{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Motion+pictures\u0026f%5Blevel%5D%5B%5D=Collection\u0026view=compact","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Motion+pictures\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=1\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":6,"first_page?":true,"last_page?":true}},"data":[{"id":"vifgm_repositories_2_resources_147","type":"collection","attributes":{"title":"Arthur Peterson papers","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_147#creator","type":"document_value","attributes":{"value":"Peterson, Arthur, 1912-1996","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_147#abstract_or_scope","type":"document_value","attributes":{"value":"Collection contains materials relating to Peterson's long acting career. 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On television, fans of the series Soap (1977-1981), a spoof on soap operas, may remember Peterson as the Major. Born in North Dakota, Peterson first obtained a degree in theater from the University of Minnesota before becoming a professional actor with the Federal Theater Project. Peterson made his media debut in 1936 with a regular role on the radio serial The Guiding Light. During WWII, Peterson fought within General Patton's third regiment. Upon his discharge, Peterson appeared in the ABC network's first situation comedy, That's O'Toole. Peterson's stage work included appearances in such plays as Inherit the Wind. His film credits include Return to Peyton Place (1961), Born Wild (1968), the television movie Rollercoaster (1977), and Just Pals (1982). Peterson spent 1981 to 1991 touring the country with his wife in a Pasadena Playhouse production of The Gin Game. When the play's long run ended, Peterson retired from acting. He passed away on October 31, 1996.","Processed by Special Collections Research Center staff. EAD markup completed in March 2009 by Eron Ackerman and Jordan Patty.","Special Collections Research Center also holds many other collections on theatre and the performing arts.","Collection contains materials relating to Peterson's long acting career. Types of materials include scripts to his television, film, and stage roles, correspondence, and props used by Peterson.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Collection contains materials relating to Peterson's long acting career. Types of materials include scripts to his television, film, and stage roles, correspondence, and props used by Peterson.","George Mason University. Libraries. 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He passed away on October 31, 1996.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Arthur Peterson played character and supporting roles on stage, television, and feature films. On television, fans of the series Soap (1977-1981), a spoof on soap operas, may remember Peterson as the Major. Born in North Dakota, Peterson first obtained a degree in theater from the University of Minnesota before becoming a professional actor with the Federal Theater Project. Peterson made his media debut in 1936 with a regular role on the radio serial The Guiding Light. During WWII, Peterson fought within General Patton's third regiment. Upon his discharge, Peterson appeared in the ABC network's first situation comedy, That's O'Toole. Peterson's stage work included appearances in such plays as Inherit the Wind. His film credits include Return to Peyton Place (1961), Born Wild (1968), the television movie Rollercoaster (1977), and Just Pals (1982). Peterson spent 1981 to 1991 touring the country with his wife in a Pasadena Playhouse production of The Gin Game. When the play's long run ended, Peterson retired from acting. He passed away on October 31, 1996."],"prefercite_html_tesm":["\u003cp\u003eArthur Peterson papers, C0027, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Arthur Peterson papers, C0027, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed in March 2009 by Eron Ackerman and Jordan Patty.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. 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Types of materials include scripts to his television, film, and stage roles, correspondence, and props used by Peterson."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_95c03e029f352ee902d3ef5ddf795380\" label=\"Abstract\"\u003eCollection contains materials relating to Peterson's long acting career. Types of materials include scripts to his television, film, and stage roles, correspondence, and props used by Peterson.\u003c/abstract\u003e\n    "],"abstract_tesim":["Collection contains materials relating to Peterson's long acting career. 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He passed away on October 31, 1996.","Processed by Special Collections Research Center staff. EAD markup completed in March 2009 by Eron Ackerman and Jordan Patty.","Special Collections Research Center also holds many other collections on theatre and the performing arts.","Collection contains materials relating to Peterson's long acting career. Types of materials include scripts to his television, film, and stage roles, correspondence, and props used by Peterson.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Collection contains materials relating to Peterson's long acting career. Types of materials include scripts to his television, film, and stage roles, correspondence, and props used by Peterson.","George Mason University. Libraries. 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He passed away on October 31, 1996.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Arthur Peterson played character and supporting roles on stage, television, and feature films. On television, fans of the series Soap (1977-1981), a spoof on soap operas, may remember Peterson as the Major. Born in North Dakota, Peterson first obtained a degree in theater from the University of Minnesota before becoming a professional actor with the Federal Theater Project. Peterson made his media debut in 1936 with a regular role on the radio serial The Guiding Light. During WWII, Peterson fought within General Patton's third regiment. Upon his discharge, Peterson appeared in the ABC network's first situation comedy, That's O'Toole. Peterson's stage work included appearances in such plays as Inherit the Wind. His film credits include Return to Peyton Place (1961), Born Wild (1968), the television movie Rollercoaster (1977), and Just Pals (1982). Peterson spent 1981 to 1991 touring the country with his wife in a Pasadena Playhouse production of The Gin Game. When the play's long run ended, Peterson retired from acting. He passed away on October 31, 1996."],"prefercite_html_tesm":["\u003cp\u003eArthur Peterson papers, C0027, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Arthur Peterson papers, C0027, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed in March 2009 by Eron Ackerman and Jordan Patty.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed in March 2009 by Eron Ackerman and Jordan Patty."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center also holds many other collections on theatre and the performing arts.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center also holds many other collections on theatre and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eCollection contains materials relating to Peterson's long acting career. Types of materials include scripts to his television, film, and stage roles, correspondence, and props used by Peterson.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Collection contains materials relating to Peterson's long acting career. Types of materials include scripts to his television, film, and stage roles, correspondence, and props used by Peterson."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_95c03e029f352ee902d3ef5ddf795380\" label=\"Abstract\"\u003eCollection contains materials relating to Peterson's long acting career. Types of materials include scripts to his television, film, and stage roles, correspondence, and props used by Peterson.\u003c/abstract\u003e\n    "],"abstract_tesim":["Collection contains materials relating to Peterson's long acting career. Types of materials include scripts to his television, film, and stage roles, correspondence, and props used by Peterson."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Peterson, Arthur, 1912-1996"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Peterson, Arthur, 1912-1996"],"language_ssim":["English"],"total_component_count_is":311,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:21.201Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_147"}},{"id":"vifgm_repositories_2_resources_13","type":"collection","attributes":{"title":"L. Claire Kincannon theatre collection, 1941/2015","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_13#creator","type":"document_value","attributes":{"value":"Kincannon, Lois Claire","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_13#abstract_or_scope","type":"document_value","attributes":{"value":"The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show Behind the Scenes.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_13#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_13","ead_ssi":"vifgm_repositories_2_resources_13","_root_":"vifgm_repositories_2_resources_13","_nest_parent_":"vifgm_repositories_2_resources_13","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_13.xml","title_ssm":["L. Claire Kincannon theatre collection"],"title_tesim":["L. Claire Kincannon theatre collection"],"unitdate_ssm":["1941-2015"],"unitdate_inclusive_ssm":["1941-2015"],"normalized_date_ssm":["1941/2015"],"normalized_title_ssm":["L. Claire Kincannon theatre collection, 1941/2015"],"text":["L. Claire Kincannon theatre collection, 1941/2015","C0018","/repositories/2/resources/13","Ohio","Broadway (New York, N.Y.)","Washington (D.C.)","Motion pictures","Theater","Theater -- England -- London","Theater -- New York (State) -- New York","Theater -- Washington (D.C.)","Theater critics","Theater programs","Performing arts","Broadcasting","There are no access restrictions.","Most of the audiovisual materials in this collection have been digitized. Please contact the Special Collections Research Center for more information.","This collection is arranged into two series and then alphabetically by title.","Series\n      Series 1: Theatre and film-related materials, 1941-2015 (Boxes 1-42; 65)\n      Series 2: Behind the Scenes production materials, 1971-1990s (Boxes 32-34; 42-88)\n      Series 3: Digitized Behind the Scenes reels, circa 1980s-1992","Lois Claire Kincannon, known as \"Claire,\" was an author, theatre critic, and radio journalist. Born April 19, 1940, Kincannon originally graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she hosted her own radio show titled Behind the Scenes, in which she reviewed and discussed the theatre performances that she attended in the Washington, D.C. area. In late 1992, Kincannon moved to Paris, France, with her husband, where she founded Dancing Ink Press and published several books, including Paeonian to Paris, Sheets for Men Only, Sheets to the Wind, and Rockin' with Porch Memories. After eight years abroad, she returned to the United States, where she lived for the rest of her life. Kincannon passed away on August 9th, 2023.","The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the L. Claire Kincannon theatre collection. Additional time and money may be required to digitize this material for access.","Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.","Reprocessed and additional accessions processed by Vilma Chicas Garcia from January-May 2024. Finding aid completed by Vilma Chicas Garcia in May 2024.","Additional processing completed by Amanda Menjivar in June 2024. Finding aid edited and published by Amanda Menjivar in May 2024.","The Special Collections Research Center also holds many other collections on .","The University of Maryland holds multiple","The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show Behind the Scenes. This collection consists of two series.","Series 1: Theatre and film-related materials consists of five subseries. Subseries 1: Washington, D.C. and District-Maryland-Virginia (DMV) area; Subseries 2: Ohio regional theatres; Subseries 3: New York productions; Subseries 4: Other American productions; and Subseries 5: International productions. Materials in this series include programs, playbills, stage bills, press releases, photographs, news articles, ticket stubs, invitations, and advertisements from theatre and motion picture productions across the United States and Eastern Europe, and are divided based on location. Some programs also contain Kincannon's handwritten notes. Many of these materials are from the John F. Kennedy Center for the Performing Arts, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and various other theatres in the D.C. area. It also includes productions by the Kenley Players and Victory Theatre in Dayton, Ohio, among others in the area.","Series 2: Behind The Scenes production materials contains materials created during Kincannon's career, including drafted, unpublished, and published articles and scripts for her Bydin' my Time segment in the Blue Ridge Leader newspaper and her radio show Behind the Scenes. Materials include audio and visual materials from Behind the Scenes, as well as outlines, radio broadcast schedules, contracts, proposals, funding, and business correspondence.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show Behind the Scenes.","R 9, C 4, S 3-7\n\nR 10, C 1, S 2-4\n\nOS R 2, C 1, S 4","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)","Kincannon, Lois Claire","English"],"collection_title_tesim":["L. Claire Kincannon theatre collection, 1941/2015"],"collection_ssim":["L. 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Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by L. Claire Kincannon from 2007-2015."],"access_subjects_ssim":["Motion pictures","Theater","Theater -- England -- London","Theater -- New York (State) -- New York","Theater -- Washington (D.C.)","Theater critics","Theater programs","Performing arts","Broadcasting"],"access_subjects_ssm":["Motion pictures","Theater","Theater -- England -- London","Theater -- New York (State) -- New York","Theater -- Washington (D.C.)","Theater critics","Theater programs","Performing arts","Broadcasting"],"has_online_content_ssim":["false"],"extent_ssm":["20 Linear Feet 88 boxes"],"extent_tesim":["20 Linear Feet 88 boxes"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eMost of the audiovisual materials in this collection have been digitized. Please contact the Special Collections Research Center for more information.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Most of the audiovisual materials in this collection have been digitized. Please contact the Special Collections Research Center for more information."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into two series and then alphabetically by title.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Theatre and film-related materials, 1941-2015 (Boxes 1-42; 65)\u003c/item\u003e\n      \u003citem\u003eSeries 2: \u003citalic\u003eBehind the Scenes\u003c/italic\u003e production materials, 1971-1990s (Boxes 32-34; 42-88)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Digitized \u003citalic\u003eBehind the Scenes\u003c/italic\u003e reels, circa 1980s-1992\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into two series and then alphabetically by title.","Series\n      Series 1: Theatre and film-related materials, 1941-2015 (Boxes 1-42; 65)\n      Series 2: Behind the Scenes production materials, 1971-1990s (Boxes 32-34; 42-88)\n      Series 3: Digitized Behind the Scenes reels, circa 1980s-1992"],"bioghist_html_tesm":["\u003cp\u003eLois Claire Kincannon, known as \"Claire,\" was an author, theatre critic, and radio journalist. Born April 19, 1940, Kincannon originally graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she hosted her own radio show titled \u003citalic\u003eBehind the Scenes,\u003c/italic\u003e in which she reviewed and discussed the theatre performances that she attended in the Washington, D.C. area. In late 1992, Kincannon moved to Paris, France, with her husband, where she founded Dancing Ink Press and published several books, including \u003citalic\u003ePaeonian to Paris\u003c/italic\u003e, \u003citalic\u003eSheets for Men Only,\u003c/italic\u003e \u003citalic\u003eSheets to the Wind,\u003c/italic\u003e and \u003citalic\u003eRockin' with Porch Memories.\u003c/italic\u003e After eight years abroad, she returned to the United States, where she lived for the rest of her life. Kincannon passed away on August 9th, 2023.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Lois Claire Kincannon, known as \"Claire,\" was an author, theatre critic, and radio journalist. Born April 19, 1940, Kincannon originally graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she hosted her own radio show titled Behind the Scenes, in which she reviewed and discussed the theatre performances that she attended in the Washington, D.C. area. In late 1992, Kincannon moved to Paris, France, with her husband, where she founded Dancing Ink Press and published several books, including Paeonian to Paris, Sheets for Men Only, Sheets to the Wind, and Rockin' with Porch Memories. After eight years abroad, she returned to the United States, where she lived for the rest of her life. Kincannon passed away on August 9th, 2023."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the L. Claire Kincannon theatre collection. Additional time and money may be required to digitize this material for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the L. Claire Kincannon theatre collection. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eL. Claire Kincannon theatre collection, C0018, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["L. Claire Kincannon theatre collection, C0018, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.\u003c/p\u003e","\u003cp\u003eReprocessed and additional accessions processed by Vilma Chicas Garcia from January-May 2024. Finding aid completed by Vilma Chicas Garcia in May 2024. \u003c/p\u003e","\u003cp\u003eAdditional processing completed by Amanda Menjivar in June 2024. Finding aid edited and published by Amanda Menjivar in May 2024.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.","Reprocessed and additional accessions processed by Vilma Chicas Garcia from January-May 2024. Finding aid completed by Vilma Chicas Garcia in May 2024.","Additional processing completed by Amanda Menjivar in June 2024. Finding aid edited and published by Amanda Menjivar in May 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds many other collections on \u003cextptr show=\"new\" title=\"theatre and the performing arts\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=theatre\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e. \u003c/p\u003e","\u003cp\u003eThe University of Maryland holds multiple \u003cextptr show=\"new\" title=\"radio and television broadcasting collections.\" href=\"https://www.lib.umd.edu/collections/special/broadcasting\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds many other collections on .","The University of Maryland holds multiple"],"scopecontent_html_tesm":["\u003cp\u003eThe L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show \u003citalic\u003eBehind the Scenes.\u003c/italic\u003e This collection consists of two series.\u003c/p\u003e","\u003cp\u003eSeries 1: Theatre and film-related materials consists of five subseries. Subseries 1: Washington, D.C. and District-Maryland-Virginia (DMV) area; Subseries 2: Ohio regional theatres; Subseries 3: New York productions; Subseries 4: Other American productions; and Subseries 5: International productions. Materials in this series include programs, playbills, stage bills, press releases, photographs, news articles, ticket stubs, invitations, and advertisements from theatre and motion picture productions across the United States and Eastern Europe, and are divided based on location. Some programs also contain Kincannon's handwritten notes. Many of these materials are from the John F. Kennedy Center for the Performing Arts, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and various other theatres in the D.C. area. It also includes productions by the Kenley Players and Victory Theatre in Dayton, Ohio, among others in the area. \u003c/p\u003e","\u003cp\u003eSeries 2: \u003citalic\u003eBehind The Scenes\u003c/italic\u003e production materials contains materials created during Kincannon's career, including drafted, unpublished, and published articles and scripts for her \u003citalic\u003eBydin' my Time\u003c/italic\u003e segment in the \u003citalic\u003eBlue Ridge Leader\u003c/italic\u003e newspaper and her radio show \u003citalic\u003eBehind the Scenes.\u003c/italic\u003e Materials include audio and visual materials from \u003citalic\u003eBehind the Scenes,\u003c/italic\u003e as well as outlines, radio broadcast schedules, contracts, proposals, funding, and business correspondence.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show Behind the Scenes. This collection consists of two series.","Series 1: Theatre and film-related materials consists of five subseries. Subseries 1: Washington, D.C. and District-Maryland-Virginia (DMV) area; Subseries 2: Ohio regional theatres; Subseries 3: New York productions; Subseries 4: Other American productions; and Subseries 5: International productions. Materials in this series include programs, playbills, stage bills, press releases, photographs, news articles, ticket stubs, invitations, and advertisements from theatre and motion picture productions across the United States and Eastern Europe, and are divided based on location. Some programs also contain Kincannon's handwritten notes. Many of these materials are from the John F. Kennedy Center for the Performing Arts, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and various other theatres in the D.C. area. It also includes productions by the Kenley Players and Victory Theatre in Dayton, Ohio, among others in the area.","Series 2: Behind The Scenes production materials contains materials created during Kincannon's career, including drafted, unpublished, and published articles and scripts for her Bydin' my Time segment in the Blue Ridge Leader newspaper and her radio show Behind the Scenes. Materials include audio and visual materials from Behind the Scenes, as well as outlines, radio broadcast schedules, contracts, proposals, funding, and business correspondence."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_16a68c93d8b3d69c2ae06c4266189f5f\"\u003eThe L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show \u003citalic\u003eBehind the Scenes.\u003c/italic\u003e\u003c/abstract\u003e\n    "],"abstract_tesim":["The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show Behind the Scenes."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e075fefd777b95903634244477006030\"\u003eR 9, C 4, S 3-7\n\nR 10, C 1, S 2-4\n\nOS R 2, C 1, S 4\u003c/physloc\u003e\n    "],"physloc_tesim":["R 9, C 4, S 3-7\n\nR 10, C 1, S 2-4\n\nOS R 2, C 1, S 4"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)"],"names_coll_ssim":["Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)"],"persname_ssim":["Kincannon, Lois Claire"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)","Kincannon, Lois Claire"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1250,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:17.521Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_13","ead_ssi":"vifgm_repositories_2_resources_13","_root_":"vifgm_repositories_2_resources_13","_nest_parent_":"vifgm_repositories_2_resources_13","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_13.xml","title_ssm":["L. Claire Kincannon theatre collection"],"title_tesim":["L. Claire Kincannon theatre collection"],"unitdate_ssm":["1941-2015"],"unitdate_inclusive_ssm":["1941-2015"],"normalized_date_ssm":["1941/2015"],"normalized_title_ssm":["L. Claire Kincannon theatre collection, 1941/2015"],"text":["L. Claire Kincannon theatre collection, 1941/2015","C0018","/repositories/2/resources/13","Ohio","Broadway (New York, N.Y.)","Washington (D.C.)","Motion pictures","Theater","Theater -- England -- London","Theater -- New York (State) -- New York","Theater -- Washington (D.C.)","Theater critics","Theater programs","Performing arts","Broadcasting","There are no access restrictions.","Most of the audiovisual materials in this collection have been digitized. Please contact the Special Collections Research Center for more information.","This collection is arranged into two series and then alphabetically by title.","Series\n      Series 1: Theatre and film-related materials, 1941-2015 (Boxes 1-42; 65)\n      Series 2: Behind the Scenes production materials, 1971-1990s (Boxes 32-34; 42-88)\n      Series 3: Digitized Behind the Scenes reels, circa 1980s-1992","Lois Claire Kincannon, known as \"Claire,\" was an author, theatre critic, and radio journalist. Born April 19, 1940, Kincannon originally graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she hosted her own radio show titled Behind the Scenes, in which she reviewed and discussed the theatre performances that she attended in the Washington, D.C. area. In late 1992, Kincannon moved to Paris, France, with her husband, where she founded Dancing Ink Press and published several books, including Paeonian to Paris, Sheets for Men Only, Sheets to the Wind, and Rockin' with Porch Memories. After eight years abroad, she returned to the United States, where she lived for the rest of her life. Kincannon passed away on August 9th, 2023.","The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the L. Claire Kincannon theatre collection. Additional time and money may be required to digitize this material for access.","Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.","Reprocessed and additional accessions processed by Vilma Chicas Garcia from January-May 2024. Finding aid completed by Vilma Chicas Garcia in May 2024.","Additional processing completed by Amanda Menjivar in June 2024. Finding aid edited and published by Amanda Menjivar in May 2024.","The Special Collections Research Center also holds many other collections on .","The University of Maryland holds multiple","The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show Behind the Scenes. This collection consists of two series.","Series 1: Theatre and film-related materials consists of five subseries. Subseries 1: Washington, D.C. and District-Maryland-Virginia (DMV) area; Subseries 2: Ohio regional theatres; Subseries 3: New York productions; Subseries 4: Other American productions; and Subseries 5: International productions. Materials in this series include programs, playbills, stage bills, press releases, photographs, news articles, ticket stubs, invitations, and advertisements from theatre and motion picture productions across the United States and Eastern Europe, and are divided based on location. Some programs also contain Kincannon's handwritten notes. Many of these materials are from the John F. Kennedy Center for the Performing Arts, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and various other theatres in the D.C. area. It also includes productions by the Kenley Players and Victory Theatre in Dayton, Ohio, among others in the area.","Series 2: Behind The Scenes production materials contains materials created during Kincannon's career, including drafted, unpublished, and published articles and scripts for her Bydin' my Time segment in the Blue Ridge Leader newspaper and her radio show Behind the Scenes. Materials include audio and visual materials from Behind the Scenes, as well as outlines, radio broadcast schedules, contracts, proposals, funding, and business correspondence.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show Behind the Scenes.","R 9, C 4, S 3-7\n\nR 10, C 1, S 2-4\n\nOS R 2, C 1, S 4","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)","Kincannon, Lois Claire","English"],"collection_title_tesim":["L. Claire Kincannon theatre collection, 1941/2015"],"collection_ssim":["L. 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Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by L. Claire Kincannon from 2007-2015."],"access_subjects_ssim":["Motion pictures","Theater","Theater -- England -- London","Theater -- New York (State) -- New York","Theater -- Washington (D.C.)","Theater critics","Theater programs","Performing arts","Broadcasting"],"access_subjects_ssm":["Motion pictures","Theater","Theater -- England -- London","Theater -- New York (State) -- New York","Theater -- Washington (D.C.)","Theater critics","Theater programs","Performing arts","Broadcasting"],"has_online_content_ssim":["false"],"extent_ssm":["20 Linear Feet 88 boxes"],"extent_tesim":["20 Linear Feet 88 boxes"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eMost of the audiovisual materials in this collection have been digitized. Please contact the Special Collections Research Center for more information.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Most of the audiovisual materials in this collection have been digitized. Please contact the Special Collections Research Center for more information."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into two series and then alphabetically by title.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Theatre and film-related materials, 1941-2015 (Boxes 1-42; 65)\u003c/item\u003e\n      \u003citem\u003eSeries 2: \u003citalic\u003eBehind the Scenes\u003c/italic\u003e production materials, 1971-1990s (Boxes 32-34; 42-88)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Digitized \u003citalic\u003eBehind the Scenes\u003c/italic\u003e reels, circa 1980s-1992\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into two series and then alphabetically by title.","Series\n      Series 1: Theatre and film-related materials, 1941-2015 (Boxes 1-42; 65)\n      Series 2: Behind the Scenes production materials, 1971-1990s (Boxes 32-34; 42-88)\n      Series 3: Digitized Behind the Scenes reels, circa 1980s-1992"],"bioghist_html_tesm":["\u003cp\u003eLois Claire Kincannon, known as \"Claire,\" was an author, theatre critic, and radio journalist. Born April 19, 1940, Kincannon originally graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she hosted her own radio show titled \u003citalic\u003eBehind the Scenes,\u003c/italic\u003e in which she reviewed and discussed the theatre performances that she attended in the Washington, D.C. area. In late 1992, Kincannon moved to Paris, France, with her husband, where she founded Dancing Ink Press and published several books, including \u003citalic\u003ePaeonian to Paris\u003c/italic\u003e, \u003citalic\u003eSheets for Men Only,\u003c/italic\u003e \u003citalic\u003eSheets to the Wind,\u003c/italic\u003e and \u003citalic\u003eRockin' with Porch Memories.\u003c/italic\u003e After eight years abroad, she returned to the United States, where she lived for the rest of her life. Kincannon passed away on August 9th, 2023.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Lois Claire Kincannon, known as \"Claire,\" was an author, theatre critic, and radio journalist. Born April 19, 1940, Kincannon originally graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she hosted her own radio show titled Behind the Scenes, in which she reviewed and discussed the theatre performances that she attended in the Washington, D.C. area. In late 1992, Kincannon moved to Paris, France, with her husband, where she founded Dancing Ink Press and published several books, including Paeonian to Paris, Sheets for Men Only, Sheets to the Wind, and Rockin' with Porch Memories. After eight years abroad, she returned to the United States, where she lived for the rest of her life. Kincannon passed away on August 9th, 2023."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the L. Claire Kincannon theatre collection. Additional time and money may be required to digitize this material for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the L. Claire Kincannon theatre collection. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eL. Claire Kincannon theatre collection, C0018, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["L. Claire Kincannon theatre collection, C0018, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.\u003c/p\u003e","\u003cp\u003eReprocessed and additional accessions processed by Vilma Chicas Garcia from January-May 2024. Finding aid completed by Vilma Chicas Garcia in May 2024. \u003c/p\u003e","\u003cp\u003eAdditional processing completed by Amanda Menjivar in June 2024. Finding aid edited and published by Amanda Menjivar in May 2024.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.","Reprocessed and additional accessions processed by Vilma Chicas Garcia from January-May 2024. Finding aid completed by Vilma Chicas Garcia in May 2024.","Additional processing completed by Amanda Menjivar in June 2024. Finding aid edited and published by Amanda Menjivar in May 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds many other collections on \u003cextptr show=\"new\" title=\"theatre and the performing arts\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=theatre\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e. \u003c/p\u003e","\u003cp\u003eThe University of Maryland holds multiple \u003cextptr show=\"new\" title=\"radio and television broadcasting collections.\" href=\"https://www.lib.umd.edu/collections/special/broadcasting\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds many other collections on .","The University of Maryland holds multiple"],"scopecontent_html_tesm":["\u003cp\u003eThe L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show \u003citalic\u003eBehind the Scenes.\u003c/italic\u003e This collection consists of two series.\u003c/p\u003e","\u003cp\u003eSeries 1: Theatre and film-related materials consists of five subseries. Subseries 1: Washington, D.C. and District-Maryland-Virginia (DMV) area; Subseries 2: Ohio regional theatres; Subseries 3: New York productions; Subseries 4: Other American productions; and Subseries 5: International productions. Materials in this series include programs, playbills, stage bills, press releases, photographs, news articles, ticket stubs, invitations, and advertisements from theatre and motion picture productions across the United States and Eastern Europe, and are divided based on location. Some programs also contain Kincannon's handwritten notes. Many of these materials are from the John F. Kennedy Center for the Performing Arts, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and various other theatres in the D.C. area. It also includes productions by the Kenley Players and Victory Theatre in Dayton, Ohio, among others in the area. \u003c/p\u003e","\u003cp\u003eSeries 2: \u003citalic\u003eBehind The Scenes\u003c/italic\u003e production materials contains materials created during Kincannon's career, including drafted, unpublished, and published articles and scripts for her \u003citalic\u003eBydin' my Time\u003c/italic\u003e segment in the \u003citalic\u003eBlue Ridge Leader\u003c/italic\u003e newspaper and her radio show \u003citalic\u003eBehind the Scenes.\u003c/italic\u003e Materials include audio and visual materials from \u003citalic\u003eBehind the Scenes,\u003c/italic\u003e as well as outlines, radio broadcast schedules, contracts, proposals, funding, and business correspondence.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show Behind the Scenes. This collection consists of two series.","Series 1: Theatre and film-related materials consists of five subseries. Subseries 1: Washington, D.C. and District-Maryland-Virginia (DMV) area; Subseries 2: Ohio regional theatres; Subseries 3: New York productions; Subseries 4: Other American productions; and Subseries 5: International productions. Materials in this series include programs, playbills, stage bills, press releases, photographs, news articles, ticket stubs, invitations, and advertisements from theatre and motion picture productions across the United States and Eastern Europe, and are divided based on location. Some programs also contain Kincannon's handwritten notes. Many of these materials are from the John F. Kennedy Center for the Performing Arts, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and various other theatres in the D.C. area. It also includes productions by the Kenley Players and Victory Theatre in Dayton, Ohio, among others in the area.","Series 2: Behind The Scenes production materials contains materials created during Kincannon's career, including drafted, unpublished, and published articles and scripts for her Bydin' my Time segment in the Blue Ridge Leader newspaper and her radio show Behind the Scenes. Materials include audio and visual materials from Behind the Scenes, as well as outlines, radio broadcast schedules, contracts, proposals, funding, and business correspondence."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_16a68c93d8b3d69c2ae06c4266189f5f\"\u003eThe L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show \u003citalic\u003eBehind the Scenes.\u003c/italic\u003e\u003c/abstract\u003e\n    "],"abstract_tesim":["The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show Behind the Scenes."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e075fefd777b95903634244477006030\"\u003eR 9, C 4, S 3-7\n\nR 10, C 1, S 2-4\n\nOS R 2, C 1, S 4\u003c/physloc\u003e\n    "],"physloc_tesim":["R 9, C 4, S 3-7\n\nR 10, C 1, S 2-4\n\nOS R 2, C 1, S 4"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)"],"names_coll_ssim":["Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)"],"persname_ssim":["Kincannon, Lois Claire"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)","Kincannon, Lois Claire"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1250,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:17.521Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_13"}},{"id":"viw_repositories_2_resources_4402","type":"collection","attributes":{"title":"Marie Rifenburg Diary, 1934","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_4402#creator","type":"document_value","attributes":{"value":"Rifenburg, Marie","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_4402#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eDiary, 1934, of Marie Rifenburg of Rhinebeck, New York. Primarily concern her day to day activities, which often take place with a person named Elmer. She mentions many trips \"after supper\" to a place called The Hill Top. Many entries also concerns various movies which Rifenburg went to see, often including their names, the names of actors and actresses in the movie, as well as her opinions on them. There are also three advertisements for movies that were clipped out of local newspapers.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_4402#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_4402","ead_ssi":"viw_repositories_2_resources_4402","_root_":"viw_repositories_2_resources_4402","_nest_parent_":"viw_repositories_2_resources_4402","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_4402.xml","title_filing_ssi":"Rifenburg, Marie Diary","title_ssm":["Marie Rifenburg Diary"],"title_tesim":["Marie Rifenburg Diary"],"unitdate_ssm":["1934"],"unitdate_other_ssim":["1934"],"normalized_date_ssm":["1934"],"normalized_title_ssm":["Marie Rifenburg Diary, 1934"],"text":["Marie Rifenburg Diary, 1934","SC 00689","/repositories/2/resources/4402","New York (State)--Social life and customs","Motion pictures","Women--Diaries","Clippings (information artifacts)","Diaries","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Further information about this individual or organization may be available in the Special Collections Research Center Wiki: .","Accessioned and minimally processed by Benjamin Bromley in April 2012.","Diary, 1934, of Marie Rifenburg of Rhinebeck, New York. Primarily concern her day to day activities, which often take place with a person named Elmer. She mentions many trips \"after supper\" to a place called The Hill Top. Many entries also concerns various movies which Rifenburg went to see, often including their names, the names of actors and actresses in the movie, as well as her opinions on them. There are also three advertisements for movies that were clipped out of local newspapers.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Rifenburg, Marie","English"],"collection_title_tesim":["Marie Rifenburg Diary, 1934"],"collection_ssim":["Marie Rifenburg Diary, 1934"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 00689","/repositories/2/resources/4402"],"unitid_tesim":["SC 00689","/repositories/2/resources/4402"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["New York (State)--Social life and customs"],"geogname_ssim":["New York (State)--Social life and customs"],"places_ssim":["New York (State)--Social life and customs"],"creator_ssm":["Rifenburg, Marie"],"creator_ssim":["Rifenburg, Marie"],"creator_persname_ssim":["Rifenburg, Marie"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Rifenburg, Marie","Special Collections Research Center"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Motion pictures","Women--Diaries","Clippings (information artifacts)","Diaries"],"access_subjects_ssm":["Motion pictures","Women--Diaries","Clippings (information artifacts)","Diaries"],"has_online_content_ssim":["false"],"extent_ssm":["0.01 Linear Foot"],"extent_tesim":["0.01 Linear Foot"],"genreform_ssim":["Clippings (information artifacts)","Diaries"],"date_range_isim":[1934],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eFurther information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdb.swem.wm.edu/wiki/index.php/Marie_Rifenburg\" title=\"Marie Rifenburg\"\u003e\u003c/extref\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Further information about this individual or organization may be available in the Special Collections Research Center Wiki: ."],"prefercite_html_tesm":["\u003cp\u003eMarie Rifenburg Diary, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Marie Rifenburg Diary, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eAccessioned and minimally processed by Benjamin Bromley in April 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Accessioned and minimally processed by Benjamin Bromley in April 2012."],"scopecontent_html_tesm":["\u003cp\u003eDiary, 1934, of Marie Rifenburg of Rhinebeck, New York. Primarily concern her day to day activities, which often take place with a person named Elmer. She mentions many trips \"after supper\" to a place called The Hill Top. Many entries also concerns various movies which Rifenburg went to see, often including their names, the names of actors and actresses in the movie, as well as her opinions on them. There are also three advertisements for movies that were clipped out of local newspapers.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Diary, 1934, of Marie Rifenburg of Rhinebeck, New York. Primarily concern her day to day activities, which often take place with a person named Elmer. She mentions many trips \"after supper\" to a place called The Hill Top. Many entries also concerns various movies which Rifenburg went to see, often including their names, the names of actors and actresses in the movie, as well as her opinions on them. There are also three advertisements for movies that were clipped out of local newspapers."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Rifenburg, Marie"],"names_ssim":["Special Collections Research Center","Rifenburg, Marie"],"language_ssim":["English"],"total_component_count_is":2,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:02:25.478Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_4402","ead_ssi":"viw_repositories_2_resources_4402","_root_":"viw_repositories_2_resources_4402","_nest_parent_":"viw_repositories_2_resources_4402","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_4402.xml","title_filing_ssi":"Rifenburg, Marie Diary","title_ssm":["Marie Rifenburg Diary"],"title_tesim":["Marie Rifenburg Diary"],"unitdate_ssm":["1934"],"unitdate_other_ssim":["1934"],"normalized_date_ssm":["1934"],"normalized_title_ssm":["Marie Rifenburg Diary, 1934"],"text":["Marie Rifenburg Diary, 1934","SC 00689","/repositories/2/resources/4402","New York (State)--Social life and customs","Motion pictures","Women--Diaries","Clippings (information artifacts)","Diaries","Collection is open to all researchers. 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Primarily concern her day to day activities, which often take place with a person named Elmer. She mentions many trips \"after supper\" to a place called The Hill Top. Many entries also concerns various movies which Rifenburg went to see, often including their names, the names of actors and actresses in the movie, as well as her opinions on them. There are also three advertisements for movies that were clipped out of local newspapers.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Rifenburg, Marie","English"],"collection_title_tesim":["Marie Rifenburg Diary, 1934"],"collection_ssim":["Marie Rifenburg Diary, 1934"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 00689","/repositories/2/resources/4402"],"unitid_tesim":["SC 00689","/repositories/2/resources/4402"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["New York (State)--Social life and customs"],"geogname_ssim":["New York (State)--Social life and customs"],"places_ssim":["New York (State)--Social life and customs"],"creator_ssm":["Rifenburg, Marie"],"creator_ssim":["Rifenburg, Marie"],"creator_persname_ssim":["Rifenburg, Marie"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Rifenburg, Marie","Special Collections Research Center"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Motion pictures","Women--Diaries","Clippings (information artifacts)","Diaries"],"access_subjects_ssm":["Motion pictures","Women--Diaries","Clippings (information artifacts)","Diaries"],"has_online_content_ssim":["false"],"extent_ssm":["0.01 Linear Foot"],"extent_tesim":["0.01 Linear Foot"],"genreform_ssim":["Clippings (information artifacts)","Diaries"],"date_range_isim":[1934],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eFurther information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdb.swem.wm.edu/wiki/index.php/Marie_Rifenburg\" title=\"Marie Rifenburg\"\u003e\u003c/extref\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Further information about this individual or organization may be available in the Special Collections Research Center Wiki: ."],"prefercite_html_tesm":["\u003cp\u003eMarie Rifenburg Diary, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Marie Rifenburg Diary, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eAccessioned and minimally processed by Benjamin Bromley in April 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Accessioned and minimally processed by Benjamin Bromley in April 2012."],"scopecontent_html_tesm":["\u003cp\u003eDiary, 1934, of Marie Rifenburg of Rhinebeck, New York. 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There are also three advertisements for movies that were clipped out of local newspapers."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Rifenburg, Marie"],"names_ssim":["Special Collections Research Center","Rifenburg, Marie"],"language_ssim":["English"],"total_component_count_is":2,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:02:25.478Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_4402"}},{"id":"viw_repositories_2_resources_8145","type":"collection","attributes":{"title":"Shirley Donald Southworth Papers, 1940","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8145#creator","type":"document_value","attributes":{"value":"Southworth, Shirley Donald","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8145#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe collection includes two copies of a script for a radio address, \"The Gold Problem,\" given by Southworth on March 5, 1940. It also includes two typed letters sent from Southworth and his wife to his mother.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8145#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_8145","ead_ssi":"viw_repositories_2_resources_8145","_root_":"viw_repositories_2_resources_8145","_nest_parent_":"viw_repositories_2_resources_8145","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8145.xml","title_filing_ssi":"Southworth, Shirley Donald Papers","title_ssm":["Shirley Donald Southworth Papers"],"title_tesim":["Shirley Donald Southworth Papers"],"unitdate_ssm":["1940"],"unitdate_other_ssim":["1940"],"normalized_date_ssm":["1940"],"normalized_title_ssm":["Shirley Donald Southworth Papers, 1940"],"text":["Shirley Donald Southworth Papers, 1940","UA 6.084","/repositories/2/resources/8145","Williamsburg (Va.)--History--20th century","Motion pictures","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Shirley Donald Southworth was a member of the faculty at William \u0026 Mary, as a professor of Economics, from 1927-1960. He took a leave of absence from 1942-1945 to serve in the Division of Monetary Research at the U. S. Treasury. Southworth passed away in October 1972.","Removed from the Faculty-Alumni File Collection in June 2016","University Archives Faculty-Alumni File Collection","The collection includes two copies of a script for a radio address, \"The Gold Problem,\" given by Southworth on March 5, 1940.  It also includes two typed letters sent from Southworth and his wife to his mother.","The first letter, dated April 14, 1940, discusses his mother's tenant and also the filming of the movie \"The Howards of Virginia,\" which filmed at Colonial Williamsburg. He mentions that the movie's stars didn't film but did appear for publicity.  He tried to be a part of it but could not, though he may have an opportunity to be part of an educational film.  He mentions attending college orchestra rehearsals, and it appears he participates by playing an unnamed instrument. Southworth moves on to the local weather and discusses the tourist business, noting that they rented out all of their guest rooms.","The second letter, dated November 16, 1940, discusses the local weather and attending a tuckey dinner at the Baptist Church, which also saw the attendance of local Episcopalians, Methodists, and Presbyterians (\"what we might call the 'best people' of town\"). He mentions receiving a phone call from a friend, while typing the letter. The friend is trying to receive clothing for \"three families of negroes who lost their home by a fire over at Toano a night or two ago.\" Southworth also references a brochure he's hoping to get published.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Southworth, Shirley Donald","English"],"collection_title_tesim":["Shirley Donald Southworth Papers, 1940"],"collection_ssim":["Shirley Donald Southworth Papers, 1940"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 6.084","/repositories/2/resources/8145"],"unitid_tesim":["UA 6.084","/repositories/2/resources/8145"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Williamsburg (Va.)--History--20th century"],"geogname_ssim":["Williamsburg (Va.)--History--20th century"],"places_ssim":["Williamsburg (Va.)--History--20th century"],"creator_ssm":["Southworth, Shirley Donald"],"creator_ssim":["Southworth, Shirley Donald"],"creator_persname_ssim":["Southworth, Shirley Donald"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Southworth, Shirley Donald","Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Motion pictures"],"access_subjects_ssm":["Motion pictures"],"has_online_content_ssim":["false"],"extent_ssm":["0.1 Linear Feet"],"extent_tesim":["0.1 Linear Feet"],"date_range_isim":[1940],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eShirley Donald Southworth was a member of the faculty at William \u0026amp; Mary, as a professor of Economics, from 1927-1960. He took a leave of absence from 1942-1945 to serve in the Division of Monetary Research at the U. S. Treasury. Southworth passed away in October 1972.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Shirley Donald Southworth was a member of the faculty at William \u0026 Mary, as a professor of Economics, from 1927-1960. He took a leave of absence from 1942-1945 to serve in the Division of Monetary Research at the U. S. Treasury. Southworth passed away in October 1972."],"odd_html_tesm":["\u003cp\u003eRemoved from the Faculty-Alumni File Collection in June 2016\u003c/p\u003e  "],"odd_heading_ssm":["General"],"odd_tesim":["Removed from the Faculty-Alumni File Collection in June 2016"],"prefercite_html_tesm":["\u003cp\u003eShirley Donald Southworth Papers, Special Collections Research Center, William \u0026amp; Mary Libraries\u003c/p\u003e  "],"prefercite_tesim":["Shirley Donald Southworth Papers, Special Collections Research Center, William \u0026 Mary Libraries"],"relatedmaterial_html_tesm":["\u003cp\u003eUniversity Archives Faculty-Alumni File Collection\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["University Archives Faculty-Alumni File Collection"],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes two copies of a script for a radio address, \"The Gold Problem,\" given by Southworth on March 5, 1940.  It also includes two typed letters sent from Southworth and his wife to his mother.\u003c/p\u003e","\u003cp\u003eThe first letter, dated April 14, 1940, discusses his mother's tenant and also the filming of the movie \"The Howards of Virginia,\" which filmed at Colonial Williamsburg. He mentions that the movie's stars didn't film but did appear for publicity.  He tried to be a part of it but could not, though he may have an opportunity to be part of an educational film.  He mentions attending college orchestra rehearsals, and it appears he participates by playing an unnamed instrument. Southworth moves on to the local weather and discusses the tourist business, noting that they rented out all of their guest rooms. \u003c/p\u003e","\u003cp\u003eThe second letter, dated November 16, 1940, discusses the local weather and attending a tuckey dinner at the Baptist Church, which also saw the attendance of local Episcopalians, Methodists, and Presbyterians (\"what we might call the 'best people' of town\"). He mentions receiving a phone call from a friend, while typing the letter. The friend is trying to receive clothing for \"three families of negroes who lost their home by a fire over at Toano a night or two ago.\" Southworth also references a brochure he's hoping to get published.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection includes two copies of a script for a radio address, \"The Gold Problem,\" given by Southworth on March 5, 1940.  It also includes two typed letters sent from Southworth and his wife to his mother.","The first letter, dated April 14, 1940, discusses his mother's tenant and also the filming of the movie \"The Howards of Virginia,\" which filmed at Colonial Williamsburg. He mentions that the movie's stars didn't film but did appear for publicity.  He tried to be a part of it but could not, though he may have an opportunity to be part of an educational film.  He mentions attending college orchestra rehearsals, and it appears he participates by playing an unnamed instrument. Southworth moves on to the local weather and discusses the tourist business, noting that they rented out all of their guest rooms.","The second letter, dated November 16, 1940, discusses the local weather and attending a tuckey dinner at the Baptist Church, which also saw the attendance of local Episcopalians, Methodists, and Presbyterians (\"what we might call the 'best people' of town\"). He mentions receiving a phone call from a friend, while typing the letter. The friend is trying to receive clothing for \"three families of negroes who lost their home by a fire over at Toano a night or two ago.\" Southworth also references a brochure he's hoping to get published."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Southworth, Shirley Donald"],"names_ssim":["Special Collections Research Center","Southworth, Shirley Donald"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:03:51.294Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8145","ead_ssi":"viw_repositories_2_resources_8145","_root_":"viw_repositories_2_resources_8145","_nest_parent_":"viw_repositories_2_resources_8145","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8145.xml","title_filing_ssi":"Southworth, Shirley Donald Papers","title_ssm":["Shirley Donald Southworth Papers"],"title_tesim":["Shirley Donald Southworth Papers"],"unitdate_ssm":["1940"],"unitdate_other_ssim":["1940"],"normalized_date_ssm":["1940"],"normalized_title_ssm":["Shirley Donald Southworth Papers, 1940"],"text":["Shirley Donald Southworth Papers, 1940","UA 6.084","/repositories/2/resources/8145","Williamsburg (Va.)--History--20th century","Motion pictures","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Shirley Donald Southworth was a member of the faculty at William \u0026 Mary, as a professor of Economics, from 1927-1960. He took a leave of absence from 1942-1945 to serve in the Division of Monetary Research at the U. S. Treasury. Southworth passed away in October 1972.","Removed from the Faculty-Alumni File Collection in June 2016","University Archives Faculty-Alumni File Collection","The collection includes two copies of a script for a radio address, \"The Gold Problem,\" given by Southworth on March 5, 1940.  It also includes two typed letters sent from Southworth and his wife to his mother.","The first letter, dated April 14, 1940, discusses his mother's tenant and also the filming of the movie \"The Howards of Virginia,\" which filmed at Colonial Williamsburg. He mentions that the movie's stars didn't film but did appear for publicity.  He tried to be a part of it but could not, though he may have an opportunity to be part of an educational film.  He mentions attending college orchestra rehearsals, and it appears he participates by playing an unnamed instrument. Southworth moves on to the local weather and discusses the tourist business, noting that they rented out all of their guest rooms.","The second letter, dated November 16, 1940, discusses the local weather and attending a tuckey dinner at the Baptist Church, which also saw the attendance of local Episcopalians, Methodists, and Presbyterians (\"what we might call the 'best people' of town\"). He mentions receiving a phone call from a friend, while typing the letter. The friend is trying to receive clothing for \"three families of negroes who lost their home by a fire over at Toano a night or two ago.\" Southworth also references a brochure he's hoping to get published.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Southworth, Shirley Donald","English"],"collection_title_tesim":["Shirley Donald Southworth Papers, 1940"],"collection_ssim":["Shirley Donald Southworth Papers, 1940"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 6.084","/repositories/2/resources/8145"],"unitid_tesim":["UA 6.084","/repositories/2/resources/8145"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Williamsburg (Va.)--History--20th century"],"geogname_ssim":["Williamsburg (Va.)--History--20th century"],"places_ssim":["Williamsburg (Va.)--History--20th century"],"creator_ssm":["Southworth, Shirley Donald"],"creator_ssim":["Southworth, Shirley Donald"],"creator_persname_ssim":["Southworth, Shirley Donald"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Southworth, Shirley Donald","Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Motion pictures"],"access_subjects_ssm":["Motion pictures"],"has_online_content_ssim":["false"],"extent_ssm":["0.1 Linear Feet"],"extent_tesim":["0.1 Linear Feet"],"date_range_isim":[1940],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eShirley Donald Southworth was a member of the faculty at William \u0026amp; Mary, as a professor of Economics, from 1927-1960. He took a leave of absence from 1942-1945 to serve in the Division of Monetary Research at the U. S. Treasury. Southworth passed away in October 1972.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Shirley Donald Southworth was a member of the faculty at William \u0026 Mary, as a professor of Economics, from 1927-1960. He took a leave of absence from 1942-1945 to serve in the Division of Monetary Research at the U. S. Treasury. Southworth passed away in October 1972."],"odd_html_tesm":["\u003cp\u003eRemoved from the Faculty-Alumni File Collection in June 2016\u003c/p\u003e  "],"odd_heading_ssm":["General"],"odd_tesim":["Removed from the Faculty-Alumni File Collection in June 2016"],"prefercite_html_tesm":["\u003cp\u003eShirley Donald Southworth Papers, Special Collections Research Center, William \u0026amp; Mary Libraries\u003c/p\u003e  "],"prefercite_tesim":["Shirley Donald Southworth Papers, Special Collections Research Center, William \u0026 Mary Libraries"],"relatedmaterial_html_tesm":["\u003cp\u003eUniversity Archives Faculty-Alumni File Collection\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["University Archives Faculty-Alumni File Collection"],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes two copies of a script for a radio address, \"The Gold Problem,\" given by Southworth on March 5, 1940.  It also includes two typed letters sent from Southworth and his wife to his mother.\u003c/p\u003e","\u003cp\u003eThe first letter, dated April 14, 1940, discusses his mother's tenant and also the filming of the movie \"The Howards of Virginia,\" which filmed at Colonial Williamsburg. He mentions that the movie's stars didn't film but did appear for publicity.  He tried to be a part of it but could not, though he may have an opportunity to be part of an educational film.  He mentions attending college orchestra rehearsals, and it appears he participates by playing an unnamed instrument. Southworth moves on to the local weather and discusses the tourist business, noting that they rented out all of their guest rooms. \u003c/p\u003e","\u003cp\u003eThe second letter, dated November 16, 1940, discusses the local weather and attending a tuckey dinner at the Baptist Church, which also saw the attendance of local Episcopalians, Methodists, and Presbyterians (\"what we might call the 'best people' of town\"). He mentions receiving a phone call from a friend, while typing the letter. The friend is trying to receive clothing for \"three families of negroes who lost their home by a fire over at Toano a night or two ago.\" Southworth also references a brochure he's hoping to get published.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection includes two copies of a script for a radio address, \"The Gold Problem,\" given by Southworth on March 5, 1940.  It also includes two typed letters sent from Southworth and his wife to his mother.","The first letter, dated April 14, 1940, discusses his mother's tenant and also the filming of the movie \"The Howards of Virginia,\" which filmed at Colonial Williamsburg. He mentions that the movie's stars didn't film but did appear for publicity.  He tried to be a part of it but could not, though he may have an opportunity to be part of an educational film.  He mentions attending college orchestra rehearsals, and it appears he participates by playing an unnamed instrument. Southworth moves on to the local weather and discusses the tourist business, noting that they rented out all of their guest rooms.","The second letter, dated November 16, 1940, discusses the local weather and attending a tuckey dinner at the Baptist Church, which also saw the attendance of local Episcopalians, Methodists, and Presbyterians (\"what we might call the 'best people' of town\"). He mentions receiving a phone call from a friend, while typing the letter. The friend is trying to receive clothing for \"three families of negroes who lost their home by a fire over at Toano a night or two ago.\" Southworth also references a brochure he's hoping to get published."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Southworth, Shirley Donald"],"names_ssim":["Special Collections Research Center","Southworth, Shirley Donald"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:03:51.294Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8145"}},{"id":"vifgm_repositories_2_resources_693","type":"collection","attributes":{"title":"Silent movie star scrapbook, 1915/1922","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_693#creator","type":"document_value","attributes":{"value":"Lytton, Randolph Hoopes, 1944-","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_693#abstract_or_scope","type":"document_value","attributes":{"value":"A scrapbook containing clippings of a variety of silent movie stars.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_693#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_693","ead_ssi":"vifgm_repositories_2_resources_693","_root_":"vifgm_repositories_2_resources_693","_nest_parent_":"vifgm_repositories_2_resources_693","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_693.xml","title_ssm":["Silent movie star scrapbook"],"title_tesim":["Silent movie star scrapbook"],"unitdate_ssm":["circa 1915-1922"],"unitdate_inclusive_ssm":["circa 1915-1922"],"normalized_date_ssm":["1915/1922"],"normalized_title_ssm":["Silent movie star scrapbook, 1915/1922"],"text":["Silent movie star scrapbook, 1915/1922","C0419","/repositories/2/resources/693","Motion pictures -- United States","Silent films","Motion pictures","Scrapbooking","Actors","Scrapbooks","There are no access restrictions.","This is a single item collection.","\"The History of Scrapbooking.\" n.d. Scrapbook.Com. Accessed October 4, 2023. https://www.scrapbook.com/articles/history-of-scrapbooking.","\"The Silent Era of Movies - History of Motion Pictures.\" n.d. History of Film. Accessed December 4, 2023. http://www.historyoffilm.net/movie-eras/silent-black-and-white-movies/.","Wijesinghe, Bhanujith. 2023. \"The Silent Era of Film.\" Sunday Observer. May 11, 2023. https://archives1.sundayobserver.lk/2023/05/14/silent-era-film.","The silent era of film dates from roughly the introduction of the film medium in the late 1800s through the late 1920s and refers to those movies made without synchronized sound. By 1912 advancements in film technology and editing within the United States allowed for filmmakers to begin using multiple reels of film for a single movie, leading to the growth of the American film industry and the introduction of the feature-length film. These newly expanded stories, combined with organized and higher budget studio productions, also led to the rise of the first movie stars such as Charlie Chaplin, Douglas Fairbanks, and Clara Bow. The introduction of synchronous sound into feature films (also known as \"talkies\") in 1927 is traditionally considered the end of the silent film era and in many cases the end of the box office power of many silent movie stars.","Variations on the practice of scrapbooking date as far back as the 14th century when it was popular for upper-class members of European society to keep a bound journal of blank pages, known as a commonplace book, that served as a place for the owner to write informal notes taken from a variety of sources in one place. With the introduction of the printing press by Johannes Gutenberg in the 1440s, books and other printed materials became more accessible and by the 1800s, as the availability and types of printed materials expanded, including widespread circulation of newspapers, the role of the commonplace book shifted, with owners now filling them with clippings, poetry, drawings, and other various \"scraps\" of printed material. The first recorded use of the term \"scrap book\" as a noun to describe these books with blank pages for pasting items is believed to be in 1821, with the two words morphing naturally overtime into the now common \"scrapbook.\" The first use of the word as a verb to describe the practice itself was recorded in 1879.","Processing completed by Meghan Glasbrenner in November 2023. Finding aid completed by Meghan Glasbrenner in December 2023.","The Special Collections Research Center holds other scrapbooks, such as the Lenora Little scrapbook and the Elizabeth Tatham scrapbook, as well as other materials related to silent film, such as the Silent film and early Hollywood ephemera collection.","The State Historical Society of Missouri Research Center Kansas City holds the Silent Film Actors Scrapbooks collection.","A marble covered scrapbook containing clippings of a variety of silent movie stars. Images are primarily circular headshots, with some full body or promotional film stills, and are pasted onto lined pages, with two additional images pasted to the inside and outside of the back cover.","The scrapbook contains images of a large number of movie stars, mostly female, and those identified as Subjects appear in two or more clippings throughout.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","A scrapbook containing clippings of a variety of silent movie stars.","R 72, C 3, S 6","George Mason University. Libraries. Special Collections Research Center","Lytton, Randolph Hoopes, 1944-","Allison, May, 1890-1989","Brady, Alice, 1892-1939","Burke, Billie, 1885-1970","Clayton, Ethel, 1884-1966","Compson, Betty, 1897-1974","Gish, Dorothy","Holt, Jack, 1888-1951","Miller, Marilyn, 1898-1936","Mix, Tom, 1880-1940","Murray, Mae, 1885-1965","Pickford, Mary, 1892-1979","Roland, Ruth, 1892-1937","Swanson, Gloria, 1897-1983","Sweet, Blanche","Talmadge, Norma, 1894-1957","Valentino, Rudolph, 1895-1926","English"],"collection_title_tesim":["Silent movie star scrapbook, 1915/1922"],"collection_ssim":["Silent movie star scrapbook, 1915/1922"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0419","/repositories/2/resources/693"],"unitid_tesim":["C0419","/repositories/2/resources/693"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Lytton, Randolph Hoopes, 1944-"],"creator_ssim":["Lytton, Randolph Hoopes, 1944-"],"creator_persname_ssim":["Lytton, Randolph Hoopes, 1944-","Allison, May, 1890-1989","Brady, Alice, 1892-1939","Burke, Billie, 1885-1970","Clayton, Ethel, 1884-1966","Compson, Betty, 1897-1974","Gish, Dorothy","Holt, Jack, 1888-1951","Miller, Marilyn, 1898-1936","Mix, Tom, 1880-1940","Murray, Mae, 1885-1965","Pickford, Mary, 1892-1979","Roland, Ruth, 1892-1937","Swanson, Gloria, 1897-1983","Sweet, Blanche","Talmadge, Norma, 1894-1957","Valentino, Rudolph, 1895-1926"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Lytton, Randolph Hoopes, 1944-","Allison, May, 1890-1989","Brady, Alice, 1892-1939","Burke, Billie, 1885-1970","Clayton, Ethel, 1884-1966","Compson, Betty, 1897-1974","Gish, Dorothy","Holt, Jack, 1888-1951","Miller, Marilyn, 1898-1936","Mix, Tom, 1880-1940","Murray, Mae, 1885-1965","Pickford, Mary, 1892-1979","Roland, Ruth, 1892-1937","Swanson, Gloria, 1897-1983","Sweet, Blanche","Talmadge, Norma, 1894-1957","Valentino, Rudolph, 1895-1926","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Donated by Randolph Lytton on August 7, 2021."],"access_subjects_ssim":["Motion pictures -- United States","Silent films","Motion pictures","Scrapbooking","Actors","Scrapbooks"],"access_subjects_ssm":["Motion pictures -- United States","Silent films","Motion pictures","Scrapbooking","Actors","Scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet 1 folder"],"extent_tesim":["1 Linear Feet 1 folder"],"genreform_ssim":["Scrapbooks"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003e\"The History of Scrapbooking.\" n.d. Scrapbook.Com. Accessed October 4, 2023. https://www.scrapbook.com/articles/history-of-scrapbooking.\u003c/p\u003e","\u003cp\u003e\"The Silent Era of Movies - History of Motion Pictures.\" n.d. History of Film. Accessed December 4, 2023. http://www.historyoffilm.net/movie-eras/silent-black-and-white-movies/.\u003c/p\u003e","\u003cp\u003eWijesinghe, Bhanujith. 2023. \"The Silent Era of Film.\" Sunday Observer. May 11, 2023. https://archives1.sundayobserver.lk/2023/05/14/silent-era-film.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"The History of Scrapbooking.\" n.d. Scrapbook.Com. Accessed October 4, 2023. https://www.scrapbook.com/articles/history-of-scrapbooking.","\"The Silent Era of Movies - History of Motion Pictures.\" n.d. History of Film. Accessed December 4, 2023. http://www.historyoffilm.net/movie-eras/silent-black-and-white-movies/.","Wijesinghe, Bhanujith. 2023. \"The Silent Era of Film.\" Sunday Observer. May 11, 2023. https://archives1.sundayobserver.lk/2023/05/14/silent-era-film."],"bioghist_html_tesm":["\u003cp\u003eThe silent era of film dates from roughly the introduction of the film medium in the late 1800s through the late 1920s and refers to those movies made without synchronized sound. By 1912 advancements in film technology and editing within the United States allowed for filmmakers to begin using multiple reels of film for a single movie, leading to the growth of the American film industry and the introduction of the feature-length film. These newly expanded stories, combined with organized and higher budget studio productions, also led to the rise of the first movie stars such as Charlie Chaplin, Douglas Fairbanks, and Clara Bow. The introduction of synchronous sound into feature films (also known as \"talkies\") in 1927 is traditionally considered the end of the silent film era and in many cases the end of the box office power of many silent movie stars.\u003c/p\u003e","\u003cp\u003eVariations on the practice of scrapbooking date as far back as the 14th century when it was popular for upper-class members of European society to keep a bound journal of blank pages, known as a commonplace book, that served as a place for the owner to write informal notes taken from a variety of sources in one place. With the introduction of the printing press by Johannes Gutenberg in the 1440s, books and other printed materials became more accessible and by the 1800s, as the availability and types of printed materials expanded, including widespread circulation of newspapers, the role of the commonplace book shifted, with owners now filling them with clippings, poetry, drawings, and other various \"scraps\" of printed material. The first recorded use of the term \"scrap book\" as a noun to describe these books with blank pages for pasting items is believed to be in 1821, with the two words morphing naturally overtime into the now common \"scrapbook.\" The first use of the word as a verb to describe the practice itself was recorded in 1879.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The silent era of film dates from roughly the introduction of the film medium in the late 1800s through the late 1920s and refers to those movies made without synchronized sound. By 1912 advancements in film technology and editing within the United States allowed for filmmakers to begin using multiple reels of film for a single movie, leading to the growth of the American film industry and the introduction of the feature-length film. These newly expanded stories, combined with organized and higher budget studio productions, also led to the rise of the first movie stars such as Charlie Chaplin, Douglas Fairbanks, and Clara Bow. The introduction of synchronous sound into feature films (also known as \"talkies\") in 1927 is traditionally considered the end of the silent film era and in many cases the end of the box office power of many silent movie stars.","Variations on the practice of scrapbooking date as far back as the 14th century when it was popular for upper-class members of European society to keep a bound journal of blank pages, known as a commonplace book, that served as a place for the owner to write informal notes taken from a variety of sources in one place. With the introduction of the printing press by Johannes Gutenberg in the 1440s, books and other printed materials became more accessible and by the 1800s, as the availability and types of printed materials expanded, including widespread circulation of newspapers, the role of the commonplace book shifted, with owners now filling them with clippings, poetry, drawings, and other various \"scraps\" of printed material. The first recorded use of the term \"scrap book\" as a noun to describe these books with blank pages for pasting items is believed to be in 1821, with the two words morphing naturally overtime into the now common \"scrapbook.\" The first use of the word as a verb to describe the practice itself was recorded in 1879."],"prefercite_html_tesm":["\u003cp\u003eSilent movie star scrapbook, C0419, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["Silent movie star scrapbook, C0419, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in November 2023. Finding aid completed by Meghan Glasbrenner in December 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in November 2023. Finding aid completed by Meghan Glasbrenner in December 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other scrapbooks, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0326\"\u003eLenora Little scrapbook\u003c/a\u003e and the \u003ca href=\"https://aspace.gmu.edu/resources/c0394\"\u003eElizabeth Tatham scrapbook\u003c/a\u003e, as well as other materials related to silent film, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0337\"\u003eSilent film and early Hollywood ephemera collection\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eThe State Historical Society of Missouri Research Center Kansas City holds the \u003ca href=\"https://files.shsmo.org/manuscripts/kansas-city/K0301.pdf\"\u003eSilent Film Actors Scrapbooks collection\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other scrapbooks, such as the Lenora Little scrapbook and the Elizabeth Tatham scrapbook, as well as other materials related to silent film, such as the Silent film and early Hollywood ephemera collection.","The State Historical Society of Missouri Research Center Kansas City holds the Silent Film Actors Scrapbooks collection."],"scopecontent_html_tesm":["\u003cp\u003eA marble covered scrapbook containing clippings of a variety of silent movie stars. Images are primarily circular headshots, with some full body or promotional film stills, and are pasted onto lined pages, with two additional images pasted to the inside and outside of the back cover.\u003c/p\u003e","\u003cp\u003eThe scrapbook contains images of a large number of movie stars, mostly female, and those identified as Subjects appear in two or more clippings throughout.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A marble covered scrapbook containing clippings of a variety of silent movie stars. Images are primarily circular headshots, with some full body or promotional film stills, and are pasted onto lined pages, with two additional images pasted to the inside and outside of the back cover.","The scrapbook contains images of a large number of movie stars, mostly female, and those identified as Subjects appear in two or more clippings throughout."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_94c57d156126501fe3771e30b5504e85\"\u003eA scrapbook containing clippings of a variety of silent movie stars.\u003c/abstract\u003e\n    "],"abstract_tesim":["A scrapbook containing clippings of a variety of silent movie stars."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e1a68f9ad2853d961ccf9316ce3ce8d5\"\u003eR 72, C 3, S 6\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 6"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Lytton, Randolph Hoopes, 1944-","Allison, May, 1890-1989","Brady, Alice, 1892-1939","Burke, Billie, 1885-1970","Clayton, Ethel, 1884-1966","Compson, Betty, 1897-1974","Gish, Dorothy","Holt, Jack, 1888-1951","Miller, Marilyn, 1898-1936","Mix, Tom, 1880-1940","Murray, Mae, 1885-1965","Pickford, Mary, 1892-1979","Roland, Ruth, 1892-1937","Swanson, Gloria, 1897-1983","Sweet, Blanche","Talmadge, Norma, 1894-1957","Valentino, Rudolph, 1895-1926"],"names_coll_ssim":["Lytton, Randolph Hoopes, 1944-","Allison, May, 1890-1989","Brady, Alice, 1892-1939","Burke, Billie, 1885-1970","Clayton, Ethel, 1884-1966","Compson, Betty, 1897-1974","Gish, Dorothy","Holt, Jack, 1888-1951","Miller, Marilyn, 1898-1936","Mix, Tom, 1880-1940","Murray, Mae, 1885-1965","Pickford, Mary, 1892-1979","Roland, Ruth, 1892-1937","Swanson, Gloria, 1897-1983","Sweet, Blanche","Talmadge, Norma, 1894-1957","Valentino, Rudolph, 1895-1926"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Lytton, Randolph Hoopes, 1944-","Allison, May, 1890-1989","Brady, Alice, 1892-1939","Burke, Billie, 1885-1970","Clayton, Ethel, 1884-1966","Compson, Betty, 1897-1974","Gish, Dorothy","Holt, Jack, 1888-1951","Miller, Marilyn, 1898-1936","Mix, Tom, 1880-1940","Murray, Mae, 1885-1965","Pickford, Mary, 1892-1979","Roland, Ruth, 1892-1937","Swanson, Gloria, 1897-1983","Sweet, Blanche","Talmadge, Norma, 1894-1957","Valentino, Rudolph, 1895-1926"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:13.746Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_693","ead_ssi":"vifgm_repositories_2_resources_693","_root_":"vifgm_repositories_2_resources_693","_nest_parent_":"vifgm_repositories_2_resources_693","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_693.xml","title_ssm":["Silent movie star scrapbook"],"title_tesim":["Silent movie star scrapbook"],"unitdate_ssm":["circa 1915-1922"],"unitdate_inclusive_ssm":["circa 1915-1922"],"normalized_date_ssm":["1915/1922"],"normalized_title_ssm":["Silent movie star scrapbook, 1915/1922"],"text":["Silent movie star scrapbook, 1915/1922","C0419","/repositories/2/resources/693","Motion pictures -- United States","Silent films","Motion pictures","Scrapbooking","Actors","Scrapbooks","There are no access restrictions.","This is a single item collection.","\"The History of Scrapbooking.\" n.d. Scrapbook.Com. Accessed October 4, 2023. https://www.scrapbook.com/articles/history-of-scrapbooking.","\"The Silent Era of Movies - History of Motion Pictures.\" n.d. History of Film. Accessed December 4, 2023. http://www.historyoffilm.net/movie-eras/silent-black-and-white-movies/.","Wijesinghe, Bhanujith. 2023. \"The Silent Era of Film.\" Sunday Observer. May 11, 2023. https://archives1.sundayobserver.lk/2023/05/14/silent-era-film.","The silent era of film dates from roughly the introduction of the film medium in the late 1800s through the late 1920s and refers to those movies made without synchronized sound. By 1912 advancements in film technology and editing within the United States allowed for filmmakers to begin using multiple reels of film for a single movie, leading to the growth of the American film industry and the introduction of the feature-length film. These newly expanded stories, combined with organized and higher budget studio productions, also led to the rise of the first movie stars such as Charlie Chaplin, Douglas Fairbanks, and Clara Bow. The introduction of synchronous sound into feature films (also known as \"talkies\") in 1927 is traditionally considered the end of the silent film era and in many cases the end of the box office power of many silent movie stars.","Variations on the practice of scrapbooking date as far back as the 14th century when it was popular for upper-class members of European society to keep a bound journal of blank pages, known as a commonplace book, that served as a place for the owner to write informal notes taken from a variety of sources in one place. With the introduction of the printing press by Johannes Gutenberg in the 1440s, books and other printed materials became more accessible and by the 1800s, as the availability and types of printed materials expanded, including widespread circulation of newspapers, the role of the commonplace book shifted, with owners now filling them with clippings, poetry, drawings, and other various \"scraps\" of printed material. The first recorded use of the term \"scrap book\" as a noun to describe these books with blank pages for pasting items is believed to be in 1821, with the two words morphing naturally overtime into the now common \"scrapbook.\" The first use of the word as a verb to describe the practice itself was recorded in 1879.","Processing completed by Meghan Glasbrenner in November 2023. Finding aid completed by Meghan Glasbrenner in December 2023.","The Special Collections Research Center holds other scrapbooks, such as the Lenora Little scrapbook and the Elizabeth Tatham scrapbook, as well as other materials related to silent film, such as the Silent film and early Hollywood ephemera collection.","The State Historical Society of Missouri Research Center Kansas City holds the Silent Film Actors Scrapbooks collection.","A marble covered scrapbook containing clippings of a variety of silent movie stars. Images are primarily circular headshots, with some full body or promotional film stills, and are pasted onto lined pages, with two additional images pasted to the inside and outside of the back cover.","The scrapbook contains images of a large number of movie stars, mostly female, and those identified as Subjects appear in two or more clippings throughout.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","A scrapbook containing clippings of a variety of silent movie stars.","R 72, C 3, S 6","George Mason University. Libraries. Special Collections Research Center","Lytton, Randolph Hoopes, 1944-","Allison, May, 1890-1989","Brady, Alice, 1892-1939","Burke, Billie, 1885-1970","Clayton, Ethel, 1884-1966","Compson, Betty, 1897-1974","Gish, Dorothy","Holt, Jack, 1888-1951","Miller, Marilyn, 1898-1936","Mix, Tom, 1880-1940","Murray, Mae, 1885-1965","Pickford, Mary, 1892-1979","Roland, Ruth, 1892-1937","Swanson, Gloria, 1897-1983","Sweet, Blanche","Talmadge, Norma, 1894-1957","Valentino, Rudolph, 1895-1926","English"],"collection_title_tesim":["Silent movie star scrapbook, 1915/1922"],"collection_ssim":["Silent movie star scrapbook, 1915/1922"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0419","/repositories/2/resources/693"],"unitid_tesim":["C0419","/repositories/2/resources/693"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Lytton, Randolph Hoopes, 1944-"],"creator_ssim":["Lytton, Randolph Hoopes, 1944-"],"creator_persname_ssim":["Lytton, Randolph Hoopes, 1944-","Allison, May, 1890-1989","Brady, Alice, 1892-1939","Burke, Billie, 1885-1970","Clayton, Ethel, 1884-1966","Compson, Betty, 1897-1974","Gish, Dorothy","Holt, Jack, 1888-1951","Miller, Marilyn, 1898-1936","Mix, Tom, 1880-1940","Murray, Mae, 1885-1965","Pickford, Mary, 1892-1979","Roland, Ruth, 1892-1937","Swanson, Gloria, 1897-1983","Sweet, Blanche","Talmadge, Norma, 1894-1957","Valentino, Rudolph, 1895-1926"],"creator_corpname_ssim":["George Mason University. 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(See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Donated by Randolph Lytton on August 7, 2021."],"access_subjects_ssim":["Motion pictures -- United States","Silent films","Motion pictures","Scrapbooking","Actors","Scrapbooks"],"access_subjects_ssm":["Motion pictures -- United States","Silent films","Motion pictures","Scrapbooking","Actors","Scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet 1 folder"],"extent_tesim":["1 Linear Feet 1 folder"],"genreform_ssim":["Scrapbooks"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003e\"The History of Scrapbooking.\" n.d. Scrapbook.Com. Accessed October 4, 2023. https://www.scrapbook.com/articles/history-of-scrapbooking.\u003c/p\u003e","\u003cp\u003e\"The Silent Era of Movies - History of Motion Pictures.\" n.d. History of Film. Accessed December 4, 2023. http://www.historyoffilm.net/movie-eras/silent-black-and-white-movies/.\u003c/p\u003e","\u003cp\u003eWijesinghe, Bhanujith. 2023. \"The Silent Era of Film.\" Sunday Observer. May 11, 2023. https://archives1.sundayobserver.lk/2023/05/14/silent-era-film.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"The History of Scrapbooking.\" n.d. Scrapbook.Com. Accessed October 4, 2023. https://www.scrapbook.com/articles/history-of-scrapbooking.","\"The Silent Era of Movies - History of Motion Pictures.\" n.d. History of Film. Accessed December 4, 2023. http://www.historyoffilm.net/movie-eras/silent-black-and-white-movies/.","Wijesinghe, Bhanujith. 2023. \"The Silent Era of Film.\" Sunday Observer. May 11, 2023. https://archives1.sundayobserver.lk/2023/05/14/silent-era-film."],"bioghist_html_tesm":["\u003cp\u003eThe silent era of film dates from roughly the introduction of the film medium in the late 1800s through the late 1920s and refers to those movies made without synchronized sound. By 1912 advancements in film technology and editing within the United States allowed for filmmakers to begin using multiple reels of film for a single movie, leading to the growth of the American film industry and the introduction of the feature-length film. These newly expanded stories, combined with organized and higher budget studio productions, also led to the rise of the first movie stars such as Charlie Chaplin, Douglas Fairbanks, and Clara Bow. The introduction of synchronous sound into feature films (also known as \"talkies\") in 1927 is traditionally considered the end of the silent film era and in many cases the end of the box office power of many silent movie stars.\u003c/p\u003e","\u003cp\u003eVariations on the practice of scrapbooking date as far back as the 14th century when it was popular for upper-class members of European society to keep a bound journal of blank pages, known as a commonplace book, that served as a place for the owner to write informal notes taken from a variety of sources in one place. With the introduction of the printing press by Johannes Gutenberg in the 1440s, books and other printed materials became more accessible and by the 1800s, as the availability and types of printed materials expanded, including widespread circulation of newspapers, the role of the commonplace book shifted, with owners now filling them with clippings, poetry, drawings, and other various \"scraps\" of printed material. The first recorded use of the term \"scrap book\" as a noun to describe these books with blank pages for pasting items is believed to be in 1821, with the two words morphing naturally overtime into the now common \"scrapbook.\" The first use of the word as a verb to describe the practice itself was recorded in 1879.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The silent era of film dates from roughly the introduction of the film medium in the late 1800s through the late 1920s and refers to those movies made without synchronized sound. By 1912 advancements in film technology and editing within the United States allowed for filmmakers to begin using multiple reels of film for a single movie, leading to the growth of the American film industry and the introduction of the feature-length film. These newly expanded stories, combined with organized and higher budget studio productions, also led to the rise of the first movie stars such as Charlie Chaplin, Douglas Fairbanks, and Clara Bow. The introduction of synchronous sound into feature films (also known as \"talkies\") in 1927 is traditionally considered the end of the silent film era and in many cases the end of the box office power of many silent movie stars.","Variations on the practice of scrapbooking date as far back as the 14th century when it was popular for upper-class members of European society to keep a bound journal of blank pages, known as a commonplace book, that served as a place for the owner to write informal notes taken from a variety of sources in one place. With the introduction of the printing press by Johannes Gutenberg in the 1440s, books and other printed materials became more accessible and by the 1800s, as the availability and types of printed materials expanded, including widespread circulation of newspapers, the role of the commonplace book shifted, with owners now filling them with clippings, poetry, drawings, and other various \"scraps\" of printed material. The first recorded use of the term \"scrap book\" as a noun to describe these books with blank pages for pasting items is believed to be in 1821, with the two words morphing naturally overtime into the now common \"scrapbook.\" The first use of the word as a verb to describe the practice itself was recorded in 1879."],"prefercite_html_tesm":["\u003cp\u003eSilent movie star scrapbook, C0419, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["Silent movie star scrapbook, C0419, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in November 2023. Finding aid completed by Meghan Glasbrenner in December 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in November 2023. Finding aid completed by Meghan Glasbrenner in December 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other scrapbooks, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0326\"\u003eLenora Little scrapbook\u003c/a\u003e and the \u003ca href=\"https://aspace.gmu.edu/resources/c0394\"\u003eElizabeth Tatham scrapbook\u003c/a\u003e, as well as other materials related to silent film, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0337\"\u003eSilent film and early Hollywood ephemera collection\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eThe State Historical Society of Missouri Research Center Kansas City holds the \u003ca href=\"https://files.shsmo.org/manuscripts/kansas-city/K0301.pdf\"\u003eSilent Film Actors Scrapbooks collection\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other scrapbooks, such as the Lenora Little scrapbook and the Elizabeth Tatham scrapbook, as well as other materials related to silent film, such as the Silent film and early Hollywood ephemera collection.","The State Historical Society of Missouri Research Center Kansas City holds the Silent Film Actors Scrapbooks collection."],"scopecontent_html_tesm":["\u003cp\u003eA marble covered scrapbook containing clippings of a variety of silent movie stars. Images are primarily circular headshots, with some full body or promotional film stills, and are pasted onto lined pages, with two additional images pasted to the inside and outside of the back cover.\u003c/p\u003e","\u003cp\u003eThe scrapbook contains images of a large number of movie stars, mostly female, and those identified as Subjects appear in two or more clippings throughout.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A marble covered scrapbook containing clippings of a variety of silent movie stars. Images are primarily circular headshots, with some full body or promotional film stills, and are pasted onto lined pages, with two additional images pasted to the inside and outside of the back cover.","The scrapbook contains images of a large number of movie stars, mostly female, and those identified as Subjects appear in two or more clippings throughout."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_94c57d156126501fe3771e30b5504e85\"\u003eA scrapbook containing clippings of a variety of silent movie stars.\u003c/abstract\u003e\n    "],"abstract_tesim":["A scrapbook containing clippings of a variety of silent movie stars."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e1a68f9ad2853d961ccf9316ce3ce8d5\"\u003eR 72, C 3, S 6\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 6"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Lytton, Randolph Hoopes, 1944-","Allison, May, 1890-1989","Brady, Alice, 1892-1939","Burke, Billie, 1885-1970","Clayton, Ethel, 1884-1966","Compson, Betty, 1897-1974","Gish, Dorothy","Holt, Jack, 1888-1951","Miller, Marilyn, 1898-1936","Mix, Tom, 1880-1940","Murray, Mae, 1885-1965","Pickford, Mary, 1892-1979","Roland, Ruth, 1892-1937","Swanson, Gloria, 1897-1983","Sweet, Blanche","Talmadge, Norma, 1894-1957","Valentino, Rudolph, 1895-1926"],"names_coll_ssim":["Lytton, Randolph Hoopes, 1944-","Allison, May, 1890-1989","Brady, Alice, 1892-1939","Burke, Billie, 1885-1970","Clayton, Ethel, 1884-1966","Compson, Betty, 1897-1974","Gish, Dorothy","Holt, Jack, 1888-1951","Miller, Marilyn, 1898-1936","Mix, Tom, 1880-1940","Murray, Mae, 1885-1965","Pickford, Mary, 1892-1979","Roland, Ruth, 1892-1937","Swanson, Gloria, 1897-1983","Sweet, Blanche","Talmadge, Norma, 1894-1957","Valentino, Rudolph, 1895-1926"],"names_ssim":["George Mason University. 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