u003cp\u003e For an example of a constituent mail log, please see Series 6. Administrative Files.\u003c/p\u003e","\u003cp\u003e Additional constituent mail may also be found in Series 1. Personal and Political Papers—Correspondence.\u003c/p\u003e","\u003cp\u003eIncludes copies of correspondence between Rush Holt and constituents asking for the former's recommendation to the United States Military Academy (West Point) or Naval Academy (Annapolis).\u003c/p\u003e","\u003cp\u003eIncludes constituent letters asking for government publications and bulletins, copies of speeches, and educational material. The material is generally separated by date and state or correspondent.\u003c/p\u003e","\u003cp\u003e Requests for government publications and bulletins include a mixture of educational and personal use requests for publications such as the \u003cemph renderrender=\"italic\"\u003eAgricultural Yearbook\u003c/emph\u003e and the \u003cemph renderrender=\"italic\"\u003eFarmer's Bulletin\u003c/emph\u003e. Also included are requests for publications about political topics (e.g. a presidential third term).\u003c/p\u003e","\u003cp\u003e Requests for speeches include letters from constituents reflecting their opinions about Rush Holt's speeches in addition to asking for copies. Topics of speeches requested include World War II (particularly the \"Youth Faces War\" and \"Keep America Neutral\" speeches), the Works Progress Administration, the Supreme Court issue, the Conscription bill, and the Burke-Wardsworth bill, among others. \u003c/p\u003e","\u003cp\u003e Requests for educational material are primarily from teachers and students asking Rush Holt for material to support curriculum activities. Subjects represented include vocational school topics and issues, West Virginia and United States geography, and United States commerce, among others.\u003c/p\u003e","\u003cp\u003eIncludes original and photocopied articles from newspapers and similar publications, typescripts of press releases, pen-and-ink drawn political cartoons, transcripts of speeches, and sound recordings, among other material representing Rush Holt's involvement with the press and media.\u003c/p\u003e","\u003cp\u003eIncludes both original and photocopied articles from newspapers and similar publications retained by Rush Holt. Entire issues are also included in this series. Some clippings have been pasted into scrapbooks.\u003c/p\u003e","\u003cp\u003e Topics represented are a combination of personal and political interests. \u003c/p\u003e","\u003cp\u003e Personal topics include Rush Holt's wedding to Helen Louise Froelich, the Holt family, and the Rush Holt History Conference at West Virginia University (1998-2003), among others.\u003c/p\u003e","\u003cp\u003e Political topics include Rush Holt's campaigns and elections, the Congress of Industrial Organizations, the Works Progress Administration, and neutrality issues, among others.\u003c/p\u003e","\u003cp\u003eIncludes copies of typed press releases regarding speeches delivered by Rush Holt, or those with similar opinions, throughout his political career. \u003c/p\u003e","\u003cp\u003e Topics addressed include neutrality, foreign policy, social security, and the presidential third term issue, among others.\u003c/p\u003e","\u003cp\u003eIncludes pen and ink drawings by a variety of artists for political cartoons documenting news issues of the day including the West Virginia politics, President Franklin D. Roosevelt, World War II, and isolationism, among others.\u003c/p\u003e","\u003cp\u003e Twenty-three of these cartoons were used for a campaign booklet advocating Rush Holt's candidacy for governor of West Virginia (1952).\u003c/p\u003e","\u003cp\u003e To see digitized copies of these Holt political cartoons, please visit \u003ca href=\"https://holt.lib.wvu.edu/?utf8=%E2%9C%93\u0026amp;search_field=all_fields\u0026amp;q\" target=\"_blank\"\u003e the Rush Holt Political Cartoons digital collection.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eIncludes material documenting the daily office activities of Rush Holt and his staff during the former's senatorial term. \u003c/p\u003e","\u003cp\u003e Types of material include daily reports, lists of letters received requesting information, and records of work performed by the office staff. \u003c/p\u003e","\u003cp\u003e Daily reports document visits, appointments, and calls to Rush Holt's office for the periods of December 6, 1937 to December 31, 1938, the entire year of 1939, and January 3, 1940 to November 9, 1940.\u003c/p\u003e","\u003cp\u003e Lists of letters received provide a chronological register of constituents' writings to Rush Holt between 1939 and 1940. It should be noted, however, that these records provide only basic information and do not indicate the subject of the correspondence. \u003c/p\u003e","\u003cp\u003e Records of work performed provide documentation of tasks completed by Rush Holt's Senate office employees. It should be noted that these records, while detailed, are limited to the first half of 1940 (January to June). \u003c/p\u003e","\u003cp\u003e For an example of outgoing political form letters, mass mailings, and mailing lists, see Series 4. Constituent Services—General Constituent Mail (boxes 291 and 292).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of Rush Dew Holt, Sr. (1905-1955) relating to his personal and political activities. Types of material include publications, clippings, correspondence, photographs, and ephemera, among others. The collection is divided into six series: Personal and Political Papers (1840-2000 and undated) includes correspondence; invitations and cards; material representing campaign activities; and material from college courses, among other material that represents Rush Holt's personal life and political career; and ephemera collected by Rush Holt. Artifacts (1939-1952 and undated) includes personal and political items collected by Rush Holt. Legislative Records (1920-1955 and undated) includes correspondence, reports, publications, clippings, statistics, transcripts, financial records, and project records, among other miscellaneous material relative to Rush Holt's committee-based and general legislative activity. Constituent Services (1923-1954 and undated) includes mail received by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate from constituents providing political opinions to Holt or requesting government publications and bulletins, copies of speeches, educational material, and Rush Holt's recommendation to the United States Military or Naval Academy. Press and Media Activity (1925-2003 and undated) includes original and photocopied articles from newspapers and similar publications, typescripts of press releases, pen-and-ink drawn political cartoons, transcripts of speeches, and sound recordings, among other material representing Rush Holt's involvement with the press and media. Administrative Files (1937-1940) includes material documenting the daily office activities of Rush Holt and his staff during the former's senatorial term.","The collection is divided into six series as follows:","Series 1. Personal and Political Papers; 1840-2000 and undated (bulk 1918-1955)","Includes material related to Rush Holt's personal, family, and political life. Additional material related to his work in politics can be found in Series 3 through 6. Types of material include correspondence; invitations and cards; material representing campaign activities; material from college courses; bills for recordings, radio station receipts, and election expenditures; typescripts, newsletters, manuscripts, and photocopies of material written by Rush Holt; publications to which Rush Holt subscribed and collected; photographs that represent Rush Holt's personal life and political career; ephemera collected by Rush Holt; and election results collected by Rush Holt.","Series 2. Artifacts; 1939-1952 and undated","Includes personal and political items collected by Rush Holt.","Series 3. Legislative Records; 1920-1955 and undated","Includes correspondence, reports, publications, clippings, statistics, transcripts, financial records, and project records, among other miscellaneous material relative to Rush Holt's committee-based and general legislative activity.","Series 4. Constituent Services; 1923-1954 and undated","Includes mail received by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate from constituents requesting government publications and bulletins, copies of speeches, educational material, and Rush Holt's recommendation to the United States Military or Naval Academy. In some cases, this series also includes typescript responses, many of which are generic.","Series 5. Press and Media Activity; 1925-2003 and undated (bulk 1925-1955)","Includes original and photocopied articles from newspapers and similar publications, typescripts of press releases, pen-and-ink drawn political cartoons, transcripts of speeches, and sound recordings, among other material representing Rush Holt's involvement with the press and media.","Series 6. Administrative Files; 1937-1940","Includes material documenting the daily office activities of Rush Holt and his staff during the former's senatorial term.","Includes material related to Rush Holt's personal, family, and political life. Additional material related to his work in politics can be found in Series 3 through 6. Types of material include correspondence; invitations and cards; material representing campaign activities; material from college courses; bills for recordings, radio station receipts, and election expenditures; typescripts, newsletters, manuscripts, and photocopies of material written by Rush Holt; publications to which Rush Holt subscribed and collected; photographs that represent Rush Holt's personal life and political career; ephemera collected by Rush Holt; and election results collected by Rush Holt.","Includes correspondence relating to the personal and political issues of Rush Holt's life.","Because of different original series of correspondence, in addition to maintaining this original order, the material of this series, as a whole, is not in chronological order.","Personal correspondence topics include Rush Holt's marriage to Helen Louise Froelich, family matters such as births and deaths, holidays, Rush Holt's illness, and general correspondence with family and friends, among others.","Political correspondence topics include an anti-lynching bill which is represented by letters between Rush Holt and Walter White, former secretary for the National Association for the Advancement of Colored People; the United Mine Workers of America which is represented by correspondence between Rush Holt and Frank Miley, former president of the United Mine Workers of America, District 31; and the seating issue from when Rush Holt was first elected to the Senate; among others.","Other prominent correspondents/subjects of correspondence include Joe Alderson, former WPA Director in Lewis County, West Virginia; Van A. Bittner, former president of United Mine Workers Association District 12; James A. Farley, former chairman of the Democratic National Committee; and Frank Miley, former president of the United Mine Workers of America, District 31, among others.","Items of note include political-related correspondence with Spencer Bonaventure Tracey (located in box 229, folder 7), Louise B. Mayer (located in box 229, folder 8), Walt Disney (located in box 229, folder 9), and James Cagney (located in box 229, folder 11). Other items of note include a poem titled Rejected (not Holt's) that is set in Hell and portrays President Franklin D. Roosevelt as a sinner (located in box 238, folder 3), and a letter from President Harry S. Truman (located in box 357, folder 1).","For correspondence directly related to Rush Holt's campaigns, please see Series 1. Personal and Political Papers—Campaign Material.","For Utility Investigating Committee-related correspondence, please see Series 3. Legislative Records—West Virginia House of Delegates Utility Investigating Committee","For Government Costs Committee-related correspondence, please see Series 3. Legislative Records—West Virginia House of Delegates State Government Costs Committee.","For Interstate Cooperation Commission-related correspondence, please see Series 3. Legislative Records—West Virginia House of Delegates Interstate Cooperation Commission.","For Works Progress Administration-related correspondence, please see Series 3. Legislative Records—Works Progress Administration.","Includes invitations and cards retained by Rush Holt. Also includes a small subset of Holt's responses.","Invitations represent both public and private events including graduations, weddings, and dinners, among others.","Cards are inclusive of general greeting cards, sympathy cards for the deaths of Rush Holt's parents, and get-well cards.","Significant items include invitations to attend events at the White House (located in box 312, folder 10) and an invitation to attend the 1939 World's Fair (located in box 340, folder 5).","Included in this series are letters and telegrams that are interleaved with cards and that possess a similar theme.","Includes material representing Rush Holt's activities during his political campaigns for West Virginia and national offices.","Types of material include broadsides, correspondence, newspaper mats, publicity releases, and speeches, among others.","Items of note include certificates of election for the West Virginia House of Delegates (located in box 369, folder 1).","Includes Rush Holt's diploma from Weston High School and material from LaSalle Extension University Law and Practical Accounting courses in which Rush Holt enrolled.","Types of material include coursework, examinations, and records of final grades.","An item of note is Rush Holt's high school diploma (located in box 1, folder 6).","Includes bills for recordings, radio station receipts, and election expenditures information that Rush Holt retained.","For the sound recordings mentioned in this material in addition to other recordings by Rush Holt, please see Series 5. Press and Media Activity--Recordings.","Includes typescripts, newsletters, manuscripts, and photocopies of newspaper articles written by Rush Holt.","Typescripts include Facts and Figures (numbers 1-224) and Politics in West Virginia (numbers 1-118). These serial publications are also partially represented by the photocopied articles. Facts and Figures appears to be a regular column that Holt wrote from 1947 through 1953, though perhaps not continuously.","Copies of The West Virginia Taxpayer, a newsletter written and published by Rush Holt, are also included and span from December 1948 to November 1954. Correspondence regarding support for this publication can be found in Series 4. Constituent Services—General Constituent Mail.","Manuscripts by Rush Holt include Who's Who Among the War Mongers: Merchants of Death and Their Stooges (located in box 306, folders 1 and 2), The British Network: A Study of Fifth Column Activities in the United States (located in box 306, folders 3 and 4), and The President Moves Toward War (located in box 339, folders 4 and 5).","Includes publications such as magazines, newsletters, bulletins, brochures, and pamphlets, among other types of publications to which Rush Holt subscribed and collected.","Topics include neutrality, war propaganda, taxes, and utilities, among others.","Publications include Uncensored, Social Justice, Public Assistance, West Virginia utility reports, and tax publications from different states, among others.","An item of note is the photocopied section of Sherwood Anderson's Puzzled America that mentions Rush Holt (located in box 370, folder 10). A copy of the whole book is available through West Virginia University's Downtown Library (call number: E806.A652 1970).","Includes photographs that represent Rush Holt's personal life and political career. Photographs depict Rush Holt and his family, among other prominent individuals.","Personal life photographs include Rush Holt's and Helen Louise Froelich's wedding and photographs taken of Rush Holt and his family during holidays and other special occasions.","Political career photographs comprise the majority of this series and represent occasions such as sessions of the West Virginia Legislature, political conventions, and campaign events including Dwight Eisenhower's \"Whistle Stop\" presidential campaign through West Virginia (located in box 370, folder 13), among others.","Prominent individuals include James Farley, former postmaster general during the first two administrations of President Franklin D. Roosevelt (signed photograph located in box 1, folder 1); individuals involved with WCHS News, including Ron Edwards; and former Vice President John N. Garner (signed photograph located in box 370, folder 16), among other politicians.","For additional photographs of Rush Holt, please see the West Virginia \u0026 Regional History Center's digitized OnView collection.","Includes items collected by Rush Holt such as personal nameplates, political and historical ephemera, tickets to events, and personal items, among others.","Political and historical ephemera includes an \"America First\" ribbon (located in box 341, folder 2), a campaign ribbon from the 1840 Van Buren and Johnson election (located in box 341, folder 2), and a Confederate ten dollar bill (located in box 341, folder 2).","Tickets to events are representative of commencements and sporting events in West Virginia, the premiere of Disney's Fantasia in Washington, D.C., and the 1952 Republican National Convention, among others.","Personal items include material from a fraternity to which Rush Holt belonged, items (pictures, cards, licenses) from his wallets, and material from a Bible class Rush Holt taught.","The wallets from which the personal pictures, cards, and licenses were removed are located in Series 2. Artifacts.","Includes miscellaneous material collected by Rush Holt.","Types of material include newspaper clippings, reports, publications, and correspondence, and election-related records, among others.","Topics include other senators (e.g., Joe Guffey of Pennsylvania and H. D. Hatfield of West Virginia), labor, railroads, and the Supreme Court, among others.","Items of note include a certificate confirming Rush Holt's initiation into the National Society of the Sons of the American Revolution (located in box 1, loose); maps that detail election results for different offices including governor, House of Delegates, etc. in West Virginia (located in box 147, folder 8); Rush Holt's diary (located in box 166, folder 1), material relating to John L. Lewis and the Congress of Industrial Organizations (located in box 151, folders 1 to 3); a list of individuals who have sat in the same Senate desk that Rush Holt did (located in box 369, folder 13); a prayer authored by Rush Holt (located in box 372, folder 7); and material relating to the Rush Holt Endowment at West Virginia University (located in box 372, folder 8).","Includes election material collected by Holt, such as facsimile abstracts of votes, primary election results, lists of voters, and more. The main geographical focus is Lewis County, WV.","Includes personal and political items collected by Rush Holt.","Items of note include a personalized \"Holt for Governor\" license plate and a senatorial campaign button (located in box 374), a \"liberty\" embroidered cloth (located in box 4), and a West Virginia state flag (located in box 4).","Includes correspondence, reports, publications, clippings, statistics, transcripts, financial records, and project records, among other miscellaneous material relative to Rush Holt's committee-based and general legislative activity.","For records of speeches delivered in the West Virginia Legislature and the United States Senate, please see Series 5. Press and Media Activity—Speeches.","It should be noted that there exists a gap in the legislative records; thus, Rush Holt's senatorial papers are not represented as completely as those from the West Virginia House of Delegates. For material pertaining to the senatorial years, please refer to the Miscellaneous section of this series, or check the Records of the U.S. Senate at the National Archives and Records Administration.","Includes correspondence, reports, and clippings bearing primarily upon Rush Holt's activities as chairman of the Utility Investigating Committee","The material is representative of Rush Holt's interaction with and study of utility companies throughout West Virginia and the United States.","Topics include gas, electricity, fuel rates, and municipal-owned utilities, among others.","Material of note includes testimonies of utility representatives during special hearings to examine the costs of state utilities. These hearings were held in Charleston, West Virginia between February 6, 1933 and April 11, 1933 (located in box 177, folder 1 to box 180, folder 4).","Includes correspondence, statistics, reports, and transcripts relative to Rush Holt's activity with the Government Costs Committee.","Correspondence includes letters sent and received by Rush Holt regarding expenditures for West Virginia and other states.","Statistics and reports include information sent to and gathered by Rush Holt regarding state-owned cars in West Virginia.","Institutions and departments represented include the Department of Agriculture, West Virginia University, Huntington State Hospital, the Department of Mines, and the State Road Commission, among others.","The transcript document testimonies in the February 5 to March 1, 1943 hearings to investigate the cost of state government for which Rush Holt served as chairman. Entities represented by the testimonies include the Publicity Commission, the Bureau of Negro Welfare, the Road Commission, and the Labor Department, among others.","Includes financial records requested by and maintained by Rush Holt during his time as a member of the Interstate Cooperation Commission.","Types of records include correspondence, financial and payroll statistics, and budgetary reports, among others.","Entities represented include departments of state, governmental offices of state, educational institutions (including West Virginia University), and hospitals, among others.","Includes correspondence, payroll records, project records, and other miscellaneous material relative to the activities of the Works Progress Administration that Rush Holt gathered. It should be noted that while he was not an administrator of the Works Progress Administration, Rush Holt used his legislative position to discover and draw attention to the organization that he believed had been corrupted.","Correspondence is comprised of letters to and from Rush Holt concerning the status of projects in West Virginia counties. Also included are incoming letters from around the United States relating to Holt's speeches, actions, and beliefs concerning the Works Progress Administration.","Payroll records include copies of salaries received for positions of different projects in West Virginia counties. These records include location information, project numbers, position titles, and salary amounts.","Project records include information relating to the cost of rentals, supplies, and bids, among other project expenditures.","Includes typescripts, statistics, publications, reports, and other miscellaneous records pertaining to Rush Holt's legislative activity.","Topics represented by the material include municipal operations, education, neutrality, and immigration, among others.","Records of note include copies of the West Virginia Legislature Journal for the 1944 first extraordinary session of the state's House of Delegates and Senate (located in box 339, folder 14), a five-year plan for West Virginia highways (located in box 294, folder 6), and annual reports written and sent to the West Virginia Public Service Commission (located in box 296, folder 2 to box 297, folder 2).","Additional correspondence related to Holt's legislative activity, and more general political topics, can be found in Series 1. Personal and Political Papers—Correspondence and Miscellaneous.","Includes mail received by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate from constituents requesting government publications and bulletins, copies of speeches, educational material, and Rush Holt's recommendation to the United States Military or Naval Academy. In some cases, this series also includes typescript responses, many of which are generic.","Includes constituent mail received and sent by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate.","Because of different original series of correspondence (including general correspondence, second copies, and correspondence sorted by topic), in addition to maintaining this original order, the material of this series, as a whole, is not in chronological order. It should also be noted that the letters that have been sorted by topic are not a complete representation of that subject.","Topics include World War II, neutrality, political issues (such as the Supreme Court proposed alteration, Rush Holt's age at the time of his election to the Senate, presidential third terms, etc.), state construction projects (such as roads and infrastructure), and state programs and relief efforts for issues such as the 1936 silicosis incident in West Virginia, among others.","General correspondence is arranged chronologically, then foldered by first letter of last name. It includes basic requests for material, facts, or brief opinions. Copies of typescript responses are stapled to the original constituent letter.","Second copies correspondence is arranged chronologically, but it contains only the typescript copies of Rush Holt's responses. For some, the first copy typescript and original letter are located in general correspondence; however, others are not.","Supreme Court correspondence is organized into two groups: Individuals for and against the proposed change. Attached to the initial letters from constituents is Rush Holt's response, and for those against the change, there are also form letters offering a publication commemorating the 150th anniversary of the first congressional meeting.","There are also a few boxes of West Virginia Taxpayer correspondence that include outgoing typescript copies of letters, mostly letters of thanks and solicitation for donations/subscription to support Holt's newsletter/publication, the West Virginia Taxpayer. There is a small amount of incoming correspondence as well. Copies of this publication can be found in Series 1. Personal and Political Papers, Publications.","For an example of a constituent mail log, please see Series 6. Administrative Files.","Additional constituent mail may also be found in Series 1. Personal and Political Papers—Correspondence.","Includes copies of correspondence between Rush Holt and constituents asking for the former's recommendation to the United States Military Academy (West Point) or Naval Academy (Annapolis).","Includes constituent letters asking for government publications and bulletins, copies of speeches, and educational material. The material is generally separated by date and state or correspondent.","Requests for government publications and bulletins include a mixture of educational and personal use requests for publications such as the Agricultural Yearbook and the Farmer's Bulletin. Also included are requests for publications about political topics (e.g. a presidential third term).","Requests for speeches include letters from constituents reflecting their opinions about Rush Holt's speeches in addition to asking for copies. Topics of speeches requested include World War II (particularly the \"Youth Faces War\" and \"Keep America Neutral\" speeches), the Works Progress Administration, the Supreme Court issue, the Conscription bill, and the Burke-Wardsworth bill, among others.","Requests for educational material are primarily from teachers and students asking Rush Holt for material to support curriculum activities. Subjects represented include vocational school topics and issues, West Virginia and United States geography, and United States commerce, among others.","Includes original and photocopied articles from newspapers and similar publications, typescripts of press releases, pen-and-ink drawn political cartoons, transcripts of speeches, and sound recordings, among other material representing Rush Holt's involvement with the press and media.","Includes both original and photocopied articles from newspapers and similar publications retained by Rush Holt. Entire issues are also included in this series. Some clippings have been pasted into scrapbooks.","Topics represented are a combination of personal and political interests.","Personal topics include Rush Holt's wedding to Helen Louise Froelich, the Holt family, and the Rush Holt History Conference at West Virginia University (1998-2003), among others.","Political topics include Rush Holt's campaigns and elections, the Congress of Industrial Organizations, the Works Progress Administration, and neutrality issues, among others.","Includes copies of typed press releases regarding speeches delivered by Rush Holt, or those with similar opinions, throughout his political career.","Topics addressed include neutrality, foreign policy, social security, and the presidential third term issue, among others.","Includes pen and ink drawings by a variety of artists for political cartoons documenting news issues of the day including the West Virginia politics, President Franklin D. Roosevelt, World War II, and isolationism, among others.","Twenty-three of these cartoons were used for a campaign booklet advocating Rush Holt's candidacy for governor of West Virginia (1952).","To see digitized copies of these Holt political cartoons, please visit  the Rush Holt Political Cartoons digital collection.","Includes material documenting the daily office activities of Rush Holt and his staff during the former's senatorial term.","Types of material include daily reports, lists of letters received requesting information, and records of work performed by the office staff.","Daily reports document visits, appointments, and calls to Rush Holt's office for the periods of December 6, 1937 to December 31, 1938, the entire year of 1939, and January 3, 1940 to November 9, 1940.","Lists of letters received provide a chronological register of constituents' writings to Rush Holt between 1939 and 1940. It should be noted, however, that these records provide only basic information and do not indicate the subject of the correspondence.","Records of work performed provide documentation of tasks completed by Rush Holt's Senate office employees. It should be noted that these records, while detailed, are limited to the first half of 1940 (January to June).","For an example of outgoing political form letters, mass mailings, and mailing lists, see Series 4. Constituent Services—General Constituent Mail (boxes 291 and 292)."],"separatedmaterial_html_tesm":["\u003cp\u003eEphemeral items not specific to Rush Dew Holt were moved to the Printed Ephemera Collection. Several local basketball scorecards were moved to A\u0026amp;M 4216, the Annual West Virginia State High School Basketball Tournament Programs collection.\u003c/p\u003e","\u003cp\u003e17 reels of undated sound recordings, chiefly relating to the political career of Rush Dew Holt, were separated to the oral history collection, C432 R699-R715 (17 tapes). These tapes include some personal material as well.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Ephemeral items not specific to Rush Dew Holt were moved to the Printed Ephemera Collection. Several local basketball scorecards were moved to A\u0026M 4216, the Annual West Virginia State High School Basketball Tournament Programs collection.","17 reels of undated sound recordings, chiefly relating to the political career of Rush Dew Holt, were separated to the oral history collection, C432 R699-R715 (17 tapes). These tapes include some personal material as well."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7f7aca18f594cb9e240c48f7fdefc04e\"\u003ePapers of Rush Dew Holt, Sr. (1905-1955) relating to his personal and political activities. Types of material include publications, clippings, correspondence, photographs, and ephemera, among others. The collection is divided into six series: Personal and Political Papers (1840-2000 and undated), Artifacts (1939-1952 and undated), Legislative Records (1920-1955 and undated), Constituent Services (1923-1954 and undated), Press and Media Activity (1925-2003 and undated), and Administrative Files (1937-1940).\u003c/abstract\u003e\n    "],"abstract_tesim":["Papers of Rush Dew Holt, Sr. (1905-1955) relating to his personal and political activities. Types of material include publications, clippings, correspondence, photographs, and ephemera, among others. The collection is divided into six series: Personal and Political Papers (1840-2000 and undated), Artifacts (1939-1952 and undated), Legislative Records (1920-1955 and undated), Constituent Services (1923-1954 and undated), Press and Media Activity (1925-2003 and undated), and Administrative Files (1937-1940)."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_c13cef4864374dc7a447894b02986413\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","America First Committee","American Federation of Labor","Congress of Industrial Organizations (U.S.)","United States. National Bituminous Coal Commission","United States. National Labor Relations Board","Progressive Mine Workers of America","United Mine Workers of America","United States. National Recovery Administration","United States. Supreme Court","United States. Congress. Senate","West Virginia. Legislature","United States. Works Progress Administration","Democratic Party (U.S.)","Weston State Hospital"],"names_coll_ssim":["America First Committee","American Federation of Labor","Congress of Industrial Organizations (U.S.)","United States. National Bituminous Coal Commission","United States. National Labor Relations Board","Progressive Mine Workers of America","United Mine Workers of America","United States. National Recovery Administration","United States. Supreme Court","United States. Congress. Senate","West Virginia. Legislature","United States. Works Progress Administration","Democratic Party (U.S.)","Weston State Hospital","Bittner, Van A. (Van Amberg), 1885-1949","Black, Hugo LaFayette, 1886-1971","Coughlin, Charles E.","Edmiston, Andrew.","Farley, James A. (James Aloysius), 1888-1976","Green, William.","Holt, Helen Louise Froelich, 1913-2015","Holt, Mathew S., 1850-1939","Holt, Rush Dew, 1905-1955","Hopkins, Harry L. (Harry Lloyd), 1890-1946","Ickes, Harold L. (Harold LeClair), 1874-1952","Kump, Herman Guy, 1877-1962","La Follette, Robert M. (Robert Marion), 1855-1925","Neely, Matthew Mansfield, 1874-1958","Lewis, John L. (John Llewellyn), 1880-1969","Long, Huey Pierce, 1893-1935"],"persname_ssim":["Holt, Rush Dew, 1905-1955","Bittner, Van A. (Van Amberg), 1885-1949","Black, Hugo LaFayette, 1886-1971","Coughlin, Charles E.","Edmiston, Andrew.","Farley, James A. (James Aloysius), 1888-1976","Green, William.","Holt, Helen Louise Froelich, 1913-2015","Holt, Mathew S., 1850-1939","Hopkins, Harry L. (Harry Lloyd), 1890-1946","Ickes, Harold L. (Harold LeClair), 1874-1952","Kump, Herman Guy, 1877-1962","La Follette, Robert M. (Robert Marion), 1855-1925","Neely, Matthew Mansfield, 1874-1958","Lewis, John L. (John Llewellyn), 1880-1969","Long, Huey Pierce, 1893-1935"],"names_ssim":["West Virginia and Regional History Center","America First Committee","American Federation of Labor","Congress of Industrial Organizations (U.S.)","United States. National Bituminous Coal Commission","United States. National Labor Relations Board","Progressive Mine Workers of America","United Mine Workers of America","United States. National Recovery Administration","United States. Supreme Court","United States. Congress. Senate","West Virginia. Legislature","United States. Works Progress Administration","Democratic Party (U.S.)","Weston State Hospital","Holt, Rush Dew, 1905-1955","Bittner, Van A. (Van Amberg), 1885-1949","Black, Hugo LaFayette, 1886-1971","Coughlin, Charles E.","Edmiston, Andrew.","Farley, James A. (James Aloysius), 1888-1976","Green, William.","Holt, Helen Louise Froelich, 1913-2015","Holt, Mathew S., 1850-1939","Hopkins, Harry L. (Harry Lloyd), 1890-1946","Ickes, Harold L. (Harold LeClair), 1874-1952","Kump, Herman Guy, 1877-1962","La Follette, Robert M. (Robert Marion), 1855-1925","Neely, Matthew Mansfield, 1874-1958","Lewis, John L. 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