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B. in Bourges, France in 1746.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_764#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_764","ead_ssi":"vifgm_repositories_2_resources_764","_root_":"vifgm_repositories_2_resources_764","_nest_parent_":"vifgm_repositories_2_resources_764","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_764.xml","title_filing_ssi":"French handwritten music manuscript","title_ssm":["French handwritten music manuscript"],"title_tesim":["French handwritten music manuscript"],"unitdate_ssm":["1746"],"unitdate_other_ssim":["1746"],"normalized_date_ssm":["1746"],"normalized_title_ssm":["French handwritten music manuscript, 1746"],"text":["French handwritten music manuscript, 1746","C0541","/repositories/2/resources/764","Music","Music -- France -- 18th century","Manuscripts","There are no access restrictions.","This is a single item collection.","Centre de Musique Baroque de Versailles. n.d.-a. \"A Movement across Europe.\" Accessed October 29, 2025. https://cmbv.fr/en/introducing-baroque/movement-across-europe.","Centre de Musique Baroque de Versailles. n.d.-b. \"French Baroque Music.\" Accessed October 29, 2025. https://cmbv.fr/en/introducing-baroque/french-baroque-music.","First used to describe the extravagant style of decorative art and architecture that originated in Italy, the term Baroque has come to describe more broadly the artistic movement that spread across Europe during the 17th \u0026 18th century, following the Renaissance Era and preceding Classicism. 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The entire manuscript is written in French, including an inscription on the first page that reads in English: \"Containing all sorts of new and old songs, rural and bacchanalian, collected and arranged by E. B. in the year 1746 in Bourges\" and a list of the 19 song titles on the next page. The remaining pages consist of handwritten musical scores, verse, and lyrics. Center inscriptions on the front and back covers are identifiable, but partially illegible due to the marbled paper wrapping.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Handwritten music manuscript containing 19 songs collected and arranged by E. B. in Bourges, France in 1746.","R 71, C 2, S 5","George Mason University. Libraries. 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(See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased by Steve Garber from Schubertiade Music in 2017."],"access_subjects_ssim":["Music","Music -- France -- 18th century","Manuscripts"],"access_subjects_ssm":["Music","Music -- France -- 18th century","Manuscripts"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"genreform_ssim":["Manuscripts"],"date_range_isim":[1746],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eCentre de Musique Baroque de Versailles. n.d.-a. \"A Movement across Europe.\" Accessed October 29, 2025. https://cmbv.fr/en/introducing-baroque/movement-across-europe.\u003c/p\u003e","\u003cp\u003eCentre de Musique Baroque de Versailles. n.d.-b. \"French Baroque Music.\" Accessed October 29, 2025. https://cmbv.fr/en/introducing-baroque/french-baroque-music.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Centre de Musique Baroque de Versailles. n.d.-a. \"A Movement across Europe.\" Accessed October 29, 2025. https://cmbv.fr/en/introducing-baroque/movement-across-europe.","Centre de Musique Baroque de Versailles. n.d.-b. \"French Baroque Music.\" Accessed October 29, 2025. https://cmbv.fr/en/introducing-baroque/french-baroque-music."],"bioghist_html_tesm":["\u003cp\u003eFirst used to describe the extravagant style of decorative art and architecture that originated in Italy, the term Baroque has come to describe more broadly the artistic movement that spread across Europe during the 17th \u0026amp; 18th century, following the Renaissance Era and preceding Classicism. 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Finding aid completed by Meghan Glasbrenner in October 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in September 2025. Finding aid completed by Meghan Glasbrenner in October 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collection Research center also holds the \u003ca href=\"https://aspace.gmu.edu/resources/c0411\"\u003eNellie M. Lee music manuscript book\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/resources/c0422\"\u003e\"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collection Research center also holds the Nellie M. Lee music manuscript book and \"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript."],"scopecontent_html_tesm":["\u003cp\u003eHandwritten music manuscript containing 19 songs, written over 40 pages, collected and arranged by E. B. in Bourges, France in 1746. The entire manuscript is written in French, including an inscription on the first page that reads in English: \"Containing all sorts of new and old songs, rural and bacchanalian, collected and arranged by E. B. in the year 1746 in Bourges\" and a list of the 19 song titles on the next page. The remaining pages consist of handwritten musical scores, verse, and lyrics. Center inscriptions on the front and back covers are identifiable, but partially illegible due to the marbled paper wrapping.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Handwritten music manuscript containing 19 songs, written over 40 pages, collected and arranged by E. 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The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_a918651a22512fb12abe27fa704b3327\"\u003eHandwritten music manuscript containing 19 songs collected and arranged by E. B. in Bourges, France in 1746.\u003c/abstract\u003e\n    "],"abstract_tesim":["Handwritten music manuscript containing 19 songs collected and arranged by E. B. in Bourges, France in 1746."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d06569b29bfce66ba5f50e05727c41ac\"\u003eR 71, C 2, S 5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 71, C 2, S 5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_ssim":["George Mason University. Libraries. 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The entire manuscript is written in French, including an inscription on the first page that reads in English: \"Containing all sorts of new and old songs, rural and bacchanalian, collected and arranged by E. B. in the year 1746 in Bourges\" and a list of the 19 song titles on the next page. The remaining pages consist of handwritten musical scores, verse, and lyrics. Center inscriptions on the front and back covers are identifiable, but partially illegible due to the marbled paper wrapping.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Handwritten music manuscript containing 19 songs collected and arranged by E. B. in Bourges, France in 1746.","R 71, C 2, S 5","George Mason University. Libraries. 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Lee music manuscript book and \"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript."],"scopecontent_html_tesm":["\u003cp\u003eHandwritten music manuscript containing 19 songs, written over 40 pages, collected and arranged by E. B. in Bourges, France in 1746. The entire manuscript is written in French, including an inscription on the first page that reads in English: \"Containing all sorts of new and old songs, rural and bacchanalian, collected and arranged by E. B. in the year 1746 in Bourges\" and a list of the 19 song titles on the next page. The remaining pages consist of handwritten musical scores, verse, and lyrics. Center inscriptions on the front and back covers are identifiable, but partially illegible due to the marbled paper wrapping.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Handwritten music manuscript containing 19 songs, written over 40 pages, collected and arranged by E. B. in Bourges, France in 1746. The entire manuscript is written in French, including an inscription on the first page that reads in English: \"Containing all sorts of new and old songs, rural and bacchanalian, collected and arranged by E. B. in the year 1746 in Bourges\" and a list of the 19 song titles on the next page. The remaining pages consist of handwritten musical scores, verse, and lyrics. Center inscriptions on the front and back covers are identifiable, but partially illegible due to the marbled paper wrapping."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. 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Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_175#abstract_or_scope","type":"document_value","attributes":{"value":"The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records mostly in sleeves with Japanese wirting. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_175#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_175","ead_ssi":"vifgm_repositories_2_resources_175","_root_":"vifgm_repositories_2_resources_175","_nest_parent_":"vifgm_repositories_2_resources_175","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_175.xml","title_ssm":["Japanese phonograph record collection"],"title_tesim":["Japanese phonograph record collection"],"unitdate_ssm":["circa 1927-1932"],"unitdate_inclusive_ssm":["circa 1927-1932"],"normalized_date_ssm":["1927/1932"],"normalized_title_ssm":["Japanese phonograph record collection, 1927/1932"],"text":["Japanese phonograph record collection, 1927/1932","C0141","/repositories/2/resources/175","Japan","Music","Music -- 20th century","Music -- Japan","Sound recordings","There are no access restrictions.","Organized into five series.","Missing Title\n      Series 1: Colmbia\n      Series 2: Victor\n      Series 3: Orient\n      Series 4: Ploydor\n      Series 5: Columbia Regal","The records in this collection are early examples of \"electrical\" recordings. Prior to 1925 recordings were made acoustically with singers and musicians playing into a horn. Electrical recording introduced the microphone which could pick up a larger range of sound and tone. Record companies developed specific names for this new recording process. The Victor Talking Machine company dubbed the new electric records as Othrophonic Records; Columbia produced \"viva-tonal\" records. The records in this collection are labeled as such.","A product of Nipponophone, Orient was acquired by Columbia in 1925","The Special Collections Research Center does not have the equipment necessary to phonograph records. Additional time and money may be required to access this material.","Processed by Special Collections Research Center staff.","The Special Collections Research Center also holds the Music, Theatre, and Spoken Word sound recording collection.","The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records produced for Japan. The collection also includes original record sleeves and printed material packaged with the record. The records in this collection were released by: Columbia, Regal, Victor, Ploydor and Orient Records. The records could have been released by the American division of these labels for export, or by there Japanese branches. The design of the labels present on the discs indicated that these records were released in the late 1920s through early 1930s. The records have been recorded with the new \"electric\" recording process, which was introduced to the music industry in 1925.","The song title and artist name are printed in Japanese with only the record company name printed in English. As of now the records remain unidentified.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records mostly in sleeves with Japanese wirting. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal.","George Mason University. Libraries. Special Collections Research Center","English"],"collection_title_tesim":["Japanese phonograph record collection, 1927/1932"],"collection_ssim":["Japanese phonograph record collection, 1927/1932"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0141","/repositories/2/resources/175"],"unitid_tesim":["C0141","/repositories/2/resources/175"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Japan"],"geogname_ssim":["Japan"],"places_ssim":["Japan"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Donor unknown."],"access_subjects_ssim":["Music","Music -- 20th century","Music -- Japan","Sound recordings"],"access_subjects_ssm":["Music","Music -- 20th century","Music -- Japan","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["0.25 Linear Feet 1 box"],"extent_tesim":["0.25 Linear Feet 1 box"],"genreform_ssim":["Sound recordings"],"date_range_isim":[1927,1928,1929,1930,1931,1932],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized into five series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Colmbia\u003c/item\u003e\n      \u003citem\u003eSeries 2: Victor\u003c/item\u003e\n      \u003citem\u003eSeries 3: Orient\u003c/item\u003e\n      \u003citem\u003eSeries 4: Ploydor\u003c/item\u003e\n      \u003citem\u003eSeries 5: Columbia Regal\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into five series.","Missing Title\n      Series 1: Colmbia\n      Series 2: Victor\n      Series 3: Orient\n      Series 4: Ploydor\n      Series 5: Columbia Regal"],"bioghist_html_tesm":["\u003cp\u003eThe records in this collection are early examples of \"electrical\" recordings. Prior to 1925 recordings were made acoustically with singers and musicians playing into a horn. Electrical recording introduced the microphone which could pick up a larger range of sound and tone. Record companies developed specific names for this new recording process. The Victor Talking Machine company dubbed the new electric records as Othrophonic Records; Columbia produced \"viva-tonal\" records. The records in this collection are labeled as such.  \u003c/p\u003e","\u003cp\u003eA product of Nipponophone, Orient was acquired by Columbia in 1925\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The records in this collection are early examples of \"electrical\" recordings. Prior to 1925 recordings were made acoustically with singers and musicians playing into a horn. Electrical recording introduced the microphone which could pick up a larger range of sound and tone. Record companies developed specific names for this new recording process. The Victor Talking Machine company dubbed the new electric records as Othrophonic Records; Columbia produced \"viva-tonal\" records. The records in this collection are labeled as such.","A product of Nipponophone, Orient was acquired by Columbia in 1925"],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to phonograph records. Additional time and money may be required to access this material.\u003c/p\u003e  "],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to phonograph records. Additional time and money may be required to access this material."],"prefercite_html_tesm":["\u003cp\u003eJapanese Phonograph Record collection, C0141, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["Japanese Phonograph Record collection, C0141, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Music, Theatre, and Spoken Word sound recording collection.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Music, Theatre, and Spoken Word sound recording collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Japanese Phonograph Record collection contains 15, 78 rpm phonograph records produced for Japan. The collection also includes original record sleeves and printed material packaged with the record. The records in this collection were released by: Columbia, Regal, Victor, Ploydor and Orient Records. The records could have been released by the American division of these labels for export, or by there Japanese branches. The design of the labels present on the discs indicated that these records were released in the late 1920s through early 1930s. The records have been recorded with the new \"electric\" recording process, which was introduced to the music industry in 1925. \u003c/p\u003e","\u003cp\u003eThe song title and artist name are printed in Japanese with only the record company name printed in English. As of now the records remain unidentified. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records produced for Japan. The collection also includes original record sleeves and printed material packaged with the record. The records in this collection were released by: Columbia, Regal, Victor, Ploydor and Orient Records. The records could have been released by the American division of these labels for export, or by there Japanese branches. The design of the labels present on the discs indicated that these records were released in the late 1920s through early 1930s. The records have been recorded with the new \"electric\" recording process, which was introduced to the music industry in 1925.","The song title and artist name are printed in Japanese with only the record company name printed in English. As of now the records remain unidentified."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_3bf615df7cc993c3416de9846ecbeed3\" label=\"Abstract\"\u003eThe Japanese Phonograph Record collection contains 15, 78 rpm phonograph records mostly in sleeves with Japanese wirting. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records mostly in sleeves with Japanese wirting. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":20,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:22.040Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_175","ead_ssi":"vifgm_repositories_2_resources_175","_root_":"vifgm_repositories_2_resources_175","_nest_parent_":"vifgm_repositories_2_resources_175","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_175.xml","title_ssm":["Japanese phonograph record collection"],"title_tesim":["Japanese phonograph record collection"],"unitdate_ssm":["circa 1927-1932"],"unitdate_inclusive_ssm":["circa 1927-1932"],"normalized_date_ssm":["1927/1932"],"normalized_title_ssm":["Japanese phonograph record collection, 1927/1932"],"text":["Japanese phonograph record collection, 1927/1932","C0141","/repositories/2/resources/175","Japan","Music","Music -- 20th century","Music -- Japan","Sound recordings","There are no access restrictions.","Organized into five series.","Missing Title\n      Series 1: Colmbia\n      Series 2: Victor\n      Series 3: Orient\n      Series 4: Ploydor\n      Series 5: Columbia Regal","The records in this collection are early examples of \"electrical\" recordings. Prior to 1925 recordings were made acoustically with singers and musicians playing into a horn. Electrical recording introduced the microphone which could pick up a larger range of sound and tone. Record companies developed specific names for this new recording process. The Victor Talking Machine company dubbed the new electric records as Othrophonic Records; Columbia produced \"viva-tonal\" records. The records in this collection are labeled as such.","A product of Nipponophone, Orient was acquired by Columbia in 1925","The Special Collections Research Center does not have the equipment necessary to phonograph records. Additional time and money may be required to access this material.","Processed by Special Collections Research Center staff.","The Special Collections Research Center also holds the Music, Theatre, and Spoken Word sound recording collection.","The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records produced for Japan. The collection also includes original record sleeves and printed material packaged with the record. The records in this collection were released by: Columbia, Regal, Victor, Ploydor and Orient Records. The records could have been released by the American division of these labels for export, or by there Japanese branches. The design of the labels present on the discs indicated that these records were released in the late 1920s through early 1930s. The records have been recorded with the new \"electric\" recording process, which was introduced to the music industry in 1925.","The song title and artist name are printed in Japanese with only the record company name printed in English. As of now the records remain unidentified.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records mostly in sleeves with Japanese wirting. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal.","George Mason University. Libraries. Special Collections Research Center","English"],"collection_title_tesim":["Japanese phonograph record collection, 1927/1932"],"collection_ssim":["Japanese phonograph record collection, 1927/1932"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0141","/repositories/2/resources/175"],"unitid_tesim":["C0141","/repositories/2/resources/175"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Japan"],"geogname_ssim":["Japan"],"places_ssim":["Japan"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Donor unknown."],"access_subjects_ssim":["Music","Music -- 20th century","Music -- Japan","Sound recordings"],"access_subjects_ssm":["Music","Music -- 20th century","Music -- Japan","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["0.25 Linear Feet 1 box"],"extent_tesim":["0.25 Linear Feet 1 box"],"genreform_ssim":["Sound recordings"],"date_range_isim":[1927,1928,1929,1930,1931,1932],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized into five series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Colmbia\u003c/item\u003e\n      \u003citem\u003eSeries 2: Victor\u003c/item\u003e\n      \u003citem\u003eSeries 3: Orient\u003c/item\u003e\n      \u003citem\u003eSeries 4: Ploydor\u003c/item\u003e\n      \u003citem\u003eSeries 5: Columbia Regal\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into five series.","Missing Title\n      Series 1: Colmbia\n      Series 2: Victor\n      Series 3: Orient\n      Series 4: Ploydor\n      Series 5: Columbia Regal"],"bioghist_html_tesm":["\u003cp\u003eThe records in this collection are early examples of \"electrical\" recordings. Prior to 1925 recordings were made acoustically with singers and musicians playing into a horn. Electrical recording introduced the microphone which could pick up a larger range of sound and tone. Record companies developed specific names for this new recording process. The Victor Talking Machine company dubbed the new electric records as Othrophonic Records; Columbia produced \"viva-tonal\" records. The records in this collection are labeled as such.  \u003c/p\u003e","\u003cp\u003eA product of Nipponophone, Orient was acquired by Columbia in 1925\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The records in this collection are early examples of \"electrical\" recordings. Prior to 1925 recordings were made acoustically with singers and musicians playing into a horn. Electrical recording introduced the microphone which could pick up a larger range of sound and tone. Record companies developed specific names for this new recording process. The Victor Talking Machine company dubbed the new electric records as Othrophonic Records; Columbia produced \"viva-tonal\" records. The records in this collection are labeled as such.","A product of Nipponophone, Orient was acquired by Columbia in 1925"],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to phonograph records. Additional time and money may be required to access this material.\u003c/p\u003e  "],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to phonograph records. Additional time and money may be required to access this material."],"prefercite_html_tesm":["\u003cp\u003eJapanese Phonograph Record collection, C0141, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["Japanese Phonograph Record collection, C0141, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Music, Theatre, and Spoken Word sound recording collection.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Music, Theatre, and Spoken Word sound recording collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Japanese Phonograph Record collection contains 15, 78 rpm phonograph records produced for Japan. The collection also includes original record sleeves and printed material packaged with the record. The records in this collection were released by: Columbia, Regal, Victor, Ploydor and Orient Records. The records could have been released by the American division of these labels for export, or by there Japanese branches. The design of the labels present on the discs indicated that these records were released in the late 1920s through early 1930s. The records have been recorded with the new \"electric\" recording process, which was introduced to the music industry in 1925. \u003c/p\u003e","\u003cp\u003eThe song title and artist name are printed in Japanese with only the record company name printed in English. As of now the records remain unidentified. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records produced for Japan. The collection also includes original record sleeves and printed material packaged with the record. The records in this collection were released by: Columbia, Regal, Victor, Ploydor and Orient Records. The records could have been released by the American division of these labels for export, or by there Japanese branches. The design of the labels present on the discs indicated that these records were released in the late 1920s through early 1930s. The records have been recorded with the new \"electric\" recording process, which was introduced to the music industry in 1925.","The song title and artist name are printed in Japanese with only the record company name printed in English. As of now the records remain unidentified."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_3bf615df7cc993c3416de9846ecbeed3\" label=\"Abstract\"\u003eThe Japanese Phonograph Record collection contains 15, 78 rpm phonograph records mostly in sleeves with Japanese wirting. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Japanese Phonograph Record collection contains 15, 78 rpm phonograph records mostly in sleeves with Japanese wirting. The records were either printed in the United States or Japan for the Japanese music market, and released by Columbia, Ploydor, Victor, Orient Records and Regal."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":20,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:22.040Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_175"}},{"id":"vifgm_repositories_2_resources_564","type":"collection","attributes":{"title":"Lithographic print portrait of Pauline Viardot, 1839","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_564#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_564#abstract_or_scope","type":"document_value","attributes":{"value":"Lithographic print portrait of Pauline Viardot by \"L. Loire.\" The portrait features a young, likely teenaged Viardot from the waist up in a white dress, circa 1839.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_564#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_564","ead_ssi":"vifgm_repositories_2_resources_564","_root_":"vifgm_repositories_2_resources_564","_nest_parent_":"vifgm_repositories_2_resources_564","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_564.xml","title_ssm":["Lithographic print portrait of Pauline Viardot"],"title_tesim":["Lithographic print portrait of Pauline Viardot"],"unitdate_ssm":["circa 1839"],"unitdate_other_ssim":["circa 1839"],"normalized_date_ssm":["1839"],"normalized_title_ssm":["Lithographic print portrait of Pauline Viardot, 1839"],"text":["Lithographic print portrait of Pauline Viardot, 1839","C0484","/repositories/2/resources/564","Lithography","Music","Opera","There are no access restrictions.","This is a single item collection.","\"Berlioz, Hector - Orphée[.]\" Barenreiter. Accessed May 18, 2021. https://www.baerenreiter.com/en/shop/product/details/BA5462_90/.","Britannica, T. Editors of Encyclopaedia. \"Pauline Viardot.\" Encyclopaedia Britannica, accessed May 18, 2021. https://www.britannica.com/biography/Pauline-Viardot.","Jeal, Erica. \"Pauline who?\" The Guardian, February 23, 2006. https://www.theguardian.com/music/2006/feb/24/classicalmusicandopera.","Portrait of Benjamin Franklin by Auguste Toussaint Lecler, 83.2.2023(8), The Metropolitan Museum of Art. https://www.metmuseum.org/art/collection/search/717941.\n \n Willson, Flora. \"Classic Staging: Pauline Viardot and the 1859 \"Orphée\" Revival.\" Cambridge Opera Journal 22, no. 3 (2010): 301-26. Accessed May 18, 2021. http://www.jstor.org/stable/41493879.","Pauline Viardot - born Michelle Ferdinande Pauline García Sitches, and also known professionally as Pauline García - was a famous mezzo-soprano opera singer and composer during the second half of the 19th century. Viardot came from a musical family, with both her father, Manuel García, and older sister, Maria Malibran, being acclaimed opera singers in their own right. The family was also closely linked to the composer Gioachino Rossini, and other musical contemporaries. Born in 1821, Viardot studied piano from Franz Liszt as a child, and up until her teen years was set to become a pianist. It was just before her older sister Maria died tragically at the age of 28 that Pauline was placed on a new course for opera at her mother's insistence.","Arguably, Viardot eventually surpassed her famous sister in the opera world, with both an incredible range (from soprano to contralto) as well as a frequently documented talent for performance. Her most famous and enduring role was that of Orphée (Orpheus) in 1859 in a reworked version of Gluck's \"Orfeo ed Euridice,\" retitled \"Orphée,\"  by Louis-Hector Berlioz. The role of Orfeo had been transposed by Berlioz from a tenor role to a contralto \"pants role,\" specifically for Viardot. Viardot has a lifelong successful career in music, and later in life turned to composing. She passed away in 1910.","Processing completed by Amanda Brent in May 2021. EAD markup completed by Amanda Brent in May 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections and materials on opera and opera singers.","The Houghton Library at Harvard University holds the  and the .","Lithographic print portrait of Pauline Viardot by \"L. Loire.\" The portrait features a young, likely teenaged Viardot from the waist up in a white dress. Below the portrait it reads in French: \"Melle. Pauline Garcia.\" Also included is the printer's information, which reads: \"Paris, chez Rosselin, Editeur, 21, Quai Voltaire. No. 146. Lith. Marcilly, rue de la Parchemmerie, No. 2.\" The print was made circa 1839.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Lithographic print portrait of Pauline Viardot by \"L. Loire.\" The portrait features a young, likely teenaged Viardot from the waist up in a white dress, circa 1839.","R 72, C 3, S 1","George Mason University. Libraries. Special Collections Research Center","Viardot-García, Pauline, 1821-1910","French"],"collection_title_tesim":["Lithographic print portrait of Pauline Viardot, 1839"],"collection_ssim":["Lithographic print portrait of Pauline Viardot, 1839"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0484","/repositories/2/resources/564"],"unitid_tesim":["C0484","/repositories/2/resources/564"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_persname_ssim":["Viardot-García, Pauline, 1821-1910"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Viardot-García, Pauline, 1821-1910","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased by Steve Gerber in January 2016."],"access_subjects_ssim":["Lithography","Music","Opera"],"access_subjects_ssm":["Lithography","Music","Opera"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 item"],"extent_tesim":[".01 Linear Feet 1 item"],"date_range_isim":[1839],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003e\"Berlioz, Hector - Orphée[.]\" Barenreiter. Accessed May 18, 2021. https://www.baerenreiter.com/en/shop/product/details/BA5462_90/.\u003c/p\u003e","\u003cp\u003eBritannica, T. Editors of Encyclopaedia. \"Pauline Viardot.\" Encyclopaedia Britannica, accessed May 18, 2021. https://www.britannica.com/biography/Pauline-Viardot.\u003c/p\u003e","\u003cp\u003eJeal, Erica. \"Pauline who?\" The Guardian, February 23, 2006. https://www.theguardian.com/music/2006/feb/24/classicalmusicandopera.\u003c/p\u003e","\u003cp\u003e Portrait of Benjamin Franklin by Auguste Toussaint Lecler, 83.2.2023(8), The Metropolitan Museum of Art. https://www.metmuseum.org/art/collection/search/717941.\n \n Willson, Flora. \"Classic Staging: Pauline Viardot and the 1859 \"Orphée\" Revival.\" Cambridge Opera Journal 22, no. 3 (2010): 301-26. Accessed May 18, 2021. http://www.jstor.org/stable/41493879.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Berlioz, Hector - Orphée[.]\" Barenreiter. Accessed May 18, 2021. https://www.baerenreiter.com/en/shop/product/details/BA5462_90/.","Britannica, T. Editors of Encyclopaedia. \"Pauline Viardot.\" Encyclopaedia Britannica, accessed May 18, 2021. https://www.britannica.com/biography/Pauline-Viardot.","Jeal, Erica. \"Pauline who?\" The Guardian, February 23, 2006. https://www.theguardian.com/music/2006/feb/24/classicalmusicandopera.","Portrait of Benjamin Franklin by Auguste Toussaint Lecler, 83.2.2023(8), The Metropolitan Museum of Art. https://www.metmuseum.org/art/collection/search/717941.\n \n Willson, Flora. \"Classic Staging: Pauline Viardot and the 1859 \"Orphée\" Revival.\" Cambridge Opera Journal 22, no. 3 (2010): 301-26. Accessed May 18, 2021. http://www.jstor.org/stable/41493879."],"bioghist_html_tesm":["\u003cp\u003ePauline Viardot - born Michelle Ferdinande Pauline García Sitches, and also known professionally as Pauline García - was a famous mezzo-soprano opera singer and composer during the second half of the 19th century. Viardot came from a musical family, with both her father, Manuel García, and older sister, Maria Malibran, being acclaimed opera singers in their own right. The family was also closely linked to the composer Gioachino Rossini, and other musical contemporaries. Born in 1821, Viardot studied piano from Franz Liszt as a child, and up until her teen years was set to become a pianist. It was just before her older sister Maria died tragically at the age of 28 that Pauline was placed on a new course for opera at her mother's insistence. \u003c/p\u003e","\u003cp\u003eArguably, Viardot eventually surpassed her famous sister in the opera world, with both an incredible range (from soprano to contralto) as well as a frequently documented talent for performance. Her most famous and enduring role was that of Orphée (Orpheus) in 1859 in a reworked version of Gluck's \"Orfeo ed Euridice,\" retitled \"Orphée,\"  by Louis-Hector Berlioz. The role of Orfeo had been transposed by Berlioz from a tenor role to a contralto \"pants role,\" specifically for Viardot. Viardot has a lifelong successful career in music, and later in life turned to composing. She passed away in 1910.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Pauline Viardot - born Michelle Ferdinande Pauline García Sitches, and also known professionally as Pauline García - was a famous mezzo-soprano opera singer and composer during the second half of the 19th century. Viardot came from a musical family, with both her father, Manuel García, and older sister, Maria Malibran, being acclaimed opera singers in their own right. The family was also closely linked to the composer Gioachino Rossini, and other musical contemporaries. Born in 1821, Viardot studied piano from Franz Liszt as a child, and up until her teen years was set to become a pianist. It was just before her older sister Maria died tragically at the age of 28 that Pauline was placed on a new course for opera at her mother's insistence.","Arguably, Viardot eventually surpassed her famous sister in the opera world, with both an incredible range (from soprano to contralto) as well as a frequently documented talent for performance. Her most famous and enduring role was that of Orphée (Orpheus) in 1859 in a reworked version of Gluck's \"Orfeo ed Euridice,\" retitled \"Orphée,\"  by Louis-Hector Berlioz. The role of Orfeo had been transposed by Berlioz from a tenor role to a contralto \"pants role,\" specifically for Viardot. Viardot has a lifelong successful career in music, and later in life turned to composing. She passed away in 1910."],"prefercite_html_tesm":["\u003cp\u003eLithographic print portrait of Pauline Viardot, C0484, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Lithographic print portrait of Pauline Viardot, C0484, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in May 2021. EAD markup completed by Amanda Brent in May 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in May 2021. EAD markup completed by Amanda Brent in May 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections and materials on opera and opera singers.\u003c/p\u003e","\u003cp\u003eThe Houghton Library at Harvard University holds the \u003cextptr show=\"new\" title=\"Pauline Viardot-Garcia papers\" href=\"https://hollisarchives.lib.harvard.edu/repositories/24/resources/1387\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Pauline Viardot-Garcia additional papers\" href=\"https://hollisarchives.lib.harvard.edu/repositories/24/resources/3178\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections and materials on opera and opera singers.","The Houghton Library at Harvard University holds the  and the ."],"scopecontent_html_tesm":["\u003cp\u003eLithographic print portrait of Pauline Viardot by \"L. Loire.\" The portrait features a young, likely teenaged Viardot from the waist up in a white dress. Below the portrait it reads in French: \"Melle. Pauline Garcia.\" Also included is the printer's information, which reads: \"Paris, chez Rosselin, Editeur, 21, Quai Voltaire. No. 146. Lith. Marcilly, rue de la Parchemmerie, No. 2.\" The print was made circa 1839.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Lithographic print portrait of Pauline Viardot by \"L. Loire.\" The portrait features a young, likely teenaged Viardot from the waist up in a white dress. Below the portrait it reads in French: \"Melle. Pauline Garcia.\" Also included is the printer's information, which reads: \"Paris, chez Rosselin, Editeur, 21, Quai Voltaire. No. 146. Lith. Marcilly, rue de la Parchemmerie, No. 2.\" The print was made circa 1839."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ba7955edd7809983117ed0c609883895\" label=\"Abstract\"\u003eLithographic print portrait of Pauline Viardot by \"L. Loire.\" The portrait features a young, likely teenaged Viardot from the waist up in a white dress, circa 1839.\u003c/abstract\u003e\n    "],"abstract_tesim":["Lithographic print portrait of Pauline Viardot by \"L. Loire.\" The portrait features a young, likely teenaged Viardot from the waist up in a white dress, circa 1839."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_93bfb13b9fe5589a5feff7c166802196\"\u003eR 72, C 3, S 1\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Viardot-García, Pauline, 1821-1910"],"names_coll_ssim":["Viardot-García, Pauline, 1821-1910"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Viardot-García, Pauline, 1821-1910"],"language_ssim":["French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:21:02.579Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_564","ead_ssi":"vifgm_repositories_2_resources_564","_root_":"vifgm_repositories_2_resources_564","_nest_parent_":"vifgm_repositories_2_resources_564","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_564.xml","title_ssm":["Lithographic print portrait of Pauline Viardot"],"title_tesim":["Lithographic print portrait of Pauline Viardot"],"unitdate_ssm":["circa 1839"],"unitdate_other_ssim":["circa 1839"],"normalized_date_ssm":["1839"],"normalized_title_ssm":["Lithographic print portrait of Pauline Viardot, 1839"],"text":["Lithographic print portrait of Pauline Viardot, 1839","C0484","/repositories/2/resources/564","Lithography","Music","Opera","There are no access restrictions.","This is a single item collection.","\"Berlioz, Hector - Orphée[.]\" Barenreiter. Accessed May 18, 2021. https://www.baerenreiter.com/en/shop/product/details/BA5462_90/.","Britannica, T. Editors of Encyclopaedia. \"Pauline Viardot.\" Encyclopaedia Britannica, accessed May 18, 2021. https://www.britannica.com/biography/Pauline-Viardot.","Jeal, Erica. \"Pauline who?\" The Guardian, February 23, 2006. https://www.theguardian.com/music/2006/feb/24/classicalmusicandopera.","Portrait of Benjamin Franklin by Auguste Toussaint Lecler, 83.2.2023(8), The Metropolitan Museum of Art. https://www.metmuseum.org/art/collection/search/717941.\n \n Willson, Flora. \"Classic Staging: Pauline Viardot and the 1859 \"Orphée\" Revival.\" Cambridge Opera Journal 22, no. 3 (2010): 301-26. Accessed May 18, 2021. http://www.jstor.org/stable/41493879.","Pauline Viardot - born Michelle Ferdinande Pauline García Sitches, and also known professionally as Pauline García - was a famous mezzo-soprano opera singer and composer during the second half of the 19th century. Viardot came from a musical family, with both her father, Manuel García, and older sister, Maria Malibran, being acclaimed opera singers in their own right. The family was also closely linked to the composer Gioachino Rossini, and other musical contemporaries. Born in 1821, Viardot studied piano from Franz Liszt as a child, and up until her teen years was set to become a pianist. It was just before her older sister Maria died tragically at the age of 28 that Pauline was placed on a new course for opera at her mother's insistence.","Arguably, Viardot eventually surpassed her famous sister in the opera world, with both an incredible range (from soprano to contralto) as well as a frequently documented talent for performance. Her most famous and enduring role was that of Orphée (Orpheus) in 1859 in a reworked version of Gluck's \"Orfeo ed Euridice,\" retitled \"Orphée,\"  by Louis-Hector Berlioz. The role of Orfeo had been transposed by Berlioz from a tenor role to a contralto \"pants role,\" specifically for Viardot. Viardot has a lifelong successful career in music, and later in life turned to composing. She passed away in 1910.","Processing completed by Amanda Brent in May 2021. EAD markup completed by Amanda Brent in May 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections and materials on opera and opera singers.","The Houghton Library at Harvard University holds the  and the .","Lithographic print portrait of Pauline Viardot by \"L. Loire.\" The portrait features a young, likely teenaged Viardot from the waist up in a white dress. Below the portrait it reads in French: \"Melle. Pauline Garcia.\" Also included is the printer's information, which reads: \"Paris, chez Rosselin, Editeur, 21, Quai Voltaire. No. 146. Lith. Marcilly, rue de la Parchemmerie, No. 2.\" The print was made circa 1839.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Lithographic print portrait of Pauline Viardot by \"L. Loire.\" The portrait features a young, likely teenaged Viardot from the waist up in a white dress, circa 1839.","R 72, C 3, S 1","George Mason University. Libraries. Special Collections Research Center","Viardot-García, Pauline, 1821-1910","French"],"collection_title_tesim":["Lithographic print portrait of Pauline Viardot, 1839"],"collection_ssim":["Lithographic print portrait of Pauline Viardot, 1839"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0484","/repositories/2/resources/564"],"unitid_tesim":["C0484","/repositories/2/resources/564"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_persname_ssim":["Viardot-García, Pauline, 1821-1910"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Viardot-García, Pauline, 1821-1910","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased by Steve Gerber in January 2016."],"access_subjects_ssim":["Lithography","Music","Opera"],"access_subjects_ssm":["Lithography","Music","Opera"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 item"],"extent_tesim":[".01 Linear Feet 1 item"],"date_range_isim":[1839],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003e\"Berlioz, Hector - Orphée[.]\" Barenreiter. Accessed May 18, 2021. https://www.baerenreiter.com/en/shop/product/details/BA5462_90/.\u003c/p\u003e","\u003cp\u003eBritannica, T. Editors of Encyclopaedia. \"Pauline Viardot.\" Encyclopaedia Britannica, accessed May 18, 2021. https://www.britannica.com/biography/Pauline-Viardot.\u003c/p\u003e","\u003cp\u003eJeal, Erica. \"Pauline who?\" The Guardian, February 23, 2006. https://www.theguardian.com/music/2006/feb/24/classicalmusicandopera.\u003c/p\u003e","\u003cp\u003e Portrait of Benjamin Franklin by Auguste Toussaint Lecler, 83.2.2023(8), The Metropolitan Museum of Art. https://www.metmuseum.org/art/collection/search/717941.\n \n Willson, Flora. \"Classic Staging: Pauline Viardot and the 1859 \"Orphée\" Revival.\" Cambridge Opera Journal 22, no. 3 (2010): 301-26. Accessed May 18, 2021. http://www.jstor.org/stable/41493879.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Berlioz, Hector - Orphée[.]\" Barenreiter. Accessed May 18, 2021. https://www.baerenreiter.com/en/shop/product/details/BA5462_90/.","Britannica, T. Editors of Encyclopaedia. \"Pauline Viardot.\" Encyclopaedia Britannica, accessed May 18, 2021. https://www.britannica.com/biography/Pauline-Viardot.","Jeal, Erica. \"Pauline who?\" The Guardian, February 23, 2006. https://www.theguardian.com/music/2006/feb/24/classicalmusicandopera.","Portrait of Benjamin Franklin by Auguste Toussaint Lecler, 83.2.2023(8), The Metropolitan Museum of Art. https://www.metmuseum.org/art/collection/search/717941.\n \n Willson, Flora. \"Classic Staging: Pauline Viardot and the 1859 \"Orphée\" Revival.\" Cambridge Opera Journal 22, no. 3 (2010): 301-26. Accessed May 18, 2021. http://www.jstor.org/stable/41493879."],"bioghist_html_tesm":["\u003cp\u003ePauline Viardot - born Michelle Ferdinande Pauline García Sitches, and also known professionally as Pauline García - was a famous mezzo-soprano opera singer and composer during the second half of the 19th century. 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The role of Orfeo had been transposed by Berlioz from a tenor role to a contralto \"pants role,\" specifically for Viardot. Viardot has a lifelong successful career in music, and later in life turned to composing. She passed away in 1910.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Pauline Viardot - born Michelle Ferdinande Pauline García Sitches, and also known professionally as Pauline García - was a famous mezzo-soprano opera singer and composer during the second half of the 19th century. Viardot came from a musical family, with both her father, Manuel García, and older sister, Maria Malibran, being acclaimed opera singers in their own right. The family was also closely linked to the composer Gioachino Rossini, and other musical contemporaries. Born in 1821, Viardot studied piano from Franz Liszt as a child, and up until her teen years was set to become a pianist. 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She passed away in 1910."],"prefercite_html_tesm":["\u003cp\u003eLithographic print portrait of Pauline Viardot, C0484, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Lithographic print portrait of Pauline Viardot, C0484, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in May 2021. EAD markup completed by Amanda Brent in May 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in May 2021. EAD markup completed by Amanda Brent in May 2021. 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The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ba7955edd7809983117ed0c609883895\" label=\"Abstract\"\u003eLithographic print portrait of Pauline Viardot by \"L. Loire.\" The portrait features a young, likely teenaged Viardot from the waist up in a white dress, circa 1839.\u003c/abstract\u003e\n    "],"abstract_tesim":["Lithographic print portrait of Pauline Viardot by \"L. Loire.\" The portrait features a young, likely teenaged Viardot from the waist up in a white dress, circa 1839."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_93bfb13b9fe5589a5feff7c166802196\"\u003eR 72, C 3, S 1\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Viardot-García, Pauline, 1821-1910"],"names_coll_ssim":["Viardot-García, Pauline, 1821-1910"],"names_ssim":["George Mason University. Libraries. 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Additional time and money may be required to access this material.\u003c/p\u003e  "],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to vinyl records. Additional time and money may be required to access this material."],"prefercite_html_tesm":["\u003cp\u003eMusic, Theatre, and Spoken Word Sound Recordings, Collection C0130, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Music, Theatre, and Spoken Word Sound Recordings, Collection C0130, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kristen Korfitzen in 2012. EAD markup completed by Kristen Korfitzen in 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kristen Korfitzen in 2012. EAD markup completed by Kristen Korfitzen in 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Japanese Phonograph collection.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Japanese Phonograph collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains 31 LP phonograph albums including music, musical scores, plays, literature recordings and speech recordings. The albums span a roughly 40 year period being released between 1949 and the late 1980s. Musical albums include: A Tribute to Woodie Guthrie, Pete Seeger's Greatest Hits, Songs of the Depression, and I Will Win: Songs of the Wooblies. Albums of recorded plays feature playwrights such as William Shakespeare and Arthur Miller. 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The collection also features original cast recordings of musicals Winnie and Brigham!, a musical based on the life of Brigham Young and contains literary recordings of the works of T.S. Elliot, Frederick Douglass and Lorraine Hansberry.","Several of the albums focus on content related to the Great Depression, unions, American labour, and Folk Music."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_39ae137ff05e56a34bc84cd9294ad3e0\"\u003eThis collection contains LP phonograph albums containing a variety of music, oral history, and musical scores. 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Elliot, Frederick Douglass and Lorraine Hansberry.","Several of the albums focus on content related to the Great Depression, unions, American labour, and Folk Music.","The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains LP phonograph albums containing a variety of music, oral history, and musical scores. This box was found unlabeled and might be associated with another collection.","George Mason University. Libraries. 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Additional time and money may be required to access this material.\u003c/p\u003e  "],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to vinyl records. Additional time and money may be required to access this material."],"prefercite_html_tesm":["\u003cp\u003eMusic, Theatre, and Spoken Word Sound Recordings, Collection C0130, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Music, Theatre, and Spoken Word Sound Recordings, Collection C0130, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kristen Korfitzen in 2012. EAD markup completed by Kristen Korfitzen in 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kristen Korfitzen in 2012. 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Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_597#abstract_or_scope","type":"document_value","attributes":{"value":"Black and white photograph of John Cage, Gordon Mumma, and David Tudor at a concert rehearsal, taken July 5, 1968. The picture features, from left to right, Gordon Mumma, John Cage, and David Tudor sitting and standing behind electronic music equipment as they adjust parts of the equipment with their hands.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_597#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_597","ead_ssi":"vifgm_repositories_2_resources_597","_root_":"vifgm_repositories_2_resources_597","_nest_parent_":"vifgm_repositories_2_resources_597","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_597.xml","title_ssm":["Photograph of John Cage, Gordon Mumma, and David Tudor at a concert rehearsal"],"title_tesim":["Photograph of John Cage, Gordon Mumma, and David Tudor at a concert rehearsal"],"unitdate_ssm":["July 5, 1968"],"unitdate_other_ssim":["July 5, 1968"],"normalized_date_ssm":["1968"],"normalized_title_ssm":["Photograph of John Cage, Gordon Mumma, and David Tudor at a concert rehearsal, 1968"],"text":["Photograph of John Cage, Gordon Mumma, and David Tudor at a concert rehearsal, 1968","C0494","/repositories/2/resources/597","Music","Photography","There are no access restrictions.","This is a single item collection.","\"Biography.\" Brainwashed.com, accessed November 12, 2021. https://brainwashed.com/mumma/bio.htm.","Britannica, T. Editors of Encyclopaedia. \"John Cage.\" Encyclopedia Britannica, accessed November 12, 2021. https://www.britannica.com/biography/John-Cage.","\"Related Holdings.\" The Art of David Tudor, Getty Research Institute, accessed November 12, 2021. http://www.getty.edu/research/tools/guides_bibliographies/david_tudor/library_collections.html.","John Cage, Gordon Mumma, and David Tudor were frequent collaborators, and were particularly known for their time in the late 1960s - early 1970s as composer-musicians with the Merce Cunningham Dance Company in New York.","John Cage was an American avant-garde musician and composer. Born in 1912, Cage was known for his experimental music. Zen Buddhism heavily influenced his musical composition, with Cage eventually creating the theory of indeterminism in music, or music \"which chance or indeterminate elements are left for the performer to realize\" (Encyclopaedia Britannica). Cage passed away in 1992.","Gordon Mumma is an American experimental musician and composer. Born in 1935, Mumma mostly played and composed piano, and has toured his music internationally. In addition to his collaborations with Cage and Tudor, Mumma was a professor of music at the University of California, Santa Cruz from 1975 - 1994.","David Tudor was an American avant-garde musician and composer. Born in 1926, Tudor's musical focus was piano and like his collaborators Cage and Mumma, mostly composed electronic music. Tudor toured internationally and was respected in the avant-garde music world. Tudor passed away in 1996.","Processing completed by Amanda Brent in November 2021. EAD markup completed by Amanda Brent in November 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other materials on music, musicians, and composers.","Northwestern University Music Library holds the  and the .","The Getty Research Institute Special Collections holds the .","Black and white photograph of John Cage, Gordon Mumma, and David Tudor at a concert rehearsal, taken July 5, 1968. The picture features, from left to right, Mumma, Cage, and Tudor sitting and standing behind electronic music equipment as they adjust parts of the equipment with their hands. On the verso is a news clipping which gives the date and reads: \"Concert Rehearsal - Electronic Style[.] John Cage, center, famed electronic composer, prepares for a concert at the University of Colorado Music Hall. With him are Gordon Mumma, left, whose piece \"Home\" was to be performed, and David Tudor, busy with the intricate connections demanded by the maze of electronic equipment for production.\"","The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)","Black and white photograph of John Cage, Gordon Mumma, and David Tudor at a concert rehearsal, taken July 5, 1968. The picture features, from left to right, Gordon Mumma, John Cage, and David Tudor sitting and standing behind electronic music equipment as they adjust parts of the equipment with their hands.","George Mason University. Libraries. Special Collections Research Center","Cage, John","Mumma, Gordon, 1935-","Tudor, David, 1926-1996","English"],"collection_title_tesim":["Photograph of John Cage, Gordon Mumma, and David Tudor at a concert rehearsal, 1968"],"collection_ssim":["Photograph of John Cage, Gordon Mumma, and David Tudor at a concert rehearsal, 1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0494","/repositories/2/resources/597"],"unitid_tesim":["C0494","/repositories/2/resources/597"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_persname_ssim":["Cage, John","Mumma, Gordon, 1935-","Tudor, David, 1926-1996"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Cage, John","Mumma, Gordon, 1935-","Tudor, David, 1926-1996","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased by Steve Gerber in July 2018 from Schubertiade Music."],"access_subjects_ssim":["Music","Photography"],"access_subjects_ssm":["Music","Photography"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 photograph"],"extent_tesim":[".01 Linear Feet 1 photograph"],"date_range_isim":[1968],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003e\"Biography.\" Brainwashed.com, accessed November 12, 2021. https://brainwashed.com/mumma/bio.htm.\u003c/p\u003e","\u003cp\u003eBritannica, T. 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