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Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","In addition to analog manuscript material, Carol Barton transferred three digital audio files of podcasts on which she had been a guest including Santa Fe Radio Café (March 17, 2008), Book Artists and Poets (July 15, 2009), and Beyond the Page: Carol Barton's Art and Influence: a podcast with Carol Barton and the Nashville Public Library. These files were not retained and not incorporated into the collection. Select items were discarded from the collection due to preservation concerns, deterioration, duplicates, or preexisting damage.","The collection is arranged into four series. In the 'Exhibition Catalogs, 1993 (folder 2 of 2)', a digital floppy disk of Barton's exhibition, Miliseconds to Milennia: The Art of Time, Hand Workshop, has been placed in this folder. The floppy disk is a copy of an old Word Perfect file.","Printed Materials, 1973-2015\n      Projects and Research, 1975-2012\n      Ephemera and Personal Papers, 1979-2013\n      2023-0404 Accession, 2009-2020","Grace Barth, Liana Bayne, and Caroline Hamby. \"History of Pop-up and Movable Books, About This Exhibit.\" Carol Barton Collection, JMU Special Collections. Accessed September, 2018, https://omeka.lib.jmu.edu/specialcollections/exhibits/show/carol-barton/about.","Barton, Carol. \"Popular Kinetics Press.\" Accessed September, 2018. https://www.popularkinetics.com/.","National Museum of Women. \"About the Artist, Carol Barton\". Accessed September 2018. https://nmwa.org/explore/artist-profiles/carol-june-barton.","Carol Barton, born on June 3, 1954 in St. Louis, Missouri, is an accomplished book artist, paper engineer, educator, and curator who has exhibited internationally (The Smithsonian Institution, Library of Congress, Museum of Modern Art, Victoria and Albert Museum in London) and has curated shows such as Books \u0026 Bookends: Science and the Artist's Book (Smithsonian). Inspired by reading, historical references, functional objects, architecture, and other artists' book, Barton is best known for her interactive workbooks, The Pocket Paper Engineer. Five Luminous Towers: Books to Read in the Dark, which was awarded the Bogliasco Fellowship in 2000, Vision Shifts, Instructions for Assembly, and Tunnel Map are other major works. A graduate of Washington University School of Fine Arts (1976), Barton has served as a faculty member at the University of the Arts in Philadelphia and the Corcoran College of Art \u0026 Design and has taught at the elementary and high school level. In 1977, Barton moved to Washington D.C. to work for the Glen Echo Park Arts Center. Through her time there and through the promotion of artists' books by local art group, The Writer's Center, Barton learned pre-press skills that allowed her to print her own work. She was later offered a small grant to produce her own artists' books. Having grown up as the daughter of a diesel engine mechanic, Barton's love for structural and mechanical elements was formed as she grew up building and playing with construction games and tinker toys. Movable books, better known as pop-ups, were not a part of her childhood. However, after the success of her first book, Beyond the Page (1981), Barton began a two year study of pop-up and movable books at the Dibner Rare Book Library and the Library of Congress to find early examples of dimensional and movable books. This research most likely resulted in her 1988 publication of her tunnel book, Everyday Road Signs.","In 1992, Barton served as James Madison University's first Wampler Visiting Professor of Fine Art and has intermittently served as a visiting artist and professor. JMU Libraries acquired Barton's collection of artists' and movable books in 2015, and in March 2017 Barton returned to JMU as a guest lecturer for the Carrier Library Special Collections Speaker Series. The event was marked with Barton discussing her career and work; as well as, facilitating a book arts workshop with the Intermediate book arts students, and ending with a public lecture and reception in the Duke Hall Gallery Court.","The papers were originally stored in 14 boxes and 2 oversize file folders. Upon acquisition the collection did not have a specified arrangement. The collection is arranged based on like materials and topics. Items that were not pertinent to the collection such as duplicates or papers not pertaining to Carol Barton were discarded. In some cases only representative samples of materials were retained that best exemplify Barton's work","Carol Barton's personal and teaching collection of movable books and artists' books, which were acquired separately from her papers, are cataloged individually and are housed in the James Madison University's Special Collections.","The Carol Barton Papers, 1973-2020, include catalogues, letters, printed materials, journals, special publications, interviews, artist statements, artist projects, and project plans throughout the donor's career. The collection includes teaching tools, personal research, practice and planning, and commemoration of events in which Barton participated.","Numerous books, artists' books, toys, and publications were pulled from the collection, cataloged individually, and added to Special Collections' rare book holdings. Ker-Bloom!, a series of art publications, were also separated and cataloged.","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Carol Barton Papers contain printed materials, letters, brochures, and primary materials as well as items that document professional endeavors, artistic processes, and personal items of book artist, paper engineer, teacher, and curator, Carol Barton.","James Madison University Libraries Special Collections","Barton, Carol June, 1954-","English"],"collection_title_tesim":["Carol Barton papers, 1973/2020"],"collection_ssim":["Carol Barton papers, 1973/2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0274","/repositories/4/resources/638"],"unitid_tesim":["SC 0274","/repositories/4/resources/638"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"creator_ssim":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"creator_persname_ssim":["Barton, Carol June, 1954-"],"creator_corpname_ssim":["James Madison University Libraries Special Collections"],"creators_ssim":["Barton, Carol June, 1954-","James Madison University Libraries Special Collections"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The collection was donated by Carol Barton on March 23, 2017. Manuscript material was also received as part of a 2015 acquisition of Carol Barton's personal and teaching collection of pop-up and artists' books. That material was incorporated into this collection. Barton made an additional donation of materials in October 2022 (accessioned in 2023)."],"access_subjects_ssim":["Artists' books","Pop-up books","Toy and movable books","Paper work","Cut-out craft","Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books"],"access_subjects_ssm":["Artists' books","Pop-up books","Toy and movable books","Paper work","Cut-out craft","Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books"],"has_online_content_ssim":["false"],"extent_ssm":["7.47 cubic feet 20 boxes, 1 flat file"],"extent_tesim":["7.47 cubic feet 20 boxes, 1 flat file"],"genreform_ssim":["Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"appraisal_html_tesm":["\u003cp\u003eIn addition to analog manuscript material, Carol Barton transferred three digital audio files of podcasts on which she had been a guest including Santa Fe Radio Café (March 17, 2008), Book Artists and Poets (July 15, 2009), and Beyond the Page: Carol Barton's Art and Influence: a podcast with Carol Barton and the Nashville Public Library. These files were not retained and not incorporated into the collection. Select items were discarded from the collection due to preservation concerns, deterioration, duplicates, or preexisting damage.\u003c/p\u003e  "],"appraisal_heading_ssm":["Appraisal Note"],"appraisal_tesim":["In addition to analog manuscript material, Carol Barton transferred three digital audio files of podcasts on which she had been a guest including Santa Fe Radio Café (March 17, 2008), Book Artists and Poets (July 15, 2009), and Beyond the Page: Carol Barton's Art and Influence: a podcast with Carol Barton and the Nashville Public Library. These files were not retained and not incorporated into the collection. Select items were discarded from the collection due to preservation concerns, deterioration, duplicates, or preexisting damage."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series. In the 'Exhibition Catalogs, 1993 (folder 2 of 2)', a digital floppy disk of Barton's exhibition, \u003cemph render=\"italic\"\u003eMiliseconds to Milennia: The Art of Time, Hand Workshop\u003c/emph\u003e, has been placed in this folder. The floppy disk is a copy of an old Word Perfect file.\u003c/p\u003e    ","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003ePrinted Materials, 1973-2015\u003c/item\u003e\n      \u003citem\u003eProjects and Research, 1975-2012\u003c/item\u003e\n      \u003citem\u003eEphemera and Personal Papers, 1979-2013\u003c/item\u003e\n      \u003citem\u003e2023-0404 Accession, 2009-2020\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into four series. In the 'Exhibition Catalogs, 1993 (folder 2 of 2)', a digital floppy disk of Barton's exhibition, Miliseconds to Milennia: The Art of Time, Hand Workshop, has been placed in this folder. The floppy disk is a copy of an old Word Perfect file.","Printed Materials, 1973-2015\n      Projects and Research, 1975-2012\n      Ephemera and Personal Papers, 1979-2013\n      2023-0404 Accession, 2009-2020"],"bibliography_html_tesm":["\u003cbibref\u003eGrace Barth, Liana Bayne, and Caroline Hamby. \"History of Pop-up and Movable Books, About This Exhibit.\" Carol Barton Collection, JMU Special Collections. Accessed September, 2018, https://omeka.lib.jmu.edu/specialcollections/exhibits/show/carol-barton/about.\u003c/bibref\u003e\n    ","\u003cbibref\u003eBarton, Carol. \"Popular Kinetics Press.\" Accessed September, 2018. https://www.popularkinetics.com/.\u003c/bibref\u003e\n    ","\u003cbibref\u003eNational Museum of Women. \"About the Artist, Carol Barton\". Accessed September 2018. https://nmwa.org/explore/artist-profiles/carol-june-barton.\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Grace Barth, Liana Bayne, and Caroline Hamby. \"History of Pop-up and Movable Books, About This Exhibit.\" Carol Barton Collection, JMU Special Collections. Accessed September, 2018, https://omeka.lib.jmu.edu/specialcollections/exhibits/show/carol-barton/about.","Barton, Carol. \"Popular Kinetics Press.\" Accessed September, 2018. https://www.popularkinetics.com/.","National Museum of Women. \"About the Artist, Carol Barton\". Accessed September 2018. https://nmwa.org/explore/artist-profiles/carol-june-barton."],"bioghist_html_tesm":["\u003cp\u003eCarol Barton, born on June 3, 1954 in St. Louis, Missouri, is an accomplished book artist, paper engineer, educator, and curator who has exhibited internationally (The Smithsonian Institution, Library of Congress, Museum of Modern Art, Victoria and Albert Museum in London) and has curated shows such as \u003cemph render=\"italic\"\u003eBooks \u0026amp; Bookends: Science and the Artist's Book\u003c/emph\u003e (Smithsonian). Inspired by reading, historical references, functional objects, architecture, and other artists' book, Barton is best known for her interactive workbooks, \u003cemph render=\"italic\"\u003eThe Pocket Paper Engineer. Five Luminous Towers: Books to Read in the Dark\u003c/emph\u003e, which was awarded the Bogliasco Fellowship in 2000, \u003cemph render=\"italic\"\u003eVision Shifts\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eInstructions for Assembly\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eTunnel Map\u003c/emph\u003e are other major works. A graduate of Washington University School of Fine Arts (1976), Barton has served as a faculty member at the University of the Arts in Philadelphia and the Corcoran College of Art \u0026amp; Design and has taught at the elementary and high school level. In 1977, Barton moved to Washington D.C. to work for the Glen Echo Park Arts Center. Through her time there and through the promotion of artists' books by local art group, The Writer's Center, Barton learned pre-press skills that allowed her to print her own work. She was later offered a small grant to produce her own artists' books. Having grown up as the daughter of a diesel engine mechanic, Barton's love for structural and mechanical elements was formed as she grew up building and playing with construction games and tinker toys. Movable books, better known as pop-ups, were not a part of her childhood. However, after the success of her first book, \u003cemph render=\"italic\"\u003eBeyond the Page\u003c/emph\u003e (1981), Barton began a two year study of pop-up and movable books at the Dibner Rare Book Library and the Library of Congress to find early examples of dimensional and movable books. This research most likely resulted in her 1988 publication of her tunnel book, \u003cemph render=\"italic\"\u003eEveryday Road Signs\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003eIn 1992, Barton served as James Madison University's first Wampler Visiting Professor of Fine Art and has intermittently served as a visiting artist and professor. JMU Libraries acquired Barton's collection of artists' and movable books in 2015, and in March 2017 Barton returned to JMU as a guest lecturer for the Carrier Library Special Collections Speaker Series. The event was marked with Barton discussing her career and work; as well as, facilitating a book arts workshop with the Intermediate book arts students, and ending with a public lecture and reception in the Duke Hall Gallery Court.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carol Barton, born on June 3, 1954 in St. Louis, Missouri, is an accomplished book artist, paper engineer, educator, and curator who has exhibited internationally (The Smithsonian Institution, Library of Congress, Museum of Modern Art, Victoria and Albert Museum in London) and has curated shows such as Books \u0026 Bookends: Science and the Artist's Book (Smithsonian). Inspired by reading, historical references, functional objects, architecture, and other artists' book, Barton is best known for her interactive workbooks, The Pocket Paper Engineer. Five Luminous Towers: Books to Read in the Dark, which was awarded the Bogliasco Fellowship in 2000, Vision Shifts, Instructions for Assembly, and Tunnel Map are other major works. A graduate of Washington University School of Fine Arts (1976), Barton has served as a faculty member at the University of the Arts in Philadelphia and the Corcoran College of Art \u0026 Design and has taught at the elementary and high school level. In 1977, Barton moved to Washington D.C. to work for the Glen Echo Park Arts Center. Through her time there and through the promotion of artists' books by local art group, The Writer's Center, Barton learned pre-press skills that allowed her to print her own work. She was later offered a small grant to produce her own artists' books. Having grown up as the daughter of a diesel engine mechanic, Barton's love for structural and mechanical elements was formed as she grew up building and playing with construction games and tinker toys. Movable books, better known as pop-ups, were not a part of her childhood. However, after the success of her first book, Beyond the Page (1981), Barton began a two year study of pop-up and movable books at the Dibner Rare Book Library and the Library of Congress to find early examples of dimensional and movable books. This research most likely resulted in her 1988 publication of her tunnel book, Everyday Road Signs.","In 1992, Barton served as James Madison University's first Wampler Visiting Professor of Fine Art and has intermittently served as a visiting artist and professor. JMU Libraries acquired Barton's collection of artists' and movable books in 2015, and in March 2017 Barton returned to JMU as a guest lecturer for the Carrier Library Special Collections Speaker Series. The event was marked with Barton discussing her career and work; as well as, facilitating a book arts workshop with the Intermediate book arts students, and ending with a public lecture and reception in the Duke Hall Gallery Court."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Carol Barton Papers, 1973-2020, SC 0274, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], Carol Barton Papers, 1973-2020, SC 0274, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe papers were originally stored in 14 boxes and 2 oversize file folders. Upon acquisition the collection did not have a specified arrangement. The collection is arranged based on like materials and topics. Items that were not pertinent to the collection such as duplicates or papers not pertaining to Carol Barton were discarded. In some cases only representative samples of materials were retained that best exemplify Barton's work\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The papers were originally stored in 14 boxes and 2 oversize file folders. Upon acquisition the collection did not have a specified arrangement. The collection is arranged based on like materials and topics. Items that were not pertinent to the collection such as duplicates or papers not pertaining to Carol Barton were discarded. In some cases only representative samples of materials were retained that best exemplify Barton's work"],"relatedmaterial_html_tesm":["\u003cp\u003eCarol Barton's personal and teaching collection of movable books and artists' books, which were acquired separately from her papers, are cataloged individually and are housed in the James Madison University's Special Collections.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Carol Barton's personal and teaching collection of movable books and artists' books, which were acquired separately from her papers, are cataloged individually and are housed in the James Madison University's Special Collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Carol Barton Papers, 1973-2020, include catalogues, letters, printed materials, journals, special publications, interviews, artist statements, artist projects, and project plans throughout the donor's career. The collection includes teaching tools, personal research, practice and planning, and commemoration of events in which Barton participated.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Carol Barton Papers, 1973-2020, include catalogues, letters, printed materials, journals, special publications, interviews, artist statements, artist projects, and project plans throughout the donor's career. The collection includes teaching tools, personal research, practice and planning, and commemoration of events in which Barton participated."],"separatedmaterial_html_tesm":["\u003cp\u003eNumerous books, artists' books, toys, and publications were pulled from the collection, cataloged individually, and added to Special Collections' rare book holdings. \u003cemph render=\"italic\"\u003eKer-Bloom!\u003c/emph\u003e, a series of art publications, were also separated and cataloged.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["Numerous books, artists' books, toys, and publications were pulled from the collection, cataloged individually, and added to Special Collections' rare book holdings. Ker-Bloom!, a series of art publications, were also separated and cataloged."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2d8e790c8752baf58256cbedb902ee64\"\u003eThe Carol Barton Papers contain printed materials, letters, brochures, and primary materials as well as items that document professional endeavors, artistic processes, and personal items of book artist, paper engineer, teacher, and curator, Carol Barton.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Carol Barton Papers contain printed materials, letters, brochures, and primary materials as well as items that document professional endeavors, artistic processes, and personal items of book artist, paper engineer, teacher, and curator, Carol Barton."],"corpname_ssim":["James Madison University Libraries Special Collections"],"persname_ssim":["Barton, Carol June, 1954-"],"names_coll_ssim":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"names_ssim":["James Madison University Libraries Special Collections","Barton, Carol June, 1954-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":162,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:36:24.185Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_638","ead_ssi":"vihart_repositories_4_resources_638","_root_":"vihart_repositories_4_resources_638","_nest_parent_":"vihart_repositories_4_resources_638","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_638.xml","title_ssm":["Carol Barton papers"],"title_tesim":["Carol Barton papers"],"unitdate_ssm":["1973-2020"],"unitdate_inclusive_ssm":["1973-2020"],"normalized_date_ssm":["1973/2020"],"normalized_title_ssm":["Carol Barton papers, 1973/2020"],"text":["Carol Barton papers, 1973/2020","SC 0274","/repositories/4/resources/638","Artists' books","Pop-up books","Toy and movable books","Paper work","Cut-out craft","Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","In addition to analog manuscript material, Carol Barton transferred three digital audio files of podcasts on which she had been a guest including Santa Fe Radio Café (March 17, 2008), Book Artists and Poets (July 15, 2009), and Beyond the Page: Carol Barton's Art and Influence: a podcast with Carol Barton and the Nashville Public Library. These files were not retained and not incorporated into the collection. Select items were discarded from the collection due to preservation concerns, deterioration, duplicates, or preexisting damage.","The collection is arranged into four series. In the 'Exhibition Catalogs, 1993 (folder 2 of 2)', a digital floppy disk of Barton's exhibition, Miliseconds to Milennia: The Art of Time, Hand Workshop, has been placed in this folder. The floppy disk is a copy of an old Word Perfect file.","Printed Materials, 1973-2015\n      Projects and Research, 1975-2012\n      Ephemera and Personal Papers, 1979-2013\n      2023-0404 Accession, 2009-2020","Grace Barth, Liana Bayne, and Caroline Hamby. \"History of Pop-up and Movable Books, About This Exhibit.\" Carol Barton Collection, JMU Special Collections. Accessed September, 2018, https://omeka.lib.jmu.edu/specialcollections/exhibits/show/carol-barton/about.","Barton, Carol. \"Popular Kinetics Press.\" Accessed September, 2018. https://www.popularkinetics.com/.","National Museum of Women. \"About the Artist, Carol Barton\". Accessed September 2018. https://nmwa.org/explore/artist-profiles/carol-june-barton.","Carol Barton, born on June 3, 1954 in St. Louis, Missouri, is an accomplished book artist, paper engineer, educator, and curator who has exhibited internationally (The Smithsonian Institution, Library of Congress, Museum of Modern Art, Victoria and Albert Museum in London) and has curated shows such as Books \u0026 Bookends: Science and the Artist's Book (Smithsonian). Inspired by reading, historical references, functional objects, architecture, and other artists' book, Barton is best known for her interactive workbooks, The Pocket Paper Engineer. Five Luminous Towers: Books to Read in the Dark, which was awarded the Bogliasco Fellowship in 2000, Vision Shifts, Instructions for Assembly, and Tunnel Map are other major works. A graduate of Washington University School of Fine Arts (1976), Barton has served as a faculty member at the University of the Arts in Philadelphia and the Corcoran College of Art \u0026 Design and has taught at the elementary and high school level. In 1977, Barton moved to Washington D.C. to work for the Glen Echo Park Arts Center. Through her time there and through the promotion of artists' books by local art group, The Writer's Center, Barton learned pre-press skills that allowed her to print her own work. She was later offered a small grant to produce her own artists' books. Having grown up as the daughter of a diesel engine mechanic, Barton's love for structural and mechanical elements was formed as she grew up building and playing with construction games and tinker toys. Movable books, better known as pop-ups, were not a part of her childhood. However, after the success of her first book, Beyond the Page (1981), Barton began a two year study of pop-up and movable books at the Dibner Rare Book Library and the Library of Congress to find early examples of dimensional and movable books. This research most likely resulted in her 1988 publication of her tunnel book, Everyday Road Signs.","In 1992, Barton served as James Madison University's first Wampler Visiting Professor of Fine Art and has intermittently served as a visiting artist and professor. JMU Libraries acquired Barton's collection of artists' and movable books in 2015, and in March 2017 Barton returned to JMU as a guest lecturer for the Carrier Library Special Collections Speaker Series. The event was marked with Barton discussing her career and work; as well as, facilitating a book arts workshop with the Intermediate book arts students, and ending with a public lecture and reception in the Duke Hall Gallery Court.","The papers were originally stored in 14 boxes and 2 oversize file folders. Upon acquisition the collection did not have a specified arrangement. The collection is arranged based on like materials and topics. Items that were not pertinent to the collection such as duplicates or papers not pertaining to Carol Barton were discarded. In some cases only representative samples of materials were retained that best exemplify Barton's work","Carol Barton's personal and teaching collection of movable books and artists' books, which were acquired separately from her papers, are cataloged individually and are housed in the James Madison University's Special Collections.","The Carol Barton Papers, 1973-2020, include catalogues, letters, printed materials, journals, special publications, interviews, artist statements, artist projects, and project plans throughout the donor's career. The collection includes teaching tools, personal research, practice and planning, and commemoration of events in which Barton participated.","Numerous books, artists' books, toys, and publications were pulled from the collection, cataloged individually, and added to Special Collections' rare book holdings. Ker-Bloom!, a series of art publications, were also separated and cataloged.","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Carol Barton Papers contain printed materials, letters, brochures, and primary materials as well as items that document professional endeavors, artistic processes, and personal items of book artist, paper engineer, teacher, and curator, Carol Barton.","James Madison University Libraries Special Collections","Barton, Carol June, 1954-","English"],"collection_title_tesim":["Carol Barton papers, 1973/2020"],"collection_ssim":["Carol Barton papers, 1973/2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0274","/repositories/4/resources/638"],"unitid_tesim":["SC 0274","/repositories/4/resources/638"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"creator_ssim":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"creator_persname_ssim":["Barton, Carol June, 1954-"],"creator_corpname_ssim":["James Madison University Libraries Special Collections"],"creators_ssim":["Barton, Carol June, 1954-","James Madison University Libraries Special Collections"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The collection was donated by Carol Barton on March 23, 2017. Manuscript material was also received as part of a 2015 acquisition of Carol Barton's personal and teaching collection of pop-up and artists' books. That material was incorporated into this collection. Barton made an additional donation of materials in October 2022 (accessioned in 2023)."],"access_subjects_ssim":["Artists' books","Pop-up books","Toy and movable books","Paper work","Cut-out craft","Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books"],"access_subjects_ssm":["Artists' books","Pop-up books","Toy and movable books","Paper work","Cut-out craft","Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books"],"has_online_content_ssim":["false"],"extent_ssm":["7.47 cubic feet 20 boxes, 1 flat file"],"extent_tesim":["7.47 cubic feet 20 boxes, 1 flat file"],"genreform_ssim":["Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"appraisal_html_tesm":["\u003cp\u003eIn addition to analog manuscript material, Carol Barton transferred three digital audio files of podcasts on which she had been a guest including Santa Fe Radio Café (March 17, 2008), Book Artists and Poets (July 15, 2009), and Beyond the Page: Carol Barton's Art and Influence: a podcast with Carol Barton and the Nashville Public Library. These files were not retained and not incorporated into the collection. Select items were discarded from the collection due to preservation concerns, deterioration, duplicates, or preexisting damage.\u003c/p\u003e  "],"appraisal_heading_ssm":["Appraisal Note"],"appraisal_tesim":["In addition to analog manuscript material, Carol Barton transferred three digital audio files of podcasts on which she had been a guest including Santa Fe Radio Café (March 17, 2008), Book Artists and Poets (July 15, 2009), and Beyond the Page: Carol Barton's Art and Influence: a podcast with Carol Barton and the Nashville Public Library. These files were not retained and not incorporated into the collection. Select items were discarded from the collection due to preservation concerns, deterioration, duplicates, or preexisting damage."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series. In the 'Exhibition Catalogs, 1993 (folder 2 of 2)', a digital floppy disk of Barton's exhibition, \u003cemph render=\"italic\"\u003eMiliseconds to Milennia: The Art of Time, Hand Workshop\u003c/emph\u003e, has been placed in this folder. The floppy disk is a copy of an old Word Perfect file.\u003c/p\u003e    ","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003ePrinted Materials, 1973-2015\u003c/item\u003e\n      \u003citem\u003eProjects and Research, 1975-2012\u003c/item\u003e\n      \u003citem\u003eEphemera and Personal Papers, 1979-2013\u003c/item\u003e\n      \u003citem\u003e2023-0404 Accession, 2009-2020\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into four series. In the 'Exhibition Catalogs, 1993 (folder 2 of 2)', a digital floppy disk of Barton's exhibition, Miliseconds to Milennia: The Art of Time, Hand Workshop, has been placed in this folder. The floppy disk is a copy of an old Word Perfect file.","Printed Materials, 1973-2015\n      Projects and Research, 1975-2012\n      Ephemera and Personal Papers, 1979-2013\n      2023-0404 Accession, 2009-2020"],"bibliography_html_tesm":["\u003cbibref\u003eGrace Barth, Liana Bayne, and Caroline Hamby. \"History of Pop-up and Movable Books, About This Exhibit.\" Carol Barton Collection, JMU Special Collections. Accessed September, 2018, https://omeka.lib.jmu.edu/specialcollections/exhibits/show/carol-barton/about.\u003c/bibref\u003e\n    ","\u003cbibref\u003eBarton, Carol. \"Popular Kinetics Press.\" Accessed September, 2018. https://www.popularkinetics.com/.\u003c/bibref\u003e\n    ","\u003cbibref\u003eNational Museum of Women. \"About the Artist, Carol Barton\". Accessed September 2018. https://nmwa.org/explore/artist-profiles/carol-june-barton.\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Grace Barth, Liana Bayne, and Caroline Hamby. \"History of Pop-up and Movable Books, About This Exhibit.\" Carol Barton Collection, JMU Special Collections. Accessed September, 2018, https://omeka.lib.jmu.edu/specialcollections/exhibits/show/carol-barton/about.","Barton, Carol. \"Popular Kinetics Press.\" Accessed September, 2018. https://www.popularkinetics.com/.","National Museum of Women. \"About the Artist, Carol Barton\". Accessed September 2018. https://nmwa.org/explore/artist-profiles/carol-june-barton."],"bioghist_html_tesm":["\u003cp\u003eCarol Barton, born on June 3, 1954 in St. Louis, Missouri, is an accomplished book artist, paper engineer, educator, and curator who has exhibited internationally (The Smithsonian Institution, Library of Congress, Museum of Modern Art, Victoria and Albert Museum in London) and has curated shows such as \u003cemph render=\"italic\"\u003eBooks \u0026amp; Bookends: Science and the Artist's Book\u003c/emph\u003e (Smithsonian). Inspired by reading, historical references, functional objects, architecture, and other artists' book, Barton is best known for her interactive workbooks, \u003cemph render=\"italic\"\u003eThe Pocket Paper Engineer. Five Luminous Towers: Books to Read in the Dark\u003c/emph\u003e, which was awarded the Bogliasco Fellowship in 2000, \u003cemph render=\"italic\"\u003eVision Shifts\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eInstructions for Assembly\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eTunnel Map\u003c/emph\u003e are other major works. A graduate of Washington University School of Fine Arts (1976), Barton has served as a faculty member at the University of the Arts in Philadelphia and the Corcoran College of Art \u0026amp; Design and has taught at the elementary and high school level. In 1977, Barton moved to Washington D.C. to work for the Glen Echo Park Arts Center. Through her time there and through the promotion of artists' books by local art group, The Writer's Center, Barton learned pre-press skills that allowed her to print her own work. She was later offered a small grant to produce her own artists' books. Having grown up as the daughter of a diesel engine mechanic, Barton's love for structural and mechanical elements was formed as she grew up building and playing with construction games and tinker toys. Movable books, better known as pop-ups, were not a part of her childhood. However, after the success of her first book, \u003cemph render=\"italic\"\u003eBeyond the Page\u003c/emph\u003e (1981), Barton began a two year study of pop-up and movable books at the Dibner Rare Book Library and the Library of Congress to find early examples of dimensional and movable books. This research most likely resulted in her 1988 publication of her tunnel book, \u003cemph render=\"italic\"\u003eEveryday Road Signs\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003eIn 1992, Barton served as James Madison University's first Wampler Visiting Professor of Fine Art and has intermittently served as a visiting artist and professor. JMU Libraries acquired Barton's collection of artists' and movable books in 2015, and in March 2017 Barton returned to JMU as a guest lecturer for the Carrier Library Special Collections Speaker Series. The event was marked with Barton discussing her career and work; as well as, facilitating a book arts workshop with the Intermediate book arts students, and ending with a public lecture and reception in the Duke Hall Gallery Court.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carol Barton, born on June 3, 1954 in St. Louis, Missouri, is an accomplished book artist, paper engineer, educator, and curator who has exhibited internationally (The Smithsonian Institution, Library of Congress, Museum of Modern Art, Victoria and Albert Museum in London) and has curated shows such as Books \u0026 Bookends: Science and the Artist's Book (Smithsonian). Inspired by reading, historical references, functional objects, architecture, and other artists' book, Barton is best known for her interactive workbooks, The Pocket Paper Engineer. Five Luminous Towers: Books to Read in the Dark, which was awarded the Bogliasco Fellowship in 2000, Vision Shifts, Instructions for Assembly, and Tunnel Map are other major works. A graduate of Washington University School of Fine Arts (1976), Barton has served as a faculty member at the University of the Arts in Philadelphia and the Corcoran College of Art \u0026 Design and has taught at the elementary and high school level. In 1977, Barton moved to Washington D.C. to work for the Glen Echo Park Arts Center. Through her time there and through the promotion of artists' books by local art group, The Writer's Center, Barton learned pre-press skills that allowed her to print her own work. She was later offered a small grant to produce her own artists' books. Having grown up as the daughter of a diesel engine mechanic, Barton's love for structural and mechanical elements was formed as she grew up building and playing with construction games and tinker toys. Movable books, better known as pop-ups, were not a part of her childhood. However, after the success of her first book, Beyond the Page (1981), Barton began a two year study of pop-up and movable books at the Dibner Rare Book Library and the Library of Congress to find early examples of dimensional and movable books. This research most likely resulted in her 1988 publication of her tunnel book, Everyday Road Signs.","In 1992, Barton served as James Madison University's first Wampler Visiting Professor of Fine Art and has intermittently served as a visiting artist and professor. JMU Libraries acquired Barton's collection of artists' and movable books in 2015, and in March 2017 Barton returned to JMU as a guest lecturer for the Carrier Library Special Collections Speaker Series. The event was marked with Barton discussing her career and work; as well as, facilitating a book arts workshop with the Intermediate book arts students, and ending with a public lecture and reception in the Duke Hall Gallery Court."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Carol Barton Papers, 1973-2020, SC 0274, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], Carol Barton Papers, 1973-2020, SC 0274, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe papers were originally stored in 14 boxes and 2 oversize file folders. Upon acquisition the collection did not have a specified arrangement. The collection is arranged based on like materials and topics. Items that were not pertinent to the collection such as duplicates or papers not pertaining to Carol Barton were discarded. In some cases only representative samples of materials were retained that best exemplify Barton's work\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The papers were originally stored in 14 boxes and 2 oversize file folders. Upon acquisition the collection did not have a specified arrangement. The collection is arranged based on like materials and topics. Items that were not pertinent to the collection such as duplicates or papers not pertaining to Carol Barton were discarded. In some cases only representative samples of materials were retained that best exemplify Barton's work"],"relatedmaterial_html_tesm":["\u003cp\u003eCarol Barton's personal and teaching collection of movable books and artists' books, which were acquired separately from her papers, are cataloged individually and are housed in the James Madison University's Special Collections.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Carol Barton's personal and teaching collection of movable books and artists' books, which were acquired separately from her papers, are cataloged individually and are housed in the James Madison University's Special Collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Carol Barton Papers, 1973-2020, include catalogues, letters, printed materials, journals, special publications, interviews, artist statements, artist projects, and project plans throughout the donor's career. The collection includes teaching tools, personal research, practice and planning, and commemoration of events in which Barton participated.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Carol Barton Papers, 1973-2020, include catalogues, letters, printed materials, journals, special publications, interviews, artist statements, artist projects, and project plans throughout the donor's career. The collection includes teaching tools, personal research, practice and planning, and commemoration of events in which Barton participated."],"separatedmaterial_html_tesm":["\u003cp\u003eNumerous books, artists' books, toys, and publications were pulled from the collection, cataloged individually, and added to Special Collections' rare book holdings. \u003cemph render=\"italic\"\u003eKer-Bloom!\u003c/emph\u003e, a series of art publications, were also separated and cataloged.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["Numerous books, artists' books, toys, and publications were pulled from the collection, cataloged individually, and added to Special Collections' rare book holdings. Ker-Bloom!, a series of art publications, were also separated and cataloged."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2d8e790c8752baf58256cbedb902ee64\"\u003eThe Carol Barton Papers contain printed materials, letters, brochures, and primary materials as well as items that document professional endeavors, artistic processes, and personal items of book artist, paper engineer, teacher, and curator, Carol Barton.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Carol Barton Papers contain printed materials, letters, brochures, and primary materials as well as items that document professional endeavors, artistic processes, and personal items of book artist, paper engineer, teacher, and curator, Carol Barton."],"corpname_ssim":["James Madison University Libraries Special Collections"],"persname_ssim":["Barton, Carol June, 1954-"],"names_coll_ssim":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"names_ssim":["James Madison University Libraries Special Collections","Barton, Carol June, 1954-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":162,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:36:24.185Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_638"}},{"id":"vihart_repositories_4_resources_636","type":"collection","attributes":{"title":"Daisy Bacon Papers, 1857/1986","creator":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_636#creator","type":"document_value","attributes":{"value":"Bacon, Daisy, 1898-1986","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_636#abstract_or_scope","type":"document_value","attributes":{"value":"The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cem\u003eLove Story Magazine\u003c/em\u003e. The papers of select immediate and extended family members are also included in this collection.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_636#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_636","ead_ssi":"vihart_repositories_4_resources_636","_root_":"vihart_repositories_4_resources_636","_nest_parent_":"vihart_repositories_4_resources_636","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_636.xml","title_ssm":["Daisy Bacon Papers"],"title_tesim":["Daisy Bacon Papers"],"unitdate_ssm":["1857-before March 25, 1986"],"unitdate_inclusive_ssm":["1857-before March 25, 1986"],"normalized_date_ssm":["1857/1986"],"normalized_title_ssm":["Daisy Bacon Papers, 1857/1986"],"text":["Daisy Bacon Papers, 1857/1986","SC 0304","/repositories/4/resources/636","Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.","Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.","The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement.\n      Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of Love Story covers are grouped together which only slightly disrupts the chronological arrangement.\n      Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title.\n      Personal Papers and Correspondence, 1857-1975, is arranged chronologically.\n      Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.","Laurie Powers, Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine, Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019.","Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular Love Story Magazine from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the Love Story advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity, Love Story's weekly circulation reportedly reached 600,000. In addition to Love Story and other publications, Daisy edited Real Love, Ainslee's Smart Love Stories, The Shadow, Pocket Love, Detective Story Magazine, Romantic Range, and Doc Savage. The publication of Love Story ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except Astounding Stories.","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published Love Story Writer, an instruction manual on how to write romance stories. After regaining the copyright to Love Story Writer in 1963, Bacon established Gemini Books and republished the book as a paperback under the title Love Story Editor. Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.","Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.","Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart).","Plastic covers were removed from three scrapbooks containing Love Story covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in Queen of the Pulps. Most of these photographs were interfiled with other groupings.","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.","Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of Love Story Magazine. The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.","Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of Love Story Magazine. The papers of select immediate and extended family members are also included in this collection.","James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","English"],"collection_title_tesim":["Daisy Bacon Papers, 1857/1986"],"collection_ssim":["Daisy Bacon Papers, 1857/1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0304","/repositories/4/resources/636"],"unitid_tesim":["SC 0304","/repositories/4/resources/636"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_corpname_ssim":["James Madison University Libraries Special Collections","Belmont Stakes"],"creators_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","James Madison University Libraries Special Collections","Belmont Stakes"],"access_terms_ssm":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Bill and Nora Haagenson, Daisy's neighbors in Port Washington, New York, donated the collection in December 2019. The collection was in the physical custody of Laurie Powers, Daisy Bacon's biographer and Staunton, Virginia resident, while she was writing Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine. Powers delivered the collection to Special Collections after the Haagensons signed a deed of gift transferring ownership to JMU."],"access_subjects_ssim":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"access_subjects_ssm":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"extent_tesim":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"genreform_ssim":["Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"date_range_isim":[1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e","\u003cp\u003eOriginal audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"altformavail_html_tesm":["\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.\u003c/p\u003e  "],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist."],"appraisal_html_tesm":["\u003cp\u003ePhotocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.\u003c/p\u003e  "],"appraisal_heading_ssm":["Appraisal Note"],"appraisal_tesim":["Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eDiaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eScrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers are grouped together which only slightly disrupts the chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eManuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title.\u003c/item\u003e\n      \u003citem\u003ePersonal Papers and Correspondence, 1857-1975, is arranged chronologically.\u003c/item\u003e\n      \u003citem\u003ePhotographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement.\n      Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of Love Story covers are grouped together which only slightly disrupts the chronological arrangement.\n      Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title.\n      Personal Papers and Correspondence, 1857-1975, is arranged chronologically.\n      Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically."],"bibliography_html_tesm":["\u003cbibref\u003eLaurie Powers, \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e, Jefferson, NC: McFarland \u0026amp; Company, Inc. Publishers, 2019.\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Laurie Powers, Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine, Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019."],"bioghist_html_tesm":["\u003cp\u003eDaisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026amp; Smith's popular \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.\u003c/p\u003e","\u003cp\u003eDaisy began her career at Street \u0026amp; Smith in 1926 as the reader for the \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity, \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e's weekly circulation reportedly reached 600,000. In addition to \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e and other publications, Daisy edited \u003cemph render=\"italic\"\u003eReal Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eAinslee's Smart Love Stories\u003c/emph\u003e, \u003cemph\u003eThe Shadow\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePocket Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eDetective Story Magazine\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRomantic Range\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eDoc Savage\u003c/emph\u003e. The publication of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e ceased with its February 1947 issue though Daisy continued to work at Street \u0026amp; Smith on other pulp titles. Daisy was fired from Street \u0026amp; Smith in April 1949 when the company ended its publication of all pulp fiction magazines except \u003cemph render=\"italic\"\u003eAstounding Stories\u003c/emph\u003e. \u003c/p\u003e","\u003cp\u003eAfter leaving Street \u0026amp; Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e, an instruction manual on how to write romance stories. After regaining the copyright to \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e in 1963, Bacon established Gemini Books and republished the book as a paperback under the title \u003cemph render=\"italic\"\u003eLove Story Editor\u003c/emph\u003e. Her manuscript for \"Love Story Diary,\" a Street \u0026amp; Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.\u003c/p\u003e","\u003cp\u003eEsther and Daisy's relationship was strained after they were let go from Street \u0026amp; Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.\u003c/p\u003e","\u003cp\u003eResearchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular Love Story Magazine from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the Love Story advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity, Love Story's weekly circulation reportedly reached 600,000. In addition to Love Story and other publications, Daisy edited Real Love, Ainslee's Smart Love Stories, The Shadow, Pocket Love, Detective Story Magazine, Romantic Range, and Doc Savage. The publication of Love Story ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except Astounding Stories.","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published Love Story Writer, an instruction manual on how to write romance stories. After regaining the copyright to Love Story Writer in 1963, Bacon established Gemini Books and republished the book as a paperback under the title Love Story Editor. Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career."],"custodhist_html_tesm":["\u003cp\u003ePer Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.\u003c/p\u003e  "],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eLaurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). \u003c/p\u003e","\u003cp\u003ePlastic covers were removed from three scrapbooks containing \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers.\u003c/p\u003e","\u003cp\u003eNon-archival plastic sleeves were removed from personal papers and correspondence.\u003c/p\u003e","\u003cp\u003eThe groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.\u003c/p\u003e","\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. \u003c/p\u003e","\u003cp\u003eThe photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in \u003cemph render=\"italic\"\u003eQueen of the Pulps\u003c/emph\u003e. Most of these photographs were interfiled with other groupings. \u003c/p\u003e","\u003cp\u003eA portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart).","Plastic covers were removed from three scrapbooks containing Love Story covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in Queen of the Pulps. Most of these photographs were interfiled with other groupings.","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies."],"relatedmaterial_html_tesm":["\u003cp\u003eStreet \u0026amp; Smith Records, Special Collections Research Center, Syracuse University Libraries\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries"],"scopecontent_html_tesm":["\u003cp\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of Love Story Magazine. The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon."],"userestrict_html_tesm":["\u003cp\u003eCopyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_cb7f7f07da2c2707ee74d46d25a929d9\"\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select immediate and extended family members are also included in this collection.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of Love Story Magazine. The papers of select immediate and extended family members are also included in this collection."],"corpname_ssim":["James Madison University Libraries Special Collections","Belmont Stakes"],"persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"names_coll_ssim":["Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","Bacon, Daisy, 1898-1986"],"names_ssim":["James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":117,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:36:24.185Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_636","ead_ssi":"vihart_repositories_4_resources_636","_root_":"vihart_repositories_4_resources_636","_nest_parent_":"vihart_repositories_4_resources_636","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_636.xml","title_ssm":["Daisy Bacon Papers"],"title_tesim":["Daisy Bacon Papers"],"unitdate_ssm":["1857-before March 25, 1986"],"unitdate_inclusive_ssm":["1857-before March 25, 1986"],"normalized_date_ssm":["1857/1986"],"normalized_title_ssm":["Daisy Bacon Papers, 1857/1986"],"text":["Daisy Bacon Papers, 1857/1986","SC 0304","/repositories/4/resources/636","Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.","Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.","The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement.\n      Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of Love Story covers are grouped together which only slightly disrupts the chronological arrangement.\n      Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title.\n      Personal Papers and Correspondence, 1857-1975, is arranged chronologically.\n      Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.","Laurie Powers, Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine, Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019.","Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular Love Story Magazine from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the Love Story advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity, Love Story's weekly circulation reportedly reached 600,000. In addition to Love Story and other publications, Daisy edited Real Love, Ainslee's Smart Love Stories, The Shadow, Pocket Love, Detective Story Magazine, Romantic Range, and Doc Savage. The publication of Love Story ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except Astounding Stories.","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published Love Story Writer, an instruction manual on how to write romance stories. After regaining the copyright to Love Story Writer in 1963, Bacon established Gemini Books and republished the book as a paperback under the title Love Story Editor. Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.","Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.","Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart).","Plastic covers were removed from three scrapbooks containing Love Story covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in Queen of the Pulps. Most of these photographs were interfiled with other groupings.","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.","Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of Love Story Magazine. The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.","Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of Love Story Magazine. The papers of select immediate and extended family members are also included in this collection.","James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","English"],"collection_title_tesim":["Daisy Bacon Papers, 1857/1986"],"collection_ssim":["Daisy Bacon Papers, 1857/1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0304","/repositories/4/resources/636"],"unitid_tesim":["SC 0304","/repositories/4/resources/636"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_corpname_ssim":["James Madison University Libraries Special Collections","Belmont Stakes"],"creators_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","James Madison University Libraries Special Collections","Belmont Stakes"],"access_terms_ssm":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Bill and Nora Haagenson, Daisy's neighbors in Port Washington, New York, donated the collection in December 2019. The collection was in the physical custody of Laurie Powers, Daisy Bacon's biographer and Staunton, Virginia resident, while she was writing Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine. Powers delivered the collection to Special Collections after the Haagensons signed a deed of gift transferring ownership to JMU."],"access_subjects_ssim":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"access_subjects_ssm":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"extent_tesim":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"genreform_ssim":["Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"date_range_isim":[1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e","\u003cp\u003eOriginal audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"altformavail_html_tesm":["\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.\u003c/p\u003e  "],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist."],"appraisal_html_tesm":["\u003cp\u003ePhotocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.\u003c/p\u003e  "],"appraisal_heading_ssm":["Appraisal Note"],"appraisal_tesim":["Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eDiaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eScrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers are grouped together which only slightly disrupts the chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eManuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title.\u003c/item\u003e\n      \u003citem\u003ePersonal Papers and Correspondence, 1857-1975, is arranged chronologically.\u003c/item\u003e\n      \u003citem\u003ePhotographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement.\n      Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of Love Story covers are grouped together which only slightly disrupts the chronological arrangement.\n      Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title.\n      Personal Papers and Correspondence, 1857-1975, is arranged chronologically.\n      Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically."],"bibliography_html_tesm":["\u003cbibref\u003eLaurie Powers, \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e, Jefferson, NC: McFarland \u0026amp; Company, Inc. Publishers, 2019.\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Laurie Powers, Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine, Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019."],"bioghist_html_tesm":["\u003cp\u003eDaisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026amp; Smith's popular \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.\u003c/p\u003e","\u003cp\u003eDaisy began her career at Street \u0026amp; Smith in 1926 as the reader for the \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity, \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e's weekly circulation reportedly reached 600,000. In addition to \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e and other publications, Daisy edited \u003cemph render=\"italic\"\u003eReal Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eAinslee's Smart Love Stories\u003c/emph\u003e, \u003cemph\u003eThe Shadow\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePocket Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eDetective Story Magazine\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRomantic Range\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eDoc Savage\u003c/emph\u003e. The publication of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e ceased with its February 1947 issue though Daisy continued to work at Street \u0026amp; Smith on other pulp titles. Daisy was fired from Street \u0026amp; Smith in April 1949 when the company ended its publication of all pulp fiction magazines except \u003cemph render=\"italic\"\u003eAstounding Stories\u003c/emph\u003e. \u003c/p\u003e","\u003cp\u003eAfter leaving Street \u0026amp; Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e, an instruction manual on how to write romance stories. After regaining the copyright to \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e in 1963, Bacon established Gemini Books and republished the book as a paperback under the title \u003cemph render=\"italic\"\u003eLove Story Editor\u003c/emph\u003e. Her manuscript for \"Love Story Diary,\" a Street \u0026amp; Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.\u003c/p\u003e","\u003cp\u003eEsther and Daisy's relationship was strained after they were let go from Street \u0026amp; Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.\u003c/p\u003e","\u003cp\u003eResearchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular Love Story Magazine from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the Love Story advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity, Love Story's weekly circulation reportedly reached 600,000. In addition to Love Story and other publications, Daisy edited Real Love, Ainslee's Smart Love Stories, The Shadow, Pocket Love, Detective Story Magazine, Romantic Range, and Doc Savage. The publication of Love Story ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except Astounding Stories.","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published Love Story Writer, an instruction manual on how to write romance stories. After regaining the copyright to Love Story Writer in 1963, Bacon established Gemini Books and republished the book as a paperback under the title Love Story Editor. Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career."],"custodhist_html_tesm":["\u003cp\u003ePer Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.\u003c/p\u003e  "],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eLaurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). \u003c/p\u003e","\u003cp\u003ePlastic covers were removed from three scrapbooks containing \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers.\u003c/p\u003e","\u003cp\u003eNon-archival plastic sleeves were removed from personal papers and correspondence.\u003c/p\u003e","\u003cp\u003eThe groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.\u003c/p\u003e","\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. \u003c/p\u003e","\u003cp\u003eThe photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in \u003cemph render=\"italic\"\u003eQueen of the Pulps\u003c/emph\u003e. Most of these photographs were interfiled with other groupings. \u003c/p\u003e","\u003cp\u003eA portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart).","Plastic covers were removed from three scrapbooks containing Love Story covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in Queen of the Pulps. Most of these photographs were interfiled with other groupings.","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies."],"relatedmaterial_html_tesm":["\u003cp\u003eStreet \u0026amp; Smith Records, Special Collections Research Center, Syracuse University Libraries\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries"],"scopecontent_html_tesm":["\u003cp\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of Love Story Magazine. The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon."],"userestrict_html_tesm":["\u003cp\u003eCopyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_cb7f7f07da2c2707ee74d46d25a929d9\"\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select immediate and extended family members are also included in this collection.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of Love Story Magazine. The papers of select immediate and extended family members are also included in this collection."],"corpname_ssim":["James Madison University Libraries Special Collections","Belmont Stakes"],"persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"names_coll_ssim":["Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","Bacon, Daisy, 1898-1986"],"names_ssim":["James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":117,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:36:24.185Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_636"}},{"id":"vihart_repositories_4_resources_545","type":"collection","attributes":{"title":"Edna Frederikson Papers, 1972/1992","creator":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_545#creator","type":"document_value","attributes":{"value":"Frederikson, Edna, 1904-1998","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_545#abstract_or_scope","type":"document_value","attributes":{"value":"These papers give insight into the life of former James Madison University English professor Edna T. Frederikson in her later years as an author and poet. The papers consist of two boxes containing one bound diary and three unpublished manuscripts, all created between 1972 and 1992.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_545#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_545","ead_ssi":"vihart_repositories_4_resources_545","_root_":"vihart_repositories_4_resources_545","_nest_parent_":"vihart_repositories_4_resources_545","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_545.xml","title_ssm":["Edna Frederikson Papers"],"title_tesim":["Edna Frederikson Papers"],"unitdate_ssm":["1972-1992"],"unitdate_inclusive_ssm":["1972-1992"],"normalized_date_ssm":["1972/1992"],"normalized_title_ssm":["Edna Frederikson Papers, 1972/1992"],"text":["Edna Frederikson Papers, 1972/1992","SC 0278","Literature, Modern -- 20th century","American poetry -- 20th century","Authors, American -- 20th century -- Diaries","Diaries","Manuscripts (documents)","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The papers are arranged in chronological order.","Edna Frederikson papers, Special Collections, University of Maryland Libraries.","\"Edna Mattie Tutt Frederikson.\" findagrave, 1 Nov. 2012, https://www.findagrave.com/memorial/99989614/edna-mattie-frederikson. Accessed 21 Nov. 2018.","Otto and Edna Frederikson papers, Kansas Collection, RH MS 674, Kenneth Spencer Research Library, University of Kansas.","Edna Mattie Tutt was born in Everton, Kansas on January 23, 1904. After receiving her bachelor's degree in sociology at Parsons College in Iowa and her doctorate from the University of Kansas in 1931, she moved to Harrisonburg to teach with her husband, Otto Frederikson (1892-1973) at James Madison University. She taught English at JMU from 1931 to 1941. Throughout her time as a teacher and student she was already working on her first manuscript, titled Three Parts Earth, the first in an already planned anthology series she planned to call The Idea of Love. The books that would comprise this would involve the evolution of a young woman as she struggles to get her manuscripts published, while simultaneously exploring and refining her own views on life and relationships. After Otto retired in 1957, the couple traveled extensively until Otto's death in 1973. Long after settling down in Harrisonburg, Edna released a collection of poetry entitled Never Tomorrow, published in 1988. Before she could finish her anthology series, Edna passed away on February 7, 1998.","The manuscripts, initially housed in a three-ring binder, were disbound and re-foldered accordingly. All loose pages and items inside the diary have been left as they were found.","Edna Frederikson papers, Special Collections, University of Maryland Libraries.","Otto and Edna Frederikson papers, Kansas Collection, RH MS 674, Kenneth Spencer Research Library, University of Kansas.","The Edna Frederikson Papers encompass one bound diary and 3 unpublished manuscripts, all created between 1972 and 1992. The diary focuses primarily on Edna's day-to-day thoughts concerning her manuscripts and her own personal musings. The three typed manuscripts are titled The Burning Ice, A Pilgrim of the Heart, and The Idea of Love, and follows the story of Nancy Western, a fictional character who navigates the trials and tribulations of becoming a published author and realizing her true self in the twentieth century.","Edna's diary, spanning from 1972 to 1992, follows the day-to-day musings of its author. Within these pages, Edna attaches correspondence from family, friends, book publishers, editors, and other business relations. The diary can be read almost as a story, with personal interjections and context for any article that she decides to put in. Some items of note include a letter from acclaimed poet Katherine Anne Porter regarding one of Edna's works, letters and personal correspondence between herself and close friend Paul Pines as well as Irma Friedrich, scattered letters regarding her manuscripts (both lauding and critical), and assorted poetry.","The manuscripts are organized as an anthology, following the character of Nancy Western as she struggles with her personal relationships and her work as an author working to get a book published. Although pure speculation, many parallels can be drawn between Nancy's life and Edna's, and can potentially read as Edna's reflection on her own life. The manuscripts were meant to be read as a larger narrative, titled The Idea of Love, but were separated into smaller \"books\" after unsuccessful attempts to get the entire anthology published.","A paperback copy of Frederikson's novel Three Parts Earth was removed and catalogued separately.","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","These papers give insight into the life of former James Madison University English professor Edna T. Frederikson in her later years as an author and poet. 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Accessed 21 Nov. 2018.\u003c/bibref\u003e\n    ","\u003cbibref\u003eOtto and Edna Frederikson papers, Kansas Collection, RH MS 674, Kenneth Spencer Research Library, University of Kansas.\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Edna Frederikson papers, Special Collections, University of Maryland Libraries.","\"Edna Mattie Tutt Frederikson.\" findagrave, 1 Nov. 2012, https://www.findagrave.com/memorial/99989614/edna-mattie-frederikson. Accessed 21 Nov. 2018.","Otto and Edna Frederikson papers, Kansas Collection, RH MS 674, Kenneth Spencer Research Library, University of Kansas."],"bioghist_html_tesm":["\u003cp\u003eEdna Mattie Tutt was born in Everton, Kansas on January 23, 1904. After receiving her bachelor's degree in sociology at Parsons College in Iowa and her doctorate from the University of Kansas in 1931, she moved to Harrisonburg to teach with her husband, Otto Frederikson (1892-1973) at James Madison University. She taught English at JMU from 1931 to 1941. Throughout her time as a teacher and student she was already working on her first manuscript, titled \u003cemph render=\"italic\"\u003eThree Parts Earth\u003c/emph\u003e, the first in an already planned anthology series she planned to call \u003cemph render=\"italic\"\u003eThe Idea of Love\u003c/emph\u003e. The books that would comprise this would involve the evolution of a young woman as she struggles to get her manuscripts published, while simultaneously exploring and refining her own views on life and relationships. After Otto retired in 1957, the couple traveled extensively until Otto's death in 1973. Long after settling down in Harrisonburg, Edna released a collection of poetry entitled \u003cemph render=\"italic\"\u003eNever Tomorrow\u003c/emph\u003e, published in 1988. Before she could finish her anthology series, Edna passed away on February 7, 1998.\u003c/p\u003e  "],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["Edna Mattie Tutt was born in Everton, Kansas on January 23, 1904. After receiving her bachelor's degree in sociology at Parsons College in Iowa and her doctorate from the University of Kansas in 1931, she moved to Harrisonburg to teach with her husband, Otto Frederikson (1892-1973) at James Madison University. She taught English at JMU from 1931 to 1941. Throughout her time as a teacher and student she was already working on her first manuscript, titled Three Parts Earth, the first in an already planned anthology series she planned to call The Idea of Love. The books that would comprise this would involve the evolution of a young woman as she struggles to get her manuscripts published, while simultaneously exploring and refining her own views on life and relationships. After Otto retired in 1957, the couple traveled extensively until Otto's death in 1973. Long after settling down in Harrisonburg, Edna released a collection of poetry entitled Never Tomorrow, published in 1988. Before she could finish her anthology series, Edna passed away on February 7, 1998."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Edna Frederikson Papers, 1972-1992, SC 0278, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], Edna Frederikson Papers, 1972-1992, SC 0278, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe manuscripts, initially housed in a three-ring binder, were disbound and re-foldered accordingly. 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The three typed manuscripts are titled \u003cemph render=\"italic\"\u003eThe Burning Ice\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eA Pilgrim of the Heart\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eThe Idea of Love\u003c/emph\u003e, and follows the story of Nancy Western, a fictional character who navigates the trials and tribulations of becoming a published author and realizing her true self in the twentieth century.\u003c/p\u003e","\u003cp\u003eEdna's diary, spanning from 1972 to 1992, follows the day-to-day musings of its author. Within these pages, Edna attaches correspondence from family, friends, book publishers, editors, and other business relations. The diary can be read almost as a story, with personal interjections and context for any article that she decides to put in. Some items of note include a letter from acclaimed poet Katherine Anne Porter regarding one of Edna's works, letters and personal correspondence between herself and close friend Paul Pines as well as Irma Friedrich, scattered letters regarding her manuscripts (both lauding and critical), and assorted poetry.\u003c/p\u003e","\u003cp\u003eThe manuscripts are organized as an anthology, following the character of Nancy Western as she struggles with her personal relationships and her work as an author working to get a book published. Although pure speculation, many parallels can be drawn between Nancy's life and Edna's, and can potentially read as Edna's reflection on her own life. The manuscripts were meant to be read as a larger narrative, titled \u003cemph render=\"italic\"\u003eThe Idea of Love\u003c/emph\u003e, but were separated into smaller \"books\" after unsuccessful attempts to get the entire anthology published.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Edna Frederikson Papers encompass one bound diary and 3 unpublished manuscripts, all created between 1972 and 1992. The diary focuses primarily on Edna's day-to-day thoughts concerning her manuscripts and her own personal musings. The three typed manuscripts are titled The Burning Ice, A Pilgrim of the Heart, and The Idea of Love, and follows the story of Nancy Western, a fictional character who navigates the trials and tribulations of becoming a published author and realizing her true self in the twentieth century.","Edna's diary, spanning from 1972 to 1992, follows the day-to-day musings of its author. Within these pages, Edna attaches correspondence from family, friends, book publishers, editors, and other business relations. The diary can be read almost as a story, with personal interjections and context for any article that she decides to put in. Some items of note include a letter from acclaimed poet Katherine Anne Porter regarding one of Edna's works, letters and personal correspondence between herself and close friend Paul Pines as well as Irma Friedrich, scattered letters regarding her manuscripts (both lauding and critical), and assorted poetry.","The manuscripts are organized as an anthology, following the character of Nancy Western as she struggles with her personal relationships and her work as an author working to get a book published. Although pure speculation, many parallels can be drawn between Nancy's life and Edna's, and can potentially read as Edna's reflection on her own life. The manuscripts were meant to be read as a larger narrative, titled The Idea of Love, but were separated into smaller \"books\" after unsuccessful attempts to get the entire anthology published."],"separatedmaterial_html_tesm":["\u003cp\u003eA paperback copy of Frederikson's novel \u003cemph render=\"italic\"\u003eThree Parts Earth\u003c/emph\u003e was removed and catalogued separately.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["A paperback copy of Frederikson's novel Three Parts Earth was removed and catalogued separately."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_79fbc6e07bd9abb20fa4f9961bd73816\"\u003eThese papers give insight into the life of former James Madison University English professor Edna T. Frederikson in her later years as an author and poet. The papers consist of two boxes containing one bound diary and three unpublished manuscripts, all created between 1972 and 1992.\u003c/abstract\u003e\n    "],"abstract_tesim":["These papers give insight into the life of former James Madison University English professor Edna T. Frederikson in her later years as an author and poet. The papers consist of two boxes containing one bound diary and three unpublished manuscripts, all created between 1972 and 1992."],"corpname_ssim":["James Madison University Libraries Special Collections"],"persname_ssim":["Frederikson, Edna, 1904-1998"],"names_ssim":["James Madison University Libraries Special Collections","Frederikson, Edna, 1904-1998"],"language_ssim":["English, French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:36:09.969Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_545","ead_ssi":"vihart_repositories_4_resources_545","_root_":"vihart_repositories_4_resources_545","_nest_parent_":"vihart_repositories_4_resources_545","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_545.xml","title_ssm":["Edna Frederikson Papers"],"title_tesim":["Edna Frederikson Papers"],"unitdate_ssm":["1972-1992"],"unitdate_inclusive_ssm":["1972-1992"],"normalized_date_ssm":["1972/1992"],"normalized_title_ssm":["Edna Frederikson Papers, 1972/1992"],"text":["Edna Frederikson Papers, 1972/1992","SC 0278","Literature, Modern -- 20th century","American poetry -- 20th century","Authors, American -- 20th century -- Diaries","Diaries","Manuscripts (documents)","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The papers are arranged in chronological order.","Edna Frederikson papers, Special Collections, University of Maryland Libraries.","\"Edna Mattie Tutt Frederikson.\" findagrave, 1 Nov. 2012, https://www.findagrave.com/memorial/99989614/edna-mattie-frederikson. Accessed 21 Nov. 2018.","Otto and Edna Frederikson papers, Kansas Collection, RH MS 674, Kenneth Spencer Research Library, University of Kansas.","Edna Mattie Tutt was born in Everton, Kansas on January 23, 1904. After receiving her bachelor's degree in sociology at Parsons College in Iowa and her doctorate from the University of Kansas in 1931, she moved to Harrisonburg to teach with her husband, Otto Frederikson (1892-1973) at James Madison University. She taught English at JMU from 1931 to 1941. Throughout her time as a teacher and student she was already working on her first manuscript, titled Three Parts Earth, the first in an already planned anthology series she planned to call The Idea of Love. The books that would comprise this would involve the evolution of a young woman as she struggles to get her manuscripts published, while simultaneously exploring and refining her own views on life and relationships. After Otto retired in 1957, the couple traveled extensively until Otto's death in 1973. Long after settling down in Harrisonburg, Edna released a collection of poetry entitled Never Tomorrow, published in 1988. Before she could finish her anthology series, Edna passed away on February 7, 1998.","The manuscripts, initially housed in a three-ring binder, were disbound and re-foldered accordingly. All loose pages and items inside the diary have been left as they were found.","Edna Frederikson papers, Special Collections, University of Maryland Libraries.","Otto and Edna Frederikson papers, Kansas Collection, RH MS 674, Kenneth Spencer Research Library, University of Kansas.","The Edna Frederikson Papers encompass one bound diary and 3 unpublished manuscripts, all created between 1972 and 1992. The diary focuses primarily on Edna's day-to-day thoughts concerning her manuscripts and her own personal musings. The three typed manuscripts are titled The Burning Ice, A Pilgrim of the Heart, and The Idea of Love, and follows the story of Nancy Western, a fictional character who navigates the trials and tribulations of becoming a published author and realizing her true self in the twentieth century.","Edna's diary, spanning from 1972 to 1992, follows the day-to-day musings of its author. Within these pages, Edna attaches correspondence from family, friends, book publishers, editors, and other business relations. The diary can be read almost as a story, with personal interjections and context for any article that she decides to put in. Some items of note include a letter from acclaimed poet Katherine Anne Porter regarding one of Edna's works, letters and personal correspondence between herself and close friend Paul Pines as well as Irma Friedrich, scattered letters regarding her manuscripts (both lauding and critical), and assorted poetry.","The manuscripts are organized as an anthology, following the character of Nancy Western as she struggles with her personal relationships and her work as an author working to get a book published. Although pure speculation, many parallels can be drawn between Nancy's life and Edna's, and can potentially read as Edna's reflection on her own life. The manuscripts were meant to be read as a larger narrative, titled The Idea of Love, but were separated into smaller \"books\" after unsuccessful attempts to get the entire anthology published.","A paperback copy of Frederikson's novel Three Parts Earth was removed and catalogued separately.","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","These papers give insight into the life of former James Madison University English professor Edna T. Frederikson in her later years as an author and poet. 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The three typed manuscripts are titled \u003cemph render=\"italic\"\u003eThe Burning Ice\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eA Pilgrim of the Heart\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eThe Idea of Love\u003c/emph\u003e, and follows the story of Nancy Western, a fictional character who navigates the trials and tribulations of becoming a published author and realizing her true self in the twentieth century.\u003c/p\u003e","\u003cp\u003eEdna's diary, spanning from 1972 to 1992, follows the day-to-day musings of its author. Within these pages, Edna attaches correspondence from family, friends, book publishers, editors, and other business relations. The diary can be read almost as a story, with personal interjections and context for any article that she decides to put in. 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The manuscripts were meant to be read as a larger narrative, titled \u003cemph render=\"italic\"\u003eThe Idea of Love\u003c/emph\u003e, but were separated into smaller \"books\" after unsuccessful attempts to get the entire anthology published.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Edna Frederikson Papers encompass one bound diary and 3 unpublished manuscripts, all created between 1972 and 1992. The diary focuses primarily on Edna's day-to-day thoughts concerning her manuscripts and her own personal musings. The three typed manuscripts are titled The Burning Ice, A Pilgrim of the Heart, and The Idea of Love, and follows the story of Nancy Western, a fictional character who navigates the trials and tribulations of becoming a published author and realizing her true self in the twentieth century.","Edna's diary, spanning from 1972 to 1992, follows the day-to-day musings of its author. Within these pages, Edna attaches correspondence from family, friends, book publishers, editors, and other business relations. The diary can be read almost as a story, with personal interjections and context for any article that she decides to put in. Some items of note include a letter from acclaimed poet Katherine Anne Porter regarding one of Edna's works, letters and personal correspondence between herself and close friend Paul Pines as well as Irma Friedrich, scattered letters regarding her manuscripts (both lauding and critical), and assorted poetry.","The manuscripts are organized as an anthology, following the character of Nancy Western as she struggles with her personal relationships and her work as an author working to get a book published. Although pure speculation, many parallels can be drawn between Nancy's life and Edna's, and can potentially read as Edna's reflection on her own life. The manuscripts were meant to be read as a larger narrative, titled The Idea of Love, but were separated into smaller \"books\" after unsuccessful attempts to get the entire anthology published."],"separatedmaterial_html_tesm":["\u003cp\u003eA paperback copy of Frederikson's novel \u003cemph render=\"italic\"\u003eThree Parts Earth\u003c/emph\u003e was removed and catalogued separately.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["A paperback copy of Frederikson's novel Three Parts Earth was removed and catalogued separately."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. 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The papers consist of two boxes containing one bound diary and three unpublished manuscripts, all created between 1972 and 1992."],"corpname_ssim":["James Madison University Libraries Special Collections"],"persname_ssim":["Frederikson, Edna, 1904-1998"],"names_ssim":["James Madison University Libraries Special Collections","Frederikson, Edna, 1904-1998"],"language_ssim":["English, French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:36:09.969Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_545"}},{"id":"vihart_repositories_4_resources_328","type":"collection","attributes":{"title":"Geoffrey Morley-Mower Papers, 1999/2001","creator":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_328#creator","type":"document_value","attributes":{"value":"Morley-Mower, Geoffrey, 1918-2005","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_328#abstract_or_scope","type":"document_value","attributes":{"value":"The Geoffrey Morley-Mower Papers, 1999-2001, include a draft of Morley-Mower's memoir \u003cem\u003eFlying Blind\u003c/em\u003e, correspondence with artist and collection donor Richard McNealy, and images and copies of paintings used to illustrate \u003cem\u003eFlying Blind\u003c/em\u003e.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_328#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_328","ead_ssi":"vihart_repositories_4_resources_328","_root_":"vihart_repositories_4_resources_328","_nest_parent_":"vihart_repositories_4_resources_328","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_328.xml","title_ssm":["Geoffrey Morley-Mower Papers"],"title_tesim":["Geoffrey Morley-Mower Papers"],"unitdate_ssm":["1999-2001"],"unitdate_inclusive_ssm":["1999-2001"],"normalized_date_ssm":["1999/2001"],"normalized_title_ssm":["Geoffrey Morley-Mower Papers, 1999/2001"],"text":["Geoffrey Morley-Mower Papers, 1999/2001","SC 0194","Air pilots, Military -- Great Britain","Photographs","Manuscripts (documents)","Drafts (documents)","Letters (correspondence)","Collection is open for research. 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Towards the end of his service with RAF, he was assigned to the Pentagon and subsequently moved his family to the United States. In 1968, Morley-Mower became a James Madison University professor in the English Department. He continued his career at James Madison until his death in 2005.","In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in 2017-2018. This collection was previously cataloged as SC 5015.","The Geoffrey Morley-Mower Papers, 1999-2001, consist of a draft of Morley-Mower's Flying Blind, correspondence with artist and collection donor Richard K. McNealy, and images and copies of paintings used to illustrate Flying Blind.","The collection includes correspondence received by McNealy from Morley-Mower, which primarily deals with the illustrations that McNealy created for Flying Blind. A copy of correspondence from Yucca Tree Press is also included. The images and copies of the collection include a hand drawn diagram of the \"Wapiti\" in ink, photograph copies of paintings by McNeily, John Young, and Wilfred Hardy,a copy of the publisher's proof for the cover of Flying Blind, and photocopies of Morley-Mower's personal aerial and ground photographs.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk. 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Cabell Under Fire. New York: Revisionist Press, 1975.","Morley-Mower, Geoffrey. Flying Blind.  New Mexico: Yucca Tree Press, 2001.","Morley-Mower, Geoffrey. Messerschmitt Routlette. Minnesota: Phalanx Press, 1993."],"bioghist_html_tesm":["\u003cp\u003eGeoffrey Morley-Mower (1918-2005), was born in London, England. He joined the Royal Air Force in 1937 and served for 31 years. He was awarded the Distinguished Flying Cross and the Air Force Cross. He flew Hawker Hurricanes, American Mustangs, and subsonic jet aircraft and his assignments included India, the Middle East, Gibraltar and Cyprus. Towards the end of his service with RAF, he was assigned to the Pentagon and subsequently moved his family to the United States. In 1968, Morley-Mower became a James Madison University professor in the English Department. 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The images and copies of the collection include a hand drawn diagram of the \"Wapiti\" in ink, photograph copies of paintings by McNeily, John Young, and Wilfred Hardy,a copy of the publisher's proof for the cover of Flying Blind, and photocopies of Morley-Mower's personal aerial and ground photographs."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk. (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk. 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The images and copies of the collection include a hand drawn diagram of the \"Wapiti\" in ink, photograph copies of paintings by McNeily, John Young, and Wilfred Hardy,a copy of the publisher's proof for the cover of \u003cemph render=\"italic\"\u003eFlying Blind\u003c/emph\u003e, and photocopies of Morley-Mower's personal aerial and ground photographs.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Geoffrey Morley-Mower Papers, 1999-2001, consist of a draft of Morley-Mower's Flying Blind, correspondence with artist and collection donor Richard K. McNealy, and images and copies of paintings used to illustrate Flying Blind.","The collection includes correspondence received by McNealy from Morley-Mower, which primarily deals with the illustrations that McNealy created for Flying Blind. A copy of correspondence from Yucca Tree Press is also included. The images and copies of the collection include a hand drawn diagram of the \"Wapiti\" in ink, photograph copies of paintings by McNeily, John Young, and Wilfred Hardy,a copy of the publisher's proof for the cover of Flying Blind, and photocopies of Morley-Mower's personal aerial and ground photographs."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk. (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk. (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f1341ca5ed2639317d52414c3bf254fc\"\u003eThe Geoffrey Morley-Mower Papers, 1999-2001, include a draft of Morley-Mower's memoir \u003cemph render=\"italic\"\u003eFlying Blind\u003c/emph\u003e, correspondence with artist and collection donor Richard McNealy, and images and copies of paintings used to illustrate \u003cemph render=\"italic\"\u003eFlying Blind\u003c/emph\u003e.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Geoffrey Morley-Mower Papers, 1999-2001, include a draft of Morley-Mower's memoir Flying Blind, correspondence with artist and collection donor Richard McNealy, and images and copies of paintings used to illustrate Flying Blind."],"corpname_ssim":["James Madison University Libraries Special Collections"],"persname_ssim":["Morley-Mower, Geoffrey, 1918-2005","McNealy, Richard K."],"names_coll_ssim":["McNealy, Richard K."],"names_ssim":["James Madison University Libraries Special Collections","Morley-Mower, Geoffrey, 1918-2005","McNealy, Richard K."],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:59.804Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_328"}},{"id":"vihart_repositories_4_resources_249","type":"collection","attributes":{"title":"George E. May Papers, 1930/1939","creator":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_249#creator","type":"document_value","attributes":{"value":"May, George Elliott, 1869-1960","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_249#abstract_or_scope","type":"document_value","attributes":{"value":"The George E. May Papers, 1930s, contain 44 chapters (some missing) of a carbon-copy typescript manuscript plus handwritten drafts and other notes on the history of Port Republic, Virginia. 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It particularly flourished during the 1820s and 1830s after the South Shenandoah River was made navigable for flatboats. It is best known today as the site of the Civil War Battle of Port Republic in 1862.","In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017. This collection was previously cataloged as SC 2055.","The George E. May Papers, written in the 1930s, consist of approximately 44 numbered chapters of a typed manuscript, with some chapters missing, plus handwritten materials on the history of Port Republic, Virginia. The manuscript begins with a portrait of the land and the American Indians who inhabited it and goes on to detail the establishment of the town and its subsequent growth. Information concerning farming (references to the invention of the notched sickle used on the McCormick reaper), boating, industry, and schooling is included. Several chapters are devoted to the Civil War and Stonewall Jackson's victory at the Battle of Port Republic in 1862. Citizens of the town who were involved in wars through World War I are discussed, with additional genealogical chapters on the Carthrae, Burgess, Harper, Kemper, Harnsberger, Trout, Scott, Downs and Madden families. Other individuals mentioned include Zachariah Raines and local slave trader, George W. Eustler.","The copyright interests in this collection have not been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The George E. May Papers, 1930s, contain 44 chapters (some missing) of a carbon-copy typescript manuscript plus handwritten drafts and other notes on the history of Port Republic, Virginia. 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For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["On deposit from the Harrisonburg-Rockingham Historical Society, May 27, 1987."],"access_subjects_ssim":["Port Republic, Battle of, Port Republic, Va., 1862","Revivals -- Virginia -- Port Republic","Sickles -- History","Slavery -- Virginia -- Shenandoah River Valley (Va. and W. Va.)","Industries -- Virginia -- Port Republic","Shenandoah Valley Campaign, 1862","Manuscripts (documents)"],"access_subjects_ssm":["Port Republic, Battle of, Port Republic, Va., 1862","Revivals -- Virginia -- Port Republic","Sickles -- History","Slavery -- Virginia -- Shenandoah River Valley (Va. and W. 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Papers, 1930s, SC 0094, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va."],"processinfo_html_tesm":["\u003cp\u003eIn order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017. \u003cemph render=\"bold\"\u003eThis collection was previously cataloged as SC 2055.\u003c/emph\u003e\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017. This collection was previously cataloged as SC 2055."],"scopecontent_html_tesm":["\u003cp\u003eThe George E. May Papers, written in the 1930s, consist of approximately 44 numbered chapters of a typed manuscript, with some chapters missing, plus handwritten materials on the history of Port Republic, Virginia. The manuscript begins with a portrait of the land and the American Indians who inhabited it and goes on to detail the establishment of the town and its subsequent growth. Information concerning farming (references to the invention of the notched sickle used on the McCormick reaper), boating, industry, and schooling is included. Several chapters are devoted to the Civil War and Stonewall Jackson's victory at the Battle of Port Republic in 1862. Citizens of the town who were involved in wars through World War I are discussed, with additional genealogical chapters on the Carthrae, Burgess, Harper, Kemper, Harnsberger, Trout, Scott, Downs and Madden families. Other individuals mentioned include Zachariah Raines and local slave trader, George W. Eustler.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The George E. May Papers, written in the 1930s, consist of approximately 44 numbered chapters of a typed manuscript, with some chapters missing, plus handwritten materials on the history of Port Republic, Virginia. The manuscript begins with a portrait of the land and the American Indians who inhabited it and goes on to detail the establishment of the town and its subsequent growth. Information concerning farming (references to the invention of the notched sickle used on the McCormick reaper), boating, industry, and schooling is included. Several chapters are devoted to the Civil War and Stonewall Jackson's victory at the Battle of Port Republic in 1862. Citizens of the town who were involved in wars through World War I are discussed, with additional genealogical chapters on the Carthrae, Burgess, Harper, Kemper, Harnsberger, Trout, Scott, Downs and Madden families. Other individuals mentioned include Zachariah Raines and local slave trader, George W. Eustler."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4ef3588c99894337e8a5880a68ec208c\"\u003eThe George E. May Papers, 1930s, contain 44 chapters (some missing) of a carbon-copy typescript manuscript plus handwritten drafts and other notes on the history of Port Republic, Virginia. 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Several chapters are devoted to the Civil War and Stonewall Jackson's victory at the Battle of Port Republic in 1862. Citizens of the town who were involved in wars through World War I are discussed, with additional genealogical chapters on the Carthrae, Burgess, Harper, Kemper, Harnsberger, Trout, Scott, Downs and Madden families. Other individuals mentioned include Zachariah Raines and local slave trader, George W. Eustler.","The copyright interests in this collection have not been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The George E. May Papers, 1930s, contain 44 chapters (some missing) of a carbon-copy typescript manuscript plus handwritten drafts and other notes on the history of Port Republic, Virginia. 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Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in five folders divided by manuscript chapters.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in five folders divided by manuscript chapters."],"bibliography_html_tesm":["\u003cbibref\u003eMay, George E. \u003cemph render=\"italic\"\u003ePort Republic: The History of a Shenandoah Valley River Town\u003c/emph\u003e. Staunton, Va.: Lot's Wife Publishing, 2002.\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["May, George E. Port Republic: The History of a Shenandoah Valley River Town. Staunton, Va.: Lot's Wife Publishing, 2002."],"bioghist_html_tesm":["\u003cp\u003eBorn in 1869, George Elliott May was a lifelong resident of Port Republic, Virginia. His primary occupation was woodworker and mill builder, but May's passion was local history, particularly that of Port Republic. He spent much of his life researching and collection information about his hometown, and his manuscript, entitled \"A History of Port Republic,\" was the culmination of that endeavor. May died February 6, 1960 and is buried at Port Republic Cemetery.\u003c/p\u003e","\u003cp\u003ePort Republic, Virginia, founded in 1802, is one of the oldest towns in Rockingham County. It particularly flourished during the 1820s and 1830s after the South Shenandoah River was made navigable for flatboats. It is best known today as the site of the Civil War Battle of Port Republic in 1862.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Born in 1869, George Elliott May was a lifelong resident of Port Republic, Virginia. His primary occupation was woodworker and mill builder, but May's passion was local history, particularly that of Port Republic. He spent much of his life researching and collection information about his hometown, and his manuscript, entitled \"A History of Port Republic,\" was the culmination of that endeavor. May died February 6, 1960 and is buried at Port Republic Cemetery.","Port Republic, Virginia, founded in 1802, is one of the oldest towns in Rockingham County. It particularly flourished during the 1820s and 1830s after the South Shenandoah River was made navigable for flatboats. It is best known today as the site of the Civil War Battle of Port Republic in 1862."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item], [folder #], May, George E. Papers, 1930s, SC 0094, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of Item], [folder #], May, George E. Papers, 1930s, SC 0094, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va."],"processinfo_html_tesm":["\u003cp\u003eIn order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017. \u003cemph render=\"bold\"\u003eThis collection was previously cataloged as SC 2055.\u003c/emph\u003e\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017. This collection was previously cataloged as SC 2055."],"scopecontent_html_tesm":["\u003cp\u003eThe George E. May Papers, written in the 1930s, consist of approximately 44 numbered chapters of a typed manuscript, with some chapters missing, plus handwritten materials on the history of Port Republic, Virginia. The manuscript begins with a portrait of the land and the American Indians who inhabited it and goes on to detail the establishment of the town and its subsequent growth. Information concerning farming (references to the invention of the notched sickle used on the McCormick reaper), boating, industry, and schooling is included. Several chapters are devoted to the Civil War and Stonewall Jackson's victory at the Battle of Port Republic in 1862. Citizens of the town who were involved in wars through World War I are discussed, with additional genealogical chapters on the Carthrae, Burgess, Harper, Kemper, Harnsberger, Trout, Scott, Downs and Madden families. Other individuals mentioned include Zachariah Raines and local slave trader, George W. Eustler.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The George E. May Papers, written in the 1930s, consist of approximately 44 numbered chapters of a typed manuscript, with some chapters missing, plus handwritten materials on the history of Port Republic, Virginia. The manuscript begins with a portrait of the land and the American Indians who inhabited it and goes on to detail the establishment of the town and its subsequent growth. Information concerning farming (references to the invention of the notched sickle used on the McCormick reaper), boating, industry, and schooling is included. Several chapters are devoted to the Civil War and Stonewall Jackson's victory at the Battle of Port Republic in 1862. Citizens of the town who were involved in wars through World War I are discussed, with additional genealogical chapters on the Carthrae, Burgess, Harper, Kemper, Harnsberger, Trout, Scott, Downs and Madden families. Other individuals mentioned include Zachariah Raines and local slave trader, George W. Eustler."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4ef3588c99894337e8a5880a68ec208c\"\u003eThe George E. May Papers, 1930s, contain 44 chapters (some missing) of a carbon-copy typescript manuscript plus handwritten drafts and other notes on the history of Port Republic, Virginia. The manuscript is a draft of May's book \u003cemph render=\"italic\"\u003ePort Republic: The History of a Shenandoah Valley River Town\u003c/emph\u003e that was published for the first time in 2002 - the 200th anniversary of the founding of Port Republic.\u003c/abstract\u003e\n    "],"abstract_tesim":["The George E. May Papers, 1930s, contain 44 chapters (some missing) of a carbon-copy typescript manuscript plus handwritten drafts and other notes on the history of Port Republic, Virginia. The manuscript is a draft of May's book Port Republic: The History of a Shenandoah Valley River Town that was published for the first time in 2002 - the 200th anniversary of the founding of Port Republic."],"corpname_ssim":["James Madison University Libraries Special Collections","Harrisonburg-Rockingham Historical Society"],"names_coll_ssim":["Harrisonburg-Rockingham Historical Society","Carthrae family","Burgess family","Harper family","Harnsberger family","Kemp family","Trout family","Scott family","Downs family","Madden family","Jackson, Stonewall, 1824-1863","Raines, Zachariah","Eustler, George W."],"famname_ssim":["Carthrae family","Burgess family","Harper family","Harnsberger family","Kemp family","Trout family","Scott family","Downs family","Madden family"],"persname_ssim":["May, George Elliott, 1869-1960","Jackson, Stonewall, 1824-1863","Raines, Zachariah","Eustler, George W."],"names_ssim":["James Madison University Libraries Special Collections","Harrisonburg-Rockingham Historical Society","Carthrae family","Burgess family","Harper family","Harnsberger family","Kemp family","Trout family","Scott family","Downs family","Madden family","May, George Elliott, 1869-1960","Jackson, Stonewall, 1824-1863","Raines, Zachariah","Eustler, George W."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":42,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:59.804Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_249"}},{"id":"vihart_repositories_4_resources_727","type":"collection","attributes":{"title":"George M. Neese papers, 1859/1946","creator":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_727#creator","type":"document_value","attributes":{"value":"Jeffrey S. Evans \u0026 Associates","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_727#abstract_or_scope","type":"document_value","attributes":{"value":"The collection comprises the personal papers, correspondence, diaries, and writings of George M. Neese of New Market, Virginia.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_727#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_727","ead_ssi":"vihart_repositories_4_resources_727","_root_":"vihart_repositories_4_resources_727","_nest_parent_":"vihart_repositories_4_resources_727","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_727.xml","title_ssm":["George M. Neese papers"],"title_tesim":["George M. Neese papers"],"unitdate_ssm":["1859-1946"],"unitdate_inclusive_ssm":["1859-1946"],"normalized_date_ssm":["1859/1946"],"normalized_title_ssm":["George M. Neese papers, 1859/1946"],"text":["George M. Neese papers, 1859/1946","SC 0355","/repositories/4/resources/727","United States -- History -- Civil War, 1861-1865 -- Personal narratives, Confederate","Virginia -- History -- 19th century","New Market (Va.) -- History","Birds -- Virginia -- New Market","Bird watching -- Virginia -- New Market","Diaries","Letters (correspondence)","Postcards","Manuscripts (documents)","Drafts (documents)","Research notes","Autograph albums","Direct mail","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","A copy of \nSketches accompanying the Annual report of the Superintendent of the United States Coast Survey (1851) was not retained due to its poor condition. All loose items were removed and incorporated into the collection. Pages with substantive annotations were photocopied and retained.","The collection is arranged in two series:","Correspondence, 1868-1946\n      Personal papers, 1859-1921","George M. Neese (1839-1921), son of Michael and Elizabeth Zirkle Neese, was born in Shenandoah County, Virginia. As a youth, he attended New Market Academy. During the Civil War, Neese served for three years in the Confederate Army as a gunner in Chew's Battery, Stuart's Horse Artillery in the Army of Northern Virginia. He was captured approximately six miles north of Woodstock, Virginia on October 9, 1864. Neese was held as a prisoner at Point Lookout, Maryland for the remainder of the Civil War. After the war ended and he was released, Neese returned to Shenandoah County where he worked as a fresco painter, house painter, and wallpaper hanger for William F. Rupp. Neese also lived with Rupp's family in the Spitzer-Rupp House on Congress Street until his death in 1921. Neese kept diaries about his experience during the Civil War and published them under the title Three Years in the Confederate Horse Artillery (1911).","From the Fritz and Loretta Orebaugh estate, New Market, Virginia.","George M. Neese. Papers, 1859-1921. Accession 13994. Personal papers collection. The Library of Virginia, Richmond, Va. 23219.","Rupp Family Papers, 1831-1973, SC 0342, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","New Market Poll Book, 1870 May 26, SC 0356, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.","The collection comprises the personal papers, correspondence, diaries, and writings of George M. Neese of New Market, Virginia.","Correspondence is primarily letters, postcards, and direct mail addressed to Neese.","Neese's personal papers comprise, among other materials, a handwritten draft manusript of Three Years in the Confederate Horse Artillery, post-Civil War diaries, field books documenting bird sightings around New Market, and poetry.","A copy of The People's Pocket Dictionary of the Holy Bible with George Neese's owner's signature was separated from the collection and cataloged individually.","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The collection comprises the personal papers, correspondence, diaries, and writings of George M. Neese of New Market, Virginia.","James Madison University Libraries Special Collections","Jeffrey S. 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Evans's Summer Americana \u0026 Variety Auction on August 24, 2019."],"access_subjects_ssim":["Birds -- Virginia -- New Market","Bird watching -- Virginia -- New Market","Diaries","Letters (correspondence)","Postcards","Manuscripts (documents)","Drafts (documents)","Research notes","Autograph albums","Direct mail"],"access_subjects_ssm":["Birds -- Virginia -- New Market","Bird watching -- Virginia -- New Market","Diaries","Letters (correspondence)","Postcards","Manuscripts (documents)","Drafts (documents)","Research notes","Autograph albums","Direct mail"],"has_online_content_ssim":["false"],"extent_ssm":["0.83 cubic feet 3 boxes"],"extent_tesim":["0.83 cubic feet 3 boxes"],"genreform_ssim":["Diaries","Letters (correspondence)","Postcards","Manuscripts (documents)","Drafts (documents)","Research notes","Autograph albums","Direct mail"],"date_range_isim":[1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"appraisal_html_tesm":["\u003cp\u003eA copy of \u003cemph render=\"italic\"\u003e\nSketches accompanying the Annual report of the Superintendent of the United States Coast Survey\u003c/emph\u003e (1851) was not retained due to its poor condition. All loose items were removed and incorporated into the collection. Pages with substantive annotations were photocopied and retained.\u003c/p\u003e  "],"appraisal_heading_ssm":["Appraisal"],"appraisal_tesim":["A copy of \nSketches accompanying the Annual report of the Superintendent of the United States Coast Survey (1851) was not retained due to its poor condition. All loose items were removed and incorporated into the collection. Pages with substantive annotations were photocopied and retained."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in two series:\u003c/p\u003e    ","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eCorrespondence, 1868-1946\u003c/item\u003e\n      \u003citem\u003ePersonal papers, 1859-1921\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in two series:","Correspondence, 1868-1946\n      Personal papers, 1859-1921"],"bioghist_html_tesm":["\u003cp\u003eGeorge M. Neese (1839-1921), son of Michael and Elizabeth Zirkle Neese, was born in Shenandoah County, Virginia. As a youth, he attended New Market Academy. During the Civil War, Neese served for three years in the Confederate Army as a gunner in Chew's Battery, Stuart's Horse Artillery in the Army of Northern Virginia. He was captured approximately six miles north of Woodstock, Virginia on October 9, 1864. Neese was held as a prisoner at Point Lookout, Maryland for the remainder of the Civil War. After the war ended and he was released, Neese returned to Shenandoah County where he worked as a fresco painter, house painter, and wallpaper hanger for William F. Rupp. Neese also lived with Rupp's family in the Spitzer-Rupp House on Congress Street until his death in 1921. Neese kept diaries about his experience during the Civil War and published them under the title \u003cemph render=\"italic\"\u003eThree Years in the Confederate Horse Artillery\u003c/emph\u003e (1911).\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["George M. Neese (1839-1921), son of Michael and Elizabeth Zirkle Neese, was born in Shenandoah County, Virginia. As a youth, he attended New Market Academy. During the Civil War, Neese served for three years in the Confederate Army as a gunner in Chew's Battery, Stuart's Horse Artillery in the Army of Northern Virginia. He was captured approximately six miles north of Woodstock, Virginia on October 9, 1864. Neese was held as a prisoner at Point Lookout, Maryland for the remainder of the Civil War. After the war ended and he was released, Neese returned to Shenandoah County where he worked as a fresco painter, house painter, and wallpaper hanger for William F. Rupp. Neese also lived with Rupp's family in the Spitzer-Rupp House on Congress Street until his death in 1921. Neese kept diaries about his experience during the Civil War and published them under the title Three Years in the Confederate Horse Artillery (1911)."],"custodhist_html_tesm":["\u003cp\u003eFrom the Fritz and Loretta Orebaugh estate, New Market, Virginia.\u003c/p\u003e  "],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["From the Fritz and Loretta Orebaugh estate, New Market, Virginia."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], George M. Neese Papers, SC 0355, 1859-1946, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], George M. Neese Papers, SC 0355, 1859-1946, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va."],"relatedmaterial_html_tesm":["\u003cp\u003eGeorge M. Neese. Papers, 1859-1921. Accession 13994. Personal papers collection. The Library of Virginia, Richmond, Va. 23219.\u003c/p\u003e","\u003cp\u003eRupp Family Papers, 1831-1973, SC 0342, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e","\u003cp\u003eNew Market Poll Book, 1870 May 26, SC 0356, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["George M. Neese. Papers, 1859-1921. Accession 13994. Personal papers collection. The Library of Virginia, Richmond, Va. 23219.","Rupp Family Papers, 1831-1973, SC 0342, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","New Market Poll Book, 1870 May 26, SC 0356, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe collection comprises the personal papers, correspondence, diaries, and writings of George M. 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Neese of New Market, Virginia.","Correspondence is primarily letters, postcards, and direct mail addressed to Neese.","Neese's personal papers comprise, among other materials, a handwritten draft manusript of Three Years in the Confederate Horse Artillery, post-Civil War diaries, field books documenting bird sightings around New Market, and poetry."],"separatedmaterial_html_tesm":["\u003cp\u003eA copy of \u003cemph render=\"italic\"\u003eThe People's Pocket Dictionary of the Holy Bible\u003c/emph\u003e with George Neese's owner's signature was separated from the collection and cataloged individually.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A copy of The People's Pocket Dictionary of the Holy Bible with George Neese's owner's signature was separated from the collection and cataloged individually."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_90e536cc81fb204e235bb40022fd6115\"\u003eThe collection comprises the personal papers, correspondence, diaries, and writings of George M. Neese of New Market, Virginia.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection comprises the personal papers, correspondence, diaries, and writings of George M. Neese of New Market, Virginia."],"corpname_ssim":["James Madison University Libraries Special Collections","Jeffrey S. Evans \u0026 Associates","Confederate States of America. Army. Virginia Artillery"],"names_coll_ssim":["Jeffrey S. Evans \u0026 Associates","Confederate States of America. Army. Virginia Artillery"],"persname_ssim":["Neese, George M. (George Michael), 1839-1921"],"names_ssim":["James Madison University Libraries Special Collections","Jeffrey S. Evans \u0026 Associates","Confederate States of America. Army. Virginia Artillery","Neese, George M. (George Michael), 1839-1921"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:36:24.185Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_727","ead_ssi":"vihart_repositories_4_resources_727","_root_":"vihart_repositories_4_resources_727","_nest_parent_":"vihart_repositories_4_resources_727","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_727.xml","title_ssm":["George M. Neese papers"],"title_tesim":["George M. Neese papers"],"unitdate_ssm":["1859-1946"],"unitdate_inclusive_ssm":["1859-1946"],"normalized_date_ssm":["1859/1946"],"normalized_title_ssm":["George M. Neese papers, 1859/1946"],"text":["George M. Neese papers, 1859/1946","SC 0355","/repositories/4/resources/727","United States -- History -- Civil War, 1861-1865 -- Personal narratives, Confederate","Virginia -- History -- 19th century","New Market (Va.) -- History","Birds -- Virginia -- New Market","Bird watching -- Virginia -- New Market","Diaries","Letters (correspondence)","Postcards","Manuscripts (documents)","Drafts (documents)","Research notes","Autograph albums","Direct mail","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","A copy of \nSketches accompanying the Annual report of the Superintendent of the United States Coast Survey (1851) was not retained due to its poor condition. All loose items were removed and incorporated into the collection. Pages with substantive annotations were photocopied and retained.","The collection is arranged in two series:","Correspondence, 1868-1946\n      Personal papers, 1859-1921","George M. Neese (1839-1921), son of Michael and Elizabeth Zirkle Neese, was born in Shenandoah County, Virginia. As a youth, he attended New Market Academy. During the Civil War, Neese served for three years in the Confederate Army as a gunner in Chew's Battery, Stuart's Horse Artillery in the Army of Northern Virginia. He was captured approximately six miles north of Woodstock, Virginia on October 9, 1864. Neese was held as a prisoner at Point Lookout, Maryland for the remainder of the Civil War. After the war ended and he was released, Neese returned to Shenandoah County where he worked as a fresco painter, house painter, and wallpaper hanger for William F. Rupp. Neese also lived with Rupp's family in the Spitzer-Rupp House on Congress Street until his death in 1921. Neese kept diaries about his experience during the Civil War and published them under the title Three Years in the Confederate Horse Artillery (1911).","From the Fritz and Loretta Orebaugh estate, New Market, Virginia.","George M. Neese. Papers, 1859-1921. Accession 13994. Personal papers collection. The Library of Virginia, Richmond, Va. 23219.","Rupp Family Papers, 1831-1973, SC 0342, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","New Market Poll Book, 1870 May 26, SC 0356, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.","The collection comprises the personal papers, correspondence, diaries, and writings of George M. Neese of New Market, Virginia.","Correspondence is primarily letters, postcards, and direct mail addressed to Neese.","Neese's personal papers comprise, among other materials, a handwritten draft manusript of Three Years in the Confederate Horse Artillery, post-Civil War diaries, field books documenting bird sightings around New Market, and poetry.","A copy of The People's Pocket Dictionary of the Holy Bible with George Neese's owner's signature was separated from the collection and cataloged individually.","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The collection comprises the personal papers, correspondence, diaries, and writings of George M. Neese of New Market, Virginia.","James Madison University Libraries Special Collections","Jeffrey S. Evans \u0026 Associates","Confederate States of America. Army. Virginia Artillery","Neese, George M. (George Michael), 1839-1921","English"],"collection_title_tesim":["George M. Neese papers, 1859/1946"],"collection_ssim":["George M. 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(George Michael), 1839-1921"],"creator_persname_ssim":["Neese, George M. (George Michael), 1839-1921"],"creator_corpname_ssim":["James Madison University Libraries Special Collections","Jeffrey S. Evans \u0026 Associates","Confederate States of America. Army. Virginia Artillery"],"creators_ssim":["Neese, George M. (George Michael), 1839-1921","James Madison University Libraries Special Collections","Jeffrey S. Evans \u0026 Associates","Confederate States of America. Army. Virginia Artillery"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Acquired at Jeffrey S. Evans's Summer Americana \u0026 Variety Auction on August 24, 2019."],"access_subjects_ssim":["Birds -- Virginia -- New Market","Bird watching -- Virginia -- New Market","Diaries","Letters (correspondence)","Postcards","Manuscripts (documents)","Drafts (documents)","Research notes","Autograph albums","Direct mail"],"access_subjects_ssm":["Birds -- Virginia -- New Market","Bird watching -- Virginia -- New Market","Diaries","Letters (correspondence)","Postcards","Manuscripts (documents)","Drafts (documents)","Research notes","Autograph albums","Direct mail"],"has_online_content_ssim":["false"],"extent_ssm":["0.83 cubic feet 3 boxes"],"extent_tesim":["0.83 cubic feet 3 boxes"],"genreform_ssim":["Diaries","Letters (correspondence)","Postcards","Manuscripts (documents)","Drafts (documents)","Research notes","Autograph albums","Direct mail"],"date_range_isim":[1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"appraisal_html_tesm":["\u003cp\u003eA copy of \u003cemph render=\"italic\"\u003e\nSketches accompanying the Annual report of the Superintendent of the United States Coast Survey\u003c/emph\u003e (1851) was not retained due to its poor condition. All loose items were removed and incorporated into the collection. Pages with substantive annotations were photocopied and retained.\u003c/p\u003e  "],"appraisal_heading_ssm":["Appraisal"],"appraisal_tesim":["A copy of \nSketches accompanying the Annual report of the Superintendent of the United States Coast Survey (1851) was not retained due to its poor condition. All loose items were removed and incorporated into the collection. Pages with substantive annotations were photocopied and retained."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in two series:\u003c/p\u003e    ","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eCorrespondence, 1868-1946\u003c/item\u003e\n      \u003citem\u003ePersonal papers, 1859-1921\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in two series:","Correspondence, 1868-1946\n      Personal papers, 1859-1921"],"bioghist_html_tesm":["\u003cp\u003eGeorge M. Neese (1839-1921), son of Michael and Elizabeth Zirkle Neese, was born in Shenandoah County, Virginia. As a youth, he attended New Market Academy. During the Civil War, Neese served for three years in the Confederate Army as a gunner in Chew's Battery, Stuart's Horse Artillery in the Army of Northern Virginia. He was captured approximately six miles north of Woodstock, Virginia on October 9, 1864. Neese was held as a prisoner at Point Lookout, Maryland for the remainder of the Civil War. After the war ended and he was released, Neese returned to Shenandoah County where he worked as a fresco painter, house painter, and wallpaper hanger for William F. Rupp. Neese also lived with Rupp's family in the Spitzer-Rupp House on Congress Street until his death in 1921. Neese kept diaries about his experience during the Civil War and published them under the title \u003cemph render=\"italic\"\u003eThree Years in the Confederate Horse Artillery\u003c/emph\u003e (1911).\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["George M. Neese (1839-1921), son of Michael and Elizabeth Zirkle Neese, was born in Shenandoah County, Virginia. As a youth, he attended New Market Academy. During the Civil War, Neese served for three years in the Confederate Army as a gunner in Chew's Battery, Stuart's Horse Artillery in the Army of Northern Virginia. He was captured approximately six miles north of Woodstock, Virginia on October 9, 1864. Neese was held as a prisoner at Point Lookout, Maryland for the remainder of the Civil War. After the war ended and he was released, Neese returned to Shenandoah County where he worked as a fresco painter, house painter, and wallpaper hanger for William F. Rupp. Neese also lived with Rupp's family in the Spitzer-Rupp House on Congress Street until his death in 1921. Neese kept diaries about his experience during the Civil War and published them under the title Three Years in the Confederate Horse Artillery (1911)."],"custodhist_html_tesm":["\u003cp\u003eFrom the Fritz and Loretta Orebaugh estate, New Market, Virginia.\u003c/p\u003e  "],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["From the Fritz and Loretta Orebaugh estate, New Market, Virginia."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], George M. Neese Papers, SC 0355, 1859-1946, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], George M. Neese Papers, SC 0355, 1859-1946, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va."],"relatedmaterial_html_tesm":["\u003cp\u003eGeorge M. Neese. Papers, 1859-1921. Accession 13994. Personal papers collection. The Library of Virginia, Richmond, Va. 23219.\u003c/p\u003e","\u003cp\u003eRupp Family Papers, 1831-1973, SC 0342, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e","\u003cp\u003eNew Market Poll Book, 1870 May 26, SC 0356, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["George M. Neese. Papers, 1859-1921. Accession 13994. Personal papers collection. The Library of Virginia, Richmond, Va. 23219.","Rupp Family Papers, 1831-1973, SC 0342, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","New Market Poll Book, 1870 May 26, SC 0356, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe collection comprises the personal papers, correspondence, diaries, and writings of George M. Neese of New Market, Virginia.\u003c/p\u003e","\u003cp\u003eCorrespondence is primarily letters, postcards, and direct mail addressed to Neese.\u003c/p\u003e","\u003cp\u003eNeese's personal papers comprise, among other materials, a handwritten draft manusript of \u003cemph render=\"italic\"\u003eThree Years in the Confederate Horse Artillery\u003c/emph\u003e, post-Civil War diaries, field books documenting bird sightings around New Market, and poetry.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection comprises the personal papers, correspondence, diaries, and writings of George M. Neese of New Market, Virginia.","Correspondence is primarily letters, postcards, and direct mail addressed to Neese.","Neese's personal papers comprise, among other materials, a handwritten draft manusript of Three Years in the Confederate Horse Artillery, post-Civil War diaries, field books documenting bird sightings around New Market, and poetry."],"separatedmaterial_html_tesm":["\u003cp\u003eA copy of \u003cemph render=\"italic\"\u003eThe People's Pocket Dictionary of the Holy Bible\u003c/emph\u003e with George Neese's owner's signature was separated from the collection and cataloged individually.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A copy of The People's Pocket Dictionary of the Holy Bible with George Neese's owner's signature was separated from the collection and cataloged individually."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_90e536cc81fb204e235bb40022fd6115\"\u003eThe collection comprises the personal papers, correspondence, diaries, and writings of George M. Neese of New Market, Virginia.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection comprises the personal papers, correspondence, diaries, and writings of George M. Neese of New Market, Virginia."],"corpname_ssim":["James Madison University Libraries Special Collections","Jeffrey S. Evans \u0026 Associates","Confederate States of America. Army. Virginia Artillery"],"names_coll_ssim":["Jeffrey S. Evans \u0026 Associates","Confederate States of America. Army. Virginia Artillery"],"persname_ssim":["Neese, George M. (George Michael), 1839-1921"],"names_ssim":["James Madison University Libraries Special Collections","Jeffrey S. Evans \u0026 Associates","Confederate States of America. Army. Virginia Artillery","Neese, George M. (George Michael), 1839-1921"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:36:24.185Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_727"}},{"id":"vihart_repositories_4_resources_221","type":"collection","attributes":{"title":"James Rex Riley Papers, 1971/1983","creator":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_221#creator","type":"document_value","attributes":{"value":"Riley, James R. (James Rex), 1938-1987","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_221#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains five boxes. 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Audio recordings are not accessible pending reformatting. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","James Rex Riley was born in Shreveport, Louisiana in 1938. He graduated from Centenary College, then studied composition with Samuel Adler and Hunter Johnson at North Texas State University and the University of Texas at Austin, where he earned his doctorate. He taught at the University of Texas, Mississippi State University and Wichita State University, and came to James Madison University in September 1981. He won a number of prizes, including three ASCAP awards, and received commissions from such organizations as the San Antonio Chamber Music Society as well as James Madison University. 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He taught at the University of Texas, Mississippi State University and Wichita State University, and came to James Madison University in September 1981. He won a number of prizes, including three ASCAP awards, and received commissions from such organizations as the San Antonio Chamber Music Society as well as James Madison University. He died March 29, 1987, after several years of struggling against a brain tumor.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Rex Riley was born in Shreveport, Louisiana in 1938. He graduated from Centenary College, then studied composition with Samuel Adler and Hunter Johnson at North Texas State University and the University of Texas at Austin, where he earned his doctorate. He taught at the University of Texas, Mississippi State University and Wichita State University, and came to James Madison University in September 1981. 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He died March 29, 1987, after several years of struggling against a brain tumor."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], James Rex Riley Papers, SC 0181, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], James Rex Riley Papers, SC 0181, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA"],"processinfo_html_tesm":["\u003cp\u003eIn order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in 2017-2018. \u003cemph render=\"bold\"\u003eThis collection was previously cataloged as SC 5003\u003c/emph\u003e.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in 2017-2018. 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For more information, contact the Special Collections Library Reference Desk. (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c40972fff701aea5de9dbf0f8620d914\"\u003eThis collection contains five boxes. The bulk of the collection consists of manuscripts of Dr. Riley's compositions and recordings of performances of his works.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains five boxes. The bulk of the collection consists of manuscripts of Dr. Riley's compositions and recordings of performances of his works."],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. Department of Music"],"names_coll_ssim":["James Madison University. Department of Music"],"persname_ssim":["Riley, James R. (James Rex), 1938-1987"],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Department of Music","Riley, James R. 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This collection was previously cataloged as SC 5003."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains five boxes. The bulk of the collection consists of manuscripts of Dr. Riley's compositions and recordings of performances of his works.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains five boxes. The bulk of the collection consists of manuscripts of Dr. Riley's compositions and recordings of performances of his works."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk. (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. 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Gabbin, professor of English at James Madison University and director of the Furious Flower Poetry Center.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_627#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_627","ead_ssi":"vihart_repositories_4_resources_627","_root_":"vihart_repositories_4_resources_627","_nest_parent_":"vihart_repositories_4_resources_627","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_627.xml","title_ssm":["Joanne V. Gabbin Papers"],"title_tesim":["Joanne V. Gabbin Papers"],"unitdate_ssm":["1930-2017","1960-2017"],"unitdate_inclusive_ssm":["1930-2017"],"unitdate_bulk_ssim":["1960-2017"],"normalized_date_ssm":["1930/2017, bulk 1960/2017"],"normalized_title_ssm":["Joanne V. Gabbin Papers, 1930/2017, bulk 1960/2017"],"text":["Joanne V. Gabbin Papers, 1930/2017, bulk 1960/2017","SC 0296","/repositories/4/resources/627","English language -- Study and teaching (Higher)","Poetry -- Black authors","African Americans -- Poetry","African American poets","Poets, Black","Letters (correspondence)","Manuscripts (documents)","Research notes","Photographs","Printed Ephemera","Pamphlets","Brochures","Personal papers","Articles","Syllabi","Poetry","Faculty papers","Newsletters","Newspaper clippings","Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection","Two boxes filled with empty file folders were recycled prior to processing.","The collection is arranged in six series. Series 3 and Series 5 are arranged further into subseries. Each series is arranged chronologically except for Series 1: Manuscripts which is arranged alphabetically. Exceptions to this arrangement scheme were made in order to group like materials (e.g. photographs, newspaper clippings) together. As a result chronological arrangements are approximate. In order to maintain original intellectual order, photographs and correspondence, for example, may be found across multiple series.","Manuscripts, 1930-2015\n      Research, 1960-2016\n      Professional Activities, 1963-2017\n      Teaching Materials, 1971-2013\n      Personal Papers, 1967-2016\n      Printed Ephemera and Photographs, 1961-2013","A professor of English at James Madison University, Joanne Gabbin earned her B.A. from Morgan State College in Baltimore, Maryland in 1967, and received her M.A. and Ph.D. from the University of Chicago in 1970 and 1980, respectively. Gabbin taught at Roosevelt University, Chicago State University, and Lincoln University before she was hired at James Madison University in 1985 as a Commonwealth Visiting Professor. She became the director of the Honors Program (now the Honors College) in 1986, where she served for 19 years and founded many programs that define the Honors College today.","In 1994, she organized the first Furious Flower Poetry Conference, which she held at JMU and in honor of Pulitzer Prize-winning poet Gwendolyn Brooks. The event was considered historic and likely the largest gathering of African American poets and literature scholars to that date. After a second successful conference a decade later, JMU chartered the Furious Flower Poetry Center in 2005, the nation's first academic center devoted to Black poetry.","The author/editor of numerous books and founder of the Wintergreen Women Writers' Collective, Gabbin's contributions to the academic field of African American poetry have been acknowledged with awards and honors from such organizations as the HistoryMakers Archives, the National Museum of African American History and Culture, the College Language Association and the International Literary Hall of Fame for Writers of African Descent, among many others. Her publications include Sterling A. Brown: Building the Black Aesthetic Tradition (1985), which was reissued in 1994 by the University Press of Virginia and the children's book I Bet She Called Me Sugar Plum (2004). She also edited The Furious Flowering of African American Poetry (1999), Furious Flower: African American Poetry from the Black Arts Movement to the Present (2004), Furious Flower: Seeding the Future of African American Poetry (2020), Shaping Memories: Reflections of African American Women Writers (2009), and Mourning Katrina: A Poetic Response to Tragedy (2009).","Collection was donated in clearly labeled folders housed in multiple cubic boxes. In Feburary 2017, Cardinal House experienced a flood as a result of plumbing issues. Materials in this collection were affected and may exhibit water damage. Processors used labels as direction for series arrangement, and focused on discards of duplicates and assessing water-damage materials. Afterwards, materials were moved to hollingers and additional accruals were integrated into the existing arrangement.","Duplicate newspapers, newsletters, brochures, articles, etc. were discarded. Financial records including receipts, credit card and bank statements, and travel reimbursements were not retained and were discarded. Student records containing personally identifiable information (student identification numbers, GPAs, grades, etc.)—beyond what is considered directory information—were removed and discarded.","Furious Flower Poetry Center Records, 1990-2014, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","Furious Flower Poetry Center Conference Records, 1970-2015, UA 0018, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","The Joanne V. Gabbin Papers, 1930-2017 [bulk 1960-2017], contain the professional, academic, and personal papers of Joanne V. Gabbin, professor of English at James Madison University and director of the Furious Flower Poetry Center. The materials chiefly relate to her professional role as an influential figure in the African American literary community and include manuscripts she wrote or edited, notes and materials from events where she spoke or was featured, and her correspondence with publishers, professional organizations, and other members of the African American literary community. Other materials include articles for research or teaching purposes, syllabi, documents and correspondence related to her role as professor and head of the JMU Honors College, personal correspondence, and documents related to her role as director of the Furious Flower Poetry Center.","Three poetry broadsides printed in 2017 at the Virginia Arts of the Book Center for the Virginia Festival of the Book - Heavenly Madrigal, Seasons Change Before We're Ready, and Zombie Blues Villanelle - were removed from the collection and cataloged individually. These broadsides are held by Special Collections.","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Joanne V. 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These broadsides are held by Special Collections.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Three poetry broadsides printed in 2017 at the Virginia Arts of the Book Center for the Virginia Festival of the Book - Heavenly Madrigal, Seasons Change Before We're Ready, and Zombie Blues Villanelle - were removed from the collection and cataloged individually. These broadsides are held by Special Collections."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f08c87141a4134568799bd39ab722aea\"\u003eThe Joanne V. Gabbin Papers, 1930-2017 [bulk 1960-2017], contain the professional, academic, and personal papers of Joanne V. Gabbin, professor of English at James Madison University and director of the Furious Flower Poetry Center.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Joanne V. Gabbin Papers, 1930-2017 [bulk 1960-2017], contain the professional, academic, and personal papers of Joanne V. 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Furious Flower Poetry Center","James Madison University. Honors College","James Madison University. Honors Program","Gabbin, Joanne V. (Joanne Veal), 1946-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":389,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:36:24.185Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_627","ead_ssi":"vihart_repositories_4_resources_627","_root_":"vihart_repositories_4_resources_627","_nest_parent_":"vihart_repositories_4_resources_627","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_627.xml","title_ssm":["Joanne V. Gabbin Papers"],"title_tesim":["Joanne V. Gabbin Papers"],"unitdate_ssm":["1930-2017","1960-2017"],"unitdate_inclusive_ssm":["1930-2017"],"unitdate_bulk_ssim":["1960-2017"],"normalized_date_ssm":["1930/2017, bulk 1960/2017"],"normalized_title_ssm":["Joanne V. Gabbin Papers, 1930/2017, bulk 1960/2017"],"text":["Joanne V. Gabbin Papers, 1930/2017, bulk 1960/2017","SC 0296","/repositories/4/resources/627","English language -- Study and teaching (Higher)","Poetry -- Black authors","African Americans -- Poetry","African American poets","Poets, Black","Letters (correspondence)","Manuscripts (documents)","Research notes","Photographs","Printed Ephemera","Pamphlets","Brochures","Personal papers","Articles","Syllabi","Poetry","Faculty papers","Newsletters","Newspaper clippings","Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection","Two boxes filled with empty file folders were recycled prior to processing.","The collection is arranged in six series. Series 3 and Series 5 are arranged further into subseries. Each series is arranged chronologically except for Series 1: Manuscripts which is arranged alphabetically. Exceptions to this arrangement scheme were made in order to group like materials (e.g. photographs, newspaper clippings) together. As a result chronological arrangements are approximate. In order to maintain original intellectual order, photographs and correspondence, for example, may be found across multiple series.","Manuscripts, 1930-2015\n      Research, 1960-2016\n      Professional Activities, 1963-2017\n      Teaching Materials, 1971-2013\n      Personal Papers, 1967-2016\n      Printed Ephemera and Photographs, 1961-2013","A professor of English at James Madison University, Joanne Gabbin earned her B.A. from Morgan State College in Baltimore, Maryland in 1967, and received her M.A. and Ph.D. from the University of Chicago in 1970 and 1980, respectively. 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After a second successful conference a decade later, JMU chartered the Furious Flower Poetry Center in 2005, the nation's first academic center devoted to Black poetry.","The author/editor of numerous books and founder of the Wintergreen Women Writers' Collective, Gabbin's contributions to the academic field of African American poetry have been acknowledged with awards and honors from such organizations as the HistoryMakers Archives, the National Museum of African American History and Culture, the College Language Association and the International Literary Hall of Fame for Writers of African Descent, among many others. Her publications include Sterling A. Brown: Building the Black Aesthetic Tradition (1985), which was reissued in 1994 by the University Press of Virginia and the children's book I Bet She Called Me Sugar Plum (2004). She also edited The Furious Flowering of African American Poetry (1999), Furious Flower: African American Poetry from the Black Arts Movement to the Present (2004), Furious Flower: Seeding the Future of African American Poetry (2020), Shaping Memories: Reflections of African American Women Writers (2009), and Mourning Katrina: A Poetic Response to Tragedy (2009).","Collection was donated in clearly labeled folders housed in multiple cubic boxes. In Feburary 2017, Cardinal House experienced a flood as a result of plumbing issues. Materials in this collection were affected and may exhibit water damage. Processors used labels as direction for series arrangement, and focused on discards of duplicates and assessing water-damage materials. Afterwards, materials were moved to hollingers and additional accruals were integrated into the existing arrangement.","Duplicate newspapers, newsletters, brochures, articles, etc. were discarded. 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These broadsides are held by Special Collections.","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Joanne V. 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She also edited The Furious Flowering of African American Poetry (1999), Furious Flower: African American Poetry from the Black Arts Movement to the Present (2004), Furious Flower: Seeding the Future of African American Poetry (2020), Shaping Memories: Reflections of African American Women Writers (2009), and Mourning Katrina: A Poetic Response to Tragedy (2009)."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Joanne V. Gabbin Papers, 1930-2017 [bulk 1960-2017], undated, SC 0296, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], Joanne V. Gabbin Papers, 1930-2017 [bulk 1960-2017], undated, SC 0296, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eCollection was donated in clearly labeled folders housed in multiple cubic boxes. 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These broadsides are held by Special Collections.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Three poetry broadsides printed in 2017 at the Virginia Arts of the Book Center for the Virginia Festival of the Book - Heavenly Madrigal, Seasons Change Before We're Ready, and Zombie Blues Villanelle - were removed from the collection and cataloged individually. These broadsides are held by Special Collections."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f08c87141a4134568799bd39ab722aea\"\u003eThe Joanne V. Gabbin Papers, 1930-2017 [bulk 1960-2017], contain the professional, academic, and personal papers of Joanne V. Gabbin, professor of English at James Madison University and director of the Furious Flower Poetry Center.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Joanne V. Gabbin Papers, 1930-2017 [bulk 1960-2017], contain the professional, academic, and personal papers of Joanne V. 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