{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bdate_range%5D%5B%5D=2010\u0026f%5Blevel%5D%5B%5D=Collection","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Music\u0026f%5Bdate_range%5D%5B%5D=2010\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":10,"first_page?":true,"last_page?":true}},"data":[{"id":"vifgm_repositories_2_resources_664","type":"collection","attributes":{"title":"Barbara Lustbader New York City playbills collection, 1957/2012","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_664#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains playbills and programs from hundreds of theatre, opera, symphonic music, and dance performances attended by Barbara Lustbader in New York City from 1957-2012.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_664#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_664","ead_ssi":"vifgm_repositories_2_resources_664","_root_":"vifgm_repositories_2_resources_664","_nest_parent_":"vifgm_repositories_2_resources_664","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_664.xml","title_ssm":["Barbara Lustbader New York City playbills collection"],"title_tesim":["Barbara Lustbader New York City playbills collection"],"unitdate_ssm":["1957-2012"],"unitdate_inclusive_ssm":["1957-2012"],"normalized_date_ssm":["1957/2012"],"normalized_title_ssm":["Barbara Lustbader New York City playbills collection, 1957/2012"],"text":["Barbara Lustbader New York City playbills collection, 1957/2012","C0508","/repositories/2/resources/664","Musical Theater","Opera","Theater","Theater -- New York (State) -- New York","Music","Symphony orchestras -- United States","Ballet","Dance","Theater programs","There are no access restrictions.","This collections is arranged into four series based on performance type.","Series\n      Series 1: Theatre\n      Series 2: Ballet and Dance\n      Series 3: Symphonic Music\n      Series 4: Opera","\"The arts of New York City.\" Brittanica.com. https://www.britannica.com/place/New-York-City/The-arts. Accessed January 2024.","\"Broadway History.\" Spotlight on Broadway. https://www.spotlightonbroadway.com/broadway-history. Accessed January 2024.","\"The Golden Age of Broadway.\" Digital Public Library of America. https://dp.la/primary-source-sets/the-golden-age-of-broadway. Accessed January 2024.","\"Timeline - 100 Years of Musical Theater - 1943-1959: Golden Age.\" PBS. https://www.pbs.org/wnet/broadway/timelines/1943-1959/. Accessed January 2024.","New York City holds a reputation for its offerings in the performing arts. In addition to theatrical performances on Broadway, opera and ballet at Lincoln Center, and symphonic and classical music at Carnegie Hall, the city also offers Off-Broadway and festival productions for visitors and residents to attend. 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Accessed January 2024.","\"The Golden Age of Broadway.\" Digital Public Library of America. https://dp.la/primary-source-sets/the-golden-age-of-broadway. Accessed January 2024.","\"Timeline - 100 Years of Musical Theater - 1943-1959: Golden Age.\" PBS. https://www.pbs.org/wnet/broadway/timelines/1943-1959/. Accessed January 2024."],"bioghist_html_tesm":["\u003cp\u003eNew York City holds a reputation for its offerings in the performing arts. In addition to theatrical performances on Broadway, opera and ballet at Lincoln Center, and symphonic and classical music at Carnegie Hall, the city also offers Off-Broadway and festival productions for visitors and residents to attend. 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Finding aid completed by Amanda Menjivar in January 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other \u003cextptr show=\"new\" title=\"playbill and theatre program collections.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=playbills\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains hundreds of playbills and programs from theatre, opera, symphonic music, and dance performances in New York City attended by Barbara Lustbader from 1957-2012. The majority of the programs for plays and musicals were officially produced by Playbill magazine, though there are also Showbills, \"Playkills,\" and other programs produced by local theaters and festivals. Many of the playbills have inserts announcing outages and understudies and covers stepping in for that particular performance. The collection is arranged into four series. All series are arranged alphabetically by production title or performing group and then chronologically by performance date.\u003c/p\u003e","\u003cp\u003eSeries 1: Theatre. Subseries 1.1 Musicals. Subseries 1.2 Plays. 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Subseries 1.3 Comedy and Special Events","Series 2: Ballet and Dance","Series 3: Symphonic Music","Series 4: Opera"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_9101d003e3751b01453a5722252ea0ae\"\u003eThis collection contains playbills and programs from hundreds of theatre, opera, symphonic music, and dance performances attended by Barbara Lustbader in New York City from 1957-2012.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains playbills and programs from hundreds of theatre, opera, symphonic music, and dance performances attended by Barbara Lustbader in New York City from 1957-2012."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_23aedeb1f7ecd319c60197c184080615\"\u003eR 71, C 2, S 2-5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 71, C 2, S 2-5"],"corpname_ssim":["George Mason University. 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Accessed January 2024.","\"The Golden Age of Broadway.\" Digital Public Library of America. https://dp.la/primary-source-sets/the-golden-age-of-broadway. Accessed January 2024.","\"Timeline - 100 Years of Musical Theater - 1943-1959: Golden Age.\" PBS. https://www.pbs.org/wnet/broadway/timelines/1943-1959/. Accessed January 2024."],"bioghist_html_tesm":["\u003cp\u003eNew York City holds a reputation for its offerings in the performing arts. In addition to theatrical performances on Broadway, opera and ballet at Lincoln Center, and symphonic and classical music at Carnegie Hall, the city also offers Off-Broadway and festival productions for visitors and residents to attend. 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Finding aid completed by Amanda Menjivar in January 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other \u003cextptr show=\"new\" title=\"playbill and theatre program collections.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=playbills\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains hundreds of playbills and programs from theatre, opera, symphonic music, and dance performances in New York City attended by Barbara Lustbader from 1957-2012. The majority of the programs for plays and musicals were officially produced by Playbill magazine, though there are also Showbills, \"Playkills,\" and other programs produced by local theaters and festivals. Many of the playbills have inserts announcing outages and understudies and covers stepping in for that particular performance. The collection is arranged into four series. All series are arranged alphabetically by production title or performing group and then chronologically by performance date.\u003c/p\u003e","\u003cp\u003eSeries 1: Theatre. Subseries 1.1 Musicals. Subseries 1.2 Plays. Subseries 1.3 Comedy and Special Events\u003c/p\u003e","\u003cp\u003eSeries 2: Ballet and Dance\u003c/p\u003e","\u003cp\u003eSeries 3: Symphonic Music\u003c/p\u003e","\u003cp\u003eSeries 4: Opera\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains hundreds of playbills and programs from theatre, opera, symphonic music, and dance performances in New York City attended by Barbara Lustbader from 1957-2012. The majority of the programs for plays and musicals were officially produced by Playbill magazine, though there are also Showbills, \"Playkills,\" and other programs produced by local theaters and festivals. Many of the playbills have inserts announcing outages and understudies and covers stepping in for that particular performance. The collection is arranged into four series. All series are arranged alphabetically by production title or performing group and then chronologically by performance date.","Series 1: Theatre. 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Subseries 1.3 Comedy and Special Events","Series 2: Ballet and Dance","Series 3: Symphonic Music","Series 4: Opera"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_9101d003e3751b01453a5722252ea0ae\"\u003eThis collection contains playbills and programs from hundreds of theatre, opera, symphonic music, and dance performances attended by Barbara Lustbader in New York City from 1957-2012.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains playbills and programs from hundreds of theatre, opera, symphonic music, and dance performances attended by Barbara Lustbader in New York City from 1957-2012."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_23aedeb1f7ecd319c60197c184080615\"\u003eR 71, C 2, S 2-5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 71, C 2, S 2-5"],"corpname_ssim":["George Mason University. 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We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Includes administrative files, publications, programs, meeting minutes, and other documents relating to the Chamber Music Society of Williamsburg (CMSW).","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Chamber Music Society of Williamsburg (CMSW) papers, 1987/2024"],"collection_ssim":["Chamber Music Society of Williamsburg (CMSW) papers, 1987/2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00429","/repositories/2/resources/10013"],"unitid_tesim":["MS 00429","/repositories/2/resources/10013"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by the Chamber Music Society of Williamsburg"],"access_subjects_ssim":["Music","Music--Performance--United States","Music--Virginia--Williamsburg.","Music--Societies, etc"],"access_subjects_ssm":["Music","Music--Performance--United States","Music--Virginia--Williamsburg.","Music--Societies, etc"],"has_online_content_ssim":["false"],"extent_ssm":["4.17 Linear Feet 10 Full Hollinger boxes"],"extent_tesim":["4.17 Linear Feet 10 Full Hollinger boxes"],"date_range_isim":[1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. 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We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e  "],"odd_heading_ssm":["General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eSpecial Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eIncludes administrative files, publications, programs, meeting minutes, and other documents relating to the Chamber Music Society of Williamsburg (CMSW).\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["Includes administrative files, publications, programs, meeting minutes, and other documents relating to the Chamber Music Society of Williamsburg (CMSW)."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":167,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-16T21:17:46.166Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_10013","ead_ssi":"viw_repositories_2_resources_10013","_root_":"viw_repositories_2_resources_10013","_nest_parent_":"viw_repositories_2_resources_10013","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_10013.xml","title_filing_ssi":"Chamber Music Society of Williamsburg (CMSW) papers","title_ssm":["Chamber Music Society of Williamsburg (CMSW) papers"],"title_tesim":["Chamber Music Society of Williamsburg (CMSW) papers"],"unitdate_ssm":["1987-2024"],"unitdate_inclusive_ssm":["1987-2024"],"normalized_date_ssm":["1987/2024"],"normalized_title_ssm":["Chamber Music Society of Williamsburg (CMSW) papers, 1987/2024"],"text":["Chamber Music Society of Williamsburg (CMSW) papers, 1987/2024","MS 00429","/repositories/2/resources/10013","Music","Music--Performance--United States","Music--Virginia--Williamsburg.","Music--Societies, etc","Collection is open to all researchers. 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The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","3 audio CDs: \"Wrenaissance,\" \"Carol of the Wrens,\" and \"Dynamic Tradition\"","8 audio CD-Rs: recording sessions and concerts, 2001 - 2003","This collection is not yet fully arranged and described. 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The repitoire of the Christopher Wren Singers is made up predominately of madrigal and renaissance music.","Acc. 2013.066 accessioned and minimally described by Steven Bookman, University Archives Specialist, in April 2013.","The Gentlemen of the College Records (UA 7.006); The Stairwells Records (UA 7.051); Student Organizations Collection (UA 7.047).","CDs and DAT tapes of concerts and recordings sessions were separated from this collection and added to the University Archives Audiovisual Collection (UA 58) on 4/19/2013.","Artifacts transferred to the University Archives Artifact Collection (UA 13) include: Christopher Wren Singers Polo Shirt (UA 2013.066.19).","A folder of fliers related to the Christopher Wren Singers was separated from the Student Organizations Collection (UA 7.047) and was added to this collection on 4/19/2013.","Contains letters, post cards, scrapbooks, audio CDs and other material related to the Christopher Wren Singers, an a capella student organization that specializes in singing madrigal music. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","3 audio CDs: \"Wrenaissance,\" \"Carol of the Wrens,\" and \"Dynamic Tradition\"","8 audio CD-Rs: recording sessions and concerts, 2001 - 2003","This collection is not yet fully arranged and described. 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Included in the accession are letters and postcards from alumni, scrapbooks of events from 1991-2001, and a 2012 book celebrating 25 years of the Cristopher Wren Singers.","CDs and DAT tapes of concerts and recordings sessions were separated from this collection and added to the University Archives Audiovisual Collection (UA 58) on 4/19/2013.","Artifacts transferred to the University Archives Artifact Collection (UA 13) include: Christopher Wren Singers Polo Shirt (UA 2013.066.19).","A folder of fliers related to the Christopher Wren Singers was separated from the Student Organizations Collection (UA 7.047) and was added to this collection on 4/19/2013.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Christopher Wren Singers","English"],"collection_title_tesim":["Christopher Wren Singers Records, 1989/2012, bulk 1993/2003"],"collection_ssim":["Christopher Wren Singers Records, 1989/2012, bulk 1993/2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 7.067","/repositories/2/resources/1674"],"unitid_tesim":["UA 7.067","/repositories/2/resources/1674"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Christopher Wren Singers"],"creator_ssim":["Christopher Wren Singers"],"creator_corpname_ssim":["Special Collections Research Center","Christopher Wren Singers"],"creators_ssim":["Special Collections Research Center","Christopher Wren Singers"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2013.066 was hand-delivered to Special Collections by the donor on 4/4/2013."],"access_subjects_ssim":["College of William and Mary--Students","Music","Student Organizations--Christopher Wren Singers","Fliers (printed matter)","Letters (correspondence)","Postcards","Scrapbooks"],"access_subjects_ssm":["College of William and Mary--Students","Music","Student Organizations--Christopher Wren Singers","Fliers (printed matter)","Letters (correspondence)","Postcards","Scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["1.00 Linear Feet"],"extent_tesim":["1.00 Linear Feet"],"genreform_ssim":["Fliers (printed matter)","Letters (correspondence)","Postcards","Scrapbooks"],"date_range_isim":[1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. 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The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003e3 audio CDs: \"Wrenaissance,\" \"Carol of the Wrens,\" and \"Dynamic Tradition\"\u003c/p\u003e","\u003cp\u003e 8 audio CD-Rs: recording sessions and concerts, 2001 - 2003\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["3 audio CDs: \"Wrenaissance,\" \"Carol of the Wrens,\" and \"Dynamic Tradition\"","8 audio CD-Rs: recording sessions and concerts, 2001 - 2003"],"arrangement_html_tesm":["\u003cp\u003eThis collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["This collection is not yet fully arranged and described. 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College of Visual \u0026 Performing Arts","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_577#abstract_or_scope","type":"document_value","attributes":{"value":"The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_577#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_577","ead_ssi":"vifgm_repositories_2_resources_577","_root_":"vifgm_repositories_2_resources_577","_nest_parent_":"vifgm_repositories_2_resources_577","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_577.xml","title_ssm":["College of Visual and Performing Arts records"],"title_tesim":["College of Visual and Performing Arts records"],"unitdate_ssm":["1930-2015"],"unitdate_inclusive_ssm":["1930-2015"],"normalized_date_ssm":["1930/2015"],"normalized_title_ssm":["College of Visual and Performing Arts records, 1930/2015"],"text":["College of Visual and Performing Arts records, 1930/2015","R0011","/repositories/2/resources/577","Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters","There are no access restrictions.","This collection is arranged by subject first and then chronologically and alphabetically respectively.","The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.","Series 1: International Arts Festival, 1980s-2005 (Boxes 1-2)\n      Series 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44)\n      Series 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12)\n      Series 4: \"In The Wings\", 1990s-1999 (Box 13)\n      Series 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62)\n      Series 6: Department of Music, 1968-2001 (Boxes 16-27)\n      Series 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64)\n      Series 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35)\n      Series 9: Playbills/Programs, 1966-2005 (Boxes 37-42)\n      Series 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52)\n      Series 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)","George Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018,","Beginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018.","Processing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018.","The Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the , the , and the","The materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks.","Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.","Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.","Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).","Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\".","Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.","Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department.","Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.","Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.","Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.","Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.","Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.","Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater.","It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s.","This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.","There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries.","The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.","George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts","English"],"collection_title_tesim":["College of Visual and Performing Arts records, 1930/2015"],"collection_ssim":["College of Visual and Performing Arts records, 1930/2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0011","/repositories/2/resources/577"],"unitid_tesim":["R0011","/repositories/2/resources/577"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. College of Visual \u0026 Performing Arts"],"creator_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by the College of Visual and Performing Arts between 1984 and 2016."],"access_subjects_ssim":["Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"access_subjects_ssm":["Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"has_online_content_ssim":["false"],"extent_ssm":["36.0 linear feet (64 boxes)"],"extent_tesim":["36.0 linear feet (64 boxes)"],"genreform_ssim":["Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject first and then chronologically and alphabetically respectively.\u003c/p\u003e","\u003cp\u003e The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eSeries 1: International Arts Festival, 1980s-2005 (Boxes 1-2)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12)\u003c/item\u003e\n      \u003citem\u003eSeries 4: \"In The Wings\", 1990s-1999 (Box 13)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Department of Music, 1968-2001 (Boxes 16-27)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Playbills/Programs, 1966-2005 (Boxes 37-42)\u003c/item\u003e\n      \u003citem\u003eSeries 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52)\u003c/item\u003e\n      \u003citem\u003eSeries 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject first and then chronologically and alphabetically respectively.","The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.","Series 1: International Arts Festival, 1980s-2005 (Boxes 1-2)\n      Series 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44)\n      Series 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12)\n      Series 4: \"In The Wings\", 1990s-1999 (Box 13)\n      Series 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62)\n      Series 6: Department of Music, 1968-2001 (Boxes 16-27)\n      Series 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64)\n      Series 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35)\n      Series 9: Playbills/Programs, 1966-2005 (Boxes 37-42)\n      Series 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52)\n      Series 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)"],"bibliography_html_tesm":["\u003cbibref\u003eGeorge Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, \u003cextptr href=\"https://cvpa.gmu.edu/about/our-history\" title=\"https://cvpa.gmu.edu/about/our-history.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["George Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018,"],"bioghist_html_tesm":["\u003cp\u003eBeginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical/Historical note"],"bioghist_tesim":["Beginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018."],"prefercite_html_tesm":["\u003cp\u003eCollege of Visual and Performing Arts records, R0011, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["College of Visual and Performing Arts records, R0011, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/ftp.html\" title=\"Federal Theater Project\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/arenastage.html\" title=\"Arena Stage records\" show=\"new\"\u003e\u003c/extptr\u003e, and the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/tfa.html\" title=\"Theater of the First Amendment\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the , the , and the"],"scopecontent_html_tesm":["\u003cp\u003eThe materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks.\u003c/p\u003e","\u003cp\u003e Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. \u003c/p\u003e","\u003cp\u003e Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.\u003c/p\u003e","\u003cp\u003e Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).\u003c/p\u003e","\u003cp\u003e Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". \u003c/p\u003e","\u003cp\u003e Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.\u003c/p\u003e","\u003cp\u003e Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department.\u003c/p\u003e","\u003cp\u003e Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.\u003c/p\u003e","\u003cp\u003e Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.\u003c/p\u003e","\u003cp\u003e Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.\u003c/p\u003e","\u003cp\u003e Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.\u003c/p\u003e","\u003cp\u003e Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.\u003c/p\u003e","\u003cp\u003e Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater.\u003c/p\u003e","\u003cp\u003e It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s.\u003c/p\u003e","\u003cp\u003e This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["The materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks.","Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.","Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.","Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).","Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\".","Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.","Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department.","Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.","Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.","Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.","Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.","Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.","Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater.","It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s.","This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.\u003c/abstract\u003e\n    "],"abstract_tesim":["The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1471,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-16T20:33:39.080Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_577","ead_ssi":"vifgm_repositories_2_resources_577","_root_":"vifgm_repositories_2_resources_577","_nest_parent_":"vifgm_repositories_2_resources_577","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_577.xml","title_ssm":["College of Visual and Performing Arts records"],"title_tesim":["College of Visual and Performing Arts records"],"unitdate_ssm":["1930-2015"],"unitdate_inclusive_ssm":["1930-2015"],"normalized_date_ssm":["1930/2015"],"normalized_title_ssm":["College of Visual and Performing Arts records, 1930/2015"],"text":["College of Visual and Performing Arts records, 1930/2015","R0011","/repositories/2/resources/577","Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters","There are no access restrictions.","This collection is arranged by subject first and then chronologically and alphabetically respectively.","The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.","Series 1: International Arts Festival, 1980s-2005 (Boxes 1-2)\n      Series 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44)\n      Series 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12)\n      Series 4: \"In The Wings\", 1990s-1999 (Box 13)\n      Series 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62)\n      Series 6: Department of Music, 1968-2001 (Boxes 16-27)\n      Series 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64)\n      Series 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35)\n      Series 9: Playbills/Programs, 1966-2005 (Boxes 37-42)\n      Series 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52)\n      Series 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)","George Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018,","Beginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018.","Processing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018.","The Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the , the , and the","The materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks.","Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.","Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.","Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).","Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\".","Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.","Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department.","Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.","Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.","Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.","Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.","Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.","Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater.","It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s.","This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.","There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries.","The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.","George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts","English"],"collection_title_tesim":["College of Visual and Performing Arts records, 1930/2015"],"collection_ssim":["College of Visual and Performing Arts records, 1930/2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0011","/repositories/2/resources/577"],"unitid_tesim":["R0011","/repositories/2/resources/577"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. College of Visual \u0026 Performing Arts"],"creator_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by the College of Visual and Performing Arts between 1984 and 2016."],"access_subjects_ssim":["Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"access_subjects_ssm":["Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"has_online_content_ssim":["false"],"extent_ssm":["36.0 linear feet (64 boxes)"],"extent_tesim":["36.0 linear feet (64 boxes)"],"genreform_ssim":["Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject first and then chronologically and alphabetically respectively.\u003c/p\u003e","\u003cp\u003e The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eSeries 1: International Arts Festival, 1980s-2005 (Boxes 1-2)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12)\u003c/item\u003e\n      \u003citem\u003eSeries 4: \"In The Wings\", 1990s-1999 (Box 13)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Department of Music, 1968-2001 (Boxes 16-27)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Playbills/Programs, 1966-2005 (Boxes 37-42)\u003c/item\u003e\n      \u003citem\u003eSeries 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52)\u003c/item\u003e\n      \u003citem\u003eSeries 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject first and then chronologically and alphabetically respectively.","The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.","Series 1: International Arts Festival, 1980s-2005 (Boxes 1-2)\n      Series 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44)\n      Series 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12)\n      Series 4: \"In The Wings\", 1990s-1999 (Box 13)\n      Series 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62)\n      Series 6: Department of Music, 1968-2001 (Boxes 16-27)\n      Series 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64)\n      Series 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35)\n      Series 9: Playbills/Programs, 1966-2005 (Boxes 37-42)\n      Series 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52)\n      Series 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)"],"bibliography_html_tesm":["\u003cbibref\u003eGeorge Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, \u003cextptr href=\"https://cvpa.gmu.edu/about/our-history\" title=\"https://cvpa.gmu.edu/about/our-history.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["George Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018,"],"bioghist_html_tesm":["\u003cp\u003eBeginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical/Historical note"],"bioghist_tesim":["Beginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018."],"prefercite_html_tesm":["\u003cp\u003eCollege of Visual and Performing Arts records, R0011, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["College of Visual and Performing Arts records, R0011, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/ftp.html\" title=\"Federal Theater Project\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/arenastage.html\" title=\"Arena Stage records\" show=\"new\"\u003e\u003c/extptr\u003e, and the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/tfa.html\" title=\"Theater of the First Amendment\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the , the , and the"],"scopecontent_html_tesm":["\u003cp\u003eThe materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks.\u003c/p\u003e","\u003cp\u003e Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. \u003c/p\u003e","\u003cp\u003e Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.\u003c/p\u003e","\u003cp\u003e Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).\u003c/p\u003e","\u003cp\u003e Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". \u003c/p\u003e","\u003cp\u003e Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.\u003c/p\u003e","\u003cp\u003e Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department.\u003c/p\u003e","\u003cp\u003e Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.\u003c/p\u003e","\u003cp\u003e Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.\u003c/p\u003e","\u003cp\u003e Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.\u003c/p\u003e","\u003cp\u003e Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.\u003c/p\u003e","\u003cp\u003e Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.\u003c/p\u003e","\u003cp\u003e Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater.\u003c/p\u003e","\u003cp\u003e It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s.\u003c/p\u003e","\u003cp\u003e This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["The materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks.","Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.","Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.","Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).","Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\".","Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.","Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department.","Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.","Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.","Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.","Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.","Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.","Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater.","It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s.","This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.\u003c/abstract\u003e\n    "],"abstract_tesim":["The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1471,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-16T20:33:39.080Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_577"}},{"id":"vino_repositories_2_resources_309","type":"collection","attributes":{"title":"Fred Strong Papers, 1991/2020","creator":{"id":"https://arvasarchive.org/catalog/vino_repositories_2_resources_309#creator","type":"document_value","attributes":{"value":"Strong, Fred (1952-)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vino_repositories_2_resources_309#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection is primarily comprised of Fred Strong's musical compositions for piano and vocal scores, focusing on humanist, secular, and natural themes. Included in the collection is one of the composers most famous pieces – BANG! The Musical, a composition for soprano, alto, tenor, and bass. As described by the composer, \"BANG! takes the audience on a trip through time and space from the big bang to present-day Earth, with a humanist message about our choices and responsibilities. The music ranges from doo-wop to hip-hop and folk to jazz.\"\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vino_repositories_2_resources_309#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vino_repositories_2_resources_309","ead_ssi":"vino_repositories_2_resources_309","_root_":"vino_repositories_2_resources_309","_nest_parent_":"vino_repositories_2_resources_309","ead_source_url_ssi":"data/oai/ODU/repositories_2_resources_309.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/2/resources/309","title_filing_ssi":"Strong, Fred","title_ssm":["Fred Strong Papers"],"title_tesim":["Fred Strong Papers"],"unitdate_ssm":["1991-2020","Date acquired: 04/12/2021"],"unitdate_inclusive_ssm":["1991-2020"],"unitdate_other_ssim":["Date acquired: 04/12/2021"],"normalized_date_ssm":["1991/2020"],"normalized_title_ssm":["Fred Strong Papers, 1991/2020"],"text":["Fred Strong Papers, 1991/2020","DCR MG 16","/repositories/2/resources/309","Hampton Roads (Va. : Region)","Music--United States--20th century","Music--United States--21st century","Vocal Music--20th century","Vocal Music--21st century","Music","Piano Music--20th century","Piano Music--21st century","Open to researchers without restrictions. Original compositions, audio visuals and booklets must be viewed in-person.","The collection has been organized into two series: Series I: Original Compositions; and Series II: Musical.","Fred Strong was born in Shreveport, Louisiana but spent much of his early life in Norfolk, Virginia (1960 - 1979), where he graduated from Norview High School in 1970. After high school, Strong went on to study musical composition for one year at Shenandoah Conservatory, in Winchester, Virginia, after which he completed his studies at Old Dominion University (ODU).","Having learned the basics of music and piano from his mother, he began writing songs at an early age and sang in choral groups throughout all levels of schooling. While in high school, encouraged and mentored by his choir director, Claire McDermott, he became student director and began to write music of a more serious nature, several works of which were performed by Norview's concert choir, madrigals, and band. His love for writing music motivated him to seek a degree in composition. In addition to his time at ODU, Strong has studied with former Norfolk State University professor and composer Adolphus Hailstork, and taken classes in film scoring and arranging at L.A. Valley College in Los Angeles, California. For many years, Strong enjoyed a career in published music, working in New York City for the music publisher Carl Fischer and owning sheet music retail outlets in Norfolk, Virginia and Portland, Oregon.","Strong's works have been performed across the United States, including Norfolk, Chesapeake, and Williamsburg, Virginia, Los Angeles, New York City, Providence, Rhode Island, and and Washington DC, where his choral piece, The Well, was premiered on the steps of the United States Capitol Building. Until 2020, Strong lived in Portland, Oregon where he developed an annual, secular Winter Solstice celebration called Darktolight for which he wrote several works. For Darktolight 2012, he wrote a musical, BANG!, which celebrates life and evolution originating in the Big Bang. BANG! garnered national attention and is the world's first Freethought musical.","Strong currently resides in Williamsburg, Virginia with his wife, Sandra Brown.","Note written by Fred Strong","The collection was processed by LaraAnn Canner from April through July 2021.","This collection is primarily comprised of Fred Strong's musical compositions for piano and vocal scores, focusing on humanist, secular, and natural themes. Included in the collection is one of the composers most famous pieces – BANG! The Musical, a composition for soprano, alto, tenor, and bass. As described by the composer, \"BANG! takes the audience on a trip through time and space from the big bang to present-day Earth, with a humanist message about our choices and responsibilities. The music ranges from doo-wop to hip-hop and folk to jazz.\"","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries. Fred Strong has granted ODU faculty, staff, and students permission to perform his compositions royalty free.","ODU Diehn Composers Room Collection","Strong, Fred (1952-)","English"],"collection_title_tesim":["Fred Strong Papers, 1991/2020"],"collection_ssim":["Fred Strong Papers, 1991/2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["DCR MG 16","/repositories/2/resources/309"],"unitid_tesim":["DCR MG 16","/repositories/2/resources/309"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"geogname_ssm":["Hampton Roads (Va. : Region)"],"geogname_ssim":["Hampton Roads (Va. : Region)"],"places_ssim":["Hampton Roads (Va. : Region)"],"creator_ssm":["Strong, Fred (1952-)"],"creator_ssim":["Strong, Fred (1952-)"],"creator_persname_ssim":["Strong, Fred (1952-)"],"creator_corpname_ssim":["ODU Diehn Composers Room Collection"],"creators_ssim":["Strong, Fred (1952-)","ODU Diehn Composers Room Collection"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries. Fred Strong has granted ODU faculty, staff, and students permission to perform his compositions royalty free."],"acqinfo_ssim":["Fred Strong","Acc. 2021.004 was hand-delivered to Special Collections and University Archives from the donor on 4/12/2021."],"access_subjects_ssim":["Music--United States--20th century","Music--United States--21st century","Vocal Music--20th century","Vocal Music--21st century","Music","Piano Music--20th century","Piano Music--21st century"],"access_subjects_ssm":["Music--United States--20th century","Music--United States--21st century","Vocal Music--20th century","Vocal Music--21st century","Music","Piano Music--20th century","Piano Music--21st century"],"has_online_content_ssim":["false"],"extent_ssm":["0.4 Linear Feet","1 tall Hollinger document case boxes"],"extent_tesim":["0.4 Linear Feet","1 tall Hollinger document case boxes"],"date_range_isim":[1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions. Original compositions, audio visuals and booklets must be viewed in-person.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions. Original compositions, audio visuals and booklets must be viewed in-person."],"arrangement_html_tesm":["\u003cp\u003eThe collection has been organized into two series: Series I: Original Compositions; and Series II: Musical.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection has been organized into two series: Series I: Original Compositions; and Series II: Musical."],"bioghist_html_tesm":["\u003cp\u003eFred Strong was born in Shreveport, Louisiana but spent much of his early life in Norfolk, Virginia (1960 - 1979), where he graduated from Norview High School in 1970. After high school, Strong went on to study musical composition for one year at Shenandoah Conservatory, in Winchester, Virginia, after which he completed his studies at Old Dominion University (ODU). \u003c/p\u003e","\u003cp\u003eHaving learned the basics of music and piano from his mother, he began writing songs at an early age and sang in choral groups throughout all levels of schooling. While in high school, encouraged and mentored by his choir director, Claire McDermott, he became student director and began to write music of a more serious nature, several works of which were performed by Norview's concert choir, madrigals, and band. His love for writing music motivated him to seek a degree in composition. In addition to his time at ODU, Strong has studied with former Norfolk State University professor and composer Adolphus Hailstork, and taken classes in film scoring and arranging at L.A. Valley College in Los Angeles, California. For many years, Strong enjoyed a career in published music, working in New York City for the music publisher Carl Fischer and owning sheet music retail outlets in Norfolk, Virginia and Portland, Oregon. \u003c/p\u003e","\u003cp\u003eStrong's works have been performed across the United States, including Norfolk, Chesapeake, and Williamsburg, Virginia, Los Angeles, New York City, Providence, Rhode Island, and and Washington DC, where his choral piece, The Well, was premiered on the steps of the United States Capitol Building. Until 2020, Strong lived in Portland, Oregon where he developed an annual, secular Winter Solstice celebration called Darktolight for which he wrote several works. For Darktolight 2012, he wrote a musical, BANG!, which celebrates life and evolution originating in the Big Bang. BANG! garnered national attention and is the world's first Freethought musical.  \u003c/p\u003e","\u003cp\u003eStrong currently resides in Williamsburg, Virginia with his wife, Sandra Brown.\u003c/p\u003e","\u003cp\u003eNote written by Fred Strong\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Fred Strong was born in Shreveport, Louisiana but spent much of his early life in Norfolk, Virginia (1960 - 1979), where he graduated from Norview High School in 1970. After high school, Strong went on to study musical composition for one year at Shenandoah Conservatory, in Winchester, Virginia, after which he completed his studies at Old Dominion University (ODU).","Having learned the basics of music and piano from his mother, he began writing songs at an early age and sang in choral groups throughout all levels of schooling. While in high school, encouraged and mentored by his choir director, Claire McDermott, he became student director and began to write music of a more serious nature, several works of which were performed by Norview's concert choir, madrigals, and band. His love for writing music motivated him to seek a degree in composition. In addition to his time at ODU, Strong has studied with former Norfolk State University professor and composer Adolphus Hailstork, and taken classes in film scoring and arranging at L.A. Valley College in Los Angeles, California. For many years, Strong enjoyed a career in published music, working in New York City for the music publisher Carl Fischer and owning sheet music retail outlets in Norfolk, Virginia and Portland, Oregon.","Strong's works have been performed across the United States, including Norfolk, Chesapeake, and Williamsburg, Virginia, Los Angeles, New York City, Providence, Rhode Island, and and Washington DC, where his choral piece, The Well, was premiered on the steps of the United States Capitol Building. Until 2020, Strong lived in Portland, Oregon where he developed an annual, secular Winter Solstice celebration called Darktolight for which he wrote several works. For Darktolight 2012, he wrote a musical, BANG!, which celebrates life and evolution originating in the Big Bang. BANG! garnered national attention and is the world's first Freethought musical.","Strong currently resides in Williamsburg, Virginia with his wife, Sandra Brown.","Note written by Fred Strong"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed by LaraAnn Canner from April through July 2021.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed by LaraAnn Canner from April through July 2021."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is primarily comprised of Fred Strong's musical compositions for piano and vocal scores, focusing on humanist, secular, and natural themes. Included in the collection is one of the composers most famous pieces – BANG! The Musical, a composition for soprano, alto, tenor, and bass. As described by the composer, \"BANG! takes the audience on a trip through time and space from the big bang to present-day Earth, with a humanist message about our choices and responsibilities. The music ranges from doo-wop to hip-hop and folk to jazz.\"\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection is primarily comprised of Fred Strong's musical compositions for piano and vocal scores, focusing on humanist, secular, and natural themes. Included in the collection is one of the composers most famous pieces – BANG! The Musical, a composition for soprano, alto, tenor, and bass. As described by the composer, \"BANG! takes the audience on a trip through time and space from the big bang to present-day Earth, with a humanist message about our choices and responsibilities. The music ranges from doo-wop to hip-hop and folk to jazz.\""],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries. Fred Strong has granted ODU faculty, staff, and students permission to perform his compositions royalty free.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries. Fred Strong has granted ODU faculty, staff, and students permission to perform his compositions royalty free."],"corpname_ssim":["ODU Diehn Composers Room Collection"],"persname_ssim":["Strong, Fred (1952-)"],"names_ssim":["ODU Diehn Composers Room Collection","Strong, Fred (1952-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":22,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-16T20:41:54.856Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_2_resources_309","ead_ssi":"vino_repositories_2_resources_309","_root_":"vino_repositories_2_resources_309","_nest_parent_":"vino_repositories_2_resources_309","ead_source_url_ssi":"data/oai/ODU/repositories_2_resources_309.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/2/resources/309","title_filing_ssi":"Strong, Fred","title_ssm":["Fred Strong Papers"],"title_tesim":["Fred Strong Papers"],"unitdate_ssm":["1991-2020","Date acquired: 04/12/2021"],"unitdate_inclusive_ssm":["1991-2020"],"unitdate_other_ssim":["Date acquired: 04/12/2021"],"normalized_date_ssm":["1991/2020"],"normalized_title_ssm":["Fred Strong Papers, 1991/2020"],"text":["Fred Strong Papers, 1991/2020","DCR MG 16","/repositories/2/resources/309","Hampton Roads (Va. : Region)","Music--United States--20th century","Music--United States--21st century","Vocal Music--20th century","Vocal Music--21st century","Music","Piano Music--20th century","Piano Music--21st century","Open to researchers without restrictions. Original compositions, audio visuals and booklets must be viewed in-person.","The collection has been organized into two series: Series I: Original Compositions; and Series II: Musical.","Fred Strong was born in Shreveport, Louisiana but spent much of his early life in Norfolk, Virginia (1960 - 1979), where he graduated from Norview High School in 1970. After high school, Strong went on to study musical composition for one year at Shenandoah Conservatory, in Winchester, Virginia, after which he completed his studies at Old Dominion University (ODU).","Having learned the basics of music and piano from his mother, he began writing songs at an early age and sang in choral groups throughout all levels of schooling. While in high school, encouraged and mentored by his choir director, Claire McDermott, he became student director and began to write music of a more serious nature, several works of which were performed by Norview's concert choir, madrigals, and band. His love for writing music motivated him to seek a degree in composition. In addition to his time at ODU, Strong has studied with former Norfolk State University professor and composer Adolphus Hailstork, and taken classes in film scoring and arranging at L.A. Valley College in Los Angeles, California. For many years, Strong enjoyed a career in published music, working in New York City for the music publisher Carl Fischer and owning sheet music retail outlets in Norfolk, Virginia and Portland, Oregon.","Strong's works have been performed across the United States, including Norfolk, Chesapeake, and Williamsburg, Virginia, Los Angeles, New York City, Providence, Rhode Island, and and Washington DC, where his choral piece, The Well, was premiered on the steps of the United States Capitol Building. Until 2020, Strong lived in Portland, Oregon where he developed an annual, secular Winter Solstice celebration called Darktolight for which he wrote several works. 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The music ranges from doo-wop to hip-hop and folk to jazz.\"","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries. 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Fred Strong has granted ODU faculty, staff, and students permission to perform his compositions royalty free."],"acqinfo_ssim":["Fred Strong","Acc. 2021.004 was hand-delivered to Special Collections and University Archives from the donor on 4/12/2021."],"access_subjects_ssim":["Music--United States--20th century","Music--United States--21st century","Vocal Music--20th century","Vocal Music--21st century","Music","Piano Music--20th century","Piano Music--21st century"],"access_subjects_ssm":["Music--United States--20th century","Music--United States--21st century","Vocal Music--20th century","Vocal Music--21st century","Music","Piano Music--20th century","Piano Music--21st century"],"has_online_content_ssim":["false"],"extent_ssm":["0.4 Linear Feet","1 tall Hollinger document case boxes"],"extent_tesim":["0.4 Linear Feet","1 tall Hollinger document case boxes"],"date_range_isim":[1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions. Original compositions, audio visuals and booklets must be viewed in-person.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions. Original compositions, audio visuals and booklets must be viewed in-person."],"arrangement_html_tesm":["\u003cp\u003eThe collection has been organized into two series: Series I: Original Compositions; and Series II: Musical.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection has been organized into two series: Series I: Original Compositions; and Series II: Musical."],"bioghist_html_tesm":["\u003cp\u003eFred Strong was born in Shreveport, Louisiana but spent much of his early life in Norfolk, Virginia (1960 - 1979), where he graduated from Norview High School in 1970. After high school, Strong went on to study musical composition for one year at Shenandoah Conservatory, in Winchester, Virginia, after which he completed his studies at Old Dominion University (ODU). \u003c/p\u003e","\u003cp\u003eHaving learned the basics of music and piano from his mother, he began writing songs at an early age and sang in choral groups throughout all levels of schooling. While in high school, encouraged and mentored by his choir director, Claire McDermott, he became student director and began to write music of a more serious nature, several works of which were performed by Norview's concert choir, madrigals, and band. His love for writing music motivated him to seek a degree in composition. In addition to his time at ODU, Strong has studied with former Norfolk State University professor and composer Adolphus Hailstork, and taken classes in film scoring and arranging at L.A. Valley College in Los Angeles, California. For many years, Strong enjoyed a career in published music, working in New York City for the music publisher Carl Fischer and owning sheet music retail outlets in Norfolk, Virginia and Portland, Oregon. \u003c/p\u003e","\u003cp\u003eStrong's works have been performed across the United States, including Norfolk, Chesapeake, and Williamsburg, Virginia, Los Angeles, New York City, Providence, Rhode Island, and and Washington DC, where his choral piece, The Well, was premiered on the steps of the United States Capitol Building. Until 2020, Strong lived in Portland, Oregon where he developed an annual, secular Winter Solstice celebration called Darktolight for which he wrote several works. For Darktolight 2012, he wrote a musical, BANG!, which celebrates life and evolution originating in the Big Bang. BANG! garnered national attention and is the world's first Freethought musical.  \u003c/p\u003e","\u003cp\u003eStrong currently resides in Williamsburg, Virginia with his wife, Sandra Brown.\u003c/p\u003e","\u003cp\u003eNote written by Fred Strong\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Fred Strong was born in Shreveport, Louisiana but spent much of his early life in Norfolk, Virginia (1960 - 1979), where he graduated from Norview High School in 1970. After high school, Strong went on to study musical composition for one year at Shenandoah Conservatory, in Winchester, Virginia, after which he completed his studies at Old Dominion University (ODU).","Having learned the basics of music and piano from his mother, he began writing songs at an early age and sang in choral groups throughout all levels of schooling. While in high school, encouraged and mentored by his choir director, Claire McDermott, he became student director and began to write music of a more serious nature, several works of which were performed by Norview's concert choir, madrigals, and band. His love for writing music motivated him to seek a degree in composition. In addition to his time at ODU, Strong has studied with former Norfolk State University professor and composer Adolphus Hailstork, and taken classes in film scoring and arranging at L.A. Valley College in Los Angeles, California. For many years, Strong enjoyed a career in published music, working in New York City for the music publisher Carl Fischer and owning sheet music retail outlets in Norfolk, Virginia and Portland, Oregon.","Strong's works have been performed across the United States, including Norfolk, Chesapeake, and Williamsburg, Virginia, Los Angeles, New York City, Providence, Rhode Island, and and Washington DC, where his choral piece, The Well, was premiered on the steps of the United States Capitol Building. Until 2020, Strong lived in Portland, Oregon where he developed an annual, secular Winter Solstice celebration called Darktolight for which he wrote several works. For Darktolight 2012, he wrote a musical, BANG!, which celebrates life and evolution originating in the Big Bang. BANG! garnered national attention and is the world's first Freethought musical.","Strong currently resides in Williamsburg, Virginia with his wife, Sandra Brown.","Note written by Fred Strong"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Fred Strong Papers, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed by LaraAnn Canner from April through July 2021.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed by LaraAnn Canner from April through July 2021."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is primarily comprised of Fred Strong's musical compositions for piano and vocal scores, focusing on humanist, secular, and natural themes. 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The music ranges from doo-wop to hip-hop and folk to jazz.\""],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries. Fred Strong has granted ODU faculty, staff, and students permission to perform his compositions royalty free.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries. Fred Strong has granted ODU faculty, staff, and students permission to perform his compositions royalty free."],"corpname_ssim":["ODU Diehn Composers Room Collection"],"persname_ssim":["Strong, Fred (1952-)"],"names_ssim":["ODU Diehn Composers Room Collection","Strong, Fred (1952-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":22,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-16T20:41:54.856Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vino_repositories_2_resources_309"}},{"id":"viblbv_repositories_2_resources_3015","type":"collection","attributes":{"title":"Mel Felton and the Southern Colonels Recordings, 1946/2014","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3015#creator","type":"document_value","attributes":{"value":"Mel Felton and the Southern Colonels","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3015#abstract_or_scope","type":"document_value","attributes":{"value":"Recordings of Mel Felton and the Southern Colonels dance orchestra, including seven original 1946 acetate recordings from the Marine Room of Isle of Palms, South Carolina, together with a 2014 compact disc containing digital conversions from the original recordings.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3015#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_3015","ead_ssi":"viblbv_repositories_2_resources_3015","_root_":"viblbv_repositories_2_resources_3015","_nest_parent_":"viblbv_repositories_2_resources_3015","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3015.xml","title_filing_ssi":"Felton, Mel and the Southern Colonels Recordings","title_ssm":["Mel Felton and the Southern Colonels Recordings"],"title_tesim":["Mel Felton and the Southern Colonels Recordings"],"unitdate_ssm":["1946-2014"],"unitdate_inclusive_ssm":["1946-2014"],"normalized_date_ssm":["1946/2014"],"normalized_title_ssm":["Mel Felton and the Southern Colonels Recordings, 1946/2014"],"text":["Mel Felton and the Southern Colonels Recordings, 1946/2014","Ms.2016.002","Musical groups","Music","0.5 cu. ft. 1 box","Collection is open for research.","The collection is arranged by format, then by date.","The origin of the Southern Colonels, a Virginia Tech dance orchestra, can be traced to 1918, when student Dayton Rice Taylor founded the Southern Syncopating Saxophone Six with five other students. After the early departure of one member, the band renamed itself the Virginia Tech Jazz Orchestra and was also known as the College Six. A popular fixture at campus functions, the group renamed itself again in 1922, becoming the Collegians. By 1931, the band had expanded to a nine-piece orchestra and in an attempt to be more distinctive ranamed itself yet again, as The Southern Colonels.","The Southern Colonels disbanded during World War II, but drummer Mel Feldenheimer helped to reassemble the band when he returned to campus in 1944, following his service in World War II. The orchestra quickly regained its popularity, performing at Virginia Tech and other colleges. During 1946 and 1947, the orchestra toured the southern states as Mel Felton and the Southern Colonels, with Feldenheimer as bandleader. The orchestra was featured in a weekly radio broadcast on Charleston, South Carolina's WCSC (now WSPO) while performing on the nearby Isle of Palms.","The processing, arrangement, and description of the Mel Felton and the Southern Colonels Recordings commenced and was completed in January, 2016.","Melvin Feldenheimer Collection, Ms2008-083. Finding aid available online.","This collection contains recordings made by Mel Felton and the Southern Colonels, a Virginia Tech dance orchestra. Included are seven original 1946 acetate recordings of the orchestra performing at the Marine Room on Isle of Palms, South Carolina. Also included is a 2014 compact disc containing digital conversions of the original recordings.","Permission to publish material from the Mel Felton and the Southern Colonels Recordings must be obtained from Special Collections, Virginia Tech.","Recordings of Mel Felton and the Southern Colonels dance orchestra, including seven original 1946 acetate recordings from the Marine Room of  Isle of Palms, South Carolina, together with a 2014 compact disc containing digital conversions from the original recordings.","Special Collections and University Archives, Virginia Tech","Mel Felton and the Southern Colonels","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","English\n."],"collection_title_tesim":["Mel Felton and the Southern Colonels Recordings, 1946/2014"],"collection_ssim":["Mel Felton and the Southern Colonels Recordings, 1946/2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2016.002"],"unitid_tesim":["Ms.2016.002"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Mel Felton and the Southern Colonels"],"creator_ssim":["Mel Felton and the Southern Colonels"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Mel Felton and the Southern Colonels","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"creators_ssim":["Special Collections and University Archives, Virginia Tech","Mel Felton and the Southern Colonels","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"access_terms_ssm":["Permission to publish material from the Mel Felton and the Southern Colonels Recordings must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The Mel Felton and the Southern Colonels Recordings were donated to Special Collections in 2014."],"access_subjects_ssim":["Musical groups","Music"],"access_subjects_ssm":["Musical groups","Music"],"has_online_content_ssim":["false"],"physdesc_tesim":["0.5 cu. ft. 1 box"],"extent_ssm":["0.5 Cubic Feet 1 box"],"extent_tesim":["0.5 Cubic Feet 1 box"],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by format, then by date.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by format, then by date."],"bioghist_html_tesm":["\u003cp\u003eThe origin of the Southern Colonels, a Virginia Tech dance orchestra, can be traced to 1918, when student Dayton Rice Taylor founded the Southern Syncopating Saxophone Six with five other students. After the early departure of one member, the band renamed itself the Virginia Tech Jazz Orchestra and was also known as the College Six. A popular fixture at campus functions, the group renamed itself again in 1922, becoming the Collegians. By 1931, the band had expanded to a nine-piece orchestra and in an attempt to be more distinctive ranamed itself yet again, as The Southern Colonels. \u003c/p\u003e","\u003cp\u003eThe Southern Colonels disbanded during World War II, but drummer Mel Feldenheimer helped to reassemble the band when he returned to campus in 1944, following his service in World War II. The orchestra quickly regained its popularity, performing at Virginia Tech and other colleges. During 1946 and 1947, the orchestra toured the southern states as Mel Felton and the Southern Colonels, with Feldenheimer as bandleader. The orchestra was featured in a weekly radio broadcast on Charleston, South Carolina's WCSC (now WSPO) while performing on the nearby Isle of Palms.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The origin of the Southern Colonels, a Virginia Tech dance orchestra, can be traced to 1918, when student Dayton Rice Taylor founded the Southern Syncopating Saxophone Six with five other students. After the early departure of one member, the band renamed itself the Virginia Tech Jazz Orchestra and was also known as the College Six. A popular fixture at campus functions, the group renamed itself again in 1922, becoming the Collegians. By 1931, the band had expanded to a nine-piece orchestra and in an attempt to be more distinctive ranamed itself yet again, as The Southern Colonels.","The Southern Colonels disbanded during World War II, but drummer Mel Feldenheimer helped to reassemble the band when he returned to campus in 1944, following his service in World War II. The orchestra quickly regained its popularity, performing at Virginia Tech and other colleges. During 1946 and 1947, the orchestra toured the southern states as Mel Felton and the Southern Colonels, with Feldenheimer as bandleader. The orchestra was featured in a weekly radio broadcast on Charleston, South Carolina's WCSC (now WSPO) while performing on the nearby Isle of Palms."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Mel Felton and the Southern Colonels Recordings, Ms2016-002, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Mel Felton and the Southern Colonels Recordings, Ms2016-002, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Mel Felton and the Southern Colonels Recordings commenced and was completed in January, 2016.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Mel Felton and the Southern Colonels Recordings commenced and was completed in January, 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eMelvin Feldenheimer Collection, Ms2008-083. \u003cextref actuate=\"onRequest\" href=\"http://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv00498.xml\" show=\"new\" title=\"Finding aid\"\u003eFinding ai\u003c/extref\u003ed available online.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Melvin Feldenheimer Collection, Ms2008-083. Finding aid available online."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains recordings made by Mel Felton and the Southern Colonels, a Virginia Tech dance orchestra. Included are seven original 1946 acetate recordings of the orchestra performing at the Marine Room on Isle of Palms, South Carolina. Also included is a 2014 compact disc containing digital conversions of the original recordings.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains recordings made by Mel Felton and the Southern Colonels, a Virginia Tech dance orchestra. Included are seven original 1946 acetate recordings of the orchestra performing at the Marine Room on Isle of Palms, South Carolina. Also included is a 2014 compact disc containing digital conversions of the original recordings."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Mel Felton and the Southern Colonels Recordings must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from the Mel Felton and the Southern Colonels Recordings must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_08fc06f449ace496c647f9ce464e3bc6\" label=\"Abstract\"\u003eRecordings of Mel Felton and the Southern Colonels dance orchestra, including seven original 1946 acetate recordings from the Marine Room of  Isle of Palms, South Carolina, together with a 2014 compact disc containing digital conversions from the original recordings.\u003c/abstract\u003e\n    "],"abstract_tesim":["Recordings of Mel Felton and the Southern Colonels dance orchestra, including seven original 1946 acetate recordings from the Marine Room of  Isle of Palms, South Carolina, together with a 2014 compact disc containing digital conversions from the original recordings."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Mel Felton and the Southern Colonels","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Mel Felton and the Southern Colonels","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"language_ssim":["English\n."],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-16T20:25:16.002Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3015","ead_ssi":"viblbv_repositories_2_resources_3015","_root_":"viblbv_repositories_2_resources_3015","_nest_parent_":"viblbv_repositories_2_resources_3015","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3015.xml","title_filing_ssi":"Felton, Mel and the Southern Colonels Recordings","title_ssm":["Mel Felton and the Southern Colonels Recordings"],"title_tesim":["Mel Felton and the Southern Colonels Recordings"],"unitdate_ssm":["1946-2014"],"unitdate_inclusive_ssm":["1946-2014"],"normalized_date_ssm":["1946/2014"],"normalized_title_ssm":["Mel Felton and the Southern Colonels Recordings, 1946/2014"],"text":["Mel Felton and the Southern Colonels Recordings, 1946/2014","Ms.2016.002","Musical groups","Music","0.5 cu. ft. 1 box","Collection is open for research.","The collection is arranged by format, then by date.","The origin of the Southern Colonels, a Virginia Tech dance orchestra, can be traced to 1918, when student Dayton Rice Taylor founded the Southern Syncopating Saxophone Six with five other students. 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Mark Jones about the night of the hurricane; three copies of a report titled \"Reaction of Flood Victims in Rockbridge County, Virginia\" by a Washington and Lee class in Research Methods and Politics and Sociology; and a poster advertising the 50th anniversary commemoration of Hurricane Camille.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains: newspaper clippings about Hurricane Camille; a record of a song recorded by J. Mark Jones about the night of the hurricane; three copies of a report titled \"Reaction of Flood Victims in Rockbridge County, Virginia\" by a Washington and Lee class in Research Methods and Politics and Sociology; and a poster advertising the 50th anniversary commemoration of Hurricane Camille."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"persname_ssim":["Jones, J. Mark (John Mark)"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Jones, J. 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Leyburn Library, Washington and Lee University, Lexington, VA\u003c/p\u003e\n","\u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Rockbridge Historical Society files on floods and Hurricane Camille, RHS Coll. 0049, , Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA","In some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains: newspaper clippings about Hurricane Camille; a record of a song recorded by J. Mark Jones about the night of the hurricane; three copies of a report titled \"Reaction of Flood Victims in Rockbridge County, Virginia\" by a Washington and Lee class in Research Methods and Politics and Sociology; and a poster advertising the 50th anniversary commemoration of Hurricane Camille.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains: newspaper clippings about Hurricane Camille; a record of a song recorded by J. Mark Jones about the night of the hurricane; three copies of a report titled \"Reaction of Flood Victims in Rockbridge County, Virginia\" by a Washington and Lee class in Research Methods and Politics and Sociology; and a poster advertising the 50th anniversary commemoration of Hurricane Camille."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"persname_ssim":["Jones, J. Mark (John Mark)"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Jones, J. Mark (John Mark)"],"language_ssim":["This collection is in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-16T20:38:43.021Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_1006"}},{"id":"viw_repositories_2_resources_8981","type":"collection","attributes":{"title":"The Gentlemen of the College records, 1990/2023","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8981#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe records of the College of William and Mary men's a capella group Gentlemen of the College include internal and external correspondence related to public performances; the constitution and by-laws; fliers advertising performances and auditions; a history of the group; membership lists; photographs; an extensive collection of audiovisual material documenting both live performances and studio sessions; and several scrapbooks. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. 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Performances are both on and off campus in the Williamsburg area in addition to their annual spring tour and any competitions in which they compete throughout the year. The group performs barbershop standards in addition to more modern tunes with traditional a cappella arrangements. Typically the group will consist of anywhere from 10-15 members. Their performances are known for lively antics during the songs and the comedy skits performed between numbers. Every academic year ends with a Gentlemen of the College final concert in Phi Beta Kappa Hall. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: .","Additional portions of the collection were removed from the artificial collection the University Archives Publications Collection. 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This material was reprocessed by Rebecca Barnhart, SCRC Staff, when additional material was received from the Gentlemen of the College in November 2007.","University Archives Subject File Collection (UA 9); University Archives Photograph Collection; University Archives Artifact Collection (UA 13) ; University Archives Poster Collection (UA 12); University Archives Audiovisual Collection (UA 58).","The records of the College of William and Mary men's a capella group Gentlemen of the College include internal and external correspondence related to public performances; the constitution and by-laws; fliers advertising performances and auditions; a history of the group; membership lists; photographs; an extensive collection of audiovisual material documenting both live performances and studio sessions; and several scrapbooks. 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Performances are both on and off campus in the Williamsburg area in addition to their annual spring tour and any competitions in which they compete throughout the year. The group performs barbershop standards in addition to more modern tunes with traditional a cappella arrangements. Typically the group will consist of anywhere from 10-15 members. Their performances are known for lively antics during the songs and the comedy skits performed between numbers. Every academic year ends with a Gentlemen of the College final concert in Phi Beta Kappa Hall. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: .","Additional portions of the collection were removed from the artificial collection the University Archives Publications Collection. 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The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into five series: Series 1: Scrapbooks, 1990-1998; Series 2: Audiovisual Material, 1990-2000; Series 3: Photographs, 1990-2000; Series 4: Administrative Records, 1990-2005; and Series 5: Publicity Material, 1990-2006.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["This collection is arranged into five series: Series 1: Scrapbooks, 1990-1998; Series 2: Audiovisual Material, 1990-2000; Series 3: Photographs, 1990-2000; Series 4: Administrative Records, 1990-2005; and Series 5: Publicity Material, 1990-2006."],"bioghist_html_tesm":["\u003cp\u003eThe Gentlemen of the College, a men's a cappella group at the College of William and Mary, was organized in January 1990 and formally recognized by the Office of Student Activities in November 1990. 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Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Gentlemen_of_the_College\" title=\"Gentlemen of the College\"\u003e\u003c/extref\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["The Gentlemen of the College, a men's a cappella group at the College of William and Mary, was organized in January 1990 and formally recognized by the Office of Student Activities in November 1990. Founding members identified in a photograph taken in Fall 1990 include Doug Stambler, class of 1992, and Michael Fitch, class of 1993. As of December 2007, the group remains active on campus and is the oldest men's a cappella group at the College of William and Mary. The group performs live many times throughout the academic year. Performances are both on and off campus in the Williamsburg area in addition to their annual spring tour and any competitions in which they compete throughout the year. The group performs barbershop standards in addition to more modern tunes with traditional a cappella arrangements. Typically the group will consist of anywhere from 10-15 members. Their performances are known for lively antics during the songs and the comedy skits performed between numbers. Every academic year ends with a Gentlemen of the College final concert in Phi Beta Kappa Hall. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: ."],"custodhist_html_tesm":["\u003cp\u003eAdditional portions of the collection were removed from the artificial collection the University Archives Publications Collection. The portions of the collection given to the University Archives prior to 2007 were assigned the accession number 2007.030 except for the material included as part of acc. 1994.032.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History:"],"custodhist_tesim":["Additional portions of the collection were removed from the artificial collection the University Archives Publications Collection. The portions of the collection given to the University Archives prior to 2007 were assigned the accession number 2007.030 except for the material included as part of acc. 1994.032."],"prefercite_html_tesm":["\u003cp\u003eThe Gentlemen of the College records, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["The Gentlemen of the College records, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eRecords received prior to 2007 were described as part of the University Archives Publications Collection. This material was reprocessed by Rebecca Barnhart, SCRC Staff, when additional material was received from the Gentlemen of the College in November 2007.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Records received prior to 2007 were described as part of the University Archives Publications Collection. This material was reprocessed by Rebecca Barnhart, SCRC Staff, when additional material was received from the Gentlemen of the College in November 2007."],"relatedmaterial_html_tesm":["\u003cp\u003eUniversity Archives Subject File Collection (UA 9); University Archives Photograph Collection; University Archives Artifact Collection (UA 13) ; University Archives Poster Collection (UA 12); University Archives Audiovisual Collection (UA 58).\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["University Archives Subject File Collection (UA 9); University Archives Photograph Collection; University Archives Artifact Collection (UA 13) ; University Archives Poster Collection (UA 12); University Archives Audiovisual Collection (UA 58)."],"scopecontent_html_tesm":["\u003cp\u003eThe records of the College of William and Mary men's a capella group Gentlemen of the College include internal and external correspondence related to public performances; the constitution and by-laws; fliers advertising performances and auditions; a history of the group; membership lists; photographs; an extensive collection of audiovisual material documenting both live performances and studio sessions; and several scrapbooks. A portion of the collection was created to mark the group's 10th and 20th anniversaries, however, material from throughout the group's history available.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The records of the College of William and Mary men's a capella group Gentlemen of the College include internal and external correspondence related to public performances; the constitution and by-laws; fliers advertising performances and auditions; a history of the group; membership lists; photographs; an extensive collection of audiovisual material documenting both live performances and studio sessions; and several scrapbooks. A portion of the collection was created to mark the group's 10th and 20th anniversaries, however, material from throughout the group's history available."],"separatedmaterial_html_tesm":["\u003cp\u003eArtifacts related to the Gentlemen of the College have been separated from this collection and have been added to the University Archives Artifact Collection.\u003c/p\u003e","\u003cp\u003e Two tablecloths that were used at the 2003-2004 banquet were deaccessioned from this collection in May 2010.\u003c/p\u003e","\u003cp\u003e Audiovisual material from the Gentlemen of the College have been separated from this collection and have been added to the University Archives Audiovisual Collection under Acc. 2007.030.001-2007.030.093\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Artifacts related to the Gentlemen of the College have been separated from this collection and have been added to the University Archives Artifact Collection.","Two tablecloths that were used at the 2003-2004 banquet were deaccessioned from this collection in May 2010.","Audiovisual material from the Gentlemen of the College have been separated from this collection and have been added to the University Archives Audiovisual Collection under Acc. 2007.030.001-2007.030.093"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","College of William and Mary--Alumni and alumnae"],"names_coll_ssim":["College of William and Mary--Alumni and alumnae"],"names_ssim":["Special Collections Research Center","College of William and Mary--Alumni and alumnae"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":158,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-16T21:26:30.051Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8981"}},{"id":"viw_repositories_2_resources_7838","type":"collection","attributes":{"title":"William \u0026 Mary Choir records, 1974/2017","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_7838#creator","type":"document_value","attributes":{"value":"College of William and Mary. Choir","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_7838#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection consists of scrapbooks, photographs, programs, and other material relating to the William and Mary Choir at William \u0026amp; Mary. Some records included in this collection pertain to the Women's Chorus and the Botetourt Chamber Singers, an a capella student organization at the College of William and Mary. The scrapbooks contain clippings, programs, and photographs of performances and other activities by the groups during the academic year. A few of the scrapbooks document the William and Mary Choir's trips to Europe over the summer break. The collection also includes photographs of choir members rehearsing, sites they visited while traveling to various venues, and other activities. A poster of photographs of the William and Mary Choir performing at the Presidential Inauguration for Bill Clinton in January 1997 is also included. The collection also includes musical CDs of rehearsals and performances. CDs and digital files in collection require at least 72 hours advanced notice for access.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_7838#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_7838","ead_ssi":"viw_repositories_2_resources_7838","_root_":"viw_repositories_2_resources_7838","_nest_parent_":"viw_repositories_2_resources_7838","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_7838.xml","title_filing_ssi":"William \u0026 Mary Choir records","title_ssm":["William \u0026 Mary Choir records"],"title_tesim":["William \u0026 Mary Choir records"],"unitdate_ssm":["1974-2017"],"unitdate_inclusive_ssm":["1974-2017"],"normalized_date_ssm":["1974/2017"],"normalized_title_ssm":["William \u0026 Mary Choir records, 1974/2017"],"text":["William \u0026 Mary Choir records, 1974/2017","UA 7.065","/repositories/2/resources/7838","College of William and Mary--Students","Musical groups","Choirs (Music)--Virginia--Williamsburg","Music","Music -- Instruction and study -- United States","Collection is open to all researchers. 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At least 72 hours advanced notice required for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Digital photographs are restricted to reading room access only. At least 72 hours advanced notice required for access."],"prefercite_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Choir records, Special Collections Research Center, William \u0026amp; Mary Libraries\u003c/p\u003e  "],"prefercite_tesim":["William \u0026 Mary Choir records, Special Collections Research Center, William \u0026 Mary Libraries"],"processinfo_html_tesm":["\u003cp\u003eThis collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection is not yet fully arranged and described. 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CDs and digital files in collection require at least 72 hours advanced notice for access.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of scrapbooks, photographs, programs, and other material relating to the William and Mary Choir at William \u0026 Mary. Some records included in this collection pertain to the Women's Chorus and the Botetourt Chamber Singers, an a capella student organization at the College of William and Mary. The scrapbooks contain clippings, programs, and photographs of performances and other activities by the groups during the academic year. A few of the scrapbooks document the William and Mary Choir's trips to Europe over the summer break. The collection also includes photographs of choir members rehearsing, sites they visited while traveling to various venues, and other activities. A poster of photographs of the William and Mary Choir performing at the Presidential Inauguration for Bill Clinton in January 1997 is also included. The collection also includes musical CDs of rehearsals and performances. CDs and digital files in collection require at least 72 hours advanced notice for access."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","College of William and Mary. 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