{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Musicals\u0026view=list","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Musicals\u0026page=1\u0026view=list"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":7,"first_page?":true,"last_page?":true}},"data":[{"id":"vilxw_repositories_5_resources_187_c03","type":"File","attributes":{"title":"Book for \"Oh, Professor!\"","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_187_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e'Oh Professor!' was revised by Graham from an earlier edition of the musical comedy, 'Let's Dance.'\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_187_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_187_c03","ref_ssm":["vilxw_repositories_5_resources_187_c03"],"id":"vilxw_repositories_5_resources_187_c03","ead_ssi":"vilxw_repositories_5_resources_187","_root_":"vilxw_repositories_5_resources_187","_nest_parent_":"vilxw_repositories_5_resources_187","parent_ssi":"vilxw_repositories_5_resources_187","parent_ssim":["vilxw_repositories_5_resources_187"],"parent_ids_ssim":["vilxw_repositories_5_resources_187"],"parent_unittitles_ssm":["John Alexander Graham Papers"],"parent_unittitles_tesim":["John Alexander Graham Papers"],"text":["John Alexander Graham Papers","Book for \"Oh, Professor!\"","Graham, John Alexander","Musicals","English .","box 1","folder 3","'Oh Professor!' was revised by Graham from an earlier edition of the musical comedy, 'Let's Dance.'"],"title_filing_ssi":"Book for \"Oh, Professor!\"","title_ssm":["Book for \"Oh, Professor!\""],"title_tesim":["Book for \"Oh, Professor!\""],"unitdate_other_ssim":["1921"],"normalized_date_ssm":["1921"],"normalized_title_ssm":["Book for \"Oh, Professor!\""],"component_level_isim":[1],"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["John Alexander Graham Papers"],"extent_ssm":["1 Item"],"extent_tesim":["1 Item"],"creator_ssim":["Graham, John Alexander"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3,"parent_access_terms_tesm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"date_range_isim":[1921],"names_ssim":["Graham, John Alexander"],"persname_ssim":["Graham, John Alexander"],"access_subjects_ssim":["Musicals"],"access_subjects_ssm":["Musicals"],"language_ssim":["English ."],"containers_ssim":["box 1","folder 3"],"scopecontent_html_tesm":["\u003cp\u003e'Oh Professor!' was revised by Graham from an earlier edition of the musical comedy, 'Let's Dance.'\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["'Oh Professor!' was revised by Graham from an earlier edition of the musical comedy, 'Let's Dance.'"],"_nest_path_":"/components#2","timestamp":"2026-05-20T20:55:58.373Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_187","ead_ssi":"vilxw_repositories_5_resources_187","_root_":"vilxw_repositories_5_resources_187","_nest_parent_":"vilxw_repositories_5_resources_187","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_187.xml","title_ssm":["John Alexander Graham Papers"],"title_tesim":["John Alexander Graham Papers"],"unitdate_ssm":["Inclusive 1910-1947","Bulk 1915-1947"],"unitdate_bulk_ssim":["Bulk 1915-1947"],"unitdate_inclusive_ssm":["Inclusive 1910-1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0307","/repositories/5/resources/187"],"text":["WLU.Coll.0307","/repositories/5/resources/187","John Alexander Graham Papers","Sheet music","Correspondence","World War (1914-1918)","Universities and colleges -- Faculty","Graham was a member of the Washington and Lee University Class of 1914, a professor of Romance Languages at Washington and Lee University from 1919-1947, a composer, and a director a Presbyterian church choir for 25 years.","Blue sheet prepared by Betty Kondayan (02/14/08)","This collection includes Graham's compositions, World War I papers and correspondence, memorabilia of Washington and Lee University activities, scores, sheet music, notebooks, and other correspondence.","'Oh Professor!' was revised by Graham from an earlier edition of the musical comedy, 'Let's Dance.'","This file includes programs from The Troubadours of Washington and Lee, the Virginia Symphony Orchestra, and the Virginia State Choral Festival.","The letter is addressed to 'James.'","This file consists of orignals and of the published work.","This file consists of published copies of the piece as well as original copies made for James G. Leyburn and Mary Monroe Penick. The piece was written for The Children's Choir of The Presbyterian Church of Lexington, Va. It also contains copies for violin, violin II, viola, and cello.","This song was composed for Eric Rath and the Hollins Choir.","The piece was arranged and dedicated to Alfred Finch and the Glee Club of Sweet Briar College. The file consists of two original copies and three printed copies. One of the copies is signed by John A. Graham.","This file consists of one original and four copies. The piece was for the choir of the Lexington Presbyterian Church.","This file consists of one copy of the piece. It was arranged for the Madrigal Club of Lexington, Va.","This file consists of music written in pencil. The name 'Hugh Thomson Kerr' is written on the front.","Graham dedicated the piece to Miss Edna Schaeffer and the Glee Club of the State Teacher's College, Harrisburg, Va.","This music was arranged for the Washington and Lee Glee Club.","This piece was dedicated to Miss Edna T. Shaeffer and the Glee Club of Madison College, Harrisonburg, Va.","This piece was composed for The Madrigal Club of Lexington, Va.","The piece was for the choir of Trinity Episcopal Church, Staunton, Va.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","Graham arranged the music for the choir of the Lexington Presbyterian Church.","John A. Graham wrote the descant on the sheet of music.","John A. Graham abridged and arranged the music for a violin duet with piano accompaniment","This file includes arrangements for violin I, violin II, viola, and cello.","This piece was arranged by Graham for a cello.","Graham composed the work for Miss MacDonald, Mr. Leyburn, and two pianos.","This file includes the master copy.","This file includes copies for each violin and piano part. The sonata was written for and dedicated to Francis Rouclebush and James G. Leyburn.","This file consists of two notebooks with the music for 'Sonata for Violin and Piano.'","This file contains the violin I and II, viola, and cello music for Graham's 'String Quartet.'","Graham wrote and dedicated the music to Anne MacDonald and James G. Leyburn.","The music was written for Mr. Ammerman.","This file consists of sheet music from Washington and Lee's Troubadours' prouduction of 'The Lady in Green.'","This file consists of sheet music from the musicomedy 'Mlle Gaby' presented by Washington and Lee Troubadours.","The work is dedicated to Mr. Clifton Hall.","Dedicated to the Lexington Presbyterian Choir","'Be with us through the night' is an evening anthem or a quartet or chorus of male voices.","Dedeicated to Miss Mary Monroe Penick and the Choir of the Presbyterian Church.","Written for the Choir of the Presbyterian Church, Lexington, Va","'Savior, breathe an evening blessing' is an evening anthem for soprano voices.","This file consists of sheet music to 'Fight, Fight Blue and White' also referred to as 'Hail to Our Alma Mater.' The song was written for Washington and Lee University and dedicated to R.H. Carr, cheer leader.","This file consists of hand-written sheet music for 'Fight, Fight Blue and White.'","This file consists of sheet music for 'The Blue Ridge' for male chorus, dedicated to the Glee Club of Washington and Lee.","This file was written for male chorus and dedicated to the Glee Club of Washington and Lee University.","The song was originally written for C. W. Karraker, Jr.","Graham arranged this song for a male chorus with tenor and baritone solos or with violin or flute obbligato.","This is a choral ballad written for a chorus of women's voices with piano forte accompaniment. Graham wrote and dedicated the work to Miss Virginia Egol and the Choral Club of Hollins College.","Mary Monroe Penick wrote on an envelope the story of how Graham wrote the accompanying music to Mrs. Perkin's poems.","'I never knew' is a solo for mezzo-soprano with pianoforte accompaniment.","'Hebrew Lullaby' was dedicated to Mrs. Walter Forrester.","This has a baritone solo and chrorus for the Washington and Lee Glee Club.","Graham sent a card to Mary Monroe with a short song he wrote about how she was missed.","Graham dedicated this to W. S. Hastings.","'The Night Will Never Stay' was for Charles William Karraker, Jr.","Graham created this piece for Walter Scott Hastings by request.","The file includes a description of the piece.","This song was arranged for the Madrigal Club of Lexington, Va.","One of the copies is signed by James G. Leyburn and has a message from John A. Graham on it.","This song was from 'The Lady in Green' presented by The Troubadours at Washington and Lee University.","This file consists of mostly German cipher material.","This file consists of official documents, such as merandums, official business letters, and reciepts, from John Aleander Graham's war years.","This file consists of programs of Independence Day and Thanksgiving services, a theatre progam, a photograph, and Graham's certificate of identification.","Letter to John from his father about news in Lexington.","This file consists of wartime letters from John's three siblings reporting mostly of news at home, school, etc. It also contains a photograph of 'The Lexington Crew.' It appears to be written in Mercer's handwriting.","This file consists of correspondence from family and friends, in particular Mrs. Graham. There are also letters concerning teaching positions and graduate school scholarships.","This file consists of Graham's war memoirs.","This file consists of a newspaper article about a speech given by George Denny in 1910 about William Graham. It also contains a photograph of the bronze plaque at Graham's grave and photogaphs most likely from the moving of his remains to Lexington.","This file consists of Mercer and John's certificates from grade school and of materials from John's time at Washington and Lee. His report cards, football ticket, and matriculation reciept.","This file consists of newspaper clippings, Graham's Laissez, a correspondence with the editor of Choral Publications, and a photograph of Graham.","This file includes a music record sent to Robert Stewart, nwespaper clippings, and a bill passed by the United States Senate.","This file consists of poetry written by John Alexander Graham. The title of the collection of poems is 'Sadistic Songs for Arrant Egoists.'","This file consists of a record collection index. It is inscribed 'James Otis Trulove, Washington and Lee University, Lexington, Va.'","Programs from 'Clan Graham,' 'An Evening of Musical Compositions by John Graham,' and 'A Program of Music by John A. Graham.'","This file includes sheet music for 'Fight, Fight Blue and White' and 'Washington and Lee Swing.'","One of the letters to Mary Monroe asks about John. William writes the next day after hearing of John's death. He proposes doing something to spread John's music.","This file consists of a letter written by Graham to 'James,' most likely James G. Leyburn.","This file consists of designs information about commemorative plates for Washington and Lee University.","This file consists of letters written to Mary Monroe Penick about the music festival in memory of John Alexander Graham. Also included are newspaper articles about the event and programs.","This file consists of correspondence between various people and Mary Monroe Penick regarding preparations for the music festival in memory of John Alexander Graham.","This file includes correspondence written by Mary Monroe Pennick about the details of the music festival in memory of John Graham. It also includes biographies of the musicians who participated in the event, an invitation list, and other information that was used in the planning of the event.","This file consists of Washington and Lee Glee Club programs. Many of the Glee Club's concerts were join concerts with Hollins College or Sweet Briar College.","This file consists of glee club programs from universities other than Washington and Lee. Included are programas from the Intercollegiate Glee Club Contest, Emory University, Sweet Briar, Hollins College, Westminster Choir, University of Virginia, and Iowa State University.","This file consists of opera programs. One of the programs is from the Chicago Civic Opera Company Grand Opera Season 1929-1930. The other three are from the Metropolitan Opera House Philedelphia, seasons 1912-1913, 1913-1914, and 1915-1916.","This file consists of a copy of The Music Club Magazine, part of The Virginia Musician, South Atlantic Intercollegiate Glee Club Association Bulletin #10, September 29, 1932, Intercollegiate Musical Council Bulletin, October 1932, and correspondence between Alvin C. Busse and Graham about reprinting rights of the Alma Mater or New York University.","This file consists of vocal and piano music that belonged to Graham.","This file consists of two issues of The Etude and music belonging to Graham.","This file consists of three issues of The Etude, a music magazine, and miscellaneous music.","This file consists of miscellaneous music belonging to Graham and The New York Times Book Review, February 26, 1956.","This file consists of the libretto, or opera text, of the opera Aida that was written by request of the Viceroy of Egypt in 1871.","This file consists of the contexts of several operas. Included is an index of the operas mentioned.","This file includes 'No. 3 - Rue de Buci (en face la rue de l'Abbaye),' 1926, and 'No. 7 - Rue d'Odessa (Sortie du cinéma, 1916),' 1926. They are both mezzotint and aquatint with hand coloring.","This file consists of two card file indexes of John Alexander Graham's compositions. One of the files is organized alphabetically and the other is by subject.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University","Hollins College","Lexington Presbyterian Church (Lexington, Va.)","New Monmouth Presbyterian Church (Lexington, Va.)","Ann Smith Academy","Virginia Symphony","G. Ricordi \u0026 Co.","Hollins University","Sweet Briar College","Virginia. State Teachers College at Harrisonburg (Harrisonburg, Va.)","Madison College","Trinity Episcopal Church (Staunton, Va.)","Johns Hopkins University","Emory University","Mary Baldwin College","Westminster Choir","University of Virginia","Iowa State University","Chicago Civic Opera (Chicago, Ill.)","New York Times Company","Graham family","Graham, John Alexander","Penick, Mary Monroe","Leyburn, James Graham","Kerr, Hugh Thomson","Southwell, Robert, Saint","Chesterton, G. K. (Gilbert Keith)","Lathbury, Mary A. (Mary Artemisia)","Mason, Lowell","Watts, Isaac","Bates, Katherine Lee","Ward, Samuel A.","Reed, Andrew","Gottschalk, Louis Moreau","Maker, F. C.","Whittier, John Greenleaf","Tucker, Mary","Ammerman, Richard C.","Rice, Cale Young","Gill, Carl Everett Leonard","Carr, Robert H.","Preston, Margaret Junkin","Chubb, Thomas Caldecot","Nelson, Evelyn","Karraker, Charles William, Jr.","Egolf, Virginia","Perkins, Sally Shepherd","Forrester, Walter, Mrs.","Merriam, Lillie Fuller","Farjeon, Eleanor","Tennyson, Alfred Tennyson, Baron","Hastings, Walter Scott","Castelnau, Edouard de Curieres de","Graham, Ned, Jr. (Edward L.)","Graham, Samuel Mercer","Graham, Mary Louisa","Denny, George Hutcheson","Graham, William","Graham, Edward","Graham, Louisa Garnett Eoff","Jordan, John","Stewart, Robert","West, Marshall Penick","Trulove, James Otis","Robbins, Clarence A.","Allen, Thornton W.","Sheafe, Mark W.","Lewis, Mildred","Daura, Louise","Velte, Marjorie","Munger, Betty E","Munger, Robert Sylvester","Harding, Vera","Williamson, Olympia","Drake, Winbourne Magruder","Boatwright, Helen","Bell, Mary Lou","Rogers, Milton Borbee","Welles, Betty Galt","Brown, Stanley Coleman","Peters, Frances","Criminale, Leonard Rex","McMurran, Lewis A., Jr.","McNeil, Ruth","Graves, Edward S.","Moore, Stuart","Dennis, Betty","Shaeffer, Edna T.","Caskie, James R.","Desha, Lucius Junius ","Cushing, Kay","Casselman, Eugene","Busse, Alvin C.","Mozart, Wolfgang Amadeus (1756-1791)","Clerambault, Louis-Nicolas","Verdi, Giuseppe","Corvel, Georges","English \n.    "],"unitid_tesim":["WLU.Coll.0307","/repositories/5/resources/187"],"normalized_title_ssm":["John Alexander Graham Papers"],"collection_title_tesim":["John Alexander Graham Papers"],"collection_ssim":["John Alexander Graham Papers"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Graham, John Alexander","Penick, Mary Monroe"],"creator_ssim":["Graham, John Alexander","Penick, Mary Monroe"],"creator_persname_ssim":["Graham, John Alexander","Penick, Mary Monroe"],"creators_ssim":["Graham, John Alexander","Penick, Mary Monroe"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Sheet music","Correspondence","World War (1914-1918)","Universities and colleges -- Faculty"],"access_subjects_ssm":["Sheet music","Correspondence","World War (1914-1918)","Universities and colleges -- Faculty"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet"],"extent_tesim":["8 Linear Feet"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947],"bioghist_html_tesm":["\u003cp\u003eGraham was a member of the Washington and Lee University Class of 1914, a professor of Romance Languages at Washington and Lee University from 1919-1947, a composer, and a director a Presbyterian church choir for 25 years.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Graham was a member of the Washington and Lee University Class of 1914, a professor of Romance Languages at Washington and Lee University from 1919-1947, a composer, and a director a Presbyterian church choir for 25 years."],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], John Alexander Graham Papers, WLU Coll. 0307, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format.\u003c/p\u003e"],"prefercite_tesim":["Preferred citation: [Identification of item], John Alexander Graham Papers, WLU Coll. 0307, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format."],"processinfo_html_tesm":["\u003cp\u003eBlue sheet prepared by Betty Kondayan (02/14/08)\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Blue sheet prepared by Betty Kondayan (02/14/08)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes Graham's compositions, World War I papers and correspondence, memorabilia of Washington and Lee University activities, scores, sheet music, notebooks, and other correspondence.\u003c/p\u003e","\u003cp\u003e'Oh Professor!' was revised by Graham from an earlier edition of the musical comedy, 'Let's Dance.'\u003c/p\u003e","\u003cp\u003eThis file includes programs from The Troubadours of Washington and Lee, the Virginia Symphony Orchestra, and the Virginia State Choral Festival.\u003c/p\u003e","\u003cp\u003eThe letter is addressed to 'James.'\u003c/p\u003e","\u003cp\u003eThis file consists of orignals and of the published work.\u003c/p\u003e","\u003cp\u003eThis file consists of published copies of the piece as well as original copies made for James G. Leyburn and Mary Monroe Penick. The piece was written for The Children's Choir of The Presbyterian Church of Lexington, Va. It also contains copies for violin, violin II, viola, and cello.\u003c/p\u003e","\u003cp\u003eThis song was composed for Eric Rath and the Hollins Choir.\u003c/p\u003e","\u003cp\u003eThe piece was arranged and dedicated to Alfred Finch and the Glee Club of Sweet Briar College. The file consists of two original copies and three printed copies. One of the copies is signed by John A. Graham.\u003c/p\u003e","\u003cp\u003eThis file consists of one original and four copies. The piece was for the choir of the Lexington Presbyterian Church.\u003c/p\u003e","\u003cp\u003eThis file consists of one copy of the piece. It was arranged for the Madrigal Club of Lexington, Va.\u003c/p\u003e","\u003cp\u003eThis file consists of music written in pencil. The name 'Hugh Thomson Kerr' is written on the front.\u003c/p\u003e","\u003cp\u003eGraham dedicated the piece to Miss Edna Schaeffer and the Glee Club of the State Teacher's College, Harrisburg, Va.\u003c/p\u003e","\u003cp\u003eThis music was arranged for the Washington and Lee Glee Club.\u003c/p\u003e","\u003cp\u003eThis piece was dedicated to Miss Edna T. Shaeffer and the Glee Club of Madison College, Harrisonburg, Va.\u003c/p\u003e","\u003cp\u003eThis piece was composed for The Madrigal Club of Lexington, Va.\u003c/p\u003e","\u003cp\u003eThe piece was for the choir of Trinity Episcopal Church, Staunton, Va.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eGraham arranged the music for the choir of the Lexington Presbyterian Church.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eJohn A. Graham abridged and arranged the music for a violin duet with piano accompaniment\u003c/p\u003e","\u003cp\u003eThis file includes arrangements for violin I, violin II, viola, and cello.\u003c/p\u003e","\u003cp\u003eThis piece was arranged by Graham for a cello.\u003c/p\u003e","\u003cp\u003eGraham composed the work for Miss MacDonald, Mr. Leyburn, and two pianos.\u003c/p\u003e","\u003cp\u003eThis file includes the master copy.\u003c/p\u003e","\u003cp\u003eThis file includes copies for each violin and piano part. The sonata was written for and dedicated to Francis Rouclebush and James G. Leyburn.\u003c/p\u003e","\u003cp\u003eThis file consists of two notebooks with the music for 'Sonata for Violin and Piano.'\u003c/p\u003e","\u003cp\u003eThis file contains the violin I and II, viola, and cello music for Graham's 'String Quartet.'\u003c/p\u003e","\u003cp\u003eGraham wrote and dedicated the music to Anne MacDonald and James G. Leyburn.\u003c/p\u003e","\u003cp\u003eThe music was written for Mr. Ammerman.\u003c/p\u003e","\u003cp\u003eThis file consists of sheet music from Washington and Lee's Troubadours' prouduction of 'The Lady in Green.'\u003c/p\u003e","\u003cp\u003eThis file consists of sheet music from the musicomedy 'Mlle Gaby' presented by Washington and Lee Troubadours.\u003c/p\u003e","\u003cp\u003eThe work is dedicated to Mr. Clifton Hall.\u003c/p\u003e","\u003cp\u003eDedicated to the Lexington Presbyterian Choir\u003c/p\u003e","\u003cp\u003e'Be with us through the night' is an evening anthem or a quartet or chorus of male voices.\u003c/p\u003e","\u003cp\u003eDedeicated to Miss Mary Monroe Penick and the Choir of the Presbyterian Church.\u003c/p\u003e","\u003cp\u003eWritten for the Choir of the Presbyterian Church, Lexington, Va\u003c/p\u003e","\u003cp\u003e'Savior, breathe an evening blessing' is an evening anthem for soprano voices.\u003c/p\u003e","\u003cp\u003eThis file consists of sheet music to 'Fight, Fight Blue and White' also referred to as 'Hail to Our Alma Mater.' The song was written for Washington and Lee University and dedicated to R.H. Carr, cheer leader.\u003c/p\u003e","\u003cp\u003eThis file consists of hand-written sheet music for 'Fight, Fight Blue and White.'\u003c/p\u003e","\u003cp\u003eThis file consists of sheet music for 'The Blue Ridge' for male chorus, dedicated to the Glee Club of Washington and Lee.\u003c/p\u003e","\u003cp\u003eThis file was written for male chorus and dedicated to the Glee Club of Washington and Lee University.\u003c/p\u003e","\u003cp\u003eThe song was originally written for C. W. Karraker, Jr.\u003c/p\u003e","\u003cp\u003eGraham arranged this song for a male chorus with tenor and baritone solos or with violin or flute obbligato.\u003c/p\u003e","\u003cp\u003eThis is a choral ballad written for a chorus of women's voices with piano forte accompaniment. Graham wrote and dedicated the work to Miss Virginia Egol and the Choral Club of Hollins College.\u003c/p\u003e","\u003cp\u003eMary Monroe Penick wrote on an envelope the story of how Graham wrote the accompanying music to Mrs. Perkin's poems.\u003c/p\u003e","\u003cp\u003e'I never knew' is a solo for mezzo-soprano with pianoforte accompaniment.\u003c/p\u003e","\u003cp\u003e'Hebrew Lullaby' was dedicated to Mrs. Walter Forrester.\u003c/p\u003e","\u003cp\u003eThis has a baritone solo and chrorus for the Washington and Lee Glee Club.\u003c/p\u003e","\u003cp\u003eGraham sent a card to Mary Monroe with a short song he wrote about how she was missed.\u003c/p\u003e","\u003cp\u003eGraham dedicated this to W. S. Hastings.\u003c/p\u003e","\u003cp\u003e'The Night Will Never Stay' was for Charles William Karraker, Jr.\u003c/p\u003e","\u003cp\u003eGraham created this piece for Walter Scott Hastings by request.\u003c/p\u003e","\u003cp\u003eThe file includes a description of the piece.\u003c/p\u003e","\u003cp\u003eThis song was arranged for the Madrigal Club of Lexington, Va.\u003c/p\u003e","\u003cp\u003eOne of the copies is signed by James G. Leyburn and has a message from John A. Graham on it.\u003c/p\u003e","\u003cp\u003eThis song was from 'The Lady in Green' presented by The Troubadours at Washington and Lee University.\u003c/p\u003e","\u003cp\u003eThis file consists of mostly German cipher material.\u003c/p\u003e","\u003cp\u003eThis file consists of official documents, such as merandums, official business letters, and reciepts, from John Aleander Graham's war years.\u003c/p\u003e","\u003cp\u003eThis file consists of programs of Independence Day and Thanksgiving services, a theatre progam, a photograph, and Graham's certificate of identification.\u003c/p\u003e","\u003cp\u003eLetter to John from his father about news in Lexington.\u003c/p\u003e","\u003cp\u003eThis file consists of wartime letters from John's three siblings reporting mostly of news at home, school, etc. It also contains a photograph of 'The Lexington Crew.' It appears to be written in Mercer's handwriting.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from family and friends, in particular Mrs. Graham. There are also letters concerning teaching positions and graduate school scholarships.\u003c/p\u003e","\u003cp\u003eThis file consists of Graham's war memoirs.\u003c/p\u003e","\u003cp\u003eThis file consists of a newspaper article about a speech given by George Denny in 1910 about William Graham. It also contains a photograph of the bronze plaque at Graham's grave and photogaphs most likely from the moving of his remains to Lexington.\u003c/p\u003e","\u003cp\u003eThis file consists of Mercer and John's certificates from grade school and of materials from John's time at Washington and Lee. His report cards, football ticket, and matriculation reciept.\u003c/p\u003e","\u003cp\u003eThis file consists of newspaper clippings, Graham's Laissez, a correspondence with the editor of Choral Publications, and a photograph of Graham.\u003c/p\u003e","\u003cp\u003eThis file includes a music record sent to Robert Stewart, nwespaper clippings, and a bill passed by the United States Senate.\u003c/p\u003e","\u003cp\u003eThis file consists of poetry written by John Alexander Graham. The title of the collection of poems is 'Sadistic Songs for Arrant Egoists.'\u003c/p\u003e","\u003cp\u003eThis file consists of a record collection index. It is inscribed 'James Otis Trulove, Washington and Lee University, Lexington, Va.'\u003c/p\u003e","\u003cp\u003ePrograms from 'Clan Graham,' 'An Evening of Musical Compositions by John Graham,' and 'A Program of Music by John A. Graham.'\u003c/p\u003e","\u003cp\u003eThis file includes sheet music for 'Fight, Fight Blue and White' and 'Washington and Lee Swing.'\u003c/p\u003e","\u003cp\u003eOne of the letters to Mary Monroe asks about John. William writes the next day after hearing of John's death. He proposes doing something to spread John's music.\u003c/p\u003e","\u003cp\u003eThis file consists of a letter written by Graham to 'James,' most likely James G. Leyburn.\u003c/p\u003e","\u003cp\u003eThis file consists of designs information about commemorative plates for Washington and Lee University.\u003c/p\u003e","\u003cp\u003eThis file consists of letters written to Mary Monroe Penick about the music festival in memory of John Alexander Graham. Also included are newspaper articles about the event and programs.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence between various people and Mary Monroe Penick regarding preparations for the music festival in memory of John Alexander Graham.\u003c/p\u003e","\u003cp\u003eThis file includes correspondence written by Mary Monroe Pennick about the details of the music festival in memory of John Graham. It also includes biographies of the musicians who participated in the event, an invitation list, and other information that was used in the planning of the event.\u003c/p\u003e","\u003cp\u003eThis file consists of Washington and Lee Glee Club programs. Many of the Glee Club's concerts were join concerts with Hollins College or Sweet Briar College.\u003c/p\u003e","\u003cp\u003eThis file consists of glee club programs from universities other than Washington and Lee. Included are programas from the Intercollegiate Glee Club Contest, Emory University, Sweet Briar, Hollins College, Westminster Choir, University of Virginia, and Iowa State University.\u003c/p\u003e","\u003cp\u003eThis file consists of opera programs. One of the programs is from the Chicago Civic Opera Company Grand Opera Season 1929-1930. The other three are from the Metropolitan Opera House Philedelphia, seasons 1912-1913, 1913-1914, and 1915-1916.\u003c/p\u003e","\u003cp\u003eThis file consists of a copy of The Music Club Magazine, part of The Virginia Musician, South Atlantic Intercollegiate Glee Club Association Bulletin #10, September 29, 1932, Intercollegiate Musical Council Bulletin, October 1932, and correspondence between Alvin C. Busse and Graham about reprinting rights of the Alma Mater or New York University.\u003c/p\u003e","\u003cp\u003eThis file consists of vocal and piano music that belonged to Graham.\u003c/p\u003e","\u003cp\u003eThis file consists of two issues of The Etude and music belonging to Graham.\u003c/p\u003e","\u003cp\u003eThis file consists of three issues of The Etude, a music magazine, and miscellaneous music.\u003c/p\u003e","\u003cp\u003eThis file consists of miscellaneous music belonging to Graham and The New York Times Book Review, February 26, 1956.\u003c/p\u003e","\u003cp\u003eThis file consists of the libretto, or opera text, of the opera Aida that was written by request of the Viceroy of Egypt in 1871.\u003c/p\u003e","\u003cp\u003eThis file consists of the contexts of several operas. Included is an index of the operas mentioned.\u003c/p\u003e","\u003cp\u003eThis file includes 'No. 3 - Rue de Buci (en face la rue de l'Abbaye),' 1926, and 'No. 7 - Rue d'Odessa (Sortie du cinéma, 1916),' 1926. They are both mezzotint and aquatint with hand coloring.\u003c/p\u003e","\u003cp\u003eThis file consists of two card file indexes of John Alexander Graham's compositions. One of the files is organized alphabetically and the other is by subject.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection includes Graham's compositions, World War I papers and correspondence, memorabilia of Washington and Lee University activities, scores, sheet music, notebooks, and other correspondence.","'Oh Professor!' was revised by Graham from an earlier edition of the musical comedy, 'Let's Dance.'","This file includes programs from The Troubadours of Washington and Lee, the Virginia Symphony Orchestra, and the Virginia State Choral Festival.","The letter is addressed to 'James.'","This file consists of orignals and of the published work.","This file consists of published copies of the piece as well as original copies made for James G. Leyburn and Mary Monroe Penick. The piece was written for The Children's Choir of The Presbyterian Church of Lexington, Va. It also contains copies for violin, violin II, viola, and cello.","This song was composed for Eric Rath and the Hollins Choir.","The piece was arranged and dedicated to Alfred Finch and the Glee Club of Sweet Briar College. The file consists of two original copies and three printed copies. One of the copies is signed by John A. Graham.","This file consists of one original and four copies. The piece was for the choir of the Lexington Presbyterian Church.","This file consists of one copy of the piece. It was arranged for the Madrigal Club of Lexington, Va.","This file consists of music written in pencil. The name 'Hugh Thomson Kerr' is written on the front.","Graham dedicated the piece to Miss Edna Schaeffer and the Glee Club of the State Teacher's College, Harrisburg, Va.","This music was arranged for the Washington and Lee Glee Club.","This piece was dedicated to Miss Edna T. Shaeffer and the Glee Club of Madison College, Harrisonburg, Va.","This piece was composed for The Madrigal Club of Lexington, Va.","The piece was for the choir of Trinity Episcopal Church, Staunton, Va.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","Graham arranged the music for the choir of the Lexington Presbyterian Church.","John A. Graham wrote the descant on the sheet of music.","John A. Graham abridged and arranged the music for a violin duet with piano accompaniment","This file includes arrangements for violin I, violin II, viola, and cello.","This piece was arranged by Graham for a cello.","Graham composed the work for Miss MacDonald, Mr. Leyburn, and two pianos.","This file includes the master copy.","This file includes copies for each violin and piano part. The sonata was written for and dedicated to Francis Rouclebush and James G. Leyburn.","This file consists of two notebooks with the music for 'Sonata for Violin and Piano.'","This file contains the violin I and II, viola, and cello music for Graham's 'String Quartet.'","Graham wrote and dedicated the music to Anne MacDonald and James G. Leyburn.","The music was written for Mr. Ammerman.","This file consists of sheet music from Washington and Lee's Troubadours' prouduction of 'The Lady in Green.'","This file consists of sheet music from the musicomedy 'Mlle Gaby' presented by Washington and Lee Troubadours.","The work is dedicated to Mr. Clifton Hall.","Dedicated to the Lexington Presbyterian Choir","'Be with us through the night' is an evening anthem or a quartet or chorus of male voices.","Dedeicated to Miss Mary Monroe Penick and the Choir of the Presbyterian Church.","Written for the Choir of the Presbyterian Church, Lexington, Va","'Savior, breathe an evening blessing' is an evening anthem for soprano voices.","This file consists of sheet music to 'Fight, Fight Blue and White' also referred to as 'Hail to Our Alma Mater.' The song was written for Washington and Lee University and dedicated to R.H. Carr, cheer leader.","This file consists of hand-written sheet music for 'Fight, Fight Blue and White.'","This file consists of sheet music for 'The Blue Ridge' for male chorus, dedicated to the Glee Club of Washington and Lee.","This file was written for male chorus and dedicated to the Glee Club of Washington and Lee University.","The song was originally written for C. W. Karraker, Jr.","Graham arranged this song for a male chorus with tenor and baritone solos or with violin or flute obbligato.","This is a choral ballad written for a chorus of women's voices with piano forte accompaniment. Graham wrote and dedicated the work to Miss Virginia Egol and the Choral Club of Hollins College.","Mary Monroe Penick wrote on an envelope the story of how Graham wrote the accompanying music to Mrs. Perkin's poems.","'I never knew' is a solo for mezzo-soprano with pianoforte accompaniment.","'Hebrew Lullaby' was dedicated to Mrs. Walter Forrester.","This has a baritone solo and chrorus for the Washington and Lee Glee Club.","Graham sent a card to Mary Monroe with a short song he wrote about how she was missed.","Graham dedicated this to W. S. Hastings.","'The Night Will Never Stay' was for Charles William Karraker, Jr.","Graham created this piece for Walter Scott Hastings by request.","The file includes a description of the piece.","This song was arranged for the Madrigal Club of Lexington, Va.","One of the copies is signed by James G. Leyburn and has a message from John A. Graham on it.","This song was from 'The Lady in Green' presented by The Troubadours at Washington and Lee University.","This file consists of mostly German cipher material.","This file consists of official documents, such as merandums, official business letters, and reciepts, from John Aleander Graham's war years.","This file consists of programs of Independence Day and Thanksgiving services, a theatre progam, a photograph, and Graham's certificate of identification.","Letter to John from his father about news in Lexington.","This file consists of wartime letters from John's three siblings reporting mostly of news at home, school, etc. It also contains a photograph of 'The Lexington Crew.' It appears to be written in Mercer's handwriting.","This file consists of correspondence from family and friends, in particular Mrs. Graham. There are also letters concerning teaching positions and graduate school scholarships.","This file consists of Graham's war memoirs.","This file consists of a newspaper article about a speech given by George Denny in 1910 about William Graham. It also contains a photograph of the bronze plaque at Graham's grave and photogaphs most likely from the moving of his remains to Lexington.","This file consists of Mercer and John's certificates from grade school and of materials from John's time at Washington and Lee. His report cards, football ticket, and matriculation reciept.","This file consists of newspaper clippings, Graham's Laissez, a correspondence with the editor of Choral Publications, and a photograph of Graham.","This file includes a music record sent to Robert Stewart, nwespaper clippings, and a bill passed by the United States Senate.","This file consists of poetry written by John Alexander Graham. The title of the collection of poems is 'Sadistic Songs for Arrant Egoists.'","This file consists of a record collection index. It is inscribed 'James Otis Trulove, Washington and Lee University, Lexington, Va.'","Programs from 'Clan Graham,' 'An Evening of Musical Compositions by John Graham,' and 'A Program of Music by John A. Graham.'","This file includes sheet music for 'Fight, Fight Blue and White' and 'Washington and Lee Swing.'","One of the letters to Mary Monroe asks about John. William writes the next day after hearing of John's death. He proposes doing something to spread John's music.","This file consists of a letter written by Graham to 'James,' most likely James G. Leyburn.","This file consists of designs information about commemorative plates for Washington and Lee University.","This file consists of letters written to Mary Monroe Penick about the music festival in memory of John Alexander Graham. Also included are newspaper articles about the event and programs.","This file consists of correspondence between various people and Mary Monroe Penick regarding preparations for the music festival in memory of John Alexander Graham.","This file includes correspondence written by Mary Monroe Pennick about the details of the music festival in memory of John Graham. It also includes biographies of the musicians who participated in the event, an invitation list, and other information that was used in the planning of the event.","This file consists of Washington and Lee Glee Club programs. Many of the Glee Club's concerts were join concerts with Hollins College or Sweet Briar College.","This file consists of glee club programs from universities other than Washington and Lee. Included are programas from the Intercollegiate Glee Club Contest, Emory University, Sweet Briar, Hollins College, Westminster Choir, University of Virginia, and Iowa State University.","This file consists of opera programs. One of the programs is from the Chicago Civic Opera Company Grand Opera Season 1929-1930. The other three are from the Metropolitan Opera House Philedelphia, seasons 1912-1913, 1913-1914, and 1915-1916.","This file consists of a copy of The Music Club Magazine, part of The Virginia Musician, South Atlantic Intercollegiate Glee Club Association Bulletin #10, September 29, 1932, Intercollegiate Musical Council Bulletin, October 1932, and correspondence between Alvin C. Busse and Graham about reprinting rights of the Alma Mater or New York University.","This file consists of vocal and piano music that belonged to Graham.","This file consists of two issues of The Etude and music belonging to Graham.","This file consists of three issues of The Etude, a music magazine, and miscellaneous music.","This file consists of miscellaneous music belonging to Graham and The New York Times Book Review, February 26, 1956.","This file consists of the libretto, or opera text, of the opera Aida that was written by request of the Viceroy of Egypt in 1871.","This file consists of the contexts of several operas. Included is an index of the operas mentioned.","This file includes 'No. 3 - Rue de Buci (en face la rue de l'Abbaye),' 1926, and 'No. 7 - Rue d'Odessa (Sortie du cinéma, 1916),' 1926. They are both mezzotint and aquatint with hand coloring.","This file consists of two card file indexes of John Alexander Graham's compositions. One of the files is organized alphabetically and the other is by subject."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_coll_ssim":["Washington and Lee University"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University","Hollins College","Lexington Presbyterian Church (Lexington, Va.)","New Monmouth Presbyterian Church (Lexington, Va.)","Ann Smith Academy","Virginia Symphony","G. Ricordi \u0026 Co.","Hollins University","Sweet Briar College","Virginia. State Teachers College at Harrisonburg (Harrisonburg, Va.)","Madison College","Trinity Episcopal Church (Staunton, Va.)","Johns Hopkins University","Emory University","Mary Baldwin College","Westminster Choir","University of Virginia","Iowa State University","Chicago Civic Opera (Chicago, Ill.)","New York Times Company","Graham family","Graham, John Alexander","Penick, Mary Monroe","Leyburn, James Graham","Kerr, Hugh Thomson","Southwell, Robert, Saint","Chesterton, G. K. (Gilbert Keith)","Lathbury, Mary A. (Mary Artemisia)","Mason, Lowell","Watts, Isaac","Bates, Katherine Lee","Ward, Samuel A.","Reed, Andrew","Gottschalk, Louis Moreau","Maker, F. C.","Whittier, John Greenleaf","Tucker, Mary","Ammerman, Richard C.","Rice, Cale Young","Gill, Carl Everett Leonard","Carr, Robert H.","Preston, Margaret Junkin","Chubb, Thomas Caldecot","Nelson, Evelyn","Karraker, Charles William, Jr.","Egolf, Virginia","Perkins, Sally Shepherd","Forrester, Walter, Mrs.","Merriam, Lillie Fuller","Farjeon, Eleanor","Tennyson, Alfred Tennyson, Baron","Hastings, Walter Scott","Castelnau, Edouard de Curieres de","Graham, Ned, Jr. (Edward L.)","Graham, Samuel Mercer","Graham, Mary Louisa","Denny, George Hutcheson","Graham, William","Graham, Edward","Graham, Louisa Garnett Eoff","Jordan, John","Stewart, Robert","West, Marshall Penick","Trulove, James Otis","Robbins, Clarence A.","Allen, Thornton W.","Sheafe, Mark W.","Lewis, Mildred","Daura, Louise","Velte, Marjorie","Munger, Betty E","Munger, Robert Sylvester","Harding, Vera","Williamson, Olympia","Drake, Winbourne Magruder","Boatwright, Helen","Bell, Mary Lou","Rogers, Milton Borbee","Welles, Betty Galt","Brown, Stanley Coleman","Peters, Frances","Criminale, Leonard Rex","McMurran, Lewis A., Jr.","McNeil, Ruth","Graves, Edward S.","Moore, Stuart","Dennis, Betty","Shaeffer, Edna T.","Caskie, James R.","Desha, Lucius Junius ","Cushing, Kay","Casselman, Eugene","Busse, Alvin C.","Mozart, Wolfgang Amadeus (1756-1791)","Clerambault, Louis-Nicolas","Verdi, Giuseppe","Corvel, Georges"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University","Hollins College","Lexington Presbyterian Church (Lexington, Va.)","New Monmouth Presbyterian Church (Lexington, Va.)","Ann Smith Academy","Virginia Symphony","G. Ricordi \u0026 Co.","Hollins University","Sweet Briar College","Virginia. State Teachers College at Harrisonburg (Harrisonburg, Va.)","Madison College","Trinity Episcopal Church (Staunton, Va.)","Johns Hopkins University","Emory University","Mary Baldwin College","Westminster Choir","University of Virginia","Iowa State University","Chicago Civic Opera (Chicago, Ill.)","New York Times Company"],"famname_ssim":["Graham family"],"persname_ssim":["Graham, John Alexander","Penick, Mary Monroe","Leyburn, James Graham","Kerr, Hugh Thomson","Southwell, Robert, Saint","Chesterton, G. K. (Gilbert Keith)","Lathbury, Mary A. (Mary Artemisia)","Mason, Lowell","Watts, Isaac","Bates, Katherine Lee","Ward, Samuel A.","Reed, Andrew","Gottschalk, Louis Moreau","Maker, F. C.","Whittier, John Greenleaf","Tucker, Mary","Ammerman, Richard C.","Rice, Cale Young","Gill, Carl Everett Leonard","Carr, Robert H.","Preston, Margaret Junkin","Chubb, Thomas Caldecot","Nelson, Evelyn","Karraker, Charles William, Jr.","Egolf, Virginia","Perkins, Sally Shepherd","Forrester, Walter, Mrs.","Merriam, Lillie Fuller","Farjeon, Eleanor","Tennyson, Alfred Tennyson, Baron","Hastings, Walter Scott","Castelnau, Edouard de Curieres de","Graham, Ned, Jr. (Edward L.)","Graham, Samuel Mercer","Graham, Mary Louisa","Denny, George Hutcheson","Graham, William","Graham, Edward","Graham, Louisa Garnett Eoff","Jordan, John","Stewart, Robert","West, Marshall Penick","Trulove, James Otis","Robbins, Clarence A.","Allen, Thornton W.","Sheafe, Mark W.","Lewis, Mildred","Daura, Louise","Velte, Marjorie","Munger, Betty E","Munger, Robert Sylvester","Harding, Vera","Williamson, Olympia","Drake, Winbourne Magruder","Boatwright, Helen","Bell, Mary Lou","Rogers, Milton Borbee","Welles, Betty Galt","Brown, Stanley Coleman","Peters, Frances","Criminale, Leonard Rex","McMurran, Lewis A., Jr.","McNeil, Ruth","Graves, Edward S.","Moore, Stuart","Dennis, Betty","Shaeffer, Edna T.","Caskie, James R.","Desha, Lucius Junius ","Cushing, Kay","Casselman, Eugene","Busse, Alvin C.","Mozart, Wolfgang Amadeus (1756-1791)","Clerambault, Louis-Nicolas","Verdi, Giuseppe","Corvel, Georges"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":227,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T20:55:58.373Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_187_c03"}},{"id":"viw_repositories_2_resources_8292","type":"collection","attributes":{"title":"Hallelujah, Baby! Playscript","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8292#creator","type":"document_value","attributes":{"value":"Styne, Jule, 1905-1994","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8292#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eHallelujah Baby Musical in 2 Acts, Prologue and 6 scenes: Book by Arthur Laurents: Music by Jules Styne: Lyrics by Betty Comden and Adolph Green\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8292#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_8292","ead_ssi":"viw_repositories_2_resources_8292","_root_":"viw_repositories_2_resources_8292","_nest_parent_":"viw_repositories_2_resources_8292","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8292.xml","title_filing_ssi":"Hallelujah, Baby! Playscript","title_ssm":["Hallelujah, Baby! Playscript"],"title_tesim":["Hallelujah, Baby! Playscript"],"unitdate_ssm":["circa 1967"],"unitdate_other_ssim":["circa 1967"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 01571","/repositories/2/resources/8292"],"text":["SC 01571","/repositories/2/resources/8292","Hallelujah, Baby! Playscript","Musicals","Race in musical theater","Musical theater","Civil rights movements","Women's rights--United States","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Hallelujah Baby\nMusical in 2 Acts, Prologue and 6 scenes: Book by Arthur Laurents: Music by Jules Styne: Lyrics by Betty Comden and Adolph Green","First Performed at the Martin Beck Theatre, Broadway - 26 April, 1967 (293 perfs)\nPreviews began on April 6, 1967.\nSynopsis:\nACT I\nFrom underneath an open umbrella, Georgina, an attractive, contemporary Black woman, appears and greets us. She tells us that while the show we are about to see will cover sixty years, she will always remain twenty-five - \"That's nice for a girl,\" she states. Georgina's mother, her fiancé Clem and her devoted friend Harvey will also remain the same age throughout the show.\nIn the 1900s, Georgina and Momma are employed as maids on a Southern plantation. Momma tries to convince Georgina that she should be content with her lot in life. But Georgina wants more. Boyfriend Clem, a Pullman porter, arrives and explains how the down payment on a home for Georgina and him was lost when white cops confiscated his poker game winnings.\nHarvey, a young white theatrical producer, hires Georgina to play a maid in a Civil War play, despite the fact that Black people and whites are not allowed to appear on stage together. Georgina finds she prefers playing a maid to actually being one and is more determined than ever not to go back to the kitchen.\nIn the twenties, Harvey manages a Harlem nightclub where Georgina performs as one of several \"Congo Cuties\" and Clem works as a waiter. A foreign prince, who doesn't understand the bigoted local bylaws prohibiting Georgina from joining him at his table, starts a fight, and when a brawl ensues, Georgina and Clem are fired, and Harvey resigns in support of his friends. Clem resolves to pull himself together and make Georgina proud.\nOnce more Georgina and Momma are maids and Clem sports a Pullman uniform. All three ironically acknowledge that it pays to keep one's place and fulfil the expectations of white people about how black people are supposed to behave. Then the stock market crashes, and the three find themselves out of work again.\nTo escape the bread lines of the '30s, Georgina returns to the stage, taking on the role of a witch in a politically correct, voodoo version of Macbeth, sponsored by the Federal Theatre. Considered subversive, the show is shut down and Clem, Harvey and a friend named Mary attempt to cheer Georgina up. Clem is drawn to the Communist cause, where they call him \"comrade,\" not \"boy.\" Georgina declares that this is not the solution to their problems: \"Nobody can help you and me but you and me.\" They clash, Clem walks out, and Georgina expresses the irony of her situation.\nHarvey makes Georgina aware of his feelings for her, but neither has come far enough along for a relationship. Alone, Georgina realises that, although she's better than ever, she's not much closer to her dreams than she was at the beginning. She resolves to be the best she can be.","ACT II\nIt's the '40s and Georgina is doing her bit for the war effort by performing with a USO troop, while Clem has become a sergeant and Harvey a second lieutenant. All three members of this triangle are too confused about their feelings and too full of pride to act\nGeorgina quits the show when the integrated company is not permitted to play before integrated audiences. After an incident in which Harvey attempts to join Clem and Georgina in the back of a bus, Georgina decides that fighting for one's principles doesn't always pay off. She'll have to find a different route to her dreams.\nIt's the '50s, and Georgina has finally broken through, singing and dancing out her jubilation on the mirrored stage of a chic supper club. Clem, now a civil rights activist, is unhappy with Georgina's new acceptance values and tells her to \"get out of your little room and connect.\" Meanwhile, club manager Harvey proposes to Georgina, aware that, in spite of her estrangement from Clem, she may always be Clem's lady. Momma tells Clem and Harvey that no one is more surprised by Georgina's success than her Momma.\nAt a party where Georgina is the sole non-white, Momma arrives to deliver Georgina's evening bag. Georgina's friend mistakes Momma for Georgina's maid, and Georgina breaks down. She realises she has been \"driving tight and tiny for myself,\" and resolves to \"sing for everyone's supper - not just my own\".\nAs the '60s arrive, Georgina and Momma are about to move into a posh New York apartment that Harvey has arranged for them. Clem, who wants no more of smugly tolerant white society, convinces Georgina that this is still not the right place for them. Clem and Georgina move on together. At least they will have each other until things change and the weather's better.","Ken Mandelbaum- Theguidetomusicaltheater.com ","The Musical was nominated for 9 Tony awards in 1968 and won 5 including Best Musical, Best Composer and Lyricist, Best Actor, Best Actress, Best Featured Actress, and four individual awards for Best Producer of a Musical.  \nSource, ibdb.com","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Styne, Jule, 1905-1994","Laurents, Arthur","Purchase- Clouds Hill Books","Green, Adolph","Comden, Betty","Uggams, Leslie","Hayman, Lillian, 1922-1994","Hooks, Robert, 1937-","English"],"unitid_tesim":["SC 01571","/repositories/2/resources/8292"],"normalized_title_ssm":["Hallelujah, Baby! Playscript"],"collection_title_tesim":["Hallelujah, Baby! Playscript"],"collection_ssim":["Hallelujah, Baby! Playscript"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Styne, Jule, 1905-1994"],"creator_ssim":["Styne, Jule, 1905-1994"],"creator_persname_ssim":["Styne, Jule, 1905-1994"],"creators_ssim":["Styne, Jule, 1905-1994"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Purchased from Clouds Hill books with funds from the Francis Randolph Howard Endowment, 2018."],"access_subjects_ssim":["Musicals","Race in musical theater","Musical theater","Civil rights movements","Women's rights--United States"],"access_subjects_ssm":["Musicals","Race in musical theater","Musical theater","Civil rights movements","Women's rights--United States"],"has_online_content_ssim":["false"],"extent_ssm":["0.03 Linear Feet"],"extent_tesim":["0.03 Linear Feet"],"date_range_isim":[1967],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"prefercite_html_tesm":["\u003cp\u003eHellelujah, Baby! Playscript, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Hellelujah, Baby! Playscript, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eHallelujah Baby\nMusical in 2 Acts, Prologue and 6 scenes: Book by Arthur Laurents: Music by Jules Styne: Lyrics by Betty Comden and Adolph Green\u003c/p\u003e\n","\u003cp\u003eFirst Performed at the Martin Beck Theatre, Broadway - 26 April, 1967 (293 perfs)\nPreviews began on April 6, 1967.\nSynopsis:\nACT I\nFrom underneath an open umbrella, Georgina, an attractive, contemporary Black woman, appears and greets us. She tells us that while the show we are about to see will cover sixty years, she will always remain twenty-five - \"That's nice for a girl,\" she states. Georgina's mother, her fiancé Clem and her devoted friend Harvey will also remain the same age throughout the show.\nIn the 1900s, Georgina and Momma are employed as maids on a Southern plantation. Momma tries to convince Georgina that she should be content with her lot in life. But Georgina wants more. Boyfriend Clem, a Pullman porter, arrives and explains how the down payment on a home for Georgina and him was lost when white cops confiscated his poker game winnings.\nHarvey, a young white theatrical producer, hires Georgina to play a maid in a Civil War play, despite the fact that Black people and whites are not allowed to appear on stage together. Georgina finds she prefers playing a maid to actually being one and is more determined than ever not to go back to the kitchen.\nIn the twenties, Harvey manages a Harlem nightclub where Georgina performs as one of several \"Congo Cuties\" and Clem works as a waiter. A foreign prince, who doesn't understand the bigoted local bylaws prohibiting Georgina from joining him at his table, starts a fight, and when a brawl ensues, Georgina and Clem are fired, and Harvey resigns in support of his friends. Clem resolves to pull himself together and make Georgina proud.\nOnce more Georgina and Momma are maids and Clem sports a Pullman uniform. All three ironically acknowledge that it pays to keep one's place and fulfil the expectations of white people about how black people are supposed to behave. Then the stock market crashes, and the three find themselves out of work again.\nTo escape the bread lines of the '30s, Georgina returns to the stage, taking on the role of a witch in a politically correct, voodoo version of Macbeth, sponsored by the Federal Theatre. Considered subversive, the show is shut down and Clem, Harvey and a friend named Mary attempt to cheer Georgina up. Clem is drawn to the Communist cause, where they call him \"comrade,\" not \"boy.\" Georgina declares that this is not the solution to their problems: \"Nobody can help you and me but you and me.\" They clash, Clem walks out, and Georgina expresses the irony of her situation.\nHarvey makes Georgina aware of his feelings for her, but neither has come far enough along for a relationship. Alone, Georgina realises that, although she's better than ever, she's not much closer to her dreams than she was at the beginning. She resolves to be the best she can be.\u003c/p\u003e\n","\u003cp\u003eACT II\nIt's the '40s and Georgina is doing her bit for the war effort by performing with a USO troop, while Clem has become a sergeant and Harvey a second lieutenant. All three members of this triangle are too confused about their feelings and too full of pride to act\nGeorgina quits the show when the integrated company is not permitted to play before integrated audiences. After an incident in which Harvey attempts to join Clem and Georgina in the back of a bus, Georgina decides that fighting for one's principles doesn't always pay off. She'll have to find a different route to her dreams.\nIt's the '50s, and Georgina has finally broken through, singing and dancing out her jubilation on the mirrored stage of a chic supper club. Clem, now a civil rights activist, is unhappy with Georgina's new acceptance values and tells her to \"get out of your little room and connect.\" Meanwhile, club manager Harvey proposes to Georgina, aware that, in spite of her estrangement from Clem, she may always be Clem's lady. Momma tells Clem and Harvey that no one is more surprised by Georgina's success than her Momma.\nAt a party where Georgina is the sole non-white, Momma arrives to deliver Georgina's evening bag. Georgina's friend mistakes Momma for Georgina's maid, and Georgina breaks down. She realises she has been \"driving tight and tiny for myself,\" and resolves to \"sing for everyone's supper - not just my own\".\nAs the '60s arrive, Georgina and Momma are about to move into a posh New York apartment that Harvey has arranged for them. Clem, who wants no more of smugly tolerant white society, convinces Georgina that this is still not the right place for them. Clem and Georgina move on together. At least they will have each other until things change and the weather's better.\u003c/p\u003e\n","\u003cp\u003eKen Mandelbaum- Theguidetomusicaltheater.com \u003c/p\u003e\n","\u003cp\u003eThe Musical was nominated for 9 Tony awards in 1968 and won 5 including Best Musical, Best Composer and Lyricist, Best Actor, Best Actress, Best Featured Actress, and four individual awards for Best Producer of a Musical.  \nSource, ibdb.com\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Hallelujah Baby\nMusical in 2 Acts, Prologue and 6 scenes: Book by Arthur Laurents: Music by Jules Styne: Lyrics by Betty Comden and Adolph Green","First Performed at the Martin Beck Theatre, Broadway - 26 April, 1967 (293 perfs)\nPreviews began on April 6, 1967.\nSynopsis:\nACT I\nFrom underneath an open umbrella, Georgina, an attractive, contemporary Black woman, appears and greets us. She tells us that while the show we are about to see will cover sixty years, she will always remain twenty-five - \"That's nice for a girl,\" she states. Georgina's mother, her fiancé Clem and her devoted friend Harvey will also remain the same age throughout the show.\nIn the 1900s, Georgina and Momma are employed as maids on a Southern plantation. Momma tries to convince Georgina that she should be content with her lot in life. But Georgina wants more. Boyfriend Clem, a Pullman porter, arrives and explains how the down payment on a home for Georgina and him was lost when white cops confiscated his poker game winnings.\nHarvey, a young white theatrical producer, hires Georgina to play a maid in a Civil War play, despite the fact that Black people and whites are not allowed to appear on stage together. Georgina finds she prefers playing a maid to actually being one and is more determined than ever not to go back to the kitchen.\nIn the twenties, Harvey manages a Harlem nightclub where Georgina performs as one of several \"Congo Cuties\" and Clem works as a waiter. A foreign prince, who doesn't understand the bigoted local bylaws prohibiting Georgina from joining him at his table, starts a fight, and when a brawl ensues, Georgina and Clem are fired, and Harvey resigns in support of his friends. Clem resolves to pull himself together and make Georgina proud.\nOnce more Georgina and Momma are maids and Clem sports a Pullman uniform. All three ironically acknowledge that it pays to keep one's place and fulfil the expectations of white people about how black people are supposed to behave. Then the stock market crashes, and the three find themselves out of work again.\nTo escape the bread lines of the '30s, Georgina returns to the stage, taking on the role of a witch in a politically correct, voodoo version of Macbeth, sponsored by the Federal Theatre. Considered subversive, the show is shut down and Clem, Harvey and a friend named Mary attempt to cheer Georgina up. Clem is drawn to the Communist cause, where they call him \"comrade,\" not \"boy.\" Georgina declares that this is not the solution to their problems: \"Nobody can help you and me but you and me.\" They clash, Clem walks out, and Georgina expresses the irony of her situation.\nHarvey makes Georgina aware of his feelings for her, but neither has come far enough along for a relationship. Alone, Georgina realises that, although she's better than ever, she's not much closer to her dreams than she was at the beginning. She resolves to be the best she can be.","ACT II\nIt's the '40s and Georgina is doing her bit for the war effort by performing with a USO troop, while Clem has become a sergeant and Harvey a second lieutenant. All three members of this triangle are too confused about their feelings and too full of pride to act\nGeorgina quits the show when the integrated company is not permitted to play before integrated audiences. After an incident in which Harvey attempts to join Clem and Georgina in the back of a bus, Georgina decides that fighting for one's principles doesn't always pay off. She'll have to find a different route to her dreams.\nIt's the '50s, and Georgina has finally broken through, singing and dancing out her jubilation on the mirrored stage of a chic supper club. Clem, now a civil rights activist, is unhappy with Georgina's new acceptance values and tells her to \"get out of your little room and connect.\" Meanwhile, club manager Harvey proposes to Georgina, aware that, in spite of her estrangement from Clem, she may always be Clem's lady. Momma tells Clem and Harvey that no one is more surprised by Georgina's success than her Momma.\nAt a party where Georgina is the sole non-white, Momma arrives to deliver Georgina's evening bag. Georgina's friend mistakes Momma for Georgina's maid, and Georgina breaks down. She realises she has been \"driving tight and tiny for myself,\" and resolves to \"sing for everyone's supper - not just my own\".\nAs the '60s arrive, Georgina and Momma are about to move into a posh New York apartment that Harvey has arranged for them. Clem, who wants no more of smugly tolerant white society, convinces Georgina that this is still not the right place for them. Clem and Georgina move on together. At least they will have each other until things change and the weather's better.","Ken Mandelbaum- Theguidetomusicaltheater.com ","The Musical was nominated for 9 Tony awards in 1968 and won 5 including Best Musical, Best Composer and Lyricist, Best Actor, Best Actress, Best Featured Actress, and four individual awards for Best Producer of a Musical.  \nSource, ibdb.com"],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Styne, Jule, 1905-1994","Laurents, Arthur","Purchase- Clouds Hill Books","Green, Adolph","Comden, Betty","Uggams, Leslie","Hayman, Lillian, 1922-1994","Hooks, Robert, 1937-"],"corpname_ssim":["Special Collections Research Center"],"names_coll_ssim":["Laurents, Arthur","Purchase- Clouds Hill Books","Green, Adolph","Comden, Betty","Uggams, Leslie","Hayman, Lillian, 1922-1994","Hooks, Robert, 1937-"],"persname_ssim":["Styne, Jule, 1905-1994","Laurents, Arthur","Purchase- Clouds Hill Books","Green, Adolph","Comden, Betty","Uggams, Leslie","Hayman, Lillian, 1922-1994","Hooks, Robert, 1937-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T08:27:41.294Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8292","ead_ssi":"viw_repositories_2_resources_8292","_root_":"viw_repositories_2_resources_8292","_nest_parent_":"viw_repositories_2_resources_8292","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8292.xml","title_filing_ssi":"Hallelujah, Baby! Playscript","title_ssm":["Hallelujah, Baby! Playscript"],"title_tesim":["Hallelujah, Baby! Playscript"],"unitdate_ssm":["circa 1967"],"unitdate_other_ssim":["circa 1967"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 01571","/repositories/2/resources/8292"],"text":["SC 01571","/repositories/2/resources/8292","Hallelujah, Baby! Playscript","Musicals","Race in musical theater","Musical theater","Civil rights movements","Women's rights--United States","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Hallelujah Baby\nMusical in 2 Acts, Prologue and 6 scenes: Book by Arthur Laurents: Music by Jules Styne: Lyrics by Betty Comden and Adolph Green","First Performed at the Martin Beck Theatre, Broadway - 26 April, 1967 (293 perfs)\nPreviews began on April 6, 1967.\nSynopsis:\nACT I\nFrom underneath an open umbrella, Georgina, an attractive, contemporary Black woman, appears and greets us. She tells us that while the show we are about to see will cover sixty years, she will always remain twenty-five - \"That's nice for a girl,\" she states. Georgina's mother, her fiancé Clem and her devoted friend Harvey will also remain the same age throughout the show.\nIn the 1900s, Georgina and Momma are employed as maids on a Southern plantation. Momma tries to convince Georgina that she should be content with her lot in life. But Georgina wants more. Boyfriend Clem, a Pullman porter, arrives and explains how the down payment on a home for Georgina and him was lost when white cops confiscated his poker game winnings.\nHarvey, a young white theatrical producer, hires Georgina to play a maid in a Civil War play, despite the fact that Black people and whites are not allowed to appear on stage together. Georgina finds she prefers playing a maid to actually being one and is more determined than ever not to go back to the kitchen.\nIn the twenties, Harvey manages a Harlem nightclub where Georgina performs as one of several \"Congo Cuties\" and Clem works as a waiter. A foreign prince, who doesn't understand the bigoted local bylaws prohibiting Georgina from joining him at his table, starts a fight, and when a brawl ensues, Georgina and Clem are fired, and Harvey resigns in support of his friends. Clem resolves to pull himself together and make Georgina proud.\nOnce more Georgina and Momma are maids and Clem sports a Pullman uniform. All three ironically acknowledge that it pays to keep one's place and fulfil the expectations of white people about how black people are supposed to behave. Then the stock market crashes, and the three find themselves out of work again.\nTo escape the bread lines of the '30s, Georgina returns to the stage, taking on the role of a witch in a politically correct, voodoo version of Macbeth, sponsored by the Federal Theatre. Considered subversive, the show is shut down and Clem, Harvey and a friend named Mary attempt to cheer Georgina up. Clem is drawn to the Communist cause, where they call him \"comrade,\" not \"boy.\" Georgina declares that this is not the solution to their problems: \"Nobody can help you and me but you and me.\" They clash, Clem walks out, and Georgina expresses the irony of her situation.\nHarvey makes Georgina aware of his feelings for her, but neither has come far enough along for a relationship. Alone, Georgina realises that, although she's better than ever, she's not much closer to her dreams than she was at the beginning. She resolves to be the best she can be.","ACT II\nIt's the '40s and Georgina is doing her bit for the war effort by performing with a USO troop, while Clem has become a sergeant and Harvey a second lieutenant. All three members of this triangle are too confused about their feelings and too full of pride to act\nGeorgina quits the show when the integrated company is not permitted to play before integrated audiences. After an incident in which Harvey attempts to join Clem and Georgina in the back of a bus, Georgina decides that fighting for one's principles doesn't always pay off. She'll have to find a different route to her dreams.\nIt's the '50s, and Georgina has finally broken through, singing and dancing out her jubilation on the mirrored stage of a chic supper club. Clem, now a civil rights activist, is unhappy with Georgina's new acceptance values and tells her to \"get out of your little room and connect.\" Meanwhile, club manager Harvey proposes to Georgina, aware that, in spite of her estrangement from Clem, she may always be Clem's lady. Momma tells Clem and Harvey that no one is more surprised by Georgina's success than her Momma.\nAt a party where Georgina is the sole non-white, Momma arrives to deliver Georgina's evening bag. Georgina's friend mistakes Momma for Georgina's maid, and Georgina breaks down. She realises she has been \"driving tight and tiny for myself,\" and resolves to \"sing for everyone's supper - not just my own\".\nAs the '60s arrive, Georgina and Momma are about to move into a posh New York apartment that Harvey has arranged for them. Clem, who wants no more of smugly tolerant white society, convinces Georgina that this is still not the right place for them. Clem and Georgina move on together. At least they will have each other until things change and the weather's better.","Ken Mandelbaum- Theguidetomusicaltheater.com ","The Musical was nominated for 9 Tony awards in 1968 and won 5 including Best Musical, Best Composer and Lyricist, Best Actor, Best Actress, Best Featured Actress, and four individual awards for Best Producer of a Musical.  \nSource, ibdb.com","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Styne, Jule, 1905-1994","Laurents, Arthur","Purchase- Clouds Hill Books","Green, Adolph","Comden, Betty","Uggams, Leslie","Hayman, Lillian, 1922-1994","Hooks, Robert, 1937-","English"],"unitid_tesim":["SC 01571","/repositories/2/resources/8292"],"normalized_title_ssm":["Hallelujah, Baby! Playscript"],"collection_title_tesim":["Hallelujah, Baby! Playscript"],"collection_ssim":["Hallelujah, Baby! 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"prefercite_html_tesm":["\u003cp\u003eHellelujah, Baby! Playscript, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Hellelujah, Baby! Playscript, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eHallelujah Baby\nMusical in 2 Acts, Prologue and 6 scenes: Book by Arthur Laurents: Music by Jules Styne: Lyrics by Betty Comden and Adolph Green\u003c/p\u003e\n","\u003cp\u003eFirst Performed at the Martin Beck Theatre, Broadway - 26 April, 1967 (293 perfs)\nPreviews began on April 6, 1967.\nSynopsis:\nACT I\nFrom underneath an open umbrella, Georgina, an attractive, contemporary Black woman, appears and greets us. She tells us that while the show we are about to see will cover sixty years, she will always remain twenty-five - \"That's nice for a girl,\" she states. Georgina's mother, her fiancé Clem and her devoted friend Harvey will also remain the same age throughout the show.\nIn the 1900s, Georgina and Momma are employed as maids on a Southern plantation. Momma tries to convince Georgina that she should be content with her lot in life. But Georgina wants more. Boyfriend Clem, a Pullman porter, arrives and explains how the down payment on a home for Georgina and him was lost when white cops confiscated his poker game winnings.\nHarvey, a young white theatrical producer, hires Georgina to play a maid in a Civil War play, despite the fact that Black people and whites are not allowed to appear on stage together. Georgina finds she prefers playing a maid to actually being one and is more determined than ever not to go back to the kitchen.\nIn the twenties, Harvey manages a Harlem nightclub where Georgina performs as one of several \"Congo Cuties\" and Clem works as a waiter. A foreign prince, who doesn't understand the bigoted local bylaws prohibiting Georgina from joining him at his table, starts a fight, and when a brawl ensues, Georgina and Clem are fired, and Harvey resigns in support of his friends. Clem resolves to pull himself together and make Georgina proud.\nOnce more Georgina and Momma are maids and Clem sports a Pullman uniform. All three ironically acknowledge that it pays to keep one's place and fulfil the expectations of white people about how black people are supposed to behave. Then the stock market crashes, and the three find themselves out of work again.\nTo escape the bread lines of the '30s, Georgina returns to the stage, taking on the role of a witch in a politically correct, voodoo version of Macbeth, sponsored by the Federal Theatre. Considered subversive, the show is shut down and Clem, Harvey and a friend named Mary attempt to cheer Georgina up. Clem is drawn to the Communist cause, where they call him \"comrade,\" not \"boy.\" Georgina declares that this is not the solution to their problems: \"Nobody can help you and me but you and me.\" They clash, Clem walks out, and Georgina expresses the irony of her situation.\nHarvey makes Georgina aware of his feelings for her, but neither has come far enough along for a relationship. Alone, Georgina realises that, although she's better than ever, she's not much closer to her dreams than she was at the beginning. She resolves to be the best she can be.\u003c/p\u003e\n","\u003cp\u003eACT II\nIt's the '40s and Georgina is doing her bit for the war effort by performing with a USO troop, while Clem has become a sergeant and Harvey a second lieutenant. All three members of this triangle are too confused about their feelings and too full of pride to act\nGeorgina quits the show when the integrated company is not permitted to play before integrated audiences. After an incident in which Harvey attempts to join Clem and Georgina in the back of a bus, Georgina decides that fighting for one's principles doesn't always pay off. She'll have to find a different route to her dreams.\nIt's the '50s, and Georgina has finally broken through, singing and dancing out her jubilation on the mirrored stage of a chic supper club. Clem, now a civil rights activist, is unhappy with Georgina's new acceptance values and tells her to \"get out of your little room and connect.\" Meanwhile, club manager Harvey proposes to Georgina, aware that, in spite of her estrangement from Clem, she may always be Clem's lady. Momma tells Clem and Harvey that no one is more surprised by Georgina's success than her Momma.\nAt a party where Georgina is the sole non-white, Momma arrives to deliver Georgina's evening bag. Georgina's friend mistakes Momma for Georgina's maid, and Georgina breaks down. She realises she has been \"driving tight and tiny for myself,\" and resolves to \"sing for everyone's supper - not just my own\".\nAs the '60s arrive, Georgina and Momma are about to move into a posh New York apartment that Harvey has arranged for them. Clem, who wants no more of smugly tolerant white society, convinces Georgina that this is still not the right place for them. Clem and Georgina move on together. At least they will have each other until things change and the weather's better.\u003c/p\u003e\n","\u003cp\u003eKen Mandelbaum- Theguidetomusicaltheater.com \u003c/p\u003e\n","\u003cp\u003eThe Musical was nominated for 9 Tony awards in 1968 and won 5 including Best Musical, Best Composer and Lyricist, Best Actor, Best Actress, Best Featured Actress, and four individual awards for Best Producer of a Musical.  \nSource, ibdb.com\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Hallelujah Baby\nMusical in 2 Acts, Prologue and 6 scenes: Book by Arthur Laurents: Music by Jules Styne: Lyrics by Betty Comden and Adolph Green","First Performed at the Martin Beck Theatre, Broadway - 26 April, 1967 (293 perfs)\nPreviews began on April 6, 1967.\nSynopsis:\nACT I\nFrom underneath an open umbrella, Georgina, an attractive, contemporary Black woman, appears and greets us. She tells us that while the show we are about to see will cover sixty years, she will always remain twenty-five - \"That's nice for a girl,\" she states. Georgina's mother, her fiancé Clem and her devoted friend Harvey will also remain the same age throughout the show.\nIn the 1900s, Georgina and Momma are employed as maids on a Southern plantation. Momma tries to convince Georgina that she should be content with her lot in life. But Georgina wants more. Boyfriend Clem, a Pullman porter, arrives and explains how the down payment on a home for Georgina and him was lost when white cops confiscated his poker game winnings.\nHarvey, a young white theatrical producer, hires Georgina to play a maid in a Civil War play, despite the fact that Black people and whites are not allowed to appear on stage together. Georgina finds she prefers playing a maid to actually being one and is more determined than ever not to go back to the kitchen.\nIn the twenties, Harvey manages a Harlem nightclub where Georgina performs as one of several \"Congo Cuties\" and Clem works as a waiter. A foreign prince, who doesn't understand the bigoted local bylaws prohibiting Georgina from joining him at his table, starts a fight, and when a brawl ensues, Georgina and Clem are fired, and Harvey resigns in support of his friends. Clem resolves to pull himself together and make Georgina proud.\nOnce more Georgina and Momma are maids and Clem sports a Pullman uniform. All three ironically acknowledge that it pays to keep one's place and fulfil the expectations of white people about how black people are supposed to behave. Then the stock market crashes, and the three find themselves out of work again.\nTo escape the bread lines of the '30s, Georgina returns to the stage, taking on the role of a witch in a politically correct, voodoo version of Macbeth, sponsored by the Federal Theatre. Considered subversive, the show is shut down and Clem, Harvey and a friend named Mary attempt to cheer Georgina up. Clem is drawn to the Communist cause, where they call him \"comrade,\" not \"boy.\" Georgina declares that this is not the solution to their problems: \"Nobody can help you and me but you and me.\" They clash, Clem walks out, and Georgina expresses the irony of her situation.\nHarvey makes Georgina aware of his feelings for her, but neither has come far enough along for a relationship. Alone, Georgina realises that, although she's better than ever, she's not much closer to her dreams than she was at the beginning. She resolves to be the best she can be.","ACT II\nIt's the '40s and Georgina is doing her bit for the war effort by performing with a USO troop, while Clem has become a sergeant and Harvey a second lieutenant. All three members of this triangle are too confused about their feelings and too full of pride to act\nGeorgina quits the show when the integrated company is not permitted to play before integrated audiences. After an incident in which Harvey attempts to join Clem and Georgina in the back of a bus, Georgina decides that fighting for one's principles doesn't always pay off. She'll have to find a different route to her dreams.\nIt's the '50s, and Georgina has finally broken through, singing and dancing out her jubilation on the mirrored stage of a chic supper club. Clem, now a civil rights activist, is unhappy with Georgina's new acceptance values and tells her to \"get out of your little room and connect.\" Meanwhile, club manager Harvey proposes to Georgina, aware that, in spite of her estrangement from Clem, she may always be Clem's lady. Momma tells Clem and Harvey that no one is more surprised by Georgina's success than her Momma.\nAt a party where Georgina is the sole non-white, Momma arrives to deliver Georgina's evening bag. Georgina's friend mistakes Momma for Georgina's maid, and Georgina breaks down. She realises she has been \"driving tight and tiny for myself,\" and resolves to \"sing for everyone's supper - not just my own\".\nAs the '60s arrive, Georgina and Momma are about to move into a posh New York apartment that Harvey has arranged for them. Clem, who wants no more of smugly tolerant white society, convinces Georgina that this is still not the right place for them. Clem and Georgina move on together. At least they will have each other until things change and the weather's better.","Ken Mandelbaum- Theguidetomusicaltheater.com ","The Musical was nominated for 9 Tony awards in 1968 and won 5 including Best Musical, Best Composer and Lyricist, Best Actor, Best Actress, Best Featured Actress, and four individual awards for Best Producer of a Musical.  \nSource, ibdb.com"],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Styne, Jule, 1905-1994","Laurents, Arthur","Purchase- Clouds Hill Books","Green, Adolph","Comden, Betty","Uggams, Leslie","Hayman, Lillian, 1922-1994","Hooks, Robert, 1937-"],"corpname_ssim":["Special Collections Research Center"],"names_coll_ssim":["Laurents, Arthur","Purchase- Clouds Hill Books","Green, Adolph","Comden, Betty","Uggams, Leslie","Hayman, Lillian, 1922-1994","Hooks, Robert, 1937-"],"persname_ssim":["Styne, Jule, 1905-1994","Laurents, Arthur","Purchase- Clouds Hill Books","Green, Adolph","Comden, Betty","Uggams, Leslie","Hayman, Lillian, 1922-1994","Hooks, Robert, 1937-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T08:27:41.294Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8292"}},{"id":"vifrem_repositories_2_resources_21","type":"collection","attributes":{"title":"Jean Slater Edson Papers","creator":{"id":"https://arvasarchive.org/catalog/vifrem_repositories_2_resources_21#creator","type":"document_value","attributes":{"value":"Edson, Jean Slater","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifrem_repositories_2_resources_21#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Jean Slater Edson papers span 3 boxes that contain her original music manuscripts, programs or news clippings that she was featured in, correspondence regarding her personal life and music, a vinyl of her original music, and other miscellaneous items that pertain to her. The dated materials span 1929 to 1984. Although the majority of her compositions are undated, most of her dated works were created during her time as a teacher at Mary Washington College. Additionally, most correspondence and publications in this collection are in reference to the publishing process for some of Jean Slater Edson's musical works while she was residing in the Northern Virginia/DC area. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifrem_repositories_2_resources_21#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifrem_repositories_2_resources_21","ead_ssi":"vifrem_repositories_2_resources_21","_root_":"vifrem_repositories_2_resources_21","_nest_parent_":"vifrem_repositories_2_resources_21","ead_source_url_ssi":"data/oai/MW/repositories_2_resources_21.xml","title_ssm":["Jean Slater Edson Papers"],"title_tesim":["Jean Slater Edson Papers"],"unitdate_ssm":["1929-1984"],"unitdate_inclusive_ssm":["1929-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.0009","/repositories/2/resources/21"],"text":["MSS.0009","/repositories/2/resources/21","Jean Slater Edson Papers","Composition (Music)","Organ music, Arranged","Keyboard instrument music, Arranged","Musicals","The collection is arranged in 5 series: 1) Musical Compositions, 2) Correspondence, 3) Printed Materials, 4) Unpublished Materials, and 5) Audio-Visual and Ephemera. The bulk of the collection consists of Professor Edson's written music, which has been arranged into sub-series to reflect the nature of the compositions and instrumentation.","Material is arranged alphabetically except in a few instances where arrangement by date was more appropriate.","Jean Slater Edson was an associate professor of music and physics at Mary Washington College, which has since been renamed the University of Mary Washington. Born on December 22, 1906, as Jean Slater, she grew to be equally interested in science and music. This passion led her to pursue both topics in higher education. Jean Slater began her education by obtaining a liberal arts degree from Vassar College, a Bachelor of Music with a minor in both science and math. From there, she pursued a Master of Arts of Music at Columbia University, where she also studied physics and earned a music fellowship abroad in Vienna, Austria. Jean Slater became Associate Professor of Music at Mary Washington College in 1947. After her first thirteen years of teaching there, she was additionally hired as a part-time professor of physics. Later, she would evenly split her time between her organ studio and physics labs at MWC. During her time at MWC, she married Andrew W. Edson and garnered the name that she would be known by today and in history: Jean Slater Edson. Likewise, some accounts and records of her refer to her as \"Mrs. Andrew W. Edson,\" denoting her status as married. Despite teaching at MWC, Edson was also an active member of the American Guild of Organists, which she held an Associate Degree and a Choir Master degree within. She retired from teaching at MWC in 1972 and died due to declining health on September 19, 1985. ","In addition to her research for physics, Edson also researched music and wrote composition pieces of a large variety. Her most well-known non-composition work is her book,  Organ Preludes: An Index to Compositions on Hymn Tunes, Chorales, Plainsong Melodies, Gregorian Tunes, and Carols . Edson wrote this with other organ players, like herself, in mind; she wanted other organists to have a good reference to the vast world of the instrument's repertoire. Her book outlines and cross-indexes over 3,000 different organ pieces for this purpose, and it was published by Scarecrow Press in 1970. Regarding compositional music, her two most popular pieces among the Fredericksburg community are those that she dedicated to Dr. Grellet C. Simpson, MWC Chancellor from 1956 to 1974. The first one titled \"Fanfare on G.C.S.\" for organ was composed for Dr. Simpson's inauguration, and the other one, titled \"From Age to Age\" for women's choir and organ, was composed for the tenth-year anniversary of his position. Other notable compositions by her include \"Missa Universalis,\" a work for men's choir, solo baritone, and organ that was commissioned and premiered by the Dartmouth College Glee Club, which had nearly fifty members at that time. ","Sources: ","MWC Today . \"In Memory of Jean Slater Edson.\" Winter 1986, 10. Accessed October 30, 2020. ","U of Mary Washington. ","The Bullet . \"MW College Will Offer Physics Major Next Year.\" February 19, 1960, 5. Accessed ","October 30, 2020. U of Mary Washington ","The Bullet . \"Mrs. Edson is Composer.\" November 16, 1963, 3. Accessed October 30, 2020. U of Mary Washington ","Noted on record: \"National Presbyterian Church Choir. Theodore Schaefer, Conductor. Paul Callaway, Organist. At Washington Cathedral.\"","The library is not equipped with the appropriate technology to play the record or to transfer to digital. At this time, the record in this series is available only as an artifact and cannot be used as intended.","The Jean Slater Edson papers span 3 boxes that contain her original music manuscripts, programs or news clippings that she was featured in, correspondence regarding her personal life and music, a vinyl of her original music, and other miscellaneous items that pertain to her. The dated materials span 1929 to 1984. Although the majority of her compositions are undated, most of her dated works were created during her time as a teacher at Mary Washington College. Additionally, most correspondence and publications in this collection are in reference to the publishing process for some of Jean Slater Edson's musical works while she was residing in the Northern Virginia/DC area. ","Of particular interest is a collection of letters written by her while she was conducting research across Europe to complete her  Organ Preludes  publication. These letters are addressed to both the family of MWC's former Chancellor, Dr. Simpson, and MWC's first archivist, Barbara Alden, and they document her journey through Germany, Denmark, and England. Some other items that are of note are the score and papers surrounding her large-scale work  Missa Universalis , which include correspondence, a performance program, a newspaper article, and various other documents that denote Jean Slater Edson's creative process for the piece as well as its public reception. ","University of Mary Washington Special Collections and University Archives","Edson, Jean Slater","Simpson, Grellet C., 1909-1997","Raplee, Elizabeth Virginia","Berkowitz, Albert M., 1921-2015","Edson, Andrew W.","Contains songs written in German, French, and Russian."],"unitid_tesim":["MSS.0009","/repositories/2/resources/21"],"normalized_title_ssm":["Jean Slater Edson Papers"],"collection_title_tesim":["Jean Slater Edson Papers"],"collection_ssim":["Jean Slater Edson Papers"],"repository_ssm":["University of Mary Washington"],"repository_ssim":["University of Mary Washington"],"creator_ssm":["Edson, Jean Slater"],"creator_ssim":["Edson, Jean Slater"],"creator_persname_ssim":["Edson, Jean Slater"],"creators_ssim":["Edson, Jean Slater"],"acqinfo_ssim":["The first documented instance of a donation to this collection was on May 19, 1971, when Mary Washington College associate professor Jean Slater Edson donated recital programs as well as her organ arrangement of the University of Mary Washington's \"Alma Mater.\" The next series of donations occurred about ten years later and were given by Barbara Alden, Jean Slater Edson's friend and MWC's archivist at the time. On May 16, 1983, Alden donated some letters addressed to her from Mrs. Slater Edson; on November 01, 1984, she donated a revised score of Jean Slater Edson's original piece \"From Age to Age\"; and then on September 23, 1985, shortly after Mrs. Slater Edson's passing, she donated more correspondence.  ","There exists correspondence dated August 16, 1999, where James Baker, the then conductor of the Mary Washington College and Community Orchestra, writes about how he would like to donate some \"materials (original music compositions [of Edson's]… [that] came my way from the basement of Dr. G. C. Simpson.\" "],"access_subjects_ssim":["Composition (Music)","Organ music, Arranged","Keyboard instrument music, Arranged","Musicals"],"access_subjects_ssm":["Composition (Music)","Organ music, Arranged","Keyboard instrument music, Arranged","Musicals"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet 2 upright legal-size document boxes (Box 1 and 2) and one flat storage box (Box 3). All oversize material is located in Box 3."],"extent_tesim":["3 Linear Feet 2 upright legal-size document boxes (Box 1 and 2) and one flat storage box (Box 3). All oversize material is located in Box 3."],"date_range_isim":[1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in 5 series: 1) Musical Compositions, 2) Correspondence, 3) Printed Materials, 4) Unpublished Materials, and 5) Audio-Visual and Ephemera. The bulk of the collection consists of Professor Edson's written music, which has been arranged into sub-series to reflect the nature of the compositions and instrumentation.\u003c/p\u003e\n","\u003cp\u003eMaterial is arranged alphabetically except in a few instances where arrangement by date was more appropriate.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in 5 series: 1) Musical Compositions, 2) Correspondence, 3) Printed Materials, 4) Unpublished Materials, and 5) Audio-Visual and Ephemera. The bulk of the collection consists of Professor Edson's written music, which has been arranged into sub-series to reflect the nature of the compositions and instrumentation.","Material is arranged alphabetically except in a few instances where arrangement by date was more appropriate."],"bioghist_html_tesm":["\u003cp\u003eJean Slater Edson was an associate professor of music and physics at Mary Washington College, which has since been renamed the University of Mary Washington. Born on December 22, 1906, as Jean Slater, she grew to be equally interested in science and music. This passion led her to pursue both topics in higher education. Jean Slater began her education by obtaining a liberal arts degree from Vassar College, a Bachelor of Music with a minor in both science and math. From there, she pursued a Master of Arts of Music at Columbia University, where she also studied physics and earned a music fellowship abroad in Vienna, Austria. Jean Slater became Associate Professor of Music at Mary Washington College in 1947. After her first thirteen years of teaching there, she was additionally hired as a part-time professor of physics. Later, she would evenly split her time between her organ studio and physics labs at MWC. During her time at MWC, she married Andrew W. Edson and garnered the name that she would be known by today and in history: Jean Slater Edson. Likewise, some accounts and records of her refer to her as \"Mrs. Andrew W. Edson,\" denoting her status as married. Despite teaching at MWC, Edson was also an active member of the American Guild of Organists, which she held an Associate Degree and a Choir Master degree within. She retired from teaching at MWC in 1972 and died due to declining health on September 19, 1985. \u003c/p\u003e\n","\u003cp\u003eIn addition to her research for physics, Edson also researched music and wrote composition pieces of a large variety. Her most well-known non-composition work is her book, \u003ci\u003eOrgan Preludes: An Index to Compositions on Hymn Tunes, Chorales, Plainsong Melodies, Gregorian Tunes, and Carols\u003c/i\u003e. Edson wrote this with other organ players, like herself, in mind; she wanted other organists to have a good reference to the vast world of the instrument's repertoire. Her book outlines and cross-indexes over 3,000 different organ pieces for this purpose, and it was published by Scarecrow Press in 1970. Regarding compositional music, her two most popular pieces among the Fredericksburg community are those that she dedicated to Dr. Grellet C. Simpson, MWC Chancellor from 1956 to 1974. The first one titled \"Fanfare on G.C.S.\" for organ was composed for Dr. Simpson's inauguration, and the other one, titled \"From Age to Age\" for women's choir and organ, was composed for the tenth-year anniversary of his position. Other notable compositions by her include \"Missa Universalis,\" a work for men's choir, solo baritone, and organ that was commissioned and premiered by the Dartmouth College Glee Club, which had nearly fifty members at that time. \u003c/p\u003e\n","\u003cp\u003eSources: \u003c/p\u003e\n","\u003cp\u003e\u003ci\u003eMWC Today\u003c/i\u003e. \"In Memory of Jean Slater Edson.\" Winter 1986, 10. Accessed October 30, 2020. \u003c/p\u003e\n","\u003cp\u003eU of Mary Washington. \u003c/p\u003e\n","\u003cp\u003e\u003ci\u003eThe Bullet\u003c/i\u003e. \"MW College Will Offer Physics Major Next Year.\" February 19, 1960, 5. Accessed \u003c/p\u003e\n","\u003cp\u003eOctober 30, 2020. U of Mary Washington \u003c/p\u003e\n","\u003cp\u003e\u003ci\u003eThe Bullet\u003c/i\u003e. \"Mrs. Edson is Composer.\" November 16, 1963, 3. Accessed October 30, 2020. U of Mary Washington \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Jean Slater Edson was an associate professor of music and physics at Mary Washington College, which has since been renamed the University of Mary Washington. Born on December 22, 1906, as Jean Slater, she grew to be equally interested in science and music. This passion led her to pursue both topics in higher education. Jean Slater began her education by obtaining a liberal arts degree from Vassar College, a Bachelor of Music with a minor in both science and math. From there, she pursued a Master of Arts of Music at Columbia University, where she also studied physics and earned a music fellowship abroad in Vienna, Austria. Jean Slater became Associate Professor of Music at Mary Washington College in 1947. After her first thirteen years of teaching there, she was additionally hired as a part-time professor of physics. Later, she would evenly split her time between her organ studio and physics labs at MWC. During her time at MWC, she married Andrew W. Edson and garnered the name that she would be known by today and in history: Jean Slater Edson. Likewise, some accounts and records of her refer to her as \"Mrs. Andrew W. Edson,\" denoting her status as married. Despite teaching at MWC, Edson was also an active member of the American Guild of Organists, which she held an Associate Degree and a Choir Master degree within. She retired from teaching at MWC in 1972 and died due to declining health on September 19, 1985. ","In addition to her research for physics, Edson also researched music and wrote composition pieces of a large variety. Her most well-known non-composition work is her book,  Organ Preludes: An Index to Compositions on Hymn Tunes, Chorales, Plainsong Melodies, Gregorian Tunes, and Carols . Edson wrote this with other organ players, like herself, in mind; she wanted other organists to have a good reference to the vast world of the instrument's repertoire. Her book outlines and cross-indexes over 3,000 different organ pieces for this purpose, and it was published by Scarecrow Press in 1970. Regarding compositional music, her two most popular pieces among the Fredericksburg community are those that she dedicated to Dr. Grellet C. Simpson, MWC Chancellor from 1956 to 1974. The first one titled \"Fanfare on G.C.S.\" for organ was composed for Dr. Simpson's inauguration, and the other one, titled \"From Age to Age\" for women's choir and organ, was composed for the tenth-year anniversary of his position. Other notable compositions by her include \"Missa Universalis,\" a work for men's choir, solo baritone, and organ that was commissioned and premiered by the Dartmouth College Glee Club, which had nearly fifty members at that time. ","Sources: ","MWC Today . \"In Memory of Jean Slater Edson.\" Winter 1986, 10. Accessed October 30, 2020. ","U of Mary Washington. ","The Bullet . \"MW College Will Offer Physics Major Next Year.\" February 19, 1960, 5. Accessed ","October 30, 2020. U of Mary Washington ","The Bullet . \"Mrs. Edson is Composer.\" November 16, 1963, 3. Accessed October 30, 2020. U of Mary Washington "],"odd_html_tesm":["\u003cp\u003eNoted on record: \"National Presbyterian Church Choir. Theodore Schaefer, Conductor. Paul Callaway, Organist. At Washington Cathedral.\"\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Noted on record: \"National Presbyterian Church Choir. Theodore Schaefer, Conductor. Paul Callaway, Organist. At Washington Cathedral.\""],"phystech_html_tesm":["\u003cp\u003eThe library is not equipped with the appropriate technology to play the record or to transfer to digital. At this time, the record in this series is available only as an artifact and cannot be used as intended.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The library is not equipped with the appropriate technology to play the record or to transfer to digital. At this time, the record in this series is available only as an artifact and cannot be used as intended."],"scopecontent_html_tesm":["\u003cp\u003eThe Jean Slater Edson papers span 3 boxes that contain her original music manuscripts, programs or news clippings that she was featured in, correspondence regarding her personal life and music, a vinyl of her original music, and other miscellaneous items that pertain to her. The dated materials span 1929 to 1984. Although the majority of her compositions are undated, most of her dated works were created during her time as a teacher at Mary Washington College. Additionally, most correspondence and publications in this collection are in reference to the publishing process for some of Jean Slater Edson's musical works while she was residing in the Northern Virginia/DC area. \u003c/p\u003e\n","\u003cp\u003eOf particular interest is a collection of letters written by her while she was conducting research across Europe to complete her \u003ci\u003eOrgan Preludes\u003c/i\u003e publication. These letters are addressed to both the family of MWC's former Chancellor, Dr. Simpson, and MWC's first archivist, Barbara Alden, and they document her journey through Germany, Denmark, and England. Some other items that are of note are the score and papers surrounding her large-scale work \u003ci\u003eMissa Universalis\u003c/i\u003e, which include correspondence, a performance program, a newspaper article, and various other documents that denote Jean Slater Edson's creative process for the piece as well as its public reception. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Jean Slater Edson papers span 3 boxes that contain her original music manuscripts, programs or news clippings that she was featured in, correspondence regarding her personal life and music, a vinyl of her original music, and other miscellaneous items that pertain to her. The dated materials span 1929 to 1984. Although the majority of her compositions are undated, most of her dated works were created during her time as a teacher at Mary Washington College. Additionally, most correspondence and publications in this collection are in reference to the publishing process for some of Jean Slater Edson's musical works while she was residing in the Northern Virginia/DC area. ","Of particular interest is a collection of letters written by her while she was conducting research across Europe to complete her  Organ Preludes  publication. These letters are addressed to both the family of MWC's former Chancellor, Dr. Simpson, and MWC's first archivist, Barbara Alden, and they document her journey through Germany, Denmark, and England. Some other items that are of note are the score and papers surrounding her large-scale work  Missa Universalis , which include correspondence, a performance program, a newspaper article, and various other documents that denote Jean Slater Edson's creative process for the piece as well as its public reception. "],"names_ssim":["University of Mary Washington Special Collections and University Archives","Edson, Jean Slater","Simpson, Grellet C., 1909-1997","Raplee, Elizabeth Virginia","Berkowitz, Albert M., 1921-2015","Edson, Andrew W."],"corpname_ssim":["University of Mary Washington Special Collections and University Archives"],"names_coll_ssim":["Simpson, Grellet C., 1909-1997"],"persname_ssim":["Edson, Jean Slater","Simpson, Grellet C., 1909-1997","Raplee, Elizabeth Virginia","Berkowitz, Albert M., 1921-2015","Edson, Andrew W."],"language_ssim":["Contains songs written in German, French, and Russian."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":118,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:28:49.921Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifrem_repositories_2_resources_21","ead_ssi":"vifrem_repositories_2_resources_21","_root_":"vifrem_repositories_2_resources_21","_nest_parent_":"vifrem_repositories_2_resources_21","ead_source_url_ssi":"data/oai/MW/repositories_2_resources_21.xml","title_ssm":["Jean Slater Edson Papers"],"title_tesim":["Jean Slater Edson Papers"],"unitdate_ssm":["1929-1984"],"unitdate_inclusive_ssm":["1929-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.0009","/repositories/2/resources/21"],"text":["MSS.0009","/repositories/2/resources/21","Jean Slater Edson Papers","Composition (Music)","Organ music, Arranged","Keyboard instrument music, Arranged","Musicals","The collection is arranged in 5 series: 1) Musical Compositions, 2) Correspondence, 3) Printed Materials, 4) Unpublished Materials, and 5) Audio-Visual and Ephemera. The bulk of the collection consists of Professor Edson's written music, which has been arranged into sub-series to reflect the nature of the compositions and instrumentation.","Material is arranged alphabetically except in a few instances where arrangement by date was more appropriate.","Jean Slater Edson was an associate professor of music and physics at Mary Washington College, which has since been renamed the University of Mary Washington. Born on December 22, 1906, as Jean Slater, she grew to be equally interested in science and music. This passion led her to pursue both topics in higher education. Jean Slater began her education by obtaining a liberal arts degree from Vassar College, a Bachelor of Music with a minor in both science and math. From there, she pursued a Master of Arts of Music at Columbia University, where she also studied physics and earned a music fellowship abroad in Vienna, Austria. Jean Slater became Associate Professor of Music at Mary Washington College in 1947. After her first thirteen years of teaching there, she was additionally hired as a part-time professor of physics. Later, she would evenly split her time between her organ studio and physics labs at MWC. During her time at MWC, she married Andrew W. Edson and garnered the name that she would be known by today and in history: Jean Slater Edson. Likewise, some accounts and records of her refer to her as \"Mrs. Andrew W. Edson,\" denoting her status as married. Despite teaching at MWC, Edson was also an active member of the American Guild of Organists, which she held an Associate Degree and a Choir Master degree within. She retired from teaching at MWC in 1972 and died due to declining health on September 19, 1985. ","In addition to her research for physics, Edson also researched music and wrote composition pieces of a large variety. Her most well-known non-composition work is her book,  Organ Preludes: An Index to Compositions on Hymn Tunes, Chorales, Plainsong Melodies, Gregorian Tunes, and Carols . Edson wrote this with other organ players, like herself, in mind; she wanted other organists to have a good reference to the vast world of the instrument's repertoire. Her book outlines and cross-indexes over 3,000 different organ pieces for this purpose, and it was published by Scarecrow Press in 1970. Regarding compositional music, her two most popular pieces among the Fredericksburg community are those that she dedicated to Dr. Grellet C. Simpson, MWC Chancellor from 1956 to 1974. The first one titled \"Fanfare on G.C.S.\" for organ was composed for Dr. Simpson's inauguration, and the other one, titled \"From Age to Age\" for women's choir and organ, was composed for the tenth-year anniversary of his position. Other notable compositions by her include \"Missa Universalis,\" a work for men's choir, solo baritone, and organ that was commissioned and premiered by the Dartmouth College Glee Club, which had nearly fifty members at that time. ","Sources: ","MWC Today . \"In Memory of Jean Slater Edson.\" Winter 1986, 10. Accessed October 30, 2020. ","U of Mary Washington. ","The Bullet . \"MW College Will Offer Physics Major Next Year.\" February 19, 1960, 5. Accessed ","October 30, 2020. U of Mary Washington ","The Bullet . \"Mrs. Edson is Composer.\" November 16, 1963, 3. Accessed October 30, 2020. U of Mary Washington ","Noted on record: \"National Presbyterian Church Choir. Theodore Schaefer, Conductor. Paul Callaway, Organist. At Washington Cathedral.\"","The library is not equipped with the appropriate technology to play the record or to transfer to digital. At this time, the record in this series is available only as an artifact and cannot be used as intended.","The Jean Slater Edson papers span 3 boxes that contain her original music manuscripts, programs or news clippings that she was featured in, correspondence regarding her personal life and music, a vinyl of her original music, and other miscellaneous items that pertain to her. The dated materials span 1929 to 1984. Although the majority of her compositions are undated, most of her dated works were created during her time as a teacher at Mary Washington College. Additionally, most correspondence and publications in this collection are in reference to the publishing process for some of Jean Slater Edson's musical works while she was residing in the Northern Virginia/DC area. ","Of particular interest is a collection of letters written by her while she was conducting research across Europe to complete her  Organ Preludes  publication. These letters are addressed to both the family of MWC's former Chancellor, Dr. Simpson, and MWC's first archivist, Barbara Alden, and they document her journey through Germany, Denmark, and England. Some other items that are of note are the score and papers surrounding her large-scale work  Missa Universalis , which include correspondence, a performance program, a newspaper article, and various other documents that denote Jean Slater Edson's creative process for the piece as well as its public reception. ","University of Mary Washington Special Collections and University Archives","Edson, Jean Slater","Simpson, Grellet C., 1909-1997","Raplee, Elizabeth Virginia","Berkowitz, Albert M., 1921-2015","Edson, Andrew W.","Contains songs written in German, French, and Russian."],"unitid_tesim":["MSS.0009","/repositories/2/resources/21"],"normalized_title_ssm":["Jean Slater Edson Papers"],"collection_title_tesim":["Jean Slater Edson Papers"],"collection_ssim":["Jean Slater Edson Papers"],"repository_ssm":["University of Mary Washington"],"repository_ssim":["University of Mary Washington"],"creator_ssm":["Edson, Jean Slater"],"creator_ssim":["Edson, Jean Slater"],"creator_persname_ssim":["Edson, Jean Slater"],"creators_ssim":["Edson, Jean Slater"],"acqinfo_ssim":["The first documented instance of a donation to this collection was on May 19, 1971, when Mary Washington College associate professor Jean Slater Edson donated recital programs as well as her organ arrangement of the University of Mary Washington's \"Alma Mater.\" The next series of donations occurred about ten years later and were given by Barbara Alden, Jean Slater Edson's friend and MWC's archivist at the time. On May 16, 1983, Alden donated some letters addressed to her from Mrs. Slater Edson; on November 01, 1984, she donated a revised score of Jean Slater Edson's original piece \"From Age to Age\"; and then on September 23, 1985, shortly after Mrs. Slater Edson's passing, she donated more correspondence.  ","There exists correspondence dated August 16, 1999, where James Baker, the then conductor of the Mary Washington College and Community Orchestra, writes about how he would like to donate some \"materials (original music compositions [of Edson's]… [that] came my way from the basement of Dr. G. C. Simpson.\" "],"access_subjects_ssim":["Composition (Music)","Organ music, Arranged","Keyboard instrument music, Arranged","Musicals"],"access_subjects_ssm":["Composition (Music)","Organ music, Arranged","Keyboard instrument music, Arranged","Musicals"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet 2 upright legal-size document boxes (Box 1 and 2) and one flat storage box (Box 3). All oversize material is located in Box 3."],"extent_tesim":["3 Linear Feet 2 upright legal-size document boxes (Box 1 and 2) and one flat storage box (Box 3). All oversize material is located in Box 3."],"date_range_isim":[1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in 5 series: 1) Musical Compositions, 2) Correspondence, 3) Printed Materials, 4) Unpublished Materials, and 5) Audio-Visual and Ephemera. The bulk of the collection consists of Professor Edson's written music, which has been arranged into sub-series to reflect the nature of the compositions and instrumentation.\u003c/p\u003e\n","\u003cp\u003eMaterial is arranged alphabetically except in a few instances where arrangement by date was more appropriate.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in 5 series: 1) Musical Compositions, 2) Correspondence, 3) Printed Materials, 4) Unpublished Materials, and 5) Audio-Visual and Ephemera. The bulk of the collection consists of Professor Edson's written music, which has been arranged into sub-series to reflect the nature of the compositions and instrumentation.","Material is arranged alphabetically except in a few instances where arrangement by date was more appropriate."],"bioghist_html_tesm":["\u003cp\u003eJean Slater Edson was an associate professor of music and physics at Mary Washington College, which has since been renamed the University of Mary Washington. Born on December 22, 1906, as Jean Slater, she grew to be equally interested in science and music. This passion led her to pursue both topics in higher education. Jean Slater began her education by obtaining a liberal arts degree from Vassar College, a Bachelor of Music with a minor in both science and math. From there, she pursued a Master of Arts of Music at Columbia University, where she also studied physics and earned a music fellowship abroad in Vienna, Austria. Jean Slater became Associate Professor of Music at Mary Washington College in 1947. After her first thirteen years of teaching there, she was additionally hired as a part-time professor of physics. Later, she would evenly split her time between her organ studio and physics labs at MWC. During her time at MWC, she married Andrew W. Edson and garnered the name that she would be known by today and in history: Jean Slater Edson. Likewise, some accounts and records of her refer to her as \"Mrs. Andrew W. Edson,\" denoting her status as married. Despite teaching at MWC, Edson was also an active member of the American Guild of Organists, which she held an Associate Degree and a Choir Master degree within. She retired from teaching at MWC in 1972 and died due to declining health on September 19, 1985. \u003c/p\u003e\n","\u003cp\u003eIn addition to her research for physics, Edson also researched music and wrote composition pieces of a large variety. Her most well-known non-composition work is her book, \u003ci\u003eOrgan Preludes: An Index to Compositions on Hymn Tunes, Chorales, Plainsong Melodies, Gregorian Tunes, and Carols\u003c/i\u003e. Edson wrote this with other organ players, like herself, in mind; she wanted other organists to have a good reference to the vast world of the instrument's repertoire. Her book outlines and cross-indexes over 3,000 different organ pieces for this purpose, and it was published by Scarecrow Press in 1970. Regarding compositional music, her two most popular pieces among the Fredericksburg community are those that she dedicated to Dr. Grellet C. Simpson, MWC Chancellor from 1956 to 1974. The first one titled \"Fanfare on G.C.S.\" for organ was composed for Dr. Simpson's inauguration, and the other one, titled \"From Age to Age\" for women's choir and organ, was composed for the tenth-year anniversary of his position. Other notable compositions by her include \"Missa Universalis,\" a work for men's choir, solo baritone, and organ that was commissioned and premiered by the Dartmouth College Glee Club, which had nearly fifty members at that time. \u003c/p\u003e\n","\u003cp\u003eSources: \u003c/p\u003e\n","\u003cp\u003e\u003ci\u003eMWC Today\u003c/i\u003e. \"In Memory of Jean Slater Edson.\" Winter 1986, 10. Accessed October 30, 2020. \u003c/p\u003e\n","\u003cp\u003eU of Mary Washington. \u003c/p\u003e\n","\u003cp\u003e\u003ci\u003eThe Bullet\u003c/i\u003e. \"MW College Will Offer Physics Major Next Year.\" February 19, 1960, 5. Accessed \u003c/p\u003e\n","\u003cp\u003eOctober 30, 2020. U of Mary Washington \u003c/p\u003e\n","\u003cp\u003e\u003ci\u003eThe Bullet\u003c/i\u003e. \"Mrs. Edson is Composer.\" November 16, 1963, 3. Accessed October 30, 2020. U of Mary Washington \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Jean Slater Edson was an associate professor of music and physics at Mary Washington College, which has since been renamed the University of Mary Washington. Born on December 22, 1906, as Jean Slater, she grew to be equally interested in science and music. This passion led her to pursue both topics in higher education. Jean Slater began her education by obtaining a liberal arts degree from Vassar College, a Bachelor of Music with a minor in both science and math. From there, she pursued a Master of Arts of Music at Columbia University, where she also studied physics and earned a music fellowship abroad in Vienna, Austria. Jean Slater became Associate Professor of Music at Mary Washington College in 1947. After her first thirteen years of teaching there, she was additionally hired as a part-time professor of physics. Later, she would evenly split her time between her organ studio and physics labs at MWC. During her time at MWC, she married Andrew W. Edson and garnered the name that she would be known by today and in history: Jean Slater Edson. Likewise, some accounts and records of her refer to her as \"Mrs. Andrew W. Edson,\" denoting her status as married. Despite teaching at MWC, Edson was also an active member of the American Guild of Organists, which she held an Associate Degree and a Choir Master degree within. She retired from teaching at MWC in 1972 and died due to declining health on September 19, 1985. ","In addition to her research for physics, Edson also researched music and wrote composition pieces of a large variety. Her most well-known non-composition work is her book,  Organ Preludes: An Index to Compositions on Hymn Tunes, Chorales, Plainsong Melodies, Gregorian Tunes, and Carols . Edson wrote this with other organ players, like herself, in mind; she wanted other organists to have a good reference to the vast world of the instrument's repertoire. Her book outlines and cross-indexes over 3,000 different organ pieces for this purpose, and it was published by Scarecrow Press in 1970. Regarding compositional music, her two most popular pieces among the Fredericksburg community are those that she dedicated to Dr. Grellet C. Simpson, MWC Chancellor from 1956 to 1974. The first one titled \"Fanfare on G.C.S.\" for organ was composed for Dr. Simpson's inauguration, and the other one, titled \"From Age to Age\" for women's choir and organ, was composed for the tenth-year anniversary of his position. Other notable compositions by her include \"Missa Universalis,\" a work for men's choir, solo baritone, and organ that was commissioned and premiered by the Dartmouth College Glee Club, which had nearly fifty members at that time. ","Sources: ","MWC Today . \"In Memory of Jean Slater Edson.\" Winter 1986, 10. Accessed October 30, 2020. ","U of Mary Washington. ","The Bullet . \"MW College Will Offer Physics Major Next Year.\" February 19, 1960, 5. Accessed ","October 30, 2020. U of Mary Washington ","The Bullet . \"Mrs. Edson is Composer.\" November 16, 1963, 3. Accessed October 30, 2020. U of Mary Washington "],"odd_html_tesm":["\u003cp\u003eNoted on record: \"National Presbyterian Church Choir. Theodore Schaefer, Conductor. Paul Callaway, Organist. At Washington Cathedral.\"\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Noted on record: \"National Presbyterian Church Choir. Theodore Schaefer, Conductor. Paul Callaway, Organist. At Washington Cathedral.\""],"phystech_html_tesm":["\u003cp\u003eThe library is not equipped with the appropriate technology to play the record or to transfer to digital. At this time, the record in this series is available only as an artifact and cannot be used as intended.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The library is not equipped with the appropriate technology to play the record or to transfer to digital. At this time, the record in this series is available only as an artifact and cannot be used as intended."],"scopecontent_html_tesm":["\u003cp\u003eThe Jean Slater Edson papers span 3 boxes that contain her original music manuscripts, programs or news clippings that she was featured in, correspondence regarding her personal life and music, a vinyl of her original music, and other miscellaneous items that pertain to her. The dated materials span 1929 to 1984. Although the majority of her compositions are undated, most of her dated works were created during her time as a teacher at Mary Washington College. Additionally, most correspondence and publications in this collection are in reference to the publishing process for some of Jean Slater Edson's musical works while she was residing in the Northern Virginia/DC area. \u003c/p\u003e\n","\u003cp\u003eOf particular interest is a collection of letters written by her while she was conducting research across Europe to complete her \u003ci\u003eOrgan Preludes\u003c/i\u003e publication. These letters are addressed to both the family of MWC's former Chancellor, Dr. Simpson, and MWC's first archivist, Barbara Alden, and they document her journey through Germany, Denmark, and England. Some other items that are of note are the score and papers surrounding her large-scale work \u003ci\u003eMissa Universalis\u003c/i\u003e, which include correspondence, a performance program, a newspaper article, and various other documents that denote Jean Slater Edson's creative process for the piece as well as its public reception. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Jean Slater Edson papers span 3 boxes that contain her original music manuscripts, programs or news clippings that she was featured in, correspondence regarding her personal life and music, a vinyl of her original music, and other miscellaneous items that pertain to her. The dated materials span 1929 to 1984. Although the majority of her compositions are undated, most of her dated works were created during her time as a teacher at Mary Washington College. Additionally, most correspondence and publications in this collection are in reference to the publishing process for some of Jean Slater Edson's musical works while she was residing in the Northern Virginia/DC area. ","Of particular interest is a collection of letters written by her while she was conducting research across Europe to complete her  Organ Preludes  publication. These letters are addressed to both the family of MWC's former Chancellor, Dr. Simpson, and MWC's first archivist, Barbara Alden, and they document her journey through Germany, Denmark, and England. Some other items that are of note are the score and papers surrounding her large-scale work  Missa Universalis , which include correspondence, a performance program, a newspaper article, and various other documents that denote Jean Slater Edson's creative process for the piece as well as its public reception. "],"names_ssim":["University of Mary Washington Special Collections and University Archives","Edson, Jean Slater","Simpson, Grellet C., 1909-1997","Raplee, Elizabeth Virginia","Berkowitz, Albert M., 1921-2015","Edson, Andrew W."],"corpname_ssim":["University of Mary Washington Special Collections and University Archives"],"names_coll_ssim":["Simpson, Grellet C., 1909-1997"],"persname_ssim":["Edson, Jean Slater","Simpson, Grellet C., 1909-1997","Raplee, Elizabeth Virginia","Berkowitz, Albert M., 1921-2015","Edson, Andrew W."],"language_ssim":["Contains songs written in German, French, and Russian."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":118,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:28:49.921Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifrem_repositories_2_resources_21"}},{"id":"vilxw_repositories_5_resources_187_c75","type":"File","attributes":{"title":"\"Love Cannot Be Hidden\"","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_187_c75#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis file consists of sheet music from Washington and Lee's Troubadours' prouduction of 'The Lady in Green.'\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_187_c75#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_187_c75","ref_ssm":["vilxw_repositories_5_resources_187_c75"],"id":"vilxw_repositories_5_resources_187_c75","ead_ssi":"vilxw_repositories_5_resources_187","_root_":"vilxw_repositories_5_resources_187","_nest_parent_":"vilxw_repositories_5_resources_187","parent_ssi":"vilxw_repositories_5_resources_187","parent_ssim":["vilxw_repositories_5_resources_187"],"parent_ids_ssim":["vilxw_repositories_5_resources_187"],"parent_unittitles_ssm":["John Alexander Graham Papers"],"parent_unittitles_tesim":["John Alexander Graham Papers"],"text":["John Alexander Graham Papers","\"Love Cannot Be Hidden\"","Washington and Lee University","Graham, John Alexander","Musicals","Sheet music","English .","box 4","folder 74","This file consists of sheet music from Washington and Lee's Troubadours' prouduction of 'The Lady in Green.'"],"title_filing_ssi":"\"Love Cannot Be Hidden\"","title_ssm":["\"Love Cannot Be Hidden\""],"title_tesim":["\"Love Cannot Be Hidden\""],"normalized_title_ssm":["\"Love Cannot Be Hidden\""],"component_level_isim":[1],"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["John Alexander Graham Papers"],"extent_ssm":["5 Item"],"extent_tesim":["5 Item"],"creator_ssim":["Washington and Lee University","Graham, John Alexander"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":75,"parent_access_terms_tesm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_ssim":["Washington and Lee University","Graham, John Alexander"],"corpname_ssim":["Washington and Lee University"],"persname_ssim":["Graham, John Alexander"],"access_subjects_ssim":["Musicals","Sheet music"],"access_subjects_ssm":["Musicals","Sheet music"],"language_ssim":["English ."],"containers_ssim":["box 4","folder 74"],"scopecontent_html_tesm":["\u003cp\u003eThis file consists of sheet music from Washington and Lee's Troubadours' prouduction of 'The Lady in Green.'\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This file consists of sheet music from Washington and Lee's Troubadours' prouduction of 'The Lady in Green.'"],"_nest_path_":"/components#74","timestamp":"2026-05-20T20:55:58.373Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_187","ead_ssi":"vilxw_repositories_5_resources_187","_root_":"vilxw_repositories_5_resources_187","_nest_parent_":"vilxw_repositories_5_resources_187","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_187.xml","title_ssm":["John Alexander Graham Papers"],"title_tesim":["John Alexander Graham Papers"],"unitdate_ssm":["Inclusive 1910-1947","Bulk 1915-1947"],"unitdate_bulk_ssim":["Bulk 1915-1947"],"unitdate_inclusive_ssm":["Inclusive 1910-1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0307","/repositories/5/resources/187"],"text":["WLU.Coll.0307","/repositories/5/resources/187","John Alexander Graham Papers","Sheet music","Correspondence","World War (1914-1918)","Universities and colleges -- Faculty","Graham was a member of the Washington and Lee University Class of 1914, a professor of Romance Languages at Washington and Lee University from 1919-1947, a composer, and a director a Presbyterian church choir for 25 years.","Blue sheet prepared by Betty Kondayan (02/14/08)","This collection includes Graham's compositions, World War I papers and correspondence, memorabilia of Washington and Lee University activities, scores, sheet music, notebooks, and other correspondence.","'Oh Professor!' was revised by Graham from an earlier edition of the musical comedy, 'Let's Dance.'","This file includes programs from The Troubadours of Washington and Lee, the Virginia Symphony Orchestra, and the Virginia State Choral Festival.","The letter is addressed to 'James.'","This file consists of orignals and of the published work.","This file consists of published copies of the piece as well as original copies made for James G. Leyburn and Mary Monroe Penick. The piece was written for The Children's Choir of The Presbyterian Church of Lexington, Va. It also contains copies for violin, violin II, viola, and cello.","This song was composed for Eric Rath and the Hollins Choir.","The piece was arranged and dedicated to Alfred Finch and the Glee Club of Sweet Briar College. The file consists of two original copies and three printed copies. One of the copies is signed by John A. Graham.","This file consists of one original and four copies. The piece was for the choir of the Lexington Presbyterian Church.","This file consists of one copy of the piece. It was arranged for the Madrigal Club of Lexington, Va.","This file consists of music written in pencil. The name 'Hugh Thomson Kerr' is written on the front.","Graham dedicated the piece to Miss Edna Schaeffer and the Glee Club of the State Teacher's College, Harrisburg, Va.","This music was arranged for the Washington and Lee Glee Club.","This piece was dedicated to Miss Edna T. Shaeffer and the Glee Club of Madison College, Harrisonburg, Va.","This piece was composed for The Madrigal Club of Lexington, Va.","The piece was for the choir of Trinity Episcopal Church, Staunton, Va.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","Graham arranged the music for the choir of the Lexington Presbyterian Church.","John A. Graham wrote the descant on the sheet of music.","John A. Graham abridged and arranged the music for a violin duet with piano accompaniment","This file includes arrangements for violin I, violin II, viola, and cello.","This piece was arranged by Graham for a cello.","Graham composed the work for Miss MacDonald, Mr. Leyburn, and two pianos.","This file includes the master copy.","This file includes copies for each violin and piano part. The sonata was written for and dedicated to Francis Rouclebush and James G. Leyburn.","This file consists of two notebooks with the music for 'Sonata for Violin and Piano.'","This file contains the violin I and II, viola, and cello music for Graham's 'String Quartet.'","Graham wrote and dedicated the music to Anne MacDonald and James G. Leyburn.","The music was written for Mr. Ammerman.","This file consists of sheet music from Washington and Lee's Troubadours' prouduction of 'The Lady in Green.'","This file consists of sheet music from the musicomedy 'Mlle Gaby' presented by Washington and Lee Troubadours.","The work is dedicated to Mr. Clifton Hall.","Dedicated to the Lexington Presbyterian Choir","'Be with us through the night' is an evening anthem or a quartet or chorus of male voices.","Dedeicated to Miss Mary Monroe Penick and the Choir of the Presbyterian Church.","Written for the Choir of the Presbyterian Church, Lexington, Va","'Savior, breathe an evening blessing' is an evening anthem for soprano voices.","This file consists of sheet music to 'Fight, Fight Blue and White' also referred to as 'Hail to Our Alma Mater.' The song was written for Washington and Lee University and dedicated to R.H. Carr, cheer leader.","This file consists of hand-written sheet music for 'Fight, Fight Blue and White.'","This file consists of sheet music for 'The Blue Ridge' for male chorus, dedicated to the Glee Club of Washington and Lee.","This file was written for male chorus and dedicated to the Glee Club of Washington and Lee University.","The song was originally written for C. W. Karraker, Jr.","Graham arranged this song for a male chorus with tenor and baritone solos or with violin or flute obbligato.","This is a choral ballad written for a chorus of women's voices with piano forte accompaniment. Graham wrote and dedicated the work to Miss Virginia Egol and the Choral Club of Hollins College.","Mary Monroe Penick wrote on an envelope the story of how Graham wrote the accompanying music to Mrs. Perkin's poems.","'I never knew' is a solo for mezzo-soprano with pianoforte accompaniment.","'Hebrew Lullaby' was dedicated to Mrs. Walter Forrester.","This has a baritone solo and chrorus for the Washington and Lee Glee Club.","Graham sent a card to Mary Monroe with a short song he wrote about how she was missed.","Graham dedicated this to W. S. Hastings.","'The Night Will Never Stay' was for Charles William Karraker, Jr.","Graham created this piece for Walter Scott Hastings by request.","The file includes a description of the piece.","This song was arranged for the Madrigal Club of Lexington, Va.","One of the copies is signed by James G. Leyburn and has a message from John A. Graham on it.","This song was from 'The Lady in Green' presented by The Troubadours at Washington and Lee University.","This file consists of mostly German cipher material.","This file consists of official documents, such as merandums, official business letters, and reciepts, from John Aleander Graham's war years.","This file consists of programs of Independence Day and Thanksgiving services, a theatre progam, a photograph, and Graham's certificate of identification.","Letter to John from his father about news in Lexington.","This file consists of wartime letters from John's three siblings reporting mostly of news at home, school, etc. It also contains a photograph of 'The Lexington Crew.' It appears to be written in Mercer's handwriting.","This file consists of correspondence from family and friends, in particular Mrs. Graham. There are also letters concerning teaching positions and graduate school scholarships.","This file consists of Graham's war memoirs.","This file consists of a newspaper article about a speech given by George Denny in 1910 about William Graham. It also contains a photograph of the bronze plaque at Graham's grave and photogaphs most likely from the moving of his remains to Lexington.","This file consists of Mercer and John's certificates from grade school and of materials from John's time at Washington and Lee. His report cards, football ticket, and matriculation reciept.","This file consists of newspaper clippings, Graham's Laissez, a correspondence with the editor of Choral Publications, and a photograph of Graham.","This file includes a music record sent to Robert Stewart, nwespaper clippings, and a bill passed by the United States Senate.","This file consists of poetry written by John Alexander Graham. The title of the collection of poems is 'Sadistic Songs for Arrant Egoists.'","This file consists of a record collection index. It is inscribed 'James Otis Trulove, Washington and Lee University, Lexington, Va.'","Programs from 'Clan Graham,' 'An Evening of Musical Compositions by John Graham,' and 'A Program of Music by John A. Graham.'","This file includes sheet music for 'Fight, Fight Blue and White' and 'Washington and Lee Swing.'","One of the letters to Mary Monroe asks about John. William writes the next day after hearing of John's death. He proposes doing something to spread John's music.","This file consists of a letter written by Graham to 'James,' most likely James G. Leyburn.","This file consists of designs information about commemorative plates for Washington and Lee University.","This file consists of letters written to Mary Monroe Penick about the music festival in memory of John Alexander Graham. Also included are newspaper articles about the event and programs.","This file consists of correspondence between various people and Mary Monroe Penick regarding preparations for the music festival in memory of John Alexander Graham.","This file includes correspondence written by Mary Monroe Pennick about the details of the music festival in memory of John Graham. It also includes biographies of the musicians who participated in the event, an invitation list, and other information that was used in the planning of the event.","This file consists of Washington and Lee Glee Club programs. Many of the Glee Club's concerts were join concerts with Hollins College or Sweet Briar College.","This file consists of glee club programs from universities other than Washington and Lee. Included are programas from the Intercollegiate Glee Club Contest, Emory University, Sweet Briar, Hollins College, Westminster Choir, University of Virginia, and Iowa State University.","This file consists of opera programs. One of the programs is from the Chicago Civic Opera Company Grand Opera Season 1929-1930. The other three are from the Metropolitan Opera House Philedelphia, seasons 1912-1913, 1913-1914, and 1915-1916.","This file consists of a copy of The Music Club Magazine, part of The Virginia Musician, South Atlantic Intercollegiate Glee Club Association Bulletin #10, September 29, 1932, Intercollegiate Musical Council Bulletin, October 1932, and correspondence between Alvin C. Busse and Graham about reprinting rights of the Alma Mater or New York University.","This file consists of vocal and piano music that belonged to Graham.","This file consists of two issues of The Etude and music belonging to Graham.","This file consists of three issues of The Etude, a music magazine, and miscellaneous music.","This file consists of miscellaneous music belonging to Graham and The New York Times Book Review, February 26, 1956.","This file consists of the libretto, or opera text, of the opera Aida that was written by request of the Viceroy of Egypt in 1871.","This file consists of the contexts of several operas. Included is an index of the operas mentioned.","This file includes 'No. 3 - Rue de Buci (en face la rue de l'Abbaye),' 1926, and 'No. 7 - Rue d'Odessa (Sortie du cinéma, 1916),' 1926. They are both mezzotint and aquatint with hand coloring.","This file consists of two card file indexes of John Alexander Graham's compositions. One of the files is organized alphabetically and the other is by subject.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University","Hollins College","Lexington Presbyterian Church (Lexington, Va.)","New Monmouth Presbyterian Church (Lexington, Va.)","Ann Smith Academy","Virginia Symphony","G. Ricordi \u0026 Co.","Hollins University","Sweet Briar College","Virginia. State Teachers College at Harrisonburg (Harrisonburg, Va.)","Madison College","Trinity Episcopal Church (Staunton, Va.)","Johns Hopkins University","Emory University","Mary Baldwin College","Westminster Choir","University of Virginia","Iowa State University","Chicago Civic Opera (Chicago, Ill.)","New York Times Company","Graham family","Graham, John Alexander","Penick, Mary Monroe","Leyburn, James Graham","Kerr, Hugh Thomson","Southwell, Robert, Saint","Chesterton, G. K. (Gilbert Keith)","Lathbury, Mary A. (Mary Artemisia)","Mason, Lowell","Watts, Isaac","Bates, Katherine Lee","Ward, Samuel A.","Reed, Andrew","Gottschalk, Louis Moreau","Maker, F. C.","Whittier, John Greenleaf","Tucker, Mary","Ammerman, Richard C.","Rice, Cale Young","Gill, Carl Everett Leonard","Carr, Robert H.","Preston, Margaret Junkin","Chubb, Thomas Caldecot","Nelson, Evelyn","Karraker, Charles William, Jr.","Egolf, Virginia","Perkins, Sally Shepherd","Forrester, Walter, Mrs.","Merriam, Lillie Fuller","Farjeon, Eleanor","Tennyson, Alfred Tennyson, Baron","Hastings, Walter Scott","Castelnau, Edouard de Curieres de","Graham, Ned, Jr. (Edward L.)","Graham, Samuel Mercer","Graham, Mary Louisa","Denny, George Hutcheson","Graham, William","Graham, Edward","Graham, Louisa Garnett Eoff","Jordan, John","Stewart, Robert","West, Marshall Penick","Trulove, James Otis","Robbins, Clarence A.","Allen, Thornton W.","Sheafe, Mark W.","Lewis, Mildred","Daura, Louise","Velte, Marjorie","Munger, Betty E","Munger, Robert Sylvester","Harding, Vera","Williamson, Olympia","Drake, Winbourne Magruder","Boatwright, Helen","Bell, Mary Lou","Rogers, Milton Borbee","Welles, Betty Galt","Brown, Stanley Coleman","Peters, Frances","Criminale, Leonard Rex","McMurran, Lewis A., Jr.","McNeil, Ruth","Graves, Edward S.","Moore, Stuart","Dennis, Betty","Shaeffer, Edna T.","Caskie, James R.","Desha, Lucius Junius ","Cushing, Kay","Casselman, Eugene","Busse, Alvin C.","Mozart, Wolfgang Amadeus (1756-1791)","Clerambault, Louis-Nicolas","Verdi, Giuseppe","Corvel, Georges","English \n.    "],"unitid_tesim":["WLU.Coll.0307","/repositories/5/resources/187"],"normalized_title_ssm":["John Alexander Graham Papers"],"collection_title_tesim":["John Alexander Graham Papers"],"collection_ssim":["John Alexander Graham Papers"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Graham, John Alexander","Penick, Mary Monroe"],"creator_ssim":["Graham, John Alexander","Penick, Mary Monroe"],"creator_persname_ssim":["Graham, John Alexander","Penick, Mary Monroe"],"creators_ssim":["Graham, John Alexander","Penick, Mary Monroe"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Sheet music","Correspondence","World War (1914-1918)","Universities and colleges -- Faculty"],"access_subjects_ssm":["Sheet music","Correspondence","World War (1914-1918)","Universities and colleges -- Faculty"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet"],"extent_tesim":["8 Linear Feet"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947],"bioghist_html_tesm":["\u003cp\u003eGraham was a member of the Washington and Lee University Class of 1914, a professor of Romance Languages at Washington and Lee University from 1919-1947, a composer, and a director a Presbyterian church choir for 25 years.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Graham was a member of the Washington and Lee University Class of 1914, a professor of Romance Languages at Washington and Lee University from 1919-1947, a composer, and a director a Presbyterian church choir for 25 years."],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], John Alexander Graham Papers, WLU Coll. 0307, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format.\u003c/p\u003e"],"prefercite_tesim":["Preferred citation: [Identification of item], John Alexander Graham Papers, WLU Coll. 0307, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format."],"processinfo_html_tesm":["\u003cp\u003eBlue sheet prepared by Betty Kondayan (02/14/08)\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Blue sheet prepared by Betty Kondayan (02/14/08)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes Graham's compositions, World War I papers and correspondence, memorabilia of Washington and Lee University activities, scores, sheet music, notebooks, and other correspondence.\u003c/p\u003e","\u003cp\u003e'Oh Professor!' was revised by Graham from an earlier edition of the musical comedy, 'Let's Dance.'\u003c/p\u003e","\u003cp\u003eThis file includes programs from The Troubadours of Washington and Lee, the Virginia Symphony Orchestra, and the Virginia State Choral Festival.\u003c/p\u003e","\u003cp\u003eThe letter is addressed to 'James.'\u003c/p\u003e","\u003cp\u003eThis file consists of orignals and of the published work.\u003c/p\u003e","\u003cp\u003eThis file consists of published copies of the piece as well as original copies made for James G. Leyburn and Mary Monroe Penick. The piece was written for The Children's Choir of The Presbyterian Church of Lexington, Va. It also contains copies for violin, violin II, viola, and cello.\u003c/p\u003e","\u003cp\u003eThis song was composed for Eric Rath and the Hollins Choir.\u003c/p\u003e","\u003cp\u003eThe piece was arranged and dedicated to Alfred Finch and the Glee Club of Sweet Briar College. The file consists of two original copies and three printed copies. One of the copies is signed by John A. Graham.\u003c/p\u003e","\u003cp\u003eThis file consists of one original and four copies. The piece was for the choir of the Lexington Presbyterian Church.\u003c/p\u003e","\u003cp\u003eThis file consists of one copy of the piece. It was arranged for the Madrigal Club of Lexington, Va.\u003c/p\u003e","\u003cp\u003eThis file consists of music written in pencil. The name 'Hugh Thomson Kerr' is written on the front.\u003c/p\u003e","\u003cp\u003eGraham dedicated the piece to Miss Edna Schaeffer and the Glee Club of the State Teacher's College, Harrisburg, Va.\u003c/p\u003e","\u003cp\u003eThis music was arranged for the Washington and Lee Glee Club.\u003c/p\u003e","\u003cp\u003eThis piece was dedicated to Miss Edna T. Shaeffer and the Glee Club of Madison College, Harrisonburg, Va.\u003c/p\u003e","\u003cp\u003eThis piece was composed for The Madrigal Club of Lexington, Va.\u003c/p\u003e","\u003cp\u003eThe piece was for the choir of Trinity Episcopal Church, Staunton, Va.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eGraham arranged the music for the choir of the Lexington Presbyterian Church.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eJohn A. Graham abridged and arranged the music for a violin duet with piano accompaniment\u003c/p\u003e","\u003cp\u003eThis file includes arrangements for violin I, violin II, viola, and cello.\u003c/p\u003e","\u003cp\u003eThis piece was arranged by Graham for a cello.\u003c/p\u003e","\u003cp\u003eGraham composed the work for Miss MacDonald, Mr. Leyburn, and two pianos.\u003c/p\u003e","\u003cp\u003eThis file includes the master copy.\u003c/p\u003e","\u003cp\u003eThis file includes copies for each violin and piano part. The sonata was written for and dedicated to Francis Rouclebush and James G. Leyburn.\u003c/p\u003e","\u003cp\u003eThis file consists of two notebooks with the music for 'Sonata for Violin and Piano.'\u003c/p\u003e","\u003cp\u003eThis file contains the violin I and II, viola, and cello music for Graham's 'String Quartet.'\u003c/p\u003e","\u003cp\u003eGraham wrote and dedicated the music to Anne MacDonald and James G. Leyburn.\u003c/p\u003e","\u003cp\u003eThe music was written for Mr. Ammerman.\u003c/p\u003e","\u003cp\u003eThis file consists of sheet music from Washington and Lee's Troubadours' prouduction of 'The Lady in Green.'\u003c/p\u003e","\u003cp\u003eThis file consists of sheet music from the musicomedy 'Mlle Gaby' presented by Washington and Lee Troubadours.\u003c/p\u003e","\u003cp\u003eThe work is dedicated to Mr. Clifton Hall.\u003c/p\u003e","\u003cp\u003eDedicated to the Lexington Presbyterian Choir\u003c/p\u003e","\u003cp\u003e'Be with us through the night' is an evening anthem or a quartet or chorus of male voices.\u003c/p\u003e","\u003cp\u003eDedeicated to Miss Mary Monroe Penick and the Choir of the Presbyterian Church.\u003c/p\u003e","\u003cp\u003eWritten for the Choir of the Presbyterian Church, Lexington, Va\u003c/p\u003e","\u003cp\u003e'Savior, breathe an evening blessing' is an evening anthem for soprano voices.\u003c/p\u003e","\u003cp\u003eThis file consists of sheet music to 'Fight, Fight Blue and White' also referred to as 'Hail to Our Alma Mater.' The song was written for Washington and Lee University and dedicated to R.H. Carr, cheer leader.\u003c/p\u003e","\u003cp\u003eThis file consists of hand-written sheet music for 'Fight, Fight Blue and White.'\u003c/p\u003e","\u003cp\u003eThis file consists of sheet music for 'The Blue Ridge' for male chorus, dedicated to the Glee Club of Washington and Lee.\u003c/p\u003e","\u003cp\u003eThis file was written for male chorus and dedicated to the Glee Club of Washington and Lee University.\u003c/p\u003e","\u003cp\u003eThe song was originally written for C. W. Karraker, Jr.\u003c/p\u003e","\u003cp\u003eGraham arranged this song for a male chorus with tenor and baritone solos or with violin or flute obbligato.\u003c/p\u003e","\u003cp\u003eThis is a choral ballad written for a chorus of women's voices with piano forte accompaniment. Graham wrote and dedicated the work to Miss Virginia Egol and the Choral Club of Hollins College.\u003c/p\u003e","\u003cp\u003eMary Monroe Penick wrote on an envelope the story of how Graham wrote the accompanying music to Mrs. Perkin's poems.\u003c/p\u003e","\u003cp\u003e'I never knew' is a solo for mezzo-soprano with pianoforte accompaniment.\u003c/p\u003e","\u003cp\u003e'Hebrew Lullaby' was dedicated to Mrs. Walter Forrester.\u003c/p\u003e","\u003cp\u003eThis has a baritone solo and chrorus for the Washington and Lee Glee Club.\u003c/p\u003e","\u003cp\u003eGraham sent a card to Mary Monroe with a short song he wrote about how she was missed.\u003c/p\u003e","\u003cp\u003eGraham dedicated this to W. S. Hastings.\u003c/p\u003e","\u003cp\u003e'The Night Will Never Stay' was for Charles William Karraker, Jr.\u003c/p\u003e","\u003cp\u003eGraham created this piece for Walter Scott Hastings by request.\u003c/p\u003e","\u003cp\u003eThe file includes a description of the piece.\u003c/p\u003e","\u003cp\u003eThis song was arranged for the Madrigal Club of Lexington, Va.\u003c/p\u003e","\u003cp\u003eOne of the copies is signed by James G. Leyburn and has a message from John A. Graham on it.\u003c/p\u003e","\u003cp\u003eThis song was from 'The Lady in Green' presented by The Troubadours at Washington and Lee University.\u003c/p\u003e","\u003cp\u003eThis file consists of mostly German cipher material.\u003c/p\u003e","\u003cp\u003eThis file consists of official documents, such as merandums, official business letters, and reciepts, from John Aleander Graham's war years.\u003c/p\u003e","\u003cp\u003eThis file consists of programs of Independence Day and Thanksgiving services, a theatre progam, a photograph, and Graham's certificate of identification.\u003c/p\u003e","\u003cp\u003eLetter to John from his father about news in Lexington.\u003c/p\u003e","\u003cp\u003eThis file consists of wartime letters from John's three siblings reporting mostly of news at home, school, etc. It also contains a photograph of 'The Lexington Crew.' It appears to be written in Mercer's handwriting.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from family and friends, in particular Mrs. Graham. There are also letters concerning teaching positions and graduate school scholarships.\u003c/p\u003e","\u003cp\u003eThis file consists of Graham's war memoirs.\u003c/p\u003e","\u003cp\u003eThis file consists of a newspaper article about a speech given by George Denny in 1910 about William Graham. It also contains a photograph of the bronze plaque at Graham's grave and photogaphs most likely from the moving of his remains to Lexington.\u003c/p\u003e","\u003cp\u003eThis file consists of Mercer and John's certificates from grade school and of materials from John's time at Washington and Lee. His report cards, football ticket, and matriculation reciept.\u003c/p\u003e","\u003cp\u003eThis file consists of newspaper clippings, Graham's Laissez, a correspondence with the editor of Choral Publications, and a photograph of Graham.\u003c/p\u003e","\u003cp\u003eThis file includes a music record sent to Robert Stewart, nwespaper clippings, and a bill passed by the United States Senate.\u003c/p\u003e","\u003cp\u003eThis file consists of poetry written by John Alexander Graham. The title of the collection of poems is 'Sadistic Songs for Arrant Egoists.'\u003c/p\u003e","\u003cp\u003eThis file consists of a record collection index. It is inscribed 'James Otis Trulove, Washington and Lee University, Lexington, Va.'\u003c/p\u003e","\u003cp\u003ePrograms from 'Clan Graham,' 'An Evening of Musical Compositions by John Graham,' and 'A Program of Music by John A. Graham.'\u003c/p\u003e","\u003cp\u003eThis file includes sheet music for 'Fight, Fight Blue and White' and 'Washington and Lee Swing.'\u003c/p\u003e","\u003cp\u003eOne of the letters to Mary Monroe asks about John. William writes the next day after hearing of John's death. He proposes doing something to spread John's music.\u003c/p\u003e","\u003cp\u003eThis file consists of a letter written by Graham to 'James,' most likely James G. Leyburn.\u003c/p\u003e","\u003cp\u003eThis file consists of designs information about commemorative plates for Washington and Lee University.\u003c/p\u003e","\u003cp\u003eThis file consists of letters written to Mary Monroe Penick about the music festival in memory of John Alexander Graham. Also included are newspaper articles about the event and programs.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence between various people and Mary Monroe Penick regarding preparations for the music festival in memory of John Alexander Graham.\u003c/p\u003e","\u003cp\u003eThis file includes correspondence written by Mary Monroe Pennick about the details of the music festival in memory of John Graham. It also includes biographies of the musicians who participated in the event, an invitation list, and other information that was used in the planning of the event.\u003c/p\u003e","\u003cp\u003eThis file consists of Washington and Lee Glee Club programs. Many of the Glee Club's concerts were join concerts with Hollins College or Sweet Briar College.\u003c/p\u003e","\u003cp\u003eThis file consists of glee club programs from universities other than Washington and Lee. Included are programas from the Intercollegiate Glee Club Contest, Emory University, Sweet Briar, Hollins College, Westminster Choir, University of Virginia, and Iowa State University.\u003c/p\u003e","\u003cp\u003eThis file consists of opera programs. One of the programs is from the Chicago Civic Opera Company Grand Opera Season 1929-1930. The other three are from the Metropolitan Opera House Philedelphia, seasons 1912-1913, 1913-1914, and 1915-1916.\u003c/p\u003e","\u003cp\u003eThis file consists of a copy of The Music Club Magazine, part of The Virginia Musician, South Atlantic Intercollegiate Glee Club Association Bulletin #10, September 29, 1932, Intercollegiate Musical Council Bulletin, October 1932, and correspondence between Alvin C. Busse and Graham about reprinting rights of the Alma Mater or New York University.\u003c/p\u003e","\u003cp\u003eThis file consists of vocal and piano music that belonged to Graham.\u003c/p\u003e","\u003cp\u003eThis file consists of two issues of The Etude and music belonging to Graham.\u003c/p\u003e","\u003cp\u003eThis file consists of three issues of The Etude, a music magazine, and miscellaneous music.\u003c/p\u003e","\u003cp\u003eThis file consists of miscellaneous music belonging to Graham and The New York Times Book Review, February 26, 1956.\u003c/p\u003e","\u003cp\u003eThis file consists of the libretto, or opera text, of the opera Aida that was written by request of the Viceroy of Egypt in 1871.\u003c/p\u003e","\u003cp\u003eThis file consists of the contexts of several operas. Included is an index of the operas mentioned.\u003c/p\u003e","\u003cp\u003eThis file includes 'No. 3 - Rue de Buci (en face la rue de l'Abbaye),' 1926, and 'No. 7 - Rue d'Odessa (Sortie du cinéma, 1916),' 1926. They are both mezzotint and aquatint with hand coloring.\u003c/p\u003e","\u003cp\u003eThis file consists of two card file indexes of John Alexander Graham's compositions. One of the files is organized alphabetically and the other is by subject.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection includes Graham's compositions, World War I papers and correspondence, memorabilia of Washington and Lee University activities, scores, sheet music, notebooks, and other correspondence.","'Oh Professor!' was revised by Graham from an earlier edition of the musical comedy, 'Let's Dance.'","This file includes programs from The Troubadours of Washington and Lee, the Virginia Symphony Orchestra, and the Virginia State Choral Festival.","The letter is addressed to 'James.'","This file consists of orignals and of the published work.","This file consists of published copies of the piece as well as original copies made for James G. Leyburn and Mary Monroe Penick. The piece was written for The Children's Choir of The Presbyterian Church of Lexington, Va. It also contains copies for violin, violin II, viola, and cello.","This song was composed for Eric Rath and the Hollins Choir.","The piece was arranged and dedicated to Alfred Finch and the Glee Club of Sweet Briar College. The file consists of two original copies and three printed copies. One of the copies is signed by John A. Graham.","This file consists of one original and four copies. The piece was for the choir of the Lexington Presbyterian Church.","This file consists of one copy of the piece. It was arranged for the Madrigal Club of Lexington, Va.","This file consists of music written in pencil. The name 'Hugh Thomson Kerr' is written on the front.","Graham dedicated the piece to Miss Edna Schaeffer and the Glee Club of the State Teacher's College, Harrisburg, Va.","This music was arranged for the Washington and Lee Glee Club.","This piece was dedicated to Miss Edna T. Shaeffer and the Glee Club of Madison College, Harrisonburg, Va.","This piece was composed for The Madrigal Club of Lexington, Va.","The piece was for the choir of Trinity Episcopal Church, Staunton, Va.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","Graham arranged the music for the choir of the Lexington Presbyterian Church.","John A. Graham wrote the descant on the sheet of music.","John A. Graham abridged and arranged the music for a violin duet with piano accompaniment","This file includes arrangements for violin I, violin II, viola, and cello.","This piece was arranged by Graham for a cello.","Graham composed the work for Miss MacDonald, Mr. Leyburn, and two pianos.","This file includes the master copy.","This file includes copies for each violin and piano part. The sonata was written for and dedicated to Francis Rouclebush and James G. Leyburn.","This file consists of two notebooks with the music for 'Sonata for Violin and Piano.'","This file contains the violin I and II, viola, and cello music for Graham's 'String Quartet.'","Graham wrote and dedicated the music to Anne MacDonald and James G. Leyburn.","The music was written for Mr. Ammerman.","This file consists of sheet music from Washington and Lee's Troubadours' prouduction of 'The Lady in Green.'","This file consists of sheet music from the musicomedy 'Mlle Gaby' presented by Washington and Lee Troubadours.","The work is dedicated to Mr. Clifton Hall.","Dedicated to the Lexington Presbyterian Choir","'Be with us through the night' is an evening anthem or a quartet or chorus of male voices.","Dedeicated to Miss Mary Monroe Penick and the Choir of the Presbyterian Church.","Written for the Choir of the Presbyterian Church, Lexington, Va","'Savior, breathe an evening blessing' is an evening anthem for soprano voices.","This file consists of sheet music to 'Fight, Fight Blue and White' also referred to as 'Hail to Our Alma Mater.' The song was written for Washington and Lee University and dedicated to R.H. Carr, cheer leader.","This file consists of hand-written sheet music for 'Fight, Fight Blue and White.'","This file consists of sheet music for 'The Blue Ridge' for male chorus, dedicated to the Glee Club of Washington and Lee.","This file was written for male chorus and dedicated to the Glee Club of Washington and Lee University.","The song was originally written for C. W. Karraker, Jr.","Graham arranged this song for a male chorus with tenor and baritone solos or with violin or flute obbligato.","This is a choral ballad written for a chorus of women's voices with piano forte accompaniment. Graham wrote and dedicated the work to Miss Virginia Egol and the Choral Club of Hollins College.","Mary Monroe Penick wrote on an envelope the story of how Graham wrote the accompanying music to Mrs. Perkin's poems.","'I never knew' is a solo for mezzo-soprano with pianoforte accompaniment.","'Hebrew Lullaby' was dedicated to Mrs. Walter Forrester.","This has a baritone solo and chrorus for the Washington and Lee Glee Club.","Graham sent a card to Mary Monroe with a short song he wrote about how she was missed.","Graham dedicated this to W. S. Hastings.","'The Night Will Never Stay' was for Charles William Karraker, Jr.","Graham created this piece for Walter Scott Hastings by request.","The file includes a description of the piece.","This song was arranged for the Madrigal Club of Lexington, Va.","One of the copies is signed by James G. Leyburn and has a message from John A. Graham on it.","This song was from 'The Lady in Green' presented by The Troubadours at Washington and Lee University.","This file consists of mostly German cipher material.","This file consists of official documents, such as merandums, official business letters, and reciepts, from John Aleander Graham's war years.","This file consists of programs of Independence Day and Thanksgiving services, a theatre progam, a photograph, and Graham's certificate of identification.","Letter to John from his father about news in Lexington.","This file consists of wartime letters from John's three siblings reporting mostly of news at home, school, etc. It also contains a photograph of 'The Lexington Crew.' It appears to be written in Mercer's handwriting.","This file consists of correspondence from family and friends, in particular Mrs. Graham. There are also letters concerning teaching positions and graduate school scholarships.","This file consists of Graham's war memoirs.","This file consists of a newspaper article about a speech given by George Denny in 1910 about William Graham. It also contains a photograph of the bronze plaque at Graham's grave and photogaphs most likely from the moving of his remains to Lexington.","This file consists of Mercer and John's certificates from grade school and of materials from John's time at Washington and Lee. His report cards, football ticket, and matriculation reciept.","This file consists of newspaper clippings, Graham's Laissez, a correspondence with the editor of Choral Publications, and a photograph of Graham.","This file includes a music record sent to Robert Stewart, nwespaper clippings, and a bill passed by the United States Senate.","This file consists of poetry written by John Alexander Graham. The title of the collection of poems is 'Sadistic Songs for Arrant Egoists.'","This file consists of a record collection index. It is inscribed 'James Otis Trulove, Washington and Lee University, Lexington, Va.'","Programs from 'Clan Graham,' 'An Evening of Musical Compositions by John Graham,' and 'A Program of Music by John A. Graham.'","This file includes sheet music for 'Fight, Fight Blue and White' and 'Washington and Lee Swing.'","One of the letters to Mary Monroe asks about John. William writes the next day after hearing of John's death. He proposes doing something to spread John's music.","This file consists of a letter written by Graham to 'James,' most likely James G. Leyburn.","This file consists of designs information about commemorative plates for Washington and Lee University.","This file consists of letters written to Mary Monroe Penick about the music festival in memory of John Alexander Graham. Also included are newspaper articles about the event and programs.","This file consists of correspondence between various people and Mary Monroe Penick regarding preparations for the music festival in memory of John Alexander Graham.","This file includes correspondence written by Mary Monroe Pennick about the details of the music festival in memory of John Graham. It also includes biographies of the musicians who participated in the event, an invitation list, and other information that was used in the planning of the event.","This file consists of Washington and Lee Glee Club programs. Many of the Glee Club's concerts were join concerts with Hollins College or Sweet Briar College.","This file consists of glee club programs from universities other than Washington and Lee. Included are programas from the Intercollegiate Glee Club Contest, Emory University, Sweet Briar, Hollins College, Westminster Choir, University of Virginia, and Iowa State University.","This file consists of opera programs. One of the programs is from the Chicago Civic Opera Company Grand Opera Season 1929-1930. The other three are from the Metropolitan Opera House Philedelphia, seasons 1912-1913, 1913-1914, and 1915-1916.","This file consists of a copy of The Music Club Magazine, part of The Virginia Musician, South Atlantic Intercollegiate Glee Club Association Bulletin #10, September 29, 1932, Intercollegiate Musical Council Bulletin, October 1932, and correspondence between Alvin C. Busse and Graham about reprinting rights of the Alma Mater or New York University.","This file consists of vocal and piano music that belonged to Graham.","This file consists of two issues of The Etude and music belonging to Graham.","This file consists of three issues of The Etude, a music magazine, and miscellaneous music.","This file consists of miscellaneous music belonging to Graham and The New York Times Book Review, February 26, 1956.","This file consists of the libretto, or opera text, of the opera Aida that was written by request of the Viceroy of Egypt in 1871.","This file consists of the contexts of several operas. Included is an index of the operas mentioned.","This file includes 'No. 3 - Rue de Buci (en face la rue de l'Abbaye),' 1926, and 'No. 7 - Rue d'Odessa (Sortie du cinéma, 1916),' 1926. They are both mezzotint and aquatint with hand coloring.","This file consists of two card file indexes of John Alexander Graham's compositions. One of the files is organized alphabetically and the other is by subject."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_coll_ssim":["Washington and Lee University"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University","Hollins College","Lexington Presbyterian Church (Lexington, Va.)","New Monmouth Presbyterian Church (Lexington, Va.)","Ann Smith Academy","Virginia Symphony","G. Ricordi \u0026 Co.","Hollins University","Sweet Briar College","Virginia. 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C.","Whittier, John Greenleaf","Tucker, Mary","Ammerman, Richard C.","Rice, Cale Young","Gill, Carl Everett Leonard","Carr, Robert H.","Preston, Margaret Junkin","Chubb, Thomas Caldecot","Nelson, Evelyn","Karraker, Charles William, Jr.","Egolf, Virginia","Perkins, Sally Shepherd","Forrester, Walter, Mrs.","Merriam, Lillie Fuller","Farjeon, Eleanor","Tennyson, Alfred Tennyson, Baron","Hastings, Walter Scott","Castelnau, Edouard de Curieres de","Graham, Ned, Jr. (Edward L.)","Graham, Samuel Mercer","Graham, Mary Louisa","Denny, George Hutcheson","Graham, William","Graham, Edward","Graham, Louisa Garnett Eoff","Jordan, John","Stewart, Robert","West, Marshall Penick","Trulove, James Otis","Robbins, Clarence A.","Allen, Thornton W.","Sheafe, Mark W.","Lewis, Mildred","Daura, Louise","Velte, Marjorie","Munger, Betty E","Munger, Robert Sylvester","Harding, Vera","Williamson, Olympia","Drake, Winbourne Magruder","Boatwright, Helen","Bell, Mary Lou","Rogers, Milton Borbee","Welles, Betty Galt","Brown, Stanley Coleman","Peters, Frances","Criminale, Leonard Rex","McMurran, Lewis A., Jr.","McNeil, Ruth","Graves, Edward S.","Moore, Stuart","Dennis, Betty","Shaeffer, Edna T.","Caskie, James R.","Desha, Lucius Junius ","Cushing, Kay","Casselman, Eugene","Busse, Alvin C.","Mozart, Wolfgang Amadeus (1756-1791)","Clerambault, Louis-Nicolas","Verdi, Giuseppe","Corvel, Georges"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University","Hollins College","Lexington Presbyterian Church (Lexington, Va.)","New Monmouth Presbyterian Church (Lexington, Va.)","Ann Smith Academy","Virginia Symphony","G. Ricordi \u0026 Co.","Hollins University","Sweet Briar College","Virginia. State Teachers College at Harrisonburg (Harrisonburg, Va.)","Madison College","Trinity Episcopal Church (Staunton, Va.)","Johns Hopkins University","Emory University","Mary Baldwin College","Westminster Choir","University of Virginia","Iowa State University","Chicago Civic Opera (Chicago, Ill.)","New York Times Company"],"famname_ssim":["Graham family"],"persname_ssim":["Graham, John Alexander","Penick, Mary Monroe","Leyburn, James Graham","Kerr, Hugh Thomson","Southwell, Robert, Saint","Chesterton, G. K. (Gilbert Keith)","Lathbury, Mary A. (Mary Artemisia)","Mason, Lowell","Watts, Isaac","Bates, Katherine Lee","Ward, Samuel A.","Reed, Andrew","Gottschalk, Louis Moreau","Maker, F. 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The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_ssim":["Washington and Lee University","Graham, John Alexander"],"corpname_ssim":["Washington and Lee University"],"persname_ssim":["Graham, John Alexander"],"access_subjects_ssim":["Musicals"],"access_subjects_ssm":["Musicals"],"language_ssim":["English ."],"containers_ssim":["box 6A","folder 161"],"scopecontent_html_tesm":["\u003cp\u003eThis song was from 'The Lady in Green' presented by The Troubadours at Washington and Lee University.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This song was from 'The Lady in Green' presented by The Troubadours at Washington and Lee University."],"_nest_path_":"/components#161","timestamp":"2026-05-20T20:55:58.373Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_187","ead_ssi":"vilxw_repositories_5_resources_187","_root_":"vilxw_repositories_5_resources_187","_nest_parent_":"vilxw_repositories_5_resources_187","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_187.xml","title_ssm":["John Alexander Graham Papers"],"title_tesim":["John Alexander Graham Papers"],"unitdate_ssm":["Inclusive 1910-1947","Bulk 1915-1947"],"unitdate_bulk_ssim":["Bulk 1915-1947"],"unitdate_inclusive_ssm":["Inclusive 1910-1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0307","/repositories/5/resources/187"],"text":["WLU.Coll.0307","/repositories/5/resources/187","John Alexander Graham Papers","Sheet music","Correspondence","World War (1914-1918)","Universities and colleges -- Faculty","Graham was a member of the Washington and Lee University Class of 1914, a professor of Romance Languages at Washington and Lee University from 1919-1947, a composer, and a director a Presbyterian church choir for 25 years.","Blue sheet prepared by Betty Kondayan (02/14/08)","This collection includes Graham's compositions, World War I papers and correspondence, memorabilia of Washington and Lee University activities, scores, sheet music, notebooks, and other correspondence.","'Oh Professor!' was revised by Graham from an earlier edition of the musical comedy, 'Let's Dance.'","This file includes programs from The Troubadours of Washington and Lee, the Virginia Symphony Orchestra, and the Virginia State Choral Festival.","The letter is addressed to 'James.'","This file consists of orignals and of the published work.","This file consists of published copies of the piece as well as original copies made for James G. Leyburn and Mary Monroe Penick. The piece was written for The Children's Choir of The Presbyterian Church of Lexington, Va. It also contains copies for violin, violin II, viola, and cello.","This song was composed for Eric Rath and the Hollins Choir.","The piece was arranged and dedicated to Alfred Finch and the Glee Club of Sweet Briar College. The file consists of two original copies and three printed copies. One of the copies is signed by John A. Graham.","This file consists of one original and four copies. The piece was for the choir of the Lexington Presbyterian Church.","This file consists of one copy of the piece. It was arranged for the Madrigal Club of Lexington, Va.","This file consists of music written in pencil. The name 'Hugh Thomson Kerr' is written on the front.","Graham dedicated the piece to Miss Edna Schaeffer and the Glee Club of the State Teacher's College, Harrisburg, Va.","This music was arranged for the Washington and Lee Glee Club.","This piece was dedicated to Miss Edna T. Shaeffer and the Glee Club of Madison College, Harrisonburg, Va.","This piece was composed for The Madrigal Club of Lexington, Va.","The piece was for the choir of Trinity Episcopal Church, Staunton, Va.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","Graham arranged the music for the choir of the Lexington Presbyterian Church.","John A. Graham wrote the descant on the sheet of music.","John A. Graham abridged and arranged the music for a violin duet with piano accompaniment","This file includes arrangements for violin I, violin II, viola, and cello.","This piece was arranged by Graham for a cello.","Graham composed the work for Miss MacDonald, Mr. Leyburn, and two pianos.","This file includes the master copy.","This file includes copies for each violin and piano part. The sonata was written for and dedicated to Francis Rouclebush and James G. Leyburn.","This file consists of two notebooks with the music for 'Sonata for Violin and Piano.'","This file contains the violin I and II, viola, and cello music for Graham's 'String Quartet.'","Graham wrote and dedicated the music to Anne MacDonald and James G. Leyburn.","The music was written for Mr. Ammerman.","This file consists of sheet music from Washington and Lee's Troubadours' prouduction of 'The Lady in Green.'","This file consists of sheet music from the musicomedy 'Mlle Gaby' presented by Washington and Lee Troubadours.","The work is dedicated to Mr. Clifton Hall.","Dedicated to the Lexington Presbyterian Choir","'Be with us through the night' is an evening anthem or a quartet or chorus of male voices.","Dedeicated to Miss Mary Monroe Penick and the Choir of the Presbyterian Church.","Written for the Choir of the Presbyterian Church, Lexington, Va","'Savior, breathe an evening blessing' is an evening anthem for soprano voices.","This file consists of sheet music to 'Fight, Fight Blue and White' also referred to as 'Hail to Our Alma Mater.' The song was written for Washington and Lee University and dedicated to R.H. Carr, cheer leader.","This file consists of hand-written sheet music for 'Fight, Fight Blue and White.'","This file consists of sheet music for 'The Blue Ridge' for male chorus, dedicated to the Glee Club of Washington and Lee.","This file was written for male chorus and dedicated to the Glee Club of Washington and Lee University.","The song was originally written for C. W. Karraker, Jr.","Graham arranged this song for a male chorus with tenor and baritone solos or with violin or flute obbligato.","This is a choral ballad written for a chorus of women's voices with piano forte accompaniment. Graham wrote and dedicated the work to Miss Virginia Egol and the Choral Club of Hollins College.","Mary Monroe Penick wrote on an envelope the story of how Graham wrote the accompanying music to Mrs. Perkin's poems.","'I never knew' is a solo for mezzo-soprano with pianoforte accompaniment.","'Hebrew Lullaby' was dedicated to Mrs. Walter Forrester.","This has a baritone solo and chrorus for the Washington and Lee Glee Club.","Graham sent a card to Mary Monroe with a short song he wrote about how she was missed.","Graham dedicated this to W. S. Hastings.","'The Night Will Never Stay' was for Charles William Karraker, Jr.","Graham created this piece for Walter Scott Hastings by request.","The file includes a description of the piece.","This song was arranged for the Madrigal Club of Lexington, Va.","One of the copies is signed by James G. Leyburn and has a message from John A. Graham on it.","This song was from 'The Lady in Green' presented by The Troubadours at Washington and Lee University.","This file consists of mostly German cipher material.","This file consists of official documents, such as merandums, official business letters, and reciepts, from John Aleander Graham's war years.","This file consists of programs of Independence Day and Thanksgiving services, a theatre progam, a photograph, and Graham's certificate of identification.","Letter to John from his father about news in Lexington.","This file consists of wartime letters from John's three siblings reporting mostly of news at home, school, etc. It also contains a photograph of 'The Lexington Crew.' It appears to be written in Mercer's handwriting.","This file consists of correspondence from family and friends, in particular Mrs. Graham. There are also letters concerning teaching positions and graduate school scholarships.","This file consists of Graham's war memoirs.","This file consists of a newspaper article about a speech given by George Denny in 1910 about William Graham. It also contains a photograph of the bronze plaque at Graham's grave and photogaphs most likely from the moving of his remains to Lexington.","This file consists of Mercer and John's certificates from grade school and of materials from John's time at Washington and Lee. His report cards, football ticket, and matriculation reciept.","This file consists of newspaper clippings, Graham's Laissez, a correspondence with the editor of Choral Publications, and a photograph of Graham.","This file includes a music record sent to Robert Stewart, nwespaper clippings, and a bill passed by the United States Senate.","This file consists of poetry written by John Alexander Graham. The title of the collection of poems is 'Sadistic Songs for Arrant Egoists.'","This file consists of a record collection index. It is inscribed 'James Otis Trulove, Washington and Lee University, Lexington, Va.'","Programs from 'Clan Graham,' 'An Evening of Musical Compositions by John Graham,' and 'A Program of Music by John A. Graham.'","This file includes sheet music for 'Fight, Fight Blue and White' and 'Washington and Lee Swing.'","One of the letters to Mary Monroe asks about John. William writes the next day after hearing of John's death. He proposes doing something to spread John's music.","This file consists of a letter written by Graham to 'James,' most likely James G. Leyburn.","This file consists of designs information about commemorative plates for Washington and Lee University.","This file consists of letters written to Mary Monroe Penick about the music festival in memory of John Alexander Graham. Also included are newspaper articles about the event and programs.","This file consists of correspondence between various people and Mary Monroe Penick regarding preparations for the music festival in memory of John Alexander Graham.","This file includes correspondence written by Mary Monroe Pennick about the details of the music festival in memory of John Graham. It also includes biographies of the musicians who participated in the event, an invitation list, and other information that was used in the planning of the event.","This file consists of Washington and Lee Glee Club programs. Many of the Glee Club's concerts were join concerts with Hollins College or Sweet Briar College.","This file consists of glee club programs from universities other than Washington and Lee. Included are programas from the Intercollegiate Glee Club Contest, Emory University, Sweet Briar, Hollins College, Westminster Choir, University of Virginia, and Iowa State University.","This file consists of opera programs. One of the programs is from the Chicago Civic Opera Company Grand Opera Season 1929-1930. The other three are from the Metropolitan Opera House Philedelphia, seasons 1912-1913, 1913-1914, and 1915-1916.","This file consists of a copy of The Music Club Magazine, part of The Virginia Musician, South Atlantic Intercollegiate Glee Club Association Bulletin #10, September 29, 1932, Intercollegiate Musical Council Bulletin, October 1932, and correspondence between Alvin C. Busse and Graham about reprinting rights of the Alma Mater or New York University.","This file consists of vocal and piano music that belonged to Graham.","This file consists of two issues of The Etude and music belonging to Graham.","This file consists of three issues of The Etude, a music magazine, and miscellaneous music.","This file consists of miscellaneous music belonging to Graham and The New York Times Book Review, February 26, 1956.","This file consists of the libretto, or opera text, of the opera Aida that was written by request of the Viceroy of Egypt in 1871.","This file consists of the contexts of several operas. Included is an index of the operas mentioned.","This file includes 'No. 3 - Rue de Buci (en face la rue de l'Abbaye),' 1926, and 'No. 7 - Rue d'Odessa (Sortie du cinéma, 1916),' 1926. They are both mezzotint and aquatint with hand coloring.","This file consists of two card file indexes of John Alexander Graham's compositions. One of the files is organized alphabetically and the other is by subject.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University","Hollins College","Lexington Presbyterian Church (Lexington, Va.)","New Monmouth Presbyterian Church (Lexington, Va.)","Ann Smith Academy","Virginia Symphony","G. Ricordi \u0026 Co.","Hollins University","Sweet Briar College","Virginia. State Teachers College at Harrisonburg (Harrisonburg, Va.)","Madison College","Trinity Episcopal Church (Staunton, Va.)","Johns Hopkins University","Emory University","Mary Baldwin College","Westminster Choir","University of Virginia","Iowa State University","Chicago Civic Opera (Chicago, Ill.)","New York Times Company","Graham family","Graham, John Alexander","Penick, Mary Monroe","Leyburn, James Graham","Kerr, Hugh Thomson","Southwell, Robert, Saint","Chesterton, G. K. (Gilbert Keith)","Lathbury, Mary A. (Mary Artemisia)","Mason, Lowell","Watts, Isaac","Bates, Katherine Lee","Ward, Samuel A.","Reed, Andrew","Gottschalk, Louis Moreau","Maker, F. C.","Whittier, John Greenleaf","Tucker, Mary","Ammerman, Richard C.","Rice, Cale Young","Gill, Carl Everett Leonard","Carr, Robert H.","Preston, Margaret Junkin","Chubb, Thomas Caldecot","Nelson, Evelyn","Karraker, Charles William, Jr.","Egolf, Virginia","Perkins, Sally Shepherd","Forrester, Walter, Mrs.","Merriam, Lillie Fuller","Farjeon, Eleanor","Tennyson, Alfred Tennyson, Baron","Hastings, Walter Scott","Castelnau, Edouard de Curieres de","Graham, Ned, Jr. (Edward L.)","Graham, Samuel Mercer","Graham, Mary Louisa","Denny, George Hutcheson","Graham, William","Graham, Edward","Graham, Louisa Garnett Eoff","Jordan, John","Stewart, Robert","West, Marshall Penick","Trulove, James Otis","Robbins, Clarence A.","Allen, Thornton W.","Sheafe, Mark W.","Lewis, Mildred","Daura, Louise","Velte, Marjorie","Munger, Betty E","Munger, Robert Sylvester","Harding, Vera","Williamson, Olympia","Drake, Winbourne Magruder","Boatwright, Helen","Bell, Mary Lou","Rogers, Milton Borbee","Welles, Betty Galt","Brown, Stanley Coleman","Peters, Frances","Criminale, Leonard Rex","McMurran, Lewis A., Jr.","McNeil, Ruth","Graves, Edward S.","Moore, Stuart","Dennis, Betty","Shaeffer, Edna T.","Caskie, James R.","Desha, Lucius Junius ","Cushing, Kay","Casselman, Eugene","Busse, Alvin C.","Mozart, Wolfgang Amadeus (1756-1791)","Clerambault, Louis-Nicolas","Verdi, Giuseppe","Corvel, Georges","English \n.    "],"unitid_tesim":["WLU.Coll.0307","/repositories/5/resources/187"],"normalized_title_ssm":["John Alexander Graham Papers"],"collection_title_tesim":["John Alexander Graham Papers"],"collection_ssim":["John Alexander Graham Papers"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Graham, John Alexander","Penick, Mary Monroe"],"creator_ssim":["Graham, John Alexander","Penick, Mary Monroe"],"creator_persname_ssim":["Graham, John Alexander","Penick, Mary Monroe"],"creators_ssim":["Graham, John Alexander","Penick, Mary Monroe"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Sheet music","Correspondence","World War (1914-1918)","Universities and colleges -- Faculty"],"access_subjects_ssm":["Sheet music","Correspondence","World War (1914-1918)","Universities and colleges -- Faculty"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet"],"extent_tesim":["8 Linear Feet"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947],"bioghist_html_tesm":["\u003cp\u003eGraham was a member of the Washington and Lee University Class of 1914, a professor of Romance Languages at Washington and Lee University from 1919-1947, a composer, and a director a Presbyterian church choir for 25 years.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Graham was a member of the Washington and Lee University Class of 1914, a professor of Romance Languages at Washington and Lee University from 1919-1947, a composer, and a director a Presbyterian church choir for 25 years."],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], John Alexander Graham Papers, WLU Coll. 0307, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format.\u003c/p\u003e"],"prefercite_tesim":["Preferred citation: [Identification of item], John Alexander Graham Papers, WLU Coll. 0307, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format."],"processinfo_html_tesm":["\u003cp\u003eBlue sheet prepared by Betty Kondayan (02/14/08)\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Blue sheet prepared by Betty Kondayan (02/14/08)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes Graham's compositions, World War I papers and correspondence, memorabilia of Washington and Lee University activities, scores, sheet music, notebooks, and other correspondence.\u003c/p\u003e","\u003cp\u003e'Oh Professor!' was revised by Graham from an earlier edition of the musical comedy, 'Let's Dance.'\u003c/p\u003e","\u003cp\u003eThis file includes programs from The Troubadours of Washington and Lee, the Virginia Symphony Orchestra, and the Virginia State Choral Festival.\u003c/p\u003e","\u003cp\u003eThe letter is addressed to 'James.'\u003c/p\u003e","\u003cp\u003eThis file consists of orignals and of the published work.\u003c/p\u003e","\u003cp\u003eThis file consists of published copies of the piece as well as original copies made for James G. Leyburn and Mary Monroe Penick. The piece was written for The Children's Choir of The Presbyterian Church of Lexington, Va. It also contains copies for violin, violin II, viola, and cello.\u003c/p\u003e","\u003cp\u003eThis song was composed for Eric Rath and the Hollins Choir.\u003c/p\u003e","\u003cp\u003eThe piece was arranged and dedicated to Alfred Finch and the Glee Club of Sweet Briar College. The file consists of two original copies and three printed copies. One of the copies is signed by John A. Graham.\u003c/p\u003e","\u003cp\u003eThis file consists of one original and four copies. The piece was for the choir of the Lexington Presbyterian Church.\u003c/p\u003e","\u003cp\u003eThis file consists of one copy of the piece. It was arranged for the Madrigal Club of Lexington, Va.\u003c/p\u003e","\u003cp\u003eThis file consists of music written in pencil. The name 'Hugh Thomson Kerr' is written on the front.\u003c/p\u003e","\u003cp\u003eGraham dedicated the piece to Miss Edna Schaeffer and the Glee Club of the State Teacher's College, Harrisburg, Va.\u003c/p\u003e","\u003cp\u003eThis music was arranged for the Washington and Lee Glee Club.\u003c/p\u003e","\u003cp\u003eThis piece was dedicated to Miss Edna T. Shaeffer and the Glee Club of Madison College, Harrisonburg, Va.\u003c/p\u003e","\u003cp\u003eThis piece was composed for The Madrigal Club of Lexington, Va.\u003c/p\u003e","\u003cp\u003eThe piece was for the choir of Trinity Episcopal Church, Staunton, Va.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eGraham arranged the music for the choir of the Lexington Presbyterian Church.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eJohn A. Graham abridged and arranged the music for a violin duet with piano accompaniment\u003c/p\u003e","\u003cp\u003eThis file includes arrangements for violin I, violin II, viola, and cello.\u003c/p\u003e","\u003cp\u003eThis piece was arranged by Graham for a cello.\u003c/p\u003e","\u003cp\u003eGraham composed the work for Miss MacDonald, Mr. Leyburn, and two pianos.\u003c/p\u003e","\u003cp\u003eThis file includes the master copy.\u003c/p\u003e","\u003cp\u003eThis file includes copies for each violin and piano part. The sonata was written for and dedicated to Francis Rouclebush and James G. Leyburn.\u003c/p\u003e","\u003cp\u003eThis file consists of two notebooks with the music for 'Sonata for Violin and Piano.'\u003c/p\u003e","\u003cp\u003eThis file contains the violin I and II, viola, and cello music for Graham's 'String Quartet.'\u003c/p\u003e","\u003cp\u003eGraham wrote and dedicated the music to Anne MacDonald and James G. Leyburn.\u003c/p\u003e","\u003cp\u003eThe music was written for Mr. Ammerman.\u003c/p\u003e","\u003cp\u003eThis file consists of sheet music from Washington and Lee's Troubadours' prouduction of 'The Lady in Green.'\u003c/p\u003e","\u003cp\u003eThis file consists of sheet music from the musicomedy 'Mlle Gaby' presented by Washington and Lee Troubadours.\u003c/p\u003e","\u003cp\u003eThe work is dedicated to Mr. Clifton Hall.\u003c/p\u003e","\u003cp\u003eDedicated to the Lexington Presbyterian Choir\u003c/p\u003e","\u003cp\u003e'Be with us through the night' is an evening anthem or a quartet or chorus of male voices.\u003c/p\u003e","\u003cp\u003eDedeicated to Miss Mary Monroe Penick and the Choir of the Presbyterian Church.\u003c/p\u003e","\u003cp\u003eWritten for the Choir of the Presbyterian Church, Lexington, Va\u003c/p\u003e","\u003cp\u003e'Savior, breathe an evening blessing' is an evening anthem for soprano voices.\u003c/p\u003e","\u003cp\u003eThis file consists of sheet music to 'Fight, Fight Blue and White' also referred to as 'Hail to Our Alma Mater.' The song was written for Washington and Lee University and dedicated to R.H. Carr, cheer leader.\u003c/p\u003e","\u003cp\u003eThis file consists of hand-written sheet music for 'Fight, Fight Blue and White.'\u003c/p\u003e","\u003cp\u003eThis file consists of sheet music for 'The Blue Ridge' for male chorus, dedicated to the Glee Club of Washington and Lee.\u003c/p\u003e","\u003cp\u003eThis file was written for male chorus and dedicated to the Glee Club of Washington and Lee University.\u003c/p\u003e","\u003cp\u003eThe song was originally written for C. W. Karraker, Jr.\u003c/p\u003e","\u003cp\u003eGraham arranged this song for a male chorus with tenor and baritone solos or with violin or flute obbligato.\u003c/p\u003e","\u003cp\u003eThis is a choral ballad written for a chorus of women's voices with piano forte accompaniment. Graham wrote and dedicated the work to Miss Virginia Egol and the Choral Club of Hollins College.\u003c/p\u003e","\u003cp\u003eMary Monroe Penick wrote on an envelope the story of how Graham wrote the accompanying music to Mrs. Perkin's poems.\u003c/p\u003e","\u003cp\u003e'I never knew' is a solo for mezzo-soprano with pianoforte accompaniment.\u003c/p\u003e","\u003cp\u003e'Hebrew Lullaby' was dedicated to Mrs. Walter Forrester.\u003c/p\u003e","\u003cp\u003eThis has a baritone solo and chrorus for the Washington and Lee Glee Club.\u003c/p\u003e","\u003cp\u003eGraham sent a card to Mary Monroe with a short song he wrote about how she was missed.\u003c/p\u003e","\u003cp\u003eGraham dedicated this to W. S. Hastings.\u003c/p\u003e","\u003cp\u003e'The Night Will Never Stay' was for Charles William Karraker, Jr.\u003c/p\u003e","\u003cp\u003eGraham created this piece for Walter Scott Hastings by request.\u003c/p\u003e","\u003cp\u003eThe file includes a description of the piece.\u003c/p\u003e","\u003cp\u003eThis song was arranged for the Madrigal Club of Lexington, Va.\u003c/p\u003e","\u003cp\u003eOne of the copies is signed by James G. Leyburn and has a message from John A. Graham on it.\u003c/p\u003e","\u003cp\u003eThis song was from 'The Lady in Green' presented by The Troubadours at Washington and Lee University.\u003c/p\u003e","\u003cp\u003eThis file consists of mostly German cipher material.\u003c/p\u003e","\u003cp\u003eThis file consists of official documents, such as merandums, official business letters, and reciepts, from John Aleander Graham's war years.\u003c/p\u003e","\u003cp\u003eThis file consists of programs of Independence Day and Thanksgiving services, a theatre progam, a photograph, and Graham's certificate of identification.\u003c/p\u003e","\u003cp\u003eLetter to John from his father about news in Lexington.\u003c/p\u003e","\u003cp\u003eThis file consists of wartime letters from John's three siblings reporting mostly of news at home, school, etc. It also contains a photograph of 'The Lexington Crew.' It appears to be written in Mercer's handwriting.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from family and friends, in particular Mrs. Graham. There are also letters concerning teaching positions and graduate school scholarships.\u003c/p\u003e","\u003cp\u003eThis file consists of Graham's war memoirs.\u003c/p\u003e","\u003cp\u003eThis file consists of a newspaper article about a speech given by George Denny in 1910 about William Graham. It also contains a photograph of the bronze plaque at Graham's grave and photogaphs most likely from the moving of his remains to Lexington.\u003c/p\u003e","\u003cp\u003eThis file consists of Mercer and John's certificates from grade school and of materials from John's time at Washington and Lee. His report cards, football ticket, and matriculation reciept.\u003c/p\u003e","\u003cp\u003eThis file consists of newspaper clippings, Graham's Laissez, a correspondence with the editor of Choral Publications, and a photograph of Graham.\u003c/p\u003e","\u003cp\u003eThis file includes a music record sent to Robert Stewart, nwespaper clippings, and a bill passed by the United States Senate.\u003c/p\u003e","\u003cp\u003eThis file consists of poetry written by John Alexander Graham. The title of the collection of poems is 'Sadistic Songs for Arrant Egoists.'\u003c/p\u003e","\u003cp\u003eThis file consists of a record collection index. It is inscribed 'James Otis Trulove, Washington and Lee University, Lexington, Va.'\u003c/p\u003e","\u003cp\u003ePrograms from 'Clan Graham,' 'An Evening of Musical Compositions by John Graham,' and 'A Program of Music by John A. Graham.'\u003c/p\u003e","\u003cp\u003eThis file includes sheet music for 'Fight, Fight Blue and White' and 'Washington and Lee Swing.'\u003c/p\u003e","\u003cp\u003eOne of the letters to Mary Monroe asks about John. William writes the next day after hearing of John's death. He proposes doing something to spread John's music.\u003c/p\u003e","\u003cp\u003eThis file consists of a letter written by Graham to 'James,' most likely James G. Leyburn.\u003c/p\u003e","\u003cp\u003eThis file consists of designs information about commemorative plates for Washington and Lee University.\u003c/p\u003e","\u003cp\u003eThis file consists of letters written to Mary Monroe Penick about the music festival in memory of John Alexander Graham. Also included are newspaper articles about the event and programs.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence between various people and Mary Monroe Penick regarding preparations for the music festival in memory of John Alexander Graham.\u003c/p\u003e","\u003cp\u003eThis file includes correspondence written by Mary Monroe Pennick about the details of the music festival in memory of John Graham. It also includes biographies of the musicians who participated in the event, an invitation list, and other information that was used in the planning of the event.\u003c/p\u003e","\u003cp\u003eThis file consists of Washington and Lee Glee Club programs. Many of the Glee Club's concerts were join concerts with Hollins College or Sweet Briar College.\u003c/p\u003e","\u003cp\u003eThis file consists of glee club programs from universities other than Washington and Lee. Included are programas from the Intercollegiate Glee Club Contest, Emory University, Sweet Briar, Hollins College, Westminster Choir, University of Virginia, and Iowa State University.\u003c/p\u003e","\u003cp\u003eThis file consists of opera programs. One of the programs is from the Chicago Civic Opera Company Grand Opera Season 1929-1930. The other three are from the Metropolitan Opera House Philedelphia, seasons 1912-1913, 1913-1914, and 1915-1916.\u003c/p\u003e","\u003cp\u003eThis file consists of a copy of The Music Club Magazine, part of The Virginia Musician, South Atlantic Intercollegiate Glee Club Association Bulletin #10, September 29, 1932, Intercollegiate Musical Council Bulletin, October 1932, and correspondence between Alvin C. Busse and Graham about reprinting rights of the Alma Mater or New York University.\u003c/p\u003e","\u003cp\u003eThis file consists of vocal and piano music that belonged to Graham.\u003c/p\u003e","\u003cp\u003eThis file consists of two issues of The Etude and music belonging to Graham.\u003c/p\u003e","\u003cp\u003eThis file consists of three issues of The Etude, a music magazine, and miscellaneous music.\u003c/p\u003e","\u003cp\u003eThis file consists of miscellaneous music belonging to Graham and The New York Times Book Review, February 26, 1956.\u003c/p\u003e","\u003cp\u003eThis file consists of the libretto, or opera text, of the opera Aida that was written by request of the Viceroy of Egypt in 1871.\u003c/p\u003e","\u003cp\u003eThis file consists of the contexts of several operas. Included is an index of the operas mentioned.\u003c/p\u003e","\u003cp\u003eThis file includes 'No. 3 - Rue de Buci (en face la rue de l'Abbaye),' 1926, and 'No. 7 - Rue d'Odessa (Sortie du cinéma, 1916),' 1926. They are both mezzotint and aquatint with hand coloring.\u003c/p\u003e","\u003cp\u003eThis file consists of two card file indexes of John Alexander Graham's compositions. One of the files is organized alphabetically and the other is by subject.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection includes Graham's compositions, World War I papers and correspondence, memorabilia of Washington and Lee University activities, scores, sheet music, notebooks, and other correspondence.","'Oh Professor!' was revised by Graham from an earlier edition of the musical comedy, 'Let's Dance.'","This file includes programs from The Troubadours of Washington and Lee, the Virginia Symphony Orchestra, and the Virginia State Choral Festival.","The letter is addressed to 'James.'","This file consists of orignals and of the published work.","This file consists of published copies of the piece as well as original copies made for James G. Leyburn and Mary Monroe Penick. The piece was written for The Children's Choir of The Presbyterian Church of Lexington, Va. It also contains copies for violin, violin II, viola, and cello.","This song was composed for Eric Rath and the Hollins Choir.","The piece was arranged and dedicated to Alfred Finch and the Glee Club of Sweet Briar College. The file consists of two original copies and three printed copies. One of the copies is signed by John A. Graham.","This file consists of one original and four copies. The piece was for the choir of the Lexington Presbyterian Church.","This file consists of one copy of the piece. It was arranged for the Madrigal Club of Lexington, Va.","This file consists of music written in pencil. The name 'Hugh Thomson Kerr' is written on the front.","Graham dedicated the piece to Miss Edna Schaeffer and the Glee Club of the State Teacher's College, Harrisburg, Va.","This music was arranged for the Washington and Lee Glee Club.","This piece was dedicated to Miss Edna T. Shaeffer and the Glee Club of Madison College, Harrisonburg, Va.","This piece was composed for The Madrigal Club of Lexington, Va.","The piece was for the choir of Trinity Episcopal Church, Staunton, Va.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","Graham arranged the music for the choir of the Lexington Presbyterian Church.","John A. Graham wrote the descant on the sheet of music.","John A. Graham abridged and arranged the music for a violin duet with piano accompaniment","This file includes arrangements for violin I, violin II, viola, and cello.","This piece was arranged by Graham for a cello.","Graham composed the work for Miss MacDonald, Mr. Leyburn, and two pianos.","This file includes the master copy.","This file includes copies for each violin and piano part. The sonata was written for and dedicated to Francis Rouclebush and James G. Leyburn.","This file consists of two notebooks with the music for 'Sonata for Violin and Piano.'","This file contains the violin I and II, viola, and cello music for Graham's 'String Quartet.'","Graham wrote and dedicated the music to Anne MacDonald and James G. Leyburn.","The music was written for Mr. Ammerman.","This file consists of sheet music from Washington and Lee's Troubadours' prouduction of 'The Lady in Green.'","This file consists of sheet music from the musicomedy 'Mlle Gaby' presented by Washington and Lee Troubadours.","The work is dedicated to Mr. Clifton Hall.","Dedicated to the Lexington Presbyterian Choir","'Be with us through the night' is an evening anthem or a quartet or chorus of male voices.","Dedeicated to Miss Mary Monroe Penick and the Choir of the Presbyterian Church.","Written for the Choir of the Presbyterian Church, Lexington, Va","'Savior, breathe an evening blessing' is an evening anthem for soprano voices.","This file consists of sheet music to 'Fight, Fight Blue and White' also referred to as 'Hail to Our Alma Mater.' The song was written for Washington and Lee University and dedicated to R.H. Carr, cheer leader.","This file consists of hand-written sheet music for 'Fight, Fight Blue and White.'","This file consists of sheet music for 'The Blue Ridge' for male chorus, dedicated to the Glee Club of Washington and Lee.","This file was written for male chorus and dedicated to the Glee Club of Washington and Lee University.","The song was originally written for C. W. Karraker, Jr.","Graham arranged this song for a male chorus with tenor and baritone solos or with violin or flute obbligato.","This is a choral ballad written for a chorus of women's voices with piano forte accompaniment. Graham wrote and dedicated the work to Miss Virginia Egol and the Choral Club of Hollins College.","Mary Monroe Penick wrote on an envelope the story of how Graham wrote the accompanying music to Mrs. Perkin's poems.","'I never knew' is a solo for mezzo-soprano with pianoforte accompaniment.","'Hebrew Lullaby' was dedicated to Mrs. Walter Forrester.","This has a baritone solo and chrorus for the Washington and Lee Glee Club.","Graham sent a card to Mary Monroe with a short song he wrote about how she was missed.","Graham dedicated this to W. S. Hastings.","'The Night Will Never Stay' was for Charles William Karraker, Jr.","Graham created this piece for Walter Scott Hastings by request.","The file includes a description of the piece.","This song was arranged for the Madrigal Club of Lexington, Va.","One of the copies is signed by James G. Leyburn and has a message from John A. Graham on it.","This song was from 'The Lady in Green' presented by The Troubadours at Washington and Lee University.","This file consists of mostly German cipher material.","This file consists of official documents, such as merandums, official business letters, and reciepts, from John Aleander Graham's war years.","This file consists of programs of Independence Day and Thanksgiving services, a theatre progam, a photograph, and Graham's certificate of identification.","Letter to John from his father about news in Lexington.","This file consists of wartime letters from John's three siblings reporting mostly of news at home, school, etc. It also contains a photograph of 'The Lexington Crew.' It appears to be written in Mercer's handwriting.","This file consists of correspondence from family and friends, in particular Mrs. Graham. There are also letters concerning teaching positions and graduate school scholarships.","This file consists of Graham's war memoirs.","This file consists of a newspaper article about a speech given by George Denny in 1910 about William Graham. It also contains a photograph of the bronze plaque at Graham's grave and photogaphs most likely from the moving of his remains to Lexington.","This file consists of Mercer and John's certificates from grade school and of materials from John's time at Washington and Lee. His report cards, football ticket, and matriculation reciept.","This file consists of newspaper clippings, Graham's Laissez, a correspondence with the editor of Choral Publications, and a photograph of Graham.","This file includes a music record sent to Robert Stewart, nwespaper clippings, and a bill passed by the United States Senate.","This file consists of poetry written by John Alexander Graham. The title of the collection of poems is 'Sadistic Songs for Arrant Egoists.'","This file consists of a record collection index. It is inscribed 'James Otis Trulove, Washington and Lee University, Lexington, Va.'","Programs from 'Clan Graham,' 'An Evening of Musical Compositions by John Graham,' and 'A Program of Music by John A. Graham.'","This file includes sheet music for 'Fight, Fight Blue and White' and 'Washington and Lee Swing.'","One of the letters to Mary Monroe asks about John. William writes the next day after hearing of John's death. He proposes doing something to spread John's music.","This file consists of a letter written by Graham to 'James,' most likely James G. Leyburn.","This file consists of designs information about commemorative plates for Washington and Lee University.","This file consists of letters written to Mary Monroe Penick about the music festival in memory of John Alexander Graham. Also included are newspaper articles about the event and programs.","This file consists of correspondence between various people and Mary Monroe Penick regarding preparations for the music festival in memory of John Alexander Graham.","This file includes correspondence written by Mary Monroe Pennick about the details of the music festival in memory of John Graham. It also includes biographies of the musicians who participated in the event, an invitation list, and other information that was used in the planning of the event.","This file consists of Washington and Lee Glee Club programs. Many of the Glee Club's concerts were join concerts with Hollins College or Sweet Briar College.","This file consists of glee club programs from universities other than Washington and Lee. Included are programas from the Intercollegiate Glee Club Contest, Emory University, Sweet Briar, Hollins College, Westminster Choir, University of Virginia, and Iowa State University.","This file consists of opera programs. One of the programs is from the Chicago Civic Opera Company Grand Opera Season 1929-1930. The other three are from the Metropolitan Opera House Philedelphia, seasons 1912-1913, 1913-1914, and 1915-1916.","This file consists of a copy of The Music Club Magazine, part of The Virginia Musician, South Atlantic Intercollegiate Glee Club Association Bulletin #10, September 29, 1932, Intercollegiate Musical Council Bulletin, October 1932, and correspondence between Alvin C. Busse and Graham about reprinting rights of the Alma Mater or New York University.","This file consists of vocal and piano music that belonged to Graham.","This file consists of two issues of The Etude and music belonging to Graham.","This file consists of three issues of The Etude, a music magazine, and miscellaneous music.","This file consists of miscellaneous music belonging to Graham and The New York Times Book Review, February 26, 1956.","This file consists of the libretto, or opera text, of the opera Aida that was written by request of the Viceroy of Egypt in 1871.","This file consists of the contexts of several operas. Included is an index of the operas mentioned.","This file includes 'No. 3 - Rue de Buci (en face la rue de l'Abbaye),' 1926, and 'No. 7 - Rue d'Odessa (Sortie du cinéma, 1916),' 1926. They are both mezzotint and aquatint with hand coloring.","This file consists of two card file indexes of John Alexander Graham's compositions. One of the files is organized alphabetically and the other is by subject."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  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Leyburn and Mary Monroe Penick. The piece was written for The Children's Choir of The Presbyterian Church of Lexington, Va. It also contains copies for violin, violin II, viola, and cello.","This song was composed for Eric Rath and the Hollins Choir.","The piece was arranged and dedicated to Alfred Finch and the Glee Club of Sweet Briar College. The file consists of two original copies and three printed copies. One of the copies is signed by John A. Graham.","This file consists of one original and four copies. The piece was for the choir of the Lexington Presbyterian Church.","This file consists of one copy of the piece. It was arranged for the Madrigal Club of Lexington, Va.","This file consists of music written in pencil. The name 'Hugh Thomson Kerr' is written on the front.","Graham dedicated the piece to Miss Edna Schaeffer and the Glee Club of the State Teacher's College, Harrisburg, Va.","This music was arranged for the Washington and Lee Glee Club.","This piece was dedicated to Miss Edna T. Shaeffer and the Glee Club of Madison College, Harrisonburg, Va.","This piece was composed for The Madrigal Club of Lexington, Va.","The piece was for the choir of Trinity Episcopal Church, Staunton, Va.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","Graham arranged the music for the choir of the Lexington Presbyterian Church.","John A. Graham wrote the descant on the sheet of music.","John A. Graham abridged and arranged the music for a violin duet with piano accompaniment","This file includes arrangements for violin I, violin II, viola, and cello.","This piece was arranged by Graham for a cello.","Graham composed the work for Miss MacDonald, Mr. Leyburn, and two pianos.","This file includes the master copy.","This file includes copies for each violin and piano part. The sonata was written for and dedicated to Francis Rouclebush and James G. Leyburn.","This file consists of two notebooks with the music for 'Sonata for Violin and Piano.'","This file contains the violin I and II, viola, and cello music for Graham's 'String Quartet.'","Graham wrote and dedicated the music to Anne MacDonald and James G. Leyburn.","The music was written for Mr. Ammerman.","This file consists of sheet music from Washington and Lee's Troubadours' prouduction of 'The Lady in Green.'","This file consists of sheet music from the musicomedy 'Mlle Gaby' presented by Washington and Lee Troubadours.","The work is dedicated to Mr. Clifton Hall.","Dedicated to the Lexington Presbyterian Choir","'Be with us through the night' is an evening anthem or a quartet or chorus of male voices.","Dedeicated to Miss Mary Monroe Penick and the Choir of the Presbyterian Church.","Written for the Choir of the Presbyterian Church, Lexington, Va","'Savior, breathe an evening blessing' is an evening anthem for soprano voices.","This file consists of sheet music to 'Fight, Fight Blue and White' also referred to as 'Hail to Our Alma Mater.' The song was written for Washington and Lee University and dedicated to R.H. Carr, cheer leader.","This file consists of hand-written sheet music for 'Fight, Fight Blue and White.'","This file consists of sheet music for 'The Blue Ridge' for male chorus, dedicated to the Glee Club of Washington and Lee.","This file was written for male chorus and dedicated to the Glee Club of Washington and Lee University.","The song was originally written for C. W. Karraker, Jr.","Graham arranged this song for a male chorus with tenor and baritone solos or with violin or flute obbligato.","This is a choral ballad written for a chorus of women's voices with piano forte accompaniment. Graham wrote and dedicated the work to Miss Virginia Egol and the Choral Club of Hollins College.","Mary Monroe Penick wrote on an envelope the story of how Graham wrote the accompanying music to Mrs. Perkin's poems.","'I never knew' is a solo for mezzo-soprano with pianoforte accompaniment.","'Hebrew Lullaby' was dedicated to Mrs. Walter Forrester.","This has a baritone solo and chrorus for the Washington and Lee Glee Club.","Graham sent a card to Mary Monroe with a short song he wrote about how she was missed.","Graham dedicated this to W. S. Hastings.","'The Night Will Never Stay' was for Charles William Karraker, Jr.","Graham created this piece for Walter Scott Hastings by request.","The file includes a description of the piece.","This song was arranged for the Madrigal Club of Lexington, Va.","One of the copies is signed by James G. Leyburn and has a message from John A. Graham on it.","This song was from 'The Lady in Green' presented by The Troubadours at Washington and Lee University.","This file consists of mostly German cipher material.","This file consists of official documents, such as merandums, official business letters, and reciepts, from John Aleander Graham's war years.","This file consists of programs of Independence Day and Thanksgiving services, a theatre progam, a photograph, and Graham's certificate of identification.","Letter to John from his father about news in Lexington.","This file consists of wartime letters from John's three siblings reporting mostly of news at home, school, etc. It also contains a photograph of 'The Lexington Crew.' It appears to be written in Mercer's handwriting.","This file consists of correspondence from family and friends, in particular Mrs. Graham. There are also letters concerning teaching positions and graduate school scholarships.","This file consists of Graham's war memoirs.","This file consists of a newspaper article about a speech given by George Denny in 1910 about William Graham. It also contains a photograph of the bronze plaque at Graham's grave and photogaphs most likely from the moving of his remains to Lexington.","This file consists of Mercer and John's certificates from grade school and of materials from John's time at Washington and Lee. His report cards, football ticket, and matriculation reciept.","This file consists of newspaper clippings, Graham's Laissez, a correspondence with the editor of Choral Publications, and a photograph of Graham.","This file includes a music record sent to Robert Stewart, nwespaper clippings, and a bill passed by the United States Senate.","This file consists of poetry written by John Alexander Graham. The title of the collection of poems is 'Sadistic Songs for Arrant Egoists.'","This file consists of a record collection index. It is inscribed 'James Otis Trulove, Washington and Lee University, Lexington, Va.'","Programs from 'Clan Graham,' 'An Evening of Musical Compositions by John Graham,' and 'A Program of Music by John A. Graham.'","This file includes sheet music for 'Fight, Fight Blue and White' and 'Washington and Lee Swing.'","One of the letters to Mary Monroe asks about John. William writes the next day after hearing of John's death. He proposes doing something to spread John's music.","This file consists of a letter written by Graham to 'James,' most likely James G. Leyburn.","This file consists of designs information about commemorative plates for Washington and Lee University.","This file consists of letters written to Mary Monroe Penick about the music festival in memory of John Alexander Graham. Also included are newspaper articles about the event and programs.","This file consists of correspondence between various people and Mary Monroe Penick regarding preparations for the music festival in memory of John Alexander Graham.","This file includes correspondence written by Mary Monroe Pennick about the details of the music festival in memory of John Graham. It also includes biographies of the musicians who participated in the event, an invitation list, and other information that was used in the planning of the event.","This file consists of Washington and Lee Glee Club programs. Many of the Glee Club's concerts were join concerts with Hollins College or Sweet Briar College.","This file consists of glee club programs from universities other than Washington and Lee. Included are programas from the Intercollegiate Glee Club Contest, Emory University, Sweet Briar, Hollins College, Westminster Choir, University of Virginia, and Iowa State University.","This file consists of opera programs. One of the programs is from the Chicago Civic Opera Company Grand Opera Season 1929-1930. The other three are from the Metropolitan Opera House Philedelphia, seasons 1912-1913, 1913-1914, and 1915-1916.","This file consists of a copy of The Music Club Magazine, part of The Virginia Musician, South Atlantic Intercollegiate Glee Club Association Bulletin #10, September 29, 1932, Intercollegiate Musical Council Bulletin, October 1932, and correspondence between Alvin C. Busse and Graham about reprinting rights of the Alma Mater or New York University.","This file consists of vocal and piano music that belonged to Graham.","This file consists of two issues of The Etude and music belonging to Graham.","This file consists of three issues of The Etude, a music magazine, and miscellaneous music.","This file consists of miscellaneous music belonging to Graham and The New York Times Book Review, February 26, 1956.","This file consists of the libretto, or opera text, of the opera Aida that was written by request of the Viceroy of Egypt in 1871.","This file consists of the contexts of several operas. Included is an index of the operas mentioned.","This file includes 'No. 3 - Rue de Buci (en face la rue de l'Abbaye),' 1926, and 'No. 7 - Rue d'Odessa (Sortie du cinéma, 1916),' 1926. They are both mezzotint and aquatint with hand coloring.","This file consists of two card file indexes of John Alexander Graham's compositions. One of the files is organized alphabetically and the other is by subject.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University","Hollins College","Lexington Presbyterian Church (Lexington, Va.)","New Monmouth Presbyterian Church (Lexington, Va.)","Ann Smith Academy","Virginia Symphony","G. Ricordi \u0026 Co.","Hollins University","Sweet Briar College","Virginia. 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Leyburn Library, Washington and Lee University, Lexington, VA. In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format.\u003c/p\u003e"],"prefercite_tesim":["Preferred citation: [Identification of item], John Alexander Graham Papers, WLU Coll. 0307, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format."],"processinfo_html_tesm":["\u003cp\u003eBlue sheet prepared by Betty Kondayan (02/14/08)\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Blue sheet prepared by Betty Kondayan (02/14/08)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes Graham's compositions, World War I papers and correspondence, memorabilia of Washington and Lee University activities, scores, sheet music, notebooks, and other correspondence.\u003c/p\u003e","\u003cp\u003e'Oh Professor!' was revised by Graham from an earlier edition of the musical comedy, 'Let's Dance.'\u003c/p\u003e","\u003cp\u003eThis file includes programs from The Troubadours of Washington and Lee, the Virginia Symphony Orchestra, and the Virginia State Choral Festival.\u003c/p\u003e","\u003cp\u003eThe letter is addressed to 'James.'\u003c/p\u003e","\u003cp\u003eThis file consists of orignals and of the published work.\u003c/p\u003e","\u003cp\u003eThis file consists of published copies of the piece as well as original copies made for James G. Leyburn and Mary Monroe Penick. The piece was written for The Children's Choir of The Presbyterian Church of Lexington, Va. It also contains copies for violin, violin II, viola, and cello.\u003c/p\u003e","\u003cp\u003eThis song was composed for Eric Rath and the Hollins Choir.\u003c/p\u003e","\u003cp\u003eThe piece was arranged and dedicated to Alfred Finch and the Glee Club of Sweet Briar College. The file consists of two original copies and three printed copies. One of the copies is signed by John A. Graham.\u003c/p\u003e","\u003cp\u003eThis file consists of one original and four copies. The piece was for the choir of the Lexington Presbyterian Church.\u003c/p\u003e","\u003cp\u003eThis file consists of one copy of the piece. It was arranged for the Madrigal Club of Lexington, Va.\u003c/p\u003e","\u003cp\u003eThis file consists of music written in pencil. The name 'Hugh Thomson Kerr' is written on the front.\u003c/p\u003e","\u003cp\u003eGraham dedicated the piece to Miss Edna Schaeffer and the Glee Club of the State Teacher's College, Harrisburg, Va.\u003c/p\u003e","\u003cp\u003eThis music was arranged for the Washington and Lee Glee Club.\u003c/p\u003e","\u003cp\u003eThis piece was dedicated to Miss Edna T. Shaeffer and the Glee Club of Madison College, Harrisonburg, Va.\u003c/p\u003e","\u003cp\u003eThis piece was composed for The Madrigal Club of Lexington, Va.\u003c/p\u003e","\u003cp\u003eThe piece was for the choir of Trinity Episcopal Church, Staunton, Va.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eGraham arranged the music for the choir of the Lexington Presbyterian Church.\u003c/p\u003e","\u003cp\u003eJohn A. Graham wrote the descant on the sheet of music.\u003c/p\u003e","\u003cp\u003eJohn A. Graham abridged and arranged the music for a violin duet with piano accompaniment\u003c/p\u003e","\u003cp\u003eThis file includes arrangements for violin I, violin II, viola, and cello.\u003c/p\u003e","\u003cp\u003eThis piece was arranged by Graham for a cello.\u003c/p\u003e","\u003cp\u003eGraham composed the work for Miss MacDonald, Mr. Leyburn, and two pianos.\u003c/p\u003e","\u003cp\u003eThis file includes the master copy.\u003c/p\u003e","\u003cp\u003eThis file includes copies for each violin and piano part. The sonata was written for and dedicated to Francis Rouclebush and James G. Leyburn.\u003c/p\u003e","\u003cp\u003eThis file consists of two notebooks with the music for 'Sonata for Violin and Piano.'\u003c/p\u003e","\u003cp\u003eThis file contains the violin I and II, viola, and cello music for Graham's 'String Quartet.'\u003c/p\u003e","\u003cp\u003eGraham wrote and dedicated the music to Anne MacDonald and James G. Leyburn.\u003c/p\u003e","\u003cp\u003eThe music was written for Mr. Ammerman.\u003c/p\u003e","\u003cp\u003eThis file consists of sheet music from Washington and Lee's Troubadours' prouduction of 'The Lady in Green.'\u003c/p\u003e","\u003cp\u003eThis file consists of sheet music from the musicomedy 'Mlle Gaby' presented by Washington and Lee Troubadours.\u003c/p\u003e","\u003cp\u003eThe work is dedicated to Mr. Clifton Hall.\u003c/p\u003e","\u003cp\u003eDedicated to the Lexington Presbyterian Choir\u003c/p\u003e","\u003cp\u003e'Be with us through the night' is an evening anthem or a quartet or chorus of male voices.\u003c/p\u003e","\u003cp\u003eDedeicated to Miss Mary Monroe Penick and the Choir of the Presbyterian Church.\u003c/p\u003e","\u003cp\u003eWritten for the Choir of the Presbyterian Church, Lexington, Va\u003c/p\u003e","\u003cp\u003e'Savior, breathe an evening blessing' is an evening anthem for soprano voices.\u003c/p\u003e","\u003cp\u003eThis file consists of sheet music to 'Fight, Fight Blue and White' also referred to as 'Hail to Our Alma Mater.' The song was written for Washington and Lee University and dedicated to R.H. Carr, cheer leader.\u003c/p\u003e","\u003cp\u003eThis file consists of hand-written sheet music for 'Fight, Fight Blue and White.'\u003c/p\u003e","\u003cp\u003eThis file consists of sheet music for 'The Blue Ridge' for male chorus, dedicated to the Glee Club of Washington and Lee.\u003c/p\u003e","\u003cp\u003eThis file was written for male chorus and dedicated to the Glee Club of Washington and Lee University.\u003c/p\u003e","\u003cp\u003eThe song was originally written for C. W. Karraker, Jr.\u003c/p\u003e","\u003cp\u003eGraham arranged this song for a male chorus with tenor and baritone solos or with violin or flute obbligato.\u003c/p\u003e","\u003cp\u003eThis is a choral ballad written for a chorus of women's voices with piano forte accompaniment. Graham wrote and dedicated the work to Miss Virginia Egol and the Choral Club of Hollins College.\u003c/p\u003e","\u003cp\u003eMary Monroe Penick wrote on an envelope the story of how Graham wrote the accompanying music to Mrs. Perkin's poems.\u003c/p\u003e","\u003cp\u003e'I never knew' is a solo for mezzo-soprano with pianoforte accompaniment.\u003c/p\u003e","\u003cp\u003e'Hebrew Lullaby' was dedicated to Mrs. Walter Forrester.\u003c/p\u003e","\u003cp\u003eThis has a baritone solo and chrorus for the Washington and Lee Glee Club.\u003c/p\u003e","\u003cp\u003eGraham sent a card to Mary Monroe with a short song he wrote about how she was missed.\u003c/p\u003e","\u003cp\u003eGraham dedicated this to W. S. Hastings.\u003c/p\u003e","\u003cp\u003e'The Night Will Never Stay' was for Charles William Karraker, Jr.\u003c/p\u003e","\u003cp\u003eGraham created this piece for Walter Scott Hastings by request.\u003c/p\u003e","\u003cp\u003eThe file includes a description of the piece.\u003c/p\u003e","\u003cp\u003eThis song was arranged for the Madrigal Club of Lexington, Va.\u003c/p\u003e","\u003cp\u003eOne of the copies is signed by James G. Leyburn and has a message from John A. Graham on it.\u003c/p\u003e","\u003cp\u003eThis song was from 'The Lady in Green' presented by The Troubadours at Washington and Lee University.\u003c/p\u003e","\u003cp\u003eThis file consists of mostly German cipher material.\u003c/p\u003e","\u003cp\u003eThis file consists of official documents, such as merandums, official business letters, and reciepts, from John Aleander Graham's war years.\u003c/p\u003e","\u003cp\u003eThis file consists of programs of Independence Day and Thanksgiving services, a theatre progam, a photograph, and Graham's certificate of identification.\u003c/p\u003e","\u003cp\u003eLetter to John from his father about news in Lexington.\u003c/p\u003e","\u003cp\u003eThis file consists of wartime letters from John's three siblings reporting mostly of news at home, school, etc. It also contains a photograph of 'The Lexington Crew.' It appears to be written in Mercer's handwriting.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence from family and friends, in particular Mrs. Graham. There are also letters concerning teaching positions and graduate school scholarships.\u003c/p\u003e","\u003cp\u003eThis file consists of Graham's war memoirs.\u003c/p\u003e","\u003cp\u003eThis file consists of a newspaper article about a speech given by George Denny in 1910 about William Graham. It also contains a photograph of the bronze plaque at Graham's grave and photogaphs most likely from the moving of his remains to Lexington.\u003c/p\u003e","\u003cp\u003eThis file consists of Mercer and John's certificates from grade school and of materials from John's time at Washington and Lee. His report cards, football ticket, and matriculation reciept.\u003c/p\u003e","\u003cp\u003eThis file consists of newspaper clippings, Graham's Laissez, a correspondence with the editor of Choral Publications, and a photograph of Graham.\u003c/p\u003e","\u003cp\u003eThis file includes a music record sent to Robert Stewart, nwespaper clippings, and a bill passed by the United States Senate.\u003c/p\u003e","\u003cp\u003eThis file consists of poetry written by John Alexander Graham. The title of the collection of poems is 'Sadistic Songs for Arrant Egoists.'\u003c/p\u003e","\u003cp\u003eThis file consists of a record collection index. It is inscribed 'James Otis Trulove, Washington and Lee University, Lexington, Va.'\u003c/p\u003e","\u003cp\u003ePrograms from 'Clan Graham,' 'An Evening of Musical Compositions by John Graham,' and 'A Program of Music by John A. Graham.'\u003c/p\u003e","\u003cp\u003eThis file includes sheet music for 'Fight, Fight Blue and White' and 'Washington and Lee Swing.'\u003c/p\u003e","\u003cp\u003eOne of the letters to Mary Monroe asks about John. William writes the next day after hearing of John's death. He proposes doing something to spread John's music.\u003c/p\u003e","\u003cp\u003eThis file consists of a letter written by Graham to 'James,' most likely James G. Leyburn.\u003c/p\u003e","\u003cp\u003eThis file consists of designs information about commemorative plates for Washington and Lee University.\u003c/p\u003e","\u003cp\u003eThis file consists of letters written to Mary Monroe Penick about the music festival in memory of John Alexander Graham. Also included are newspaper articles about the event and programs.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondence between various people and Mary Monroe Penick regarding preparations for the music festival in memory of John Alexander Graham.\u003c/p\u003e","\u003cp\u003eThis file includes correspondence written by Mary Monroe Pennick about the details of the music festival in memory of John Graham. It also includes biographies of the musicians who participated in the event, an invitation list, and other information that was used in the planning of the event.\u003c/p\u003e","\u003cp\u003eThis file consists of Washington and Lee Glee Club programs. Many of the Glee Club's concerts were join concerts with Hollins College or Sweet Briar College.\u003c/p\u003e","\u003cp\u003eThis file consists of glee club programs from universities other than Washington and Lee. Included are programas from the Intercollegiate Glee Club Contest, Emory University, Sweet Briar, Hollins College, Westminster Choir, University of Virginia, and Iowa State University.\u003c/p\u003e","\u003cp\u003eThis file consists of opera programs. One of the programs is from the Chicago Civic Opera Company Grand Opera Season 1929-1930. The other three are from the Metropolitan Opera House Philedelphia, seasons 1912-1913, 1913-1914, and 1915-1916.\u003c/p\u003e","\u003cp\u003eThis file consists of a copy of The Music Club Magazine, part of The Virginia Musician, South Atlantic Intercollegiate Glee Club Association Bulletin #10, September 29, 1932, Intercollegiate Musical Council Bulletin, October 1932, and correspondence between Alvin C. Busse and Graham about reprinting rights of the Alma Mater or New York University.\u003c/p\u003e","\u003cp\u003eThis file consists of vocal and piano music that belonged to Graham.\u003c/p\u003e","\u003cp\u003eThis file consists of two issues of The Etude and music belonging to Graham.\u003c/p\u003e","\u003cp\u003eThis file consists of three issues of The Etude, a music magazine, and miscellaneous music.\u003c/p\u003e","\u003cp\u003eThis file consists of miscellaneous music belonging to Graham and The New York Times Book Review, February 26, 1956.\u003c/p\u003e","\u003cp\u003eThis file consists of the libretto, or opera text, of the opera Aida that was written by request of the Viceroy of Egypt in 1871.\u003c/p\u003e","\u003cp\u003eThis file consists of the contexts of several operas. Included is an index of the operas mentioned.\u003c/p\u003e","\u003cp\u003eThis file includes 'No. 3 - Rue de Buci (en face la rue de l'Abbaye),' 1926, and 'No. 7 - Rue d'Odessa (Sortie du cinéma, 1916),' 1926. They are both mezzotint and aquatint with hand coloring.\u003c/p\u003e","\u003cp\u003eThis file consists of two card file indexes of John Alexander Graham's compositions. One of the files is organized alphabetically and the other is by subject.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection includes Graham's compositions, World War I papers and correspondence, memorabilia of Washington and Lee University activities, scores, sheet music, notebooks, and other correspondence.","'Oh Professor!' was revised by Graham from an earlier edition of the musical comedy, 'Let's Dance.'","This file includes programs from The Troubadours of Washington and Lee, the Virginia Symphony Orchestra, and the Virginia State Choral Festival.","The letter is addressed to 'James.'","This file consists of orignals and of the published work.","This file consists of published copies of the piece as well as original copies made for James G. Leyburn and Mary Monroe Penick. The piece was written for The Children's Choir of The Presbyterian Church of Lexington, Va. It also contains copies for violin, violin II, viola, and cello.","This song was composed for Eric Rath and the Hollins Choir.","The piece was arranged and dedicated to Alfred Finch and the Glee Club of Sweet Briar College. The file consists of two original copies and three printed copies. One of the copies is signed by John A. Graham.","This file consists of one original and four copies. The piece was for the choir of the Lexington Presbyterian Church.","This file consists of one copy of the piece. It was arranged for the Madrigal Club of Lexington, Va.","This file consists of music written in pencil. The name 'Hugh Thomson Kerr' is written on the front.","Graham dedicated the piece to Miss Edna Schaeffer and the Glee Club of the State Teacher's College, Harrisburg, Va.","This music was arranged for the Washington and Lee Glee Club.","This piece was dedicated to Miss Edna T. Shaeffer and the Glee Club of Madison College, Harrisonburg, Va.","This piece was composed for The Madrigal Club of Lexington, Va.","The piece was for the choir of Trinity Episcopal Church, Staunton, Va.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","John A. Graham wrote the descant on the sheet of music.","Graham arranged the music for the choir of the Lexington Presbyterian Church.","John A. Graham wrote the descant on the sheet of music.","John A. Graham abridged and arranged the music for a violin duet with piano accompaniment","This file includes arrangements for violin I, violin II, viola, and cello.","This piece was arranged by Graham for a cello.","Graham composed the work for Miss MacDonald, Mr. Leyburn, and two pianos.","This file includes the master copy.","This file includes copies for each violin and piano part. The sonata was written for and dedicated to Francis Rouclebush and James G. Leyburn.","This file consists of two notebooks with the music for 'Sonata for Violin and Piano.'","This file contains the violin I and II, viola, and cello music for Graham's 'String Quartet.'","Graham wrote and dedicated the music to Anne MacDonald and James G. Leyburn.","The music was written for Mr. Ammerman.","This file consists of sheet music from Washington and Lee's Troubadours' prouduction of 'The Lady in Green.'","This file consists of sheet music from the musicomedy 'Mlle Gaby' presented by Washington and Lee Troubadours.","The work is dedicated to Mr. Clifton Hall.","Dedicated to the Lexington Presbyterian Choir","'Be with us through the night' is an evening anthem or a quartet or chorus of male voices.","Dedeicated to Miss Mary Monroe Penick and the Choir of the Presbyterian Church.","Written for the Choir of the Presbyterian Church, Lexington, Va","'Savior, breathe an evening blessing' is an evening anthem for soprano voices.","This file consists of sheet music to 'Fight, Fight Blue and White' also referred to as 'Hail to Our Alma Mater.' The song was written for Washington and Lee University and dedicated to R.H. Carr, cheer leader.","This file consists of hand-written sheet music for 'Fight, Fight Blue and White.'","This file consists of sheet music for 'The Blue Ridge' for male chorus, dedicated to the Glee Club of Washington and Lee.","This file was written for male chorus and dedicated to the Glee Club of Washington and Lee University.","The song was originally written for C. W. Karraker, Jr.","Graham arranged this song for a male chorus with tenor and baritone solos or with violin or flute obbligato.","This is a choral ballad written for a chorus of women's voices with piano forte accompaniment. Graham wrote and dedicated the work to Miss Virginia Egol and the Choral Club of Hollins College.","Mary Monroe Penick wrote on an envelope the story of how Graham wrote the accompanying music to Mrs. Perkin's poems.","'I never knew' is a solo for mezzo-soprano with pianoforte accompaniment.","'Hebrew Lullaby' was dedicated to Mrs. Walter Forrester.","This has a baritone solo and chrorus for the Washington and Lee Glee Club.","Graham sent a card to Mary Monroe with a short song he wrote about how she was missed.","Graham dedicated this to W. S. Hastings.","'The Night Will Never Stay' was for Charles William Karraker, Jr.","Graham created this piece for Walter Scott Hastings by request.","The file includes a description of the piece.","This song was arranged for the Madrigal Club of Lexington, Va.","One of the copies is signed by James G. Leyburn and has a message from John A. Graham on it.","This song was from 'The Lady in Green' presented by The Troubadours at Washington and Lee University.","This file consists of mostly German cipher material.","This file consists of official documents, such as merandums, official business letters, and reciepts, from John Aleander Graham's war years.","This file consists of programs of Independence Day and Thanksgiving services, a theatre progam, a photograph, and Graham's certificate of identification.","Letter to John from his father about news in Lexington.","This file consists of wartime letters from John's three siblings reporting mostly of news at home, school, etc. It also contains a photograph of 'The Lexington Crew.' It appears to be written in Mercer's handwriting.","This file consists of correspondence from family and friends, in particular Mrs. Graham. There are also letters concerning teaching positions and graduate school scholarships.","This file consists of Graham's war memoirs.","This file consists of a newspaper article about a speech given by George Denny in 1910 about William Graham. It also contains a photograph of the bronze plaque at Graham's grave and photogaphs most likely from the moving of his remains to Lexington.","This file consists of Mercer and John's certificates from grade school and of materials from John's time at Washington and Lee. His report cards, football ticket, and matriculation reciept.","This file consists of newspaper clippings, Graham's Laissez, a correspondence with the editor of Choral Publications, and a photograph of Graham.","This file includes a music record sent to Robert Stewart, nwespaper clippings, and a bill passed by the United States Senate.","This file consists of poetry written by John Alexander Graham. The title of the collection of poems is 'Sadistic Songs for Arrant Egoists.'","This file consists of a record collection index. It is inscribed 'James Otis Trulove, Washington and Lee University, Lexington, Va.'","Programs from 'Clan Graham,' 'An Evening of Musical Compositions by John Graham,' and 'A Program of Music by John A. Graham.'","This file includes sheet music for 'Fight, Fight Blue and White' and 'Washington and Lee Swing.'","One of the letters to Mary Monroe asks about John. William writes the next day after hearing of John's death. He proposes doing something to spread John's music.","This file consists of a letter written by Graham to 'James,' most likely James G. Leyburn.","This file consists of designs information about commemorative plates for Washington and Lee University.","This file consists of letters written to Mary Monroe Penick about the music festival in memory of John Alexander Graham. Also included are newspaper articles about the event and programs.","This file consists of correspondence between various people and Mary Monroe Penick regarding preparations for the music festival in memory of John Alexander Graham.","This file includes correspondence written by Mary Monroe Pennick about the details of the music festival in memory of John Graham. It also includes biographies of the musicians who participated in the event, an invitation list, and other information that was used in the planning of the event.","This file consists of Washington and Lee Glee Club programs. Many of the Glee Club's concerts were join concerts with Hollins College or Sweet Briar College.","This file consists of glee club programs from universities other than Washington and Lee. Included are programas from the Intercollegiate Glee Club Contest, Emory University, Sweet Briar, Hollins College, Westminster Choir, University of Virginia, and Iowa State University.","This file consists of opera programs. One of the programs is from the Chicago Civic Opera Company Grand Opera Season 1929-1930. The other three are from the Metropolitan Opera House Philedelphia, seasons 1912-1913, 1913-1914, and 1915-1916.","This file consists of a copy of The Music Club Magazine, part of The Virginia Musician, South Atlantic Intercollegiate Glee Club Association Bulletin #10, September 29, 1932, Intercollegiate Musical Council Bulletin, October 1932, and correspondence between Alvin C. Busse and Graham about reprinting rights of the Alma Mater or New York University.","This file consists of vocal and piano music that belonged to Graham.","This file consists of two issues of The Etude and music belonging to Graham.","This file consists of three issues of The Etude, a music magazine, and miscellaneous music.","This file consists of miscellaneous music belonging to Graham and The New York Times Book Review, February 26, 1956.","This file consists of the libretto, or opera text, of the opera Aida that was written by request of the Viceroy of Egypt in 1871.","This file consists of the contexts of several operas. Included is an index of the operas mentioned.","This file includes 'No. 3 - Rue de Buci (en face la rue de l'Abbaye),' 1926, and 'No. 7 - Rue d'Odessa (Sortie du cinéma, 1916),' 1926. They are both mezzotint and aquatint with hand coloring.","This file consists of two card file indexes of John Alexander Graham's compositions. One of the files is organized alphabetically and the other is by subject."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_coll_ssim":["Washington and Lee University"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University","Hollins College","Lexington Presbyterian Church (Lexington, Va.)","New Monmouth Presbyterian Church (Lexington, Va.)","Ann Smith Academy","Virginia Symphony","G. Ricordi \u0026 Co.","Hollins University","Sweet Briar College","Virginia. 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