{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026page=3","prev":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026page=2","next":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026page=4","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026page=9"},"meta":{"pages":{"current_page":3,"next_page":4,"prev_page":2,"total_pages":9,"limit_value":10,"offset_value":20,"total_count":85,"first_page?":false,"last_page?":false}},"data":[{"id":"vilxw_repositories_5_resources_538_c34","type":"File","attributes":{"title":"\"Fantasia or Viola and Chamber Orchestra\" - 16th Annual Regional Composers Forum, University of Alabama Programs","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_538_c34#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis file includes four copies of a program from the 16th Annual Regional Composers Forum at the University of Alabama, where Stewart's 'Fantasia for Viola and Chamber Orchestra' was played.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_538_c34#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_538_c34","ref_ssm":["vilxw_repositories_5_resources_538_c34"],"id":"vilxw_repositories_5_resources_538_c34","ead_ssi":"vilxw_repositories_5_resources_538","_root_":"vilxw_repositories_5_resources_538","_nest_parent_":"vilxw_repositories_5_resources_538","parent_ssi":"vilxw_repositories_5_resources_538","parent_ssim":["vilxw_repositories_5_resources_538"],"parent_ids_ssim":["vilxw_repositories_5_resources_538"],"parent_unittitles_ssm":["Robert Stewart Papers"],"parent_unittitles_tesim":["Robert Stewart Papers"],"text":["Robert Stewart Papers","\"Fantasia or Viola and Chamber Orchestra\" - 16th Annual Regional Composers Forum, University of Alabama Programs","University of Alabama","Stewart, Robert","Programs","Music","English .","box 2","folder 15","This file includes four copies of a program from the 16th Annual Regional Composers Forum at the University of Alabama, where Stewart's 'Fantasia for Viola and Chamber Orchestra' was played."],"title_filing_ssi":"\"Fantasia or Viola and Chamber Orchestra\" - 16th Annual Regional Composers Forum, University of Alabama Programs","title_ssm":["\"Fantasia or Viola and Chamber Orchestra\" - 16th Annual Regional Composers Forum, University of Alabama Programs"],"title_tesim":["\"Fantasia or Viola and Chamber Orchestra\" - 16th Annual Regional Composers Forum, University of Alabama Programs"],"unitdate_other_ssim":["1965"],"normalized_date_ssm":["1965"],"normalized_title_ssm":["\"Fantasia or Viola and Chamber Orchestra\" - 16th Annual Regional Composers Forum, University of Alabama Programs"],"component_level_isim":[1],"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["Robert Stewart Papers"],"extent_ssm":["4 Item"],"extent_tesim":["4 Item"],"creator_ssim":["University of Alabama","Stewart, Robert"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":34,"parent_access_terms_tesm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"date_range_isim":[1965],"names_ssim":["University of Alabama","Stewart, Robert"],"corpname_ssim":["University of Alabama"],"persname_ssim":["Stewart, Robert"],"access_subjects_ssim":["Programs","Music"],"access_subjects_ssm":["Programs","Music"],"language_ssim":["English ."],"containers_ssim":["box 2","folder 15"],"scopecontent_html_tesm":["\u003cp\u003eThis file includes four copies of a program from the 16th Annual Regional Composers Forum at the University of Alabama, where Stewart's 'Fantasia for Viola and Chamber Orchestra' was played.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This file includes four copies of a program from the 16th Annual Regional Composers Forum at the University of Alabama, where Stewart's 'Fantasia for Viola and Chamber Orchestra' was played."],"_nest_path_":"/components#33","timestamp":"2026-05-20T21:04:55.013Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_538","ead_ssi":"vilxw_repositories_5_resources_538","_root_":"vilxw_repositories_5_resources_538","_nest_parent_":"vilxw_repositories_5_resources_538","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_538.xml","title_ssm":["Robert Stewart Papers"],"title_tesim":["Robert Stewart Papers"],"unitdate_ssm":["Inclusive 1954-1988","Bulk 1960-1980"],"unitdate_bulk_ssim":["Bulk 1960-1980"],"unitdate_inclusive_ssm":["Inclusive 1954-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0323"],"text":["WLU.Coll.0323","Robert Stewart Papers","Composition (Music)","Music","Includes Stewart's correspondence, programs that include his compositions, classroom materials, reviews and notices of his works, and materials from professorial organizations and conferences.","This file consists of American Composers Alliance Catalogs and the Alliance's Articles of Association, 1955. The catalogs include strings, woodwinds, percussion, etc.","This file consists of many recommendation letters, letters concerning Robert Stewart's compositions, and personal letters.","This file consists of a lecture by Robert Stewart given at the 'CAC Meeting #4.'","This file consists of miscellanious items, mostly music programs, newspaper clippings, and a photograph of a bride and groom.","This file consists of reviews and notices of Robert Stewart's 'Trio No. 4.' The file also contains two photographs of the Roxbury Chamber Players, who played the piece.","This file consists of material regarding Robert Stewart's trip to Tufts University European Centers in Talloires, France to play in he Montanea Fesival in July 1991.","The file includes: A Lenfest Center folder Commencement Exercises Program, 1983 Fine Arts Division Presentation of Awards Program, June 2, 1993 Letter from John D. Wilson, December 2, 1986 Washington and Lee Concert Guild Program, 1989-90 Washington and Lee fine Arts Calendar of Events","This file consists of letters and documents pertaining to the American Composers Alliance.","This file consists of letters from George Steiner, Director of the American Music Symposium, to Robert Stewart concerning the American University's Contemporary Music Symposium, 1961. It also includes a program list. Robert Stewart's 'Prelude for Strings' was selected to be played at the symposium.","This file consists of letters, programs, notes, and newspaper articles about The Bennington Compersers' Conference. Most of the material is from 1961, 1962, and 1963.","This file consists of programs from Washington and Lee University, Hollins College, and the University of Virginia. It also includes a letter to Stewart from Anne McClenny of Hollins College, Va., a schedule of rehearsals and performances, and a page of financial records. Robert Stewart played the violin in the Blue Ridge Chamber Music Players.","This file consists of four copies of a program from Georgia State College's Fifth Annual Symposium of Contemporary Music for Brass where Robert Stewart's Brass Quintet No. 2 was featured. Brass Quintet No. 2 was commissioned at the 1965-66 Symposium by the Georgia State College Foundation. The file also includes a letter from Walter W. Wich inquiring to buy a copy of Brass Quintet No. 2.","This file consists of Robert Stewart's notes on 'Three Pieces for Brass Quintet,' a program where 'Quintet - 3 Pieces' was performed, and of a review by The Atlanta Constitution.","This file consists of letters to Stewart from The Brevard Music Center, regulations for the Third Annual Composers Symposium at Brevard Music Center, and a poster from the Transylvania Music Camp in Brevard, North Carolina.","This file consists of course assingments, notes, and examination requirements, many from Rizzo School of Music.","This file includes four copies of a program from the 16th Annual Regional Composers Forum at the University of Alabama, where Stewart's 'Fantasia for Viola and Chamber Orchestra' was played.","This file consists of two accounts of a great flood in Lexington as a result of Hurricane Camille in 1969.","This file consists of letters to Robert Stewart from the College and Specialist Bureau concerning opening at various colleges. It also contains letters of inquiry from Stewart and correspondences from different colleges. Many of the letters are from James G. Leyburn and Marion Letcher from Washington and Lee University.","This file consists of undergraduate report cards, a photograph, postcards, an Omicron Dela Kappa certificate, and a progam from the Washington and Lee Class of 1966 Twenty-Fifth Reunion.","This file consists of two programs that do not mention Robert Stewart's work. The first is from the Northern Virginia Teachers Association, and second is 'Currents - The New-Music Ensemble at the University of Richmond' presents 'New Music by Virginia Composers,' 1990.","Robert Stewart was the Concertmaster.","This file consists of newsletters, minutes, and rosters of members from the Southeastern Composers' League.","This file consists of correspondences between Stewart and Barton Cummings regarding a tuba piece that Stewart composed for Cummings.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. Department of Music","American Composers Alliance","New York Times Company","Richmond Symphony","Chicago Federation of Musicians","Washington and Lee University","Atlanta Symphony Orchestra","Roanoke Symphony Orchestra","Madison College","University of South Carolina","Brevard Music Center","Louisiana State University (Baton Rouge, La.)","Georgia State University","Tennessee Technological University","James Madison University","Albany Symphony Orchestra","University of North Carolina at Chapel Hill","Mary Baldwin College","Washington Post Company","Tufts University","American Music Center (New York, N.Y.)","American University (Washington, D.C.)","Bennington College","University of Virginia","Hollins College","Georgia State College (Atlanta, Ga.)","Manhattan School of Music (New York, N.Y.)","University of Alabama","University of Georgia","New-York Historical Society","Southeastern Composers' League","Iowa String Quartet","University of Iowa","George Peabody College for Teachers","Stewart, Robert","Rentowski, Wieslaw","Sessions, William Lad","Mohler, William Norman","Luening, Otto","Fauteux, Kenneth Michael, Dr.","Homans, Peter Parkman","Babbitt, Milton","Moylan, William","Lessard, John","Booth, Philip","Hartog, William M., III","Gordon, Albert Claude","Spice, Gordon Philip","McAhren, Robert W. (Robert Willard)","Kolman, Barry H.","Lifchitz, Max","Miller, Anita","Wilson, John Delane","Watt, William Joseph","Williams, Henry Gordon, Jr.","Lancaster, Albert Lake","Pusey, William W., III (William Webb)","Elrod, John W.","Warner, John W.","Wright, Frank Lloyd","Radford College","Korte, Karl","Pfohl, James Christian","Corrigan, Eugene F.","Spencer, Edgar Winston","Bales, Richard","Stewart, Sue","Turetzky, Bertram","Wuorinen, Charles","Marx, Josef","Skowronek, Felix","Bloom, Arthur A.","Pachman, Maurice","Raab, Emil","Calabrese, Rosalie","Shelton, Mark","Atkins, Leroy C., II","Mahin, Bruce P.","Kniebusch, Carol","Niethamer, David","Wen-Chung, Chou","Strandberg, Newton","Rowand, Wilbur H.","Leyburn, James Graham","Junkin, Marion Montague","Spelman, Leslie P.","Doty, E. William (Ezra William)","Cummings, Barton","English \n.    "],"unitid_tesim":["WLU.Coll.0323"],"normalized_title_ssm":["Robert Stewart Papers"],"collection_title_tesim":["Robert Stewart Papers"],"collection_ssim":["Robert Stewart Papers"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Stewart, Robert"],"creator_ssim":["Stewart, Robert"],"creator_persname_ssim":["Stewart, Robert"],"creators_ssim":["Stewart, Robert"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Composition (Music)","Music"],"access_subjects_ssm":["Composition (Music)","Music"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet"],"extent_tesim":["2 Linear Feet"],"date_range_isim":[1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], Robert Stewart Papers, WLU Coll. 0323, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VAIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format.\u003c/p\u003e"],"prefercite_tesim":["Preferred citation: [Identification of item], Robert Stewart Papers, WLU Coll. 0323, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VAIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eIncludes Stewart's correspondence, programs that include his compositions, classroom materials, reviews and notices of his works, and materials from professorial organizations and conferences.\u003c/p\u003e","\u003cp\u003eThis file consists of American Composers Alliance Catalogs and the Alliance's Articles of Association, 1955. The catalogs include strings, woodwinds, percussion, etc.\u003c/p\u003e","\u003cp\u003eThis file consists of many recommendation letters, letters concerning Robert Stewart's compositions, and personal letters.\u003c/p\u003e","\u003cp\u003eThis file consists of a lecture by Robert Stewart given at the 'CAC Meeting #4.'\u003c/p\u003e","\u003cp\u003eThis file consists of miscellanious items, mostly music programs, newspaper clippings, and a photograph of a bride and groom.\u003c/p\u003e","\u003cp\u003eThis file consists of reviews and notices of Robert Stewart's 'Trio No. 4.' The file also contains two photographs of the Roxbury Chamber Players, who played the piece.\u003c/p\u003e","\u003cp\u003eThis file consists of material regarding Robert Stewart's trip to Tufts University European Centers in Talloires, France to play in he Montanea Fesival in July 1991.\u003c/p\u003e","\u003cp\u003eThe file includes:\u003cul\u003e\n\u003cli\u003eA Lenfest Center folder\u003c/li\u003e\n\u003cli\u003eCommencement Exercises Program, 1983\u003c/li\u003e\n\u003cli\u003eFine Arts Division Presentation of Awards Program, June 2, 1993\u003c/li\u003e\n\u003cli\u003eLetter from John D. Wilson, December 2, 1986\u003c/li\u003e\n\u003cli\u003eWashington and Lee Concert Guild Program, 1989-90\u003c/li\u003e\n\u003cli\u003eWashington and Lee fine Arts Calendar of Events\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e","\u003cp\u003eThis file consists of letters and documents pertaining to the American Composers Alliance.\u003c/p\u003e","\u003cp\u003eThis file consists of letters from George Steiner, Director of the American Music Symposium, to Robert Stewart concerning the American University's Contemporary Music Symposium, 1961. It also includes a program list. Robert Stewart's 'Prelude for Strings' was selected to be played at the symposium.\u003c/p\u003e","\u003cp\u003eThis file consists of letters, programs, notes, and newspaper articles about The Bennington Compersers' Conference. Most of the material is from 1961, 1962, and 1963.\u003c/p\u003e","\u003cp\u003eThis file consists of programs from Washington and Lee University, Hollins College, and the University of Virginia. It also includes a letter to Stewart from Anne McClenny of Hollins College, Va., a schedule of rehearsals and performances, and a page of financial records. Robert Stewart played the violin in the Blue Ridge Chamber Music Players.\u003c/p\u003e","\u003cp\u003eThis file consists of four copies of a program from Georgia State College's Fifth Annual Symposium of Contemporary Music for Brass where Robert Stewart's Brass Quintet No. 2 was featured. Brass Quintet No. 2 was commissioned at the 1965-66 Symposium by the Georgia State College Foundation. The file also includes a letter from Walter W. Wich inquiring to buy a copy of Brass Quintet No. 2.\u003c/p\u003e","\u003cp\u003eThis file consists of Robert Stewart's notes on 'Three Pieces for Brass Quintet,' a program where 'Quintet - 3 Pieces' was performed, and of a review by The Atlanta Constitution.\u003c/p\u003e","\u003cp\u003eThis file consists of letters to Stewart from The Brevard Music Center, regulations for the Third Annual Composers Symposium at Brevard Music Center, and a poster from the Transylvania Music Camp in Brevard, North Carolina.\u003c/p\u003e","\u003cp\u003eThis file consists of course assingments, notes, and examination requirements, many from Rizzo School of Music.\u003c/p\u003e","\u003cp\u003eThis file includes four copies of a program from the 16th Annual Regional Composers Forum at the University of Alabama, where Stewart's 'Fantasia for Viola and Chamber Orchestra' was played.\u003c/p\u003e","\u003cp\u003eThis file consists of two accounts of a great flood in Lexington as a result of Hurricane Camille in 1969.\u003c/p\u003e","\u003cp\u003eThis file consists of letters to Robert Stewart from the College and Specialist Bureau concerning opening at various colleges. It also contains letters of inquiry from Stewart and correspondences from different colleges. Many of the letters are from James G. Leyburn and Marion Letcher from Washington and Lee University.\u003c/p\u003e","\u003cp\u003eThis file consists of undergraduate report cards, a photograph, postcards, an Omicron Dela Kappa certificate, and a progam from the Washington and Lee Class of 1966 Twenty-Fifth Reunion.\u003c/p\u003e","\u003cp\u003eThis file consists of two programs that do not mention Robert Stewart's work. The first is from the Northern Virginia Teachers Association, and second is 'Currents - The New-Music Ensemble at the University of Richmond' presents 'New Music by Virginia Composers,' 1990.\u003c/p\u003e","\u003cp\u003eRobert Stewart was the Concertmaster.\u003c/p\u003e","\u003cp\u003eThis file consists of newsletters, minutes, and rosters of members from the Southeastern Composers' League.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondences between Stewart and Barton Cummings regarding a tuba piece that Stewart composed for Cummings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Includes Stewart's correspondence, programs that include his compositions, classroom materials, reviews and notices of his works, and materials from professorial organizations and conferences.","This file consists of American Composers Alliance Catalogs and the Alliance's Articles of Association, 1955. The catalogs include strings, woodwinds, percussion, etc.","This file consists of many recommendation letters, letters concerning Robert Stewart's compositions, and personal letters.","This file consists of a lecture by Robert Stewart given at the 'CAC Meeting #4.'","This file consists of miscellanious items, mostly music programs, newspaper clippings, and a photograph of a bride and groom.","This file consists of reviews and notices of Robert Stewart's 'Trio No. 4.' The file also contains two photographs of the Roxbury Chamber Players, who played the piece.","This file consists of material regarding Robert Stewart's trip to Tufts University European Centers in Talloires, France to play in he Montanea Fesival in July 1991.","The file includes: A Lenfest Center folder Commencement Exercises Program, 1983 Fine Arts Division Presentation of Awards Program, June 2, 1993 Letter from John D. Wilson, December 2, 1986 Washington and Lee Concert Guild Program, 1989-90 Washington and Lee fine Arts Calendar of Events","This file consists of letters and documents pertaining to the American Composers Alliance.","This file consists of letters from George Steiner, Director of the American Music Symposium, to Robert Stewart concerning the American University's Contemporary Music Symposium, 1961. It also includes a program list. Robert Stewart's 'Prelude for Strings' was selected to be played at the symposium.","This file consists of letters, programs, notes, and newspaper articles about The Bennington Compersers' Conference. Most of the material is from 1961, 1962, and 1963.","This file consists of programs from Washington and Lee University, Hollins College, and the University of Virginia. It also includes a letter to Stewart from Anne McClenny of Hollins College, Va., a schedule of rehearsals and performances, and a page of financial records. Robert Stewart played the violin in the Blue Ridge Chamber Music Players.","This file consists of four copies of a program from Georgia State College's Fifth Annual Symposium of Contemporary Music for Brass where Robert Stewart's Brass Quintet No. 2 was featured. Brass Quintet No. 2 was commissioned at the 1965-66 Symposium by the Georgia State College Foundation. The file also includes a letter from Walter W. Wich inquiring to buy a copy of Brass Quintet No. 2.","This file consists of Robert Stewart's notes on 'Three Pieces for Brass Quintet,' a program where 'Quintet - 3 Pieces' was performed, and of a review by The Atlanta Constitution.","This file consists of letters to Stewart from The Brevard Music Center, regulations for the Third Annual Composers Symposium at Brevard Music Center, and a poster from the Transylvania Music Camp in Brevard, North Carolina.","This file consists of course assingments, notes, and examination requirements, many from Rizzo School of Music.","This file includes four copies of a program from the 16th Annual Regional Composers Forum at the University of Alabama, where Stewart's 'Fantasia for Viola and Chamber Orchestra' was played.","This file consists of two accounts of a great flood in Lexington as a result of Hurricane Camille in 1969.","This file consists of letters to Robert Stewart from the College and Specialist Bureau concerning opening at various colleges. It also contains letters of inquiry from Stewart and correspondences from different colleges. Many of the letters are from James G. Leyburn and Marion Letcher from Washington and Lee University.","This file consists of undergraduate report cards, a photograph, postcards, an Omicron Dela Kappa certificate, and a progam from the Washington and Lee Class of 1966 Twenty-Fifth Reunion.","This file consists of two programs that do not mention Robert Stewart's work. The first is from the Northern Virginia Teachers Association, and second is 'Currents - The New-Music Ensemble at the University of Richmond' presents 'New Music by Virginia Composers,' 1990.","Robert Stewart was the Concertmaster.","This file consists of newsletters, minutes, and rosters of members from the Southeastern Composers' League.","This file consists of correspondences between Stewart and Barton Cummings regarding a tuba piece that Stewart composed for Cummings."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_coll_ssim":["Washington and Lee University. Department of Music"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. Department of Music","American Composers Alliance","New York Times Company","Richmond Symphony","Chicago Federation of Musicians","Washington and Lee University","Atlanta Symphony Orchestra","Roanoke Symphony Orchestra","Madison College","University of South Carolina","Brevard Music Center","Louisiana State University (Baton Rouge, La.)","Georgia State University","Tennessee Technological University","James Madison University","Albany Symphony Orchestra","University of North Carolina at Chapel Hill","Mary Baldwin College","Washington Post Company","Tufts University","American Music Center (New York, N.Y.)","American University (Washington, D.C.)","Bennington College","University of Virginia","Hollins College","Georgia State College (Atlanta, Ga.)","Manhattan School of Music (New York, N.Y.)","University of Alabama","University of Georgia","New-York Historical Society","Southeastern Composers' League","Iowa String Quartet","University of Iowa","George Peabody College for Teachers","Stewart, Robert","Rentowski, Wieslaw","Sessions, William Lad","Mohler, William Norman","Luening, Otto","Fauteux, Kenneth Michael, Dr.","Homans, Peter Parkman","Babbitt, Milton","Moylan, William","Lessard, John","Booth, Philip","Hartog, William M., III","Gordon, Albert Claude","Spice, Gordon Philip","McAhren, Robert W. (Robert Willard)","Kolman, Barry H.","Lifchitz, Max","Miller, Anita","Wilson, John Delane","Watt, William Joseph","Williams, Henry Gordon, Jr.","Lancaster, Albert Lake","Pusey, William W., III (William Webb)","Elrod, John W.","Warner, John W.","Wright, Frank Lloyd","Radford College","Korte, Karl","Pfohl, James Christian","Corrigan, Eugene F.","Spencer, Edgar Winston","Bales, Richard","Stewart, Sue","Turetzky, Bertram","Wuorinen, Charles","Marx, Josef","Skowronek, Felix","Bloom, Arthur A.","Pachman, Maurice","Raab, Emil","Calabrese, Rosalie","Shelton, Mark","Atkins, Leroy C., II","Mahin, Bruce P.","Kniebusch, Carol","Niethamer, David","Wen-Chung, Chou","Strandberg, Newton","Rowand, Wilbur H.","Leyburn, James Graham","Junkin, Marion Montague","Spelman, Leslie P.","Doty, E. William (Ezra William)","Cummings, Barton"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. Department of Music","American Composers Alliance","New York Times Company","Richmond Symphony","Chicago Federation of Musicians","Washington and Lee University","Atlanta Symphony Orchestra","Roanoke Symphony Orchestra","Madison College","University of South Carolina","Brevard Music Center","Louisiana State University (Baton Rouge, La.)","Georgia State University","Tennessee Technological University","James Madison University","Albany Symphony Orchestra","University of North Carolina at Chapel Hill","Mary Baldwin College","Washington Post Company","Tufts University","American Music Center (New York, N.Y.)","American University (Washington, D.C.)","Bennington College","University of Virginia","Hollins College","Georgia State College (Atlanta, Ga.)","Manhattan School of Music (New York, N.Y.)","University of Alabama","University of Georgia","New-York Historical Society","Southeastern Composers' League","Iowa String Quartet","University of Iowa","George Peabody College for Teachers"],"persname_ssim":["Stewart, Robert","Rentowski, Wieslaw","Sessions, William Lad","Mohler, William Norman","Luening, Otto","Fauteux, Kenneth Michael, Dr.","Homans, Peter Parkman","Babbitt, Milton","Moylan, William","Lessard, John","Booth, Philip","Hartog, William M., III","Gordon, Albert Claude","Spice, Gordon Philip","McAhren, Robert W. (Robert Willard)","Kolman, Barry H.","Lifchitz, Max","Miller, Anita","Wilson, John Delane","Watt, William Joseph","Williams, Henry Gordon, Jr.","Lancaster, Albert Lake","Pusey, William W., III (William Webb)","Elrod, John W.","Warner, John W.","Wright, Frank Lloyd","Radford College","Korte, Karl","Pfohl, James Christian","Corrigan, Eugene F.","Spencer, Edgar Winston","Bales, Richard","Stewart, Sue","Turetzky, Bertram","Wuorinen, Charles","Marx, Josef","Skowronek, Felix","Bloom, Arthur A.","Pachman, Maurice","Raab, Emil","Calabrese, Rosalie","Shelton, Mark","Atkins, Leroy C., II","Mahin, Bruce P.","Kniebusch, Carol","Niethamer, David","Wen-Chung, Chou","Strandberg, Newton","Rowand, Wilbur H.","Leyburn, James Graham","Junkin, Marion Montague","Spelman, Leslie P.","Doty, E. William (Ezra William)","Cummings, Barton"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":50,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T21:04:55.013Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_538_c34"}},{"id":"vilxw_repositories_5_resources_538_c35","type":"File","attributes":{"title":"\"Five Movements for Bassoon and Four Instruments\" - Programs and Reviews","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_538_c35#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_538_c35","ref_ssm":["vilxw_repositories_5_resources_538_c35"],"id":"vilxw_repositories_5_resources_538_c35","ead_ssi":"vilxw_repositories_5_resources_538","_root_":"vilxw_repositories_5_resources_538","_nest_parent_":"vilxw_repositories_5_resources_538","parent_ssi":"vilxw_repositories_5_resources_538","parent_ssim":["vilxw_repositories_5_resources_538"],"parent_ids_ssim":["vilxw_repositories_5_resources_538"],"parent_unittitles_ssm":["Robert Stewart Papers"],"parent_unittitles_tesim":["Robert Stewart Papers"],"text":["Robert Stewart Papers","\"Five Movements for Bassoon and Four Instruments\" - Programs and Reviews","Washington and Lee University","Bennington College","Washington and Lee University","Bennington College","Pachman, Maurice","Stewart, Robert","Pachman, Maurice","Programs","Music","Newspapers","English .","box 2","folder 16"],"title_filing_ssi":"\"Five Movements for Bassoon and Four Instruments\" - Programs and Reviews","title_ssm":["\"Five Movements for Bassoon and Four Instruments\" - Programs and Reviews"],"title_tesim":["\"Five Movements for Bassoon and Four Instruments\" - Programs and Reviews"],"unitdate_other_ssim":["1963"],"normalized_date_ssm":["1963"],"normalized_title_ssm":["\"Five Movements for Bassoon and Four Instruments\" - Programs and Reviews"],"component_level_isim":[1],"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["Robert Stewart Papers"],"extent_ssm":["17 Item"],"extent_tesim":["17 Item"],"creator_ssim":["Stewart, Robert"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":35,"parent_access_terms_tesm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"date_range_isim":[1963],"names_ssim":["Washington and Lee University","Bennington College","Washington and Lee University","Bennington College","Pachman, Maurice","Stewart, Robert","Pachman, Maurice"],"corpname_ssim":["Washington and Lee University","Bennington College"],"persname_ssim":["Stewart, Robert","Pachman, Maurice"],"access_subjects_ssim":["Programs","Music","Newspapers"],"access_subjects_ssm":["Programs","Music","Newspapers"],"language_ssim":["English ."],"containers_ssim":["box 2","folder 16"],"_nest_path_":"/components#34","timestamp":"2026-05-20T21:04:55.013Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_538","ead_ssi":"vilxw_repositories_5_resources_538","_root_":"vilxw_repositories_5_resources_538","_nest_parent_":"vilxw_repositories_5_resources_538","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_538.xml","title_ssm":["Robert Stewart Papers"],"title_tesim":["Robert Stewart Papers"],"unitdate_ssm":["Inclusive 1954-1988","Bulk 1960-1980"],"unitdate_bulk_ssim":["Bulk 1960-1980"],"unitdate_inclusive_ssm":["Inclusive 1954-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0323"],"text":["WLU.Coll.0323","Robert Stewart Papers","Composition (Music)","Music","Includes Stewart's correspondence, programs that include his compositions, classroom materials, reviews and notices of his works, and materials from professorial organizations and conferences.","This file consists of American Composers Alliance Catalogs and the Alliance's Articles of Association, 1955. The catalogs include strings, woodwinds, percussion, etc.","This file consists of many recommendation letters, letters concerning Robert Stewart's compositions, and personal letters.","This file consists of a lecture by Robert Stewart given at the 'CAC Meeting #4.'","This file consists of miscellanious items, mostly music programs, newspaper clippings, and a photograph of a bride and groom.","This file consists of reviews and notices of Robert Stewart's 'Trio No. 4.' The file also contains two photographs of the Roxbury Chamber Players, who played the piece.","This file consists of material regarding Robert Stewart's trip to Tufts University European Centers in Talloires, France to play in he Montanea Fesival in July 1991.","The file includes: A Lenfest Center folder Commencement Exercises Program, 1983 Fine Arts Division Presentation of Awards Program, June 2, 1993 Letter from John D. Wilson, December 2, 1986 Washington and Lee Concert Guild Program, 1989-90 Washington and Lee fine Arts Calendar of Events","This file consists of letters and documents pertaining to the American Composers Alliance.","This file consists of letters from George Steiner, Director of the American Music Symposium, to Robert Stewart concerning the American University's Contemporary Music Symposium, 1961. It also includes a program list. Robert Stewart's 'Prelude for Strings' was selected to be played at the symposium.","This file consists of letters, programs, notes, and newspaper articles about The Bennington Compersers' Conference. Most of the material is from 1961, 1962, and 1963.","This file consists of programs from Washington and Lee University, Hollins College, and the University of Virginia. It also includes a letter to Stewart from Anne McClenny of Hollins College, Va., a schedule of rehearsals and performances, and a page of financial records. Robert Stewart played the violin in the Blue Ridge Chamber Music Players.","This file consists of four copies of a program from Georgia State College's Fifth Annual Symposium of Contemporary Music for Brass where Robert Stewart's Brass Quintet No. 2 was featured. Brass Quintet No. 2 was commissioned at the 1965-66 Symposium by the Georgia State College Foundation. The file also includes a letter from Walter W. Wich inquiring to buy a copy of Brass Quintet No. 2.","This file consists of Robert Stewart's notes on 'Three Pieces for Brass Quintet,' a program where 'Quintet - 3 Pieces' was performed, and of a review by The Atlanta Constitution.","This file consists of letters to Stewart from The Brevard Music Center, regulations for the Third Annual Composers Symposium at Brevard Music Center, and a poster from the Transylvania Music Camp in Brevard, North Carolina.","This file consists of course assingments, notes, and examination requirements, many from Rizzo School of Music.","This file includes four copies of a program from the 16th Annual Regional Composers Forum at the University of Alabama, where Stewart's 'Fantasia for Viola and Chamber Orchestra' was played.","This file consists of two accounts of a great flood in Lexington as a result of Hurricane Camille in 1969.","This file consists of letters to Robert Stewart from the College and Specialist Bureau concerning opening at various colleges. It also contains letters of inquiry from Stewart and correspondences from different colleges. Many of the letters are from James G. Leyburn and Marion Letcher from Washington and Lee University.","This file consists of undergraduate report cards, a photograph, postcards, an Omicron Dela Kappa certificate, and a progam from the Washington and Lee Class of 1966 Twenty-Fifth Reunion.","This file consists of two programs that do not mention Robert Stewart's work. The first is from the Northern Virginia Teachers Association, and second is 'Currents - The New-Music Ensemble at the University of Richmond' presents 'New Music by Virginia Composers,' 1990.","Robert Stewart was the Concertmaster.","This file consists of newsletters, minutes, and rosters of members from the Southeastern Composers' League.","This file consists of correspondences between Stewart and Barton Cummings regarding a tuba piece that Stewart composed for Cummings.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. Department of Music","American Composers Alliance","New York Times Company","Richmond Symphony","Chicago Federation of Musicians","Washington and Lee University","Atlanta Symphony Orchestra","Roanoke Symphony Orchestra","Madison College","University of South Carolina","Brevard Music Center","Louisiana State University (Baton Rouge, La.)","Georgia State University","Tennessee Technological University","James Madison University","Albany Symphony Orchestra","University of North Carolina at Chapel Hill","Mary Baldwin College","Washington Post Company","Tufts University","American Music Center (New York, N.Y.)","American University (Washington, D.C.)","Bennington College","University of Virginia","Hollins College","Georgia State College (Atlanta, Ga.)","Manhattan School of Music (New York, N.Y.)","University of Alabama","University of Georgia","New-York Historical Society","Southeastern Composers' League","Iowa String Quartet","University of Iowa","George Peabody College for Teachers","Stewart, Robert","Rentowski, Wieslaw","Sessions, William Lad","Mohler, William Norman","Luening, Otto","Fauteux, Kenneth Michael, Dr.","Homans, Peter Parkman","Babbitt, Milton","Moylan, William","Lessard, John","Booth, Philip","Hartog, William M., III","Gordon, Albert Claude","Spice, Gordon Philip","McAhren, Robert W. (Robert Willard)","Kolman, Barry H.","Lifchitz, Max","Miller, Anita","Wilson, John Delane","Watt, William Joseph","Williams, Henry Gordon, Jr.","Lancaster, Albert Lake","Pusey, William W., III (William Webb)","Elrod, John W.","Warner, John W.","Wright, Frank Lloyd","Radford College","Korte, Karl","Pfohl, James Christian","Corrigan, Eugene F.","Spencer, Edgar Winston","Bales, Richard","Stewart, Sue","Turetzky, Bertram","Wuorinen, Charles","Marx, Josef","Skowronek, Felix","Bloom, Arthur A.","Pachman, Maurice","Raab, Emil","Calabrese, Rosalie","Shelton, Mark","Atkins, Leroy C., II","Mahin, Bruce P.","Kniebusch, Carol","Niethamer, David","Wen-Chung, Chou","Strandberg, Newton","Rowand, Wilbur H.","Leyburn, James Graham","Junkin, Marion Montague","Spelman, Leslie P.","Doty, E. William (Ezra William)","Cummings, Barton","English \n.    "],"unitid_tesim":["WLU.Coll.0323"],"normalized_title_ssm":["Robert Stewart Papers"],"collection_title_tesim":["Robert Stewart Papers"],"collection_ssim":["Robert Stewart Papers"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Stewart, Robert"],"creator_ssim":["Stewart, Robert"],"creator_persname_ssim":["Stewart, Robert"],"creators_ssim":["Stewart, Robert"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Composition (Music)","Music"],"access_subjects_ssm":["Composition (Music)","Music"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet"],"extent_tesim":["2 Linear Feet"],"date_range_isim":[1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], Robert Stewart Papers, WLU Coll. 0323, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VAIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format.\u003c/p\u003e"],"prefercite_tesim":["Preferred citation: [Identification of item], Robert Stewart Papers, WLU Coll. 0323, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VAIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eIncludes Stewart's correspondence, programs that include his compositions, classroom materials, reviews and notices of his works, and materials from professorial organizations and conferences.\u003c/p\u003e","\u003cp\u003eThis file consists of American Composers Alliance Catalogs and the Alliance's Articles of Association, 1955. The catalogs include strings, woodwinds, percussion, etc.\u003c/p\u003e","\u003cp\u003eThis file consists of many recommendation letters, letters concerning Robert Stewart's compositions, and personal letters.\u003c/p\u003e","\u003cp\u003eThis file consists of a lecture by Robert Stewart given at the 'CAC Meeting #4.'\u003c/p\u003e","\u003cp\u003eThis file consists of miscellanious items, mostly music programs, newspaper clippings, and a photograph of a bride and groom.\u003c/p\u003e","\u003cp\u003eThis file consists of reviews and notices of Robert Stewart's 'Trio No. 4.' The file also contains two photographs of the Roxbury Chamber Players, who played the piece.\u003c/p\u003e","\u003cp\u003eThis file consists of material regarding Robert Stewart's trip to Tufts University European Centers in Talloires, France to play in he Montanea Fesival in July 1991.\u003c/p\u003e","\u003cp\u003eThe file includes:\u003cul\u003e\n\u003cli\u003eA Lenfest Center folder\u003c/li\u003e\n\u003cli\u003eCommencement Exercises Program, 1983\u003c/li\u003e\n\u003cli\u003eFine Arts Division Presentation of Awards Program, June 2, 1993\u003c/li\u003e\n\u003cli\u003eLetter from John D. Wilson, December 2, 1986\u003c/li\u003e\n\u003cli\u003eWashington and Lee Concert Guild Program, 1989-90\u003c/li\u003e\n\u003cli\u003eWashington and Lee fine Arts Calendar of Events\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e","\u003cp\u003eThis file consists of letters and documents pertaining to the American Composers Alliance.\u003c/p\u003e","\u003cp\u003eThis file consists of letters from George Steiner, Director of the American Music Symposium, to Robert Stewart concerning the American University's Contemporary Music Symposium, 1961. It also includes a program list. Robert Stewart's 'Prelude for Strings' was selected to be played at the symposium.\u003c/p\u003e","\u003cp\u003eThis file consists of letters, programs, notes, and newspaper articles about The Bennington Compersers' Conference. Most of the material is from 1961, 1962, and 1963.\u003c/p\u003e","\u003cp\u003eThis file consists of programs from Washington and Lee University, Hollins College, and the University of Virginia. It also includes a letter to Stewart from Anne McClenny of Hollins College, Va., a schedule of rehearsals and performances, and a page of financial records. Robert Stewart played the violin in the Blue Ridge Chamber Music Players.\u003c/p\u003e","\u003cp\u003eThis file consists of four copies of a program from Georgia State College's Fifth Annual Symposium of Contemporary Music for Brass where Robert Stewart's Brass Quintet No. 2 was featured. Brass Quintet No. 2 was commissioned at the 1965-66 Symposium by the Georgia State College Foundation. The file also includes a letter from Walter W. Wich inquiring to buy a copy of Brass Quintet No. 2.\u003c/p\u003e","\u003cp\u003eThis file consists of Robert Stewart's notes on 'Three Pieces for Brass Quintet,' a program where 'Quintet - 3 Pieces' was performed, and of a review by The Atlanta Constitution.\u003c/p\u003e","\u003cp\u003eThis file consists of letters to Stewart from The Brevard Music Center, regulations for the Third Annual Composers Symposium at Brevard Music Center, and a poster from the Transylvania Music Camp in Brevard, North Carolina.\u003c/p\u003e","\u003cp\u003eThis file consists of course assingments, notes, and examination requirements, many from Rizzo School of Music.\u003c/p\u003e","\u003cp\u003eThis file includes four copies of a program from the 16th Annual Regional Composers Forum at the University of Alabama, where Stewart's 'Fantasia for Viola and Chamber Orchestra' was played.\u003c/p\u003e","\u003cp\u003eThis file consists of two accounts of a great flood in Lexington as a result of Hurricane Camille in 1969.\u003c/p\u003e","\u003cp\u003eThis file consists of letters to Robert Stewart from the College and Specialist Bureau concerning opening at various colleges. It also contains letters of inquiry from Stewart and correspondences from different colleges. Many of the letters are from James G. Leyburn and Marion Letcher from Washington and Lee University.\u003c/p\u003e","\u003cp\u003eThis file consists of undergraduate report cards, a photograph, postcards, an Omicron Dela Kappa certificate, and a progam from the Washington and Lee Class of 1966 Twenty-Fifth Reunion.\u003c/p\u003e","\u003cp\u003eThis file consists of two programs that do not mention Robert Stewart's work. The first is from the Northern Virginia Teachers Association, and second is 'Currents - The New-Music Ensemble at the University of Richmond' presents 'New Music by Virginia Composers,' 1990.\u003c/p\u003e","\u003cp\u003eRobert Stewart was the Concertmaster.\u003c/p\u003e","\u003cp\u003eThis file consists of newsletters, minutes, and rosters of members from the Southeastern Composers' League.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondences between Stewart and Barton Cummings regarding a tuba piece that Stewart composed for Cummings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Includes Stewart's correspondence, programs that include his compositions, classroom materials, reviews and notices of his works, and materials from professorial organizations and conferences.","This file consists of American Composers Alliance Catalogs and the Alliance's Articles of Association, 1955. The catalogs include strings, woodwinds, percussion, etc.","This file consists of many recommendation letters, letters concerning Robert Stewart's compositions, and personal letters.","This file consists of a lecture by Robert Stewart given at the 'CAC Meeting #4.'","This file consists of miscellanious items, mostly music programs, newspaper clippings, and a photograph of a bride and groom.","This file consists of reviews and notices of Robert Stewart's 'Trio No. 4.' The file also contains two photographs of the Roxbury Chamber Players, who played the piece.","This file consists of material regarding Robert Stewart's trip to Tufts University European Centers in Talloires, France to play in he Montanea Fesival in July 1991.","The file includes: A Lenfest Center folder Commencement Exercises Program, 1983 Fine Arts Division Presentation of Awards Program, June 2, 1993 Letter from John D. Wilson, December 2, 1986 Washington and Lee Concert Guild Program, 1989-90 Washington and Lee fine Arts Calendar of Events","This file consists of letters and documents pertaining to the American Composers Alliance.","This file consists of letters from George Steiner, Director of the American Music Symposium, to Robert Stewart concerning the American University's Contemporary Music Symposium, 1961. It also includes a program list. Robert Stewart's 'Prelude for Strings' was selected to be played at the symposium.","This file consists of letters, programs, notes, and newspaper articles about The Bennington Compersers' Conference. Most of the material is from 1961, 1962, and 1963.","This file consists of programs from Washington and Lee University, Hollins College, and the University of Virginia. It also includes a letter to Stewart from Anne McClenny of Hollins College, Va., a schedule of rehearsals and performances, and a page of financial records. Robert Stewart played the violin in the Blue Ridge Chamber Music Players.","This file consists of four copies of a program from Georgia State College's Fifth Annual Symposium of Contemporary Music for Brass where Robert Stewart's Brass Quintet No. 2 was featured. Brass Quintet No. 2 was commissioned at the 1965-66 Symposium by the Georgia State College Foundation. The file also includes a letter from Walter W. Wich inquiring to buy a copy of Brass Quintet No. 2.","This file consists of Robert Stewart's notes on 'Three Pieces for Brass Quintet,' a program where 'Quintet - 3 Pieces' was performed, and of a review by The Atlanta Constitution.","This file consists of letters to Stewart from The Brevard Music Center, regulations for the Third Annual Composers Symposium at Brevard Music Center, and a poster from the Transylvania Music Camp in Brevard, North Carolina.","This file consists of course assingments, notes, and examination requirements, many from Rizzo School of Music.","This file includes four copies of a program from the 16th Annual Regional Composers Forum at the University of Alabama, where Stewart's 'Fantasia for Viola and Chamber Orchestra' was played.","This file consists of two accounts of a great flood in Lexington as a result of Hurricane Camille in 1969.","This file consists of letters to Robert Stewart from the College and Specialist Bureau concerning opening at various colleges. It also contains letters of inquiry from Stewart and correspondences from different colleges. Many of the letters are from James G. Leyburn and Marion Letcher from Washington and Lee University.","This file consists of undergraduate report cards, a photograph, postcards, an Omicron Dela Kappa certificate, and a progam from the Washington and Lee Class of 1966 Twenty-Fifth Reunion.","This file consists of two programs that do not mention Robert Stewart's work. The first is from the Northern Virginia Teachers Association, and second is 'Currents - The New-Music Ensemble at the University of Richmond' presents 'New Music by Virginia Composers,' 1990.","Robert Stewart was the Concertmaster.","This file consists of newsletters, minutes, and rosters of members from the Southeastern Composers' League.","This file consists of correspondences between Stewart and Barton Cummings regarding a tuba piece that Stewart composed for Cummings."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_coll_ssim":["Washington and Lee University. Department of Music"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. Department of Music","American Composers Alliance","New York Times Company","Richmond Symphony","Chicago Federation of Musicians","Washington and Lee University","Atlanta Symphony Orchestra","Roanoke Symphony Orchestra","Madison College","University of South Carolina","Brevard Music Center","Louisiana State University (Baton Rouge, La.)","Georgia State University","Tennessee Technological University","James Madison University","Albany Symphony Orchestra","University of North Carolina at Chapel Hill","Mary Baldwin College","Washington Post Company","Tufts University","American Music Center (New York, N.Y.)","American University (Washington, D.C.)","Bennington College","University of Virginia","Hollins College","Georgia State College (Atlanta, Ga.)","Manhattan School of Music (New York, N.Y.)","University of Alabama","University of Georgia","New-York Historical Society","Southeastern Composers' League","Iowa String Quartet","University of Iowa","George Peabody College for Teachers","Stewart, Robert","Rentowski, Wieslaw","Sessions, William Lad","Mohler, William Norman","Luening, Otto","Fauteux, Kenneth Michael, Dr.","Homans, Peter Parkman","Babbitt, Milton","Moylan, William","Lessard, John","Booth, Philip","Hartog, William M., III","Gordon, Albert Claude","Spice, Gordon Philip","McAhren, Robert W. (Robert Willard)","Kolman, Barry H.","Lifchitz, Max","Miller, Anita","Wilson, John Delane","Watt, William Joseph","Williams, Henry Gordon, Jr.","Lancaster, Albert Lake","Pusey, William W., III (William Webb)","Elrod, John W.","Warner, John W.","Wright, Frank Lloyd","Radford College","Korte, Karl","Pfohl, James Christian","Corrigan, Eugene F.","Spencer, Edgar Winston","Bales, Richard","Stewart, Sue","Turetzky, Bertram","Wuorinen, Charles","Marx, Josef","Skowronek, Felix","Bloom, Arthur A.","Pachman, Maurice","Raab, Emil","Calabrese, Rosalie","Shelton, Mark","Atkins, Leroy C., II","Mahin, Bruce P.","Kniebusch, Carol","Niethamer, David","Wen-Chung, Chou","Strandberg, Newton","Rowand, Wilbur H.","Leyburn, James Graham","Junkin, Marion Montague","Spelman, Leslie P.","Doty, E. William (Ezra William)","Cummings, Barton"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. Department of Music","American Composers Alliance","New York Times Company","Richmond Symphony","Chicago Federation of Musicians","Washington and Lee University","Atlanta Symphony Orchestra","Roanoke Symphony Orchestra","Madison College","University of South Carolina","Brevard Music Center","Louisiana State University (Baton Rouge, La.)","Georgia State University","Tennessee Technological University","James Madison University","Albany Symphony Orchestra","University of North Carolina at Chapel Hill","Mary Baldwin College","Washington Post Company","Tufts University","American Music Center (New York, N.Y.)","American University (Washington, D.C.)","Bennington College","University of Virginia","Hollins College","Georgia State College (Atlanta, Ga.)","Manhattan School of Music (New York, N.Y.)","University of Alabama","University of Georgia","New-York Historical Society","Southeastern Composers' League","Iowa String Quartet","University of Iowa","George Peabody College for Teachers"],"persname_ssim":["Stewart, Robert","Rentowski, Wieslaw","Sessions, William Lad","Mohler, William Norman","Luening, Otto","Fauteux, Kenneth Michael, Dr.","Homans, Peter Parkman","Babbitt, Milton","Moylan, William","Lessard, John","Booth, Philip","Hartog, William M., III","Gordon, Albert Claude","Spice, Gordon Philip","McAhren, Robert W. (Robert Willard)","Kolman, Barry H.","Lifchitz, Max","Miller, Anita","Wilson, John Delane","Watt, William Joseph","Williams, Henry Gordon, Jr.","Lancaster, Albert Lake","Pusey, William W., III (William Webb)","Elrod, John W.","Warner, John W.","Wright, Frank Lloyd","Radford College","Korte, Karl","Pfohl, James Christian","Corrigan, Eugene F.","Spencer, Edgar Winston","Bales, Richard","Stewart, Sue","Turetzky, Bertram","Wuorinen, Charles","Marx, Josef","Skowronek, Felix","Bloom, Arthur A.","Pachman, Maurice","Raab, Emil","Calabrese, Rosalie","Shelton, Mark","Atkins, Leroy C., II","Mahin, Bruce P.","Kniebusch, Carol","Niethamer, David","Wen-Chung, Chou","Strandberg, Newton","Rowand, Wilbur H.","Leyburn, James Graham","Junkin, Marion Montague","Spelman, Leslie P.","Doty, E. William (Ezra William)","Cummings, Barton"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":50,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T21:04:55.013Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_538_c35"}},{"id":"viw_repositories_2_resources_8485","type":"collection","attributes":{"title":"Frances Breeze Music Collection","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8485#creator","type":"document_value","attributes":{"value":"Breeze, Frances, 1919-2002","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8485#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eBook and individual sheet music of musical scores, probably collected by Frances Breeze. Scrapbooks created by Josephone Carey Stanton and possibly others. Roland Halstead's collection of ephemera from trips abroad and musical production programs and guides. Undetermined parts of the collection were given by Dianne Webb (via Frances Breeze) in memory of Manny and Harold Chapman. Includes a handwritten score by Harold Chapman.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8485#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_8485","ead_ssi":"viw_repositories_2_resources_8485","_root_":"viw_repositories_2_resources_8485","_nest_parent_":"viw_repositories_2_resources_8485","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8485.xml","title_filing_ssi":"Breeze, Frances","title_ssm":["Frances Breeze Music Collection"],"title_tesim":["Frances Breeze Music Collection"],"unitdate_ssm":["1890-1980"],"unitdate_inclusive_ssm":["1890-1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. Acc. 2014.003","/repositories/2/resources/8485"],"text":["Mss. Acc. 2014.003","/repositories/2/resources/8485","Frances Breeze Music Collection","College of William and Mary--Faculty and Staff","Music","Music--19th century.","Music--Performance--United States","Opera","Music - Manuscripts","Musical recordings","Pamphlets","Printed ephemera","Programs","Scrapbooks","Sheet music","Collection is open to all researchers.","Arranged in series by name of creator and subseries by type of material.  Series 4 contains list of items removed from collection and filed elsewhere.","Frances was a soprano who performed with many of the world's leading musical companies and on the Broadway stage. She attended Julliard School of Music in NYC. She was a faculty member at William and Mary from 1973 to 1983.","Other Information:","There is a Frances Breeze Endowment Fund at the College of William and Mary where she was a voice coach.","Processing and finding aid completed by Anne Johnson, Special Collections Assistant, in January 2014.","The following items were removed from this collection and were added to the University Archives Audiovisual Collection (UA 58) on 6/16/2009:","Recording tape: Track 1 and 3, \"Fairy Stones\" and Track 2 and 4, blank.","Scotch 3m Music Mastering tape:  \"Chapman Tape I\"","3M Music Mastering Tape: \"Chapman II\"","Book and individual sheet music of musical scores, probably collected by Frances Breeze.  Scrapbooks created by Josephone Carey Stanton and possibly others. Roland Halstead's collection of ephemera from trips abroad and musical production programs and guides. Undetermined parts of the collection were given by Dianne Webb (via Frances Breeze) in memory of Manny and Harold Chapman. Includes a handwritten score by Harold Chapman.","Collected by Harold Halstead.","Includes programs from Chrysler Hall, Smithfield, Hampton Roads Coliseum, York High School, Kecoughtan High School, Colonial Williamsburg Foundation, James Blair Elementary School, William and Mary Concert Series, Virginia Museum Theatre, Bruton Parish Church, Virginia Opera Association and others. Some newspaper reviews included.","Drawings by C. Allan Gilbert. Published by arrangement with Mr. Marcus R. Mayer.  R.H. Russell, New York, Publisher.","Theatre programs, newspaper articles, and photographs of actors and actresses.","Three catalogues for cooking items.","1966 ticket stub from the Silver City Ferry and a 1962 ticket stub for the Pan American, from Munich to Berlin.","The Royal Edition of the Contral to Album with Italian and English Words, edited by J. Pittman, Boosey \u0026 Co., London and New York. Edition is prior to 1899.","The Victor Book of the Opera, Victor Talking Machine Co., Campden, New Jersey, 1912, owned by Harold Chapman.","Operatic Anthology and Celebrated Arias..., edited by Max Specker, G. Schirmer, 1904. Frances Breeze performed some of this music.","The Sound of Music, Richard Rodgers and Oscar Hammerstein, II, Libretto, Williamson Music, Inc., New York, 1960.","The following items were removed from this collection and were added to the Manuscripts Audiovisual Collection under Mss. Acc. 2014.003 on 6/16/2009:"," Recording tape: Track 1 and 3, \"Fairy Stones\" and Track 2 and 4, blank."," Scotch 3m Music Mastering tape: \"Chapman Tape I\""," 3M Music Mastering Tape: \"Chapman II\"","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary. Dept. of Music","Breeze, Frances, 1919-2002","Chapman, Harold","Halstead, Roland","Stanton, Josephine Carey","Webb, Dianne","English"],"unitid_tesim":["Mss. Acc. 2014.003","/repositories/2/resources/8485"],"normalized_title_ssm":["Frances Breeze Music Collection"],"collection_title_tesim":["Frances Breeze Music Collection"],"collection_ssim":["Frances Breeze Music Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Breeze, Frances, 1919-2002","Chapman, Harold","Halstead, Roland","Stanton, Josephine Carey","Webb, Dianne"],"creator_ssim":["Breeze, Frances, 1919-2002","Chapman, Harold","Halstead, Roland","Stanton, Josephine Carey","Webb, Dianne"],"creator_persname_ssim":["Breeze, Frances, 1919-2002","Chapman, Harold","Halstead, Roland","Stanton, Josephine Carey","Webb, Dianne"],"creators_ssim":["Breeze, Frances, 1919-2002","Chapman, Harold","Halstead, Roland","Stanton, Josephine Carey","Webb, Dianne"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gift."],"access_subjects_ssim":["College of William and Mary--Faculty and Staff","Music","Music--19th century.","Music--Performance--United States","Opera","Music - Manuscripts","Musical recordings","Pamphlets","Printed ephemera","Programs","Scrapbooks","Sheet music"],"access_subjects_ssm":["College of William and Mary--Faculty and Staff","Music","Music--19th century.","Music--Performance--United States","Opera","Music - Manuscripts","Musical recordings","Pamphlets","Printed ephemera","Programs","Scrapbooks","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["1.25 Linear Feet"],"extent_tesim":["1.25 Linear Feet"],"genreform_ssim":["Music - Manuscripts","Musical recordings","Pamphlets","Printed ephemera","Programs","Scrapbooks","Sheet music"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers."],"arrangement_html_tesm":["\u003cp\u003eArranged in series by name of creator and subseries by type of material.  Series 4 contains list of items removed from collection and filed elsewhere.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Arranged in series by name of creator and subseries by type of material.  Series 4 contains list of items removed from collection and filed elsewhere."],"bioghist_html_tesm":["\u003cp\u003eFrances was a soprano who performed with many of the world's leading musical companies and on the Broadway stage. She attended Julliard School of Music in NYC. She was a faculty member at William and Mary from 1973 to 1983.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Frances was a soprano who performed with many of the world's leading musical companies and on the Broadway stage. She attended Julliard School of Music in NYC. She was a faculty member at William and Mary from 1973 to 1983."],"odd_html_tesm":["\u003cp\u003eOther Information:\u003c/p\u003e\n","\u003cp\u003eThere is a Frances Breeze Endowment Fund at the College of William and Mary where she was a voice coach.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Other Information:","There is a Frances Breeze Endowment Fund at the College of William and Mary where she was a voice coach."],"prefercite_html_tesm":["\u003cp\u003eFrances Breeze Music Collection, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Frances Breeze Music Collection, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Anne Johnson, Special Collections Assistant, in January 2014.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processing and finding aid completed by Anne Johnson, Special Collections Assistant, in January 2014."],"relatedmaterial_html_tesm":["\u003cp\u003eThe following items were removed from this collection and were added to the University Archives Audiovisual Collection (UA 58) on 6/16/2009:\u003c/p\u003e\n","\u003cp\u003eRecording tape: Track 1 and 3, \"Fairy Stones\" and Track 2 and 4, blank.\u003c/p\u003e\n","\u003cp\u003eScotch 3m Music Mastering tape:  \"Chapman Tape I\"\u003c/p\u003e\n","\u003cp\u003e3M Music Mastering Tape: \"Chapman II\"\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["The following items were removed from this collection and were added to the University Archives Audiovisual Collection (UA 58) on 6/16/2009:","Recording tape: Track 1 and 3, \"Fairy Stones\" and Track 2 and 4, blank.","Scotch 3m Music Mastering tape:  \"Chapman Tape I\"","3M Music Mastering Tape: \"Chapman II\""],"scopecontent_html_tesm":["\u003cp\u003eBook and individual sheet music of musical scores, probably collected by Frances Breeze.  Scrapbooks created by Josephone Carey Stanton and possibly others. Roland Halstead's collection of ephemera from trips abroad and musical production programs and guides. Undetermined parts of the collection were given by Dianne Webb (via Frances Breeze) in memory of Manny and Harold Chapman. Includes a handwritten score by Harold Chapman.\u003c/p\u003e","\u003cp\u003eCollected by Harold Halstead.\u003c/p\u003e","\u003cp\u003eIncludes programs from Chrysler Hall, Smithfield, Hampton Roads Coliseum, York High School, Kecoughtan High School, Colonial Williamsburg Foundation, James Blair Elementary School, William and Mary Concert Series, Virginia Museum Theatre, Bruton Parish Church, Virginia Opera Association and others. Some newspaper reviews included.\u003c/p\u003e","\u003cp\u003eDrawings by C. Allan Gilbert. Published by arrangement with Mr. Marcus R. Mayer.  R.H. Russell, New York, Publisher.\u003c/p\u003e","\u003cp\u003eTheatre programs, newspaper articles, and photographs of actors and actresses.\u003c/p\u003e","\u003cp\u003eThree catalogues for cooking items.\u003c/p\u003e","\u003cp\u003e1966 ticket stub from the Silver City Ferry and a 1962 ticket stub for the Pan American, from Munich to Berlin.\u003c/p\u003e","\u003cp\u003eThe Royal Edition of the Contral to Album with Italian and English Words, edited by J. Pittman, Boosey \u0026amp; Co., London and New York. Edition is prior to 1899.\u003c/p\u003e","\u003cp\u003eThe Victor Book of the Opera, Victor Talking Machine Co., Campden, New Jersey, 1912, owned by Harold Chapman.\u003c/p\u003e","\u003cp\u003eOperatic Anthology and Celebrated Arias..., edited by Max Specker, G. Schirmer, 1904. Frances Breeze performed some of this music.\u003c/p\u003e","\u003cp\u003eThe Sound of Music, Richard Rodgers and Oscar Hammerstein, II, Libretto, Williamson Music, Inc., New York, 1960.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Book and individual sheet music of musical scores, probably collected by Frances Breeze.  Scrapbooks created by Josephone Carey Stanton and possibly others. Roland Halstead's collection of ephemera from trips abroad and musical production programs and guides. Undetermined parts of the collection were given by Dianne Webb (via Frances Breeze) in memory of Manny and Harold Chapman. Includes a handwritten score by Harold Chapman.","Collected by Harold Halstead.","Includes programs from Chrysler Hall, Smithfield, Hampton Roads Coliseum, York High School, Kecoughtan High School, Colonial Williamsburg Foundation, James Blair Elementary School, William and Mary Concert Series, Virginia Museum Theatre, Bruton Parish Church, Virginia Opera Association and others. Some newspaper reviews included.","Drawings by C. Allan Gilbert. Published by arrangement with Mr. Marcus R. Mayer.  R.H. Russell, New York, Publisher.","Theatre programs, newspaper articles, and photographs of actors and actresses.","Three catalogues for cooking items.","1966 ticket stub from the Silver City Ferry and a 1962 ticket stub for the Pan American, from Munich to Berlin.","The Royal Edition of the Contral to Album with Italian and English Words, edited by J. Pittman, Boosey \u0026 Co., London and New York. Edition is prior to 1899.","The Victor Book of the Opera, Victor Talking Machine Co., Campden, New Jersey, 1912, owned by Harold Chapman.","Operatic Anthology and Celebrated Arias..., edited by Max Specker, G. Schirmer, 1904. Frances Breeze performed some of this music.","The Sound of Music, Richard Rodgers and Oscar Hammerstein, II, Libretto, Williamson Music, Inc., New York, 1960."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following items were removed from this collection and were added to the Manuscripts Audiovisual Collection under Mss. Acc. 2014.003 on 6/16/2009:\u003c/p\u003e\n","\u003cp\u003e Recording tape: Track 1 and 3, \"Fairy Stones\" and Track 2 and 4, blank.\u003c/p\u003e\n","\u003cp\u003e Scotch 3m Music Mastering tape: \"Chapman Tape I\"\u003c/p\u003e\n","\u003cp\u003e 3M Music Mastering Tape: \"Chapman II\"\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["The following items were removed from this collection and were added to the Manuscripts Audiovisual Collection under Mss. Acc. 2014.003 on 6/16/2009:"," Recording tape: Track 1 and 3, \"Fairy Stones\" and Track 2 and 4, blank."," Scotch 3m Music Mastering tape: \"Chapman Tape I\""," 3M Music Mastering Tape: \"Chapman II\""],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary. Dept. of Music"],"names_ssim":["Special Collections Research Center","College of William and Mary. Dept. of Music","Breeze, Frances, 1919-2002","Chapman, Harold","Halstead, Roland","Stanton, Josephine Carey","Webb, Dianne"],"corpname_ssim":["Special Collections Research Center","College of William and Mary. Dept. of Music"],"persname_ssim":["Breeze, Frances, 1919-2002","Chapman, Harold","Halstead, Roland","Stanton, Josephine Carey","Webb, Dianne"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":42,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:20:04.359Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8485","ead_ssi":"viw_repositories_2_resources_8485","_root_":"viw_repositories_2_resources_8485","_nest_parent_":"viw_repositories_2_resources_8485","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8485.xml","title_filing_ssi":"Breeze, Frances","title_ssm":["Frances Breeze Music Collection"],"title_tesim":["Frances Breeze Music Collection"],"unitdate_ssm":["1890-1980"],"unitdate_inclusive_ssm":["1890-1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. Acc. 2014.003","/repositories/2/resources/8485"],"text":["Mss. Acc. 2014.003","/repositories/2/resources/8485","Frances Breeze Music Collection","College of William and Mary--Faculty and Staff","Music","Music--19th century.","Music--Performance--United States","Opera","Music - Manuscripts","Musical recordings","Pamphlets","Printed ephemera","Programs","Scrapbooks","Sheet music","Collection is open to all researchers.","Arranged in series by name of creator and subseries by type of material.  Series 4 contains list of items removed from collection and filed elsewhere.","Frances was a soprano who performed with many of the world's leading musical companies and on the Broadway stage. She attended Julliard School of Music in NYC. She was a faculty member at William and Mary from 1973 to 1983.","Other Information:","There is a Frances Breeze Endowment Fund at the College of William and Mary where she was a voice coach.","Processing and finding aid completed by Anne Johnson, Special Collections Assistant, in January 2014.","The following items were removed from this collection and were added to the University Archives Audiovisual Collection (UA 58) on 6/16/2009:","Recording tape: Track 1 and 3, \"Fairy Stones\" and Track 2 and 4, blank.","Scotch 3m Music Mastering tape:  \"Chapman Tape I\"","3M Music Mastering Tape: \"Chapman II\"","Book and individual sheet music of musical scores, probably collected by Frances Breeze.  Scrapbooks created by Josephone Carey Stanton and possibly others. Roland Halstead's collection of ephemera from trips abroad and musical production programs and guides. Undetermined parts of the collection were given by Dianne Webb (via Frances Breeze) in memory of Manny and Harold Chapman. Includes a handwritten score by Harold Chapman.","Collected by Harold Halstead.","Includes programs from Chrysler Hall, Smithfield, Hampton Roads Coliseum, York High School, Kecoughtan High School, Colonial Williamsburg Foundation, James Blair Elementary School, William and Mary Concert Series, Virginia Museum Theatre, Bruton Parish Church, Virginia Opera Association and others. Some newspaper reviews included.","Drawings by C. Allan Gilbert. Published by arrangement with Mr. Marcus R. Mayer.  R.H. Russell, New York, Publisher.","Theatre programs, newspaper articles, and photographs of actors and actresses.","Three catalogues for cooking items.","1966 ticket stub from the Silver City Ferry and a 1962 ticket stub for the Pan American, from Munich to Berlin.","The Royal Edition of the Contral to Album with Italian and English Words, edited by J. Pittman, Boosey \u0026 Co., London and New York. Edition is prior to 1899.","The Victor Book of the Opera, Victor Talking Machine Co., Campden, New Jersey, 1912, owned by Harold Chapman.","Operatic Anthology and Celebrated Arias..., edited by Max Specker, G. Schirmer, 1904. Frances Breeze performed some of this music.","The Sound of Music, Richard Rodgers and Oscar Hammerstein, II, Libretto, Williamson Music, Inc., New York, 1960.","The following items were removed from this collection and were added to the Manuscripts Audiovisual Collection under Mss. Acc. 2014.003 on 6/16/2009:"," Recording tape: Track 1 and 3, \"Fairy Stones\" and Track 2 and 4, blank."," Scotch 3m Music Mastering tape: \"Chapman Tape I\""," 3M Music Mastering Tape: \"Chapman II\"","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary. Dept. of Music","Breeze, Frances, 1919-2002","Chapman, Harold","Halstead, Roland","Stanton, Josephine Carey","Webb, Dianne","English"],"unitid_tesim":["Mss. Acc. 2014.003","/repositories/2/resources/8485"],"normalized_title_ssm":["Frances Breeze Music Collection"],"collection_title_tesim":["Frances Breeze Music Collection"],"collection_ssim":["Frances Breeze Music Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Breeze, Frances, 1919-2002","Chapman, Harold","Halstead, Roland","Stanton, Josephine Carey","Webb, Dianne"],"creator_ssim":["Breeze, Frances, 1919-2002","Chapman, Harold","Halstead, Roland","Stanton, Josephine Carey","Webb, Dianne"],"creator_persname_ssim":["Breeze, Frances, 1919-2002","Chapman, Harold","Halstead, Roland","Stanton, Josephine Carey","Webb, Dianne"],"creators_ssim":["Breeze, Frances, 1919-2002","Chapman, Harold","Halstead, Roland","Stanton, Josephine Carey","Webb, Dianne"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gift."],"access_subjects_ssim":["College of William and Mary--Faculty and Staff","Music","Music--19th century.","Music--Performance--United States","Opera","Music - Manuscripts","Musical recordings","Pamphlets","Printed ephemera","Programs","Scrapbooks","Sheet music"],"access_subjects_ssm":["College of William and Mary--Faculty and Staff","Music","Music--19th century.","Music--Performance--United States","Opera","Music - Manuscripts","Musical recordings","Pamphlets","Printed ephemera","Programs","Scrapbooks","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["1.25 Linear Feet"],"extent_tesim":["1.25 Linear Feet"],"genreform_ssim":["Music - Manuscripts","Musical recordings","Pamphlets","Printed ephemera","Programs","Scrapbooks","Sheet music"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers."],"arrangement_html_tesm":["\u003cp\u003eArranged in series by name of creator and subseries by type of material.  Series 4 contains list of items removed from collection and filed elsewhere.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Arranged in series by name of creator and subseries by type of material.  Series 4 contains list of items removed from collection and filed elsewhere."],"bioghist_html_tesm":["\u003cp\u003eFrances was a soprano who performed with many of the world's leading musical companies and on the Broadway stage. She attended Julliard School of Music in NYC. She was a faculty member at William and Mary from 1973 to 1983.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Frances was a soprano who performed with many of the world's leading musical companies and on the Broadway stage. She attended Julliard School of Music in NYC. She was a faculty member at William and Mary from 1973 to 1983."],"odd_html_tesm":["\u003cp\u003eOther Information:\u003c/p\u003e\n","\u003cp\u003eThere is a Frances Breeze Endowment Fund at the College of William and Mary where she was a voice coach.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Other Information:","There is a Frances Breeze Endowment Fund at the College of William and Mary where she was a voice coach."],"prefercite_html_tesm":["\u003cp\u003eFrances Breeze Music Collection, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Frances Breeze Music Collection, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Anne Johnson, Special Collections Assistant, in January 2014.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processing and finding aid completed by Anne Johnson, Special Collections Assistant, in January 2014."],"relatedmaterial_html_tesm":["\u003cp\u003eThe following items were removed from this collection and were added to the University Archives Audiovisual Collection (UA 58) on 6/16/2009:\u003c/p\u003e\n","\u003cp\u003eRecording tape: Track 1 and 3, \"Fairy Stones\" and Track 2 and 4, blank.\u003c/p\u003e\n","\u003cp\u003eScotch 3m Music Mastering tape:  \"Chapman Tape I\"\u003c/p\u003e\n","\u003cp\u003e3M Music Mastering Tape: \"Chapman II\"\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["The following items were removed from this collection and were added to the University Archives Audiovisual Collection (UA 58) on 6/16/2009:","Recording tape: Track 1 and 3, \"Fairy Stones\" and Track 2 and 4, blank.","Scotch 3m Music Mastering tape:  \"Chapman Tape I\"","3M Music Mastering Tape: \"Chapman II\""],"scopecontent_html_tesm":["\u003cp\u003eBook and individual sheet music of musical scores, probably collected by Frances Breeze.  Scrapbooks created by Josephone Carey Stanton and possibly others. Roland Halstead's collection of ephemera from trips abroad and musical production programs and guides. Undetermined parts of the collection were given by Dianne Webb (via Frances Breeze) in memory of Manny and Harold Chapman. Includes a handwritten score by Harold Chapman.\u003c/p\u003e","\u003cp\u003eCollected by Harold Halstead.\u003c/p\u003e","\u003cp\u003eIncludes programs from Chrysler Hall, Smithfield, Hampton Roads Coliseum, York High School, Kecoughtan High School, Colonial Williamsburg Foundation, James Blair Elementary School, William and Mary Concert Series, Virginia Museum Theatre, Bruton Parish Church, Virginia Opera Association and others. Some newspaper reviews included.\u003c/p\u003e","\u003cp\u003eDrawings by C. Allan Gilbert. Published by arrangement with Mr. Marcus R. Mayer.  R.H. Russell, New York, Publisher.\u003c/p\u003e","\u003cp\u003eTheatre programs, newspaper articles, and photographs of actors and actresses.\u003c/p\u003e","\u003cp\u003eThree catalogues for cooking items.\u003c/p\u003e","\u003cp\u003e1966 ticket stub from the Silver City Ferry and a 1962 ticket stub for the Pan American, from Munich to Berlin.\u003c/p\u003e","\u003cp\u003eThe Royal Edition of the Contral to Album with Italian and English Words, edited by J. Pittman, Boosey \u0026amp; Co., London and New York. Edition is prior to 1899.\u003c/p\u003e","\u003cp\u003eThe Victor Book of the Opera, Victor Talking Machine Co., Campden, New Jersey, 1912, owned by Harold Chapman.\u003c/p\u003e","\u003cp\u003eOperatic Anthology and Celebrated Arias..., edited by Max Specker, G. Schirmer, 1904. Frances Breeze performed some of this music.\u003c/p\u003e","\u003cp\u003eThe Sound of Music, Richard Rodgers and Oscar Hammerstein, II, Libretto, Williamson Music, Inc., New York, 1960.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Book and individual sheet music of musical scores, probably collected by Frances Breeze.  Scrapbooks created by Josephone Carey Stanton and possibly others. Roland Halstead's collection of ephemera from trips abroad and musical production programs and guides. Undetermined parts of the collection were given by Dianne Webb (via Frances Breeze) in memory of Manny and Harold Chapman. Includes a handwritten score by Harold Chapman.","Collected by Harold Halstead.","Includes programs from Chrysler Hall, Smithfield, Hampton Roads Coliseum, York High School, Kecoughtan High School, Colonial Williamsburg Foundation, James Blair Elementary School, William and Mary Concert Series, Virginia Museum Theatre, Bruton Parish Church, Virginia Opera Association and others. Some newspaper reviews included.","Drawings by C. Allan Gilbert. Published by arrangement with Mr. Marcus R. Mayer.  R.H. Russell, New York, Publisher.","Theatre programs, newspaper articles, and photographs of actors and actresses.","Three catalogues for cooking items.","1966 ticket stub from the Silver City Ferry and a 1962 ticket stub for the Pan American, from Munich to Berlin.","The Royal Edition of the Contral to Album with Italian and English Words, edited by J. Pittman, Boosey \u0026 Co., London and New York. Edition is prior to 1899.","The Victor Book of the Opera, Victor Talking Machine Co., Campden, New Jersey, 1912, owned by Harold Chapman.","Operatic Anthology and Celebrated Arias..., edited by Max Specker, G. Schirmer, 1904. Frances Breeze performed some of this music.","The Sound of Music, Richard Rodgers and Oscar Hammerstein, II, Libretto, Williamson Music, Inc., New York, 1960."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following items were removed from this collection and were added to the Manuscripts Audiovisual Collection under Mss. Acc. 2014.003 on 6/16/2009:\u003c/p\u003e\n","\u003cp\u003e Recording tape: Track 1 and 3, \"Fairy Stones\" and Track 2 and 4, blank.\u003c/p\u003e\n","\u003cp\u003e Scotch 3m Music Mastering tape: \"Chapman Tape I\"\u003c/p\u003e\n","\u003cp\u003e 3M Music Mastering Tape: \"Chapman II\"\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["The following items were removed from this collection and were added to the Manuscripts Audiovisual Collection under Mss. Acc. 2014.003 on 6/16/2009:"," Recording tape: Track 1 and 3, \"Fairy Stones\" and Track 2 and 4, blank."," Scotch 3m Music Mastering tape: \"Chapman Tape I\""," 3M Music Mastering Tape: \"Chapman II\""],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary. Dept. of Music"],"names_ssim":["Special Collections Research Center","College of William and Mary. Dept. of Music","Breeze, Frances, 1919-2002","Chapman, Harold","Halstead, Roland","Stanton, Josephine Carey","Webb, Dianne"],"corpname_ssim":["Special Collections Research Center","College of William and Mary. Dept. of Music"],"persname_ssim":["Breeze, Frances, 1919-2002","Chapman, Harold","Halstead, Roland","Stanton, Josephine Carey","Webb, Dianne"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":42,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:20:04.359Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8485"}},{"id":"vino_repositories_2_resources_309","type":"collection","attributes":{"title":"Fred Strong Papers","creator":{"id":"https://arvasarchive.org/catalog/vino_repositories_2_resources_309#creator","type":"document_value","attributes":{"value":"Strong, Fred (1952-)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vino_repositories_2_resources_309#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection is primarily comprised of Fred Strong's musical compositions for piano and vocal scores, focusing on humanist, secular, and natural themes. Included in the collection is one of the composers most famous pieces – BANG! The Musical, a composition for soprano, alto, tenor, and bass. As described by the composer, \"BANG! takes the audience on a trip through time and space from the big bang to present-day Earth, with a humanist message about our choices and responsibilities. The music ranges from doo-wop to hip-hop and folk to jazz.\"\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vino_repositories_2_resources_309#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vino_repositories_2_resources_309","ead_ssi":"vino_repositories_2_resources_309","_root_":"vino_repositories_2_resources_309","_nest_parent_":"vino_repositories_2_resources_309","ead_source_url_ssi":"data/oai/ODU/repositories_2_resources_309.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/2/resources/309","title_filing_ssi":"Strong, Fred","title_ssm":["Fred Strong Papers"],"title_tesim":["Fred Strong Papers"],"unitdate_ssm":["1991-2020","Date acquired: 04/12/2021"],"unitdate_inclusive_ssm":["1991-2020"],"unitdate_other_ssim":["Date acquired: 04/12/2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["DCR MG 16","/repositories/2/resources/309"],"text":["DCR MG 16","/repositories/2/resources/309","Fred Strong Papers","Hampton Roads (Va. : Region)","Music--United States--20th century","Music--United States--21st century","Vocal Music--20th century","Vocal Music--21st century","Music","Piano Music--20th century","Piano Music--21st century","Open to researchers without restrictions. Original compositions, audio visuals and booklets must be viewed in-person.","The collection has been organized into two series: Series I: Original Compositions; and Series II: Musical.","Fred Strong was born in Shreveport, Louisiana but spent much of his early life in Norfolk, Virginia (1960 - 1979), where he graduated from Norview High School in 1970. After high school, Strong went on to study musical composition for one year at Shenandoah Conservatory, in Winchester, Virginia, after which he completed his studies at Old Dominion University (ODU). ","Having learned the basics of music and piano from his mother, he began writing songs at an early age and sang in choral groups throughout all levels of schooling. While in high school, encouraged and mentored by his choir director, Claire McDermott, he became student director and began to write music of a more serious nature, several works of which were performed by Norview's concert choir, madrigals, and band. His love for writing music motivated him to seek a degree in composition. In addition to his time at ODU, Strong has studied with former Norfolk State University professor and composer Adolphus Hailstork, and taken classes in film scoring and arranging at L.A. Valley College in Los Angeles, California. For many years, Strong enjoyed a career in published music, working in New York City for the music publisher Carl Fischer and owning sheet music retail outlets in Norfolk, Virginia and Portland, Oregon. ","Strong's works have been performed across the United States, including Norfolk, Chesapeake, and Williamsburg, Virginia, Los Angeles, New York City, Providence, Rhode Island, and and Washington DC, where his choral piece, The Well, was premiered on the steps of the United States Capitol Building. Until 2020, Strong lived in Portland, Oregon where he developed an annual, secular Winter Solstice celebration called Darktolight for which he wrote several works. For Darktolight 2012, he wrote a musical, BANG!, which celebrates life and evolution originating in the Big Bang. BANG! garnered national attention and is the world's first Freethought musical.  ","Strong currently resides in Williamsburg, Virginia with his wife, Sandra Brown.","Note written by Fred Strong","The collection was processed by LaraAnn Canner from April through July 2021.","This collection is primarily comprised of Fred Strong's musical compositions for piano and vocal scores, focusing on humanist, secular, and natural themes. Included in the collection is one of the composers most famous pieces – BANG! The Musical, a composition for soprano, alto, tenor, and bass. As described by the composer, \"BANG! takes the audience on a trip through time and space from the big bang to present-day Earth, with a humanist message about our choices and responsibilities. The music ranges from doo-wop to hip-hop and folk to jazz.\"","This series consists of original works composed by Frank Strong.","This sub-series includes original piano scores by Strong.","This sub-series contains original vocal scores by Strong.","This series contains material related to Bang! The Musical, composed by Strong. Bang! The Musical is a composition for Soprano, Alto, Tenor, and Bass. As described by the composer,  \"BANG! takes the audience on a trip through time and space from the big bang to present-day Earth, with a humanist message about our choices and responsibilities. The music ranges from doo-woop to hip-hop and folk to jazz.\"","This sub-series consists of a DVD of Bang! The Musical.","This sub-series contains a booklet and musical score for Bang! The Musical.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries. Fred Strong has granted ODU faculty, staff, and students permission to perform his compositions royalty free.","ODU Diehn Composers Room Collection","Strong, Fred (1952-)","English"],"unitid_tesim":["DCR MG 16","/repositories/2/resources/309"],"normalized_title_ssm":["Fred Strong Papers"],"collection_title_tesim":["Fred Strong Papers"],"collection_ssim":["Fred Strong Papers"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"geogname_ssm":["Hampton Roads (Va. : Region)"],"geogname_ssim":["Hampton Roads (Va. : Region)"],"creator_ssm":["Strong, Fred (1952-)"],"creator_ssim":["Strong, Fred (1952-)"],"creator_persname_ssim":["Strong, Fred (1952-)"],"creators_ssim":["Strong, Fred (1952-)"],"places_ssim":["Hampton Roads (Va. : Region)"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries. Fred Strong has granted ODU faculty, staff, and students permission to perform his compositions royalty free."],"acqinfo_ssim":["Fred Strong","Acc. 2021.004 was hand-delivered to Special Collections and University Archives from the donor on 4/12/2021."],"access_subjects_ssim":["Music--United States--20th century","Music--United States--21st century","Vocal Music--20th century","Vocal Music--21st century","Music","Piano Music--20th century","Piano Music--21st century"],"access_subjects_ssm":["Music--United States--20th century","Music--United States--21st century","Vocal Music--20th century","Vocal Music--21st century","Music","Piano Music--20th century","Piano Music--21st century"],"has_online_content_ssim":["false"],"extent_ssm":["0.4 Linear Feet","1 tall Hollinger document case boxes"],"extent_tesim":["0.4 Linear Feet","1 tall Hollinger document case boxes"],"date_range_isim":[1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions. Original compositions, audio visuals and booklets must be viewed in-person.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions. Original compositions, audio visuals and booklets must be viewed in-person."],"arrangement_html_tesm":["\u003cp\u003eThe collection has been organized into two series: Series I: Original Compositions; and Series II: Musical.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection has been organized into two series: Series I: Original Compositions; and Series II: Musical."],"bioghist_html_tesm":["\u003cp\u003eFred Strong was born in Shreveport, Louisiana but spent much of his early life in Norfolk, Virginia (1960 - 1979), where he graduated from Norview High School in 1970. After high school, Strong went on to study musical composition for one year at Shenandoah Conservatory, in Winchester, Virginia, after which he completed his studies at Old Dominion University (ODU). \u003c/p\u003e\n","\u003cp\u003eHaving learned the basics of music and piano from his mother, he began writing songs at an early age and sang in choral groups throughout all levels of schooling. While in high school, encouraged and mentored by his choir director, Claire McDermott, he became student director and began to write music of a more serious nature, several works of which were performed by Norview's concert choir, madrigals, and band. His love for writing music motivated him to seek a degree in composition. In addition to his time at ODU, Strong has studied with former Norfolk State University professor and composer Adolphus Hailstork, and taken classes in film scoring and arranging at L.A. Valley College in Los Angeles, California. For many years, Strong enjoyed a career in published music, working in New York City for the music publisher Carl Fischer and owning sheet music retail outlets in Norfolk, Virginia and Portland, Oregon. \u003c/p\u003e\n","\u003cp\u003eStrong's works have been performed across the United States, including Norfolk, Chesapeake, and Williamsburg, Virginia, Los Angeles, New York City, Providence, Rhode Island, and and Washington DC, where his choral piece, The Well, was premiered on the steps of the United States Capitol Building. Until 2020, Strong lived in Portland, Oregon where he developed an annual, secular Winter Solstice celebration called Darktolight for which he wrote several works. For Darktolight 2012, he wrote a musical, BANG!, which celebrates life and evolution originating in the Big Bang. BANG! garnered national attention and is the world's first Freethought musical.  \u003c/p\u003e\n","\u003cp\u003eStrong currently resides in Williamsburg, Virginia with his wife, Sandra Brown.\u003c/p\u003e\n","\u003cp\u003eNote written by Fred Strong\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Fred Strong was born in Shreveport, Louisiana but spent much of his early life in Norfolk, Virginia (1960 - 1979), where he graduated from Norview High School in 1970. After high school, Strong went on to study musical composition for one year at Shenandoah Conservatory, in Winchester, Virginia, after which he completed his studies at Old Dominion University (ODU). ","Having learned the basics of music and piano from his mother, he began writing songs at an early age and sang in choral groups throughout all levels of schooling. While in high school, encouraged and mentored by his choir director, Claire McDermott, he became student director and began to write music of a more serious nature, several works of which were performed by Norview's concert choir, madrigals, and band. His love for writing music motivated him to seek a degree in composition. In addition to his time at ODU, Strong has studied with former Norfolk State University professor and composer Adolphus Hailstork, and taken classes in film scoring and arranging at L.A. Valley College in Los Angeles, California. For many years, Strong enjoyed a career in published music, working in New York City for the music publisher Carl Fischer and owning sheet music retail outlets in Norfolk, Virginia and Portland, Oregon. ","Strong's works have been performed across the United States, including Norfolk, Chesapeake, and Williamsburg, Virginia, Los Angeles, New York City, Providence, Rhode Island, and and Washington DC, where his choral piece, The Well, was premiered on the steps of the United States Capitol Building. Until 2020, Strong lived in Portland, Oregon where he developed an annual, secular Winter Solstice celebration called Darktolight for which he wrote several works. For Darktolight 2012, he wrote a musical, BANG!, which celebrates life and evolution originating in the Big Bang. BANG! garnered national attention and is the world's first Freethought musical.  ","Strong currently resides in Williamsburg, Virginia with his wife, Sandra Brown.","Note written by Fred Strong"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 1, Sonatine: Jocose in Three Movements, 1998, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 2, Supernatural Suite, 2020, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 3, Diva Ditty: Two Sopranos and Piano, 2003, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 4, Follow the Light: A Madrigal for Winter Solstice, SATB Choir Acapella, 2012, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 5, \"Love and Pity\" SATB Chorus Acapella, 1992, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 6, Panoranimals SATB Chorus Acapella, 1991, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 7, Rumors (A Tangled Tango) Two Sopranos and Piano, 2005, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 8, \"T(w)o Housman\" SATB Chorus with Soprano Soloist Acapella, 1992, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 9, The Well SATB Choir and Piano, 2010, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 10, Bang! The Musical DVD, 2013, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 11, Bang! The Musical Lyric Booklet, 2012, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eBang! The Musical Complete Vocal Score Music \u0026amp; Lyrics for All 16 Numbers, Plus Skit Scripts, 2012, Box 1, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 1, Sonatine: Jocose in Three Movements, 1998, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 2, Supernatural Suite, 2020, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 3, Diva Ditty: Two Sopranos and Piano, 2003, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 4, Follow the Light: A Madrigal for Winter Solstice, SATB Choir Acapella, 2012, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 5, \"Love and Pity\" SATB Chorus Acapella, 1992, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 6, Panoranimals SATB Chorus Acapella, 1991, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 7, Rumors (A Tangled Tango) Two Sopranos and Piano, 2005, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 8, \"T(w)o Housman\" SATB Chorus with Soprano Soloist Acapella, 1992, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 9, The Well SATB Choir and Piano, 2010, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 10, Bang! The Musical DVD, 2013, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 11, Bang! The Musical Lyric Booklet, 2012, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.","Bang! The Musical Complete Vocal Score Music \u0026 Lyrics for All 16 Numbers, Plus Skit Scripts, 2012, Box 1, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed by LaraAnn Canner from April through July 2021.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed by LaraAnn Canner from April through July 2021."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is primarily comprised of Fred Strong's musical compositions for piano and vocal scores, focusing on humanist, secular, and natural themes. Included in the collection is one of the composers most famous pieces – BANG! The Musical, a composition for soprano, alto, tenor, and bass. As described by the composer, \"BANG! takes the audience on a trip through time and space from the big bang to present-day Earth, with a humanist message about our choices and responsibilities. The music ranges from doo-wop to hip-hop and folk to jazz.\"\u003c/p\u003e","\u003cp\u003eThis series consists of original works composed by Frank Strong.\u003c/p\u003e","\u003cp\u003eThis sub-series includes original piano scores by Strong.\u003c/p\u003e","\u003cp\u003eThis sub-series contains original vocal scores by Strong.\u003c/p\u003e","\u003cp\u003eThis series contains material related to Bang! The Musical, composed by Strong. Bang! The Musical is a composition for Soprano, Alto, Tenor, and Bass. As described by the composer,  \"BANG! takes the audience on a trip through time and space from the big bang to present-day Earth, with a humanist message about our choices and responsibilities. The music ranges from doo-woop to hip-hop and folk to jazz.\"\u003c/p\u003e","\u003cp\u003eThis sub-series consists of a DVD of Bang! The Musical.\u003c/p\u003e","\u003cp\u003eThis sub-series contains a booklet and musical score for Bang! The Musical.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection is primarily comprised of Fred Strong's musical compositions for piano and vocal scores, focusing on humanist, secular, and natural themes. Included in the collection is one of the composers most famous pieces – BANG! The Musical, a composition for soprano, alto, tenor, and bass. As described by the composer, \"BANG! takes the audience on a trip through time and space from the big bang to present-day Earth, with a humanist message about our choices and responsibilities. The music ranges from doo-wop to hip-hop and folk to jazz.\"","This series consists of original works composed by Frank Strong.","This sub-series includes original piano scores by Strong.","This sub-series contains original vocal scores by Strong.","This series contains material related to Bang! The Musical, composed by Strong. Bang! The Musical is a composition for Soprano, Alto, Tenor, and Bass. As described by the composer,  \"BANG! takes the audience on a trip through time and space from the big bang to present-day Earth, with a humanist message about our choices and responsibilities. The music ranges from doo-woop to hip-hop and folk to jazz.\"","This sub-series consists of a DVD of Bang! The Musical.","This sub-series contains a booklet and musical score for Bang! The Musical."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries. Fred Strong has granted ODU faculty, staff, and students permission to perform his compositions royalty free.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries. Fred Strong has granted ODU faculty, staff, and students permission to perform his compositions royalty free."],"names_ssim":["ODU Diehn Composers Room Collection","Strong, Fred (1952-)"],"corpname_ssim":["ODU Diehn Composers Room Collection"],"persname_ssim":["Strong, Fred (1952-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":22,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T20:10:37.459Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_2_resources_309","ead_ssi":"vino_repositories_2_resources_309","_root_":"vino_repositories_2_resources_309","_nest_parent_":"vino_repositories_2_resources_309","ead_source_url_ssi":"data/oai/ODU/repositories_2_resources_309.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/2/resources/309","title_filing_ssi":"Strong, Fred","title_ssm":["Fred Strong Papers"],"title_tesim":["Fred Strong Papers"],"unitdate_ssm":["1991-2020","Date acquired: 04/12/2021"],"unitdate_inclusive_ssm":["1991-2020"],"unitdate_other_ssim":["Date acquired: 04/12/2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["DCR MG 16","/repositories/2/resources/309"],"text":["DCR MG 16","/repositories/2/resources/309","Fred Strong Papers","Hampton Roads (Va. : Region)","Music--United States--20th century","Music--United States--21st century","Vocal Music--20th century","Vocal Music--21st century","Music","Piano Music--20th century","Piano Music--21st century","Open to researchers without restrictions. Original compositions, audio visuals and booklets must be viewed in-person.","The collection has been organized into two series: Series I: Original Compositions; and Series II: Musical.","Fred Strong was born in Shreveport, Louisiana but spent much of his early life in Norfolk, Virginia (1960 - 1979), where he graduated from Norview High School in 1970. After high school, Strong went on to study musical composition for one year at Shenandoah Conservatory, in Winchester, Virginia, after which he completed his studies at Old Dominion University (ODU). ","Having learned the basics of music and piano from his mother, he began writing songs at an early age and sang in choral groups throughout all levels of schooling. While in high school, encouraged and mentored by his choir director, Claire McDermott, he became student director and began to write music of a more serious nature, several works of which were performed by Norview's concert choir, madrigals, and band. His love for writing music motivated him to seek a degree in composition. In addition to his time at ODU, Strong has studied with former Norfolk State University professor and composer Adolphus Hailstork, and taken classes in film scoring and arranging at L.A. Valley College in Los Angeles, California. For many years, Strong enjoyed a career in published music, working in New York City for the music publisher Carl Fischer and owning sheet music retail outlets in Norfolk, Virginia and Portland, Oregon. ","Strong's works have been performed across the United States, including Norfolk, Chesapeake, and Williamsburg, Virginia, Los Angeles, New York City, Providence, Rhode Island, and and Washington DC, where his choral piece, The Well, was premiered on the steps of the United States Capitol Building. Until 2020, Strong lived in Portland, Oregon where he developed an annual, secular Winter Solstice celebration called Darktolight for which he wrote several works. For Darktolight 2012, he wrote a musical, BANG!, which celebrates life and evolution originating in the Big Bang. BANG! garnered national attention and is the world's first Freethought musical.  ","Strong currently resides in Williamsburg, Virginia with his wife, Sandra Brown.","Note written by Fred Strong","The collection was processed by LaraAnn Canner from April through July 2021.","This collection is primarily comprised of Fred Strong's musical compositions for piano and vocal scores, focusing on humanist, secular, and natural themes. Included in the collection is one of the composers most famous pieces – BANG! The Musical, a composition for soprano, alto, tenor, and bass. As described by the composer, \"BANG! takes the audience on a trip through time and space from the big bang to present-day Earth, with a humanist message about our choices and responsibilities. The music ranges from doo-wop to hip-hop and folk to jazz.\"","This series consists of original works composed by Frank Strong.","This sub-series includes original piano scores by Strong.","This sub-series contains original vocal scores by Strong.","This series contains material related to Bang! The Musical, composed by Strong. Bang! The Musical is a composition for Soprano, Alto, Tenor, and Bass. As described by the composer,  \"BANG! takes the audience on a trip through time and space from the big bang to present-day Earth, with a humanist message about our choices and responsibilities. The music ranges from doo-woop to hip-hop and folk to jazz.\"","This sub-series consists of a DVD of Bang! The Musical.","This sub-series contains a booklet and musical score for Bang! The Musical.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries. Fred Strong has granted ODU faculty, staff, and students permission to perform his compositions royalty free.","ODU Diehn Composers Room Collection","Strong, Fred (1952-)","English"],"unitid_tesim":["DCR MG 16","/repositories/2/resources/309"],"normalized_title_ssm":["Fred Strong Papers"],"collection_title_tesim":["Fred Strong Papers"],"collection_ssim":["Fred Strong Papers"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"geogname_ssm":["Hampton Roads (Va. : Region)"],"geogname_ssim":["Hampton Roads (Va. : Region)"],"creator_ssm":["Strong, Fred (1952-)"],"creator_ssim":["Strong, Fred (1952-)"],"creator_persname_ssim":["Strong, Fred (1952-)"],"creators_ssim":["Strong, Fred (1952-)"],"places_ssim":["Hampton Roads (Va. : Region)"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries. Fred Strong has granted ODU faculty, staff, and students permission to perform his compositions royalty free."],"acqinfo_ssim":["Fred Strong","Acc. 2021.004 was hand-delivered to Special Collections and University Archives from the donor on 4/12/2021."],"access_subjects_ssim":["Music--United States--20th century","Music--United States--21st century","Vocal Music--20th century","Vocal Music--21st century","Music","Piano Music--20th century","Piano Music--21st century"],"access_subjects_ssm":["Music--United States--20th century","Music--United States--21st century","Vocal Music--20th century","Vocal Music--21st century","Music","Piano Music--20th century","Piano Music--21st century"],"has_online_content_ssim":["false"],"extent_ssm":["0.4 Linear Feet","1 tall Hollinger document case boxes"],"extent_tesim":["0.4 Linear Feet","1 tall Hollinger document case boxes"],"date_range_isim":[1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions. Original compositions, audio visuals and booklets must be viewed in-person.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions. Original compositions, audio visuals and booklets must be viewed in-person."],"arrangement_html_tesm":["\u003cp\u003eThe collection has been organized into two series: Series I: Original Compositions; and Series II: Musical.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection has been organized into two series: Series I: Original Compositions; and Series II: Musical."],"bioghist_html_tesm":["\u003cp\u003eFred Strong was born in Shreveport, Louisiana but spent much of his early life in Norfolk, Virginia (1960 - 1979), where he graduated from Norview High School in 1970. After high school, Strong went on to study musical composition for one year at Shenandoah Conservatory, in Winchester, Virginia, after which he completed his studies at Old Dominion University (ODU). \u003c/p\u003e\n","\u003cp\u003eHaving learned the basics of music and piano from his mother, he began writing songs at an early age and sang in choral groups throughout all levels of schooling. While in high school, encouraged and mentored by his choir director, Claire McDermott, he became student director and began to write music of a more serious nature, several works of which were performed by Norview's concert choir, madrigals, and band. His love for writing music motivated him to seek a degree in composition. In addition to his time at ODU, Strong has studied with former Norfolk State University professor and composer Adolphus Hailstork, and taken classes in film scoring and arranging at L.A. Valley College in Los Angeles, California. For many years, Strong enjoyed a career in published music, working in New York City for the music publisher Carl Fischer and owning sheet music retail outlets in Norfolk, Virginia and Portland, Oregon. \u003c/p\u003e\n","\u003cp\u003eStrong's works have been performed across the United States, including Norfolk, Chesapeake, and Williamsburg, Virginia, Los Angeles, New York City, Providence, Rhode Island, and and Washington DC, where his choral piece, The Well, was premiered on the steps of the United States Capitol Building. Until 2020, Strong lived in Portland, Oregon where he developed an annual, secular Winter Solstice celebration called Darktolight for which he wrote several works. For Darktolight 2012, he wrote a musical, BANG!, which celebrates life and evolution originating in the Big Bang. BANG! garnered national attention and is the world's first Freethought musical.  \u003c/p\u003e\n","\u003cp\u003eStrong currently resides in Williamsburg, Virginia with his wife, Sandra Brown.\u003c/p\u003e\n","\u003cp\u003eNote written by Fred Strong\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Fred Strong was born in Shreveport, Louisiana but spent much of his early life in Norfolk, Virginia (1960 - 1979), where he graduated from Norview High School in 1970. After high school, Strong went on to study musical composition for one year at Shenandoah Conservatory, in Winchester, Virginia, after which he completed his studies at Old Dominion University (ODU). ","Having learned the basics of music and piano from his mother, he began writing songs at an early age and sang in choral groups throughout all levels of schooling. While in high school, encouraged and mentored by his choir director, Claire McDermott, he became student director and began to write music of a more serious nature, several works of which were performed by Norview's concert choir, madrigals, and band. His love for writing music motivated him to seek a degree in composition. In addition to his time at ODU, Strong has studied with former Norfolk State University professor and composer Adolphus Hailstork, and taken classes in film scoring and arranging at L.A. Valley College in Los Angeles, California. For many years, Strong enjoyed a career in published music, working in New York City for the music publisher Carl Fischer and owning sheet music retail outlets in Norfolk, Virginia and Portland, Oregon. ","Strong's works have been performed across the United States, including Norfolk, Chesapeake, and Williamsburg, Virginia, Los Angeles, New York City, Providence, Rhode Island, and and Washington DC, where his choral piece, The Well, was premiered on the steps of the United States Capitol Building. Until 2020, Strong lived in Portland, Oregon where he developed an annual, secular Winter Solstice celebration called Darktolight for which he wrote several works. For Darktolight 2012, he wrote a musical, BANG!, which celebrates life and evolution originating in the Big Bang. BANG! garnered national attention and is the world's first Freethought musical.  ","Strong currently resides in Williamsburg, Virginia with his wife, Sandra Brown.","Note written by Fred Strong"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 1, Sonatine: Jocose in Three Movements, 1998, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 2, Supernatural Suite, 2020, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 3, Diva Ditty: Two Sopranos and Piano, 2003, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 4, Follow the Light: A Madrigal for Winter Solstice, SATB Choir Acapella, 2012, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 5, \"Love and Pity\" SATB Chorus Acapella, 1992, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 6, Panoranimals SATB Chorus Acapella, 1991, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 7, Rumors (A Tangled Tango) Two Sopranos and Piano, 2005, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 8, \"T(w)o Housman\" SATB Chorus with Soprano Soloist Acapella, 1992, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 9, The Well SATB Choir and Piano, 2010, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 10, Bang! The Musical DVD, 2013, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 11, Bang! The Musical Lyric Booklet, 2012, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eBang! The Musical Complete Vocal Score Music \u0026amp; Lyrics for All 16 Numbers, Plus Skit Scripts, 2012, Box 1, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 1, Sonatine: Jocose in Three Movements, 1998, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 2, Supernatural Suite, 2020, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 3, Diva Ditty: Two Sopranos and Piano, 2003, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 4, Follow the Light: A Madrigal for Winter Solstice, SATB Choir Acapella, 2012, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 5, \"Love and Pity\" SATB Chorus Acapella, 1992, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 6, Panoranimals SATB Chorus Acapella, 1991, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 7, Rumors (A Tangled Tango) Two Sopranos and Piano, 2005, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 8, \"T(w)o Housman\" SATB Chorus with Soprano Soloist Acapella, 1992, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 9, The Well SATB Choir and Piano, 2010, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 10, Bang! The Musical DVD, 2013, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 11, Bang! The Musical Lyric Booklet, 2012, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.","Bang! The Musical Complete Vocal Score Music \u0026 Lyrics for All 16 Numbers, Plus Skit Scripts, 2012, Box 1, Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed by LaraAnn Canner from April through July 2021.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed by LaraAnn Canner from April through July 2021."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is primarily comprised of Fred Strong's musical compositions for piano and vocal scores, focusing on humanist, secular, and natural themes. Included in the collection is one of the composers most famous pieces – BANG! The Musical, a composition for soprano, alto, tenor, and bass. As described by the composer, \"BANG! takes the audience on a trip through time and space from the big bang to present-day Earth, with a humanist message about our choices and responsibilities. The music ranges from doo-wop to hip-hop and folk to jazz.\"\u003c/p\u003e","\u003cp\u003eThis series consists of original works composed by Frank Strong.\u003c/p\u003e","\u003cp\u003eThis sub-series includes original piano scores by Strong.\u003c/p\u003e","\u003cp\u003eThis sub-series contains original vocal scores by Strong.\u003c/p\u003e","\u003cp\u003eThis series contains material related to Bang! The Musical, composed by Strong. Bang! The Musical is a composition for Soprano, Alto, Tenor, and Bass. As described by the composer,  \"BANG! takes the audience on a trip through time and space from the big bang to present-day Earth, with a humanist message about our choices and responsibilities. The music ranges from doo-woop to hip-hop and folk to jazz.\"\u003c/p\u003e","\u003cp\u003eThis sub-series consists of a DVD of Bang! The Musical.\u003c/p\u003e","\u003cp\u003eThis sub-series contains a booklet and musical score for Bang! The Musical.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection is primarily comprised of Fred Strong's musical compositions for piano and vocal scores, focusing on humanist, secular, and natural themes. Included in the collection is one of the composers most famous pieces – BANG! The Musical, a composition for soprano, alto, tenor, and bass. As described by the composer, \"BANG! takes the audience on a trip through time and space from the big bang to present-day Earth, with a humanist message about our choices and responsibilities. The music ranges from doo-wop to hip-hop and folk to jazz.\"","This series consists of original works composed by Frank Strong.","This sub-series includes original piano scores by Strong.","This sub-series contains original vocal scores by Strong.","This series contains material related to Bang! The Musical, composed by Strong. Bang! The Musical is a composition for Soprano, Alto, Tenor, and Bass. As described by the composer,  \"BANG! takes the audience on a trip through time and space from the big bang to present-day Earth, with a humanist message about our choices and responsibilities. The music ranges from doo-woop to hip-hop and folk to jazz.\"","This sub-series consists of a DVD of Bang! The Musical.","This sub-series contains a booklet and musical score for Bang! The Musical."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries. Fred Strong has granted ODU faculty, staff, and students permission to perform his compositions royalty free.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries. Fred Strong has granted ODU faculty, staff, and students permission to perform his compositions royalty free."],"names_ssim":["ODU Diehn Composers Room Collection","Strong, Fred (1952-)"],"corpname_ssim":["ODU Diehn Composers Room Collection"],"persname_ssim":["Strong, Fred (1952-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":22,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T20:10:37.459Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vino_repositories_2_resources_309"}},{"id":"vifgm_repositories_2_resources_764","type":"collection","attributes":{"title":"French handwritten music manuscript","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_764#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_764#abstract_or_scope","type":"document_value","attributes":{"value":"Handwritten music manuscript containing 19 songs collected and arranged by E. B. in Bourges, France in 1746.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_764#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_764","ead_ssi":"vifgm_repositories_2_resources_764","_root_":"vifgm_repositories_2_resources_764","_nest_parent_":"vifgm_repositories_2_resources_764","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_764.xml","title_filing_ssi":"French handwritten music manuscript","title_ssm":["French handwritten music manuscript"],"title_tesim":["French handwritten music manuscript"],"unitdate_ssm":["1746"],"unitdate_other_ssim":["1746"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0541","/repositories/2/resources/764"],"text":["C0541","/repositories/2/resources/764","French handwritten music manuscript","Music","Music -- France -- 18th century","Manuscripts","There are no access restrictions.","This is a single item collection.","Centre de Musique Baroque de Versailles. n.d.-a. \"A Movement across Europe.\" Accessed October 29, 2025. https://cmbv.fr/en/introducing-baroque/movement-across-europe.","Centre de Musique Baroque de Versailles. n.d.-b. \"French Baroque Music.\" Accessed October 29, 2025. https://cmbv.fr/en/introducing-baroque/french-baroque-music.","First used to describe the extravagant style of decorative art and architecture that originated in Italy, the term Baroque has come to describe more broadly the artistic movement that spread across Europe during the 17th \u0026 18th century, following the Renaissance Era and preceding Classicism. In France, the term has been expanded to include music composed from circa 1600-1770 and representing a complex and diverse body of works, reflecting the considerable evolution of French music during this period. Additionally, in contrast to the rest of Europe, French music during the Baroque era preserved or incorporated elements of traditional folk music into its compositions, reflecting its idealized status under Kings Louis XIV, XV, and XVI.","Processing completed by Meghan Glasbrenner in September 2025. Finding aid completed by Meghan Glasbrenner in October 2025.","The Special Collection Research center also holds the  Nellie M. Lee music manuscript book  and  \"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript .","Handwritten music manuscript containing 19 songs, written over 40 pages, collected and arranged by E. B. in Bourges, France in 1746. The entire manuscript is written in French, including an inscription on the first page that reads in English: \"Containing all sorts of new and old songs, rural and bacchanalian, collected and arranged by E. B. in the year 1746 in Bourges\" and a list of the 19 song titles on the next page. The remaining pages consist of handwritten musical scores, verse, and lyrics. Center inscriptions on the front and back covers are identifiable, but partially illegible due to the marbled paper wrapping.","Public Domain. There are no known restrictions.","Handwritten music manuscript containing 19 songs collected and arranged by E. B. in Bourges, France in 1746.","R 71, C 2, S 5","George Mason University. Libraries. Special Collections Research Center","French"],"unitid_tesim":["C0541","/repositories/2/resources/764"],"normalized_title_ssm":["French handwritten music manuscript"],"collection_title_tesim":["French handwritten music manuscript"],"collection_ssim":["French handwritten music manuscript"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by Steve Garber from Schubertiade Music in 2017."],"access_subjects_ssim":["Music","Music -- France -- 18th century","Manuscripts"],"access_subjects_ssm":["Music","Music -- France -- 18th century","Manuscripts"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"genreform_ssim":["Manuscripts"],"date_range_isim":[1746],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eCentre de Musique Baroque de Versailles. n.d.-a. \"A Movement across Europe.\" Accessed October 29, 2025. https://cmbv.fr/en/introducing-baroque/movement-across-europe.\u003c/p\u003e\n","\u003cp\u003eCentre de Musique Baroque de Versailles. n.d.-b. \"French Baroque Music.\" Accessed October 29, 2025. https://cmbv.fr/en/introducing-baroque/french-baroque-music.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Centre de Musique Baroque de Versailles. n.d.-a. \"A Movement across Europe.\" Accessed October 29, 2025. https://cmbv.fr/en/introducing-baroque/movement-across-europe.","Centre de Musique Baroque de Versailles. n.d.-b. \"French Baroque Music.\" Accessed October 29, 2025. https://cmbv.fr/en/introducing-baroque/french-baroque-music."],"bioghist_html_tesm":["\u003cp\u003eFirst used to describe the extravagant style of decorative art and architecture that originated in Italy, the term Baroque has come to describe more broadly the artistic movement that spread across Europe during the 17th \u0026amp; 18th century, following the Renaissance Era and preceding Classicism. In France, the term has been expanded to include music composed from circa 1600-1770 and representing a complex and diverse body of works, reflecting the considerable evolution of French music during this period. Additionally, in contrast to the rest of Europe, French music during the Baroque era preserved or incorporated elements of traditional folk music into its compositions, reflecting its idealized status under Kings Louis XIV, XV, and XVI.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["First used to describe the extravagant style of decorative art and architecture that originated in Italy, the term Baroque has come to describe more broadly the artistic movement that spread across Europe during the 17th \u0026 18th century, following the Renaissance Era and preceding Classicism. In France, the term has been expanded to include music composed from circa 1600-1770 and representing a complex and diverse body of works, reflecting the considerable evolution of French music during this period. Additionally, in contrast to the rest of Europe, French music during the Baroque era preserved or incorporated elements of traditional folk music into its compositions, reflecting its idealized status under Kings Louis XIV, XV, and XVI."],"prefercite_html_tesm":["\u003cp\u003eFrench handwritten music manuscript, C0541, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["French handwritten music manuscript, C0541, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in September 2025. Finding aid completed by Meghan Glasbrenner in October 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in September 2025. Finding aid completed by Meghan Glasbrenner in October 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collection Research center also holds the \u003ca href=\"https://aspace.gmu.edu/resources/c0411\"\u003eNellie M. Lee music manuscript book\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/resources/c0422\"\u003e\"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collection Research center also holds the  Nellie M. Lee music manuscript book  and  \"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript ."],"scopecontent_html_tesm":["\u003cp\u003eHandwritten music manuscript containing 19 songs, written over 40 pages, collected and arranged by E. B. in Bourges, France in 1746. The entire manuscript is written in French, including an inscription on the first page that reads in English: \"Containing all sorts of new and old songs, rural and bacchanalian, collected and arranged by E. B. in the year 1746 in Bourges\" and a list of the 19 song titles on the next page. The remaining pages consist of handwritten musical scores, verse, and lyrics. Center inscriptions on the front and back covers are identifiable, but partially illegible due to the marbled paper wrapping.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Handwritten music manuscript containing 19 songs, written over 40 pages, collected and arranged by E. B. in Bourges, France in 1746. The entire manuscript is written in French, including an inscription on the first page that reads in English: \"Containing all sorts of new and old songs, rural and bacchanalian, collected and arranged by E. B. in the year 1746 in Bourges\" and a list of the 19 song titles on the next page. The remaining pages consist of handwritten musical scores, verse, and lyrics. Center inscriptions on the front and back covers are identifiable, but partially illegible due to the marbled paper wrapping."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a918651a22512fb12abe27fa704b3327\"\u003eHandwritten music manuscript containing 19 songs collected and arranged by E. B. in Bourges, France in 1746.\u003c/abstract\u003e"],"abstract_tesim":["Handwritten music manuscript containing 19 songs collected and arranged by E. B. in Bourges, France in 1746."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d06569b29bfce66ba5f50e05727c41ac\"\u003eR 71, C 2, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 2, S 5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:10:52.964Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_764","ead_ssi":"vifgm_repositories_2_resources_764","_root_":"vifgm_repositories_2_resources_764","_nest_parent_":"vifgm_repositories_2_resources_764","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_764.xml","title_filing_ssi":"French handwritten music manuscript","title_ssm":["French handwritten music manuscript"],"title_tesim":["French handwritten music manuscript"],"unitdate_ssm":["1746"],"unitdate_other_ssim":["1746"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0541","/repositories/2/resources/764"],"text":["C0541","/repositories/2/resources/764","French handwritten music manuscript","Music","Music -- France -- 18th century","Manuscripts","There are no access restrictions.","This is a single item collection.","Centre de Musique Baroque de Versailles. n.d.-a. \"A Movement across Europe.\" Accessed October 29, 2025. https://cmbv.fr/en/introducing-baroque/movement-across-europe.","Centre de Musique Baroque de Versailles. n.d.-b. \"French Baroque Music.\" Accessed October 29, 2025. https://cmbv.fr/en/introducing-baroque/french-baroque-music.","First used to describe the extravagant style of decorative art and architecture that originated in Italy, the term Baroque has come to describe more broadly the artistic movement that spread across Europe during the 17th \u0026 18th century, following the Renaissance Era and preceding Classicism. In France, the term has been expanded to include music composed from circa 1600-1770 and representing a complex and diverse body of works, reflecting the considerable evolution of French music during this period. Additionally, in contrast to the rest of Europe, French music during the Baroque era preserved or incorporated elements of traditional folk music into its compositions, reflecting its idealized status under Kings Louis XIV, XV, and XVI.","Processing completed by Meghan Glasbrenner in September 2025. Finding aid completed by Meghan Glasbrenner in October 2025.","The Special Collection Research center also holds the  Nellie M. Lee music manuscript book  and  \"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript .","Handwritten music manuscript containing 19 songs, written over 40 pages, collected and arranged by E. B. in Bourges, France in 1746. The entire manuscript is written in French, including an inscription on the first page that reads in English: \"Containing all sorts of new and old songs, rural and bacchanalian, collected and arranged by E. B. in the year 1746 in Bourges\" and a list of the 19 song titles on the next page. The remaining pages consist of handwritten musical scores, verse, and lyrics. Center inscriptions on the front and back covers are identifiable, but partially illegible due to the marbled paper wrapping.","Public Domain. There are no known restrictions.","Handwritten music manuscript containing 19 songs collected and arranged by E. B. in Bourges, France in 1746.","R 71, C 2, S 5","George Mason University. Libraries. Special Collections Research Center","French"],"unitid_tesim":["C0541","/repositories/2/resources/764"],"normalized_title_ssm":["French handwritten music manuscript"],"collection_title_tesim":["French handwritten music manuscript"],"collection_ssim":["French handwritten music manuscript"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by Steve Garber from Schubertiade Music in 2017."],"access_subjects_ssim":["Music","Music -- France -- 18th century","Manuscripts"],"access_subjects_ssm":["Music","Music -- France -- 18th century","Manuscripts"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"genreform_ssim":["Manuscripts"],"date_range_isim":[1746],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eCentre de Musique Baroque de Versailles. n.d.-a. \"A Movement across Europe.\" Accessed October 29, 2025. https://cmbv.fr/en/introducing-baroque/movement-across-europe.\u003c/p\u003e\n","\u003cp\u003eCentre de Musique Baroque de Versailles. n.d.-b. \"French Baroque Music.\" Accessed October 29, 2025. https://cmbv.fr/en/introducing-baroque/french-baroque-music.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Centre de Musique Baroque de Versailles. n.d.-a. \"A Movement across Europe.\" Accessed October 29, 2025. https://cmbv.fr/en/introducing-baroque/movement-across-europe.","Centre de Musique Baroque de Versailles. n.d.-b. \"French Baroque Music.\" Accessed October 29, 2025. https://cmbv.fr/en/introducing-baroque/french-baroque-music."],"bioghist_html_tesm":["\u003cp\u003eFirst used to describe the extravagant style of decorative art and architecture that originated in Italy, the term Baroque has come to describe more broadly the artistic movement that spread across Europe during the 17th \u0026amp; 18th century, following the Renaissance Era and preceding Classicism. In France, the term has been expanded to include music composed from circa 1600-1770 and representing a complex and diverse body of works, reflecting the considerable evolution of French music during this period. Additionally, in contrast to the rest of Europe, French music during the Baroque era preserved or incorporated elements of traditional folk music into its compositions, reflecting its idealized status under Kings Louis XIV, XV, and XVI.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["First used to describe the extravagant style of decorative art and architecture that originated in Italy, the term Baroque has come to describe more broadly the artistic movement that spread across Europe during the 17th \u0026 18th century, following the Renaissance Era and preceding Classicism. In France, the term has been expanded to include music composed from circa 1600-1770 and representing a complex and diverse body of works, reflecting the considerable evolution of French music during this period. Additionally, in contrast to the rest of Europe, French music during the Baroque era preserved or incorporated elements of traditional folk music into its compositions, reflecting its idealized status under Kings Louis XIV, XV, and XVI."],"prefercite_html_tesm":["\u003cp\u003eFrench handwritten music manuscript, C0541, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["French handwritten music manuscript, C0541, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in September 2025. Finding aid completed by Meghan Glasbrenner in October 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in September 2025. Finding aid completed by Meghan Glasbrenner in October 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collection Research center also holds the \u003ca href=\"https://aspace.gmu.edu/resources/c0411\"\u003eNellie M. Lee music manuscript book\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/resources/c0422\"\u003e\"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collection Research center also holds the  Nellie M. Lee music manuscript book  and  \"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript ."],"scopecontent_html_tesm":["\u003cp\u003eHandwritten music manuscript containing 19 songs, written over 40 pages, collected and arranged by E. B. in Bourges, France in 1746. The entire manuscript is written in French, including an inscription on the first page that reads in English: \"Containing all sorts of new and old songs, rural and bacchanalian, collected and arranged by E. B. in the year 1746 in Bourges\" and a list of the 19 song titles on the next page. The remaining pages consist of handwritten musical scores, verse, and lyrics. Center inscriptions on the front and back covers are identifiable, but partially illegible due to the marbled paper wrapping.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Handwritten music manuscript containing 19 songs, written over 40 pages, collected and arranged by E. B. in Bourges, France in 1746. The entire manuscript is written in French, including an inscription on the first page that reads in English: \"Containing all sorts of new and old songs, rural and bacchanalian, collected and arranged by E. B. in the year 1746 in Bourges\" and a list of the 19 song titles on the next page. The remaining pages consist of handwritten musical scores, verse, and lyrics. Center inscriptions on the front and back covers are identifiable, but partially illegible due to the marbled paper wrapping."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a918651a22512fb12abe27fa704b3327\"\u003eHandwritten music manuscript containing 19 songs collected and arranged by E. B. in Bourges, France in 1746.\u003c/abstract\u003e"],"abstract_tesim":["Handwritten music manuscript containing 19 songs collected and arranged by E. B. in Bourges, France in 1746."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d06569b29bfce66ba5f50e05727c41ac\"\u003eR 71, C 2, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 2, S 5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:10:52.964Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_764"}},{"id":"vifgm_repositories_2_resources_392","type":"collection","attributes":{"title":"Glenn Smith music collection","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_392#creator","type":"document_value","attributes":{"value":"Smith, Glenn","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_392#abstract_or_scope","type":"document_value","attributes":{"value":"This collection documents the career of Glenn Smith, a faculty member in the George Mason University School of Music (formerly the Department of Music).","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_392#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_392","ead_ssi":"vifgm_repositories_2_resources_392","_root_":"vifgm_repositories_2_resources_392","_nest_parent_":"vifgm_repositories_2_resources_392","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_392.xml","title_ssm":["Glenn Smith music collection"],"title_tesim":["Glenn Smith music collection"],"unitdate_ssm":["1967-1996"],"unitdate_inclusive_ssm":["1967-1996"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0265","/repositories/2/resources/392"],"text":["C0265","/repositories/2/resources/392","Glenn Smith music collection","Music","There are no access restrictions.","The materials are arranged in six folders based on format.","Dr. Glenn Smith is Professor Emeritus in George Mason University's Dewberry School of Music, where he began teaching in 1976. Smith attended California State College, Hayward, and Indiana University. He has written many choral and instrumental compositions over the years, including \"Equally Free-The Pageant of George Mason\" for the University's 10th anniversary celebration.","Processing completed by Elizabeth Beckman in May 2015. EAD markup completed by Elizabeth Beckman in May 2015.","This collection includes sheet music, audio cassettes, and concert materials from George Mason University music professor Glenn Smith from the years 1967-1996. Folder one includes handouts and a program for a concert of Smith's music that was performed in April 1996. Folder two contains the 1981 score for \"Equally Free - The Pageant of George Mason.\" Folders three, four, and five contain the sheet music for compositions by Smith dating from 1967-1970, as well as a piece that was written in 1965 and revised in 1991. Folder six contains six audio cassettes dating from 1986-1991; four of the cassettes are recordings of music by Smith, and the other two cassettes are labelled \"Merrily II\" and \"Bob Alexander - 1st draft.\"","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection documents the career of Glenn Smith, a faculty member in the George Mason University School of Music (formerly the Department of Music).","R 50, C5, S 6","George Mason University. Libraries. Special Collections Research Center","Smith, Glenn","English \n.    "],"unitid_tesim":["C0265","/repositories/2/resources/392"],"normalized_title_ssm":["Glenn Smith music collection"],"collection_title_tesim":["Glenn Smith music collection"],"collection_ssim":["Glenn Smith music collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Smith, Glenn"],"creator_ssim":["Smith, Glenn"],"creator_persname_ssim":["Smith, Glenn"],"creators_ssim":["Smith, Glenn"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Glenn Smith before 2008."],"access_subjects_ssim":["Music"],"access_subjects_ssm":["Music"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Linear Feet 1 box"],"extent_tesim":["0.5 Linear Feet 1 box"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe materials are arranged in six folders based on format.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials are arranged in six folders based on format."],"bioghist_html_tesm":["\u003cp\u003eDr. Glenn Smith is Professor Emeritus in George Mason University's Dewberry School of Music, where he began teaching in 1976. Smith attended California State College, Hayward, and Indiana University. He has written many choral and instrumental compositions over the years, including \"Equally Free-The Pageant of George Mason\" for the University's 10th anniversary celebration.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Dr. Glenn Smith is Professor Emeritus in George Mason University's Dewberry School of Music, where he began teaching in 1976. Smith attended California State College, Hayward, and Indiana University. He has written many choral and instrumental compositions over the years, including \"Equally Free-The Pageant of George Mason\" for the University's 10th anniversary celebration."],"prefercite_html_tesm":["\u003cp\u003eGlenn Smith music collection, C0265, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Glenn Smith music collection, C0265, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Elizabeth Beckman in May 2015. EAD markup completed by Elizabeth Beckman in May 2015.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Elizabeth Beckman in May 2015. EAD markup completed by Elizabeth Beckman in May 2015."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes sheet music, audio cassettes, and concert materials from George Mason University music professor Glenn Smith from the years 1967-1996. Folder one includes handouts and a program for a concert of Smith's music that was performed in April 1996. Folder two contains the 1981 score for \"Equally Free - The Pageant of George Mason.\" Folders three, four, and five contain the sheet music for compositions by Smith dating from 1967-1970, as well as a piece that was written in 1965 and revised in 1991. Folder six contains six audio cassettes dating from 1986-1991; four of the cassettes are recordings of music by Smith, and the other two cassettes are labelled \"Merrily II\" and \"Bob Alexander - 1st draft.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection includes sheet music, audio cassettes, and concert materials from George Mason University music professor Glenn Smith from the years 1967-1996. Folder one includes handouts and a program for a concert of Smith's music that was performed in April 1996. Folder two contains the 1981 score for \"Equally Free - The Pageant of George Mason.\" Folders three, four, and five contain the sheet music for compositions by Smith dating from 1967-1970, as well as a piece that was written in 1965 and revised in 1991. Folder six contains six audio cassettes dating from 1986-1991; four of the cassettes are recordings of music by Smith, and the other two cassettes are labelled \"Merrily II\" and \"Bob Alexander - 1st draft.\""],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_827bff98e704087001e863c917978330\" label=\"Summary\"\u003eThis collection documents the career of Glenn Smith, a faculty member in the George Mason University School of Music (formerly the Department of Music).\u003c/abstract\u003e"],"abstract_tesim":["This collection documents the career of Glenn Smith, a faculty member in the George Mason University School of Music (formerly the Department of Music)."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f249a093543f158064d2073123e9c92c\"\u003eR 50, C5, S 6\u003c/physloc\u003e"],"physloc_tesim":["R 50, C5, S 6"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Smith, Glenn"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Smith, Glenn"],"persname_ssim":["Smith, Glenn"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:34:09.511Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_392","ead_ssi":"vifgm_repositories_2_resources_392","_root_":"vifgm_repositories_2_resources_392","_nest_parent_":"vifgm_repositories_2_resources_392","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_392.xml","title_ssm":["Glenn Smith music collection"],"title_tesim":["Glenn Smith music collection"],"unitdate_ssm":["1967-1996"],"unitdate_inclusive_ssm":["1967-1996"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0265","/repositories/2/resources/392"],"text":["C0265","/repositories/2/resources/392","Glenn Smith music collection","Music","There are no access restrictions.","The materials are arranged in six folders based on format.","Dr. Glenn Smith is Professor Emeritus in George Mason University's Dewberry School of Music, where he began teaching in 1976. Smith attended California State College, Hayward, and Indiana University. He has written many choral and instrumental compositions over the years, including \"Equally Free-The Pageant of George Mason\" for the University's 10th anniversary celebration.","Processing completed by Elizabeth Beckman in May 2015. EAD markup completed by Elizabeth Beckman in May 2015.","This collection includes sheet music, audio cassettes, and concert materials from George Mason University music professor Glenn Smith from the years 1967-1996. Folder one includes handouts and a program for a concert of Smith's music that was performed in April 1996. Folder two contains the 1981 score for \"Equally Free - The Pageant of George Mason.\" Folders three, four, and five contain the sheet music for compositions by Smith dating from 1967-1970, as well as a piece that was written in 1965 and revised in 1991. Folder six contains six audio cassettes dating from 1986-1991; four of the cassettes are recordings of music by Smith, and the other two cassettes are labelled \"Merrily II\" and \"Bob Alexander - 1st draft.\"","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection documents the career of Glenn Smith, a faculty member in the George Mason University School of Music (formerly the Department of Music).","R 50, C5, S 6","George Mason University. Libraries. Special Collections Research Center","Smith, Glenn","English \n.    "],"unitid_tesim":["C0265","/repositories/2/resources/392"],"normalized_title_ssm":["Glenn Smith music collection"],"collection_title_tesim":["Glenn Smith music collection"],"collection_ssim":["Glenn Smith music collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Smith, Glenn"],"creator_ssim":["Smith, Glenn"],"creator_persname_ssim":["Smith, Glenn"],"creators_ssim":["Smith, Glenn"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Glenn Smith before 2008."],"access_subjects_ssim":["Music"],"access_subjects_ssm":["Music"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Linear Feet 1 box"],"extent_tesim":["0.5 Linear Feet 1 box"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe materials are arranged in six folders based on format.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials are arranged in six folders based on format."],"bioghist_html_tesm":["\u003cp\u003eDr. Glenn Smith is Professor Emeritus in George Mason University's Dewberry School of Music, where he began teaching in 1976. Smith attended California State College, Hayward, and Indiana University. He has written many choral and instrumental compositions over the years, including \"Equally Free-The Pageant of George Mason\" for the University's 10th anniversary celebration.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Dr. Glenn Smith is Professor Emeritus in George Mason University's Dewberry School of Music, where he began teaching in 1976. Smith attended California State College, Hayward, and Indiana University. He has written many choral and instrumental compositions over the years, including \"Equally Free-The Pageant of George Mason\" for the University's 10th anniversary celebration."],"prefercite_html_tesm":["\u003cp\u003eGlenn Smith music collection, C0265, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Glenn Smith music collection, C0265, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Elizabeth Beckman in May 2015. EAD markup completed by Elizabeth Beckman in May 2015.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Elizabeth Beckman in May 2015. EAD markup completed by Elizabeth Beckman in May 2015."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes sheet music, audio cassettes, and concert materials from George Mason University music professor Glenn Smith from the years 1967-1996. Folder one includes handouts and a program for a concert of Smith's music that was performed in April 1996. Folder two contains the 1981 score for \"Equally Free - The Pageant of George Mason.\" Folders three, four, and five contain the sheet music for compositions by Smith dating from 1967-1970, as well as a piece that was written in 1965 and revised in 1991. Folder six contains six audio cassettes dating from 1986-1991; four of the cassettes are recordings of music by Smith, and the other two cassettes are labelled \"Merrily II\" and \"Bob Alexander - 1st draft.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection includes sheet music, audio cassettes, and concert materials from George Mason University music professor Glenn Smith from the years 1967-1996. Folder one includes handouts and a program for a concert of Smith's music that was performed in April 1996. Folder two contains the 1981 score for \"Equally Free - The Pageant of George Mason.\" Folders three, four, and five contain the sheet music for compositions by Smith dating from 1967-1970, as well as a piece that was written in 1965 and revised in 1991. Folder six contains six audio cassettes dating from 1986-1991; four of the cassettes are recordings of music by Smith, and the other two cassettes are labelled \"Merrily II\" and \"Bob Alexander - 1st draft.\""],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_827bff98e704087001e863c917978330\" label=\"Summary\"\u003eThis collection documents the career of Glenn Smith, a faculty member in the George Mason University School of Music (formerly the Department of Music).\u003c/abstract\u003e"],"abstract_tesim":["This collection documents the career of Glenn Smith, a faculty member in the George Mason University School of Music (formerly the Department of Music)."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f249a093543f158064d2073123e9c92c\"\u003eR 50, C5, S 6\u003c/physloc\u003e"],"physloc_tesim":["R 50, C5, S 6"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Smith, Glenn"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Smith, Glenn"],"persname_ssim":["Smith, Glenn"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:34:09.511Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_392"}},{"id":"viw_repositories_2_resources_9889","type":"collection","attributes":{"title":"Hal Carter William \u0026 Mary Band windbreaker","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9889#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe collection contains a single green nylon windbreaker jacket with white lettering that spells out \"William \u0026amp; Mary Band.\" The jacket also includes a treble clef design. The jacket was received by Hal Carter around 1972 as an annual gift given to band members.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9889#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9889","ead_ssi":"viw_repositories_2_resources_9889","_root_":"viw_repositories_2_resources_9889","_nest_parent_":"viw_repositories_2_resources_9889","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9889.xml","title_filing_ssi":"Hal Carter William \u0026 Mary Band windbreaker","title_ssm":["Hal Carter William \u0026 Mary Band windbreaker"],"title_tesim":["Hal Carter William \u0026 Mary Band windbreaker"],"unitdate_ssm":["Circa 1972"],"unitdate_other_ssim":["Circa 1972"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 5.368","/repositories/2/resources/9889"],"text":["UA 5.368","/repositories/2/resources/9889","Hal Carter William \u0026 Mary Band windbreaker","Music","College students","Symphonies (Band)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged by item.","The collection contains a single green nylon windbreaker jacket with white lettering that spells out \"William \u0026 Mary Band.\" The jacket also includes a treble clef design. The jacket was received by Hal Carter around 1972 as an annual gift given to band members.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["UA 5.368","/repositories/2/resources/9889"],"normalized_title_ssm":["Hal Carter William \u0026 Mary Band windbreaker"],"collection_title_tesim":["Hal Carter William \u0026 Mary Band windbreaker"],"collection_ssim":["Hal Carter William \u0026 Mary Band windbreaker"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["The collection was donated by Hal and Elise Carter."],"access_subjects_ssim":["Music","College students","Symphonies (Band)"],"access_subjects_ssm":["Music","College students","Symphonies (Band)"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet 1 oversized box"],"extent_tesim":["1 Linear Feet 1 oversized box"],"date_range_isim":[1972],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by item.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by item."],"prefercite_html_tesm":["\u003cp\u003eHal Carter William \u0026amp; Mary Band windbreaker, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Hal Carter William \u0026 Mary Band windbreaker, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains a single green nylon windbreaker jacket with white lettering that spells out \"William \u0026amp; Mary Band.\" The jacket also includes a treble clef design. The jacket was received by Hal Carter around 1972 as an annual gift given to band members.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains a single green nylon windbreaker jacket with white lettering that spells out \"William \u0026 Mary Band.\" The jacket also includes a treble clef design. The jacket was received by Hal Carter around 1972 as an annual gift given to band members."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:06:14.731Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9889","ead_ssi":"viw_repositories_2_resources_9889","_root_":"viw_repositories_2_resources_9889","_nest_parent_":"viw_repositories_2_resources_9889","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9889.xml","title_filing_ssi":"Hal Carter William \u0026 Mary Band windbreaker","title_ssm":["Hal Carter William \u0026 Mary Band windbreaker"],"title_tesim":["Hal Carter William \u0026 Mary Band windbreaker"],"unitdate_ssm":["Circa 1972"],"unitdate_other_ssim":["Circa 1972"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 5.368","/repositories/2/resources/9889"],"text":["UA 5.368","/repositories/2/resources/9889","Hal Carter William \u0026 Mary Band windbreaker","Music","College students","Symphonies (Band)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged by item.","The collection contains a single green nylon windbreaker jacket with white lettering that spells out \"William \u0026 Mary Band.\" The jacket also includes a treble clef design. The jacket was received by Hal Carter around 1972 as an annual gift given to band members.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["UA 5.368","/repositories/2/resources/9889"],"normalized_title_ssm":["Hal Carter William \u0026 Mary Band windbreaker"],"collection_title_tesim":["Hal Carter William \u0026 Mary Band windbreaker"],"collection_ssim":["Hal Carter William \u0026 Mary Band windbreaker"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["The collection was donated by Hal and Elise Carter."],"access_subjects_ssim":["Music","College students","Symphonies (Band)"],"access_subjects_ssm":["Music","College students","Symphonies (Band)"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet 1 oversized box"],"extent_tesim":["1 Linear Feet 1 oversized box"],"date_range_isim":[1972],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by item.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by item."],"prefercite_html_tesm":["\u003cp\u003eHal Carter William \u0026amp; Mary Band windbreaker, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Hal Carter William \u0026 Mary Band windbreaker, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains a single green nylon windbreaker jacket with white lettering that spells out \"William \u0026amp; Mary Band.\" The jacket also includes a treble clef design. The jacket was received by Hal Carter around 1972 as an annual gift given to band members.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains a single green nylon windbreaker jacket with white lettering that spells out \"William \u0026 Mary Band.\" The jacket also includes a treble clef design. The jacket was received by Hal Carter around 1972 as an annual gift given to band members."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:06:14.731Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9889"}},{"id":"vifgm_repositories_2_resources_590","type":"collection","attributes":{"title":"Harry Partch playing his Cloud-Chamber Bowls instrument photographs","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_590#creator","type":"document_value","attributes":{"value":"New York Daily News (Firm)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_590#abstract_or_scope","type":"document_value","attributes":{"value":"Two black and white photographs of Harry Partch playing his Cloud-Chamber Bowls instrument, taken March 10 and 11, 1962.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_590#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_590","ead_ssi":"vifgm_repositories_2_resources_590","_root_":"vifgm_repositories_2_resources_590","_nest_parent_":"vifgm_repositories_2_resources_590","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_590.xml","title_ssm":["Harry Partch playing his Cloud-Chamber Bowls instrument photographs"],"title_tesim":["Harry Partch playing his Cloud-Chamber Bowls instrument photographs"],"unitdate_ssm":["March 10 - 11, 1962"],"unitdate_inclusive_ssm":["March 10 - 11, 1962"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0491","/repositories/2/resources/590"],"text":["C0491","/repositories/2/resources/590","Harry Partch playing his Cloud-Chamber Bowls instrument photographs","Music","Photography","There are no access restrictions.","This is a single folder collection.","\"About Partch.\" HarryPartch.com, accessed October 7, 2021.https://www.harrypartch.com/instruments.","Britannica, T. Editors of Encyclopaedia. \"Harry Partch.\" Encyclopedia Britannica, accessed October 7, 2021. https://www.britannica.com/biography/Harry-Partch.","\"Instruments.\" HarryPartch.com, accessed October 7, 2021.https://www.harrypartch.com/instruments.","Harry Partch was an American composer, music theorist, and inventor of musical instruments. Born in 1901 in Oakland, California, Partch held a lifelong interest in music and musical composition. Partch found most of his creative success later in life when he held a residency at the University of Illinois from 1956 - 1962. It was there that he created many of the musical instruments he is known for. Partch's compositions exclusively used the instruments he created, including his Cloud-Chamber Bowls. Partch passed away in 1974.","Processing completed by Amanda Brent in October 2021. EAD markup completed by Amanda Brent in October 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other materials on music, musicians, and composers.","The University of Illinois at Urbana-Champaign Sousa Archives and Center for American Music hold the   and the  .","Two black and white photographs of Harry Partch playing his Cloud-Chamber Bowls instrument, taken March 10 and 11, 1962. Both photographs are inscribed on the back with the phrase \"Harry Partch plays one of his invented instruments - Cloud Chamber Bowls[.]\" One of the photographs has a news clipping glued to the verso which details the subject of the photos. There are also a number of stamps on the back of the photographs exhibiting the chain of custody. The photographs appear to have been first taken and owned by \"Daily News\" which is most likely the New York Daily News.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Two black and white photographs of Harry Partch playing his Cloud-Chamber Bowls instrument, taken March 10 and 11, 1962.","George Mason University. Libraries. Special Collections Research Center","New York Daily News (Firm)","Partch, Harry, 1901-1974","English \n.    "],"unitid_tesim":["C0491","/repositories/2/resources/590"],"normalized_title_ssm":["Harry Partch playing his Cloud-Chamber Bowls instrument photographs"],"collection_title_tesim":["Harry Partch playing his Cloud-Chamber Bowls instrument photographs"],"collection_ssim":["Harry Partch playing his Cloud-Chamber Bowls instrument photographs"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["New York Daily News (Firm)"],"creator_ssim":["New York Daily News (Firm)"],"creator_corpname_ssim":["New York Daily News (Firm)"],"creators_ssim":["New York Daily News (Firm)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased by Steve Gerber in July 2012."],"access_subjects_ssim":["Music","Photography"],"access_subjects_ssm":["Music","Photography"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet"],"extent_tesim":[".01 Linear Feet"],"date_range_isim":[1962],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003e\"About Partch.\" HarryPartch.com, accessed October 7, 2021.https://www.harrypartch.com/instruments.\u003c/p\u003e\n","\u003cp\u003eBritannica, T. Editors of Encyclopaedia. \"Harry Partch.\" Encyclopedia Britannica, accessed October 7, 2021. https://www.britannica.com/biography/Harry-Partch.\u003c/p\u003e\n","\u003cp\u003e\"Instruments.\" HarryPartch.com, accessed October 7, 2021.https://www.harrypartch.com/instruments.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"About Partch.\" HarryPartch.com, accessed October 7, 2021.https://www.harrypartch.com/instruments.","Britannica, T. Editors of Encyclopaedia. \"Harry Partch.\" Encyclopedia Britannica, accessed October 7, 2021. https://www.britannica.com/biography/Harry-Partch.","\"Instruments.\" HarryPartch.com, accessed October 7, 2021.https://www.harrypartch.com/instruments."],"bioghist_html_tesm":["\u003cp\u003eHarry Partch was an American composer, music theorist, and inventor of musical instruments. Born in 1901 in Oakland, California, Partch held a lifelong interest in music and musical composition. Partch found most of his creative success later in life when he held a residency at the University of Illinois from 1956 - 1962. It was there that he created many of the musical instruments he is known for. Partch's compositions exclusively used the instruments he created, including his Cloud-Chamber Bowls. Partch passed away in 1974.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Harry Partch was an American composer, music theorist, and inventor of musical instruments. Born in 1901 in Oakland, California, Partch held a lifelong interest in music and musical composition. Partch found most of his creative success later in life when he held a residency at the University of Illinois from 1956 - 1962. It was there that he created many of the musical instruments he is known for. Partch's compositions exclusively used the instruments he created, including his Cloud-Chamber Bowls. Partch passed away in 1974."],"prefercite_html_tesm":["\u003cp\u003eHarry Partch playing his Cloud-Chamber Bowls instrument photographs, C0491, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Harry Partch playing his Cloud-Chamber Bowls instrument photographs, C0491, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in October 2021. EAD markup completed by Amanda Brent in October 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in October 2021. EAD markup completed by Amanda Brent in October 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other materials on music, musicians, and composers.\u003c/p\u003e\n","\u003cp\u003eThe University of Illinois at Urbana-Champaign Sousa Archives and Center for American Music hold the \u003cextptr show=\"new\" title=\"Harry Partch Estate Archive\" href=\"https://archon.library.illinois.edu/?p=collections/controlcard\u0026amp;id=10747\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Music and Performing Arts Library Harry Partch Collection\" href=\"https://archon.library.illinois.edu/?p=collections/controlcard\u0026amp;id=10752\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other materials on music, musicians, and composers.","The University of Illinois at Urbana-Champaign Sousa Archives and Center for American Music hold the   and the  ."],"scopecontent_html_tesm":["\u003cp\u003eTwo black and white photographs of Harry Partch playing his Cloud-Chamber Bowls instrument, taken March 10 and 11, 1962. Both photographs are inscribed on the back with the phrase \"Harry Partch plays one of his invented instruments - Cloud Chamber Bowls[.]\" One of the photographs has a news clipping glued to the verso which details the subject of the photos. There are also a number of stamps on the back of the photographs exhibiting the chain of custody. The photographs appear to have been first taken and owned by \"Daily News\" which is most likely the New York Daily News.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Two black and white photographs of Harry Partch playing his Cloud-Chamber Bowls instrument, taken March 10 and 11, 1962. Both photographs are inscribed on the back with the phrase \"Harry Partch plays one of his invented instruments - Cloud Chamber Bowls[.]\" One of the photographs has a news clipping glued to the verso which details the subject of the photos. There are also a number of stamps on the back of the photographs exhibiting the chain of custody. The photographs appear to have been first taken and owned by \"Daily News\" which is most likely the New York Daily News."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_c83e7af817f7814678a847e5fe26c22a\" label=\"Abstract\"\u003eTwo black and white photographs of Harry Partch playing his Cloud-Chamber Bowls instrument, taken March 10 and 11, 1962.\u003c/abstract\u003e"],"abstract_tesim":["Two black and white photographs of Harry Partch playing his Cloud-Chamber Bowls instrument, taken March 10 and 11, 1962."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","New York Daily News (Firm)","Partch, Harry, 1901-1974"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","New York Daily News (Firm)"],"names_coll_ssim":["Partch, Harry, 1901-1974"],"persname_ssim":["Partch, Harry, 1901-1974"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:34:09.511Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_590","ead_ssi":"vifgm_repositories_2_resources_590","_root_":"vifgm_repositories_2_resources_590","_nest_parent_":"vifgm_repositories_2_resources_590","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_590.xml","title_ssm":["Harry Partch playing his Cloud-Chamber Bowls instrument photographs"],"title_tesim":["Harry Partch playing his Cloud-Chamber Bowls instrument photographs"],"unitdate_ssm":["March 10 - 11, 1962"],"unitdate_inclusive_ssm":["March 10 - 11, 1962"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0491","/repositories/2/resources/590"],"text":["C0491","/repositories/2/resources/590","Harry Partch playing his Cloud-Chamber Bowls instrument photographs","Music","Photography","There are no access restrictions.","This is a single folder collection.","\"About Partch.\" HarryPartch.com, accessed October 7, 2021.https://www.harrypartch.com/instruments.","Britannica, T. Editors of Encyclopaedia. \"Harry Partch.\" Encyclopedia Britannica, accessed October 7, 2021. https://www.britannica.com/biography/Harry-Partch.","\"Instruments.\" HarryPartch.com, accessed October 7, 2021.https://www.harrypartch.com/instruments.","Harry Partch was an American composer, music theorist, and inventor of musical instruments. Born in 1901 in Oakland, California, Partch held a lifelong interest in music and musical composition. Partch found most of his creative success later in life when he held a residency at the University of Illinois from 1956 - 1962. It was there that he created many of the musical instruments he is known for. Partch's compositions exclusively used the instruments he created, including his Cloud-Chamber Bowls. Partch passed away in 1974.","Processing completed by Amanda Brent in October 2021. EAD markup completed by Amanda Brent in October 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other materials on music, musicians, and composers.","The University of Illinois at Urbana-Champaign Sousa Archives and Center for American Music hold the   and the  .","Two black and white photographs of Harry Partch playing his Cloud-Chamber Bowls instrument, taken March 10 and 11, 1962. Both photographs are inscribed on the back with the phrase \"Harry Partch plays one of his invented instruments - Cloud Chamber Bowls[.]\" One of the photographs has a news clipping glued to the verso which details the subject of the photos. There are also a number of stamps on the back of the photographs exhibiting the chain of custody. The photographs appear to have been first taken and owned by \"Daily News\" which is most likely the New York Daily News.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Two black and white photographs of Harry Partch playing his Cloud-Chamber Bowls instrument, taken March 10 and 11, 1962.","George Mason University. Libraries. Special Collections Research Center","New York Daily News (Firm)","Partch, Harry, 1901-1974","English \n.    "],"unitid_tesim":["C0491","/repositories/2/resources/590"],"normalized_title_ssm":["Harry Partch playing his Cloud-Chamber Bowls instrument photographs"],"collection_title_tesim":["Harry Partch playing his Cloud-Chamber Bowls instrument photographs"],"collection_ssim":["Harry Partch playing his Cloud-Chamber Bowls instrument photographs"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["New York Daily News (Firm)"],"creator_ssim":["New York Daily News (Firm)"],"creator_corpname_ssim":["New York Daily News (Firm)"],"creators_ssim":["New York Daily News (Firm)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased by Steve Gerber in July 2012."],"access_subjects_ssim":["Music","Photography"],"access_subjects_ssm":["Music","Photography"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet"],"extent_tesim":[".01 Linear Feet"],"date_range_isim":[1962],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003e\"About Partch.\" HarryPartch.com, accessed October 7, 2021.https://www.harrypartch.com/instruments.\u003c/p\u003e\n","\u003cp\u003eBritannica, T. Editors of Encyclopaedia. \"Harry Partch.\" Encyclopedia Britannica, accessed October 7, 2021. https://www.britannica.com/biography/Harry-Partch.\u003c/p\u003e\n","\u003cp\u003e\"Instruments.\" HarryPartch.com, accessed October 7, 2021.https://www.harrypartch.com/instruments.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"About Partch.\" HarryPartch.com, accessed October 7, 2021.https://www.harrypartch.com/instruments.","Britannica, T. Editors of Encyclopaedia. \"Harry Partch.\" Encyclopedia Britannica, accessed October 7, 2021. https://www.britannica.com/biography/Harry-Partch.","\"Instruments.\" HarryPartch.com, accessed October 7, 2021.https://www.harrypartch.com/instruments."],"bioghist_html_tesm":["\u003cp\u003eHarry Partch was an American composer, music theorist, and inventor of musical instruments. Born in 1901 in Oakland, California, Partch held a lifelong interest in music and musical composition. Partch found most of his creative success later in life when he held a residency at the University of Illinois from 1956 - 1962. It was there that he created many of the musical instruments he is known for. Partch's compositions exclusively used the instruments he created, including his Cloud-Chamber Bowls. Partch passed away in 1974.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Harry Partch was an American composer, music theorist, and inventor of musical instruments. Born in 1901 in Oakland, California, Partch held a lifelong interest in music and musical composition. Partch found most of his creative success later in life when he held a residency at the University of Illinois from 1956 - 1962. It was there that he created many of the musical instruments he is known for. Partch's compositions exclusively used the instruments he created, including his Cloud-Chamber Bowls. Partch passed away in 1974."],"prefercite_html_tesm":["\u003cp\u003eHarry Partch playing his Cloud-Chamber Bowls instrument photographs, C0491, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Harry Partch playing his Cloud-Chamber Bowls instrument photographs, C0491, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in October 2021. EAD markup completed by Amanda Brent in October 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in October 2021. EAD markup completed by Amanda Brent in October 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other materials on music, musicians, and composers.\u003c/p\u003e\n","\u003cp\u003eThe University of Illinois at Urbana-Champaign Sousa Archives and Center for American Music hold the \u003cextptr show=\"new\" title=\"Harry Partch Estate Archive\" href=\"https://archon.library.illinois.edu/?p=collections/controlcard\u0026amp;id=10747\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Music and Performing Arts Library Harry Partch Collection\" href=\"https://archon.library.illinois.edu/?p=collections/controlcard\u0026amp;id=10752\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other materials on music, musicians, and composers.","The University of Illinois at Urbana-Champaign Sousa Archives and Center for American Music hold the   and the  ."],"scopecontent_html_tesm":["\u003cp\u003eTwo black and white photographs of Harry Partch playing his Cloud-Chamber Bowls instrument, taken March 10 and 11, 1962. Both photographs are inscribed on the back with the phrase \"Harry Partch plays one of his invented instruments - Cloud Chamber Bowls[.]\" One of the photographs has a news clipping glued to the verso which details the subject of the photos. There are also a number of stamps on the back of the photographs exhibiting the chain of custody. The photographs appear to have been first taken and owned by \"Daily News\" which is most likely the New York Daily News.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Two black and white photographs of Harry Partch playing his Cloud-Chamber Bowls instrument, taken March 10 and 11, 1962. Both photographs are inscribed on the back with the phrase \"Harry Partch plays one of his invented instruments - Cloud Chamber Bowls[.]\" One of the photographs has a news clipping glued to the verso which details the subject of the photos. There are also a number of stamps on the back of the photographs exhibiting the chain of custody. The photographs appear to have been first taken and owned by \"Daily News\" which is most likely the New York Daily News."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_c83e7af817f7814678a847e5fe26c22a\" label=\"Abstract\"\u003eTwo black and white photographs of Harry Partch playing his Cloud-Chamber Bowls instrument, taken March 10 and 11, 1962.\u003c/abstract\u003e"],"abstract_tesim":["Two black and white photographs of Harry Partch playing his Cloud-Chamber Bowls instrument, taken March 10 and 11, 1962."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","New York Daily News (Firm)","Partch, Harry, 1901-1974"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","New York Daily News (Firm)"],"names_coll_ssim":["Partch, Harry, 1901-1974"],"persname_ssim":["Partch, Harry, 1901-1974"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:34:09.511Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_590"}},{"id":"vifgm_repositories_2_resources_175","type":"collection","attributes":{"title":"Japanese phonograph record collection","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_175#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_175#abstract_or_scope","type":"document_value","attributes":{"value":"The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records mostly in sleeves with Japanese wirting. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_175#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_175","ead_ssi":"vifgm_repositories_2_resources_175","_root_":"vifgm_repositories_2_resources_175","_nest_parent_":"vifgm_repositories_2_resources_175","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_175.xml","title_ssm":["Japanese phonograph record collection"],"title_tesim":["Japanese phonograph record collection"],"unitdate_ssm":["circa 1927-1932"],"unitdate_inclusive_ssm":["circa 1927-1932"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0141","/repositories/2/resources/175"],"text":["C0141","/repositories/2/resources/175","Japanese phonograph record collection","Japan","Music","Music -- 20th century","Music -- Japan","Sound recordings","There are no access restrictions.","Organized into five series.","Missing Title Series 1: Colmbia Series 2: Victor Series 3: Orient Series 4: Ploydor Series 5: Columbia Regal","The records in this collection are early examples of \"electrical\" recordings. Prior to 1925 recordings were made acoustically with singers and musicians playing into a horn. Electrical recording introduced the microphone which could pick up a larger range of sound and tone. Record companies developed specific names for this new recording process. The Victor Talking Machine company dubbed the new electric records as Othrophonic Records; Columbia produced \"viva-tonal\" records. The records in this collection are labeled as such.  ","A product of Nipponophone, Orient was acquired by Columbia in 1925","The Special Collections Research Center does not have the equipment necessary to phonograph records. Additional time and money may be required to access this material.","Processed by Special Collections Research Center staff.","The Special Collections Research Center also holds the Music, Theatre, and Spoken Word sound recording collection.","The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records produced for Japan. The collection also includes original record sleeves and printed material packaged with the record. The records in this collection were released by: Columbia, Regal, Victor, Ploydor and Orient Records. The records could have been released by the American division of these labels for export, or by there Japanese branches. The design of the labels present on the discs indicated that these records were released in the late 1920s through early 1930s. The records have been recorded with the new \"electric\" recording process, which was introduced to the music industry in 1925. ","The song title and artist name are printed in Japanese with only the record company name printed in English. As of now the records remain unidentified. ","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records mostly in sleeves with Japanese wirting. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal.","George Mason University. Libraries. Special Collections Research Center","English"],"unitid_tesim":["C0141","/repositories/2/resources/175"],"normalized_title_ssm":["Japanese phonograph record collection"],"collection_title_tesim":["Japanese phonograph record collection"],"collection_ssim":["Japanese phonograph record collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Japan"],"geogname_ssim":["Japan"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"places_ssim":["Japan"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Donor unknown."],"access_subjects_ssim":["Music","Music -- 20th century","Music -- Japan","Sound recordings"],"access_subjects_ssm":["Music","Music -- 20th century","Music -- Japan","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["0.25 Linear Feet 1 box"],"extent_tesim":["0.25 Linear Feet 1 box"],"genreform_ssim":["Sound recordings"],"date_range_isim":[1927,1928,1929,1930,1931,1932],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized into five series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Colmbia\u003c/item\u003e\n      \u003citem\u003eSeries 2: Victor\u003c/item\u003e\n      \u003citem\u003eSeries 3: Orient\u003c/item\u003e\n      \u003citem\u003eSeries 4: Ploydor\u003c/item\u003e\n      \u003citem\u003eSeries 5: Columbia Regal\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into five series.","Missing Title Series 1: Colmbia Series 2: Victor Series 3: Orient Series 4: Ploydor Series 5: Columbia Regal"],"bioghist_html_tesm":["\u003cp\u003eThe records in this collection are early examples of \"electrical\" recordings. Prior to 1925 recordings were made acoustically with singers and musicians playing into a horn. Electrical recording introduced the microphone which could pick up a larger range of sound and tone. Record companies developed specific names for this new recording process. The Victor Talking Machine company dubbed the new electric records as Othrophonic Records; Columbia produced \"viva-tonal\" records. The records in this collection are labeled as such.  \u003c/p\u003e\n","\u003cp\u003eA product of Nipponophone, Orient was acquired by Columbia in 1925\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The records in this collection are early examples of \"electrical\" recordings. Prior to 1925 recordings were made acoustically with singers and musicians playing into a horn. Electrical recording introduced the microphone which could pick up a larger range of sound and tone. Record companies developed specific names for this new recording process. The Victor Talking Machine company dubbed the new electric records as Othrophonic Records; Columbia produced \"viva-tonal\" records. The records in this collection are labeled as such.  ","A product of Nipponophone, Orient was acquired by Columbia in 1925"],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to phonograph records. Additional time and money may be required to access this material.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to phonograph records. Additional time and money may be required to access this material."],"prefercite_html_tesm":["\u003cp\u003eJapanese Phonograph Record collection, C0141, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Japanese Phonograph Record collection, C0141, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Music, Theatre, and Spoken Word sound recording collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Music, Theatre, and Spoken Word sound recording collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Japanese Phonograph Record collection contains 15, 78 rpm phonograph records produced for Japan. The collection also includes original record sleeves and printed material packaged with the record. The records in this collection were released by: Columbia, Regal, Victor, Ploydor and Orient Records. The records could have been released by the American division of these labels for export, or by there Japanese branches. The design of the labels present on the discs indicated that these records were released in the late 1920s through early 1930s. The records have been recorded with the new \"electric\" recording process, which was introduced to the music industry in 1925. \u003c/p\u003e\n","\u003cp\u003eThe song title and artist name are printed in Japanese with only the record company name printed in English. As of now the records remain unidentified. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records produced for Japan. The collection also includes original record sleeves and printed material packaged with the record. The records in this collection were released by: Columbia, Regal, Victor, Ploydor and Orient Records. The records could have been released by the American division of these labels for export, or by there Japanese branches. The design of the labels present on the discs indicated that these records were released in the late 1920s through early 1930s. The records have been recorded with the new \"electric\" recording process, which was introduced to the music industry in 1925. ","The song title and artist name are printed in Japanese with only the record company name printed in English. As of now the records remain unidentified. "],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_3bf615df7cc993c3416de9846ecbeed3\" label=\"Abstract\"\u003eThe Japanese Phonograph Record collection contains 15, 78 rpm phonograph records mostly in sleeves with Japanese wirting. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal.\u003c/abstract\u003e"],"abstract_tesim":["The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records mostly in sleeves with Japanese wirting. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":20,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-04T07:14:19.084Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_175","ead_ssi":"vifgm_repositories_2_resources_175","_root_":"vifgm_repositories_2_resources_175","_nest_parent_":"vifgm_repositories_2_resources_175","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_175.xml","title_ssm":["Japanese phonograph record collection"],"title_tesim":["Japanese phonograph record collection"],"unitdate_ssm":["circa 1927-1932"],"unitdate_inclusive_ssm":["circa 1927-1932"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0141","/repositories/2/resources/175"],"text":["C0141","/repositories/2/resources/175","Japanese phonograph record collection","Japan","Music","Music -- 20th century","Music -- Japan","Sound recordings","There are no access restrictions.","Organized into five series.","Missing Title Series 1: Colmbia Series 2: Victor Series 3: Orient Series 4: Ploydor Series 5: Columbia Regal","The records in this collection are early examples of \"electrical\" recordings. Prior to 1925 recordings were made acoustically with singers and musicians playing into a horn. Electrical recording introduced the microphone which could pick up a larger range of sound and tone. Record companies developed specific names for this new recording process. The Victor Talking Machine company dubbed the new electric records as Othrophonic Records; Columbia produced \"viva-tonal\" records. The records in this collection are labeled as such.  ","A product of Nipponophone, Orient was acquired by Columbia in 1925","The Special Collections Research Center does not have the equipment necessary to phonograph records. Additional time and money may be required to access this material.","Processed by Special Collections Research Center staff.","The Special Collections Research Center also holds the Music, Theatre, and Spoken Word sound recording collection.","The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records produced for Japan. The collection also includes original record sleeves and printed material packaged with the record. The records in this collection were released by: Columbia, Regal, Victor, Ploydor and Orient Records. The records could have been released by the American division of these labels for export, or by there Japanese branches. The design of the labels present on the discs indicated that these records were released in the late 1920s through early 1930s. The records have been recorded with the new \"electric\" recording process, which was introduced to the music industry in 1925. ","The song title and artist name are printed in Japanese with only the record company name printed in English. As of now the records remain unidentified. ","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records mostly in sleeves with Japanese wirting. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal.","George Mason University. Libraries. Special Collections Research Center","English"],"unitid_tesim":["C0141","/repositories/2/resources/175"],"normalized_title_ssm":["Japanese phonograph record collection"],"collection_title_tesim":["Japanese phonograph record collection"],"collection_ssim":["Japanese phonograph record collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Japan"],"geogname_ssim":["Japan"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"places_ssim":["Japan"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Donor unknown."],"access_subjects_ssim":["Music","Music -- 20th century","Music -- Japan","Sound recordings"],"access_subjects_ssm":["Music","Music -- 20th century","Music -- Japan","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["0.25 Linear Feet 1 box"],"extent_tesim":["0.25 Linear Feet 1 box"],"genreform_ssim":["Sound recordings"],"date_range_isim":[1927,1928,1929,1930,1931,1932],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized into five series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Colmbia\u003c/item\u003e\n      \u003citem\u003eSeries 2: Victor\u003c/item\u003e\n      \u003citem\u003eSeries 3: Orient\u003c/item\u003e\n      \u003citem\u003eSeries 4: Ploydor\u003c/item\u003e\n      \u003citem\u003eSeries 5: Columbia Regal\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into five series.","Missing Title Series 1: Colmbia Series 2: Victor Series 3: Orient Series 4: Ploydor Series 5: Columbia Regal"],"bioghist_html_tesm":["\u003cp\u003eThe records in this collection are early examples of \"electrical\" recordings. Prior to 1925 recordings were made acoustically with singers and musicians playing into a horn. Electrical recording introduced the microphone which could pick up a larger range of sound and tone. Record companies developed specific names for this new recording process. The Victor Talking Machine company dubbed the new electric records as Othrophonic Records; Columbia produced \"viva-tonal\" records. The records in this collection are labeled as such.  \u003c/p\u003e\n","\u003cp\u003eA product of Nipponophone, Orient was acquired by Columbia in 1925\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The records in this collection are early examples of \"electrical\" recordings. Prior to 1925 recordings were made acoustically with singers and musicians playing into a horn. Electrical recording introduced the microphone which could pick up a larger range of sound and tone. Record companies developed specific names for this new recording process. The Victor Talking Machine company dubbed the new electric records as Othrophonic Records; Columbia produced \"viva-tonal\" records. The records in this collection are labeled as such.  ","A product of Nipponophone, Orient was acquired by Columbia in 1925"],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to phonograph records. Additional time and money may be required to access this material.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to phonograph records. Additional time and money may be required to access this material."],"prefercite_html_tesm":["\u003cp\u003eJapanese Phonograph Record collection, C0141, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Japanese Phonograph Record collection, C0141, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Music, Theatre, and Spoken Word sound recording collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Music, Theatre, and Spoken Word sound recording collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Japanese Phonograph Record collection contains 15, 78 rpm phonograph records produced for Japan. The collection also includes original record sleeves and printed material packaged with the record. The records in this collection were released by: Columbia, Regal, Victor, Ploydor and Orient Records. The records could have been released by the American division of these labels for export, or by there Japanese branches. The design of the labels present on the discs indicated that these records were released in the late 1920s through early 1930s. The records have been recorded with the new \"electric\" recording process, which was introduced to the music industry in 1925. \u003c/p\u003e\n","\u003cp\u003eThe song title and artist name are printed in Japanese with only the record company name printed in English. As of now the records remain unidentified. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records produced for Japan. The collection also includes original record sleeves and printed material packaged with the record. The records in this collection were released by: Columbia, Regal, Victor, Ploydor and Orient Records. The records could have been released by the American division of these labels for export, or by there Japanese branches. The design of the labels present on the discs indicated that these records were released in the late 1920s through early 1930s. The records have been recorded with the new \"electric\" recording process, which was introduced to the music industry in 1925. ","The song title and artist name are printed in Japanese with only the record company name printed in English. As of now the records remain unidentified. "],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_3bf615df7cc993c3416de9846ecbeed3\" label=\"Abstract\"\u003eThe Japanese Phonograph Record collection contains 15, 78 rpm phonograph records mostly in sleeves with Japanese wirting. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal.\u003c/abstract\u003e"],"abstract_tesim":["The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records mostly in sleeves with Japanese wirting. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":20,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-04T07:14:19.084Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_175"}},{"id":"viblbv_repositories_2_resources_3860","type":"collection","attributes":{"title":"\"Jeff Davis in his Wife's Clothes\" Song Sheet","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3860#creator","type":"document_value","attributes":{"value":"Auner, A. W. (Alfred Witman), 1826-1895","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3860#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains a song sheet for \"Jeff Davis in his Wife's Clothes,\" published by A. W. Auner and Wanamaker \u0026amp; Brown's, Clothing Store, both of Philadelphia. The song depicts a comical representation of Jefferson Davis' defeat by the Union army during the American Civil War in 1865.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3860#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_3860","ead_ssi":"viblbv_repositories_2_resources_3860","_root_":"viblbv_repositories_2_resources_3860","_nest_parent_":"viblbv_repositories_2_resources_3860","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3860.xml","title_filing_ssi":"\"Jeff Davis in his Wife's Clothes\" Song Sheet","title_ssm":["\"Jeff Davis in his Wife's Clothes\" Song Sheet"],"title_tesim":["\"Jeff Davis in his Wife's Clothes\" Song Sheet"],"unitdate_ssm":["c. 1865"],"unitdate_other_ssim":["c. 1865"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2022.040"],"text":["Ms.2022.040","\"Jeff Davis in his Wife's Clothes\" Song Sheet","Civil War","United States -- History -- Civil War, 1861-1865","Music","Advertisements","The collection is open for research.","Jefferson Finis Davis was born June 3, 1808 and lived until December 6, 1889. Davis was the first and only President of the Confederate States of America during the American Civil War. Prior to the war, Davis was elected to the United States House of Representatives and the United States Senate. During the Mexican-American War, Davis was offered a promotion to Brigadier General but he turned it down. Also prior to the Confederacy, Davis was the United States Secretary of War.","At the end of the Civil War, Davis dissolved the Confederate government while in Georgia on May 5, 1865. Five days later, Union forces captured Davis along with his wife Varina. At the time, he was wearing his wife's shawl, which led to rumors that Davis was wearing his wife's clothes when he was captured.","Sources: ","American Battlefield Trust. \"Jefferson Davis Biography.\"  https://www.battlefields.org/learn/biographies/jefferson-davis . Accessed August 2, 2022.","\"Media: Jefferson Davis in the Clothes in Which He Was Captured.\" In  Encyclopedia Virginia .  https://encyclopediavirginia.org/879hpr-c7e7e6d95415e4a/ . Accessed September 6, 2022.","The guide to the \"Jeff Davis in his Wife's Clothes\" Song Sheet by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the \"Jeff Davis in his Wife's Clothes\" Song Sheet was completed in August 2022.","See also the  Jefferson and Varina Anne Davis Letter, 1886, Ms2022-028 , at Virginia Tech Special Collections and University Archives.","This collection contains a song sheet for \"Jeff Davis in his Wife's Clothes,\" published by A. W. Auner and Wanamaker \u0026 Brown's, Clothing Store, both of Philadelphia. The song depicts a comical representation of Jefferson Davis' defeat by the Union army during the American Civil War in 1865. It reads, in part: \"Jefferson Davis took to the woods…by hook or by crook, to [go to] Mexico. The boys of the valiant Fourth Michigan…in the early morning…surround the fugitive traitor's camp…Jefferson D didn't look very neat…the hoops flew up and the bonnet hung down…Mrs. D in a rage cried out, \"Don't hit the President…for he'll certainly hit you back…while clad in the feminine clothes of his wife…it didn't do and that is the end of the traitor's fighting…\".","\nThe copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials. ","Reproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\n http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains a song sheet for \"Jeff Davis in his Wife's Clothes,\" published by A. W. Auner and Wanamaker \u0026 Brown's, Clothing Store, both of Philadelphia. The song depicts a comical representation of Jefferson Davis' defeat by the Union army during the American Civil War in 1865.","Special Collections and University Archives, Virginia Tech","Wanamaker \u0026 Brown","Auner, A. W. (Alfred Witman), 1826-1895","Davis, Jefferson, 1808-1889","The materials in this collection are in English."],"unitid_tesim":["Ms.2022.040"],"normalized_title_ssm":["\"Jeff Davis in his Wife's Clothes\" Song Sheet"],"collection_title_tesim":["\"Jeff Davis in his Wife's Clothes\" Song Sheet"],"collection_ssim":["\"Jeff Davis in his Wife's Clothes\" Song Sheet"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Auner, A. W. (Alfred Witman), 1826-1895","Wanamaker \u0026 Brown"],"creator_ssim":["Auner, A. W. (Alfred Witman), 1826-1895","Wanamaker \u0026 Brown"],"creator_persname_ssim":["Auner, A. W. (Alfred Witman), 1826-1895"],"creator_corpname_ssim":["Wanamaker \u0026 Brown"],"creators_ssim":["Auner, A. W. (Alfred Witman), 1826-1895","Wanamaker \u0026 Brown"],"access_terms_ssm":["\nThe copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials. ","Reproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\n http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["This collection was purchased by Special Collections and University Archives in 2015."],"access_subjects_ssim":["Civil War","United States -- History -- Civil War, 1861-1865","Music","Advertisements"],"access_subjects_ssm":["Civil War","United States -- History -- Civil War, 1861-1865","Music","Advertisements"],"has_online_content_ssim":["false"],"extent_ssm":["0.1 Cubic Feet 1 folder"],"extent_tesim":["0.1 Cubic Feet 1 folder"],"genreform_ssim":["Advertisements"],"date_range_isim":[1865],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJefferson Finis Davis was born June 3, 1808 and lived until December 6, 1889. Davis was the first and only President of the Confederate States of America during the American Civil War. Prior to the war, Davis was elected to the United States House of Representatives and the United States Senate. During the Mexican-American War, Davis was offered a promotion to Brigadier General but he turned it down. Also prior to the Confederacy, Davis was the United States Secretary of War.\u003c/p\u003e\n","\u003cp\u003eAt the end of the Civil War, Davis dissolved the Confederate government while in Georgia on May 5, 1865. Five days later, Union forces captured Davis along with his wife Varina. At the time, he was wearing his wife's shawl, which led to rumors that Davis was wearing his wife's clothes when he was captured.\u003c/p\u003e\n","\u003cp\u003eSources: \u003c/p\u003e\n","\u003cp\u003eAmerican Battlefield Trust. \"Jefferson Davis Biography.\" \u003ca target=\"_blank\" href=\"https://www.battlefields.org/learn/biographies/jefferson-davis\"\u003ehttps://www.battlefields.org/learn/biographies/jefferson-davis\u003c/a\u003e. Accessed August 2, 2022.\u003c/p\u003e\n","\u003cp\u003e\"Media: Jefferson Davis in the Clothes in Which He Was Captured.\" In \u003ctitle render=\"italic\"\u003eEncyclopedia Virginia\u003c/title\u003e. \u003ca target=\"_blank\" href=\"https://encyclopediavirginia.org/879hpr-c7e7e6d95415e4a/\"\u003ehttps://encyclopediavirginia.org/879hpr-c7e7e6d95415e4a/\u003c/a\u003e. Accessed September 6, 2022.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Jefferson Finis Davis was born June 3, 1808 and lived until December 6, 1889. Davis was the first and only President of the Confederate States of America during the American Civil War. Prior to the war, Davis was elected to the United States House of Representatives and the United States Senate. During the Mexican-American War, Davis was offered a promotion to Brigadier General but he turned it down. Also prior to the Confederacy, Davis was the United States Secretary of War.","At the end of the Civil War, Davis dissolved the Confederate government while in Georgia on May 5, 1865. Five days later, Union forces captured Davis along with his wife Varina. At the time, he was wearing his wife's shawl, which led to rumors that Davis was wearing his wife's clothes when he was captured.","Sources: ","American Battlefield Trust. \"Jefferson Davis Biography.\"  https://www.battlefields.org/learn/biographies/jefferson-davis . Accessed August 2, 2022.","\"Media: Jefferson Davis in the Clothes in Which He Was Captured.\" In  Encyclopedia Virginia .  https://encyclopediavirginia.org/879hpr-c7e7e6d95415e4a/ . Accessed September 6, 2022."],"odd_html_tesm":["\u003cp\u003eThe guide to the \"Jeff Davis in his Wife's Clothes\" Song Sheet by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the \"Jeff Davis in his Wife's Clothes\" Song Sheet by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], \"Jeff Davis in his Wife's Clothes\" Song Sheet, c. 1865, Ms2022-040, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], \"Jeff Davis in his Wife's Clothes\" Song Sheet, c. 1865, Ms2022-040, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the \"Jeff Davis in his Wife's Clothes\" Song Sheet was completed in August 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the \"Jeff Davis in his Wife's Clothes\" Song Sheet was completed in August 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also the \u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/lib.vt.edu/repositories/2/resources/3847.oai_ead.xml\"\u003eJefferson and Varina Anne Davis Letter, 1886, Ms2022-028\u003c/a\u003e, at Virginia Tech Special Collections and University Archives.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also the  Jefferson and Varina Anne Davis Letter, 1886, Ms2022-028 , at Virginia Tech Special Collections and University Archives."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a song sheet for \"Jeff Davis in his Wife's Clothes,\" published by A. W. Auner and Wanamaker \u0026amp; Brown's, Clothing Store, both of Philadelphia. The song depicts a comical representation of Jefferson Davis' defeat by the Union army during the American Civil War in 1865. It reads, in part: \"Jefferson Davis took to the woods…by hook or by crook, to [go to] Mexico. The boys of the valiant Fourth Michigan…in the early morning…surround the fugitive traitor's camp…Jefferson D didn't look very neat…the hoops flew up and the bonnet hung down…Mrs. D in a rage cried out, \"Don't hit the President…for he'll certainly hit you back…while clad in the feminine clothes of his wife…it didn't do and that is the end of the traitor's fighting…\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains a song sheet for \"Jeff Davis in his Wife's Clothes,\" published by A. W. Auner and Wanamaker \u0026 Brown's, Clothing Store, both of Philadelphia. The song depicts a comical representation of Jefferson Davis' defeat by the Union army during the American Civil War in 1865. It reads, in part: \"Jefferson Davis took to the woods…by hook or by crook, to [go to] Mexico. The boys of the valiant Fourth Michigan…in the early morning…surround the fugitive traitor's camp…Jefferson D didn't look very neat…the hoops flew up and the bonnet hung down…Mrs. D in a rage cried out, \"Don't hit the President…for he'll certainly hit you back…while clad in the feminine clothes of his wife…it didn't do and that is the end of the traitor's fighting…\"."],"userestrict_html_tesm":["\u003cp\u003e\nThe copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\n\u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["\nThe copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials. ","Reproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\n http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_289f1c1d352008817d34245b11c14b81\" label=\"Abstract\"\u003eThis collection contains a song sheet for \"Jeff Davis in his Wife's Clothes,\" published by A. W. Auner and Wanamaker \u0026amp; Brown's, Clothing Store, both of Philadelphia. The song depicts a comical representation of Jefferson Davis' defeat by the Union army during the American Civil War in 1865.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains a song sheet for \"Jeff Davis in his Wife's Clothes,\" published by A. W. Auner and Wanamaker \u0026 Brown's, Clothing Store, both of Philadelphia. The song depicts a comical representation of Jefferson Davis' defeat by the Union army during the American Civil War in 1865."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Wanamaker \u0026 Brown","Auner, A. W. (Alfred Witman), 1826-1895","Davis, Jefferson, 1808-1889"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Wanamaker \u0026 Brown"],"names_coll_ssim":["Davis, Jefferson, 1808-1889"],"persname_ssim":["Auner, A. W. (Alfred Witman), 1826-1895","Davis, Jefferson, 1808-1889"],"language_ssim":["The materials in this collection are in English."],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:09:36.445Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3860","ead_ssi":"viblbv_repositories_2_resources_3860","_root_":"viblbv_repositories_2_resources_3860","_nest_parent_":"viblbv_repositories_2_resources_3860","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3860.xml","title_filing_ssi":"\"Jeff Davis in his Wife's Clothes\" Song Sheet","title_ssm":["\"Jeff Davis in his Wife's Clothes\" Song Sheet"],"title_tesim":["\"Jeff Davis in his Wife's Clothes\" Song Sheet"],"unitdate_ssm":["c. 1865"],"unitdate_other_ssim":["c. 1865"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2022.040"],"text":["Ms.2022.040","\"Jeff Davis in his Wife's Clothes\" Song Sheet","Civil War","United States -- History -- Civil War, 1861-1865","Music","Advertisements","The collection is open for research.","Jefferson Finis Davis was born June 3, 1808 and lived until December 6, 1889. Davis was the first and only President of the Confederate States of America during the American Civil War. Prior to the war, Davis was elected to the United States House of Representatives and the United States Senate. During the Mexican-American War, Davis was offered a promotion to Brigadier General but he turned it down. Also prior to the Confederacy, Davis was the United States Secretary of War.","At the end of the Civil War, Davis dissolved the Confederate government while in Georgia on May 5, 1865. Five days later, Union forces captured Davis along with his wife Varina. At the time, he was wearing his wife's shawl, which led to rumors that Davis was wearing his wife's clothes when he was captured.","Sources: ","American Battlefield Trust. \"Jefferson Davis Biography.\"  https://www.battlefields.org/learn/biographies/jefferson-davis . Accessed August 2, 2022.","\"Media: Jefferson Davis in the Clothes in Which He Was Captured.\" In  Encyclopedia Virginia .  https://encyclopediavirginia.org/879hpr-c7e7e6d95415e4a/ . Accessed September 6, 2022.","The guide to the \"Jeff Davis in his Wife's Clothes\" Song Sheet by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the \"Jeff Davis in his Wife's Clothes\" Song Sheet was completed in August 2022.","See also the  Jefferson and Varina Anne Davis Letter, 1886, Ms2022-028 , at Virginia Tech Special Collections and University Archives.","This collection contains a song sheet for \"Jeff Davis in his Wife's Clothes,\" published by A. W. Auner and Wanamaker \u0026 Brown's, Clothing Store, both of Philadelphia. The song depicts a comical representation of Jefferson Davis' defeat by the Union army during the American Civil War in 1865. It reads, in part: \"Jefferson Davis took to the woods…by hook or by crook, to [go to] Mexico. The boys of the valiant Fourth Michigan…in the early morning…surround the fugitive traitor's camp…Jefferson D didn't look very neat…the hoops flew up and the bonnet hung down…Mrs. D in a rage cried out, \"Don't hit the President…for he'll certainly hit you back…while clad in the feminine clothes of his wife…it didn't do and that is the end of the traitor's fighting…\".","\nThe copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials. ","Reproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\n http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains a song sheet for \"Jeff Davis in his Wife's Clothes,\" published by A. W. Auner and Wanamaker \u0026 Brown's, Clothing Store, both of Philadelphia. The song depicts a comical representation of Jefferson Davis' defeat by the Union army during the American Civil War in 1865.","Special Collections and University Archives, Virginia Tech","Wanamaker \u0026 Brown","Auner, A. W. (Alfred Witman), 1826-1895","Davis, Jefferson, 1808-1889","The materials in this collection are in English."],"unitid_tesim":["Ms.2022.040"],"normalized_title_ssm":["\"Jeff Davis in his Wife's Clothes\" Song Sheet"],"collection_title_tesim":["\"Jeff Davis in his Wife's Clothes\" Song Sheet"],"collection_ssim":["\"Jeff Davis in his Wife's Clothes\" Song Sheet"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Auner, A. W. (Alfred Witman), 1826-1895","Wanamaker \u0026 Brown"],"creator_ssim":["Auner, A. W. (Alfred Witman), 1826-1895","Wanamaker \u0026 Brown"],"creator_persname_ssim":["Auner, A. W. (Alfred Witman), 1826-1895"],"creator_corpname_ssim":["Wanamaker \u0026 Brown"],"creators_ssim":["Auner, A. W. (Alfred Witman), 1826-1895","Wanamaker \u0026 Brown"],"access_terms_ssm":["\nThe copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials. ","Reproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\n http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["This collection was purchased by Special Collections and University Archives in 2015."],"access_subjects_ssim":["Civil War","United States -- History -- Civil War, 1861-1865","Music","Advertisements"],"access_subjects_ssm":["Civil War","United States -- History -- Civil War, 1861-1865","Music","Advertisements"],"has_online_content_ssim":["false"],"extent_ssm":["0.1 Cubic Feet 1 folder"],"extent_tesim":["0.1 Cubic Feet 1 folder"],"genreform_ssim":["Advertisements"],"date_range_isim":[1865],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJefferson Finis Davis was born June 3, 1808 and lived until December 6, 1889. Davis was the first and only President of the Confederate States of America during the American Civil War. Prior to the war, Davis was elected to the United States House of Representatives and the United States Senate. During the Mexican-American War, Davis was offered a promotion to Brigadier General but he turned it down. Also prior to the Confederacy, Davis was the United States Secretary of War.\u003c/p\u003e\n","\u003cp\u003eAt the end of the Civil War, Davis dissolved the Confederate government while in Georgia on May 5, 1865. Five days later, Union forces captured Davis along with his wife Varina. At the time, he was wearing his wife's shawl, which led to rumors that Davis was wearing his wife's clothes when he was captured.\u003c/p\u003e\n","\u003cp\u003eSources: \u003c/p\u003e\n","\u003cp\u003eAmerican Battlefield Trust. \"Jefferson Davis Biography.\" \u003ca target=\"_blank\" href=\"https://www.battlefields.org/learn/biographies/jefferson-davis\"\u003ehttps://www.battlefields.org/learn/biographies/jefferson-davis\u003c/a\u003e. Accessed August 2, 2022.\u003c/p\u003e\n","\u003cp\u003e\"Media: Jefferson Davis in the Clothes in Which He Was Captured.\" In \u003ctitle render=\"italic\"\u003eEncyclopedia Virginia\u003c/title\u003e. \u003ca target=\"_blank\" href=\"https://encyclopediavirginia.org/879hpr-c7e7e6d95415e4a/\"\u003ehttps://encyclopediavirginia.org/879hpr-c7e7e6d95415e4a/\u003c/a\u003e. Accessed September 6, 2022.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Jefferson Finis Davis was born June 3, 1808 and lived until December 6, 1889. Davis was the first and only President of the Confederate States of America during the American Civil War. Prior to the war, Davis was elected to the United States House of Representatives and the United States Senate. During the Mexican-American War, Davis was offered a promotion to Brigadier General but he turned it down. Also prior to the Confederacy, Davis was the United States Secretary of War.","At the end of the Civil War, Davis dissolved the Confederate government while in Georgia on May 5, 1865. Five days later, Union forces captured Davis along with his wife Varina. At the time, he was wearing his wife's shawl, which led to rumors that Davis was wearing his wife's clothes when he was captured.","Sources: ","American Battlefield Trust. \"Jefferson Davis Biography.\"  https://www.battlefields.org/learn/biographies/jefferson-davis . Accessed August 2, 2022.","\"Media: Jefferson Davis in the Clothes in Which He Was Captured.\" In  Encyclopedia Virginia .  https://encyclopediavirginia.org/879hpr-c7e7e6d95415e4a/ . Accessed September 6, 2022."],"odd_html_tesm":["\u003cp\u003eThe guide to the \"Jeff Davis in his Wife's Clothes\" Song Sheet by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the \"Jeff Davis in his Wife's Clothes\" Song Sheet by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], \"Jeff Davis in his Wife's Clothes\" Song Sheet, c. 1865, Ms2022-040, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], \"Jeff Davis in his Wife's Clothes\" Song Sheet, c. 1865, Ms2022-040, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the \"Jeff Davis in his Wife's Clothes\" Song Sheet was completed in August 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the \"Jeff Davis in his Wife's Clothes\" Song Sheet was completed in August 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also the \u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/lib.vt.edu/repositories/2/resources/3847.oai_ead.xml\"\u003eJefferson and Varina Anne Davis Letter, 1886, Ms2022-028\u003c/a\u003e, at Virginia Tech Special Collections and University Archives.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also the  Jefferson and Varina Anne Davis Letter, 1886, Ms2022-028 , at Virginia Tech Special Collections and University Archives."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a song sheet for \"Jeff Davis in his Wife's Clothes,\" published by A. W. Auner and Wanamaker \u0026amp; Brown's, Clothing Store, both of Philadelphia. The song depicts a comical representation of Jefferson Davis' defeat by the Union army during the American Civil War in 1865. It reads, in part: \"Jefferson Davis took to the woods…by hook or by crook, to [go to] Mexico. The boys of the valiant Fourth Michigan…in the early morning…surround the fugitive traitor's camp…Jefferson D didn't look very neat…the hoops flew up and the bonnet hung down…Mrs. D in a rage cried out, \"Don't hit the President…for he'll certainly hit you back…while clad in the feminine clothes of his wife…it didn't do and that is the end of the traitor's fighting…\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains a song sheet for \"Jeff Davis in his Wife's Clothes,\" published by A. W. Auner and Wanamaker \u0026 Brown's, Clothing Store, both of Philadelphia. The song depicts a comical representation of Jefferson Davis' defeat by the Union army during the American Civil War in 1865. It reads, in part: \"Jefferson Davis took to the woods…by hook or by crook, to [go to] Mexico. The boys of the valiant Fourth Michigan…in the early morning…surround the fugitive traitor's camp…Jefferson D didn't look very neat…the hoops flew up and the bonnet hung down…Mrs. D in a rage cried out, \"Don't hit the President…for he'll certainly hit you back…while clad in the feminine clothes of his wife…it didn't do and that is the end of the traitor's fighting…\"."],"userestrict_html_tesm":["\u003cp\u003e\nThe copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\n\u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["\nThe copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials. ","Reproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\n http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_289f1c1d352008817d34245b11c14b81\" label=\"Abstract\"\u003eThis collection contains a song sheet for \"Jeff Davis in his Wife's Clothes,\" published by A. W. Auner and Wanamaker \u0026amp; Brown's, Clothing Store, both of Philadelphia. The song depicts a comical representation of Jefferson Davis' defeat by the Union army during the American Civil War in 1865.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains a song sheet for \"Jeff Davis in his Wife's Clothes,\" published by A. W. Auner and Wanamaker \u0026 Brown's, Clothing Store, both of Philadelphia. The song depicts a comical representation of Jefferson Davis' defeat by the Union army during the American Civil War in 1865."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Wanamaker \u0026 Brown","Auner, A. W. (Alfred Witman), 1826-1895","Davis, Jefferson, 1808-1889"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Wanamaker \u0026 Brown"],"names_coll_ssim":["Davis, Jefferson, 1808-1889"],"persname_ssim":["Auner, A. W. (Alfred Witman), 1826-1895","Davis, Jefferson, 1808-1889"],"language_ssim":["The materials in this collection are in English."],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:09:36.445Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3860"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":21},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"George Mason University","value":"George Mason University","hits":32},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Old Dominion University","value":"Old Dominion University","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"University of Richmond","value":"University of Richmond","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"University of Virginia, Special Collections Dept.","value":"University of Virginia, Special Collections Dept.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept."}},{"attributes":{"label":"Virginia Military Institute Archives","value":"Virginia Military Institute Archives","hits":5},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Brepository%5D%5B%5D=Virginia+Military+Institute+Archives"}},{"attributes":{"label":"Virginia Polytechnic Institute and State University","value":"Virginia Polytechnic Institute and State University","hits":7},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Brepository%5D%5B%5D=Virginia+Polytechnic+Institute+and+State+University"}},{"attributes":{"label":"Washington and Lee University, Leyburn Library","value":"Washington and Lee University, Leyburn Library","hits":17},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Brepository%5D%5B%5D=Washington+and+Lee+University%2C+Leyburn+Library"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Music"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"A View of the Public Fire-Works to be exhibited on Occasion of the General Peace\" architectural and instructional engraving","value":"\"A View of the Public Fire-Works to be exhibited on Occasion of the General Peace\" architectural and instructional engraving","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bcollection%5D%5B%5D=%22A+View+of+the+Public+Fire-Works+to+be+exhibited+on+Occasion+of+the+General+Peace%22+architectural+and+instructional+engraving"}},{"attributes":{"label":"\"Jeff Davis in his Wife's Clothes\" Song Sheet","value":"\"Jeff Davis in his Wife's Clothes\" Song Sheet","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bcollection%5D%5B%5D=%22Jeff+Davis+in+his+Wife%27s+Clothes%22+Song+Sheet"}},{"attributes":{"label":"\"Justus ut palma a 3 Canto e Alto e Basso\" manuscript","value":"\"Justus ut palma a 3 Canto e Alto e Basso\" manuscript","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bcollection%5D%5B%5D=%22Justus+ut+palma+a+3+Canto+e+Alto+e+Basso%22+manuscript"}},{"attributes":{"label":"\"Missa Choralis Unisona canenda cum Organo pro Parrochiali Ecclesia S. Joannis Baptiste Bajovarie\" choral mass settings","value":"\"Missa Choralis Unisona canenda cum Organo pro Parrochiali Ecclesia S. Joannis Baptiste Bajovarie\" choral mass settings","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bcollection%5D%5B%5D=%22Missa+Choralis+Unisona+canenda+cum+Organo+pro+Parrochiali+Ecclesia+S.+Joannis+Baptiste+Bajovarie%22+choral+mass+settings"}},{"attributes":{"label":"\"My Maryland\" operetta stage guide and score manuscripts","value":"\"My Maryland\" operetta stage guide and score manuscripts","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bcollection%5D%5B%5D=%22My+Maryland%22+operetta+stage+guide+and+score+manuscripts"}},{"attributes":{"label":"\"Osculetor me osculo oris sui; Canticum, canticorum\" engraving by Claes Jansz Visscher","value":"\"Osculetor me osculo oris sui; Canticum, canticorum\" engraving by Claes Jansz Visscher","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bcollection%5D%5B%5D=%22Osculetor+me+osculo+oris+sui%3B+Canticum%2C+canticorum%22+engraving+by+Claes+Jansz+Visscher"}},{"attributes":{"label":"\"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript","value":"\"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bcollection%5D%5B%5D=%22Three+solos+for+the+violoncello+with+accompaniment+for+a+bass%22+by+Johan+Arnold+Dahmen+music+manuscript"}},{"attributes":{"label":"\"You Must Shun Ole Satan\" Sheet Music","value":"\"You Must Shun Ole Satan\" Sheet Music","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bcollection%5D%5B%5D=%22You+Must+Shun+Ole+Satan%22+Sheet+Music"}},{"attributes":{"label":"Addie Rogers Bound Sheet Music Collection","value":"Addie Rogers Bound Sheet Music Collection","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bcollection%5D%5B%5D=Addie+Rogers+Bound+Sheet+Music+Collection"}},{"attributes":{"label":"Annie M. Hale Sheet Music Collection","value":"Annie M. Hale Sheet Music Collection","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bcollection%5D%5B%5D=Annie+M.+Hale+Sheet+Music+Collection"}},{"attributes":{"label":"Art Song of Williamsburg Records","value":"Art Song of Williamsburg Records","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bcollection%5D%5B%5D=Art+Song+of+Williamsburg+Records"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/collection_ssim.json?f%5Baccess_subjects%5D%5B%5D=Music"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1475","value":"1475","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bdate_range%5D%5B%5D=1475"}},{"attributes":{"label":"1476","value":"1476","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bdate_range%5D%5B%5D=1476"}},{"attributes":{"label":"1477","value":"1477","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bdate_range%5D%5B%5D=1477"}},{"attributes":{"label":"1478","value":"1478","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bdate_range%5D%5B%5D=1478"}},{"attributes":{"label":"1479","value":"1479","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bdate_range%5D%5B%5D=1479"}},{"attributes":{"label":"1480","value":"1480","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bdate_range%5D%5B%5D=1480"}},{"attributes":{"label":"1481","value":"1481","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bdate_range%5D%5B%5D=1481"}},{"attributes":{"label":"1482","value":"1482","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bdate_range%5D%5B%5D=1482"}},{"attributes":{"label":"1483","value":"1483","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bdate_range%5D%5B%5D=1483"}},{"attributes":{"label":"1484","value":"1484","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bdate_range%5D%5B%5D=1484"}},{"attributes":{"label":"1485","value":"1485","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bdate_range%5D%5B%5D=1485"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/date_range_isim.json?f%5Baccess_subjects%5D%5B%5D=Music"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"American Composers Alliance","value":"American Composers Alliance","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bcreators%5D%5B%5D=American+Composers+Alliance"}},{"attributes":{"label":"Auner, A. W. (Alfred Witman), 1826-1895","value":"Auner, A. W. (Alfred Witman), 1826-1895","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bcreators%5D%5B%5D=Auner%2C+A.+W.+%28Alfred+Witman%29%2C+1826-1895"}},{"attributes":{"label":"Basili, Francesco, 1767-1850","value":"Basili, Francesco, 1767-1850","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bcreators%5D%5B%5D=Basili%2C+Francesco%2C+1767-1850"}},{"attributes":{"label":"Bouchard, Sara","value":"Bouchard, Sara","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bcreators%5D%5B%5D=Bouchard%2C+Sara"}},{"attributes":{"label":"Bour, Charles, 1814-1881","value":"Bour, Charles, 1814-1881","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bcreators%5D%5B%5D=Bour%2C+Charles%2C+1814-1881"}},{"attributes":{"label":"Breeze, Frances, 1919-2002","value":"Breeze, Frances, 1919-2002","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bcreators%5D%5B%5D=Breeze%2C+Frances%2C+1919-2002"}},{"attributes":{"label":"Brill, Wayne","value":"Brill, Wayne","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bcreators%5D%5B%5D=Brill%2C+Wayne"}},{"attributes":{"label":"Calkins, Emily Eleanor","value":"Calkins, Emily Eleanor","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bcreators%5D%5B%5D=Calkins%2C+Emily+Eleanor"}},{"attributes":{"label":"Cappel, C. C. (Clarence C.), 1887-1948","value":"Cappel, C. C. (Clarence C.), 1887-1948","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bcreators%5D%5B%5D=Cappel%2C+C.+C.+%28Clarence+C.%29%2C+1887-1948"}},{"attributes":{"label":"Catholic Church","value":"Catholic Church","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bcreators%5D%5B%5D=Catholic+Church"}},{"attributes":{"label":"Chamberlain, Jeffrey","value":"Chamberlain, Jeffrey","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bcreators%5D%5B%5D=Chamberlain%2C+Jeffrey"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/creator_ssim.json?f%5Baccess_subjects%5D%5B%5D=Music"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"Albany Symphony Orchestra","value":"Albany Symphony Orchestra","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bnames%5D%5B%5D=Albany+Symphony+Orchestra"}},{"attributes":{"label":"Albert and Shirley Small Special Collections Library","value":"Albert and Shirley Small Special Collections Library","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bnames%5D%5B%5D=Albert+and+Shirley+Small+Special+Collections+Library"}},{"attributes":{"label":"American Composers Alliance","value":"American Composers Alliance","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bnames%5D%5B%5D=American+Composers+Alliance"}},{"attributes":{"label":"American Music Center (New York, N.Y.)","value":"American Music Center (New York, N.Y.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bnames%5D%5B%5D=American+Music+Center+%28New+York%2C+N.Y.%29"}},{"attributes":{"label":"American University (Washington, D.C.)","value":"American University (Washington, D.C.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bnames%5D%5B%5D=American+University+%28Washington%2C+D.C.%29"}},{"attributes":{"label":"Art Song of Williamsburg (Williamsburg, Va.)","value":"Art Song of Williamsburg (Williamsburg, Va.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bnames%5D%5B%5D=Art+Song+of+Williamsburg+%28Williamsburg%2C+Va.%29"}},{"attributes":{"label":"Atkins, Leroy C., II","value":"Atkins, Leroy C., II","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bnames%5D%5B%5D=Atkins%2C+Leroy+C.%2C+II"}},{"attributes":{"label":"Atlanta Female College (Ga.)","value":"Atlanta Female College (Ga.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bnames%5D%5B%5D=Atlanta+Female+College+%28Ga.%29"}},{"attributes":{"label":"Atlanta Symphony Orchestra","value":"Atlanta Symphony Orchestra","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bnames%5D%5B%5D=Atlanta+Symphony+Orchestra"}},{"attributes":{"label":"Auner, A. W. (Alfred Witman), 1826-1895","value":"Auner, A. W. (Alfred Witman), 1826-1895","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bnames%5D%5B%5D=Auner%2C+A.+W.+%28Alfred+Witman%29%2C+1826-1895"}},{"attributes":{"label":"Babbitt, Milton","value":"Babbitt, Milton","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bnames%5D%5B%5D=Babbitt%2C+Milton"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/names_ssim.json?f%5Baccess_subjects%5D%5B%5D=Music"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":"Battle Creek (Mich.)","value":"Battle Creek (Mich.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bplaces%5D%5B%5D=Battle+Creek+%28Mich.%29"}},{"attributes":{"label":"Bavaria (Germany)","value":"Bavaria (Germany)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bplaces%5D%5B%5D=Bavaria+%28Germany%29"}},{"attributes":{"label":"Blacksburg (Va.)","value":"Blacksburg (Va.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bplaces%5D%5B%5D=Blacksburg+%28Va.%29"}},{"attributes":{"label":"Central Park (New York, N.Y.)","value":"Central Park (New York, N.Y.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bplaces%5D%5B%5D=Central+Park+%28New+York%2C+N.Y.%29"}},{"attributes":{"label":"Confederate States of America -- History, Military","value":"Confederate States of America -- History, Military","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bplaces%5D%5B%5D=Confederate+States+of+America+--+History%2C+Military"}},{"attributes":{"label":"England","value":"England","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bplaces%5D%5B%5D=England"}},{"attributes":{"label":"Gloucester City (N.J.)","value":"Gloucester City (N.J.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bplaces%5D%5B%5D=Gloucester+City+%28N.J.%29"}},{"attributes":{"label":"Hampton Roads (Va. : Region)","value":"Hampton Roads (Va. : Region)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bplaces%5D%5B%5D=Hampton+Roads+%28Va.+%3A+Region%29"}},{"attributes":{"label":"Japan","value":"Japan","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bplaces%5D%5B%5D=Japan"}},{"attributes":{"label":"Loreto (Italy)","value":"Loreto (Italy)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bplaces%5D%5B%5D=Loreto+%28Italy%29"}},{"attributes":{"label":"Manassas (Va.)","value":"Manassas (Va.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bplaces%5D%5B%5D=Manassas+%28Va.%29"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/geogname_ssim.json?f%5Baccess_subjects%5D%5B%5D=Music"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"Acting","value":"Acting","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Baccess_subjects%5D%5B%5D=Acting"}},{"attributes":{"label":"Advertisements","value":"Advertisements","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Baccess_subjects%5D%5B%5D=Advertisements"}},{"attributes":{"label":"African Americans","value":"African Americans","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Baccess_subjects%5D%5B%5D=African+Americans"}},{"attributes":{"label":"African Americans -- Civil rights -- History -- 20th century","value":"African Americans -- Civil rights -- History -- 20th century","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Baccess_subjects%5D%5B%5D=African+Americans+--+Civil+rights+--+History+--+20th+century"}},{"attributes":{"label":"African Americans -- History","value":"African Americans -- History","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Baccess_subjects%5D%5B%5D=African+Americans+--+History"}},{"attributes":{"label":"Agendas (administrative records)","value":"Agendas (administrative records)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Baccess_subjects%5D%5B%5D=Agendas+%28administrative+records%29"}},{"attributes":{"label":"Agnus Dei (Music)","value":"Agnus Dei (Music)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Baccess_subjects%5D%5B%5D=Agnus+Dei+%28Music%29"}},{"attributes":{"label":"American poetry -- 20th century","value":"American poetry -- 20th century","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Baccess_subjects%5D%5B%5D=American+poetry+--+20th+century"}},{"attributes":{"label":"Announcements","value":"Announcements","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Baccess_subjects%5D%5B%5D=Announcements"}},{"attributes":{"label":"Art","value":"Art","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Baccess_subjects%5D%5B%5D=Art"}},{"attributes":{"label":"Artists' Books","value":"Artists' Books","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Baccess_subjects%5D%5B%5D=Artists%27+Books"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/access_subjects_ssim.json?f%5Baccess_subjects%5D%5B%5D=Music"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Collection","value":"Collection","hits":66},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Blevel%5D%5B%5D=Collection"}},{"attributes":{"label":"File","value":"File","hits":18},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Blevel%5D%5B%5D=File"}},{"attributes":{"label":"Item","value":"Item","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Blevel%5D%5B%5D=Item"}},{"attributes":{"label":"Series","value":"Series","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Blevel%5D%5B%5D=Series"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/level_ssim.json?f%5Baccess_subjects%5D%5B%5D=Music"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026page=3\u0026search_field=all_fields"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026page=3\u0026search_field=keyword"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026page=3\u0026search_field=name"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026page=3\u0026search_field=place"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026page=3\u0026search_field=subject"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026page=3\u0026search_field=title"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026page=3\u0026search_field=container"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026page=3\u0026search_field=identifier"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026page=3\u0026sort=score+desc%2C+title_sort+asc"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026page=3\u0026sort=date_sort+asc"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026page=3\u0026sort=date_sort+desc"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026page=3\u0026sort=creator_sort+asc"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026page=3\u0026sort=creator_sort+desc"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026page=3\u0026sort=title_sort+asc"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026page=3\u0026sort=title_sort+desc"}}]}