{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026page=4","prev":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026page=3","next":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026page=5","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026page=9"},"meta":{"pages":{"current_page":4,"next_page":5,"prev_page":3,"total_pages":9,"limit_value":10,"offset_value":30,"total_count":85,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_114","type":"collection","attributes":{"title":"Jeffrey Chamberlain music collection","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_114#creator","type":"document_value","attributes":{"value":"Chamberlain, Jeffrey","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_114#abstract_or_scope","type":"document_value","attributes":{"value":"This collection consists of vinyl singles and boxed collections collected by George Mason University French professor Jeffrey Chamberlain. 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Record labels present in the collection include RCA Victor, Columbia, Philips, and Capitol records.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of vinyl singles and boxed collections collected by George Mason University French professor Jeffrey Chamberlain. Record formats include 33 1/3 rpm, 45 rpm, and 78 rpm in 7-inch, 10-inch, and 12-inch sizes. Many of the singles are in paper sleeves and include English and French artists and feature predominantly popular and jazz music. The box sets consist of 10-inch and 12-inch records of mostly classical music. Record labels present in the collection include RCA Victor, Columbia, Philips, and Capitol records."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Chamberlain, Jeffrey"],"corpname_ssim":["George Mason University. Libraries. 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Chamberlain taught French in the Department of Modern and Classical Languages at George Mason University from 1983 until his death in 2009. Originally from Bridgeport, Connecticut, he completed a bachelor's degree at the Capital University in Columbus, Ohio, in 1971, a master's degree from the University of Rhode Island in 1973 and a doctorate degree from the University of Illinois at Urbana-Champaign in 1982. His first teaching position was at the University of Louisville in Kentucky teaching French. He began his career at George Mason in 1983 as an assistant professor teaching French linguistics and Latin and became an associate professor in 1988. He also served the Department of Modern and Classical Languages as associate chair for four years and then as chair for eight years. In 2000 he was appointed university marshal by President Alan Merten and served in that capacity until 2008. Chamberlain's love for music and the French language are evident in this collection which includes vinyl records in both English and French from a variety of genres, most notably classical and popular.","Processed by Greta Kuriger in January 2011. EAD markup completed by Greta Kuriger in March 2011.","Special Collections and Archives also holds many other music collections including  ,   and the  .","This collection consists of vinyl singles and boxed collections collected by George Mason University French professor Jeffrey Chamberlain. Record formats include 33 1/3 rpm, 45 rpm, and 78 rpm in 7-inch, 10-inch, and 12-inch sizes. Many of the singles are in paper sleeves and include English and French artists and feature predominantly popular and jazz music. The box sets consist of 10-inch and 12-inch records of mostly classical music. Record labels present in the collection include RCA Victor, Columbia, Philips, and Capitol records.","Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of the materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection consists of vinyl singles and boxed collections collected by George Mason University French professor Jeffrey Chamberlain. Record formats include 33 1/3 rpm, 45 rpm, and 78 rpm in 7-inch, 10-inch, and 12-inch sizes. Many of the singles are in paper sleeves and include English and French artists and feature predominantly popular and jazz music. The box sets consist of 10-inch and 12-inch records of mostly classical music. Record labels present in the collection include RCA Victor, Columbia, Philips, and Capitol records.","George Mason University. Libraries. 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Originally from Bridgeport, Connecticut, he completed a bachelor's degree at the Capital University in Columbus, Ohio, in 1971, a master's degree from the University of Rhode Island in 1973 and a doctorate degree from the University of Illinois at Urbana-Champaign in 1982. His first teaching position was at the University of Louisville in Kentucky teaching French. He began his career at George Mason in 1983 as an assistant professor teaching French linguistics and Latin and became an associate professor in 1988. He also served the Department of Modern and Classical Languages as associate chair for four years and then as chair for eight years. In 2000 he was appointed university marshal by President Alan Merten and served in that capacity until 2008. Chamberlain's love for music and the French language are evident in this collection which includes vinyl records in both English and French from a variety of genres, most notably classical and popular.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Jeffrey T. Chamberlain taught French in the Department of Modern and Classical Languages at George Mason University from 1983 until his death in 2009. Originally from Bridgeport, Connecticut, he completed a bachelor's degree at the Capital University in Columbus, Ohio, in 1971, a master's degree from the University of Rhode Island in 1973 and a doctorate degree from the University of Illinois at Urbana-Champaign in 1982. His first teaching position was at the University of Louisville in Kentucky teaching French. He began his career at George Mason in 1983 as an assistant professor teaching French linguistics and Latin and became an associate professor in 1988. He also served the Department of Modern and Classical Languages as associate chair for four years and then as chair for eight years. In 2000 he was appointed university marshal by President Alan Merten and served in that capacity until 2008. Chamberlain's love for music and the French language are evident in this collection which includes vinyl records in both English and French from a variety of genres, most notably classical and popular."],"prefercite_html_tesm":["\u003cp\u003eJeffrey Chamberlain music collection, Collection C0185, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Jeffrey Chamberlain music collection, Collection C0185, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Greta Kuriger in January 2011. EAD markup completed by Greta Kuriger in March 2011.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Greta Kuriger in January 2011. EAD markup completed by Greta Kuriger in March 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds many other music collections including \u003cextptr show=\"new\" title=\"Sam DiBonaventura papers\" href=\"https://aspace.gmu.edu/resources/c0070\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"Sophocles Papas papers\" href=\"https://aspace.gmu.edu/resources/c0052\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Edward Vitale violin music collection\" href=\"https://aspace.gmu.edu/resources/c0155\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds many other music collections including  ,   and the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of vinyl singles and boxed collections collected by George Mason University French professor Jeffrey Chamberlain. 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These materials have no known restrictions.","The copyright and related rights status of the materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_0970bf7f192841155f8df3dc9d95ff40\" label=\"Abstract\"\u003eThis collection consists of vinyl singles and boxed collections collected by George Mason University French professor Jeffrey Chamberlain. Record formats include 33 1/3 rpm, 45 rpm, and 78 rpm in 7-inch, 10-inch, and 12-inch sizes. Many of the singles are in paper sleeves and include English and French artists and feature predominantly popular and jazz music. The box sets consist of 10-inch and 12-inch records of mostly classical music. Record labels present in the collection include RCA Victor, Columbia, Philips, and Capitol records.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of vinyl singles and boxed collections collected by George Mason University French professor Jeffrey Chamberlain. Record formats include 33 1/3 rpm, 45 rpm, and 78 rpm in 7-inch, 10-inch, and 12-inch sizes. Many of the singles are in paper sleeves and include English and French artists and feature predominantly popular and jazz music. The box sets consist of 10-inch and 12-inch records of mostly classical music. Record labels present in the collection include RCA Victor, Columbia, Philips, and Capitol records."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Chamberlain, Jeffrey"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Chamberlain, Jeffrey"],"language_ssim":["English"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:33:38.426Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_114"}},{"id":"vifgm_repositories_2_resources_630","type":"collection","attributes":{"title":"\"Justus ut palma a 3 Canto e Alto e Basso\" manuscript","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_630#creator","type":"document_value","attributes":{"value":"Basili, Francesco, 1767-1850","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_630#abstract_or_scope","type":"document_value","attributes":{"value":"Handwritten three part setting of \"Justus ut Palma,\" a liturgical text, by Francesco Basili.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_630#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_630","ead_ssi":"vifgm_repositories_2_resources_630","_root_":"vifgm_repositories_2_resources_630","_nest_parent_":"vifgm_repositories_2_resources_630","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_630.xml","title_ssm":["\"Justus ut palma a 3 Canto e Alto e Basso\" manuscript"],"title_tesim":["\"Justus ut palma a 3 Canto e Alto e Basso\" manuscript"],"unitdate_ssm":["circa 1800-1825"],"unitdate_inclusive_ssm":["circa 1800-1825"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0497","/repositories/2/resources/630"],"text":["C0497","/repositories/2/resources/630","\"Justus ut palma a 3 Canto e Alto e Basso\" manuscript","Loreto (Italy)","Music","There are no access restrictions.","This is a single multi-page item collection.","Choral Public Domain Library, \"Justus ut Palma,\" accessed April 19, 2022. https://www.cpdl.org/wiki/index.php/Justus_ut_palma","Pironti, Alberto.  \"Franceso Basili.\"  Dizionario Biografico degli Italiani , Volume 7 (1970).  Treccani . Accessed April 22, 2022. https://www.treccani.it/enciclopedia/francesco-basili_%28Dizionario-Biografico%29/","Francesco Basili (1867-1850) was an Italian composer originaly from Loreto, in the Veneto region of Northern Italy. He wrote both sacred and secular music, and he held positions both in secular institutions, such as the Milan Conservatory, and churches, including several years as maestro di capella of the Santuario della Santa Casa di Loreto (Alberto Pironti, \"Francesco Basili\").","Processed by Elizabeth Beckman in April 2022.  Finding aid published by Elizabeth Beckman in April 2022.","The Bibliotheque Nationale de France holds another manuscript liturgical composition by Francesco Basili,  .","Handwritten manuscript of a setting of \"Justus ut Palma,\" the Latin translation of Psalm 91:13 (Choral Public Domain Library, \"Justus ut palma\"). 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The letter contains descriptions of Cline's life as a musician as well as mentions of her friendship with Miller and wishes for them to meet soon.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["SC 01996","/repositories/2/resources/10032"],"normalized_title_ssm":["letter from Patsy Cline to Treva Miller"],"collection_title_tesim":["letter from Patsy Cline to Treva Miller"],"collection_ssim":["letter from Patsy Cline to Treva Miller"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["The Patsy Cline letter was purchased with the Molly Elliot Seawell Endowment."],"access_subjects_ssim":["Music","Correspondence","Letters (correspondence)"],"access_subjects_ssm":["Music","Correspondence","Letters (correspondence)"],"has_online_content_ssim":["false"],"extent_ssm":["0.1 Linear Feet 1 legal size folder"],"extent_tesim":["0.1 Linear Feet 1 legal size folder"],"genreform_ssim":["Correspondence","Letters (correspondence)"],"date_range_isim":[1957],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. 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She was 30 years old."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003ePatsy Cline letter, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Patsy Cline letter, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eCollection contains a single letter between Patsy Cline and her friend Treva Miller. The letter contains descriptions of Cline's life as a musician as well as mentions of her friendship with Miller and wishes for them to meet soon.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["Collection contains a single letter between Patsy Cline and her friend Treva Miller. 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IMDb. Accessed September 13, 2023. https://www.imdb.com/name/nm1109834/bio/.","Library of Congress. Copyright Office. 1940.  Catalog of Copyright Entries 1940 Musical Compositions New Series Vol 35 Pt 3 For the Year 1940 . U.S. Govt. Print. Off. http://archive.org/details/catalogofcopyrig353libr.","Dallas Gray, known as \"Dal\" to both friends and professional contacts, was a newspaper editor, songwriter, and owner of the Gloucester City, New Jersey based Monmouth Music Publishing Company, with Western offices in Portland, Oregon and Hollywood, California. Jack Kjellin was a composer and lyricist, based in Battle Creek, Michigan, and a long-time collaborator of Gray. While neither man achieved widespread fame, both appear to have had some success in publishing or selling songs, such as Gray's \"Annie\" (possibly in collaboration with Kjellin, circa 1930) and Kjellin's \"Just another night\" in collaboration with Nick Kenny (1939) and \"There's a story going 'round\" (1940). Composer Claude Lapham, who communicated with both Kjellin and Gray, saw notable success in providing uncredited compositions for early silent films, including Feet First (1930) starring Harold Lloyd and Charley's Aunt (1930) starring Charles Ruggles. Lapham passed away in 1957.","Processing completed by Meghan Glasbrenner in September 2023. Finding aid completed by Meghan Glasbrenner in September 2023.","The Special Collections Research Center also holds   and other music related collections such as the   and the ","Personal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray. The majority of the letters are from Gray's long-time collaborator Jack Kjellin who addresses them to \"Old Pal Dal\". These letters, of which there are approximately 53, conclude with the breakup of their collaborative relationship, but the final letter appears to end on a friendly note from Jack. The remaining letters are from mixed senders, such as composer Claude Lapham, and concern personal or financial matters, with several addressed to Gray's Monmouth Music Publishing Company business. Contents also include a single photograph of Jack Kjellin and his wife, a page of handwritten lyrics, and a flyer advertisement.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Personal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray, as well as those addressed to his Monmouth Music Publishing Company business. Notable senders include his long-time collaborator Jack Kjellin and composer Claude Lapham.","R 71, C 1, S 6","George Mason University. Libraries. 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IMDb. Accessed September 13, 2023. https://www.imdb.com/name/nm1109834/bio/.\u003c/p\u003e\n","\u003cp\u003eLibrary of Congress. Copyright Office. 1940. \u003cemphph\u003eCatalog of Copyright Entries 1940 Musical Compositions New Series Vol 35 Pt 3 For the Year 1940\u003c/emphph\u003e. U.S. Govt. Print. Off. http://archive.org/details/catalogofcopyrig353libr.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Claude Lapham - Biography.\" n.d. IMDb. Accessed September 13, 2023. https://www.imdb.com/name/nm1109834/bio/.","Library of Congress. Copyright Office. 1940.  Catalog of Copyright Entries 1940 Musical Compositions New Series Vol 35 Pt 3 For the Year 1940 . U.S. Govt. Print. Off. http://archive.org/details/catalogofcopyrig353libr."],"bioghist_html_tesm":["\u003cp\u003eDallas Gray, known as \"Dal\" to both friends and professional contacts, was a newspaper editor, songwriter, and owner of the Gloucester City, New Jersey based Monmouth Music Publishing Company, with Western offices in Portland, Oregon and Hollywood, California. Jack Kjellin was a composer and lyricist, based in Battle Creek, Michigan, and a long-time collaborator of Gray. While neither man achieved widespread fame, both appear to have had some success in publishing or selling songs, such as Gray's \"Annie\" (possibly in collaboration with Kjellin, circa 1930) and Kjellin's \"Just another night\" in collaboration with Nick Kenny (1939) and \"There's a story going 'round\" (1940). Composer Claude Lapham, who communicated with both Kjellin and Gray, saw notable success in providing uncredited compositions for early silent films, including Feet First (1930) starring Harold Lloyd and Charley's Aunt (1930) starring Charles Ruggles. Lapham passed away in 1957.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Dallas Gray, known as \"Dal\" to both friends and professional contacts, was a newspaper editor, songwriter, and owner of the Gloucester City, New Jersey based Monmouth Music Publishing Company, with Western offices in Portland, Oregon and Hollywood, California. Jack Kjellin was a composer and lyricist, based in Battle Creek, Michigan, and a long-time collaborator of Gray. 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Lapham passed away in 1957."],"prefercite_html_tesm":["\u003cp\u003eLetters to music lyricist and publisher Dallas \"Dal\" Gray, C0344, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Letters to music lyricist and publisher Dallas \"Dal\" Gray, C0344, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in September 2023. Finding aid completed by Meghan Glasbrenner in September 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in September 2023. Finding aid completed by Meghan Glasbrenner in September 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds \u003cextptr show=\"new\" title=\"sheet music composed by Dal Gray,\" href=\"https://wrlc-gm.primo.exlibrisgroup.com/discovery/search?query=creator,exact,Gray,%20Dal,AND\u0026amp;tab=Everything\u0026amp;search_scope=MyInst_and_CI\u0026amp;vid=01WRLC_GML:01WRLC_GML\u0026amp;facet=creator,exact,Gray,%20Dal\u0026amp;lang=en\u0026amp;mode=advanced\u0026amp;offset=0\"\u003e\u003c/extptr\u003e and other music related collections such as the \u003cextptr show=\"new\" title=\"Sophocles Papas papers\" href=\"https://aspace.gmu.edu/resources/c0052\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Sam di Bonaventura papers.\" href=\"https://aspace.gmu.edu/resources/c0070\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds   and other music related collections such as the   and the "],"scopecontent_html_tesm":["\u003cp\u003ePersonal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray. 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These letters, of which there are approximately 53, conclude with the breakup of their collaborative relationship, but the final letter appears to end on a friendly note from Jack. The remaining letters are from mixed senders, such as composer Claude Lapham, and concern personal or financial matters, with several addressed to Gray's Monmouth Music Publishing Company business. Contents also include a single photograph of Jack Kjellin and his wife, a page of handwritten lyrics, and a flyer advertisement."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_10a66a09b299109357efb75acba66035\"\u003ePersonal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray, as well as those addressed to his Monmouth Music Publishing Company business. Notable senders include his long-time collaborator Jack Kjellin and composer Claude Lapham.\u003c/abstract\u003e"],"abstract_tesim":["Personal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray, as well as those addressed to his Monmouth Music Publishing Company business. Notable senders include his long-time collaborator Jack Kjellin and composer Claude Lapham."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_fe46729082455bc36c7834c7588c86c6\"\u003eR 71, C 1, S 6\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 6"],"names_coll_ssim":["Monmouth Music Publishing Company","Kjellin, Jack (John J.)","Lapham, Claude"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Monmouth Music Publishing Company","Gray, Dal (Dallas A.)","Kjellin, Jack (John J.)","Lapham, Claude"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Monmouth Music Publishing Company"],"persname_ssim":["Gray, Dal (Dallas A.)","Kjellin, Jack (John J.)","Lapham, Claude"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":6,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-05T07:17:54.608Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_673","ead_ssi":"vifgm_repositories_2_resources_673","_root_":"vifgm_repositories_2_resources_673","_nest_parent_":"vifgm_repositories_2_resources_673","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_673.xml","title_ssm":["Letters to music lyricist and publisher Dallas \"Dal\" Gray"],"title_tesim":["Letters to music lyricist and publisher Dallas \"Dal\" Gray"],"unitdate_ssm":["circa 1919-1936"],"unitdate_inclusive_ssm":["circa 1919-1936"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0344","/repositories/2/resources/673"],"text":["C0344","/repositories/2/resources/673","Letters to music lyricist and publisher Dallas \"Dal\" Gray","Battle Creek (Mich.)","Gloucester City (N.J.)","Popular music","Music -- 20th century","Popular music -- Writing and publishing","Lyric writing (Popular music)","Music","Personal correspondence","Correspondence","Theare no access restrictions.","This collection was arranged into 6 folders based on subject or medium of materials.","\"Claude Lapham - Biography.\" n.d. IMDb. Accessed September 13, 2023. https://www.imdb.com/name/nm1109834/bio/.","Library of Congress. Copyright Office. 1940.  Catalog of Copyright Entries 1940 Musical Compositions New Series Vol 35 Pt 3 For the Year 1940 . U.S. Govt. Print. Off. http://archive.org/details/catalogofcopyrig353libr.","Dallas Gray, known as \"Dal\" to both friends and professional contacts, was a newspaper editor, songwriter, and owner of the Gloucester City, New Jersey based Monmouth Music Publishing Company, with Western offices in Portland, Oregon and Hollywood, California. Jack Kjellin was a composer and lyricist, based in Battle Creek, Michigan, and a long-time collaborator of Gray. While neither man achieved widespread fame, both appear to have had some success in publishing or selling songs, such as Gray's \"Annie\" (possibly in collaboration with Kjellin, circa 1930) and Kjellin's \"Just another night\" in collaboration with Nick Kenny (1939) and \"There's a story going 'round\" (1940). Composer Claude Lapham, who communicated with both Kjellin and Gray, saw notable success in providing uncredited compositions for early silent films, including Feet First (1930) starring Harold Lloyd and Charley's Aunt (1930) starring Charles Ruggles. Lapham passed away in 1957.","Processing completed by Meghan Glasbrenner in September 2023. Finding aid completed by Meghan Glasbrenner in September 2023.","The Special Collections Research Center also holds   and other music related collections such as the   and the ","Personal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray. The majority of the letters are from Gray's long-time collaborator Jack Kjellin who addresses them to \"Old Pal Dal\". These letters, of which there are approximately 53, conclude with the breakup of their collaborative relationship, but the final letter appears to end on a friendly note from Jack. The remaining letters are from mixed senders, such as composer Claude Lapham, and concern personal or financial matters, with several addressed to Gray's Monmouth Music Publishing Company business. Contents also include a single photograph of Jack Kjellin and his wife, a page of handwritten lyrics, and a flyer advertisement.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Personal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray, as well as those addressed to his Monmouth Music Publishing Company business. Notable senders include his long-time collaborator Jack Kjellin and composer Claude Lapham.","R 71, C 1, S 6","George Mason University. Libraries. Special Collections Research Center","Monmouth Music Publishing Company","Gray, Dal (Dallas A.)","Kjellin, Jack (John J.)","Lapham, Claude","English"],"unitid_tesim":["C0344","/repositories/2/resources/673"],"normalized_title_ssm":["Letters to music lyricist and publisher Dallas \"Dal\" Gray"],"collection_title_tesim":["Letters to music lyricist and publisher Dallas \"Dal\" Gray"],"collection_ssim":["Letters to music lyricist and publisher Dallas \"Dal\" Gray"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Battle Creek (Mich.)","Gloucester City (N.J.)"],"geogname_ssim":["Battle Creek (Mich.)","Gloucester City (N.J.)"],"creator_ssm":["Gray, Dal (Dallas A.)"],"creator_ssim":["Gray, Dal (Dallas A.)"],"creator_persname_ssim":["Gray, Dal (Dallas A.)"],"creators_ssim":["Gray, Dal (Dallas A.)"],"places_ssim":["Battle Creek (Mich.)","Gloucester City (N.J.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased from Ian Brabner Rare Americana by Music Librarian Steve Gerber in August 2018."],"access_subjects_ssim":["Popular music","Music -- 20th century","Popular music -- Writing and publishing","Lyric writing (Popular music)","Music","Personal correspondence","Correspondence"],"access_subjects_ssm":["Popular music","Music -- 20th century","Popular music -- Writing and publishing","Lyric writing (Popular music)","Music","Personal correspondence","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":[".5 Linear Feet 1 box"],"extent_tesim":[".5 Linear Feet 1 box"],"genreform_ssim":["Personal correspondence","Correspondence"],"date_range_isim":[1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936],"accessrestrict_html_tesm":["\u003cp\u003eTheare no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Theare no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection was arranged into 6 folders based on subject or medium of materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection was arranged into 6 folders based on subject or medium of materials."],"bibliography_html_tesm":["\u003cp\u003e\"Claude Lapham - Biography.\" n.d. IMDb. Accessed September 13, 2023. https://www.imdb.com/name/nm1109834/bio/.\u003c/p\u003e\n","\u003cp\u003eLibrary of Congress. Copyright Office. 1940. \u003cemphph\u003eCatalog of Copyright Entries 1940 Musical Compositions New Series Vol 35 Pt 3 For the Year 1940\u003c/emphph\u003e. U.S. Govt. Print. Off. http://archive.org/details/catalogofcopyrig353libr.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Claude Lapham - Biography.\" n.d. IMDb. Accessed September 13, 2023. https://www.imdb.com/name/nm1109834/bio/.","Library of Congress. Copyright Office. 1940.  Catalog of Copyright Entries 1940 Musical Compositions New Series Vol 35 Pt 3 For the Year 1940 . U.S. Govt. Print. Off. http://archive.org/details/catalogofcopyrig353libr."],"bioghist_html_tesm":["\u003cp\u003eDallas Gray, known as \"Dal\" to both friends and professional contacts, was a newspaper editor, songwriter, and owner of the Gloucester City, New Jersey based Monmouth Music Publishing Company, with Western offices in Portland, Oregon and Hollywood, California. Jack Kjellin was a composer and lyricist, based in Battle Creek, Michigan, and a long-time collaborator of Gray. While neither man achieved widespread fame, both appear to have had some success in publishing or selling songs, such as Gray's \"Annie\" (possibly in collaboration with Kjellin, circa 1930) and Kjellin's \"Just another night\" in collaboration with Nick Kenny (1939) and \"There's a story going 'round\" (1940). Composer Claude Lapham, who communicated with both Kjellin and Gray, saw notable success in providing uncredited compositions for early silent films, including Feet First (1930) starring Harold Lloyd and Charley's Aunt (1930) starring Charles Ruggles. Lapham passed away in 1957.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Dallas Gray, known as \"Dal\" to both friends and professional contacts, was a newspaper editor, songwriter, and owner of the Gloucester City, New Jersey based Monmouth Music Publishing Company, with Western offices in Portland, Oregon and Hollywood, California. Jack Kjellin was a composer and lyricist, based in Battle Creek, Michigan, and a long-time collaborator of Gray. While neither man achieved widespread fame, both appear to have had some success in publishing or selling songs, such as Gray's \"Annie\" (possibly in collaboration with Kjellin, circa 1930) and Kjellin's \"Just another night\" in collaboration with Nick Kenny (1939) and \"There's a story going 'round\" (1940). Composer Claude Lapham, who communicated with both Kjellin and Gray, saw notable success in providing uncredited compositions for early silent films, including Feet First (1930) starring Harold Lloyd and Charley's Aunt (1930) starring Charles Ruggles. Lapham passed away in 1957."],"prefercite_html_tesm":["\u003cp\u003eLetters to music lyricist and publisher Dallas \"Dal\" Gray, C0344, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Letters to music lyricist and publisher Dallas \"Dal\" Gray, C0344, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in September 2023. Finding aid completed by Meghan Glasbrenner in September 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in September 2023. Finding aid completed by Meghan Glasbrenner in September 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds \u003cextptr show=\"new\" title=\"sheet music composed by Dal Gray,\" href=\"https://wrlc-gm.primo.exlibrisgroup.com/discovery/search?query=creator,exact,Gray,%20Dal,AND\u0026amp;tab=Everything\u0026amp;search_scope=MyInst_and_CI\u0026amp;vid=01WRLC_GML:01WRLC_GML\u0026amp;facet=creator,exact,Gray,%20Dal\u0026amp;lang=en\u0026amp;mode=advanced\u0026amp;offset=0\"\u003e\u003c/extptr\u003e and other music related collections such as the \u003cextptr show=\"new\" title=\"Sophocles Papas papers\" href=\"https://aspace.gmu.edu/resources/c0052\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Sam di Bonaventura papers.\" href=\"https://aspace.gmu.edu/resources/c0070\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds   and other music related collections such as the   and the "],"scopecontent_html_tesm":["\u003cp\u003ePersonal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray. The majority of the letters are from Gray's long-time collaborator Jack Kjellin who addresses them to \"Old Pal Dal\". These letters, of which there are approximately 53, conclude with the breakup of their collaborative relationship, but the final letter appears to end on a friendly note from Jack. The remaining letters are from mixed senders, such as composer Claude Lapham, and concern personal or financial matters, with several addressed to Gray's Monmouth Music Publishing Company business. Contents also include a single photograph of Jack Kjellin and his wife, a page of handwritten lyrics, and a flyer advertisement.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Personal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray. The majority of the letters are from Gray's long-time collaborator Jack Kjellin who addresses them to \"Old Pal Dal\". These letters, of which there are approximately 53, conclude with the breakup of their collaborative relationship, but the final letter appears to end on a friendly note from Jack. The remaining letters are from mixed senders, such as composer Claude Lapham, and concern personal or financial matters, with several addressed to Gray's Monmouth Music Publishing Company business. Contents also include a single photograph of Jack Kjellin and his wife, a page of handwritten lyrics, and a flyer advertisement."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_10a66a09b299109357efb75acba66035\"\u003ePersonal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray, as well as those addressed to his Monmouth Music Publishing Company business. Notable senders include his long-time collaborator Jack Kjellin and composer Claude Lapham.\u003c/abstract\u003e"],"abstract_tesim":["Personal and professional letters received by music lyricist and publisher Dallas \"Dal\" Gray, as well as those addressed to his Monmouth Music Publishing Company business. Notable senders include his long-time collaborator Jack Kjellin and composer Claude Lapham."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_fe46729082455bc36c7834c7588c86c6\"\u003eR 71, C 1, S 6\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 6"],"names_coll_ssim":["Monmouth Music Publishing Company","Kjellin, Jack (John J.)","Lapham, Claude"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Monmouth Music Publishing Company","Gray, Dal (Dallas A.)","Kjellin, Jack (John J.)","Lapham, Claude"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Monmouth Music Publishing Company"],"persname_ssim":["Gray, Dal (Dallas A.)","Kjellin, Jack (John J.)","Lapham, Claude"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":6,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-05T07:17:54.608Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_673"}},{"id":"vifgm_repositories_2_resources_526","type":"collection","attributes":{"title":"Lithograph from the volume \"Ce Qu'on Dit et Ce Qu'on Pense\" featuring Gioachino Rossini by Jean-Gabriel Scheffer","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_526#creator","type":"document_value","attributes":{"value":"Scheffer, Jean Gabriel, 1797-1876","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_526#abstract_or_scope","type":"document_value","attributes":{"value":"Single lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_526#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_526","ead_ssi":"vifgm_repositories_2_resources_526","_root_":"vifgm_repositories_2_resources_526","_nest_parent_":"vifgm_repositories_2_resources_526","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_526.xml","title_ssm":["Lithograph from the volume \"Ce Qu'on Dit et Ce Qu'on Pense\" featuring Gioachino Rossini by Jean-Gabriel Scheffer"],"title_tesim":["Lithograph from the volume \"Ce Qu'on Dit et Ce Qu'on Pense\" featuring Gioachino Rossini by Jean-Gabriel Scheffer"],"unitdate_ssm":["1829"],"unitdate_other_ssim":["1829"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0460","/repositories/2/resources/526"],"text":["C0460","/repositories/2/resources/526","Lithograph from the volume \"Ce Qu'on Dit et Ce Qu'on Pense\" featuring Gioachino Rossini by Jean-Gabriel Scheffer","Art","Lithography","Music","Opera","There are no access restrictions.","This is a single item collection.","Brass, David. [\"Scheffer, Jean-Gabriel] Ce qu'on dit et ce qu'on pense [What one says and what one thinks].\" David Brass Rare Books. December 11, 2020. https://www.davidbrassrarebooks.com/pages/books/04082/jean-gabriel-scheffer/ce-quon-dit-et-ce-quon-pense-what-one-says-and-what-one-thinks.","Caussou, Jean-Louis. \"Gioachino Rossini.\" Encyclopaedia Britannica. December 11, 2020. https://www.britannica.com/biography/Gioachino-Rossini.","Ives, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.","\"Jean Gabriel Scheffer.\" The British Museum. December 11, 2020. https://www.britishmuseum.org/collection/term/BIOG45277.","\"Lithography, Heliography \u0026 Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.","\"Synopsis: La Cenerentola.\" The Metropolitan Opera. December 11, 2020. https://www.metopera.org/discover/synopses/la-cenerentola/.","Gioachino Rossini was one of the most successful opera composers of the 19th century. Born in Italy in 1792, he enjoyed success during his lifetime with the popular works The Barber of Seville, La Cenerentola (Cinderella), and William Tell. Rossini died in 1868. His operas are still performed today.","Lithography was a method of illustration that rose to popularity in the 19th century. Invented by Alois Senefelder of Germany in 1796, lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the resulting image - an extremely economical method as multiple copies could be created in one sitting. Colored lithography came soon after, and was also extremely popular.","Processed by Amanda Brent in December 2020. EAD markup completed by Amanda Brent in December 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections related to opera and the performing arts.","Single lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829. The volume features multiple lithographic illustrations of various instances of people demonstrating that what they are saying to others is not what they are, in fact, thinking. ","This particular illustration features the prominent Italian opera composer Gioachino Rossini speaking with a young man standing next to a piano in a salon, a cello leaning against the keyboard. In addition to the titular text, below the image text in French reads \"Je donnerais trois op[é]ras pour avoir fait votre romance,\" which translates to  \"I would give three operas for making your romance.\" Parallel to the text is a printed music quotation from Rossini's opera La Cenerentola, in which the character Don Magnifico describes a dream he has about a flying donkey: \"Un somaro, ma sollene\" which translates from the Italian to \"A donkey, but solemn,\" illustrating was Rossini actually \"thinks\" about the young man.","Public Domain. There are no known restrictions.","Single lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829.","R 72, C 3, S 5","George Mason University. Libraries. Special Collections Research Center","Scheffer, Jean Gabriel, 1797-1876","Rossini, Gioacchino, 1792-1868","French \n.    "],"unitid_tesim":["C0460","/repositories/2/resources/526"],"normalized_title_ssm":["Lithograph from the volume \"Ce Qu'on Dit et Ce Qu'on Pense\" featuring Gioachino Rossini by Jean-Gabriel Scheffer"],"collection_title_tesim":["Lithograph from the volume \"Ce Qu'on Dit et Ce Qu'on Pense\" featuring Gioachino Rossini by Jean-Gabriel Scheffer"],"collection_ssim":["Lithograph from the volume \"Ce Qu'on Dit et Ce Qu'on Pense\" featuring Gioachino Rossini by Jean-Gabriel Scheffer"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Scheffer, Jean Gabriel, 1797-1876"],"creator_ssim":["Scheffer, Jean Gabriel, 1797-1876"],"creator_persname_ssim":["Scheffer, Jean Gabriel, 1797-1876"],"creators_ssim":["Scheffer, Jean Gabriel, 1797-1876"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by Steve Gerber from J \u0026 J Lubrano Music Antiquarians in December 2017."],"access_subjects_ssim":["Art","Lithography","Music","Opera"],"access_subjects_ssm":["Art","Lithography","Music","Opera"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 item."],"extent_tesim":[".01 Linear Feet 1 item."],"date_range_isim":[1829],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eBrass, David. [\"Scheffer, Jean-Gabriel] Ce qu'on dit et ce qu'on pense [What one says and what one thinks].\" David Brass Rare Books. December 11, 2020. https://www.davidbrassrarebooks.com/pages/books/04082/jean-gabriel-scheffer/ce-quon-dit-et-ce-quon-pense-what-one-says-and-what-one-thinks.\u003c/p\u003e\n","\u003cp\u003eCaussou, Jean-Louis. \"Gioachino Rossini.\" Encyclopaedia Britannica. December 11, 2020. https://www.britannica.com/biography/Gioachino-Rossini.\u003c/p\u003e\n","\u003cp\u003eIves, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.\u003c/p\u003e\n","\u003cp\u003e\"Jean Gabriel Scheffer.\" The British Museum. December 11, 2020. https://www.britishmuseum.org/collection/term/BIOG45277.\u003c/p\u003e\n","\u003cp\u003e\"Lithography, Heliography \u0026amp; Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.\u003c/p\u003e\n","\u003cp\u003e\"Synopsis: La Cenerentola.\" The Metropolitan Opera. December 11, 2020. https://www.metopera.org/discover/synopses/la-cenerentola/.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Brass, David. [\"Scheffer, Jean-Gabriel] Ce qu'on dit et ce qu'on pense [What one says and what one thinks].\" David Brass Rare Books. December 11, 2020. https://www.davidbrassrarebooks.com/pages/books/04082/jean-gabriel-scheffer/ce-quon-dit-et-ce-quon-pense-what-one-says-and-what-one-thinks.","Caussou, Jean-Louis. \"Gioachino Rossini.\" Encyclopaedia Britannica. December 11, 2020. https://www.britannica.com/biography/Gioachino-Rossini.","Ives, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.","\"Jean Gabriel Scheffer.\" The British Museum. December 11, 2020. https://www.britishmuseum.org/collection/term/BIOG45277.","\"Lithography, Heliography \u0026 Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.","\"Synopsis: La Cenerentola.\" The Metropolitan Opera. December 11, 2020. https://www.metopera.org/discover/synopses/la-cenerentola/."],"bioghist_html_tesm":["\u003cp\u003eGioachino Rossini was one of the most successful opera composers of the 19th century. Born in Italy in 1792, he enjoyed success during his lifetime with the popular works The Barber of Seville, La Cenerentola (Cinderella), and William Tell. Rossini died in 1868. His operas are still performed today.\u003c/p\u003e\n","\u003cp\u003eLithography was a method of illustration that rose to popularity in the 19th century. Invented by Alois Senefelder of Germany in 1796, lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the resulting image - an extremely economical method as multiple copies could be created in one sitting. Colored lithography came soon after, and was also extremely popular.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Note"],"bioghist_tesim":["Gioachino Rossini was one of the most successful opera composers of the 19th century. Born in Italy in 1792, he enjoyed success during his lifetime with the popular works The Barber of Seville, La Cenerentola (Cinderella), and William Tell. Rossini died in 1868. His operas are still performed today.","Lithography was a method of illustration that rose to popularity in the 19th century. Invented by Alois Senefelder of Germany in 1796, lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the resulting image - an extremely economical method as multiple copies could be created in one sitting. Colored lithography came soon after, and was also extremely popular."],"prefercite_html_tesm":["\u003cp\u003eLithograph from the volume \"Ce Qu'on Dit et Ce Qu'on Pense\" featuring Gioachino Rossini by Jean-Gabriel Scheffer, C0460, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Lithograph from the volume \"Ce Qu'on Dit et Ce Qu'on Pense\" featuring Gioachino Rossini by Jean-Gabriel Scheffer, C0460, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Amanda Brent in December 2020. EAD markup completed by Amanda Brent in December 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Amanda Brent in December 2020. EAD markup completed by Amanda Brent in December 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections related to opera and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections related to opera and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eSingle lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829. The volume features multiple lithographic illustrations of various instances of people demonstrating that what they are saying to others is not what they are, in fact, thinking. \u003c/p\u003e\n","\u003cp\u003eThis particular illustration features the prominent Italian opera composer Gioachino Rossini speaking with a young man standing next to a piano in a salon, a cello leaning against the keyboard. In addition to the titular text, below the image text in French reads \"Je donnerais trois op[é]ras pour avoir fait votre romance,\" which translates to  \"I would give three operas for making your romance.\" Parallel to the text is a printed music quotation from Rossini's opera La Cenerentola, in which the character Don Magnifico describes a dream he has about a flying donkey: \"Un somaro, ma sollene\" which translates from the Italian to \"A donkey, but solemn,\" illustrating was Rossini actually \"thinks\" about the young man.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Single lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829. The volume features multiple lithographic illustrations of various instances of people demonstrating that what they are saying to others is not what they are, in fact, thinking. ","This particular illustration features the prominent Italian opera composer Gioachino Rossini speaking with a young man standing next to a piano in a salon, a cello leaning against the keyboard. In addition to the titular text, below the image text in French reads \"Je donnerais trois op[é]ras pour avoir fait votre romance,\" which translates to  \"I would give three operas for making your romance.\" Parallel to the text is a printed music quotation from Rossini's opera La Cenerentola, in which the character Don Magnifico describes a dream he has about a flying donkey: \"Un somaro, ma sollene\" which translates from the Italian to \"A donkey, but solemn,\" illustrating was Rossini actually \"thinks\" about the young man."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_87df63817936cf882a64bba97843ab3d\" label=\"Abstract\"\u003eSingle lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829.\u003c/abstract\u003e"],"abstract_tesim":["Single lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a558beffd71ec61d02f6b867844c0eae\"\u003eR 72, C 3, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Scheffer, Jean Gabriel, 1797-1876","Rossini, Gioacchino, 1792-1868"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Rossini, Gioacchino, 1792-1868"],"persname_ssim":["Scheffer, Jean Gabriel, 1797-1876","Rossini, Gioacchino, 1792-1868"],"language_ssim":["French \n.    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[\"Scheffer, Jean-Gabriel] Ce qu'on dit et ce qu'on pense [What one says and what one thinks].\" David Brass Rare Books. December 11, 2020. https://www.davidbrassrarebooks.com/pages/books/04082/jean-gabriel-scheffer/ce-quon-dit-et-ce-quon-pense-what-one-says-and-what-one-thinks.","Caussou, Jean-Louis. \"Gioachino Rossini.\" Encyclopaedia Britannica. December 11, 2020. https://www.britannica.com/biography/Gioachino-Rossini.","Ives, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.","\"Jean Gabriel Scheffer.\" The British Museum. December 11, 2020. https://www.britishmuseum.org/collection/term/BIOG45277.","\"Lithography, Heliography \u0026 Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.","\"Synopsis: La Cenerentola.\" The Metropolitan Opera. December 11, 2020. https://www.metopera.org/discover/synopses/la-cenerentola/.","Gioachino Rossini was one of the most successful opera composers of the 19th century. Born in Italy in 1792, he enjoyed success during his lifetime with the popular works The Barber of Seville, La Cenerentola (Cinderella), and William Tell. Rossini died in 1868. His operas are still performed today.","Lithography was a method of illustration that rose to popularity in the 19th century. Invented by Alois Senefelder of Germany in 1796, lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the resulting image - an extremely economical method as multiple copies could be created in one sitting. Colored lithography came soon after, and was also extremely popular.","Processed by Amanda Brent in December 2020. EAD markup completed by Amanda Brent in December 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections related to opera and the performing arts.","Single lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829. The volume features multiple lithographic illustrations of various instances of people demonstrating that what they are saying to others is not what they are, in fact, thinking. ","This particular illustration features the prominent Italian opera composer Gioachino Rossini speaking with a young man standing next to a piano in a salon, a cello leaning against the keyboard. In addition to the titular text, below the image text in French reads \"Je donnerais trois op[é]ras pour avoir fait votre romance,\" which translates to  \"I would give three operas for making your romance.\" Parallel to the text is a printed music quotation from Rossini's opera La Cenerentola, in which the character Don Magnifico describes a dream he has about a flying donkey: \"Un somaro, ma sollene\" which translates from the Italian to \"A donkey, but solemn,\" illustrating was Rossini actually \"thinks\" about the young man.","Public Domain. There are no known restrictions.","Single lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829.","R 72, C 3, S 5","George Mason University. Libraries. Special Collections Research Center","Scheffer, Jean Gabriel, 1797-1876","Rossini, Gioacchino, 1792-1868","French \n.    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December 11, 2020. https://www.davidbrassrarebooks.com/pages/books/04082/jean-gabriel-scheffer/ce-quon-dit-et-ce-quon-pense-what-one-says-and-what-one-thinks.\u003c/p\u003e\n","\u003cp\u003eCaussou, Jean-Louis. \"Gioachino Rossini.\" Encyclopaedia Britannica. December 11, 2020. https://www.britannica.com/biography/Gioachino-Rossini.\u003c/p\u003e\n","\u003cp\u003eIves, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.\u003c/p\u003e\n","\u003cp\u003e\"Jean Gabriel Scheffer.\" The British Museum. December 11, 2020. https://www.britishmuseum.org/collection/term/BIOG45277.\u003c/p\u003e\n","\u003cp\u003e\"Lithography, Heliography \u0026amp; Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.\u003c/p\u003e\n","\u003cp\u003e\"Synopsis: La Cenerentola.\" The Metropolitan Opera. December 11, 2020. https://www.metopera.org/discover/synopses/la-cenerentola/.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Brass, David. [\"Scheffer, Jean-Gabriel] Ce qu'on dit et ce qu'on pense [What one says and what one thinks].\" David Brass Rare Books. December 11, 2020. https://www.davidbrassrarebooks.com/pages/books/04082/jean-gabriel-scheffer/ce-quon-dit-et-ce-quon-pense-what-one-says-and-what-one-thinks.","Caussou, Jean-Louis. \"Gioachino Rossini.\" Encyclopaedia Britannica. December 11, 2020. https://www.britannica.com/biography/Gioachino-Rossini.","Ives, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.","\"Jean Gabriel Scheffer.\" The British Museum. December 11, 2020. https://www.britishmuseum.org/collection/term/BIOG45277.","\"Lithography, Heliography \u0026 Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.","\"Synopsis: La Cenerentola.\" The Metropolitan Opera. December 11, 2020. https://www.metopera.org/discover/synopses/la-cenerentola/."],"bioghist_html_tesm":["\u003cp\u003eGioachino Rossini was one of the most successful opera composers of the 19th century. Born in Italy in 1792, he enjoyed success during his lifetime with the popular works The Barber of Seville, La Cenerentola (Cinderella), and William Tell. Rossini died in 1868. His operas are still performed today.\u003c/p\u003e\n","\u003cp\u003eLithography was a method of illustration that rose to popularity in the 19th century. Invented by Alois Senefelder of Germany in 1796, lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the resulting image - an extremely economical method as multiple copies could be created in one sitting. 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This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections related to opera and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections related to opera and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eSingle lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829. The volume features multiple lithographic illustrations of various instances of people demonstrating that what they are saying to others is not what they are, in fact, thinking. \u003c/p\u003e\n","\u003cp\u003eThis particular illustration features the prominent Italian opera composer Gioachino Rossini speaking with a young man standing next to a piano in a salon, a cello leaning against the keyboard. In addition to the titular text, below the image text in French reads \"Je donnerais trois op[é]ras pour avoir fait votre romance,\" which translates to  \"I would give three operas for making your romance.\" Parallel to the text is a printed music quotation from Rossini's opera La Cenerentola, in which the character Don Magnifico describes a dream he has about a flying donkey: \"Un somaro, ma sollene\" which translates from the Italian to \"A donkey, but solemn,\" illustrating was Rossini actually \"thinks\" about the young man.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Single lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829. 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Editors of Encyclopaedia. \"Luigi Cherubini.\" Encyclopedia Britannica, Invalid Date. https://www.britannica.com/biography/Luigi-Cherubini.","Fend, Michael. \"Cherubini, Luigi.\" Grove Music Online. 2001; Accessed 8 Apr. 2021. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000053110.","Portrait of Cardinal Fesh by Charles Bour after Félix Emmanuel Henri Philippoteaux, 1851, The British Museum. Accessed April 8, 2021. https://www.britishmuseum.org/collection/object/P_1926-0412-158.","Portrait of Luigi Cherubini (1760-1842) Seated at the Piano Composing, Félix Emmanuel Henri Philippoteaux, Pierpont Morgan Library Dept. of Drawings and Prints, The Morgan Library \u0026 Museum. Accessed April 8, 2021. https://www.themorgan.org/drawings/item/109980.","Luigi Cherubini was an Italian-French composer who lived from 1760 - 1842, and was a prominent musical figure in France, particularly Paris during the French Revolution. 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Rigo et Cie. - Ch. Bour lith.\" and the title \"Chérubini.\" The lithograph was printed by Jules Alfred Vinvent Rigo.","Public Domain. There are no known restrictions.","Hand-colored lithograph portrait of Luigi Cherubini by Charles Bour after the painting by Félix Emmanuel Henri Philippoteaux, created circa 1840s.","R 72, C 3, S 5","George Mason University. Libraries. Special Collections Research Center","Bour, Charles, 1814-1881","Cherubini, Luigi, 1760-1842","French \n.    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There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6e5acb99afcc59154e47de14578a988c\" label=\"Abstract\"\u003eHand-colored lithograph portrait of Luigi Cherubini by Charles Bour after the painting by Félix Emmanuel Henri Philippoteaux, created circa 1840s.\u003c/abstract\u003e"],"abstract_tesim":["Hand-colored lithograph portrait of Luigi Cherubini by Charles Bour after the painting by Félix Emmanuel Henri Philippoteaux, created circa 1840s."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ee04c914ff9c4a5a766ed8a772b24bf2\"\u003eR 72, C 3, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Bour, Charles, 1814-1881","Cherubini, Luigi, 1760-1842"],"corpname_ssim":["George Mason University. Libraries. 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Editors of Encyclopaedia. \"Luigi Cherubini.\" Encyclopedia Britannica, Invalid Date. https://www.britannica.com/biography/Luigi-Cherubini.","Fend, Michael. \"Cherubini, Luigi.\" Grove Music Online. 2001; Accessed 8 Apr. 2021. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000053110.","Portrait of Cardinal Fesh by Charles Bour after Félix Emmanuel Henri Philippoteaux, 1851, The British Museum. Accessed April 8, 2021. https://www.britishmuseum.org/collection/object/P_1926-0412-158.","Portrait of Luigi Cherubini (1760-1842) Seated at the Piano Composing, Félix Emmanuel Henri Philippoteaux, Pierpont Morgan Library Dept. of Drawings and Prints, The Morgan Library \u0026 Museum. Accessed April 8, 2021. https://www.themorgan.org/drawings/item/109980.","Luigi Cherubini was an Italian-French composer who lived from 1760 - 1842, and was a prominent musical figure in France, particularly Paris during the French Revolution. Cherubini's work mostly consisted of sacred music, but he eventually turned to composing operas in both Italian and French. Cherubini was a contemporary of Beethoven and was overshadowed by the famed composer, though Beethoven studied and admired him. Cherubini's work is still performed today.","Processing completed by Amanda Brent in April 2021. EAD markup completed by Amanda Brent in April 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other materials related to music, opera, and the performing arts.","Hand-colored lithograph portrait of Luigi Cherubini by Charles Bour after the painting by Félix Emmanuel Henri Philippoteaux, created circa 1840s. In the print, Cherubini sits at a piano with a quill in hand, with scores on the floor and table beside him, presumably at work composing music. French abbreviated text at the bottom of the print reads \"F. Philippoteaux pinx.t - Imp. J. 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This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other materials related to music, opera, and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other materials related to music, opera, and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eHand-colored lithograph portrait of Luigi Cherubini by Charles Bour after the painting by Félix Emmanuel Henri Philippoteaux, created circa 1840s. In the print, Cherubini sits at a piano with a quill in hand, with scores on the floor and table beside him, presumably at work composing music. French abbreviated text at the bottom of the print reads \"F. Philippoteaux pinx.t - Imp. J. Rigo et Cie. - Ch. Bour lith.\" and the title \"Chérubini.\" The lithograph was printed by Jules Alfred Vinvent Rigo.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Hand-colored lithograph portrait of Luigi Cherubini by Charles Bour after the painting by Félix Emmanuel Henri Philippoteaux, created circa 1840s. In the print, Cherubini sits at a piano with a quill in hand, with scores on the floor and table beside him, presumably at work composing music. French abbreviated text at the bottom of the print reads \"F. Philippoteaux pinx.t - Imp. J. Rigo et Cie. - Ch. Bour lith.\" and the title \"Chérubini.\" The lithograph was printed by Jules Alfred Vinvent Rigo."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. 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Accessed May 18, 2021. https://www.baerenreiter.com/en/shop/product/details/BA5462_90/.","Britannica, T. Editors of Encyclopaedia. \"Pauline Viardot.\" Encyclopaedia Britannica, accessed May 18, 2021. https://www.britannica.com/biography/Pauline-Viardot.","Jeal, Erica. \"Pauline who?\" The Guardian, February 23, 2006. https://www.theguardian.com/music/2006/feb/24/classicalmusicandopera."," Portrait of Benjamin Franklin by Auguste Toussaint Lecler, 83.2.2023(8), The Metropolitan Museum of Art. https://www.metmuseum.org/art/collection/search/717941.\n \n Willson, Flora. \"Classic Staging: Pauline Viardot and the 1859 \"Orphée\" Revival.\" Cambridge Opera Journal 22, no. 3 (2010): 301-26. Accessed May 18, 2021. http://www.jstor.org/stable/41493879.","Pauline Viardot - born Michelle Ferdinande Pauline García Sitches, and also known professionally as Pauline García - was a famous mezzo-soprano opera singer and composer during the second half of the 19th century. Viardot came from a musical family, with both her father, Manuel García, and older sister, Maria Malibran, being acclaimed opera singers in their own right. The family was also closely linked to the composer Gioachino Rossini, and other musical contemporaries. Born in 1821, Viardot studied piano from Franz Liszt as a child, and up until her teen years was set to become a pianist. It was just before her older sister Maria died tragically at the age of 28 that Pauline was placed on a new course for opera at her mother's insistence. ","Arguably, Viardot eventually surpassed her famous sister in the opera world, with both an incredible range (from soprano to contralto) as well as a frequently documented talent for performance. Her most famous and enduring role was that of Orphée (Orpheus) in 1859 in a reworked version of Gluck's \"Orfeo ed Euridice,\" retitled \"Orphée,\"  by Louis-Hector Berlioz. The role of Orfeo had been transposed by Berlioz from a tenor role to a contralto \"pants role,\" specifically for Viardot. Viardot has a lifelong successful career in music, and later in life turned to composing. She passed away in 1910.","Processing completed by Amanda Brent in May 2021. EAD markup completed by Amanda Brent in May 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections and materials on opera and opera singers.","The Houghton Library at Harvard University holds the   and the  .","Lithographic print portrait of Pauline Viardot by \"L. Loire.\" The portrait features a young, likely teenaged Viardot from the waist up in a white dress. Below the portrait it reads in French: \"Melle. Pauline Garcia.\" Also included is the printer's information, which reads: \"Paris, chez Rosselin, Editeur, 21, Quai Voltaire. No. 146. Lith. 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","Arguably, Viardot eventually surpassed her famous sister in the opera world, with both an incredible range (from soprano to contralto) as well as a frequently documented talent for performance. Her most famous and enduring role was that of Orphée (Orpheus) in 1859 in a reworked version of Gluck's \"Orfeo ed Euridice,\" retitled \"Orphée,\"  by Louis-Hector Berlioz. The role of Orfeo had been transposed by Berlioz from a tenor role to a contralto \"pants role,\" specifically for Viardot. Viardot has a lifelong successful career in music, and later in life turned to composing. 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This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections and materials on opera and opera singers.\u003c/p\u003e\n","\u003cp\u003eThe Houghton Library at Harvard University holds the \u003cextptr show=\"new\" title=\"Pauline Viardot-Garcia papers\" href=\"https://hollisarchives.lib.harvard.edu/repositories/24/resources/1387\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Pauline Viardot-Garcia additional papers\" href=\"https://hollisarchives.lib.harvard.edu/repositories/24/resources/3178\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections and materials on opera and opera singers.","The Houghton Library at Harvard University holds the   and the  ."],"scopecontent_html_tesm":["\u003cp\u003eLithographic print portrait of Pauline Viardot by \"L. 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Permission to publish material from the Lithographic print portrait of Pauline Viardot must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no restrictions on personal use. Permission to publish material from the Lithographic print portrait of Pauline Viardot must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ba7955edd7809983117ed0c609883895\" label=\"Abstract\"\u003eLithographic print portrait of Pauline Viardot by \"L. Loire.\" The portrait features a young, likely teenaged Viardot from the waist up in a white dress, circa 1839.\u003c/abstract\u003e"],"abstract_tesim":["Lithographic print portrait of Pauline Viardot by \"L. Loire.\" The portrait features a young, likely teenaged Viardot from the waist up in a white dress, circa 1839."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_93bfb13b9fe5589a5feff7c166802196\"\u003eR 72, C 3, S 1\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 1"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Viardot-García, Pauline, 1821-1910"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Viardot-García, Pauline, 1821-1910"],"persname_ssim":["Viardot-García, Pauline, 1821-1910"],"language_ssim":["French \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:52:54.042Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_564","ead_ssi":"vifgm_repositories_2_resources_564","_root_":"vifgm_repositories_2_resources_564","_nest_parent_":"vifgm_repositories_2_resources_564","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_564.xml","title_ssm":["Lithographic print portrait of Pauline Viardot"],"title_tesim":["Lithographic print portrait of Pauline Viardot"],"unitdate_ssm":["circa 1839"],"unitdate_other_ssim":["circa 1839"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0484","/repositories/2/resources/564"],"text":["C0484","/repositories/2/resources/564","Lithographic print portrait of Pauline Viardot","Lithography","Music","Opera","There are no access restrictions.","This is a single item collection.","\"Berlioz, Hector - Orphée[.]\" Barenreiter. Accessed May 18, 2021. https://www.baerenreiter.com/en/shop/product/details/BA5462_90/.","Britannica, T. Editors of Encyclopaedia. \"Pauline Viardot.\" Encyclopaedia Britannica, accessed May 18, 2021. https://www.britannica.com/biography/Pauline-Viardot.","Jeal, Erica. \"Pauline who?\" The Guardian, February 23, 2006. https://www.theguardian.com/music/2006/feb/24/classicalmusicandopera."," Portrait of Benjamin Franklin by Auguste Toussaint Lecler, 83.2.2023(8), The Metropolitan Museum of Art. https://www.metmuseum.org/art/collection/search/717941.\n \n Willson, Flora. \"Classic Staging: Pauline Viardot and the 1859 \"Orphée\" Revival.\" Cambridge Opera Journal 22, no. 3 (2010): 301-26. Accessed May 18, 2021. http://www.jstor.org/stable/41493879.","Pauline Viardot - born Michelle Ferdinande Pauline García Sitches, and also known professionally as Pauline García - was a famous mezzo-soprano opera singer and composer during the second half of the 19th century. Viardot came from a musical family, with both her father, Manuel García, and older sister, Maria Malibran, being acclaimed opera singers in their own right. The family was also closely linked to the composer Gioachino Rossini, and other musical contemporaries. Born in 1821, Viardot studied piano from Franz Liszt as a child, and up until her teen years was set to become a pianist. It was just before her older sister Maria died tragically at the age of 28 that Pauline was placed on a new course for opera at her mother's insistence. ","Arguably, Viardot eventually surpassed her famous sister in the opera world, with both an incredible range (from soprano to contralto) as well as a frequently documented talent for performance. Her most famous and enduring role was that of Orphée (Orpheus) in 1859 in a reworked version of Gluck's \"Orfeo ed Euridice,\" retitled \"Orphée,\"  by Louis-Hector Berlioz. The role of Orfeo had been transposed by Berlioz from a tenor role to a contralto \"pants role,\" specifically for Viardot. Viardot has a lifelong successful career in music, and later in life turned to composing. She passed away in 1910.","Processing completed by Amanda Brent in May 2021. EAD markup completed by Amanda Brent in May 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections and materials on opera and opera singers.","The Houghton Library at Harvard University holds the   and the  .","Lithographic print portrait of Pauline Viardot by \"L. Loire.\" The portrait features a young, likely teenaged Viardot from the waist up in a white dress. Below the portrait it reads in French: \"Melle. Pauline Garcia.\" Also included is the printer's information, which reads: \"Paris, chez Rosselin, Editeur, 21, Quai Voltaire. No. 146. Lith. Marcilly, rue de la Parchemmerie, No. 2.\" The print was made circa 1839.","Public Domain. There are no restrictions on personal use. Permission to publish material from the Lithographic print portrait of Pauline Viardot must be obtained from Special Collections Research Center, George Mason University Libraries.","Lithographic print portrait of Pauline Viardot by \"L. Loire.\" The portrait features a young, likely teenaged Viardot from the waist up in a white dress, circa 1839.","R 72, C 3, S 1","George Mason University. Libraries. Special Collections Research Center","Viardot-García, Pauline, 1821-1910","French \n.    "],"unitid_tesim":["C0484","/repositories/2/resources/564"],"normalized_title_ssm":["Lithographic print portrait of Pauline Viardot"],"collection_title_tesim":["Lithographic print portrait of Pauline Viardot"],"collection_ssim":["Lithographic print portrait of Pauline Viardot"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["Public Domain. There are no restrictions on personal use. Permission to publish material from the Lithographic print portrait of Pauline Viardot must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Purchased by Steve Gerber in January 2016."],"access_subjects_ssim":["Lithography","Music","Opera"],"access_subjects_ssm":["Lithography","Music","Opera"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 item"],"extent_tesim":[".01 Linear Feet 1 item"],"date_range_isim":[1839],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003e\"Berlioz, Hector - Orphée[.]\" Barenreiter. Accessed May 18, 2021. https://www.baerenreiter.com/en/shop/product/details/BA5462_90/.\u003c/p\u003e\n","\u003cp\u003eBritannica, T. Editors of Encyclopaedia. \"Pauline Viardot.\" Encyclopaedia Britannica, accessed May 18, 2021. https://www.britannica.com/biography/Pauline-Viardot.\u003c/p\u003e\n","\u003cp\u003eJeal, Erica. \"Pauline who?\" The Guardian, February 23, 2006. https://www.theguardian.com/music/2006/feb/24/classicalmusicandopera.\u003c/p\u003e\n","\u003cp\u003e Portrait of Benjamin Franklin by Auguste Toussaint Lecler, 83.2.2023(8), The Metropolitan Museum of Art. https://www.metmuseum.org/art/collection/search/717941.\n \n Willson, Flora. \"Classic Staging: Pauline Viardot and the 1859 \"Orphée\" Revival.\" Cambridge Opera Journal 22, no. 3 (2010): 301-26. Accessed May 18, 2021. http://www.jstor.org/stable/41493879.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Berlioz, Hector - Orphée[.]\" Barenreiter. Accessed May 18, 2021. https://www.baerenreiter.com/en/shop/product/details/BA5462_90/.","Britannica, T. Editors of Encyclopaedia. \"Pauline Viardot.\" Encyclopaedia Britannica, accessed May 18, 2021. https://www.britannica.com/biography/Pauline-Viardot.","Jeal, Erica. \"Pauline who?\" The Guardian, February 23, 2006. https://www.theguardian.com/music/2006/feb/24/classicalmusicandopera."," Portrait of Benjamin Franklin by Auguste Toussaint Lecler, 83.2.2023(8), The Metropolitan Museum of Art. https://www.metmuseum.org/art/collection/search/717941.\n \n Willson, Flora. \"Classic Staging: Pauline Viardot and the 1859 \"Orphée\" Revival.\" Cambridge Opera Journal 22, no. 3 (2010): 301-26. Accessed May 18, 2021. http://www.jstor.org/stable/41493879."],"bioghist_html_tesm":["\u003cp\u003ePauline Viardot - born Michelle Ferdinande Pauline García Sitches, and also known professionally as Pauline García - was a famous mezzo-soprano opera singer and composer during the second half of the 19th century. Viardot came from a musical family, with both her father, Manuel García, and older sister, Maria Malibran, being acclaimed opera singers in their own right. The family was also closely linked to the composer Gioachino Rossini, and other musical contemporaries. Born in 1821, Viardot studied piano from Franz Liszt as a child, and up until her teen years was set to become a pianist. It was just before her older sister Maria died tragically at the age of 28 that Pauline was placed on a new course for opera at her mother's insistence. \u003c/p\u003e\n","\u003cp\u003eArguably, Viardot eventually surpassed her famous sister in the opera world, with both an incredible range (from soprano to contralto) as well as a frequently documented talent for performance. Her most famous and enduring role was that of Orphée (Orpheus) in 1859 in a reworked version of Gluck's \"Orfeo ed Euridice,\" retitled \"Orphée,\"  by Louis-Hector Berlioz. The role of Orfeo had been transposed by Berlioz from a tenor role to a contralto \"pants role,\" specifically for Viardot. Viardot has a lifelong successful career in music, and later in life turned to composing. 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","Arguably, Viardot eventually surpassed her famous sister in the opera world, with both an incredible range (from soprano to contralto) as well as a frequently documented talent for performance. Her most famous and enduring role was that of Orphée (Orpheus) in 1859 in a reworked version of Gluck's \"Orfeo ed Euridice,\" retitled \"Orphée,\"  by Louis-Hector Berlioz. The role of Orfeo had been transposed by Berlioz from a tenor role to a contralto \"pants role,\" specifically for Viardot. Viardot has a lifelong successful career in music, and later in life turned to composing. She passed away in 1910."],"prefercite_html_tesm":["\u003cp\u003eLithographic print portrait of Pauline Viardot, C0484, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Lithographic print portrait of Pauline Viardot, C0484, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in May 2021. EAD markup completed by Amanda Brent in May 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in May 2021. EAD markup completed by Amanda Brent in May 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections and materials on opera and opera singers.\u003c/p\u003e\n","\u003cp\u003eThe Houghton Library at Harvard University holds the \u003cextptr show=\"new\" title=\"Pauline Viardot-Garcia papers\" href=\"https://hollisarchives.lib.harvard.edu/repositories/24/resources/1387\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Pauline Viardot-Garcia additional papers\" href=\"https://hollisarchives.lib.harvard.edu/repositories/24/resources/3178\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections and materials on opera and opera singers.","The Houghton Library at Harvard University holds the   and the  ."],"scopecontent_html_tesm":["\u003cp\u003eLithographic print portrait of Pauline Viardot by \"L. Loire.\" The portrait features a young, likely teenaged Viardot from the waist up in a white dress. Below the portrait it reads in French: \"Melle. Pauline Garcia.\" Also included is the printer's information, which reads: \"Paris, chez Rosselin, Editeur, 21, Quai Voltaire. No. 146. Lith. Marcilly, rue de la Parchemmerie, No. 2.\" The print was made circa 1839.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Lithographic print portrait of Pauline Viardot by \"L. Loire.\" The portrait features a young, likely teenaged Viardot from the waist up in a white dress. Below the portrait it reads in French: \"Melle. Pauline Garcia.\" Also included is the printer's information, which reads: \"Paris, chez Rosselin, Editeur, 21, Quai Voltaire. No. 146. Lith. Marcilly, rue de la Parchemmerie, No. 2.\" The print was made circa 1839."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no restrictions on personal use. Permission to publish material from the Lithographic print portrait of Pauline Viardot must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no restrictions on personal use. Permission to publish material from the Lithographic print portrait of Pauline Viardot must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ba7955edd7809983117ed0c609883895\" label=\"Abstract\"\u003eLithographic print portrait of Pauline Viardot by \"L. Loire.\" The portrait features a young, likely teenaged Viardot from the waist up in a white dress, circa 1839.\u003c/abstract\u003e"],"abstract_tesim":["Lithographic print portrait of Pauline Viardot by \"L. 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"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:52:54.042Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_564"}},{"id":"vifgm_repositories_2_resources_767","type":"collection","attributes":{"title":"Lithograph of The Germania Musical Society","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_767#creator","type":"document_value","attributes":{"value":"Sarony \u0026 Major","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_767#abstract_or_scope","type":"document_value","attributes":{"value":"Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_767#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_767","ead_ssi":"vifgm_repositories_2_resources_767","_root_":"vifgm_repositories_2_resources_767","_nest_parent_":"vifgm_repositories_2_resources_767","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_767.xml","title_filing_ssi":"Lithograph of The Germania Musical Society","title_ssm":["Lithograph of The Germania Musical Society"],"title_tesim":["Lithograph of The Germania Musical Society"],"unitdate_ssm":["circa 1848-1850"],"unitdate_inclusive_ssm":["circa 1848-1850"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0542","/repositories/2/resources/767"],"text":["C0542","/repositories/2/resources/767","Lithograph of The Germania Musical Society","Lithography","Art","Music","Performing arts","There are no access restrictions.","This is a single item collection.","Eiseman, Lee. 2024. \"Dance Music of the Germania Musical Society.\" News \u0026 Features.  The Boston Musical Intelligencer , February 8. https://www.classical-scene.com/2024/02/08/dance-germania/.","Historic Music of Newport. n.d. \"The Germania Musical Society in Newport.\" Accessed December 17, 2025. https://www.historicmusicofnewport.org/blog/germania-musical-society.","Huntington Digital Library. n.d. \"The Germania Musical Society. - Jay T. Last Collection of Graphic Arts and Social History.\" Accessed December 17, 2025. https://hdl.huntington.org/digital/collection/p16003coll4/id/2648.","\"Sarony, Major \u0026 Knapp.\" n.d.  American Historical Print Collectors Society (AHPCS) . Accessed December 17, 2025. https://ahpcs.org/publisher/sarony-major-knapp/.","Formally founded in 1848, the group that became the Germania Musical Society originated with members of Joseph Gungl's orchestra in Berlin, Germany in late 1847. The group's first concert took place on May 4, 1848 at the Milentzschen Saale in Berlin and was attended by both the United States Minister to Berlin and the English Ambassador. After a brief tour in London, England, the group set sail for the United States on August 2, 1848. After arriving in New York City on September 28, the group gave their first United States performance on October 5 at Niblo's Garden (also known as Niblo's Opera House) and were soon in-demand for both public and private events in and around New York City and among the wealthy summer residents of Newport, Rhode Island. The Germania Musical Society eventually settled in Boston, Massachusetts before formally disbanding in the mid-1850s, although some members would continue to use the name for smaller orchestra groups.","Processing and finding aid completed by Meghan Glasbrenner in December 2025.","The Special Collections Research Center holds other pieces of lithography, such as the  \"La Navarraise\" opera scene and costume lithographs , and other  music  and  performing arts  collections.","Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850. The title is written in large font at the bottom of the illustration, with publisher attribution \"Lith. Of Sarony \u0026 Major, New York\" appearing above the title in smaller font. Underneath the illustration of each individual member is a number, possibly indicating their chair or position, which then corresponds to a more detailed listing below this containing their first initial, last name, and instrument, with the exception of No. 18 which includes just the individual's name. Twenty-one of the individuals are depicted holding their musical instrument, with the individual in the center, labeled No. 1 and identified as the \"Leader,\" depicted holding a scroll of paper and possibly a baton.","Dating for the lithograph is based on the use of Sarony \u0026 Major as a credit line between 1845-1857, the society's formation in 1848, and Charles Lenschow's resignation as Leader in 1850.","Public Domain. There are no known restrictions.","Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850.","Map Case 27.2","George Mason University. Libraries. Special Collections Research Center","Sarony \u0026 Major","Germania Musical Society","English"],"unitid_tesim":["C0542","/repositories/2/resources/767"],"normalized_title_ssm":["Lithograph of The Germania Musical Society"],"collection_title_tesim":["Lithograph of The Germania Musical Society"],"collection_ssim":["Lithograph of The Germania Musical Society"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Sarony \u0026 Major"],"creator_ssim":["Sarony \u0026 Major"],"creator_corpname_ssim":["Sarony \u0026 Major"],"creators_ssim":["Sarony \u0026 Major"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by Steve Gerber from J \u0026 J Lubrano Music Antiquarians in October 2011."],"access_subjects_ssim":["Lithography","Art","Music","Performing arts"],"access_subjects_ssm":["Lithography","Art","Music","Performing arts"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 item"],"extent_tesim":[".01 Linear Feet 1 item"],"date_range_isim":[1848,1849,1850],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eEiseman, Lee. 2024. \"Dance Music of the Germania Musical Society.\" News \u0026amp; Features. \u003ctitle\u003eThe Boston Musical Intelligencer\u003c/title\u003e, February 8. https://www.classical-scene.com/2024/02/08/dance-germania/.\u003c/p\u003e\n","\u003cp\u003eHistoric Music of Newport. n.d. \"The Germania Musical Society in Newport.\" Accessed December 17, 2025. https://www.historicmusicofnewport.org/blog/germania-musical-society.\u003c/p\u003e\n","\u003cp\u003eHuntington Digital Library. n.d. \"The Germania Musical Society. - Jay T. Last Collection of Graphic Arts and Social History.\" Accessed December 17, 2025. https://hdl.huntington.org/digital/collection/p16003coll4/id/2648.\u003c/p\u003e\n","\u003cp\u003e\"Sarony, Major \u0026amp; Knapp.\" n.d. \u003ctitle\u003eAmerican Historical Print Collectors Society (AHPCS)\u003c/title\u003e. Accessed December 17, 2025. https://ahpcs.org/publisher/sarony-major-knapp/.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Eiseman, Lee. 2024. \"Dance Music of the Germania Musical Society.\" News \u0026 Features.  The Boston Musical Intelligencer , February 8. https://www.classical-scene.com/2024/02/08/dance-germania/.","Historic Music of Newport. n.d. \"The Germania Musical Society in Newport.\" Accessed December 17, 2025. https://www.historicmusicofnewport.org/blog/germania-musical-society.","Huntington Digital Library. n.d. \"The Germania Musical Society. - Jay T. Last Collection of Graphic Arts and Social History.\" Accessed December 17, 2025. https://hdl.huntington.org/digital/collection/p16003coll4/id/2648.","\"Sarony, Major \u0026 Knapp.\" n.d.  American Historical Print Collectors Society (AHPCS) . Accessed December 17, 2025. https://ahpcs.org/publisher/sarony-major-knapp/."],"bioghist_html_tesm":["\u003cp\u003eFormally founded in 1848, the group that became the Germania Musical Society originated with members of Joseph Gungl's orchestra in Berlin, Germany in late 1847. The group's first concert took place on May 4, 1848 at the Milentzschen Saale in Berlin and was attended by both the United States Minister to Berlin and the English Ambassador. After a brief tour in London, England, the group set sail for the United States on August 2, 1848. After arriving in New York City on September 28, the group gave their first United States performance on October 5 at Niblo's Garden (also known as Niblo's Opera House) and were soon in-demand for both public and private events in and around New York City and among the wealthy summer residents of Newport, Rhode Island. The Germania Musical Society eventually settled in Boston, Massachusetts before formally disbanding in the mid-1850s, although some members would continue to use the name for smaller orchestra groups.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Formally founded in 1848, the group that became the Germania Musical Society originated with members of Joseph Gungl's orchestra in Berlin, Germany in late 1847. The group's first concert took place on May 4, 1848 at the Milentzschen Saale in Berlin and was attended by both the United States Minister to Berlin and the English Ambassador. After a brief tour in London, England, the group set sail for the United States on August 2, 1848. After arriving in New York City on September 28, the group gave their first United States performance on October 5 at Niblo's Garden (also known as Niblo's Opera House) and were soon in-demand for both public and private events in and around New York City and among the wealthy summer residents of Newport, Rhode Island. The Germania Musical Society eventually settled in Boston, Massachusetts before formally disbanding in the mid-1850s, although some members would continue to use the name for smaller orchestra groups."],"prefercite_html_tesm":["\u003cp\u003eLithograph of The Germania Musical Society, C0542, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Lithograph of The Germania Musical Society, C0542, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner in December 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner in December 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other pieces of lithography, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0471\"\u003e\"La Navarraise\" opera scene and costume lithographs\u003c/a\u003e, and other \u003ca href=\"https://aspace.gmu.edu/subjects/sh85088762\"\u003emusic\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/subjects/sh85099818\"\u003eperforming arts\u003c/a\u003e collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other pieces of lithography, such as the  \"La Navarraise\" opera scene and costume lithographs , and other  music  and  performing arts  collections."],"scopecontent_html_tesm":["\u003cp\u003eSingle-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850. The title is written in large font at the bottom of the illustration, with publisher attribution \"Lith. Of Sarony \u0026amp; Major, New York\" appearing above the title in smaller font. Underneath the illustration of each individual member is a number, possibly indicating their chair or position, which then corresponds to a more detailed listing below this containing their first initial, last name, and instrument, with the exception of No. 18 which includes just the individual's name. Twenty-one of the individuals are depicted holding their musical instrument, with the individual in the center, labeled No. 1 and identified as the \"Leader,\" depicted holding a scroll of paper and possibly a baton.\u003c/p\u003e\n","\u003cp\u003eDating for the lithograph is based on the use of Sarony \u0026amp; Major as a credit line between 1845-1857, the society's formation in 1848, and Charles Lenschow's resignation as Leader in 1850.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850. The title is written in large font at the bottom of the illustration, with publisher attribution \"Lith. Of Sarony \u0026 Major, New York\" appearing above the title in smaller font. Underneath the illustration of each individual member is a number, possibly indicating their chair or position, which then corresponds to a more detailed listing below this containing their first initial, last name, and instrument, with the exception of No. 18 which includes just the individual's name. Twenty-one of the individuals are depicted holding their musical instrument, with the individual in the center, labeled No. 1 and identified as the \"Leader,\" depicted holding a scroll of paper and possibly a baton.","Dating for the lithograph is based on the use of Sarony \u0026 Major as a credit line between 1845-1857, the society's formation in 1848, and Charles Lenschow's resignation as Leader in 1850."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_10ba377702ac8ca2304e3e47bbe40dab\"\u003eSingle-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850.\u003c/abstract\u003e"],"abstract_tesim":["Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6798acfe271fecf468b10c0fba3251ec\"\u003eMap Case 27.2\u003c/physloc\u003e"],"physloc_tesim":["Map Case 27.2"],"names_coll_ssim":["Germania Musical Society"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Sarony \u0026 Major","Germania Musical Society"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Sarony \u0026 Major","Germania Musical Society"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:22:41.771Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_767","ead_ssi":"vifgm_repositories_2_resources_767","_root_":"vifgm_repositories_2_resources_767","_nest_parent_":"vifgm_repositories_2_resources_767","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_767.xml","title_filing_ssi":"Lithograph of The Germania Musical Society","title_ssm":["Lithograph of The Germania Musical Society"],"title_tesim":["Lithograph of The Germania Musical Society"],"unitdate_ssm":["circa 1848-1850"],"unitdate_inclusive_ssm":["circa 1848-1850"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0542","/repositories/2/resources/767"],"text":["C0542","/repositories/2/resources/767","Lithograph of The Germania Musical Society","Lithography","Art","Music","Performing arts","There are no access restrictions.","This is a single item collection.","Eiseman, Lee. 2024. \"Dance Music of the Germania Musical Society.\" News \u0026 Features.  The Boston Musical Intelligencer , February 8. https://www.classical-scene.com/2024/02/08/dance-germania/.","Historic Music of Newport. n.d. \"The Germania Musical Society in Newport.\" Accessed December 17, 2025. https://www.historicmusicofnewport.org/blog/germania-musical-society.","Huntington Digital Library. n.d. \"The Germania Musical Society. - Jay T. Last Collection of Graphic Arts and Social History.\" Accessed December 17, 2025. https://hdl.huntington.org/digital/collection/p16003coll4/id/2648.","\"Sarony, Major \u0026 Knapp.\" n.d.  American Historical Print Collectors Society (AHPCS) . Accessed December 17, 2025. https://ahpcs.org/publisher/sarony-major-knapp/.","Formally founded in 1848, the group that became the Germania Musical Society originated with members of Joseph Gungl's orchestra in Berlin, Germany in late 1847. The group's first concert took place on May 4, 1848 at the Milentzschen Saale in Berlin and was attended by both the United States Minister to Berlin and the English Ambassador. After a brief tour in London, England, the group set sail for the United States on August 2, 1848. After arriving in New York City on September 28, the group gave their first United States performance on October 5 at Niblo's Garden (also known as Niblo's Opera House) and were soon in-demand for both public and private events in and around New York City and among the wealthy summer residents of Newport, Rhode Island. The Germania Musical Society eventually settled in Boston, Massachusetts before formally disbanding in the mid-1850s, although some members would continue to use the name for smaller orchestra groups.","Processing and finding aid completed by Meghan Glasbrenner in December 2025.","The Special Collections Research Center holds other pieces of lithography, such as the  \"La Navarraise\" opera scene and costume lithographs , and other  music  and  performing arts  collections.","Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850. The title is written in large font at the bottom of the illustration, with publisher attribution \"Lith. Of Sarony \u0026 Major, New York\" appearing above the title in smaller font. Underneath the illustration of each individual member is a number, possibly indicating their chair or position, which then corresponds to a more detailed listing below this containing their first initial, last name, and instrument, with the exception of No. 18 which includes just the individual's name. Twenty-one of the individuals are depicted holding their musical instrument, with the individual in the center, labeled No. 1 and identified as the \"Leader,\" depicted holding a scroll of paper and possibly a baton.","Dating for the lithograph is based on the use of Sarony \u0026 Major as a credit line between 1845-1857, the society's formation in 1848, and Charles Lenschow's resignation as Leader in 1850.","Public Domain. There are no known restrictions.","Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850.","Map Case 27.2","George Mason University. Libraries. Special Collections Research Center","Sarony \u0026 Major","Germania Musical Society","English"],"unitid_tesim":["C0542","/repositories/2/resources/767"],"normalized_title_ssm":["Lithograph of The Germania Musical Society"],"collection_title_tesim":["Lithograph of The Germania Musical Society"],"collection_ssim":["Lithograph of The Germania Musical Society"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Sarony \u0026 Major"],"creator_ssim":["Sarony \u0026 Major"],"creator_corpname_ssim":["Sarony \u0026 Major"],"creators_ssim":["Sarony \u0026 Major"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by Steve Gerber from J \u0026 J Lubrano Music Antiquarians in October 2011."],"access_subjects_ssim":["Lithography","Art","Music","Performing arts"],"access_subjects_ssm":["Lithography","Art","Music","Performing arts"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 item"],"extent_tesim":[".01 Linear Feet 1 item"],"date_range_isim":[1848,1849,1850],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eEiseman, Lee. 2024. \"Dance Music of the Germania Musical Society.\" News \u0026amp; Features. \u003ctitle\u003eThe Boston Musical Intelligencer\u003c/title\u003e, February 8. https://www.classical-scene.com/2024/02/08/dance-germania/.\u003c/p\u003e\n","\u003cp\u003eHistoric Music of Newport. n.d. \"The Germania Musical Society in Newport.\" Accessed December 17, 2025. https://www.historicmusicofnewport.org/blog/germania-musical-society.\u003c/p\u003e\n","\u003cp\u003eHuntington Digital Library. n.d. \"The Germania Musical Society. - Jay T. Last Collection of Graphic Arts and Social History.\" Accessed December 17, 2025. https://hdl.huntington.org/digital/collection/p16003coll4/id/2648.\u003c/p\u003e\n","\u003cp\u003e\"Sarony, Major \u0026amp; Knapp.\" n.d. \u003ctitle\u003eAmerican Historical Print Collectors Society (AHPCS)\u003c/title\u003e. Accessed December 17, 2025. https://ahpcs.org/publisher/sarony-major-knapp/.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Eiseman, Lee. 2024. \"Dance Music of the Germania Musical Society.\" News \u0026 Features.  The Boston Musical Intelligencer , February 8. https://www.classical-scene.com/2024/02/08/dance-germania/.","Historic Music of Newport. n.d. \"The Germania Musical Society in Newport.\" Accessed December 17, 2025. https://www.historicmusicofnewport.org/blog/germania-musical-society.","Huntington Digital Library. n.d. \"The Germania Musical Society. - Jay T. Last Collection of Graphic Arts and Social History.\" Accessed December 17, 2025. https://hdl.huntington.org/digital/collection/p16003coll4/id/2648.","\"Sarony, Major \u0026 Knapp.\" n.d.  American Historical Print Collectors Society (AHPCS) . Accessed December 17, 2025. https://ahpcs.org/publisher/sarony-major-knapp/."],"bioghist_html_tesm":["\u003cp\u003eFormally founded in 1848, the group that became the Germania Musical Society originated with members of Joseph Gungl's orchestra in Berlin, Germany in late 1847. The group's first concert took place on May 4, 1848 at the Milentzschen Saale in Berlin and was attended by both the United States Minister to Berlin and the English Ambassador. After a brief tour in London, England, the group set sail for the United States on August 2, 1848. After arriving in New York City on September 28, the group gave their first United States performance on October 5 at Niblo's Garden (also known as Niblo's Opera House) and were soon in-demand for both public and private events in and around New York City and among the wealthy summer residents of Newport, Rhode Island. The Germania Musical Society eventually settled in Boston, Massachusetts before formally disbanding in the mid-1850s, although some members would continue to use the name for smaller orchestra groups.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Formally founded in 1848, the group that became the Germania Musical Society originated with members of Joseph Gungl's orchestra in Berlin, Germany in late 1847. The group's first concert took place on May 4, 1848 at the Milentzschen Saale in Berlin and was attended by both the United States Minister to Berlin and the English Ambassador. After a brief tour in London, England, the group set sail for the United States on August 2, 1848. After arriving in New York City on September 28, the group gave their first United States performance on October 5 at Niblo's Garden (also known as Niblo's Opera House) and were soon in-demand for both public and private events in and around New York City and among the wealthy summer residents of Newport, Rhode Island. The Germania Musical Society eventually settled in Boston, Massachusetts before formally disbanding in the mid-1850s, although some members would continue to use the name for smaller orchestra groups."],"prefercite_html_tesm":["\u003cp\u003eLithograph of The Germania Musical Society, C0542, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Lithograph of The Germania Musical Society, C0542, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner in December 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner in December 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other pieces of lithography, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0471\"\u003e\"La Navarraise\" opera scene and costume lithographs\u003c/a\u003e, and other \u003ca href=\"https://aspace.gmu.edu/subjects/sh85088762\"\u003emusic\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/subjects/sh85099818\"\u003eperforming arts\u003c/a\u003e collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other pieces of lithography, such as the  \"La Navarraise\" opera scene and costume lithographs , and other  music  and  performing arts  collections."],"scopecontent_html_tesm":["\u003cp\u003eSingle-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850. The title is written in large font at the bottom of the illustration, with publisher attribution \"Lith. Of Sarony \u0026amp; Major, New York\" appearing above the title in smaller font. Underneath the illustration of each individual member is a number, possibly indicating their chair or position, which then corresponds to a more detailed listing below this containing their first initial, last name, and instrument, with the exception of No. 18 which includes just the individual's name. Twenty-one of the individuals are depicted holding their musical instrument, with the individual in the center, labeled No. 1 and identified as the \"Leader,\" depicted holding a scroll of paper and possibly a baton.\u003c/p\u003e\n","\u003cp\u003eDating for the lithograph is based on the use of Sarony \u0026amp; Major as a credit line between 1845-1857, the society's formation in 1848, and Charles Lenschow's resignation as Leader in 1850.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850. The title is written in large font at the bottom of the illustration, with publisher attribution \"Lith. Of Sarony \u0026 Major, New York\" appearing above the title in smaller font. Underneath the illustration of each individual member is a number, possibly indicating their chair or position, which then corresponds to a more detailed listing below this containing their first initial, last name, and instrument, with the exception of No. 18 which includes just the individual's name. Twenty-one of the individuals are depicted holding their musical instrument, with the individual in the center, labeled No. 1 and identified as the \"Leader,\" depicted holding a scroll of paper and possibly a baton.","Dating for the lithograph is based on the use of Sarony \u0026 Major as a credit line between 1845-1857, the society's formation in 1848, and Charles Lenschow's resignation as Leader in 1850."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_10ba377702ac8ca2304e3e47bbe40dab\"\u003eSingle-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850.\u003c/abstract\u003e"],"abstract_tesim":["Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6798acfe271fecf468b10c0fba3251ec\"\u003eMap Case 27.2\u003c/physloc\u003e"],"physloc_tesim":["Map Case 27.2"],"names_coll_ssim":["Germania Musical Society"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Sarony \u0026 Major","Germania Musical Society"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Sarony \u0026 Major","Germania Musical Society"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:22:41.771Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_767"}},{"id":"vifgm_repositories_2_resources_632","type":"collection","attributes":{"title":"Manuscript page of Gregorian chant propers for two occasions, including the Feast of the Nativity of the Blessed Virgin Mary, from an Italian choral book","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_632#creator","type":"document_value","attributes":{"value":"Catholic Church","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_632#abstract_or_scope","type":"document_value","attributes":{"value":"Manuscript page of Gregorian chant propers used for the Catholic mass, from a late 15th or early 16th century Italian choral book.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_632#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_632","ead_ssi":"vifgm_repositories_2_resources_632","_root_":"vifgm_repositories_2_resources_632","_nest_parent_":"vifgm_repositories_2_resources_632","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_632.xml","title_ssm":["Manuscript page of Gregorian chant propers for two occasions, including the Feast of the Nativity of the Blessed Virgin Mary, from an Italian choral book"],"title_tesim":["Manuscript page of Gregorian chant propers for two occasions, including the Feast of the Nativity of the Blessed Virgin Mary, from an Italian choral book"],"unitdate_ssm":["circa 1475-1525"],"unitdate_inclusive_ssm":["circa 1475-1525"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0499"],"text":["C0499","Manuscript page of Gregorian chant propers for two occasions, including the Feast of the Nativity of the Blessed Virgin Mary, from an Italian choral book","Gregorian chants","Music","Propers (Liturgy)","There are no access restrictions.","This is a single item collection.","Choral Public Domain Library, \"Category:Nativity of the BVM,\" accessed April 20, 2022. https://www.cpdl.org/wiki/index.php/Category:Nativity_of_the_BVM.","Choral Public Domain Library, \"Fidelis servus et prudens (Heinrich Isaac),\" accessed April 20, 2022. https://www.cpdl.org/wiki/index.php/Fidelis_servus_et_prudens_(Heinrich_Isaac).","Choral Public Domain Library, \"Justus ut palma,\" accessed April 20, 2022. https://www.cpdl.org/wiki/index.php/Justus_ut_palma.","Choral Public Domain Library, \"Mass,\" accessed April 20, 2022. https://www.cpdl.org/wiki/index.php/Mass#Proper_of_the_Mass.","The mass ordinary and the propers are two major parts of the Catholic Mass that are frequently sung. The Mass Ordinary consists of the Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Dei.  The text of these prayers does not change throughout the year - they are the same from day to day and week to week at every mass.  In contrast, the text of the propers, which consist of the Introit, Gradual, Alleluia verse or Tract, Sequence, Offertory, and Communion antiphons, changes to reflect the liturgial character of the day or the feast being celebrated (see Choral Public Domain Library, \"Mass\").","Processing completed by Elizabeth Beckman in April 2022.  Finding aid published by Elizabeth Beckman in April 2022.","The Special Collections Research Center holds a second Manuscript page of Gregorian chant propers from an Italian choral book, as well as other manuscript liturgical music.","This manuscript is a single vellum page cut from a larger choral book used in the Catholic mass, probably in the late 15th-early 16th century. This particular page contains some of the Gregorian chant propers used during the mass. The recto side contains the Offertory chant \"Justus ut Palma florebit\" and Communion chant \"Fidelis servus et prudens,\" probably used for the feasts of Doctors or Confessors of the Church (Choral Public Domain Library, \"Justus ut Palma\" and \"Fidelis servus et prudens - Heinrich Isaac\"). The verso contains the Introit \"Salve sancta parens\" and the beginning of the Gradual \"Benedicta et venerabilis,\" two of the propers for the Feast of the Nativity of the Blessed Virgin Mary, which occurs on September 8 (Choral Public Domain Library, \"Category:Nativity of the BVM\").","Public Domain. There are no known restrictions.","Manuscript page of Gregorian chant propers used for the Catholic mass, from a late 15th or early 16th century Italian choral book.","R 72, C 3, S 1","George Mason University. Libraries. Special Collections Research Center","Catholic Church","Latin \n.    "],"unitid_tesim":["C0499"],"normalized_title_ssm":["Manuscript page of Gregorian chant propers for two occasions, including the Feast of the Nativity of the Blessed Virgin Mary, from an Italian choral book"],"collection_title_tesim":["Manuscript page of Gregorian chant propers for two occasions, including the Feast of the Nativity of the Blessed Virgin Mary, from an Italian choral book"],"collection_ssim":["Manuscript page of Gregorian chant propers for two occasions, including the Feast of the Nativity of the Blessed Virgin Mary, from an Italian choral book"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Catholic Church"],"creator_ssim":["Catholic Church"],"creator_corpname_ssim":["Catholic Church"],"creators_ssim":["Catholic Church"],"access_terms_ssm":["Public Domain. 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The Mass Ordinary consists of the Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Dei.  The text of these prayers does not change throughout the year - they are the same from day to day and week to week at every mass.  In contrast, the text of the propers, which consist of the Introit, Gradual, Alleluia verse or Tract, Sequence, Offertory, and Communion antiphons, changes to reflect the liturgial character of the day or the feast being celebrated (see Choral Public Domain Library, \"Mass\").\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The mass ordinary and the propers are two major parts of the Catholic Mass that are frequently sung. The Mass Ordinary consists of the Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Dei.  The text of these prayers does not change throughout the year - they are the same from day to day and week to week at every mass.  In contrast, the text of the propers, which consist of the Introit, Gradual, Alleluia verse or Tract, Sequence, Offertory, and Communion antiphons, changes to reflect the liturgial character of the day or the feast being celebrated (see Choral Public Domain Library, \"Mass\")."],"prefercite_html_tesm":["\u003cp\u003eManuscript page of Gregorian chant propers for two occasions, including the Feast of the Nativity of the Blessed Virgin Mary, from an Italian choral book, C0499, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Manuscript page of Gregorian chant propers for two occasions, including the Feast of the Nativity of the Blessed Virgin Mary, from an Italian choral book, C0499, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Elizabeth Beckman in April 2022.  Finding aid published by Elizabeth Beckman in April 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Elizabeth Beckman in April 2022.  Finding aid published by Elizabeth Beckman in April 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds a second Manuscript page of Gregorian chant propers from an Italian choral book, as well as other manuscript liturgical music.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds a second Manuscript page of Gregorian chant propers from an Italian choral book, as well as other manuscript liturgical music."],"scopecontent_html_tesm":["\u003cp\u003eThis manuscript is a single vellum page cut from a larger choral book used in the Catholic mass, probably in the late 15th-early 16th century. This particular page contains some of the Gregorian chant propers used during the mass. The recto side contains the Offertory chant \"Justus ut Palma florebit\" and Communion chant \"Fidelis servus et prudens,\" probably used for the feasts of Doctors or Confessors of the Church (Choral Public Domain Library, \"Justus ut Palma\" and \"Fidelis servus et prudens - Heinrich Isaac\"). The verso contains the Introit \"Salve sancta parens\" and the beginning of the Gradual \"Benedicta et venerabilis,\" two of the propers for the Feast of the Nativity of the Blessed Virgin Mary, which occurs on September 8 (Choral Public Domain Library, \"Category:Nativity of the BVM\").\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This manuscript is a single vellum page cut from a larger choral book used in the Catholic mass, probably in the late 15th-early 16th century. This particular page contains some of the Gregorian chant propers used during the mass. The recto side contains the Offertory chant \"Justus ut Palma florebit\" and Communion chant \"Fidelis servus et prudens,\" probably used for the feasts of Doctors or Confessors of the Church (Choral Public Domain Library, \"Justus ut Palma\" and \"Fidelis servus et prudens - Heinrich Isaac\"). The verso contains the Introit \"Salve sancta parens\" and the beginning of the Gradual \"Benedicta et venerabilis,\" two of the propers for the Feast of the Nativity of the Blessed Virgin Mary, which occurs on September 8 (Choral Public Domain Library, \"Category:Nativity of the BVM\")."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Public Domain. 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The Mass Ordinary consists of the Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Dei.  The text of these prayers does not change throughout the year - they are the same from day to day and week to week at every mass.  In contrast, the text of the propers, which consist of the Introit, Gradual, Alleluia verse or Tract, Sequence, Offertory, and Communion antiphons, changes to reflect the liturgial character of the day or the feast being celebrated (see Choral Public Domain Library, \"Mass\").","Processing completed by Elizabeth Beckman in April 2022.  Finding aid published by Elizabeth Beckman in April 2022.","The Special Collections Research Center holds a second Manuscript page of Gregorian chant propers from an Italian choral book, as well as other manuscript liturgical music.","This manuscript is a single vellum page cut from a larger choral book used in the Catholic mass, probably in the late 15th-early 16th century. This particular page contains some of the Gregorian chant propers used during the mass. The recto side contains the Offertory chant \"Justus ut Palma florebit\" and Communion chant \"Fidelis servus et prudens,\" probably used for the feasts of Doctors or Confessors of the Church (Choral Public Domain Library, \"Justus ut Palma\" and \"Fidelis servus et prudens - Heinrich Isaac\"). The verso contains the Introit \"Salve sancta parens\" and the beginning of the Gradual \"Benedicta et venerabilis,\" two of the propers for the Feast of the Nativity of the Blessed Virgin Mary, which occurs on September 8 (Choral Public Domain Library, \"Category:Nativity of the BVM\").","Public Domain. There are no known restrictions.","Manuscript page of Gregorian chant propers used for the Catholic mass, from a late 15th or early 16th century Italian choral book.","R 72, C 3, S 1","George Mason University. Libraries. Special Collections Research Center","Catholic Church","Latin \n.    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There are no known restrictions."],"acqinfo_ssim":["Purchased by Steve Gerber, George Mason University's Music Liaison Librarian, in February 2017."],"access_subjects_ssim":["Gregorian chants","Music","Propers (Liturgy)"],"access_subjects_ssm":["Gregorian chants","Music","Propers (Liturgy)"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 item"],"extent_tesim":[".01 Linear Feet 1 item"],"date_range_isim":[1475,1476,1477,1478,1479,1480,1481,1482,1483,1484,1485,1486,1487,1488,1489,1490,1491,1492,1493,1494,1495,1496,1497,1498,1499,1500,1501,1502,1503,1504,1505,1506,1507,1508,1509,1510,1511,1512,1513,1514,1515,1516,1517,1518,1519,1520,1521,1522,1523,1524,1525],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eChoral Public Domain Library, \"Category:Nativity of the BVM,\" accessed April 20, 2022. https://www.cpdl.org/wiki/index.php/Category:Nativity_of_the_BVM.\u003c/p\u003e\n","\u003cp\u003eChoral Public Domain Library, \"Fidelis servus et prudens (Heinrich Isaac),\" accessed April 20, 2022. https://www.cpdl.org/wiki/index.php/Fidelis_servus_et_prudens_(Heinrich_Isaac).\u003c/p\u003e\n","\u003cp\u003eChoral Public Domain Library, \"Justus ut palma,\" accessed April 20, 2022. https://www.cpdl.org/wiki/index.php/Justus_ut_palma.\u003c/p\u003e\n","\u003cp\u003eChoral Public Domain Library, \"Mass,\" accessed April 20, 2022. https://www.cpdl.org/wiki/index.php/Mass#Proper_of_the_Mass.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Choral Public Domain Library, \"Category:Nativity of the BVM,\" accessed April 20, 2022. https://www.cpdl.org/wiki/index.php/Category:Nativity_of_the_BVM.","Choral Public Domain Library, \"Fidelis servus et prudens (Heinrich Isaac),\" accessed April 20, 2022. https://www.cpdl.org/wiki/index.php/Fidelis_servus_et_prudens_(Heinrich_Isaac).","Choral Public Domain Library, \"Justus ut palma,\" accessed April 20, 2022. https://www.cpdl.org/wiki/index.php/Justus_ut_palma.","Choral Public Domain Library, \"Mass,\" accessed April 20, 2022. https://www.cpdl.org/wiki/index.php/Mass#Proper_of_the_Mass."],"bioghist_html_tesm":["\u003cp\u003eThe mass ordinary and the propers are two major parts of the Catholic Mass that are frequently sung. 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In contrast, the text of the propers, which consist of the Introit, Gradual, Alleluia verse or Tract, Sequence, Offertory, and Communion antiphons, changes to reflect the liturgial character of the day or the feast being celebrated (see Choral Public Domain Library, \"Mass\")."],"prefercite_html_tesm":["\u003cp\u003eManuscript page of Gregorian chant propers for two occasions, including the Feast of the Nativity of the Blessed Virgin Mary, from an Italian choral book, C0499, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Manuscript page of Gregorian chant propers for two occasions, including the Feast of the Nativity of the Blessed Virgin Mary, from an Italian choral book, C0499, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Elizabeth Beckman in April 2022.  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There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_477ee75e5564f5c29c034d994932976b\"\u003eManuscript page of Gregorian chant propers used for the Catholic mass, from a late 15th or early 16th century Italian choral book.\u003c/abstract\u003e"],"abstract_tesim":["Manuscript page of Gregorian chant propers used for the Catholic mass, from a late 15th or early 16th century Italian choral book."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_793d4f90df47b13b24e7d48c0cdf194d\"\u003eR 72, C 3, S 1\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 1"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Catholic Church"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Catholic Church"],"language_ssim":["Latin \n.    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The Mass Ordinary consists of the Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Dei. The text of these prayers does not change throughout the year - they are the same from day to day and week to week at every mass. In contrast, the text of the propers, which consist of the Introit, Gradual, Alleluia verse or Tract, Sequence, Offertory, and Communion antiphons, changes to reflect the liturgial character of the day or the feast being celebrated (see Choral Public Domain Library, \"Mass\").","Processed by Elizabeth Beckman in April 2022.  Finding aid published by Elizabeth Beckman in April 2022.","The Special Collections Research Center holds a second Manuscript page of Gregorian chant propers from an Italian choral book, as well as other manuscript liturgical music.","Single vellum manuscript page from a choral book, dating from around 1500. The page contains the Gregorian chant propers \"Ad te domine levavi animam meam\" and \"Jacta cogitatum tuum in domino,\" possibly for the first Sunday of Advent (see Choral Public Domain Library, \"Jacta cogitatum tuum in Domino - José Maurício Nunes Garcia\" and \"Ad te levavi animam meam\").","Public Domain. There are no known restrictions.","Manuscript page of Gregorian Chant propers used for the Catholic mass from a choral book, circa 1500.","R 72, C 3, S 1","George Mason University. Libraries. Special Collections Research Center","Catholic Church","Latin \n.    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There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b891f6408270f4840d70ce1900beb9ac\"\u003eManuscript page of Gregorian Chant propers used for the Catholic mass from a choral book, circa 1500.\u003c/abstract\u003e"],"abstract_tesim":["Manuscript page of Gregorian Chant propers used for the Catholic mass from a choral book, circa 1500."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_8da1f7986327cf8006ae3562fd498e98\"\u003eR 72, C 3, S 1\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 1"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Catholic Church"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Catholic Church"],"language_ssim":["Latin \n.    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