{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026page=2\u0026view=compact","prev":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026page=1\u0026view=compact","next":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026page=3\u0026view=compact","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026page=9\u0026view=compact"},"meta":{"pages":{"current_page":2,"next_page":3,"prev_page":1,"total_pages":9,"limit_value":10,"offset_value":10,"total_count":85,"first_page?":false,"last_page?":false}},"data":[{"id":"viw_repositories_2_resources_8672","type":"collection","attributes":{"title":"Charlotte Kaufman Papers","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8672#creator","type":"document_value","attributes":{"value":"Kaufman, Charlotte, ca. 1930 -","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8672#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eAcc. 2007.92: Original and copies of individual parts for musical instruments and scripts for voices for five ballad operas: Robin Hood, Devil to Play, Mock Doctor, Thomas and Sally and the Beggar's Opera. Photographs, copies of miscellaneous theater airs and songs, research material, programs, posters, and working papers.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8672#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_8672","ead_ssi":"viw_repositories_2_resources_8672","_root_":"viw_repositories_2_resources_8672","_nest_parent_":"viw_repositories_2_resources_8672","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8672.xml","title_filing_ssi":"Kaufman, Charlotte, Papers","title_ssm":["Charlotte Kaufman Papers"],"title_tesim":["Charlotte Kaufman Papers"],"unitdate_ssm":["1980-1990"],"unitdate_inclusive_ssm":["1980-1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00339","/repositories/2/resources/8672"],"text":["MS 00339","/repositories/2/resources/8672","Charlotte Kaufman Papers","Ballads","Music","Theater","Theater--Massachusetts (State)--Boston","Correspondence","DVDs","Microfilms","Photographs","Playbills","Posters","Programs","Scores","Scripts, Vocal","7 boxes.","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","For Acc. 2007.92 the original arrangement was  maintained.  See folder list. Acc. 2009.452 and 2010.408 have not been fully arranged and described at this point.","Charlotte Kaufman is the Founder and Director of BOSTON MUSICAL THEATER. Ms. Kaufman is on the faculty of New England Conservatory Continuing Education Division and teaches piano and harpsichord. A Boston native, educated at Girls' Latin School, Smith College, and with an advanced degree in Piano from Boston University, she has always gravitated to music as a major concentration and later as a career. She performed professionally as a duo pianist in the late 60s. The next decade was concentrated on early music performance which developed into the editing and production of ballad operas at the Museum of Fine Arts on their annual performing series from 1981-1987. A by-product of these years was the editing of two published chamber operas, The Doctor of Alcantara by Julius Eichberg 1994, a Boston operetta in a facsimile edition, and Le Devin du village by Jean Jacques Rousseau, in a critical performing edition 1998. In the 1990s Friends of Dr. Burney was renamed Boston Musical Theater to reflect the expansion of the repertoire into the 19th and 20th centuries."," Ms. Kaufman has also prepared performing editions of several 18th-century ballad operas based upon original source materials. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Processed by Anne Johnson.","DVDs from this collection have been moved to the Manuscripts Audiovisual Collection.","Acc. 2007.92: Original and copies of individual parts for musical instruments and scripts for voices for five ballad operas: Robin Hood, Devil to Play, Mock Doctor, Thomas and Sally and the Beggar's Opera. Photographs, copies of miscellaneous theater airs and songs, research material, programs, posters, and working papers."," These operas were performed by Friends of Dr. Burney who later changed their name to Boston Musical Theater and were directed by Charlotte Kaufman."," Acc. 2009.452: Photocopies and microfilm of musical scores of comic and ballad operas, edited and arranged by Charlotte Kaufman. Several published volumes.","Original and copies of individual parts for musical instruments and scripts for voices, business files and related material.","Scripts, scores, programs and working papers.","Sheet music for viola de gamba and cello.","Sheet music for harpsichord.","Airs collected and used in 1985 production at MFA, plus photographs of the airs.","Extra copies of Airs.","Originals of Airs and Kitty's research papers with index cards.","Photographs and negatives.","Reviews, programs and mailings.","Scripts (facsimile copy), original and master ballads from Child-Bronson.","Sheet music for violins.","Original and copies of individual parts for musical instruments and scripts for voices, business files plus related material. See Box 4 (oversize items) for 1981 poster and 1980-82 working papers.","Scores for voice and more.","Sheet music with notes for cello.","Sheet music for harsichord.","Original of airs and edited script.","Photographs and negatives of Devil to Pay I and II.","Programs and reviews.","Schedules, programs, scores, notes, contracts, correspondence and related material.","Scripts, sources, notes and related edited copies.","Vermont contracts, program notes, programs, correspondence and notes.","Sheet music with notes for violin.","Original and copies of individual parts for musical instruments and scripts for voices, business files plus related material. See Box 4 (oversize items) for 1980-81 Posters.","Sheet music with notes for cello.","Pencil copy and photocopies of airs.","Full set of music, with notes.","Singers and parts they sing.","Sheet music with notes for the harpsichord.","Originals of Airs and Scripts with notes.","Sheet music, scripts and notes.","Photographs and negatives.","Scripts and original printed versions of script, plus correspondence.","Copies of scripts.","Sheet music with notes for violin.","Mock Doctor photos for ad in New York Gazette and Devil to Pay photos from 1981 performance at MFA.","Instrumental sheet music for different instruments. See Box 4 (oversize items) for vocals for different parts.","Sheet music for German Flute, Violin and Guitar.","Sheet music for Viola de Gamba.","Sheet music for Violin I.","Sheet music for Violin II.","Copies of the music for theater songs by various artists.","Music and script for: My Dearest, My Fairest, The Stocking, The Musical Courtship, Tea for Two, Songs from theTheaters and Pleasure Gardens of 18th-c London, The Lass of Richmond Hill, Indian Queen, Old Mother Hubbard, Trip It, Trip It In a Ring, The Wheelbarrow, The Canterbury Guests, or, A Bargain Broken, Chaconne d'Arlequin, Passagalia, Pausanias - Sweeter than Roses, Purcell - I Spy Celia, Le Carnaval de Venise IV, 6, Campra, Europe Galante II, 2 - Le Paysan, Collection of Songs and Dialogues Composed by the most Eminent Masters of the Age, A Song in St. Flopling Flutter, and The Sun was Just Setting.","Folder 1 of 2. Copies from Folger's Library","Folder 2 of 2. Copied from Folger's Library.","Mr. In. Eccles General Collection of Songs.","O Mistress Mine! sheet music.","A copy of A Collection of Songs with Musick by Mr. Leveridge, two volumes, London, 1727.","Sheet music for Sally in Our Alley.","Original and copies of individual parts for musical instruments and scripts for voices, business files plus related material.","Sheet music with notes for Bass.","Sheet music and script.","Sheet music and script.","Complete sheet music copy, except for #25, with overture.","Broken sets of copies of sheet music.","Copyrighted pencil copy of Beggar's Opera.","Sheet music with notes.","Sheet music with notes.","Sheet music with notes.","Sheet music with notes.","Sheet music with notes.","Original sheet music.","Sheet Music.","Scores, working papers, reviews, newspaper articles, notes and other supporting documents.","Tunes, Barlow Texts and Entr'actes.","Sheet music and script with notes.","Working sheet music with notes.","Working sheet music with notes.","Working sheet music with notes.","Posters for Devil to Pay and The Mock Doctor, working papers for Devil to Pay and Vocals for Thomas and Sally by Dr. Arne.","November 1981 concerts for Early Music Series of the Boston Museum of Fine Arts.","Scripts, notes, programs and related material.","Early Music Series for 1980-1981. Boston Museum of Fine Arts Presents the Friends of Dr. Burney.","Vocals for Dorcas, Squire, Thomas and Act I.","Boxes 5-7: The following inventory was provided by the donor. The content of the boxes has not been arranged to follow the order of the listing. The Mock Doctor : 4 items: 1821 edition of book, 1732 1st edition book with music 1732.AG164, 2nd edition book with music revised . The Mock Doctor B.La Duenna — Sheridan and Linley — Harvard copy C.La Duenna — book without music D.Love in a Village E.Flora (first opera performed in America) 3 copies of Songs w. Bickham engravings F.Flora - performing scores:, violin, cello, harpsichord, full score, script G.Dibdin: The Recruiting Sergeant H. Dibdin: The Grenadier I. Dibdin: The Brickdust Man J. Dibdin: The Ephesian Matron K. Misc. Songs: Purcell et al. L. Asst;d songs in yellow envelope M. Vocal Music N. Songs fr. The Marshall Collection at Houghton Libe, Harvard O. Eccles: General Collection of Songs P. Charles Burney: Sonatas or Duets for Pianoforte Q. 6 Sonatas for Harpsichord by Charles Burney R. More Sonatas by Charles Burney (first historian of music in English language) S. Pergolesi: La Serva Padrona - Eng. Trans. By Stephen Storace T. La Serva Padrona - Various Italian U. Geminiani: Concerto III V. Overture to the Fair Penitent W. Beggar's Opera w. basses by T. Arne X. Treatise on 18th c. Performance Practice - Acting Y. Flora — Sequel to the Opera of Flora Z. PV Score of Flora AA. A Collection of Catches, Canons, Glees, Duetts BB. Catches, Glees and Canons composed by Dr. Hayes Books Moss, H. 1970 Ballad opera songs: a record of the ideas set to music 1728-1733, 4 volumes, microfilms, Houle, G. 1961 the musical measures as discussed by theorists from British Union Catalogue of Early Music, 2 volumes, Pills to Purge Melancholy, copy, 4 volumes.","Consists of 4 DVDs, which have been transferred to the Manuscript. Audiovisual Collection: The Mock Doctor; Flora; The Devil to Pay; Robin Hood.","All audiovisual material from this collection has been moved to the Manuscripts Audiovisual Collection.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Boston Musical Theater","Friends of Dr. Burney","Kaufman, Charlotte, ca. 1930 -","Kaufman, Charlotte","English"],"unitid_tesim":["MS 00339","/repositories/2/resources/8672"],"normalized_title_ssm":["Charlotte Kaufman Papers"],"collection_title_tesim":["Charlotte Kaufman Papers"],"collection_ssim":["Charlotte Kaufman Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Kaufman, Charlotte, ca. 1930 -"],"creator_ssim":["Kaufman, Charlotte, ca. 1930 -"],"creator_persname_ssim":["Kaufman, Charlotte, ca. 1930 -"],"creators_ssim":["Kaufman, Charlotte, ca. 1930 -"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gifts. Acc. 2007.92 was received in December 2007; Acc. 2009.452 was received in September 2009; Acc. 2010.408 was received 2010. Acc. 2018.127 was received in May 2018."],"access_subjects_ssim":["Ballads","Music","Theater","Theater--Massachusetts (State)--Boston","Correspondence","DVDs","Microfilms","Photographs","Playbills","Posters","Programs","Scores","Scripts, Vocal"],"access_subjects_ssm":["Ballads","Music","Theater","Theater--Massachusetts (State)--Boston","Correspondence","DVDs","Microfilms","Photographs","Playbills","Posters","Programs","Scores","Scripts, Vocal"],"has_online_content_ssim":["false"],"physdesc_tesim":["7 boxes."],"extent_ssm":["5.70 Linear Feet"],"extent_tesim":["5.70 Linear Feet"],"genreform_ssim":["Correspondence","DVDs","Microfilms","Photographs","Playbills","Posters","Programs","Scores","Scripts, Vocal"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eFor Acc. 2007.92 the original arrangement was  maintained.  See folder list. Acc. 2009.452 and 2010.408 have not been fully arranged and described at this point.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["For Acc. 2007.92 the original arrangement was  maintained.  See folder list. Acc. 2009.452 and 2010.408 have not been fully arranged and described at this point."],"bioghist_html_tesm":["\u003cp\u003eCharlotte Kaufman is the Founder and Director of BOSTON MUSICAL THEATER. Ms. Kaufman is on the faculty of New England Conservatory Continuing Education Division and teaches piano and harpsichord. A Boston native, educated at Girls' Latin School, Smith College, and with an advanced degree in Piano from Boston University, she has always gravitated to music as a major concentration and later as a career. She performed professionally as a duo pianist in the late 60s. The next decade was concentrated on early music performance which developed into the editing and production of ballad operas at the Museum of Fine Arts on their annual performing series from 1981-1987. A by-product of these years was the editing of two published chamber operas, The Doctor of Alcantara by Julius Eichberg 1994, a Boston operetta in a facsimile edition, and Le Devin du village by Jean Jacques Rousseau, in a critical performing edition 1998. In the 1990s Friends of Dr. Burney was renamed Boston Musical Theater to reflect the expansion of the repertoire into the 19th and 20th centuries.\u003c/p\u003e\n","\u003cp\u003e Ms. Kaufman has also prepared performing editions of several 18th-century ballad operas based upon original source materials. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Charlotte_Kaufman\" title=\"Charlotte Kaufman\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Charlotte Kaufman is the Founder and Director of BOSTON MUSICAL THEATER. Ms. Kaufman is on the faculty of New England Conservatory Continuing Education Division and teaches piano and harpsichord. A Boston native, educated at Girls' Latin School, Smith College, and with an advanced degree in Piano from Boston University, she has always gravitated to music as a major concentration and later as a career. She performed professionally as a duo pianist in the late 60s. The next decade was concentrated on early music performance which developed into the editing and production of ballad operas at the Museum of Fine Arts on their annual performing series from 1981-1987. A by-product of these years was the editing of two published chamber operas, The Doctor of Alcantara by Julius Eichberg 1994, a Boston operetta in a facsimile edition, and Le Devin du village by Jean Jacques Rousseau, in a critical performing edition 1998. In the 1990s Friends of Dr. Burney was renamed Boston Musical Theater to reflect the expansion of the repertoire into the 19th and 20th centuries."," Ms. Kaufman has also prepared performing editions of several 18th-century ballad operas based upon original source materials. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eCharlotte Kaufman Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Charlotte Kaufman Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Anne Johnson.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Anne Johnson."],"relatedmaterial_html_tesm":["\u003cp\u003eDVDs from this collection have been moved to the Manuscripts Audiovisual Collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["DVDs from this collection have been moved to the Manuscripts Audiovisual Collection."],"scopecontent_html_tesm":["\u003cp\u003eAcc. 2007.92: Original and copies of individual parts for musical instruments and scripts for voices for five ballad operas: Robin Hood, Devil to Play, Mock Doctor, Thomas and Sally and the Beggar's Opera. Photographs, copies of miscellaneous theater airs and songs, research material, programs, posters, and working papers.\u003c/p\u003e\n","\u003cp\u003e These operas were performed by Friends of Dr. Burney who later changed their name to Boston Musical Theater and were directed by Charlotte Kaufman.\u003c/p\u003e\n","\u003cp\u003e Acc. 2009.452: Photocopies and microfilm of musical scores of comic and ballad operas, edited and arranged by Charlotte Kaufman. Several published volumes.\u003c/p\u003e","\u003cp\u003eOriginal and copies of individual parts for musical instruments and scripts for voices, business files and related material.\u003c/p\u003e","\u003cp\u003eScripts, scores, programs and working papers.\u003c/p\u003e","\u003cp\u003eSheet music for viola de gamba and cello.\u003c/p\u003e","\u003cp\u003eSheet music for harpsichord.\u003c/p\u003e","\u003cp\u003eAirs collected and used in 1985 production at MFA, plus photographs of the airs.\u003c/p\u003e","\u003cp\u003eExtra copies of Airs.\u003c/p\u003e","\u003cp\u003eOriginals of Airs and Kitty's research papers with index cards.\u003c/p\u003e","\u003cp\u003ePhotographs and negatives.\u003c/p\u003e","\u003cp\u003eReviews, programs and mailings.\u003c/p\u003e","\u003cp\u003eScripts (facsimile copy), original and master ballads from Child-Bronson.\u003c/p\u003e","\u003cp\u003eSheet music for violins.\u003c/p\u003e","\u003cp\u003eOriginal and copies of individual parts for musical instruments and scripts for voices, business files plus related material. See Box 4 (oversize items) for 1981 poster and 1980-82 working papers.\u003c/p\u003e","\u003cp\u003eScores for voice and more.\u003c/p\u003e","\u003cp\u003eSheet music with notes for cello.\u003c/p\u003e","\u003cp\u003eSheet music for harsichord.\u003c/p\u003e","\u003cp\u003eOriginal of airs and edited script.\u003c/p\u003e","\u003cp\u003ePhotographs and negatives of Devil to Pay I and II.\u003c/p\u003e","\u003cp\u003ePrograms and reviews.\u003c/p\u003e","\u003cp\u003eSchedules, programs, scores, notes, contracts, correspondence and related material.\u003c/p\u003e","\u003cp\u003eScripts, sources, notes and related edited copies.\u003c/p\u003e","\u003cp\u003eVermont contracts, program notes, programs, correspondence and notes.\u003c/p\u003e","\u003cp\u003eSheet music with notes for violin.\u003c/p\u003e","\u003cp\u003eOriginal and copies of individual parts for musical instruments and scripts for voices, business files plus related material. See Box 4 (oversize items) for 1980-81 Posters.\u003c/p\u003e","\u003cp\u003eSheet music with notes for cello.\u003c/p\u003e","\u003cp\u003ePencil copy and photocopies of airs.\u003c/p\u003e","\u003cp\u003eFull set of music, with notes.\u003c/p\u003e","\u003cp\u003eSingers and parts they sing.\u003c/p\u003e","\u003cp\u003eSheet music with notes for the harpsichord.\u003c/p\u003e","\u003cp\u003eOriginals of Airs and Scripts with notes.\u003c/p\u003e","\u003cp\u003eSheet music, scripts and notes.\u003c/p\u003e","\u003cp\u003ePhotographs and negatives.\u003c/p\u003e","\u003cp\u003eScripts and original printed versions of script, plus correspondence.\u003c/p\u003e","\u003cp\u003eCopies of scripts.\u003c/p\u003e","\u003cp\u003eSheet music with notes for violin.\u003c/p\u003e","\u003cp\u003eMock Doctor photos for ad in New York Gazette and Devil to Pay photos from 1981 performance at MFA.\u003c/p\u003e","\u003cp\u003eInstrumental sheet music for different instruments. See Box 4 (oversize items) for vocals for different parts.\u003c/p\u003e","\u003cp\u003eSheet music for German Flute, Violin and Guitar.\u003c/p\u003e","\u003cp\u003eSheet music for Viola de Gamba.\u003c/p\u003e","\u003cp\u003eSheet music for Violin I.\u003c/p\u003e","\u003cp\u003eSheet music for Violin II.\u003c/p\u003e","\u003cp\u003eCopies of the music for theater songs by various artists.\u003c/p\u003e","\u003cp\u003eMusic and script for: My Dearest, My Fairest, The Stocking, The Musical Courtship, Tea for Two, Songs from theTheaters and Pleasure Gardens of 18th-c London, The Lass of Richmond Hill, Indian Queen, Old Mother Hubbard, Trip It, Trip It In a Ring, The Wheelbarrow, The Canterbury Guests, or, A Bargain Broken, Chaconne d'Arlequin, Passagalia, Pausanias - Sweeter than Roses, Purcell - I Spy Celia, Le Carnaval de Venise IV, 6, Campra, Europe Galante II, 2 - Le Paysan, Collection of Songs and Dialogues Composed by the most Eminent Masters of the Age, A Song in St. Flopling Flutter, and The Sun was Just Setting.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2. Copies from Folger's Library\u003c/p\u003e","\u003cp\u003eFolder 2 of 2. Copied from Folger's Library.\u003c/p\u003e","\u003cp\u003eMr. In. Eccles General Collection of Songs.\u003c/p\u003e","\u003cp\u003eO Mistress Mine! sheet music.\u003c/p\u003e","\u003cp\u003eA copy of A Collection of Songs with Musick by Mr. Leveridge, two volumes, London, 1727.\u003c/p\u003e","\u003cp\u003eSheet music for Sally in Our Alley.\u003c/p\u003e","\u003cp\u003eOriginal and copies of individual parts for musical instruments and scripts for voices, business files plus related material.\u003c/p\u003e","\u003cp\u003eSheet music with notes for Bass.\u003c/p\u003e","\u003cp\u003eSheet music and script.\u003c/p\u003e","\u003cp\u003eSheet music and script.\u003c/p\u003e","\u003cp\u003eComplete sheet music copy, except for #25, with overture.\u003c/p\u003e","\u003cp\u003eBroken sets of copies of sheet music.\u003c/p\u003e","\u003cp\u003eCopyrighted pencil copy of Beggar's Opera.\u003c/p\u003e","\u003cp\u003eSheet music with notes.\u003c/p\u003e","\u003cp\u003eSheet music with notes.\u003c/p\u003e","\u003cp\u003eSheet music with notes.\u003c/p\u003e","\u003cp\u003eSheet music with notes.\u003c/p\u003e","\u003cp\u003eSheet music with notes.\u003c/p\u003e","\u003cp\u003eOriginal sheet music.\u003c/p\u003e","\u003cp\u003eSheet Music.\u003c/p\u003e","\u003cp\u003eScores, working papers, reviews, newspaper articles, notes and other supporting documents.\u003c/p\u003e","\u003cp\u003eTunes, Barlow Texts and Entr'actes.\u003c/p\u003e","\u003cp\u003eSheet music and script with notes.\u003c/p\u003e","\u003cp\u003eWorking sheet music with notes.\u003c/p\u003e","\u003cp\u003eWorking sheet music with notes.\u003c/p\u003e","\u003cp\u003eWorking sheet music with notes.\u003c/p\u003e","\u003cp\u003ePosters for Devil to Pay and The Mock Doctor, working papers for Devil to Pay and Vocals for Thomas and Sally by Dr. Arne.\u003c/p\u003e","\u003cp\u003eNovember 1981 concerts for Early Music Series of the Boston Museum of Fine Arts.\u003c/p\u003e","\u003cp\u003eScripts, notes, programs and related material.\u003c/p\u003e","\u003cp\u003eEarly Music Series for 1980-1981. Boston Museum of Fine Arts Presents the Friends of Dr. Burney.\u003c/p\u003e","\u003cp\u003eVocals for Dorcas, Squire, Thomas and Act I.\u003c/p\u003e","\u003cp\u003eBoxes 5-7: The following inventory was provided by the donor. The content of the boxes has not been arranged to follow the order of the listing. The Mock Doctor : 4 items: 1821 edition of book, 1732 1st edition book with music 1732.AG164, 2nd edition book with music revised . The Mock Doctor B.La Duenna — Sheridan and Linley — Harvard copy C.La Duenna — book without music D.Love in a Village E.Flora (first opera performed in America) 3 copies of Songs w. Bickham engravings F.Flora - performing scores:, violin, cello, harpsichord, full score, script G.Dibdin: The Recruiting Sergeant H. Dibdin: The Grenadier I. Dibdin: The Brickdust Man J. Dibdin: The Ephesian Matron K. Misc. Songs: Purcell et al. L. Asst;d songs in yellow envelope M. Vocal Music N. Songs fr. The Marshall Collection at Houghton Libe, Harvard O. Eccles: General Collection of Songs P. Charles Burney: Sonatas or Duets for Pianoforte Q. 6 Sonatas for Harpsichord by Charles Burney R. More Sonatas by Charles Burney (first historian of music in English language) S. Pergolesi: La Serva Padrona - Eng. Trans. By Stephen Storace T. La Serva Padrona - Various Italian U. Geminiani: Concerto III V. Overture to the Fair Penitent W. Beggar's Opera w. basses by T. Arne X. Treatise on 18th c. Performance Practice - Acting Y. Flora — Sequel to the Opera of Flora Z. PV Score of Flora AA. A Collection of Catches, Canons, Glees, Duetts BB. Catches, Glees and Canons composed by Dr. Hayes Books Moss, H. 1970 Ballad opera songs: a record of the ideas set to music 1728-1733, 4 volumes, microfilms, Houle, G. 1961 the musical measures as discussed by theorists from British Union Catalogue of Early Music, 2 volumes, Pills to Purge Melancholy, copy, 4 volumes.\u003c/p\u003e","\u003cp\u003eConsists of 4 DVDs, which have been transferred to the Manuscript. Audiovisual Collection: The Mock Doctor; Flora; The Devil to Pay; Robin Hood.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Acc. 2007.92: Original and copies of individual parts for musical instruments and scripts for voices for five ballad operas: Robin Hood, Devil to Play, Mock Doctor, Thomas and Sally and the Beggar's Opera. Photographs, copies of miscellaneous theater airs and songs, research material, programs, posters, and working papers."," These operas were performed by Friends of Dr. Burney who later changed their name to Boston Musical Theater and were directed by Charlotte Kaufman."," Acc. 2009.452: Photocopies and microfilm of musical scores of comic and ballad operas, edited and arranged by Charlotte Kaufman. Several published volumes.","Original and copies of individual parts for musical instruments and scripts for voices, business files and related material.","Scripts, scores, programs and working papers.","Sheet music for viola de gamba and cello.","Sheet music for harpsichord.","Airs collected and used in 1985 production at MFA, plus photographs of the airs.","Extra copies of Airs.","Originals of Airs and Kitty's research papers with index cards.","Photographs and negatives.","Reviews, programs and mailings.","Scripts (facsimile copy), original and master ballads from Child-Bronson.","Sheet music for violins.","Original and copies of individual parts for musical instruments and scripts for voices, business files plus related material. See Box 4 (oversize items) for 1981 poster and 1980-82 working papers.","Scores for voice and more.","Sheet music with notes for cello.","Sheet music for harsichord.","Original of airs and edited script.","Photographs and negatives of Devil to Pay I and II.","Programs and reviews.","Schedules, programs, scores, notes, contracts, correspondence and related material.","Scripts, sources, notes and related edited copies.","Vermont contracts, program notes, programs, correspondence and notes.","Sheet music with notes for violin.","Original and copies of individual parts for musical instruments and scripts for voices, business files plus related material. See Box 4 (oversize items) for 1980-81 Posters.","Sheet music with notes for cello.","Pencil copy and photocopies of airs.","Full set of music, with notes.","Singers and parts they sing.","Sheet music with notes for the harpsichord.","Originals of Airs and Scripts with notes.","Sheet music, scripts and notes.","Photographs and negatives.","Scripts and original printed versions of script, plus correspondence.","Copies of scripts.","Sheet music with notes for violin.","Mock Doctor photos for ad in New York Gazette and Devil to Pay photos from 1981 performance at MFA.","Instrumental sheet music for different instruments. See Box 4 (oversize items) for vocals for different parts.","Sheet music for German Flute, Violin and Guitar.","Sheet music for Viola de Gamba.","Sheet music for Violin I.","Sheet music for Violin II.","Copies of the music for theater songs by various artists.","Music and script for: My Dearest, My Fairest, The Stocking, The Musical Courtship, Tea for Two, Songs from theTheaters and Pleasure Gardens of 18th-c London, The Lass of Richmond Hill, Indian Queen, Old Mother Hubbard, Trip It, Trip It In a Ring, The Wheelbarrow, The Canterbury Guests, or, A Bargain Broken, Chaconne d'Arlequin, Passagalia, Pausanias - Sweeter than Roses, Purcell - I Spy Celia, Le Carnaval de Venise IV, 6, Campra, Europe Galante II, 2 - Le Paysan, Collection of Songs and Dialogues Composed by the most Eminent Masters of the Age, A Song in St. Flopling Flutter, and The Sun was Just Setting.","Folder 1 of 2. Copies from Folger's Library","Folder 2 of 2. Copied from Folger's Library.","Mr. In. Eccles General Collection of Songs.","O Mistress Mine! sheet music.","A copy of A Collection of Songs with Musick by Mr. Leveridge, two volumes, London, 1727.","Sheet music for Sally in Our Alley.","Original and copies of individual parts for musical instruments and scripts for voices, business files plus related material.","Sheet music with notes for Bass.","Sheet music and script.","Sheet music and script.","Complete sheet music copy, except for #25, with overture.","Broken sets of copies of sheet music.","Copyrighted pencil copy of Beggar's Opera.","Sheet music with notes.","Sheet music with notes.","Sheet music with notes.","Sheet music with notes.","Sheet music with notes.","Original sheet music.","Sheet Music.","Scores, working papers, reviews, newspaper articles, notes and other supporting documents.","Tunes, Barlow Texts and Entr'actes.","Sheet music and script with notes.","Working sheet music with notes.","Working sheet music with notes.","Working sheet music with notes.","Posters for Devil to Pay and The Mock Doctor, working papers for Devil to Pay and Vocals for Thomas and Sally by Dr. Arne.","November 1981 concerts for Early Music Series of the Boston Museum of Fine Arts.","Scripts, notes, programs and related material.","Early Music Series for 1980-1981. Boston Museum of Fine Arts Presents the Friends of Dr. Burney.","Vocals for Dorcas, Squire, Thomas and Act I.","Boxes 5-7: The following inventory was provided by the donor. The content of the boxes has not been arranged to follow the order of the listing. The Mock Doctor : 4 items: 1821 edition of book, 1732 1st edition book with music 1732.AG164, 2nd edition book with music revised . The Mock Doctor B.La Duenna — Sheridan and Linley — Harvard copy C.La Duenna — book without music D.Love in a Village E.Flora (first opera performed in America) 3 copies of Songs w. Bickham engravings F.Flora - performing scores:, violin, cello, harpsichord, full score, script G.Dibdin: The Recruiting Sergeant H. Dibdin: The Grenadier I. Dibdin: The Brickdust Man J. Dibdin: The Ephesian Matron K. Misc. Songs: Purcell et al. L. Asst;d songs in yellow envelope M. Vocal Music N. Songs fr. The Marshall Collection at Houghton Libe, Harvard O. Eccles: General Collection of Songs P. Charles Burney: Sonatas or Duets for Pianoforte Q. 6 Sonatas for Harpsichord by Charles Burney R. More Sonatas by Charles Burney (first historian of music in English language) S. Pergolesi: La Serva Padrona - Eng. Trans. By Stephen Storace T. La Serva Padrona - Various Italian U. Geminiani: Concerto III V. Overture to the Fair Penitent W. Beggar's Opera w. basses by T. Arne X. Treatise on 18th c. Performance Practice - Acting Y. Flora — Sequel to the Opera of Flora Z. PV Score of Flora AA. A Collection of Catches, Canons, Glees, Duetts BB. Catches, Glees and Canons composed by Dr. Hayes Books Moss, H. 1970 Ballad opera songs: a record of the ideas set to music 1728-1733, 4 volumes, microfilms, Houle, G. 1961 the musical measures as discussed by theorists from British Union Catalogue of Early Music, 2 volumes, Pills to Purge Melancholy, copy, 4 volumes.","Consists of 4 DVDs, which have been transferred to the Manuscript. Audiovisual Collection: The Mock Doctor; Flora; The Devil to Pay; Robin Hood."],"separatedmaterial_html_tesm":["\u003cp\u003eAll audiovisual material from this collection has been moved to the Manuscripts Audiovisual Collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["All audiovisual material from this collection has been moved to the Manuscripts Audiovisual Collection."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Boston Musical Theater","Friends of Dr. Burney","Kaufman, Charlotte"],"names_ssim":["Special Collections Research Center","Boston Musical Theater","Friends of Dr. Burney","Kaufman, Charlotte, ca. 1930 -","Kaufman, Charlotte"],"corpname_ssim":["Special Collections Research Center","Boston Musical Theater","Friends of Dr. Burney"],"persname_ssim":["Kaufman, Charlotte, ca. 1930 -","Kaufman, Charlotte"],"language_ssim":["English"],"total_component_count_is":86,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:12:13.257Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8672","ead_ssi":"viw_repositories_2_resources_8672","_root_":"viw_repositories_2_resources_8672","_nest_parent_":"viw_repositories_2_resources_8672","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8672.xml","title_filing_ssi":"Kaufman, Charlotte, Papers","title_ssm":["Charlotte Kaufman Papers"],"title_tesim":["Charlotte Kaufman Papers"],"unitdate_ssm":["1980-1990"],"unitdate_inclusive_ssm":["1980-1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00339","/repositories/2/resources/8672"],"text":["MS 00339","/repositories/2/resources/8672","Charlotte Kaufman Papers","Ballads","Music","Theater","Theater--Massachusetts (State)--Boston","Correspondence","DVDs","Microfilms","Photographs","Playbills","Posters","Programs","Scores","Scripts, Vocal","7 boxes.","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","For Acc. 2007.92 the original arrangement was  maintained.  See folder list. Acc. 2009.452 and 2010.408 have not been fully arranged and described at this point.","Charlotte Kaufman is the Founder and Director of BOSTON MUSICAL THEATER. Ms. Kaufman is on the faculty of New England Conservatory Continuing Education Division and teaches piano and harpsichord. A Boston native, educated at Girls' Latin School, Smith College, and with an advanced degree in Piano from Boston University, she has always gravitated to music as a major concentration and later as a career. She performed professionally as a duo pianist in the late 60s. The next decade was concentrated on early music performance which developed into the editing and production of ballad operas at the Museum of Fine Arts on their annual performing series from 1981-1987. A by-product of these years was the editing of two published chamber operas, The Doctor of Alcantara by Julius Eichberg 1994, a Boston operetta in a facsimile edition, and Le Devin du village by Jean Jacques Rousseau, in a critical performing edition 1998. In the 1990s Friends of Dr. Burney was renamed Boston Musical Theater to reflect the expansion of the repertoire into the 19th and 20th centuries."," Ms. Kaufman has also prepared performing editions of several 18th-century ballad operas based upon original source materials. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Processed by Anne Johnson.","DVDs from this collection have been moved to the Manuscripts Audiovisual Collection.","Acc. 2007.92: Original and copies of individual parts for musical instruments and scripts for voices for five ballad operas: Robin Hood, Devil to Play, Mock Doctor, Thomas and Sally and the Beggar's Opera. Photographs, copies of miscellaneous theater airs and songs, research material, programs, posters, and working papers."," These operas were performed by Friends of Dr. Burney who later changed their name to Boston Musical Theater and were directed by Charlotte Kaufman."," Acc. 2009.452: Photocopies and microfilm of musical scores of comic and ballad operas, edited and arranged by Charlotte Kaufman. Several published volumes.","Original and copies of individual parts for musical instruments and scripts for voices, business files and related material.","Scripts, scores, programs and working papers.","Sheet music for viola de gamba and cello.","Sheet music for harpsichord.","Airs collected and used in 1985 production at MFA, plus photographs of the airs.","Extra copies of Airs.","Originals of Airs and Kitty's research papers with index cards.","Photographs and negatives.","Reviews, programs and mailings.","Scripts (facsimile copy), original and master ballads from Child-Bronson.","Sheet music for violins.","Original and copies of individual parts for musical instruments and scripts for voices, business files plus related material. See Box 4 (oversize items) for 1981 poster and 1980-82 working papers.","Scores for voice and more.","Sheet music with notes for cello.","Sheet music for harsichord.","Original of airs and edited script.","Photographs and negatives of Devil to Pay I and II.","Programs and reviews.","Schedules, programs, scores, notes, contracts, correspondence and related material.","Scripts, sources, notes and related edited copies.","Vermont contracts, program notes, programs, correspondence and notes.","Sheet music with notes for violin.","Original and copies of individual parts for musical instruments and scripts for voices, business files plus related material. See Box 4 (oversize items) for 1980-81 Posters.","Sheet music with notes for cello.","Pencil copy and photocopies of airs.","Full set of music, with notes.","Singers and parts they sing.","Sheet music with notes for the harpsichord.","Originals of Airs and Scripts with notes.","Sheet music, scripts and notes.","Photographs and negatives.","Scripts and original printed versions of script, plus correspondence.","Copies of scripts.","Sheet music with notes for violin.","Mock Doctor photos for ad in New York Gazette and Devil to Pay photos from 1981 performance at MFA.","Instrumental sheet music for different instruments. See Box 4 (oversize items) for vocals for different parts.","Sheet music for German Flute, Violin and Guitar.","Sheet music for Viola de Gamba.","Sheet music for Violin I.","Sheet music for Violin II.","Copies of the music for theater songs by various artists.","Music and script for: My Dearest, My Fairest, The Stocking, The Musical Courtship, Tea for Two, Songs from theTheaters and Pleasure Gardens of 18th-c London, The Lass of Richmond Hill, Indian Queen, Old Mother Hubbard, Trip It, Trip It In a Ring, The Wheelbarrow, The Canterbury Guests, or, A Bargain Broken, Chaconne d'Arlequin, Passagalia, Pausanias - Sweeter than Roses, Purcell - I Spy Celia, Le Carnaval de Venise IV, 6, Campra, Europe Galante II, 2 - Le Paysan, Collection of Songs and Dialogues Composed by the most Eminent Masters of the Age, A Song in St. Flopling Flutter, and The Sun was Just Setting.","Folder 1 of 2. Copies from Folger's Library","Folder 2 of 2. Copied from Folger's Library.","Mr. In. Eccles General Collection of Songs.","O Mistress Mine! sheet music.","A copy of A Collection of Songs with Musick by Mr. Leveridge, two volumes, London, 1727.","Sheet music for Sally in Our Alley.","Original and copies of individual parts for musical instruments and scripts for voices, business files plus related material.","Sheet music with notes for Bass.","Sheet music and script.","Sheet music and script.","Complete sheet music copy, except for #25, with overture.","Broken sets of copies of sheet music.","Copyrighted pencil copy of Beggar's Opera.","Sheet music with notes.","Sheet music with notes.","Sheet music with notes.","Sheet music with notes.","Sheet music with notes.","Original sheet music.","Sheet Music.","Scores, working papers, reviews, newspaper articles, notes and other supporting documents.","Tunes, Barlow Texts and Entr'actes.","Sheet music and script with notes.","Working sheet music with notes.","Working sheet music with notes.","Working sheet music with notes.","Posters for Devil to Pay and The Mock Doctor, working papers for Devil to Pay and Vocals for Thomas and Sally by Dr. Arne.","November 1981 concerts for Early Music Series of the Boston Museum of Fine Arts.","Scripts, notes, programs and related material.","Early Music Series for 1980-1981. Boston Museum of Fine Arts Presents the Friends of Dr. Burney.","Vocals for Dorcas, Squire, Thomas and Act I.","Boxes 5-7: The following inventory was provided by the donor. The content of the boxes has not been arranged to follow the order of the listing. The Mock Doctor : 4 items: 1821 edition of book, 1732 1st edition book with music 1732.AG164, 2nd edition book with music revised . The Mock Doctor B.La Duenna — Sheridan and Linley — Harvard copy C.La Duenna — book without music D.Love in a Village E.Flora (first opera performed in America) 3 copies of Songs w. Bickham engravings F.Flora - performing scores:, violin, cello, harpsichord, full score, script G.Dibdin: The Recruiting Sergeant H. Dibdin: The Grenadier I. Dibdin: The Brickdust Man J. Dibdin: The Ephesian Matron K. Misc. Songs: Purcell et al. L. Asst;d songs in yellow envelope M. Vocal Music N. Songs fr. The Marshall Collection at Houghton Libe, Harvard O. Eccles: General Collection of Songs P. Charles Burney: Sonatas or Duets for Pianoforte Q. 6 Sonatas for Harpsichord by Charles Burney R. More Sonatas by Charles Burney (first historian of music in English language) S. Pergolesi: La Serva Padrona - Eng. Trans. By Stephen Storace T. La Serva Padrona - Various Italian U. Geminiani: Concerto III V. Overture to the Fair Penitent W. Beggar's Opera w. basses by T. Arne X. Treatise on 18th c. Performance Practice - Acting Y. Flora — Sequel to the Opera of Flora Z. PV Score of Flora AA. A Collection of Catches, Canons, Glees, Duetts BB. Catches, Glees and Canons composed by Dr. Hayes Books Moss, H. 1970 Ballad opera songs: a record of the ideas set to music 1728-1733, 4 volumes, microfilms, Houle, G. 1961 the musical measures as discussed by theorists from British Union Catalogue of Early Music, 2 volumes, Pills to Purge Melancholy, copy, 4 volumes.","Consists of 4 DVDs, which have been transferred to the Manuscript. Audiovisual Collection: The Mock Doctor; Flora; The Devil to Pay; Robin Hood.","All audiovisual material from this collection has been moved to the Manuscripts Audiovisual Collection.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Boston Musical Theater","Friends of Dr. Burney","Kaufman, Charlotte, ca. 1930 -","Kaufman, Charlotte","English"],"unitid_tesim":["MS 00339","/repositories/2/resources/8672"],"normalized_title_ssm":["Charlotte Kaufman Papers"],"collection_title_tesim":["Charlotte Kaufman Papers"],"collection_ssim":["Charlotte Kaufman Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Kaufman, Charlotte, ca. 1930 -"],"creator_ssim":["Kaufman, Charlotte, ca. 1930 -"],"creator_persname_ssim":["Kaufman, Charlotte, ca. 1930 -"],"creators_ssim":["Kaufman, Charlotte, ca. 1930 -"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gifts. Acc. 2007.92 was received in December 2007; Acc. 2009.452 was received in September 2009; Acc. 2010.408 was received 2010. Acc. 2018.127 was received in May 2018."],"access_subjects_ssim":["Ballads","Music","Theater","Theater--Massachusetts (State)--Boston","Correspondence","DVDs","Microfilms","Photographs","Playbills","Posters","Programs","Scores","Scripts, Vocal"],"access_subjects_ssm":["Ballads","Music","Theater","Theater--Massachusetts (State)--Boston","Correspondence","DVDs","Microfilms","Photographs","Playbills","Posters","Programs","Scores","Scripts, Vocal"],"has_online_content_ssim":["false"],"physdesc_tesim":["7 boxes."],"extent_ssm":["5.70 Linear Feet"],"extent_tesim":["5.70 Linear Feet"],"genreform_ssim":["Correspondence","DVDs","Microfilms","Photographs","Playbills","Posters","Programs","Scores","Scripts, Vocal"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eFor Acc. 2007.92 the original arrangement was  maintained.  See folder list. Acc. 2009.452 and 2010.408 have not been fully arranged and described at this point.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["For Acc. 2007.92 the original arrangement was  maintained.  See folder list. Acc. 2009.452 and 2010.408 have not been fully arranged and described at this point."],"bioghist_html_tesm":["\u003cp\u003eCharlotte Kaufman is the Founder and Director of BOSTON MUSICAL THEATER. Ms. Kaufman is on the faculty of New England Conservatory Continuing Education Division and teaches piano and harpsichord. A Boston native, educated at Girls' Latin School, Smith College, and with an advanced degree in Piano from Boston University, she has always gravitated to music as a major concentration and later as a career. She performed professionally as a duo pianist in the late 60s. The next decade was concentrated on early music performance which developed into the editing and production of ballad operas at the Museum of Fine Arts on their annual performing series from 1981-1987. A by-product of these years was the editing of two published chamber operas, The Doctor of Alcantara by Julius Eichberg 1994, a Boston operetta in a facsimile edition, and Le Devin du village by Jean Jacques Rousseau, in a critical performing edition 1998. In the 1990s Friends of Dr. Burney was renamed Boston Musical Theater to reflect the expansion of the repertoire into the 19th and 20th centuries.\u003c/p\u003e\n","\u003cp\u003e Ms. Kaufman has also prepared performing editions of several 18th-century ballad operas based upon original source materials. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Charlotte_Kaufman\" title=\"Charlotte Kaufman\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Charlotte Kaufman is the Founder and Director of BOSTON MUSICAL THEATER. Ms. Kaufman is on the faculty of New England Conservatory Continuing Education Division and teaches piano and harpsichord. A Boston native, educated at Girls' Latin School, Smith College, and with an advanced degree in Piano from Boston University, she has always gravitated to music as a major concentration and later as a career. She performed professionally as a duo pianist in the late 60s. The next decade was concentrated on early music performance which developed into the editing and production of ballad operas at the Museum of Fine Arts on their annual performing series from 1981-1987. A by-product of these years was the editing of two published chamber operas, The Doctor of Alcantara by Julius Eichberg 1994, a Boston operetta in a facsimile edition, and Le Devin du village by Jean Jacques Rousseau, in a critical performing edition 1998. In the 1990s Friends of Dr. Burney was renamed Boston Musical Theater to reflect the expansion of the repertoire into the 19th and 20th centuries."," Ms. Kaufman has also prepared performing editions of several 18th-century ballad operas based upon original source materials. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eCharlotte Kaufman Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Charlotte Kaufman Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Anne Johnson.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Anne Johnson."],"relatedmaterial_html_tesm":["\u003cp\u003eDVDs from this collection have been moved to the Manuscripts Audiovisual Collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["DVDs from this collection have been moved to the Manuscripts Audiovisual Collection."],"scopecontent_html_tesm":["\u003cp\u003eAcc. 2007.92: Original and copies of individual parts for musical instruments and scripts for voices for five ballad operas: Robin Hood, Devil to Play, Mock Doctor, Thomas and Sally and the Beggar's Opera. Photographs, copies of miscellaneous theater airs and songs, research material, programs, posters, and working papers.\u003c/p\u003e\n","\u003cp\u003e These operas were performed by Friends of Dr. Burney who later changed their name to Boston Musical Theater and were directed by Charlotte Kaufman.\u003c/p\u003e\n","\u003cp\u003e Acc. 2009.452: Photocopies and microfilm of musical scores of comic and ballad operas, edited and arranged by Charlotte Kaufman. Several published volumes.\u003c/p\u003e","\u003cp\u003eOriginal and copies of individual parts for musical instruments and scripts for voices, business files and related material.\u003c/p\u003e","\u003cp\u003eScripts, scores, programs and working papers.\u003c/p\u003e","\u003cp\u003eSheet music for viola de gamba and cello.\u003c/p\u003e","\u003cp\u003eSheet music for harpsichord.\u003c/p\u003e","\u003cp\u003eAirs collected and used in 1985 production at MFA, plus photographs of the airs.\u003c/p\u003e","\u003cp\u003eExtra copies of Airs.\u003c/p\u003e","\u003cp\u003eOriginals of Airs and Kitty's research papers with index cards.\u003c/p\u003e","\u003cp\u003ePhotographs and negatives.\u003c/p\u003e","\u003cp\u003eReviews, programs and mailings.\u003c/p\u003e","\u003cp\u003eScripts (facsimile copy), original and master ballads from Child-Bronson.\u003c/p\u003e","\u003cp\u003eSheet music for violins.\u003c/p\u003e","\u003cp\u003eOriginal and copies of individual parts for musical instruments and scripts for voices, business files plus related material. See Box 4 (oversize items) for 1981 poster and 1980-82 working papers.\u003c/p\u003e","\u003cp\u003eScores for voice and more.\u003c/p\u003e","\u003cp\u003eSheet music with notes for cello.\u003c/p\u003e","\u003cp\u003eSheet music for harsichord.\u003c/p\u003e","\u003cp\u003eOriginal of airs and edited script.\u003c/p\u003e","\u003cp\u003ePhotographs and negatives of Devil to Pay I and II.\u003c/p\u003e","\u003cp\u003ePrograms and reviews.\u003c/p\u003e","\u003cp\u003eSchedules, programs, scores, notes, contracts, correspondence and related material.\u003c/p\u003e","\u003cp\u003eScripts, sources, notes and related edited copies.\u003c/p\u003e","\u003cp\u003eVermont contracts, program notes, programs, correspondence and notes.\u003c/p\u003e","\u003cp\u003eSheet music with notes for violin.\u003c/p\u003e","\u003cp\u003eOriginal and copies of individual parts for musical instruments and scripts for voices, business files plus related material. See Box 4 (oversize items) for 1980-81 Posters.\u003c/p\u003e","\u003cp\u003eSheet music with notes for cello.\u003c/p\u003e","\u003cp\u003ePencil copy and photocopies of airs.\u003c/p\u003e","\u003cp\u003eFull set of music, with notes.\u003c/p\u003e","\u003cp\u003eSingers and parts they sing.\u003c/p\u003e","\u003cp\u003eSheet music with notes for the harpsichord.\u003c/p\u003e","\u003cp\u003eOriginals of Airs and Scripts with notes.\u003c/p\u003e","\u003cp\u003eSheet music, scripts and notes.\u003c/p\u003e","\u003cp\u003ePhotographs and negatives.\u003c/p\u003e","\u003cp\u003eScripts and original printed versions of script, plus correspondence.\u003c/p\u003e","\u003cp\u003eCopies of scripts.\u003c/p\u003e","\u003cp\u003eSheet music with notes for violin.\u003c/p\u003e","\u003cp\u003eMock Doctor photos for ad in New York Gazette and Devil to Pay photos from 1981 performance at MFA.\u003c/p\u003e","\u003cp\u003eInstrumental sheet music for different instruments. See Box 4 (oversize items) for vocals for different parts.\u003c/p\u003e","\u003cp\u003eSheet music for German Flute, Violin and Guitar.\u003c/p\u003e","\u003cp\u003eSheet music for Viola de Gamba.\u003c/p\u003e","\u003cp\u003eSheet music for Violin I.\u003c/p\u003e","\u003cp\u003eSheet music for Violin II.\u003c/p\u003e","\u003cp\u003eCopies of the music for theater songs by various artists.\u003c/p\u003e","\u003cp\u003eMusic and script for: My Dearest, My Fairest, The Stocking, The Musical Courtship, Tea for Two, Songs from theTheaters and Pleasure Gardens of 18th-c London, The Lass of Richmond Hill, Indian Queen, Old Mother Hubbard, Trip It, Trip It In a Ring, The Wheelbarrow, The Canterbury Guests, or, A Bargain Broken, Chaconne d'Arlequin, Passagalia, Pausanias - Sweeter than Roses, Purcell - I Spy Celia, Le Carnaval de Venise IV, 6, Campra, Europe Galante II, 2 - Le Paysan, Collection of Songs and Dialogues Composed by the most Eminent Masters of the Age, A Song in St. Flopling Flutter, and The Sun was Just Setting.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2. Copies from Folger's Library\u003c/p\u003e","\u003cp\u003eFolder 2 of 2. Copied from Folger's Library.\u003c/p\u003e","\u003cp\u003eMr. In. Eccles General Collection of Songs.\u003c/p\u003e","\u003cp\u003eO Mistress Mine! sheet music.\u003c/p\u003e","\u003cp\u003eA copy of A Collection of Songs with Musick by Mr. Leveridge, two volumes, London, 1727.\u003c/p\u003e","\u003cp\u003eSheet music for Sally in Our Alley.\u003c/p\u003e","\u003cp\u003eOriginal and copies of individual parts for musical instruments and scripts for voices, business files plus related material.\u003c/p\u003e","\u003cp\u003eSheet music with notes for Bass.\u003c/p\u003e","\u003cp\u003eSheet music and script.\u003c/p\u003e","\u003cp\u003eSheet music and script.\u003c/p\u003e","\u003cp\u003eComplete sheet music copy, except for #25, with overture.\u003c/p\u003e","\u003cp\u003eBroken sets of copies of sheet music.\u003c/p\u003e","\u003cp\u003eCopyrighted pencil copy of Beggar's Opera.\u003c/p\u003e","\u003cp\u003eSheet music with notes.\u003c/p\u003e","\u003cp\u003eSheet music with notes.\u003c/p\u003e","\u003cp\u003eSheet music with notes.\u003c/p\u003e","\u003cp\u003eSheet music with notes.\u003c/p\u003e","\u003cp\u003eSheet music with notes.\u003c/p\u003e","\u003cp\u003eOriginal sheet music.\u003c/p\u003e","\u003cp\u003eSheet Music.\u003c/p\u003e","\u003cp\u003eScores, working papers, reviews, newspaper articles, notes and other supporting documents.\u003c/p\u003e","\u003cp\u003eTunes, Barlow Texts and Entr'actes.\u003c/p\u003e","\u003cp\u003eSheet music and script with notes.\u003c/p\u003e","\u003cp\u003eWorking sheet music with notes.\u003c/p\u003e","\u003cp\u003eWorking sheet music with notes.\u003c/p\u003e","\u003cp\u003eWorking sheet music with notes.\u003c/p\u003e","\u003cp\u003ePosters for Devil to Pay and The Mock Doctor, working papers for Devil to Pay and Vocals for Thomas and Sally by Dr. Arne.\u003c/p\u003e","\u003cp\u003eNovember 1981 concerts for Early Music Series of the Boston Museum of Fine Arts.\u003c/p\u003e","\u003cp\u003eScripts, notes, programs and related material.\u003c/p\u003e","\u003cp\u003eEarly Music Series for 1980-1981. Boston Museum of Fine Arts Presents the Friends of Dr. Burney.\u003c/p\u003e","\u003cp\u003eVocals for Dorcas, Squire, Thomas and Act I.\u003c/p\u003e","\u003cp\u003eBoxes 5-7: The following inventory was provided by the donor. The content of the boxes has not been arranged to follow the order of the listing. The Mock Doctor : 4 items: 1821 edition of book, 1732 1st edition book with music 1732.AG164, 2nd edition book with music revised . The Mock Doctor B.La Duenna — Sheridan and Linley — Harvard copy C.La Duenna — book without music D.Love in a Village E.Flora (first opera performed in America) 3 copies of Songs w. Bickham engravings F.Flora - performing scores:, violin, cello, harpsichord, full score, script G.Dibdin: The Recruiting Sergeant H. Dibdin: The Grenadier I. Dibdin: The Brickdust Man J. Dibdin: The Ephesian Matron K. Misc. Songs: Purcell et al. L. Asst;d songs in yellow envelope M. Vocal Music N. Songs fr. The Marshall Collection at Houghton Libe, Harvard O. Eccles: General Collection of Songs P. Charles Burney: Sonatas or Duets for Pianoforte Q. 6 Sonatas for Harpsichord by Charles Burney R. More Sonatas by Charles Burney (first historian of music in English language) S. Pergolesi: La Serva Padrona - Eng. Trans. By Stephen Storace T. La Serva Padrona - Various Italian U. Geminiani: Concerto III V. Overture to the Fair Penitent W. Beggar's Opera w. basses by T. Arne X. Treatise on 18th c. Performance Practice - Acting Y. Flora — Sequel to the Opera of Flora Z. PV Score of Flora AA. A Collection of Catches, Canons, Glees, Duetts BB. Catches, Glees and Canons composed by Dr. Hayes Books Moss, H. 1970 Ballad opera songs: a record of the ideas set to music 1728-1733, 4 volumes, microfilms, Houle, G. 1961 the musical measures as discussed by theorists from British Union Catalogue of Early Music, 2 volumes, Pills to Purge Melancholy, copy, 4 volumes.\u003c/p\u003e","\u003cp\u003eConsists of 4 DVDs, which have been transferred to the Manuscript. Audiovisual Collection: The Mock Doctor; Flora; The Devil to Pay; Robin Hood.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Acc. 2007.92: Original and copies of individual parts for musical instruments and scripts for voices for five ballad operas: Robin Hood, Devil to Play, Mock Doctor, Thomas and Sally and the Beggar's Opera. Photographs, copies of miscellaneous theater airs and songs, research material, programs, posters, and working papers."," These operas were performed by Friends of Dr. Burney who later changed their name to Boston Musical Theater and were directed by Charlotte Kaufman."," Acc. 2009.452: Photocopies and microfilm of musical scores of comic and ballad operas, edited and arranged by Charlotte Kaufman. Several published volumes.","Original and copies of individual parts for musical instruments and scripts for voices, business files and related material.","Scripts, scores, programs and working papers.","Sheet music for viola de gamba and cello.","Sheet music for harpsichord.","Airs collected and used in 1985 production at MFA, plus photographs of the airs.","Extra copies of Airs.","Originals of Airs and Kitty's research papers with index cards.","Photographs and negatives.","Reviews, programs and mailings.","Scripts (facsimile copy), original and master ballads from Child-Bronson.","Sheet music for violins.","Original and copies of individual parts for musical instruments and scripts for voices, business files plus related material. See Box 4 (oversize items) for 1981 poster and 1980-82 working papers.","Scores for voice and more.","Sheet music with notes for cello.","Sheet music for harsichord.","Original of airs and edited script.","Photographs and negatives of Devil to Pay I and II.","Programs and reviews.","Schedules, programs, scores, notes, contracts, correspondence and related material.","Scripts, sources, notes and related edited copies.","Vermont contracts, program notes, programs, correspondence and notes.","Sheet music with notes for violin.","Original and copies of individual parts for musical instruments and scripts for voices, business files plus related material. See Box 4 (oversize items) for 1980-81 Posters.","Sheet music with notes for cello.","Pencil copy and photocopies of airs.","Full set of music, with notes.","Singers and parts they sing.","Sheet music with notes for the harpsichord.","Originals of Airs and Scripts with notes.","Sheet music, scripts and notes.","Photographs and negatives.","Scripts and original printed versions of script, plus correspondence.","Copies of scripts.","Sheet music with notes for violin.","Mock Doctor photos for ad in New York Gazette and Devil to Pay photos from 1981 performance at MFA.","Instrumental sheet music for different instruments. See Box 4 (oversize items) for vocals for different parts.","Sheet music for German Flute, Violin and Guitar.","Sheet music for Viola de Gamba.","Sheet music for Violin I.","Sheet music for Violin II.","Copies of the music for theater songs by various artists.","Music and script for: My Dearest, My Fairest, The Stocking, The Musical Courtship, Tea for Two, Songs from theTheaters and Pleasure Gardens of 18th-c London, The Lass of Richmond Hill, Indian Queen, Old Mother Hubbard, Trip It, Trip It In a Ring, The Wheelbarrow, The Canterbury Guests, or, A Bargain Broken, Chaconne d'Arlequin, Passagalia, Pausanias - Sweeter than Roses, Purcell - I Spy Celia, Le Carnaval de Venise IV, 6, Campra, Europe Galante II, 2 - Le Paysan, Collection of Songs and Dialogues Composed by the most Eminent Masters of the Age, A Song in St. Flopling Flutter, and The Sun was Just Setting.","Folder 1 of 2. Copies from Folger's Library","Folder 2 of 2. Copied from Folger's Library.","Mr. In. Eccles General Collection of Songs.","O Mistress Mine! sheet music.","A copy of A Collection of Songs with Musick by Mr. Leveridge, two volumes, London, 1727.","Sheet music for Sally in Our Alley.","Original and copies of individual parts for musical instruments and scripts for voices, business files plus related material.","Sheet music with notes for Bass.","Sheet music and script.","Sheet music and script.","Complete sheet music copy, except for #25, with overture.","Broken sets of copies of sheet music.","Copyrighted pencil copy of Beggar's Opera.","Sheet music with notes.","Sheet music with notes.","Sheet music with notes.","Sheet music with notes.","Sheet music with notes.","Original sheet music.","Sheet Music.","Scores, working papers, reviews, newspaper articles, notes and other supporting documents.","Tunes, Barlow Texts and Entr'actes.","Sheet music and script with notes.","Working sheet music with notes.","Working sheet music with notes.","Working sheet music with notes.","Posters for Devil to Pay and The Mock Doctor, working papers for Devil to Pay and Vocals for Thomas and Sally by Dr. Arne.","November 1981 concerts for Early Music Series of the Boston Museum of Fine Arts.","Scripts, notes, programs and related material.","Early Music Series for 1980-1981. Boston Museum of Fine Arts Presents the Friends of Dr. Burney.","Vocals for Dorcas, Squire, Thomas and Act I.","Boxes 5-7: The following inventory was provided by the donor. The content of the boxes has not been arranged to follow the order of the listing. The Mock Doctor : 4 items: 1821 edition of book, 1732 1st edition book with music 1732.AG164, 2nd edition book with music revised . The Mock Doctor B.La Duenna — Sheridan and Linley — Harvard copy C.La Duenna — book without music D.Love in a Village E.Flora (first opera performed in America) 3 copies of Songs w. Bickham engravings F.Flora - performing scores:, violin, cello, harpsichord, full score, script G.Dibdin: The Recruiting Sergeant H. Dibdin: The Grenadier I. Dibdin: The Brickdust Man J. Dibdin: The Ephesian Matron K. Misc. Songs: Purcell et al. L. Asst;d songs in yellow envelope M. Vocal Music N. Songs fr. The Marshall Collection at Houghton Libe, Harvard O. Eccles: General Collection of Songs P. Charles Burney: Sonatas or Duets for Pianoforte Q. 6 Sonatas for Harpsichord by Charles Burney R. More Sonatas by Charles Burney (first historian of music in English language) S. Pergolesi: La Serva Padrona - Eng. Trans. By Stephen Storace T. La Serva Padrona - Various Italian U. Geminiani: Concerto III V. Overture to the Fair Penitent W. Beggar's Opera w. basses by T. Arne X. Treatise on 18th c. Performance Practice - Acting Y. Flora — Sequel to the Opera of Flora Z. PV Score of Flora AA. A Collection of Catches, Canons, Glees, Duetts BB. Catches, Glees and Canons composed by Dr. Hayes Books Moss, H. 1970 Ballad opera songs: a record of the ideas set to music 1728-1733, 4 volumes, microfilms, Houle, G. 1961 the musical measures as discussed by theorists from British Union Catalogue of Early Music, 2 volumes, Pills to Purge Melancholy, copy, 4 volumes.","Consists of 4 DVDs, which have been transferred to the Manuscript. Audiovisual Collection: The Mock Doctor; Flora; The Devil to Pay; Robin Hood."],"separatedmaterial_html_tesm":["\u003cp\u003eAll audiovisual material from this collection has been moved to the Manuscripts Audiovisual Collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["All audiovisual material from this collection has been moved to the Manuscripts Audiovisual Collection."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Boston Musical Theater","Friends of Dr. Burney","Kaufman, Charlotte"],"names_ssim":["Special Collections Research Center","Boston Musical Theater","Friends of Dr. Burney","Kaufman, Charlotte, ca. 1930 -","Kaufman, Charlotte"],"corpname_ssim":["Special Collections Research Center","Boston Musical Theater","Friends of Dr. Burney"],"persname_ssim":["Kaufman, Charlotte, ca. 1930 -","Kaufman, Charlotte"],"language_ssim":["English"],"total_component_count_is":86,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:12:13.257Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8672"}},{"id":"viw_repositories_2_resources_1674","type":"collection","attributes":{"title":"Christopher Wren Singers Records","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1674#creator","type":"document_value","attributes":{"value":"Christopher Wren Singers","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1674#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eContains letters, post cards, scrapbooks, audio CDs and other material related to the Christopher Wren Singers, an a capella student organization that specializes in singing madrigal music. Included in the accession are letters and postcards from alumni, scrapbooks of events from 1991-2001, and a 2012 book celebrating 25 years of the Cristopher Wren Singers.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1674#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_1674","ead_ssi":"viw_repositories_2_resources_1674","_root_":"viw_repositories_2_resources_1674","_nest_parent_":"viw_repositories_2_resources_1674","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1674.xml","title_filing_ssi":"Christopher Wren Singers Records","title_ssm":["Christopher Wren Singers Records"],"title_tesim":["Christopher Wren Singers Records"],"unitdate_ssm":["1989-2012","1993-2003"],"unitdate_bulk_ssim":["1993-2003"],"unitdate_inclusive_ssm":["1989-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 7.067","/repositories/2/resources/1674"],"text":["UA 7.067","/repositories/2/resources/1674","Christopher Wren Singers Records","College of William and Mary--Students","Music","Student Organizations--Christopher Wren Singers","Fliers (printed matter)","Letters (correspondence)","Postcards","Scrapbooks","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","3 audio CDs: \"Wrenaissance,\" \"Carol of the Wrens,\" and \"Dynamic Tradition\""," 8 audio CD-Rs: recording sessions and concerts, 2001 - 2003","This collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection.","The Christopher Wren Singers are a coed, student-run a capella group at the College of William and Mary. The group was founded in 1987. The repitoire of the Christopher Wren Singers is made up predominately of madrigal and renaissance music.","Acc. 2013.066 accessioned and minimally described by Steven Bookman, University Archives Specialist, in April 2013.","The Gentlemen of the College Records (UA 7.006); The Stairwells Records (UA 7.051); Student Organizations Collection (UA 7.047)."," CDs and DAT tapes of concerts and recordings sessions were separated from this collection and added to the University Archives Audiovisual Collection (UA 58) on 4/19/2013."," Artifacts transferred to the University Archives Artifact Collection (UA 13) include: Christopher Wren Singers Polo Shirt (UA 2013.066.19)."," A folder of fliers related to the Christopher Wren Singers was separated from the Student Organizations Collection (UA 7.047) and was added to this collection on 4/19/2013.","Contains letters, post cards, scrapbooks, audio CDs and other material related to the Christopher Wren Singers, an a capella student organization that specializes in singing madrigal music. Included in the accession are letters and postcards from alumni, scrapbooks of events from 1991-2001, and a 2012 book celebrating 25 years of the Cristopher Wren Singers.","First half of a Scrapbook compiled by the Christopher Wren Singers including photographs, flyers, performance lists, and tour itineraries.","Second half of a Scrapbook compiled by the Christopher Wren Singers including photographs, flyers, performance lists, and tour itineraries.","Scrapbook compiled by the Christopher Wren Singers including photographs, flyers, performance lists, and tour itineraries.","Scrapbook compiled by the Christopher Wren Singers including photographs, flyers, performance lists, and tour itineraries.","Scrapbook compiled by the Christopher Wren Singers including photographs, flyers, performance lists, emails.","Mail addressed to the Christopher Wren Singers. Includes thank you notes, postcards, letters to and from alumni, recording order forms, photographs, and letters from the director to singers. Also included is a letter by the musical director of the a cappella group Reveille concerning an inaccurate article written in Jump! magazine on William and Mary A Cappella groups.","Flyers announcing auditions and performances for the Christopher Wren singers. Other William and Mary A Cappella groups are mentioned as well.","Notes taken by the Christopher Wren Singers on their recordings.","Memory book to celebrate Wren's 25th anniversary. Presented to the founders Eric Plaag and Suzanne Stephan (Neely) at homecoming 2012. Compiled by Jane Rabinovitz. Features pictures and memories from Wrens throughout the 25 years.","Postcards made to raise money for the European Tour of the William and Mary Choir.","Sony Hifi audiocassette. Songs include Fum, Fum, Fum (R. Shaw and A. Parker) Carol of the Bells (M. Leontovich) The Holly and the Ivy (R. Shaw and A. Parker) Quem Pastores Laudavere (Shepards Left their Flocks A-Straying)(J. Rutter) O Magnum Mysterium (O Wondrous Nativity) (T. DeVictoria) Deck the Halls (L. Tellep) There is No Rose (R. Center) The Lord will Come (J. Milton) The Boar's Head Carol (J. Kunz) Coventry Carol (M. Shaw) Greensleeves (traditional) God Rest Ye Merry Gentlemen (R. Wagner) Riu, Riu Chiu (N. Greenberg) Christ Was Born on Christmas Day (R. Shaw and A. Parker) A Merry Christmas (A. Warrell).","Christopher Wren Singers audiocassette.","One digital audiotape of the Christopher Wren Singers holiday concert that took place in the Great Hall of the Wren Building on the College of William and Mary campus. The track listing is as follows: 1. Deck the Halls 2. Cradle Song 3. Conventry Carol 4. The Holly and the Ivey 5. O Mangnum Mysterium 6. Silent Night 7. Ave Maria 8. Wassail Song 9. Ladies Mass 10. Carol of the Bells 11. Quelle Est Cette Odeur Agreable? 12. God Rest Y Merry Gentlemen 13. Riu, Riu, Chim 14. There is a Flower 15. Throw the Yule Log On, Uncle John 16. A Merry Christmas Acc. 2013.066.001.","One Maxwell XLIIS audiocassette tape featuring the Christopher Wren Singers.","One digital audiotape featuring the Christopher Wren Singers, a coed student a capella group at the College of William and Mary. Acc. 2013.066.002.","One Maxwell XLIIS audiocassette tape featuring the Christopher Wren Singers.","One digital audiotape of the Christopher Wren Singers' spring concert in 1997. Acc. 2013.066.003.","One Maxwell XLIIS audiocassette tape featuring the Chritopher Wren Singers.","One digital audiotape of the Christopher Wren Singers holiday concert that took place in the Great Hall of the Wren Building on the College of William and Mary campus. Acc. 2013.066.004.","One Maxwell XLIIS audiocassette tape featuring the Christopher Wren Singers.","One Digital Audio Tape featuring the Christopher Wren Singers.","One Maxwell XLIIS audiocassette tape featuring the Christopher Wren Singers.","One Digital Audio Tape featuring the Christopher Wren Singers.","One Sony HiFi audiocassette tape featuring the Christopher Wren Singers.","One Digital Audio Tape featuring the Christopher Wren Singers. 62 minutes.","An audiocassette of William and Mary A Capella performance Family Weekend, 1998.","One Maxwell XLII audiocassette featuring the Christopher Wren singers and the songs: Ding Dong Merrily on High Lu, Es ist ein Ros Entsrugen The Little Drummer Boy Verbum Caro God Rest Ye Merry Gentlemen In the Bleak Midwinter Carol of the Bells Fum Fum Fum There is a Flower The Holly and the Ivy Still, Still, Still Da me Abricias Noel! Sors de ton Lit Deck the Halls Virgin's Cradle Hymn We Wish You a Merry Christmas.","One Maxwell UR audiocassette featuring the Christopher Wren singers and the songs: Ding Dong Merrily on High Lu, Es ist ein Ros Entsrugen The Little Drummer Boy Verbum Caro God Rest Ye Merry Gentlemen In the Bleak Midwinter Carol of the Bells Fum Fum Fum There is a Flower The Holly and the Ivy Still, Still, Still Da me Abricias Noel! Sors de ton Lit Deck the Halls Virgin's Cradle Hymn We Wish You a Merry Christmas.","A Maxwell UR audiocassette featuring the Christopher Wren Singers. 1998 December 1: Ding Dong Merrily on High Lu, Es ist ein Ros Entsrugen The Little Drummer Boy Verbum Caro God Rest Ye Merry Gentlemen In the Bleak Midwinter Carol of the Bells Fum Fum Fum There is a Flower The Holly and the Ivy Still, Still, Still Da me Abricias Noel! Sors de ton Lit Deck the Halls Virgin's Cradle Hymn We Wish You a Merry Christmas 1999 April 28: Il Bianco e Dolce Cigno Margot Labourezle Vignes Du Bist Wie Eine Blume Verbum Caro You Are the New Day Mon coeur se Recommande a Vous O No John Barb'ra Allen When Allen-a-dale Went a' Hunting There is Sweet Music Down Among the Dead Men Le Baylere I Get Along Without You Very Well Vivier Lieto Voglio The Lily of the Valley The Irish Slumber Song Quick! We Have But a Second.","One Maxwell audiocassette featuring the Christopher Wren Singers and the songs: In the Bleak Midwinter (1/8) Deck the Halls (1/20) In the Bleak Midwinter (1/9) Carol of the Bells (1/6) Fum, Fum, Fum (1/8) Virgin'a Cradle (1/8).","One Maxwell XLII audiocassette featuring the Christopher Wren Singers.","One digital audiotape featuring the Christopher Wren Singers, a coed student a capella group at the College of William and Mary. The performance took place in the Great Hall of the Wren Building on the College of William and Mary campus. The track listing is as follows: 1. Verbum Caro  1-8 2. Noel   1-3 3. Ding, Dong, Merrily on High  1-8 4. Still, Still, Still     1-12 5. Little Drummer Boy    1- Acc. 2013.066.005.","One Maxwell XLII audiocassette featuring the Christopher Wren Singers.","One digital audiotape of a recording session in Ewell Recital Hall for the Christopher Wren Singers, a coed student a capella group at the College of William and Mary. Acc. 2013.066.006.","One Maxwell XLII audiocassette featuring the Christopher Wren Singers.","One Digital Audio Tape featuring the Christopher Wren Singers.","One Digital Audio Tape featuring the Christopher Wren Singers.","One TDK audiocassette featuring the Christopher Wren Singers and the songs: Break Faith, O Beauteous, Heavenly Light Away in a Manger O Magnum Mysterium Still, Still, Still Stopping by Woods on a Snowy Evening I Saw Three Ships The Coventry Carol I Wonder as I Wander Noel! Sors de ton Lit Carol of the Bells O Come All Ye Faithful Stille Nacht.","One Maxwell audiocassette featuring the Christopher Wren Singers.","One digital audiotape featuring the Christopher Wren Singers in their final concert of the 1999-2000 academic year at Bruton Parish Church. Acc. 2013.066.007.","One Maxwell audiocassette featuring the Christopher Wren Singers and the songs: Je ne 'ose Salmo 150 Weep O Mine Eyes.","One Maxwell audiocassette featuring the Christopher Wren Singers.","One Maxwell ausiocassette tape featuring the Christopher Wren Singers.","One Maxwell audiocassette featuring the Christopher Wren Singers.","One digital audiotape featuring the Christopher Wren Singers.","One digital audiotape featuring the Christopher Wren Singers.","One digital audiotape featuring the Christopher Wren Singers.","One digital audiotape featuring the Christopher Wren Singers.","One digital audiotape featuing the Christopher Wren Singers.","One Maxwell audiocassette featuring the Christopher Wren Singers.","One digital audiotape featuring the Christopher Wren Singers.","One Maxwell audiocassette featuring the Christopher Wren Singers and the songs: Carol of the Bells The Holly and the Ivy Gabriel's Message I Wonder as I Wander Here we Come A Wassailing.","One Maxwell audiocassette featuring the Christopher Wren Singers and the songs: Holly and the Ivy Carol of the Bells And So It Goes Margot Fatal I Wonder as I Wander.","One uncased Maxwell audiocassette.","CDs and DAT tapes of concerts and recordings sessions were separated from this collection and added to the University Archives Audiovisual Collection (UA 58) on 4/19/2013."," Artifacts transferred to the University Archives Artifact Collection (UA 13) include: Christopher Wren Singers Polo Shirt (UA 2013.066.19)."," A folder of fliers related to the Christopher Wren Singers was separated from the Student Organizations Collection (UA 7.047) and was added to this collection on 4/19/2013.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Christopher Wren Singers","English"],"unitid_tesim":["UA 7.067","/repositories/2/resources/1674"],"normalized_title_ssm":["Christopher Wren Singers Records"],"collection_title_tesim":["Christopher Wren Singers Records"],"collection_ssim":["Christopher Wren Singers Records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Christopher Wren Singers"],"creator_ssim":["Christopher Wren Singers"],"creator_corpname_ssim":["Christopher Wren Singers"],"creators_ssim":["Christopher Wren Singers"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2013.066 was hand-delivered to Special Collections by the donor on 4/4/2013."],"access_subjects_ssim":["College of William and Mary--Students","Music","Student Organizations--Christopher Wren Singers","Fliers (printed matter)","Letters (correspondence)","Postcards","Scrapbooks"],"access_subjects_ssm":["College of William and Mary--Students","Music","Student Organizations--Christopher Wren Singers","Fliers (printed matter)","Letters (correspondence)","Postcards","Scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["1.00 Linear Feet"],"extent_tesim":["1.00 Linear Feet"],"genreform_ssim":["Fliers (printed matter)","Letters (correspondence)","Postcards","Scrapbooks"],"date_range_isim":[1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003e3 audio CDs: \"Wrenaissance,\" \"Carol of the Wrens,\" and \"Dynamic Tradition\"\u003c/p\u003e\n","\u003cp\u003e 8 audio CD-Rs: recording sessions and concerts, 2001 - 2003\u003c/p\u003e"],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["3 audio CDs: \"Wrenaissance,\" \"Carol of the Wrens,\" and \"Dynamic Tradition\""," 8 audio CD-Rs: recording sessions and concerts, 2001 - 2003"],"arrangement_html_tesm":["\u003cp\u003eThis collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["This collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection."],"bioghist_html_tesm":["\u003cp\u003eThe Christopher Wren Singers are a coed, student-run a capella group at the College of William and Mary. The group was founded in 1987. The repitoire of the Christopher Wren Singers is made up predominately of madrigal and renaissance music.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["The Christopher Wren Singers are a coed, student-run a capella group at the College of William and Mary. The group was founded in 1987. The repitoire of the Christopher Wren Singers is made up predominately of madrigal and renaissance music."],"prefercite_html_tesm":["\u003cp\u003eChristopher Wren Singers Records, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Christopher Wren Singers Records, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2013.066 accessioned and minimally described by Steven Bookman, University Archives Specialist, in April 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2013.066 accessioned and minimally described by Steven Bookman, University Archives Specialist, in April 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Gentlemen of the College Records (UA 7.006); The Stairwells Records (UA 7.051); Student Organizations Collection (UA 7.047).\u003c/p\u003e\n","\u003cp\u003e CDs and DAT tapes of concerts and recordings sessions were separated from this collection and added to the University Archives Audiovisual Collection (UA 58) on 4/19/2013.\u003c/p\u003e\n","\u003cp\u003e Artifacts transferred to the University Archives Artifact Collection (UA 13) include: Christopher Wren Singers Polo Shirt (UA 2013.066.19).\u003c/p\u003e\n","\u003cp\u003e A folder of fliers related to the Christopher Wren Singers was separated from the Student Organizations Collection (UA 7.047) and was added to this collection on 4/19/2013.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["The Gentlemen of the College Records (UA 7.006); The Stairwells Records (UA 7.051); Student Organizations Collection (UA 7.047)."," CDs and DAT tapes of concerts and recordings sessions were separated from this collection and added to the University Archives Audiovisual Collection (UA 58) on 4/19/2013."," Artifacts transferred to the University Archives Artifact Collection (UA 13) include: Christopher Wren Singers Polo Shirt (UA 2013.066.19)."," A folder of fliers related to the Christopher Wren Singers was separated from the Student Organizations Collection (UA 7.047) and was added to this collection on 4/19/2013."],"scopecontent_html_tesm":["\u003cp\u003eContains letters, post cards, scrapbooks, audio CDs and other material related to the Christopher Wren Singers, an a capella student organization that specializes in singing madrigal music. Included in the accession are letters and postcards from alumni, scrapbooks of events from 1991-2001, and a 2012 book celebrating 25 years of the Cristopher Wren Singers.\u003c/p\u003e","\u003cp\u003eFirst half of a Scrapbook compiled by the Christopher Wren Singers including photographs, flyers, performance lists, and tour itineraries.\u003c/p\u003e","\u003cp\u003eSecond half of a Scrapbook compiled by the Christopher Wren Singers including photographs, flyers, performance lists, and tour itineraries.\u003c/p\u003e","\u003cp\u003eScrapbook compiled by the Christopher Wren Singers including photographs, flyers, performance lists, and tour itineraries.\u003c/p\u003e","\u003cp\u003eScrapbook compiled by the Christopher Wren Singers including photographs, flyers, performance lists, and tour itineraries.\u003c/p\u003e","\u003cp\u003eScrapbook compiled by the Christopher Wren Singers including photographs, flyers, performance lists, emails.\u003c/p\u003e","\u003cp\u003eMail addressed to the Christopher Wren Singers. Includes thank you notes, postcards, letters to and from alumni, recording order forms, photographs, and letters from the director to singers. Also included is a letter by the musical director of the a cappella group Reveille concerning an inaccurate article written in Jump! magazine on William and Mary A Cappella groups.\u003c/p\u003e","\u003cp\u003eFlyers announcing auditions and performances for the Christopher Wren singers. Other William and Mary A Cappella groups are mentioned as well.\u003c/p\u003e","\u003cp\u003eNotes taken by the Christopher Wren Singers on their recordings.\u003c/p\u003e","\u003cp\u003eMemory book to celebrate Wren's 25th anniversary. Presented to the founders Eric Plaag and Suzanne Stephan (Neely) at homecoming 2012. Compiled by Jane Rabinovitz. Features pictures and memories from Wrens throughout the 25 years.\u003c/p\u003e","\u003cp\u003ePostcards made to raise money for the European Tour of the William and Mary Choir.\u003c/p\u003e","\u003cp\u003eSony Hifi audiocassette. Songs include Fum, Fum, Fum (R. Shaw and A. Parker) Carol of the Bells (M. Leontovich) The Holly and the Ivy (R. Shaw and A. Parker) Quem Pastores Laudavere (Shepards Left their Flocks A-Straying)(J. Rutter) O Magnum Mysterium (O Wondrous Nativity) (T. DeVictoria) Deck the Halls (L. Tellep) There is No Rose (R. Center) The Lord will Come (J. Milton) The Boar's Head Carol (J. Kunz) Coventry Carol (M. Shaw) Greensleeves (traditional) God Rest Ye Merry Gentlemen (R. Wagner) Riu, Riu Chiu (N. Greenberg) Christ Was Born on Christmas Day (R. Shaw and A. Parker) A Merry Christmas (A. Warrell).\u003c/p\u003e","\u003cp\u003eChristopher Wren Singers audiocassette.\u003c/p\u003e","\u003cp\u003eOne digital audiotape of the Christopher Wren Singers holiday concert that took place in the Great Hall of the Wren Building on the College of William and Mary campus. The track listing is as follows: 1. Deck the Halls 2. Cradle Song 3. Conventry Carol 4. The Holly and the Ivey 5. O Mangnum Mysterium 6. Silent Night 7. Ave Maria 8. Wassail Song 9. Ladies Mass 10. Carol of the Bells 11. Quelle Est Cette Odeur Agreable? 12. God Rest Y Merry Gentlemen 13. Riu, Riu, Chim 14. There is a Flower 15. Throw the Yule Log On, Uncle John 16. A Merry Christmas Acc. 2013.066.001.\u003c/p\u003e","\u003cp\u003eOne Maxwell XLIIS audiocassette tape featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne digital audiotape featuring the Christopher Wren Singers, a coed student a capella group at the College of William and Mary. Acc. 2013.066.002.\u003c/p\u003e","\u003cp\u003eOne Maxwell XLIIS audiocassette tape featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne digital audiotape of the Christopher Wren Singers' spring concert in 1997. Acc. 2013.066.003.\u003c/p\u003e","\u003cp\u003eOne Maxwell XLIIS audiocassette tape featuring the Chritopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne digital audiotape of the Christopher Wren Singers holiday concert that took place in the Great Hall of the Wren Building on the College of William and Mary campus. Acc. 2013.066.004.\u003c/p\u003e","\u003cp\u003eOne Maxwell XLIIS audiocassette tape featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne Digital Audio Tape featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne Maxwell XLIIS audiocassette tape featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne Digital Audio Tape featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne Sony HiFi audiocassette tape featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne Digital Audio Tape featuring the Christopher Wren Singers. 62 minutes.\u003c/p\u003e","\u003cp\u003eAn audiocassette of William and Mary A Capella performance Family Weekend, 1998.\u003c/p\u003e","\u003cp\u003eOne Maxwell XLII audiocassette featuring the Christopher Wren singers and the songs: Ding Dong Merrily on High Lu, Es ist ein Ros Entsrugen The Little Drummer Boy Verbum Caro God Rest Ye Merry Gentlemen In the Bleak Midwinter Carol of the Bells Fum Fum Fum There is a Flower The Holly and the Ivy Still, Still, Still Da me Abricias Noel! Sors de ton Lit Deck the Halls Virgin's Cradle Hymn We Wish You a Merry Christmas.\u003c/p\u003e","\u003cp\u003eOne Maxwell UR audiocassette featuring the Christopher Wren singers and the songs: Ding Dong Merrily on High Lu, Es ist ein Ros Entsrugen The Little Drummer Boy Verbum Caro God Rest Ye Merry Gentlemen In the Bleak Midwinter Carol of the Bells Fum Fum Fum There is a Flower The Holly and the Ivy Still, Still, Still Da me Abricias Noel! Sors de ton Lit Deck the Halls Virgin's Cradle Hymn We Wish You a Merry Christmas.\u003c/p\u003e","\u003cp\u003eA Maxwell UR audiocassette featuring the Christopher Wren Singers. 1998 December 1: Ding Dong Merrily on High Lu, Es ist ein Ros Entsrugen The Little Drummer Boy Verbum Caro God Rest Ye Merry Gentlemen In the Bleak Midwinter Carol of the Bells Fum Fum Fum There is a Flower The Holly and the Ivy Still, Still, Still Da me Abricias Noel! Sors de ton Lit Deck the Halls Virgin's Cradle Hymn We Wish You a Merry Christmas 1999 April 28: Il Bianco e Dolce Cigno Margot Labourezle Vignes Du Bist Wie Eine Blume Verbum Caro You Are the New Day Mon coeur se Recommande a Vous O No John Barb'ra Allen When Allen-a-dale Went a' Hunting There is Sweet Music Down Among the Dead Men Le Baylere I Get Along Without You Very Well Vivier Lieto Voglio The Lily of the Valley The Irish Slumber Song Quick! We Have But a Second.\u003c/p\u003e","\u003cp\u003eOne Maxwell audiocassette featuring the Christopher Wren Singers and the songs: In the Bleak Midwinter (1/8) Deck the Halls (1/20) In the Bleak Midwinter (1/9) Carol of the Bells (1/6) Fum, Fum, Fum (1/8) Virgin'a Cradle (1/8).\u003c/p\u003e","\u003cp\u003eOne Maxwell XLII audiocassette featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne digital audiotape featuring the Christopher Wren Singers, a coed student a capella group at the College of William and Mary. The performance took place in the Great Hall of the Wren Building on the College of William and Mary campus. The track listing is as follows: 1. Verbum Caro  1-8 2. Noel   1-3 3. Ding, Dong, Merrily on High  1-8 4. Still, Still, Still     1-12 5. Little Drummer Boy    1- Acc. 2013.066.005.\u003c/p\u003e","\u003cp\u003eOne Maxwell XLII audiocassette featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne digital audiotape of a recording session in Ewell Recital Hall for the Christopher Wren Singers, a coed student a capella group at the College of William and Mary. Acc. 2013.066.006.\u003c/p\u003e","\u003cp\u003eOne Maxwell XLII audiocassette featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne Digital Audio Tape featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne Digital Audio Tape featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne TDK audiocassette featuring the Christopher Wren Singers and the songs: Break Faith, O Beauteous, Heavenly Light Away in a Manger O Magnum Mysterium Still, Still, Still Stopping by Woods on a Snowy Evening I Saw Three Ships The Coventry Carol I Wonder as I Wander Noel! Sors de ton Lit Carol of the Bells O Come All Ye Faithful Stille Nacht.\u003c/p\u003e","\u003cp\u003eOne Maxwell audiocassette featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne digital audiotape featuring the Christopher Wren Singers in their final concert of the 1999-2000 academic year at Bruton Parish Church. Acc. 2013.066.007.\u003c/p\u003e","\u003cp\u003eOne Maxwell audiocassette featuring the Christopher Wren Singers and the songs: Je ne 'ose Salmo 150 Weep O Mine Eyes.\u003c/p\u003e","\u003cp\u003eOne Maxwell audiocassette featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne Maxwell ausiocassette tape featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne Maxwell audiocassette featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne digital audiotape featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne digital audiotape featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne digital audiotape featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne digital audiotape featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne digital audiotape featuing the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne Maxwell audiocassette featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne digital audiotape featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne Maxwell audiocassette featuring the Christopher Wren Singers and the songs: Carol of the Bells The Holly and the Ivy Gabriel's Message I Wonder as I Wander Here we Come A Wassailing.\u003c/p\u003e","\u003cp\u003eOne Maxwell audiocassette featuring the Christopher Wren Singers and the songs: Holly and the Ivy Carol of the Bells And So It Goes Margot Fatal I Wonder as I Wander.\u003c/p\u003e","\u003cp\u003eOne uncased Maxwell audiocassette.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Contains letters, post cards, scrapbooks, audio CDs and other material related to the Christopher Wren Singers, an a capella student organization that specializes in singing madrigal music. Included in the accession are letters and postcards from alumni, scrapbooks of events from 1991-2001, and a 2012 book celebrating 25 years of the Cristopher Wren Singers.","First half of a Scrapbook compiled by the Christopher Wren Singers including photographs, flyers, performance lists, and tour itineraries.","Second half of a Scrapbook compiled by the Christopher Wren Singers including photographs, flyers, performance lists, and tour itineraries.","Scrapbook compiled by the Christopher Wren Singers including photographs, flyers, performance lists, and tour itineraries.","Scrapbook compiled by the Christopher Wren Singers including photographs, flyers, performance lists, and tour itineraries.","Scrapbook compiled by the Christopher Wren Singers including photographs, flyers, performance lists, emails.","Mail addressed to the Christopher Wren Singers. Includes thank you notes, postcards, letters to and from alumni, recording order forms, photographs, and letters from the director to singers. Also included is a letter by the musical director of the a cappella group Reveille concerning an inaccurate article written in Jump! magazine on William and Mary A Cappella groups.","Flyers announcing auditions and performances for the Christopher Wren singers. Other William and Mary A Cappella groups are mentioned as well.","Notes taken by the Christopher Wren Singers on their recordings.","Memory book to celebrate Wren's 25th anniversary. Presented to the founders Eric Plaag and Suzanne Stephan (Neely) at homecoming 2012. Compiled by Jane Rabinovitz. Features pictures and memories from Wrens throughout the 25 years.","Postcards made to raise money for the European Tour of the William and Mary Choir.","Sony Hifi audiocassette. Songs include Fum, Fum, Fum (R. Shaw and A. Parker) Carol of the Bells (M. Leontovich) The Holly and the Ivy (R. Shaw and A. Parker) Quem Pastores Laudavere (Shepards Left their Flocks A-Straying)(J. Rutter) O Magnum Mysterium (O Wondrous Nativity) (T. DeVictoria) Deck the Halls (L. Tellep) There is No Rose (R. Center) The Lord will Come (J. Milton) The Boar's Head Carol (J. Kunz) Coventry Carol (M. Shaw) Greensleeves (traditional) God Rest Ye Merry Gentlemen (R. Wagner) Riu, Riu Chiu (N. Greenberg) Christ Was Born on Christmas Day (R. Shaw and A. Parker) A Merry Christmas (A. Warrell).","Christopher Wren Singers audiocassette.","One digital audiotape of the Christopher Wren Singers holiday concert that took place in the Great Hall of the Wren Building on the College of William and Mary campus. The track listing is as follows: 1. Deck the Halls 2. Cradle Song 3. Conventry Carol 4. The Holly and the Ivey 5. O Mangnum Mysterium 6. Silent Night 7. Ave Maria 8. Wassail Song 9. Ladies Mass 10. Carol of the Bells 11. Quelle Est Cette Odeur Agreable? 12. God Rest Y Merry Gentlemen 13. Riu, Riu, Chim 14. There is a Flower 15. Throw the Yule Log On, Uncle John 16. A Merry Christmas Acc. 2013.066.001.","One Maxwell XLIIS audiocassette tape featuring the Christopher Wren Singers.","One digital audiotape featuring the Christopher Wren Singers, a coed student a capella group at the College of William and Mary. Acc. 2013.066.002.","One Maxwell XLIIS audiocassette tape featuring the Christopher Wren Singers.","One digital audiotape of the Christopher Wren Singers' spring concert in 1997. Acc. 2013.066.003.","One Maxwell XLIIS audiocassette tape featuring the Chritopher Wren Singers.","One digital audiotape of the Christopher Wren Singers holiday concert that took place in the Great Hall of the Wren Building on the College of William and Mary campus. Acc. 2013.066.004.","One Maxwell XLIIS audiocassette tape featuring the Christopher Wren Singers.","One Digital Audio Tape featuring the Christopher Wren Singers.","One Maxwell XLIIS audiocassette tape featuring the Christopher Wren Singers.","One Digital Audio Tape featuring the Christopher Wren Singers.","One Sony HiFi audiocassette tape featuring the Christopher Wren Singers.","One Digital Audio Tape featuring the Christopher Wren Singers. 62 minutes.","An audiocassette of William and Mary A Capella performance Family Weekend, 1998.","One Maxwell XLII audiocassette featuring the Christopher Wren singers and the songs: Ding Dong Merrily on High Lu, Es ist ein Ros Entsrugen The Little Drummer Boy Verbum Caro God Rest Ye Merry Gentlemen In the Bleak Midwinter Carol of the Bells Fum Fum Fum There is a Flower The Holly and the Ivy Still, Still, Still Da me Abricias Noel! Sors de ton Lit Deck the Halls Virgin's Cradle Hymn We Wish You a Merry Christmas.","One Maxwell UR audiocassette featuring the Christopher Wren singers and the songs: Ding Dong Merrily on High Lu, Es ist ein Ros Entsrugen The Little Drummer Boy Verbum Caro God Rest Ye Merry Gentlemen In the Bleak Midwinter Carol of the Bells Fum Fum Fum There is a Flower The Holly and the Ivy Still, Still, Still Da me Abricias Noel! Sors de ton Lit Deck the Halls Virgin's Cradle Hymn We Wish You a Merry Christmas.","A Maxwell UR audiocassette featuring the Christopher Wren Singers. 1998 December 1: Ding Dong Merrily on High Lu, Es ist ein Ros Entsrugen The Little Drummer Boy Verbum Caro God Rest Ye Merry Gentlemen In the Bleak Midwinter Carol of the Bells Fum Fum Fum There is a Flower The Holly and the Ivy Still, Still, Still Da me Abricias Noel! Sors de ton Lit Deck the Halls Virgin's Cradle Hymn We Wish You a Merry Christmas 1999 April 28: Il Bianco e Dolce Cigno Margot Labourezle Vignes Du Bist Wie Eine Blume Verbum Caro You Are the New Day Mon coeur se Recommande a Vous O No John Barb'ra Allen When Allen-a-dale Went a' Hunting There is Sweet Music Down Among the Dead Men Le Baylere I Get Along Without You Very Well Vivier Lieto Voglio The Lily of the Valley The Irish Slumber Song Quick! We Have But a Second.","One Maxwell audiocassette featuring the Christopher Wren Singers and the songs: In the Bleak Midwinter (1/8) Deck the Halls (1/20) In the Bleak Midwinter (1/9) Carol of the Bells (1/6) Fum, Fum, Fum (1/8) Virgin'a Cradle (1/8).","One Maxwell XLII audiocassette featuring the Christopher Wren Singers.","One digital audiotape featuring the Christopher Wren Singers, a coed student a capella group at the College of William and Mary. The performance took place in the Great Hall of the Wren Building on the College of William and Mary campus. The track listing is as follows: 1. Verbum Caro  1-8 2. Noel   1-3 3. Ding, Dong, Merrily on High  1-8 4. Still, Still, Still     1-12 5. Little Drummer Boy    1- Acc. 2013.066.005.","One Maxwell XLII audiocassette featuring the Christopher Wren Singers.","One digital audiotape of a recording session in Ewell Recital Hall for the Christopher Wren Singers, a coed student a capella group at the College of William and Mary. Acc. 2013.066.006.","One Maxwell XLII audiocassette featuring the Christopher Wren Singers.","One Digital Audio Tape featuring the Christopher Wren Singers.","One Digital Audio Tape featuring the Christopher Wren Singers.","One TDK audiocassette featuring the Christopher Wren Singers and the songs: Break Faith, O Beauteous, Heavenly Light Away in a Manger O Magnum Mysterium Still, Still, Still Stopping by Woods on a Snowy Evening I Saw Three Ships The Coventry Carol I Wonder as I Wander Noel! Sors de ton Lit Carol of the Bells O Come All Ye Faithful Stille Nacht.","One Maxwell audiocassette featuring the Christopher Wren Singers.","One digital audiotape featuring the Christopher Wren Singers in their final concert of the 1999-2000 academic year at Bruton Parish Church. Acc. 2013.066.007.","One Maxwell audiocassette featuring the Christopher Wren Singers and the songs: Je ne 'ose Salmo 150 Weep O Mine Eyes.","One Maxwell audiocassette featuring the Christopher Wren Singers.","One Maxwell ausiocassette tape featuring the Christopher Wren Singers.","One Maxwell audiocassette featuring the Christopher Wren Singers.","One digital audiotape featuring the Christopher Wren Singers.","One digital audiotape featuring the Christopher Wren Singers.","One digital audiotape featuring the Christopher Wren Singers.","One digital audiotape featuring the Christopher Wren Singers.","One digital audiotape featuing the Christopher Wren Singers.","One Maxwell audiocassette featuring the Christopher Wren Singers.","One digital audiotape featuring the Christopher Wren Singers.","One Maxwell audiocassette featuring the Christopher Wren Singers and the songs: Carol of the Bells The Holly and the Ivy Gabriel's Message I Wonder as I Wander Here we Come A Wassailing.","One Maxwell audiocassette featuring the Christopher Wren Singers and the songs: Holly and the Ivy Carol of the Bells And So It Goes Margot Fatal I Wonder as I Wander.","One uncased Maxwell audiocassette."],"separatedmaterial_html_tesm":["\u003cp\u003eCDs and DAT tapes of concerts and recordings sessions were separated from this collection and added to the University Archives Audiovisual Collection (UA 58) on 4/19/2013.\u003c/p\u003e\n","\u003cp\u003e Artifacts transferred to the University Archives Artifact Collection (UA 13) include: Christopher Wren Singers Polo Shirt (UA 2013.066.19).\u003c/p\u003e\n","\u003cp\u003e A folder of fliers related to the Christopher Wren Singers was separated from the Student Organizations Collection (UA 7.047) and was added to this collection on 4/19/2013.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["CDs and DAT tapes of concerts and recordings sessions were separated from this collection and added to the University Archives Audiovisual Collection (UA 58) on 4/19/2013."," Artifacts transferred to the University Archives Artifact Collection (UA 13) include: Christopher Wren Singers Polo Shirt (UA 2013.066.19)."," A folder of fliers related to the Christopher Wren Singers was separated from the Student Organizations Collection (UA 7.047) and was added to this collection on 4/19/2013."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Christopher Wren Singers"],"corpname_ssim":["Special Collections Research Center","Christopher Wren Singers"],"language_ssim":["English"],"total_component_count_is":57,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:16:22.578Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_1674","ead_ssi":"viw_repositories_2_resources_1674","_root_":"viw_repositories_2_resources_1674","_nest_parent_":"viw_repositories_2_resources_1674","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1674.xml","title_filing_ssi":"Christopher Wren Singers Records","title_ssm":["Christopher Wren Singers Records"],"title_tesim":["Christopher Wren Singers Records"],"unitdate_ssm":["1989-2012","1993-2003"],"unitdate_bulk_ssim":["1993-2003"],"unitdate_inclusive_ssm":["1989-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 7.067","/repositories/2/resources/1674"],"text":["UA 7.067","/repositories/2/resources/1674","Christopher Wren Singers Records","College of William and Mary--Students","Music","Student Organizations--Christopher Wren Singers","Fliers (printed matter)","Letters (correspondence)","Postcards","Scrapbooks","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","3 audio CDs: \"Wrenaissance,\" \"Carol of the Wrens,\" and \"Dynamic Tradition\""," 8 audio CD-Rs: recording sessions and concerts, 2001 - 2003","This collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection.","The Christopher Wren Singers are a coed, student-run a capella group at the College of William and Mary. The group was founded in 1987. The repitoire of the Christopher Wren Singers is made up predominately of madrigal and renaissance music.","Acc. 2013.066 accessioned and minimally described by Steven Bookman, University Archives Specialist, in April 2013.","The Gentlemen of the College Records (UA 7.006); The Stairwells Records (UA 7.051); Student Organizations Collection (UA 7.047)."," CDs and DAT tapes of concerts and recordings sessions were separated from this collection and added to the University Archives Audiovisual Collection (UA 58) on 4/19/2013."," Artifacts transferred to the University Archives Artifact Collection (UA 13) include: Christopher Wren Singers Polo Shirt (UA 2013.066.19)."," A folder of fliers related to the Christopher Wren Singers was separated from the Student Organizations Collection (UA 7.047) and was added to this collection on 4/19/2013.","Contains letters, post cards, scrapbooks, audio CDs and other material related to the Christopher Wren Singers, an a capella student organization that specializes in singing madrigal music. Included in the accession are letters and postcards from alumni, scrapbooks of events from 1991-2001, and a 2012 book celebrating 25 years of the Cristopher Wren Singers.","First half of a Scrapbook compiled by the Christopher Wren Singers including photographs, flyers, performance lists, and tour itineraries.","Second half of a Scrapbook compiled by the Christopher Wren Singers including photographs, flyers, performance lists, and tour itineraries.","Scrapbook compiled by the Christopher Wren Singers including photographs, flyers, performance lists, and tour itineraries.","Scrapbook compiled by the Christopher Wren Singers including photographs, flyers, performance lists, and tour itineraries.","Scrapbook compiled by the Christopher Wren Singers including photographs, flyers, performance lists, emails.","Mail addressed to the Christopher Wren Singers. Includes thank you notes, postcards, letters to and from alumni, recording order forms, photographs, and letters from the director to singers. Also included is a letter by the musical director of the a cappella group Reveille concerning an inaccurate article written in Jump! magazine on William and Mary A Cappella groups.","Flyers announcing auditions and performances for the Christopher Wren singers. Other William and Mary A Cappella groups are mentioned as well.","Notes taken by the Christopher Wren Singers on their recordings.","Memory book to celebrate Wren's 25th anniversary. Presented to the founders Eric Plaag and Suzanne Stephan (Neely) at homecoming 2012. Compiled by Jane Rabinovitz. Features pictures and memories from Wrens throughout the 25 years.","Postcards made to raise money for the European Tour of the William and Mary Choir.","Sony Hifi audiocassette. Songs include Fum, Fum, Fum (R. Shaw and A. Parker) Carol of the Bells (M. Leontovich) The Holly and the Ivy (R. Shaw and A. Parker) Quem Pastores Laudavere (Shepards Left their Flocks A-Straying)(J. Rutter) O Magnum Mysterium (O Wondrous Nativity) (T. DeVictoria) Deck the Halls (L. Tellep) There is No Rose (R. Center) The Lord will Come (J. Milton) The Boar's Head Carol (J. Kunz) Coventry Carol (M. Shaw) Greensleeves (traditional) God Rest Ye Merry Gentlemen (R. Wagner) Riu, Riu Chiu (N. Greenberg) Christ Was Born on Christmas Day (R. Shaw and A. Parker) A Merry Christmas (A. Warrell).","Christopher Wren Singers audiocassette.","One digital audiotape of the Christopher Wren Singers holiday concert that took place in the Great Hall of the Wren Building on the College of William and Mary campus. The track listing is as follows: 1. Deck the Halls 2. Cradle Song 3. Conventry Carol 4. The Holly and the Ivey 5. O Mangnum Mysterium 6. Silent Night 7. Ave Maria 8. Wassail Song 9. Ladies Mass 10. Carol of the Bells 11. Quelle Est Cette Odeur Agreable? 12. God Rest Y Merry Gentlemen 13. Riu, Riu, Chim 14. There is a Flower 15. Throw the Yule Log On, Uncle John 16. A Merry Christmas Acc. 2013.066.001.","One Maxwell XLIIS audiocassette tape featuring the Christopher Wren Singers.","One digital audiotape featuring the Christopher Wren Singers, a coed student a capella group at the College of William and Mary. Acc. 2013.066.002.","One Maxwell XLIIS audiocassette tape featuring the Christopher Wren Singers.","One digital audiotape of the Christopher Wren Singers' spring concert in 1997. Acc. 2013.066.003.","One Maxwell XLIIS audiocassette tape featuring the Chritopher Wren Singers.","One digital audiotape of the Christopher Wren Singers holiday concert that took place in the Great Hall of the Wren Building on the College of William and Mary campus. Acc. 2013.066.004.","One Maxwell XLIIS audiocassette tape featuring the Christopher Wren Singers.","One Digital Audio Tape featuring the Christopher Wren Singers.","One Maxwell XLIIS audiocassette tape featuring the Christopher Wren Singers.","One Digital Audio Tape featuring the Christopher Wren Singers.","One Sony HiFi audiocassette tape featuring the Christopher Wren Singers.","One Digital Audio Tape featuring the Christopher Wren Singers. 62 minutes.","An audiocassette of William and Mary A Capella performance Family Weekend, 1998.","One Maxwell XLII audiocassette featuring the Christopher Wren singers and the songs: Ding Dong Merrily on High Lu, Es ist ein Ros Entsrugen The Little Drummer Boy Verbum Caro God Rest Ye Merry Gentlemen In the Bleak Midwinter Carol of the Bells Fum Fum Fum There is a Flower The Holly and the Ivy Still, Still, Still Da me Abricias Noel! Sors de ton Lit Deck the Halls Virgin's Cradle Hymn We Wish You a Merry Christmas.","One Maxwell UR audiocassette featuring the Christopher Wren singers and the songs: Ding Dong Merrily on High Lu, Es ist ein Ros Entsrugen The Little Drummer Boy Verbum Caro God Rest Ye Merry Gentlemen In the Bleak Midwinter Carol of the Bells Fum Fum Fum There is a Flower The Holly and the Ivy Still, Still, Still Da me Abricias Noel! Sors de ton Lit Deck the Halls Virgin's Cradle Hymn We Wish You a Merry Christmas.","A Maxwell UR audiocassette featuring the Christopher Wren Singers. 1998 December 1: Ding Dong Merrily on High Lu, Es ist ein Ros Entsrugen The Little Drummer Boy Verbum Caro God Rest Ye Merry Gentlemen In the Bleak Midwinter Carol of the Bells Fum Fum Fum There is a Flower The Holly and the Ivy Still, Still, Still Da me Abricias Noel! Sors de ton Lit Deck the Halls Virgin's Cradle Hymn We Wish You a Merry Christmas 1999 April 28: Il Bianco e Dolce Cigno Margot Labourezle Vignes Du Bist Wie Eine Blume Verbum Caro You Are the New Day Mon coeur se Recommande a Vous O No John Barb'ra Allen When Allen-a-dale Went a' Hunting There is Sweet Music Down Among the Dead Men Le Baylere I Get Along Without You Very Well Vivier Lieto Voglio The Lily of the Valley The Irish Slumber Song Quick! We Have But a Second.","One Maxwell audiocassette featuring the Christopher Wren Singers and the songs: In the Bleak Midwinter (1/8) Deck the Halls (1/20) In the Bleak Midwinter (1/9) Carol of the Bells (1/6) Fum, Fum, Fum (1/8) Virgin'a Cradle (1/8).","One Maxwell XLII audiocassette featuring the Christopher Wren Singers.","One digital audiotape featuring the Christopher Wren Singers, a coed student a capella group at the College of William and Mary. The performance took place in the Great Hall of the Wren Building on the College of William and Mary campus. The track listing is as follows: 1. Verbum Caro  1-8 2. Noel   1-3 3. Ding, Dong, Merrily on High  1-8 4. Still, Still, Still     1-12 5. Little Drummer Boy    1- Acc. 2013.066.005.","One Maxwell XLII audiocassette featuring the Christopher Wren Singers.","One digital audiotape of a recording session in Ewell Recital Hall for the Christopher Wren Singers, a coed student a capella group at the College of William and Mary. Acc. 2013.066.006.","One Maxwell XLII audiocassette featuring the Christopher Wren Singers.","One Digital Audio Tape featuring the Christopher Wren Singers.","One Digital Audio Tape featuring the Christopher Wren Singers.","One TDK audiocassette featuring the Christopher Wren Singers and the songs: Break Faith, O Beauteous, Heavenly Light Away in a Manger O Magnum Mysterium Still, Still, Still Stopping by Woods on a Snowy Evening I Saw Three Ships The Coventry Carol I Wonder as I Wander Noel! Sors de ton Lit Carol of the Bells O Come All Ye Faithful Stille Nacht.","One Maxwell audiocassette featuring the Christopher Wren Singers.","One digital audiotape featuring the Christopher Wren Singers in their final concert of the 1999-2000 academic year at Bruton Parish Church. Acc. 2013.066.007.","One Maxwell audiocassette featuring the Christopher Wren Singers and the songs: Je ne 'ose Salmo 150 Weep O Mine Eyes.","One Maxwell audiocassette featuring the Christopher Wren Singers.","One Maxwell ausiocassette tape featuring the Christopher Wren Singers.","One Maxwell audiocassette featuring the Christopher Wren Singers.","One digital audiotape featuring the Christopher Wren Singers.","One digital audiotape featuring the Christopher Wren Singers.","One digital audiotape featuring the Christopher Wren Singers.","One digital audiotape featuring the Christopher Wren Singers.","One digital audiotape featuing the Christopher Wren Singers.","One Maxwell audiocassette featuring the Christopher Wren Singers.","One digital audiotape featuring the Christopher Wren Singers.","One Maxwell audiocassette featuring the Christopher Wren Singers and the songs: Carol of the Bells The Holly and the Ivy Gabriel's Message I Wonder as I Wander Here we Come A Wassailing.","One Maxwell audiocassette featuring the Christopher Wren Singers and the songs: Holly and the Ivy Carol of the Bells And So It Goes Margot Fatal I Wonder as I Wander.","One uncased Maxwell audiocassette.","CDs and DAT tapes of concerts and recordings sessions were separated from this collection and added to the University Archives Audiovisual Collection (UA 58) on 4/19/2013."," Artifacts transferred to the University Archives Artifact Collection (UA 13) include: Christopher Wren Singers Polo Shirt (UA 2013.066.19)."," A folder of fliers related to the Christopher Wren Singers was separated from the Student Organizations Collection (UA 7.047) and was added to this collection on 4/19/2013.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Christopher Wren Singers","English"],"unitid_tesim":["UA 7.067","/repositories/2/resources/1674"],"normalized_title_ssm":["Christopher Wren Singers Records"],"collection_title_tesim":["Christopher Wren Singers Records"],"collection_ssim":["Christopher Wren Singers Records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Christopher Wren Singers"],"creator_ssim":["Christopher Wren Singers"],"creator_corpname_ssim":["Christopher Wren Singers"],"creators_ssim":["Christopher Wren Singers"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2013.066 was hand-delivered to Special Collections by the donor on 4/4/2013."],"access_subjects_ssim":["College of William and Mary--Students","Music","Student Organizations--Christopher Wren Singers","Fliers (printed matter)","Letters (correspondence)","Postcards","Scrapbooks"],"access_subjects_ssm":["College of William and Mary--Students","Music","Student Organizations--Christopher Wren Singers","Fliers (printed matter)","Letters (correspondence)","Postcards","Scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["1.00 Linear Feet"],"extent_tesim":["1.00 Linear Feet"],"genreform_ssim":["Fliers (printed matter)","Letters (correspondence)","Postcards","Scrapbooks"],"date_range_isim":[1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003e3 audio CDs: \"Wrenaissance,\" \"Carol of the Wrens,\" and \"Dynamic Tradition\"\u003c/p\u003e\n","\u003cp\u003e 8 audio CD-Rs: recording sessions and concerts, 2001 - 2003\u003c/p\u003e"],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["3 audio CDs: \"Wrenaissance,\" \"Carol of the Wrens,\" and \"Dynamic Tradition\""," 8 audio CD-Rs: recording sessions and concerts, 2001 - 2003"],"arrangement_html_tesm":["\u003cp\u003eThis collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["This collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection."],"bioghist_html_tesm":["\u003cp\u003eThe Christopher Wren Singers are a coed, student-run a capella group at the College of William and Mary. The group was founded in 1987. The repitoire of the Christopher Wren Singers is made up predominately of madrigal and renaissance music.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["The Christopher Wren Singers are a coed, student-run a capella group at the College of William and Mary. The group was founded in 1987. The repitoire of the Christopher Wren Singers is made up predominately of madrigal and renaissance music."],"prefercite_html_tesm":["\u003cp\u003eChristopher Wren Singers Records, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Christopher Wren Singers Records, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2013.066 accessioned and minimally described by Steven Bookman, University Archives Specialist, in April 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2013.066 accessioned and minimally described by Steven Bookman, University Archives Specialist, in April 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Gentlemen of the College Records (UA 7.006); The Stairwells Records (UA 7.051); Student Organizations Collection (UA 7.047).\u003c/p\u003e\n","\u003cp\u003e CDs and DAT tapes of concerts and recordings sessions were separated from this collection and added to the University Archives Audiovisual Collection (UA 58) on 4/19/2013.\u003c/p\u003e\n","\u003cp\u003e Artifacts transferred to the University Archives Artifact Collection (UA 13) include: Christopher Wren Singers Polo Shirt (UA 2013.066.19).\u003c/p\u003e\n","\u003cp\u003e A folder of fliers related to the Christopher Wren Singers was separated from the Student Organizations Collection (UA 7.047) and was added to this collection on 4/19/2013.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["The Gentlemen of the College Records (UA 7.006); The Stairwells Records (UA 7.051); Student Organizations Collection (UA 7.047)."," CDs and DAT tapes of concerts and recordings sessions were separated from this collection and added to the University Archives Audiovisual Collection (UA 58) on 4/19/2013."," Artifacts transferred to the University Archives Artifact Collection (UA 13) include: Christopher Wren Singers Polo Shirt (UA 2013.066.19)."," A folder of fliers related to the Christopher Wren Singers was separated from the Student Organizations Collection (UA 7.047) and was added to this collection on 4/19/2013."],"scopecontent_html_tesm":["\u003cp\u003eContains letters, post cards, scrapbooks, audio CDs and other material related to the Christopher Wren Singers, an a capella student organization that specializes in singing madrigal music. Included in the accession are letters and postcards from alumni, scrapbooks of events from 1991-2001, and a 2012 book celebrating 25 years of the Cristopher Wren Singers.\u003c/p\u003e","\u003cp\u003eFirst half of a Scrapbook compiled by the Christopher Wren Singers including photographs, flyers, performance lists, and tour itineraries.\u003c/p\u003e","\u003cp\u003eSecond half of a Scrapbook compiled by the Christopher Wren Singers including photographs, flyers, performance lists, and tour itineraries.\u003c/p\u003e","\u003cp\u003eScrapbook compiled by the Christopher Wren Singers including photographs, flyers, performance lists, and tour itineraries.\u003c/p\u003e","\u003cp\u003eScrapbook compiled by the Christopher Wren Singers including photographs, flyers, performance lists, and tour itineraries.\u003c/p\u003e","\u003cp\u003eScrapbook compiled by the Christopher Wren Singers including photographs, flyers, performance lists, emails.\u003c/p\u003e","\u003cp\u003eMail addressed to the Christopher Wren Singers. Includes thank you notes, postcards, letters to and from alumni, recording order forms, photographs, and letters from the director to singers. Also included is a letter by the musical director of the a cappella group Reveille concerning an inaccurate article written in Jump! magazine on William and Mary A Cappella groups.\u003c/p\u003e","\u003cp\u003eFlyers announcing auditions and performances for the Christopher Wren singers. Other William and Mary A Cappella groups are mentioned as well.\u003c/p\u003e","\u003cp\u003eNotes taken by the Christopher Wren Singers on their recordings.\u003c/p\u003e","\u003cp\u003eMemory book to celebrate Wren's 25th anniversary. Presented to the founders Eric Plaag and Suzanne Stephan (Neely) at homecoming 2012. Compiled by Jane Rabinovitz. Features pictures and memories from Wrens throughout the 25 years.\u003c/p\u003e","\u003cp\u003ePostcards made to raise money for the European Tour of the William and Mary Choir.\u003c/p\u003e","\u003cp\u003eSony Hifi audiocassette. Songs include Fum, Fum, Fum (R. Shaw and A. Parker) Carol of the Bells (M. Leontovich) The Holly and the Ivy (R. Shaw and A. Parker) Quem Pastores Laudavere (Shepards Left their Flocks A-Straying)(J. Rutter) O Magnum Mysterium (O Wondrous Nativity) (T. DeVictoria) Deck the Halls (L. Tellep) There is No Rose (R. Center) The Lord will Come (J. Milton) The Boar's Head Carol (J. Kunz) Coventry Carol (M. Shaw) Greensleeves (traditional) God Rest Ye Merry Gentlemen (R. Wagner) Riu, Riu Chiu (N. Greenberg) Christ Was Born on Christmas Day (R. Shaw and A. Parker) A Merry Christmas (A. Warrell).\u003c/p\u003e","\u003cp\u003eChristopher Wren Singers audiocassette.\u003c/p\u003e","\u003cp\u003eOne digital audiotape of the Christopher Wren Singers holiday concert that took place in the Great Hall of the Wren Building on the College of William and Mary campus. The track listing is as follows: 1. Deck the Halls 2. Cradle Song 3. Conventry Carol 4. The Holly and the Ivey 5. O Mangnum Mysterium 6. Silent Night 7. Ave Maria 8. Wassail Song 9. Ladies Mass 10. Carol of the Bells 11. Quelle Est Cette Odeur Agreable? 12. God Rest Y Merry Gentlemen 13. Riu, Riu, Chim 14. There is a Flower 15. Throw the Yule Log On, Uncle John 16. A Merry Christmas Acc. 2013.066.001.\u003c/p\u003e","\u003cp\u003eOne Maxwell XLIIS audiocassette tape featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne digital audiotape featuring the Christopher Wren Singers, a coed student a capella group at the College of William and Mary. Acc. 2013.066.002.\u003c/p\u003e","\u003cp\u003eOne Maxwell XLIIS audiocassette tape featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne digital audiotape of the Christopher Wren Singers' spring concert in 1997. Acc. 2013.066.003.\u003c/p\u003e","\u003cp\u003eOne Maxwell XLIIS audiocassette tape featuring the Chritopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne digital audiotape of the Christopher Wren Singers holiday concert that took place in the Great Hall of the Wren Building on the College of William and Mary campus. Acc. 2013.066.004.\u003c/p\u003e","\u003cp\u003eOne Maxwell XLIIS audiocassette tape featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne Digital Audio Tape featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne Maxwell XLIIS audiocassette tape featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne Digital Audio Tape featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne Sony HiFi audiocassette tape featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne Digital Audio Tape featuring the Christopher Wren Singers. 62 minutes.\u003c/p\u003e","\u003cp\u003eAn audiocassette of William and Mary A Capella performance Family Weekend, 1998.\u003c/p\u003e","\u003cp\u003eOne Maxwell XLII audiocassette featuring the Christopher Wren singers and the songs: Ding Dong Merrily on High Lu, Es ist ein Ros Entsrugen The Little Drummer Boy Verbum Caro God Rest Ye Merry Gentlemen In the Bleak Midwinter Carol of the Bells Fum Fum Fum There is a Flower The Holly and the Ivy Still, Still, Still Da me Abricias Noel! Sors de ton Lit Deck the Halls Virgin's Cradle Hymn We Wish You a Merry Christmas.\u003c/p\u003e","\u003cp\u003eOne Maxwell UR audiocassette featuring the Christopher Wren singers and the songs: Ding Dong Merrily on High Lu, Es ist ein Ros Entsrugen The Little Drummer Boy Verbum Caro God Rest Ye Merry Gentlemen In the Bleak Midwinter Carol of the Bells Fum Fum Fum There is a Flower The Holly and the Ivy Still, Still, Still Da me Abricias Noel! Sors de ton Lit Deck the Halls Virgin's Cradle Hymn We Wish You a Merry Christmas.\u003c/p\u003e","\u003cp\u003eA Maxwell UR audiocassette featuring the Christopher Wren Singers. 1998 December 1: Ding Dong Merrily on High Lu, Es ist ein Ros Entsrugen The Little Drummer Boy Verbum Caro God Rest Ye Merry Gentlemen In the Bleak Midwinter Carol of the Bells Fum Fum Fum There is a Flower The Holly and the Ivy Still, Still, Still Da me Abricias Noel! Sors de ton Lit Deck the Halls Virgin's Cradle Hymn We Wish You a Merry Christmas 1999 April 28: Il Bianco e Dolce Cigno Margot Labourezle Vignes Du Bist Wie Eine Blume Verbum Caro You Are the New Day Mon coeur se Recommande a Vous O No John Barb'ra Allen When Allen-a-dale Went a' Hunting There is Sweet Music Down Among the Dead Men Le Baylere I Get Along Without You Very Well Vivier Lieto Voglio The Lily of the Valley The Irish Slumber Song Quick! We Have But a Second.\u003c/p\u003e","\u003cp\u003eOne Maxwell audiocassette featuring the Christopher Wren Singers and the songs: In the Bleak Midwinter (1/8) Deck the Halls (1/20) In the Bleak Midwinter (1/9) Carol of the Bells (1/6) Fum, Fum, Fum (1/8) Virgin'a Cradle (1/8).\u003c/p\u003e","\u003cp\u003eOne Maxwell XLII audiocassette featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne digital audiotape featuring the Christopher Wren Singers, a coed student a capella group at the College of William and Mary. The performance took place in the Great Hall of the Wren Building on the College of William and Mary campus. The track listing is as follows: 1. Verbum Caro  1-8 2. Noel   1-3 3. Ding, Dong, Merrily on High  1-8 4. Still, Still, Still     1-12 5. Little Drummer Boy    1- Acc. 2013.066.005.\u003c/p\u003e","\u003cp\u003eOne Maxwell XLII audiocassette featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne digital audiotape of a recording session in Ewell Recital Hall for the Christopher Wren Singers, a coed student a capella group at the College of William and Mary. Acc. 2013.066.006.\u003c/p\u003e","\u003cp\u003eOne Maxwell XLII audiocassette featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne Digital Audio Tape featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne Digital Audio Tape featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne TDK audiocassette featuring the Christopher Wren Singers and the songs: Break Faith, O Beauteous, Heavenly Light Away in a Manger O Magnum Mysterium Still, Still, Still Stopping by Woods on a Snowy Evening I Saw Three Ships The Coventry Carol I Wonder as I Wander Noel! Sors de ton Lit Carol of the Bells O Come All Ye Faithful Stille Nacht.\u003c/p\u003e","\u003cp\u003eOne Maxwell audiocassette featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne digital audiotape featuring the Christopher Wren Singers in their final concert of the 1999-2000 academic year at Bruton Parish Church. Acc. 2013.066.007.\u003c/p\u003e","\u003cp\u003eOne Maxwell audiocassette featuring the Christopher Wren Singers and the songs: Je ne 'ose Salmo 150 Weep O Mine Eyes.\u003c/p\u003e","\u003cp\u003eOne Maxwell audiocassette featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne Maxwell ausiocassette tape featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne Maxwell audiocassette featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne digital audiotape featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne digital audiotape featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne digital audiotape featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne digital audiotape featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne digital audiotape featuing the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne Maxwell audiocassette featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne digital audiotape featuring the Christopher Wren Singers.\u003c/p\u003e","\u003cp\u003eOne Maxwell audiocassette featuring the Christopher Wren Singers and the songs: Carol of the Bells The Holly and the Ivy Gabriel's Message I Wonder as I Wander Here we Come A Wassailing.\u003c/p\u003e","\u003cp\u003eOne Maxwell audiocassette featuring the Christopher Wren Singers and the songs: Holly and the Ivy Carol of the Bells And So It Goes Margot Fatal I Wonder as I Wander.\u003c/p\u003e","\u003cp\u003eOne uncased Maxwell audiocassette.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Contains letters, post cards, scrapbooks, audio CDs and other material related to the Christopher Wren Singers, an a capella student organization that specializes in singing madrigal music. Included in the accession are letters and postcards from alumni, scrapbooks of events from 1991-2001, and a 2012 book celebrating 25 years of the Cristopher Wren Singers.","First half of a Scrapbook compiled by the Christopher Wren Singers including photographs, flyers, performance lists, and tour itineraries.","Second half of a Scrapbook compiled by the Christopher Wren Singers including photographs, flyers, performance lists, and tour itineraries.","Scrapbook compiled by the Christopher Wren Singers including photographs, flyers, performance lists, and tour itineraries.","Scrapbook compiled by the Christopher Wren Singers including photographs, flyers, performance lists, and tour itineraries.","Scrapbook compiled by the Christopher Wren Singers including photographs, flyers, performance lists, emails.","Mail addressed to the Christopher Wren Singers. Includes thank you notes, postcards, letters to and from alumni, recording order forms, photographs, and letters from the director to singers. Also included is a letter by the musical director of the a cappella group Reveille concerning an inaccurate article written in Jump! magazine on William and Mary A Cappella groups.","Flyers announcing auditions and performances for the Christopher Wren singers. Other William and Mary A Cappella groups are mentioned as well.","Notes taken by the Christopher Wren Singers on their recordings.","Memory book to celebrate Wren's 25th anniversary. Presented to the founders Eric Plaag and Suzanne Stephan (Neely) at homecoming 2012. Compiled by Jane Rabinovitz. Features pictures and memories from Wrens throughout the 25 years.","Postcards made to raise money for the European Tour of the William and Mary Choir.","Sony Hifi audiocassette. Songs include Fum, Fum, Fum (R. Shaw and A. Parker) Carol of the Bells (M. Leontovich) The Holly and the Ivy (R. Shaw and A. Parker) Quem Pastores Laudavere (Shepards Left their Flocks A-Straying)(J. Rutter) O Magnum Mysterium (O Wondrous Nativity) (T. DeVictoria) Deck the Halls (L. Tellep) There is No Rose (R. Center) The Lord will Come (J. Milton) The Boar's Head Carol (J. Kunz) Coventry Carol (M. Shaw) Greensleeves (traditional) God Rest Ye Merry Gentlemen (R. Wagner) Riu, Riu Chiu (N. Greenberg) Christ Was Born on Christmas Day (R. Shaw and A. Parker) A Merry Christmas (A. Warrell).","Christopher Wren Singers audiocassette.","One digital audiotape of the Christopher Wren Singers holiday concert that took place in the Great Hall of the Wren Building on the College of William and Mary campus. The track listing is as follows: 1. Deck the Halls 2. Cradle Song 3. Conventry Carol 4. The Holly and the Ivey 5. O Mangnum Mysterium 6. Silent Night 7. Ave Maria 8. Wassail Song 9. Ladies Mass 10. Carol of the Bells 11. Quelle Est Cette Odeur Agreable? 12. God Rest Y Merry Gentlemen 13. Riu, Riu, Chim 14. There is a Flower 15. Throw the Yule Log On, Uncle John 16. A Merry Christmas Acc. 2013.066.001.","One Maxwell XLIIS audiocassette tape featuring the Christopher Wren Singers.","One digital audiotape featuring the Christopher Wren Singers, a coed student a capella group at the College of William and Mary. Acc. 2013.066.002.","One Maxwell XLIIS audiocassette tape featuring the Christopher Wren Singers.","One digital audiotape of the Christopher Wren Singers' spring concert in 1997. Acc. 2013.066.003.","One Maxwell XLIIS audiocassette tape featuring the Chritopher Wren Singers.","One digital audiotape of the Christopher Wren Singers holiday concert that took place in the Great Hall of the Wren Building on the College of William and Mary campus. Acc. 2013.066.004.","One Maxwell XLIIS audiocassette tape featuring the Christopher Wren Singers.","One Digital Audio Tape featuring the Christopher Wren Singers.","One Maxwell XLIIS audiocassette tape featuring the Christopher Wren Singers.","One Digital Audio Tape featuring the Christopher Wren Singers.","One Sony HiFi audiocassette tape featuring the Christopher Wren Singers.","One Digital Audio Tape featuring the Christopher Wren Singers. 62 minutes.","An audiocassette of William and Mary A Capella performance Family Weekend, 1998.","One Maxwell XLII audiocassette featuring the Christopher Wren singers and the songs: Ding Dong Merrily on High Lu, Es ist ein Ros Entsrugen The Little Drummer Boy Verbum Caro God Rest Ye Merry Gentlemen In the Bleak Midwinter Carol of the Bells Fum Fum Fum There is a Flower The Holly and the Ivy Still, Still, Still Da me Abricias Noel! Sors de ton Lit Deck the Halls Virgin's Cradle Hymn We Wish You a Merry Christmas.","One Maxwell UR audiocassette featuring the Christopher Wren singers and the songs: Ding Dong Merrily on High Lu, Es ist ein Ros Entsrugen The Little Drummer Boy Verbum Caro God Rest Ye Merry Gentlemen In the Bleak Midwinter Carol of the Bells Fum Fum Fum There is a Flower The Holly and the Ivy Still, Still, Still Da me Abricias Noel! Sors de ton Lit Deck the Halls Virgin's Cradle Hymn We Wish You a Merry Christmas.","A Maxwell UR audiocassette featuring the Christopher Wren Singers. 1998 December 1: Ding Dong Merrily on High Lu, Es ist ein Ros Entsrugen The Little Drummer Boy Verbum Caro God Rest Ye Merry Gentlemen In the Bleak Midwinter Carol of the Bells Fum Fum Fum There is a Flower The Holly and the Ivy Still, Still, Still Da me Abricias Noel! Sors de ton Lit Deck the Halls Virgin's Cradle Hymn We Wish You a Merry Christmas 1999 April 28: Il Bianco e Dolce Cigno Margot Labourezle Vignes Du Bist Wie Eine Blume Verbum Caro You Are the New Day Mon coeur se Recommande a Vous O No John Barb'ra Allen When Allen-a-dale Went a' Hunting There is Sweet Music Down Among the Dead Men Le Baylere I Get Along Without You Very Well Vivier Lieto Voglio The Lily of the Valley The Irish Slumber Song Quick! We Have But a Second.","One Maxwell audiocassette featuring the Christopher Wren Singers and the songs: In the Bleak Midwinter (1/8) Deck the Halls (1/20) In the Bleak Midwinter (1/9) Carol of the Bells (1/6) Fum, Fum, Fum (1/8) Virgin'a Cradle (1/8).","One Maxwell XLII audiocassette featuring the Christopher Wren Singers.","One digital audiotape featuring the Christopher Wren Singers, a coed student a capella group at the College of William and Mary. The performance took place in the Great Hall of the Wren Building on the College of William and Mary campus. The track listing is as follows: 1. Verbum Caro  1-8 2. Noel   1-3 3. Ding, Dong, Merrily on High  1-8 4. Still, Still, Still     1-12 5. Little Drummer Boy    1- Acc. 2013.066.005.","One Maxwell XLII audiocassette featuring the Christopher Wren Singers.","One digital audiotape of a recording session in Ewell Recital Hall for the Christopher Wren Singers, a coed student a capella group at the College of William and Mary. Acc. 2013.066.006.","One Maxwell XLII audiocassette featuring the Christopher Wren Singers.","One Digital Audio Tape featuring the Christopher Wren Singers.","One Digital Audio Tape featuring the Christopher Wren Singers.","One TDK audiocassette featuring the Christopher Wren Singers and the songs: Break Faith, O Beauteous, Heavenly Light Away in a Manger O Magnum Mysterium Still, Still, Still Stopping by Woods on a Snowy Evening I Saw Three Ships The Coventry Carol I Wonder as I Wander Noel! Sors de ton Lit Carol of the Bells O Come All Ye Faithful Stille Nacht.","One Maxwell audiocassette featuring the Christopher Wren Singers.","One digital audiotape featuring the Christopher Wren Singers in their final concert of the 1999-2000 academic year at Bruton Parish Church. Acc. 2013.066.007.","One Maxwell audiocassette featuring the Christopher Wren Singers and the songs: Je ne 'ose Salmo 150 Weep O Mine Eyes.","One Maxwell audiocassette featuring the Christopher Wren Singers.","One Maxwell ausiocassette tape featuring the Christopher Wren Singers.","One Maxwell audiocassette featuring the Christopher Wren Singers.","One digital audiotape featuring the Christopher Wren Singers.","One digital audiotape featuring the Christopher Wren Singers.","One digital audiotape featuring the Christopher Wren Singers.","One digital audiotape featuring the Christopher Wren Singers.","One digital audiotape featuing the Christopher Wren Singers.","One Maxwell audiocassette featuring the Christopher Wren Singers.","One digital audiotape featuring the Christopher Wren Singers.","One Maxwell audiocassette featuring the Christopher Wren Singers and the songs: Carol of the Bells The Holly and the Ivy Gabriel's Message I Wonder as I Wander Here we Come A Wassailing.","One Maxwell audiocassette featuring the Christopher Wren Singers and the songs: Holly and the Ivy Carol of the Bells And So It Goes Margot Fatal I Wonder as I Wander.","One uncased Maxwell audiocassette."],"separatedmaterial_html_tesm":["\u003cp\u003eCDs and DAT tapes of concerts and recordings sessions were separated from this collection and added to the University Archives Audiovisual Collection (UA 58) on 4/19/2013.\u003c/p\u003e\n","\u003cp\u003e Artifacts transferred to the University Archives Artifact Collection (UA 13) include: Christopher Wren Singers Polo Shirt (UA 2013.066.19).\u003c/p\u003e\n","\u003cp\u003e A folder of fliers related to the Christopher Wren Singers was separated from the Student Organizations Collection (UA 7.047) and was added to this collection on 4/19/2013.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["CDs and DAT tapes of concerts and recordings sessions were separated from this collection and added to the University Archives Audiovisual Collection (UA 58) on 4/19/2013."," Artifacts transferred to the University Archives Artifact Collection (UA 13) include: Christopher Wren Singers Polo Shirt (UA 2013.066.19)."," A folder of fliers related to the Christopher Wren Singers was separated from the Student Organizations Collection (UA 7.047) and was added to this collection on 4/19/2013."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Christopher Wren Singers"],"corpname_ssim":["Special Collections Research Center","Christopher Wren Singers"],"language_ssim":["English"],"total_component_count_is":57,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:16:22.578Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1674"}},{"id":"vifgm_repositories_2_resources_577","type":"collection","attributes":{"title":"College of Visual and Performing Arts records","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_577#creator","type":"document_value","attributes":{"value":"George Mason University. College of Visual \u0026 Performing Arts","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_577#abstract_or_scope","type":"document_value","attributes":{"value":"The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_577#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_577","ead_ssi":"vifgm_repositories_2_resources_577","_root_":"vifgm_repositories_2_resources_577","_nest_parent_":"vifgm_repositories_2_resources_577","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_577.xml","title_ssm":["College of Visual and Performing Arts records"],"title_tesim":["College of Visual and Performing Arts records"],"unitdate_ssm":["1930-2015"],"unitdate_inclusive_ssm":["1930-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0011","/repositories/2/resources/577"],"text":["R0011","/repositories/2/resources/577","College of Visual and Performing Arts records","Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters","There are no access restrictions.","This collection is arranged by subject first and then chronologically and alphabetically respectively."," The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.","Series 1: International Arts Festival, 1980s-2005 (Boxes 1-2) Series 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44) Series 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12) Series 4: \"In The Wings\", 1990s-1999 (Box 13) Series 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62) Series 6: Department of Music, 1968-2001 (Boxes 16-27) Series 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64) Series 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35) Series 9: Playbills/Programs, 1966-2005 (Boxes 37-42) Series 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52) Series 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)","George Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, ","Beginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018.","Processing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018.","The Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the  , the  , and the ","The materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks."," Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. "," Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players."," Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA)."," Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". "," Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts."," Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department."," Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included."," Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson."," Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events."," Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings."," Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."," Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater."," It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s."," This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.","The materials contained in this series are comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.","The materials contained in this series are comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.","The materials contained in this series are comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).","The materials contained in this series are issues of the George Mason University magazine, \"In The Wings\".","The materials contained in this series are compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.","The materials contained in this series are compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memorandum related to George Mason University's music department and the faculty of the department.","The materials contained in this series are comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.","The materials contained in this series are comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.","The materials contained in this series are comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.","The materials contained in this series are comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.","The materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.","There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries.","The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.","George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts","English"],"unitid_tesim":["R0011","/repositories/2/resources/577"],"normalized_title_ssm":["College of Visual and Performing Arts records"],"collection_title_tesim":["College of Visual and Performing Arts records"],"collection_ssim":["College of Visual and Performing Arts records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. College of Visual \u0026 Performing Arts"],"creator_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"creator_corpname_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"creators_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by the College of Visual and Performing Arts between 1984 and 2016."],"access_subjects_ssim":["Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"access_subjects_ssm":["Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"has_online_content_ssim":["false"],"extent_ssm":["36.0 linear feet (64 boxes)"],"extent_tesim":["36.0 linear feet (64 boxes)"],"genreform_ssim":["Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject first and then chronologically and alphabetically respectively.\u003c/p\u003e\n","\u003cp\u003e The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eSeries 1: International Arts Festival, 1980s-2005 (Boxes 1-2)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12)\u003c/item\u003e\n      \u003citem\u003eSeries 4: \"In The Wings\", 1990s-1999 (Box 13)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Department of Music, 1968-2001 (Boxes 16-27)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Playbills/Programs, 1966-2005 (Boxes 37-42)\u003c/item\u003e\n      \u003citem\u003eSeries 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52)\u003c/item\u003e\n      \u003citem\u003eSeries 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject first and then chronologically and alphabetically respectively."," The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.","Series 1: International Arts Festival, 1980s-2005 (Boxes 1-2) Series 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44) Series 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12) Series 4: \"In The Wings\", 1990s-1999 (Box 13) Series 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62) Series 6: Department of Music, 1968-2001 (Boxes 16-27) Series 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64) Series 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35) Series 9: Playbills/Programs, 1966-2005 (Boxes 37-42) Series 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52) Series 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)"],"bibliography_html_tesm":["\u003cbibref\u003eGeorge Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, \u003cextptr href=\"https://cvpa.gmu.edu/about/our-history\" title=\"https://cvpa.gmu.edu/about/our-history.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["George Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, "],"bioghist_html_tesm":["\u003cp\u003eBeginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical note"],"bioghist_tesim":["Beginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018."],"prefercite_html_tesm":["\u003cp\u003eCollege of Visual and Performing Arts records, R0011, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["College of Visual and Performing Arts records, R0011, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/ftp.html\" title=\"Federal Theater Project\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/arenastage.html\" title=\"Arena Stage records\" show=\"new\"\u003e\u003c/extptr\u003e, and the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/tfa.html\" title=\"Theater of the First Amendment\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the  , the  , and the "],"scopecontent_html_tesm":["\u003cp\u003eThe materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks.\u003c/p\u003e\n","\u003cp\u003e Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. \u003c/p\u003e\n","\u003cp\u003e Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.\u003c/p\u003e\n","\u003cp\u003e Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).\u003c/p\u003e\n","\u003cp\u003e Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". \u003c/p\u003e\n","\u003cp\u003e Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.\u003c/p\u003e\n","\u003cp\u003e Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department.\u003c/p\u003e\n","\u003cp\u003e Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.\u003c/p\u003e\n","\u003cp\u003e Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.\u003c/p\u003e\n","\u003cp\u003e Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.\u003c/p\u003e\n","\u003cp\u003e Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.\u003c/p\u003e\n","\u003cp\u003e Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.\u003c/p\u003e\n","\u003cp\u003e Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater.\u003c/p\u003e\n","\u003cp\u003e It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s.\u003c/p\u003e\n","\u003cp\u003e This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are issues of the George Mason University magazine, \"In The Wings\".\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memorandum related to George Mason University's music department and the faculty of the department.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks."," Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. "," Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players."," Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA)."," Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". "," Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts."," Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department."," Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included."," Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson."," Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events."," Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings."," Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."," Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater."," It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s."," This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.","The materials contained in this series are comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.","The materials contained in this series are comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.","The materials contained in this series are comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).","The materials contained in this series are issues of the George Mason University magazine, \"In The Wings\".","The materials contained in this series are compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.","The materials contained in this series are compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memorandum related to George Mason University's music department and the faculty of the department.","The materials contained in this series are comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.","The materials contained in this series are comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.","The materials contained in this series are comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.","The materials contained in this series are comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.","The materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.\u003c/abstract\u003e"],"abstract_tesim":["The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1471,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:01:53.579Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_577","ead_ssi":"vifgm_repositories_2_resources_577","_root_":"vifgm_repositories_2_resources_577","_nest_parent_":"vifgm_repositories_2_resources_577","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_577.xml","title_ssm":["College of Visual and Performing Arts records"],"title_tesim":["College of Visual and Performing Arts records"],"unitdate_ssm":["1930-2015"],"unitdate_inclusive_ssm":["1930-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0011","/repositories/2/resources/577"],"text":["R0011","/repositories/2/resources/577","College of Visual and Performing Arts records","Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters","There are no access restrictions.","This collection is arranged by subject first and then chronologically and alphabetically respectively."," The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.","Series 1: International Arts Festival, 1980s-2005 (Boxes 1-2) Series 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44) Series 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12) Series 4: \"In The Wings\", 1990s-1999 (Box 13) Series 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62) Series 6: Department of Music, 1968-2001 (Boxes 16-27) Series 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64) Series 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35) Series 9: Playbills/Programs, 1966-2005 (Boxes 37-42) Series 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52) Series 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)","George Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, ","Beginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018.","Processing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018.","The Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the  , the  , and the ","The materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks."," Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. "," Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players."," Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA)."," Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". "," Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts."," Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department."," Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included."," Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson."," Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events."," Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings."," Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."," Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater."," It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s."," This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.","The materials contained in this series are comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.","The materials contained in this series are comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.","The materials contained in this series are comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).","The materials contained in this series are issues of the George Mason University magazine, \"In The Wings\".","The materials contained in this series are compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.","The materials contained in this series are compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memorandum related to George Mason University's music department and the faculty of the department.","The materials contained in this series are comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.","The materials contained in this series are comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.","The materials contained in this series are comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.","The materials contained in this series are comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.","The materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.","There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries.","The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.","George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts","English"],"unitid_tesim":["R0011","/repositories/2/resources/577"],"normalized_title_ssm":["College of Visual and Performing Arts records"],"collection_title_tesim":["College of Visual and Performing Arts records"],"collection_ssim":["College of Visual and Performing Arts records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. College of Visual \u0026 Performing Arts"],"creator_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"creator_corpname_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"creators_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by the College of Visual and Performing Arts between 1984 and 2016."],"access_subjects_ssim":["Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"access_subjects_ssm":["Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"has_online_content_ssim":["false"],"extent_ssm":["36.0 linear feet (64 boxes)"],"extent_tesim":["36.0 linear feet (64 boxes)"],"genreform_ssim":["Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject first and then chronologically and alphabetically respectively.\u003c/p\u003e\n","\u003cp\u003e The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eSeries 1: International Arts Festival, 1980s-2005 (Boxes 1-2)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12)\u003c/item\u003e\n      \u003citem\u003eSeries 4: \"In The Wings\", 1990s-1999 (Box 13)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Department of Music, 1968-2001 (Boxes 16-27)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Playbills/Programs, 1966-2005 (Boxes 37-42)\u003c/item\u003e\n      \u003citem\u003eSeries 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52)\u003c/item\u003e\n      \u003citem\u003eSeries 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject first and then chronologically and alphabetically respectively."," The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.","Series 1: International Arts Festival, 1980s-2005 (Boxes 1-2) Series 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44) Series 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12) Series 4: \"In The Wings\", 1990s-1999 (Box 13) Series 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62) Series 6: Department of Music, 1968-2001 (Boxes 16-27) Series 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64) Series 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35) Series 9: Playbills/Programs, 1966-2005 (Boxes 37-42) Series 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52) Series 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)"],"bibliography_html_tesm":["\u003cbibref\u003eGeorge Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, \u003cextptr href=\"https://cvpa.gmu.edu/about/our-history\" title=\"https://cvpa.gmu.edu/about/our-history.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["George Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, "],"bioghist_html_tesm":["\u003cp\u003eBeginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical note"],"bioghist_tesim":["Beginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018."],"prefercite_html_tesm":["\u003cp\u003eCollege of Visual and Performing Arts records, R0011, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["College of Visual and Performing Arts records, R0011, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/ftp.html\" title=\"Federal Theater Project\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/arenastage.html\" title=\"Arena Stage records\" show=\"new\"\u003e\u003c/extptr\u003e, and the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/tfa.html\" title=\"Theater of the First Amendment\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the  , the  , and the "],"scopecontent_html_tesm":["\u003cp\u003eThe materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks.\u003c/p\u003e\n","\u003cp\u003e Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. \u003c/p\u003e\n","\u003cp\u003e Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.\u003c/p\u003e\n","\u003cp\u003e Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).\u003c/p\u003e\n","\u003cp\u003e Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". \u003c/p\u003e\n","\u003cp\u003e Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.\u003c/p\u003e\n","\u003cp\u003e Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department.\u003c/p\u003e\n","\u003cp\u003e Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.\u003c/p\u003e\n","\u003cp\u003e Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.\u003c/p\u003e\n","\u003cp\u003e Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.\u003c/p\u003e\n","\u003cp\u003e Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.\u003c/p\u003e\n","\u003cp\u003e Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.\u003c/p\u003e\n","\u003cp\u003e Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater.\u003c/p\u003e\n","\u003cp\u003e It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s.\u003c/p\u003e\n","\u003cp\u003e This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are issues of the George Mason University magazine, \"In The Wings\".\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memorandum related to George Mason University's music department and the faculty of the department.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks."," Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. "," Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players."," Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA)."," Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". "," Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts."," Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department."," Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included."," Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson."," Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events."," Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings."," Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."," Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater."," It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s."," This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.","The materials contained in this series are comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.","The materials contained in this series are comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.","The materials contained in this series are comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).","The materials contained in this series are issues of the George Mason University magazine, \"In The Wings\".","The materials contained in this series are compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.","The materials contained in this series are compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memorandum related to George Mason University's music department and the faculty of the department.","The materials contained in this series are comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.","The materials contained in this series are comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.","The materials contained in this series are comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.","The materials contained in this series are comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.","The materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.\u003c/abstract\u003e"],"abstract_tesim":["The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1471,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:01:53.579Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_577"}},{"id":"vifgm_repositories_2_resources_735","type":"collection","attributes":{"title":"Cook family homemade music manuscript","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_735#creator","type":"document_value","attributes":{"value":"Cook family","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_735#abstract_or_scope","type":"document_value","attributes":{"value":"Homemade music manuscript, bound in newsprint, created by the Cook family.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_735#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_735","ead_ssi":"vifgm_repositories_2_resources_735","_root_":"vifgm_repositories_2_resources_735","_nest_parent_":"vifgm_repositories_2_resources_735","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_735.xml","title_filing_ssi":"Cook family homemade music manuscript","title_ssm":["Cook family homemade music manuscript"],"title_tesim":["Cook family homemade music manuscript"],"unitdate_ssm":["circa 1810s"],"unitdate_inclusive_ssm":["circa 1810s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0443","/repositories/2/resources/735"],"text":["C0443","/repositories/2/resources/735","Cook family homemade music manuscript","Music -- United States -- 19th century","Music","Manuscripts","There are no access restrictions.","This is a single item collection.","The Cook family possibly lived in Greenfield, Virginia in the early 1800s. Several names of family members are listed on pages 4 and 8 of the manuscript which read: Polly Cook, Betsy Cook, Elony Cook Washington, Caroline Lockwood, Sarah Cook, Eunice Cook, and Joshua Cook.","Processing and finding aid completed by Meghan Glasbrenner in January 2025.","The Special Collection Research center also holds the  Nellie M. Lee music manuscript book  and  \"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript .","Homemade music manuscript created by the Cook family. The handwritten manuscript pages are wrapped in folded pages of newsprint and bound with string along the left edge. The newspaper pages are dated 1813 and \"Washington, February 20, 1810\" is written on page 16 of the manuscript. The first 5 pages contain text explaining various music terms and 7 leaves of the manuscript are blank. The remaining pages consist of handwritten musical scores, verse, and lyrics, as well as the names of various family members. Several pages contain references to place names, such as Greenwich, Chester, Ohio, Mount Vernon, Yarmouth, Windham, Northfield, Pennsylvania, and Northhampton.","Public Domain. There are no known restrictions.","Homemade music manuscript, bound in newsprint, created by the Cook family.","R 71, C 1, S 7","George Mason University. Libraries. Special Collections Research Center","Cook family","English \n.    "],"unitid_tesim":["C0443","/repositories/2/resources/735"],"normalized_title_ssm":["Cook family homemade music manuscript"],"collection_title_tesim":["Cook family homemade music manuscript"],"collection_ssim":["Cook family homemade music manuscript"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Cook family"],"creator_ssim":["Cook family"],"creator_famname_ssim":["Cook family"],"creators_ssim":["Cook family"],"access_terms_ssm":["Public Domain. 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Wilson, December 2, 1986 Washington and Lee Concert Guild Program, 1989-90 Washington and Lee fine Arts Calendar of Events","This file consists of letters and documents pertaining to the American Composers Alliance.","This file consists of letters from George Steiner, Director of the American Music Symposium, to Robert Stewart concerning the American University's Contemporary Music Symposium, 1961. It also includes a program list. Robert Stewart's 'Prelude for Strings' was selected to be played at the symposium.","This file consists of letters, programs, notes, and newspaper articles about The Bennington Compersers' Conference. Most of the material is from 1961, 1962, and 1963.","This file consists of programs from Washington and Lee University, Hollins College, and the University of Virginia. It also includes a letter to Stewart from Anne McClenny of Hollins College, Va., a schedule of rehearsals and performances, and a page of financial records. Robert Stewart played the violin in the Blue Ridge Chamber Music Players.","This file consists of four copies of a program from Georgia State College's Fifth Annual Symposium of Contemporary Music for Brass where Robert Stewart's Brass Quintet No. 2 was featured. Brass Quintet No. 2 was commissioned at the 1965-66 Symposium by the Georgia State College Foundation. The file also includes a letter from Walter W. Wich inquiring to buy a copy of Brass Quintet No. 2.","This file consists of Robert Stewart's notes on 'Three Pieces for Brass Quintet,' a program where 'Quintet - 3 Pieces' was performed, and of a review by The Atlanta Constitution.","This file consists of letters to Stewart from The Brevard Music Center, regulations for the Third Annual Composers Symposium at Brevard Music Center, and a poster from the Transylvania Music Camp in Brevard, North Carolina.","This file consists of course assingments, notes, and examination requirements, many from Rizzo School of Music.","This file includes four copies of a program from the 16th Annual Regional Composers Forum at the University of Alabama, where Stewart's 'Fantasia for Viola and Chamber Orchestra' was played.","This file consists of two accounts of a great flood in Lexington as a result of Hurricane Camille in 1969.","This file consists of letters to Robert Stewart from the College and Specialist Bureau concerning opening at various colleges. It also contains letters of inquiry from Stewart and correspondences from different colleges. Many of the letters are from James G. Leyburn and Marion Letcher from Washington and Lee University.","This file consists of undergraduate report cards, a photograph, postcards, an Omicron Dela Kappa certificate, and a progam from the Washington and Lee Class of 1966 Twenty-Fifth Reunion.","This file consists of two programs that do not mention Robert Stewart's work. The first is from the Northern Virginia Teachers Association, and second is 'Currents - The New-Music Ensemble at the University of Richmond' presents 'New Music by Virginia Composers,' 1990.","Robert Stewart was the Concertmaster.","This file consists of newsletters, minutes, and rosters of members from the Southeastern Composers' League.","This file consists of correspondences between Stewart and Barton Cummings regarding a tuba piece that Stewart composed for Cummings.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. 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(Robert Willard)","Kolman, Barry H.","Lifchitz, Max","Miller, Anita","Wilson, John Delane","Watt, William Joseph","Williams, Henry Gordon, Jr.","Lancaster, Albert Lake","Pusey, William W., III (William Webb)","Elrod, John W.","Warner, John W.","Wright, Frank Lloyd","Radford College","Korte, Karl","Pfohl, James Christian","Corrigan, Eugene F.","Spencer, Edgar Winston","Bales, Richard","Stewart, Sue","Turetzky, Bertram","Wuorinen, Charles","Marx, Josef","Skowronek, Felix","Bloom, Arthur A.","Pachman, Maurice","Raab, Emil","Calabrese, Rosalie","Shelton, Mark","Atkins, Leroy C., II","Mahin, Bruce P.","Kniebusch, Carol","Niethamer, David","Wen-Chung, Chou","Strandberg, Newton","Rowand, Wilbur H.","Leyburn, James Graham","Junkin, Marion Montague","Spelman, Leslie P.","Doty, E. William (Ezra William)","Cummings, Barton","English \n.    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The first is from the Northern Virginia Teachers Association, and second is 'Currents - The New-Music Ensemble at the University of Richmond' presents 'New Music by Virginia Composers,' 1990.\u003c/p\u003e","\u003cp\u003eRobert Stewart was the Concertmaster.\u003c/p\u003e","\u003cp\u003eThis file consists of newsletters, minutes, and rosters of members from the Southeastern Composers' League.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondences between Stewart and Barton Cummings regarding a tuba piece that Stewart composed for Cummings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Includes Stewart's correspondence, programs that include his compositions, classroom materials, reviews and notices of his works, and materials from professorial organizations and conferences.","This file consists of American Composers Alliance Catalogs and the Alliance's Articles of Association, 1955. The catalogs include strings, woodwinds, percussion, etc.","This file consists of many recommendation letters, letters concerning Robert Stewart's compositions, and personal letters.","This file consists of a lecture by Robert Stewart given at the 'CAC Meeting #4.'","This file consists of miscellanious items, mostly music programs, newspaper clippings, and a photograph of a bride and groom.","This file consists of reviews and notices of Robert Stewart's 'Trio No. 4.' The file also contains two photographs of the Roxbury Chamber Players, who played the piece.","This file consists of material regarding Robert Stewart's trip to Tufts University European Centers in Talloires, France to play in he Montanea Fesival in July 1991.","The file includes: A Lenfest Center folder Commencement Exercises Program, 1983 Fine Arts Division Presentation of Awards Program, June 2, 1993 Letter from John D. Wilson, December 2, 1986 Washington and Lee Concert Guild Program, 1989-90 Washington and Lee fine Arts Calendar of Events","This file consists of letters and documents pertaining to the American Composers Alliance.","This file consists of letters from George Steiner, Director of the American Music Symposium, to Robert Stewart concerning the American University's Contemporary Music Symposium, 1961. It also includes a program list. Robert Stewart's 'Prelude for Strings' was selected to be played at the symposium.","This file consists of letters, programs, notes, and newspaper articles about The Bennington Compersers' Conference. Most of the material is from 1961, 1962, and 1963.","This file consists of programs from Washington and Lee University, Hollins College, and the University of Virginia. It also includes a letter to Stewart from Anne McClenny of Hollins College, Va., a schedule of rehearsals and performances, and a page of financial records. Robert Stewart played the violin in the Blue Ridge Chamber Music Players.","This file consists of four copies of a program from Georgia State College's Fifth Annual Symposium of Contemporary Music for Brass where Robert Stewart's Brass Quintet No. 2 was featured. Brass Quintet No. 2 was commissioned at the 1965-66 Symposium by the Georgia State College Foundation. The file also includes a letter from Walter W. Wich inquiring to buy a copy of Brass Quintet No. 2.","This file consists of Robert Stewart's notes on 'Three Pieces for Brass Quintet,' a program where 'Quintet - 3 Pieces' was performed, and of a review by The Atlanta Constitution.","This file consists of letters to Stewart from The Brevard Music Center, regulations for the Third Annual Composers Symposium at Brevard Music Center, and a poster from the Transylvania Music Camp in Brevard, North Carolina.","This file consists of course assingments, notes, and examination requirements, many from Rizzo School of Music.","This file includes four copies of a program from the 16th Annual Regional Composers Forum at the University of Alabama, where Stewart's 'Fantasia for Viola and Chamber Orchestra' was played.","This file consists of two accounts of a great flood in Lexington as a result of Hurricane Camille in 1969.","This file consists of letters to Robert Stewart from the College and Specialist Bureau concerning opening at various colleges. It also contains letters of inquiry from Stewart and correspondences from different colleges. Many of the letters are from James G. Leyburn and Marion Letcher from Washington and Lee University.","This file consists of undergraduate report cards, a photograph, postcards, an Omicron Dela Kappa certificate, and a progam from the Washington and Lee Class of 1966 Twenty-Fifth Reunion.","This file consists of two programs that do not mention Robert Stewart's work. The first is from the Northern Virginia Teachers Association, and second is 'Currents - The New-Music Ensemble at the University of Richmond' presents 'New Music by Virginia Composers,' 1990.","Robert Stewart was the Concertmaster.","This file consists of newsletters, minutes, and rosters of members from the Southeastern Composers' League.","This file consists of correspondences between Stewart and Barton Cummings regarding a tuba piece that Stewart composed for Cummings."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_coll_ssim":["Washington and Lee University. Department of Music"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. 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Editors of Encyclopaedia. \"Arrigo Boito.\" Encyclopedia Britannica, June 6, 2024. https://www.britannica.com/biography/Arrigo-Boito.","\"Dr. Daniele Struppa[.]\" Faculty Profile, Chapman University, accessed October 10, 2024. https://www.chapman.edu/our-faculty/daniele-struppa.","\"Pietro Mascagni[.]\" Opera World, accessed October 10, 2024. https://opera-world.net/opera_composers/pietro-mascagni/.","Daniele Struppa, Ph.D. is an Italian academic and mathematician. Dr. Struppa served in various roles at George Mason University, including as the former Dean of the College of of Humanities and Social Sciences. Dr. Struppa is the current President of Chapman University and previously served as their Chancellor for nine years. He has also served in many roles at universities in Italy, and is the author and editor of several academic publications on mathematics.","Processed by Amanda Menjivar from September-October 2024. Finding aid completed in October 2024.","German translation and transcription provided by Dorothee Schubel, George Mason University Libraries.","The Special Collections Research Center holds numerous collection music and the performing arts.","In addition to these materials, Dr. Daniele Struppa also donated a number of   to the Special Collections Research Center.","Ten music and music history-related documents and photographs collected and donated by Dr. Daniele Struppa, created from circa late 19th century-1991. See inventory and related scope notes for full details on each item.","Calling card from Austro-Bohemian (now Austria) composer Gustav Mahler (1860-1911), whose name is crossed out, alongside a note written by his sister Justine (pronounced Justina) (1868-1938), circa 1890s.","German translation and historical contextual information provided by Dorothee Schubel, Metadata and Cataloging Librarian: Direktor Mahler [Direktor crossed out and replaced with \"Justine\" so it reads now:] Justine Mahler dankt herzlichst, und bedauert Ihnen nicht persönlich Lebewol sagen zu können. in English: Justine Mahler thanks you sincerely, and regrets that she could not personally say Farewell to you. [Lebewol = older spelling, now Lebewohl]"," Justine Mahler (1868-1938), younger sister of Gustav Mahler (1860-1911), managed the household of Gustav Mahler in the beginning of his tenure as a Hofoperndirektor (director of the court opera house) until his marriage to Alma Schindler, 1898-1902. Justine Mahler married the violinst Arnold Rosé, she is the mother of Alma Rosé.","Letter by Arrigo Boito, written in Italian, circa late 19th century. Boito was an Italian composer and librettist (1842-1918). Boito was most well-known for serving as Giuseppe Verdi's librettist.","Written by Italian composter Giacomo Puccini (1858-1924) to dramatist and critic Paolo Pallavicini from the Hotel Knickerbocker in New York City about the premiere of his opera  La Fanciulla del West  at the Metropolitan Opera.","Musical phrase from the opera  Iris  handwritten by its composer Pietro Mascagni (1863-1945) in 1922. The phrase includes the Italian lyrics \"Apri la tua finestra/Jor son io...\" from the aria  Apri la tua finestra! . On the bottom left of the note Mascagni has written \"B. Aires\" for Buenos Aires, making this note likely written during his 1922 tour of Argentina.","Inscribed and signed photograph of German-born musician, composer, and conductor Bruno Walter (1876-1962).","Inscribed and signed by Italian opera singer Giuseppe di Stefano (1921-2008) to W.C. Clayton.","Inscribed by American opera singer Rosa Ponselle. The inscription reads \"To Gerry/ 'Lest Ye Forget'/ Your Rose/ 1964[.]\"","Signed portrait photograph of American opera singer Anna Moffo (1932-2006) in costume as Violetta in  La Traviata .","Signed program for a 1976 performance of the New York Philharmonic's Gala Bicentennial Tour, conducted by Bernstein (1918-1990).","Signed and matted photograph of Russian cellist Mstislav Rostropovich (1927-2007). Rostropovich served as the director of the National Symphony Orchestra from 1977-1994.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Ten music and music history-related documents and photographs collected and donated by Dr. Daniele Struppa, created from circa late 19th century - 1994.","R 73, C 3, S 1","George Mason University. Libraries. Special Collections Research Center","Bernstein, Leonard, 1918-1990","Mascagni, Pietro, 1863-1945","Italian German English"],"unitid_tesim":["C0348","/repositories/2/resources/677"],"normalized_title_ssm":["Daniele Struppa music manuscripts collection"],"collection_title_tesim":["Daniele Struppa music manuscripts collection"],"collection_ssim":["Daniele Struppa music manuscripts collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by former GMU Dean of the College of Humanities and Social Sciences, Dr. Daniele Struppa in 2003 and 2005."],"access_subjects_ssim":["Music","Opera","Composers","Conductors (Music)","Singers","Musicians"],"access_subjects_ssm":["Music","Opera","Composers","Conductors (Music)","Singers","Musicians"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet 1 box"],"extent_tesim":["1 Linear Feet 1 box"],"date_range_isim":[1994],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged in chronological order."],"bibliography_html_tesm":["\u003cp\u003eBritannica, T. Editors of Encyclopaedia. \"Arrigo Boito.\" Encyclopedia Britannica, June 6, 2024. https://www.britannica.com/biography/Arrigo-Boito.\u003c/p\u003e\n","\u003cp\u003e\"Dr. Daniele Struppa[.]\" Faculty Profile, Chapman University, accessed October 10, 2024. https://www.chapman.edu/our-faculty/daniele-struppa.\u003c/p\u003e\n","\u003cp\u003e\"Pietro Mascagni[.]\" Opera World, accessed October 10, 2024. https://opera-world.net/opera_composers/pietro-mascagni/.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Britannica, T. Editors of Encyclopaedia. \"Arrigo Boito.\" Encyclopedia Britannica, June 6, 2024. https://www.britannica.com/biography/Arrigo-Boito.","\"Dr. Daniele Struppa[.]\" Faculty Profile, Chapman University, accessed October 10, 2024. https://www.chapman.edu/our-faculty/daniele-struppa.","\"Pietro Mascagni[.]\" Opera World, accessed October 10, 2024. https://opera-world.net/opera_composers/pietro-mascagni/."],"bioghist_html_tesm":["\u003cp\u003eDaniele Struppa, Ph.D. is an Italian academic and mathematician. Dr. Struppa served in various roles at George Mason University, including as the former Dean of the College of of Humanities and Social Sciences. Dr. Struppa is the current President of Chapman University and previously served as their Chancellor for nine years. He has also served in many roles at universities in Italy, and is the author and editor of several academic publications on mathematics.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Daniele Struppa, Ph.D. is an Italian academic and mathematician. Dr. Struppa served in various roles at George Mason University, including as the former Dean of the College of of Humanities and Social Sciences. Dr. Struppa is the current President of Chapman University and previously served as their Chancellor for nine years. He has also served in many roles at universities in Italy, and is the author and editor of several academic publications on mathematics."],"prefercite_html_tesm":["\u003cp\u003eDaniele Struppa music manuscripts collection, C0348, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Daniele Struppa music manuscripts collection, C0348, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Amanda Menjivar from September-October 2024. Finding aid completed in October 2024.\u003c/p\u003e","\u003cp\u003eGerman translation and transcription provided by Dorothee Schubel, George Mason University Libraries.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Amanda Menjivar from September-October 2024. Finding aid completed in October 2024.","German translation and transcription provided by Dorothee Schubel, George Mason University Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds numerous collection music and the performing arts.\u003c/p\u003e\n","\u003cp\u003eIn addition to these materials, Dr. Daniele Struppa also donated a number of \u003cextptr show=\"new\" title=\"rare publications\" href=\"https://wrlc-gm.primo.exlibrisgroup.com/discovery/search?query=any,contains,daniele%20struppa\u0026amp;tab=Everything\u0026amp;search_scope=MyInst_and_CI\u0026amp;vid=01WRLC_GML:01WRLC_GML\u0026amp;facet=location_code,include,4105%E2%80%9313707590004105%E2%80%93scrc%20rare\u0026amp;lang=en\u0026amp;offset=0\"\u003e\u003c/extptr\u003e to the Special Collections Research Center.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds numerous collection music and the performing arts.","In addition to these materials, Dr. Daniele Struppa also donated a number of   to the Special Collections Research Center."],"scopecontent_html_tesm":["\u003cp\u003eTen music and music history-related documents and photographs collected and donated by Dr. Daniele Struppa, created from circa late 19th century-1991. See inventory and related scope notes for full details on each item.\u003c/p\u003e","\u003cp\u003eCalling card from Austro-Bohemian (now Austria) composer Gustav Mahler (1860-1911), whose name is crossed out, alongside a note written by his sister Justine (pronounced Justina) (1868-1938), circa 1890s.\u003c/p\u003e\n","\u003cp\u003eGerman translation and historical contextual information provided by Dorothee Schubel, Metadata and Cataloging Librarian: Direktor Mahler [Direktor crossed out and replaced with \"Justine\" so it reads now:] Justine Mahler dankt herzlichst, und bedauert Ihnen nicht persönlich Lebewol sagen zu können. in English: Justine Mahler thanks you sincerely, and regrets that she could not personally say Farewell to you. [Lebewol = older spelling, now Lebewohl]\u003c/p\u003e\n","\u003cp\u003e Justine Mahler (1868-1938), younger sister of Gustav Mahler (1860-1911), managed the household of Gustav Mahler in the beginning of his tenure as a Hofoperndirektor (director of the court opera house) until his marriage to Alma Schindler, 1898-1902. Justine Mahler married the violinst Arnold Rosé, she is the mother of Alma Rosé.\u003c/p\u003e","\u003cp\u003eLetter by Arrigo Boito, written in Italian, circa late 19th century. Boito was an Italian composer and librettist (1842-1918). Boito was most well-known for serving as Giuseppe Verdi's librettist.\u003c/p\u003e","\u003cp\u003eWritten by Italian composter Giacomo Puccini (1858-1924) to dramatist and critic Paolo Pallavicini from the Hotel Knickerbocker in New York City about the premiere of his opera \u003citalic\u003eLa Fanciulla del West\u003c/italic\u003e at the Metropolitan Opera.\u003c/p\u003e","\u003cp\u003eMusical phrase from the opera \u003citalic\u003eIris\u003c/italic\u003e handwritten by its composer Pietro Mascagni (1863-1945) in 1922. The phrase includes the Italian lyrics \"Apri la tua finestra/Jor son io...\" from the aria \u003citalic\u003eApri la tua finestra!\u003c/italic\u003e. On the bottom left of the note Mascagni has written \"B. Aires\" for Buenos Aires, making this note likely written during his 1922 tour of Argentina.\u003c/p\u003e","\u003cp\u003eInscribed and signed photograph of German-born musician, composer, and conductor Bruno Walter (1876-1962).\u003c/p\u003e","\u003cp\u003eInscribed and signed by Italian opera singer Giuseppe di Stefano (1921-2008) to W.C. Clayton.\u003c/p\u003e","\u003cp\u003eInscribed by American opera singer Rosa Ponselle. The inscription reads \"To Gerry/ 'Lest Ye Forget'/ Your Rose/ 1964[.]\"\u003c/p\u003e","\u003cp\u003eSigned portrait photograph of American opera singer Anna Moffo (1932-2006) in costume as Violetta in \u003citalic\u003eLa Traviata\u003c/italic\u003e.\u003c/p\u003e","\u003cp\u003eSigned program for a 1976 performance of the New York Philharmonic's Gala Bicentennial Tour, conducted by Bernstein (1918-1990).\u003c/p\u003e","\u003cp\u003eSigned and matted photograph of Russian cellist Mstislav Rostropovich (1927-2007). Rostropovich served as the director of the National Symphony Orchestra from 1977-1994.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Ten music and music history-related documents and photographs collected and donated by Dr. Daniele Struppa, created from circa late 19th century-1991. See inventory and related scope notes for full details on each item.","Calling card from Austro-Bohemian (now Austria) composer Gustav Mahler (1860-1911), whose name is crossed out, alongside a note written by his sister Justine (pronounced Justina) (1868-1938), circa 1890s.","German translation and historical contextual information provided by Dorothee Schubel, Metadata and Cataloging Librarian: Direktor Mahler [Direktor crossed out and replaced with \"Justine\" so it reads now:] Justine Mahler dankt herzlichst, und bedauert Ihnen nicht persönlich Lebewol sagen zu können. in English: Justine Mahler thanks you sincerely, and regrets that she could not personally say Farewell to you. [Lebewol = older spelling, now Lebewohl]"," Justine Mahler (1868-1938), younger sister of Gustav Mahler (1860-1911), managed the household of Gustav Mahler in the beginning of his tenure as a Hofoperndirektor (director of the court opera house) until his marriage to Alma Schindler, 1898-1902. Justine Mahler married the violinst Arnold Rosé, she is the mother of Alma Rosé.","Letter by Arrigo Boito, written in Italian, circa late 19th century. Boito was an Italian composer and librettist (1842-1918). Boito was most well-known for serving as Giuseppe Verdi's librettist.","Written by Italian composter Giacomo Puccini (1858-1924) to dramatist and critic Paolo Pallavicini from the Hotel Knickerbocker in New York City about the premiere of his opera  La Fanciulla del West  at the Metropolitan Opera.","Musical phrase from the opera  Iris  handwritten by its composer Pietro Mascagni (1863-1945) in 1922. The phrase includes the Italian lyrics \"Apri la tua finestra/Jor son io...\" from the aria  Apri la tua finestra! . On the bottom left of the note Mascagni has written \"B. Aires\" for Buenos Aires, making this note likely written during his 1922 tour of Argentina.","Inscribed and signed photograph of German-born musician, composer, and conductor Bruno Walter (1876-1962).","Inscribed and signed by Italian opera singer Giuseppe di Stefano (1921-2008) to W.C. Clayton.","Inscribed by American opera singer Rosa Ponselle. The inscription reads \"To Gerry/ 'Lest Ye Forget'/ Your Rose/ 1964[.]\"","Signed portrait photograph of American opera singer Anna Moffo (1932-2006) in costume as Violetta in  La Traviata .","Signed program for a 1976 performance of the New York Philharmonic's Gala Bicentennial Tour, conducted by Bernstein (1918-1990).","Signed and matted photograph of Russian cellist Mstislav Rostropovich (1927-2007). Rostropovich served as the director of the National Symphony Orchestra from 1977-1994."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_0cfbff9602fe1ebfc3b55bdb61d9845f\"\u003eTen music and music history-related documents and photographs collected and donated by Dr. Daniele Struppa, created from circa late 19th century - 1994.\u003c/abstract\u003e"],"abstract_tesim":["Ten music and music history-related documents and photographs collected and donated by Dr. Daniele Struppa, created from circa late 19th century - 1994."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_cbcfeb6d5aac72a8ff27223e8b59d577\"\u003eR 73, C 3, S 1\u003c/physloc\u003e"],"physloc_tesim":["R 73, C 3, S 1"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Bernstein, Leonard, 1918-1990","Mascagni, Pietro, 1863-1945"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Bernstein, Leonard, 1918-1990","Mascagni, Pietro, 1863-1945"],"persname_ssim":["Bernstein, Leonard, 1918-1990","Mascagni, Pietro, 1863-1945"],"language_ssim":["Italian German English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-05T07:17:54.608Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_677","ead_ssi":"vifgm_repositories_2_resources_677","_root_":"vifgm_repositories_2_resources_677","_nest_parent_":"vifgm_repositories_2_resources_677","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_677.xml","title_filing_ssi":"Daniele Struppa music manuscripts collection","title_ssm":["Daniele Struppa music manuscripts collection"],"title_tesim":["Daniele Struppa music manuscripts collection"],"unitdate_ssm":["circa late 19th century - 1994"],"unitdate_inclusive_ssm":["circa late 19th century - 1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0348","/repositories/2/resources/677"],"text":["C0348","/repositories/2/resources/677","Daniele Struppa music manuscripts collection","Music","Opera","Composers","Conductors (Music)","Singers","Musicians","There are no access restrictions.","Arranged in chronological order.","Britannica, T. Editors of Encyclopaedia. \"Arrigo Boito.\" Encyclopedia Britannica, June 6, 2024. https://www.britannica.com/biography/Arrigo-Boito.","\"Dr. Daniele Struppa[.]\" Faculty Profile, Chapman University, accessed October 10, 2024. https://www.chapman.edu/our-faculty/daniele-struppa.","\"Pietro Mascagni[.]\" Opera World, accessed October 10, 2024. https://opera-world.net/opera_composers/pietro-mascagni/.","Daniele Struppa, Ph.D. is an Italian academic and mathematician. Dr. Struppa served in various roles at George Mason University, including as the former Dean of the College of of Humanities and Social Sciences. Dr. Struppa is the current President of Chapman University and previously served as their Chancellor for nine years. He has also served in many roles at universities in Italy, and is the author and editor of several academic publications on mathematics.","Processed by Amanda Menjivar from September-October 2024. Finding aid completed in October 2024.","German translation and transcription provided by Dorothee Schubel, George Mason University Libraries.","The Special Collections Research Center holds numerous collection music and the performing arts.","In addition to these materials, Dr. Daniele Struppa also donated a number of   to the Special Collections Research Center.","Ten music and music history-related documents and photographs collected and donated by Dr. Daniele Struppa, created from circa late 19th century-1991. See inventory and related scope notes for full details on each item.","Calling card from Austro-Bohemian (now Austria) composer Gustav Mahler (1860-1911), whose name is crossed out, alongside a note written by his sister Justine (pronounced Justina) (1868-1938), circa 1890s.","German translation and historical contextual information provided by Dorothee Schubel, Metadata and Cataloging Librarian: Direktor Mahler [Direktor crossed out and replaced with \"Justine\" so it reads now:] Justine Mahler dankt herzlichst, und bedauert Ihnen nicht persönlich Lebewol sagen zu können. in English: Justine Mahler thanks you sincerely, and regrets that she could not personally say Farewell to you. [Lebewol = older spelling, now Lebewohl]"," Justine Mahler (1868-1938), younger sister of Gustav Mahler (1860-1911), managed the household of Gustav Mahler in the beginning of his tenure as a Hofoperndirektor (director of the court opera house) until his marriage to Alma Schindler, 1898-1902. Justine Mahler married the violinst Arnold Rosé, she is the mother of Alma Rosé.","Letter by Arrigo Boito, written in Italian, circa late 19th century. Boito was an Italian composer and librettist (1842-1918). Boito was most well-known for serving as Giuseppe Verdi's librettist.","Written by Italian composter Giacomo Puccini (1858-1924) to dramatist and critic Paolo Pallavicini from the Hotel Knickerbocker in New York City about the premiere of his opera  La Fanciulla del West  at the Metropolitan Opera.","Musical phrase from the opera  Iris  handwritten by its composer Pietro Mascagni (1863-1945) in 1922. The phrase includes the Italian lyrics \"Apri la tua finestra/Jor son io...\" from the aria  Apri la tua finestra! . On the bottom left of the note Mascagni has written \"B. Aires\" for Buenos Aires, making this note likely written during his 1922 tour of Argentina.","Inscribed and signed photograph of German-born musician, composer, and conductor Bruno Walter (1876-1962).","Inscribed and signed by Italian opera singer Giuseppe di Stefano (1921-2008) to W.C. Clayton.","Inscribed by American opera singer Rosa Ponselle. The inscription reads \"To Gerry/ 'Lest Ye Forget'/ Your Rose/ 1964[.]\"","Signed portrait photograph of American opera singer Anna Moffo (1932-2006) in costume as Violetta in  La Traviata .","Signed program for a 1976 performance of the New York Philharmonic's Gala Bicentennial Tour, conducted by Bernstein (1918-1990).","Signed and matted photograph of Russian cellist Mstislav Rostropovich (1927-2007). Rostropovich served as the director of the National Symphony Orchestra from 1977-1994.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Ten music and music history-related documents and photographs collected and donated by Dr. Daniele Struppa, created from circa late 19th century - 1994.","R 73, C 3, S 1","George Mason University. Libraries. Special Collections Research Center","Bernstein, Leonard, 1918-1990","Mascagni, Pietro, 1863-1945","Italian German English"],"unitid_tesim":["C0348","/repositories/2/resources/677"],"normalized_title_ssm":["Daniele Struppa music manuscripts collection"],"collection_title_tesim":["Daniele Struppa music manuscripts collection"],"collection_ssim":["Daniele Struppa music manuscripts collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by former GMU Dean of the College of Humanities and Social Sciences, Dr. Daniele Struppa in 2003 and 2005."],"access_subjects_ssim":["Music","Opera","Composers","Conductors (Music)","Singers","Musicians"],"access_subjects_ssm":["Music","Opera","Composers","Conductors (Music)","Singers","Musicians"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet 1 box"],"extent_tesim":["1 Linear Feet 1 box"],"date_range_isim":[1994],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged in chronological order."],"bibliography_html_tesm":["\u003cp\u003eBritannica, T. Editors of Encyclopaedia. \"Arrigo Boito.\" Encyclopedia Britannica, June 6, 2024. https://www.britannica.com/biography/Arrigo-Boito.\u003c/p\u003e\n","\u003cp\u003e\"Dr. Daniele Struppa[.]\" Faculty Profile, Chapman University, accessed October 10, 2024. https://www.chapman.edu/our-faculty/daniele-struppa.\u003c/p\u003e\n","\u003cp\u003e\"Pietro Mascagni[.]\" Opera World, accessed October 10, 2024. https://opera-world.net/opera_composers/pietro-mascagni/.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Britannica, T. Editors of Encyclopaedia. \"Arrigo Boito.\" Encyclopedia Britannica, June 6, 2024. https://www.britannica.com/biography/Arrigo-Boito.","\"Dr. Daniele Struppa[.]\" Faculty Profile, Chapman University, accessed October 10, 2024. https://www.chapman.edu/our-faculty/daniele-struppa.","\"Pietro Mascagni[.]\" Opera World, accessed October 10, 2024. https://opera-world.net/opera_composers/pietro-mascagni/."],"bioghist_html_tesm":["\u003cp\u003eDaniele Struppa, Ph.D. is an Italian academic and mathematician. Dr. Struppa served in various roles at George Mason University, including as the former Dean of the College of of Humanities and Social Sciences. Dr. Struppa is the current President of Chapman University and previously served as their Chancellor for nine years. He has also served in many roles at universities in Italy, and is the author and editor of several academic publications on mathematics.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Daniele Struppa, Ph.D. is an Italian academic and mathematician. Dr. Struppa served in various roles at George Mason University, including as the former Dean of the College of of Humanities and Social Sciences. Dr. Struppa is the current President of Chapman University and previously served as their Chancellor for nine years. He has also served in many roles at universities in Italy, and is the author and editor of several academic publications on mathematics."],"prefercite_html_tesm":["\u003cp\u003eDaniele Struppa music manuscripts collection, C0348, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Daniele Struppa music manuscripts collection, C0348, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Amanda Menjivar from September-October 2024. Finding aid completed in October 2024.\u003c/p\u003e","\u003cp\u003eGerman translation and transcription provided by Dorothee Schubel, George Mason University Libraries.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Amanda Menjivar from September-October 2024. Finding aid completed in October 2024.","German translation and transcription provided by Dorothee Schubel, George Mason University Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds numerous collection music and the performing arts.\u003c/p\u003e\n","\u003cp\u003eIn addition to these materials, Dr. Daniele Struppa also donated a number of \u003cextptr show=\"new\" title=\"rare publications\" href=\"https://wrlc-gm.primo.exlibrisgroup.com/discovery/search?query=any,contains,daniele%20struppa\u0026amp;tab=Everything\u0026amp;search_scope=MyInst_and_CI\u0026amp;vid=01WRLC_GML:01WRLC_GML\u0026amp;facet=location_code,include,4105%E2%80%9313707590004105%E2%80%93scrc%20rare\u0026amp;lang=en\u0026amp;offset=0\"\u003e\u003c/extptr\u003e to the Special Collections Research Center.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds numerous collection music and the performing arts.","In addition to these materials, Dr. Daniele Struppa also donated a number of   to the Special Collections Research Center."],"scopecontent_html_tesm":["\u003cp\u003eTen music and music history-related documents and photographs collected and donated by Dr. Daniele Struppa, created from circa late 19th century-1991. See inventory and related scope notes for full details on each item.\u003c/p\u003e","\u003cp\u003eCalling card from Austro-Bohemian (now Austria) composer Gustav Mahler (1860-1911), whose name is crossed out, alongside a note written by his sister Justine (pronounced Justina) (1868-1938), circa 1890s.\u003c/p\u003e\n","\u003cp\u003eGerman translation and historical contextual information provided by Dorothee Schubel, Metadata and Cataloging Librarian: Direktor Mahler [Direktor crossed out and replaced with \"Justine\" so it reads now:] Justine Mahler dankt herzlichst, und bedauert Ihnen nicht persönlich Lebewol sagen zu können. in English: Justine Mahler thanks you sincerely, and regrets that she could not personally say Farewell to you. [Lebewol = older spelling, now Lebewohl]\u003c/p\u003e\n","\u003cp\u003e Justine Mahler (1868-1938), younger sister of Gustav Mahler (1860-1911), managed the household of Gustav Mahler in the beginning of his tenure as a Hofoperndirektor (director of the court opera house) until his marriage to Alma Schindler, 1898-1902. Justine Mahler married the violinst Arnold Rosé, she is the mother of Alma Rosé.\u003c/p\u003e","\u003cp\u003eLetter by Arrigo Boito, written in Italian, circa late 19th century. Boito was an Italian composer and librettist (1842-1918). Boito was most well-known for serving as Giuseppe Verdi's librettist.\u003c/p\u003e","\u003cp\u003eWritten by Italian composter Giacomo Puccini (1858-1924) to dramatist and critic Paolo Pallavicini from the Hotel Knickerbocker in New York City about the premiere of his opera \u003citalic\u003eLa Fanciulla del West\u003c/italic\u003e at the Metropolitan Opera.\u003c/p\u003e","\u003cp\u003eMusical phrase from the opera \u003citalic\u003eIris\u003c/italic\u003e handwritten by its composer Pietro Mascagni (1863-1945) in 1922. The phrase includes the Italian lyrics \"Apri la tua finestra/Jor son io...\" from the aria \u003citalic\u003eApri la tua finestra!\u003c/italic\u003e. On the bottom left of the note Mascagni has written \"B. Aires\" for Buenos Aires, making this note likely written during his 1922 tour of Argentina.\u003c/p\u003e","\u003cp\u003eInscribed and signed photograph of German-born musician, composer, and conductor Bruno Walter (1876-1962).\u003c/p\u003e","\u003cp\u003eInscribed and signed by Italian opera singer Giuseppe di Stefano (1921-2008) to W.C. Clayton.\u003c/p\u003e","\u003cp\u003eInscribed by American opera singer Rosa Ponselle. The inscription reads \"To Gerry/ 'Lest Ye Forget'/ Your Rose/ 1964[.]\"\u003c/p\u003e","\u003cp\u003eSigned portrait photograph of American opera singer Anna Moffo (1932-2006) in costume as Violetta in \u003citalic\u003eLa Traviata\u003c/italic\u003e.\u003c/p\u003e","\u003cp\u003eSigned program for a 1976 performance of the New York Philharmonic's Gala Bicentennial Tour, conducted by Bernstein (1918-1990).\u003c/p\u003e","\u003cp\u003eSigned and matted photograph of Russian cellist Mstislav Rostropovich (1927-2007). Rostropovich served as the director of the National Symphony Orchestra from 1977-1994.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Ten music and music history-related documents and photographs collected and donated by Dr. Daniele Struppa, created from circa late 19th century-1991. See inventory and related scope notes for full details on each item.","Calling card from Austro-Bohemian (now Austria) composer Gustav Mahler (1860-1911), whose name is crossed out, alongside a note written by his sister Justine (pronounced Justina) (1868-1938), circa 1890s.","German translation and historical contextual information provided by Dorothee Schubel, Metadata and Cataloging Librarian: Direktor Mahler [Direktor crossed out and replaced with \"Justine\" so it reads now:] Justine Mahler dankt herzlichst, und bedauert Ihnen nicht persönlich Lebewol sagen zu können. in English: Justine Mahler thanks you sincerely, and regrets that she could not personally say Farewell to you. [Lebewol = older spelling, now Lebewohl]"," Justine Mahler (1868-1938), younger sister of Gustav Mahler (1860-1911), managed the household of Gustav Mahler in the beginning of his tenure as a Hofoperndirektor (director of the court opera house) until his marriage to Alma Schindler, 1898-1902. Justine Mahler married the violinst Arnold Rosé, she is the mother of Alma Rosé.","Letter by Arrigo Boito, written in Italian, circa late 19th century. Boito was an Italian composer and librettist (1842-1918). Boito was most well-known for serving as Giuseppe Verdi's librettist.","Written by Italian composter Giacomo Puccini (1858-1924) to dramatist and critic Paolo Pallavicini from the Hotel Knickerbocker in New York City about the premiere of his opera  La Fanciulla del West  at the Metropolitan Opera.","Musical phrase from the opera  Iris  handwritten by its composer Pietro Mascagni (1863-1945) in 1922. The phrase includes the Italian lyrics \"Apri la tua finestra/Jor son io...\" from the aria  Apri la tua finestra! . On the bottom left of the note Mascagni has written \"B. Aires\" for Buenos Aires, making this note likely written during his 1922 tour of Argentina.","Inscribed and signed photograph of German-born musician, composer, and conductor Bruno Walter (1876-1962).","Inscribed and signed by Italian opera singer Giuseppe di Stefano (1921-2008) to W.C. Clayton.","Inscribed by American opera singer Rosa Ponselle. The inscription reads \"To Gerry/ 'Lest Ye Forget'/ Your Rose/ 1964[.]\"","Signed portrait photograph of American opera singer Anna Moffo (1932-2006) in costume as Violetta in  La Traviata .","Signed program for a 1976 performance of the New York Philharmonic's Gala Bicentennial Tour, conducted by Bernstein (1918-1990).","Signed and matted photograph of Russian cellist Mstislav Rostropovich (1927-2007). Rostropovich served as the director of the National Symphony Orchestra from 1977-1994."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_0cfbff9602fe1ebfc3b55bdb61d9845f\"\u003eTen music and music history-related documents and photographs collected and donated by Dr. Daniele Struppa, created from circa late 19th century - 1994.\u003c/abstract\u003e"],"abstract_tesim":["Ten music and music history-related documents and photographs collected and donated by Dr. Daniele Struppa, created from circa late 19th century - 1994."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_cbcfeb6d5aac72a8ff27223e8b59d577\"\u003eR 73, C 3, S 1\u003c/physloc\u003e"],"physloc_tesim":["R 73, C 3, S 1"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Bernstein, Leonard, 1918-1990","Mascagni, Pietro, 1863-1945"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Bernstein, Leonard, 1918-1990","Mascagni, Pietro, 1863-1945"],"persname_ssim":["Bernstein, Leonard, 1918-1990","Mascagni, Pietro, 1863-1945"],"language_ssim":["Italian German English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-05T07:17:54.608Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_677"}},{"id":"viw_repositories_2_resources_9226","type":"collection","attributes":{"title":"Documenting Life During COVID-19 collection","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9226#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eCollection includes social media posts, music recitals, podcasts, video recordings, digital photographs, self-portraiture, original music compositions, poetry, personal journal entries, and other materials created by members of the William \u0026amp; Mary and the greater Williamsburg community in response to the COVID-19 pandemic of 2020.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9226#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9226","ead_ssi":"viw_repositories_2_resources_9226","_root_":"viw_repositories_2_resources_9226","_nest_parent_":"viw_repositories_2_resources_9226","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9226.xml","title_filing_ssi":"Documenting Life During COVID-19 collection \n","title_ssm":["Documenting Life During COVID-19 collection"],"title_tesim":["Documenting Life During COVID-19 collection"],"unitdate_ssm":["2020 March - ongoing"],"unitdate_inclusive_ssm":["2020 March - ongoing"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00326","/repositories/2/resources/9226"],"text":["MS 00326","/repositories/2/resources/9226","Documenting Life During COVID-19 collection","Coronavirus infections","Quarantine","Telecommuting","Personal narratives","Music","Social distance","COVID-19 (Disease)","Masks","Furloughs","Zines","Letters to the editor","College students","Spring break","Photographs","Poetry","Video recordings","Sound Recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Future accruals expected.","Materials are arranged by name of the submitter. Each submitter has their own series within this collection. Navigate to the individual files within each series to access materials.","Collection includes materials collected from members of the William \u0026 Mary and the greater Williamsburg community during the COVID-19 pandemic. ","From the William \u0026 Mary Libraries submission site: \"As we all adjust to the new realities imposed by the novel coronavirus, COVID-19, William \u0026 Mary Libraries invite all members of the William \u0026 Mary and greater Williamsburg community to add their voices to the Special Collections. We welcome submissions of all forms of personal reflections to add to the physical and digital archives in the Special Collections Research Center in Swem Library. Your experience is just that – yours – and how you record it is up to you! Feel free to capture your memories in whatever way you choose, and share and reflect on any part of your experience. Ideas include but are not limited to: ","Prose\nPoetry\nDrawing\nScrapbooking\nPhotography\nAudio/video\nOther accounts of day-to-day life","Your memories matter, and your experiences are an important part of our shared history. As part of the records preserved in the Special Collections, your materials will be an accessible part of the historic record and contribute to research for years to come.\"  ","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Before submitter supplied the video file, the YouTube video was originally captured using Webrecorder/Conifer. The capture session has now been deleted but the capture (.WARC file) was first saved to the accession's folder (2020108) on the Synology Box, along with the actual video file. Y:/ActiveStorage/AccessionsBacklog/2020108","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Contact SCRC staff for access to these materials.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Donor contacted us 5/12/2022 and requested that their last name and headshot be removed from their submission for greater privacy.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Content creator submitted URL for inclusion in Digital Archive; Accessioner took screenshots of playlist for long-term access.","Most materials are born-digital. Some materials require contacting the SCRC for access.","Materials were processed and described using the submitter's original language from the William \u0026 Mary Libraries submission site.","Accessions to this collection are titled by each individual submitter's first and last name. If there are multiple submissions from the same person, they are included as files or items within the submitters name.","Some personal information was removed from the heading of this letter.","Collection includes social media posts, music recitals, podcasts, video recordings, digital photographs, self-portraiture, original music compositions, poetry, personal journal entries, and other materials created by members of the William \u0026 Mary and the greater Williamsburg community in response to the COVID-19 pandemic of 2020.","A poem, titled \"This Thing We Bear,\" by Kimberly Ankney of Toano, Virginia. Ankney submitted the poem with the following description: \"This is a poem I wrote to my children to remember the COVID-19 quarantine. I have been attempting to balance full-time work with full-time parenting, and juggling feelings about the pandemic. Written in Toano, VA 2020.\"","One photo montage video created and uploaded by Marna Ashburn, William \u0026 Mary Class of 1985 and Williamsburg, Virginia community member. Ashburn described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Individual items within this series include Ashburn's video, originally uploaded to YouTube, and a personal photograph of Ashburn included with the submission.","One photo montage video, titled \"Something to Smile About Under the Circumstances. Forty things to lift your spirits during lockdown.\", created by Marna Ashburn and uploaded to YouTube on May 3, 2020. Ashburn, member of the William \u0026 Mary class of 1985 and Williamsburg, Virginia community member, described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Please contact SCRC staff to access the video at this time.","One digital photograph and one personal journal entry submitted by Thomas Backus of Phoenix, Arizona. Backus provided the following description for the photograph, taken March 28, 2020: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\" The journal entry, \"written on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","One digital photograph, taken March 28, 2020, by Thomas Backus of Phoenix, Arizona. Backus: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\"","Personal journal entry, written by Thomas Backus \"on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","Six digital photographs submitted by Jason Betzner '19, William \u0026 Mary alum and Williamsburg community member, documenting his family's experiences with adapting to new social distancing protocols. Navigate to an individual photograph to view its title, date, and description, as provided by Betzner.","Digital photograph, titled \"School at home,\" taken by Jason Betzner on March 17, 2020 (Williamsburg, Virginia). Betzner: \"This picture is of my daughter, Elizabeth Betzner (age 7) doing her school work at home on March 17th. She is a first grade student at Matthew Whaley. She has had a difficult time adjusting to this new reality and some days are better than others. She really wants to go back to see her friends and her teacher.\"","Digital photograph, titled \"Bye to my classroom,\" taken by Jason Betzner on March 27, 2020 (Williamsburg, Virginia). Betzner: \"I took this picture of my classroom at Warhill High School on Marcy 27th. We were allowed back in our rooms for 15 minutes to get needed teaching materials for virtual learning. The room was exactly as I left it on March 13th when schools closed down for the rest of the year.\"","Digital photograph, titled \"Home haircut,\" taken by Jason Betzner on April 11, 2020 (Williamsburg, Virginia). Betzner: \"After a month of social distancing, my wife gave me a home haircut on April 11. She did a fairly good job!\"","Digital photograph, titled \"House closing,\" taken by Jason Betzner on April 28, 2020 (Williamsburg, Virginia). Betzner: \"My family had been searching for a new home since January. We closed on the purchase of our house on April 28th. At the Title company, we had to wear masks and sign all of the papers in the car. It was stressful but we did it!\"","Digital photograph, titled \"Letter to teacher,\" taken by Jason Betzner (Williamsburg, Virginia). Betzner: \"My daughter has been writing notes back and forth to her first grade teacher at Matthew Whaley. This is one of her letters describing what she's been doing at home.\"","Digital photograph, titled \"Flyover,\" taken by Jason Betzner on May 22, 2020 (Williamsburg, Virginia). Betzner: \"An F-22 and two P-51s flew over Williamsburg's hospitals on May 22nd to support healthcare workers on the front lines of the pandemic.\"","Ten digital photographs submitted by Michele Bingle-Graffius, community member of Williamsburg, Virginia. Bingle-Graffius provided the following description with the submission: \"A brief synopsis of my life during Covid. At the onset, I bordered on panic and deep dread. I felt helpless and overwhelmed. After about two weeks I became increasing helpless and needed an outlet. I began sewing face masks. I ran out of supplies; first elastic, then shoe laces that I was using as a substitute for elastic. Supplies continued to dwindle and I had made enough masks for our family, my husband and his coworkers (all of whom needed to continue to go into work during the shut-down) and my extended family. The weather began to break and get warmer. We spent more time outside working within our yard. If it were not for financial concerns and a need to conserve money in case my husband would loss income, we would have worked on remodeling the bathroom. Instead, we worked on landscaping and beautifying the yard. Our yard has been quite neglected for years before we bought the property last year and does need a ton of work. With the US death toll rising steadily, I started to focus on the life around me; the plants and creatures within my yard. The following represents photos all taken from my yard here in Williamsburg. Respectfully submitted, Michele Bingle-Graffius.\"","Poem titled \"The Trouble with Trauma\" by Anna Buck, member of the Williamsburg community: \"I've included a poem I've written (with a cover photo) about how a current crisis can bring up past anxieties and traumas.\" The poem has a color cover photo of a children's feet alongside chalk drawings on brick steps. ","Series also includes Buck's headshot, included with submission. ","Screenshot of Michelle Clark video chatting with her grandmother. The image was submitted by Clark's husband, Matthew, a classical archeology major and member of William \u0026 Mary's class of 2022. Matthew Clark described the screenshot: \"Michelle is my wife. She asked me to submit this photograph for your files in order to preserve this moment with her grandmother. This screenshot was taken in Virginia Beach, Virginia on April 11th, 2020. My wife, Michelle Clark, was video chatting with her grandmother, Donna Scott, who recently learned how to use a video chat app (and its filters) in order to stay connected during lockdown!\"","Two digital photographs of Suzanne Cole, William \u0026 Mary English major and class of 2022, taken by her mother, Marjorie Cole. Suzanne Cole described the images: \"The photo is timestamped April 8, 4:17pm. The picture shows me (Suzanne) on my back porch at home in Falls Church, Virginia. I was attending a live Zoom lecture for my GOVT 203: Introduction to Comparative Politics class.\" Includes a photograph of Suzanne Cole.","One digital photograph, including a passage from the Bible, taken by Laura Craig, member of the greater Williamsburg community. Craig described the photo of keys, face mask, and backpack against the backdrop of a front door: \"What my new normal routine looks like before leaving my house...and the inspiration that helps me deal with fear during COVID.\"","6 items, distributed by William \u0026 Mary to students, faculty and staff in the summer of 2020: 1 gray mesh zippered bag containing: 1 flyer promoting the Healthy Together campus initiative; 2 green cloth reusable face masks; 1 bottle of hand sanitizer; and 1 packet of alcohol wipes.","Seven digital photographs of the Colonial Williamsburg Historic Area and William \u0026 Mary taken by Williamsburg community member Mike Descher in spring 2020 during the COVID-19 pandemic. Also included is a time-lapse video, originally uploaded to YouTube on June 29, 2020, of the empty grounds of Colonial Williamsburg's Governor's Palace, normally a heavily trafficked historic site. Descher described the submission: \"Photography taken and composed from February 20th thru June 29th 2020 during the time of the Covid 19 Pandemic.\"","A personal photograph of Descher, attached with the submission, is also included in this series.","Digital photograph taken by Theresa Dittamo, member of the greater Williamsburg community, of a woman using a sewing maching to make cloth face masks. Dittamo described the photograph: \"WWII had Rosie the Riveter, the pandemic has 'mom, the mask maker'!\"","Two video recordings of performances by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993, and one recorded Zoom conversation hosted by William \u0026 Mary Libraries with DoubleTake members discussing their experiences during the pandemic. ","Colin Carmody '22, DoubleTake member and mathematics and music major, shared the performances and provided the following descriptions for each recording. ","\"Rivers and Roads\" performance: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","\"Bad Dreams\" performance: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","The Zoom conversation was recorded on May 20, 2020 and conducted by Dean of University Libraries Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Video recording of a rendition of \"River and Roads\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","\nCarmody: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","Video recording of a rendition of \"Bad Dreams\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","Carmody: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","A recording of a Zoom conversation conducted by William \u0026 Mary Libraries Dean Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski with members of the William \u0026 Mary a capella group DoubleTake on May 20, 2020. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Six digital photographs taken by Carlee Dunn, William \u0026 Mary undergraduate, Biology major, and member of the class of 2023. Dunn took these photos around her hometown, Monroe, New Jersey, on April 8, 2020.","Dunn: \"These photos were taken on Wednesday, April 8th, 2020 while I was driving around my hometown of Monroe, NJ. This date was close to the predicted height of coronavirus cases in my area. Each photo contains some sort of inspirational or meaningful sign I saw during my drive, and it meant so much to me to find people spreading so much hope in the middle of a crisis. The photo of the chalk rainbow was drawn on the side of a strip mall that faces a busy road. The 'Thank you essential workers' sign was a sign my neighbors put on their front lawn, visible from the main road near my house. The 'Be safe, stay healthy' sign was in front of a Walgreens pharmacy. The 'Yes, it's hard' sign was on the front lawn of someone's house, once again able to be seen from a main road. 'This too shall pass' was in front of an auto repair shop. The chalk sidewalk drawings, though somewhat hard to see in that photo, are drawings I did myself in front of my house.\" ","Series includes a photograph of Dunn that was attached with the submission. ","19 digital photographs submitted by Welby Fairlie, a Williamsburg, Virginia community member and a Regional Manager at the International Student Exchange. The photographs document Fairlie and family members' experiences in quarantine during the COVID-19 pandemic.","Fairlie provided the following description with the submission: \"Family photos to remember the time of COVID. I had planned to make our own photo album but then saw the project underway there at W\u0026M.\" Photos include \"empty shelves at various stores, new Air Fryer we bought and are using ALL THE TIME!, Italian exchange students getting interviewed for newspaper, Zoom meeting with some of my exchange students, entry inspection point for OBX [Outerbanks, North Carolina], a makeshift upstairs exercise room, postponed and then Virtual Monument Ave 10K with a friend, closed off soccer fields, store signage, outdoor birthday party with social distancing, my husband and son in masks at store, hand washing station at strawberry picking. Also a welcome sign in OBX [Outerbanks, North Carolina].\"","Series also includes a photograph of Fairlie, included with the submission.","Poem, titled \"Quarantine,\" written by Rebecca Fritzinger, member of the greater Williamsburg community. Fritzinger wrote, \"I am submitting a poem written on April 26, 2020, describing my time in quarantine up to that point. I wrote it while I was sitting in a chair reflecting on my experiences.\"","Artifacts and ephemera collected by Shayna Gutcho during her time as a Mosaic Fellow at William \u0026 Mary Libraries from 2019-2020. The addition includes \"Dear Evan Hansen\" items given to Shayna by show producer and William \u0026 Mary alum Caitlin Clements who Shayna interviewed for a Mosaic Fellows podcast assignment.","Video of rap performance done by Bridget Hammond, Williamsburg community member and parent of William \u0026 Mary graduate. Hammond described the performance: \"We got furloughed on 3/24/20 from the marketing dept in a resort. That night I got a bottle of wine and wrote this Rap. The next morning hungover I performed/taped this... hence the shades... everyone loved it. It's funny but true so weird the things missing on the shelves. Enjoy, Bridget Hammond, writer, director \u0026 performer.\"","Series also includes a photograph of Hammond, included with the submission.","Copy of a letter to the editor, written by Conrad P. Hedderich, retired Commander of the U.S. Navy, self-described as \"a concerned viewer of WAVY TV 10 who saw the story of your [William \u0026 Mary's Documenting COVID-19] project.\" The letter is addressed to the editor of The Virginian-Pilot. Hedderich is a resident of Virginia Beach, Virginia.","1 website with 11 entries of individuals that Jamie Holt, Class of 2022, photographed and interviewed for a class project. She included the following description: \"This is an independent study project from my junior year interviewing and photographing, both in person and virtually, students about their COVID-19 experiences. This was produced in the fall of 2020.\"","A personal reflection written by Diane Huebner (Arnold), a William \u0026 Mary alumna from the class of 1976. Huebner has been an elementary school teacher at Williamsburg-James City County Public School for thirty years. She writes about the unexpected transition to \"Car Parades and Electronic Classrooms,\" the title of her reflection. Huebner described the submission: \"I am a teacher in W-JCC Public Schools, and have written about my experiences during the COVID-19 pandemic.\"","Class of 2023 William \u0026 Mary student Marissa Incer shared the following about her experiences during the COVID-19 pandemic along with the photographs and one video she submitted:\n\"In two photos, you will see my college friends and I maintaining virtual contact and entertaining ourselves with games (electronic Pictionary, basically) that we played through Zoom. The video was a very quick glimpse of my Spanish class during the Spring 2020 semester when we had to quickly transition into all-remote classes. The photo of me sitting at a table with my laptop was taken on August 19, 2020: the first day of the Fall 2020 semester. Finally, there is a mirror selfie of me with my mask on at a mostly empty mall.\" ","Included in this series is a personal photograph of Incer, along with the submission.","Installments of a weekly art journal zine created by Alexandra Johnson, a William \u0026 Mary undergraduate student majoring in English and Linguistics and member of the class of 2022. Johnson wrote a description of the first installment: \"A pdf of a weekly art journal zine, available in both digital and print versions. I'll submit one every week, the title is \"To the Rising Tides.\" This submission is for the week of May 9-May 15, and is Week One.\" ","Johnson's second installment: \"The second installment of a weekly art journal zine titled \"To the Rising Tides,\" chronicling the week of May 16-May 22, Week Two. The previous installment of this series, (with the file titles \"to the rising tides 1\") was submitted earlier today; the next will be submitted May 29. The photograph at the beginning of this zine is from Huntsman Lake, VA, and was taken on May 20 by the creator.\" ","Digital version.","Digital version.","Senior recital recordings for Ayush Joshi, William \u0026 Mary undergraduate, Music and Computer Science major, and member of the class of 2020. Joshi described the submissions: \"Video recordings of me performing my senior recital, that was supposed to be performed on campus on March 28th. ","Full Program:","Classical Piano: Ballade no 2 by Frederic Chopin; Reverie by Claude Debussy; Danzas Argentinas by Alberto Ginastera (this one is in three different audio files, one for each piece in the collection)","Jazz: Waltz for Debby by Bill Evans (with Wayne Wu on Guitar); Butterfly by Herbie Hancock (with Avi Joshi on drums); The Yellow Jacket by Shaun Martin (with Avi Joshi on Drums)","Also, I think for the purposes of the archive I should add that I studied piano with Christine Niehaus and Harris Simon during my time here at William and Mary.\"","This performance is in three different audio files, one for each piece in the collection.","Four hand-colored photographs submitted by Dan Kehlenbach, Williamsburg, Virginia community member. ","Kehlenbach included the following description with the submission: \"I read in W-Y Daily that the library is soliciting for art projects during the coronavirus and would like to submit some of the project I have been working on. I submitted to their website and Ms. Charlotte Burcher suggested I submit it here as well. In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC, the third image is of Spring Point Lighthouse in Portland, ME, and the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy). Thanks for the opportunity to submit this, and getting back into hand-coloring my photographs, I feel a connection to the history of photography and find joy in creating unique images to share. Art has always had a special place in my heart and soul, and these challenging times has made the pursuit of artwork and creative expression much more valuable. With much gratitude, Dan Kehlenbach Williamsburg, VA.\"","Series also includes a photograph of Kehlenbach that was attached to the submission.","Personal headshot included by Dan Kehlenbach with the submission.","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member. ","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of the Spring Point Lighthouse in South Portland, Maine, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the third image is of Spring Point Lighthouse in Portland, ME.\"","One photograph from Barga, Italy, hand-colored by Dan Kehlenbach, Williamsburg community member.","\nKehlenbach provided the following description with this submission: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy).\"","Digital photographs and video from Likhitha Kolla, member of William \u0026 Mary's class of 2018 with a major in Biology, Computational and Applied Mathematics and Statistics. Kolla described the submissions: \"Isolated streets of Philadelphia, [Pennsylvania]. Here during COVID-19 quarantine. Picture is taken at the end of March 2020. Video is my spring break trip before quarantine.\"","Series also includes a photograph of Kolla, included with the submission.","Poem, titled \"Spring 2020,\" written by Fran Lane, Williamsburg, Virginia community member. Lane's poem reflects on moments of everyday life and family bonds found in quarantine.","One image from Aubrey Lay, Class of 2023, of Zooming into class. This is his description: \"During a Fall 2021 resurgence of COVID-19 due to the Delta Variant, many students needed to return to virtual modalities for public health reasons. In this image, I am seen with classmate Lucia Eovino (Class of 2023) Zooming into our Chinese class.\"","One screenshot of a March 15, 2020 Zoom call submitted by Aubrey Lay, a William \u0026 Mary undergraduate student and member of the class of 2023. Lay described the submission: \"Unlimited Zoom call time was granted to WM students by Zoom during our call; we expected to get cut off at 40 minutes, but got a pleasant surprise from this notification. This change made Zoom a more important part of social life for WM students during the second semester. Left to right: Aubrey Lay ('23), Casey Kim ('23), Rayna Yu ('20), a student from Washington University, St. Louis, and Michelle Yue ('23).\"","A collection of poems from Covid 19, month by month from March 2020 to February of 2021 written by William \u0026 Mary student Class of 2024 Rachael Lee. Lee submitted a previous collection of poetry that she asked not be made public. With that submission, she provided the following description which also describes many of themes of this submission: \"Poetry created during the Covid19 Pandemic, most of them covering ideas of coming of age in an era of death, and the difficulty connecting with others from behind a mask. Isolation, death, and a ruining of youth are central themes in these poems.\"","Digital photograph take by Ivy Li, William \u0026 Mary undergraduate student and member of the class of 2023. Li described the photograph: \"This photo was shot at 12:01 AM on March 21 in Tom Bradley International Terminal in LAX, Los Angeles International Airport. Almost everyone in this terminal wore a face mask, and even some people wear protective clothing and safety goggles. Although it was midnight, the airport was full of people waiting to board on planes. Most of them were going to return their home countries. Though the CDC did not encourage people to wear face masks, they still wore it to protect both themselves and others. Those whose body temperature above 37 degrees celsius was not allowed to pass safety check and board the plane.\"","Self-portrait by Katherine McSweeney, daughter of William \u0026 Mary alumni and member of the greater Williamsburg community. McSweeney described the artwork: \"This is a self portrait, drawn in Matthews Virginia beside the local creek.\"","Eight digital photographs taken by Miso Park, William \u0026 Mary Biology major with a Public Health minor and member of the class of 2021. Park described the up-close photographs of tree branches and flower blossoms: \"Before spring break, I borrowed a camera from Swem Media Center and because of the extended \"break\", I have been experimenting with the camera and I even downloaded Adobe Photoshop that the school gives access (for free!). It's been a great use of time because I always wanted to be a photographer when I was in elementary school. I never thought of buying a camera for myself but I think I might have to once I return this one (whenever school opens again!). These pictures I took while walking around in my neighborhood!\" Includes a photograph of Park.","Photographs taken around Williamsburg, Virginia during the COVID-19 pandemic. Includes photographs of grocery store signage and health care worker salutes.","Four digital photographs taken by Susan Riggs, William \u0026 Mary M.A. class of 1972 and William \u0026 Mary Libraries Special Collections Research Center staff member. Riggs described the photographs: \"One way entrance and exit for shoppers to Harris-Teeter Grocery Store, 6485 Centerville Rd Williamsburg, VA 23188.\"","Five digital photographs and two screenshots of aerial flyover to celebrate healthcare workers. Photographs were take on May 12, 2020 by Williamsburg community member, David Riggs. They were shared by Riggs' wife, Susan Riggs, who described the images: \"Joint Base Langley-Eustis F-22 Raptor Demo Team, 1st Fighter Wing and 192nd Wing Flyover of Peninsula to honor health care workers during COVID-19 pandemic. Photos of the planes, the flyover map and screenshot from Facebook explaining the flyover. These photographs were taken at 6:42 PM on Patrick Henry Drive in Skipwith Farms as the planes were on a route from Sentara Hospital (Lightfoot) to Eastern State Hospital on May 12, 2020.\"","Three digital photographs of COVID-19 signage taken on May 13, 2020 by Susan Riggs, William \u0026 Mary Libraries Special Collections Research Center staff member and M.A. class of 1972. Riggs described the images: \"Photograph of sign in Food Lion, 5251 John Tyler Hwy, Williamsburg Va. taken May 13, 2020; Heroes sign in front of U. S. Post Office, 5219 Monticello Ave., Williamsburg, Va. also taken May 13, 2020.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S. of Oakland, California: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S., community member: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Three digital photographs taken by Rochelle Seitz, research professor in the Biological Sciences department at the Virginia Institute of Marine Science (VIMS). She described the four photos: \"Photos of marine science research field deployment of gear for a graduate student's thesis research. Field work was done in Timberneck Creek, York River, on 4/14/20, while wearing face coverings and staying 6-ft apart.\"","Digital photograph of Rochelle Seitz, Research Professor, Biological Science, Virginia Insitute of Marine Science","Digital photograph depicts Professor Seitz wearing a face mask and holding up a yellow research notebook. The notebook shows some pencil notations. The graduate student researcher is working in the background.","Digital photograph depics graduate student researcher wearing a blue face mask and collecting samples from the water. There is a yellow basket and a blue tub next to the student.","Digital photograph of graduate student researcher wading out into the water with a blue tub in tow. There is a wooden pier in the distance.","A personal reflection written by artist Katarina Smith. Smith described the submission: \"I've written a short piece during quarantine, regarding COVID-19. I would like to submit it for the documentation project. Its title is '2020.' It was written on April 9th, 2020.\"","Scanned journal entries handwritten by Kelly Smith, Newport News high school teacher and member of the greater Williamsburg community. Smith described the ten-page journal: \"Personal journal entries of thoughts, emotions, experiences during the COVID-19 outbreak, ranging from March 15, 2020-March 31, 2020. Bishop Knestout-- Catholic bishop of the Diocese of Richmond Kevin-- my husband Kristen-- my cousin Jenny- the principal of the school I teach at.\"","A social media post titled \"Office sharing during the pandemic\" submitted by Sarah Smith, William \u0026 Mary Athletics staff member. Smith wrote, \"This bit of writing was a Facebook post created by me on the first day of the fourth week of working from home during the Covid-19 pandemic.\"","One photograph submitted by Monique Sowell, employee at Aromas Coffeehouse and Café, with credit also given to Michelle Sieling, owner of the Williamsburg, Virginia business. Sowell described the photograph: \"Aromas on 431 Prince George [Street] hosted their first Open Acoustic night in lieu of open mic inside to allow our guest to enjoy some outside jams. Thursday night, June 18th 2020.\"","Poem written by Bly Straube, Senior Curator at the Jamestown Settlement Museum and William \u0026 Mary M.A. class of 1990. Straube wrote, \"A poem about my work cubicle at the Jamestown Settlement Museum of the Jamestown-Yorktown Foundation, where I serve as Senior Curator. This was written one-month into the Commonwealth's order to 'stay home.'\"","Zoom recording from Kenneth Tieu, William \u0026 Mary undergraduate; Kinesiology and Health Sciences, Pre-Medicine major; and member of the class of 2023. Tieu described the recording: \"The file submitted is the later half of a Murder Mystery party planned during the pandemic on March 29th, 2020 recorded via Zoom. Additionally, we were also celebrating the 19th birthday of Claire Wyszynski as well. Everyone was in character and emails were sent to each individual person explaining the current scenario and secrets of their character that can be used to determine who is the murderer. This people involved are: Kenneth Tieu, Carlee Dunn, Claire Wyszynski, Bezawit Kentiba, Lily Weisert, Maya Deutchman, Avery Bradley, Kenya Lopez, Abigail Gutleben, Lucy Abell, and Tara Vasanth.\"","Podcast series, digital video, and poem written by Tara Vasanth, William \u0026 Mary Art History major with emphasis on Built Environment, and member of the class of 2023. Vasanth described the submissions: \"To celebrate a wonderful freshman year and to remember all of the fun times I spent with my amazing hall mates, I made an illustrated, limericky video for my hall (Spotswood, Second Lower Floor). Since we all live in the Botetourt complex, we proudly call ourselves the \"Botehotties.\" I wanted to create a story-telling video (similar to the ones you see on Reading Rainbow) that captured the wonderful experiences and uniqueness of our special dorm. It was a great distraction from exam preparation, and this project definitely took precedence over my studying.\" ","Podcasts were co-created with Vasanth's friend, Maddy: \"Inspired by the fascinating and funny conversations my friend Maddy and I had prior to the COVID-19 outbreak, we decided to create a quirky podcast that revisited some of the things we talked about during the school year. Despite my minimal podcast knowledge and experience, I was keen to co-create a podcast that allowed me to continue to connect with Maddy and my hall mates. In the show, we are committed to wacky humor and giving a ridiculous amount of attention to trivial, nonsensical, irrelevant aspects of daily living. Hence the name, Foofaraw. Warning: some of the conversations you will hear are parallel to those that take place in a dorm room between the hours of 1:00 a.m. to 4:00 a.m. I am so happy that I am a part of this ongoing project, and am very thankful to Maddy, our small base of listeners, and to the College for making this show possible.\"","Also included in this series is a personal photograph of Vasanth, included with the submission.","Poem, \"Kenopsia,\" written by Williamsburg community member, Jenny Vu. Vu described the text: \"This is a poem about how COVID-19 has affected society in America and how it has affected myself in Virginia as well. Most of the events (Easter, school cancelation, airports closing, and etc.) described in this poem have taken place from March 2020 to present.\" Vu specifically mentions prejudice against Asian peoples and the increasing backlash against quarantine protocols.","Photographs by William \u0026 Mary student Class of 2023 Sarah Walker: \"Long exposure photographs of hands using a Canon T3 DSLR on manual mode. One hand is mine and the other is Sally Calengor, taken using window light and a white sheet on October 6,2020 in DuPont Hall. While movement of the hands is obvious, it is ambiguous as to whether they are coming together or pulling apart. One hand looks to be reaching to the other in need of support but they are not able to touch. I think many have felt the loss of physical affection throughout the pandemic, along with the loneliness and frustration it brings. We are all craving the day when we will be able to high-five, hold hands, and hug without fear of spreading a deadly virus.\"","Two digital photographs submitted by Kate Weis, a William \u0026 Mary undergraduate student majoring in Psychological Sciences and Linguistics, and a member of the class of 2021. One photograph was taken by Weis and the other was taken by friend Julia Bristow. Weis provided the following description of the photographs: \"These are pictures from my one of my favorite quarantine activities -- movie night. My friends and I have been able to stay connected through Netflix party, and some of us opted to build forts at home so we could enhance the movie viewing experience even more!\" ","Series also includes a personal photograph of Weis, included with the submission.","Original music, art, and promotional material by recording artist Lionel White, known professionally as Luciano Illuminati. White, a resident of Virginia Beach, Virginia, described the submissions: \"I am a rock musician and songwriter from Virginia Beach, VA. I am releasing an album called Terra Vision 2020 on June 11, 2020 that is partly inspired by the Coronavirus pandemic. It includes the song Limbo King, which expresses a feeling of isolation and the longing to escape from being in limbo. Another song on the album is called Pandemic. It is an instrumental that conveys the feeling of our current times without words. I would be honored to have these songs featured at your library. For more info: www.LucianoIlluminati.com\"","A Spotify playlist called Songs for Quarantine created by Class of 2022 undergraduate student Nick Wright. Included in this series is a personal photograph of Nick Wright from his submission.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries.","Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Los Angeles International Airport","Jamestown Settlement","English"],"unitid_tesim":["MS 00326","/repositories/2/resources/9226"],"normalized_title_ssm":["Documenting Life During COVID-19 collection"],"collection_title_tesim":["Documenting Life During COVID-19 collection"],"collection_ssim":["Documenting Life During COVID-19 collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries."],"acqinfo_ssim":["Digital materials submitted by individuals to William \u0026 Mary Libraries website. Each submitter was required to complete the following Submission Agreement: ","\"I hereby certify that I created, and own the copyright in, the submitted material. While I will continue to retain my copyright, I hereby grant the William \u0026 Mary Libraries a license to add the material to its archival collections and preserve it for future generations of students, scholars, and researchers. I give the Libraries permission:","to organize the materials according to accepted archival principles;\nto create metadata, finding aids, and full-text search interfaces required for the preservation and discovery of the materials;\nto make the materials accessible to researchers and staff;\nand to use the materials in exhibits and displays, both physical and online.\nI agree that William \u0026 Mary Libraries may make this material available online under a Creative Commons Attribution 4.0 license (https://creativecommons.org/licenses/by/4.0/), which will allow others to share and adapt the material, as long as I am given appropriate credit.","I accept the above submission agreement.\"","Physical materials donated separately with Deed of Gift filed under donor name."],"access_subjects_ssim":["Coronavirus infections","Quarantine","Telecommuting","Personal narratives","Music","Social distance","COVID-19 (Disease)","Masks","Furloughs","Zines","Letters to the editor","College students","Spring break","Photographs","Poetry","Video recordings","Sound Recordings"],"access_subjects_ssm":["Coronavirus infections","Quarantine","Telecommuting","Personal narratives","Music","Social distance","COVID-19 (Disease)","Masks","Furloughs","Zines","Letters to the editor","College students","Spring break","Photographs","Poetry","Video recordings","Sound Recordings"],"has_online_content_ssim":["false"],"extent_ssm":["3068.9 Megabytes",".42 Linear Feet 1 Hollinger box"],"extent_tesim":["3068.9 Megabytes",".42 Linear Feet 1 Hollinger box"],"physfacet_tesim":["Extent as of 2020 May 29"],"genreform_ssim":["Photographs","Poetry","Video recordings","Sound Recordings"],"date_range_isim":[2020],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eFuture accruals expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Future accruals expected."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by name of the submitter. Each submitter has their own series within this collection. Navigate to the individual files within each series to access materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged by name of the submitter. Each submitter has their own series within this collection. Navigate to the individual files within each series to access materials."],"bioghist_html_tesm":["\u003cp\u003eCollection includes materials collected from members of the William \u0026amp; Mary and the greater Williamsburg community during the COVID-19 pandemic. \u003c/p\u003e\n","\u003cp\u003eFrom the William \u0026amp; Mary Libraries submission site: \"As we all adjust to the new realities imposed by the novel coronavirus, COVID-19, William \u0026amp; Mary Libraries invite all members of the William \u0026amp; Mary and greater Williamsburg community to add their voices to the Special Collections. We welcome submissions of all forms of personal reflections to add to the physical and digital archives in the Special Collections Research Center in Swem Library. Your experience is just that – yours – and how you record it is up to you! Feel free to capture your memories in whatever way you choose, and share and reflect on any part of your experience. Ideas include but are not limited to: \u003c/p\u003e\n","\u003cp\u003eProse\nPoetry\nDrawing\nScrapbooking\nPhotography\nAudio/video\nOther accounts of day-to-day life\u003c/p\u003e\n","\u003cp\u003eYour memories matter, and your experiences are an important part of our shared history. As part of the records preserved in the Special Collections, your materials will be an accessible part of the historic record and contribute to research for years to come.\"  \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Collection includes materials collected from members of the William \u0026 Mary and the greater Williamsburg community during the COVID-19 pandemic. ","From the William \u0026 Mary Libraries submission site: \"As we all adjust to the new realities imposed by the novel coronavirus, COVID-19, William \u0026 Mary Libraries invite all members of the William \u0026 Mary and greater Williamsburg community to add their voices to the Special Collections. We welcome submissions of all forms of personal reflections to add to the physical and digital archives in the Special Collections Research Center in Swem Library. Your experience is just that – yours – and how you record it is up to you! Feel free to capture your memories in whatever way you choose, and share and reflect on any part of your experience. Ideas include but are not limited to: ","Prose\nPoetry\nDrawing\nScrapbooking\nPhotography\nAudio/video\nOther accounts of day-to-day life","Your memories matter, and your experiences are an important part of our shared history. As part of the records preserved in the Special Collections, your materials will be an accessible part of the historic record and contribute to research for years to come.\"  "],"odd_html_tesm":["\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eBefore submitter supplied the video file, the YouTube video was originally captured using Webrecorder/Conifer. The capture session has now been deleted but the capture (.WARC file) was first saved to the accession's folder (2020108) on the Synology Box, along with the actual video file. Y:/ActiveStorage/AccessionsBacklog/2020108\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Assocation (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Assocation (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eContact SCRC staff for access to these materials.\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eDonor contacted us 5/12/2022 and requested that their last name and headshot be removed from their submission for greater privacy.\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eContent creator submitted URL for inclusion in Digital Archive; Accessioner took screenshots of playlist for long-term access.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Before submitter supplied the video file, the YouTube video was originally captured using Webrecorder/Conifer. The capture session has now been deleted but the capture (.WARC file) was first saved to the accession's folder (2020108) on the Synology Box, along with the actual video file. Y:/ActiveStorage/AccessionsBacklog/2020108","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Contact SCRC staff for access to these materials.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Donor contacted us 5/12/2022 and requested that their last name and headshot be removed from their submission for greater privacy.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Content creator submitted URL for inclusion in Digital Archive; Accessioner took screenshots of playlist for long-term access."],"phystech_html_tesm":["\u003cp\u003eMost materials are born-digital. Some materials require contacting the SCRC for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Most materials are born-digital. Some materials require contacting the SCRC for access."],"prefercite_html_tesm":["\u003cp\u003eDocumenting Life During COVID-19 collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Documenting Life During COVID-19 collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eMaterials were processed and described using the submitter's original language from the William \u0026amp; Mary Libraries submission site.\u003c/p\u003e","\u003cp\u003eAccessions to this collection are titled by each individual submitter's first and last name. If there are multiple submissions from the same person, they are included as files or items within the submitters name.\u003c/p\u003e","\u003cp\u003eSome personal information was removed from the heading of this letter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["Materials were processed and described using the submitter's original language from the William \u0026 Mary Libraries submission site.","Accessions to this collection are titled by each individual submitter's first and last name. If there are multiple submissions from the same person, they are included as files or items within the submitters name.","Some personal information was removed from the heading of this letter."],"scopecontent_html_tesm":["\u003cp\u003eCollection includes social media posts, music recitals, podcasts, video recordings, digital photographs, self-portraiture, original music compositions, poetry, personal journal entries, and other materials created by members of the William \u0026amp; Mary and the greater Williamsburg community in response to the COVID-19 pandemic of 2020.\u003c/p\u003e","\u003cp\u003eA poem, titled \"This Thing We Bear,\" by Kimberly Ankney of Toano, Virginia. Ankney submitted the poem with the following description: \"This is a poem I wrote to my children to remember the COVID-19 quarantine. I have been attempting to balance full-time work with full-time parenting, and juggling feelings about the pandemic. Written in Toano, VA 2020.\"\u003c/p\u003e","\u003cp\u003eOne photo montage video created and uploaded by Marna Ashburn, William \u0026amp; Mary Class of 1985 and Williamsburg, Virginia community member. Ashburn described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"\u003c/p\u003e\n","\u003cp\u003eIndividual items within this series include Ashburn's video, originally uploaded to YouTube, and a personal photograph of Ashburn included with the submission.\u003c/p\u003e","\u003cp\u003eOne photo montage video, titled \"Something to Smile About Under the Circumstances. Forty things to lift your spirits during lockdown.\", created by Marna Ashburn and uploaded to YouTube on May 3, 2020. Ashburn, member of the William \u0026amp; Mary class of 1985 and Williamsburg, Virginia community member, described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"\u003c/p\u003e\n","\u003cp\u003ePlease contact SCRC staff to access the video at this time.\u003c/p\u003e","\u003cp\u003eOne digital photograph and one personal journal entry submitted by Thomas Backus of Phoenix, Arizona. Backus provided the following description for the photograph, taken March 28, 2020: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\" The journal entry, \"written on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.\u003c/p\u003e","\u003cp\u003eOne digital photograph, taken March 28, 2020, by Thomas Backus of Phoenix, Arizona. Backus: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\"\u003c/p\u003e","\u003cp\u003ePersonal journal entry, written by Thomas Backus \"on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.\u003c/p\u003e","\u003cp\u003eSix digital photographs submitted by Jason Betzner '19, William \u0026amp; Mary alum and Williamsburg community member, documenting his family's experiences with adapting to new social distancing protocols. Navigate to an individual photograph to view its title, date, and description, as provided by Betzner.\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"School at home,\" taken by Jason Betzner on March 17, 2020 (Williamsburg, Virginia). Betzner: \"This picture is of my daughter, Elizabeth Betzner (age 7) doing her school work at home on March 17th. She is a first grade student at Matthew Whaley. She has had a difficult time adjusting to this new reality and some days are better than others. She really wants to go back to see her friends and her teacher.\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Bye to my classroom,\" taken by Jason Betzner on March 27, 2020 (Williamsburg, Virginia). Betzner: \"I took this picture of my classroom at Warhill High School on Marcy 27th. We were allowed back in our rooms for 15 minutes to get needed teaching materials for virtual learning. The room was exactly as I left it on March 13th when schools closed down for the rest of the year.\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Home haircut,\" taken by Jason Betzner on April 11, 2020 (Williamsburg, Virginia). Betzner: \"After a month of social distancing, my wife gave me a home haircut on April 11. She did a fairly good job!\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"House closing,\" taken by Jason Betzner on April 28, 2020 (Williamsburg, Virginia). Betzner: \"My family had been searching for a new home since January. We closed on the purchase of our house on April 28th. At the Title company, we had to wear masks and sign all of the papers in the car. It was stressful but we did it!\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Letter to teacher,\" taken by Jason Betzner (Williamsburg, Virginia). Betzner: \"My daughter has been writing notes back and forth to her first grade teacher at Matthew Whaley. This is one of her letters describing what she's been doing at home.\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Flyover,\" taken by Jason Betzner on May 22, 2020 (Williamsburg, Virginia). Betzner: \"An F-22 and two P-51s flew over Williamsburg's hospitals on May 22nd to support healthcare workers on the front lines of the pandemic.\"\u003c/p\u003e","\u003cp\u003eTen digital photographs submitted by Michele Bingle-Graffius, community member of Williamsburg, Virginia. Bingle-Graffius provided the following description with the submission: \"A brief synopsis of my life during Covid. At the onset, I bordered on panic and deep dread. I felt helpless and overwhelmed. After about two weeks I became increasing helpless and needed an outlet. I began sewing face masks. I ran out of supplies; first elastic, then shoe laces that I was using as a substitute for elastic. Supplies continued to dwindle and I had made enough masks for our family, my husband and his coworkers (all of whom needed to continue to go into work during the shut-down) and my extended family. The weather began to break and get warmer. We spent more time outside working within our yard. If it were not for financial concerns and a need to conserve money in case my husband would loss income, we would have worked on remodeling the bathroom. Instead, we worked on landscaping and beautifying the yard. Our yard has been quite neglected for years before we bought the property last year and does need a ton of work. With the US death toll rising steadily, I started to focus on the life around me; the plants and creatures within my yard. The following represents photos all taken from my yard here in Williamsburg. Respectfully submitted, Michele Bingle-Graffius.\"\u003c/p\u003e","\u003cp\u003ePoem titled \"The Trouble with Trauma\" by Anna Buck, member of the Williamsburg community: \"I've included a poem I've written (with a cover photo) about how a current crisis can bring up past anxieties and traumas.\" The poem has a color cover photo of a children's feet alongside chalk drawings on brick steps. \u003c/p\u003e\n","\u003cp\u003eSeries also includes Buck's headshot, included with submission. \u003c/p\u003e","\u003cp\u003eScreenshot of Michelle Clark video chatting with her grandmother. The image was submitted by Clark's husband, Matthew, a classical archeology major and member of William \u0026amp; Mary's class of 2022. Matthew Clark described the screenshot: \"Michelle is my wife. She asked me to submit this photograph for your files in order to preserve this moment with her grandmother. This screenshot was taken in Virginia Beach, Virginia on April 11th, 2020. My wife, Michelle Clark, was video chatting with her grandmother, Donna Scott, who recently learned how to use a video chat app (and its filters) in order to stay connected during lockdown!\"\u003c/p\u003e","\u003cp\u003eTwo digital photographs of Suzanne Cole, William \u0026amp; Mary English major and class of 2022, taken by her mother, Marjorie Cole. Suzanne Cole described the images: \"The photo is timestamped April 8, 4:17pm. The picture shows me (Suzanne) on my back porch at home in Falls Church, Virginia. I was attending a live Zoom lecture for my GOVT 203: Introduction to Comparative Politics class.\" Includes a photograph of Suzanne Cole.\u003c/p\u003e","\u003cp\u003eOne digital photograph, including a passage from the Bible, taken by Laura Craig, member of the greater Williamsburg community. Craig described the photo of keys, face mask, and backpack against the backdrop of a front door: \"What my new normal routine looks like before leaving my house...and the inspiration that helps me deal with fear during COVID.\"\u003c/p\u003e","\u003cp\u003e6 items, distributed by William \u0026amp; Mary to students, faculty and staff in the summer of 2020: 1 gray mesh zippered bag containing: 1 flyer promoting the Healthy Together campus initiative; 2 green cloth reusable face masks; 1 bottle of hand sanitizer; and 1 packet of alcohol wipes.\u003c/p\u003e","\u003cp\u003eSeven digital photographs of the Colonial Williamsburg Historic Area and William \u0026amp; Mary taken by Williamsburg community member Mike Descher in spring 2020 during the COVID-19 pandemic. Also included is a time-lapse video, originally uploaded to YouTube on June 29, 2020, of the empty grounds of Colonial Williamsburg's Governor's Palace, normally a heavily trafficked historic site. Descher described the submission: \"Photography taken and composed from February 20th thru June 29th 2020 during the time of the Covid 19 Pandemic.\"\u003c/p\u003e\n","\u003cp\u003eA personal photograph of Descher, attached with the submission, is also included in this series.\u003c/p\u003e","\u003cp\u003eDigital photograph taken by Theresa Dittamo, member of the greater Williamsburg community, of a woman using a sewing maching to make cloth face masks. Dittamo described the photograph: \"WWII had Rosie the Riveter, the pandemic has 'mom, the mask maker'!\"\u003c/p\u003e","\u003cp\u003eTwo video recordings of performances by DoubleTake, an all-gender a cappella group founded at William \u0026amp; Mary in 1993, and one recorded Zoom conversation hosted by William \u0026amp; Mary Libraries with DoubleTake members discussing their experiences during the pandemic. \u003c/p\u003e\n","\u003cp\u003eColin Carmody '22, DoubleTake member and mathematics and music major, shared the performances and provided the following descriptions for each recording. \u003c/p\u003e\n","\u003cp\u003e\"Rivers and Roads\" performance: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"\u003c/p\u003e\n","\u003cp\u003e\"Bad Dreams\" performance: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"\u003c/p\u003e\n","\u003cp\u003eThe Zoom conversation was recorded on May 20, 2020 and conducted by Dean of University Libraries Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.\u003c/p\u003e","\u003cp\u003eVideo recording of a rendition of \"River and Roads\" by DoubleTake, an all-gender a cappella group founded at William \u0026amp; Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.\u003c/p\u003e\n","\u003cp\u003e\nCarmody: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"\u003c/p\u003e","\u003cp\u003eVideo recording of a rendition of \"Bad Dreams\" by DoubleTake, an all-gender a cappella group founded at William \u0026amp; Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.\u003c/p\u003e\n","\u003cp\u003eCarmody: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"\u003c/p\u003e","\u003cp\u003eA recording of a Zoom conversation conducted by William \u0026amp; Mary Libraries Dean Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski with members of the William \u0026amp; Mary a capella group DoubleTake on May 20, 2020. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.\u003c/p\u003e","\u003cp\u003eSix digital photographs taken by Carlee Dunn, William \u0026amp; Mary undergraduate, Biology major, and member of the class of 2023. Dunn took these photos around her hometown, Monroe, New Jersey, on April 8, 2020.\u003c/p\u003e\n","\u003cp\u003eDunn: \"These photos were taken on Wednesday, April 8th, 2020 while I was driving around my hometown of Monroe, NJ. This date was close to the predicted height of coronavirus cases in my area. Each photo contains some sort of inspirational or meaningful sign I saw during my drive, and it meant so much to me to find people spreading so much hope in the middle of a crisis. The photo of the chalk rainbow was drawn on the side of a strip mall that faces a busy road. The 'Thank you essential workers' sign was a sign my neighbors put on their front lawn, visible from the main road near my house. The 'Be safe, stay healthy' sign was in front of a Walgreens pharmacy. The 'Yes, it's hard' sign was on the front lawn of someone's house, once again able to be seen from a main road. 'This too shall pass' was in front of an auto repair shop. The chalk sidewalk drawings, though somewhat hard to see in that photo, are drawings I did myself in front of my house.\" \u003c/p\u003e\n","\u003cp\u003eSeries includes a photograph of Dunn that was attached with the submission. \u003c/p\u003e","\u003cp\u003e19 digital photographs submitted by Welby Fairlie, a Williamsburg, Virginia community member and a Regional Manager at the International Student Exchange. The photographs document Fairlie and family members' experiences in quarantine during the COVID-19 pandemic.\u003c/p\u003e\n","\u003cp\u003eFairlie provided the following description with the submission: \"Family photos to remember the time of COVID. I had planned to make our own photo album but then saw the project underway there at W\u0026amp;M.\" Photos include \"empty shelves at various stores, new Air Fryer we bought and are using ALL THE TIME!, Italian exchange students getting interviewed for newspaper, Zoom meeting with some of my exchange students, entry inspection point for OBX [Outerbanks, North Carolina], a makeshift upstairs exercise room, postponed and then Virtual Monument Ave 10K with a friend, closed off soccer fields, store signage, outdoor birthday party with social distancing, my husband and son in masks at store, hand washing station at strawberry picking. Also a welcome sign in OBX [Outerbanks, North Carolina].\"\u003c/p\u003e\n","\u003cp\u003eSeries also includes a photograph of Fairlie, included with the submission.\u003c/p\u003e","\u003cp\u003ePoem, titled \"Quarantine,\" written by Rebecca Fritzinger, member of the greater Williamsburg community. Fritzinger wrote, \"I am submitting a poem written on April 26, 2020, describing my time in quarantine up to that point. I wrote it while I was sitting in a chair reflecting on my experiences.\"\u003c/p\u003e","\u003cp\u003eArtifacts and ephemera collected by Shayna Gutcho during her time as a Mosaic Fellow at William \u0026amp; Mary Libraries from 2019-2020. The addition includes \"Dear Evan Hansen\" items given to Shayna by show producer and William \u0026amp; Mary alum Caitlin Clements who Shayna interviewed for a Mosaic Fellows podcast assignment.\u003c/p\u003e","\u003cp\u003eVideo of rap performance done by Bridget Hammond, Williamsburg community member and parent of William \u0026amp; Mary graduate. Hammond described the performance: \"We got furloughed on 3/24/20 from the marketing dept in a resort. That night I got a bottle of wine and wrote this Rap. The next morning hungover I performed/taped this... hence the shades... everyone loved it. It's funny but true so weird the things missing on the shelves. Enjoy, Bridget Hammond, writer, director \u0026amp; performer.\"\u003c/p\u003e\n","\u003cp\u003eSeries also includes a photograph of Hammond, included with the submission.\u003c/p\u003e","\u003cp\u003eCopy of a letter to the editor, written by Conrad P. Hedderich, retired Commander of the U.S. Navy, self-described as \"a concerned viewer of WAVY TV 10 who saw the story of your [William \u0026amp; Mary's Documenting COVID-19] project.\" The letter is addressed to the editor of The Virginian-Pilot. Hedderich is a resident of Virginia Beach, Virginia.\u003c/p\u003e","\u003cp\u003e1 website with 11 entries of individuals that Jamie Holt, Class of 2022, photographed and interviewed for a class project. She included the following description: \"This is an independent study project from my junior year interviewing and photographing, both in person and virtually, students about their COVID-19 experiences. This was produced in the fall of 2020.\"\u003c/p\u003e","\u003cp\u003eA personal reflection written by Diane Huebner (Arnold), a William \u0026amp; Mary alumna from the class of 1976. Huebner has been an elementary school teacher at Williamsburg-James City County Public School for thirty years. She writes about the unexpected transition to \"Car Parades and Electronic Classrooms,\" the title of her reflection. Huebner described the submission: \"I am a teacher in W-JCC Public Schools, and have written about my experiences during the COVID-19 pandemic.\"\u003c/p\u003e","\u003cp\u003eClass of 2023 William \u0026amp; Mary student Marissa Incer shared the following about her experiences during the COVID-19 pandemic along with the photographs and one video she submitted:\n\"In two photos, you will see my college friends and I maintaining virtual contact and entertaining ourselves with games (electronic Pictionary, basically) that we played through Zoom. The video was a very quick glimpse of my Spanish class during the Spring 2020 semester when we had to quickly transition into all-remote classes. The photo of me sitting at a table with my laptop was taken on August 19, 2020: the first day of the Fall 2020 semester. Finally, there is a mirror selfie of me with my mask on at a mostly empty mall.\" \u003c/p\u003e\n","\u003cp\u003eIncluded in this series is a personal photograph of Incer, along with the submission.\u003c/p\u003e","\u003cp\u003eInstallments of a weekly art journal zine created by Alexandra Johnson, a William \u0026amp; Mary undergraduate student majoring in English and Linguistics and member of the class of 2022. Johnson wrote a description of the first installment: \"A pdf of a weekly art journal zine, available in both digital and print versions. I'll submit one every week, the title is \"To the Rising Tides.\" This submission is for the week of May 9-May 15, and is Week One.\" \u003c/p\u003e\n","\u003cp\u003eJohnson's second installment: \"The second installment of a weekly art journal zine titled \"To the Rising Tides,\" chronicling the week of May 16-May 22, Week Two. The previous installment of this series, (with the file titles \"to the rising tides 1\") was submitted earlier today; the next will be submitted May 29. The photograph at the beginning of this zine is from Huntsman Lake, VA, and was taken on May 20 by the creator.\" \u003c/p\u003e","\u003cp\u003eDigital version.\u003c/p\u003e","\u003cp\u003eDigital version.\u003c/p\u003e","\u003cp\u003eSenior recital recordings for Ayush Joshi, William \u0026amp; Mary undergraduate, Music and Computer Science major, and member of the class of 2020. Joshi described the submissions: \"Video recordings of me performing my senior recital, that was supposed to be performed on campus on March 28th. \u003c/p\u003e\n","\u003cp\u003eFull Program:\u003c/p\u003e\n","\u003cp\u003eClassical Piano: Ballade no 2 by Frederic Chopin; Reverie by Claude Debussy; Danzas Argentinas by Alberto Ginastera (this one is in three different audio files, one for each piece in the collection)\u003c/p\u003e\n","\u003cp\u003eJazz: Waltz for Debby by Bill Evans (with Wayne Wu on Guitar); Butterfly by Herbie Hancock (with Avi Joshi on drums); The Yellow Jacket by Shaun Martin (with Avi Joshi on Drums)\u003c/p\u003e\n","\u003cp\u003eAlso, I think for the purposes of the archive I should add that I studied piano with Christine Niehaus and Harris Simon during my time here at William and Mary.\"\u003c/p\u003e","\u003cp\u003eThis performance is in three different audio files, one for each piece in the collection.\u003c/p\u003e","\u003cp\u003eFour hand-colored photographs submitted by Dan Kehlenbach, Williamsburg, Virginia community member. \u003c/p\u003e\n","\u003cp\u003eKehlenbach included the following description with the submission: \"I read in W-Y Daily that the library is soliciting for art projects during the coronavirus and would like to submit some of the project I have been working on. I submitted to their website and Ms. Charlotte Burcher suggested I submit it here as well. In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC, the third image is of Spring Point Lighthouse in Portland, ME, and the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy). Thanks for the opportunity to submit this, and getting back into hand-coloring my photographs, I feel a connection to the history of photography and find joy in creating unique images to share. Art has always had a special place in my heart and soul, and these challenging times has made the pursuit of artwork and creative expression much more valuable. With much gratitude, Dan Kehlenbach Williamsburg, VA.\"\u003c/p\u003e\n","\u003cp\u003eSeries also includes a photograph of Kehlenbach that was attached to the submission.\u003c/p\u003e","\u003cp\u003ePersonal headshot included by Dan Kehlenbach with the submission.\u003c/p\u003e","\u003cp\u003eOne photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.\u003c/p\u003e\n","\u003cp\u003eKehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"\u003c/p\u003e","\u003cp\u003eOne photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member. \u003c/p\u003e\n","\u003cp\u003eKehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"\u003c/p\u003e","\u003cp\u003eOne photograph of the Spring Point Lighthouse in South Portland, Maine, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.\u003c/p\u003e\n","\u003cp\u003eKehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the third image is of Spring Point Lighthouse in Portland, ME.\"\u003c/p\u003e","\u003cp\u003eOne photograph from Barga, Italy, hand-colored by Dan Kehlenbach, Williamsburg community member.\u003c/p\u003e\n","\u003cp\u003e\nKehlenbach provided the following description with this submission: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy).\"\u003c/p\u003e","\u003cp\u003eDigital photographs and video from Likhitha Kolla, member of William \u0026amp; Mary's class of 2018 with a major in Biology, Computational and Applied Mathematics and Statistics. Kolla described the submissions: \"Isolated streets of Philadelphia, [Pennsylvania]. Here during COVID-19 quarantine. Picture is taken at the end of March 2020. Video is my spring break trip before quarantine.\"\u003c/p\u003e\n","\u003cp\u003eSeries also includes a photograph of Kolla, included with the submission.\u003c/p\u003e","\u003cp\u003ePoem, titled \"Spring 2020,\" written by Fran Lane, Williamsburg, Virginia community member. Lane's poem reflects on moments of everyday life and family bonds found in quarantine.\u003c/p\u003e","\u003cp\u003eOne image from Aubrey Lay, Class of 2023, of Zooming into class. This is his description: \"During a Fall 2021 resurgence of COVID-19 due to the Delta Variant, many students needed to return to virtual modalities for public health reasons. In this image, I am seen with classmate Lucia Eovino (Class of 2023) Zooming into our Chinese class.\"\u003c/p\u003e","\u003cp\u003eOne screenshot of a March 15, 2020 Zoom call submitted by Aubrey Lay, a William \u0026amp; Mary undergraduate student and member of the class of 2023. Lay described the submission: \"Unlimited Zoom call time was granted to WM students by Zoom during our call; we expected to get cut off at 40 minutes, but got a pleasant surprise from this notification. This change made Zoom a more important part of social life for WM students during the second semester. Left to right: Aubrey Lay ('23), Casey Kim ('23), Rayna Yu ('20), a student from Washington University, St. Louis, and Michelle Yue ('23).\"\u003c/p\u003e","\u003cp\u003eA collection of poems from Covid 19, month by month from March 2020 to February of 2021 written by William \u0026amp; Mary student Class of 2024 Rachael Lee. Lee submitted a previous collection of poetry that she asked not be made public. With that submission, she provided the following description which also describes many of themes of this submission: \"Poetry created during the Covid19 Pandemic, most of them covering ideas of coming of age in an era of death, and the difficulty connecting with others from behind a mask. Isolation, death, and a ruining of youth are central themes in these poems.\"\u003c/p\u003e","\u003cp\u003eDigital photograph take by Ivy Li, William \u0026amp; Mary undergraduate student and member of the class of 2023. Li described the photograph: \"This photo was shot at 12:01 AM on March 21 in Tom Bradley International Terminal in LAX, Los Angeles International Airport. Almost everyone in this terminal wore a face mask, and even some people wear protective clothing and safety goggles. Although it was midnight, the airport was full of people waiting to board on planes. Most of them were going to return their home countries. Though the CDC did not encourage people to wear face masks, they still wore it to protect both themselves and others. Those whose body temperature above 37 degrees celsius was not allowed to pass safety check and board the plane.\"\u003c/p\u003e","\u003cp\u003eSelf-portrait by Katherine McSweeney, daughter of William \u0026amp; Mary alumni and member of the greater Williamsburg community. McSweeney described the artwork: \"This is a self portrait, drawn in Matthews Virginia beside the local creek.\"\u003c/p\u003e","\u003cp\u003eEight digital photographs taken by Miso Park, William \u0026amp; Mary Biology major with a Public Health minor and member of the class of 2021. Park described the up-close photographs of tree branches and flower blossoms: \"Before spring break, I borrowed a camera from Swem Media Center and because of the extended \"break\", I have been experimenting with the camera and I even downloaded Adobe Photoshop that the school gives access (for free!). It's been a great use of time because I always wanted to be a photographer when I was in elementary school. I never thought of buying a camera for myself but I think I might have to once I return this one (whenever school opens again!). These pictures I took while walking around in my neighborhood!\" Includes a photograph of Park.\u003c/p\u003e","\u003cp\u003ePhotographs taken around Williamsburg, Virginia during the COVID-19 pandemic. Includes photographs of grocery store signage and health care worker salutes.\u003c/p\u003e","\u003cp\u003eFour digital photographs taken by Susan Riggs, William \u0026amp; Mary M.A. class of 1972 and William \u0026amp; Mary Libraries Special Collections Research Center staff member. Riggs described the photographs: \"One way entrance and exit for shoppers to Harris-Teeter Grocery Store, 6485 Centerville Rd Williamsburg, VA 23188.\"\u003c/p\u003e","\u003cp\u003eFive digital photographs and two screenshots of aerial flyover to celebrate healthcare workers. Photographs were take on May 12, 2020 by Williamsburg community member, David Riggs. They were shared by Riggs' wife, Susan Riggs, who described the images: \"Joint Base Langley-Eustis F-22 Raptor Demo Team, 1st Fighter Wing and 192nd Wing Flyover of Peninsula to honor health care workers during COVID-19 pandemic. Photos of the planes, the flyover map and screenshot from Facebook explaining the flyover. These photographs were taken at 6:42 PM on Patrick Henry Drive in Skipwith Farms as the planes were on a route from Sentara Hospital (Lightfoot) to Eastern State Hospital on May 12, 2020.\"\u003c/p\u003e","\u003cp\u003eThree digital photographs of COVID-19 signage taken on May 13, 2020 by Susan Riggs, William \u0026amp; Mary Libraries Special Collections Research Center staff member and M.A. class of 1972. Riggs described the images: \"Photograph of sign in Food Lion, 5251 John Tyler Hwy, Williamsburg Va. taken May 13, 2020; Heroes sign in front of U. S. Post Office, 5219 Monticello Ave., Williamsburg, Va. also taken May 13, 2020.\"\u003c/p\u003e","\u003cp\u003ePoem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S. of Oakland, California: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"\u003c/p\u003e","\u003cp\u003ePoem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S., community member: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"\u003c/p\u003e","\u003cp\u003eThree digital photographs taken by Rochelle Seitz, research professor in the Biological Sciences department at the Virginia Institute of Marine Science (VIMS). She described the four photos: \"Photos of marine science research field deployment of gear for a graduate student's thesis research. Field work was done in Timberneck Creek, York River, on 4/14/20, while wearing face coverings and staying 6-ft apart.\"\u003c/p\u003e","\u003cp\u003eDigital photograph of Rochelle Seitz, Research Professor, Biological Science, Virginia Insitute of Marine Science\u003c/p\u003e","\u003cp\u003eDigital photograph depicts Professor Seitz wearing a face mask and holding up a yellow research notebook. The notebook shows some pencil notations. The graduate student researcher is working in the background.\u003c/p\u003e","\u003cp\u003eDigital photograph depics graduate student researcher wearing a blue face mask and collecting samples from the water. There is a yellow basket and a blue tub next to the student.\u003c/p\u003e","\u003cp\u003eDigital photograph of graduate student researcher wading out into the water with a blue tub in tow. There is a wooden pier in the distance.\u003c/p\u003e","\u003cp\u003eA personal reflection written by artist Katarina Smith. Smith described the submission: \"I've written a short piece during quarantine, regarding COVID-19. I would like to submit it for the documentation project. Its title is '2020.' It was written on April 9th, 2020.\"\u003c/p\u003e","\u003cp\u003eScanned journal entries handwritten by Kelly Smith, Newport News high school teacher and member of the greater Williamsburg community. Smith described the ten-page journal: \"Personal journal entries of thoughts, emotions, experiences during the COVID-19 outbreak, ranging from March 15, 2020-March 31, 2020. Bishop Knestout-- Catholic bishop of the Diocese of Richmond Kevin-- my husband Kristen-- my cousin Jenny- the principal of the school I teach at.\"\u003c/p\u003e","\u003cp\u003eA social media post titled \"Office sharing during the pandemic\" submitted by Sarah Smith, William \u0026amp; Mary Athletics staff member. Smith wrote, \"This bit of writing was a Facebook post created by me on the first day of the fourth week of working from home during the Covid-19 pandemic.\"\u003c/p\u003e","\u003cp\u003eOne photograph submitted by Monique Sowell, employee at Aromas Coffeehouse and Café, with credit also given to Michelle Sieling, owner of the Williamsburg, Virginia business. Sowell described the photograph: \"Aromas on 431 Prince George [Street] hosted their first Open Acoustic night in lieu of open mic inside to allow our guest to enjoy some outside jams. Thursday night, June 18th 2020.\"\u003c/p\u003e","\u003cp\u003ePoem written by Bly Straube, Senior Curator at the Jamestown Settlement Museum and William \u0026amp; Mary M.A. class of 1990. Straube wrote, \"A poem about my work cubicle at the Jamestown Settlement Museum of the Jamestown-Yorktown Foundation, where I serve as Senior Curator. This was written one-month into the Commonwealth's order to 'stay home.'\"\u003c/p\u003e","\u003cp\u003eZoom recording from Kenneth Tieu, William \u0026amp; Mary undergraduate; Kinesiology and Health Sciences, Pre-Medicine major; and member of the class of 2023. Tieu described the recording: \"The file submitted is the later half of a Murder Mystery party planned during the pandemic on March 29th, 2020 recorded via Zoom. Additionally, we were also celebrating the 19th birthday of Claire Wyszynski as well. Everyone was in character and emails were sent to each individual person explaining the current scenario and secrets of their character that can be used to determine who is the murderer. This people involved are: Kenneth Tieu, Carlee Dunn, Claire Wyszynski, Bezawit Kentiba, Lily Weisert, Maya Deutchman, Avery Bradley, Kenya Lopez, Abigail Gutleben, Lucy Abell, and Tara Vasanth.\"\u003c/p\u003e","\u003cp\u003ePodcast series, digital video, and poem written by Tara Vasanth, William \u0026amp; Mary Art History major with emphasis on Built Environment, and member of the class of 2023. Vasanth described the submissions: \"To celebrate a wonderful freshman year and to remember all of the fun times I spent with my amazing hall mates, I made an illustrated, limericky video for my hall (Spotswood, Second Lower Floor). Since we all live in the Botetourt complex, we proudly call ourselves the \"Botehotties.\" I wanted to create a story-telling video (similar to the ones you see on Reading Rainbow) that captured the wonderful experiences and uniqueness of our special dorm. It was a great distraction from exam preparation, and this project definitely took precedence over my studying.\" \u003c/p\u003e\n","\u003cp\u003ePodcasts were co-created with Vasanth's friend, Maddy: \"Inspired by the fascinating and funny conversations my friend Maddy and I had prior to the COVID-19 outbreak, we decided to create a quirky podcast that revisited some of the things we talked about during the school year. Despite my minimal podcast knowledge and experience, I was keen to co-create a podcast that allowed me to continue to connect with Maddy and my hall mates. In the show, we are committed to wacky humor and giving a ridiculous amount of attention to trivial, nonsensical, irrelevant aspects of daily living. Hence the name, Foofaraw. Warning: some of the conversations you will hear are parallel to those that take place in a dorm room between the hours of 1:00 a.m. to 4:00 a.m. I am so happy that I am a part of this ongoing project, and am very thankful to Maddy, our small base of listeners, and to the College for making this show possible.\"\u003c/p\u003e\n","\u003cp\u003eAlso included in this series is a personal photograph of Vasanth, included with the submission.\u003c/p\u003e","\u003cp\u003ePoem, \"Kenopsia,\" written by Williamsburg community member, Jenny Vu. Vu described the text: \"This is a poem about how COVID-19 has affected society in America and how it has affected myself in Virginia as well. Most of the events (Easter, school cancelation, airports closing, and etc.) described in this poem have taken place from March 2020 to present.\" Vu specifically mentions prejudice against Asian peoples and the increasing backlash against quarantine protocols.\u003c/p\u003e","\u003cp\u003ePhotographs by William \u0026amp; Mary student Class of 2023 Sarah Walker: \"Long exposure photographs of hands using a Canon T3 DSLR on manual mode. One hand is mine and the other is Sally Calengor, taken using window light and a white sheet on October 6,2020 in DuPont Hall. While movement of the hands is obvious, it is ambiguous as to whether they are coming together or pulling apart. One hand looks to be reaching to the other in need of support but they are not able to touch. I think many have felt the loss of physical affection throughout the pandemic, along with the loneliness and frustration it brings. We are all craving the day when we will be able to high-five, hold hands, and hug without fear of spreading a deadly virus.\"\u003c/p\u003e","\u003cp\u003eTwo digital photographs submitted by Kate Weis, a William \u0026amp; Mary undergraduate student majoring in Psychological Sciences and Linguistics, and a member of the class of 2021. One photograph was taken by Weis and the other was taken by friend Julia Bristow. Weis provided the following description of the photographs: \"These are pictures from my one of my favorite quarantine activities -- movie night. My friends and I have been able to stay connected through Netflix party, and some of us opted to build forts at home so we could enhance the movie viewing experience even more!\" \u003c/p\u003e\n","\u003cp\u003eSeries also includes a personal photograph of Weis, included with the submission.\u003c/p\u003e","\u003cp\u003eOriginal music, art, and promotional material by recording artist Lionel White, known professionally as Luciano Illuminati. White, a resident of Virginia Beach, Virginia, described the submissions: \"I am a rock musician and songwriter from Virginia Beach, VA. I am releasing an album called Terra Vision 2020 on June 11, 2020 that is partly inspired by the Coronavirus pandemic. It includes the song Limbo King, which expresses a feeling of isolation and the longing to escape from being in limbo. Another song on the album is called Pandemic. It is an instrumental that conveys the feeling of our current times without words. I would be honored to have these songs featured at your library. For more info: www.LucianoIlluminati.com\"\u003c/p\u003e","\u003cp\u003eA Spotify playlist called Songs for Quarantine created by Class of 2022 undergraduate student Nick Wright. Included in this series is a personal photograph of Nick Wright from his submission.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Collection includes social media posts, music recitals, podcasts, video recordings, digital photographs, self-portraiture, original music compositions, poetry, personal journal entries, and other materials created by members of the William \u0026 Mary and the greater Williamsburg community in response to the COVID-19 pandemic of 2020.","A poem, titled \"This Thing We Bear,\" by Kimberly Ankney of Toano, Virginia. Ankney submitted the poem with the following description: \"This is a poem I wrote to my children to remember the COVID-19 quarantine. I have been attempting to balance full-time work with full-time parenting, and juggling feelings about the pandemic. Written in Toano, VA 2020.\"","One photo montage video created and uploaded by Marna Ashburn, William \u0026 Mary Class of 1985 and Williamsburg, Virginia community member. Ashburn described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Individual items within this series include Ashburn's video, originally uploaded to YouTube, and a personal photograph of Ashburn included with the submission.","One photo montage video, titled \"Something to Smile About Under the Circumstances. Forty things to lift your spirits during lockdown.\", created by Marna Ashburn and uploaded to YouTube on May 3, 2020. Ashburn, member of the William \u0026 Mary class of 1985 and Williamsburg, Virginia community member, described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Please contact SCRC staff to access the video at this time.","One digital photograph and one personal journal entry submitted by Thomas Backus of Phoenix, Arizona. Backus provided the following description for the photograph, taken March 28, 2020: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\" The journal entry, \"written on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","One digital photograph, taken March 28, 2020, by Thomas Backus of Phoenix, Arizona. Backus: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\"","Personal journal entry, written by Thomas Backus \"on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","Six digital photographs submitted by Jason Betzner '19, William \u0026 Mary alum and Williamsburg community member, documenting his family's experiences with adapting to new social distancing protocols. Navigate to an individual photograph to view its title, date, and description, as provided by Betzner.","Digital photograph, titled \"School at home,\" taken by Jason Betzner on March 17, 2020 (Williamsburg, Virginia). Betzner: \"This picture is of my daughter, Elizabeth Betzner (age 7) doing her school work at home on March 17th. She is a first grade student at Matthew Whaley. She has had a difficult time adjusting to this new reality and some days are better than others. She really wants to go back to see her friends and her teacher.\"","Digital photograph, titled \"Bye to my classroom,\" taken by Jason Betzner on March 27, 2020 (Williamsburg, Virginia). Betzner: \"I took this picture of my classroom at Warhill High School on Marcy 27th. We were allowed back in our rooms for 15 minutes to get needed teaching materials for virtual learning. The room was exactly as I left it on March 13th when schools closed down for the rest of the year.\"","Digital photograph, titled \"Home haircut,\" taken by Jason Betzner on April 11, 2020 (Williamsburg, Virginia). Betzner: \"After a month of social distancing, my wife gave me a home haircut on April 11. She did a fairly good job!\"","Digital photograph, titled \"House closing,\" taken by Jason Betzner on April 28, 2020 (Williamsburg, Virginia). Betzner: \"My family had been searching for a new home since January. We closed on the purchase of our house on April 28th. At the Title company, we had to wear masks and sign all of the papers in the car. It was stressful but we did it!\"","Digital photograph, titled \"Letter to teacher,\" taken by Jason Betzner (Williamsburg, Virginia). Betzner: \"My daughter has been writing notes back and forth to her first grade teacher at Matthew Whaley. This is one of her letters describing what she's been doing at home.\"","Digital photograph, titled \"Flyover,\" taken by Jason Betzner on May 22, 2020 (Williamsburg, Virginia). Betzner: \"An F-22 and two P-51s flew over Williamsburg's hospitals on May 22nd to support healthcare workers on the front lines of the pandemic.\"","Ten digital photographs submitted by Michele Bingle-Graffius, community member of Williamsburg, Virginia. Bingle-Graffius provided the following description with the submission: \"A brief synopsis of my life during Covid. At the onset, I bordered on panic and deep dread. I felt helpless and overwhelmed. After about two weeks I became increasing helpless and needed an outlet. I began sewing face masks. I ran out of supplies; first elastic, then shoe laces that I was using as a substitute for elastic. Supplies continued to dwindle and I had made enough masks for our family, my husband and his coworkers (all of whom needed to continue to go into work during the shut-down) and my extended family. The weather began to break and get warmer. We spent more time outside working within our yard. If it were not for financial concerns and a need to conserve money in case my husband would loss income, we would have worked on remodeling the bathroom. Instead, we worked on landscaping and beautifying the yard. Our yard has been quite neglected for years before we bought the property last year and does need a ton of work. With the US death toll rising steadily, I started to focus on the life around me; the plants and creatures within my yard. The following represents photos all taken from my yard here in Williamsburg. Respectfully submitted, Michele Bingle-Graffius.\"","Poem titled \"The Trouble with Trauma\" by Anna Buck, member of the Williamsburg community: \"I've included a poem I've written (with a cover photo) about how a current crisis can bring up past anxieties and traumas.\" The poem has a color cover photo of a children's feet alongside chalk drawings on brick steps. ","Series also includes Buck's headshot, included with submission. ","Screenshot of Michelle Clark video chatting with her grandmother. The image was submitted by Clark's husband, Matthew, a classical archeology major and member of William \u0026 Mary's class of 2022. Matthew Clark described the screenshot: \"Michelle is my wife. She asked me to submit this photograph for your files in order to preserve this moment with her grandmother. This screenshot was taken in Virginia Beach, Virginia on April 11th, 2020. My wife, Michelle Clark, was video chatting with her grandmother, Donna Scott, who recently learned how to use a video chat app (and its filters) in order to stay connected during lockdown!\"","Two digital photographs of Suzanne Cole, William \u0026 Mary English major and class of 2022, taken by her mother, Marjorie Cole. Suzanne Cole described the images: \"The photo is timestamped April 8, 4:17pm. The picture shows me (Suzanne) on my back porch at home in Falls Church, Virginia. I was attending a live Zoom lecture for my GOVT 203: Introduction to Comparative Politics class.\" Includes a photograph of Suzanne Cole.","One digital photograph, including a passage from the Bible, taken by Laura Craig, member of the greater Williamsburg community. Craig described the photo of keys, face mask, and backpack against the backdrop of a front door: \"What my new normal routine looks like before leaving my house...and the inspiration that helps me deal with fear during COVID.\"","6 items, distributed by William \u0026 Mary to students, faculty and staff in the summer of 2020: 1 gray mesh zippered bag containing: 1 flyer promoting the Healthy Together campus initiative; 2 green cloth reusable face masks; 1 bottle of hand sanitizer; and 1 packet of alcohol wipes.","Seven digital photographs of the Colonial Williamsburg Historic Area and William \u0026 Mary taken by Williamsburg community member Mike Descher in spring 2020 during the COVID-19 pandemic. Also included is a time-lapse video, originally uploaded to YouTube on June 29, 2020, of the empty grounds of Colonial Williamsburg's Governor's Palace, normally a heavily trafficked historic site. Descher described the submission: \"Photography taken and composed from February 20th thru June 29th 2020 during the time of the Covid 19 Pandemic.\"","A personal photograph of Descher, attached with the submission, is also included in this series.","Digital photograph taken by Theresa Dittamo, member of the greater Williamsburg community, of a woman using a sewing maching to make cloth face masks. Dittamo described the photograph: \"WWII had Rosie the Riveter, the pandemic has 'mom, the mask maker'!\"","Two video recordings of performances by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993, and one recorded Zoom conversation hosted by William \u0026 Mary Libraries with DoubleTake members discussing their experiences during the pandemic. ","Colin Carmody '22, DoubleTake member and mathematics and music major, shared the performances and provided the following descriptions for each recording. ","\"Rivers and Roads\" performance: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","\"Bad Dreams\" performance: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","The Zoom conversation was recorded on May 20, 2020 and conducted by Dean of University Libraries Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Video recording of a rendition of \"River and Roads\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","\nCarmody: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","Video recording of a rendition of \"Bad Dreams\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","Carmody: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","A recording of a Zoom conversation conducted by William \u0026 Mary Libraries Dean Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski with members of the William \u0026 Mary a capella group DoubleTake on May 20, 2020. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Six digital photographs taken by Carlee Dunn, William \u0026 Mary undergraduate, Biology major, and member of the class of 2023. Dunn took these photos around her hometown, Monroe, New Jersey, on April 8, 2020.","Dunn: \"These photos were taken on Wednesday, April 8th, 2020 while I was driving around my hometown of Monroe, NJ. This date was close to the predicted height of coronavirus cases in my area. Each photo contains some sort of inspirational or meaningful sign I saw during my drive, and it meant so much to me to find people spreading so much hope in the middle of a crisis. The photo of the chalk rainbow was drawn on the side of a strip mall that faces a busy road. The 'Thank you essential workers' sign was a sign my neighbors put on their front lawn, visible from the main road near my house. The 'Be safe, stay healthy' sign was in front of a Walgreens pharmacy. The 'Yes, it's hard' sign was on the front lawn of someone's house, once again able to be seen from a main road. 'This too shall pass' was in front of an auto repair shop. The chalk sidewalk drawings, though somewhat hard to see in that photo, are drawings I did myself in front of my house.\" ","Series includes a photograph of Dunn that was attached with the submission. ","19 digital photographs submitted by Welby Fairlie, a Williamsburg, Virginia community member and a Regional Manager at the International Student Exchange. The photographs document Fairlie and family members' experiences in quarantine during the COVID-19 pandemic.","Fairlie provided the following description with the submission: \"Family photos to remember the time of COVID. I had planned to make our own photo album but then saw the project underway there at W\u0026M.\" Photos include \"empty shelves at various stores, new Air Fryer we bought and are using ALL THE TIME!, Italian exchange students getting interviewed for newspaper, Zoom meeting with some of my exchange students, entry inspection point for OBX [Outerbanks, North Carolina], a makeshift upstairs exercise room, postponed and then Virtual Monument Ave 10K with a friend, closed off soccer fields, store signage, outdoor birthday party with social distancing, my husband and son in masks at store, hand washing station at strawberry picking. Also a welcome sign in OBX [Outerbanks, North Carolina].\"","Series also includes a photograph of Fairlie, included with the submission.","Poem, titled \"Quarantine,\" written by Rebecca Fritzinger, member of the greater Williamsburg community. Fritzinger wrote, \"I am submitting a poem written on April 26, 2020, describing my time in quarantine up to that point. I wrote it while I was sitting in a chair reflecting on my experiences.\"","Artifacts and ephemera collected by Shayna Gutcho during her time as a Mosaic Fellow at William \u0026 Mary Libraries from 2019-2020. The addition includes \"Dear Evan Hansen\" items given to Shayna by show producer and William \u0026 Mary alum Caitlin Clements who Shayna interviewed for a Mosaic Fellows podcast assignment.","Video of rap performance done by Bridget Hammond, Williamsburg community member and parent of William \u0026 Mary graduate. Hammond described the performance: \"We got furloughed on 3/24/20 from the marketing dept in a resort. That night I got a bottle of wine and wrote this Rap. The next morning hungover I performed/taped this... hence the shades... everyone loved it. It's funny but true so weird the things missing on the shelves. Enjoy, Bridget Hammond, writer, director \u0026 performer.\"","Series also includes a photograph of Hammond, included with the submission.","Copy of a letter to the editor, written by Conrad P. Hedderich, retired Commander of the U.S. Navy, self-described as \"a concerned viewer of WAVY TV 10 who saw the story of your [William \u0026 Mary's Documenting COVID-19] project.\" The letter is addressed to the editor of The Virginian-Pilot. Hedderich is a resident of Virginia Beach, Virginia.","1 website with 11 entries of individuals that Jamie Holt, Class of 2022, photographed and interviewed for a class project. She included the following description: \"This is an independent study project from my junior year interviewing and photographing, both in person and virtually, students about their COVID-19 experiences. This was produced in the fall of 2020.\"","A personal reflection written by Diane Huebner (Arnold), a William \u0026 Mary alumna from the class of 1976. Huebner has been an elementary school teacher at Williamsburg-James City County Public School for thirty years. She writes about the unexpected transition to \"Car Parades and Electronic Classrooms,\" the title of her reflection. Huebner described the submission: \"I am a teacher in W-JCC Public Schools, and have written about my experiences during the COVID-19 pandemic.\"","Class of 2023 William \u0026 Mary student Marissa Incer shared the following about her experiences during the COVID-19 pandemic along with the photographs and one video she submitted:\n\"In two photos, you will see my college friends and I maintaining virtual contact and entertaining ourselves with games (electronic Pictionary, basically) that we played through Zoom. The video was a very quick glimpse of my Spanish class during the Spring 2020 semester when we had to quickly transition into all-remote classes. The photo of me sitting at a table with my laptop was taken on August 19, 2020: the first day of the Fall 2020 semester. Finally, there is a mirror selfie of me with my mask on at a mostly empty mall.\" ","Included in this series is a personal photograph of Incer, along with the submission.","Installments of a weekly art journal zine created by Alexandra Johnson, a William \u0026 Mary undergraduate student majoring in English and Linguistics and member of the class of 2022. Johnson wrote a description of the first installment: \"A pdf of a weekly art journal zine, available in both digital and print versions. I'll submit one every week, the title is \"To the Rising Tides.\" This submission is for the week of May 9-May 15, and is Week One.\" ","Johnson's second installment: \"The second installment of a weekly art journal zine titled \"To the Rising Tides,\" chronicling the week of May 16-May 22, Week Two. The previous installment of this series, (with the file titles \"to the rising tides 1\") was submitted earlier today; the next will be submitted May 29. The photograph at the beginning of this zine is from Huntsman Lake, VA, and was taken on May 20 by the creator.\" ","Digital version.","Digital version.","Senior recital recordings for Ayush Joshi, William \u0026 Mary undergraduate, Music and Computer Science major, and member of the class of 2020. Joshi described the submissions: \"Video recordings of me performing my senior recital, that was supposed to be performed on campus on March 28th. ","Full Program:","Classical Piano: Ballade no 2 by Frederic Chopin; Reverie by Claude Debussy; Danzas Argentinas by Alberto Ginastera (this one is in three different audio files, one for each piece in the collection)","Jazz: Waltz for Debby by Bill Evans (with Wayne Wu on Guitar); Butterfly by Herbie Hancock (with Avi Joshi on drums); The Yellow Jacket by Shaun Martin (with Avi Joshi on Drums)","Also, I think for the purposes of the archive I should add that I studied piano with Christine Niehaus and Harris Simon during my time here at William and Mary.\"","This performance is in three different audio files, one for each piece in the collection.","Four hand-colored photographs submitted by Dan Kehlenbach, Williamsburg, Virginia community member. ","Kehlenbach included the following description with the submission: \"I read in W-Y Daily that the library is soliciting for art projects during the coronavirus and would like to submit some of the project I have been working on. I submitted to their website and Ms. Charlotte Burcher suggested I submit it here as well. In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC, the third image is of Spring Point Lighthouse in Portland, ME, and the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy). Thanks for the opportunity to submit this, and getting back into hand-coloring my photographs, I feel a connection to the history of photography and find joy in creating unique images to share. Art has always had a special place in my heart and soul, and these challenging times has made the pursuit of artwork and creative expression much more valuable. With much gratitude, Dan Kehlenbach Williamsburg, VA.\"","Series also includes a photograph of Kehlenbach that was attached to the submission.","Personal headshot included by Dan Kehlenbach with the submission.","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member. ","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of the Spring Point Lighthouse in South Portland, Maine, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the third image is of Spring Point Lighthouse in Portland, ME.\"","One photograph from Barga, Italy, hand-colored by Dan Kehlenbach, Williamsburg community member.","\nKehlenbach provided the following description with this submission: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy).\"","Digital photographs and video from Likhitha Kolla, member of William \u0026 Mary's class of 2018 with a major in Biology, Computational and Applied Mathematics and Statistics. Kolla described the submissions: \"Isolated streets of Philadelphia, [Pennsylvania]. Here during COVID-19 quarantine. Picture is taken at the end of March 2020. Video is my spring break trip before quarantine.\"","Series also includes a photograph of Kolla, included with the submission.","Poem, titled \"Spring 2020,\" written by Fran Lane, Williamsburg, Virginia community member. Lane's poem reflects on moments of everyday life and family bonds found in quarantine.","One image from Aubrey Lay, Class of 2023, of Zooming into class. This is his description: \"During a Fall 2021 resurgence of COVID-19 due to the Delta Variant, many students needed to return to virtual modalities for public health reasons. In this image, I am seen with classmate Lucia Eovino (Class of 2023) Zooming into our Chinese class.\"","One screenshot of a March 15, 2020 Zoom call submitted by Aubrey Lay, a William \u0026 Mary undergraduate student and member of the class of 2023. Lay described the submission: \"Unlimited Zoom call time was granted to WM students by Zoom during our call; we expected to get cut off at 40 minutes, but got a pleasant surprise from this notification. This change made Zoom a more important part of social life for WM students during the second semester. Left to right: Aubrey Lay ('23), Casey Kim ('23), Rayna Yu ('20), a student from Washington University, St. Louis, and Michelle Yue ('23).\"","A collection of poems from Covid 19, month by month from March 2020 to February of 2021 written by William \u0026 Mary student Class of 2024 Rachael Lee. Lee submitted a previous collection of poetry that she asked not be made public. With that submission, she provided the following description which also describes many of themes of this submission: \"Poetry created during the Covid19 Pandemic, most of them covering ideas of coming of age in an era of death, and the difficulty connecting with others from behind a mask. Isolation, death, and a ruining of youth are central themes in these poems.\"","Digital photograph take by Ivy Li, William \u0026 Mary undergraduate student and member of the class of 2023. Li described the photograph: \"This photo was shot at 12:01 AM on March 21 in Tom Bradley International Terminal in LAX, Los Angeles International Airport. Almost everyone in this terminal wore a face mask, and even some people wear protective clothing and safety goggles. Although it was midnight, the airport was full of people waiting to board on planes. Most of them were going to return their home countries. Though the CDC did not encourage people to wear face masks, they still wore it to protect both themselves and others. Those whose body temperature above 37 degrees celsius was not allowed to pass safety check and board the plane.\"","Self-portrait by Katherine McSweeney, daughter of William \u0026 Mary alumni and member of the greater Williamsburg community. McSweeney described the artwork: \"This is a self portrait, drawn in Matthews Virginia beside the local creek.\"","Eight digital photographs taken by Miso Park, William \u0026 Mary Biology major with a Public Health minor and member of the class of 2021. Park described the up-close photographs of tree branches and flower blossoms: \"Before spring break, I borrowed a camera from Swem Media Center and because of the extended \"break\", I have been experimenting with the camera and I even downloaded Adobe Photoshop that the school gives access (for free!). It's been a great use of time because I always wanted to be a photographer when I was in elementary school. I never thought of buying a camera for myself but I think I might have to once I return this one (whenever school opens again!). These pictures I took while walking around in my neighborhood!\" Includes a photograph of Park.","Photographs taken around Williamsburg, Virginia during the COVID-19 pandemic. Includes photographs of grocery store signage and health care worker salutes.","Four digital photographs taken by Susan Riggs, William \u0026 Mary M.A. class of 1972 and William \u0026 Mary Libraries Special Collections Research Center staff member. Riggs described the photographs: \"One way entrance and exit for shoppers to Harris-Teeter Grocery Store, 6485 Centerville Rd Williamsburg, VA 23188.\"","Five digital photographs and two screenshots of aerial flyover to celebrate healthcare workers. Photographs were take on May 12, 2020 by Williamsburg community member, David Riggs. They were shared by Riggs' wife, Susan Riggs, who described the images: \"Joint Base Langley-Eustis F-22 Raptor Demo Team, 1st Fighter Wing and 192nd Wing Flyover of Peninsula to honor health care workers during COVID-19 pandemic. Photos of the planes, the flyover map and screenshot from Facebook explaining the flyover. These photographs were taken at 6:42 PM on Patrick Henry Drive in Skipwith Farms as the planes were on a route from Sentara Hospital (Lightfoot) to Eastern State Hospital on May 12, 2020.\"","Three digital photographs of COVID-19 signage taken on May 13, 2020 by Susan Riggs, William \u0026 Mary Libraries Special Collections Research Center staff member and M.A. class of 1972. Riggs described the images: \"Photograph of sign in Food Lion, 5251 John Tyler Hwy, Williamsburg Va. taken May 13, 2020; Heroes sign in front of U. S. Post Office, 5219 Monticello Ave., Williamsburg, Va. also taken May 13, 2020.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S. of Oakland, California: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S., community member: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Three digital photographs taken by Rochelle Seitz, research professor in the Biological Sciences department at the Virginia Institute of Marine Science (VIMS). She described the four photos: \"Photos of marine science research field deployment of gear for a graduate student's thesis research. Field work was done in Timberneck Creek, York River, on 4/14/20, while wearing face coverings and staying 6-ft apart.\"","Digital photograph of Rochelle Seitz, Research Professor, Biological Science, Virginia Insitute of Marine Science","Digital photograph depicts Professor Seitz wearing a face mask and holding up a yellow research notebook. The notebook shows some pencil notations. The graduate student researcher is working in the background.","Digital photograph depics graduate student researcher wearing a blue face mask and collecting samples from the water. There is a yellow basket and a blue tub next to the student.","Digital photograph of graduate student researcher wading out into the water with a blue tub in tow. There is a wooden pier in the distance.","A personal reflection written by artist Katarina Smith. Smith described the submission: \"I've written a short piece during quarantine, regarding COVID-19. I would like to submit it for the documentation project. Its title is '2020.' It was written on April 9th, 2020.\"","Scanned journal entries handwritten by Kelly Smith, Newport News high school teacher and member of the greater Williamsburg community. Smith described the ten-page journal: \"Personal journal entries of thoughts, emotions, experiences during the COVID-19 outbreak, ranging from March 15, 2020-March 31, 2020. Bishop Knestout-- Catholic bishop of the Diocese of Richmond Kevin-- my husband Kristen-- my cousin Jenny- the principal of the school I teach at.\"","A social media post titled \"Office sharing during the pandemic\" submitted by Sarah Smith, William \u0026 Mary Athletics staff member. Smith wrote, \"This bit of writing was a Facebook post created by me on the first day of the fourth week of working from home during the Covid-19 pandemic.\"","One photograph submitted by Monique Sowell, employee at Aromas Coffeehouse and Café, with credit also given to Michelle Sieling, owner of the Williamsburg, Virginia business. Sowell described the photograph: \"Aromas on 431 Prince George [Street] hosted their first Open Acoustic night in lieu of open mic inside to allow our guest to enjoy some outside jams. Thursday night, June 18th 2020.\"","Poem written by Bly Straube, Senior Curator at the Jamestown Settlement Museum and William \u0026 Mary M.A. class of 1990. Straube wrote, \"A poem about my work cubicle at the Jamestown Settlement Museum of the Jamestown-Yorktown Foundation, where I serve as Senior Curator. This was written one-month into the Commonwealth's order to 'stay home.'\"","Zoom recording from Kenneth Tieu, William \u0026 Mary undergraduate; Kinesiology and Health Sciences, Pre-Medicine major; and member of the class of 2023. Tieu described the recording: \"The file submitted is the later half of a Murder Mystery party planned during the pandemic on March 29th, 2020 recorded via Zoom. Additionally, we were also celebrating the 19th birthday of Claire Wyszynski as well. Everyone was in character and emails were sent to each individual person explaining the current scenario and secrets of their character that can be used to determine who is the murderer. This people involved are: Kenneth Tieu, Carlee Dunn, Claire Wyszynski, Bezawit Kentiba, Lily Weisert, Maya Deutchman, Avery Bradley, Kenya Lopez, Abigail Gutleben, Lucy Abell, and Tara Vasanth.\"","Podcast series, digital video, and poem written by Tara Vasanth, William \u0026 Mary Art History major with emphasis on Built Environment, and member of the class of 2023. Vasanth described the submissions: \"To celebrate a wonderful freshman year and to remember all of the fun times I spent with my amazing hall mates, I made an illustrated, limericky video for my hall (Spotswood, Second Lower Floor). Since we all live in the Botetourt complex, we proudly call ourselves the \"Botehotties.\" I wanted to create a story-telling video (similar to the ones you see on Reading Rainbow) that captured the wonderful experiences and uniqueness of our special dorm. It was a great distraction from exam preparation, and this project definitely took precedence over my studying.\" ","Podcasts were co-created with Vasanth's friend, Maddy: \"Inspired by the fascinating and funny conversations my friend Maddy and I had prior to the COVID-19 outbreak, we decided to create a quirky podcast that revisited some of the things we talked about during the school year. Despite my minimal podcast knowledge and experience, I was keen to co-create a podcast that allowed me to continue to connect with Maddy and my hall mates. In the show, we are committed to wacky humor and giving a ridiculous amount of attention to trivial, nonsensical, irrelevant aspects of daily living. Hence the name, Foofaraw. Warning: some of the conversations you will hear are parallel to those that take place in a dorm room between the hours of 1:00 a.m. to 4:00 a.m. I am so happy that I am a part of this ongoing project, and am very thankful to Maddy, our small base of listeners, and to the College for making this show possible.\"","Also included in this series is a personal photograph of Vasanth, included with the submission.","Poem, \"Kenopsia,\" written by Williamsburg community member, Jenny Vu. Vu described the text: \"This is a poem about how COVID-19 has affected society in America and how it has affected myself in Virginia as well. Most of the events (Easter, school cancelation, airports closing, and etc.) described in this poem have taken place from March 2020 to present.\" Vu specifically mentions prejudice against Asian peoples and the increasing backlash against quarantine protocols.","Photographs by William \u0026 Mary student Class of 2023 Sarah Walker: \"Long exposure photographs of hands using a Canon T3 DSLR on manual mode. One hand is mine and the other is Sally Calengor, taken using window light and a white sheet on October 6,2020 in DuPont Hall. While movement of the hands is obvious, it is ambiguous as to whether they are coming together or pulling apart. One hand looks to be reaching to the other in need of support but they are not able to touch. I think many have felt the loss of physical affection throughout the pandemic, along with the loneliness and frustration it brings. We are all craving the day when we will be able to high-five, hold hands, and hug without fear of spreading a deadly virus.\"","Two digital photographs submitted by Kate Weis, a William \u0026 Mary undergraduate student majoring in Psychological Sciences and Linguistics, and a member of the class of 2021. One photograph was taken by Weis and the other was taken by friend Julia Bristow. Weis provided the following description of the photographs: \"These are pictures from my one of my favorite quarantine activities -- movie night. My friends and I have been able to stay connected through Netflix party, and some of us opted to build forts at home so we could enhance the movie viewing experience even more!\" ","Series also includes a personal photograph of Weis, included with the submission.","Original music, art, and promotional material by recording artist Lionel White, known professionally as Luciano Illuminati. White, a resident of Virginia Beach, Virginia, described the submissions: \"I am a rock musician and songwriter from Virginia Beach, VA. I am releasing an album called Terra Vision 2020 on June 11, 2020 that is partly inspired by the Coronavirus pandemic. It includes the song Limbo King, which expresses a feeling of isolation and the longing to escape from being in limbo. Another song on the album is called Pandemic. It is an instrumental that conveys the feeling of our current times without words. I would be honored to have these songs featured at your library. For more info: www.LucianoIlluminati.com\"","A Spotify playlist called Songs for Quarantine created by Class of 2022 undergraduate student Nick Wright. Included in this series is a personal photograph of Nick Wright from his submission."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026amp; Mary Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries."],"names_coll_ssim":["Williamsburg Historic Records Association (Williamsburg, Va.)"],"names_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Los Angeles International Airport","Jamestown Settlement"],"corpname_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Los Angeles International Airport","Jamestown Settlement"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":217,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:47:54.358Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9226","ead_ssi":"viw_repositories_2_resources_9226","_root_":"viw_repositories_2_resources_9226","_nest_parent_":"viw_repositories_2_resources_9226","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9226.xml","title_filing_ssi":"Documenting Life During COVID-19 collection \n","title_ssm":["Documenting Life During COVID-19 collection"],"title_tesim":["Documenting Life During COVID-19 collection"],"unitdate_ssm":["2020 March - ongoing"],"unitdate_inclusive_ssm":["2020 March - ongoing"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00326","/repositories/2/resources/9226"],"text":["MS 00326","/repositories/2/resources/9226","Documenting Life During COVID-19 collection","Coronavirus infections","Quarantine","Telecommuting","Personal narratives","Music","Social distance","COVID-19 (Disease)","Masks","Furloughs","Zines","Letters to the editor","College students","Spring break","Photographs","Poetry","Video recordings","Sound Recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Future accruals expected.","Materials are arranged by name of the submitter. Each submitter has their own series within this collection. Navigate to the individual files within each series to access materials.","Collection includes materials collected from members of the William \u0026 Mary and the greater Williamsburg community during the COVID-19 pandemic. ","From the William \u0026 Mary Libraries submission site: \"As we all adjust to the new realities imposed by the novel coronavirus, COVID-19, William \u0026 Mary Libraries invite all members of the William \u0026 Mary and greater Williamsburg community to add their voices to the Special Collections. We welcome submissions of all forms of personal reflections to add to the physical and digital archives in the Special Collections Research Center in Swem Library. Your experience is just that – yours – and how you record it is up to you! Feel free to capture your memories in whatever way you choose, and share and reflect on any part of your experience. Ideas include but are not limited to: ","Prose\nPoetry\nDrawing\nScrapbooking\nPhotography\nAudio/video\nOther accounts of day-to-day life","Your memories matter, and your experiences are an important part of our shared history. As part of the records preserved in the Special Collections, your materials will be an accessible part of the historic record and contribute to research for years to come.\"  ","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Before submitter supplied the video file, the YouTube video was originally captured using Webrecorder/Conifer. The capture session has now been deleted but the capture (.WARC file) was first saved to the accession's folder (2020108) on the Synology Box, along with the actual video file. Y:/ActiveStorage/AccessionsBacklog/2020108","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Contact SCRC staff for access to these materials.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Donor contacted us 5/12/2022 and requested that their last name and headshot be removed from their submission for greater privacy.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Content creator submitted URL for inclusion in Digital Archive; Accessioner took screenshots of playlist for long-term access.","Most materials are born-digital. Some materials require contacting the SCRC for access.","Materials were processed and described using the submitter's original language from the William \u0026 Mary Libraries submission site.","Accessions to this collection are titled by each individual submitter's first and last name. If there are multiple submissions from the same person, they are included as files or items within the submitters name.","Some personal information was removed from the heading of this letter.","Collection includes social media posts, music recitals, podcasts, video recordings, digital photographs, self-portraiture, original music compositions, poetry, personal journal entries, and other materials created by members of the William \u0026 Mary and the greater Williamsburg community in response to the COVID-19 pandemic of 2020.","A poem, titled \"This Thing We Bear,\" by Kimberly Ankney of Toano, Virginia. Ankney submitted the poem with the following description: \"This is a poem I wrote to my children to remember the COVID-19 quarantine. I have been attempting to balance full-time work with full-time parenting, and juggling feelings about the pandemic. Written in Toano, VA 2020.\"","One photo montage video created and uploaded by Marna Ashburn, William \u0026 Mary Class of 1985 and Williamsburg, Virginia community member. Ashburn described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Individual items within this series include Ashburn's video, originally uploaded to YouTube, and a personal photograph of Ashburn included with the submission.","One photo montage video, titled \"Something to Smile About Under the Circumstances. Forty things to lift your spirits during lockdown.\", created by Marna Ashburn and uploaded to YouTube on May 3, 2020. Ashburn, member of the William \u0026 Mary class of 1985 and Williamsburg, Virginia community member, described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Please contact SCRC staff to access the video at this time.","One digital photograph and one personal journal entry submitted by Thomas Backus of Phoenix, Arizona. Backus provided the following description for the photograph, taken March 28, 2020: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\" The journal entry, \"written on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","One digital photograph, taken March 28, 2020, by Thomas Backus of Phoenix, Arizona. Backus: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\"","Personal journal entry, written by Thomas Backus \"on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","Six digital photographs submitted by Jason Betzner '19, William \u0026 Mary alum and Williamsburg community member, documenting his family's experiences with adapting to new social distancing protocols. Navigate to an individual photograph to view its title, date, and description, as provided by Betzner.","Digital photograph, titled \"School at home,\" taken by Jason Betzner on March 17, 2020 (Williamsburg, Virginia). Betzner: \"This picture is of my daughter, Elizabeth Betzner (age 7) doing her school work at home on March 17th. She is a first grade student at Matthew Whaley. She has had a difficult time adjusting to this new reality and some days are better than others. She really wants to go back to see her friends and her teacher.\"","Digital photograph, titled \"Bye to my classroom,\" taken by Jason Betzner on March 27, 2020 (Williamsburg, Virginia). Betzner: \"I took this picture of my classroom at Warhill High School on Marcy 27th. We were allowed back in our rooms for 15 minutes to get needed teaching materials for virtual learning. The room was exactly as I left it on March 13th when schools closed down for the rest of the year.\"","Digital photograph, titled \"Home haircut,\" taken by Jason Betzner on April 11, 2020 (Williamsburg, Virginia). Betzner: \"After a month of social distancing, my wife gave me a home haircut on April 11. She did a fairly good job!\"","Digital photograph, titled \"House closing,\" taken by Jason Betzner on April 28, 2020 (Williamsburg, Virginia). Betzner: \"My family had been searching for a new home since January. We closed on the purchase of our house on April 28th. At the Title company, we had to wear masks and sign all of the papers in the car. It was stressful but we did it!\"","Digital photograph, titled \"Letter to teacher,\" taken by Jason Betzner (Williamsburg, Virginia). Betzner: \"My daughter has been writing notes back and forth to her first grade teacher at Matthew Whaley. This is one of her letters describing what she's been doing at home.\"","Digital photograph, titled \"Flyover,\" taken by Jason Betzner on May 22, 2020 (Williamsburg, Virginia). Betzner: \"An F-22 and two P-51s flew over Williamsburg's hospitals on May 22nd to support healthcare workers on the front lines of the pandemic.\"","Ten digital photographs submitted by Michele Bingle-Graffius, community member of Williamsburg, Virginia. Bingle-Graffius provided the following description with the submission: \"A brief synopsis of my life during Covid. At the onset, I bordered on panic and deep dread. I felt helpless and overwhelmed. After about two weeks I became increasing helpless and needed an outlet. I began sewing face masks. I ran out of supplies; first elastic, then shoe laces that I was using as a substitute for elastic. Supplies continued to dwindle and I had made enough masks for our family, my husband and his coworkers (all of whom needed to continue to go into work during the shut-down) and my extended family. The weather began to break and get warmer. We spent more time outside working within our yard. If it were not for financial concerns and a need to conserve money in case my husband would loss income, we would have worked on remodeling the bathroom. Instead, we worked on landscaping and beautifying the yard. Our yard has been quite neglected for years before we bought the property last year and does need a ton of work. With the US death toll rising steadily, I started to focus on the life around me; the plants and creatures within my yard. The following represents photos all taken from my yard here in Williamsburg. Respectfully submitted, Michele Bingle-Graffius.\"","Poem titled \"The Trouble with Trauma\" by Anna Buck, member of the Williamsburg community: \"I've included a poem I've written (with a cover photo) about how a current crisis can bring up past anxieties and traumas.\" The poem has a color cover photo of a children's feet alongside chalk drawings on brick steps. ","Series also includes Buck's headshot, included with submission. ","Screenshot of Michelle Clark video chatting with her grandmother. The image was submitted by Clark's husband, Matthew, a classical archeology major and member of William \u0026 Mary's class of 2022. Matthew Clark described the screenshot: \"Michelle is my wife. She asked me to submit this photograph for your files in order to preserve this moment with her grandmother. This screenshot was taken in Virginia Beach, Virginia on April 11th, 2020. My wife, Michelle Clark, was video chatting with her grandmother, Donna Scott, who recently learned how to use a video chat app (and its filters) in order to stay connected during lockdown!\"","Two digital photographs of Suzanne Cole, William \u0026 Mary English major and class of 2022, taken by her mother, Marjorie Cole. Suzanne Cole described the images: \"The photo is timestamped April 8, 4:17pm. The picture shows me (Suzanne) on my back porch at home in Falls Church, Virginia. I was attending a live Zoom lecture for my GOVT 203: Introduction to Comparative Politics class.\" Includes a photograph of Suzanne Cole.","One digital photograph, including a passage from the Bible, taken by Laura Craig, member of the greater Williamsburg community. Craig described the photo of keys, face mask, and backpack against the backdrop of a front door: \"What my new normal routine looks like before leaving my house...and the inspiration that helps me deal with fear during COVID.\"","6 items, distributed by William \u0026 Mary to students, faculty and staff in the summer of 2020: 1 gray mesh zippered bag containing: 1 flyer promoting the Healthy Together campus initiative; 2 green cloth reusable face masks; 1 bottle of hand sanitizer; and 1 packet of alcohol wipes.","Seven digital photographs of the Colonial Williamsburg Historic Area and William \u0026 Mary taken by Williamsburg community member Mike Descher in spring 2020 during the COVID-19 pandemic. Also included is a time-lapse video, originally uploaded to YouTube on June 29, 2020, of the empty grounds of Colonial Williamsburg's Governor's Palace, normally a heavily trafficked historic site. Descher described the submission: \"Photography taken and composed from February 20th thru June 29th 2020 during the time of the Covid 19 Pandemic.\"","A personal photograph of Descher, attached with the submission, is also included in this series.","Digital photograph taken by Theresa Dittamo, member of the greater Williamsburg community, of a woman using a sewing maching to make cloth face masks. Dittamo described the photograph: \"WWII had Rosie the Riveter, the pandemic has 'mom, the mask maker'!\"","Two video recordings of performances by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993, and one recorded Zoom conversation hosted by William \u0026 Mary Libraries with DoubleTake members discussing their experiences during the pandemic. ","Colin Carmody '22, DoubleTake member and mathematics and music major, shared the performances and provided the following descriptions for each recording. ","\"Rivers and Roads\" performance: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","\"Bad Dreams\" performance: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","The Zoom conversation was recorded on May 20, 2020 and conducted by Dean of University Libraries Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Video recording of a rendition of \"River and Roads\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","\nCarmody: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","Video recording of a rendition of \"Bad Dreams\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","Carmody: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","A recording of a Zoom conversation conducted by William \u0026 Mary Libraries Dean Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski with members of the William \u0026 Mary a capella group DoubleTake on May 20, 2020. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Six digital photographs taken by Carlee Dunn, William \u0026 Mary undergraduate, Biology major, and member of the class of 2023. Dunn took these photos around her hometown, Monroe, New Jersey, on April 8, 2020.","Dunn: \"These photos were taken on Wednesday, April 8th, 2020 while I was driving around my hometown of Monroe, NJ. This date was close to the predicted height of coronavirus cases in my area. Each photo contains some sort of inspirational or meaningful sign I saw during my drive, and it meant so much to me to find people spreading so much hope in the middle of a crisis. The photo of the chalk rainbow was drawn on the side of a strip mall that faces a busy road. The 'Thank you essential workers' sign was a sign my neighbors put on their front lawn, visible from the main road near my house. The 'Be safe, stay healthy' sign was in front of a Walgreens pharmacy. The 'Yes, it's hard' sign was on the front lawn of someone's house, once again able to be seen from a main road. 'This too shall pass' was in front of an auto repair shop. The chalk sidewalk drawings, though somewhat hard to see in that photo, are drawings I did myself in front of my house.\" ","Series includes a photograph of Dunn that was attached with the submission. ","19 digital photographs submitted by Welby Fairlie, a Williamsburg, Virginia community member and a Regional Manager at the International Student Exchange. The photographs document Fairlie and family members' experiences in quarantine during the COVID-19 pandemic.","Fairlie provided the following description with the submission: \"Family photos to remember the time of COVID. I had planned to make our own photo album but then saw the project underway there at W\u0026M.\" Photos include \"empty shelves at various stores, new Air Fryer we bought and are using ALL THE TIME!, Italian exchange students getting interviewed for newspaper, Zoom meeting with some of my exchange students, entry inspection point for OBX [Outerbanks, North Carolina], a makeshift upstairs exercise room, postponed and then Virtual Monument Ave 10K with a friend, closed off soccer fields, store signage, outdoor birthday party with social distancing, my husband and son in masks at store, hand washing station at strawberry picking. Also a welcome sign in OBX [Outerbanks, North Carolina].\"","Series also includes a photograph of Fairlie, included with the submission.","Poem, titled \"Quarantine,\" written by Rebecca Fritzinger, member of the greater Williamsburg community. Fritzinger wrote, \"I am submitting a poem written on April 26, 2020, describing my time in quarantine up to that point. I wrote it while I was sitting in a chair reflecting on my experiences.\"","Artifacts and ephemera collected by Shayna Gutcho during her time as a Mosaic Fellow at William \u0026 Mary Libraries from 2019-2020. The addition includes \"Dear Evan Hansen\" items given to Shayna by show producer and William \u0026 Mary alum Caitlin Clements who Shayna interviewed for a Mosaic Fellows podcast assignment.","Video of rap performance done by Bridget Hammond, Williamsburg community member and parent of William \u0026 Mary graduate. Hammond described the performance: \"We got furloughed on 3/24/20 from the marketing dept in a resort. That night I got a bottle of wine and wrote this Rap. The next morning hungover I performed/taped this... hence the shades... everyone loved it. It's funny but true so weird the things missing on the shelves. Enjoy, Bridget Hammond, writer, director \u0026 performer.\"","Series also includes a photograph of Hammond, included with the submission.","Copy of a letter to the editor, written by Conrad P. Hedderich, retired Commander of the U.S. Navy, self-described as \"a concerned viewer of WAVY TV 10 who saw the story of your [William \u0026 Mary's Documenting COVID-19] project.\" The letter is addressed to the editor of The Virginian-Pilot. Hedderich is a resident of Virginia Beach, Virginia.","1 website with 11 entries of individuals that Jamie Holt, Class of 2022, photographed and interviewed for a class project. She included the following description: \"This is an independent study project from my junior year interviewing and photographing, both in person and virtually, students about their COVID-19 experiences. This was produced in the fall of 2020.\"","A personal reflection written by Diane Huebner (Arnold), a William \u0026 Mary alumna from the class of 1976. Huebner has been an elementary school teacher at Williamsburg-James City County Public School for thirty years. She writes about the unexpected transition to \"Car Parades and Electronic Classrooms,\" the title of her reflection. Huebner described the submission: \"I am a teacher in W-JCC Public Schools, and have written about my experiences during the COVID-19 pandemic.\"","Class of 2023 William \u0026 Mary student Marissa Incer shared the following about her experiences during the COVID-19 pandemic along with the photographs and one video she submitted:\n\"In two photos, you will see my college friends and I maintaining virtual contact and entertaining ourselves with games (electronic Pictionary, basically) that we played through Zoom. The video was a very quick glimpse of my Spanish class during the Spring 2020 semester when we had to quickly transition into all-remote classes. The photo of me sitting at a table with my laptop was taken on August 19, 2020: the first day of the Fall 2020 semester. Finally, there is a mirror selfie of me with my mask on at a mostly empty mall.\" ","Included in this series is a personal photograph of Incer, along with the submission.","Installments of a weekly art journal zine created by Alexandra Johnson, a William \u0026 Mary undergraduate student majoring in English and Linguistics and member of the class of 2022. Johnson wrote a description of the first installment: \"A pdf of a weekly art journal zine, available in both digital and print versions. I'll submit one every week, the title is \"To the Rising Tides.\" This submission is for the week of May 9-May 15, and is Week One.\" ","Johnson's second installment: \"The second installment of a weekly art journal zine titled \"To the Rising Tides,\" chronicling the week of May 16-May 22, Week Two. The previous installment of this series, (with the file titles \"to the rising tides 1\") was submitted earlier today; the next will be submitted May 29. The photograph at the beginning of this zine is from Huntsman Lake, VA, and was taken on May 20 by the creator.\" ","Digital version.","Digital version.","Senior recital recordings for Ayush Joshi, William \u0026 Mary undergraduate, Music and Computer Science major, and member of the class of 2020. Joshi described the submissions: \"Video recordings of me performing my senior recital, that was supposed to be performed on campus on March 28th. ","Full Program:","Classical Piano: Ballade no 2 by Frederic Chopin; Reverie by Claude Debussy; Danzas Argentinas by Alberto Ginastera (this one is in three different audio files, one for each piece in the collection)","Jazz: Waltz for Debby by Bill Evans (with Wayne Wu on Guitar); Butterfly by Herbie Hancock (with Avi Joshi on drums); The Yellow Jacket by Shaun Martin (with Avi Joshi on Drums)","Also, I think for the purposes of the archive I should add that I studied piano with Christine Niehaus and Harris Simon during my time here at William and Mary.\"","This performance is in three different audio files, one for each piece in the collection.","Four hand-colored photographs submitted by Dan Kehlenbach, Williamsburg, Virginia community member. ","Kehlenbach included the following description with the submission: \"I read in W-Y Daily that the library is soliciting for art projects during the coronavirus and would like to submit some of the project I have been working on. I submitted to their website and Ms. Charlotte Burcher suggested I submit it here as well. In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC, the third image is of Spring Point Lighthouse in Portland, ME, and the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy). Thanks for the opportunity to submit this, and getting back into hand-coloring my photographs, I feel a connection to the history of photography and find joy in creating unique images to share. Art has always had a special place in my heart and soul, and these challenging times has made the pursuit of artwork and creative expression much more valuable. With much gratitude, Dan Kehlenbach Williamsburg, VA.\"","Series also includes a photograph of Kehlenbach that was attached to the submission.","Personal headshot included by Dan Kehlenbach with the submission.","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member. ","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of the Spring Point Lighthouse in South Portland, Maine, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the third image is of Spring Point Lighthouse in Portland, ME.\"","One photograph from Barga, Italy, hand-colored by Dan Kehlenbach, Williamsburg community member.","\nKehlenbach provided the following description with this submission: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy).\"","Digital photographs and video from Likhitha Kolla, member of William \u0026 Mary's class of 2018 with a major in Biology, Computational and Applied Mathematics and Statistics. Kolla described the submissions: \"Isolated streets of Philadelphia, [Pennsylvania]. Here during COVID-19 quarantine. Picture is taken at the end of March 2020. Video is my spring break trip before quarantine.\"","Series also includes a photograph of Kolla, included with the submission.","Poem, titled \"Spring 2020,\" written by Fran Lane, Williamsburg, Virginia community member. Lane's poem reflects on moments of everyday life and family bonds found in quarantine.","One image from Aubrey Lay, Class of 2023, of Zooming into class. This is his description: \"During a Fall 2021 resurgence of COVID-19 due to the Delta Variant, many students needed to return to virtual modalities for public health reasons. In this image, I am seen with classmate Lucia Eovino (Class of 2023) Zooming into our Chinese class.\"","One screenshot of a March 15, 2020 Zoom call submitted by Aubrey Lay, a William \u0026 Mary undergraduate student and member of the class of 2023. Lay described the submission: \"Unlimited Zoom call time was granted to WM students by Zoom during our call; we expected to get cut off at 40 minutes, but got a pleasant surprise from this notification. This change made Zoom a more important part of social life for WM students during the second semester. Left to right: Aubrey Lay ('23), Casey Kim ('23), Rayna Yu ('20), a student from Washington University, St. Louis, and Michelle Yue ('23).\"","A collection of poems from Covid 19, month by month from March 2020 to February of 2021 written by William \u0026 Mary student Class of 2024 Rachael Lee. Lee submitted a previous collection of poetry that she asked not be made public. With that submission, she provided the following description which also describes many of themes of this submission: \"Poetry created during the Covid19 Pandemic, most of them covering ideas of coming of age in an era of death, and the difficulty connecting with others from behind a mask. Isolation, death, and a ruining of youth are central themes in these poems.\"","Digital photograph take by Ivy Li, William \u0026 Mary undergraduate student and member of the class of 2023. Li described the photograph: \"This photo was shot at 12:01 AM on March 21 in Tom Bradley International Terminal in LAX, Los Angeles International Airport. Almost everyone in this terminal wore a face mask, and even some people wear protective clothing and safety goggles. Although it was midnight, the airport was full of people waiting to board on planes. Most of them were going to return their home countries. Though the CDC did not encourage people to wear face masks, they still wore it to protect both themselves and others. Those whose body temperature above 37 degrees celsius was not allowed to pass safety check and board the plane.\"","Self-portrait by Katherine McSweeney, daughter of William \u0026 Mary alumni and member of the greater Williamsburg community. McSweeney described the artwork: \"This is a self portrait, drawn in Matthews Virginia beside the local creek.\"","Eight digital photographs taken by Miso Park, William \u0026 Mary Biology major with a Public Health minor and member of the class of 2021. Park described the up-close photographs of tree branches and flower blossoms: \"Before spring break, I borrowed a camera from Swem Media Center and because of the extended \"break\", I have been experimenting with the camera and I even downloaded Adobe Photoshop that the school gives access (for free!). It's been a great use of time because I always wanted to be a photographer when I was in elementary school. I never thought of buying a camera for myself but I think I might have to once I return this one (whenever school opens again!). These pictures I took while walking around in my neighborhood!\" Includes a photograph of Park.","Photographs taken around Williamsburg, Virginia during the COVID-19 pandemic. Includes photographs of grocery store signage and health care worker salutes.","Four digital photographs taken by Susan Riggs, William \u0026 Mary M.A. class of 1972 and William \u0026 Mary Libraries Special Collections Research Center staff member. Riggs described the photographs: \"One way entrance and exit for shoppers to Harris-Teeter Grocery Store, 6485 Centerville Rd Williamsburg, VA 23188.\"","Five digital photographs and two screenshots of aerial flyover to celebrate healthcare workers. Photographs were take on May 12, 2020 by Williamsburg community member, David Riggs. They were shared by Riggs' wife, Susan Riggs, who described the images: \"Joint Base Langley-Eustis F-22 Raptor Demo Team, 1st Fighter Wing and 192nd Wing Flyover of Peninsula to honor health care workers during COVID-19 pandemic. Photos of the planes, the flyover map and screenshot from Facebook explaining the flyover. These photographs were taken at 6:42 PM on Patrick Henry Drive in Skipwith Farms as the planes were on a route from Sentara Hospital (Lightfoot) to Eastern State Hospital on May 12, 2020.\"","Three digital photographs of COVID-19 signage taken on May 13, 2020 by Susan Riggs, William \u0026 Mary Libraries Special Collections Research Center staff member and M.A. class of 1972. Riggs described the images: \"Photograph of sign in Food Lion, 5251 John Tyler Hwy, Williamsburg Va. taken May 13, 2020; Heroes sign in front of U. S. Post Office, 5219 Monticello Ave., Williamsburg, Va. also taken May 13, 2020.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S. of Oakland, California: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S., community member: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Three digital photographs taken by Rochelle Seitz, research professor in the Biological Sciences department at the Virginia Institute of Marine Science (VIMS). She described the four photos: \"Photos of marine science research field deployment of gear for a graduate student's thesis research. Field work was done in Timberneck Creek, York River, on 4/14/20, while wearing face coverings and staying 6-ft apart.\"","Digital photograph of Rochelle Seitz, Research Professor, Biological Science, Virginia Insitute of Marine Science","Digital photograph depicts Professor Seitz wearing a face mask and holding up a yellow research notebook. The notebook shows some pencil notations. The graduate student researcher is working in the background.","Digital photograph depics graduate student researcher wearing a blue face mask and collecting samples from the water. There is a yellow basket and a blue tub next to the student.","Digital photograph of graduate student researcher wading out into the water with a blue tub in tow. There is a wooden pier in the distance.","A personal reflection written by artist Katarina Smith. Smith described the submission: \"I've written a short piece during quarantine, regarding COVID-19. I would like to submit it for the documentation project. Its title is '2020.' It was written on April 9th, 2020.\"","Scanned journal entries handwritten by Kelly Smith, Newport News high school teacher and member of the greater Williamsburg community. Smith described the ten-page journal: \"Personal journal entries of thoughts, emotions, experiences during the COVID-19 outbreak, ranging from March 15, 2020-March 31, 2020. Bishop Knestout-- Catholic bishop of the Diocese of Richmond Kevin-- my husband Kristen-- my cousin Jenny- the principal of the school I teach at.\"","A social media post titled \"Office sharing during the pandemic\" submitted by Sarah Smith, William \u0026 Mary Athletics staff member. Smith wrote, \"This bit of writing was a Facebook post created by me on the first day of the fourth week of working from home during the Covid-19 pandemic.\"","One photograph submitted by Monique Sowell, employee at Aromas Coffeehouse and Café, with credit also given to Michelle Sieling, owner of the Williamsburg, Virginia business. Sowell described the photograph: \"Aromas on 431 Prince George [Street] hosted their first Open Acoustic night in lieu of open mic inside to allow our guest to enjoy some outside jams. Thursday night, June 18th 2020.\"","Poem written by Bly Straube, Senior Curator at the Jamestown Settlement Museum and William \u0026 Mary M.A. class of 1990. Straube wrote, \"A poem about my work cubicle at the Jamestown Settlement Museum of the Jamestown-Yorktown Foundation, where I serve as Senior Curator. This was written one-month into the Commonwealth's order to 'stay home.'\"","Zoom recording from Kenneth Tieu, William \u0026 Mary undergraduate; Kinesiology and Health Sciences, Pre-Medicine major; and member of the class of 2023. Tieu described the recording: \"The file submitted is the later half of a Murder Mystery party planned during the pandemic on March 29th, 2020 recorded via Zoom. Additionally, we were also celebrating the 19th birthday of Claire Wyszynski as well. Everyone was in character and emails were sent to each individual person explaining the current scenario and secrets of their character that can be used to determine who is the murderer. This people involved are: Kenneth Tieu, Carlee Dunn, Claire Wyszynski, Bezawit Kentiba, Lily Weisert, Maya Deutchman, Avery Bradley, Kenya Lopez, Abigail Gutleben, Lucy Abell, and Tara Vasanth.\"","Podcast series, digital video, and poem written by Tara Vasanth, William \u0026 Mary Art History major with emphasis on Built Environment, and member of the class of 2023. Vasanth described the submissions: \"To celebrate a wonderful freshman year and to remember all of the fun times I spent with my amazing hall mates, I made an illustrated, limericky video for my hall (Spotswood, Second Lower Floor). Since we all live in the Botetourt complex, we proudly call ourselves the \"Botehotties.\" I wanted to create a story-telling video (similar to the ones you see on Reading Rainbow) that captured the wonderful experiences and uniqueness of our special dorm. It was a great distraction from exam preparation, and this project definitely took precedence over my studying.\" ","Podcasts were co-created with Vasanth's friend, Maddy: \"Inspired by the fascinating and funny conversations my friend Maddy and I had prior to the COVID-19 outbreak, we decided to create a quirky podcast that revisited some of the things we talked about during the school year. Despite my minimal podcast knowledge and experience, I was keen to co-create a podcast that allowed me to continue to connect with Maddy and my hall mates. In the show, we are committed to wacky humor and giving a ridiculous amount of attention to trivial, nonsensical, irrelevant aspects of daily living. Hence the name, Foofaraw. Warning: some of the conversations you will hear are parallel to those that take place in a dorm room between the hours of 1:00 a.m. to 4:00 a.m. I am so happy that I am a part of this ongoing project, and am very thankful to Maddy, our small base of listeners, and to the College for making this show possible.\"","Also included in this series is a personal photograph of Vasanth, included with the submission.","Poem, \"Kenopsia,\" written by Williamsburg community member, Jenny Vu. Vu described the text: \"This is a poem about how COVID-19 has affected society in America and how it has affected myself in Virginia as well. Most of the events (Easter, school cancelation, airports closing, and etc.) described in this poem have taken place from March 2020 to present.\" Vu specifically mentions prejudice against Asian peoples and the increasing backlash against quarantine protocols.","Photographs by William \u0026 Mary student Class of 2023 Sarah Walker: \"Long exposure photographs of hands using a Canon T3 DSLR on manual mode. One hand is mine and the other is Sally Calengor, taken using window light and a white sheet on October 6,2020 in DuPont Hall. While movement of the hands is obvious, it is ambiguous as to whether they are coming together or pulling apart. One hand looks to be reaching to the other in need of support but they are not able to touch. I think many have felt the loss of physical affection throughout the pandemic, along with the loneliness and frustration it brings. We are all craving the day when we will be able to high-five, hold hands, and hug without fear of spreading a deadly virus.\"","Two digital photographs submitted by Kate Weis, a William \u0026 Mary undergraduate student majoring in Psychological Sciences and Linguistics, and a member of the class of 2021. One photograph was taken by Weis and the other was taken by friend Julia Bristow. Weis provided the following description of the photographs: \"These are pictures from my one of my favorite quarantine activities -- movie night. My friends and I have been able to stay connected through Netflix party, and some of us opted to build forts at home so we could enhance the movie viewing experience even more!\" ","Series also includes a personal photograph of Weis, included with the submission.","Original music, art, and promotional material by recording artist Lionel White, known professionally as Luciano Illuminati. White, a resident of Virginia Beach, Virginia, described the submissions: \"I am a rock musician and songwriter from Virginia Beach, VA. I am releasing an album called Terra Vision 2020 on June 11, 2020 that is partly inspired by the Coronavirus pandemic. It includes the song Limbo King, which expresses a feeling of isolation and the longing to escape from being in limbo. Another song on the album is called Pandemic. It is an instrumental that conveys the feeling of our current times without words. I would be honored to have these songs featured at your library. For more info: www.LucianoIlluminati.com\"","A Spotify playlist called Songs for Quarantine created by Class of 2022 undergraduate student Nick Wright. Included in this series is a personal photograph of Nick Wright from his submission.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries.","Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Los Angeles International Airport","Jamestown Settlement","English"],"unitid_tesim":["MS 00326","/repositories/2/resources/9226"],"normalized_title_ssm":["Documenting Life During COVID-19 collection"],"collection_title_tesim":["Documenting Life During COVID-19 collection"],"collection_ssim":["Documenting Life During COVID-19 collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries."],"acqinfo_ssim":["Digital materials submitted by individuals to William \u0026 Mary Libraries website. Each submitter was required to complete the following Submission Agreement: ","\"I hereby certify that I created, and own the copyright in, the submitted material. While I will continue to retain my copyright, I hereby grant the William \u0026 Mary Libraries a license to add the material to its archival collections and preserve it for future generations of students, scholars, and researchers. I give the Libraries permission:","to organize the materials according to accepted archival principles;\nto create metadata, finding aids, and full-text search interfaces required for the preservation and discovery of the materials;\nto make the materials accessible to researchers and staff;\nand to use the materials in exhibits and displays, both physical and online.\nI agree that William \u0026 Mary Libraries may make this material available online under a Creative Commons Attribution 4.0 license (https://creativecommons.org/licenses/by/4.0/), which will allow others to share and adapt the material, as long as I am given appropriate credit.","I accept the above submission agreement.\"","Physical materials donated separately with Deed of Gift filed under donor name."],"access_subjects_ssim":["Coronavirus infections","Quarantine","Telecommuting","Personal narratives","Music","Social distance","COVID-19 (Disease)","Masks","Furloughs","Zines","Letters to the editor","College students","Spring break","Photographs","Poetry","Video recordings","Sound Recordings"],"access_subjects_ssm":["Coronavirus infections","Quarantine","Telecommuting","Personal narratives","Music","Social distance","COVID-19 (Disease)","Masks","Furloughs","Zines","Letters to the editor","College students","Spring break","Photographs","Poetry","Video recordings","Sound Recordings"],"has_online_content_ssim":["false"],"extent_ssm":["3068.9 Megabytes",".42 Linear Feet 1 Hollinger box"],"extent_tesim":["3068.9 Megabytes",".42 Linear Feet 1 Hollinger box"],"physfacet_tesim":["Extent as of 2020 May 29"],"genreform_ssim":["Photographs","Poetry","Video recordings","Sound Recordings"],"date_range_isim":[2020],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eFuture accruals expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Future accruals expected."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by name of the submitter. Each submitter has their own series within this collection. Navigate to the individual files within each series to access materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged by name of the submitter. Each submitter has their own series within this collection. Navigate to the individual files within each series to access materials."],"bioghist_html_tesm":["\u003cp\u003eCollection includes materials collected from members of the William \u0026amp; Mary and the greater Williamsburg community during the COVID-19 pandemic. \u003c/p\u003e\n","\u003cp\u003eFrom the William \u0026amp; Mary Libraries submission site: \"As we all adjust to the new realities imposed by the novel coronavirus, COVID-19, William \u0026amp; Mary Libraries invite all members of the William \u0026amp; Mary and greater Williamsburg community to add their voices to the Special Collections. We welcome submissions of all forms of personal reflections to add to the physical and digital archives in the Special Collections Research Center in Swem Library. Your experience is just that – yours – and how you record it is up to you! Feel free to capture your memories in whatever way you choose, and share and reflect on any part of your experience. Ideas include but are not limited to: \u003c/p\u003e\n","\u003cp\u003eProse\nPoetry\nDrawing\nScrapbooking\nPhotography\nAudio/video\nOther accounts of day-to-day life\u003c/p\u003e\n","\u003cp\u003eYour memories matter, and your experiences are an important part of our shared history. As part of the records preserved in the Special Collections, your materials will be an accessible part of the historic record and contribute to research for years to come.\"  \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Collection includes materials collected from members of the William \u0026 Mary and the greater Williamsburg community during the COVID-19 pandemic. ","From the William \u0026 Mary Libraries submission site: \"As we all adjust to the new realities imposed by the novel coronavirus, COVID-19, William \u0026 Mary Libraries invite all members of the William \u0026 Mary and greater Williamsburg community to add their voices to the Special Collections. We welcome submissions of all forms of personal reflections to add to the physical and digital archives in the Special Collections Research Center in Swem Library. Your experience is just that – yours – and how you record it is up to you! Feel free to capture your memories in whatever way you choose, and share and reflect on any part of your experience. Ideas include but are not limited to: ","Prose\nPoetry\nDrawing\nScrapbooking\nPhotography\nAudio/video\nOther accounts of day-to-day life","Your memories matter, and your experiences are an important part of our shared history. As part of the records preserved in the Special Collections, your materials will be an accessible part of the historic record and contribute to research for years to come.\"  "],"odd_html_tesm":["\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eBefore submitter supplied the video file, the YouTube video was originally captured using Webrecorder/Conifer. The capture session has now been deleted but the capture (.WARC file) was first saved to the accession's folder (2020108) on the Synology Box, along with the actual video file. Y:/ActiveStorage/AccessionsBacklog/2020108\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Assocation (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Assocation (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eContact SCRC staff for access to these materials.\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eDonor contacted us 5/12/2022 and requested that their last name and headshot be removed from their submission for greater privacy.\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eWilliamsburg Historic Records Association (WHRA)\u003c/p\u003e","\u003cp\u003eContent creator submitted URL for inclusion in Digital Archive; Accessioner took screenshots of playlist for long-term access.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Before submitter supplied the video file, the YouTube video was originally captured using Webrecorder/Conifer. The capture session has now been deleted but the capture (.WARC file) was first saved to the accession's folder (2020108) on the Synology Box, along with the actual video file. Y:/ActiveStorage/AccessionsBacklog/2020108","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Assocation (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Contact SCRC staff for access to these materials.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Donor contacted us 5/12/2022 and requested that their last name and headshot be removed from their submission for greater privacy.","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Williamsburg Historic Records Association (WHRA)","Content creator submitted URL for inclusion in Digital Archive; Accessioner took screenshots of playlist for long-term access."],"phystech_html_tesm":["\u003cp\u003eMost materials are born-digital. Some materials require contacting the SCRC for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Most materials are born-digital. Some materials require contacting the SCRC for access."],"prefercite_html_tesm":["\u003cp\u003eDocumenting Life During COVID-19 collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Documenting Life During COVID-19 collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eMaterials were processed and described using the submitter's original language from the William \u0026amp; Mary Libraries submission site.\u003c/p\u003e","\u003cp\u003eAccessions to this collection are titled by each individual submitter's first and last name. If there are multiple submissions from the same person, they are included as files or items within the submitters name.\u003c/p\u003e","\u003cp\u003eSome personal information was removed from the heading of this letter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["Materials were processed and described using the submitter's original language from the William \u0026 Mary Libraries submission site.","Accessions to this collection are titled by each individual submitter's first and last name. If there are multiple submissions from the same person, they are included as files or items within the submitters name.","Some personal information was removed from the heading of this letter."],"scopecontent_html_tesm":["\u003cp\u003eCollection includes social media posts, music recitals, podcasts, video recordings, digital photographs, self-portraiture, original music compositions, poetry, personal journal entries, and other materials created by members of the William \u0026amp; Mary and the greater Williamsburg community in response to the COVID-19 pandemic of 2020.\u003c/p\u003e","\u003cp\u003eA poem, titled \"This Thing We Bear,\" by Kimberly Ankney of Toano, Virginia. Ankney submitted the poem with the following description: \"This is a poem I wrote to my children to remember the COVID-19 quarantine. I have been attempting to balance full-time work with full-time parenting, and juggling feelings about the pandemic. Written in Toano, VA 2020.\"\u003c/p\u003e","\u003cp\u003eOne photo montage video created and uploaded by Marna Ashburn, William \u0026amp; Mary Class of 1985 and Williamsburg, Virginia community member. Ashburn described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"\u003c/p\u003e\n","\u003cp\u003eIndividual items within this series include Ashburn's video, originally uploaded to YouTube, and a personal photograph of Ashburn included with the submission.\u003c/p\u003e","\u003cp\u003eOne photo montage video, titled \"Something to Smile About Under the Circumstances. Forty things to lift your spirits during lockdown.\", created by Marna Ashburn and uploaded to YouTube on May 3, 2020. Ashburn, member of the William \u0026amp; Mary class of 1985 and Williamsburg, Virginia community member, described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"\u003c/p\u003e\n","\u003cp\u003ePlease contact SCRC staff to access the video at this time.\u003c/p\u003e","\u003cp\u003eOne digital photograph and one personal journal entry submitted by Thomas Backus of Phoenix, Arizona. Backus provided the following description for the photograph, taken March 28, 2020: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\" The journal entry, \"written on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.\u003c/p\u003e","\u003cp\u003eOne digital photograph, taken March 28, 2020, by Thomas Backus of Phoenix, Arizona. Backus: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\"\u003c/p\u003e","\u003cp\u003ePersonal journal entry, written by Thomas Backus \"on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.\u003c/p\u003e","\u003cp\u003eSix digital photographs submitted by Jason Betzner '19, William \u0026amp; Mary alum and Williamsburg community member, documenting his family's experiences with adapting to new social distancing protocols. Navigate to an individual photograph to view its title, date, and description, as provided by Betzner.\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"School at home,\" taken by Jason Betzner on March 17, 2020 (Williamsburg, Virginia). Betzner: \"This picture is of my daughter, Elizabeth Betzner (age 7) doing her school work at home on March 17th. She is a first grade student at Matthew Whaley. She has had a difficult time adjusting to this new reality and some days are better than others. She really wants to go back to see her friends and her teacher.\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Bye to my classroom,\" taken by Jason Betzner on March 27, 2020 (Williamsburg, Virginia). Betzner: \"I took this picture of my classroom at Warhill High School on Marcy 27th. We were allowed back in our rooms for 15 minutes to get needed teaching materials for virtual learning. The room was exactly as I left it on March 13th when schools closed down for the rest of the year.\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Home haircut,\" taken by Jason Betzner on April 11, 2020 (Williamsburg, Virginia). Betzner: \"After a month of social distancing, my wife gave me a home haircut on April 11. She did a fairly good job!\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"House closing,\" taken by Jason Betzner on April 28, 2020 (Williamsburg, Virginia). Betzner: \"My family had been searching for a new home since January. We closed on the purchase of our house on April 28th. At the Title company, we had to wear masks and sign all of the papers in the car. It was stressful but we did it!\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Letter to teacher,\" taken by Jason Betzner (Williamsburg, Virginia). Betzner: \"My daughter has been writing notes back and forth to her first grade teacher at Matthew Whaley. This is one of her letters describing what she's been doing at home.\"\u003c/p\u003e","\u003cp\u003eDigital photograph, titled \"Flyover,\" taken by Jason Betzner on May 22, 2020 (Williamsburg, Virginia). Betzner: \"An F-22 and two P-51s flew over Williamsburg's hospitals on May 22nd to support healthcare workers on the front lines of the pandemic.\"\u003c/p\u003e","\u003cp\u003eTen digital photographs submitted by Michele Bingle-Graffius, community member of Williamsburg, Virginia. Bingle-Graffius provided the following description with the submission: \"A brief synopsis of my life during Covid. At the onset, I bordered on panic and deep dread. I felt helpless and overwhelmed. After about two weeks I became increasing helpless and needed an outlet. I began sewing face masks. I ran out of supplies; first elastic, then shoe laces that I was using as a substitute for elastic. Supplies continued to dwindle and I had made enough masks for our family, my husband and his coworkers (all of whom needed to continue to go into work during the shut-down) and my extended family. The weather began to break and get warmer. We spent more time outside working within our yard. If it were not for financial concerns and a need to conserve money in case my husband would loss income, we would have worked on remodeling the bathroom. Instead, we worked on landscaping and beautifying the yard. Our yard has been quite neglected for years before we bought the property last year and does need a ton of work. With the US death toll rising steadily, I started to focus on the life around me; the plants and creatures within my yard. The following represents photos all taken from my yard here in Williamsburg. Respectfully submitted, Michele Bingle-Graffius.\"\u003c/p\u003e","\u003cp\u003ePoem titled \"The Trouble with Trauma\" by Anna Buck, member of the Williamsburg community: \"I've included a poem I've written (with a cover photo) about how a current crisis can bring up past anxieties and traumas.\" The poem has a color cover photo of a children's feet alongside chalk drawings on brick steps. \u003c/p\u003e\n","\u003cp\u003eSeries also includes Buck's headshot, included with submission. \u003c/p\u003e","\u003cp\u003eScreenshot of Michelle Clark video chatting with her grandmother. The image was submitted by Clark's husband, Matthew, a classical archeology major and member of William \u0026amp; Mary's class of 2022. Matthew Clark described the screenshot: \"Michelle is my wife. She asked me to submit this photograph for your files in order to preserve this moment with her grandmother. This screenshot was taken in Virginia Beach, Virginia on April 11th, 2020. My wife, Michelle Clark, was video chatting with her grandmother, Donna Scott, who recently learned how to use a video chat app (and its filters) in order to stay connected during lockdown!\"\u003c/p\u003e","\u003cp\u003eTwo digital photographs of Suzanne Cole, William \u0026amp; Mary English major and class of 2022, taken by her mother, Marjorie Cole. Suzanne Cole described the images: \"The photo is timestamped April 8, 4:17pm. The picture shows me (Suzanne) on my back porch at home in Falls Church, Virginia. I was attending a live Zoom lecture for my GOVT 203: Introduction to Comparative Politics class.\" Includes a photograph of Suzanne Cole.\u003c/p\u003e","\u003cp\u003eOne digital photograph, including a passage from the Bible, taken by Laura Craig, member of the greater Williamsburg community. Craig described the photo of keys, face mask, and backpack against the backdrop of a front door: \"What my new normal routine looks like before leaving my house...and the inspiration that helps me deal with fear during COVID.\"\u003c/p\u003e","\u003cp\u003e6 items, distributed by William \u0026amp; Mary to students, faculty and staff in the summer of 2020: 1 gray mesh zippered bag containing: 1 flyer promoting the Healthy Together campus initiative; 2 green cloth reusable face masks; 1 bottle of hand sanitizer; and 1 packet of alcohol wipes.\u003c/p\u003e","\u003cp\u003eSeven digital photographs of the Colonial Williamsburg Historic Area and William \u0026amp; Mary taken by Williamsburg community member Mike Descher in spring 2020 during the COVID-19 pandemic. Also included is a time-lapse video, originally uploaded to YouTube on June 29, 2020, of the empty grounds of Colonial Williamsburg's Governor's Palace, normally a heavily trafficked historic site. Descher described the submission: \"Photography taken and composed from February 20th thru June 29th 2020 during the time of the Covid 19 Pandemic.\"\u003c/p\u003e\n","\u003cp\u003eA personal photograph of Descher, attached with the submission, is also included in this series.\u003c/p\u003e","\u003cp\u003eDigital photograph taken by Theresa Dittamo, member of the greater Williamsburg community, of a woman using a sewing maching to make cloth face masks. Dittamo described the photograph: \"WWII had Rosie the Riveter, the pandemic has 'mom, the mask maker'!\"\u003c/p\u003e","\u003cp\u003eTwo video recordings of performances by DoubleTake, an all-gender a cappella group founded at William \u0026amp; Mary in 1993, and one recorded Zoom conversation hosted by William \u0026amp; Mary Libraries with DoubleTake members discussing their experiences during the pandemic. \u003c/p\u003e\n","\u003cp\u003eColin Carmody '22, DoubleTake member and mathematics and music major, shared the performances and provided the following descriptions for each recording. \u003c/p\u003e\n","\u003cp\u003e\"Rivers and Roads\" performance: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"\u003c/p\u003e\n","\u003cp\u003e\"Bad Dreams\" performance: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"\u003c/p\u003e\n","\u003cp\u003eThe Zoom conversation was recorded on May 20, 2020 and conducted by Dean of University Libraries Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.\u003c/p\u003e","\u003cp\u003eVideo recording of a rendition of \"River and Roads\" by DoubleTake, an all-gender a cappella group founded at William \u0026amp; Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.\u003c/p\u003e\n","\u003cp\u003e\nCarmody: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"\u003c/p\u003e","\u003cp\u003eVideo recording of a rendition of \"Bad Dreams\" by DoubleTake, an all-gender a cappella group founded at William \u0026amp; Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.\u003c/p\u003e\n","\u003cp\u003eCarmody: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"\u003c/p\u003e","\u003cp\u003eA recording of a Zoom conversation conducted by William \u0026amp; Mary Libraries Dean Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski with members of the William \u0026amp; Mary a capella group DoubleTake on May 20, 2020. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.\u003c/p\u003e","\u003cp\u003eSix digital photographs taken by Carlee Dunn, William \u0026amp; Mary undergraduate, Biology major, and member of the class of 2023. Dunn took these photos around her hometown, Monroe, New Jersey, on April 8, 2020.\u003c/p\u003e\n","\u003cp\u003eDunn: \"These photos were taken on Wednesday, April 8th, 2020 while I was driving around my hometown of Monroe, NJ. This date was close to the predicted height of coronavirus cases in my area. Each photo contains some sort of inspirational or meaningful sign I saw during my drive, and it meant so much to me to find people spreading so much hope in the middle of a crisis. The photo of the chalk rainbow was drawn on the side of a strip mall that faces a busy road. The 'Thank you essential workers' sign was a sign my neighbors put on their front lawn, visible from the main road near my house. The 'Be safe, stay healthy' sign was in front of a Walgreens pharmacy. The 'Yes, it's hard' sign was on the front lawn of someone's house, once again able to be seen from a main road. 'This too shall pass' was in front of an auto repair shop. The chalk sidewalk drawings, though somewhat hard to see in that photo, are drawings I did myself in front of my house.\" \u003c/p\u003e\n","\u003cp\u003eSeries includes a photograph of Dunn that was attached with the submission. \u003c/p\u003e","\u003cp\u003e19 digital photographs submitted by Welby Fairlie, a Williamsburg, Virginia community member and a Regional Manager at the International Student Exchange. The photographs document Fairlie and family members' experiences in quarantine during the COVID-19 pandemic.\u003c/p\u003e\n","\u003cp\u003eFairlie provided the following description with the submission: \"Family photos to remember the time of COVID. I had planned to make our own photo album but then saw the project underway there at W\u0026amp;M.\" Photos include \"empty shelves at various stores, new Air Fryer we bought and are using ALL THE TIME!, Italian exchange students getting interviewed for newspaper, Zoom meeting with some of my exchange students, entry inspection point for OBX [Outerbanks, North Carolina], a makeshift upstairs exercise room, postponed and then Virtual Monument Ave 10K with a friend, closed off soccer fields, store signage, outdoor birthday party with social distancing, my husband and son in masks at store, hand washing station at strawberry picking. Also a welcome sign in OBX [Outerbanks, North Carolina].\"\u003c/p\u003e\n","\u003cp\u003eSeries also includes a photograph of Fairlie, included with the submission.\u003c/p\u003e","\u003cp\u003ePoem, titled \"Quarantine,\" written by Rebecca Fritzinger, member of the greater Williamsburg community. Fritzinger wrote, \"I am submitting a poem written on April 26, 2020, describing my time in quarantine up to that point. I wrote it while I was sitting in a chair reflecting on my experiences.\"\u003c/p\u003e","\u003cp\u003eArtifacts and ephemera collected by Shayna Gutcho during her time as a Mosaic Fellow at William \u0026amp; Mary Libraries from 2019-2020. The addition includes \"Dear Evan Hansen\" items given to Shayna by show producer and William \u0026amp; Mary alum Caitlin Clements who Shayna interviewed for a Mosaic Fellows podcast assignment.\u003c/p\u003e","\u003cp\u003eVideo of rap performance done by Bridget Hammond, Williamsburg community member and parent of William \u0026amp; Mary graduate. Hammond described the performance: \"We got furloughed on 3/24/20 from the marketing dept in a resort. That night I got a bottle of wine and wrote this Rap. The next morning hungover I performed/taped this... hence the shades... everyone loved it. It's funny but true so weird the things missing on the shelves. Enjoy, Bridget Hammond, writer, director \u0026amp; performer.\"\u003c/p\u003e\n","\u003cp\u003eSeries also includes a photograph of Hammond, included with the submission.\u003c/p\u003e","\u003cp\u003eCopy of a letter to the editor, written by Conrad P. Hedderich, retired Commander of the U.S. Navy, self-described as \"a concerned viewer of WAVY TV 10 who saw the story of your [William \u0026amp; Mary's Documenting COVID-19] project.\" The letter is addressed to the editor of The Virginian-Pilot. Hedderich is a resident of Virginia Beach, Virginia.\u003c/p\u003e","\u003cp\u003e1 website with 11 entries of individuals that Jamie Holt, Class of 2022, photographed and interviewed for a class project. She included the following description: \"This is an independent study project from my junior year interviewing and photographing, both in person and virtually, students about their COVID-19 experiences. This was produced in the fall of 2020.\"\u003c/p\u003e","\u003cp\u003eA personal reflection written by Diane Huebner (Arnold), a William \u0026amp; Mary alumna from the class of 1976. Huebner has been an elementary school teacher at Williamsburg-James City County Public School for thirty years. She writes about the unexpected transition to \"Car Parades and Electronic Classrooms,\" the title of her reflection. Huebner described the submission: \"I am a teacher in W-JCC Public Schools, and have written about my experiences during the COVID-19 pandemic.\"\u003c/p\u003e","\u003cp\u003eClass of 2023 William \u0026amp; Mary student Marissa Incer shared the following about her experiences during the COVID-19 pandemic along with the photographs and one video she submitted:\n\"In two photos, you will see my college friends and I maintaining virtual contact and entertaining ourselves with games (electronic Pictionary, basically) that we played through Zoom. The video was a very quick glimpse of my Spanish class during the Spring 2020 semester when we had to quickly transition into all-remote classes. The photo of me sitting at a table with my laptop was taken on August 19, 2020: the first day of the Fall 2020 semester. Finally, there is a mirror selfie of me with my mask on at a mostly empty mall.\" \u003c/p\u003e\n","\u003cp\u003eIncluded in this series is a personal photograph of Incer, along with the submission.\u003c/p\u003e","\u003cp\u003eInstallments of a weekly art journal zine created by Alexandra Johnson, a William \u0026amp; Mary undergraduate student majoring in English and Linguistics and member of the class of 2022. Johnson wrote a description of the first installment: \"A pdf of a weekly art journal zine, available in both digital and print versions. I'll submit one every week, the title is \"To the Rising Tides.\" This submission is for the week of May 9-May 15, and is Week One.\" \u003c/p\u003e\n","\u003cp\u003eJohnson's second installment: \"The second installment of a weekly art journal zine titled \"To the Rising Tides,\" chronicling the week of May 16-May 22, Week Two. The previous installment of this series, (with the file titles \"to the rising tides 1\") was submitted earlier today; the next will be submitted May 29. The photograph at the beginning of this zine is from Huntsman Lake, VA, and was taken on May 20 by the creator.\" \u003c/p\u003e","\u003cp\u003eDigital version.\u003c/p\u003e","\u003cp\u003eDigital version.\u003c/p\u003e","\u003cp\u003eSenior recital recordings for Ayush Joshi, William \u0026amp; Mary undergraduate, Music and Computer Science major, and member of the class of 2020. Joshi described the submissions: \"Video recordings of me performing my senior recital, that was supposed to be performed on campus on March 28th. \u003c/p\u003e\n","\u003cp\u003eFull Program:\u003c/p\u003e\n","\u003cp\u003eClassical Piano: Ballade no 2 by Frederic Chopin; Reverie by Claude Debussy; Danzas Argentinas by Alberto Ginastera (this one is in three different audio files, one for each piece in the collection)\u003c/p\u003e\n","\u003cp\u003eJazz: Waltz for Debby by Bill Evans (with Wayne Wu on Guitar); Butterfly by Herbie Hancock (with Avi Joshi on drums); The Yellow Jacket by Shaun Martin (with Avi Joshi on Drums)\u003c/p\u003e\n","\u003cp\u003eAlso, I think for the purposes of the archive I should add that I studied piano with Christine Niehaus and Harris Simon during my time here at William and Mary.\"\u003c/p\u003e","\u003cp\u003eThis performance is in three different audio files, one for each piece in the collection.\u003c/p\u003e","\u003cp\u003eFour hand-colored photographs submitted by Dan Kehlenbach, Williamsburg, Virginia community member. \u003c/p\u003e\n","\u003cp\u003eKehlenbach included the following description with the submission: \"I read in W-Y Daily that the library is soliciting for art projects during the coronavirus and would like to submit some of the project I have been working on. I submitted to their website and Ms. Charlotte Burcher suggested I submit it here as well. In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC, the third image is of Spring Point Lighthouse in Portland, ME, and the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy). Thanks for the opportunity to submit this, and getting back into hand-coloring my photographs, I feel a connection to the history of photography and find joy in creating unique images to share. Art has always had a special place in my heart and soul, and these challenging times has made the pursuit of artwork and creative expression much more valuable. With much gratitude, Dan Kehlenbach Williamsburg, VA.\"\u003c/p\u003e\n","\u003cp\u003eSeries also includes a photograph of Kehlenbach that was attached to the submission.\u003c/p\u003e","\u003cp\u003ePersonal headshot included by Dan Kehlenbach with the submission.\u003c/p\u003e","\u003cp\u003eOne photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.\u003c/p\u003e\n","\u003cp\u003eKehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"\u003c/p\u003e","\u003cp\u003eOne photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member. \u003c/p\u003e\n","\u003cp\u003eKehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"\u003c/p\u003e","\u003cp\u003eOne photograph of the Spring Point Lighthouse in South Portland, Maine, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.\u003c/p\u003e\n","\u003cp\u003eKehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the third image is of Spring Point Lighthouse in Portland, ME.\"\u003c/p\u003e","\u003cp\u003eOne photograph from Barga, Italy, hand-colored by Dan Kehlenbach, Williamsburg community member.\u003c/p\u003e\n","\u003cp\u003e\nKehlenbach provided the following description with this submission: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy).\"\u003c/p\u003e","\u003cp\u003eDigital photographs and video from Likhitha Kolla, member of William \u0026amp; Mary's class of 2018 with a major in Biology, Computational and Applied Mathematics and Statistics. Kolla described the submissions: \"Isolated streets of Philadelphia, [Pennsylvania]. Here during COVID-19 quarantine. Picture is taken at the end of March 2020. Video is my spring break trip before quarantine.\"\u003c/p\u003e\n","\u003cp\u003eSeries also includes a photograph of Kolla, included with the submission.\u003c/p\u003e","\u003cp\u003ePoem, titled \"Spring 2020,\" written by Fran Lane, Williamsburg, Virginia community member. Lane's poem reflects on moments of everyday life and family bonds found in quarantine.\u003c/p\u003e","\u003cp\u003eOne image from Aubrey Lay, Class of 2023, of Zooming into class. This is his description: \"During a Fall 2021 resurgence of COVID-19 due to the Delta Variant, many students needed to return to virtual modalities for public health reasons. In this image, I am seen with classmate Lucia Eovino (Class of 2023) Zooming into our Chinese class.\"\u003c/p\u003e","\u003cp\u003eOne screenshot of a March 15, 2020 Zoom call submitted by Aubrey Lay, a William \u0026amp; Mary undergraduate student and member of the class of 2023. Lay described the submission: \"Unlimited Zoom call time was granted to WM students by Zoom during our call; we expected to get cut off at 40 minutes, but got a pleasant surprise from this notification. This change made Zoom a more important part of social life for WM students during the second semester. Left to right: Aubrey Lay ('23), Casey Kim ('23), Rayna Yu ('20), a student from Washington University, St. Louis, and Michelle Yue ('23).\"\u003c/p\u003e","\u003cp\u003eA collection of poems from Covid 19, month by month from March 2020 to February of 2021 written by William \u0026amp; Mary student Class of 2024 Rachael Lee. Lee submitted a previous collection of poetry that she asked not be made public. With that submission, she provided the following description which also describes many of themes of this submission: \"Poetry created during the Covid19 Pandemic, most of them covering ideas of coming of age in an era of death, and the difficulty connecting with others from behind a mask. Isolation, death, and a ruining of youth are central themes in these poems.\"\u003c/p\u003e","\u003cp\u003eDigital photograph take by Ivy Li, William \u0026amp; Mary undergraduate student and member of the class of 2023. Li described the photograph: \"This photo was shot at 12:01 AM on March 21 in Tom Bradley International Terminal in LAX, Los Angeles International Airport. Almost everyone in this terminal wore a face mask, and even some people wear protective clothing and safety goggles. Although it was midnight, the airport was full of people waiting to board on planes. Most of them were going to return their home countries. Though the CDC did not encourage people to wear face masks, they still wore it to protect both themselves and others. Those whose body temperature above 37 degrees celsius was not allowed to pass safety check and board the plane.\"\u003c/p\u003e","\u003cp\u003eSelf-portrait by Katherine McSweeney, daughter of William \u0026amp; Mary alumni and member of the greater Williamsburg community. McSweeney described the artwork: \"This is a self portrait, drawn in Matthews Virginia beside the local creek.\"\u003c/p\u003e","\u003cp\u003eEight digital photographs taken by Miso Park, William \u0026amp; Mary Biology major with a Public Health minor and member of the class of 2021. Park described the up-close photographs of tree branches and flower blossoms: \"Before spring break, I borrowed a camera from Swem Media Center and because of the extended \"break\", I have been experimenting with the camera and I even downloaded Adobe Photoshop that the school gives access (for free!). It's been a great use of time because I always wanted to be a photographer when I was in elementary school. I never thought of buying a camera for myself but I think I might have to once I return this one (whenever school opens again!). These pictures I took while walking around in my neighborhood!\" Includes a photograph of Park.\u003c/p\u003e","\u003cp\u003ePhotographs taken around Williamsburg, Virginia during the COVID-19 pandemic. Includes photographs of grocery store signage and health care worker salutes.\u003c/p\u003e","\u003cp\u003eFour digital photographs taken by Susan Riggs, William \u0026amp; Mary M.A. class of 1972 and William \u0026amp; Mary Libraries Special Collections Research Center staff member. Riggs described the photographs: \"One way entrance and exit for shoppers to Harris-Teeter Grocery Store, 6485 Centerville Rd Williamsburg, VA 23188.\"\u003c/p\u003e","\u003cp\u003eFive digital photographs and two screenshots of aerial flyover to celebrate healthcare workers. Photographs were take on May 12, 2020 by Williamsburg community member, David Riggs. They were shared by Riggs' wife, Susan Riggs, who described the images: \"Joint Base Langley-Eustis F-22 Raptor Demo Team, 1st Fighter Wing and 192nd Wing Flyover of Peninsula to honor health care workers during COVID-19 pandemic. Photos of the planes, the flyover map and screenshot from Facebook explaining the flyover. These photographs were taken at 6:42 PM on Patrick Henry Drive in Skipwith Farms as the planes were on a route from Sentara Hospital (Lightfoot) to Eastern State Hospital on May 12, 2020.\"\u003c/p\u003e","\u003cp\u003eThree digital photographs of COVID-19 signage taken on May 13, 2020 by Susan Riggs, William \u0026amp; Mary Libraries Special Collections Research Center staff member and M.A. class of 1972. Riggs described the images: \"Photograph of sign in Food Lion, 5251 John Tyler Hwy, Williamsburg Va. taken May 13, 2020; Heroes sign in front of U. S. Post Office, 5219 Monticello Ave., Williamsburg, Va. also taken May 13, 2020.\"\u003c/p\u003e","\u003cp\u003ePoem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S. of Oakland, California: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"\u003c/p\u003e","\u003cp\u003ePoem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S., community member: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"\u003c/p\u003e","\u003cp\u003eThree digital photographs taken by Rochelle Seitz, research professor in the Biological Sciences department at the Virginia Institute of Marine Science (VIMS). She described the four photos: \"Photos of marine science research field deployment of gear for a graduate student's thesis research. Field work was done in Timberneck Creek, York River, on 4/14/20, while wearing face coverings and staying 6-ft apart.\"\u003c/p\u003e","\u003cp\u003eDigital photograph of Rochelle Seitz, Research Professor, Biological Science, Virginia Insitute of Marine Science\u003c/p\u003e","\u003cp\u003eDigital photograph depicts Professor Seitz wearing a face mask and holding up a yellow research notebook. The notebook shows some pencil notations. The graduate student researcher is working in the background.\u003c/p\u003e","\u003cp\u003eDigital photograph depics graduate student researcher wearing a blue face mask and collecting samples from the water. There is a yellow basket and a blue tub next to the student.\u003c/p\u003e","\u003cp\u003eDigital photograph of graduate student researcher wading out into the water with a blue tub in tow. There is a wooden pier in the distance.\u003c/p\u003e","\u003cp\u003eA personal reflection written by artist Katarina Smith. Smith described the submission: \"I've written a short piece during quarantine, regarding COVID-19. I would like to submit it for the documentation project. Its title is '2020.' It was written on April 9th, 2020.\"\u003c/p\u003e","\u003cp\u003eScanned journal entries handwritten by Kelly Smith, Newport News high school teacher and member of the greater Williamsburg community. Smith described the ten-page journal: \"Personal journal entries of thoughts, emotions, experiences during the COVID-19 outbreak, ranging from March 15, 2020-March 31, 2020. Bishop Knestout-- Catholic bishop of the Diocese of Richmond Kevin-- my husband Kristen-- my cousin Jenny- the principal of the school I teach at.\"\u003c/p\u003e","\u003cp\u003eA social media post titled \"Office sharing during the pandemic\" submitted by Sarah Smith, William \u0026amp; Mary Athletics staff member. Smith wrote, \"This bit of writing was a Facebook post created by me on the first day of the fourth week of working from home during the Covid-19 pandemic.\"\u003c/p\u003e","\u003cp\u003eOne photograph submitted by Monique Sowell, employee at Aromas Coffeehouse and Café, with credit also given to Michelle Sieling, owner of the Williamsburg, Virginia business. Sowell described the photograph: \"Aromas on 431 Prince George [Street] hosted their first Open Acoustic night in lieu of open mic inside to allow our guest to enjoy some outside jams. Thursday night, June 18th 2020.\"\u003c/p\u003e","\u003cp\u003ePoem written by Bly Straube, Senior Curator at the Jamestown Settlement Museum and William \u0026amp; Mary M.A. class of 1990. Straube wrote, \"A poem about my work cubicle at the Jamestown Settlement Museum of the Jamestown-Yorktown Foundation, where I serve as Senior Curator. This was written one-month into the Commonwealth's order to 'stay home.'\"\u003c/p\u003e","\u003cp\u003eZoom recording from Kenneth Tieu, William \u0026amp; Mary undergraduate; Kinesiology and Health Sciences, Pre-Medicine major; and member of the class of 2023. Tieu described the recording: \"The file submitted is the later half of a Murder Mystery party planned during the pandemic on March 29th, 2020 recorded via Zoom. Additionally, we were also celebrating the 19th birthday of Claire Wyszynski as well. Everyone was in character and emails were sent to each individual person explaining the current scenario and secrets of their character that can be used to determine who is the murderer. This people involved are: Kenneth Tieu, Carlee Dunn, Claire Wyszynski, Bezawit Kentiba, Lily Weisert, Maya Deutchman, Avery Bradley, Kenya Lopez, Abigail Gutleben, Lucy Abell, and Tara Vasanth.\"\u003c/p\u003e","\u003cp\u003ePodcast series, digital video, and poem written by Tara Vasanth, William \u0026amp; Mary Art History major with emphasis on Built Environment, and member of the class of 2023. Vasanth described the submissions: \"To celebrate a wonderful freshman year and to remember all of the fun times I spent with my amazing hall mates, I made an illustrated, limericky video for my hall (Spotswood, Second Lower Floor). Since we all live in the Botetourt complex, we proudly call ourselves the \"Botehotties.\" I wanted to create a story-telling video (similar to the ones you see on Reading Rainbow) that captured the wonderful experiences and uniqueness of our special dorm. It was a great distraction from exam preparation, and this project definitely took precedence over my studying.\" \u003c/p\u003e\n","\u003cp\u003ePodcasts were co-created with Vasanth's friend, Maddy: \"Inspired by the fascinating and funny conversations my friend Maddy and I had prior to the COVID-19 outbreak, we decided to create a quirky podcast that revisited some of the things we talked about during the school year. Despite my minimal podcast knowledge and experience, I was keen to co-create a podcast that allowed me to continue to connect with Maddy and my hall mates. In the show, we are committed to wacky humor and giving a ridiculous amount of attention to trivial, nonsensical, irrelevant aspects of daily living. Hence the name, Foofaraw. Warning: some of the conversations you will hear are parallel to those that take place in a dorm room between the hours of 1:00 a.m. to 4:00 a.m. I am so happy that I am a part of this ongoing project, and am very thankful to Maddy, our small base of listeners, and to the College for making this show possible.\"\u003c/p\u003e\n","\u003cp\u003eAlso included in this series is a personal photograph of Vasanth, included with the submission.\u003c/p\u003e","\u003cp\u003ePoem, \"Kenopsia,\" written by Williamsburg community member, Jenny Vu. Vu described the text: \"This is a poem about how COVID-19 has affected society in America and how it has affected myself in Virginia as well. Most of the events (Easter, school cancelation, airports closing, and etc.) described in this poem have taken place from March 2020 to present.\" Vu specifically mentions prejudice against Asian peoples and the increasing backlash against quarantine protocols.\u003c/p\u003e","\u003cp\u003ePhotographs by William \u0026amp; Mary student Class of 2023 Sarah Walker: \"Long exposure photographs of hands using a Canon T3 DSLR on manual mode. One hand is mine and the other is Sally Calengor, taken using window light and a white sheet on October 6,2020 in DuPont Hall. While movement of the hands is obvious, it is ambiguous as to whether they are coming together or pulling apart. One hand looks to be reaching to the other in need of support but they are not able to touch. I think many have felt the loss of physical affection throughout the pandemic, along with the loneliness and frustration it brings. We are all craving the day when we will be able to high-five, hold hands, and hug without fear of spreading a deadly virus.\"\u003c/p\u003e","\u003cp\u003eTwo digital photographs submitted by Kate Weis, a William \u0026amp; Mary undergraduate student majoring in Psychological Sciences and Linguistics, and a member of the class of 2021. One photograph was taken by Weis and the other was taken by friend Julia Bristow. Weis provided the following description of the photographs: \"These are pictures from my one of my favorite quarantine activities -- movie night. My friends and I have been able to stay connected through Netflix party, and some of us opted to build forts at home so we could enhance the movie viewing experience even more!\" \u003c/p\u003e\n","\u003cp\u003eSeries also includes a personal photograph of Weis, included with the submission.\u003c/p\u003e","\u003cp\u003eOriginal music, art, and promotional material by recording artist Lionel White, known professionally as Luciano Illuminati. White, a resident of Virginia Beach, Virginia, described the submissions: \"I am a rock musician and songwriter from Virginia Beach, VA. I am releasing an album called Terra Vision 2020 on June 11, 2020 that is partly inspired by the Coronavirus pandemic. It includes the song Limbo King, which expresses a feeling of isolation and the longing to escape from being in limbo. Another song on the album is called Pandemic. It is an instrumental that conveys the feeling of our current times without words. I would be honored to have these songs featured at your library. For more info: www.LucianoIlluminati.com\"\u003c/p\u003e","\u003cp\u003eA Spotify playlist called Songs for Quarantine created by Class of 2022 undergraduate student Nick Wright. Included in this series is a personal photograph of Nick Wright from his submission.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Collection includes social media posts, music recitals, podcasts, video recordings, digital photographs, self-portraiture, original music compositions, poetry, personal journal entries, and other materials created by members of the William \u0026 Mary and the greater Williamsburg community in response to the COVID-19 pandemic of 2020.","A poem, titled \"This Thing We Bear,\" by Kimberly Ankney of Toano, Virginia. Ankney submitted the poem with the following description: \"This is a poem I wrote to my children to remember the COVID-19 quarantine. I have been attempting to balance full-time work with full-time parenting, and juggling feelings about the pandemic. Written in Toano, VA 2020.\"","One photo montage video created and uploaded by Marna Ashburn, William \u0026 Mary Class of 1985 and Williamsburg, Virginia community member. Ashburn described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Individual items within this series include Ashburn's video, originally uploaded to YouTube, and a personal photograph of Ashburn included with the submission.","One photo montage video, titled \"Something to Smile About Under the Circumstances. Forty things to lift your spirits during lockdown.\", created by Marna Ashburn and uploaded to YouTube on May 3, 2020. Ashburn, member of the William \u0026 Mary class of 1985 and Williamsburg, Virginia community member, described the video submission: \"This is a video montage of photos I took around Williamsburg during COVID-19 in an attempt to get people to look at the positive, uplifting things that were taking place during the pandemic. There are also photographs from the public domain and some taken by friends. All photographs are used with permission. I have a podcast and produced this video under the auspices of my podcast, Ethics and Etiquette, www.EthicsandEtiquette.com.\"","Please contact SCRC staff to access the video at this time.","One digital photograph and one personal journal entry submitted by Thomas Backus of Phoenix, Arizona. Backus provided the following description for the photograph, taken March 28, 2020: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\" The journal entry, \"written on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","One digital photograph, taken March 28, 2020, by Thomas Backus of Phoenix, Arizona. Backus: \"Picture taken on March 28, 2020, at Phoenix Sky Harbor Airport, showing empty baggage claims due to Coronavirus.\"","Personal journal entry, written by Thomas Backus \"on May 31, 2020 in Tempe, Arizona,\" describes the historic impact of the COVID-19 pandemic and the uncertainties of what will follow.","Six digital photographs submitted by Jason Betzner '19, William \u0026 Mary alum and Williamsburg community member, documenting his family's experiences with adapting to new social distancing protocols. Navigate to an individual photograph to view its title, date, and description, as provided by Betzner.","Digital photograph, titled \"School at home,\" taken by Jason Betzner on March 17, 2020 (Williamsburg, Virginia). Betzner: \"This picture is of my daughter, Elizabeth Betzner (age 7) doing her school work at home on March 17th. She is a first grade student at Matthew Whaley. She has had a difficult time adjusting to this new reality and some days are better than others. She really wants to go back to see her friends and her teacher.\"","Digital photograph, titled \"Bye to my classroom,\" taken by Jason Betzner on March 27, 2020 (Williamsburg, Virginia). Betzner: \"I took this picture of my classroom at Warhill High School on Marcy 27th. We were allowed back in our rooms for 15 minutes to get needed teaching materials for virtual learning. The room was exactly as I left it on March 13th when schools closed down for the rest of the year.\"","Digital photograph, titled \"Home haircut,\" taken by Jason Betzner on April 11, 2020 (Williamsburg, Virginia). Betzner: \"After a month of social distancing, my wife gave me a home haircut on April 11. She did a fairly good job!\"","Digital photograph, titled \"House closing,\" taken by Jason Betzner on April 28, 2020 (Williamsburg, Virginia). Betzner: \"My family had been searching for a new home since January. We closed on the purchase of our house on April 28th. At the Title company, we had to wear masks and sign all of the papers in the car. It was stressful but we did it!\"","Digital photograph, titled \"Letter to teacher,\" taken by Jason Betzner (Williamsburg, Virginia). Betzner: \"My daughter has been writing notes back and forth to her first grade teacher at Matthew Whaley. This is one of her letters describing what she's been doing at home.\"","Digital photograph, titled \"Flyover,\" taken by Jason Betzner on May 22, 2020 (Williamsburg, Virginia). Betzner: \"An F-22 and two P-51s flew over Williamsburg's hospitals on May 22nd to support healthcare workers on the front lines of the pandemic.\"","Ten digital photographs submitted by Michele Bingle-Graffius, community member of Williamsburg, Virginia. Bingle-Graffius provided the following description with the submission: \"A brief synopsis of my life during Covid. At the onset, I bordered on panic and deep dread. I felt helpless and overwhelmed. After about two weeks I became increasing helpless and needed an outlet. I began sewing face masks. I ran out of supplies; first elastic, then shoe laces that I was using as a substitute for elastic. Supplies continued to dwindle and I had made enough masks for our family, my husband and his coworkers (all of whom needed to continue to go into work during the shut-down) and my extended family. The weather began to break and get warmer. We spent more time outside working within our yard. If it were not for financial concerns and a need to conserve money in case my husband would loss income, we would have worked on remodeling the bathroom. Instead, we worked on landscaping and beautifying the yard. Our yard has been quite neglected for years before we bought the property last year and does need a ton of work. With the US death toll rising steadily, I started to focus on the life around me; the plants and creatures within my yard. The following represents photos all taken from my yard here in Williamsburg. Respectfully submitted, Michele Bingle-Graffius.\"","Poem titled \"The Trouble with Trauma\" by Anna Buck, member of the Williamsburg community: \"I've included a poem I've written (with a cover photo) about how a current crisis can bring up past anxieties and traumas.\" The poem has a color cover photo of a children's feet alongside chalk drawings on brick steps. ","Series also includes Buck's headshot, included with submission. ","Screenshot of Michelle Clark video chatting with her grandmother. The image was submitted by Clark's husband, Matthew, a classical archeology major and member of William \u0026 Mary's class of 2022. Matthew Clark described the screenshot: \"Michelle is my wife. She asked me to submit this photograph for your files in order to preserve this moment with her grandmother. This screenshot was taken in Virginia Beach, Virginia on April 11th, 2020. My wife, Michelle Clark, was video chatting with her grandmother, Donna Scott, who recently learned how to use a video chat app (and its filters) in order to stay connected during lockdown!\"","Two digital photographs of Suzanne Cole, William \u0026 Mary English major and class of 2022, taken by her mother, Marjorie Cole. Suzanne Cole described the images: \"The photo is timestamped April 8, 4:17pm. The picture shows me (Suzanne) on my back porch at home in Falls Church, Virginia. I was attending a live Zoom lecture for my GOVT 203: Introduction to Comparative Politics class.\" Includes a photograph of Suzanne Cole.","One digital photograph, including a passage from the Bible, taken by Laura Craig, member of the greater Williamsburg community. Craig described the photo of keys, face mask, and backpack against the backdrop of a front door: \"What my new normal routine looks like before leaving my house...and the inspiration that helps me deal with fear during COVID.\"","6 items, distributed by William \u0026 Mary to students, faculty and staff in the summer of 2020: 1 gray mesh zippered bag containing: 1 flyer promoting the Healthy Together campus initiative; 2 green cloth reusable face masks; 1 bottle of hand sanitizer; and 1 packet of alcohol wipes.","Seven digital photographs of the Colonial Williamsburg Historic Area and William \u0026 Mary taken by Williamsburg community member Mike Descher in spring 2020 during the COVID-19 pandemic. Also included is a time-lapse video, originally uploaded to YouTube on June 29, 2020, of the empty grounds of Colonial Williamsburg's Governor's Palace, normally a heavily trafficked historic site. Descher described the submission: \"Photography taken and composed from February 20th thru June 29th 2020 during the time of the Covid 19 Pandemic.\"","A personal photograph of Descher, attached with the submission, is also included in this series.","Digital photograph taken by Theresa Dittamo, member of the greater Williamsburg community, of a woman using a sewing maching to make cloth face masks. Dittamo described the photograph: \"WWII had Rosie the Riveter, the pandemic has 'mom, the mask maker'!\"","Two video recordings of performances by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993, and one recorded Zoom conversation hosted by William \u0026 Mary Libraries with DoubleTake members discussing their experiences during the pandemic. ","Colin Carmody '22, DoubleTake member and mathematics and music major, shared the performances and provided the following descriptions for each recording. ","\"Rivers and Roads\" performance: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","\"Bad Dreams\" performance: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","The Zoom conversation was recorded on May 20, 2020 and conducted by Dean of University Libraries Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Video recording of a rendition of \"River and Roads\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","\nCarmody: \"DoubleTake's a cappella's virtual performance of 'Rivers and Roads' by The Head and The Heart. Featuring Sebastian Radecki '22 and Ali Larkin '21 on solo, Francis Reilly '21 on aux, and Robert (Robbie) Collie '20 on Vocal Percussion. Also with Hannah Bloom '23, Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Caleb Streat '23, Margot Vanyan '22, Kyle Vasquez '21, Natalie Yanni '22, Stephanie Zielinski '20. Video and and Audio edited by Colin Carmody in Premiere Pro and Pro Tools. The video was uploaded to the DoubleTake Facebook page (www.facebook.com/DoubleTakeWM/videos/932296473869890/), YouTube (youtu.be/dysP1aF-L_w), Instagram(www.instagram.com/tv/B_ImIbmpiwB), and excerpts on TikTok (vm.tiktok.com/c2MCSr/ and vm.tiktok.com/cYWDUN/).\"","Video recording of a rendition of \"Bad Dreams\" by DoubleTake, an all-gender a cappella group founded at William \u0026 Mary in 1993. Colin Carmody '22, DoubleTake member and mathematics and music major, shared the recording and following description.","Carmody: \"DoubleTake a cappella's virtual performance of Bad Dreams by Faouzia. Arranged by Francis Reilly '21. Soloist Natalie Yanni '22. Vocal Percussion by Nate Redmount '22. Video and Audio edited by Colin Carmody '22. Members Featured: Hannah Bloom '23 Colin Carmody '23 Robbie Collie '20 Elizabeth Flatt '20 Ali Larkin '21 Kyle Mahoney '23 Sebastian Radecki '22 Nate Redmount '22 Francis Reilly '21 Caleb Streat '23 Tori O'Connor '23 Margot Vanyan '22 Kyle Vasquez '21 Natali Yanni '22 Stephanie Zielinski '20 About the process of creation (also applies to previous upload Rivers and Roads): Colin (Music Director and Recording Chair) sent out a computer generated backing track of the song. The group listened to it through headphones while singing their own part and filming it using whatever devices they had (phones, laptops, etc.). They sent it to Colin who sorted, synced, and edited the videos using Adobe Premiere Pro (currently free through William and Mary IT) and then imported the audio files into Avid Pro Tools (Colin's private subscription). In Pro Tools, Colin used the accusonols ERA 4 noise remover and de-clipper (as necessary). The audio was the edited, tuned, and rhythmically-aligned using Melodyne. The audio was then mixed and mastered in Pro Tools. There were a couple different different formats of the video, including a standard 4k video (attached here and used on Instagram and Facebook), a YouTube video (with an extra 20 seconds at the end to promote our upcoming EP release, Take Two), and a TikTok video (which required a complete reformat in order to comply with TikTok's vertical video format). All in all, the editing process took roughly 24 hours for each video.\"","A recording of a Zoom conversation conducted by William \u0026 Mary Libraries Dean Carrie Cooper, Mosaic Fellow Shayna Gutcho, and University Archivist Ali Zawoyski with members of the William \u0026 Mary a capella group DoubleTake on May 20, 2020. Conversation topics include: how members of the group created virtual performances of Rivers and Roads and other songs, their experiences during the COVID-19 pandemic, how they use Swem Library, and what they miss about campus. The following DoubleTake members participated in this conversation: Colin Carmody '22, Elizabeth Flatt '20, Kyle Mahoney '23, Tori O'Connor '23, Nate Redmount '22, Francis Reilly '21, Caleb Streat '23, and Kyle Vasquez '21.","Six digital photographs taken by Carlee Dunn, William \u0026 Mary undergraduate, Biology major, and member of the class of 2023. Dunn took these photos around her hometown, Monroe, New Jersey, on April 8, 2020.","Dunn: \"These photos were taken on Wednesday, April 8th, 2020 while I was driving around my hometown of Monroe, NJ. This date was close to the predicted height of coronavirus cases in my area. Each photo contains some sort of inspirational or meaningful sign I saw during my drive, and it meant so much to me to find people spreading so much hope in the middle of a crisis. The photo of the chalk rainbow was drawn on the side of a strip mall that faces a busy road. The 'Thank you essential workers' sign was a sign my neighbors put on their front lawn, visible from the main road near my house. The 'Be safe, stay healthy' sign was in front of a Walgreens pharmacy. The 'Yes, it's hard' sign was on the front lawn of someone's house, once again able to be seen from a main road. 'This too shall pass' was in front of an auto repair shop. The chalk sidewalk drawings, though somewhat hard to see in that photo, are drawings I did myself in front of my house.\" ","Series includes a photograph of Dunn that was attached with the submission. ","19 digital photographs submitted by Welby Fairlie, a Williamsburg, Virginia community member and a Regional Manager at the International Student Exchange. The photographs document Fairlie and family members' experiences in quarantine during the COVID-19 pandemic.","Fairlie provided the following description with the submission: \"Family photos to remember the time of COVID. I had planned to make our own photo album but then saw the project underway there at W\u0026M.\" Photos include \"empty shelves at various stores, new Air Fryer we bought and are using ALL THE TIME!, Italian exchange students getting interviewed for newspaper, Zoom meeting with some of my exchange students, entry inspection point for OBX [Outerbanks, North Carolina], a makeshift upstairs exercise room, postponed and then Virtual Monument Ave 10K with a friend, closed off soccer fields, store signage, outdoor birthday party with social distancing, my husband and son in masks at store, hand washing station at strawberry picking. Also a welcome sign in OBX [Outerbanks, North Carolina].\"","Series also includes a photograph of Fairlie, included with the submission.","Poem, titled \"Quarantine,\" written by Rebecca Fritzinger, member of the greater Williamsburg community. Fritzinger wrote, \"I am submitting a poem written on April 26, 2020, describing my time in quarantine up to that point. I wrote it while I was sitting in a chair reflecting on my experiences.\"","Artifacts and ephemera collected by Shayna Gutcho during her time as a Mosaic Fellow at William \u0026 Mary Libraries from 2019-2020. The addition includes \"Dear Evan Hansen\" items given to Shayna by show producer and William \u0026 Mary alum Caitlin Clements who Shayna interviewed for a Mosaic Fellows podcast assignment.","Video of rap performance done by Bridget Hammond, Williamsburg community member and parent of William \u0026 Mary graduate. Hammond described the performance: \"We got furloughed on 3/24/20 from the marketing dept in a resort. That night I got a bottle of wine and wrote this Rap. The next morning hungover I performed/taped this... hence the shades... everyone loved it. It's funny but true so weird the things missing on the shelves. Enjoy, Bridget Hammond, writer, director \u0026 performer.\"","Series also includes a photograph of Hammond, included with the submission.","Copy of a letter to the editor, written by Conrad P. Hedderich, retired Commander of the U.S. Navy, self-described as \"a concerned viewer of WAVY TV 10 who saw the story of your [William \u0026 Mary's Documenting COVID-19] project.\" The letter is addressed to the editor of The Virginian-Pilot. Hedderich is a resident of Virginia Beach, Virginia.","1 website with 11 entries of individuals that Jamie Holt, Class of 2022, photographed and interviewed for a class project. She included the following description: \"This is an independent study project from my junior year interviewing and photographing, both in person and virtually, students about their COVID-19 experiences. This was produced in the fall of 2020.\"","A personal reflection written by Diane Huebner (Arnold), a William \u0026 Mary alumna from the class of 1976. Huebner has been an elementary school teacher at Williamsburg-James City County Public School for thirty years. She writes about the unexpected transition to \"Car Parades and Electronic Classrooms,\" the title of her reflection. Huebner described the submission: \"I am a teacher in W-JCC Public Schools, and have written about my experiences during the COVID-19 pandemic.\"","Class of 2023 William \u0026 Mary student Marissa Incer shared the following about her experiences during the COVID-19 pandemic along with the photographs and one video she submitted:\n\"In two photos, you will see my college friends and I maintaining virtual contact and entertaining ourselves with games (electronic Pictionary, basically) that we played through Zoom. The video was a very quick glimpse of my Spanish class during the Spring 2020 semester when we had to quickly transition into all-remote classes. The photo of me sitting at a table with my laptop was taken on August 19, 2020: the first day of the Fall 2020 semester. Finally, there is a mirror selfie of me with my mask on at a mostly empty mall.\" ","Included in this series is a personal photograph of Incer, along with the submission.","Installments of a weekly art journal zine created by Alexandra Johnson, a William \u0026 Mary undergraduate student majoring in English and Linguistics and member of the class of 2022. Johnson wrote a description of the first installment: \"A pdf of a weekly art journal zine, available in both digital and print versions. I'll submit one every week, the title is \"To the Rising Tides.\" This submission is for the week of May 9-May 15, and is Week One.\" ","Johnson's second installment: \"The second installment of a weekly art journal zine titled \"To the Rising Tides,\" chronicling the week of May 16-May 22, Week Two. The previous installment of this series, (with the file titles \"to the rising tides 1\") was submitted earlier today; the next will be submitted May 29. The photograph at the beginning of this zine is from Huntsman Lake, VA, and was taken on May 20 by the creator.\" ","Digital version.","Digital version.","Senior recital recordings for Ayush Joshi, William \u0026 Mary undergraduate, Music and Computer Science major, and member of the class of 2020. Joshi described the submissions: \"Video recordings of me performing my senior recital, that was supposed to be performed on campus on March 28th. ","Full Program:","Classical Piano: Ballade no 2 by Frederic Chopin; Reverie by Claude Debussy; Danzas Argentinas by Alberto Ginastera (this one is in three different audio files, one for each piece in the collection)","Jazz: Waltz for Debby by Bill Evans (with Wayne Wu on Guitar); Butterfly by Herbie Hancock (with Avi Joshi on drums); The Yellow Jacket by Shaun Martin (with Avi Joshi on Drums)","Also, I think for the purposes of the archive I should add that I studied piano with Christine Niehaus and Harris Simon during my time here at William and Mary.\"","This performance is in three different audio files, one for each piece in the collection.","Four hand-colored photographs submitted by Dan Kehlenbach, Williamsburg, Virginia community member. ","Kehlenbach included the following description with the submission: \"I read in W-Y Daily that the library is soliciting for art projects during the coronavirus and would like to submit some of the project I have been working on. I submitted to their website and Ms. Charlotte Burcher suggested I submit it here as well. In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC, the third image is of Spring Point Lighthouse in Portland, ME, and the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy). Thanks for the opportunity to submit this, and getting back into hand-coloring my photographs, I feel a connection to the history of photography and find joy in creating unique images to share. Art has always had a special place in my heart and soul, and these challenging times has made the pursuit of artwork and creative expression much more valuable. With much gratitude, Dan Kehlenbach Williamsburg, VA.\"","Series also includes a photograph of Kehlenbach that was attached to the submission.","Personal headshot included by Dan Kehlenbach with the submission.","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of Magnolia Gardens, outside of Charleston, South Carolina, taken and hand-colored by Dan Kehlenbach, Williamsburg community member. ","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC.\"","One photograph of the Spring Point Lighthouse in South Portland, Maine, taken and hand-colored by Dan Kehlenbach, Williamsburg community member.","Kehlenbach provided the following description with this photograph: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the third image is of Spring Point Lighthouse in Portland, ME.\"","One photograph from Barga, Italy, hand-colored by Dan Kehlenbach, Williamsburg community member.","\nKehlenbach provided the following description with this submission: \"In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images...the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy).\"","Digital photographs and video from Likhitha Kolla, member of William \u0026 Mary's class of 2018 with a major in Biology, Computational and Applied Mathematics and Statistics. Kolla described the submissions: \"Isolated streets of Philadelphia, [Pennsylvania]. Here during COVID-19 quarantine. Picture is taken at the end of March 2020. Video is my spring break trip before quarantine.\"","Series also includes a photograph of Kolla, included with the submission.","Poem, titled \"Spring 2020,\" written by Fran Lane, Williamsburg, Virginia community member. Lane's poem reflects on moments of everyday life and family bonds found in quarantine.","One image from Aubrey Lay, Class of 2023, of Zooming into class. This is his description: \"During a Fall 2021 resurgence of COVID-19 due to the Delta Variant, many students needed to return to virtual modalities for public health reasons. In this image, I am seen with classmate Lucia Eovino (Class of 2023) Zooming into our Chinese class.\"","One screenshot of a March 15, 2020 Zoom call submitted by Aubrey Lay, a William \u0026 Mary undergraduate student and member of the class of 2023. Lay described the submission: \"Unlimited Zoom call time was granted to WM students by Zoom during our call; we expected to get cut off at 40 minutes, but got a pleasant surprise from this notification. This change made Zoom a more important part of social life for WM students during the second semester. Left to right: Aubrey Lay ('23), Casey Kim ('23), Rayna Yu ('20), a student from Washington University, St. Louis, and Michelle Yue ('23).\"","A collection of poems from Covid 19, month by month from March 2020 to February of 2021 written by William \u0026 Mary student Class of 2024 Rachael Lee. Lee submitted a previous collection of poetry that she asked not be made public. With that submission, she provided the following description which also describes many of themes of this submission: \"Poetry created during the Covid19 Pandemic, most of them covering ideas of coming of age in an era of death, and the difficulty connecting with others from behind a mask. Isolation, death, and a ruining of youth are central themes in these poems.\"","Digital photograph take by Ivy Li, William \u0026 Mary undergraduate student and member of the class of 2023. Li described the photograph: \"This photo was shot at 12:01 AM on March 21 in Tom Bradley International Terminal in LAX, Los Angeles International Airport. Almost everyone in this terminal wore a face mask, and even some people wear protective clothing and safety goggles. Although it was midnight, the airport was full of people waiting to board on planes. Most of them were going to return their home countries. Though the CDC did not encourage people to wear face masks, they still wore it to protect both themselves and others. Those whose body temperature above 37 degrees celsius was not allowed to pass safety check and board the plane.\"","Self-portrait by Katherine McSweeney, daughter of William \u0026 Mary alumni and member of the greater Williamsburg community. McSweeney described the artwork: \"This is a self portrait, drawn in Matthews Virginia beside the local creek.\"","Eight digital photographs taken by Miso Park, William \u0026 Mary Biology major with a Public Health minor and member of the class of 2021. Park described the up-close photographs of tree branches and flower blossoms: \"Before spring break, I borrowed a camera from Swem Media Center and because of the extended \"break\", I have been experimenting with the camera and I even downloaded Adobe Photoshop that the school gives access (for free!). It's been a great use of time because I always wanted to be a photographer when I was in elementary school. I never thought of buying a camera for myself but I think I might have to once I return this one (whenever school opens again!). These pictures I took while walking around in my neighborhood!\" Includes a photograph of Park.","Photographs taken around Williamsburg, Virginia during the COVID-19 pandemic. Includes photographs of grocery store signage and health care worker salutes.","Four digital photographs taken by Susan Riggs, William \u0026 Mary M.A. class of 1972 and William \u0026 Mary Libraries Special Collections Research Center staff member. Riggs described the photographs: \"One way entrance and exit for shoppers to Harris-Teeter Grocery Store, 6485 Centerville Rd Williamsburg, VA 23188.\"","Five digital photographs and two screenshots of aerial flyover to celebrate healthcare workers. Photographs were take on May 12, 2020 by Williamsburg community member, David Riggs. They were shared by Riggs' wife, Susan Riggs, who described the images: \"Joint Base Langley-Eustis F-22 Raptor Demo Team, 1st Fighter Wing and 192nd Wing Flyover of Peninsula to honor health care workers during COVID-19 pandemic. Photos of the planes, the flyover map and screenshot from Facebook explaining the flyover. These photographs were taken at 6:42 PM on Patrick Henry Drive in Skipwith Farms as the planes were on a route from Sentara Hospital (Lightfoot) to Eastern State Hospital on May 12, 2020.\"","Three digital photographs of COVID-19 signage taken on May 13, 2020 by Susan Riggs, William \u0026 Mary Libraries Special Collections Research Center staff member and M.A. class of 1972. Riggs described the images: \"Photograph of sign in Food Lion, 5251 John Tyler Hwy, Williamsburg Va. taken May 13, 2020; Heroes sign in front of U. S. Post Office, 5219 Monticello Ave., Williamsburg, Va. also taken May 13, 2020.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S. of Oakland, California: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Poem, titled \"Transitory Trees and Tip Toe Tentacles,\" written by Ana S., community member: \"A reflective poem written in response to the isolation, uncertainty, and yearning for normalcy during COVID. Written in Oakland, CA on May 11, 2020 by Ana S. who is queer, genderfluid, and disabled.\"","Three digital photographs taken by Rochelle Seitz, research professor in the Biological Sciences department at the Virginia Institute of Marine Science (VIMS). She described the four photos: \"Photos of marine science research field deployment of gear for a graduate student's thesis research. Field work was done in Timberneck Creek, York River, on 4/14/20, while wearing face coverings and staying 6-ft apart.\"","Digital photograph of Rochelle Seitz, Research Professor, Biological Science, Virginia Insitute of Marine Science","Digital photograph depicts Professor Seitz wearing a face mask and holding up a yellow research notebook. The notebook shows some pencil notations. The graduate student researcher is working in the background.","Digital photograph depics graduate student researcher wearing a blue face mask and collecting samples from the water. There is a yellow basket and a blue tub next to the student.","Digital photograph of graduate student researcher wading out into the water with a blue tub in tow. There is a wooden pier in the distance.","A personal reflection written by artist Katarina Smith. Smith described the submission: \"I've written a short piece during quarantine, regarding COVID-19. I would like to submit it for the documentation project. Its title is '2020.' It was written on April 9th, 2020.\"","Scanned journal entries handwritten by Kelly Smith, Newport News high school teacher and member of the greater Williamsburg community. Smith described the ten-page journal: \"Personal journal entries of thoughts, emotions, experiences during the COVID-19 outbreak, ranging from March 15, 2020-March 31, 2020. Bishop Knestout-- Catholic bishop of the Diocese of Richmond Kevin-- my husband Kristen-- my cousin Jenny- the principal of the school I teach at.\"","A social media post titled \"Office sharing during the pandemic\" submitted by Sarah Smith, William \u0026 Mary Athletics staff member. Smith wrote, \"This bit of writing was a Facebook post created by me on the first day of the fourth week of working from home during the Covid-19 pandemic.\"","One photograph submitted by Monique Sowell, employee at Aromas Coffeehouse and Café, with credit also given to Michelle Sieling, owner of the Williamsburg, Virginia business. Sowell described the photograph: \"Aromas on 431 Prince George [Street] hosted their first Open Acoustic night in lieu of open mic inside to allow our guest to enjoy some outside jams. Thursday night, June 18th 2020.\"","Poem written by Bly Straube, Senior Curator at the Jamestown Settlement Museum and William \u0026 Mary M.A. class of 1990. Straube wrote, \"A poem about my work cubicle at the Jamestown Settlement Museum of the Jamestown-Yorktown Foundation, where I serve as Senior Curator. This was written one-month into the Commonwealth's order to 'stay home.'\"","Zoom recording from Kenneth Tieu, William \u0026 Mary undergraduate; Kinesiology and Health Sciences, Pre-Medicine major; and member of the class of 2023. Tieu described the recording: \"The file submitted is the later half of a Murder Mystery party planned during the pandemic on March 29th, 2020 recorded via Zoom. Additionally, we were also celebrating the 19th birthday of Claire Wyszynski as well. Everyone was in character and emails were sent to each individual person explaining the current scenario and secrets of their character that can be used to determine who is the murderer. This people involved are: Kenneth Tieu, Carlee Dunn, Claire Wyszynski, Bezawit Kentiba, Lily Weisert, Maya Deutchman, Avery Bradley, Kenya Lopez, Abigail Gutleben, Lucy Abell, and Tara Vasanth.\"","Podcast series, digital video, and poem written by Tara Vasanth, William \u0026 Mary Art History major with emphasis on Built Environment, and member of the class of 2023. Vasanth described the submissions: \"To celebrate a wonderful freshman year and to remember all of the fun times I spent with my amazing hall mates, I made an illustrated, limericky video for my hall (Spotswood, Second Lower Floor). Since we all live in the Botetourt complex, we proudly call ourselves the \"Botehotties.\" I wanted to create a story-telling video (similar to the ones you see on Reading Rainbow) that captured the wonderful experiences and uniqueness of our special dorm. It was a great distraction from exam preparation, and this project definitely took precedence over my studying.\" ","Podcasts were co-created with Vasanth's friend, Maddy: \"Inspired by the fascinating and funny conversations my friend Maddy and I had prior to the COVID-19 outbreak, we decided to create a quirky podcast that revisited some of the things we talked about during the school year. Despite my minimal podcast knowledge and experience, I was keen to co-create a podcast that allowed me to continue to connect with Maddy and my hall mates. In the show, we are committed to wacky humor and giving a ridiculous amount of attention to trivial, nonsensical, irrelevant aspects of daily living. Hence the name, Foofaraw. Warning: some of the conversations you will hear are parallel to those that take place in a dorm room between the hours of 1:00 a.m. to 4:00 a.m. I am so happy that I am a part of this ongoing project, and am very thankful to Maddy, our small base of listeners, and to the College for making this show possible.\"","Also included in this series is a personal photograph of Vasanth, included with the submission.","Poem, \"Kenopsia,\" written by Williamsburg community member, Jenny Vu. Vu described the text: \"This is a poem about how COVID-19 has affected society in America and how it has affected myself in Virginia as well. Most of the events (Easter, school cancelation, airports closing, and etc.) described in this poem have taken place from March 2020 to present.\" Vu specifically mentions prejudice against Asian peoples and the increasing backlash against quarantine protocols.","Photographs by William \u0026 Mary student Class of 2023 Sarah Walker: \"Long exposure photographs of hands using a Canon T3 DSLR on manual mode. One hand is mine and the other is Sally Calengor, taken using window light and a white sheet on October 6,2020 in DuPont Hall. While movement of the hands is obvious, it is ambiguous as to whether they are coming together or pulling apart. One hand looks to be reaching to the other in need of support but they are not able to touch. I think many have felt the loss of physical affection throughout the pandemic, along with the loneliness and frustration it brings. We are all craving the day when we will be able to high-five, hold hands, and hug without fear of spreading a deadly virus.\"","Two digital photographs submitted by Kate Weis, a William \u0026 Mary undergraduate student majoring in Psychological Sciences and Linguistics, and a member of the class of 2021. One photograph was taken by Weis and the other was taken by friend Julia Bristow. Weis provided the following description of the photographs: \"These are pictures from my one of my favorite quarantine activities -- movie night. My friends and I have been able to stay connected through Netflix party, and some of us opted to build forts at home so we could enhance the movie viewing experience even more!\" ","Series also includes a personal photograph of Weis, included with the submission.","Original music, art, and promotional material by recording artist Lionel White, known professionally as Luciano Illuminati. White, a resident of Virginia Beach, Virginia, described the submissions: \"I am a rock musician and songwriter from Virginia Beach, VA. I am releasing an album called Terra Vision 2020 on June 11, 2020 that is partly inspired by the Coronavirus pandemic. It includes the song Limbo King, which expresses a feeling of isolation and the longing to escape from being in limbo. Another song on the album is called Pandemic. It is an instrumental that conveys the feeling of our current times without words. I would be honored to have these songs featured at your library. For more info: www.LucianoIlluminati.com\"","A Spotify playlist called Songs for Quarantine created by Class of 2022 undergraduate student Nick Wright. Included in this series is a personal photograph of Nick Wright from his submission."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026amp; Mary Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not William \u0026 Mary Libraries."],"names_coll_ssim":["Williamsburg Historic Records Association (Williamsburg, Va.)"],"names_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Los Angeles International Airport","Jamestown Settlement"],"corpname_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","Los Angeles International Airport","Jamestown Settlement"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":217,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:47:54.358Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9226"}},{"id":"vilxw_repositories_5_resources_538_c33","type":"File","attributes":{"title":"\"Duo for Violin and Piano\" - Programs and Reviews","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_538_c33#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_538_c33","ref_ssm":["vilxw_repositories_5_resources_538_c33"],"id":"vilxw_repositories_5_resources_538_c33","ead_ssi":"vilxw_repositories_5_resources_538","_root_":"vilxw_repositories_5_resources_538","_nest_parent_":"vilxw_repositories_5_resources_538","parent_ssi":"vilxw_repositories_5_resources_538","parent_ssim":["vilxw_repositories_5_resources_538"],"parent_ids_ssim":["vilxw_repositories_5_resources_538"],"parent_unittitles_ssm":["Robert Stewart Papers"],"parent_unittitles_tesim":["Robert Stewart Papers"],"text":["Robert Stewart Papers","\"Duo for Violin and Piano\" - Programs and Reviews","Washington and Lee University","Stewart, Robert","Programs","Music","Newspapers","English .","box 2","folder 14"],"title_filing_ssi":"\"Duo for Violin and Piano\" - Programs and Reviews","title_ssm":["\"Duo for Violin and Piano\" - Programs and Reviews"],"title_tesim":["\"Duo for Violin and Piano\" - Programs and Reviews"],"unitdate_other_ssim":["1974"],"normalized_date_ssm":["1974"],"normalized_title_ssm":["\"Duo for Violin and Piano\" - Programs and Reviews"],"component_level_isim":[1],"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["Robert Stewart Papers"],"extent_ssm":["6 Item"],"extent_tesim":["6 Item"],"creator_ssim":["Stewart, Robert","Washington and Lee University"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":33,"parent_access_terms_tesm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"date_range_isim":[1974],"names_ssim":["Washington and Lee University","Stewart, Robert"],"corpname_ssim":["Washington and Lee University"],"persname_ssim":["Stewart, Robert"],"access_subjects_ssim":["Programs","Music","Newspapers"],"access_subjects_ssm":["Programs","Music","Newspapers"],"language_ssim":["English ."],"containers_ssim":["box 2","folder 14"],"_nest_path_":"/components#32","timestamp":"2026-05-20T21:04:55.013Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_538","ead_ssi":"vilxw_repositories_5_resources_538","_root_":"vilxw_repositories_5_resources_538","_nest_parent_":"vilxw_repositories_5_resources_538","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_538.xml","title_ssm":["Robert Stewart Papers"],"title_tesim":["Robert Stewart Papers"],"unitdate_ssm":["Inclusive 1954-1988","Bulk 1960-1980"],"unitdate_bulk_ssim":["Bulk 1960-1980"],"unitdate_inclusive_ssm":["Inclusive 1954-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0323"],"text":["WLU.Coll.0323","Robert Stewart Papers","Composition (Music)","Music","Includes Stewart's correspondence, programs that include his compositions, classroom materials, reviews and notices of his works, and materials from professorial organizations and conferences.","This file consists of American Composers Alliance Catalogs and the Alliance's Articles of Association, 1955. The catalogs include strings, woodwinds, percussion, etc.","This file consists of many recommendation letters, letters concerning Robert Stewart's compositions, and personal letters.","This file consists of a lecture by Robert Stewart given at the 'CAC Meeting #4.'","This file consists of miscellanious items, mostly music programs, newspaper clippings, and a photograph of a bride and groom.","This file consists of reviews and notices of Robert Stewart's 'Trio No. 4.' The file also contains two photographs of the Roxbury Chamber Players, who played the piece.","This file consists of material regarding Robert Stewart's trip to Tufts University European Centers in Talloires, France to play in he Montanea Fesival in July 1991.","The file includes: A Lenfest Center folder Commencement Exercises Program, 1983 Fine Arts Division Presentation of Awards Program, June 2, 1993 Letter from John D. Wilson, December 2, 1986 Washington and Lee Concert Guild Program, 1989-90 Washington and Lee fine Arts Calendar of Events","This file consists of letters and documents pertaining to the American Composers Alliance.","This file consists of letters from George Steiner, Director of the American Music Symposium, to Robert Stewart concerning the American University's Contemporary Music Symposium, 1961. It also includes a program list. Robert Stewart's 'Prelude for Strings' was selected to be played at the symposium.","This file consists of letters, programs, notes, and newspaper articles about The Bennington Compersers' Conference. Most of the material is from 1961, 1962, and 1963.","This file consists of programs from Washington and Lee University, Hollins College, and the University of Virginia. It also includes a letter to Stewart from Anne McClenny of Hollins College, Va., a schedule of rehearsals and performances, and a page of financial records. Robert Stewart played the violin in the Blue Ridge Chamber Music Players.","This file consists of four copies of a program from Georgia State College's Fifth Annual Symposium of Contemporary Music for Brass where Robert Stewart's Brass Quintet No. 2 was featured. Brass Quintet No. 2 was commissioned at the 1965-66 Symposium by the Georgia State College Foundation. The file also includes a letter from Walter W. Wich inquiring to buy a copy of Brass Quintet No. 2.","This file consists of Robert Stewart's notes on 'Three Pieces for Brass Quintet,' a program where 'Quintet - 3 Pieces' was performed, and of a review by The Atlanta Constitution.","This file consists of letters to Stewart from The Brevard Music Center, regulations for the Third Annual Composers Symposium at Brevard Music Center, and a poster from the Transylvania Music Camp in Brevard, North Carolina.","This file consists of course assingments, notes, and examination requirements, many from Rizzo School of Music.","This file includes four copies of a program from the 16th Annual Regional Composers Forum at the University of Alabama, where Stewart's 'Fantasia for Viola and Chamber Orchestra' was played.","This file consists of two accounts of a great flood in Lexington as a result of Hurricane Camille in 1969.","This file consists of letters to Robert Stewart from the College and Specialist Bureau concerning opening at various colleges. It also contains letters of inquiry from Stewart and correspondences from different colleges. Many of the letters are from James G. Leyburn and Marion Letcher from Washington and Lee University.","This file consists of undergraduate report cards, a photograph, postcards, an Omicron Dela Kappa certificate, and a progam from the Washington and Lee Class of 1966 Twenty-Fifth Reunion.","This file consists of two programs that do not mention Robert Stewart's work. The first is from the Northern Virginia Teachers Association, and second is 'Currents - The New-Music Ensemble at the University of Richmond' presents 'New Music by Virginia Composers,' 1990.","Robert Stewart was the Concertmaster.","This file consists of newsletters, minutes, and rosters of members from the Southeastern Composers' League.","This file consists of correspondences between Stewart and Barton Cummings regarding a tuba piece that Stewart composed for Cummings.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. Department of Music","American Composers Alliance","New York Times Company","Richmond Symphony","Chicago Federation of Musicians","Washington and Lee University","Atlanta Symphony Orchestra","Roanoke Symphony Orchestra","Madison College","University of South Carolina","Brevard Music Center","Louisiana State University (Baton Rouge, La.)","Georgia State University","Tennessee Technological University","James Madison University","Albany Symphony Orchestra","University of North Carolina at Chapel Hill","Mary Baldwin College","Washington Post Company","Tufts University","American Music Center (New York, N.Y.)","American University (Washington, D.C.)","Bennington College","University of Virginia","Hollins College","Georgia State College (Atlanta, Ga.)","Manhattan School of Music (New York, N.Y.)","University of Alabama","University of Georgia","New-York Historical Society","Southeastern Composers' League","Iowa String Quartet","University of Iowa","George Peabody College for Teachers","Stewart, Robert","Rentowski, Wieslaw","Sessions, William Lad","Mohler, William Norman","Luening, Otto","Fauteux, Kenneth Michael, Dr.","Homans, Peter Parkman","Babbitt, Milton","Moylan, William","Lessard, John","Booth, Philip","Hartog, William M., III","Gordon, Albert Claude","Spice, Gordon Philip","McAhren, Robert W. 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Please contact Special Collections' staff to verify the appropriate format.\u003c/p\u003e"],"prefercite_tesim":["Preferred citation: [Identification of item], Robert Stewart Papers, WLU Coll. 0323, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VAIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eIncludes Stewart's correspondence, programs that include his compositions, classroom materials, reviews and notices of his works, and materials from professorial organizations and conferences.\u003c/p\u003e","\u003cp\u003eThis file consists of American Composers Alliance Catalogs and the Alliance's Articles of Association, 1955. The catalogs include strings, woodwinds, percussion, etc.\u003c/p\u003e","\u003cp\u003eThis file consists of many recommendation letters, letters concerning Robert Stewart's compositions, and personal letters.\u003c/p\u003e","\u003cp\u003eThis file consists of a lecture by Robert Stewart given at the 'CAC Meeting #4.'\u003c/p\u003e","\u003cp\u003eThis file consists of miscellanious items, mostly music programs, newspaper clippings, and a photograph of a bride and groom.\u003c/p\u003e","\u003cp\u003eThis file consists of reviews and notices of Robert Stewart's 'Trio No. 4.' 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Most of the material is from 1961, 1962, and 1963.\u003c/p\u003e","\u003cp\u003eThis file consists of programs from Washington and Lee University, Hollins College, and the University of Virginia. It also includes a letter to Stewart from Anne McClenny of Hollins College, Va., a schedule of rehearsals and performances, and a page of financial records. Robert Stewart played the violin in the Blue Ridge Chamber Music Players.\u003c/p\u003e","\u003cp\u003eThis file consists of four copies of a program from Georgia State College's Fifth Annual Symposium of Contemporary Music for Brass where Robert Stewart's Brass Quintet No. 2 was featured. Brass Quintet No. 2 was commissioned at the 1965-66 Symposium by the Georgia State College Foundation. The file also includes a letter from Walter W. Wich inquiring to buy a copy of Brass Quintet No. 2.\u003c/p\u003e","\u003cp\u003eThis file consists of Robert Stewart's notes on 'Three Pieces for Brass Quintet,' a program where 'Quintet - 3 Pieces' was performed, and of a review by The Atlanta Constitution.\u003c/p\u003e","\u003cp\u003eThis file consists of letters to Stewart from The Brevard Music Center, regulations for the Third Annual Composers Symposium at Brevard Music Center, and a poster from the Transylvania Music Camp in Brevard, North Carolina.\u003c/p\u003e","\u003cp\u003eThis file consists of course assingments, notes, and examination requirements, many from Rizzo School of Music.\u003c/p\u003e","\u003cp\u003eThis file includes four copies of a program from the 16th Annual Regional Composers Forum at the University of Alabama, where Stewart's 'Fantasia for Viola and Chamber Orchestra' was played.\u003c/p\u003e","\u003cp\u003eThis file consists of two accounts of a great flood in Lexington as a result of Hurricane Camille in 1969.\u003c/p\u003e","\u003cp\u003eThis file consists of letters to Robert Stewart from the College and Specialist Bureau concerning opening at various colleges. It also contains letters of inquiry from Stewart and correspondences from different colleges. Many of the letters are from James G. Leyburn and Marion Letcher from Washington and Lee University.\u003c/p\u003e","\u003cp\u003eThis file consists of undergraduate report cards, a photograph, postcards, an Omicron Dela Kappa certificate, and a progam from the Washington and Lee Class of 1966 Twenty-Fifth Reunion.\u003c/p\u003e","\u003cp\u003eThis file consists of two programs that do not mention Robert Stewart's work. The first is from the Northern Virginia Teachers Association, and second is 'Currents - The New-Music Ensemble at the University of Richmond' presents 'New Music by Virginia Composers,' 1990.\u003c/p\u003e","\u003cp\u003eRobert Stewart was the Concertmaster.\u003c/p\u003e","\u003cp\u003eThis file consists of newsletters, minutes, and rosters of members from the Southeastern Composers' League.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondences between Stewart and Barton Cummings regarding a tuba piece that Stewart composed for Cummings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Includes Stewart's correspondence, programs that include his compositions, classroom materials, reviews and notices of his works, and materials from professorial organizations and conferences.","This file consists of American Composers Alliance Catalogs and the Alliance's Articles of Association, 1955. The catalogs include strings, woodwinds, percussion, etc.","This file consists of many recommendation letters, letters concerning Robert Stewart's compositions, and personal letters.","This file consists of a lecture by Robert Stewart given at the 'CAC Meeting #4.'","This file consists of miscellanious items, mostly music programs, newspaper clippings, and a photograph of a bride and groom.","This file consists of reviews and notices of Robert Stewart's 'Trio No. 4.' The file also contains two photographs of the Roxbury Chamber Players, who played the piece.","This file consists of material regarding Robert Stewart's trip to Tufts University European Centers in Talloires, France to play in he Montanea Fesival in July 1991.","The file includes: A Lenfest Center folder Commencement Exercises Program, 1983 Fine Arts Division Presentation of Awards Program, June 2, 1993 Letter from John D. 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Robert Stewart played the violin in the Blue Ridge Chamber Music Players.","This file consists of four copies of a program from Georgia State College's Fifth Annual Symposium of Contemporary Music for Brass where Robert Stewart's Brass Quintet No. 2 was featured. Brass Quintet No. 2 was commissioned at the 1965-66 Symposium by the Georgia State College Foundation. The file also includes a letter from Walter W. Wich inquiring to buy a copy of Brass Quintet No. 2.","This file consists of Robert Stewart's notes on 'Three Pieces for Brass Quintet,' a program where 'Quintet - 3 Pieces' was performed, and of a review by The Atlanta Constitution.","This file consists of letters to Stewart from The Brevard Music Center, regulations for the Third Annual Composers Symposium at Brevard Music Center, and a poster from the Transylvania Music Camp in Brevard, North Carolina.","This file consists of course assingments, notes, and examination requirements, many from Rizzo School of Music.","This file includes four copies of a program from the 16th Annual Regional Composers Forum at the University of Alabama, where Stewart's 'Fantasia for Viola and Chamber Orchestra' was played.","This file consists of two accounts of a great flood in Lexington as a result of Hurricane Camille in 1969.","This file consists of letters to Robert Stewart from the College and Specialist Bureau concerning opening at various colleges. It also contains letters of inquiry from Stewart and correspondences from different colleges. Many of the letters are from James G. Leyburn and Marion Letcher from Washington and Lee University.","This file consists of undergraduate report cards, a photograph, postcards, an Omicron Dela Kappa certificate, and a progam from the Washington and Lee Class of 1966 Twenty-Fifth Reunion.","This file consists of two programs that do not mention Robert Stewart's work. The first is from the Northern Virginia Teachers Association, and second is 'Currents - The New-Music Ensemble at the University of Richmond' presents 'New Music by Virginia Composers,' 1990.","Robert Stewart was the Concertmaster.","This file consists of newsletters, minutes, and rosters of members from the Southeastern Composers' League.","This file consists of correspondences between Stewart and Barton Cummings regarding a tuba piece that Stewart composed for Cummings."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_coll_ssim":["Washington and Lee University. Department of Music"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. 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Acc. 1992.02-3","/repositories/2/resources/2717"],"text":["Mss. Acc. 1992.02-3","/repositories/2/resources/2717","Eleanor Calkins Papers","College of William and Mary--Faculty and Staff","College of William and Mary--History--20th century","Music","Gradebooks","Notebooks","Yearbooks","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Emily Eleanor Calkins graduated from the College of William and Mary in 1927. She also attended Columbia College in Florida, 1915-1917. She was a math instructor and professor at the College of William and Mary from 1927 to 1961. 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Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Emily_Eleanor_Calkins\" title=\"Emily Eleanor Calkins\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Emily Eleanor Calkins graduated from the College of William and Mary in 1927. She also attended Columbia College in Florida, 1915-1917. She was a math instructor and professor at the College of William and Mary from 1927 to 1961. 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