{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026page=3","prev":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026page=2","next":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026page=4","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026page=9"},"meta":{"pages":{"current_page":3,"next_page":4,"prev_page":2,"total_pages":9,"limit_value":10,"offset_value":20,"total_count":86,"first_page?":false,"last_page?":false}},"data":[{"id":"vihart_repositories_4_resources_288","type":"collection","attributes":{"title":"Ernest M. Dickerman papers","creator":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_288#creator","type":"document_value","attributes":{"value":"Dickerman, Ernest M. (Ernest Miller), 1910-1998","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_288#abstract_or_scope","type":"document_value","attributes":{"value":"The Ernest M. Dickerman Papers, 1904-2005, contain a wide variety of materials that document Dickerman's efforts to obtain Congressional designations of wilderness for various tracts of public land, primarily in Virginia. The collection also contains papers of the Virginia Wilderness Committee (VWC), a grass roots conservation group that Dickerman led. Correspondence from his time at Oberlin College and while serving in the Army is included.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_288#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_288","ead_ssi":"vihart_repositories_4_resources_288","_root_":"vihart_repositories_4_resources_288","_nest_parent_":"vihart_repositories_4_resources_288","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_288.xml","title_ssm":["Ernest M. Dickerman papers"],"title_tesim":["Ernest M. Dickerman papers"],"unitdate_ssm":["1904-2005"],"unitdate_inclusive_ssm":["1904-2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0143"],"text":["SC 0143","Ernest M. Dickerman papers","Saint Mary's Wilderness (Va.)","James River Face Wilderness Area (Va.)","Ramsey's Draft Wilderness (Va.)","Mountain Lake Wilderness Area (Va.)","Peters Mountain Wilderness Area (Va.)","Rich Hole Roadless Area (Va.)","George Washington National Forest (Va. and W. Va.)","Jefferson National Forest","Wilderness areas -- Virginia -- Management","Wilderness areas -- Law and legislation","Environmental protection -- Shenandoah River Valley (Va. and W. Va.) -- Citizen participation","National parks and reserves -- United States -- Southern Region","National parks and reserves -- United States -- Virginia","Forest reserves -- Multiple use","Forest reserves -- Recreational use","Forest management","Wildlife management","Wildlife refuges -- United States -- Southern Region","Forest policy -- United States -- History","Forests and forestry -- History","Lobbying -- Law and legislation","Lobbyists -- United States","Wildlife conservationists -- Virginia","Maps (documents)","Letters (correspondence)","Proposals","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The front and back covers of the Dickerman wedding book are suffering from red rot. Overall, the book is particularly fragile and should be handled accordingly.","The collection is arranged in five series:","Places and Policies, 1962-2001 Correspondence and Personal Files, 1904-1999 Virginia Wilderness Committee (VWC), 1969-2005 Maps, 1936-1991","\"Grandad of the Eastern Wilderness,\"  Sierra Magazine , Nov/Dec, 1986.","Bolgiano, Chris.  The Appalachian Forest, A Search for Roots and Renewal . Mechanicsburg, PA: Stackpole Books, 1998. ","Murray, Elizabeth, ed.  Ernie Dickerman, 1910-1998: A Tribute . The Wilderness Society, 1999.","Ernest M. Dickerman was born December 22, 1910 to Judson Charles Dickerman (1873-1967) and Adela Miller Dickerman (1874-1920) in Austin, Illinois. His family moved to the Adirondacks in New York when Dickerman was three years old. When he was about six years old, the family moved to Richmond, Virginia where his mother died of tuberculosis when Dickerman was nine. Sometime later, the family moved to Roanoke. Dickerman attended Gettysburg Academy and Oberlin College (class of 1931). In 1934 he began working for the newly created Tennessee Valley Authority (TVA) in Knoxville, Tennessee. Immediately, he fell in love with the Great Smoky Mountains, met conservationist Harvey Broome, and became deeply involved in the battles to preserve the Great Smoky Mountains National Park from development. He was a 1936 charter member of The Wilderness Society and knew many of the greatest conservationists of the day, including Bob Marshall, Sigurd Olson, Olaus Murie, and Howard Zahniser.","After a few years at TVA, Dickerman took a job with a plastics molding firm (apparently called the Patent Button Co. of Tennessee), also in Knoxville. He retired from a position as production manager in 1966, and in 1969 moved to the headquarters office of The Wilderness Society in Washington, D.C. as a staff organizer. He traveled frequently to teach citizens how to identify, map, and build support for wilderness areas throughout the East and Midwest. He also lobbied Congress on numerous wilderness bills, wrestled with federal land managing agencies (Forest Service, National Park Service, Fish \u0026 Wildlife Service), and was highly instrumental in passage of the 1975 Eastern Wilderness Bill. During the 1960s Dickerman also served as manager for the Robert Marshall Wilderness Fund, as evidenced by a notebook of typed minutes from the first thirteen years of the Fund (established by the will of Robert Marshall), 1940-1953, in which are inserted several 1968 letters to and from Dickerman.","When he retired from The Wilderness Society in 1976 and moved to his nephew's newly acquired mountain farm near Buffalo Gap in Swoope, Augusta County, Virginia, he was almost immediately elected president of the Virginia Wilderness Committee. At that time he inherited the organization's files prior to 1976. The Virginia Wilderness Committee (VWC) had been founded in Williamsburg at William \u0026 Mary College by a small group of private citizens in 1969 to promote the federal designation of wilderness in Virginia according to the 1964 Wilderness Act. The VWC also became involved in various other issues relevant to preservation of the natural landscape. VWC volunteers donate issues of the newsletter and occasional other VWC documents to keep these current in Dickerman's papers.","Although he held an official position in the VWC only until 1979, Dickerman was the guiding spirit in the movement for Virginia wilderness both before and long after those dates. He was widely renowned for his combination of optimism and canny strategizing, his politeness in dealing with adversaries, his sense of humor, wit, and wordsmithery. He died on July 31, 1998. In 1999, friends and colleagues produced a book of tributes titled  Ernie Dickerman, 1910-1998: A Tribute .","In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017.  This collection was previously cataloged as SC 3085.  The collection was minimally reprocessed in early 2018, at which time the finding aid to the Wilderness Society Papers at the Denver Public Library was removed and added to the collection control file. Accessions from 2018 and 2019, comprising primarily correspondence, were added to the collection in June 2022 at which time the finding aid was updated accordingly. Brittle newspapers and clippings with limited research value were discarded.","Wilderness Society Records, CoONS130, Conservation Collection, The Denver Pubilc Library.","Ernie Dickerman, interviewed by Dominic Pisciotta, 1994, Sd-Arch 6-3, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","The Ernest M. Dickerman Papers, 1904-2005, contain a wide variety of materials that document Dickerman's efforts to obtain Congressional designations of wilderness for various tracts of public land, primarily in Virginia. The collection also contains papers of the Virginia Wilderness Committee (VWC), a grass roots conservation group that Dickerman led. These papers include correspondence, maps, field notes, reports, news clippings, wilderness proposals, minutes, financial statements, newsletters and other materials, 1940 - current, with most materials dating 1962-1999. The collection documents Dickerman's activities as a leader of the movement to designate wilderness areas on public lands in the eastern United States under the Wilderness Act of 1964 and the Eastern Wilderness Act of 1975. Operating papers of the Virginia Wilderness Committee, a grass roots conservation group of which Dickerman served as president for several years, are also included.","Papers from Dickerman's early life include correspondence from his time at Oberlin College and while serving in the Army. Select correspondence and papers from immediate Dickerman family members are also included.","Series 1: Places and Policies, 1962-2001, contains maps, reports, conference agendas, environmental assessments, congressional testimony, and some correspondence dealing with specific places, topical issues, and policies of public land agencies. The Laurel Fork, Virginia folders hold the largest body of materials; Laurel Fork was Dickerman's favorite place in Virginia, and he worked intensively (and successfully) against a proposed gas line through it.","Series 2: Correspopndence and Personal Files, 1904-1999, includes carbon copies of Dickerman's outgoing letters, original incoming letters, notebooks, texts for speeches, data sheets he composed about various issues, and other items. Select correspondence and V-mail was written by Dickerman to his father while Dickerman was serving in the U.S. Army in the United States, England, and France, etc. during World War II. Correspondence also dates to Dickerman's days as a student at Oberlin College as well as his post-War years. He frequently mentions the books he's reading and searching for employment after graduation. Letters exchanged between other Dickerman family memebrs are also included.","One folder contains personal Christmas messages, biographical articles, obituaries, and remembrances. Judson Dickerman and Adele Miller Dickerman's wedding book includes photographs, lists of wedding invitees, and gifts received. A folder of family photographs also includes photos of Charles M. Schwab and his wife Eurana Dinkey Schwab. Their connection to the Dickermans is unclear.","Series 3: Virginia Wilderness Committee, 1969-2005, includes operational documents including minutes, financial reports, newsletters, Virginia Wilderness coalition notes, the 1984 Virginia Wilderness Bill, and wilderness proposals.","Series 4: Maps, 1936-1991, contains 25 maps described at an item level in the container list.","With lines probably indicating proposed wilderness.","Overlay with proposed wilderness boundaries.","With attached information.","With attached information.","With attached information.","With attached information.","A duplicate copy of Elizabeth Murray's, ed.  Ernie Dickerman, 1910-1998: A Tribute  (The Wilderness Society, 1999) was removed from the collection and added to the Special Collections rare book holdings. A copy is also retained in the collection.","The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Ernest M. Dickerman Papers, 1904-2005, contain a wide variety of materials that document Dickerman's efforts to obtain Congressional designations of wilderness for various tracts of public land, primarily in Virginia. The collection also contains papers of the Virginia Wilderness Committee (VWC), a grass roots conservation group that Dickerman led. Correspondence from his time at Oberlin College and while serving in the Army is included.","James Madison University Libraries Special Collections","Wilderness Society (U.S.)","United States (Title of work: Wilderness Act.)","United States. Forest Service -- History","Virginia Wilderness Committee","United States (Title of work: Wilderness Act of 1984.)","United States (Title of work: Wilderness Act of 1988.)","United States (Title of work: Eastern Wilderness Areas Act of 1975.)","Sierra Club. Virginia Chapter","Dickerman, Ernest M. (Ernest Miller), 1910-1998","Dickerman, C. Robert (Charles Robert), 1936-2018","Dickerman, Eleanor F.","Cameron, Lynn","Dickerman, Ernest M. (Ernest Miller), 1910-1998 -- Correspondence","Schwab, Charles M., 1862-1939","Schwab, Emma Eurana Dinkey, 1883-1939","English \n.    "],"unitid_tesim":["SC 0143"],"normalized_title_ssm":["Ernest M. Dickerman papers"],"collection_title_tesim":["Ernest M. Dickerman papers"],"collection_ssim":["Ernest M. Dickerman papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Saint Mary's Wilderness (Va.)","James River Face Wilderness Area (Va.)","Ramsey's Draft Wilderness (Va.)","Mountain Lake Wilderness Area (Va.)","Peters Mountain Wilderness Area (Va.)","Rich Hole Roadless Area (Va.)","George Washington National Forest (Va. and W. Va.)","Jefferson National Forest"],"geogname_ssim":["Saint Mary's Wilderness (Va.)","James River Face Wilderness Area (Va.)","Ramsey's Draft Wilderness (Va.)","Mountain Lake Wilderness Area (Va.)","Peters Mountain Wilderness Area (Va.)","Rich Hole Roadless Area (Va.)","George Washington National Forest (Va. and W. Va.)","Jefferson National Forest"],"creator_ssm":["Dickerman, Ernest M. (Ernest Miller), 1910-1998","Dickerman, C. Robert (Charles Robert), 1936-2018","Dickerman, Eleanor F.","Cameron, Lynn","Dickerman, Ernest M. (Ernest Miller), 1910-1998"],"creator_ssim":["Dickerman, Ernest M. (Ernest Miller), 1910-1998","Dickerman, C. Robert (Charles Robert), 1936-2018","Dickerman, Eleanor F.","Cameron, Lynn","Dickerman, Ernest M. (Ernest Miller), 1910-1998"],"creator_persname_ssim":["Dickerman, Ernest M. (Ernest Miller), 1910-1998","Dickerman, C. Robert (Charles Robert), 1936-2018","Dickerman, Eleanor F.","Cameron, Lynn","Dickerman, Ernest M. (Ernest Miller), 1910-1998"],"creators_ssim":["Dickerman, Ernest M. (Ernest Miller), 1910-1998","Dickerman, C. Robert (Charles Robert), 1936-2018","Dickerman, Eleanor F.","Cameron, Lynn","Dickerman, Ernest M. (Ernest Miller), 1910-1998"],"places_ssim":["Saint Mary's Wilderness (Va.)","James River Face Wilderness Area (Va.)","Ramsey's Draft Wilderness (Va.)","Mountain Lake Wilderness Area (Va.)","Peters Mountain Wilderness Area (Va.)","Rich Hole Roadless Area (Va.)","George Washington National Forest (Va. and W. Va.)","Jefferson National Forest"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Donated by Ernest M. Dickerman in November 1994. After Dickerman's death in 1998, several additions of papers were donated by his nephew and executor, C. Robert \"Bob\" Dickerman. Eleanor Dickerman, Ernest's half-sister, also donated an addition in 2019."],"access_subjects_ssim":["Wilderness areas -- Virginia -- Management","Wilderness areas -- Law and legislation","Environmental protection -- Shenandoah River Valley (Va. and W. Va.) -- Citizen participation","National parks and reserves -- United States -- Southern Region","National parks and reserves -- United States -- Virginia","Forest reserves -- Multiple use","Forest reserves -- Recreational use","Forest management","Wildlife management","Wildlife refuges -- United States -- Southern Region","Forest policy -- United States -- History","Forests and forestry -- History","Lobbying -- Law and legislation","Lobbyists -- United States","Wildlife conservationists -- Virginia","Maps (documents)","Letters (correspondence)","Proposals"],"access_subjects_ssm":["Wilderness areas -- Virginia -- Management","Wilderness areas -- Law and legislation","Environmental protection -- Shenandoah River Valley (Va. and W. Va.) -- Citizen participation","National parks and reserves -- United States -- Southern Region","National parks and reserves -- United States -- Virginia","Forest reserves -- Multiple use","Forest reserves -- Recreational use","Forest management","Wildlife management","Wildlife refuges -- United States -- Southern Region","Forest policy -- United States -- History","Forests and forestry -- History","Lobbying -- Law and legislation","Lobbyists -- United States","Wildlife conservationists -- Virginia","Maps (documents)","Letters (correspondence)","Proposals"],"has_online_content_ssim":["false"],"extent_ssm":["5.41 cubic feet 6 boxes, 1 rolled storage container, 1 flat file"],"extent_tesim":["5.41 cubic feet 6 boxes, 1 rolled storage container, 1 flat file"],"genreform_ssim":["Maps (documents)","Letters (correspondence)","Proposals"],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e","\u003cp\u003eThe front and back covers of the Dickerman wedding book are suffering from red rot. Overall, the book is particularly fragile and should be handled accordingly.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The front and back covers of the Dickerman wedding book are suffering from red rot. Overall, the book is particularly fragile and should be handled accordingly."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in five series:\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003ePlaces and Policies, 1962-2001\u003c/item\u003e\n      \u003citem\u003eCorrespondence and Personal Files, 1904-1999\u003c/item\u003e\n      \u003citem\u003eVirginia Wilderness Committee (VWC), 1969-2005\u003c/item\u003e\n      \u003citem\u003eMaps, 1936-1991\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in five series:","Places and Policies, 1962-2001 Correspondence and Personal Files, 1904-1999 Virginia Wilderness Committee (VWC), 1969-2005 Maps, 1936-1991"],"bibliography_html_tesm":["\u003cbibref\u003e\"Grandad of the Eastern Wilderness,\" \u003cemph render=\"italic\"\u003eSierra Magazine\u003c/emph\u003e, Nov/Dec, 1986.\u003c/bibref\u003e","\u003cbibref\u003eBolgiano, Chris. \u003cemph render=\"italic\"\u003eThe Appalachian Forest, A Search for Roots and Renewal\u003c/emph\u003e. Mechanicsburg, PA: Stackpole Books, 1998. \u003c/bibref\u003e","\u003cbibref\u003eMurray, Elizabeth, ed. \u003cemph render=\"italic\"\u003eErnie Dickerman, 1910-1998: A Tribute\u003c/emph\u003e. The Wilderness Society, 1999.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Grandad of the Eastern Wilderness,\"  Sierra Magazine , Nov/Dec, 1986.","Bolgiano, Chris.  The Appalachian Forest, A Search for Roots and Renewal . Mechanicsburg, PA: Stackpole Books, 1998. ","Murray, Elizabeth, ed.  Ernie Dickerman, 1910-1998: A Tribute . The Wilderness Society, 1999."],"bioghist_html_tesm":["\u003cp\u003eErnest M. Dickerman was born December 22, 1910 to Judson Charles Dickerman (1873-1967) and Adela Miller Dickerman (1874-1920) in Austin, Illinois. His family moved to the Adirondacks in New York when Dickerman was three years old. When he was about six years old, the family moved to Richmond, Virginia where his mother died of tuberculosis when Dickerman was nine. Sometime later, the family moved to Roanoke. Dickerman attended Gettysburg Academy and Oberlin College (class of 1931). In 1934 he began working for the newly created Tennessee Valley Authority (TVA) in Knoxville, Tennessee. Immediately, he fell in love with the Great Smoky Mountains, met conservationist Harvey Broome, and became deeply involved in the battles to preserve the Great Smoky Mountains National Park from development. He was a 1936 charter member of The Wilderness Society and knew many of the greatest conservationists of the day, including Bob Marshall, Sigurd Olson, Olaus Murie, and Howard Zahniser.\u003c/p\u003e\n","\u003cp\u003eAfter a few years at TVA, Dickerman took a job with a plastics molding firm (apparently called the Patent Button Co. of Tennessee), also in Knoxville. He retired from a position as production manager in 1966, and in 1969 moved to the headquarters office of The Wilderness Society in Washington, D.C. as a staff organizer. He traveled frequently to teach citizens how to identify, map, and build support for wilderness areas throughout the East and Midwest. He also lobbied Congress on numerous wilderness bills, wrestled with federal land managing agencies (Forest Service, National Park Service, Fish \u0026amp; Wildlife Service), and was highly instrumental in passage of the 1975 Eastern Wilderness Bill. During the 1960s Dickerman also served as manager for the Robert Marshall Wilderness Fund, as evidenced by a notebook of typed minutes from the first thirteen years of the Fund (established by the will of Robert Marshall), 1940-1953, in which are inserted several 1968 letters to and from Dickerman.\u003c/p\u003e\n","\u003cp\u003eWhen he retired from The Wilderness Society in 1976 and moved to his nephew's newly acquired mountain farm near Buffalo Gap in Swoope, Augusta County, Virginia, he was almost immediately elected president of the Virginia Wilderness Committee. At that time he inherited the organization's files prior to 1976. The Virginia Wilderness Committee (VWC) had been founded in Williamsburg at William \u0026amp; Mary College by a small group of private citizens in 1969 to promote the federal designation of wilderness in Virginia according to the 1964 Wilderness Act. The VWC also became involved in various other issues relevant to preservation of the natural landscape. VWC volunteers donate issues of the newsletter and occasional other VWC documents to keep these current in Dickerman's papers.\u003c/p\u003e\n","\u003cp\u003eAlthough he held an official position in the VWC only until 1979, Dickerman was the guiding spirit in the movement for Virginia wilderness both before and long after those dates. He was widely renowned for his combination of optimism and canny strategizing, his politeness in dealing with adversaries, his sense of humor, wit, and wordsmithery. He died on July 31, 1998. In 1999, friends and colleagues produced a book of tributes titled \u003cemph render=\"italic\"\u003eErnie Dickerman, 1910-1998: A Tribute\u003c/emph\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Ernest M. Dickerman was born December 22, 1910 to Judson Charles Dickerman (1873-1967) and Adela Miller Dickerman (1874-1920) in Austin, Illinois. His family moved to the Adirondacks in New York when Dickerman was three years old. When he was about six years old, the family moved to Richmond, Virginia where his mother died of tuberculosis when Dickerman was nine. Sometime later, the family moved to Roanoke. Dickerman attended Gettysburg Academy and Oberlin College (class of 1931). In 1934 he began working for the newly created Tennessee Valley Authority (TVA) in Knoxville, Tennessee. Immediately, he fell in love with the Great Smoky Mountains, met conservationist Harvey Broome, and became deeply involved in the battles to preserve the Great Smoky Mountains National Park from development. He was a 1936 charter member of The Wilderness Society and knew many of the greatest conservationists of the day, including Bob Marshall, Sigurd Olson, Olaus Murie, and Howard Zahniser.","After a few years at TVA, Dickerman took a job with a plastics molding firm (apparently called the Patent Button Co. of Tennessee), also in Knoxville. He retired from a position as production manager in 1966, and in 1969 moved to the headquarters office of The Wilderness Society in Washington, D.C. as a staff organizer. He traveled frequently to teach citizens how to identify, map, and build support for wilderness areas throughout the East and Midwest. He also lobbied Congress on numerous wilderness bills, wrestled with federal land managing agencies (Forest Service, National Park Service, Fish \u0026 Wildlife Service), and was highly instrumental in passage of the 1975 Eastern Wilderness Bill. During the 1960s Dickerman also served as manager for the Robert Marshall Wilderness Fund, as evidenced by a notebook of typed minutes from the first thirteen years of the Fund (established by the will of Robert Marshall), 1940-1953, in which are inserted several 1968 letters to and from Dickerman.","When he retired from The Wilderness Society in 1976 and moved to his nephew's newly acquired mountain farm near Buffalo Gap in Swoope, Augusta County, Virginia, he was almost immediately elected president of the Virginia Wilderness Committee. At that time he inherited the organization's files prior to 1976. The Virginia Wilderness Committee (VWC) had been founded in Williamsburg at William \u0026 Mary College by a small group of private citizens in 1969 to promote the federal designation of wilderness in Virginia according to the 1964 Wilderness Act. The VWC also became involved in various other issues relevant to preservation of the natural landscape. VWC volunteers donate issues of the newsletter and occasional other VWC documents to keep these current in Dickerman's papers.","Although he held an official position in the VWC only until 1979, Dickerman was the guiding spirit in the movement for Virginia wilderness both before and long after those dates. He was widely renowned for his combination of optimism and canny strategizing, his politeness in dealing with adversaries, his sense of humor, wit, and wordsmithery. He died on July 31, 1998. In 1999, friends and colleagues produced a book of tributes titled  Ernie Dickerman, 1910-1998: A Tribute ."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box # folder #], Ernest M. Dickerman Papers, 1904-2005, SC 0143, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box # folder #], Ernest M. Dickerman Papers, 1904-2005, SC 0143, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va."],"processinfo_html_tesm":["\u003cp\u003eIn order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017. \u003cemph render=\"bold\"\u003eThis collection was previously cataloged as SC 3085.\u003c/emph\u003e The collection was minimally reprocessed in early 2018, at which time the finding aid to the Wilderness Society Papers at the Denver Public Library was removed and added to the collection control file. Accessions from 2018 and 2019, comprising primarily correspondence, were added to the collection in June 2022 at which time the finding aid was updated accordingly. Brittle newspapers and clippings with limited research value were discarded.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017.  This collection was previously cataloged as SC 3085.  The collection was minimally reprocessed in early 2018, at which time the finding aid to the Wilderness Society Papers at the Denver Public Library was removed and added to the collection control file. Accessions from 2018 and 2019, comprising primarily correspondence, were added to the collection in June 2022 at which time the finding aid was updated accordingly. Brittle newspapers and clippings with limited research value were discarded."],"relatedmaterial_html_tesm":["\u003cp\u003eWilderness Society Records, CoONS130, Conservation Collection, The Denver Pubilc Library.\u003c/p\u003e\n","\u003cp\u003eErnie Dickerman, interviewed by Dominic Pisciotta, 1994, Sd-Arch 6-3, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Wilderness Society Records, CoONS130, Conservation Collection, The Denver Pubilc Library.","Ernie Dickerman, interviewed by Dominic Pisciotta, 1994, Sd-Arch 6-3, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Ernest M. Dickerman Papers, 1904-2005, contain a wide variety of materials that document Dickerman's efforts to obtain Congressional designations of wilderness for various tracts of public land, primarily in Virginia. The collection also contains papers of the Virginia Wilderness Committee (VWC), a grass roots conservation group that Dickerman led. These papers include correspondence, maps, field notes, reports, news clippings, wilderness proposals, minutes, financial statements, newsletters and other materials, 1940 - current, with most materials dating 1962-1999. The collection documents Dickerman's activities as a leader of the movement to designate wilderness areas on public lands in the eastern United States under the Wilderness Act of 1964 and the Eastern Wilderness Act of 1975. Operating papers of the Virginia Wilderness Committee, a grass roots conservation group of which Dickerman served as president for several years, are also included.\u003c/p\u003e\n","\u003cp\u003ePapers from Dickerman's early life include correspondence from his time at Oberlin College and while serving in the Army. Select correspondence and papers from immediate Dickerman family members are also included.\u003c/p\u003e","\u003cp\u003eSeries 1: Places and Policies, 1962-2001, contains maps, reports, conference agendas, environmental assessments, congressional testimony, and some correspondence dealing with specific places, topical issues, and policies of public land agencies. The Laurel Fork, Virginia folders hold the largest body of materials; Laurel Fork was Dickerman's favorite place in Virginia, and he worked intensively (and successfully) against a proposed gas line through it.\u003c/p\u003e","\u003cp\u003eSeries 2: Correspopndence and Personal Files, 1904-1999, includes carbon copies of Dickerman's outgoing letters, original incoming letters, notebooks, texts for speeches, data sheets he composed about various issues, and other items. Select correspondence and V-mail was written by Dickerman to his father while Dickerman was serving in the U.S. Army in the United States, England, and France, etc. during World War II. Correspondence also dates to Dickerman's days as a student at Oberlin College as well as his post-War years. He frequently mentions the books he's reading and searching for employment after graduation. Letters exchanged between other Dickerman family memebrs are also included.\u003c/p\u003e\n","\u003cp\u003eOne folder contains personal Christmas messages, biographical articles, obituaries, and remembrances. Judson Dickerman and Adele Miller Dickerman's wedding book includes photographs, lists of wedding invitees, and gifts received. A folder of family photographs also includes photos of Charles M. Schwab and his wife Eurana Dinkey Schwab. Their connection to the Dickermans is unclear.\u003c/p\u003e","\u003cp\u003eSeries 3: Virginia Wilderness Committee, 1969-2005, includes operational documents including minutes, financial reports, newsletters, Virginia Wilderness coalition notes, the 1984 Virginia Wilderness Bill, and wilderness proposals.\u003c/p\u003e","\u003cp\u003eSeries 4: Maps, 1936-1991, contains 25 maps described at an item level in the container list.\u003c/p\u003e","\u003cp\u003eWith lines probably indicating proposed wilderness.\u003c/p\u003e","\u003cp\u003eOverlay with proposed wilderness boundaries.\u003c/p\u003e","\u003cp\u003eWith attached information.\u003c/p\u003e","\u003cp\u003eWith attached information.\u003c/p\u003e","\u003cp\u003eWith attached information.\u003c/p\u003e","\u003cp\u003eWith attached information.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Ernest M. Dickerman Papers, 1904-2005, contain a wide variety of materials that document Dickerman's efforts to obtain Congressional designations of wilderness for various tracts of public land, primarily in Virginia. The collection also contains papers of the Virginia Wilderness Committee (VWC), a grass roots conservation group that Dickerman led. These papers include correspondence, maps, field notes, reports, news clippings, wilderness proposals, minutes, financial statements, newsletters and other materials, 1940 - current, with most materials dating 1962-1999. The collection documents Dickerman's activities as a leader of the movement to designate wilderness areas on public lands in the eastern United States under the Wilderness Act of 1964 and the Eastern Wilderness Act of 1975. Operating papers of the Virginia Wilderness Committee, a grass roots conservation group of which Dickerman served as president for several years, are also included.","Papers from Dickerman's early life include correspondence from his time at Oberlin College and while serving in the Army. Select correspondence and papers from immediate Dickerman family members are also included.","Series 1: Places and Policies, 1962-2001, contains maps, reports, conference agendas, environmental assessments, congressional testimony, and some correspondence dealing with specific places, topical issues, and policies of public land agencies. The Laurel Fork, Virginia folders hold the largest body of materials; Laurel Fork was Dickerman's favorite place in Virginia, and he worked intensively (and successfully) against a proposed gas line through it.","Series 2: Correspopndence and Personal Files, 1904-1999, includes carbon copies of Dickerman's outgoing letters, original incoming letters, notebooks, texts for speeches, data sheets he composed about various issues, and other items. Select correspondence and V-mail was written by Dickerman to his father while Dickerman was serving in the U.S. Army in the United States, England, and France, etc. during World War II. Correspondence also dates to Dickerman's days as a student at Oberlin College as well as his post-War years. He frequently mentions the books he's reading and searching for employment after graduation. Letters exchanged between other Dickerman family memebrs are also included.","One folder contains personal Christmas messages, biographical articles, obituaries, and remembrances. Judson Dickerman and Adele Miller Dickerman's wedding book includes photographs, lists of wedding invitees, and gifts received. A folder of family photographs also includes photos of Charles M. Schwab and his wife Eurana Dinkey Schwab. Their connection to the Dickermans is unclear.","Series 3: Virginia Wilderness Committee, 1969-2005, includes operational documents including minutes, financial reports, newsletters, Virginia Wilderness coalition notes, the 1984 Virginia Wilderness Bill, and wilderness proposals.","Series 4: Maps, 1936-1991, contains 25 maps described at an item level in the container list.","With lines probably indicating proposed wilderness.","Overlay with proposed wilderness boundaries.","With attached information.","With attached information.","With attached information.","With attached information."],"separatedmaterial_html_tesm":["\u003cp\u003eA duplicate copy of Elizabeth Murray's, ed. \u003cemph render=\"italic\"\u003eErnie Dickerman, 1910-1998: A Tribute\u003c/emph\u003e (The Wilderness Society, 1999) was removed from the collection and added to the Special Collections rare book holdings. A copy is also retained in the collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["A duplicate copy of Elizabeth Murray's, ed.  Ernie Dickerman, 1910-1998: A Tribute  (The Wilderness Society, 1999) was removed from the collection and added to the Special Collections rare book holdings. A copy is also retained in the collection."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5b4566c87e7ff232a8bea389aa888ac7\"\u003eThe Ernest M. Dickerman Papers, 1904-2005, contain a wide variety of materials that document Dickerman's efforts to obtain Congressional designations of wilderness for various tracts of public land, primarily in Virginia. The collection also contains papers of the Virginia Wilderness Committee (VWC), a grass roots conservation group that Dickerman led. Correspondence from his time at Oberlin College and while serving in the Army is included.\u003c/abstract\u003e"],"abstract_tesim":["The Ernest M. Dickerman Papers, 1904-2005, contain a wide variety of materials that document Dickerman's efforts to obtain Congressional designations of wilderness for various tracts of public land, primarily in Virginia. The collection also contains papers of the Virginia Wilderness Committee (VWC), a grass roots conservation group that Dickerman led. Correspondence from his time at Oberlin College and while serving in the Army is included."],"names_coll_ssim":["Wilderness Society (U.S.)","United States (Title of work: Wilderness Act.)","United States. Forest Service -- History","Virginia Wilderness Committee","United States (Title of work: Wilderness Act of 1984.)","United States (Title of work: Wilderness Act of 1988.)","United States (Title of work: Eastern Wilderness Areas Act of 1975.)","Sierra Club. Virginia Chapter","Dickerman, Ernest M. (Ernest Miller), 1910-1998","Dickerman, C. Robert (Charles Robert), 1936-2018","Dickerman, Eleanor F.","Cameron, Lynn","Dickerman, Ernest M. (Ernest Miller), 1910-1998","Dickerman, Ernest M. (Ernest Miller), 1910-1998 -- Correspondence"],"names_ssim":["James Madison University Libraries Special Collections","Wilderness Society (U.S.)","United States (Title of work: Wilderness Act.)","United States. Forest Service -- History","Virginia Wilderness Committee","United States (Title of work: Wilderness Act of 1984.)","United States (Title of work: Wilderness Act of 1988.)","United States (Title of work: Eastern Wilderness Areas Act of 1975.)","Sierra Club. Virginia Chapter","Dickerman, Ernest M. (Ernest Miller), 1910-1998","Dickerman, C. Robert (Charles Robert), 1936-2018","Dickerman, Eleanor F.","Cameron, Lynn","Dickerman, Ernest M. (Ernest Miller), 1910-1998 -- Correspondence","Schwab, Charles M., 1862-1939","Schwab, Emma Eurana Dinkey, 1883-1939"],"corpname_ssim":["James Madison University Libraries Special Collections","Wilderness Society (U.S.)","United States (Title of work: Wilderness Act.)","United States. Forest Service -- History","Virginia Wilderness Committee","United States (Title of work: Wilderness Act of 1984.)","United States (Title of work: Wilderness Act of 1988.)","United States (Title of work: Eastern Wilderness Areas Act of 1975.)","Sierra Club. Virginia Chapter"],"persname_ssim":["Dickerman, Ernest M. (Ernest Miller), 1910-1998","Dickerman, C. Robert (Charles Robert), 1936-2018","Dickerman, Eleanor F.","Cameron, Lynn","Dickerman, Ernest M. (Ernest Miller), 1910-1998 -- Correspondence","Schwab, Charles M., 1862-1939","Schwab, Emma Eurana Dinkey, 1883-1939"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":127,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:22:51.369Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_288","ead_ssi":"vihart_repositories_4_resources_288","_root_":"vihart_repositories_4_resources_288","_nest_parent_":"vihart_repositories_4_resources_288","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_288.xml","title_ssm":["Ernest M. Dickerman papers"],"title_tesim":["Ernest M. Dickerman papers"],"unitdate_ssm":["1904-2005"],"unitdate_inclusive_ssm":["1904-2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0143"],"text":["SC 0143","Ernest M. Dickerman papers","Saint Mary's Wilderness (Va.)","James River Face Wilderness Area (Va.)","Ramsey's Draft Wilderness (Va.)","Mountain Lake Wilderness Area (Va.)","Peters Mountain Wilderness Area (Va.)","Rich Hole Roadless Area (Va.)","George Washington National Forest (Va. and W. Va.)","Jefferson National Forest","Wilderness areas -- Virginia -- Management","Wilderness areas -- Law and legislation","Environmental protection -- Shenandoah River Valley (Va. and W. Va.) -- Citizen participation","National parks and reserves -- United States -- Southern Region","National parks and reserves -- United States -- Virginia","Forest reserves -- Multiple use","Forest reserves -- Recreational use","Forest management","Wildlife management","Wildlife refuges -- United States -- Southern Region","Forest policy -- United States -- History","Forests and forestry -- History","Lobbying -- Law and legislation","Lobbyists -- United States","Wildlife conservationists -- Virginia","Maps (documents)","Letters (correspondence)","Proposals","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The front and back covers of the Dickerman wedding book are suffering from red rot. Overall, the book is particularly fragile and should be handled accordingly.","The collection is arranged in five series:","Places and Policies, 1962-2001 Correspondence and Personal Files, 1904-1999 Virginia Wilderness Committee (VWC), 1969-2005 Maps, 1936-1991","\"Grandad of the Eastern Wilderness,\"  Sierra Magazine , Nov/Dec, 1986.","Bolgiano, Chris.  The Appalachian Forest, A Search for Roots and Renewal . Mechanicsburg, PA: Stackpole Books, 1998. ","Murray, Elizabeth, ed.  Ernie Dickerman, 1910-1998: A Tribute . The Wilderness Society, 1999.","Ernest M. Dickerman was born December 22, 1910 to Judson Charles Dickerman (1873-1967) and Adela Miller Dickerman (1874-1920) in Austin, Illinois. His family moved to the Adirondacks in New York when Dickerman was three years old. When he was about six years old, the family moved to Richmond, Virginia where his mother died of tuberculosis when Dickerman was nine. Sometime later, the family moved to Roanoke. Dickerman attended Gettysburg Academy and Oberlin College (class of 1931). In 1934 he began working for the newly created Tennessee Valley Authority (TVA) in Knoxville, Tennessee. Immediately, he fell in love with the Great Smoky Mountains, met conservationist Harvey Broome, and became deeply involved in the battles to preserve the Great Smoky Mountains National Park from development. He was a 1936 charter member of The Wilderness Society and knew many of the greatest conservationists of the day, including Bob Marshall, Sigurd Olson, Olaus Murie, and Howard Zahniser.","After a few years at TVA, Dickerman took a job with a plastics molding firm (apparently called the Patent Button Co. of Tennessee), also in Knoxville. He retired from a position as production manager in 1966, and in 1969 moved to the headquarters office of The Wilderness Society in Washington, D.C. as a staff organizer. He traveled frequently to teach citizens how to identify, map, and build support for wilderness areas throughout the East and Midwest. He also lobbied Congress on numerous wilderness bills, wrestled with federal land managing agencies (Forest Service, National Park Service, Fish \u0026 Wildlife Service), and was highly instrumental in passage of the 1975 Eastern Wilderness Bill. During the 1960s Dickerman also served as manager for the Robert Marshall Wilderness Fund, as evidenced by a notebook of typed minutes from the first thirteen years of the Fund (established by the will of Robert Marshall), 1940-1953, in which are inserted several 1968 letters to and from Dickerman.","When he retired from The Wilderness Society in 1976 and moved to his nephew's newly acquired mountain farm near Buffalo Gap in Swoope, Augusta County, Virginia, he was almost immediately elected president of the Virginia Wilderness Committee. At that time he inherited the organization's files prior to 1976. The Virginia Wilderness Committee (VWC) had been founded in Williamsburg at William \u0026 Mary College by a small group of private citizens in 1969 to promote the federal designation of wilderness in Virginia according to the 1964 Wilderness Act. The VWC also became involved in various other issues relevant to preservation of the natural landscape. VWC volunteers donate issues of the newsletter and occasional other VWC documents to keep these current in Dickerman's papers.","Although he held an official position in the VWC only until 1979, Dickerman was the guiding spirit in the movement for Virginia wilderness both before and long after those dates. He was widely renowned for his combination of optimism and canny strategizing, his politeness in dealing with adversaries, his sense of humor, wit, and wordsmithery. He died on July 31, 1998. In 1999, friends and colleagues produced a book of tributes titled  Ernie Dickerman, 1910-1998: A Tribute .","In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017.  This collection was previously cataloged as SC 3085.  The collection was minimally reprocessed in early 2018, at which time the finding aid to the Wilderness Society Papers at the Denver Public Library was removed and added to the collection control file. Accessions from 2018 and 2019, comprising primarily correspondence, were added to the collection in June 2022 at which time the finding aid was updated accordingly. Brittle newspapers and clippings with limited research value were discarded.","Wilderness Society Records, CoONS130, Conservation Collection, The Denver Pubilc Library.","Ernie Dickerman, interviewed by Dominic Pisciotta, 1994, Sd-Arch 6-3, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","The Ernest M. Dickerman Papers, 1904-2005, contain a wide variety of materials that document Dickerman's efforts to obtain Congressional designations of wilderness for various tracts of public land, primarily in Virginia. The collection also contains papers of the Virginia Wilderness Committee (VWC), a grass roots conservation group that Dickerman led. These papers include correspondence, maps, field notes, reports, news clippings, wilderness proposals, minutes, financial statements, newsletters and other materials, 1940 - current, with most materials dating 1962-1999. The collection documents Dickerman's activities as a leader of the movement to designate wilderness areas on public lands in the eastern United States under the Wilderness Act of 1964 and the Eastern Wilderness Act of 1975. Operating papers of the Virginia Wilderness Committee, a grass roots conservation group of which Dickerman served as president for several years, are also included.","Papers from Dickerman's early life include correspondence from his time at Oberlin College and while serving in the Army. Select correspondence and papers from immediate Dickerman family members are also included.","Series 1: Places and Policies, 1962-2001, contains maps, reports, conference agendas, environmental assessments, congressional testimony, and some correspondence dealing with specific places, topical issues, and policies of public land agencies. The Laurel Fork, Virginia folders hold the largest body of materials; Laurel Fork was Dickerman's favorite place in Virginia, and he worked intensively (and successfully) against a proposed gas line through it.","Series 2: Correspopndence and Personal Files, 1904-1999, includes carbon copies of Dickerman's outgoing letters, original incoming letters, notebooks, texts for speeches, data sheets he composed about various issues, and other items. Select correspondence and V-mail was written by Dickerman to his father while Dickerman was serving in the U.S. Army in the United States, England, and France, etc. during World War II. Correspondence also dates to Dickerman's days as a student at Oberlin College as well as his post-War years. He frequently mentions the books he's reading and searching for employment after graduation. Letters exchanged between other Dickerman family memebrs are also included.","One folder contains personal Christmas messages, biographical articles, obituaries, and remembrances. Judson Dickerman and Adele Miller Dickerman's wedding book includes photographs, lists of wedding invitees, and gifts received. A folder of family photographs also includes photos of Charles M. Schwab and his wife Eurana Dinkey Schwab. Their connection to the Dickermans is unclear.","Series 3: Virginia Wilderness Committee, 1969-2005, includes operational documents including minutes, financial reports, newsletters, Virginia Wilderness coalition notes, the 1984 Virginia Wilderness Bill, and wilderness proposals.","Series 4: Maps, 1936-1991, contains 25 maps described at an item level in the container list.","With lines probably indicating proposed wilderness.","Overlay with proposed wilderness boundaries.","With attached information.","With attached information.","With attached information.","With attached information.","A duplicate copy of Elizabeth Murray's, ed.  Ernie Dickerman, 1910-1998: A Tribute  (The Wilderness Society, 1999) was removed from the collection and added to the Special Collections rare book holdings. A copy is also retained in the collection.","The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Ernest M. Dickerman Papers, 1904-2005, contain a wide variety of materials that document Dickerman's efforts to obtain Congressional designations of wilderness for various tracts of public land, primarily in Virginia. The collection also contains papers of the Virginia Wilderness Committee (VWC), a grass roots conservation group that Dickerman led. Correspondence from his time at Oberlin College and while serving in the Army is included.","James Madison University Libraries Special Collections","Wilderness Society (U.S.)","United States (Title of work: Wilderness Act.)","United States. Forest Service -- History","Virginia Wilderness Committee","United States (Title of work: Wilderness Act of 1984.)","United States (Title of work: Wilderness Act of 1988.)","United States (Title of work: Eastern Wilderness Areas Act of 1975.)","Sierra Club. Virginia Chapter","Dickerman, Ernest M. (Ernest Miller), 1910-1998","Dickerman, C. Robert (Charles Robert), 1936-2018","Dickerman, Eleanor F.","Cameron, Lynn","Dickerman, Ernest M. (Ernest Miller), 1910-1998 -- Correspondence","Schwab, Charles M., 1862-1939","Schwab, Emma Eurana Dinkey, 1883-1939","English \n.    "],"unitid_tesim":["SC 0143"],"normalized_title_ssm":["Ernest M. Dickerman papers"],"collection_title_tesim":["Ernest M. Dickerman papers"],"collection_ssim":["Ernest M. Dickerman papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Saint Mary's Wilderness (Va.)","James River Face Wilderness Area (Va.)","Ramsey's Draft Wilderness (Va.)","Mountain Lake Wilderness Area (Va.)","Peters Mountain Wilderness Area (Va.)","Rich Hole Roadless Area (Va.)","George Washington National Forest (Va. and W. Va.)","Jefferson National Forest"],"geogname_ssim":["Saint Mary's Wilderness (Va.)","James River Face Wilderness Area (Va.)","Ramsey's Draft Wilderness (Va.)","Mountain Lake Wilderness Area (Va.)","Peters Mountain Wilderness Area (Va.)","Rich Hole Roadless Area (Va.)","George Washington National Forest (Va. and W. Va.)","Jefferson National Forest"],"creator_ssm":["Dickerman, Ernest M. (Ernest Miller), 1910-1998","Dickerman, C. Robert (Charles Robert), 1936-2018","Dickerman, Eleanor F.","Cameron, Lynn","Dickerman, Ernest M. (Ernest Miller), 1910-1998"],"creator_ssim":["Dickerman, Ernest M. (Ernest Miller), 1910-1998","Dickerman, C. Robert (Charles Robert), 1936-2018","Dickerman, Eleanor F.","Cameron, Lynn","Dickerman, Ernest M. (Ernest Miller), 1910-1998"],"creator_persname_ssim":["Dickerman, Ernest M. (Ernest Miller), 1910-1998","Dickerman, C. Robert (Charles Robert), 1936-2018","Dickerman, Eleanor F.","Cameron, Lynn","Dickerman, Ernest M. (Ernest Miller), 1910-1998"],"creators_ssim":["Dickerman, Ernest M. (Ernest Miller), 1910-1998","Dickerman, C. Robert (Charles Robert), 1936-2018","Dickerman, Eleanor F.","Cameron, Lynn","Dickerman, Ernest M. (Ernest Miller), 1910-1998"],"places_ssim":["Saint Mary's Wilderness (Va.)","James River Face Wilderness Area (Va.)","Ramsey's Draft Wilderness (Va.)","Mountain Lake Wilderness Area (Va.)","Peters Mountain Wilderness Area (Va.)","Rich Hole Roadless Area (Va.)","George Washington National Forest (Va. and W. Va.)","Jefferson National Forest"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Donated by Ernest M. Dickerman in November 1994. After Dickerman's death in 1998, several additions of papers were donated by his nephew and executor, C. Robert \"Bob\" Dickerman. Eleanor Dickerman, Ernest's half-sister, also donated an addition in 2019."],"access_subjects_ssim":["Wilderness areas -- Virginia -- Management","Wilderness areas -- Law and legislation","Environmental protection -- Shenandoah River Valley (Va. and W. Va.) -- Citizen participation","National parks and reserves -- United States -- Southern Region","National parks and reserves -- United States -- Virginia","Forest reserves -- Multiple use","Forest reserves -- Recreational use","Forest management","Wildlife management","Wildlife refuges -- United States -- Southern Region","Forest policy -- United States -- History","Forests and forestry -- History","Lobbying -- Law and legislation","Lobbyists -- United States","Wildlife conservationists -- Virginia","Maps (documents)","Letters (correspondence)","Proposals"],"access_subjects_ssm":["Wilderness areas -- Virginia -- Management","Wilderness areas -- Law and legislation","Environmental protection -- Shenandoah River Valley (Va. and W. Va.) -- Citizen participation","National parks and reserves -- United States -- Southern Region","National parks and reserves -- United States -- Virginia","Forest reserves -- Multiple use","Forest reserves -- Recreational use","Forest management","Wildlife management","Wildlife refuges -- United States -- Southern Region","Forest policy -- United States -- History","Forests and forestry -- History","Lobbying -- Law and legislation","Lobbyists -- United States","Wildlife conservationists -- Virginia","Maps (documents)","Letters (correspondence)","Proposals"],"has_online_content_ssim":["false"],"extent_ssm":["5.41 cubic feet 6 boxes, 1 rolled storage container, 1 flat file"],"extent_tesim":["5.41 cubic feet 6 boxes, 1 rolled storage container, 1 flat file"],"genreform_ssim":["Maps (documents)","Letters (correspondence)","Proposals"],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e","\u003cp\u003eThe front and back covers of the Dickerman wedding book are suffering from red rot. Overall, the book is particularly fragile and should be handled accordingly.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The front and back covers of the Dickerman wedding book are suffering from red rot. Overall, the book is particularly fragile and should be handled accordingly."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in five series:\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003ePlaces and Policies, 1962-2001\u003c/item\u003e\n      \u003citem\u003eCorrespondence and Personal Files, 1904-1999\u003c/item\u003e\n      \u003citem\u003eVirginia Wilderness Committee (VWC), 1969-2005\u003c/item\u003e\n      \u003citem\u003eMaps, 1936-1991\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in five series:","Places and Policies, 1962-2001 Correspondence and Personal Files, 1904-1999 Virginia Wilderness Committee (VWC), 1969-2005 Maps, 1936-1991"],"bibliography_html_tesm":["\u003cbibref\u003e\"Grandad of the Eastern Wilderness,\" \u003cemph render=\"italic\"\u003eSierra Magazine\u003c/emph\u003e, Nov/Dec, 1986.\u003c/bibref\u003e","\u003cbibref\u003eBolgiano, Chris. \u003cemph render=\"italic\"\u003eThe Appalachian Forest, A Search for Roots and Renewal\u003c/emph\u003e. Mechanicsburg, PA: Stackpole Books, 1998. \u003c/bibref\u003e","\u003cbibref\u003eMurray, Elizabeth, ed. \u003cemph render=\"italic\"\u003eErnie Dickerman, 1910-1998: A Tribute\u003c/emph\u003e. The Wilderness Society, 1999.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Grandad of the Eastern Wilderness,\"  Sierra Magazine , Nov/Dec, 1986.","Bolgiano, Chris.  The Appalachian Forest, A Search for Roots and Renewal . Mechanicsburg, PA: Stackpole Books, 1998. ","Murray, Elizabeth, ed.  Ernie Dickerman, 1910-1998: A Tribute . The Wilderness Society, 1999."],"bioghist_html_tesm":["\u003cp\u003eErnest M. Dickerman was born December 22, 1910 to Judson Charles Dickerman (1873-1967) and Adela Miller Dickerman (1874-1920) in Austin, Illinois. His family moved to the Adirondacks in New York when Dickerman was three years old. When he was about six years old, the family moved to Richmond, Virginia where his mother died of tuberculosis when Dickerman was nine. Sometime later, the family moved to Roanoke. Dickerman attended Gettysburg Academy and Oberlin College (class of 1931). In 1934 he began working for the newly created Tennessee Valley Authority (TVA) in Knoxville, Tennessee. Immediately, he fell in love with the Great Smoky Mountains, met conservationist Harvey Broome, and became deeply involved in the battles to preserve the Great Smoky Mountains National Park from development. He was a 1936 charter member of The Wilderness Society and knew many of the greatest conservationists of the day, including Bob Marshall, Sigurd Olson, Olaus Murie, and Howard Zahniser.\u003c/p\u003e\n","\u003cp\u003eAfter a few years at TVA, Dickerman took a job with a plastics molding firm (apparently called the Patent Button Co. of Tennessee), also in Knoxville. He retired from a position as production manager in 1966, and in 1969 moved to the headquarters office of The Wilderness Society in Washington, D.C. as a staff organizer. He traveled frequently to teach citizens how to identify, map, and build support for wilderness areas throughout the East and Midwest. He also lobbied Congress on numerous wilderness bills, wrestled with federal land managing agencies (Forest Service, National Park Service, Fish \u0026amp; Wildlife Service), and was highly instrumental in passage of the 1975 Eastern Wilderness Bill. During the 1960s Dickerman also served as manager for the Robert Marshall Wilderness Fund, as evidenced by a notebook of typed minutes from the first thirteen years of the Fund (established by the will of Robert Marshall), 1940-1953, in which are inserted several 1968 letters to and from Dickerman.\u003c/p\u003e\n","\u003cp\u003eWhen he retired from The Wilderness Society in 1976 and moved to his nephew's newly acquired mountain farm near Buffalo Gap in Swoope, Augusta County, Virginia, he was almost immediately elected president of the Virginia Wilderness Committee. At that time he inherited the organization's files prior to 1976. The Virginia Wilderness Committee (VWC) had been founded in Williamsburg at William \u0026amp; Mary College by a small group of private citizens in 1969 to promote the federal designation of wilderness in Virginia according to the 1964 Wilderness Act. The VWC also became involved in various other issues relevant to preservation of the natural landscape. VWC volunteers donate issues of the newsletter and occasional other VWC documents to keep these current in Dickerman's papers.\u003c/p\u003e\n","\u003cp\u003eAlthough he held an official position in the VWC only until 1979, Dickerman was the guiding spirit in the movement for Virginia wilderness both before and long after those dates. He was widely renowned for his combination of optimism and canny strategizing, his politeness in dealing with adversaries, his sense of humor, wit, and wordsmithery. He died on July 31, 1998. In 1999, friends and colleagues produced a book of tributes titled \u003cemph render=\"italic\"\u003eErnie Dickerman, 1910-1998: A Tribute\u003c/emph\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Ernest M. Dickerman was born December 22, 1910 to Judson Charles Dickerman (1873-1967) and Adela Miller Dickerman (1874-1920) in Austin, Illinois. His family moved to the Adirondacks in New York when Dickerman was three years old. When he was about six years old, the family moved to Richmond, Virginia where his mother died of tuberculosis when Dickerman was nine. Sometime later, the family moved to Roanoke. Dickerman attended Gettysburg Academy and Oberlin College (class of 1931). In 1934 he began working for the newly created Tennessee Valley Authority (TVA) in Knoxville, Tennessee. Immediately, he fell in love with the Great Smoky Mountains, met conservationist Harvey Broome, and became deeply involved in the battles to preserve the Great Smoky Mountains National Park from development. He was a 1936 charter member of The Wilderness Society and knew many of the greatest conservationists of the day, including Bob Marshall, Sigurd Olson, Olaus Murie, and Howard Zahniser.","After a few years at TVA, Dickerman took a job with a plastics molding firm (apparently called the Patent Button Co. of Tennessee), also in Knoxville. He retired from a position as production manager in 1966, and in 1969 moved to the headquarters office of The Wilderness Society in Washington, D.C. as a staff organizer. He traveled frequently to teach citizens how to identify, map, and build support for wilderness areas throughout the East and Midwest. He also lobbied Congress on numerous wilderness bills, wrestled with federal land managing agencies (Forest Service, National Park Service, Fish \u0026 Wildlife Service), and was highly instrumental in passage of the 1975 Eastern Wilderness Bill. During the 1960s Dickerman also served as manager for the Robert Marshall Wilderness Fund, as evidenced by a notebook of typed minutes from the first thirteen years of the Fund (established by the will of Robert Marshall), 1940-1953, in which are inserted several 1968 letters to and from Dickerman.","When he retired from The Wilderness Society in 1976 and moved to his nephew's newly acquired mountain farm near Buffalo Gap in Swoope, Augusta County, Virginia, he was almost immediately elected president of the Virginia Wilderness Committee. At that time he inherited the organization's files prior to 1976. The Virginia Wilderness Committee (VWC) had been founded in Williamsburg at William \u0026 Mary College by a small group of private citizens in 1969 to promote the federal designation of wilderness in Virginia according to the 1964 Wilderness Act. The VWC also became involved in various other issues relevant to preservation of the natural landscape. VWC volunteers donate issues of the newsletter and occasional other VWC documents to keep these current in Dickerman's papers.","Although he held an official position in the VWC only until 1979, Dickerman was the guiding spirit in the movement for Virginia wilderness both before and long after those dates. He was widely renowned for his combination of optimism and canny strategizing, his politeness in dealing with adversaries, his sense of humor, wit, and wordsmithery. He died on July 31, 1998. In 1999, friends and colleagues produced a book of tributes titled  Ernie Dickerman, 1910-1998: A Tribute ."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box # folder #], Ernest M. Dickerman Papers, 1904-2005, SC 0143, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box # folder #], Ernest M. Dickerman Papers, 1904-2005, SC 0143, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va."],"processinfo_html_tesm":["\u003cp\u003eIn order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017. \u003cemph render=\"bold\"\u003eThis collection was previously cataloged as SC 3085.\u003c/emph\u003e The collection was minimally reprocessed in early 2018, at which time the finding aid to the Wilderness Society Papers at the Denver Public Library was removed and added to the collection control file. Accessions from 2018 and 2019, comprising primarily correspondence, were added to the collection in June 2022 at which time the finding aid was updated accordingly. Brittle newspapers and clippings with limited research value were discarded.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017.  This collection was previously cataloged as SC 3085.  The collection was minimally reprocessed in early 2018, at which time the finding aid to the Wilderness Society Papers at the Denver Public Library was removed and added to the collection control file. Accessions from 2018 and 2019, comprising primarily correspondence, were added to the collection in June 2022 at which time the finding aid was updated accordingly. Brittle newspapers and clippings with limited research value were discarded."],"relatedmaterial_html_tesm":["\u003cp\u003eWilderness Society Records, CoONS130, Conservation Collection, The Denver Pubilc Library.\u003c/p\u003e\n","\u003cp\u003eErnie Dickerman, interviewed by Dominic Pisciotta, 1994, Sd-Arch 6-3, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Wilderness Society Records, CoONS130, Conservation Collection, The Denver Pubilc Library.","Ernie Dickerman, interviewed by Dominic Pisciotta, 1994, Sd-Arch 6-3, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Ernest M. Dickerman Papers, 1904-2005, contain a wide variety of materials that document Dickerman's efforts to obtain Congressional designations of wilderness for various tracts of public land, primarily in Virginia. The collection also contains papers of the Virginia Wilderness Committee (VWC), a grass roots conservation group that Dickerman led. These papers include correspondence, maps, field notes, reports, news clippings, wilderness proposals, minutes, financial statements, newsletters and other materials, 1940 - current, with most materials dating 1962-1999. The collection documents Dickerman's activities as a leader of the movement to designate wilderness areas on public lands in the eastern United States under the Wilderness Act of 1964 and the Eastern Wilderness Act of 1975. Operating papers of the Virginia Wilderness Committee, a grass roots conservation group of which Dickerman served as president for several years, are also included.\u003c/p\u003e\n","\u003cp\u003ePapers from Dickerman's early life include correspondence from his time at Oberlin College and while serving in the Army. Select correspondence and papers from immediate Dickerman family members are also included.\u003c/p\u003e","\u003cp\u003eSeries 1: Places and Policies, 1962-2001, contains maps, reports, conference agendas, environmental assessments, congressional testimony, and some correspondence dealing with specific places, topical issues, and policies of public land agencies. The Laurel Fork, Virginia folders hold the largest body of materials; Laurel Fork was Dickerman's favorite place in Virginia, and he worked intensively (and successfully) against a proposed gas line through it.\u003c/p\u003e","\u003cp\u003eSeries 2: Correspopndence and Personal Files, 1904-1999, includes carbon copies of Dickerman's outgoing letters, original incoming letters, notebooks, texts for speeches, data sheets he composed about various issues, and other items. Select correspondence and V-mail was written by Dickerman to his father while Dickerman was serving in the U.S. Army in the United States, England, and France, etc. during World War II. Correspondence also dates to Dickerman's days as a student at Oberlin College as well as his post-War years. He frequently mentions the books he's reading and searching for employment after graduation. Letters exchanged between other Dickerman family memebrs are also included.\u003c/p\u003e\n","\u003cp\u003eOne folder contains personal Christmas messages, biographical articles, obituaries, and remembrances. Judson Dickerman and Adele Miller Dickerman's wedding book includes photographs, lists of wedding invitees, and gifts received. A folder of family photographs also includes photos of Charles M. Schwab and his wife Eurana Dinkey Schwab. Their connection to the Dickermans is unclear.\u003c/p\u003e","\u003cp\u003eSeries 3: Virginia Wilderness Committee, 1969-2005, includes operational documents including minutes, financial reports, newsletters, Virginia Wilderness coalition notes, the 1984 Virginia Wilderness Bill, and wilderness proposals.\u003c/p\u003e","\u003cp\u003eSeries 4: Maps, 1936-1991, contains 25 maps described at an item level in the container list.\u003c/p\u003e","\u003cp\u003eWith lines probably indicating proposed wilderness.\u003c/p\u003e","\u003cp\u003eOverlay with proposed wilderness boundaries.\u003c/p\u003e","\u003cp\u003eWith attached information.\u003c/p\u003e","\u003cp\u003eWith attached information.\u003c/p\u003e","\u003cp\u003eWith attached information.\u003c/p\u003e","\u003cp\u003eWith attached information.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Ernest M. Dickerman Papers, 1904-2005, contain a wide variety of materials that document Dickerman's efforts to obtain Congressional designations of wilderness for various tracts of public land, primarily in Virginia. The collection also contains papers of the Virginia Wilderness Committee (VWC), a grass roots conservation group that Dickerman led. These papers include correspondence, maps, field notes, reports, news clippings, wilderness proposals, minutes, financial statements, newsletters and other materials, 1940 - current, with most materials dating 1962-1999. The collection documents Dickerman's activities as a leader of the movement to designate wilderness areas on public lands in the eastern United States under the Wilderness Act of 1964 and the Eastern Wilderness Act of 1975. Operating papers of the Virginia Wilderness Committee, a grass roots conservation group of which Dickerman served as president for several years, are also included.","Papers from Dickerman's early life include correspondence from his time at Oberlin College and while serving in the Army. Select correspondence and papers from immediate Dickerman family members are also included.","Series 1: Places and Policies, 1962-2001, contains maps, reports, conference agendas, environmental assessments, congressional testimony, and some correspondence dealing with specific places, topical issues, and policies of public land agencies. The Laurel Fork, Virginia folders hold the largest body of materials; Laurel Fork was Dickerman's favorite place in Virginia, and he worked intensively (and successfully) against a proposed gas line through it.","Series 2: Correspopndence and Personal Files, 1904-1999, includes carbon copies of Dickerman's outgoing letters, original incoming letters, notebooks, texts for speeches, data sheets he composed about various issues, and other items. Select correspondence and V-mail was written by Dickerman to his father while Dickerman was serving in the U.S. Army in the United States, England, and France, etc. during World War II. Correspondence also dates to Dickerman's days as a student at Oberlin College as well as his post-War years. He frequently mentions the books he's reading and searching for employment after graduation. Letters exchanged between other Dickerman family memebrs are also included.","One folder contains personal Christmas messages, biographical articles, obituaries, and remembrances. Judson Dickerman and Adele Miller Dickerman's wedding book includes photographs, lists of wedding invitees, and gifts received. A folder of family photographs also includes photos of Charles M. Schwab and his wife Eurana Dinkey Schwab. Their connection to the Dickermans is unclear.","Series 3: Virginia Wilderness Committee, 1969-2005, includes operational documents including minutes, financial reports, newsletters, Virginia Wilderness coalition notes, the 1984 Virginia Wilderness Bill, and wilderness proposals.","Series 4: Maps, 1936-1991, contains 25 maps described at an item level in the container list.","With lines probably indicating proposed wilderness.","Overlay with proposed wilderness boundaries.","With attached information.","With attached information.","With attached information.","With attached information."],"separatedmaterial_html_tesm":["\u003cp\u003eA duplicate copy of Elizabeth Murray's, ed. \u003cemph render=\"italic\"\u003eErnie Dickerman, 1910-1998: A Tribute\u003c/emph\u003e (The Wilderness Society, 1999) was removed from the collection and added to the Special Collections rare book holdings. A copy is also retained in the collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["A duplicate copy of Elizabeth Murray's, ed.  Ernie Dickerman, 1910-1998: A Tribute  (The Wilderness Society, 1999) was removed from the collection and added to the Special Collections rare book holdings. A copy is also retained in the collection."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5b4566c87e7ff232a8bea389aa888ac7\"\u003eThe Ernest M. Dickerman Papers, 1904-2005, contain a wide variety of materials that document Dickerman's efforts to obtain Congressional designations of wilderness for various tracts of public land, primarily in Virginia. The collection also contains papers of the Virginia Wilderness Committee (VWC), a grass roots conservation group that Dickerman led. Correspondence from his time at Oberlin College and while serving in the Army is included.\u003c/abstract\u003e"],"abstract_tesim":["The Ernest M. Dickerman Papers, 1904-2005, contain a wide variety of materials that document Dickerman's efforts to obtain Congressional designations of wilderness for various tracts of public land, primarily in Virginia. The collection also contains papers of the Virginia Wilderness Committee (VWC), a grass roots conservation group that Dickerman led. Correspondence from his time at Oberlin College and while serving in the Army is included."],"names_coll_ssim":["Wilderness Society (U.S.)","United States (Title of work: Wilderness Act.)","United States. Forest Service -- History","Virginia Wilderness Committee","United States (Title of work: Wilderness Act of 1984.)","United States (Title of work: Wilderness Act of 1988.)","United States (Title of work: Eastern Wilderness Areas Act of 1975.)","Sierra Club. Virginia Chapter","Dickerman, Ernest M. (Ernest Miller), 1910-1998","Dickerman, C. Robert (Charles Robert), 1936-2018","Dickerman, Eleanor F.","Cameron, Lynn","Dickerman, Ernest M. (Ernest Miller), 1910-1998","Dickerman, Ernest M. (Ernest Miller), 1910-1998 -- Correspondence"],"names_ssim":["James Madison University Libraries Special Collections","Wilderness Society (U.S.)","United States (Title of work: Wilderness Act.)","United States. Forest Service -- History","Virginia Wilderness Committee","United States (Title of work: Wilderness Act of 1984.)","United States (Title of work: Wilderness Act of 1988.)","United States (Title of work: Eastern Wilderness Areas Act of 1975.)","Sierra Club. Virginia Chapter","Dickerman, Ernest M. (Ernest Miller), 1910-1998","Dickerman, C. Robert (Charles Robert), 1936-2018","Dickerman, Eleanor F.","Cameron, Lynn","Dickerman, Ernest M. (Ernest Miller), 1910-1998 -- Correspondence","Schwab, Charles M., 1862-1939","Schwab, Emma Eurana Dinkey, 1883-1939"],"corpname_ssim":["James Madison University Libraries Special Collections","Wilderness Society (U.S.)","United States (Title of work: Wilderness Act.)","United States. Forest Service -- History","Virginia Wilderness Committee","United States (Title of work: Wilderness Act of 1984.)","United States (Title of work: Wilderness Act of 1988.)","United States (Title of work: Eastern Wilderness Areas Act of 1975.)","Sierra Club. Virginia Chapter"],"persname_ssim":["Dickerman, Ernest M. (Ernest Miller), 1910-1998","Dickerman, C. Robert (Charles Robert), 1936-2018","Dickerman, Eleanor F.","Cameron, Lynn","Dickerman, Ernest M. (Ernest Miller), 1910-1998 -- Correspondence","Schwab, Charles M., 1862-1939","Schwab, Emma Eurana Dinkey, 1883-1939"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":127,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:22:51.369Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_288"}},{"id":"viw_repositories_2_resources_8704","type":"collection","attributes":{"title":"Evelyn M. Hailey Papers","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8704#creator","type":"document_value","attributes":{"value":"Hailey, Evelyn M., 1922-2011","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8704#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ePapers, circa 1970s-1990s, of Evelyn Momsen Hailey (1922-2011) of Norfolk, Virginia. Hailey served as a member of the Virginia House of Delegates from 1974 to 1981 and as a member of the State Senate from 1981 to 1982. She was active with women's rights organizations and environmental protection and an avid supporter of Equal Rights Amendment legislation. Her papers include correspondence, clippings, speeches, and printed material, campaign materials, and other materials related to her political career. Several bumper stickers are housed in the Manuscripts Artifact Collection. Four reel-to-reel audiotapes are housed in the Manuscripts Audiovisual Collection.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8704#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_8704","ead_ssi":"viw_repositories_2_resources_8704","_root_":"viw_repositories_2_resources_8704","_nest_parent_":"viw_repositories_2_resources_8704","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8704.xml","title_filing_ssi":"Hailey, Evelyn M. Papers","title_ssm":["Evelyn M. Hailey Papers"],"title_tesim":["Evelyn M. Hailey Papers"],"unitdate_ssm":["circa 1970s-1990s","1974-1986"],"unitdate_bulk_ssim":["1974-1986"],"unitdate_inclusive_ssm":["circa 1970s-1990s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. Acc. 2011.425, 2011.517, and 2011.623","/repositories/2/resources/8704"],"text":["Mss. Acc. 2011.425, 2011.517, and 2011.623","/repositories/2/resources/8704","Evelyn M. Hailey Papers","Norfolk (Va.)","Norfolk (Va.)--History--20th century","Virginia. General Assembly. House of Delegates","Women in politics--United States--History--20th century","Certificates","Clippings (information artifacts)","Correspondence","Letters (correspondence)","Speeches","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Organized into five series: Series 1: Campaign Materials, Series 2: Clippings, Series 3:Correspondence, Series 4: Legislation, Series 5: Outreach.","Evelyn Momsen Hailey (1922-2011) of Norfolk, Virginia served as a member of the Virginia House of Delegates from 1974 to 1981 and as a member of the State Senate from 1981 to 1982. She was active with women's rights organizations and environmental protection and an avid supporter of Equal Rights Amendment legislation.","Accessioned and minimally processed by Benjamin Bromley in June 2011. Processed and finding aid created by Rachel Thomas, SCRC Staff, in September 2011. Acc. 2011.623 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in October 2011.","Several bumper stickers and signs have been transferred to the Manuscripts Artifact Collection (Mss. 1.03). Four reel-to-reel audiotapes were pulled from this collection and were transferred to the Manuscripts Audiovisual Collection (Mss. 1.04).","Papers, circa 1970s-1990s, of Evelyn Momsen Hailey (1922-2011) of Norfolk, Virginia. Hailey served as a member of the Virginia House of Delegates from 1974 to 1981 and as a member of the State Senate from 1981 to 1982. She was active with women's rights organizations and environmental protection and an avid supporter of  Equal Rights Amendment legislation.  Her papers include correspondence, clippings, speeches, and printed material, campaign materials, and other materials related to her political career.  Several bumper stickers are housed in the Manuscripts Artifact Collection. Four reel-to-reel audiotapes are housed in the Manuscripts Audiovisual Collection.","Accounts, records, and campaign materials from Hailey's House of Delegate campaigns.  These include financial records, public appearances, writings about Hailey, position statements, and other materials related to the campaigning process.","Newspaper clippings related to the life and political career of Evelyn Momsen Hailey including the Equal Rights Amendment, women's issues, and environmental issues with the bulk of the records from 1974-1986.","Hailey's personal and political correspondence including letters of congratulation when she was first elected, items pertaining to her political interests, newsletters sent out by her campaign committee, and other cards and letters.","Items pertaining to Hailey's political work in the Virginia House of Delegates. Main categories include environmental issues, and women's rights issues. This series includes bills, positions statements, reports, and research related to her political activities.","Outreach is a broad term encompassing materials related to the public relations aspects of Hailey's life. This series includes photographs, press releases, publications, and her speeches.","This series contains correspondence, subject files, certificates, audiovisual and other material from 1971-1992 related to Evelyn M. Hailey, member of both the Virginia House of Delegates and the Virginia State Senate. The bulk of the papers concern Hailey's life as a politician. Some of the topics expressed in the papers include various bills and legislation proposed by Hailey; Women's Interfaith Dialogue on the Middle East; correspondence of her husband, Robert Hailey, from 1971 to 1975; and certificates of appreciation and service from the State Board of Elections, State Board of Community Colleges, and Old Dominion University. This is a temporary series and will be interfiled into the existing collection in the future.","A bumper sticker, reel-to-reel audiotapes, a plaque, and signs were pulled from Acc. 2011.623  and were transferred to the Manuscripts Audiovisual Collection (Mss. 1.04) on 10/14/2011.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Hailey, Evelyn M., 1922-2011","English"],"unitid_tesim":["Mss. Acc. 2011.425, 2011.517, and 2011.623","/repositories/2/resources/8704"],"normalized_title_ssm":["Evelyn M. Hailey Papers"],"collection_title_tesim":["Evelyn M. Hailey Papers"],"collection_ssim":["Evelyn M. Hailey Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Norfolk (Va.)"],"geogname_ssim":["Norfolk (Va.)"],"creator_ssm":["Hailey, Evelyn M., 1922-2011"],"creator_ssim":["Hailey, Evelyn M., 1922-2011"],"creator_persname_ssim":["Hailey, Evelyn M., 1922-2011"],"creators_ssim":["Hailey, Evelyn M., 1922-2011"],"places_ssim":["Norfolk (Va.)"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["Norfolk (Va.)--History--20th century","Virginia. General Assembly. House of Delegates","Women in politics--United States--History--20th century","Certificates","Clippings (information artifacts)","Correspondence","Letters (correspondence)","Speeches"],"access_subjects_ssm":["Norfolk (Va.)--History--20th century","Virginia. General Assembly. House of Delegates","Women in politics--United States--History--20th century","Certificates","Clippings (information artifacts)","Correspondence","Letters (correspondence)","Speeches"],"has_online_content_ssim":["false"],"extent_ssm":["6.00 Linear Feet"],"extent_tesim":["6.00 Linear Feet"],"genreform_ssim":["Certificates","Clippings (information artifacts)","Correspondence","Letters (correspondence)","Speeches"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eOrganized into five series: Series 1: Campaign Materials, Series 2: Clippings, Series 3:Correspondence, Series 4: Legislation, Series 5: Outreach.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Organized into five series: Series 1: Campaign Materials, Series 2: Clippings, Series 3:Correspondence, Series 4: Legislation, Series 5: Outreach."],"bioghist_html_tesm":["\u003cp\u003eEvelyn Momsen Hailey (1922-2011) of Norfolk, Virginia served as a member of the Virginia House of Delegates from 1974 to 1981 and as a member of the State Senate from 1981 to 1982. She was active with women's rights organizations and environmental protection and an avid supporter of Equal Rights Amendment legislation.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Evelyn Momsen Hailey (1922-2011) of Norfolk, Virginia served as a member of the Virginia House of Delegates from 1974 to 1981 and as a member of the State Senate from 1981 to 1982. She was active with women's rights organizations and environmental protection and an avid supporter of Equal Rights Amendment legislation."],"prefercite_html_tesm":["\u003cp\u003eEvelyn M. Hailey Papers, Special Collections Research Center, Swem Library, College of William and Mary\u003c/p\u003e"],"prefercite_tesim":["Evelyn M. Hailey Papers, Special Collections Research Center, Swem Library, College of William and Mary"],"processinfo_html_tesm":["\u003cp\u003eAccessioned and minimally processed by Benjamin Bromley in June 2011. Processed and finding aid created by Rachel Thomas, SCRC Staff, in September 2011. Acc. 2011.623 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in October 2011.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Accessioned and minimally processed by Benjamin Bromley in June 2011. Processed and finding aid created by Rachel Thomas, SCRC Staff, in September 2011. Acc. 2011.623 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in October 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eSeveral bumper stickers and signs have been transferred to the Manuscripts Artifact Collection (Mss. 1.03). Four reel-to-reel audiotapes were pulled from this collection and were transferred to the Manuscripts Audiovisual Collection (Mss. 1.04).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Several bumper stickers and signs have been transferred to the Manuscripts Artifact Collection (Mss. 1.03). Four reel-to-reel audiotapes were pulled from this collection and were transferred to the Manuscripts Audiovisual Collection (Mss. 1.04)."],"scopecontent_html_tesm":["\u003cp\u003ePapers, circa 1970s-1990s, of Evelyn Momsen Hailey (1922-2011) of Norfolk, Virginia. Hailey served as a member of the Virginia House of Delegates from 1974 to 1981 and as a member of the State Senate from 1981 to 1982. She was active with women's rights organizations and environmental protection and an avid supporter of  Equal Rights Amendment legislation.  Her papers include correspondence, clippings, speeches, and printed material, campaign materials, and other materials related to her political career.  Several bumper stickers are housed in the Manuscripts Artifact Collection. Four reel-to-reel audiotapes are housed in the Manuscripts Audiovisual Collection.\u003c/p\u003e","\u003cp\u003eAccounts, records, and campaign materials from Hailey's House of Delegate campaigns.  These include financial records, public appearances, writings about Hailey, position statements, and other materials related to the campaigning process.\u003c/p\u003e","\u003cp\u003eNewspaper clippings related to the life and political career of Evelyn Momsen Hailey including the Equal Rights Amendment, women's issues, and environmental issues with the bulk of the records from 1974-1986.\u003c/p\u003e","\u003cp\u003eHailey's personal and political correspondence including letters of congratulation when she was first elected, items pertaining to her political interests, newsletters sent out by her campaign committee, and other cards and letters.\u003c/p\u003e","\u003cp\u003eItems pertaining to Hailey's political work in the Virginia House of Delegates. Main categories include environmental issues, and women's rights issues. This series includes bills, positions statements, reports, and research related to her political activities.\u003c/p\u003e","\u003cp\u003eOutreach is a broad term encompassing materials related to the public relations aspects of Hailey's life. This series includes photographs, press releases, publications, and her speeches.\u003c/p\u003e","\u003cp\u003eThis series contains correspondence, subject files, certificates, audiovisual and other material from 1971-1992 related to Evelyn M. Hailey, member of both the Virginia House of Delegates and the Virginia State Senate. The bulk of the papers concern Hailey's life as a politician. Some of the topics expressed in the papers include various bills and legislation proposed by Hailey; Women's Interfaith Dialogue on the Middle East; correspondence of her husband, Robert Hailey, from 1971 to 1975; and certificates of appreciation and service from the State Board of Elections, State Board of Community Colleges, and Old Dominion University. This is a temporary series and will be interfiled into the existing collection in the future.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers, circa 1970s-1990s, of Evelyn Momsen Hailey (1922-2011) of Norfolk, Virginia. Hailey served as a member of the Virginia House of Delegates from 1974 to 1981 and as a member of the State Senate from 1981 to 1982. She was active with women's rights organizations and environmental protection and an avid supporter of  Equal Rights Amendment legislation.  Her papers include correspondence, clippings, speeches, and printed material, campaign materials, and other materials related to her political career.  Several bumper stickers are housed in the Manuscripts Artifact Collection. Four reel-to-reel audiotapes are housed in the Manuscripts Audiovisual Collection.","Accounts, records, and campaign materials from Hailey's House of Delegate campaigns.  These include financial records, public appearances, writings about Hailey, position statements, and other materials related to the campaigning process.","Newspaper clippings related to the life and political career of Evelyn Momsen Hailey including the Equal Rights Amendment, women's issues, and environmental issues with the bulk of the records from 1974-1986.","Hailey's personal and political correspondence including letters of congratulation when she was first elected, items pertaining to her political interests, newsletters sent out by her campaign committee, and other cards and letters.","Items pertaining to Hailey's political work in the Virginia House of Delegates. Main categories include environmental issues, and women's rights issues. This series includes bills, positions statements, reports, and research related to her political activities.","Outreach is a broad term encompassing materials related to the public relations aspects of Hailey's life. This series includes photographs, press releases, publications, and her speeches.","This series contains correspondence, subject files, certificates, audiovisual and other material from 1971-1992 related to Evelyn M. Hailey, member of both the Virginia House of Delegates and the Virginia State Senate. The bulk of the papers concern Hailey's life as a politician. Some of the topics expressed in the papers include various bills and legislation proposed by Hailey; Women's Interfaith Dialogue on the Middle East; correspondence of her husband, Robert Hailey, from 1971 to 1975; and certificates of appreciation and service from the State Board of Elections, State Board of Community Colleges, and Old Dominion University. This is a temporary series and will be interfiled into the existing collection in the future."],"separatedmaterial_html_tesm":["\u003cp\u003eA bumper sticker, reel-to-reel audiotapes, a plaque, and signs were pulled from Acc. 2011.623  and were transferred to the Manuscripts Audiovisual Collection (Mss. 1.04) on 10/14/2011.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["A bumper sticker, reel-to-reel audiotapes, a plaque, and signs were pulled from Acc. 2011.623  and were transferred to the Manuscripts Audiovisual Collection (Mss. 1.04) on 10/14/2011."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Hailey, Evelyn M., 1922-2011"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Hailey, Evelyn M., 1922-2011"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":60,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:18:40.893Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8704","ead_ssi":"viw_repositories_2_resources_8704","_root_":"viw_repositories_2_resources_8704","_nest_parent_":"viw_repositories_2_resources_8704","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8704.xml","title_filing_ssi":"Hailey, Evelyn M. Papers","title_ssm":["Evelyn M. Hailey Papers"],"title_tesim":["Evelyn M. Hailey Papers"],"unitdate_ssm":["circa 1970s-1990s","1974-1986"],"unitdate_bulk_ssim":["1974-1986"],"unitdate_inclusive_ssm":["circa 1970s-1990s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. Acc. 2011.425, 2011.517, and 2011.623","/repositories/2/resources/8704"],"text":["Mss. Acc. 2011.425, 2011.517, and 2011.623","/repositories/2/resources/8704","Evelyn M. Hailey Papers","Norfolk (Va.)","Norfolk (Va.)--History--20th century","Virginia. General Assembly. House of Delegates","Women in politics--United States--History--20th century","Certificates","Clippings (information artifacts)","Correspondence","Letters (correspondence)","Speeches","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Organized into five series: Series 1: Campaign Materials, Series 2: Clippings, Series 3:Correspondence, Series 4: Legislation, Series 5: Outreach.","Evelyn Momsen Hailey (1922-2011) of Norfolk, Virginia served as a member of the Virginia House of Delegates from 1974 to 1981 and as a member of the State Senate from 1981 to 1982. She was active with women's rights organizations and environmental protection and an avid supporter of Equal Rights Amendment legislation.","Accessioned and minimally processed by Benjamin Bromley in June 2011. Processed and finding aid created by Rachel Thomas, SCRC Staff, in September 2011. Acc. 2011.623 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in October 2011.","Several bumper stickers and signs have been transferred to the Manuscripts Artifact Collection (Mss. 1.03). Four reel-to-reel audiotapes were pulled from this collection and were transferred to the Manuscripts Audiovisual Collection (Mss. 1.04).","Papers, circa 1970s-1990s, of Evelyn Momsen Hailey (1922-2011) of Norfolk, Virginia. Hailey served as a member of the Virginia House of Delegates from 1974 to 1981 and as a member of the State Senate from 1981 to 1982. She was active with women's rights organizations and environmental protection and an avid supporter of  Equal Rights Amendment legislation.  Her papers include correspondence, clippings, speeches, and printed material, campaign materials, and other materials related to her political career.  Several bumper stickers are housed in the Manuscripts Artifact Collection. Four reel-to-reel audiotapes are housed in the Manuscripts Audiovisual Collection.","Accounts, records, and campaign materials from Hailey's House of Delegate campaigns.  These include financial records, public appearances, writings about Hailey, position statements, and other materials related to the campaigning process.","Newspaper clippings related to the life and political career of Evelyn Momsen Hailey including the Equal Rights Amendment, women's issues, and environmental issues with the bulk of the records from 1974-1986.","Hailey's personal and political correspondence including letters of congratulation when she was first elected, items pertaining to her political interests, newsletters sent out by her campaign committee, and other cards and letters.","Items pertaining to Hailey's political work in the Virginia House of Delegates. Main categories include environmental issues, and women's rights issues. This series includes bills, positions statements, reports, and research related to her political activities.","Outreach is a broad term encompassing materials related to the public relations aspects of Hailey's life. This series includes photographs, press releases, publications, and her speeches.","This series contains correspondence, subject files, certificates, audiovisual and other material from 1971-1992 related to Evelyn M. Hailey, member of both the Virginia House of Delegates and the Virginia State Senate. The bulk of the papers concern Hailey's life as a politician. Some of the topics expressed in the papers include various bills and legislation proposed by Hailey; Women's Interfaith Dialogue on the Middle East; correspondence of her husband, Robert Hailey, from 1971 to 1975; and certificates of appreciation and service from the State Board of Elections, State Board of Community Colleges, and Old Dominion University. This is a temporary series and will be interfiled into the existing collection in the future.","A bumper sticker, reel-to-reel audiotapes, a plaque, and signs were pulled from Acc. 2011.623  and were transferred to the Manuscripts Audiovisual Collection (Mss. 1.04) on 10/14/2011.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Hailey, Evelyn M., 1922-2011","English"],"unitid_tesim":["Mss. Acc. 2011.425, 2011.517, and 2011.623","/repositories/2/resources/8704"],"normalized_title_ssm":["Evelyn M. Hailey Papers"],"collection_title_tesim":["Evelyn M. Hailey Papers"],"collection_ssim":["Evelyn M. Hailey Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Norfolk (Va.)"],"geogname_ssim":["Norfolk (Va.)"],"creator_ssm":["Hailey, Evelyn M., 1922-2011"],"creator_ssim":["Hailey, Evelyn M., 1922-2011"],"creator_persname_ssim":["Hailey, Evelyn M., 1922-2011"],"creators_ssim":["Hailey, Evelyn M., 1922-2011"],"places_ssim":["Norfolk (Va.)"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["Norfolk (Va.)--History--20th century","Virginia. General Assembly. House of Delegates","Women in politics--United States--History--20th century","Certificates","Clippings (information artifacts)","Correspondence","Letters (correspondence)","Speeches"],"access_subjects_ssm":["Norfolk (Va.)--History--20th century","Virginia. General Assembly. House of Delegates","Women in politics--United States--History--20th century","Certificates","Clippings (information artifacts)","Correspondence","Letters (correspondence)","Speeches"],"has_online_content_ssim":["false"],"extent_ssm":["6.00 Linear Feet"],"extent_tesim":["6.00 Linear Feet"],"genreform_ssim":["Certificates","Clippings (information artifacts)","Correspondence","Letters (correspondence)","Speeches"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eOrganized into five series: Series 1: Campaign Materials, Series 2: Clippings, Series 3:Correspondence, Series 4: Legislation, Series 5: Outreach.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Organized into five series: Series 1: Campaign Materials, Series 2: Clippings, Series 3:Correspondence, Series 4: Legislation, Series 5: Outreach."],"bioghist_html_tesm":["\u003cp\u003eEvelyn Momsen Hailey (1922-2011) of Norfolk, Virginia served as a member of the Virginia House of Delegates from 1974 to 1981 and as a member of the State Senate from 1981 to 1982. She was active with women's rights organizations and environmental protection and an avid supporter of Equal Rights Amendment legislation.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Evelyn Momsen Hailey (1922-2011) of Norfolk, Virginia served as a member of the Virginia House of Delegates from 1974 to 1981 and as a member of the State Senate from 1981 to 1982. She was active with women's rights organizations and environmental protection and an avid supporter of Equal Rights Amendment legislation."],"prefercite_html_tesm":["\u003cp\u003eEvelyn M. Hailey Papers, Special Collections Research Center, Swem Library, College of William and Mary\u003c/p\u003e"],"prefercite_tesim":["Evelyn M. Hailey Papers, Special Collections Research Center, Swem Library, College of William and Mary"],"processinfo_html_tesm":["\u003cp\u003eAccessioned and minimally processed by Benjamin Bromley in June 2011. Processed and finding aid created by Rachel Thomas, SCRC Staff, in September 2011. Acc. 2011.623 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in October 2011.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Accessioned and minimally processed by Benjamin Bromley in June 2011. Processed and finding aid created by Rachel Thomas, SCRC Staff, in September 2011. Acc. 2011.623 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in October 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eSeveral bumper stickers and signs have been transferred to the Manuscripts Artifact Collection (Mss. 1.03). Four reel-to-reel audiotapes were pulled from this collection and were transferred to the Manuscripts Audiovisual Collection (Mss. 1.04).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Several bumper stickers and signs have been transferred to the Manuscripts Artifact Collection (Mss. 1.03). Four reel-to-reel audiotapes were pulled from this collection and were transferred to the Manuscripts Audiovisual Collection (Mss. 1.04)."],"scopecontent_html_tesm":["\u003cp\u003ePapers, circa 1970s-1990s, of Evelyn Momsen Hailey (1922-2011) of Norfolk, Virginia. Hailey served as a member of the Virginia House of Delegates from 1974 to 1981 and as a member of the State Senate from 1981 to 1982. She was active with women's rights organizations and environmental protection and an avid supporter of  Equal Rights Amendment legislation.  Her papers include correspondence, clippings, speeches, and printed material, campaign materials, and other materials related to her political career.  Several bumper stickers are housed in the Manuscripts Artifact Collection. Four reel-to-reel audiotapes are housed in the Manuscripts Audiovisual Collection.\u003c/p\u003e","\u003cp\u003eAccounts, records, and campaign materials from Hailey's House of Delegate campaigns.  These include financial records, public appearances, writings about Hailey, position statements, and other materials related to the campaigning process.\u003c/p\u003e","\u003cp\u003eNewspaper clippings related to the life and political career of Evelyn Momsen Hailey including the Equal Rights Amendment, women's issues, and environmental issues with the bulk of the records from 1974-1986.\u003c/p\u003e","\u003cp\u003eHailey's personal and political correspondence including letters of congratulation when she was first elected, items pertaining to her political interests, newsletters sent out by her campaign committee, and other cards and letters.\u003c/p\u003e","\u003cp\u003eItems pertaining to Hailey's political work in the Virginia House of Delegates. Main categories include environmental issues, and women's rights issues. This series includes bills, positions statements, reports, and research related to her political activities.\u003c/p\u003e","\u003cp\u003eOutreach is a broad term encompassing materials related to the public relations aspects of Hailey's life. This series includes photographs, press releases, publications, and her speeches.\u003c/p\u003e","\u003cp\u003eThis series contains correspondence, subject files, certificates, audiovisual and other material from 1971-1992 related to Evelyn M. Hailey, member of both the Virginia House of Delegates and the Virginia State Senate. The bulk of the papers concern Hailey's life as a politician. Some of the topics expressed in the papers include various bills and legislation proposed by Hailey; Women's Interfaith Dialogue on the Middle East; correspondence of her husband, Robert Hailey, from 1971 to 1975; and certificates of appreciation and service from the State Board of Elections, State Board of Community Colleges, and Old Dominion University. This is a temporary series and will be interfiled into the existing collection in the future.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers, circa 1970s-1990s, of Evelyn Momsen Hailey (1922-2011) of Norfolk, Virginia. Hailey served as a member of the Virginia House of Delegates from 1974 to 1981 and as a member of the State Senate from 1981 to 1982. She was active with women's rights organizations and environmental protection and an avid supporter of  Equal Rights Amendment legislation.  Her papers include correspondence, clippings, speeches, and printed material, campaign materials, and other materials related to her political career.  Several bumper stickers are housed in the Manuscripts Artifact Collection. Four reel-to-reel audiotapes are housed in the Manuscripts Audiovisual Collection.","Accounts, records, and campaign materials from Hailey's House of Delegate campaigns.  These include financial records, public appearances, writings about Hailey, position statements, and other materials related to the campaigning process.","Newspaper clippings related to the life and political career of Evelyn Momsen Hailey including the Equal Rights Amendment, women's issues, and environmental issues with the bulk of the records from 1974-1986.","Hailey's personal and political correspondence including letters of congratulation when she was first elected, items pertaining to her political interests, newsletters sent out by her campaign committee, and other cards and letters.","Items pertaining to Hailey's political work in the Virginia House of Delegates. Main categories include environmental issues, and women's rights issues. This series includes bills, positions statements, reports, and research related to her political activities.","Outreach is a broad term encompassing materials related to the public relations aspects of Hailey's life. This series includes photographs, press releases, publications, and her speeches.","This series contains correspondence, subject files, certificates, audiovisual and other material from 1971-1992 related to Evelyn M. Hailey, member of both the Virginia House of Delegates and the Virginia State Senate. The bulk of the papers concern Hailey's life as a politician. Some of the topics expressed in the papers include various bills and legislation proposed by Hailey; Women's Interfaith Dialogue on the Middle East; correspondence of her husband, Robert Hailey, from 1971 to 1975; and certificates of appreciation and service from the State Board of Elections, State Board of Community Colleges, and Old Dominion University. This is a temporary series and will be interfiled into the existing collection in the future."],"separatedmaterial_html_tesm":["\u003cp\u003eA bumper sticker, reel-to-reel audiotapes, a plaque, and signs were pulled from Acc. 2011.623  and were transferred to the Manuscripts Audiovisual Collection (Mss. 1.04) on 10/14/2011.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["A bumper sticker, reel-to-reel audiotapes, a plaque, and signs were pulled from Acc. 2011.623  and were transferred to the Manuscripts Audiovisual Collection (Mss. 1.04) on 10/14/2011."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Hailey, Evelyn M., 1922-2011"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Hailey, Evelyn M., 1922-2011"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":60,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:18:40.893Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8704"}},{"id":"viw_repositories_2_resources_423","type":"collection","attributes":{"title":"Frank D. Baldwin Letter and Biography","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_423#creator","type":"document_value","attributes":{"value":"Baldwin, Frank Dwight, 1842-1923","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_423#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collections consists of a letter and biography of Colonel Frank D. Baldwin, one of only 19 servicemen to receive the Medal of Honor twice. The letter describes his role in the recent Battle of Bayan, wherein he led American troops against rebellious Moro forces in the Philippines. With the original letter are copies of official cables following the battle, including one from President Theodore Roosevelt. Extensive background material on the battle, biographical information on Baldwin, a transcript of the letter, and scans from Baldwin's memoirs are also included.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_423#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_423","ead_ssi":"viw_repositories_2_resources_423","_root_":"viw_repositories_2_resources_423","_nest_parent_":"viw_repositories_2_resources_423","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_423.xml","title_filing_ssi":"Baldwin, Frank D. Letter and Biography","title_ssm":["Frank D. Baldwin Letter and Biography"],"title_tesim":["Frank D. Baldwin Letter and Biography"],"unitdate_ssm":["1902, 2011"],"unitdate_inclusive_ssm":["1902, 2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 00022","/repositories/2/resources/423"],"text":["SC 00022","/repositories/2/resources/423","Frank D. Baldwin Letter and Biography","Philippines--History--1898-1946","Philippines--History--Philippine American War, 1899-1902","Letters (correspondence)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Accessioned and minimally described by Tim Eklund, Special Collections staff, in January 2015.","This collections consists of a letter and biography of Colonel Frank D. Baldwin, one of only 19 servicemen to receive the Medal of Honor twice. The letter describes his role in the recent Battle of Bayan, wherein he led American troops against rebellious Moro forces in the Philippines. With the original letter are copies of official cables following the battle, including one from President Theodore Roosevelt. Extensive background material on the battle, biographical information on Baldwin, a transcript of the letter, and scans from Baldwin's memoirs are also included.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Baldwin, Frank Dwight, 1842-1923","English"],"unitid_tesim":["SC 00022","/repositories/2/resources/423"],"normalized_title_ssm":["Frank D. Baldwin Letter and Biography"],"collection_title_tesim":["Frank D. Baldwin Letter and Biography"],"collection_ssim":["Frank D. Baldwin Letter and Biography"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Baldwin, Frank Dwight, 1842-1923"],"creator_ssim":["Baldwin, Frank Dwight, 1842-1923"],"creator_persname_ssim":["Baldwin, Frank Dwight, 1842-1923"],"creators_ssim":["Baldwin, Frank Dwight, 1842-1923"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2014.226 was received by Special Collections in July 2014."],"access_subjects_ssim":["Philippines--History--1898-1946","Philippines--History--Philippine American War, 1899-1902","Letters (correspondence)"],"access_subjects_ssm":["Philippines--History--1898-1946","Philippines--History--Philippine American War, 1899-1902","Letters (correspondence)"],"has_online_content_ssim":["false"],"extent_ssm":["0.01 Linear Feet"],"extent_tesim":["0.01 Linear Feet"],"genreform_ssim":["Letters (correspondence)"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"prefercite_html_tesm":["\u003cp\u003eFrank D. Baldwin Letter and Biography, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Frank D. Baldwin Letter and Biography, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eAccessioned and minimally described by Tim Eklund, Special Collections staff, in January 2015.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Accessioned and minimally described by Tim Eklund, Special Collections staff, in January 2015."],"scopecontent_html_tesm":["\u003cp\u003eThis collections consists of a letter and biography of Colonel Frank D. Baldwin, one of only 19 servicemen to receive the Medal of Honor twice. The letter describes his role in the recent Battle of Bayan, wherein he led American troops against rebellious Moro forces in the Philippines. With the original letter are copies of official cables following the battle, including one from President Theodore Roosevelt. Extensive background material on the battle, biographical information on Baldwin, a transcript of the letter, and scans from Baldwin's memoirs are also included.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collections consists of a letter and biography of Colonel Frank D. Baldwin, one of only 19 servicemen to receive the Medal of Honor twice. The letter describes his role in the recent Battle of Bayan, wherein he led American troops against rebellious Moro forces in the Philippines. With the original letter are copies of official cables following the battle, including one from President Theodore Roosevelt. Extensive background material on the battle, biographical information on Baldwin, a transcript of the letter, and scans from Baldwin's memoirs are also included."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Baldwin, Frank Dwight, 1842-1923"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Baldwin, Frank Dwight, 1842-1923"],"language_ssim":["English"],"total_component_count_is":2,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:05:04.720Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_423","ead_ssi":"viw_repositories_2_resources_423","_root_":"viw_repositories_2_resources_423","_nest_parent_":"viw_repositories_2_resources_423","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_423.xml","title_filing_ssi":"Baldwin, Frank D. Letter and Biography","title_ssm":["Frank D. Baldwin Letter and Biography"],"title_tesim":["Frank D. Baldwin Letter and Biography"],"unitdate_ssm":["1902, 2011"],"unitdate_inclusive_ssm":["1902, 2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 00022","/repositories/2/resources/423"],"text":["SC 00022","/repositories/2/resources/423","Frank D. Baldwin Letter and Biography","Philippines--History--1898-1946","Philippines--History--Philippine American War, 1899-1902","Letters (correspondence)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Accessioned and minimally described by Tim Eklund, Special Collections staff, in January 2015.","This collections consists of a letter and biography of Colonel Frank D. Baldwin, one of only 19 servicemen to receive the Medal of Honor twice. The letter describes his role in the recent Battle of Bayan, wherein he led American troops against rebellious Moro forces in the Philippines. With the original letter are copies of official cables following the battle, including one from President Theodore Roosevelt. Extensive background material on the battle, biographical information on Baldwin, a transcript of the letter, and scans from Baldwin's memoirs are also included.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Baldwin, Frank Dwight, 1842-1923","English"],"unitid_tesim":["SC 00022","/repositories/2/resources/423"],"normalized_title_ssm":["Frank D. Baldwin Letter and Biography"],"collection_title_tesim":["Frank D. Baldwin Letter and Biography"],"collection_ssim":["Frank D. Baldwin Letter and Biography"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Baldwin, Frank Dwight, 1842-1923"],"creator_ssim":["Baldwin, Frank Dwight, 1842-1923"],"creator_persname_ssim":["Baldwin, Frank Dwight, 1842-1923"],"creators_ssim":["Baldwin, Frank Dwight, 1842-1923"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2014.226 was received by Special Collections in July 2014."],"access_subjects_ssim":["Philippines--History--1898-1946","Philippines--History--Philippine American War, 1899-1902","Letters (correspondence)"],"access_subjects_ssm":["Philippines--History--1898-1946","Philippines--History--Philippine American War, 1899-1902","Letters (correspondence)"],"has_online_content_ssim":["false"],"extent_ssm":["0.01 Linear Feet"],"extent_tesim":["0.01 Linear Feet"],"genreform_ssim":["Letters (correspondence)"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"prefercite_html_tesm":["\u003cp\u003eFrank D. Baldwin Letter and Biography, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Frank D. Baldwin Letter and Biography, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eAccessioned and minimally described by Tim Eklund, Special Collections staff, in January 2015.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Accessioned and minimally described by Tim Eklund, Special Collections staff, in January 2015."],"scopecontent_html_tesm":["\u003cp\u003eThis collections consists of a letter and biography of Colonel Frank D. Baldwin, one of only 19 servicemen to receive the Medal of Honor twice. The letter describes his role in the recent Battle of Bayan, wherein he led American troops against rebellious Moro forces in the Philippines. With the original letter are copies of official cables following the battle, including one from President Theodore Roosevelt. Extensive background material on the battle, biographical information on Baldwin, a transcript of the letter, and scans from Baldwin's memoirs are also included.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collections consists of a letter and biography of Colonel Frank D. Baldwin, one of only 19 servicemen to receive the Medal of Honor twice. The letter describes his role in the recent Battle of Bayan, wherein he led American troops against rebellious Moro forces in the Philippines. With the original letter are copies of official cables following the battle, including one from President Theodore Roosevelt. Extensive background material on the battle, biographical information on Baldwin, a transcript of the letter, and scans from Baldwin's memoirs are also included."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Baldwin, Frank Dwight, 1842-1923"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Baldwin, Frank Dwight, 1842-1923"],"language_ssim":["English"],"total_component_count_is":2,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:05:04.720Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_423"}},{"id":"vihart_repositories_4_resources_331","type":"collection","attributes":{"title":"Fulks Run Ruritan Club records","creator":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_331#creator","type":"document_value","attributes":{"value":"Fulks Run Ruritan Club (Fulks Run, Va.)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_331#abstract_or_scope","type":"document_value","attributes":{"value":"The Fulks Run Ruritan Club Records, 1958-2008, consist of two boxes (2 cubic feet) of meeting minutes, rosters, community service reports, treasuer notes, receipts, correspondence, and handbooks documenting this Fulks Run, Virginia organization.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_331#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_331","ead_ssi":"vihart_repositories_4_resources_331","_root_":"vihart_repositories_4_resources_331","_nest_parent_":"vihart_repositories_4_resources_331","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_331.xml","title_ssm":["Fulks Run Ruritan Club records"],"title_tesim":["Fulks Run Ruritan Club records"],"unitdate_ssm":["1958-2008"],"unitdate_inclusive_ssm":["1958-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0198","/repositories/4/resources/331"],"text":["SC 0198","/repositories/4/resources/331","Fulks Run Ruritan Club records","Virginia -- History, Local","Fraternal organizations -- Virginia -- Fulks Run","Fraternal organizations -- Virginia -- Rockingham County -- History -- Sources","Letters (correspondence)","Minutes (administrative records)","Rosters","Calendars (documents)","Programs (documents)","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","May receive accruals; the organization retains recent records.","The collection is arranged in two series:","Administrative Files, 1958-2003 Printed Material, 1962-2008","Bolgiano, Chris.  The Fulks Run Ruritan Club, 1958-2008: A Documentary History.  Fulks Run, Va.: Fulks Run Ruritan Club, 2008.","Founded in 1958, the Fulks Run Chapter of the Ruritan National organization is a community service group in which members work together to improve their neighborhoods through fundraisers, social events, blood drives, pet vaccinations, trash pick-ups, essay contests, guest speakers, and other efforts to aid needy community members. The club has also strived to support students in the area by sponsoring school-related trips and providing scholarships to graduating high school seniors. ","After attracting thirty-eight members, Fulks Run natives and charter members Garnett Turner and Andrew Thomas orchestrated the first Ruritan club meeting in March 1958. The Ruritan club developed a close working relationship with Fulks Run Elementary School, aiding in its construction in 1961 and providing funds and supplies to support the school's Weekly Religious Education (WRE) program. On behalf of the community, the Ruritans presented a vocal opposition against the proposed Brocks Gap Dam during the mid-1960s and 1970s and wrote various letters to government officials and attended hearings. The club's annual Fulks Run Lawn Party has become a profitable event held every summer in late July with musical acts, games, carnival rides, and a beauty pageant attracting large crowds from surrounding communities. After thirty-five years as a male-only organization, the Fulks Run Ruritan Club membership grew to include women in 1993. ","For more on the history of the Fulks Run Ruritan Club, see Chris Bolgiano's  The Fulks Run Ruritan Club, 1958-2008: A Documentary History  Fulks Run, Va.: Fulks Run Ruritan Club, 2008.","In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in 2017-2018.  This collection was previously cataloged as SC 5020 .","For further information regarding the 1985 flood and its impact on the Fulks Run Ruritan Park see Ron Turner's videorecording  1985 Flood: Fulks Run and Bergton, Va.  Ron Turner Video Productions, 1985.","The Fulks Run Ruritan Club Records, 1958-2008, consist of meeting minutes, rosters, community service reports, treasurer notes, receipts, correspondence, and handbooks documenting this Fulks Run, Virginia organization and is arranged in two series, Administrative Files and Printed Material. ","Series 1, Administrative Files, 1958-2008, consists primarily of monthly minutes from Ruritan club meetings and is arranged chronologically. Records of members' meeting attendance are documented as well as guest speakers, community service efforts, fundraisers, and financial records. Correspondence between Ruritan club members and local schools (particularly Fulks Run Elementary), organizations, businesses, and community members is also present, as well as records pertaining to the annual Fulks Run Lawn Party and July 4th festivities. Loose receipts document local businesses such as Fulks Run Grocery, Neff Lumber Mills, Rhodes Candy Company, Valley Bowling Center, and Mac's Superette for many years prior to 1980 when the club began utilizing a formal treasurer's handbook. The folder containing the year 1960 includes only a single roll sheet with a list of members' names. Two legal sized documents, one dated 1966 and one dated 1977, have been pulled from their original folders and placed in a legal sized folder in Box 1. ","Series 2, Printed Material, 1962-2008, includes convention and banquet programs and club handbooks, though not every year is represented.","The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Fulks Run Ruritan Club Records, 1958-2008, consist of two boxes (2 cubic feet) of meeting minutes, rosters, community service reports, treasuer notes, receipts, correspondence, and handbooks documenting this Fulks Run, Virginia organization.","James Madison University Libraries Special Collections","Fulks Run Ruritan Club (Fulks Run, Va.)","Ruritan National","Fulks Run Ruritan Club (Fulks Run, Va.) -- History","Bolgiano, Chris","English"],"unitid_tesim":["SC 0198","/repositories/4/resources/331"],"normalized_title_ssm":["Fulks Run Ruritan Club records"],"collection_title_tesim":["Fulks Run Ruritan Club records"],"collection_ssim":["Fulks Run Ruritan Club records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Virginia -- History, Local"],"geogname_ssim":["Virginia -- History, Local"],"creator_ssm":["Fulks Run Ruritan Club (Fulks Run, Va.)","Bolgiano, Chris"],"creator_ssim":["Fulks Run Ruritan Club (Fulks Run, Va.)","Bolgiano, Chris"],"creator_persname_ssim":["Bolgiano, Chris"],"creator_corpname_ssim":["Fulks Run Ruritan Club (Fulks Run, Va.)"],"creators_ssim":["Bolgiano, Chris","Fulks Run Ruritan Club (Fulks Run, Va.)"],"places_ssim":["Virginia -- History, Local"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The collection was donated by Fulks Run Ruritan Club member Chris Bolgiano in March 2009. In August 2011, Chris Bolgiano donated a number of handbooks, meeting calendars, and convention programs."],"access_subjects_ssim":["Fraternal organizations -- Virginia -- Fulks Run","Fraternal organizations -- Virginia -- Rockingham County -- History -- Sources","Letters (correspondence)","Minutes (administrative records)","Rosters","Calendars (documents)","Programs (documents)"],"access_subjects_ssm":["Fraternal organizations -- Virginia -- Fulks Run","Fraternal organizations -- Virginia -- Rockingham County -- History -- Sources","Letters (correspondence)","Minutes (administrative records)","Rosters","Calendars (documents)","Programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["2 cubic feet 2 boxes"],"extent_tesim":["2 cubic feet 2 boxes"],"genreform_ssim":["Letters (correspondence)","Minutes (administrative records)","Rosters","Calendars (documents)","Programs (documents)"],"date_range_isim":[1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"accruals_html_tesm":["\u003cp\u003eMay receive accruals; the organization retains recent records.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["May receive accruals; the organization retains recent records."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in two series:\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eAdministrative Files, 1958-2003\u003c/item\u003e\n      \u003citem\u003ePrinted Material, 1962-2008\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in two series:","Administrative Files, 1958-2003 Printed Material, 1962-2008"],"bibliography_html_tesm":["\u003cbibref\u003eBolgiano, Chris. \u003cemph render=\"italic\"\u003eThe Fulks Run Ruritan Club, 1958-2008: A Documentary History.\u003c/emph\u003e Fulks Run, Va.: Fulks Run Ruritan Club, 2008.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Bolgiano, Chris.  The Fulks Run Ruritan Club, 1958-2008: A Documentary History.  Fulks Run, Va.: Fulks Run Ruritan Club, 2008."],"bioghist_html_tesm":["\u003cp\u003eFounded in 1958, the Fulks Run Chapter of the Ruritan National organization is a community service group in which members work together to improve their neighborhoods through fundraisers, social events, blood drives, pet vaccinations, trash pick-ups, essay contests, guest speakers, and other efforts to aid needy community members. The club has also strived to support students in the area by sponsoring school-related trips and providing scholarships to graduating high school seniors. \u003c/p\u003e\n","\u003cp\u003eAfter attracting thirty-eight members, Fulks Run natives and charter members Garnett Turner and Andrew Thomas orchestrated the first Ruritan club meeting in March 1958. The Ruritan club developed a close working relationship with Fulks Run Elementary School, aiding in its construction in 1961 and providing funds and supplies to support the school's Weekly Religious Education (WRE) program. On behalf of the community, the Ruritans presented a vocal opposition against the proposed Brocks Gap Dam during the mid-1960s and 1970s and wrote various letters to government officials and attended hearings. The club's annual Fulks Run Lawn Party has become a profitable event held every summer in late July with musical acts, games, carnival rides, and a beauty pageant attracting large crowds from surrounding communities. After thirty-five years as a male-only organization, the Fulks Run Ruritan Club membership grew to include women in 1993. \u003c/p\u003e\n","\u003cp\u003eFor more on the history of the Fulks Run Ruritan Club, see Chris Bolgiano's \u003cemph render=\"italic\"\u003eThe Fulks Run Ruritan Club, 1958-2008: A Documentary History\u003c/emph\u003e Fulks Run, Va.: Fulks Run Ruritan Club, 2008.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["Founded in 1958, the Fulks Run Chapter of the Ruritan National organization is a community service group in which members work together to improve their neighborhoods through fundraisers, social events, blood drives, pet vaccinations, trash pick-ups, essay contests, guest speakers, and other efforts to aid needy community members. The club has also strived to support students in the area by sponsoring school-related trips and providing scholarships to graduating high school seniors. ","After attracting thirty-eight members, Fulks Run natives and charter members Garnett Turner and Andrew Thomas orchestrated the first Ruritan club meeting in March 1958. The Ruritan club developed a close working relationship with Fulks Run Elementary School, aiding in its construction in 1961 and providing funds and supplies to support the school's Weekly Religious Education (WRE) program. On behalf of the community, the Ruritans presented a vocal opposition against the proposed Brocks Gap Dam during the mid-1960s and 1970s and wrote various letters to government officials and attended hearings. The club's annual Fulks Run Lawn Party has become a profitable event held every summer in late July with musical acts, games, carnival rides, and a beauty pageant attracting large crowds from surrounding communities. After thirty-five years as a male-only organization, the Fulks Run Ruritan Club membership grew to include women in 1993. ","For more on the history of the Fulks Run Ruritan Club, see Chris Bolgiano's  The Fulks Run Ruritan Club, 1958-2008: A Documentary History  Fulks Run, Va.: Fulks Run Ruritan Club, 2008."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Fulks Run Ruritan Club Records, 1958-2008, SC 0198, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Fulks Run Ruritan Club Records, 1958-2008, SC 0198, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va."],"processinfo_html_tesm":["\u003cp\u003eIn order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in 2017-2018. \u003cemph render=\"bold\"\u003eThis collection was previously cataloged as SC 5020\u003c/emph\u003e.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in 2017-2018.  This collection was previously cataloged as SC 5020 ."],"relatedmaterial_html_tesm":["\u003cp\u003eFor further information regarding the 1985 flood and its impact on the Fulks Run Ruritan Park see Ron Turner's videorecording \u003cemph render=\"italic\"\u003e1985 Flood: Fulks Run and Bergton, Va.\u003c/emph\u003e Ron Turner Video Productions, 1985.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["For further information regarding the 1985 flood and its impact on the Fulks Run Ruritan Park see Ron Turner's videorecording  1985 Flood: Fulks Run and Bergton, Va.  Ron Turner Video Productions, 1985."],"scopecontent_html_tesm":["\u003cp\u003eThe Fulks Run Ruritan Club Records, 1958-2008, consist of meeting minutes, rosters, community service reports, treasurer notes, receipts, correspondence, and handbooks documenting this Fulks Run, Virginia organization and is arranged in two series, Administrative Files and Printed Material. \u003c/p\u003e\n","\u003cp\u003eSeries 1, Administrative Files, 1958-2008, consists primarily of monthly minutes from Ruritan club meetings and is arranged chronologically. Records of members' meeting attendance are documented as well as guest speakers, community service efforts, fundraisers, and financial records. Correspondence between Ruritan club members and local schools (particularly Fulks Run Elementary), organizations, businesses, and community members is also present, as well as records pertaining to the annual Fulks Run Lawn Party and July 4th festivities. Loose receipts document local businesses such as Fulks Run Grocery, Neff Lumber Mills, Rhodes Candy Company, Valley Bowling Center, and Mac's Superette for many years prior to 1980 when the club began utilizing a formal treasurer's handbook. The folder containing the year 1960 includes only a single roll sheet with a list of members' names. Two legal sized documents, one dated 1966 and one dated 1977, have been pulled from their original folders and placed in a legal sized folder in Box 1. \u003c/p\u003e\n","\u003cp\u003eSeries 2, Printed Material, 1962-2008, includes convention and banquet programs and club handbooks, though not every year is represented.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Fulks Run Ruritan Club Records, 1958-2008, consist of meeting minutes, rosters, community service reports, treasurer notes, receipts, correspondence, and handbooks documenting this Fulks Run, Virginia organization and is arranged in two series, Administrative Files and Printed Material. ","Series 1, Administrative Files, 1958-2008, consists primarily of monthly minutes from Ruritan club meetings and is arranged chronologically. Records of members' meeting attendance are documented as well as guest speakers, community service efforts, fundraisers, and financial records. Correspondence between Ruritan club members and local schools (particularly Fulks Run Elementary), organizations, businesses, and community members is also present, as well as records pertaining to the annual Fulks Run Lawn Party and July 4th festivities. Loose receipts document local businesses such as Fulks Run Grocery, Neff Lumber Mills, Rhodes Candy Company, Valley Bowling Center, and Mac's Superette for many years prior to 1980 when the club began utilizing a formal treasurer's handbook. The folder containing the year 1960 includes only a single roll sheet with a list of members' names. Two legal sized documents, one dated 1966 and one dated 1977, have been pulled from their original folders and placed in a legal sized folder in Box 1. ","Series 2, Printed Material, 1962-2008, includes convention and banquet programs and club handbooks, though not every year is represented."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b9411bcc1eac80d6160c868cdc9470c9\"\u003eThe Fulks Run Ruritan Club Records, 1958-2008, consist of two boxes (2 cubic feet) of meeting minutes, rosters, community service reports, treasuer notes, receipts, correspondence, and handbooks documenting this Fulks Run, Virginia organization.\u003c/abstract\u003e"],"abstract_tesim":["The Fulks Run Ruritan Club Records, 1958-2008, consist of two boxes (2 cubic feet) of meeting minutes, rosters, community service reports, treasuer notes, receipts, correspondence, and handbooks documenting this Fulks Run, Virginia organization."],"names_coll_ssim":["Ruritan National","Fulks Run Ruritan Club (Fulks Run, Va.) -- History","Bolgiano, Chris"],"names_ssim":["James Madison University Libraries Special Collections","Fulks Run Ruritan Club (Fulks Run, Va.)","Ruritan National","Fulks Run Ruritan Club (Fulks Run, Va.) -- History","Bolgiano, Chris"],"corpname_ssim":["James Madison University Libraries Special Collections","Fulks Run Ruritan Club (Fulks Run, Va.)","Ruritan National","Fulks Run Ruritan Club (Fulks Run, Va.) -- History"],"persname_ssim":["Bolgiano, Chris"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":66,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:20:27.499Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_331","ead_ssi":"vihart_repositories_4_resources_331","_root_":"vihart_repositories_4_resources_331","_nest_parent_":"vihart_repositories_4_resources_331","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_331.xml","title_ssm":["Fulks Run Ruritan Club records"],"title_tesim":["Fulks Run Ruritan Club records"],"unitdate_ssm":["1958-2008"],"unitdate_inclusive_ssm":["1958-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0198","/repositories/4/resources/331"],"text":["SC 0198","/repositories/4/resources/331","Fulks Run Ruritan Club records","Virginia -- History, Local","Fraternal organizations -- Virginia -- Fulks Run","Fraternal organizations -- Virginia -- Rockingham County -- History -- Sources","Letters (correspondence)","Minutes (administrative records)","Rosters","Calendars (documents)","Programs (documents)","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","May receive accruals; the organization retains recent records.","The collection is arranged in two series:","Administrative Files, 1958-2003 Printed Material, 1962-2008","Bolgiano, Chris.  The Fulks Run Ruritan Club, 1958-2008: A Documentary History.  Fulks Run, Va.: Fulks Run Ruritan Club, 2008.","Founded in 1958, the Fulks Run Chapter of the Ruritan National organization is a community service group in which members work together to improve their neighborhoods through fundraisers, social events, blood drives, pet vaccinations, trash pick-ups, essay contests, guest speakers, and other efforts to aid needy community members. The club has also strived to support students in the area by sponsoring school-related trips and providing scholarships to graduating high school seniors. ","After attracting thirty-eight members, Fulks Run natives and charter members Garnett Turner and Andrew Thomas orchestrated the first Ruritan club meeting in March 1958. The Ruritan club developed a close working relationship with Fulks Run Elementary School, aiding in its construction in 1961 and providing funds and supplies to support the school's Weekly Religious Education (WRE) program. On behalf of the community, the Ruritans presented a vocal opposition against the proposed Brocks Gap Dam during the mid-1960s and 1970s and wrote various letters to government officials and attended hearings. The club's annual Fulks Run Lawn Party has become a profitable event held every summer in late July with musical acts, games, carnival rides, and a beauty pageant attracting large crowds from surrounding communities. After thirty-five years as a male-only organization, the Fulks Run Ruritan Club membership grew to include women in 1993. ","For more on the history of the Fulks Run Ruritan Club, see Chris Bolgiano's  The Fulks Run Ruritan Club, 1958-2008: A Documentary History  Fulks Run, Va.: Fulks Run Ruritan Club, 2008.","In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in 2017-2018.  This collection was previously cataloged as SC 5020 .","For further information regarding the 1985 flood and its impact on the Fulks Run Ruritan Park see Ron Turner's videorecording  1985 Flood: Fulks Run and Bergton, Va.  Ron Turner Video Productions, 1985.","The Fulks Run Ruritan Club Records, 1958-2008, consist of meeting minutes, rosters, community service reports, treasurer notes, receipts, correspondence, and handbooks documenting this Fulks Run, Virginia organization and is arranged in two series, Administrative Files and Printed Material. ","Series 1, Administrative Files, 1958-2008, consists primarily of monthly minutes from Ruritan club meetings and is arranged chronologically. Records of members' meeting attendance are documented as well as guest speakers, community service efforts, fundraisers, and financial records. Correspondence between Ruritan club members and local schools (particularly Fulks Run Elementary), organizations, businesses, and community members is also present, as well as records pertaining to the annual Fulks Run Lawn Party and July 4th festivities. Loose receipts document local businesses such as Fulks Run Grocery, Neff Lumber Mills, Rhodes Candy Company, Valley Bowling Center, and Mac's Superette for many years prior to 1980 when the club began utilizing a formal treasurer's handbook. The folder containing the year 1960 includes only a single roll sheet with a list of members' names. Two legal sized documents, one dated 1966 and one dated 1977, have been pulled from their original folders and placed in a legal sized folder in Box 1. ","Series 2, Printed Material, 1962-2008, includes convention and banquet programs and club handbooks, though not every year is represented.","The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Fulks Run Ruritan Club Records, 1958-2008, consist of two boxes (2 cubic feet) of meeting minutes, rosters, community service reports, treasuer notes, receipts, correspondence, and handbooks documenting this Fulks Run, Virginia organization.","James Madison University Libraries Special Collections","Fulks Run Ruritan Club (Fulks Run, Va.)","Ruritan National","Fulks Run Ruritan Club (Fulks Run, Va.) -- History","Bolgiano, Chris","English"],"unitid_tesim":["SC 0198","/repositories/4/resources/331"],"normalized_title_ssm":["Fulks Run Ruritan Club records"],"collection_title_tesim":["Fulks Run Ruritan Club records"],"collection_ssim":["Fulks Run Ruritan Club records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Virginia -- History, Local"],"geogname_ssim":["Virginia -- History, Local"],"creator_ssm":["Fulks Run Ruritan Club (Fulks Run, Va.)","Bolgiano, Chris"],"creator_ssim":["Fulks Run Ruritan Club (Fulks Run, Va.)","Bolgiano, Chris"],"creator_persname_ssim":["Bolgiano, Chris"],"creator_corpname_ssim":["Fulks Run Ruritan Club (Fulks Run, Va.)"],"creators_ssim":["Bolgiano, Chris","Fulks Run Ruritan Club (Fulks Run, Va.)"],"places_ssim":["Virginia -- History, Local"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The collection was donated by Fulks Run Ruritan Club member Chris Bolgiano in March 2009. In August 2011, Chris Bolgiano donated a number of handbooks, meeting calendars, and convention programs."],"access_subjects_ssim":["Fraternal organizations -- Virginia -- Fulks Run","Fraternal organizations -- Virginia -- Rockingham County -- History -- Sources","Letters (correspondence)","Minutes (administrative records)","Rosters","Calendars (documents)","Programs (documents)"],"access_subjects_ssm":["Fraternal organizations -- Virginia -- Fulks Run","Fraternal organizations -- Virginia -- Rockingham County -- History -- Sources","Letters (correspondence)","Minutes (administrative records)","Rosters","Calendars (documents)","Programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["2 cubic feet 2 boxes"],"extent_tesim":["2 cubic feet 2 boxes"],"genreform_ssim":["Letters (correspondence)","Minutes (administrative records)","Rosters","Calendars (documents)","Programs (documents)"],"date_range_isim":[1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"accruals_html_tesm":["\u003cp\u003eMay receive accruals; the organization retains recent records.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["May receive accruals; the organization retains recent records."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in two series:\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eAdministrative Files, 1958-2003\u003c/item\u003e\n      \u003citem\u003ePrinted Material, 1962-2008\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in two series:","Administrative Files, 1958-2003 Printed Material, 1962-2008"],"bibliography_html_tesm":["\u003cbibref\u003eBolgiano, Chris. \u003cemph render=\"italic\"\u003eThe Fulks Run Ruritan Club, 1958-2008: A Documentary History.\u003c/emph\u003e Fulks Run, Va.: Fulks Run Ruritan Club, 2008.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Bolgiano, Chris.  The Fulks Run Ruritan Club, 1958-2008: A Documentary History.  Fulks Run, Va.: Fulks Run Ruritan Club, 2008."],"bioghist_html_tesm":["\u003cp\u003eFounded in 1958, the Fulks Run Chapter of the Ruritan National organization is a community service group in which members work together to improve their neighborhoods through fundraisers, social events, blood drives, pet vaccinations, trash pick-ups, essay contests, guest speakers, and other efforts to aid needy community members. The club has also strived to support students in the area by sponsoring school-related trips and providing scholarships to graduating high school seniors. \u003c/p\u003e\n","\u003cp\u003eAfter attracting thirty-eight members, Fulks Run natives and charter members Garnett Turner and Andrew Thomas orchestrated the first Ruritan club meeting in March 1958. The Ruritan club developed a close working relationship with Fulks Run Elementary School, aiding in its construction in 1961 and providing funds and supplies to support the school's Weekly Religious Education (WRE) program. On behalf of the community, the Ruritans presented a vocal opposition against the proposed Brocks Gap Dam during the mid-1960s and 1970s and wrote various letters to government officials and attended hearings. The club's annual Fulks Run Lawn Party has become a profitable event held every summer in late July with musical acts, games, carnival rides, and a beauty pageant attracting large crowds from surrounding communities. After thirty-five years as a male-only organization, the Fulks Run Ruritan Club membership grew to include women in 1993. \u003c/p\u003e\n","\u003cp\u003eFor more on the history of the Fulks Run Ruritan Club, see Chris Bolgiano's \u003cemph render=\"italic\"\u003eThe Fulks Run Ruritan Club, 1958-2008: A Documentary History\u003c/emph\u003e Fulks Run, Va.: Fulks Run Ruritan Club, 2008.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["Founded in 1958, the Fulks Run Chapter of the Ruritan National organization is a community service group in which members work together to improve their neighborhoods through fundraisers, social events, blood drives, pet vaccinations, trash pick-ups, essay contests, guest speakers, and other efforts to aid needy community members. The club has also strived to support students in the area by sponsoring school-related trips and providing scholarships to graduating high school seniors. ","After attracting thirty-eight members, Fulks Run natives and charter members Garnett Turner and Andrew Thomas orchestrated the first Ruritan club meeting in March 1958. The Ruritan club developed a close working relationship with Fulks Run Elementary School, aiding in its construction in 1961 and providing funds and supplies to support the school's Weekly Religious Education (WRE) program. On behalf of the community, the Ruritans presented a vocal opposition against the proposed Brocks Gap Dam during the mid-1960s and 1970s and wrote various letters to government officials and attended hearings. The club's annual Fulks Run Lawn Party has become a profitable event held every summer in late July with musical acts, games, carnival rides, and a beauty pageant attracting large crowds from surrounding communities. After thirty-five years as a male-only organization, the Fulks Run Ruritan Club membership grew to include women in 1993. ","For more on the history of the Fulks Run Ruritan Club, see Chris Bolgiano's  The Fulks Run Ruritan Club, 1958-2008: A Documentary History  Fulks Run, Va.: Fulks Run Ruritan Club, 2008."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Fulks Run Ruritan Club Records, 1958-2008, SC 0198, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Fulks Run Ruritan Club Records, 1958-2008, SC 0198, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va."],"processinfo_html_tesm":["\u003cp\u003eIn order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in 2017-2018. \u003cemph render=\"bold\"\u003eThis collection was previously cataloged as SC 5020\u003c/emph\u003e.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in 2017-2018.  This collection was previously cataloged as SC 5020 ."],"relatedmaterial_html_tesm":["\u003cp\u003eFor further information regarding the 1985 flood and its impact on the Fulks Run Ruritan Park see Ron Turner's videorecording \u003cemph render=\"italic\"\u003e1985 Flood: Fulks Run and Bergton, Va.\u003c/emph\u003e Ron Turner Video Productions, 1985.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["For further information regarding the 1985 flood and its impact on the Fulks Run Ruritan Park see Ron Turner's videorecording  1985 Flood: Fulks Run and Bergton, Va.  Ron Turner Video Productions, 1985."],"scopecontent_html_tesm":["\u003cp\u003eThe Fulks Run Ruritan Club Records, 1958-2008, consist of meeting minutes, rosters, community service reports, treasurer notes, receipts, correspondence, and handbooks documenting this Fulks Run, Virginia organization and is arranged in two series, Administrative Files and Printed Material. \u003c/p\u003e\n","\u003cp\u003eSeries 1, Administrative Files, 1958-2008, consists primarily of monthly minutes from Ruritan club meetings and is arranged chronologically. Records of members' meeting attendance are documented as well as guest speakers, community service efforts, fundraisers, and financial records. Correspondence between Ruritan club members and local schools (particularly Fulks Run Elementary), organizations, businesses, and community members is also present, as well as records pertaining to the annual Fulks Run Lawn Party and July 4th festivities. Loose receipts document local businesses such as Fulks Run Grocery, Neff Lumber Mills, Rhodes Candy Company, Valley Bowling Center, and Mac's Superette for many years prior to 1980 when the club began utilizing a formal treasurer's handbook. The folder containing the year 1960 includes only a single roll sheet with a list of members' names. Two legal sized documents, one dated 1966 and one dated 1977, have been pulled from their original folders and placed in a legal sized folder in Box 1. \u003c/p\u003e\n","\u003cp\u003eSeries 2, Printed Material, 1962-2008, includes convention and banquet programs and club handbooks, though not every year is represented.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Fulks Run Ruritan Club Records, 1958-2008, consist of meeting minutes, rosters, community service reports, treasurer notes, receipts, correspondence, and handbooks documenting this Fulks Run, Virginia organization and is arranged in two series, Administrative Files and Printed Material. ","Series 1, Administrative Files, 1958-2008, consists primarily of monthly minutes from Ruritan club meetings and is arranged chronologically. Records of members' meeting attendance are documented as well as guest speakers, community service efforts, fundraisers, and financial records. Correspondence between Ruritan club members and local schools (particularly Fulks Run Elementary), organizations, businesses, and community members is also present, as well as records pertaining to the annual Fulks Run Lawn Party and July 4th festivities. Loose receipts document local businesses such as Fulks Run Grocery, Neff Lumber Mills, Rhodes Candy Company, Valley Bowling Center, and Mac's Superette for many years prior to 1980 when the club began utilizing a formal treasurer's handbook. The folder containing the year 1960 includes only a single roll sheet with a list of members' names. Two legal sized documents, one dated 1966 and one dated 1977, have been pulled from their original folders and placed in a legal sized folder in Box 1. ","Series 2, Printed Material, 1962-2008, includes convention and banquet programs and club handbooks, though not every year is represented."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b9411bcc1eac80d6160c868cdc9470c9\"\u003eThe Fulks Run Ruritan Club Records, 1958-2008, consist of two boxes (2 cubic feet) of meeting minutes, rosters, community service reports, treasuer notes, receipts, correspondence, and handbooks documenting this Fulks Run, Virginia organization.\u003c/abstract\u003e"],"abstract_tesim":["The Fulks Run Ruritan Club Records, 1958-2008, consist of two boxes (2 cubic feet) of meeting minutes, rosters, community service reports, treasuer notes, receipts, correspondence, and handbooks documenting this Fulks Run, Virginia organization."],"names_coll_ssim":["Ruritan National","Fulks Run Ruritan Club (Fulks Run, Va.) -- History","Bolgiano, Chris"],"names_ssim":["James Madison University Libraries Special Collections","Fulks Run Ruritan Club (Fulks Run, Va.)","Ruritan National","Fulks Run Ruritan Club (Fulks Run, Va.) -- History","Bolgiano, Chris"],"corpname_ssim":["James Madison University Libraries Special Collections","Fulks Run Ruritan Club (Fulks Run, Va.)","Ruritan National","Fulks Run Ruritan Club (Fulks Run, Va.) -- History"],"persname_ssim":["Bolgiano, Chris"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":66,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:20:27.499Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_331"}},{"id":"vihart_repositories_4_resources_488","type":"collection","attributes":{"title":"Furious Flower Poetry Center Records","creator":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488#creator","type":"document_value","attributes":{"value":"James Madison University. Furious Flower Poetry Center","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488#abstract_or_scope","type":"document_value","attributes":{"value":"The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_488","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_488.xml","aspace_url_ssi":"https://aspace.lib.jmu.edu/repositories/4/resources/488","title_ssm":["Furious Flower Poetry Center Records"],"title_tesim":["Furious Flower Poetry Center Records"],"unitdate_ssm":["1970-2024"],"unitdate_inclusive_ssm":["1970-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0017","/repositories/4/resources/488"],"text":["UA 0017","/repositories/4/resources/488","Furious Flower Poetry Center Records","United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century","American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)","Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","running time:","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Original audiovisual and media are in process and not available pending reformatting.","It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.","The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","Event footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details.","\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.","The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference.","Additional information on the Dark Room Collective can be found  here.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Video recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions.","See \"1994 Conference Program, 1994\" in Series 1 for original conference program.","See the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.","See the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B","Michael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A","Michael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.","Arranged chronologically by project date and sub-arranged alphabetically within each project.","This series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.","Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.","Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.","This series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.","Opening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.","The Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.","Original 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"","This footage was originally recorded on 3 MII videocassettes.","Michael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" ","This footage was originally recorded on 4 MII videocassettes.","Rita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Tribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" ","This footage was originally recorded on 3 MII videocassettes.","Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. ","This footage was originally recorded on a MII videocassette.","Poetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. ","Tape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. ","This footage was originally recorded on 2 MII videocassettes.","Conference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. ","This footage was originally recorded on 6 MII videocassettes.","Supercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.","Supercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. ","This footage was originally recorded on a MII videocassette.","Supercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). ","This footage was originally recorded on a MII videocassette.","Supercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). ","This footage was originally recorded on a MII videocassette.","Supercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. ","This footage was originally recorded on a MII videocassette.","Supercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). ","This footage was originally recorded on a MII videocassette.","Supercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. ","This footage was originally recorded on a MII videocassette.","Supercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. ","This footage was originally recorded on a MII videocassette. ","Supercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). ","This footage was originally recorded on a MII videocassette.","Supercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. ","This footage was originally recorded on a MII videocassette. ","Supercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. ","This footage was originally recorded on a MII videocassette. ","Audience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Footage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Interview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.","Arranged alphabetically.","Materials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.","Opening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.","This footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.","The first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Footage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. ","This footage was originally recorded on 1 DVCAM videocassette.","Keynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.","This footage was originally recorded on 2 DVCAM videocassettes. ","Footage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Poetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","The second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Laureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. ","This footage was originally recorded on 3 VHS videocassettes.","Poetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.","Tribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. ","This footage was originally recorded on 4 DVCAM videocassettes.  ","Poetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. ","This footage was originally recorded on 1 DVCAM videocassette.","The third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes.","Lifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.","Opening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.","Keynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026 Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.","The Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.","A Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.","Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.","Black Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.","Dear Yusef: Celebrating the Life \u0026 Work of Poet \u0026 Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.","Walk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.","Laureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.","Magnitude \u0026 Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026 Culture (CBLC), and Obsidian: Literature \u0026 Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.","Black Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.","Growing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.","Black Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.","Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.","A Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.","Black Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.","Closing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.","Interview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.","James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L.","English"],"unitid_tesim":["UA 0017","/repositories/4/resources/488"],"normalized_title_ssm":["Furious Flower Poetry Center Records"],"collection_title_tesim":["Furious Flower Poetry Center Records"],"collection_ssim":["Furious Flower Poetry Center Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"geogname_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"creator_ssm":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_ssim":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_corpname_ssim":["James Madison University. Furious Flower Poetry Center"],"creators_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","James Madison University. Furious Flower Poetry Center"],"places_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"access_terms_ssm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Furious Flower Poetry Center transferred these materials to Special Collections on May 16 and June 29, 2016. Subsequent transfers occurred in September 2017, September 2019, April 2023, and October 2024."],"access_subjects_ssim":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"access_subjects_ssm":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"extent_tesim":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"genreform_ssim":["Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003erunning time:\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eOriginal audiovisual and media are in process and not available pending reformatting.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","running time:","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Original audiovisual and media are in process and not available pending reformatting."],"accruals_html_tesm":["\u003cp\u003eIt is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis."],"altformavail_html_tesm":["\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions."],"appraisal_html_tesm":["\u003cp\u003eSmall Purchase Credit Card Statements were discarded due to lack of research value.\u003c/p\u003e\n","\u003cp\u003eDue to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.\u003c/p\u003e"],"appraisal_heading_ssm":[" Appraisal Information"],"appraisal_tesim":["Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eGrants and Financial Files, 2004-2021\u003c/item\u003e\n      \u003citem\u003ePublications and Manuscripts, 1993-2012\u003c/item\u003e\n      \u003citem\u003eEvents, Programs, and Workshops, 1990-2019\u003c/item\u003e\n      \u003citem\u003eConference Records, 1970-2015\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003eThe series is arranged chronologically into three sub-series:\u003c/p\u003e\n","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003citem\u003eSub-series 4.1: 1994 Conference, 1970-2009\u003c/item\u003e\u003citem\u003eSub-series 4.2: 2004 Conference, 2002-2007\u003c/item\u003e\u003citem\u003eSub-series 4.3: 2014 Conference, 2013-2015\u003c/item\u003e\u003c/list\u003e","\u003cp\u003eEvent footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","Event footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details."],"bibliography_html_tesm":["\u003cbibref\u003e\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml."],"bioghist_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:\u003c/p\u003e\n","\u003cp\u003eThe time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.\u003c/p\u003e\n","\u003cp\u003eMany who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. \u003c/p\u003e\n","\u003cp\u003eDue to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.\u003c/p\u003e\n","\u003cp\u003eIn 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.\u003c/p\u003e\n","\u003cp\u003eToday, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).\u003c/p\u003e\n","\u003cp\u003eFFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.\u003c/p\u003e","\u003cp\u003eThe 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Bio/Historical Note"],"bioghist_tesim":["The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference."],"odd_html_tesm":["\u003cp\u003eAdditional information on the Dark Room Collective can be found \u003ca href=\"https://poets.org/text/brief-guide-dark-room-collective\"\u003ehere.\u003c/a\u003e\u003c/p\u003e"],"odd_heading_ssm":["General Note"],"odd_tesim":["Additional information on the Dark Room Collective can be found  here."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;695ef954-06ba-43a6-b341-cc3edf3fc1e6\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|695ef954-06ba-43a6-b341-cc3edf3fc1e6/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;9e242b35-14e6-4742-bd85-186794dcc4ec\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|9e242b35-14e6-4742-bd85-186794dcc4ec/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;ac68aac5-b304-45cc-aeb4-0905f8a57259\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|ac68aac5-b304-45cc-aeb4-0905f8a57259/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Preservica Internal URL","Preservica Public URL","Preservica Internal URL","Preservica Public URL","Preservica Internal URL","Preservica Public URL"],"otherfindaid_tesim":["Preservica Internal","Preservica Access","Preservica Internal","Preservica Access","Preservica Internal","Preservica Access"],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e","\u003cp\u003e[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA"],"processinfo_html_tesm":["\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"\u003c/p\u003e","\u003cp\u003eIn April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.\u003c/p\u003e","\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e","\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e","\u003cp\u003eVideo recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Note"],"processinfo_tesim":["The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Video recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions."],"relatedmaterial_html_tesm":["\u003cp\u003eSee \"1994 Conference Program, 1994\" in Series 1 for original conference program.\u003c/p\u003e","\u003cp\u003eSee the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29908\"\u003eSam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29908\"\u003eSam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29910\"\u003eToi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29910\"\u003eToi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30039\"\u003eMichael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30040\"\u003eMichael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29907\"\u003eMari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29907\"\u003eMari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["See \"1994 Conference Program, 1994\" in Series 1 for original conference program.","See the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.","See the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B","Michael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A","Michael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut"],"scopecontent_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.\u003c/p\u003e","\u003cp\u003eArranged chronologically. \u003c/p\u003e\n","\u003cp\u003eFFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.\u003c/p\u003e","\u003cp\u003eArranged chronologically by project date and sub-arranged alphabetically within each project.\u003c/p\u003e\n","\u003cp\u003eThis series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.\u003c/p\u003e","\u003cp\u003eArranged chronologically by event and sub-arranged alphabetically within each event.\u003c/p\u003e\n","\u003cp\u003eThis series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.\u003c/p\u003e\n","\u003cp\u003eOne file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.\u003c/p\u003e","\u003cp\u003eThis series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.\u003c/p\u003e","\u003cp\u003eArranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.\u003c/p\u003e","\u003cp\u003eThis series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.\u003c/p\u003e","\u003cp\u003eOpening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.\u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 MII videocassettes.\u003c/p\u003e","\u003cp\u003eMichael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 4 MII videocassettes.\u003c/p\u003e","\u003cp\u003eRita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eTribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. \u003c/p\u003e\n","\u003cp\u003eTape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eConference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 6 MII videocassettes.\u003c/p\u003e","\u003cp\u003eSupercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.\u003c/p\u003e","\u003cp\u003eSupercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eSupercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eSupercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eAudience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eFootage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eArranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eMaterials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.\u003c/p\u003e","\u003cp\u003eOpening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eThe first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eFootage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 DVCAM videocassette.\u003c/p\u003e","\u003cp\u003eKeynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes. \u003c/p\u003e","\u003cp\u003eFootage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eThe second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eLaureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 VHS videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.\u003c/p\u003e","\u003cp\u003eTribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 4 DVCAM videocassettes.  \u003c/p\u003e","\u003cp\u003ePoetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 DVCAM videocassette.\u003c/p\u003e","\u003cp\u003eThe third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eCave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eCave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eConference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 videocassettes.\u003c/p\u003e","\u003cp\u003eLifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.\u003c/p\u003e","\u003cp\u003eOpening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eKeynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026amp; Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.\u003c/p\u003e","\u003cp\u003eThe Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.\u003c/p\u003e","\u003cp\u003eA Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eFurious Flower Poetry Prize Winner \u0026amp; Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026amp; Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.\u003c/p\u003e","\u003cp\u003eDear Yusef: Celebrating the Life \u0026amp; Work of Poet \u0026amp; Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eWalk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.\u003c/p\u003e","\u003cp\u003eLaureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.\u003c/p\u003e","\u003cp\u003eMagnitude \u0026amp; Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026amp; Culture (CBLC), and Obsidian: Literature \u0026amp; Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.\u003c/p\u003e","\u003cp\u003eGrowing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eBlack Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.\u003c/p\u003e","\u003cp\u003eBlack Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.\u003c/p\u003e","\u003cp\u003eA Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.\u003c/p\u003e","\u003cp\u003eClosing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.\u003c/p\u003e","\u003cp\u003eInterview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Contents","Contents","Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.","Arranged chronologically by project date and sub-arranged alphabetically within each project.","This series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.","Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.","Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.","This series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.","Opening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.","The Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.","Original 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"","This footage was originally recorded on 3 MII videocassettes.","Michael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" ","This footage was originally recorded on 4 MII videocassettes.","Rita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Tribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" ","This footage was originally recorded on 3 MII videocassettes.","Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. ","This footage was originally recorded on a MII videocassette.","Poetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. ","Tape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. ","This footage was originally recorded on 2 MII videocassettes.","Conference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. ","This footage was originally recorded on 6 MII videocassettes.","Supercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.","Supercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. ","This footage was originally recorded on a MII videocassette.","Supercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). ","This footage was originally recorded on a MII videocassette.","Supercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). ","This footage was originally recorded on a MII videocassette.","Supercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. ","This footage was originally recorded on a MII videocassette.","Supercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). ","This footage was originally recorded on a MII videocassette.","Supercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. ","This footage was originally recorded on a MII videocassette.","Supercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. ","This footage was originally recorded on a MII videocassette. ","Supercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). ","This footage was originally recorded on a MII videocassette.","Supercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. ","This footage was originally recorded on a MII videocassette. ","Supercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. ","This footage was originally recorded on a MII videocassette. ","Audience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Footage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Interview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.","Arranged alphabetically.","Materials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.","Opening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.","This footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.","The first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Footage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. ","This footage was originally recorded on 1 DVCAM videocassette.","Keynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.","This footage was originally recorded on 2 DVCAM videocassettes. ","Footage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Poetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","The second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Laureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. ","This footage was originally recorded on 3 VHS videocassettes.","Poetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.","Tribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. ","This footage was originally recorded on 4 DVCAM videocassettes.  ","Poetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. ","This footage was originally recorded on 1 DVCAM videocassette.","The third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes.","Lifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.","Opening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.","Keynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026 Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.","The Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.","A Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.","Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.","Black Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.","Dear Yusef: Celebrating the Life \u0026 Work of Poet \u0026 Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.","Walk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.","Laureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.","Magnitude \u0026 Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026 Culture (CBLC), and Obsidian: Literature \u0026 Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.","Black Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.","Growing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.","Black Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.","Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.","A Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.","Black Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.","Closing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.","Interview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024."],"separatedmaterial_html_tesm":["\u003cp\u003eA copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. \u003c/p\u003e\n","\u003cp\u003eThe following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.\u003c/p\u003e\n","\u003cp\u003eA broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately."],"userestrict_html_tesm":["\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions"],"userestrict_tesim":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_45f28e16f5fdc8ade98243e65fa6eef4\"\u003eThe Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.\u003c/abstract\u003e"],"abstract_tesim":["The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center."],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L."],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group"],"names_coll_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":883,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:25:29.210Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_488","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_488.xml","aspace_url_ssi":"https://aspace.lib.jmu.edu/repositories/4/resources/488","title_ssm":["Furious Flower Poetry Center Records"],"title_tesim":["Furious Flower Poetry Center Records"],"unitdate_ssm":["1970-2024"],"unitdate_inclusive_ssm":["1970-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0017","/repositories/4/resources/488"],"text":["UA 0017","/repositories/4/resources/488","Furious Flower Poetry Center Records","United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century","American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)","Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","running time:","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Original audiovisual and media are in process and not available pending reformatting.","It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.","The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","Event footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details.","\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.","The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference.","Additional information on the Dark Room Collective can be found  here.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Video recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions.","See \"1994 Conference Program, 1994\" in Series 1 for original conference program.","See the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.","See the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B","Michael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A","Michael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.","Arranged chronologically by project date and sub-arranged alphabetically within each project.","This series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.","Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.","Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.","This series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.","Opening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.","The Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.","Original 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"","This footage was originally recorded on 3 MII videocassettes.","Michael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" ","This footage was originally recorded on 4 MII videocassettes.","Rita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Tribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" ","This footage was originally recorded on 3 MII videocassettes.","Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. ","This footage was originally recorded on a MII videocassette.","Poetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. ","Tape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. ","This footage was originally recorded on 2 MII videocassettes.","Conference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. ","This footage was originally recorded on 6 MII videocassettes.","Supercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.","Supercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. ","This footage was originally recorded on a MII videocassette.","Supercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). ","This footage was originally recorded on a MII videocassette.","Supercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). ","This footage was originally recorded on a MII videocassette.","Supercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. ","This footage was originally recorded on a MII videocassette.","Supercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). ","This footage was originally recorded on a MII videocassette.","Supercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. ","This footage was originally recorded on a MII videocassette.","Supercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. ","This footage was originally recorded on a MII videocassette. ","Supercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). ","This footage was originally recorded on a MII videocassette.","Supercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. ","This footage was originally recorded on a MII videocassette. ","Supercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. ","This footage was originally recorded on a MII videocassette. ","Audience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Footage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Interview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.","Arranged alphabetically.","Materials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.","Opening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.","This footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.","The first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Footage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. ","This footage was originally recorded on 1 DVCAM videocassette.","Keynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.","This footage was originally recorded on 2 DVCAM videocassettes. ","Footage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Poetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","The second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Laureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. ","This footage was originally recorded on 3 VHS videocassettes.","Poetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.","Tribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. ","This footage was originally recorded on 4 DVCAM videocassettes.  ","Poetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. ","This footage was originally recorded on 1 DVCAM videocassette.","The third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes.","Lifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.","Opening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.","Keynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026 Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.","The Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.","A Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.","Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.","Black Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.","Dear Yusef: Celebrating the Life \u0026 Work of Poet \u0026 Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.","Walk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.","Laureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.","Magnitude \u0026 Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026 Culture (CBLC), and Obsidian: Literature \u0026 Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.","Black Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.","Growing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.","Black Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.","Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.","A Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.","Black Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.","Closing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.","Interview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.","James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L.","English"],"unitid_tesim":["UA 0017","/repositories/4/resources/488"],"normalized_title_ssm":["Furious Flower Poetry Center Records"],"collection_title_tesim":["Furious Flower Poetry Center Records"],"collection_ssim":["Furious Flower Poetry Center Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"geogname_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"creator_ssm":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_ssim":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_corpname_ssim":["James Madison University. Furious Flower Poetry Center"],"creators_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","James Madison University. Furious Flower Poetry Center"],"places_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"access_terms_ssm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Furious Flower Poetry Center transferred these materials to Special Collections on May 16 and June 29, 2016. Subsequent transfers occurred in September 2017, September 2019, April 2023, and October 2024."],"access_subjects_ssim":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"access_subjects_ssm":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"extent_tesim":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"genreform_ssim":["Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003erunning time:\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eOriginal audiovisual and media are in process and not available pending reformatting.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","running time:","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Original audiovisual and media are in process and not available pending reformatting."],"accruals_html_tesm":["\u003cp\u003eIt is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis."],"altformavail_html_tesm":["\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions."],"appraisal_html_tesm":["\u003cp\u003eSmall Purchase Credit Card Statements were discarded due to lack of research value.\u003c/p\u003e\n","\u003cp\u003eDue to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.\u003c/p\u003e"],"appraisal_heading_ssm":[" Appraisal Information"],"appraisal_tesim":["Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eGrants and Financial Files, 2004-2021\u003c/item\u003e\n      \u003citem\u003ePublications and Manuscripts, 1993-2012\u003c/item\u003e\n      \u003citem\u003eEvents, Programs, and Workshops, 1990-2019\u003c/item\u003e\n      \u003citem\u003eConference Records, 1970-2015\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003eThe series is arranged chronologically into three sub-series:\u003c/p\u003e\n","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003citem\u003eSub-series 4.1: 1994 Conference, 1970-2009\u003c/item\u003e\u003citem\u003eSub-series 4.2: 2004 Conference, 2002-2007\u003c/item\u003e\u003citem\u003eSub-series 4.3: 2014 Conference, 2013-2015\u003c/item\u003e\u003c/list\u003e","\u003cp\u003eEvent footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","Event footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details."],"bibliography_html_tesm":["\u003cbibref\u003e\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml."],"bioghist_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:\u003c/p\u003e\n","\u003cp\u003eThe time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.\u003c/p\u003e\n","\u003cp\u003eMany who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. \u003c/p\u003e\n","\u003cp\u003eDue to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.\u003c/p\u003e\n","\u003cp\u003eIn 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.\u003c/p\u003e\n","\u003cp\u003eToday, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).\u003c/p\u003e\n","\u003cp\u003eFFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.\u003c/p\u003e","\u003cp\u003eThe 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Bio/Historical Note"],"bioghist_tesim":["The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference."],"odd_html_tesm":["\u003cp\u003eAdditional information on the Dark Room Collective can be found \u003ca href=\"https://poets.org/text/brief-guide-dark-room-collective\"\u003ehere.\u003c/a\u003e\u003c/p\u003e"],"odd_heading_ssm":["General Note"],"odd_tesim":["Additional information on the Dark Room Collective can be found  here."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;695ef954-06ba-43a6-b341-cc3edf3fc1e6\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|695ef954-06ba-43a6-b341-cc3edf3fc1e6/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;9e242b35-14e6-4742-bd85-186794dcc4ec\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|9e242b35-14e6-4742-bd85-186794dcc4ec/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;ac68aac5-b304-45cc-aeb4-0905f8a57259\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|ac68aac5-b304-45cc-aeb4-0905f8a57259/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Preservica Internal URL","Preservica Public URL","Preservica Internal URL","Preservica Public URL","Preservica Internal URL","Preservica Public URL"],"otherfindaid_tesim":["Preservica Internal","Preservica Access","Preservica Internal","Preservica Access","Preservica Internal","Preservica Access"],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e","\u003cp\u003e[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA"],"processinfo_html_tesm":["\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"\u003c/p\u003e","\u003cp\u003eIn April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.\u003c/p\u003e","\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e","\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e","\u003cp\u003eVideo recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Note"],"processinfo_tesim":["The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Video recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions."],"relatedmaterial_html_tesm":["\u003cp\u003eSee \"1994 Conference Program, 1994\" in Series 1 for original conference program.\u003c/p\u003e","\u003cp\u003eSee the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29908\"\u003eSam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29908\"\u003eSam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29910\"\u003eToi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29910\"\u003eToi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30039\"\u003eMichael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30040\"\u003eMichael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29907\"\u003eMari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29907\"\u003eMari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["See \"1994 Conference Program, 1994\" in Series 1 for original conference program.","See the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.","See the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B","Michael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A","Michael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut"],"scopecontent_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.\u003c/p\u003e","\u003cp\u003eArranged chronologically. \u003c/p\u003e\n","\u003cp\u003eFFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.\u003c/p\u003e","\u003cp\u003eArranged chronologically by project date and sub-arranged alphabetically within each project.\u003c/p\u003e\n","\u003cp\u003eThis series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.\u003c/p\u003e","\u003cp\u003eArranged chronologically by event and sub-arranged alphabetically within each event.\u003c/p\u003e\n","\u003cp\u003eThis series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.\u003c/p\u003e\n","\u003cp\u003eOne file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.\u003c/p\u003e","\u003cp\u003eThis series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.\u003c/p\u003e","\u003cp\u003eArranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.\u003c/p\u003e","\u003cp\u003eThis series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.\u003c/p\u003e","\u003cp\u003eOpening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.\u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 MII videocassettes.\u003c/p\u003e","\u003cp\u003eMichael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 4 MII videocassettes.\u003c/p\u003e","\u003cp\u003eRita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eTribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. \u003c/p\u003e\n","\u003cp\u003eTape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eConference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 6 MII videocassettes.\u003c/p\u003e","\u003cp\u003eSupercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.\u003c/p\u003e","\u003cp\u003eSupercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eSupercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eSupercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eAudience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eFootage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eArranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eMaterials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.\u003c/p\u003e","\u003cp\u003eOpening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eThe first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eFootage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 DVCAM videocassette.\u003c/p\u003e","\u003cp\u003eKeynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes. \u003c/p\u003e","\u003cp\u003eFootage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eThe second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eLaureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 VHS videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.\u003c/p\u003e","\u003cp\u003eTribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 4 DVCAM videocassettes.  \u003c/p\u003e","\u003cp\u003ePoetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 DVCAM videocassette.\u003c/p\u003e","\u003cp\u003eThe third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eCave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eCave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eConference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 videocassettes.\u003c/p\u003e","\u003cp\u003eLifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.\u003c/p\u003e","\u003cp\u003eOpening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eKeynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026amp; Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.\u003c/p\u003e","\u003cp\u003eThe Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.\u003c/p\u003e","\u003cp\u003eA Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eFurious Flower Poetry Prize Winner \u0026amp; Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026amp; Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.\u003c/p\u003e","\u003cp\u003eDear Yusef: Celebrating the Life \u0026amp; Work of Poet \u0026amp; Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eWalk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.\u003c/p\u003e","\u003cp\u003eLaureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.\u003c/p\u003e","\u003cp\u003eMagnitude \u0026amp; Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026amp; Culture (CBLC), and Obsidian: Literature \u0026amp; Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.\u003c/p\u003e","\u003cp\u003eGrowing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eBlack Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.\u003c/p\u003e","\u003cp\u003eBlack Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.\u003c/p\u003e","\u003cp\u003eA Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.\u003c/p\u003e","\u003cp\u003eClosing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.\u003c/p\u003e","\u003cp\u003eInterview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Contents","Contents","Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.","Arranged chronologically by project date and sub-arranged alphabetically within each project.","This series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.","Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.","Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.","This series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.","Opening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.","The Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.","Original 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"","This footage was originally recorded on 3 MII videocassettes.","Michael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" ","This footage was originally recorded on 4 MII videocassettes.","Rita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Tribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" ","This footage was originally recorded on 3 MII videocassettes.","Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. ","This footage was originally recorded on a MII videocassette.","Poetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. ","Tape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. ","This footage was originally recorded on 2 MII videocassettes.","Conference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. ","This footage was originally recorded on 6 MII videocassettes.","Supercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.","Supercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. ","This footage was originally recorded on a MII videocassette.","Supercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). ","This footage was originally recorded on a MII videocassette.","Supercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). ","This footage was originally recorded on a MII videocassette.","Supercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. ","This footage was originally recorded on a MII videocassette.","Supercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). ","This footage was originally recorded on a MII videocassette.","Supercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. ","This footage was originally recorded on a MII videocassette.","Supercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. ","This footage was originally recorded on a MII videocassette. ","Supercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). ","This footage was originally recorded on a MII videocassette.","Supercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. ","This footage was originally recorded on a MII videocassette. ","Supercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. ","This footage was originally recorded on a MII videocassette. ","Audience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Footage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Interview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.","Arranged alphabetically.","Materials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.","Opening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.","This footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.","The first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Footage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. ","This footage was originally recorded on 1 DVCAM videocassette.","Keynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.","This footage was originally recorded on 2 DVCAM videocassettes. ","Footage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Poetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","The second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Laureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. ","This footage was originally recorded on 3 VHS videocassettes.","Poetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.","Tribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. ","This footage was originally recorded on 4 DVCAM videocassettes.  ","Poetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. ","This footage was originally recorded on 1 DVCAM videocassette.","The third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes.","Lifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.","Opening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.","Keynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026 Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.","The Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.","A Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.","Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.","Black Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.","Dear Yusef: Celebrating the Life \u0026 Work of Poet \u0026 Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.","Walk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.","Laureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.","Magnitude \u0026 Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026 Culture (CBLC), and Obsidian: Literature \u0026 Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.","Black Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.","Growing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.","Black Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.","Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.","A Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.","Black Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.","Closing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.","Interview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024."],"separatedmaterial_html_tesm":["\u003cp\u003eA copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. \u003c/p\u003e\n","\u003cp\u003eThe following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.\u003c/p\u003e\n","\u003cp\u003eA broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately."],"userestrict_html_tesm":["\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions"],"userestrict_tesim":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_45f28e16f5fdc8ade98243e65fa6eef4\"\u003eThe Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.\u003c/abstract\u003e"],"abstract_tesim":["The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center."],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L."],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group"],"names_coll_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":883,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:25:29.210Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488"}},{"id":"viw_repositories_2_resources_8729","type":"collection","attributes":{"title":"Glenn Close Papers","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8729#creator","type":"document_value","attributes":{"value":"Glenn, Close, 1947-","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8729#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ePapers of Glenn Close, documenting her career as an actress on Broadway, television, and in film. Included are recorded interviews, correspondence, clippings, invitations, programs, playbills, photographs, videos, scripts, as well as materials related to her high school and college years.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8729#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_8729","ead_ssi":"viw_repositories_2_resources_8729","_root_":"viw_repositories_2_resources_8729","_nest_parent_":"viw_repositories_2_resources_8729","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8729.xml","title_filing_ssi":"Close, Glenn, Papers","title_ssm":["Glenn Close Papers"],"title_tesim":["Glenn Close Papers"],"unitdate_ssm":["1966-2013","1980-1995"],"unitdate_bulk_ssim":["1980-1995"],"unitdate_inclusive_ssm":["1966-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 93 C62 and Additions","/repositories/2/resources/8729"],"text":["Mss. 93 C62 and Additions","/repositories/2/resources/8729","Glenn Close Papers","Interviews","Actresses--United States","Class materials","Correspondence","Invitations","Letters (correspondence)","Programs","Video recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Portions of this collection have not yet been fully arranged and described. Researchers may wish to contact a staff member in advance.","Glenn Close (born 1947) is a six-time Academy Award-nominated American film and stage actress. Close is an Emmy Award- winning TV movie actress, a three-time Tony Award-winning stage actress and has been nominated for seven Emmys and seven Golden Globes. Ms. Close attended the College of William and Mary, where she was involved in campus theatrical productions and graduated a member of Phi Beta Kappa. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Audio and moving image formats may require reformatting before they can be accessed.  Please consult an SCRC staff member for assistance.","Processed by Daisy Hougan in 1994. Mss. 93 C62 was reboxed, but kept in the same order, using the original box and folder numbers, (and sometimes combining two b\noxes) by Anne Johnson, Special Collections Staff, in November 2009. Mss. Acc. 2010.601 was accessioned by Benjamin Bromley, Public Services Archives Specialist, in October 2010. \nAcc. 2013.195 was accessioned and minimally described by Steven Bookman, University Archives Specialist. \nAcc. 2010.601 was arranged and described by Cecile Glendening, Special Collections Staff, July through September 2013.","Papers of Glenn Close, documenting her career as an actress on Broadway, television, and in film.  Included are recorded interviews, correspondence, clippings, invitations, programs, playbills, photographs, videos, scripts, as well as materials related to her high school and college years.","This series holds the original group of material donated to Swem Library by Glenn Close numbered Mss. 93 C62. Films and other projects covered include: include Barnum, The Natural, The Big Chill, Maxie, The World According to Garp, Jagged Edge, Fatal Attraction, Reversal of Fortune, Hamlet, Sarah: Plain and Tall, Meeting Venus, Dangerous Liasons, Air Force One, Death and the Maiden, the 1992 Tony Awards, Sarah: Plain and Tall, and Skylark. Included are press clippings from newspapers and magazines, videotapes, scripts, and some correspondence.","Subjects include Len Cariou in Sweeny Todd, Glenn Close's role in Barnum, and her Tony nomination for Barnum. Includes an article from the Flat Hat.","Subjects include Lou Caiou's reading on radio of The Tin Drum, the Stratford Production of HMS Pinafore, and the opening of the Stratford Festival's 29th season.","Subjects include Len Cariou's performance as Petruchio in the Stratford Festival; Cabot Wade's production of Artie King; John Irving and The World According to Garp.","Subjects include Close's performances in Barnum, The Singular Life of Albert Nobbs, and The World According to Garp.","Subjects include The World According to Garp with Glenn Close as Jenny Garp.","Subjects include The World According to Garp with Glenn Close as Jenny Garp.","Subjects include Close's role as Jenny Garp in The World According to Garp and her casting in The Big Chill. Also included are letters from PMK, Close's publicity company.","Subjects include Something About Amelia, a made-for-tv movie on incest with Close as the mother; the Obie Awards; and The Big Chill. Also included are letters from PMK, her publicity company, dating from March 25, 1983.","Subjects include Close in Something About Amelia; Close's role in The Natural; and Close in the title role of Maxie.","Subjects include Close's dress for the Oscars; Close's performance in the title role of Joan of Arc at the Stake; and Close's participation in Childhood.","Subjects include Close in th title role of Joan of Arc at the Stake and her starring role in the play Childhood.","Subjects include Claus von Bulow; Jagged Edge, in which she starred as Teddy Barnes; and Maxi, in which Close played the title role.","Subjects include Close's role in the film Maxie.","Subjects include Close's starring role in the film Jagged Edge.","Subjects include Close's roles in Maxie, Jagged Edge, and Benefactors.","Subjects include Benefactor, and Close's casting opposite Michael Douglas in Fatal Attraction.","Including some on Fatal Attraction, in which Close co-starred with Michael Doughlas.","Subjects include Close's role in Fatal Attraction opposite Michael Douglas.","Subjects include Fatal Attraction and Stones for Ibarra a Hallmark Hall of Fame drama.","Subjects include Close's role in Stones for Ibarra and the 1988 Oscars.","Subjects include 1988 Oscars and Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons.","Subjects include Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons and the 1989 Oscars.","Subjects include Dangerous Liaisons and the Oscars.","Subjects include Dangerous Liaisons; Pro-choice rally; and the Oscars.","Subjects include Pro-choice rally in Washington, D.C.; Close's Beene Dress that she wore to the Academy Awards; Close's Commencement speech at William and Mary; and her role as Sunny Von Bulow.","Subjects include Close's role as Sunny von Vulow in Reversal of Fortune and her role in Immediate Family.","Subjects include Immediate Family.","Subjects include Immediate Family; New York Women in Film Luncheon; and Reversal of Fortune.","Subjects include Close's receipt of the 1990 Hasting Pudding Award.","Subjects include Hamlet with Mel Gibson.","Subjects include Hamlet and Sarah: Plain and Tall.","Subjects include Academy Awards and Brooklyn Laundry.","Subjects include Brooklyn Laundry; WIF Crystal Awards; and Hook.","Subjects include Soul Survivors and Meeting Venus.","Press releases from the San Sebastian Film Festival. Film in festival was Meeting Venus.","Press releases from the San Sebastian Film Festival and newspaper articles. Subjects include Meeting Venus.","Subjects include Death and the Maiden and Meeting Venus.","Mostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.","Mostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.","Subjects include the Tony Awards.","Subjects include Sondheim: Celebration at Carnegie Hall; Sarah: Plain and Tall; and Death and the Maiden.","Subjects include Skylark and Lincoln Documentary.","Subjects include Skylark and Sunset Boulevard.","Subjects include Barnum and Len Cariou.","Subjects include Close's role as Jenny Fields in The World According to Garp.","Subjects include Jagged Edge, Sarah: Plain and Tall, and Hamlet.","Scope and Contents Reviews of The World According to Garp and Dangerous Liaisons. Also, a transcript from an appearance on the \"Larry King Show\" and a script \"Faces of Change\" program on July 14, 1992.","Subjects include Len Cariou in Sweeny Todd and Glenn Close in The World According to Garp.","Subjects include The Natural and The Real Thing.","Subjects include The Big Chill and The Natural.","Subjects include Maxie and Childhood.","Subjects include Maxie and Jagged Edge.","Subjects include Benefactors and Books on Tape.","Subjects include Fatal Attraction and Stones for Ibarra.","Subjects include Stones for Ibarra, the Oscars, and Dangerous Liaisons.","Subjects include Jagged Edge and Dangerous Liaisons.","Subjects include abortion rights march and Dangerous Liaisons.","Subjects include Immediate Family and Dangerous Liaisons.","Subjects include Hamlet and the Academy Awards.","Subjects include Stones for Ibarra.","Subjects include Hook, the Academy Awards, and Garp.","Subjects include Len Cariou, Oscars and Maxie.","Enclosed: Skylark reviews and articles from PMK, Close's Public Relations Company.","Skylark reviews sent from Close to co-star Christopher Walken.","TV book covers from the Tony Awards sent to Close by PMK, her Public Relations Company.","Pamphlets, including some from the Emmy and Academy Awards.","Close's script (three ring binder) as Hostess of Saturday Night Live, December 12, 1992.","Academy Award publicity ads and other publicity for The World According to Garp, The Big Chill, Stones for Ibarra, Immediate Family, Jagged Edge, Broken Hearts, Broken Homes, Sarah: Plain and Tall, and Reversal of Fortune.","Publicity, especially for the Academy Awards, for Dangerous Liaisons.","Souvenirs from Jeremy Irons' Danny, The Champion of the World, You''re the top! benefit with Len Cariou, The Kennedy Center Honors of April, 1987, and the 42nd Golden Globe Awards; also, letters from PMK.","Photograph from Broken Hearts, Broken Homes; souvenirs from William and Mary's Tercentenary Concert Series, the Dartmouth Film Society's Tribute to Glenn Close, NY Women in film and The World According to Garp's benefit premier. Also, a play bill from the 46th Annual Antoinette Perry Awards and an article about Close.","English translations of foreign newspaper articles.","Scope and Contents Ligacoes Perigosas articles about Dangerous Liaisons.","Ligacoes Perigosas articles about Dangerous Liaisons.","Ligacoes Perigosas articles about Dangerous Liaisons.","Magazine articles on Glenn Close. Subjects include The World According to Garp and The Natural.","Magazine articles on Glenn Close. Subjects include Fatal Attraction.","Magazine articles on Glenn Close. Subjects include Dangerous Liaisons.","Subjects include her home in Montana.","Subjects include a royal polo match.","Profiles of Glenn Close.","Subjects include Harvard's Harsty Pudding Awards.","Subjects include Meeting Venus.","Subjects include Meeting Venus.","Subjects include Meeting Venus.","Subjects include Death and the Maiden.","Subjects include the 1992 Tony Awards. 3 items.","Glenn Close to Gillian T. Cell, Provost of William and Mary, regarding College's dance program and reply of  October 21, 1994. Originals in Provost's papers.","Two broken videotapes.","Scope and Contents Record (78 rpm) of \"Sing-out 66,\" a group Glenn Close sang with sponsored by the Moral Majority. Featured on the record are two songs by Ms. Close: \"The Happy Song\" and \"Run and Catch the Wind.\" This album sold at a performance in Phi Beta Kappa Hall, 1966. The traveling show was called \"Up with People.\" Ms. Close was a featured soloist with a group before entering the College of William and Mary.","This series contains publicity material about The Paper and Sunset Boulevard as well as miscellaneous publicity on Glenn Close.","Material, chiefly 1993, relating to Glenn Close's starring role in Sunset Boulevard, including a mug, program, and publicity for the Los Angeles performance. The mug is also listed in the Artifact Collection.","Script of The House of Spirits autographed by Glenn Close and other members of the cast and writers including:  Isabel Allende, Bille August, Antonio Banderas, Miriam Colon, Fran Fullenwider, Vincent Gallo, Jeremy Irons, Armin Mueller-Stahl, Teri Polo, Vanessa Redgrave, Winona Ryder, and Meryl Streep.","Two photographs of Glenn Close and William and Mary President Timothy J. Sullivan at a performance of Sunset Boulevard, New York City, December 11,1994.  Three photographs of Glenn Close as Norma Desmond, Alice Ripley as Betty Schaefer, and Alan Campbell as Joe Gillis.","Scope and Contents Two records (33-1/3 rpm) of original cast recording of \"The Real Thing\" by Tom Sheppard, directed by Mike Nichols, starring Jeremy Irons and Glenn Close. Includes note, 31 May 1985, from Glenn Close to Howard Scammon.","Scope and Contents Program of Broadway play, \"Sunset Boulevard\" starring Glenn Close.","This accession contains programs as well as newspaper articles and magazines with articles mostly about  Glenn Close.","Contains papers, 1965-2002, of Glenn Close including: notebooks from classes she took at the College of William and Mary; correspondence with friends, professional acquaintances, and fans; publicity materials relating to various film projects; newspaper and magazine clippings related to her movies and plays; and audiovisual materials.","Personal and professional correspondence received by Glenn Close. Includes telegrams, congratulatory notes, letters and cards from friends, actors, directors, and writers, also letters and cards from family members.","Personal Correspondence including letters from William \u0026 Mary President Thomas A. Graves and Mrs. Graves.","Personal Correspondence including letter from Gloria Steinham on Ms. letterhead, letter from Swoosie Kurtz, telegram from Tom Cruise and Mimi Rogers.","Includes letters from Hume Cronyn, Kirk Douglas, John Lithgow, and Walter Farley.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Includes letters from Kitty Carlisle Hart, Lawrence Kasdan, Tracey Ullman, and Better MIdler.","Includes letters from Joanne Woodward and Jane Smiley.","Includes a 1992 letter from Elaine May.","Letters to Glenn Close from Roy Brocksmith, American actor, director and playwright.","Letters to Annie Stark, daughter of Glenn Close and John Stark.","Items related to film, television and theater projects of Glenn Close. Includes press clippings, publicity materials, production materials and programs.","Cast and Crew lists, shooting schedule.","Materials related to poetry readings at premiere of the movie Il Postino.","2 cast photos, publicity materials.","Cast and crew lists, shooting schedules.","Partial script, publicity materials.","Newspapers","Japanese publicity","Teacher guide","Press Kits","Letters from 3rd grade class.","Letters from 3rd grade class.","Letters from 4th and 6th grade classes.","Dallas Morning News TV Magazine","Total TV magazine.","New York Times Television Guide.","Telegivion Guide.","One white binder with information on all the nominees and winners of the Academy Award from 1927 through 1986. The binder includes tabs for each category receiving an Oscar.","Broadway theater program, associated envelope containing sketches of cast members and other materials, possible gift to cast.","Cards and notes from cast members and other actors including Shirley MacLaine, Kim Basinger, Hume Cronyn, Jessica Tandy, and Mike Nichols.","Los Angeles performance of Brooklyn Laundry, program and congratulatory notes and cards, including from Woody Harrelson, James L. Brooks, Marsha Mason, Marlo Thomas, Bruce Willis \u0026 Demi Moore, Jeffrey Katzenberg. Also includes dialect notes and directions to theater.","Letters from family, friends, fans and professional acquaintances. Fax from father W.T. Close, letters from George Roy Hill, Irving Lazar, Jane Smiley, Gregory Hines. Notepad with list of tickets left for friends and colleagues. Names include Robert F. Kennedy, Jr., Alan Alda, Geoffrey Beene, Jimmy Smits, Laura Dern, Woody Harrelson, and Judy Collins.","Background research, story treatments, scripts and financial information for proposed movie based on the 1976 Zaire Ebola epidemic.","Scope and Contents Page 16, poem titled \"Williamsburg\" is dedicated to \"G.C.\"","This series contains clippings from the Richmond Times Dispatch, July 22, 2007, about Glenn Close's role in the television series Damages; clipping from Parade Magazine, July 14, 2013, about Glenn Close's costumes being auctioned off for charity; and the August 6-12, 2007 issue of TV Guide featuring Glenn Close on the cover regarding her new television series Damages.","Periodicals (newspapers, magazines) that cover Glenn Close's career.","A two page letter from Glenn Close to Katherine Rowe. In the letter, Close expresses how humbled she feels to receive an Honorary Fellowship from William and Mary, and accepts the request to give a speech during Commencement.","All audiovisual materials, including videocassettes, CDs, and phonograph records haven been moved to the Manuscripts Audiovisual Collection, Mss 1.04.","Artifacts were transferred to the Manuscripts Artifact Collection (Mss. 1.03) including the Pacific Northwestern Hospital Parody ID Card (Mss 2010.601.67).","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Glenn, Close, 1947-","English"],"unitid_tesim":["Mss. 93 C62 and Additions","/repositories/2/resources/8729"],"normalized_title_ssm":["Glenn Close Papers"],"collection_title_tesim":["Glenn Close Papers"],"collection_ssim":["Glenn Close Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Glenn, Close, 1947-"],"creator_ssim":["Glenn, Close, 1947-"],"creator_persname_ssim":["Glenn, Close, 1947-"],"creators_ssim":["Glenn, Close, 1947-"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 1993.35 gift of approximately 200 items from Glenn Close on 4/30/1993; Acc. 1994.33 gift of approximately200 items from Glenn Close on 4/21/1994; Acc. 1993.67 gift of 1 item from Will Molineux on 11/15/1993; Acc. 1994.41 gift of 16 items from Nancy Marshall, Dean of Libraries on 5/26/1994; Acc. 1994.42 gift of 1 item from Spencer Timm on 5/27/1994; Acc. 1995.12 gift of 5 items from Nancy H. Marshall on 3/20/1995; and Acc. 1997.68 transfer of 2 items from University Archives on 12/11/1997. Acc. 2007.112 gift  of Maxine Spalding (through courtesy of Jenny Bledsoe). Acc. 2009.526 a compilation of material given by others. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["Interviews","Actresses--United States","Class materials","Correspondence","Invitations","Letters (correspondence)","Programs","Video recordings"],"access_subjects_ssm":["Interviews","Actresses--United States","Class materials","Correspondence","Invitations","Letters (correspondence)","Programs","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["15.00 Linear Feet"],"extent_tesim":["15.00 Linear Feet"],"genreform_ssim":["Class materials","Correspondence","Invitations","Letters (correspondence)","Programs","Video recordings"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e","\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:","Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003ePortions of this collection have not yet been fully arranged and described. Researchers may wish to contact a staff member in advance.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Portions of this collection have not yet been fully arranged and described. Researchers may wish to contact a staff member in advance."],"bioghist_html_tesm":["\u003cp\u003eGlenn Close (born 1947) is a six-time Academy Award-nominated American film and stage actress. Close is an Emmy Award- winning TV movie actress, a three-time Tony Award-winning stage actress and has been nominated for seven Emmys and seven Golden Globes. Ms. Close attended the College of William and Mary, where she was involved in campus theatrical productions and graduated a member of Phi Beta Kappa. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Close_Glenn\" title=\"Close Glenn\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Glenn Close (born 1947) is a six-time Academy Award-nominated American film and stage actress. Close is an Emmy Award- winning TV movie actress, a three-time Tony Award-winning stage actress and has been nominated for seven Emmys and seven Golden Globes. Ms. Close attended the College of William and Mary, where she was involved in campus theatrical productions and graduated a member of Phi Beta Kappa. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"phystech_html_tesm":["\u003cp\u003eAudio and moving image formats may require reformatting before they can be accessed.  Please consult an SCRC staff member for assistance.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics or Technical Requirements:"],"phystech_tesim":["Audio and moving image formats may require reformatting before they can be accessed.  Please consult an SCRC staff member for assistance."],"prefercite_html_tesm":["\u003cp\u003eGlenn Close Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e","\u003cp\u003eGlenn Close Papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Glenn Close Papers, Special Collections Research Center, Swem Library, College of William and Mary.","Glenn Close Papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Daisy Hougan in 1994. Mss. 93 C62 was reboxed, but kept in the same order, using the original box and folder numbers, (and sometimes combining two b\noxes) by Anne Johnson, Special Collections Staff, in November 2009. Mss. Acc. 2010.601 was accessioned by Benjamin Bromley, Public Services Archives Specialist, in October 2010. \nAcc. 2013.195 was accessioned and minimally described by Steven Bookman, University Archives Specialist. \nAcc. 2010.601 was arranged and described by Cecile Glendening, Special Collections Staff, July through September 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Daisy Hougan in 1994. Mss. 93 C62 was reboxed, but kept in the same order, using the original box and folder numbers, (and sometimes combining two b\noxes) by Anne Johnson, Special Collections Staff, in November 2009. Mss. Acc. 2010.601 was accessioned by Benjamin Bromley, Public Services Archives Specialist, in October 2010. \nAcc. 2013.195 was accessioned and minimally described by Steven Bookman, University Archives Specialist. \nAcc. 2010.601 was arranged and described by Cecile Glendening, Special Collections Staff, July through September 2013."],"scopecontent_html_tesm":["\u003cp\u003ePapers of Glenn Close, documenting her career as an actress on Broadway, television, and in film.  Included are recorded interviews, correspondence, clippings, invitations, programs, playbills, photographs, videos, scripts, as well as materials related to her high school and college years.\u003c/p\u003e","\u003cp\u003eThis series holds the original group of material donated to Swem Library by Glenn Close numbered Mss. 93 C62. Films and other projects covered include: include Barnum, The Natural, The Big Chill, Maxie, The World According to Garp, Jagged Edge, Fatal Attraction, Reversal of Fortune, Hamlet, Sarah: Plain and Tall, Meeting Venus, Dangerous Liasons, Air Force One, Death and the Maiden, the 1992 Tony Awards, Sarah: Plain and Tall, and Skylark. Included are press clippings from newspapers and magazines, videotapes, scripts, and some correspondence.\u003c/p\u003e","\u003cp\u003eSubjects include Len Cariou in Sweeny Todd, Glenn Close's role in Barnum, and her Tony nomination for Barnum. Includes an article from the Flat Hat.\u003c/p\u003e","\u003cp\u003eSubjects include Lou Caiou's reading on radio of The Tin Drum, the Stratford Production of HMS Pinafore, and the opening of the Stratford Festival's 29th season.\u003c/p\u003e","\u003cp\u003eSubjects include Len Cariou's performance as Petruchio in the Stratford Festival; Cabot Wade's production of Artie King; John Irving and The World According to Garp.\u003c/p\u003e","\u003cp\u003eSubjects include Close's performances in Barnum, The Singular Life of Albert Nobbs, and The World According to Garp.\u003c/p\u003e","\u003cp\u003eSubjects include The World According to Garp with Glenn Close as Jenny Garp.\u003c/p\u003e","\u003cp\u003eSubjects include The World According to Garp with Glenn Close as Jenny Garp.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role as Jenny Garp in The World According to Garp and her casting in The Big Chill. Also included are letters from PMK, Close's publicity company.\u003c/p\u003e","\u003cp\u003eSubjects include Something About Amelia, a made-for-tv movie on incest with Close as the mother; the Obie Awards; and The Big Chill. Also included are letters from PMK, her publicity company, dating from March 25, 1983.\u003c/p\u003e","\u003cp\u003eSubjects include Close in Something About Amelia; Close's role in The Natural; and Close in the title role of Maxie.\u003c/p\u003e","\u003cp\u003eSubjects include Close's dress for the Oscars; Close's performance in the title role of Joan of Arc at the Stake; and Close's participation in Childhood.\u003c/p\u003e","\u003cp\u003eSubjects include Close in th title role of Joan of Arc at the Stake and her starring role in the play Childhood.\u003c/p\u003e","\u003cp\u003eSubjects include Claus von Bulow; Jagged Edge, in which she starred as Teddy Barnes; and Maxi, in which Close played the title role.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role in the film Maxie.\u003c/p\u003e","\u003cp\u003eSubjects include Close's starring role in the film Jagged Edge.\u003c/p\u003e","\u003cp\u003eSubjects include Close's roles in Maxie, Jagged Edge, and Benefactors.\u003c/p\u003e","\u003cp\u003eSubjects include Benefactor, and Close's casting opposite Michael Douglas in Fatal Attraction.\u003c/p\u003e","\u003cp\u003eIncluding some on Fatal Attraction, in which Close co-starred with Michael Doughlas.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role in Fatal Attraction opposite Michael Douglas.\u003c/p\u003e","\u003cp\u003eSubjects include Fatal Attraction and Stones for Ibarra a Hallmark Hall of Fame drama.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role in Stones for Ibarra and the 1988 Oscars.\u003c/p\u003e","\u003cp\u003eSubjects include 1988 Oscars and Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons and the 1989 Oscars.\u003c/p\u003e","\u003cp\u003eSubjects include Dangerous Liaisons and the Oscars.\u003c/p\u003e","\u003cp\u003eSubjects include Dangerous Liaisons; Pro-choice rally; and the Oscars.\u003c/p\u003e","\u003cp\u003eSubjects include Pro-choice rally in Washington, D.C.; Close's Beene Dress that she wore to the Academy Awards; Close's Commencement speech at William and Mary; and her role as Sunny Von Bulow.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role as Sunny von Vulow in Reversal of Fortune and her role in Immediate Family.\u003c/p\u003e","\u003cp\u003eSubjects include Immediate Family.\u003c/p\u003e","\u003cp\u003eSubjects include Immediate Family; New York Women in Film Luncheon; and Reversal of Fortune.\u003c/p\u003e","\u003cp\u003eSubjects include Close's receipt of the 1990 Hasting Pudding Award.\u003c/p\u003e","\u003cp\u003eSubjects include Hamlet with Mel Gibson.\u003c/p\u003e","\u003cp\u003eSubjects include Hamlet and Sarah: Plain and Tall.\u003c/p\u003e","\u003cp\u003eSubjects include Academy Awards and Brooklyn Laundry.\u003c/p\u003e","\u003cp\u003eSubjects include Brooklyn Laundry; WIF Crystal Awards; and Hook.\u003c/p\u003e","\u003cp\u003eSubjects include Soul Survivors and Meeting Venus.\u003c/p\u003e","\u003cp\u003ePress releases from the San Sebastian Film Festival. Film in festival was Meeting Venus.\u003c/p\u003e","\u003cp\u003ePress releases from the San Sebastian Film Festival and newspaper articles. Subjects include Meeting Venus.\u003c/p\u003e","\u003cp\u003eSubjects include Death and the Maiden and Meeting Venus.\u003c/p\u003e","\u003cp\u003eMostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.\u003c/p\u003e","\u003cp\u003eMostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.\u003c/p\u003e","\u003cp\u003eSubjects include the Tony Awards.\u003c/p\u003e","\u003cp\u003eSubjects include Sondheim: Celebration at Carnegie Hall; Sarah: Plain and Tall; and Death and the Maiden.\u003c/p\u003e","\u003cp\u003eSubjects include Skylark and Lincoln Documentary.\u003c/p\u003e","\u003cp\u003eSubjects include Skylark and Sunset Boulevard.\u003c/p\u003e","\u003cp\u003eSubjects include Barnum and Len Cariou.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role as Jenny Fields in The World According to Garp.\u003c/p\u003e","\u003cp\u003eSubjects include Jagged Edge, Sarah: Plain and Tall, and Hamlet.\u003c/p\u003e","\u003cp\u003eScope and Contents Reviews of The World According to Garp and Dangerous Liaisons. Also, a transcript from an appearance on the \"Larry King Show\" and a script \"Faces of Change\" program on July 14, 1992.\u003c/p\u003e","\u003cp\u003eSubjects include Len Cariou in Sweeny Todd and Glenn Close in The World According to Garp.\u003c/p\u003e","\u003cp\u003eSubjects include The Natural and The Real Thing.\u003c/p\u003e","\u003cp\u003eSubjects include The Big Chill and The Natural.\u003c/p\u003e","\u003cp\u003eSubjects include Maxie and Childhood.\u003c/p\u003e","\u003cp\u003eSubjects include Maxie and Jagged Edge.\u003c/p\u003e","\u003cp\u003eSubjects include Benefactors and Books on Tape.\u003c/p\u003e","\u003cp\u003eSubjects include Fatal Attraction and Stones for Ibarra.\u003c/p\u003e","\u003cp\u003eSubjects include Stones for Ibarra, the Oscars, and Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include Jagged Edge and Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include abortion rights march and Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include Immediate Family and Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include Hamlet and the Academy Awards.\u003c/p\u003e","\u003cp\u003eSubjects include Stones for Ibarra.\u003c/p\u003e","\u003cp\u003eSubjects include Hook, the Academy Awards, and Garp.\u003c/p\u003e","\u003cp\u003eSubjects include Len Cariou, Oscars and Maxie.\u003c/p\u003e","\u003cp\u003eEnclosed: Skylark reviews and articles from PMK, Close's Public Relations Company.\u003c/p\u003e","\u003cp\u003eSkylark reviews sent from Close to co-star Christopher Walken.\u003c/p\u003e","\u003cp\u003eTV book covers from the Tony Awards sent to Close by PMK, her Public Relations Company.\u003c/p\u003e","\u003cp\u003ePamphlets, including some from the Emmy and Academy Awards.\u003c/p\u003e","\u003cp\u003eClose's script (three ring binder) as Hostess of Saturday Night Live, December 12, 1992.\u003c/p\u003e","\u003cp\u003eAcademy Award publicity ads and other publicity for The World According to Garp, The Big Chill, Stones for Ibarra, Immediate Family, Jagged Edge, Broken Hearts, Broken Homes, Sarah: Plain and Tall, and Reversal of Fortune.\u003c/p\u003e","\u003cp\u003ePublicity, especially for the Academy Awards, for Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSouvenirs from Jeremy Irons' Danny, The Champion of the World, You''re the top! benefit with Len Cariou, The Kennedy Center Honors of April, 1987, and the 42nd Golden Globe Awards; also, letters from PMK.\u003c/p\u003e","\u003cp\u003ePhotograph from Broken Hearts, Broken Homes; souvenirs from William and Mary's Tercentenary Concert Series, the Dartmouth Film Society's Tribute to Glenn Close, NY Women in film and The World According to Garp's benefit premier. Also, a play bill from the 46th Annual Antoinette Perry Awards and an article about Close.\u003c/p\u003e","\u003cp\u003eEnglish translations of foreign newspaper articles.\u003c/p\u003e","\u003cp\u003eScope and Contents Ligacoes Perigosas articles about Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eLigacoes Perigosas articles about Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eLigacoes Perigosas articles about Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eMagazine articles on Glenn Close. Subjects include The World According to Garp and The Natural.\u003c/p\u003e","\u003cp\u003eMagazine articles on Glenn Close. Subjects include Fatal Attraction.\u003c/p\u003e","\u003cp\u003eMagazine articles on Glenn Close. Subjects include Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include her home in Montana.\u003c/p\u003e","\u003cp\u003eSubjects include a royal polo match.\u003c/p\u003e","\u003cp\u003eProfiles of Glenn Close.\u003c/p\u003e","\u003cp\u003eSubjects include Harvard's Harsty Pudding Awards.\u003c/p\u003e","\u003cp\u003eSubjects include Meeting Venus.\u003c/p\u003e","\u003cp\u003eSubjects include Meeting Venus.\u003c/p\u003e","\u003cp\u003eSubjects include Meeting Venus.\u003c/p\u003e","\u003cp\u003eSubjects include Death and the Maiden.\u003c/p\u003e","\u003cp\u003eSubjects include the 1992 Tony Awards. 3 items.\u003c/p\u003e","\u003cp\u003eGlenn Close to Gillian T. Cell, Provost of William and Mary, regarding College's dance program and reply of  October 21, 1994. Originals in Provost's papers.\u003c/p\u003e","\u003cp\u003eTwo broken videotapes.\u003c/p\u003e","\u003cp\u003eScope and Contents Record (78 rpm) of \"Sing-out 66,\" a group Glenn Close sang with sponsored by the Moral Majority. Featured on the record are two songs by Ms. Close: \"The Happy Song\" and \"Run and Catch the Wind.\" This album sold at a performance in Phi Beta Kappa Hall, 1966. The traveling show was called \"Up with People.\" Ms. Close was a featured soloist with a group before entering the College of William and Mary.\u003c/p\u003e","\u003cp\u003eThis series contains publicity material about The Paper and Sunset Boulevard as well as miscellaneous publicity on Glenn Close.\u003c/p\u003e","\u003cp\u003eMaterial, chiefly 1993, relating to Glenn Close's starring role in Sunset Boulevard, including a mug, program, and publicity for the Los Angeles performance. The mug is also listed in the Artifact Collection.\u003c/p\u003e","\u003cp\u003eScript of The House of Spirits autographed by Glenn Close and other members of the cast and writers including:  Isabel Allende, Bille August, Antonio Banderas, Miriam Colon, Fran Fullenwider, Vincent Gallo, Jeremy Irons, Armin Mueller-Stahl, Teri Polo, Vanessa Redgrave, Winona Ryder, and Meryl Streep.\u003c/p\u003e","\u003cp\u003eTwo photographs of Glenn Close and William and Mary President Timothy J. Sullivan at a performance of Sunset Boulevard, New York City, December 11,1994.  Three photographs of Glenn Close as Norma Desmond, Alice Ripley as Betty Schaefer, and Alan Campbell as Joe Gillis.\u003c/p\u003e","\u003cp\u003eScope and Contents Two records (33-1/3 rpm) of original cast recording of \"The Real Thing\" by Tom Sheppard, directed by Mike Nichols, starring Jeremy Irons and Glenn Close. Includes note, 31 May 1985, from Glenn Close to Howard Scammon.\u003c/p\u003e","\u003cp\u003eScope and Contents Program of Broadway play, \"Sunset Boulevard\" starring Glenn Close.\u003c/p\u003e","\u003cp\u003eThis accession contains programs as well as newspaper articles and magazines with articles mostly about  Glenn Close.\u003c/p\u003e","\u003cp\u003eContains papers, 1965-2002, of Glenn Close including: notebooks from classes she took at the College of William and Mary; correspondence with friends, professional acquaintances, and fans; publicity materials relating to various film projects; newspaper and magazine clippings related to her movies and plays; and audiovisual materials.\u003c/p\u003e","\u003cp\u003ePersonal and professional correspondence received by Glenn Close. Includes telegrams, congratulatory notes, letters and cards from friends, actors, directors, and writers, also letters and cards from family members.\u003c/p\u003e","\u003cp\u003ePersonal Correspondence including letters from William \u0026amp; Mary President Thomas A. Graves and Mrs. Graves.\u003c/p\u003e","\u003cp\u003ePersonal Correspondence including letter from Gloria Steinham on Ms. letterhead, letter from Swoosie Kurtz, telegram from Tom Cruise and Mimi Rogers.\u003c/p\u003e","\u003cp\u003eIncludes letters from Hume Cronyn, Kirk Douglas, John Lithgow, and Walter Farley.\u003c/p\u003e","\u003cp\u003ePersonal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.\u003c/p\u003e","\u003cp\u003ePersonal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.\u003c/p\u003e","\u003cp\u003ePersonal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.\u003c/p\u003e","\u003cp\u003ePersonal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.\u003c/p\u003e","\u003cp\u003ePersonal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.\u003c/p\u003e","\u003cp\u003eIncludes letters from Kitty Carlisle Hart, Lawrence Kasdan, Tracey Ullman, and Better MIdler.\u003c/p\u003e","\u003cp\u003eIncludes letters from Joanne Woodward and Jane Smiley.\u003c/p\u003e","\u003cp\u003eIncludes a 1992 letter from Elaine May.\u003c/p\u003e","\u003cp\u003eLetters to Glenn Close from Roy Brocksmith, American actor, director and playwright.\u003c/p\u003e","\u003cp\u003eLetters to Annie Stark, daughter of Glenn Close and John Stark.\u003c/p\u003e","\u003cp\u003eItems related to film, television and theater projects of Glenn Close. Includes press clippings, publicity materials, production materials and programs.\u003c/p\u003e","\u003cp\u003eCast and Crew lists, shooting schedule.\u003c/p\u003e","\u003cp\u003eMaterials related to poetry readings at premiere of the movie Il Postino.\u003c/p\u003e","\u003cp\u003e2 cast photos, publicity materials.\u003c/p\u003e","\u003cp\u003eCast and crew lists, shooting schedules.\u003c/p\u003e","\u003cp\u003ePartial script, publicity materials.\u003c/p\u003e","\u003cp\u003eNewspapers\u003c/p\u003e","\u003cp\u003eJapanese publicity\u003c/p\u003e","\u003cp\u003eTeacher guide\u003c/p\u003e","\u003cp\u003ePress Kits\u003c/p\u003e","\u003cp\u003eLetters from 3rd grade class.\u003c/p\u003e","\u003cp\u003eLetters from 3rd grade class.\u003c/p\u003e","\u003cp\u003eLetters from 4th and 6th grade classes.\u003c/p\u003e","\u003cp\u003eDallas Morning News TV Magazine\u003c/p\u003e","\u003cp\u003eTotal TV magazine.\u003c/p\u003e","\u003cp\u003eNew York Times Television Guide.\u003c/p\u003e","\u003cp\u003eTelegivion Guide.\u003c/p\u003e","\u003cp\u003eOne white binder with information on all the nominees and winners of the Academy Award from 1927 through 1986. The binder includes tabs for each category receiving an Oscar.\u003c/p\u003e","\u003cp\u003eBroadway theater program, associated envelope containing sketches of cast members and other materials, possible gift to cast.\u003c/p\u003e","\u003cp\u003eCards and notes from cast members and other actors including Shirley MacLaine, Kim Basinger, Hume Cronyn, Jessica Tandy, and Mike Nichols.\u003c/p\u003e","\u003cp\u003eLos Angeles performance of Brooklyn Laundry, program and congratulatory notes and cards, including from Woody Harrelson, James L. Brooks, Marsha Mason, Marlo Thomas, Bruce Willis \u0026amp; Demi Moore, Jeffrey Katzenberg. Also includes dialect notes and directions to theater.\u003c/p\u003e","\u003cp\u003eLetters from family, friends, fans and professional acquaintances. Fax from father W.T. Close, letters from George Roy Hill, Irving Lazar, Jane Smiley, Gregory Hines. Notepad with list of tickets left for friends and colleagues. Names include Robert F. Kennedy, Jr., Alan Alda, Geoffrey Beene, Jimmy Smits, Laura Dern, Woody Harrelson, and Judy Collins.\u003c/p\u003e","\u003cp\u003eBackground research, story treatments, scripts and financial information for proposed movie based on the 1976 Zaire Ebola epidemic.\u003c/p\u003e","\u003cp\u003eScope and Contents Page 16, poem titled \"Williamsburg\" is dedicated to \"G.C.\"\u003c/p\u003e","\u003cp\u003eThis series contains clippings from the Richmond Times Dispatch, July 22, 2007, about Glenn Close's role in the television series Damages; clipping from Parade Magazine, July 14, 2013, about Glenn Close's costumes being auctioned off for charity; and the August 6-12, 2007 issue of TV Guide featuring Glenn Close on the cover regarding her new television series Damages.\u003c/p\u003e","\u003cp\u003ePeriodicals (newspapers, magazines) that cover Glenn Close's career.\u003c/p\u003e","\u003cp\u003eA two page letter from Glenn Close to Katherine Rowe. In the letter, Close expresses how humbled she feels to receive an Honorary Fellowship from William and Mary, and accepts the request to give a speech during Commencement.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of Glenn Close, documenting her career as an actress on Broadway, television, and in film.  Included are recorded interviews, correspondence, clippings, invitations, programs, playbills, photographs, videos, scripts, as well as materials related to her high school and college years.","This series holds the original group of material donated to Swem Library by Glenn Close numbered Mss. 93 C62. Films and other projects covered include: include Barnum, The Natural, The Big Chill, Maxie, The World According to Garp, Jagged Edge, Fatal Attraction, Reversal of Fortune, Hamlet, Sarah: Plain and Tall, Meeting Venus, Dangerous Liasons, Air Force One, Death and the Maiden, the 1992 Tony Awards, Sarah: Plain and Tall, and Skylark. Included are press clippings from newspapers and magazines, videotapes, scripts, and some correspondence.","Subjects include Len Cariou in Sweeny Todd, Glenn Close's role in Barnum, and her Tony nomination for Barnum. Includes an article from the Flat Hat.","Subjects include Lou Caiou's reading on radio of The Tin Drum, the Stratford Production of HMS Pinafore, and the opening of the Stratford Festival's 29th season.","Subjects include Len Cariou's performance as Petruchio in the Stratford Festival; Cabot Wade's production of Artie King; John Irving and The World According to Garp.","Subjects include Close's performances in Barnum, The Singular Life of Albert Nobbs, and The World According to Garp.","Subjects include The World According to Garp with Glenn Close as Jenny Garp.","Subjects include The World According to Garp with Glenn Close as Jenny Garp.","Subjects include Close's role as Jenny Garp in The World According to Garp and her casting in The Big Chill. Also included are letters from PMK, Close's publicity company.","Subjects include Something About Amelia, a made-for-tv movie on incest with Close as the mother; the Obie Awards; and The Big Chill. Also included are letters from PMK, her publicity company, dating from March 25, 1983.","Subjects include Close in Something About Amelia; Close's role in The Natural; and Close in the title role of Maxie.","Subjects include Close's dress for the Oscars; Close's performance in the title role of Joan of Arc at the Stake; and Close's participation in Childhood.","Subjects include Close in th title role of Joan of Arc at the Stake and her starring role in the play Childhood.","Subjects include Claus von Bulow; Jagged Edge, in which she starred as Teddy Barnes; and Maxi, in which Close played the title role.","Subjects include Close's role in the film Maxie.","Subjects include Close's starring role in the film Jagged Edge.","Subjects include Close's roles in Maxie, Jagged Edge, and Benefactors.","Subjects include Benefactor, and Close's casting opposite Michael Douglas in Fatal Attraction.","Including some on Fatal Attraction, in which Close co-starred with Michael Doughlas.","Subjects include Close's role in Fatal Attraction opposite Michael Douglas.","Subjects include Fatal Attraction and Stones for Ibarra a Hallmark Hall of Fame drama.","Subjects include Close's role in Stones for Ibarra and the 1988 Oscars.","Subjects include 1988 Oscars and Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons.","Subjects include Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons and the 1989 Oscars.","Subjects include Dangerous Liaisons and the Oscars.","Subjects include Dangerous Liaisons; Pro-choice rally; and the Oscars.","Subjects include Pro-choice rally in Washington, D.C.; Close's Beene Dress that she wore to the Academy Awards; Close's Commencement speech at William and Mary; and her role as Sunny Von Bulow.","Subjects include Close's role as Sunny von Vulow in Reversal of Fortune and her role in Immediate Family.","Subjects include Immediate Family.","Subjects include Immediate Family; New York Women in Film Luncheon; and Reversal of Fortune.","Subjects include Close's receipt of the 1990 Hasting Pudding Award.","Subjects include Hamlet with Mel Gibson.","Subjects include Hamlet and Sarah: Plain and Tall.","Subjects include Academy Awards and Brooklyn Laundry.","Subjects include Brooklyn Laundry; WIF Crystal Awards; and Hook.","Subjects include Soul Survivors and Meeting Venus.","Press releases from the San Sebastian Film Festival. Film in festival was Meeting Venus.","Press releases from the San Sebastian Film Festival and newspaper articles. Subjects include Meeting Venus.","Subjects include Death and the Maiden and Meeting Venus.","Mostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.","Mostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.","Subjects include the Tony Awards.","Subjects include Sondheim: Celebration at Carnegie Hall; Sarah: Plain and Tall; and Death and the Maiden.","Subjects include Skylark and Lincoln Documentary.","Subjects include Skylark and Sunset Boulevard.","Subjects include Barnum and Len Cariou.","Subjects include Close's role as Jenny Fields in The World According to Garp.","Subjects include Jagged Edge, Sarah: Plain and Tall, and Hamlet.","Scope and Contents Reviews of The World According to Garp and Dangerous Liaisons. Also, a transcript from an appearance on the \"Larry King Show\" and a script \"Faces of Change\" program on July 14, 1992.","Subjects include Len Cariou in Sweeny Todd and Glenn Close in The World According to Garp.","Subjects include The Natural and The Real Thing.","Subjects include The Big Chill and The Natural.","Subjects include Maxie and Childhood.","Subjects include Maxie and Jagged Edge.","Subjects include Benefactors and Books on Tape.","Subjects include Fatal Attraction and Stones for Ibarra.","Subjects include Stones for Ibarra, the Oscars, and Dangerous Liaisons.","Subjects include Jagged Edge and Dangerous Liaisons.","Subjects include abortion rights march and Dangerous Liaisons.","Subjects include Immediate Family and Dangerous Liaisons.","Subjects include Hamlet and the Academy Awards.","Subjects include Stones for Ibarra.","Subjects include Hook, the Academy Awards, and Garp.","Subjects include Len Cariou, Oscars and Maxie.","Enclosed: Skylark reviews and articles from PMK, Close's Public Relations Company.","Skylark reviews sent from Close to co-star Christopher Walken.","TV book covers from the Tony Awards sent to Close by PMK, her Public Relations Company.","Pamphlets, including some from the Emmy and Academy Awards.","Close's script (three ring binder) as Hostess of Saturday Night Live, December 12, 1992.","Academy Award publicity ads and other publicity for The World According to Garp, The Big Chill, Stones for Ibarra, Immediate Family, Jagged Edge, Broken Hearts, Broken Homes, Sarah: Plain and Tall, and Reversal of Fortune.","Publicity, especially for the Academy Awards, for Dangerous Liaisons.","Souvenirs from Jeremy Irons' Danny, The Champion of the World, You''re the top! benefit with Len Cariou, The Kennedy Center Honors of April, 1987, and the 42nd Golden Globe Awards; also, letters from PMK.","Photograph from Broken Hearts, Broken Homes; souvenirs from William and Mary's Tercentenary Concert Series, the Dartmouth Film Society's Tribute to Glenn Close, NY Women in film and The World According to Garp's benefit premier. Also, a play bill from the 46th Annual Antoinette Perry Awards and an article about Close.","English translations of foreign newspaper articles.","Scope and Contents Ligacoes Perigosas articles about Dangerous Liaisons.","Ligacoes Perigosas articles about Dangerous Liaisons.","Ligacoes Perigosas articles about Dangerous Liaisons.","Magazine articles on Glenn Close. Subjects include The World According to Garp and The Natural.","Magazine articles on Glenn Close. Subjects include Fatal Attraction.","Magazine articles on Glenn Close. Subjects include Dangerous Liaisons.","Subjects include her home in Montana.","Subjects include a royal polo match.","Profiles of Glenn Close.","Subjects include Harvard's Harsty Pudding Awards.","Subjects include Meeting Venus.","Subjects include Meeting Venus.","Subjects include Meeting Venus.","Subjects include Death and the Maiden.","Subjects include the 1992 Tony Awards. 3 items.","Glenn Close to Gillian T. Cell, Provost of William and Mary, regarding College's dance program and reply of  October 21, 1994. Originals in Provost's papers.","Two broken videotapes.","Scope and Contents Record (78 rpm) of \"Sing-out 66,\" a group Glenn Close sang with sponsored by the Moral Majority. Featured on the record are two songs by Ms. Close: \"The Happy Song\" and \"Run and Catch the Wind.\" This album sold at a performance in Phi Beta Kappa Hall, 1966. The traveling show was called \"Up with People.\" Ms. Close was a featured soloist with a group before entering the College of William and Mary.","This series contains publicity material about The Paper and Sunset Boulevard as well as miscellaneous publicity on Glenn Close.","Material, chiefly 1993, relating to Glenn Close's starring role in Sunset Boulevard, including a mug, program, and publicity for the Los Angeles performance. The mug is also listed in the Artifact Collection.","Script of The House of Spirits autographed by Glenn Close and other members of the cast and writers including:  Isabel Allende, Bille August, Antonio Banderas, Miriam Colon, Fran Fullenwider, Vincent Gallo, Jeremy Irons, Armin Mueller-Stahl, Teri Polo, Vanessa Redgrave, Winona Ryder, and Meryl Streep.","Two photographs of Glenn Close and William and Mary President Timothy J. Sullivan at a performance of Sunset Boulevard, New York City, December 11,1994.  Three photographs of Glenn Close as Norma Desmond, Alice Ripley as Betty Schaefer, and Alan Campbell as Joe Gillis.","Scope and Contents Two records (33-1/3 rpm) of original cast recording of \"The Real Thing\" by Tom Sheppard, directed by Mike Nichols, starring Jeremy Irons and Glenn Close. Includes note, 31 May 1985, from Glenn Close to Howard Scammon.","Scope and Contents Program of Broadway play, \"Sunset Boulevard\" starring Glenn Close.","This accession contains programs as well as newspaper articles and magazines with articles mostly about  Glenn Close.","Contains papers, 1965-2002, of Glenn Close including: notebooks from classes she took at the College of William and Mary; correspondence with friends, professional acquaintances, and fans; publicity materials relating to various film projects; newspaper and magazine clippings related to her movies and plays; and audiovisual materials.","Personal and professional correspondence received by Glenn Close. Includes telegrams, congratulatory notes, letters and cards from friends, actors, directors, and writers, also letters and cards from family members.","Personal Correspondence including letters from William \u0026 Mary President Thomas A. Graves and Mrs. Graves.","Personal Correspondence including letter from Gloria Steinham on Ms. letterhead, letter from Swoosie Kurtz, telegram from Tom Cruise and Mimi Rogers.","Includes letters from Hume Cronyn, Kirk Douglas, John Lithgow, and Walter Farley.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Includes letters from Kitty Carlisle Hart, Lawrence Kasdan, Tracey Ullman, and Better MIdler.","Includes letters from Joanne Woodward and Jane Smiley.","Includes a 1992 letter from Elaine May.","Letters to Glenn Close from Roy Brocksmith, American actor, director and playwright.","Letters to Annie Stark, daughter of Glenn Close and John Stark.","Items related to film, television and theater projects of Glenn Close. Includes press clippings, publicity materials, production materials and programs.","Cast and Crew lists, shooting schedule.","Materials related to poetry readings at premiere of the movie Il Postino.","2 cast photos, publicity materials.","Cast and crew lists, shooting schedules.","Partial script, publicity materials.","Newspapers","Japanese publicity","Teacher guide","Press Kits","Letters from 3rd grade class.","Letters from 3rd grade class.","Letters from 4th and 6th grade classes.","Dallas Morning News TV Magazine","Total TV magazine.","New York Times Television Guide.","Telegivion Guide.","One white binder with information on all the nominees and winners of the Academy Award from 1927 through 1986. The binder includes tabs for each category receiving an Oscar.","Broadway theater program, associated envelope containing sketches of cast members and other materials, possible gift to cast.","Cards and notes from cast members and other actors including Shirley MacLaine, Kim Basinger, Hume Cronyn, Jessica Tandy, and Mike Nichols.","Los Angeles performance of Brooklyn Laundry, program and congratulatory notes and cards, including from Woody Harrelson, James L. Brooks, Marsha Mason, Marlo Thomas, Bruce Willis \u0026 Demi Moore, Jeffrey Katzenberg. Also includes dialect notes and directions to theater.","Letters from family, friends, fans and professional acquaintances. Fax from father W.T. Close, letters from George Roy Hill, Irving Lazar, Jane Smiley, Gregory Hines. Notepad with list of tickets left for friends and colleagues. Names include Robert F. Kennedy, Jr., Alan Alda, Geoffrey Beene, Jimmy Smits, Laura Dern, Woody Harrelson, and Judy Collins.","Background research, story treatments, scripts and financial information for proposed movie based on the 1976 Zaire Ebola epidemic.","Scope and Contents Page 16, poem titled \"Williamsburg\" is dedicated to \"G.C.\"","This series contains clippings from the Richmond Times Dispatch, July 22, 2007, about Glenn Close's role in the television series Damages; clipping from Parade Magazine, July 14, 2013, about Glenn Close's costumes being auctioned off for charity; and the August 6-12, 2007 issue of TV Guide featuring Glenn Close on the cover regarding her new television series Damages.","Periodicals (newspapers, magazines) that cover Glenn Close's career.","A two page letter from Glenn Close to Katherine Rowe. In the letter, Close expresses how humbled she feels to receive an Honorary Fellowship from William and Mary, and accepts the request to give a speech during Commencement."],"separatedmaterial_html_tesm":["\u003cp\u003eAll audiovisual materials, including videocassettes, CDs, and phonograph records haven been moved to the Manuscripts Audiovisual Collection, Mss 1.04.\u003c/p\u003e\n","\u003cp\u003eArtifacts were transferred to the Manuscripts Artifact Collection (Mss. 1.03) including the Pacific Northwestern Hospital Parody ID Card (Mss 2010.601.67).\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["All audiovisual materials, including videocassettes, CDs, and phonograph records haven been moved to the Manuscripts Audiovisual Collection, Mss 1.04.","Artifacts were transferred to the Manuscripts Artifact Collection (Mss. 1.03) including the Pacific Northwestern Hospital Parody ID Card (Mss 2010.601.67)."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e","\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:","Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Glenn, Close, 1947-"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Glenn, Close, 1947-"],"language_ssim":["English"],"total_component_count_is":395,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:22:50.280Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8729","ead_ssi":"viw_repositories_2_resources_8729","_root_":"viw_repositories_2_resources_8729","_nest_parent_":"viw_repositories_2_resources_8729","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8729.xml","title_filing_ssi":"Close, Glenn, Papers","title_ssm":["Glenn Close Papers"],"title_tesim":["Glenn Close Papers"],"unitdate_ssm":["1966-2013","1980-1995"],"unitdate_bulk_ssim":["1980-1995"],"unitdate_inclusive_ssm":["1966-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 93 C62 and Additions","/repositories/2/resources/8729"],"text":["Mss. 93 C62 and Additions","/repositories/2/resources/8729","Glenn Close Papers","Interviews","Actresses--United States","Class materials","Correspondence","Invitations","Letters (correspondence)","Programs","Video recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Portions of this collection have not yet been fully arranged and described. Researchers may wish to contact a staff member in advance.","Glenn Close (born 1947) is a six-time Academy Award-nominated American film and stage actress. Close is an Emmy Award- winning TV movie actress, a three-time Tony Award-winning stage actress and has been nominated for seven Emmys and seven Golden Globes. Ms. Close attended the College of William and Mary, where she was involved in campus theatrical productions and graduated a member of Phi Beta Kappa. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Audio and moving image formats may require reformatting before they can be accessed.  Please consult an SCRC staff member for assistance.","Processed by Daisy Hougan in 1994. Mss. 93 C62 was reboxed, but kept in the same order, using the original box and folder numbers, (and sometimes combining two b\noxes) by Anne Johnson, Special Collections Staff, in November 2009. Mss. Acc. 2010.601 was accessioned by Benjamin Bromley, Public Services Archives Specialist, in October 2010. \nAcc. 2013.195 was accessioned and minimally described by Steven Bookman, University Archives Specialist. \nAcc. 2010.601 was arranged and described by Cecile Glendening, Special Collections Staff, July through September 2013.","Papers of Glenn Close, documenting her career as an actress on Broadway, television, and in film.  Included are recorded interviews, correspondence, clippings, invitations, programs, playbills, photographs, videos, scripts, as well as materials related to her high school and college years.","This series holds the original group of material donated to Swem Library by Glenn Close numbered Mss. 93 C62. Films and other projects covered include: include Barnum, The Natural, The Big Chill, Maxie, The World According to Garp, Jagged Edge, Fatal Attraction, Reversal of Fortune, Hamlet, Sarah: Plain and Tall, Meeting Venus, Dangerous Liasons, Air Force One, Death and the Maiden, the 1992 Tony Awards, Sarah: Plain and Tall, and Skylark. Included are press clippings from newspapers and magazines, videotapes, scripts, and some correspondence.","Subjects include Len Cariou in Sweeny Todd, Glenn Close's role in Barnum, and her Tony nomination for Barnum. Includes an article from the Flat Hat.","Subjects include Lou Caiou's reading on radio of The Tin Drum, the Stratford Production of HMS Pinafore, and the opening of the Stratford Festival's 29th season.","Subjects include Len Cariou's performance as Petruchio in the Stratford Festival; Cabot Wade's production of Artie King; John Irving and The World According to Garp.","Subjects include Close's performances in Barnum, The Singular Life of Albert Nobbs, and The World According to Garp.","Subjects include The World According to Garp with Glenn Close as Jenny Garp.","Subjects include The World According to Garp with Glenn Close as Jenny Garp.","Subjects include Close's role as Jenny Garp in The World According to Garp and her casting in The Big Chill. Also included are letters from PMK, Close's publicity company.","Subjects include Something About Amelia, a made-for-tv movie on incest with Close as the mother; the Obie Awards; and The Big Chill. Also included are letters from PMK, her publicity company, dating from March 25, 1983.","Subjects include Close in Something About Amelia; Close's role in The Natural; and Close in the title role of Maxie.","Subjects include Close's dress for the Oscars; Close's performance in the title role of Joan of Arc at the Stake; and Close's participation in Childhood.","Subjects include Close in th title role of Joan of Arc at the Stake and her starring role in the play Childhood.","Subjects include Claus von Bulow; Jagged Edge, in which she starred as Teddy Barnes; and Maxi, in which Close played the title role.","Subjects include Close's role in the film Maxie.","Subjects include Close's starring role in the film Jagged Edge.","Subjects include Close's roles in Maxie, Jagged Edge, and Benefactors.","Subjects include Benefactor, and Close's casting opposite Michael Douglas in Fatal Attraction.","Including some on Fatal Attraction, in which Close co-starred with Michael Doughlas.","Subjects include Close's role in Fatal Attraction opposite Michael Douglas.","Subjects include Fatal Attraction and Stones for Ibarra a Hallmark Hall of Fame drama.","Subjects include Close's role in Stones for Ibarra and the 1988 Oscars.","Subjects include 1988 Oscars and Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons.","Subjects include Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons and the 1989 Oscars.","Subjects include Dangerous Liaisons and the Oscars.","Subjects include Dangerous Liaisons; Pro-choice rally; and the Oscars.","Subjects include Pro-choice rally in Washington, D.C.; Close's Beene Dress that she wore to the Academy Awards; Close's Commencement speech at William and Mary; and her role as Sunny Von Bulow.","Subjects include Close's role as Sunny von Vulow in Reversal of Fortune and her role in Immediate Family.","Subjects include Immediate Family.","Subjects include Immediate Family; New York Women in Film Luncheon; and Reversal of Fortune.","Subjects include Close's receipt of the 1990 Hasting Pudding Award.","Subjects include Hamlet with Mel Gibson.","Subjects include Hamlet and Sarah: Plain and Tall.","Subjects include Academy Awards and Brooklyn Laundry.","Subjects include Brooklyn Laundry; WIF Crystal Awards; and Hook.","Subjects include Soul Survivors and Meeting Venus.","Press releases from the San Sebastian Film Festival. Film in festival was Meeting Venus.","Press releases from the San Sebastian Film Festival and newspaper articles. Subjects include Meeting Venus.","Subjects include Death and the Maiden and Meeting Venus.","Mostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.","Mostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.","Subjects include the Tony Awards.","Subjects include Sondheim: Celebration at Carnegie Hall; Sarah: Plain and Tall; and Death and the Maiden.","Subjects include Skylark and Lincoln Documentary.","Subjects include Skylark and Sunset Boulevard.","Subjects include Barnum and Len Cariou.","Subjects include Close's role as Jenny Fields in The World According to Garp.","Subjects include Jagged Edge, Sarah: Plain and Tall, and Hamlet.","Scope and Contents Reviews of The World According to Garp and Dangerous Liaisons. Also, a transcript from an appearance on the \"Larry King Show\" and a script \"Faces of Change\" program on July 14, 1992.","Subjects include Len Cariou in Sweeny Todd and Glenn Close in The World According to Garp.","Subjects include The Natural and The Real Thing.","Subjects include The Big Chill and The Natural.","Subjects include Maxie and Childhood.","Subjects include Maxie and Jagged Edge.","Subjects include Benefactors and Books on Tape.","Subjects include Fatal Attraction and Stones for Ibarra.","Subjects include Stones for Ibarra, the Oscars, and Dangerous Liaisons.","Subjects include Jagged Edge and Dangerous Liaisons.","Subjects include abortion rights march and Dangerous Liaisons.","Subjects include Immediate Family and Dangerous Liaisons.","Subjects include Hamlet and the Academy Awards.","Subjects include Stones for Ibarra.","Subjects include Hook, the Academy Awards, and Garp.","Subjects include Len Cariou, Oscars and Maxie.","Enclosed: Skylark reviews and articles from PMK, Close's Public Relations Company.","Skylark reviews sent from Close to co-star Christopher Walken.","TV book covers from the Tony Awards sent to Close by PMK, her Public Relations Company.","Pamphlets, including some from the Emmy and Academy Awards.","Close's script (three ring binder) as Hostess of Saturday Night Live, December 12, 1992.","Academy Award publicity ads and other publicity for The World According to Garp, The Big Chill, Stones for Ibarra, Immediate Family, Jagged Edge, Broken Hearts, Broken Homes, Sarah: Plain and Tall, and Reversal of Fortune.","Publicity, especially for the Academy Awards, for Dangerous Liaisons.","Souvenirs from Jeremy Irons' Danny, The Champion of the World, You''re the top! benefit with Len Cariou, The Kennedy Center Honors of April, 1987, and the 42nd Golden Globe Awards; also, letters from PMK.","Photograph from Broken Hearts, Broken Homes; souvenirs from William and Mary's Tercentenary Concert Series, the Dartmouth Film Society's Tribute to Glenn Close, NY Women in film and The World According to Garp's benefit premier. Also, a play bill from the 46th Annual Antoinette Perry Awards and an article about Close.","English translations of foreign newspaper articles.","Scope and Contents Ligacoes Perigosas articles about Dangerous Liaisons.","Ligacoes Perigosas articles about Dangerous Liaisons.","Ligacoes Perigosas articles about Dangerous Liaisons.","Magazine articles on Glenn Close. Subjects include The World According to Garp and The Natural.","Magazine articles on Glenn Close. Subjects include Fatal Attraction.","Magazine articles on Glenn Close. Subjects include Dangerous Liaisons.","Subjects include her home in Montana.","Subjects include a royal polo match.","Profiles of Glenn Close.","Subjects include Harvard's Harsty Pudding Awards.","Subjects include Meeting Venus.","Subjects include Meeting Venus.","Subjects include Meeting Venus.","Subjects include Death and the Maiden.","Subjects include the 1992 Tony Awards. 3 items.","Glenn Close to Gillian T. Cell, Provost of William and Mary, regarding College's dance program and reply of  October 21, 1994. Originals in Provost's papers.","Two broken videotapes.","Scope and Contents Record (78 rpm) of \"Sing-out 66,\" a group Glenn Close sang with sponsored by the Moral Majority. Featured on the record are two songs by Ms. Close: \"The Happy Song\" and \"Run and Catch the Wind.\" This album sold at a performance in Phi Beta Kappa Hall, 1966. The traveling show was called \"Up with People.\" Ms. Close was a featured soloist with a group before entering the College of William and Mary.","This series contains publicity material about The Paper and Sunset Boulevard as well as miscellaneous publicity on Glenn Close.","Material, chiefly 1993, relating to Glenn Close's starring role in Sunset Boulevard, including a mug, program, and publicity for the Los Angeles performance. The mug is also listed in the Artifact Collection.","Script of The House of Spirits autographed by Glenn Close and other members of the cast and writers including:  Isabel Allende, Bille August, Antonio Banderas, Miriam Colon, Fran Fullenwider, Vincent Gallo, Jeremy Irons, Armin Mueller-Stahl, Teri Polo, Vanessa Redgrave, Winona Ryder, and Meryl Streep.","Two photographs of Glenn Close and William and Mary President Timothy J. Sullivan at a performance of Sunset Boulevard, New York City, December 11,1994.  Three photographs of Glenn Close as Norma Desmond, Alice Ripley as Betty Schaefer, and Alan Campbell as Joe Gillis.","Scope and Contents Two records (33-1/3 rpm) of original cast recording of \"The Real Thing\" by Tom Sheppard, directed by Mike Nichols, starring Jeremy Irons and Glenn Close. Includes note, 31 May 1985, from Glenn Close to Howard Scammon.","Scope and Contents Program of Broadway play, \"Sunset Boulevard\" starring Glenn Close.","This accession contains programs as well as newspaper articles and magazines with articles mostly about  Glenn Close.","Contains papers, 1965-2002, of Glenn Close including: notebooks from classes she took at the College of William and Mary; correspondence with friends, professional acquaintances, and fans; publicity materials relating to various film projects; newspaper and magazine clippings related to her movies and plays; and audiovisual materials.","Personal and professional correspondence received by Glenn Close. Includes telegrams, congratulatory notes, letters and cards from friends, actors, directors, and writers, also letters and cards from family members.","Personal Correspondence including letters from William \u0026 Mary President Thomas A. Graves and Mrs. Graves.","Personal Correspondence including letter from Gloria Steinham on Ms. letterhead, letter from Swoosie Kurtz, telegram from Tom Cruise and Mimi Rogers.","Includes letters from Hume Cronyn, Kirk Douglas, John Lithgow, and Walter Farley.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Includes letters from Kitty Carlisle Hart, Lawrence Kasdan, Tracey Ullman, and Better MIdler.","Includes letters from Joanne Woodward and Jane Smiley.","Includes a 1992 letter from Elaine May.","Letters to Glenn Close from Roy Brocksmith, American actor, director and playwright.","Letters to Annie Stark, daughter of Glenn Close and John Stark.","Items related to film, television and theater projects of Glenn Close. Includes press clippings, publicity materials, production materials and programs.","Cast and Crew lists, shooting schedule.","Materials related to poetry readings at premiere of the movie Il Postino.","2 cast photos, publicity materials.","Cast and crew lists, shooting schedules.","Partial script, publicity materials.","Newspapers","Japanese publicity","Teacher guide","Press Kits","Letters from 3rd grade class.","Letters from 3rd grade class.","Letters from 4th and 6th grade classes.","Dallas Morning News TV Magazine","Total TV magazine.","New York Times Television Guide.","Telegivion Guide.","One white binder with information on all the nominees and winners of the Academy Award from 1927 through 1986. The binder includes tabs for each category receiving an Oscar.","Broadway theater program, associated envelope containing sketches of cast members and other materials, possible gift to cast.","Cards and notes from cast members and other actors including Shirley MacLaine, Kim Basinger, Hume Cronyn, Jessica Tandy, and Mike Nichols.","Los Angeles performance of Brooklyn Laundry, program and congratulatory notes and cards, including from Woody Harrelson, James L. Brooks, Marsha Mason, Marlo Thomas, Bruce Willis \u0026 Demi Moore, Jeffrey Katzenberg. Also includes dialect notes and directions to theater.","Letters from family, friends, fans and professional acquaintances. Fax from father W.T. Close, letters from George Roy Hill, Irving Lazar, Jane Smiley, Gregory Hines. Notepad with list of tickets left for friends and colleagues. Names include Robert F. Kennedy, Jr., Alan Alda, Geoffrey Beene, Jimmy Smits, Laura Dern, Woody Harrelson, and Judy Collins.","Background research, story treatments, scripts and financial information for proposed movie based on the 1976 Zaire Ebola epidemic.","Scope and Contents Page 16, poem titled \"Williamsburg\" is dedicated to \"G.C.\"","This series contains clippings from the Richmond Times Dispatch, July 22, 2007, about Glenn Close's role in the television series Damages; clipping from Parade Magazine, July 14, 2013, about Glenn Close's costumes being auctioned off for charity; and the August 6-12, 2007 issue of TV Guide featuring Glenn Close on the cover regarding her new television series Damages.","Periodicals (newspapers, magazines) that cover Glenn Close's career.","A two page letter from Glenn Close to Katherine Rowe. In the letter, Close expresses how humbled she feels to receive an Honorary Fellowship from William and Mary, and accepts the request to give a speech during Commencement.","All audiovisual materials, including videocassettes, CDs, and phonograph records haven been moved to the Manuscripts Audiovisual Collection, Mss 1.04.","Artifacts were transferred to the Manuscripts Artifact Collection (Mss. 1.03) including the Pacific Northwestern Hospital Parody ID Card (Mss 2010.601.67).","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Glenn, Close, 1947-","English"],"unitid_tesim":["Mss. 93 C62 and Additions","/repositories/2/resources/8729"],"normalized_title_ssm":["Glenn Close Papers"],"collection_title_tesim":["Glenn Close Papers"],"collection_ssim":["Glenn Close Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Glenn, Close, 1947-"],"creator_ssim":["Glenn, Close, 1947-"],"creator_persname_ssim":["Glenn, Close, 1947-"],"creators_ssim":["Glenn, Close, 1947-"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 1993.35 gift of approximately 200 items from Glenn Close on 4/30/1993; Acc. 1994.33 gift of approximately200 items from Glenn Close on 4/21/1994; Acc. 1993.67 gift of 1 item from Will Molineux on 11/15/1993; Acc. 1994.41 gift of 16 items from Nancy Marshall, Dean of Libraries on 5/26/1994; Acc. 1994.42 gift of 1 item from Spencer Timm on 5/27/1994; Acc. 1995.12 gift of 5 items from Nancy H. Marshall on 3/20/1995; and Acc. 1997.68 transfer of 2 items from University Archives on 12/11/1997. Acc. 2007.112 gift  of Maxine Spalding (through courtesy of Jenny Bledsoe). Acc. 2009.526 a compilation of material given by others. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["Interviews","Actresses--United States","Class materials","Correspondence","Invitations","Letters (correspondence)","Programs","Video recordings"],"access_subjects_ssm":["Interviews","Actresses--United States","Class materials","Correspondence","Invitations","Letters (correspondence)","Programs","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["15.00 Linear Feet"],"extent_tesim":["15.00 Linear Feet"],"genreform_ssim":["Class materials","Correspondence","Invitations","Letters (correspondence)","Programs","Video recordings"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e","\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:","Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003ePortions of this collection have not yet been fully arranged and described. Researchers may wish to contact a staff member in advance.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Portions of this collection have not yet been fully arranged and described. Researchers may wish to contact a staff member in advance."],"bioghist_html_tesm":["\u003cp\u003eGlenn Close (born 1947) is a six-time Academy Award-nominated American film and stage actress. Close is an Emmy Award- winning TV movie actress, a three-time Tony Award-winning stage actress and has been nominated for seven Emmys and seven Golden Globes. Ms. Close attended the College of William and Mary, where she was involved in campus theatrical productions and graduated a member of Phi Beta Kappa. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Close_Glenn\" title=\"Close Glenn\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Glenn Close (born 1947) is a six-time Academy Award-nominated American film and stage actress. Close is an Emmy Award- winning TV movie actress, a three-time Tony Award-winning stage actress and has been nominated for seven Emmys and seven Golden Globes. Ms. Close attended the College of William and Mary, where she was involved in campus theatrical productions and graduated a member of Phi Beta Kappa. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"phystech_html_tesm":["\u003cp\u003eAudio and moving image formats may require reformatting before they can be accessed.  Please consult an SCRC staff member for assistance.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics or Technical Requirements:"],"phystech_tesim":["Audio and moving image formats may require reformatting before they can be accessed.  Please consult an SCRC staff member for assistance."],"prefercite_html_tesm":["\u003cp\u003eGlenn Close Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e","\u003cp\u003eGlenn Close Papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Glenn Close Papers, Special Collections Research Center, Swem Library, College of William and Mary.","Glenn Close Papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Daisy Hougan in 1994. Mss. 93 C62 was reboxed, but kept in the same order, using the original box and folder numbers, (and sometimes combining two b\noxes) by Anne Johnson, Special Collections Staff, in November 2009. Mss. Acc. 2010.601 was accessioned by Benjamin Bromley, Public Services Archives Specialist, in October 2010. \nAcc. 2013.195 was accessioned and minimally described by Steven Bookman, University Archives Specialist. \nAcc. 2010.601 was arranged and described by Cecile Glendening, Special Collections Staff, July through September 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Daisy Hougan in 1994. Mss. 93 C62 was reboxed, but kept in the same order, using the original box and folder numbers, (and sometimes combining two b\noxes) by Anne Johnson, Special Collections Staff, in November 2009. Mss. Acc. 2010.601 was accessioned by Benjamin Bromley, Public Services Archives Specialist, in October 2010. \nAcc. 2013.195 was accessioned and minimally described by Steven Bookman, University Archives Specialist. \nAcc. 2010.601 was arranged and described by Cecile Glendening, Special Collections Staff, July through September 2013."],"scopecontent_html_tesm":["\u003cp\u003ePapers of Glenn Close, documenting her career as an actress on Broadway, television, and in film.  Included are recorded interviews, correspondence, clippings, invitations, programs, playbills, photographs, videos, scripts, as well as materials related to her high school and college years.\u003c/p\u003e","\u003cp\u003eThis series holds the original group of material donated to Swem Library by Glenn Close numbered Mss. 93 C62. Films and other projects covered include: include Barnum, The Natural, The Big Chill, Maxie, The World According to Garp, Jagged Edge, Fatal Attraction, Reversal of Fortune, Hamlet, Sarah: Plain and Tall, Meeting Venus, Dangerous Liasons, Air Force One, Death and the Maiden, the 1992 Tony Awards, Sarah: Plain and Tall, and Skylark. Included are press clippings from newspapers and magazines, videotapes, scripts, and some correspondence.\u003c/p\u003e","\u003cp\u003eSubjects include Len Cariou in Sweeny Todd, Glenn Close's role in Barnum, and her Tony nomination for Barnum. Includes an article from the Flat Hat.\u003c/p\u003e","\u003cp\u003eSubjects include Lou Caiou's reading on radio of The Tin Drum, the Stratford Production of HMS Pinafore, and the opening of the Stratford Festival's 29th season.\u003c/p\u003e","\u003cp\u003eSubjects include Len Cariou's performance as Petruchio in the Stratford Festival; Cabot Wade's production of Artie King; John Irving and The World According to Garp.\u003c/p\u003e","\u003cp\u003eSubjects include Close's performances in Barnum, The Singular Life of Albert Nobbs, and The World According to Garp.\u003c/p\u003e","\u003cp\u003eSubjects include The World According to Garp with Glenn Close as Jenny Garp.\u003c/p\u003e","\u003cp\u003eSubjects include The World According to Garp with Glenn Close as Jenny Garp.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role as Jenny Garp in The World According to Garp and her casting in The Big Chill. Also included are letters from PMK, Close's publicity company.\u003c/p\u003e","\u003cp\u003eSubjects include Something About Amelia, a made-for-tv movie on incest with Close as the mother; the Obie Awards; and The Big Chill. Also included are letters from PMK, her publicity company, dating from March 25, 1983.\u003c/p\u003e","\u003cp\u003eSubjects include Close in Something About Amelia; Close's role in The Natural; and Close in the title role of Maxie.\u003c/p\u003e","\u003cp\u003eSubjects include Close's dress for the Oscars; Close's performance in the title role of Joan of Arc at the Stake; and Close's participation in Childhood.\u003c/p\u003e","\u003cp\u003eSubjects include Close in th title role of Joan of Arc at the Stake and her starring role in the play Childhood.\u003c/p\u003e","\u003cp\u003eSubjects include Claus von Bulow; Jagged Edge, in which she starred as Teddy Barnes; and Maxi, in which Close played the title role.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role in the film Maxie.\u003c/p\u003e","\u003cp\u003eSubjects include Close's starring role in the film Jagged Edge.\u003c/p\u003e","\u003cp\u003eSubjects include Close's roles in Maxie, Jagged Edge, and Benefactors.\u003c/p\u003e","\u003cp\u003eSubjects include Benefactor, and Close's casting opposite Michael Douglas in Fatal Attraction.\u003c/p\u003e","\u003cp\u003eIncluding some on Fatal Attraction, in which Close co-starred with Michael Doughlas.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role in Fatal Attraction opposite Michael Douglas.\u003c/p\u003e","\u003cp\u003eSubjects include Fatal Attraction and Stones for Ibarra a Hallmark Hall of Fame drama.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role in Stones for Ibarra and the 1988 Oscars.\u003c/p\u003e","\u003cp\u003eSubjects include 1988 Oscars and Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons and the 1989 Oscars.\u003c/p\u003e","\u003cp\u003eSubjects include Dangerous Liaisons and the Oscars.\u003c/p\u003e","\u003cp\u003eSubjects include Dangerous Liaisons; Pro-choice rally; and the Oscars.\u003c/p\u003e","\u003cp\u003eSubjects include Pro-choice rally in Washington, D.C.; Close's Beene Dress that she wore to the Academy Awards; Close's Commencement speech at William and Mary; and her role as Sunny Von Bulow.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role as Sunny von Vulow in Reversal of Fortune and her role in Immediate Family.\u003c/p\u003e","\u003cp\u003eSubjects include Immediate Family.\u003c/p\u003e","\u003cp\u003eSubjects include Immediate Family; New York Women in Film Luncheon; and Reversal of Fortune.\u003c/p\u003e","\u003cp\u003eSubjects include Close's receipt of the 1990 Hasting Pudding Award.\u003c/p\u003e","\u003cp\u003eSubjects include Hamlet with Mel Gibson.\u003c/p\u003e","\u003cp\u003eSubjects include Hamlet and Sarah: Plain and Tall.\u003c/p\u003e","\u003cp\u003eSubjects include Academy Awards and Brooklyn Laundry.\u003c/p\u003e","\u003cp\u003eSubjects include Brooklyn Laundry; WIF Crystal Awards; and Hook.\u003c/p\u003e","\u003cp\u003eSubjects include Soul Survivors and Meeting Venus.\u003c/p\u003e","\u003cp\u003ePress releases from the San Sebastian Film Festival. Film in festival was Meeting Venus.\u003c/p\u003e","\u003cp\u003ePress releases from the San Sebastian Film Festival and newspaper articles. Subjects include Meeting Venus.\u003c/p\u003e","\u003cp\u003eSubjects include Death and the Maiden and Meeting Venus.\u003c/p\u003e","\u003cp\u003eMostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.\u003c/p\u003e","\u003cp\u003eMostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.\u003c/p\u003e","\u003cp\u003eSubjects include the Tony Awards.\u003c/p\u003e","\u003cp\u003eSubjects include Sondheim: Celebration at Carnegie Hall; Sarah: Plain and Tall; and Death and the Maiden.\u003c/p\u003e","\u003cp\u003eSubjects include Skylark and Lincoln Documentary.\u003c/p\u003e","\u003cp\u003eSubjects include Skylark and Sunset Boulevard.\u003c/p\u003e","\u003cp\u003eSubjects include Barnum and Len Cariou.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role as Jenny Fields in The World According to Garp.\u003c/p\u003e","\u003cp\u003eSubjects include Jagged Edge, Sarah: Plain and Tall, and Hamlet.\u003c/p\u003e","\u003cp\u003eScope and Contents Reviews of The World According to Garp and Dangerous Liaisons. Also, a transcript from an appearance on the \"Larry King Show\" and a script \"Faces of Change\" program on July 14, 1992.\u003c/p\u003e","\u003cp\u003eSubjects include Len Cariou in Sweeny Todd and Glenn Close in The World According to Garp.\u003c/p\u003e","\u003cp\u003eSubjects include The Natural and The Real Thing.\u003c/p\u003e","\u003cp\u003eSubjects include The Big Chill and The Natural.\u003c/p\u003e","\u003cp\u003eSubjects include Maxie and Childhood.\u003c/p\u003e","\u003cp\u003eSubjects include Maxie and Jagged Edge.\u003c/p\u003e","\u003cp\u003eSubjects include Benefactors and Books on Tape.\u003c/p\u003e","\u003cp\u003eSubjects include Fatal Attraction and Stones for Ibarra.\u003c/p\u003e","\u003cp\u003eSubjects include Stones for Ibarra, the Oscars, and Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include Jagged Edge and Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include abortion rights march and Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include Immediate Family and Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include Hamlet and the Academy Awards.\u003c/p\u003e","\u003cp\u003eSubjects include Stones for Ibarra.\u003c/p\u003e","\u003cp\u003eSubjects include Hook, the Academy Awards, and Garp.\u003c/p\u003e","\u003cp\u003eSubjects include Len Cariou, Oscars and Maxie.\u003c/p\u003e","\u003cp\u003eEnclosed: Skylark reviews and articles from PMK, Close's Public Relations Company.\u003c/p\u003e","\u003cp\u003eSkylark reviews sent from Close to co-star Christopher Walken.\u003c/p\u003e","\u003cp\u003eTV book covers from the Tony Awards sent to Close by PMK, her Public Relations Company.\u003c/p\u003e","\u003cp\u003ePamphlets, including some from the Emmy and Academy Awards.\u003c/p\u003e","\u003cp\u003eClose's script (three ring binder) as Hostess of Saturday Night Live, December 12, 1992.\u003c/p\u003e","\u003cp\u003eAcademy Award publicity ads and other publicity for The World According to Garp, The Big Chill, Stones for Ibarra, Immediate Family, Jagged Edge, Broken Hearts, Broken Homes, Sarah: Plain and Tall, and Reversal of Fortune.\u003c/p\u003e","\u003cp\u003ePublicity, especially for the Academy Awards, for Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSouvenirs from Jeremy Irons' Danny, The Champion of the World, You''re the top! benefit with Len Cariou, The Kennedy Center Honors of April, 1987, and the 42nd Golden Globe Awards; also, letters from PMK.\u003c/p\u003e","\u003cp\u003ePhotograph from Broken Hearts, Broken Homes; souvenirs from William and Mary's Tercentenary Concert Series, the Dartmouth Film Society's Tribute to Glenn Close, NY Women in film and The World According to Garp's benefit premier. Also, a play bill from the 46th Annual Antoinette Perry Awards and an article about Close.\u003c/p\u003e","\u003cp\u003eEnglish translations of foreign newspaper articles.\u003c/p\u003e","\u003cp\u003eScope and Contents Ligacoes Perigosas articles about Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eLigacoes Perigosas articles about Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eLigacoes Perigosas articles about Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eMagazine articles on Glenn Close. Subjects include The World According to Garp and The Natural.\u003c/p\u003e","\u003cp\u003eMagazine articles on Glenn Close. Subjects include Fatal Attraction.\u003c/p\u003e","\u003cp\u003eMagazine articles on Glenn Close. Subjects include Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include her home in Montana.\u003c/p\u003e","\u003cp\u003eSubjects include a royal polo match.\u003c/p\u003e","\u003cp\u003eProfiles of Glenn Close.\u003c/p\u003e","\u003cp\u003eSubjects include Harvard's Harsty Pudding Awards.\u003c/p\u003e","\u003cp\u003eSubjects include Meeting Venus.\u003c/p\u003e","\u003cp\u003eSubjects include Meeting Venus.\u003c/p\u003e","\u003cp\u003eSubjects include Meeting Venus.\u003c/p\u003e","\u003cp\u003eSubjects include Death and the Maiden.\u003c/p\u003e","\u003cp\u003eSubjects include the 1992 Tony Awards. 3 items.\u003c/p\u003e","\u003cp\u003eGlenn Close to Gillian T. Cell, Provost of William and Mary, regarding College's dance program and reply of  October 21, 1994. Originals in Provost's papers.\u003c/p\u003e","\u003cp\u003eTwo broken videotapes.\u003c/p\u003e","\u003cp\u003eScope and Contents Record (78 rpm) of \"Sing-out 66,\" a group Glenn Close sang with sponsored by the Moral Majority. Featured on the record are two songs by Ms. Close: \"The Happy Song\" and \"Run and Catch the Wind.\" This album sold at a performance in Phi Beta Kappa Hall, 1966. The traveling show was called \"Up with People.\" Ms. Close was a featured soloist with a group before entering the College of William and Mary.\u003c/p\u003e","\u003cp\u003eThis series contains publicity material about The Paper and Sunset Boulevard as well as miscellaneous publicity on Glenn Close.\u003c/p\u003e","\u003cp\u003eMaterial, chiefly 1993, relating to Glenn Close's starring role in Sunset Boulevard, including a mug, program, and publicity for the Los Angeles performance. The mug is also listed in the Artifact Collection.\u003c/p\u003e","\u003cp\u003eScript of The House of Spirits autographed by Glenn Close and other members of the cast and writers including:  Isabel Allende, Bille August, Antonio Banderas, Miriam Colon, Fran Fullenwider, Vincent Gallo, Jeremy Irons, Armin Mueller-Stahl, Teri Polo, Vanessa Redgrave, Winona Ryder, and Meryl Streep.\u003c/p\u003e","\u003cp\u003eTwo photographs of Glenn Close and William and Mary President Timothy J. Sullivan at a performance of Sunset Boulevard, New York City, December 11,1994.  Three photographs of Glenn Close as Norma Desmond, Alice Ripley as Betty Schaefer, and Alan Campbell as Joe Gillis.\u003c/p\u003e","\u003cp\u003eScope and Contents Two records (33-1/3 rpm) of original cast recording of \"The Real Thing\" by Tom Sheppard, directed by Mike Nichols, starring Jeremy Irons and Glenn Close. Includes note, 31 May 1985, from Glenn Close to Howard Scammon.\u003c/p\u003e","\u003cp\u003eScope and Contents Program of Broadway play, \"Sunset Boulevard\" starring Glenn Close.\u003c/p\u003e","\u003cp\u003eThis accession contains programs as well as newspaper articles and magazines with articles mostly about  Glenn Close.\u003c/p\u003e","\u003cp\u003eContains papers, 1965-2002, of Glenn Close including: notebooks from classes she took at the College of William and Mary; correspondence with friends, professional acquaintances, and fans; publicity materials relating to various film projects; newspaper and magazine clippings related to her movies and plays; and audiovisual materials.\u003c/p\u003e","\u003cp\u003ePersonal and professional correspondence received by Glenn Close. Includes telegrams, congratulatory notes, letters and cards from friends, actors, directors, and writers, also letters and cards from family members.\u003c/p\u003e","\u003cp\u003ePersonal Correspondence including letters from William \u0026amp; Mary President Thomas A. Graves and Mrs. Graves.\u003c/p\u003e","\u003cp\u003ePersonal Correspondence including letter from Gloria Steinham on Ms. letterhead, letter from Swoosie Kurtz, telegram from Tom Cruise and Mimi Rogers.\u003c/p\u003e","\u003cp\u003eIncludes letters from Hume Cronyn, Kirk Douglas, John Lithgow, and Walter Farley.\u003c/p\u003e","\u003cp\u003ePersonal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.\u003c/p\u003e","\u003cp\u003ePersonal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.\u003c/p\u003e","\u003cp\u003ePersonal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.\u003c/p\u003e","\u003cp\u003ePersonal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.\u003c/p\u003e","\u003cp\u003ePersonal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.\u003c/p\u003e","\u003cp\u003eIncludes letters from Kitty Carlisle Hart, Lawrence Kasdan, Tracey Ullman, and Better MIdler.\u003c/p\u003e","\u003cp\u003eIncludes letters from Joanne Woodward and Jane Smiley.\u003c/p\u003e","\u003cp\u003eIncludes a 1992 letter from Elaine May.\u003c/p\u003e","\u003cp\u003eLetters to Glenn Close from Roy Brocksmith, American actor, director and playwright.\u003c/p\u003e","\u003cp\u003eLetters to Annie Stark, daughter of Glenn Close and John Stark.\u003c/p\u003e","\u003cp\u003eItems related to film, television and theater projects of Glenn Close. Includes press clippings, publicity materials, production materials and programs.\u003c/p\u003e","\u003cp\u003eCast and Crew lists, shooting schedule.\u003c/p\u003e","\u003cp\u003eMaterials related to poetry readings at premiere of the movie Il Postino.\u003c/p\u003e","\u003cp\u003e2 cast photos, publicity materials.\u003c/p\u003e","\u003cp\u003eCast and crew lists, shooting schedules.\u003c/p\u003e","\u003cp\u003ePartial script, publicity materials.\u003c/p\u003e","\u003cp\u003eNewspapers\u003c/p\u003e","\u003cp\u003eJapanese publicity\u003c/p\u003e","\u003cp\u003eTeacher guide\u003c/p\u003e","\u003cp\u003ePress Kits\u003c/p\u003e","\u003cp\u003eLetters from 3rd grade class.\u003c/p\u003e","\u003cp\u003eLetters from 3rd grade class.\u003c/p\u003e","\u003cp\u003eLetters from 4th and 6th grade classes.\u003c/p\u003e","\u003cp\u003eDallas Morning News TV Magazine\u003c/p\u003e","\u003cp\u003eTotal TV magazine.\u003c/p\u003e","\u003cp\u003eNew York Times Television Guide.\u003c/p\u003e","\u003cp\u003eTelegivion Guide.\u003c/p\u003e","\u003cp\u003eOne white binder with information on all the nominees and winners of the Academy Award from 1927 through 1986. The binder includes tabs for each category receiving an Oscar.\u003c/p\u003e","\u003cp\u003eBroadway theater program, associated envelope containing sketches of cast members and other materials, possible gift to cast.\u003c/p\u003e","\u003cp\u003eCards and notes from cast members and other actors including Shirley MacLaine, Kim Basinger, Hume Cronyn, Jessica Tandy, and Mike Nichols.\u003c/p\u003e","\u003cp\u003eLos Angeles performance of Brooklyn Laundry, program and congratulatory notes and cards, including from Woody Harrelson, James L. Brooks, Marsha Mason, Marlo Thomas, Bruce Willis \u0026amp; Demi Moore, Jeffrey Katzenberg. Also includes dialect notes and directions to theater.\u003c/p\u003e","\u003cp\u003eLetters from family, friends, fans and professional acquaintances. Fax from father W.T. Close, letters from George Roy Hill, Irving Lazar, Jane Smiley, Gregory Hines. Notepad with list of tickets left for friends and colleagues. Names include Robert F. Kennedy, Jr., Alan Alda, Geoffrey Beene, Jimmy Smits, Laura Dern, Woody Harrelson, and Judy Collins.\u003c/p\u003e","\u003cp\u003eBackground research, story treatments, scripts and financial information for proposed movie based on the 1976 Zaire Ebola epidemic.\u003c/p\u003e","\u003cp\u003eScope and Contents Page 16, poem titled \"Williamsburg\" is dedicated to \"G.C.\"\u003c/p\u003e","\u003cp\u003eThis series contains clippings from the Richmond Times Dispatch, July 22, 2007, about Glenn Close's role in the television series Damages; clipping from Parade Magazine, July 14, 2013, about Glenn Close's costumes being auctioned off for charity; and the August 6-12, 2007 issue of TV Guide featuring Glenn Close on the cover regarding her new television series Damages.\u003c/p\u003e","\u003cp\u003ePeriodicals (newspapers, magazines) that cover Glenn Close's career.\u003c/p\u003e","\u003cp\u003eA two page letter from Glenn Close to Katherine Rowe. In the letter, Close expresses how humbled she feels to receive an Honorary Fellowship from William and Mary, and accepts the request to give a speech during Commencement.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of Glenn Close, documenting her career as an actress on Broadway, television, and in film.  Included are recorded interviews, correspondence, clippings, invitations, programs, playbills, photographs, videos, scripts, as well as materials related to her high school and college years.","This series holds the original group of material donated to Swem Library by Glenn Close numbered Mss. 93 C62. Films and other projects covered include: include Barnum, The Natural, The Big Chill, Maxie, The World According to Garp, Jagged Edge, Fatal Attraction, Reversal of Fortune, Hamlet, Sarah: Plain and Tall, Meeting Venus, Dangerous Liasons, Air Force One, Death and the Maiden, the 1992 Tony Awards, Sarah: Plain and Tall, and Skylark. Included are press clippings from newspapers and magazines, videotapes, scripts, and some correspondence.","Subjects include Len Cariou in Sweeny Todd, Glenn Close's role in Barnum, and her Tony nomination for Barnum. Includes an article from the Flat Hat.","Subjects include Lou Caiou's reading on radio of The Tin Drum, the Stratford Production of HMS Pinafore, and the opening of the Stratford Festival's 29th season.","Subjects include Len Cariou's performance as Petruchio in the Stratford Festival; Cabot Wade's production of Artie King; John Irving and The World According to Garp.","Subjects include Close's performances in Barnum, The Singular Life of Albert Nobbs, and The World According to Garp.","Subjects include The World According to Garp with Glenn Close as Jenny Garp.","Subjects include The World According to Garp with Glenn Close as Jenny Garp.","Subjects include Close's role as Jenny Garp in The World According to Garp and her casting in The Big Chill. Also included are letters from PMK, Close's publicity company.","Subjects include Something About Amelia, a made-for-tv movie on incest with Close as the mother; the Obie Awards; and The Big Chill. Also included are letters from PMK, her publicity company, dating from March 25, 1983.","Subjects include Close in Something About Amelia; Close's role in The Natural; and Close in the title role of Maxie.","Subjects include Close's dress for the Oscars; Close's performance in the title role of Joan of Arc at the Stake; and Close's participation in Childhood.","Subjects include Close in th title role of Joan of Arc at the Stake and her starring role in the play Childhood.","Subjects include Claus von Bulow; Jagged Edge, in which she starred as Teddy Barnes; and Maxi, in which Close played the title role.","Subjects include Close's role in the film Maxie.","Subjects include Close's starring role in the film Jagged Edge.","Subjects include Close's roles in Maxie, Jagged Edge, and Benefactors.","Subjects include Benefactor, and Close's casting opposite Michael Douglas in Fatal Attraction.","Including some on Fatal Attraction, in which Close co-starred with Michael Doughlas.","Subjects include Close's role in Fatal Attraction opposite Michael Douglas.","Subjects include Fatal Attraction and Stones for Ibarra a Hallmark Hall of Fame drama.","Subjects include Close's role in Stones for Ibarra and the 1988 Oscars.","Subjects include 1988 Oscars and Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons.","Subjects include Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons and the 1989 Oscars.","Subjects include Dangerous Liaisons and the Oscars.","Subjects include Dangerous Liaisons; Pro-choice rally; and the Oscars.","Subjects include Pro-choice rally in Washington, D.C.; Close's Beene Dress that she wore to the Academy Awards; Close's Commencement speech at William and Mary; and her role as Sunny Von Bulow.","Subjects include Close's role as Sunny von Vulow in Reversal of Fortune and her role in Immediate Family.","Subjects include Immediate Family.","Subjects include Immediate Family; New York Women in Film Luncheon; and Reversal of Fortune.","Subjects include Close's receipt of the 1990 Hasting Pudding Award.","Subjects include Hamlet with Mel Gibson.","Subjects include Hamlet and Sarah: Plain and Tall.","Subjects include Academy Awards and Brooklyn Laundry.","Subjects include Brooklyn Laundry; WIF Crystal Awards; and Hook.","Subjects include Soul Survivors and Meeting Venus.","Press releases from the San Sebastian Film Festival. Film in festival was Meeting Venus.","Press releases from the San Sebastian Film Festival and newspaper articles. Subjects include Meeting Venus.","Subjects include Death and the Maiden and Meeting Venus.","Mostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.","Mostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.","Subjects include the Tony Awards.","Subjects include Sondheim: Celebration at Carnegie Hall; Sarah: Plain and Tall; and Death and the Maiden.","Subjects include Skylark and Lincoln Documentary.","Subjects include Skylark and Sunset Boulevard.","Subjects include Barnum and Len Cariou.","Subjects include Close's role as Jenny Fields in The World According to Garp.","Subjects include Jagged Edge, Sarah: Plain and Tall, and Hamlet.","Scope and Contents Reviews of The World According to Garp and Dangerous Liaisons. Also, a transcript from an appearance on the \"Larry King Show\" and a script \"Faces of Change\" program on July 14, 1992.","Subjects include Len Cariou in Sweeny Todd and Glenn Close in The World According to Garp.","Subjects include The Natural and The Real Thing.","Subjects include The Big Chill and The Natural.","Subjects include Maxie and Childhood.","Subjects include Maxie and Jagged Edge.","Subjects include Benefactors and Books on Tape.","Subjects include Fatal Attraction and Stones for Ibarra.","Subjects include Stones for Ibarra, the Oscars, and Dangerous Liaisons.","Subjects include Jagged Edge and Dangerous Liaisons.","Subjects include abortion rights march and Dangerous Liaisons.","Subjects include Immediate Family and Dangerous Liaisons.","Subjects include Hamlet and the Academy Awards.","Subjects include Stones for Ibarra.","Subjects include Hook, the Academy Awards, and Garp.","Subjects include Len Cariou, Oscars and Maxie.","Enclosed: Skylark reviews and articles from PMK, Close's Public Relations Company.","Skylark reviews sent from Close to co-star Christopher Walken.","TV book covers from the Tony Awards sent to Close by PMK, her Public Relations Company.","Pamphlets, including some from the Emmy and Academy Awards.","Close's script (three ring binder) as Hostess of Saturday Night Live, December 12, 1992.","Academy Award publicity ads and other publicity for The World According to Garp, The Big Chill, Stones for Ibarra, Immediate Family, Jagged Edge, Broken Hearts, Broken Homes, Sarah: Plain and Tall, and Reversal of Fortune.","Publicity, especially for the Academy Awards, for Dangerous Liaisons.","Souvenirs from Jeremy Irons' Danny, The Champion of the World, You''re the top! benefit with Len Cariou, The Kennedy Center Honors of April, 1987, and the 42nd Golden Globe Awards; also, letters from PMK.","Photograph from Broken Hearts, Broken Homes; souvenirs from William and Mary's Tercentenary Concert Series, the Dartmouth Film Society's Tribute to Glenn Close, NY Women in film and The World According to Garp's benefit premier. Also, a play bill from the 46th Annual Antoinette Perry Awards and an article about Close.","English translations of foreign newspaper articles.","Scope and Contents Ligacoes Perigosas articles about Dangerous Liaisons.","Ligacoes Perigosas articles about Dangerous Liaisons.","Ligacoes Perigosas articles about Dangerous Liaisons.","Magazine articles on Glenn Close. Subjects include The World According to Garp and The Natural.","Magazine articles on Glenn Close. Subjects include Fatal Attraction.","Magazine articles on Glenn Close. Subjects include Dangerous Liaisons.","Subjects include her home in Montana.","Subjects include a royal polo match.","Profiles of Glenn Close.","Subjects include Harvard's Harsty Pudding Awards.","Subjects include Meeting Venus.","Subjects include Meeting Venus.","Subjects include Meeting Venus.","Subjects include Death and the Maiden.","Subjects include the 1992 Tony Awards. 3 items.","Glenn Close to Gillian T. Cell, Provost of William and Mary, regarding College's dance program and reply of  October 21, 1994. Originals in Provost's papers.","Two broken videotapes.","Scope and Contents Record (78 rpm) of \"Sing-out 66,\" a group Glenn Close sang with sponsored by the Moral Majority. Featured on the record are two songs by Ms. Close: \"The Happy Song\" and \"Run and Catch the Wind.\" This album sold at a performance in Phi Beta Kappa Hall, 1966. The traveling show was called \"Up with People.\" Ms. Close was a featured soloist with a group before entering the College of William and Mary.","This series contains publicity material about The Paper and Sunset Boulevard as well as miscellaneous publicity on Glenn Close.","Material, chiefly 1993, relating to Glenn Close's starring role in Sunset Boulevard, including a mug, program, and publicity for the Los Angeles performance. The mug is also listed in the Artifact Collection.","Script of The House of Spirits autographed by Glenn Close and other members of the cast and writers including:  Isabel Allende, Bille August, Antonio Banderas, Miriam Colon, Fran Fullenwider, Vincent Gallo, Jeremy Irons, Armin Mueller-Stahl, Teri Polo, Vanessa Redgrave, Winona Ryder, and Meryl Streep.","Two photographs of Glenn Close and William and Mary President Timothy J. Sullivan at a performance of Sunset Boulevard, New York City, December 11,1994.  Three photographs of Glenn Close as Norma Desmond, Alice Ripley as Betty Schaefer, and Alan Campbell as Joe Gillis.","Scope and Contents Two records (33-1/3 rpm) of original cast recording of \"The Real Thing\" by Tom Sheppard, directed by Mike Nichols, starring Jeremy Irons and Glenn Close. Includes note, 31 May 1985, from Glenn Close to Howard Scammon.","Scope and Contents Program of Broadway play, \"Sunset Boulevard\" starring Glenn Close.","This accession contains programs as well as newspaper articles and magazines with articles mostly about  Glenn Close.","Contains papers, 1965-2002, of Glenn Close including: notebooks from classes she took at the College of William and Mary; correspondence with friends, professional acquaintances, and fans; publicity materials relating to various film projects; newspaper and magazine clippings related to her movies and plays; and audiovisual materials.","Personal and professional correspondence received by Glenn Close. Includes telegrams, congratulatory notes, letters and cards from friends, actors, directors, and writers, also letters and cards from family members.","Personal Correspondence including letters from William \u0026 Mary President Thomas A. Graves and Mrs. Graves.","Personal Correspondence including letter from Gloria Steinham on Ms. letterhead, letter from Swoosie Kurtz, telegram from Tom Cruise and Mimi Rogers.","Includes letters from Hume Cronyn, Kirk Douglas, John Lithgow, and Walter Farley.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Includes letters from Kitty Carlisle Hart, Lawrence Kasdan, Tracey Ullman, and Better MIdler.","Includes letters from Joanne Woodward and Jane Smiley.","Includes a 1992 letter from Elaine May.","Letters to Glenn Close from Roy Brocksmith, American actor, director and playwright.","Letters to Annie Stark, daughter of Glenn Close and John Stark.","Items related to film, television and theater projects of Glenn Close. Includes press clippings, publicity materials, production materials and programs.","Cast and Crew lists, shooting schedule.","Materials related to poetry readings at premiere of the movie Il Postino.","2 cast photos, publicity materials.","Cast and crew lists, shooting schedules.","Partial script, publicity materials.","Newspapers","Japanese publicity","Teacher guide","Press Kits","Letters from 3rd grade class.","Letters from 3rd grade class.","Letters from 4th and 6th grade classes.","Dallas Morning News TV Magazine","Total TV magazine.","New York Times Television Guide.","Telegivion Guide.","One white binder with information on all the nominees and winners of the Academy Award from 1927 through 1986. The binder includes tabs for each category receiving an Oscar.","Broadway theater program, associated envelope containing sketches of cast members and other materials, possible gift to cast.","Cards and notes from cast members and other actors including Shirley MacLaine, Kim Basinger, Hume Cronyn, Jessica Tandy, and Mike Nichols.","Los Angeles performance of Brooklyn Laundry, program and congratulatory notes and cards, including from Woody Harrelson, James L. Brooks, Marsha Mason, Marlo Thomas, Bruce Willis \u0026 Demi Moore, Jeffrey Katzenberg. Also includes dialect notes and directions to theater.","Letters from family, friends, fans and professional acquaintances. Fax from father W.T. Close, letters from George Roy Hill, Irving Lazar, Jane Smiley, Gregory Hines. Notepad with list of tickets left for friends and colleagues. Names include Robert F. Kennedy, Jr., Alan Alda, Geoffrey Beene, Jimmy Smits, Laura Dern, Woody Harrelson, and Judy Collins.","Background research, story treatments, scripts and financial information for proposed movie based on the 1976 Zaire Ebola epidemic.","Scope and Contents Page 16, poem titled \"Williamsburg\" is dedicated to \"G.C.\"","This series contains clippings from the Richmond Times Dispatch, July 22, 2007, about Glenn Close's role in the television series Damages; clipping from Parade Magazine, July 14, 2013, about Glenn Close's costumes being auctioned off for charity; and the August 6-12, 2007 issue of TV Guide featuring Glenn Close on the cover regarding her new television series Damages.","Periodicals (newspapers, magazines) that cover Glenn Close's career.","A two page letter from Glenn Close to Katherine Rowe. In the letter, Close expresses how humbled she feels to receive an Honorary Fellowship from William and Mary, and accepts the request to give a speech during Commencement."],"separatedmaterial_html_tesm":["\u003cp\u003eAll audiovisual materials, including videocassettes, CDs, and phonograph records haven been moved to the Manuscripts Audiovisual Collection, Mss 1.04.\u003c/p\u003e\n","\u003cp\u003eArtifacts were transferred to the Manuscripts Artifact Collection (Mss. 1.03) including the Pacific Northwestern Hospital Parody ID Card (Mss 2010.601.67).\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["All audiovisual materials, including videocassettes, CDs, and phonograph records haven been moved to the Manuscripts Audiovisual Collection, Mss 1.04.","Artifacts were transferred to the Manuscripts Artifact Collection (Mss. 1.03) including the Pacific Northwestern Hospital Parody ID Card (Mss 2010.601.67)."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e","\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:","Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Glenn, Close, 1947-"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Glenn, Close, 1947-"],"language_ssim":["English"],"total_component_count_is":395,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:22:50.280Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8729"}},{"id":"vihart_repositories_4_resources_448","type":"collection","attributes":{"title":"Harrisonburg-Rockingham County Child Day Care Centers, Inc. Records","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_448#abstract_or_scope","type":"document_value","attributes":{"value":"The Harrisonburg-Rockingham County Child Day Care Centers, Inc. Records, 1696-1991, consist of two boxes of administrative records of the Harrisonburg-Rockingham County Child Day Care Centers, one of the first day care facilities in the area.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_448#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_448","ead_ssi":"vihart_repositories_4_resources_448","_root_":"vihart_repositories_4_resources_448","_nest_parent_":"vihart_repositories_4_resources_448","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_448.xml","title_ssm":["Harrisonburg-Rockingham County Child Day Care Centers, Inc. Records"],"title_tesim":["Harrisonburg-Rockingham County Child Day Care Centers, Inc. Records"],"unitdate_ssm":["1969-1991"],"unitdate_inclusive_ssm":["1969-1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0135"],"text":["SC 0135","Harrisonburg-Rockingham County Child Day Care Centers, Inc. Records","Day care centers -- Virginia -- Harrisonburg","Day care centers -- Virginia -- Rockingham County","Day care centers -- Administration","Child care services -- Virginia -- Harrisonburg","Child care services -- Virginia -- Rockingham County","Poor children -- Care","Child development","Federal aid to day care centers","Minutes (administrative records)","Bylaws (administrative records)","Letters (correspondence)","Newsletters","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged topically.","After several years of planning, the Harrisonburg-Rockingham County Child Day Care Centers, Inc. opened in May 1971 at Asbury United Methodist Church in Harrisonburg, as a community effort to address a widely recognized community need. It was supported at first by donations from local organizations, then by United Way and federal funds, and operated centers in several localities. Parents were charged for day care according to their income. A Board of Directors, composed of members of the community, gave guidance in policy making and fund raising. By 1991, approximately 70 children were being cared for. A detailed history is included in the collection.","In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbring campaigin in the springof 2017.  This collection was previously cataloged as SC 3055.","This Harrisonburg-Rockingham County Child Day Care Centers, Inc. Records, 1969-1991, consists of two boxes of administrative files of the Harrisonburg-Rockingham County Child Day Care Centers, Inc., one of the first day care facilities in the area. Materials include a detailed history of the center, by-laws, meeting minutes, budget information, correspondence, memoranda, and newsletters.","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The Harrisonburg-Rockingham County Child Day Care Centers, Inc. Records, 1696-1991, consist of two boxes of administrative records of the Harrisonburg-Rockingham County Child Day Care Centers, one of the first day care facilities in the area.","James Madison University Libraries Special Collections","English \n.    "],"unitid_tesim":["SC 0135"],"normalized_title_ssm":["Harrisonburg-Rockingham County Child Day Care Centers, Inc. Records"],"collection_title_tesim":["Harrisonburg-Rockingham County Child Day Care Centers, Inc. Records"],"collection_ssim":["Harrisonburg-Rockingham County Child Day Care Centers, Inc. Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"access_terms_ssm":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"acqinfo_ssim":["This collection was received as a gift from Elizabeth Ihle, President of the Board of Directors, in May 1991."],"access_subjects_ssim":["Day care centers -- Virginia -- Harrisonburg","Day care centers -- Virginia -- Rockingham County","Day care centers -- Administration","Child care services -- Virginia -- Harrisonburg","Child care services -- Virginia -- Rockingham County","Poor children -- Care","Child development","Federal aid to day care centers","Minutes (administrative records)","Bylaws (administrative records)","Letters (correspondence)","Newsletters"],"access_subjects_ssm":["Day care centers -- Virginia -- Harrisonburg","Day care centers -- Virginia -- Rockingham County","Day care centers -- Administration","Child care services -- Virginia -- Harrisonburg","Child care services -- Virginia -- Rockingham County","Poor children -- Care","Child development","Federal aid to day care centers","Minutes (administrative records)","Bylaws (administrative records)","Letters (correspondence)","Newsletters"],"has_online_content_ssim":["false"],"extent_ssm":["0.66 cubic feet 2 boxes"],"extent_tesim":["0.66 cubic feet 2 boxes"],"genreform_ssim":["Minutes (administrative records)","Bylaws (administrative records)","Letters (correspondence)","Newsletters"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged topically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged topically."],"bioghist_html_tesm":["\u003cp\u003eAfter several years of planning, the Harrisonburg-Rockingham County Child Day Care Centers, Inc. opened in May 1971 at Asbury United Methodist Church in Harrisonburg, as a community effort to address a widely recognized community need. It was supported at first by donations from local organizations, then by United Way and federal funds, and operated centers in several localities. Parents were charged for day care according to their income. A Board of Directors, composed of members of the community, gave guidance in policy making and fund raising. By 1991, approximately 70 children were being cared for. A detailed history is included in the collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["After several years of planning, the Harrisonburg-Rockingham County Child Day Care Centers, Inc. opened in May 1971 at Asbury United Methodist Church in Harrisonburg, as a community effort to address a widely recognized community need. It was supported at first by donations from local organizations, then by United Way and federal funds, and operated centers in several localities. Parents were charged for day care according to their income. A Board of Directors, composed of members of the community, gave guidance in policy making and fund raising. By 1991, approximately 70 children were being cared for. A detailed history is included in the collection."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Harrisonburg-Rockingham County Child Day Care Centers, Inc. Records, 1969-1991, SC 0135, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Harrisonburg-Rockingham County Child Day Care Centers, Inc. Records, 1969-1991, SC 0135, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va."],"processinfo_html_tesm":["\u003cp\u003eIn order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbring campaigin in the springof 2017. \u003cemph render=\"bold\"\u003eThis collection was previously cataloged as SC 3055.\u003c/emph\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbring campaigin in the springof 2017.  This collection was previously cataloged as SC 3055."],"scopecontent_html_tesm":["\u003cp\u003eThis Harrisonburg-Rockingham County Child Day Care Centers, Inc. Records, 1969-1991, consists of two boxes of administrative files of the Harrisonburg-Rockingham County Child Day Care Centers, Inc., one of the first day care facilities in the area. Materials include a detailed history of the center, by-laws, meeting minutes, budget information, correspondence, memoranda, and newsletters.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This Harrisonburg-Rockingham County Child Day Care Centers, Inc. Records, 1969-1991, consists of two boxes of administrative files of the Harrisonburg-Rockingham County Child Day Care Centers, Inc., one of the first day care facilities in the area. Materials include a detailed history of the center, by-laws, meeting minutes, budget information, correspondence, memoranda, and newsletters."],"userestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"abstract_html_tesm":["\u003cabstract id=\"aspace_dbebdf46e1b6ce54592cb063bcd1e05e\"\u003eThe Harrisonburg-Rockingham County Child Day Care Centers, Inc. Records, 1696-1991, consist of two boxes of administrative records of the Harrisonburg-Rockingham County Child Day Care Centers, one of the first day care facilities in the area.\u003c/abstract\u003e"],"abstract_tesim":["The Harrisonburg-Rockingham County Child Day Care Centers, Inc. Records, 1696-1991, consist of two boxes of administrative records of the Harrisonburg-Rockingham County Child Day Care Centers, one of the first day care facilities in the area."],"names_ssim":["James Madison University Libraries Special Collections"],"corpname_ssim":["James Madison University Libraries Special Collections"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":14,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:23:48.473Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_448","ead_ssi":"vihart_repositories_4_resources_448","_root_":"vihart_repositories_4_resources_448","_nest_parent_":"vihart_repositories_4_resources_448","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_448.xml","title_ssm":["Harrisonburg-Rockingham County Child Day Care Centers, Inc. Records"],"title_tesim":["Harrisonburg-Rockingham County Child Day Care Centers, Inc. Records"],"unitdate_ssm":["1969-1991"],"unitdate_inclusive_ssm":["1969-1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0135"],"text":["SC 0135","Harrisonburg-Rockingham County Child Day Care Centers, Inc. Records","Day care centers -- Virginia -- Harrisonburg","Day care centers -- Virginia -- Rockingham County","Day care centers -- Administration","Child care services -- Virginia -- Harrisonburg","Child care services -- Virginia -- Rockingham County","Poor children -- Care","Child development","Federal aid to day care centers","Minutes (administrative records)","Bylaws (administrative records)","Letters (correspondence)","Newsletters","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged topically.","After several years of planning, the Harrisonburg-Rockingham County Child Day Care Centers, Inc. opened in May 1971 at Asbury United Methodist Church in Harrisonburg, as a community effort to address a widely recognized community need. It was supported at first by donations from local organizations, then by United Way and federal funds, and operated centers in several localities. Parents were charged for day care according to their income. A Board of Directors, composed of members of the community, gave guidance in policy making and fund raising. By 1991, approximately 70 children were being cared for. A detailed history is included in the collection.","In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbring campaigin in the springof 2017.  This collection was previously cataloged as SC 3055.","This Harrisonburg-Rockingham County Child Day Care Centers, Inc. Records, 1969-1991, consists of two boxes of administrative files of the Harrisonburg-Rockingham County Child Day Care Centers, Inc., one of the first day care facilities in the area. Materials include a detailed history of the center, by-laws, meeting minutes, budget information, correspondence, memoranda, and newsletters.","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The Harrisonburg-Rockingham County Child Day Care Centers, Inc. Records, 1696-1991, consist of two boxes of administrative records of the Harrisonburg-Rockingham County Child Day Care Centers, one of the first day care facilities in the area.","James Madison University Libraries Special Collections","English \n.    "],"unitid_tesim":["SC 0135"],"normalized_title_ssm":["Harrisonburg-Rockingham County Child Day Care Centers, Inc. Records"],"collection_title_tesim":["Harrisonburg-Rockingham County Child Day Care Centers, Inc. Records"],"collection_ssim":["Harrisonburg-Rockingham County Child Day Care Centers, Inc. Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"access_terms_ssm":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"acqinfo_ssim":["This collection was received as a gift from Elizabeth Ihle, President of the Board of Directors, in May 1991."],"access_subjects_ssim":["Day care centers -- Virginia -- Harrisonburg","Day care centers -- Virginia -- Rockingham County","Day care centers -- Administration","Child care services -- Virginia -- Harrisonburg","Child care services -- Virginia -- Rockingham County","Poor children -- Care","Child development","Federal aid to day care centers","Minutes (administrative records)","Bylaws (administrative records)","Letters (correspondence)","Newsletters"],"access_subjects_ssm":["Day care centers -- Virginia -- Harrisonburg","Day care centers -- Virginia -- Rockingham County","Day care centers -- Administration","Child care services -- Virginia -- Harrisonburg","Child care services -- Virginia -- Rockingham County","Poor children -- Care","Child development","Federal aid to day care centers","Minutes (administrative records)","Bylaws (administrative records)","Letters (correspondence)","Newsletters"],"has_online_content_ssim":["false"],"extent_ssm":["0.66 cubic feet 2 boxes"],"extent_tesim":["0.66 cubic feet 2 boxes"],"genreform_ssim":["Minutes (administrative records)","Bylaws (administrative records)","Letters (correspondence)","Newsletters"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged topically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged topically."],"bioghist_html_tesm":["\u003cp\u003eAfter several years of planning, the Harrisonburg-Rockingham County Child Day Care Centers, Inc. opened in May 1971 at Asbury United Methodist Church in Harrisonburg, as a community effort to address a widely recognized community need. It was supported at first by donations from local organizations, then by United Way and federal funds, and operated centers in several localities. Parents were charged for day care according to their income. A Board of Directors, composed of members of the community, gave guidance in policy making and fund raising. By 1991, approximately 70 children were being cared for. A detailed history is included in the collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["After several years of planning, the Harrisonburg-Rockingham County Child Day Care Centers, Inc. opened in May 1971 at Asbury United Methodist Church in Harrisonburg, as a community effort to address a widely recognized community need. It was supported at first by donations from local organizations, then by United Way and federal funds, and operated centers in several localities. Parents were charged for day care according to their income. A Board of Directors, composed of members of the community, gave guidance in policy making and fund raising. By 1991, approximately 70 children were being cared for. A detailed history is included in the collection."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Harrisonburg-Rockingham County Child Day Care Centers, Inc. Records, 1969-1991, SC 0135, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Harrisonburg-Rockingham County Child Day Care Centers, Inc. Records, 1969-1991, SC 0135, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va."],"processinfo_html_tesm":["\u003cp\u003eIn order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbring campaigin in the springof 2017. \u003cemph render=\"bold\"\u003eThis collection was previously cataloged as SC 3055.\u003c/emph\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbring campaigin in the springof 2017.  This collection was previously cataloged as SC 3055."],"scopecontent_html_tesm":["\u003cp\u003eThis Harrisonburg-Rockingham County Child Day Care Centers, Inc. Records, 1969-1991, consists of two boxes of administrative files of the Harrisonburg-Rockingham County Child Day Care Centers, Inc., one of the first day care facilities in the area. Materials include a detailed history of the center, by-laws, meeting minutes, budget information, correspondence, memoranda, and newsletters.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This Harrisonburg-Rockingham County Child Day Care Centers, Inc. Records, 1969-1991, consists of two boxes of administrative files of the Harrisonburg-Rockingham County Child Day Care Centers, Inc., one of the first day care facilities in the area. Materials include a detailed history of the center, by-laws, meeting minutes, budget information, correspondence, memoranda, and newsletters."],"userestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"abstract_html_tesm":["\u003cabstract id=\"aspace_dbebdf46e1b6ce54592cb063bcd1e05e\"\u003eThe Harrisonburg-Rockingham County Child Day Care Centers, Inc. Records, 1696-1991, consist of two boxes of administrative records of the Harrisonburg-Rockingham County Child Day Care Centers, one of the first day care facilities in the area.\u003c/abstract\u003e"],"abstract_tesim":["The Harrisonburg-Rockingham County Child Day Care Centers, Inc. Records, 1696-1991, consist of two boxes of administrative records of the Harrisonburg-Rockingham County Child Day Care Centers, one of the first day care facilities in the area."],"names_ssim":["James Madison University Libraries Special Collections"],"corpname_ssim":["James Madison University Libraries Special Collections"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":14,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:23:48.473Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_448"}},{"id":"vihart_repositories_4_resources_431","type":"collection","attributes":{"title":"Heatwole Family Papers","creator":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_431#creator","type":"document_value","attributes":{"value":"Heatwole family","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_431#abstract_or_scope","type":"document_value","attributes":{"value":"The Heatwole Family Papers, 1838-2001, document descendants of David Heatwole (1767-1842). The collection documents the Virginia Heatwoles, specifically those of Mt. Clinton and Dale Enterprise, as well as the Trumbos of Fulks Run. Materials include correspondence, financial records, personal papers, photographs, and ephemera.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_431#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_431","ead_ssi":"vihart_repositories_4_resources_431","_root_":"vihart_repositories_4_resources_431","_nest_parent_":"vihart_repositories_4_resources_431","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_431.xml","title_ssm":["Heatwole Family Papers"],"title_tesim":["Heatwole Family Papers"],"unitdate_ssm":["1838-2001"],"unitdate_inclusive_ssm":["1838-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0252","/repositories/4/resources/431"],"text":["SC 0252","/repositories/4/resources/431","Heatwole Family Papers","Harrisonburg (Va.) -- History","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Genealogy","Rockingham County (Va.) -- Social life and customs","Shenandoah River Valley (Va. and W. Va.) -- History","Shenandoah River Valley (Va. and W. Va.) -- Genealogy","Shenandoah River Valley (Va. and W. Va.) -- Social life and customs","Virginia -- History","Virginia -- History, Local"," United States -- History -- Civil War, 1861-1865","Schools -- Virginia -- Rockingham County","Shoemakers","Real estate business -- Virginia -- Rockingham County -- 19th century","Real estate business -- Virginia -- Rockingham County -- 20th century","World War, 1914-1918","Letters (correspondence)","Financial Records","Promissory notes","Receipts (financial records)","Genealogies (histories)","Photographs","Newspaper clippings","Diaries","Personal papers","Printed Ephemera","Postcards","Christmas cards","Account books","Family papers","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Various trinkets and objects, many presumably related to Leonard Heatwole's service during WWI, were included in the initial donation, but were ultimately returned to the donor due to limited research value.","The collection is arranged in five series. Series 1 is arranged into sub-series by type and further arranged chronologically. Series 2, 3, and 5 are arranged chronologically. Series 4 is arranged in the same groupings in which that type of material was received.","Correspondence, 1891-1939 Financial Files, 1848-1951 Personal Papers, 1838-1969 Photographs, 1877-1965 Genealogy and Research Files, 1901-2001","Brunk, Harry Anthony.  David Heatwole and His Descendants . Harrisonburg, Va.: Park View Press, 1987.","\"Former County Daughter Dies in Cutbank Mon.\"  Daily News-Record , August 24, 1918.","Heatwole, Cornelius J.  History of the Heatwole Family from the Beginning of the Seventeenth Century to the Present Time . New York, 1907.","\"The Land Assessors.\"  Daily News-Record , December 29, 1899.","Obituary for Leonard Heatwole,  Daily News-Record , September 23, 1969.","The Schoolma'am , 1912. Harrisonburg (Va.): State Normal and Industrial School for Women.","The Virginia Heatwoles represented in this collection descended from David Heatwole (1767-1845) who was the eldest son of Johann Mathias Heatwole (1711-1776). David Heatwole, with his wife Magdalene and young family in tow, left Pennsylvania in the late-eighteenth century and settled near Harrisonburg, Virginia.","Heatwole family members documented in this collection are fourth and fifth generation descendants of David Heatwole and include Daniel Franklin \"D. F.\" Heatwole (1854-1922) and Sarah \"Sallie\" Margaret Lineweaver Heatwole (1857-1939) and their children Leonard Charles Heatwole (1891-1969), Daniel Rufus Heatwole (1894-1957), Alvin Bruer Heatwole (1888-1983), Elmer David Heatwole (1885-1964), and Ella Catherine Heatwole Jacobson (1883-1918).","Daniel F. Heatwole was an older brother of Cornelius Jacob Heatwole (1868-1939), who was appointed the Head of the Department of Education at the State Normal and Industrial School for Women at Harrisonburg. In 1893, Daniel F. Heatwole was appointed postmaster to Sparkling Springs in Rockingham County and in 1899, he was appointed by Judge Grattan to land assessor of the Linville District. He otherwise occupied himself with agricultural pursuits as a farmer.","Ella Heatwole Jacobson graduated from the State Normal and Industrial School for Women at Harrisonburg in 1912 with a professional degree. While a student, Ella was a member of the Lee Literary Society and also served as chairwoman of the YWCA's bible study committee. Prior to marrying Anton Nikolai Jacobson on February 7, 1917 and moving to Cutbank, Montana, where her brother Elmer was also a resident, Ella taught school in Rockingham County, Virginia and was a member of the Singers Glen Baptist Church. She died August 21, 1918 in Montana from a complication of diseases. Her body was returned to Virginia in the company of her parents and her brother Elmer. She is buried at Cooks Creek Presbyterian Church Cemetery.","David F. Lineweaver, Sallie Heatwole's father, is also well-documented in this collection. Daniel F. Heatwole, Sallie's husband, acted as the administrator of Lineweaver's estate.","Leonard Heatwole married Nora Ellen Trumbo Heatwole (1894-1987) on June 18, 1925. Leonard served with the American Expeditionary Forces in France during WWI and was the registrar of the Mt. Clinton precinct for 35 years prior to retiring in 1967. Nora was born January 29, 1894 to John Riddle Trumbo and Sarah Fulk Trumbo of Fulks Run, Virginia. The collection descended through this line of the Heatwole family via Leonard and Nora's daughter Madeline Ann Heatwole Stewart (1926-2012) and her husband Donald William Stewart (b. 1920).","A full genealogy of the Heatwole family can be found in Harry Anthony Brunk's  David Heatwole and His Descendants  (1987). A thorough genealogical study of the Trumbo family is available in \nConrad Feltner's  The Trumbo Family  (1974).","The collection was donated with basic groupings applied to materials (e.g. Trumbo family photographs were grouped together, Ella Heatwole Jacobson materials were grouped together, all postcards were grouped together regardless of recipient). The collection included several full newspaper issues that were collected for family obituaries. Those obituaries were photocopied and the original newspapers discarded. Other miscellaneous non-local newspapers were discarded.","The Heatwole Family Papers, 1838-2001, document descendants of David Heatwole (1767-1842) who moved to Rockingham County, Virginia from Pennsylvania in the late-eighteenth century. The collection documents the Heatwoles of Mt. Clinton and Dale Enterprise as well as the Trumbos of Fulks Run. Materials include correspondence, financial records, account books and ledgers, personal papers, photographs, recipes, and ephemera. The collection also documents branches of the Lineweaver, Fawley, Ritchie, and Bliss families.","Series 1: Correspondence, 1891-1939, is comprised primarily of postcards, Christmas cards, and general correspondence sent to and between Heatwole family members. The correspondence is arranged primarily by recipient, but in cases where the recipient is unknown (e.g. non-specific salutations and greetings or lack of return address), the correspondence is filed by author.","Given that the bulk of this series is comprised of postcards and Christmas cards, the correspondence is generally chatty and newsy in tone. The contents often relates to family and community news and also includes sentiments of longing for correspondence in return. The postcards themselves portray local and national places of interest (and in some cases international places) as well as holiday imagery. General correspondence is more substantive and includes letters written by Leonard Heatwole to family members while he was serving in WWI.","Daniel F. Heatwole correspondence includes a draft letter to the Honorable Charles Triplett O'Ferrall regarding O'Ferrall's petition to change mail arrangements and an October 5, 1908 letter from Cornelius Heatwole in which \"Corney\" alerts Daniel that \"I made my will before leaving Virginia, and in it, named you as my executor without consulting you about it.\" A letter from an unknown correspondent is included in which the author furnishes Daniel Heatwole with \"some traditional history of our beautiful valley not generally known to the present generation.\"","A folder of correspondence related to Trumbo family genealogy is located in Series 5.","Series 2: Financial Files, 1848-1951, documents the financial dealings of various members of the Heatwole and Lineweaver families. Materials include promissory notes, deeds, tax and general receipts, account books, and checkbook stubs.","The account books and ledgers primarily document David F. Lineweaver and Daniel F. Heatwole's personal and business accounts. An unattributed shoemaker's account book is also included and documents the shoes made and repaired for specific individuals. Names of customers include D. B. Armentrout, B. B. Miller, William Henkle, Tomas H. Showalter, and Jonathan Wampler. David Heatwole (1767-1842), who was the first-born son of Johann Mathias Heatwole (ancestor of the Virginia Heatwole line), learned the shoemaking trade from his uncle Christian Hess of Cootes Store. He went on to construct his own shoemaker's shop near Harrisonburg. While the aforementioned shoemaker's account book post-dates David Heatwole, it is not unlikely that one of his descendants would have also picked up the trade.","Of particular interest are three folders of Transfers of Real Estate for the Central District of Rockingham County, 1884-1909. These transfers do not document the Heatwole family explicitly so it seems likely that a member of the family, perhaps D. F. Heatwole, was acting in some official capacity to facilitate the real estate transfers. These documents describe the two parties involved in the real estate transfer and a brief description of the tract of land with a monetary valuation. D. H. Lee Martz served as the Rockingham County Clerk during this time period. Additionally, materials related to the sale of Heatwole family land adjacent to the Mt. Clinton School to the Rockingham County School Board is included.","Series 3: Personal Papers, 1838-1969, contains legal documents, ephemera, recipes, a diary, school materials related to the State Normal and Industrial School for Women at Harrisonburg, and military records primarily created and collected by select Heatwole family members.","Ella Heatwole Jacobson's papers include a large selection of play bills for dramatic on-campus productions and other ephemera from her time as a student at the State Normal and Industrial School for Women at Harrisonburg. Event invitations and a membership invitation to join the Lee Literary Society is also included. A daily schedule, program card, report card, diploma, and 1914 diary are also included. Ella's papers also contain a map and other material related to her time living in Montana.","Daniel F. Heatwole's papers are comprised of his 1893 appointment to postmaster at Sparkling Springs in Rockingham County and a published pamphlet of instructions to land assessors dated 1914.","Leonard Heatwole's papers include documents, blank postcards, and ephemera from his military service abroad during WWI. Some material is in French and German. Published material includes a  Carte Taride, No. 2  of France,  Speake French: A Book for the Soldiers ,  The Dauphiné Leave Area: A Historical and Geographical Sketch , and  The Soldiers' French Phrase Book .","A ciphering book belonging to a Mary Homan is included. The book includes examples and rules related to liquid and dry measurements and currency. Geographical terms are also defined. Homan's relationship to the Heatwoles is unclear.","Of particular interest is David F. Lineweaver's 1861 medical exemption from serving during the American Civil War.","Unattributed materials include miscellaneous ephemera, undated recipes and newspaper clippings, and an undated and handwritten constitution and by-laws of farmers.","Series 4: Photographs, 1877-1965, primarily documents the Heatwole family of Mt. Clinton and the Trumbo and Fawley families of Fulks Run. The photographs are largely black-and-white with many of the subjects' identities inscribed on the backs of the photos. A selection of real photo postcards are also contained in this series.","The Trumbo family photographs comprise the bulk of the series. They are more candid in nature and depict groups of people and landscape. Brocks Gap and Chimney Rock are prominently featured as is the John Riddle Trumbo homestead. In addition to the Trumbos and Fawleys, the Byrd, Bliss, and Ritchie families are represented in these photographs. Persons depicted include Leonard and Nora Trumbo Heatwole (with her horse Queen), Sarah Ann Fulk Trumbo, Rebecca Fawley, Wayne Fawley, Madeline Heatwole, and John Riddle Trumbo.","The Heatwole family photographs are almost exclusively portraits with a few group and candid photographs. Persons depicted include Ella Heatwole Jacobson (including a copper plate on a wood block), A. B. Heatwole Jr., and Beverly Heatwole Smith.","A small selection of photographs and photocopied photographs is contained within Series 5.","Series 5: Genealogy and Research Files, 1901-2001, is comprised primarily of genealogical materials related to the Heatwoles as well as the Trumbos and Lineweavers. Correspondence between Madeline Heatwole Stewart of Winchester and Alva Trumbo Wood of Harrisonburg documents the Trumbo family tree and includes original and facsimiled photographs. A research file on the West Central School and Mt. Clinton School includes early photographs, newspaper clippings, and anniversary programs related to the schools.","A copy of the  Catalogue of the Officers and Students of West Central Academy, Mt. Clinton, Virginia. Eleventh Session, 1901-1902. With Announcements for 1902-3 . (1902);  Circular of Instructions to Assessors and Assistant Assessors of Land  (1914); several ladies' magazines (1842-1858), and two issues of local newspapers ( Harrisonburg Daily News  and  The Rockingham Register ) have been removed from the collection and catalogued separately as part of Special Collections rare book collection. A large collection of published books, primarily juvenile literature and educational primers, have also been cataloged separately and added to the Special Collections rare book collection.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Heatwole Family Papers, 1838-2001, document descendants of David Heatwole (1767-1842). The collection documents the Virginia Heatwoles, specifically those of Mt. Clinton and Dale Enterprise, as well as the Trumbos of Fulks Run. Materials include correspondence, financial records, personal papers, photographs, and ephemera.","James Madison University Libraries Special Collections","State Normal and Industrial School for Women (Harrisonburg, Va.)","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students -- Social life and customs","Lee Literary Society","Heatwole family","Trumbo family","Heatwole family -- Correspondence","Stewart, Donald W.","Heatwole, David, 1767-1842","English, French, German"],"unitid_tesim":["SC 0252","/repositories/4/resources/431"],"normalized_title_ssm":["Heatwole Family Papers"],"collection_title_tesim":["Heatwole Family Papers"],"collection_ssim":["Heatwole Family Papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Harrisonburg (Va.) -- History","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Genealogy","Rockingham County (Va.) -- Social life and customs","Shenandoah River Valley (Va. and W. Va.) -- History","Shenandoah River Valley (Va. and W. Va.) -- Genealogy","Shenandoah River Valley (Va. and W. Va.) -- Social life and customs","Virginia -- History","Virginia -- History, Local"," United States -- History -- Civil War, 1861-1865"],"geogname_ssim":["Harrisonburg (Va.) -- History","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Genealogy","Rockingham County (Va.) -- Social life and customs","Shenandoah River Valley (Va. and W. Va.) -- History","Shenandoah River Valley (Va. and W. Va.) -- Genealogy","Shenandoah River Valley (Va. and W. Va.) -- Social life and customs","Virginia -- History","Virginia -- History, Local"," United States -- History -- Civil War, 1861-1865"],"creator_ssm":["Heatwole family","Stewart, Donald W."],"creator_ssim":["Heatwole family","Stewart, Donald W."],"creator_persname_ssim":["Stewart, Donald W."],"creator_famname_ssim":["Heatwole family"],"creators_ssim":["Stewart, Donald W.","Heatwole family"],"places_ssim":["Harrisonburg (Va.) -- History","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Genealogy","Rockingham County (Va.) -- Social life and customs","Shenandoah River Valley (Va. and W. Va.) -- History","Shenandoah River Valley (Va. and W. Va.) -- Genealogy","Shenandoah River Valley (Va. and W. Va.) -- Social life and customs","Virginia -- History","Virginia -- History, Local"," United States -- History -- Civil War, 1861-1865"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The collection was donated by Heatwole family descendant Donald W. Stewart in June 2017."],"access_subjects_ssim":["Schools -- Virginia -- Rockingham County","Shoemakers","Real estate business -- Virginia -- Rockingham County -- 19th century","Real estate business -- Virginia -- Rockingham County -- 20th century","World War, 1914-1918","Letters (correspondence)","Financial Records","Promissory notes","Receipts (financial records)","Genealogies (histories)","Photographs","Newspaper clippings","Diaries","Personal papers","Printed Ephemera","Postcards","Christmas cards","Account books","Family papers"],"access_subjects_ssm":["Schools -- Virginia -- Rockingham County","Shoemakers","Real estate business -- Virginia -- Rockingham County -- 19th century","Real estate business -- Virginia -- Rockingham County -- 20th century","World War, 1914-1918","Letters (correspondence)","Financial Records","Promissory notes","Receipts (financial records)","Genealogies (histories)","Photographs","Newspaper clippings","Diaries","Personal papers","Printed Ephemera","Postcards","Christmas cards","Account books","Family papers"],"has_online_content_ssim":["false"],"extent_ssm":["2.39 cubic feet 6 boxes"],"extent_tesim":["2.39 cubic feet 6 boxes"],"genreform_ssim":["Letters (correspondence)","Financial Records","Promissory notes","Receipts (financial records)","Genealogies (histories)","Photographs","Newspaper clippings","Diaries","Personal papers","Printed Ephemera","Postcards","Christmas cards","Account books","Family papers"],"date_range_isim":[1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restriction"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"appraisal_html_tesm":["\u003cp\u003eVarious trinkets and objects, many presumably related to Leonard Heatwole's service during WWI, were included in the initial donation, but were ultimately returned to the donor due to limited research value.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Note"],"appraisal_tesim":["Various trinkets and objects, many presumably related to Leonard Heatwole's service during WWI, were included in the initial donation, but were ultimately returned to the donor due to limited research value."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in five series. Series 1 is arranged into sub-series by type and further arranged chronologically. Series 2, 3, and 5 are arranged chronologically. Series 4 is arranged in the same groupings in which that type of material was received.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eCorrespondence, 1891-1939\u003c/item\u003e\n      \u003citem\u003eFinancial Files, 1848-1951\u003c/item\u003e\n      \u003citem\u003ePersonal Papers, 1838-1969\u003c/item\u003e\n      \u003citem\u003ePhotographs, 1877-1965\u003c/item\u003e\n      \u003citem\u003eGenealogy and Research Files, 1901-2001\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in five series. Series 1 is arranged into sub-series by type and further arranged chronologically. Series 2, 3, and 5 are arranged chronologically. Series 4 is arranged in the same groupings in which that type of material was received.","Correspondence, 1891-1939 Financial Files, 1848-1951 Personal Papers, 1838-1969 Photographs, 1877-1965 Genealogy and Research Files, 1901-2001"],"bibliography_html_tesm":["\u003cbibref\u003eBrunk, Harry Anthony. \u003cemph render=\"italic\"\u003eDavid Heatwole and His Descendants\u003c/emph\u003e. Harrisonburg, Va.: Park View Press, 1987.\u003c/bibref\u003e","\u003cbibref\u003e\"Former County Daughter Dies in Cutbank Mon.\" \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e, August 24, 1918.\u003c/bibref\u003e","\u003cbibref\u003eHeatwole, Cornelius J. \u003cemph render=\"italic\"\u003eHistory of the Heatwole Family from the Beginning of the Seventeenth Century to the Present Time\u003c/emph\u003e. New York, 1907.\u003c/bibref\u003e","\u003cbibref\u003e\"The Land Assessors.\" \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e, December 29, 1899.\u003c/bibref\u003e","\u003cbibref\u003eObituary for Leonard Heatwole, \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e, September 23, 1969.\u003c/bibref\u003e","\u003cbibref\u003e\u003cemph render=\"italic\"\u003eThe Schoolma'am\u003c/emph\u003e, 1912. Harrisonburg (Va.): State Normal and Industrial School for Women.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Brunk, Harry Anthony.  David Heatwole and His Descendants . Harrisonburg, Va.: Park View Press, 1987.","\"Former County Daughter Dies in Cutbank Mon.\"  Daily News-Record , August 24, 1918.","Heatwole, Cornelius J.  History of the Heatwole Family from the Beginning of the Seventeenth Century to the Present Time . New York, 1907.","\"The Land Assessors.\"  Daily News-Record , December 29, 1899.","Obituary for Leonard Heatwole,  Daily News-Record , September 23, 1969.","The Schoolma'am , 1912. Harrisonburg (Va.): State Normal and Industrial School for Women."],"bioghist_html_tesm":["\u003cp\u003eThe Virginia Heatwoles represented in this collection descended from David Heatwole (1767-1845) who was the eldest son of Johann Mathias Heatwole (1711-1776). David Heatwole, with his wife Magdalene and young family in tow, left Pennsylvania in the late-eighteenth century and settled near Harrisonburg, Virginia.\u003c/p\u003e\n","\u003cp\u003eHeatwole family members documented in this collection are fourth and fifth generation descendants of David Heatwole and include Daniel Franklin \"D. F.\" Heatwole (1854-1922) and Sarah \"Sallie\" Margaret Lineweaver Heatwole (1857-1939) and their children Leonard Charles Heatwole (1891-1969), Daniel Rufus Heatwole (1894-1957), Alvin Bruer Heatwole (1888-1983), Elmer David Heatwole (1885-1964), and Ella Catherine Heatwole Jacobson (1883-1918).\u003c/p\u003e\n","\u003cp\u003eDaniel F. Heatwole was an older brother of Cornelius Jacob Heatwole (1868-1939), who was appointed the Head of the Department of Education at the State Normal and Industrial School for Women at Harrisonburg. In 1893, Daniel F. Heatwole was appointed postmaster to Sparkling Springs in Rockingham County and in 1899, he was appointed by Judge Grattan to land assessor of the Linville District. He otherwise occupied himself with agricultural pursuits as a farmer.\u003c/p\u003e\n","\u003cp\u003eElla Heatwole Jacobson graduated from the State Normal and Industrial School for Women at Harrisonburg in 1912 with a professional degree. While a student, Ella was a member of the Lee Literary Society and also served as chairwoman of the YWCA's bible study committee. Prior to marrying Anton Nikolai Jacobson on February 7, 1917 and moving to Cutbank, Montana, where her brother Elmer was also a resident, Ella taught school in Rockingham County, Virginia and was a member of the Singers Glen Baptist Church. She died August 21, 1918 in Montana from a complication of diseases. Her body was returned to Virginia in the company of her parents and her brother Elmer. She is buried at Cooks Creek Presbyterian Church Cemetery.\u003c/p\u003e\n","\u003cp\u003eDavid F. Lineweaver, Sallie Heatwole's father, is also well-documented in this collection. Daniel F. Heatwole, Sallie's husband, acted as the administrator of Lineweaver's estate.\u003c/p\u003e\n","\u003cp\u003eLeonard Heatwole married Nora Ellen Trumbo Heatwole (1894-1987) on June 18, 1925. Leonard served with the American Expeditionary Forces in France during WWI and was the registrar of the Mt. Clinton precinct for 35 years prior to retiring in 1967. Nora was born January 29, 1894 to John Riddle Trumbo and Sarah Fulk Trumbo of Fulks Run, Virginia. The collection descended through this line of the Heatwole family via Leonard and Nora's daughter Madeline Ann Heatwole Stewart (1926-2012) and her husband Donald William Stewart (b. 1920).\u003c/p\u003e\n","\u003cp\u003eA full genealogy of the Heatwole family can be found in Harry Anthony Brunk's \u003cemph render=\"italic\"\u003eDavid Heatwole and His Descendants\u003c/emph\u003e (1987). A thorough genealogical study of the Trumbo family is available in \nConrad Feltner's \u003cemph render=\"italic\"\u003eThe Trumbo Family\u003c/emph\u003e (1974).\u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["The Virginia Heatwoles represented in this collection descended from David Heatwole (1767-1845) who was the eldest son of Johann Mathias Heatwole (1711-1776). David Heatwole, with his wife Magdalene and young family in tow, left Pennsylvania in the late-eighteenth century and settled near Harrisonburg, Virginia.","Heatwole family members documented in this collection are fourth and fifth generation descendants of David Heatwole and include Daniel Franklin \"D. F.\" Heatwole (1854-1922) and Sarah \"Sallie\" Margaret Lineweaver Heatwole (1857-1939) and their children Leonard Charles Heatwole (1891-1969), Daniel Rufus Heatwole (1894-1957), Alvin Bruer Heatwole (1888-1983), Elmer David Heatwole (1885-1964), and Ella Catherine Heatwole Jacobson (1883-1918).","Daniel F. Heatwole was an older brother of Cornelius Jacob Heatwole (1868-1939), who was appointed the Head of the Department of Education at the State Normal and Industrial School for Women at Harrisonburg. In 1893, Daniel F. Heatwole was appointed postmaster to Sparkling Springs in Rockingham County and in 1899, he was appointed by Judge Grattan to land assessor of the Linville District. He otherwise occupied himself with agricultural pursuits as a farmer.","Ella Heatwole Jacobson graduated from the State Normal and Industrial School for Women at Harrisonburg in 1912 with a professional degree. While a student, Ella was a member of the Lee Literary Society and also served as chairwoman of the YWCA's bible study committee. Prior to marrying Anton Nikolai Jacobson on February 7, 1917 and moving to Cutbank, Montana, where her brother Elmer was also a resident, Ella taught school in Rockingham County, Virginia and was a member of the Singers Glen Baptist Church. She died August 21, 1918 in Montana from a complication of diseases. Her body was returned to Virginia in the company of her parents and her brother Elmer. She is buried at Cooks Creek Presbyterian Church Cemetery.","David F. Lineweaver, Sallie Heatwole's father, is also well-documented in this collection. Daniel F. Heatwole, Sallie's husband, acted as the administrator of Lineweaver's estate.","Leonard Heatwole married Nora Ellen Trumbo Heatwole (1894-1987) on June 18, 1925. Leonard served with the American Expeditionary Forces in France during WWI and was the registrar of the Mt. Clinton precinct for 35 years prior to retiring in 1967. Nora was born January 29, 1894 to John Riddle Trumbo and Sarah Fulk Trumbo of Fulks Run, Virginia. The collection descended through this line of the Heatwole family via Leonard and Nora's daughter Madeline Ann Heatwole Stewart (1926-2012) and her husband Donald William Stewart (b. 1920).","A full genealogy of the Heatwole family can be found in Harry Anthony Brunk's  David Heatwole and His Descendants  (1987). A thorough genealogical study of the Trumbo family is available in \nConrad Feltner's  The Trumbo Family  (1974)."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Heatwole Family Papers, 1838-2001, SC 0252, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Heatwole Family Papers, 1838-2001, SC 0252, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe collection was donated with basic groupings applied to materials (e.g. Trumbo family photographs were grouped together, Ella Heatwole Jacobson materials were grouped together, all postcards were grouped together regardless of recipient). The collection included several full newspaper issues that were collected for family obituaries. Those obituaries were photocopied and the original newspapers discarded. Other miscellaneous non-local newspapers were discarded.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was donated with basic groupings applied to materials (e.g. Trumbo family photographs were grouped together, Ella Heatwole Jacobson materials were grouped together, all postcards were grouped together regardless of recipient). The collection included several full newspaper issues that were collected for family obituaries. Those obituaries were photocopied and the original newspapers discarded. Other miscellaneous non-local newspapers were discarded."],"scopecontent_html_tesm":["\u003cp\u003eThe Heatwole Family Papers, 1838-2001, document descendants of David Heatwole (1767-1842) who moved to Rockingham County, Virginia from Pennsylvania in the late-eighteenth century. The collection documents the Heatwoles of Mt. Clinton and Dale Enterprise as well as the Trumbos of Fulks Run. Materials include correspondence, financial records, account books and ledgers, personal papers, photographs, recipes, and ephemera. The collection also documents branches of the Lineweaver, Fawley, Ritchie, and Bliss families.\u003c/p\u003e","\u003cp\u003eSeries 1: Correspondence, 1891-1939, is comprised primarily of postcards, Christmas cards, and general correspondence sent to and between Heatwole family members. The correspondence is arranged primarily by recipient, but in cases where the recipient is unknown (e.g. non-specific salutations and greetings or lack of return address), the correspondence is filed by author.\u003c/p\u003e\n","\u003cp\u003eGiven that the bulk of this series is comprised of postcards and Christmas cards, the correspondence is generally chatty and newsy in tone. The contents often relates to family and community news and also includes sentiments of longing for correspondence in return. The postcards themselves portray local and national places of interest (and in some cases international places) as well as holiday imagery. General correspondence is more substantive and includes letters written by Leonard Heatwole to family members while he was serving in WWI.\u003c/p\u003e\n","\u003cp\u003eDaniel F. Heatwole correspondence includes a draft letter to the Honorable Charles Triplett O'Ferrall regarding O'Ferrall's petition to change mail arrangements and an October 5, 1908 letter from Cornelius Heatwole in which \"Corney\" alerts Daniel that \"I made my will before leaving Virginia, and in it, named you as my executor without consulting you about it.\" A letter from an unknown correspondent is included in which the author furnishes Daniel Heatwole with \"some traditional history of our beautiful valley not generally known to the present generation.\"\u003c/p\u003e\n","\u003cp\u003eA folder of correspondence related to Trumbo family genealogy is located in Series 5.\u003c/p\u003e","\u003cp\u003eSeries 2: Financial Files, 1848-1951, documents the financial dealings of various members of the Heatwole and Lineweaver families. Materials include promissory notes, deeds, tax and general receipts, account books, and checkbook stubs.\u003c/p\u003e\n","\u003cp\u003eThe account books and ledgers primarily document David F. Lineweaver and Daniel F. Heatwole's personal and business accounts. An unattributed shoemaker's account book is also included and documents the shoes made and repaired for specific individuals. Names of customers include D. B. Armentrout, B. B. Miller, William Henkle, Tomas H. Showalter, and Jonathan Wampler. David Heatwole (1767-1842), who was the first-born son of Johann Mathias Heatwole (ancestor of the Virginia Heatwole line), learned the shoemaking trade from his uncle Christian Hess of Cootes Store. He went on to construct his own shoemaker's shop near Harrisonburg. While the aforementioned shoemaker's account book post-dates David Heatwole, it is not unlikely that one of his descendants would have also picked up the trade.\u003c/p\u003e\n","\u003cp\u003eOf particular interest are three folders of Transfers of Real Estate for the Central District of Rockingham County, 1884-1909. These transfers do not document the Heatwole family explicitly so it seems likely that a member of the family, perhaps D. F. Heatwole, was acting in some official capacity to facilitate the real estate transfers. These documents describe the two parties involved in the real estate transfer and a brief description of the tract of land with a monetary valuation. D. H. Lee Martz served as the Rockingham County Clerk during this time period. Additionally, materials related to the sale of Heatwole family land adjacent to the Mt. Clinton School to the Rockingham County School Board is included.\u003c/p\u003e","\u003cp\u003eSeries 3: Personal Papers, 1838-1969, contains legal documents, ephemera, recipes, a diary, school materials related to the State Normal and Industrial School for Women at Harrisonburg, and military records primarily created and collected by select Heatwole family members.\u003c/p\u003e\n","\u003cp\u003eElla Heatwole Jacobson's papers include a large selection of play bills for dramatic on-campus productions and other ephemera from her time as a student at the State Normal and Industrial School for Women at Harrisonburg. Event invitations and a membership invitation to join the Lee Literary Society is also included. A daily schedule, program card, report card, diploma, and 1914 diary are also included. Ella's papers also contain a map and other material related to her time living in Montana.\u003c/p\u003e\n","\u003cp\u003eDaniel F. Heatwole's papers are comprised of his 1893 appointment to postmaster at Sparkling Springs in Rockingham County and a published pamphlet of instructions to land assessors dated 1914.\u003c/p\u003e\n","\u003cp\u003eLeonard Heatwole's papers include documents, blank postcards, and ephemera from his military service abroad during WWI. Some material is in French and German. Published material includes a \u003cemph render=\"italic\"\u003eCarte Taride, No. 2\u003c/emph\u003e of France, \u003cemph render=\"italic\"\u003eSpeake French: A Book for the Soldiers\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eThe Dauphiné Leave Area: A Historical and Geographical Sketch\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eThe Soldiers' French Phrase Book\u003c/emph\u003e.\u003c/p\u003e\n","\u003cp\u003eA ciphering book belonging to a Mary Homan is included. The book includes examples and rules related to liquid and dry measurements and currency. Geographical terms are also defined. Homan's relationship to the Heatwoles is unclear.\u003c/p\u003e\n","\u003cp\u003eOf particular interest is David F. Lineweaver's 1861 medical exemption from serving during the American Civil War.\u003c/p\u003e\n","\u003cp\u003eUnattributed materials include miscellaneous ephemera, undated recipes and newspaper clippings, and an undated and handwritten constitution and by-laws of farmers.\u003c/p\u003e","\u003cp\u003eSeries 4: Photographs, 1877-1965, primarily documents the Heatwole family of Mt. Clinton and the Trumbo and Fawley families of Fulks Run. The photographs are largely black-and-white with many of the subjects' identities inscribed on the backs of the photos. A selection of real photo postcards are also contained in this series.\u003c/p\u003e\n","\u003cp\u003eThe Trumbo family photographs comprise the bulk of the series. They are more candid in nature and depict groups of people and landscape. Brocks Gap and Chimney Rock are prominently featured as is the John Riddle Trumbo homestead. In addition to the Trumbos and Fawleys, the Byrd, Bliss, and Ritchie families are represented in these photographs. Persons depicted include Leonard and Nora Trumbo Heatwole (with her horse Queen), Sarah Ann Fulk Trumbo, Rebecca Fawley, Wayne Fawley, Madeline Heatwole, and John Riddle Trumbo.\u003c/p\u003e\n","\u003cp\u003eThe Heatwole family photographs are almost exclusively portraits with a few group and candid photographs. Persons depicted include Ella Heatwole Jacobson (including a copper plate on a wood block), A. B. Heatwole Jr., and Beverly Heatwole Smith.\u003c/p\u003e\n","\u003cp\u003eA small selection of photographs and photocopied photographs is contained within Series 5.\u003c/p\u003e","\u003cp\u003eSeries 5: Genealogy and Research Files, 1901-2001, is comprised primarily of genealogical materials related to the Heatwoles as well as the Trumbos and Lineweavers. Correspondence between Madeline Heatwole Stewart of Winchester and Alva Trumbo Wood of Harrisonburg documents the Trumbo family tree and includes original and facsimiled photographs. A research file on the West Central School and Mt. Clinton School includes early photographs, newspaper clippings, and anniversary programs related to the schools.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Heatwole Family Papers, 1838-2001, document descendants of David Heatwole (1767-1842) who moved to Rockingham County, Virginia from Pennsylvania in the late-eighteenth century. The collection documents the Heatwoles of Mt. Clinton and Dale Enterprise as well as the Trumbos of Fulks Run. Materials include correspondence, financial records, account books and ledgers, personal papers, photographs, recipes, and ephemera. The collection also documents branches of the Lineweaver, Fawley, Ritchie, and Bliss families.","Series 1: Correspondence, 1891-1939, is comprised primarily of postcards, Christmas cards, and general correspondence sent to and between Heatwole family members. The correspondence is arranged primarily by recipient, but in cases where the recipient is unknown (e.g. non-specific salutations and greetings or lack of return address), the correspondence is filed by author.","Given that the bulk of this series is comprised of postcards and Christmas cards, the correspondence is generally chatty and newsy in tone. The contents often relates to family and community news and also includes sentiments of longing for correspondence in return. The postcards themselves portray local and national places of interest (and in some cases international places) as well as holiday imagery. General correspondence is more substantive and includes letters written by Leonard Heatwole to family members while he was serving in WWI.","Daniel F. Heatwole correspondence includes a draft letter to the Honorable Charles Triplett O'Ferrall regarding O'Ferrall's petition to change mail arrangements and an October 5, 1908 letter from Cornelius Heatwole in which \"Corney\" alerts Daniel that \"I made my will before leaving Virginia, and in it, named you as my executor without consulting you about it.\" A letter from an unknown correspondent is included in which the author furnishes Daniel Heatwole with \"some traditional history of our beautiful valley not generally known to the present generation.\"","A folder of correspondence related to Trumbo family genealogy is located in Series 5.","Series 2: Financial Files, 1848-1951, documents the financial dealings of various members of the Heatwole and Lineweaver families. Materials include promissory notes, deeds, tax and general receipts, account books, and checkbook stubs.","The account books and ledgers primarily document David F. Lineweaver and Daniel F. Heatwole's personal and business accounts. An unattributed shoemaker's account book is also included and documents the shoes made and repaired for specific individuals. Names of customers include D. B. Armentrout, B. B. Miller, William Henkle, Tomas H. Showalter, and Jonathan Wampler. David Heatwole (1767-1842), who was the first-born son of Johann Mathias Heatwole (ancestor of the Virginia Heatwole line), learned the shoemaking trade from his uncle Christian Hess of Cootes Store. He went on to construct his own shoemaker's shop near Harrisonburg. While the aforementioned shoemaker's account book post-dates David Heatwole, it is not unlikely that one of his descendants would have also picked up the trade.","Of particular interest are three folders of Transfers of Real Estate for the Central District of Rockingham County, 1884-1909. These transfers do not document the Heatwole family explicitly so it seems likely that a member of the family, perhaps D. F. Heatwole, was acting in some official capacity to facilitate the real estate transfers. These documents describe the two parties involved in the real estate transfer and a brief description of the tract of land with a monetary valuation. D. H. Lee Martz served as the Rockingham County Clerk during this time period. Additionally, materials related to the sale of Heatwole family land adjacent to the Mt. Clinton School to the Rockingham County School Board is included.","Series 3: Personal Papers, 1838-1969, contains legal documents, ephemera, recipes, a diary, school materials related to the State Normal and Industrial School for Women at Harrisonburg, and military records primarily created and collected by select Heatwole family members.","Ella Heatwole Jacobson's papers include a large selection of play bills for dramatic on-campus productions and other ephemera from her time as a student at the State Normal and Industrial School for Women at Harrisonburg. Event invitations and a membership invitation to join the Lee Literary Society is also included. A daily schedule, program card, report card, diploma, and 1914 diary are also included. Ella's papers also contain a map and other material related to her time living in Montana.","Daniel F. Heatwole's papers are comprised of his 1893 appointment to postmaster at Sparkling Springs in Rockingham County and a published pamphlet of instructions to land assessors dated 1914.","Leonard Heatwole's papers include documents, blank postcards, and ephemera from his military service abroad during WWI. Some material is in French and German. Published material includes a  Carte Taride, No. 2  of France,  Speake French: A Book for the Soldiers ,  The Dauphiné Leave Area: A Historical and Geographical Sketch , and  The Soldiers' French Phrase Book .","A ciphering book belonging to a Mary Homan is included. The book includes examples and rules related to liquid and dry measurements and currency. Geographical terms are also defined. Homan's relationship to the Heatwoles is unclear.","Of particular interest is David F. Lineweaver's 1861 medical exemption from serving during the American Civil War.","Unattributed materials include miscellaneous ephemera, undated recipes and newspaper clippings, and an undated and handwritten constitution and by-laws of farmers.","Series 4: Photographs, 1877-1965, primarily documents the Heatwole family of Mt. Clinton and the Trumbo and Fawley families of Fulks Run. The photographs are largely black-and-white with many of the subjects' identities inscribed on the backs of the photos. A selection of real photo postcards are also contained in this series.","The Trumbo family photographs comprise the bulk of the series. They are more candid in nature and depict groups of people and landscape. Brocks Gap and Chimney Rock are prominently featured as is the John Riddle Trumbo homestead. In addition to the Trumbos and Fawleys, the Byrd, Bliss, and Ritchie families are represented in these photographs. Persons depicted include Leonard and Nora Trumbo Heatwole (with her horse Queen), Sarah Ann Fulk Trumbo, Rebecca Fawley, Wayne Fawley, Madeline Heatwole, and John Riddle Trumbo.","The Heatwole family photographs are almost exclusively portraits with a few group and candid photographs. Persons depicted include Ella Heatwole Jacobson (including a copper plate on a wood block), A. B. Heatwole Jr., and Beverly Heatwole Smith.","A small selection of photographs and photocopied photographs is contained within Series 5.","Series 5: Genealogy and Research Files, 1901-2001, is comprised primarily of genealogical materials related to the Heatwoles as well as the Trumbos and Lineweavers. Correspondence between Madeline Heatwole Stewart of Winchester and Alva Trumbo Wood of Harrisonburg documents the Trumbo family tree and includes original and facsimiled photographs. A research file on the West Central School and Mt. Clinton School includes early photographs, newspaper clippings, and anniversary programs related to the schools."],"separatedmaterial_html_tesm":["\u003cp\u003eA copy of the \u003cemph render=\"italic\"\u003eCatalogue of the Officers and Students of West Central Academy, Mt. Clinton, Virginia. Eleventh Session, 1901-1902. With Announcements for 1902-3\u003c/emph\u003e. (1902); \u003cemph render=\"italic\"\u003eCircular of Instructions to Assessors and Assistant Assessors of Land\u003c/emph\u003e (1914); several ladies' magazines (1842-1858), and two issues of local newspapers (\u003cemph render=\"italic\"\u003eHarrisonburg Daily News\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eThe Rockingham Register\u003c/emph\u003e) have been removed from the collection and catalogued separately as part of Special Collections rare book collection. A large collection of published books, primarily juvenile literature and educational primers, have also been cataloged separately and added to the Special Collections rare book collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["A copy of the  Catalogue of the Officers and Students of West Central Academy, Mt. Clinton, Virginia. Eleventh Session, 1901-1902. With Announcements for 1902-3 . (1902);  Circular of Instructions to Assessors and Assistant Assessors of Land  (1914); several ladies' magazines (1842-1858), and two issues of local newspapers ( Harrisonburg Daily News  and  The Rockingham Register ) have been removed from the collection and catalogued separately as part of Special Collections rare book collection. A large collection of published books, primarily juvenile literature and educational primers, have also been cataloged separately and added to the Special Collections rare book collection."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_84cb829f6d925ab2484bbc3c53aa9b80\"\u003eThe Heatwole Family Papers, 1838-2001, document descendants of David Heatwole (1767-1842). The collection documents the Virginia Heatwoles, specifically those of Mt. Clinton and Dale Enterprise, as well as the Trumbos of Fulks Run. Materials include correspondence, financial records, personal papers, photographs, and ephemera.\u003c/abstract\u003e"],"abstract_tesim":["The Heatwole Family Papers, 1838-2001, document descendants of David Heatwole (1767-1842). The collection documents the Virginia Heatwoles, specifically those of Mt. Clinton and Dale Enterprise, as well as the Trumbos of Fulks Run. Materials include correspondence, financial records, personal papers, photographs, and ephemera."],"names_coll_ssim":["State Normal and Industrial School for Women (Harrisonburg, Va.)","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students -- Social life and customs","Lee Literary Society","Trumbo family","Heatwole family -- Correspondence","Stewart, Donald W.","Heatwole, David, 1767-1842"],"names_ssim":["James Madison University Libraries Special Collections","State Normal and Industrial School for Women (Harrisonburg, Va.)","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students -- Social life and customs","Lee Literary Society","Heatwole family","Trumbo family","Heatwole family -- Correspondence","Stewart, Donald W.","Heatwole, David, 1767-1842"],"corpname_ssim":["James Madison University Libraries Special Collections","State Normal and Industrial School for Women (Harrisonburg, Va.)","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students -- Social life and customs","Lee Literary Society"],"famname_ssim":["Heatwole family","Trumbo family","Heatwole family -- Correspondence"],"persname_ssim":["Stewart, Donald W.","Heatwole, David, 1767-1842"],"language_ssim":["English, French, German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":73,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:24:36.195Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_431","ead_ssi":"vihart_repositories_4_resources_431","_root_":"vihart_repositories_4_resources_431","_nest_parent_":"vihart_repositories_4_resources_431","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_431.xml","title_ssm":["Heatwole Family Papers"],"title_tesim":["Heatwole Family Papers"],"unitdate_ssm":["1838-2001"],"unitdate_inclusive_ssm":["1838-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0252","/repositories/4/resources/431"],"text":["SC 0252","/repositories/4/resources/431","Heatwole Family Papers","Harrisonburg (Va.) -- History","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Genealogy","Rockingham County (Va.) -- Social life and customs","Shenandoah River Valley (Va. and W. Va.) -- History","Shenandoah River Valley (Va. and W. Va.) -- Genealogy","Shenandoah River Valley (Va. and W. Va.) -- Social life and customs","Virginia -- History","Virginia -- History, Local"," United States -- History -- Civil War, 1861-1865","Schools -- Virginia -- Rockingham County","Shoemakers","Real estate business -- Virginia -- Rockingham County -- 19th century","Real estate business -- Virginia -- Rockingham County -- 20th century","World War, 1914-1918","Letters (correspondence)","Financial Records","Promissory notes","Receipts (financial records)","Genealogies (histories)","Photographs","Newspaper clippings","Diaries","Personal papers","Printed Ephemera","Postcards","Christmas cards","Account books","Family papers","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Various trinkets and objects, many presumably related to Leonard Heatwole's service during WWI, were included in the initial donation, but were ultimately returned to the donor due to limited research value.","The collection is arranged in five series. Series 1 is arranged into sub-series by type and further arranged chronologically. Series 2, 3, and 5 are arranged chronologically. Series 4 is arranged in the same groupings in which that type of material was received.","Correspondence, 1891-1939 Financial Files, 1848-1951 Personal Papers, 1838-1969 Photographs, 1877-1965 Genealogy and Research Files, 1901-2001","Brunk, Harry Anthony.  David Heatwole and His Descendants . Harrisonburg, Va.: Park View Press, 1987.","\"Former County Daughter Dies in Cutbank Mon.\"  Daily News-Record , August 24, 1918.","Heatwole, Cornelius J.  History of the Heatwole Family from the Beginning of the Seventeenth Century to the Present Time . New York, 1907.","\"The Land Assessors.\"  Daily News-Record , December 29, 1899.","Obituary for Leonard Heatwole,  Daily News-Record , September 23, 1969.","The Schoolma'am , 1912. Harrisonburg (Va.): State Normal and Industrial School for Women.","The Virginia Heatwoles represented in this collection descended from David Heatwole (1767-1845) who was the eldest son of Johann Mathias Heatwole (1711-1776). David Heatwole, with his wife Magdalene and young family in tow, left Pennsylvania in the late-eighteenth century and settled near Harrisonburg, Virginia.","Heatwole family members documented in this collection are fourth and fifth generation descendants of David Heatwole and include Daniel Franklin \"D. F.\" Heatwole (1854-1922) and Sarah \"Sallie\" Margaret Lineweaver Heatwole (1857-1939) and their children Leonard Charles Heatwole (1891-1969), Daniel Rufus Heatwole (1894-1957), Alvin Bruer Heatwole (1888-1983), Elmer David Heatwole (1885-1964), and Ella Catherine Heatwole Jacobson (1883-1918).","Daniel F. Heatwole was an older brother of Cornelius Jacob Heatwole (1868-1939), who was appointed the Head of the Department of Education at the State Normal and Industrial School for Women at Harrisonburg. In 1893, Daniel F. Heatwole was appointed postmaster to Sparkling Springs in Rockingham County and in 1899, he was appointed by Judge Grattan to land assessor of the Linville District. He otherwise occupied himself with agricultural pursuits as a farmer.","Ella Heatwole Jacobson graduated from the State Normal and Industrial School for Women at Harrisonburg in 1912 with a professional degree. While a student, Ella was a member of the Lee Literary Society and also served as chairwoman of the YWCA's bible study committee. Prior to marrying Anton Nikolai Jacobson on February 7, 1917 and moving to Cutbank, Montana, where her brother Elmer was also a resident, Ella taught school in Rockingham County, Virginia and was a member of the Singers Glen Baptist Church. She died August 21, 1918 in Montana from a complication of diseases. Her body was returned to Virginia in the company of her parents and her brother Elmer. She is buried at Cooks Creek Presbyterian Church Cemetery.","David F. Lineweaver, Sallie Heatwole's father, is also well-documented in this collection. Daniel F. Heatwole, Sallie's husband, acted as the administrator of Lineweaver's estate.","Leonard Heatwole married Nora Ellen Trumbo Heatwole (1894-1987) on June 18, 1925. Leonard served with the American Expeditionary Forces in France during WWI and was the registrar of the Mt. Clinton precinct for 35 years prior to retiring in 1967. Nora was born January 29, 1894 to John Riddle Trumbo and Sarah Fulk Trumbo of Fulks Run, Virginia. The collection descended through this line of the Heatwole family via Leonard and Nora's daughter Madeline Ann Heatwole Stewart (1926-2012) and her husband Donald William Stewart (b. 1920).","A full genealogy of the Heatwole family can be found in Harry Anthony Brunk's  David Heatwole and His Descendants  (1987). A thorough genealogical study of the Trumbo family is available in \nConrad Feltner's  The Trumbo Family  (1974).","The collection was donated with basic groupings applied to materials (e.g. Trumbo family photographs were grouped together, Ella Heatwole Jacobson materials were grouped together, all postcards were grouped together regardless of recipient). The collection included several full newspaper issues that were collected for family obituaries. Those obituaries were photocopied and the original newspapers discarded. Other miscellaneous non-local newspapers were discarded.","The Heatwole Family Papers, 1838-2001, document descendants of David Heatwole (1767-1842) who moved to Rockingham County, Virginia from Pennsylvania in the late-eighteenth century. The collection documents the Heatwoles of Mt. Clinton and Dale Enterprise as well as the Trumbos of Fulks Run. Materials include correspondence, financial records, account books and ledgers, personal papers, photographs, recipes, and ephemera. The collection also documents branches of the Lineweaver, Fawley, Ritchie, and Bliss families.","Series 1: Correspondence, 1891-1939, is comprised primarily of postcards, Christmas cards, and general correspondence sent to and between Heatwole family members. The correspondence is arranged primarily by recipient, but in cases where the recipient is unknown (e.g. non-specific salutations and greetings or lack of return address), the correspondence is filed by author.","Given that the bulk of this series is comprised of postcards and Christmas cards, the correspondence is generally chatty and newsy in tone. The contents often relates to family and community news and also includes sentiments of longing for correspondence in return. The postcards themselves portray local and national places of interest (and in some cases international places) as well as holiday imagery. General correspondence is more substantive and includes letters written by Leonard Heatwole to family members while he was serving in WWI.","Daniel F. Heatwole correspondence includes a draft letter to the Honorable Charles Triplett O'Ferrall regarding O'Ferrall's petition to change mail arrangements and an October 5, 1908 letter from Cornelius Heatwole in which \"Corney\" alerts Daniel that \"I made my will before leaving Virginia, and in it, named you as my executor without consulting you about it.\" A letter from an unknown correspondent is included in which the author furnishes Daniel Heatwole with \"some traditional history of our beautiful valley not generally known to the present generation.\"","A folder of correspondence related to Trumbo family genealogy is located in Series 5.","Series 2: Financial Files, 1848-1951, documents the financial dealings of various members of the Heatwole and Lineweaver families. Materials include promissory notes, deeds, tax and general receipts, account books, and checkbook stubs.","The account books and ledgers primarily document David F. Lineweaver and Daniel F. Heatwole's personal and business accounts. An unattributed shoemaker's account book is also included and documents the shoes made and repaired for specific individuals. Names of customers include D. B. Armentrout, B. B. Miller, William Henkle, Tomas H. Showalter, and Jonathan Wampler. David Heatwole (1767-1842), who was the first-born son of Johann Mathias Heatwole (ancestor of the Virginia Heatwole line), learned the shoemaking trade from his uncle Christian Hess of Cootes Store. He went on to construct his own shoemaker's shop near Harrisonburg. While the aforementioned shoemaker's account book post-dates David Heatwole, it is not unlikely that one of his descendants would have also picked up the trade.","Of particular interest are three folders of Transfers of Real Estate for the Central District of Rockingham County, 1884-1909. These transfers do not document the Heatwole family explicitly so it seems likely that a member of the family, perhaps D. F. Heatwole, was acting in some official capacity to facilitate the real estate transfers. These documents describe the two parties involved in the real estate transfer and a brief description of the tract of land with a monetary valuation. D. H. Lee Martz served as the Rockingham County Clerk during this time period. Additionally, materials related to the sale of Heatwole family land adjacent to the Mt. Clinton School to the Rockingham County School Board is included.","Series 3: Personal Papers, 1838-1969, contains legal documents, ephemera, recipes, a diary, school materials related to the State Normal and Industrial School for Women at Harrisonburg, and military records primarily created and collected by select Heatwole family members.","Ella Heatwole Jacobson's papers include a large selection of play bills for dramatic on-campus productions and other ephemera from her time as a student at the State Normal and Industrial School for Women at Harrisonburg. Event invitations and a membership invitation to join the Lee Literary Society is also included. A daily schedule, program card, report card, diploma, and 1914 diary are also included. Ella's papers also contain a map and other material related to her time living in Montana.","Daniel F. Heatwole's papers are comprised of his 1893 appointment to postmaster at Sparkling Springs in Rockingham County and a published pamphlet of instructions to land assessors dated 1914.","Leonard Heatwole's papers include documents, blank postcards, and ephemera from his military service abroad during WWI. Some material is in French and German. Published material includes a  Carte Taride, No. 2  of France,  Speake French: A Book for the Soldiers ,  The Dauphiné Leave Area: A Historical and Geographical Sketch , and  The Soldiers' French Phrase Book .","A ciphering book belonging to a Mary Homan is included. The book includes examples and rules related to liquid and dry measurements and currency. Geographical terms are also defined. Homan's relationship to the Heatwoles is unclear.","Of particular interest is David F. Lineweaver's 1861 medical exemption from serving during the American Civil War.","Unattributed materials include miscellaneous ephemera, undated recipes and newspaper clippings, and an undated and handwritten constitution and by-laws of farmers.","Series 4: Photographs, 1877-1965, primarily documents the Heatwole family of Mt. Clinton and the Trumbo and Fawley families of Fulks Run. The photographs are largely black-and-white with many of the subjects' identities inscribed on the backs of the photos. A selection of real photo postcards are also contained in this series.","The Trumbo family photographs comprise the bulk of the series. They are more candid in nature and depict groups of people and landscape. Brocks Gap and Chimney Rock are prominently featured as is the John Riddle Trumbo homestead. In addition to the Trumbos and Fawleys, the Byrd, Bliss, and Ritchie families are represented in these photographs. Persons depicted include Leonard and Nora Trumbo Heatwole (with her horse Queen), Sarah Ann Fulk Trumbo, Rebecca Fawley, Wayne Fawley, Madeline Heatwole, and John Riddle Trumbo.","The Heatwole family photographs are almost exclusively portraits with a few group and candid photographs. Persons depicted include Ella Heatwole Jacobson (including a copper plate on a wood block), A. B. Heatwole Jr., and Beverly Heatwole Smith.","A small selection of photographs and photocopied photographs is contained within Series 5.","Series 5: Genealogy and Research Files, 1901-2001, is comprised primarily of genealogical materials related to the Heatwoles as well as the Trumbos and Lineweavers. Correspondence between Madeline Heatwole Stewart of Winchester and Alva Trumbo Wood of Harrisonburg documents the Trumbo family tree and includes original and facsimiled photographs. A research file on the West Central School and Mt. Clinton School includes early photographs, newspaper clippings, and anniversary programs related to the schools.","A copy of the  Catalogue of the Officers and Students of West Central Academy, Mt. Clinton, Virginia. Eleventh Session, 1901-1902. With Announcements for 1902-3 . (1902);  Circular of Instructions to Assessors and Assistant Assessors of Land  (1914); several ladies' magazines (1842-1858), and two issues of local newspapers ( Harrisonburg Daily News  and  The Rockingham Register ) have been removed from the collection and catalogued separately as part of Special Collections rare book collection. A large collection of published books, primarily juvenile literature and educational primers, have also been cataloged separately and added to the Special Collections rare book collection.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Heatwole Family Papers, 1838-2001, document descendants of David Heatwole (1767-1842). The collection documents the Virginia Heatwoles, specifically those of Mt. Clinton and Dale Enterprise, as well as the Trumbos of Fulks Run. Materials include correspondence, financial records, personal papers, photographs, and ephemera.","James Madison University Libraries Special Collections","State Normal and Industrial School for Women (Harrisonburg, Va.)","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students -- Social life and customs","Lee Literary Society","Heatwole family","Trumbo family","Heatwole family -- Correspondence","Stewart, Donald W.","Heatwole, David, 1767-1842","English, French, German"],"unitid_tesim":["SC 0252","/repositories/4/resources/431"],"normalized_title_ssm":["Heatwole Family Papers"],"collection_title_tesim":["Heatwole Family Papers"],"collection_ssim":["Heatwole Family Papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Harrisonburg (Va.) -- History","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Genealogy","Rockingham County (Va.) -- Social life and customs","Shenandoah River Valley (Va. and W. Va.) -- History","Shenandoah River Valley (Va. and W. Va.) -- Genealogy","Shenandoah River Valley (Va. and W. Va.) -- Social life and customs","Virginia -- History","Virginia -- History, Local"," United States -- History -- Civil War, 1861-1865"],"geogname_ssim":["Harrisonburg (Va.) -- History","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Genealogy","Rockingham County (Va.) -- Social life and customs","Shenandoah River Valley (Va. and W. Va.) -- History","Shenandoah River Valley (Va. and W. Va.) -- Genealogy","Shenandoah River Valley (Va. and W. Va.) -- Social life and customs","Virginia -- History","Virginia -- History, Local"," United States -- History -- Civil War, 1861-1865"],"creator_ssm":["Heatwole family","Stewart, Donald W."],"creator_ssim":["Heatwole family","Stewart, Donald W."],"creator_persname_ssim":["Stewart, Donald W."],"creator_famname_ssim":["Heatwole family"],"creators_ssim":["Stewart, Donald W.","Heatwole family"],"places_ssim":["Harrisonburg (Va.) -- History","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Genealogy","Rockingham County (Va.) -- Social life and customs","Shenandoah River Valley (Va. and W. Va.) -- History","Shenandoah River Valley (Va. and W. Va.) -- Genealogy","Shenandoah River Valley (Va. and W. Va.) -- Social life and customs","Virginia -- History","Virginia -- History, Local"," United States -- History -- Civil War, 1861-1865"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The collection was donated by Heatwole family descendant Donald W. Stewart in June 2017."],"access_subjects_ssim":["Schools -- Virginia -- Rockingham County","Shoemakers","Real estate business -- Virginia -- Rockingham County -- 19th century","Real estate business -- Virginia -- Rockingham County -- 20th century","World War, 1914-1918","Letters (correspondence)","Financial Records","Promissory notes","Receipts (financial records)","Genealogies (histories)","Photographs","Newspaper clippings","Diaries","Personal papers","Printed Ephemera","Postcards","Christmas cards","Account books","Family papers"],"access_subjects_ssm":["Schools -- Virginia -- Rockingham County","Shoemakers","Real estate business -- Virginia -- Rockingham County -- 19th century","Real estate business -- Virginia -- Rockingham County -- 20th century","World War, 1914-1918","Letters (correspondence)","Financial Records","Promissory notes","Receipts (financial records)","Genealogies (histories)","Photographs","Newspaper clippings","Diaries","Personal papers","Printed Ephemera","Postcards","Christmas cards","Account books","Family papers"],"has_online_content_ssim":["false"],"extent_ssm":["2.39 cubic feet 6 boxes"],"extent_tesim":["2.39 cubic feet 6 boxes"],"genreform_ssim":["Letters (correspondence)","Financial Records","Promissory notes","Receipts (financial records)","Genealogies (histories)","Photographs","Newspaper clippings","Diaries","Personal papers","Printed Ephemera","Postcards","Christmas cards","Account books","Family papers"],"date_range_isim":[1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restriction"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"appraisal_html_tesm":["\u003cp\u003eVarious trinkets and objects, many presumably related to Leonard Heatwole's service during WWI, were included in the initial donation, but were ultimately returned to the donor due to limited research value.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Note"],"appraisal_tesim":["Various trinkets and objects, many presumably related to Leonard Heatwole's service during WWI, were included in the initial donation, but were ultimately returned to the donor due to limited research value."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in five series. Series 1 is arranged into sub-series by type and further arranged chronologically. Series 2, 3, and 5 are arranged chronologically. Series 4 is arranged in the same groupings in which that type of material was received.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eCorrespondence, 1891-1939\u003c/item\u003e\n      \u003citem\u003eFinancial Files, 1848-1951\u003c/item\u003e\n      \u003citem\u003ePersonal Papers, 1838-1969\u003c/item\u003e\n      \u003citem\u003ePhotographs, 1877-1965\u003c/item\u003e\n      \u003citem\u003eGenealogy and Research Files, 1901-2001\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in five series. Series 1 is arranged into sub-series by type and further arranged chronologically. Series 2, 3, and 5 are arranged chronologically. Series 4 is arranged in the same groupings in which that type of material was received.","Correspondence, 1891-1939 Financial Files, 1848-1951 Personal Papers, 1838-1969 Photographs, 1877-1965 Genealogy and Research Files, 1901-2001"],"bibliography_html_tesm":["\u003cbibref\u003eBrunk, Harry Anthony. \u003cemph render=\"italic\"\u003eDavid Heatwole and His Descendants\u003c/emph\u003e. Harrisonburg, Va.: Park View Press, 1987.\u003c/bibref\u003e","\u003cbibref\u003e\"Former County Daughter Dies in Cutbank Mon.\" \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e, August 24, 1918.\u003c/bibref\u003e","\u003cbibref\u003eHeatwole, Cornelius J. \u003cemph render=\"italic\"\u003eHistory of the Heatwole Family from the Beginning of the Seventeenth Century to the Present Time\u003c/emph\u003e. New York, 1907.\u003c/bibref\u003e","\u003cbibref\u003e\"The Land Assessors.\" \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e, December 29, 1899.\u003c/bibref\u003e","\u003cbibref\u003eObituary for Leonard Heatwole, \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e, September 23, 1969.\u003c/bibref\u003e","\u003cbibref\u003e\u003cemph render=\"italic\"\u003eThe Schoolma'am\u003c/emph\u003e, 1912. Harrisonburg (Va.): State Normal and Industrial School for Women.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Brunk, Harry Anthony.  David Heatwole and His Descendants . Harrisonburg, Va.: Park View Press, 1987.","\"Former County Daughter Dies in Cutbank Mon.\"  Daily News-Record , August 24, 1918.","Heatwole, Cornelius J.  History of the Heatwole Family from the Beginning of the Seventeenth Century to the Present Time . New York, 1907.","\"The Land Assessors.\"  Daily News-Record , December 29, 1899.","Obituary for Leonard Heatwole,  Daily News-Record , September 23, 1969.","The Schoolma'am , 1912. Harrisonburg (Va.): State Normal and Industrial School for Women."],"bioghist_html_tesm":["\u003cp\u003eThe Virginia Heatwoles represented in this collection descended from David Heatwole (1767-1845) who was the eldest son of Johann Mathias Heatwole (1711-1776). David Heatwole, with his wife Magdalene and young family in tow, left Pennsylvania in the late-eighteenth century and settled near Harrisonburg, Virginia.\u003c/p\u003e\n","\u003cp\u003eHeatwole family members documented in this collection are fourth and fifth generation descendants of David Heatwole and include Daniel Franklin \"D. F.\" Heatwole (1854-1922) and Sarah \"Sallie\" Margaret Lineweaver Heatwole (1857-1939) and their children Leonard Charles Heatwole (1891-1969), Daniel Rufus Heatwole (1894-1957), Alvin Bruer Heatwole (1888-1983), Elmer David Heatwole (1885-1964), and Ella Catherine Heatwole Jacobson (1883-1918).\u003c/p\u003e\n","\u003cp\u003eDaniel F. Heatwole was an older brother of Cornelius Jacob Heatwole (1868-1939), who was appointed the Head of the Department of Education at the State Normal and Industrial School for Women at Harrisonburg. In 1893, Daniel F. Heatwole was appointed postmaster to Sparkling Springs in Rockingham County and in 1899, he was appointed by Judge Grattan to land assessor of the Linville District. He otherwise occupied himself with agricultural pursuits as a farmer.\u003c/p\u003e\n","\u003cp\u003eElla Heatwole Jacobson graduated from the State Normal and Industrial School for Women at Harrisonburg in 1912 with a professional degree. While a student, Ella was a member of the Lee Literary Society and also served as chairwoman of the YWCA's bible study committee. Prior to marrying Anton Nikolai Jacobson on February 7, 1917 and moving to Cutbank, Montana, where her brother Elmer was also a resident, Ella taught school in Rockingham County, Virginia and was a member of the Singers Glen Baptist Church. She died August 21, 1918 in Montana from a complication of diseases. Her body was returned to Virginia in the company of her parents and her brother Elmer. She is buried at Cooks Creek Presbyterian Church Cemetery.\u003c/p\u003e\n","\u003cp\u003eDavid F. Lineweaver, Sallie Heatwole's father, is also well-documented in this collection. Daniel F. Heatwole, Sallie's husband, acted as the administrator of Lineweaver's estate.\u003c/p\u003e\n","\u003cp\u003eLeonard Heatwole married Nora Ellen Trumbo Heatwole (1894-1987) on June 18, 1925. Leonard served with the American Expeditionary Forces in France during WWI and was the registrar of the Mt. Clinton precinct for 35 years prior to retiring in 1967. Nora was born January 29, 1894 to John Riddle Trumbo and Sarah Fulk Trumbo of Fulks Run, Virginia. The collection descended through this line of the Heatwole family via Leonard and Nora's daughter Madeline Ann Heatwole Stewart (1926-2012) and her husband Donald William Stewart (b. 1920).\u003c/p\u003e\n","\u003cp\u003eA full genealogy of the Heatwole family can be found in Harry Anthony Brunk's \u003cemph render=\"italic\"\u003eDavid Heatwole and His Descendants\u003c/emph\u003e (1987). A thorough genealogical study of the Trumbo family is available in \nConrad Feltner's \u003cemph render=\"italic\"\u003eThe Trumbo Family\u003c/emph\u003e (1974).\u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["The Virginia Heatwoles represented in this collection descended from David Heatwole (1767-1845) who was the eldest son of Johann Mathias Heatwole (1711-1776). David Heatwole, with his wife Magdalene and young family in tow, left Pennsylvania in the late-eighteenth century and settled near Harrisonburg, Virginia.","Heatwole family members documented in this collection are fourth and fifth generation descendants of David Heatwole and include Daniel Franklin \"D. F.\" Heatwole (1854-1922) and Sarah \"Sallie\" Margaret Lineweaver Heatwole (1857-1939) and their children Leonard Charles Heatwole (1891-1969), Daniel Rufus Heatwole (1894-1957), Alvin Bruer Heatwole (1888-1983), Elmer David Heatwole (1885-1964), and Ella Catherine Heatwole Jacobson (1883-1918).","Daniel F. Heatwole was an older brother of Cornelius Jacob Heatwole (1868-1939), who was appointed the Head of the Department of Education at the State Normal and Industrial School for Women at Harrisonburg. In 1893, Daniel F. Heatwole was appointed postmaster to Sparkling Springs in Rockingham County and in 1899, he was appointed by Judge Grattan to land assessor of the Linville District. He otherwise occupied himself with agricultural pursuits as a farmer.","Ella Heatwole Jacobson graduated from the State Normal and Industrial School for Women at Harrisonburg in 1912 with a professional degree. While a student, Ella was a member of the Lee Literary Society and also served as chairwoman of the YWCA's bible study committee. Prior to marrying Anton Nikolai Jacobson on February 7, 1917 and moving to Cutbank, Montana, where her brother Elmer was also a resident, Ella taught school in Rockingham County, Virginia and was a member of the Singers Glen Baptist Church. She died August 21, 1918 in Montana from a complication of diseases. Her body was returned to Virginia in the company of her parents and her brother Elmer. She is buried at Cooks Creek Presbyterian Church Cemetery.","David F. Lineweaver, Sallie Heatwole's father, is also well-documented in this collection. Daniel F. Heatwole, Sallie's husband, acted as the administrator of Lineweaver's estate.","Leonard Heatwole married Nora Ellen Trumbo Heatwole (1894-1987) on June 18, 1925. Leonard served with the American Expeditionary Forces in France during WWI and was the registrar of the Mt. Clinton precinct for 35 years prior to retiring in 1967. Nora was born January 29, 1894 to John Riddle Trumbo and Sarah Fulk Trumbo of Fulks Run, Virginia. The collection descended through this line of the Heatwole family via Leonard and Nora's daughter Madeline Ann Heatwole Stewart (1926-2012) and her husband Donald William Stewart (b. 1920).","A full genealogy of the Heatwole family can be found in Harry Anthony Brunk's  David Heatwole and His Descendants  (1987). A thorough genealogical study of the Trumbo family is available in \nConrad Feltner's  The Trumbo Family  (1974)."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Heatwole Family Papers, 1838-2001, SC 0252, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Heatwole Family Papers, 1838-2001, SC 0252, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe collection was donated with basic groupings applied to materials (e.g. Trumbo family photographs were grouped together, Ella Heatwole Jacobson materials were grouped together, all postcards were grouped together regardless of recipient). The collection included several full newspaper issues that were collected for family obituaries. Those obituaries were photocopied and the original newspapers discarded. Other miscellaneous non-local newspapers were discarded.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was donated with basic groupings applied to materials (e.g. Trumbo family photographs were grouped together, Ella Heatwole Jacobson materials were grouped together, all postcards were grouped together regardless of recipient). The collection included several full newspaper issues that were collected for family obituaries. Those obituaries were photocopied and the original newspapers discarded. Other miscellaneous non-local newspapers were discarded."],"scopecontent_html_tesm":["\u003cp\u003eThe Heatwole Family Papers, 1838-2001, document descendants of David Heatwole (1767-1842) who moved to Rockingham County, Virginia from Pennsylvania in the late-eighteenth century. The collection documents the Heatwoles of Mt. Clinton and Dale Enterprise as well as the Trumbos of Fulks Run. Materials include correspondence, financial records, account books and ledgers, personal papers, photographs, recipes, and ephemera. The collection also documents branches of the Lineweaver, Fawley, Ritchie, and Bliss families.\u003c/p\u003e","\u003cp\u003eSeries 1: Correspondence, 1891-1939, is comprised primarily of postcards, Christmas cards, and general correspondence sent to and between Heatwole family members. The correspondence is arranged primarily by recipient, but in cases where the recipient is unknown (e.g. non-specific salutations and greetings or lack of return address), the correspondence is filed by author.\u003c/p\u003e\n","\u003cp\u003eGiven that the bulk of this series is comprised of postcards and Christmas cards, the correspondence is generally chatty and newsy in tone. The contents often relates to family and community news and also includes sentiments of longing for correspondence in return. The postcards themselves portray local and national places of interest (and in some cases international places) as well as holiday imagery. General correspondence is more substantive and includes letters written by Leonard Heatwole to family members while he was serving in WWI.\u003c/p\u003e\n","\u003cp\u003eDaniel F. Heatwole correspondence includes a draft letter to the Honorable Charles Triplett O'Ferrall regarding O'Ferrall's petition to change mail arrangements and an October 5, 1908 letter from Cornelius Heatwole in which \"Corney\" alerts Daniel that \"I made my will before leaving Virginia, and in it, named you as my executor without consulting you about it.\" A letter from an unknown correspondent is included in which the author furnishes Daniel Heatwole with \"some traditional history of our beautiful valley not generally known to the present generation.\"\u003c/p\u003e\n","\u003cp\u003eA folder of correspondence related to Trumbo family genealogy is located in Series 5.\u003c/p\u003e","\u003cp\u003eSeries 2: Financial Files, 1848-1951, documents the financial dealings of various members of the Heatwole and Lineweaver families. Materials include promissory notes, deeds, tax and general receipts, account books, and checkbook stubs.\u003c/p\u003e\n","\u003cp\u003eThe account books and ledgers primarily document David F. Lineweaver and Daniel F. Heatwole's personal and business accounts. An unattributed shoemaker's account book is also included and documents the shoes made and repaired for specific individuals. Names of customers include D. B. Armentrout, B. B. Miller, William Henkle, Tomas H. Showalter, and Jonathan Wampler. David Heatwole (1767-1842), who was the first-born son of Johann Mathias Heatwole (ancestor of the Virginia Heatwole line), learned the shoemaking trade from his uncle Christian Hess of Cootes Store. He went on to construct his own shoemaker's shop near Harrisonburg. While the aforementioned shoemaker's account book post-dates David Heatwole, it is not unlikely that one of his descendants would have also picked up the trade.\u003c/p\u003e\n","\u003cp\u003eOf particular interest are three folders of Transfers of Real Estate for the Central District of Rockingham County, 1884-1909. These transfers do not document the Heatwole family explicitly so it seems likely that a member of the family, perhaps D. F. Heatwole, was acting in some official capacity to facilitate the real estate transfers. These documents describe the two parties involved in the real estate transfer and a brief description of the tract of land with a monetary valuation. D. H. Lee Martz served as the Rockingham County Clerk during this time period. Additionally, materials related to the sale of Heatwole family land adjacent to the Mt. Clinton School to the Rockingham County School Board is included.\u003c/p\u003e","\u003cp\u003eSeries 3: Personal Papers, 1838-1969, contains legal documents, ephemera, recipes, a diary, school materials related to the State Normal and Industrial School for Women at Harrisonburg, and military records primarily created and collected by select Heatwole family members.\u003c/p\u003e\n","\u003cp\u003eElla Heatwole Jacobson's papers include a large selection of play bills for dramatic on-campus productions and other ephemera from her time as a student at the State Normal and Industrial School for Women at Harrisonburg. Event invitations and a membership invitation to join the Lee Literary Society is also included. A daily schedule, program card, report card, diploma, and 1914 diary are also included. Ella's papers also contain a map and other material related to her time living in Montana.\u003c/p\u003e\n","\u003cp\u003eDaniel F. Heatwole's papers are comprised of his 1893 appointment to postmaster at Sparkling Springs in Rockingham County and a published pamphlet of instructions to land assessors dated 1914.\u003c/p\u003e\n","\u003cp\u003eLeonard Heatwole's papers include documents, blank postcards, and ephemera from his military service abroad during WWI. Some material is in French and German. Published material includes a \u003cemph render=\"italic\"\u003eCarte Taride, No. 2\u003c/emph\u003e of France, \u003cemph render=\"italic\"\u003eSpeake French: A Book for the Soldiers\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eThe Dauphiné Leave Area: A Historical and Geographical Sketch\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eThe Soldiers' French Phrase Book\u003c/emph\u003e.\u003c/p\u003e\n","\u003cp\u003eA ciphering book belonging to a Mary Homan is included. The book includes examples and rules related to liquid and dry measurements and currency. Geographical terms are also defined. Homan's relationship to the Heatwoles is unclear.\u003c/p\u003e\n","\u003cp\u003eOf particular interest is David F. Lineweaver's 1861 medical exemption from serving during the American Civil War.\u003c/p\u003e\n","\u003cp\u003eUnattributed materials include miscellaneous ephemera, undated recipes and newspaper clippings, and an undated and handwritten constitution and by-laws of farmers.\u003c/p\u003e","\u003cp\u003eSeries 4: Photographs, 1877-1965, primarily documents the Heatwole family of Mt. Clinton and the Trumbo and Fawley families of Fulks Run. The photographs are largely black-and-white with many of the subjects' identities inscribed on the backs of the photos. A selection of real photo postcards are also contained in this series.\u003c/p\u003e\n","\u003cp\u003eThe Trumbo family photographs comprise the bulk of the series. They are more candid in nature and depict groups of people and landscape. Brocks Gap and Chimney Rock are prominently featured as is the John Riddle Trumbo homestead. In addition to the Trumbos and Fawleys, the Byrd, Bliss, and Ritchie families are represented in these photographs. Persons depicted include Leonard and Nora Trumbo Heatwole (with her horse Queen), Sarah Ann Fulk Trumbo, Rebecca Fawley, Wayne Fawley, Madeline Heatwole, and John Riddle Trumbo.\u003c/p\u003e\n","\u003cp\u003eThe Heatwole family photographs are almost exclusively portraits with a few group and candid photographs. Persons depicted include Ella Heatwole Jacobson (including a copper plate on a wood block), A. B. Heatwole Jr., and Beverly Heatwole Smith.\u003c/p\u003e\n","\u003cp\u003eA small selection of photographs and photocopied photographs is contained within Series 5.\u003c/p\u003e","\u003cp\u003eSeries 5: Genealogy and Research Files, 1901-2001, is comprised primarily of genealogical materials related to the Heatwoles as well as the Trumbos and Lineweavers. Correspondence between Madeline Heatwole Stewart of Winchester and Alva Trumbo Wood of Harrisonburg documents the Trumbo family tree and includes original and facsimiled photographs. A research file on the West Central School and Mt. Clinton School includes early photographs, newspaper clippings, and anniversary programs related to the schools.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Heatwole Family Papers, 1838-2001, document descendants of David Heatwole (1767-1842) who moved to Rockingham County, Virginia from Pennsylvania in the late-eighteenth century. The collection documents the Heatwoles of Mt. Clinton and Dale Enterprise as well as the Trumbos of Fulks Run. Materials include correspondence, financial records, account books and ledgers, personal papers, photographs, recipes, and ephemera. The collection also documents branches of the Lineweaver, Fawley, Ritchie, and Bliss families.","Series 1: Correspondence, 1891-1939, is comprised primarily of postcards, Christmas cards, and general correspondence sent to and between Heatwole family members. The correspondence is arranged primarily by recipient, but in cases where the recipient is unknown (e.g. non-specific salutations and greetings or lack of return address), the correspondence is filed by author.","Given that the bulk of this series is comprised of postcards and Christmas cards, the correspondence is generally chatty and newsy in tone. The contents often relates to family and community news and also includes sentiments of longing for correspondence in return. The postcards themselves portray local and national places of interest (and in some cases international places) as well as holiday imagery. General correspondence is more substantive and includes letters written by Leonard Heatwole to family members while he was serving in WWI.","Daniel F. Heatwole correspondence includes a draft letter to the Honorable Charles Triplett O'Ferrall regarding O'Ferrall's petition to change mail arrangements and an October 5, 1908 letter from Cornelius Heatwole in which \"Corney\" alerts Daniel that \"I made my will before leaving Virginia, and in it, named you as my executor without consulting you about it.\" A letter from an unknown correspondent is included in which the author furnishes Daniel Heatwole with \"some traditional history of our beautiful valley not generally known to the present generation.\"","A folder of correspondence related to Trumbo family genealogy is located in Series 5.","Series 2: Financial Files, 1848-1951, documents the financial dealings of various members of the Heatwole and Lineweaver families. Materials include promissory notes, deeds, tax and general receipts, account books, and checkbook stubs.","The account books and ledgers primarily document David F. Lineweaver and Daniel F. Heatwole's personal and business accounts. An unattributed shoemaker's account book is also included and documents the shoes made and repaired for specific individuals. Names of customers include D. B. Armentrout, B. B. Miller, William Henkle, Tomas H. Showalter, and Jonathan Wampler. David Heatwole (1767-1842), who was the first-born son of Johann Mathias Heatwole (ancestor of the Virginia Heatwole line), learned the shoemaking trade from his uncle Christian Hess of Cootes Store. He went on to construct his own shoemaker's shop near Harrisonburg. While the aforementioned shoemaker's account book post-dates David Heatwole, it is not unlikely that one of his descendants would have also picked up the trade.","Of particular interest are three folders of Transfers of Real Estate for the Central District of Rockingham County, 1884-1909. These transfers do not document the Heatwole family explicitly so it seems likely that a member of the family, perhaps D. F. Heatwole, was acting in some official capacity to facilitate the real estate transfers. These documents describe the two parties involved in the real estate transfer and a brief description of the tract of land with a monetary valuation. D. H. Lee Martz served as the Rockingham County Clerk during this time period. Additionally, materials related to the sale of Heatwole family land adjacent to the Mt. Clinton School to the Rockingham County School Board is included.","Series 3: Personal Papers, 1838-1969, contains legal documents, ephemera, recipes, a diary, school materials related to the State Normal and Industrial School for Women at Harrisonburg, and military records primarily created and collected by select Heatwole family members.","Ella Heatwole Jacobson's papers include a large selection of play bills for dramatic on-campus productions and other ephemera from her time as a student at the State Normal and Industrial School for Women at Harrisonburg. Event invitations and a membership invitation to join the Lee Literary Society is also included. A daily schedule, program card, report card, diploma, and 1914 diary are also included. Ella's papers also contain a map and other material related to her time living in Montana.","Daniel F. Heatwole's papers are comprised of his 1893 appointment to postmaster at Sparkling Springs in Rockingham County and a published pamphlet of instructions to land assessors dated 1914.","Leonard Heatwole's papers include documents, blank postcards, and ephemera from his military service abroad during WWI. Some material is in French and German. Published material includes a  Carte Taride, No. 2  of France,  Speake French: A Book for the Soldiers ,  The Dauphiné Leave Area: A Historical and Geographical Sketch , and  The Soldiers' French Phrase Book .","A ciphering book belonging to a Mary Homan is included. The book includes examples and rules related to liquid and dry measurements and currency. Geographical terms are also defined. Homan's relationship to the Heatwoles is unclear.","Of particular interest is David F. Lineweaver's 1861 medical exemption from serving during the American Civil War.","Unattributed materials include miscellaneous ephemera, undated recipes and newspaper clippings, and an undated and handwritten constitution and by-laws of farmers.","Series 4: Photographs, 1877-1965, primarily documents the Heatwole family of Mt. Clinton and the Trumbo and Fawley families of Fulks Run. The photographs are largely black-and-white with many of the subjects' identities inscribed on the backs of the photos. A selection of real photo postcards are also contained in this series.","The Trumbo family photographs comprise the bulk of the series. They are more candid in nature and depict groups of people and landscape. Brocks Gap and Chimney Rock are prominently featured as is the John Riddle Trumbo homestead. In addition to the Trumbos and Fawleys, the Byrd, Bliss, and Ritchie families are represented in these photographs. Persons depicted include Leonard and Nora Trumbo Heatwole (with her horse Queen), Sarah Ann Fulk Trumbo, Rebecca Fawley, Wayne Fawley, Madeline Heatwole, and John Riddle Trumbo.","The Heatwole family photographs are almost exclusively portraits with a few group and candid photographs. Persons depicted include Ella Heatwole Jacobson (including a copper plate on a wood block), A. B. Heatwole Jr., and Beverly Heatwole Smith.","A small selection of photographs and photocopied photographs is contained within Series 5.","Series 5: Genealogy and Research Files, 1901-2001, is comprised primarily of genealogical materials related to the Heatwoles as well as the Trumbos and Lineweavers. Correspondence between Madeline Heatwole Stewart of Winchester and Alva Trumbo Wood of Harrisonburg documents the Trumbo family tree and includes original and facsimiled photographs. A research file on the West Central School and Mt. Clinton School includes early photographs, newspaper clippings, and anniversary programs related to the schools."],"separatedmaterial_html_tesm":["\u003cp\u003eA copy of the \u003cemph render=\"italic\"\u003eCatalogue of the Officers and Students of West Central Academy, Mt. Clinton, Virginia. Eleventh Session, 1901-1902. With Announcements for 1902-3\u003c/emph\u003e. (1902); \u003cemph render=\"italic\"\u003eCircular of Instructions to Assessors and Assistant Assessors of Land\u003c/emph\u003e (1914); several ladies' magazines (1842-1858), and two issues of local newspapers (\u003cemph render=\"italic\"\u003eHarrisonburg Daily News\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eThe Rockingham Register\u003c/emph\u003e) have been removed from the collection and catalogued separately as part of Special Collections rare book collection. A large collection of published books, primarily juvenile literature and educational primers, have also been cataloged separately and added to the Special Collections rare book collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["A copy of the  Catalogue of the Officers and Students of West Central Academy, Mt. Clinton, Virginia. Eleventh Session, 1901-1902. With Announcements for 1902-3 . (1902);  Circular of Instructions to Assessors and Assistant Assessors of Land  (1914); several ladies' magazines (1842-1858), and two issues of local newspapers ( Harrisonburg Daily News  and  The Rockingham Register ) have been removed from the collection and catalogued separately as part of Special Collections rare book collection. A large collection of published books, primarily juvenile literature and educational primers, have also been cataloged separately and added to the Special Collections rare book collection."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_84cb829f6d925ab2484bbc3c53aa9b80\"\u003eThe Heatwole Family Papers, 1838-2001, document descendants of David Heatwole (1767-1842). The collection documents the Virginia Heatwoles, specifically those of Mt. Clinton and Dale Enterprise, as well as the Trumbos of Fulks Run. Materials include correspondence, financial records, personal papers, photographs, and ephemera.\u003c/abstract\u003e"],"abstract_tesim":["The Heatwole Family Papers, 1838-2001, document descendants of David Heatwole (1767-1842). The collection documents the Virginia Heatwoles, specifically those of Mt. Clinton and Dale Enterprise, as well as the Trumbos of Fulks Run. Materials include correspondence, financial records, personal papers, photographs, and ephemera."],"names_coll_ssim":["State Normal and Industrial School for Women (Harrisonburg, Va.)","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students -- Social life and customs","Lee Literary Society","Trumbo family","Heatwole family -- Correspondence","Stewart, Donald W.","Heatwole, David, 1767-1842"],"names_ssim":["James Madison University Libraries Special Collections","State Normal and Industrial School for Women (Harrisonburg, Va.)","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students -- Social life and customs","Lee Literary Society","Heatwole family","Trumbo family","Heatwole family -- Correspondence","Stewart, Donald W.","Heatwole, David, 1767-1842"],"corpname_ssim":["James Madison University Libraries Special Collections","State Normal and Industrial School for Women (Harrisonburg, Va.)","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students -- Social life and customs","Lee Literary Society"],"famname_ssim":["Heatwole family","Trumbo family","Heatwole family -- Correspondence"],"persname_ssim":["Stewart, Donald W.","Heatwole, David, 1767-1842"],"language_ssim":["English, French, German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":73,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:24:36.195Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_431"}},{"id":"viw_repositories_2_resources_9799","type":"collection","attributes":{"title":"Heinz and Gertrud Siegel Elber papers","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9799#creator","type":"document_value","attributes":{"value":"Elber, Gertude Siegel","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9799#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Heinz and Gertrud Siegel Elber papers consist of a scrapbook and a guestbook documenting their social life and Heinz Elber's professional career as a Kapellmeister (bandmaster) in Dresden, Germany. Heinz Elber (30 April 1882-5 December 1969) and Gertrude Siegel in 1951.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9799#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9799","ead_ssi":"viw_repositories_2_resources_9799","_root_":"viw_repositories_2_resources_9799","_nest_parent_":"viw_repositories_2_resources_9799","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9799.xml","title_filing_ssi":"Elber, Heinz and Gertrud Siegel, papers","title_ssm":["Heinz and Gertrud Siegel Elber papers"],"title_tesim":["Heinz and Gertrud Siegel Elber papers"],"unitdate_ssm":["1918-2012"],"unitdate_inclusive_ssm":["1918-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00391","/repositories/2/resources/9799"],"text":["MS 00391","/repositories/2/resources/9799","Heinz and Gertrud Siegel Elber papers","Germany--Social conditions","Dresden (Germany) -- History","World War, 1939-1945--Germany","Bandmasters","Musicians","Diaries","Scrapbooks","Guestbooks","Clippings (information artifacts)","Postcards--Europe","Photographic prints","Programs","Letters (correspondence)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Heinz and Gertrud Siegel Elber papers are arranged into two series: Series I. Personal Papers; Series II. Biographical information","The Heinz and Gertrud Siegel Elber papers consist of a scrapbook and a guestbook documenting their social life and Heinz Elber's professional career as a Kapellmeister (bandmaster) in Dresden, Germany. Heinz Elber (30 April 1882-5 December 1969) and Gertrude Siegel in 1951.","Also included is biographical background information provided by relatives in form of diary excerpts, correspondence and a newsletters article about Heinz Elber's life and violins.","The guest book ('Gaestebuch'), 1918-1974, was kept by Gertrude Siegel. In addition to signatures and entries by guests, the volume documents events with photographs, postcards, invitations, concert programs, clippings and  poems. It also contains the couple's 1951 wedding announcement.","The scrapbook ('Ein erfuelltes Kuenstlerleben'), 1927-1969 documents Heinz Elber's life and career, and contains clippings, postcards, letters, photographs, programs, and a will.","The biographical information on Heinz and Gertrude Siegel Elber was provided by relatives of the couple.","The excerpts of Gertl Klemm's diary consist of passages relating to kapellmeister Heinz Elber and cover the years 1933-1951. They were selected and compiled by Gertl Klemm in 1994.","The article ('A Tale of Two Violins') by Frauke Elber focuses on  Heinz Elber's life and his career as kapellmester in Dreden, Germany, and on the history of his violins. The article appeared in 'Music Notes' a publication of Music Department at Christopher Newport University in 2010.","The correspondence consists of a death notice and a greetig card, both addressed to Frauke and Wolf Elber.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Elber, Gertude Siegel","German English"],"unitid_tesim":["MS 00391","/repositories/2/resources/9799"],"normalized_title_ssm":["Heinz and Gertrud Siegel Elber papers"],"collection_title_tesim":["Heinz and Gertrud Siegel Elber papers"],"collection_ssim":["Heinz and Gertrud Siegel Elber papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Germany--Social conditions","Dresden (Germany) -- History"],"geogname_ssim":["Germany--Social conditions","Dresden (Germany) -- History"],"creator_ssm":["Elber, Gertude Siegel"],"creator_ssim":["Elber, Gertude Siegel"],"creator_persname_ssim":["Elber, Gertude Siegel"],"creators_ssim":["Elber, Gertude Siegel"],"places_ssim":["Germany--Social conditions","Dresden (Germany) -- History"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["World War, 1939-1945--Germany","Bandmasters","Musicians","Diaries","Scrapbooks","Guestbooks","Clippings (information artifacts)","Postcards--Europe","Photographic prints","Programs","Letters (correspondence)"],"access_subjects_ssm":["World War, 1939-1945--Germany","Bandmasters","Musicians","Diaries","Scrapbooks","Guestbooks","Clippings (information artifacts)","Postcards--Europe","Photographic prints","Programs","Letters (correspondence)"],"has_online_content_ssim":["false"],"extent_ssm":[".42 Linear Feet 1 hollinger box"],"extent_tesim":[".42 Linear Feet 1 hollinger box"],"genreform_ssim":["Diaries","Scrapbooks","Guestbooks","Clippings (information artifacts)","Postcards--Europe","Photographic prints","Programs","Letters (correspondence)"],"date_range_isim":[1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eHeinz and Gertrud Siegel Elber papers are arranged into two series: Series I. Personal Papers; Series II. Biographical information\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Heinz and Gertrud Siegel Elber papers are arranged into two series: Series I. Personal Papers; Series II. Biographical information"],"prefercite_html_tesm":["\u003cp\u003eHeinz and Gertrude Siegel Elber papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Heinz and Gertrude Siegel Elber papers, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThe Heinz and Gertrud Siegel Elber papers consist of a scrapbook and a guestbook documenting their social life and Heinz Elber's professional career as a Kapellmeister (bandmaster) in Dresden, Germany. Heinz Elber (30 April 1882-5 December 1969) and Gertrude Siegel in 1951.\u003c/p\u003e\n","\u003cp\u003eAlso included is biographical background information provided by relatives in form of diary excerpts, correspondence and a newsletters article about Heinz Elber's life and violins.\u003c/p\u003e","\u003cp\u003eThe guest book ('Gaestebuch'), 1918-1974, was kept by Gertrude Siegel. In addition to signatures and entries by guests, the volume documents events with photographs, postcards, invitations, concert programs, clippings and  poems. It also contains the couple's 1951 wedding announcement.\u003c/p\u003e","\u003cp\u003eThe scrapbook ('Ein erfuelltes Kuenstlerleben'), 1927-1969 documents Heinz Elber's life and career, and contains clippings, postcards, letters, photographs, programs, and a will.\u003c/p\u003e","\u003cp\u003eThe biographical information on Heinz and Gertrude Siegel Elber was provided by relatives of the couple.\u003c/p\u003e","\u003cp\u003eThe excerpts of Gertl Klemm's diary consist of passages relating to kapellmeister Heinz Elber and cover the years 1933-1951. They were selected and compiled by Gertl Klemm in 1994.\u003c/p\u003e","\u003cp\u003eThe article ('A Tale of Two Violins') by Frauke Elber focuses on  Heinz Elber's life and his career as kapellmester in Dreden, Germany, and on the history of his violins. The article appeared in 'Music Notes' a publication of Music Department at Christopher Newport University in 2010.\u003c/p\u003e","\u003cp\u003eThe correspondence consists of a death notice and a greetig card, both addressed to Frauke and Wolf Elber.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Heinz and Gertrud Siegel Elber papers consist of a scrapbook and a guestbook documenting their social life and Heinz Elber's professional career as a Kapellmeister (bandmaster) in Dresden, Germany. Heinz Elber (30 April 1882-5 December 1969) and Gertrude Siegel in 1951.","Also included is biographical background information provided by relatives in form of diary excerpts, correspondence and a newsletters article about Heinz Elber's life and violins.","The guest book ('Gaestebuch'), 1918-1974, was kept by Gertrude Siegel. In addition to signatures and entries by guests, the volume documents events with photographs, postcards, invitations, concert programs, clippings and  poems. It also contains the couple's 1951 wedding announcement.","The scrapbook ('Ein erfuelltes Kuenstlerleben'), 1927-1969 documents Heinz Elber's life and career, and contains clippings, postcards, letters, photographs, programs, and a will.","The biographical information on Heinz and Gertrude Siegel Elber was provided by relatives of the couple.","The excerpts of Gertl Klemm's diary consist of passages relating to kapellmeister Heinz Elber and cover the years 1933-1951. They were selected and compiled by Gertl Klemm in 1994.","The article ('A Tale of Two Violins') by Frauke Elber focuses on  Heinz Elber's life and his career as kapellmester in Dreden, Germany, and on the history of his violins. The article appeared in 'Music Notes' a publication of Music Department at Christopher Newport University in 2010.","The correspondence consists of a death notice and a greetig card, both addressed to Frauke and Wolf Elber."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Elber, Gertude Siegel"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Elber, Gertude Siegel"],"language_ssim":["German English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T13:46:04.299Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9799","ead_ssi":"viw_repositories_2_resources_9799","_root_":"viw_repositories_2_resources_9799","_nest_parent_":"viw_repositories_2_resources_9799","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9799.xml","title_filing_ssi":"Elber, Heinz and Gertrud Siegel, papers","title_ssm":["Heinz and Gertrud Siegel Elber papers"],"title_tesim":["Heinz and Gertrud Siegel Elber papers"],"unitdate_ssm":["1918-2012"],"unitdate_inclusive_ssm":["1918-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00391","/repositories/2/resources/9799"],"text":["MS 00391","/repositories/2/resources/9799","Heinz and Gertrud Siegel Elber papers","Germany--Social conditions","Dresden (Germany) -- History","World War, 1939-1945--Germany","Bandmasters","Musicians","Diaries","Scrapbooks","Guestbooks","Clippings (information artifacts)","Postcards--Europe","Photographic prints","Programs","Letters (correspondence)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Heinz and Gertrud Siegel Elber papers are arranged into two series: Series I. Personal Papers; Series II. Biographical information","The Heinz and Gertrud Siegel Elber papers consist of a scrapbook and a guestbook documenting their social life and Heinz Elber's professional career as a Kapellmeister (bandmaster) in Dresden, Germany. Heinz Elber (30 April 1882-5 December 1969) and Gertrude Siegel in 1951.","Also included is biographical background information provided by relatives in form of diary excerpts, correspondence and a newsletters article about Heinz Elber's life and violins.","The guest book ('Gaestebuch'), 1918-1974, was kept by Gertrude Siegel. In addition to signatures and entries by guests, the volume documents events with photographs, postcards, invitations, concert programs, clippings and  poems. It also contains the couple's 1951 wedding announcement.","The scrapbook ('Ein erfuelltes Kuenstlerleben'), 1927-1969 documents Heinz Elber's life and career, and contains clippings, postcards, letters, photographs, programs, and a will.","The biographical information on Heinz and Gertrude Siegel Elber was provided by relatives of the couple.","The excerpts of Gertl Klemm's diary consist of passages relating to kapellmeister Heinz Elber and cover the years 1933-1951. They were selected and compiled by Gertl Klemm in 1994.","The article ('A Tale of Two Violins') by Frauke Elber focuses on  Heinz Elber's life and his career as kapellmester in Dreden, Germany, and on the history of his violins. The article appeared in 'Music Notes' a publication of Music Department at Christopher Newport University in 2010.","The correspondence consists of a death notice and a greetig card, both addressed to Frauke and Wolf Elber.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Elber, Gertude Siegel","German English"],"unitid_tesim":["MS 00391","/repositories/2/resources/9799"],"normalized_title_ssm":["Heinz and Gertrud Siegel Elber papers"],"collection_title_tesim":["Heinz and Gertrud Siegel Elber papers"],"collection_ssim":["Heinz and Gertrud Siegel Elber papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Germany--Social conditions","Dresden (Germany) -- History"],"geogname_ssim":["Germany--Social conditions","Dresden (Germany) -- History"],"creator_ssm":["Elber, Gertude Siegel"],"creator_ssim":["Elber, Gertude Siegel"],"creator_persname_ssim":["Elber, Gertude Siegel"],"creators_ssim":["Elber, Gertude Siegel"],"places_ssim":["Germany--Social conditions","Dresden (Germany) -- History"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["World War, 1939-1945--Germany","Bandmasters","Musicians","Diaries","Scrapbooks","Guestbooks","Clippings (information artifacts)","Postcards--Europe","Photographic prints","Programs","Letters (correspondence)"],"access_subjects_ssm":["World War, 1939-1945--Germany","Bandmasters","Musicians","Diaries","Scrapbooks","Guestbooks","Clippings (information artifacts)","Postcards--Europe","Photographic prints","Programs","Letters (correspondence)"],"has_online_content_ssim":["false"],"extent_ssm":[".42 Linear Feet 1 hollinger box"],"extent_tesim":[".42 Linear Feet 1 hollinger box"],"genreform_ssim":["Diaries","Scrapbooks","Guestbooks","Clippings (information artifacts)","Postcards--Europe","Photographic prints","Programs","Letters (correspondence)"],"date_range_isim":[1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eHeinz and Gertrud Siegel Elber papers are arranged into two series: Series I. Personal Papers; Series II. Biographical information\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Heinz and Gertrud Siegel Elber papers are arranged into two series: Series I. Personal Papers; Series II. Biographical information"],"prefercite_html_tesm":["\u003cp\u003eHeinz and Gertrude Siegel Elber papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Heinz and Gertrude Siegel Elber papers, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThe Heinz and Gertrud Siegel Elber papers consist of a scrapbook and a guestbook documenting their social life and Heinz Elber's professional career as a Kapellmeister (bandmaster) in Dresden, Germany. Heinz Elber (30 April 1882-5 December 1969) and Gertrude Siegel in 1951.\u003c/p\u003e\n","\u003cp\u003eAlso included is biographical background information provided by relatives in form of diary excerpts, correspondence and a newsletters article about Heinz Elber's life and violins.\u003c/p\u003e","\u003cp\u003eThe guest book ('Gaestebuch'), 1918-1974, was kept by Gertrude Siegel. In addition to signatures and entries by guests, the volume documents events with photographs, postcards, invitations, concert programs, clippings and  poems. It also contains the couple's 1951 wedding announcement.\u003c/p\u003e","\u003cp\u003eThe scrapbook ('Ein erfuelltes Kuenstlerleben'), 1927-1969 documents Heinz Elber's life and career, and contains clippings, postcards, letters, photographs, programs, and a will.\u003c/p\u003e","\u003cp\u003eThe biographical information on Heinz and Gertrude Siegel Elber was provided by relatives of the couple.\u003c/p\u003e","\u003cp\u003eThe excerpts of Gertl Klemm's diary consist of passages relating to kapellmeister Heinz Elber and cover the years 1933-1951. They were selected and compiled by Gertl Klemm in 1994.\u003c/p\u003e","\u003cp\u003eThe article ('A Tale of Two Violins') by Frauke Elber focuses on  Heinz Elber's life and his career as kapellmester in Dreden, Germany, and on the history of his violins. The article appeared in 'Music Notes' a publication of Music Department at Christopher Newport University in 2010.\u003c/p\u003e","\u003cp\u003eThe correspondence consists of a death notice and a greetig card, both addressed to Frauke and Wolf Elber.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Heinz and Gertrud Siegel Elber papers consist of a scrapbook and a guestbook documenting their social life and Heinz Elber's professional career as a Kapellmeister (bandmaster) in Dresden, Germany. Heinz Elber (30 April 1882-5 December 1969) and Gertrude Siegel in 1951.","Also included is biographical background information provided by relatives in form of diary excerpts, correspondence and a newsletters article about Heinz Elber's life and violins.","The guest book ('Gaestebuch'), 1918-1974, was kept by Gertrude Siegel. In addition to signatures and entries by guests, the volume documents events with photographs, postcards, invitations, concert programs, clippings and  poems. It also contains the couple's 1951 wedding announcement.","The scrapbook ('Ein erfuelltes Kuenstlerleben'), 1927-1969 documents Heinz Elber's life and career, and contains clippings, postcards, letters, photographs, programs, and a will.","The biographical information on Heinz and Gertrude Siegel Elber was provided by relatives of the couple.","The excerpts of Gertl Klemm's diary consist of passages relating to kapellmeister Heinz Elber and cover the years 1933-1951. They were selected and compiled by Gertl Klemm in 1994.","The article ('A Tale of Two Violins') by Frauke Elber focuses on  Heinz Elber's life and his career as kapellmester in Dreden, Germany, and on the history of his violins. The article appeared in 'Music Notes' a publication of Music Department at Christopher Newport University in 2010.","The correspondence consists of a death notice and a greetig card, both addressed to Frauke and Wolf Elber."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Elber, Gertude Siegel"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Elber, Gertude Siegel"],"language_ssim":["German English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T13:46:04.299Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9799"}},{"id":"vihart_repositories_4_resources_429","type":"collection","attributes":{"title":"Henkel Family Papers","creator":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_429#creator","type":"document_value","attributes":{"value":"Henkel family","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_429#abstract_or_scope","type":"document_value","attributes":{"value":"The Henkel Family Papers, 1801-2008, document the influential Henkel family of Rockingham and Shenandoah counties in Virginia's Shenandoah Valley. The collection, primarily documenting the Siram and Margaret Koiner Henkel line of the family, is comprised of correspondence, personal and financial papers, and genealogical research materials. The Renalds family is heavily documented in the 2023 accession materials.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_429#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_429","ead_ssi":"vihart_repositories_4_resources_429","_root_":"vihart_repositories_4_resources_429","_nest_parent_":"vihart_repositories_4_resources_429","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_429.xml","title_ssm":["Henkel Family Papers"],"title_tesim":["Henkel Family Papers"],"unitdate_ssm":["1801-2008"],"unitdate_inclusive_ssm":["1801-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0253","/repositories/4/resources/429"],"text":["SC 0253","/repositories/4/resources/429","Henkel Family Papers","New Market (Va.) -- History","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Genealogy","Rockingham County (Va.) -- Social life and customs","Shenandoah County (Va.) -- History","Shenandoah County (Va.) -- Genealogy","Shenandoah County (Va.) -- Social life and customs","Shenandoah River Valley (Va. and W. Va.) -- History","Shenandoah River Valley (Va. and W. Va.) -- Genealogy","Shenandoah River Valley (Va. and W. Va.) -- Social life and customs","Virginia -- History","Virginia -- History, Local"," United States -- History -- Civil War, 1861-1865","Slavery -- Virginia -- 19th century","Sawmills -- Virginia","Letters (correspondence)","Songbooks","Copybooks (instructional materials)","Personal papers","Financial Records","Promissory notes","Receipts (financial records)","Daybooks","Account books","Genealogies (histories)","Research notes","Photographs","Postcards","Family papers","School records","Report Cards","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","A representative sample of course materials, comprising parctice invoices, checks, ledgers, day books, cash books, etc., created by Lillian Henkel and Harry S. Henkel were retained. Excessive duplicates, brittle and highly acidic documents, and materials with negligible research value were weeded from the 2023-0329 accession.","The collection is arranged in five series:","Correspondence, 1827-1913 Personal Papers, 1801-1881 Financial Files, 1832-1894 Genealogy and Research Files, 1890-2008 2023-0329 Accession, 1864-1923","United States Department of the Interior, National Park Service.  Plains Mill, VDHR File No. 082-5403, National Register of Historic Places Registration Form . 2014.","Wittig, Mildred Renalds.  Henkel – Renalds Connection: with Ancestral Scripts and Collections . Harrisonburg, Va.: Custom Printing, 2014.","Several complete and thorough genealogies have been written about the Henkel family and their contributions as doctors, printers, entrepreneurs, millers, and religious leaders. As such, this biographical note does not serve as an exhaustive rehashing of previous scholarship. Researchers are encouraged to review published secondary sources for additional information on the Henkel family.","The Henkel Family of Virginia's Shenandoah Valley descends from Rev. Paul Henkel (1754-1825) and Elizabeth Henkel (d. 1843). Siram Peter Henkel, who along with his immediate family is primarily documented in this collection, was the fifth child of Dr. Solomon Henkel (1777-1847) and Rebecca Miller Henkel (1780-1854) and grandson of Rev. Paul Henkel.","Siram was born March 16, 1809 in New Market, Virginia. In an attempt to follow in his father's footsteps, Siram attended, but did not complete, medical school at the University of Pennsylvania. He married Margaret Koiner (variously spelled Coiner) Henkel (1820-1899) of Augusta County, Virginia on June 30, 1835. The couple settled at \"The Plains\" – located between New Market and Timberville – in September 1835 and their thirteen children, many of whom are also documented in this collection, were born and raised there. Siram farmed various crops and also operated a store and mill at The Plains. The Plains Mill was erected between 1847 and 1849 under the direction of Siram and his father Solomon, prior to his death in August 1847.","During the American Civil War, two of Siram and Margeret's sons served for the Confederacy. Lewis Philip (1837-1904) served in the Ordance Department of the Confederate Army. Around 1863, Lewis became a member of Co. H (Valley Rangers) of the 10th Virginia Cavalry. Luther Melanchton (1841-1919) was also a member of the Confederate Army and wrote home to his father from various camps. Lewis and Luther's brother Samuel Augustus (1840-1885) was exempt from military duty due to medical reasons. He became epileptic after sustaining injuries from run-away horses in 1855.","In 1878, one year prior to Siram's death, he sketched the plans for a new house at Plains Mill. The house was built in 1882 and served as the residence for Siram's widow, Margaret, until her death in 1899. The aforementioned sketch and photographs of the completed house are found in this collection.","Heleah Margaret Henkel, daughter of Siram and Margaret Henkel, married William M. Renalds in 1893. Their family is heavily documented in the 2023 accession materials.","Material was property of a Henkel family descendant, presumably Mildred Renalds Wittig, great-granddaughter of Siram and Margaret Koiner Henkel.","Materials in the 2023-0329 accession, purchased from ZH Books, share provenance with the rest of the collection in that they descended through the Henkel family to Mildred Renalds Wittig before being sold at Jeffrey S. Evans \u0026 Associates' March 2, 2022 Winter Americana sale.","The materials in this series share provenance with the rest of the collection in that they descended through the Henkel family to Mildred Renalds Wittig before being sold at Jeffrey S. Evans \u0026 Associates' March 2, 2022 Winter Americana sale.","Much of the collection was received in three-ring binders with the manuscripts in plastic sleeves. The correspondence was generally arranged in chronological order. The documents were removed from the binders and plastic sleeves and placed in Mylar when necessary.","Henkel Family Papers, 1783-1916, SC 0099, Special Collections, James Madison University, Harrisonburg, VA.","Henkel Family Papers, David M. Rubenstein Rare Book \u0026 Manuscript Library, Duke University.","Henkel family records, 1838-1903. Business records collection, The Library of Virginia, Richmond.","Henkel-Miller Family Papers, 1793-1910, #14434, Special Collections, University of Virginia Library, Charlottesville, Va.","Henkel Plain Mills Store Daybook, 1835-1849, Special Collections Research Center, Swem Library, College of William and Mary.","Multiple collections under the accession number 8653, Special Collections Department, University of Virginia Library.","Many of the documents in this collection are copied and transcribed in Mildred Renalds Wittig's  Henkel – Renalds Connection  (2014).","The Henkel Family Papers, 1801-2008, document the influential Henkel family of Shenandoah and Rockingham counties in Virginia's Shenandoah Valley. The collection, chiefly documenting the Siram and Margaret Koiner Henkel line of the family, is comprised primarily of correspondence written to Siram P. Henkel and includes letters from his sons Lewis and Luther during their service in the American Civil War. The collection also includes personal and financial papers of various Henkel family members including Siram's children and genealogical research materials, much of which was used to inform Mildred Renalds Wittig's  Henkel – Renalds Connection: with Ancestral Scripts and Collections  (2014).","Series 1: Correspondence, 1827-1913, chiefly contains letters written to Siram P. Henkel with correspondents including members of the Koiner/Coiner family of Augusta County, the Miller family of Winchester, and the Rupert family of Augusta County. The correspondents report on family and community news, marriages, health and illnesses, deaths, weather, harvest and planting updates, crop yields, and include fellow merchants requesting advice on the market of certain goods and numerous requests for Dr. Henkel's pills. Of particular interest are the letters written to Siram by his sons Lewis and Luther while serving in the American Civil War. The sons, and Luther in particular, write about camp life and general updates related to the war. In a December 21, 1861 letter to his father, Lewis P. Henkel writes from Winchester and mentions General Stonewall Jackson. He also refers to General Gilbert S. Meem as \"Genl. Drunk.\"","This series also contains correspondence to/from other Henkel family members including Dr. Solomon Henkel, Samuel G. Henkel, Solomon D. Henkel, Maggie Henkel Renalds, Lillian Henkel, and Margaret Koiner Henkel.","The documentary record confirms that Margaret Koiner Henkel's family were enslavers and given the date of much of the correspondence, a portion relates to slavery and enslaved persons. Delia Koiner Overholt wrote to her sister Margaret Henkel on May 28, 1847 relaying the news of their grandfather's death. She goes on to write that \"eleven or twelve blacks are to be sold and a great deal of property.\" In a January 24, 1857 letter to Siram Henkel, Delia Koiner Overholt writes again to describe in detail describes the sale of enslaved persons from her grandfather's estate. A similarly noteworthy letter, dated August 13, 1835, was penned by Siram Henkel to his wife Margaret in which he describes a large \"drove\" of enslaved persons that passed through the Valley. He describes the scene as follows: \"There were eighty-four chained together to one long chain; there were also a great many women and children that were also in company; the whole number of men, women \u0026 children was two hundred and forty.\" There are two original copies of this letter in the collection.","All correspondence addressed to Dr. Solomon Henkel and/or Solomon Henkel P.M. is filed with Solomon Henkel (1777-1847), who was a practicing physician and served as Shenandoah County's first postmaster. A concerted effort was made on behalf of the archivist to not confuse his papers with those of his son Solomon David Henkel (1815-1872).","Much of the correspondence includes envelopes or address leaves. The correspondence is arranged primarily by recipient, but in cases where the recipient is unknown (e.g. non-specific salutations and greetings or lack of return address), the correspondence is filed with miscellaneous correspondence. Some of the letters have non-original annotations on the address leaves relating to content or the correspondents.","Series 2: Personal Papers, 1801-1881, includes miscellaneous papers from the immediate family of Siram Henkel. School papers and writing assignements from Siram and Margaret Henkel's children, Lewis, Samuel, Julia, Martin, and Maggie are included. The documents include a January 17, 1881 essay on politeness written by Maggie Henkel.","The series also includes a manuscript music book penned by Siram's mother, Rebecca Miller Henkel, a grammar copybook belonging to Siram's brother Slyvanus Henkel, and Siram's 1878 plans for his family's new home place at Plains Mill.","Series 3: Financial Files, 1832-1894, contains receipts, ledger pages, and promissory notes. Included in Siram Henkel's financial papers is a form of the estimate and assessment of agricultural products to be taxed by the government of the Confederate States. Of particular interest is Paul P. Henkel's 1844-1872 daybook entitled \"Sawmill Book No. 3\" documenting the sawmill owned by Solomon Henkel. The daybook records prices for sawing and details sawing activities. Elizabeth Garber Renalds' account book and journal documents egg business and other farming and day-to-day activities while the family was living at the Lincoln Homestead on Linville Creek south of Broadway.","Series 4: Genealogy and Research Files, 1890-2008, is comprised of research material, much of which was used to inform Mildred Renalds Wittig's  Henkel – Renalds Connection: with Ancestral Scripts and Collections  (2014). Documents include family trees, facsimiles of correspondence and manuscript material not otherwise found in this collection, photographs of Henkel family members and properties including Plains Mill and the Plains School, newspaper clippings, Henkel family reunion materials, and blank postcards. An oversize reproduction of a blank family register printed by Ambrose Henkel \u0026 Comp. is included.","Series 5: 2023-0329 Accession, 1864-1923, includes Henkel family correspondence, Renalds family correspondence, and letters written to Ray Renalds while he was admitted to Rockingham Memorial Hospital in 1923 for an undisclosed illness.","School materials were created by Lillian Henkel while a student at the Shenandoah Institute in Dayton and Harry S. Henkel while a student at Dunsmore Business College in Staunton. Coursework created by Ray Renalds while a student at Shenandoah Luthern Institute is included.","Front covers of bound volumes are inscribed \"Lillian M. Henkel, Shenandoah Institute, Sept. 20, 1900\"","Tuition for Ray and Richard Renalds.","Several issues of serials including the  Lutheran Church Visitor  and the  Southern Churchman  have been removed from the collection and cataloged as part of Special Collections' rare book collection. Additionally, the facsimile publication of the  Day Book for Solomon Henkel at the Plains Mills, Rockingham County, Virginia  (2013) and Mildred Renalds Wittig's  Henkel – Renalds Connection: with Ancestral Scripts and Collections  (2nd ed., 2014) were removed from the collection and cataloged separately. Additional books and a broadside from the 2019 accession were cataloged separately. Two issues of  Shenandoah Valley  (1900), a New Market newspaper, were separated from the 2023-0329 accession and added to existing holdings in Special Collections.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Henkel Family Papers, 1801-2008, document the influential Henkel family of Rockingham and Shenandoah counties in Virginia's Shenandoah Valley. The collection, primarily documenting the Siram and Margaret Koiner Henkel line of the family, is comprised of correspondence, personal and financial papers, and genealogical research materials. The Renalds family is heavily documented in the 2023 accession materials.","James Madison University Libraries Special Collections","Jeffrey S. Evans \u0026 Associates","ZH Books","Dunsmore Business College (Staunton, Va.)","Henkel family","Henkel family -- Correspondence","Henkel, Siram Peter, 1809-1879","English, German"],"unitid_tesim":["SC 0253","/repositories/4/resources/429"],"normalized_title_ssm":["Henkel Family Papers"],"collection_title_tesim":["Henkel Family Papers"],"collection_ssim":["Henkel Family Papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["New Market (Va.) -- History","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Genealogy","Rockingham County (Va.) -- Social life and customs","Shenandoah County (Va.) -- History","Shenandoah County (Va.) -- Genealogy","Shenandoah County (Va.) -- Social life and customs","Shenandoah River Valley (Va. and W. Va.) -- History","Shenandoah River Valley (Va. and W. Va.) -- Genealogy","Shenandoah River Valley (Va. and W. Va.) -- Social life and customs","Virginia -- History","Virginia -- History, Local"," United States -- History -- Civil War, 1861-1865"],"geogname_ssim":["New Market (Va.) -- History","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Genealogy","Rockingham County (Va.) -- Social life and customs","Shenandoah County (Va.) -- History","Shenandoah County (Va.) -- Genealogy","Shenandoah County (Va.) -- Social life and customs","Shenandoah River Valley (Va. and W. Va.) -- History","Shenandoah River Valley (Va. and W. Va.) -- Genealogy","Shenandoah River Valley (Va. and W. Va.) -- Social life and customs","Virginia -- History","Virginia -- History, Local"," United States -- History -- Civil War, 1861-1865"],"creator_ssm":["Henkel family","Jeffrey S. Evans \u0026 Associates","ZH Books"],"creator_ssim":["Henkel family","Jeffrey S. Evans \u0026 Associates","ZH Books"],"creator_corpname_ssim":["Jeffrey S. Evans \u0026 Associates","ZH Books"],"creator_famname_ssim":["Henkel family"],"creators_ssim":["Jeffrey S. Evans \u0026 Associates","ZH Books","Henkel family"],"places_ssim":["New Market (Va.) -- History","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Genealogy","Rockingham County (Va.) -- Social life and customs","Shenandoah County (Va.) -- History","Shenandoah County (Va.) -- Genealogy","Shenandoah County (Va.) -- Social life and customs","Shenandoah River Valley (Va. and W. Va.) -- History","Shenandoah River Valley (Va. and W. Va.) -- Genealogy","Shenandoah River Valley (Va. and W. Va.) -- Social life and customs","Virginia -- History","Virginia -- History, Local"," United States -- History -- Civil War, 1861-1865"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Acquired from Jeffrey S. Evans \u0026 Associates' November 10, 2017 Americana \u0026 Fine Antiques Auction, Featuring Virginia and the South auction. A second accrual to this collection was acquired directly from Mildred Renalds Wittig in May 2019. This accession comprised mostly books from the family's collection and were cataloged separately. A second copy of the August 1835 letter from Siram Henkel to Margaret Henkel regarding a large group of enslaved persons being marched through the Shenandoah Valley was included and interfiled. An arithmetic book belonging to Samuel A. Henkel, 1854, was also interfiled. Materials that comprise the 2023-0329 accession were purchased from ZH Books in March 2023."],"access_subjects_ssim":["Slavery -- Virginia -- 19th century","Sawmills -- Virginia","Letters (correspondence)","Songbooks","Copybooks (instructional materials)","Personal papers","Financial Records","Promissory notes","Receipts (financial records)","Daybooks","Account books","Genealogies (histories)","Research notes","Photographs","Postcards","Family papers","School records","Report Cards"],"access_subjects_ssm":["Slavery -- Virginia -- 19th century","Sawmills -- Virginia","Letters (correspondence)","Songbooks","Copybooks (instructional materials)","Personal papers","Financial Records","Promissory notes","Receipts (financial records)","Daybooks","Account books","Genealogies (histories)","Research notes","Photographs","Postcards","Family papers","School records","Report Cards"],"has_online_content_ssim":["false"],"extent_ssm":["2.08 cubic feet 6 boxes"],"extent_tesim":["2.08 cubic feet 6 boxes"],"genreform_ssim":["Letters (correspondence)","Songbooks","Copybooks (instructional materials)","Personal papers","Financial Records","Promissory notes","Receipts (financial records)","Daybooks","Account books","Genealogies (histories)","Research notes","Photographs","Postcards","Family papers","School records","Report Cards"],"date_range_isim":[1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"appraisal_html_tesm":["\u003cp\u003eA representative sample of course materials, comprising parctice invoices, checks, ledgers, day books, cash books, etc., created by Lillian Henkel and Harry S. Henkel were retained. Excessive duplicates, brittle and highly acidic documents, and materials with negligible research value were weeded from the 2023-0329 accession.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal"],"appraisal_tesim":["A representative sample of course materials, comprising parctice invoices, checks, ledgers, day books, cash books, etc., created by Lillian Henkel and Harry S. Henkel were retained. Excessive duplicates, brittle and highly acidic documents, and materials with negligible research value were weeded from the 2023-0329 accession."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in five series:\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eCorrespondence, 1827-1913\u003c/item\u003e\n      \u003citem\u003ePersonal Papers, 1801-1881\u003c/item\u003e\n      \u003citem\u003eFinancial Files, 1832-1894\u003c/item\u003e\n      \u003citem\u003eGenealogy and Research Files, 1890-2008\u003c/item\u003e\n      \u003citem\u003e2023-0329 Accession, 1864-1923\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in five series:","Correspondence, 1827-1913 Personal Papers, 1801-1881 Financial Files, 1832-1894 Genealogy and Research Files, 1890-2008 2023-0329 Accession, 1864-1923"],"bibliography_html_tesm":["\u003cbibref\u003eUnited States Department of the Interior, National Park Service. \u003cemph render=\"italic\"\u003ePlains Mill, VDHR File No. 082-5403, National Register of Historic Places Registration Form\u003c/emph\u003e. 2014.\u003c/bibref\u003e","\u003cbibref\u003eWittig, Mildred Renalds. \u003cemph render=\"italic\"\u003eHenkel – Renalds Connection: with Ancestral Scripts and Collections\u003c/emph\u003e. Harrisonburg, Va.: Custom Printing, 2014.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["United States Department of the Interior, National Park Service.  Plains Mill, VDHR File No. 082-5403, National Register of Historic Places Registration Form . 2014.","Wittig, Mildred Renalds.  Henkel – Renalds Connection: with Ancestral Scripts and Collections . Harrisonburg, Va.: Custom Printing, 2014."],"bioghist_html_tesm":["\u003cp\u003eSeveral complete and thorough genealogies have been written about the Henkel family and their contributions as doctors, printers, entrepreneurs, millers, and religious leaders. As such, this biographical note does not serve as an exhaustive rehashing of previous scholarship. Researchers are encouraged to review published secondary sources for additional information on the Henkel family.\u003c/p\u003e\n","\u003cp\u003eThe Henkel Family of Virginia's Shenandoah Valley descends from Rev. Paul Henkel (1754-1825) and Elizabeth Henkel (d. 1843). Siram Peter Henkel, who along with his immediate family is primarily documented in this collection, was the fifth child of Dr. Solomon Henkel (1777-1847) and Rebecca Miller Henkel (1780-1854) and grandson of Rev. Paul Henkel.\u003c/p\u003e\n","\u003cp\u003eSiram was born March 16, 1809 in New Market, Virginia. In an attempt to follow in his father's footsteps, Siram attended, but did not complete, medical school at the University of Pennsylvania. He married Margaret Koiner (variously spelled Coiner) Henkel (1820-1899) of Augusta County, Virginia on June 30, 1835. The couple settled at \"The Plains\" – located between New Market and Timberville – in September 1835 and their thirteen children, many of whom are also documented in this collection, were born and raised there. Siram farmed various crops and also operated a store and mill at The Plains. The Plains Mill was erected between 1847 and 1849 under the direction of Siram and his father Solomon, prior to his death in August 1847.\u003c/p\u003e\n","\u003cp\u003eDuring the American Civil War, two of Siram and Margeret's sons served for the Confederacy. Lewis Philip (1837-1904) served in the Ordance Department of the Confederate Army. Around 1863, Lewis became a member of Co. H (Valley Rangers) of the 10th Virginia Cavalry. Luther Melanchton (1841-1919) was also a member of the Confederate Army and wrote home to his father from various camps. Lewis and Luther's brother Samuel Augustus (1840-1885) was exempt from military duty due to medical reasons. He became epileptic after sustaining injuries from run-away horses in 1855.\u003c/p\u003e\n","\u003cp\u003eIn 1878, one year prior to Siram's death, he sketched the plans for a new house at Plains Mill. The house was built in 1882 and served as the residence for Siram's widow, Margaret, until her death in 1899. The aforementioned sketch and photographs of the completed house are found in this collection.\u003c/p\u003e\n","\u003cp\u003eHeleah Margaret Henkel, daughter of Siram and Margaret Henkel, married William M. Renalds in 1893. Their family is heavily documented in the 2023 accession materials.\u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["Several complete and thorough genealogies have been written about the Henkel family and their contributions as doctors, printers, entrepreneurs, millers, and religious leaders. As such, this biographical note does not serve as an exhaustive rehashing of previous scholarship. Researchers are encouraged to review published secondary sources for additional information on the Henkel family.","The Henkel Family of Virginia's Shenandoah Valley descends from Rev. Paul Henkel (1754-1825) and Elizabeth Henkel (d. 1843). Siram Peter Henkel, who along with his immediate family is primarily documented in this collection, was the fifth child of Dr. Solomon Henkel (1777-1847) and Rebecca Miller Henkel (1780-1854) and grandson of Rev. Paul Henkel.","Siram was born March 16, 1809 in New Market, Virginia. In an attempt to follow in his father's footsteps, Siram attended, but did not complete, medical school at the University of Pennsylvania. He married Margaret Koiner (variously spelled Coiner) Henkel (1820-1899) of Augusta County, Virginia on June 30, 1835. The couple settled at \"The Plains\" – located between New Market and Timberville – in September 1835 and their thirteen children, many of whom are also documented in this collection, were born and raised there. Siram farmed various crops and also operated a store and mill at The Plains. The Plains Mill was erected between 1847 and 1849 under the direction of Siram and his father Solomon, prior to his death in August 1847.","During the American Civil War, two of Siram and Margeret's sons served for the Confederacy. Lewis Philip (1837-1904) served in the Ordance Department of the Confederate Army. Around 1863, Lewis became a member of Co. H (Valley Rangers) of the 10th Virginia Cavalry. Luther Melanchton (1841-1919) was also a member of the Confederate Army and wrote home to his father from various camps. Lewis and Luther's brother Samuel Augustus (1840-1885) was exempt from military duty due to medical reasons. He became epileptic after sustaining injuries from run-away horses in 1855.","In 1878, one year prior to Siram's death, he sketched the plans for a new house at Plains Mill. The house was built in 1882 and served as the residence for Siram's widow, Margaret, until her death in 1899. The aforementioned sketch and photographs of the completed house are found in this collection.","Heleah Margaret Henkel, daughter of Siram and Margaret Henkel, married William M. Renalds in 1893. Their family is heavily documented in the 2023 accession materials."],"custodhist_html_tesm":["\u003cp\u003eMaterial was property of a Henkel family descendant, presumably Mildred Renalds Wittig, great-granddaughter of Siram and Margaret Koiner Henkel.\u003c/p\u003e\n","\u003cp\u003eMaterials in the 2023-0329 accession, purchased from ZH Books, share provenance with the rest of the collection in that they descended through the Henkel family to Mildred Renalds Wittig before being sold at Jeffrey S. Evans \u0026amp; Associates' March 2, 2022 Winter Americana sale.\u003c/p\u003e","\u003cp\u003eThe materials in this series share provenance with the rest of the collection in that they descended through the Henkel family to Mildred Renalds Wittig before being sold at Jeffrey S. Evans \u0026amp; Associates' March 2, 2022 Winter Americana sale.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance","Provenance"],"custodhist_tesim":["Material was property of a Henkel family descendant, presumably Mildred Renalds Wittig, great-granddaughter of Siram and Margaret Koiner Henkel.","Materials in the 2023-0329 accession, purchased from ZH Books, share provenance with the rest of the collection in that they descended through the Henkel family to Mildred Renalds Wittig before being sold at Jeffrey S. Evans \u0026 Associates' March 2, 2022 Winter Americana sale.","The materials in this series share provenance with the rest of the collection in that they descended through the Henkel family to Mildred Renalds Wittig before being sold at Jeffrey S. Evans \u0026 Associates' March 2, 2022 Winter Americana sale."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Henkel Family Papers, 1801-2008, SC 0253, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Henkel Family Papers, 1801-2008, SC 0253, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eMuch of the collection was received in three-ring binders with the manuscripts in plastic sleeves. The correspondence was generally arranged in chronological order. The documents were removed from the binders and plastic sleeves and placed in Mylar when necessary.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Much of the collection was received in three-ring binders with the manuscripts in plastic sleeves. The correspondence was generally arranged in chronological order. The documents were removed from the binders and plastic sleeves and placed in Mylar when necessary."],"relatedmaterial_html_tesm":["\u003cp\u003eHenkel Family Papers, 1783-1916, SC 0099, Special Collections, James Madison University, Harrisonburg, VA.\u003c/p\u003e","\u003cp\u003eHenkel Family Papers, David M. Rubenstein Rare Book \u0026amp; Manuscript Library, Duke University.\u003c/p\u003e","\u003cp\u003eHenkel family records, 1838-1903. Business records collection, The Library of Virginia, Richmond.\u003c/p\u003e","\u003cp\u003eHenkel-Miller Family Papers, 1793-1910, #14434, Special Collections, University of Virginia Library, Charlottesville, Va.\u003c/p\u003e","\u003cp\u003eHenkel Plain Mills Store Daybook, 1835-1849, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e","\u003cp\u003eMultiple collections under the accession number 8653, Special Collections Department, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMany of the documents in this collection are copied and transcribed in Mildred Renalds Wittig's \u003cemph render=\"italic\"\u003eHenkel – Renalds Connection\u003c/emph\u003e (2014).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Henkel Family Papers, 1783-1916, SC 0099, Special Collections, James Madison University, Harrisonburg, VA.","Henkel Family Papers, David M. Rubenstein Rare Book \u0026 Manuscript Library, Duke University.","Henkel family records, 1838-1903. Business records collection, The Library of Virginia, Richmond.","Henkel-Miller Family Papers, 1793-1910, #14434, Special Collections, University of Virginia Library, Charlottesville, Va.","Henkel Plain Mills Store Daybook, 1835-1849, Special Collections Research Center, Swem Library, College of William and Mary.","Multiple collections under the accession number 8653, Special Collections Department, University of Virginia Library.","Many of the documents in this collection are copied and transcribed in Mildred Renalds Wittig's  Henkel – Renalds Connection  (2014)."],"scopecontent_html_tesm":["\u003cp\u003eThe Henkel Family Papers, 1801-2008, document the influential Henkel family of Shenandoah and Rockingham counties in Virginia's Shenandoah Valley. The collection, chiefly documenting the Siram and Margaret Koiner Henkel line of the family, is comprised primarily of correspondence written to Siram P. Henkel and includes letters from his sons Lewis and Luther during their service in the American Civil War. The collection also includes personal and financial papers of various Henkel family members including Siram's children and genealogical research materials, much of which was used to inform Mildred Renalds Wittig's \u003cemph render=\"italic\"\u003eHenkel – Renalds Connection: with Ancestral Scripts and Collections\u003c/emph\u003e (2014).\u003c/p\u003e","\u003cp\u003eSeries 1: Correspondence, 1827-1913, chiefly contains letters written to Siram P. Henkel with correspondents including members of the Koiner/Coiner family of Augusta County, the Miller family of Winchester, and the Rupert family of Augusta County. The correspondents report on family and community news, marriages, health and illnesses, deaths, weather, harvest and planting updates, crop yields, and include fellow merchants requesting advice on the market of certain goods and numerous requests for Dr. Henkel's pills. Of particular interest are the letters written to Siram by his sons Lewis and Luther while serving in the American Civil War. The sons, and Luther in particular, write about camp life and general updates related to the war. In a December 21, 1861 letter to his father, Lewis P. Henkel writes from Winchester and mentions General Stonewall Jackson. He also refers to General Gilbert S. Meem as \"Genl. Drunk.\"\u003c/p\u003e\n","\u003cp\u003eThis series also contains correspondence to/from other Henkel family members including Dr. Solomon Henkel, Samuel G. Henkel, Solomon D. Henkel, Maggie Henkel Renalds, Lillian Henkel, and Margaret Koiner Henkel.\u003c/p\u003e\n","\u003cp\u003eThe documentary record confirms that Margaret Koiner Henkel's family were enslavers and given the date of much of the correspondence, a portion relates to slavery and enslaved persons. Delia Koiner Overholt wrote to her sister Margaret Henkel on May 28, 1847 relaying the news of their grandfather's death. She goes on to write that \"eleven or twelve blacks are to be sold and a great deal of property.\" In a January 24, 1857 letter to Siram Henkel, Delia Koiner Overholt writes again to describe in detail describes the sale of enslaved persons from her grandfather's estate. A similarly noteworthy letter, dated August 13, 1835, was penned by Siram Henkel to his wife Margaret in which he describes a large \"drove\" of enslaved persons that passed through the Valley. He describes the scene as follows: \"There were eighty-four chained together to one long chain; there were also a great many women and children that were also in company; the whole number of men, women \u0026amp; children was two hundred and forty.\" There are two original copies of this letter in the collection.\u003c/p\u003e\n","\u003cp\u003eAll correspondence addressed to Dr. Solomon Henkel and/or Solomon Henkel P.M. is filed with Solomon Henkel (1777-1847), who was a practicing physician and served as Shenandoah County's first postmaster. A concerted effort was made on behalf of the archivist to not confuse his papers with those of his son Solomon David Henkel (1815-1872).\u003c/p\u003e\n","\u003cp\u003eMuch of the correspondence includes envelopes or address leaves. The correspondence is arranged primarily by recipient, but in cases where the recipient is unknown (e.g. non-specific salutations and greetings or lack of return address), the correspondence is filed with miscellaneous correspondence. Some of the letters have non-original annotations on the address leaves relating to content or the correspondents.\u003c/p\u003e","\u003cp\u003eSeries 2: Personal Papers, 1801-1881, includes miscellaneous papers from the immediate family of Siram Henkel. School papers and writing assignements from Siram and Margaret Henkel's children, Lewis, Samuel, Julia, Martin, and Maggie are included. The documents include a January 17, 1881 essay on politeness written by Maggie Henkel.\u003c/p\u003e\n","\u003cp\u003eThe series also includes a manuscript music book penned by Siram's mother, Rebecca Miller Henkel, a grammar copybook belonging to Siram's brother Slyvanus Henkel, and Siram's 1878 plans for his family's new home place at Plains Mill.\u003c/p\u003e","\u003cp\u003eSeries 3: Financial Files, 1832-1894, contains receipts, ledger pages, and promissory notes. Included in Siram Henkel's financial papers is a form of the estimate and assessment of agricultural products to be taxed by the government of the Confederate States. Of particular interest is Paul P. Henkel's 1844-1872 daybook entitled \"Sawmill Book No. 3\" documenting the sawmill owned by Solomon Henkel. The daybook records prices for sawing and details sawing activities. Elizabeth Garber Renalds' account book and journal documents egg business and other farming and day-to-day activities while the family was living at the Lincoln Homestead on Linville Creek south of Broadway.\u003c/p\u003e","\u003cp\u003eSeries 4: Genealogy and Research Files, 1890-2008, is comprised of research material, much of which was used to inform Mildred Renalds Wittig's \u003cemph render=\"italic\"\u003eHenkel – Renalds Connection: with Ancestral Scripts and Collections\u003c/emph\u003e (2014). Documents include family trees, facsimiles of correspondence and manuscript material not otherwise found in this collection, photographs of Henkel family members and properties including Plains Mill and the Plains School, newspaper clippings, Henkel family reunion materials, and blank postcards. An oversize reproduction of a blank family register printed by Ambrose Henkel \u0026amp; Comp. is included.\u003c/p\u003e","\u003cp\u003eSeries 5: 2023-0329 Accession, 1864-1923, includes Henkel family correspondence, Renalds family correspondence, and letters written to Ray Renalds while he was admitted to Rockingham Memorial Hospital in 1923 for an undisclosed illness.\u003c/p\u003e\n","\u003cp\u003eSchool materials were created by Lillian Henkel while a student at the Shenandoah Institute in Dayton and Harry S. Henkel while a student at Dunsmore Business College in Staunton. Coursework created by Ray Renalds while a student at Shenandoah Luthern Institute is included.\u003c/p\u003e","\u003cp\u003eFront covers of bound volumes are inscribed \"Lillian M. Henkel, Shenandoah Institute, Sept. 20, 1900\"\u003c/p\u003e","\u003cp\u003eTuition for Ray and Richard Renalds.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Henkel Family Papers, 1801-2008, document the influential Henkel family of Shenandoah and Rockingham counties in Virginia's Shenandoah Valley. The collection, chiefly documenting the Siram and Margaret Koiner Henkel line of the family, is comprised primarily of correspondence written to Siram P. Henkel and includes letters from his sons Lewis and Luther during their service in the American Civil War. The collection also includes personal and financial papers of various Henkel family members including Siram's children and genealogical research materials, much of which was used to inform Mildred Renalds Wittig's  Henkel – Renalds Connection: with Ancestral Scripts and Collections  (2014).","Series 1: Correspondence, 1827-1913, chiefly contains letters written to Siram P. Henkel with correspondents including members of the Koiner/Coiner family of Augusta County, the Miller family of Winchester, and the Rupert family of Augusta County. The correspondents report on family and community news, marriages, health and illnesses, deaths, weather, harvest and planting updates, crop yields, and include fellow merchants requesting advice on the market of certain goods and numerous requests for Dr. Henkel's pills. Of particular interest are the letters written to Siram by his sons Lewis and Luther while serving in the American Civil War. The sons, and Luther in particular, write about camp life and general updates related to the war. In a December 21, 1861 letter to his father, Lewis P. Henkel writes from Winchester and mentions General Stonewall Jackson. He also refers to General Gilbert S. Meem as \"Genl. Drunk.\"","This series also contains correspondence to/from other Henkel family members including Dr. Solomon Henkel, Samuel G. Henkel, Solomon D. Henkel, Maggie Henkel Renalds, Lillian Henkel, and Margaret Koiner Henkel.","The documentary record confirms that Margaret Koiner Henkel's family were enslavers and given the date of much of the correspondence, a portion relates to slavery and enslaved persons. Delia Koiner Overholt wrote to her sister Margaret Henkel on May 28, 1847 relaying the news of their grandfather's death. She goes on to write that \"eleven or twelve blacks are to be sold and a great deal of property.\" In a January 24, 1857 letter to Siram Henkel, Delia Koiner Overholt writes again to describe in detail describes the sale of enslaved persons from her grandfather's estate. A similarly noteworthy letter, dated August 13, 1835, was penned by Siram Henkel to his wife Margaret in which he describes a large \"drove\" of enslaved persons that passed through the Valley. He describes the scene as follows: \"There were eighty-four chained together to one long chain; there were also a great many women and children that were also in company; the whole number of men, women \u0026 children was two hundred and forty.\" There are two original copies of this letter in the collection.","All correspondence addressed to Dr. Solomon Henkel and/or Solomon Henkel P.M. is filed with Solomon Henkel (1777-1847), who was a practicing physician and served as Shenandoah County's first postmaster. A concerted effort was made on behalf of the archivist to not confuse his papers with those of his son Solomon David Henkel (1815-1872).","Much of the correspondence includes envelopes or address leaves. The correspondence is arranged primarily by recipient, but in cases where the recipient is unknown (e.g. non-specific salutations and greetings or lack of return address), the correspondence is filed with miscellaneous correspondence. Some of the letters have non-original annotations on the address leaves relating to content or the correspondents.","Series 2: Personal Papers, 1801-1881, includes miscellaneous papers from the immediate family of Siram Henkel. School papers and writing assignements from Siram and Margaret Henkel's children, Lewis, Samuel, Julia, Martin, and Maggie are included. The documents include a January 17, 1881 essay on politeness written by Maggie Henkel.","The series also includes a manuscript music book penned by Siram's mother, Rebecca Miller Henkel, a grammar copybook belonging to Siram's brother Slyvanus Henkel, and Siram's 1878 plans for his family's new home place at Plains Mill.","Series 3: Financial Files, 1832-1894, contains receipts, ledger pages, and promissory notes. Included in Siram Henkel's financial papers is a form of the estimate and assessment of agricultural products to be taxed by the government of the Confederate States. Of particular interest is Paul P. Henkel's 1844-1872 daybook entitled \"Sawmill Book No. 3\" documenting the sawmill owned by Solomon Henkel. The daybook records prices for sawing and details sawing activities. Elizabeth Garber Renalds' account book and journal documents egg business and other farming and day-to-day activities while the family was living at the Lincoln Homestead on Linville Creek south of Broadway.","Series 4: Genealogy and Research Files, 1890-2008, is comprised of research material, much of which was used to inform Mildred Renalds Wittig's  Henkel – Renalds Connection: with Ancestral Scripts and Collections  (2014). Documents include family trees, facsimiles of correspondence and manuscript material not otherwise found in this collection, photographs of Henkel family members and properties including Plains Mill and the Plains School, newspaper clippings, Henkel family reunion materials, and blank postcards. An oversize reproduction of a blank family register printed by Ambrose Henkel \u0026 Comp. is included.","Series 5: 2023-0329 Accession, 1864-1923, includes Henkel family correspondence, Renalds family correspondence, and letters written to Ray Renalds while he was admitted to Rockingham Memorial Hospital in 1923 for an undisclosed illness.","School materials were created by Lillian Henkel while a student at the Shenandoah Institute in Dayton and Harry S. Henkel while a student at Dunsmore Business College in Staunton. Coursework created by Ray Renalds while a student at Shenandoah Luthern Institute is included.","Front covers of bound volumes are inscribed \"Lillian M. Henkel, Shenandoah Institute, Sept. 20, 1900\"","Tuition for Ray and Richard Renalds."],"separatedmaterial_html_tesm":["\u003cp\u003eSeveral issues of serials including the \u003cemph render=\"italic\"\u003eLutheran Church Visitor\u003c/emph\u003e and the \u003cemph render=\"italic\"\u003eSouthern Churchman\u003c/emph\u003e have been removed from the collection and cataloged as part of Special Collections' rare book collection. Additionally, the facsimile publication of the \u003cemph render=\"italic\"\u003eDay Book for Solomon Henkel at the Plains Mills, Rockingham County, Virginia\u003c/emph\u003e (2013) and Mildred Renalds Wittig's \u003cemph render=\"italic\"\u003eHenkel – Renalds Connection: with Ancestral Scripts and Collections\u003c/emph\u003e (2nd ed., 2014) were removed from the collection and cataloged separately. Additional books and a broadside from the 2019 accession were cataloged separately. Two issues of \u003cemph render=\"italic\"\u003eShenandoah Valley\u003c/emph\u003e (1900), a New Market newspaper, were separated from the 2023-0329 accession and added to existing holdings in Special Collections.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["Several issues of serials including the  Lutheran Church Visitor  and the  Southern Churchman  have been removed from the collection and cataloged as part of Special Collections' rare book collection. Additionally, the facsimile publication of the  Day Book for Solomon Henkel at the Plains Mills, Rockingham County, Virginia  (2013) and Mildred Renalds Wittig's  Henkel – Renalds Connection: with Ancestral Scripts and Collections  (2nd ed., 2014) were removed from the collection and cataloged separately. Additional books and a broadside from the 2019 accession were cataloged separately. Two issues of  Shenandoah Valley  (1900), a New Market newspaper, were separated from the 2023-0329 accession and added to existing holdings in Special Collections."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_fe701131976635fcfbf3af795f2aa11a\"\u003eThe Henkel Family Papers, 1801-2008, document the influential Henkel family of Rockingham and Shenandoah counties in Virginia's Shenandoah Valley. The collection, primarily documenting the Siram and Margaret Koiner Henkel line of the family, is comprised of correspondence, personal and financial papers, and genealogical research materials. The Renalds family is heavily documented in the 2023 accession materials.\u003c/abstract\u003e"],"abstract_tesim":["The Henkel Family Papers, 1801-2008, document the influential Henkel family of Rockingham and Shenandoah counties in Virginia's Shenandoah Valley. The collection, primarily documenting the Siram and Margaret Koiner Henkel line of the family, is comprised of correspondence, personal and financial papers, and genealogical research materials. The Renalds family is heavily documented in the 2023 accession materials."],"names_coll_ssim":["Jeffrey S. Evans \u0026 Associates","ZH Books","Henkel family -- Correspondence","Henkel, Siram Peter, 1809-1879"],"names_ssim":["James Madison University Libraries Special Collections","Jeffrey S. Evans \u0026 Associates","ZH Books","Dunsmore Business College (Staunton, Va.)","Henkel family","Henkel family -- Correspondence","Henkel, Siram Peter, 1809-1879"],"corpname_ssim":["James Madison University Libraries Special Collections","Jeffrey S. Evans \u0026 Associates","ZH Books","Dunsmore Business College (Staunton, Va.)"],"famname_ssim":["Henkel family","Henkel family -- Correspondence"],"persname_ssim":["Henkel, Siram Peter, 1809-1879"],"language_ssim":["English, German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":108,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:19:36.409Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_429","ead_ssi":"vihart_repositories_4_resources_429","_root_":"vihart_repositories_4_resources_429","_nest_parent_":"vihart_repositories_4_resources_429","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_429.xml","title_ssm":["Henkel Family Papers"],"title_tesim":["Henkel Family Papers"],"unitdate_ssm":["1801-2008"],"unitdate_inclusive_ssm":["1801-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0253","/repositories/4/resources/429"],"text":["SC 0253","/repositories/4/resources/429","Henkel Family Papers","New Market (Va.) -- History","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Genealogy","Rockingham County (Va.) -- Social life and customs","Shenandoah County (Va.) -- History","Shenandoah County (Va.) -- Genealogy","Shenandoah County (Va.) -- Social life and customs","Shenandoah River Valley (Va. and W. Va.) -- History","Shenandoah River Valley (Va. and W. Va.) -- Genealogy","Shenandoah River Valley (Va. and W. Va.) -- Social life and customs","Virginia -- History","Virginia -- History, Local"," United States -- History -- Civil War, 1861-1865","Slavery -- Virginia -- 19th century","Sawmills -- Virginia","Letters (correspondence)","Songbooks","Copybooks (instructional materials)","Personal papers","Financial Records","Promissory notes","Receipts (financial records)","Daybooks","Account books","Genealogies (histories)","Research notes","Photographs","Postcards","Family papers","School records","Report Cards","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","A representative sample of course materials, comprising parctice invoices, checks, ledgers, day books, cash books, etc., created by Lillian Henkel and Harry S. Henkel were retained. Excessive duplicates, brittle and highly acidic documents, and materials with negligible research value were weeded from the 2023-0329 accession.","The collection is arranged in five series:","Correspondence, 1827-1913 Personal Papers, 1801-1881 Financial Files, 1832-1894 Genealogy and Research Files, 1890-2008 2023-0329 Accession, 1864-1923","United States Department of the Interior, National Park Service.  Plains Mill, VDHR File No. 082-5403, National Register of Historic Places Registration Form . 2014.","Wittig, Mildred Renalds.  Henkel – Renalds Connection: with Ancestral Scripts and Collections . Harrisonburg, Va.: Custom Printing, 2014.","Several complete and thorough genealogies have been written about the Henkel family and their contributions as doctors, printers, entrepreneurs, millers, and religious leaders. As such, this biographical note does not serve as an exhaustive rehashing of previous scholarship. Researchers are encouraged to review published secondary sources for additional information on the Henkel family.","The Henkel Family of Virginia's Shenandoah Valley descends from Rev. Paul Henkel (1754-1825) and Elizabeth Henkel (d. 1843). Siram Peter Henkel, who along with his immediate family is primarily documented in this collection, was the fifth child of Dr. Solomon Henkel (1777-1847) and Rebecca Miller Henkel (1780-1854) and grandson of Rev. Paul Henkel.","Siram was born March 16, 1809 in New Market, Virginia. In an attempt to follow in his father's footsteps, Siram attended, but did not complete, medical school at the University of Pennsylvania. He married Margaret Koiner (variously spelled Coiner) Henkel (1820-1899) of Augusta County, Virginia on June 30, 1835. The couple settled at \"The Plains\" – located between New Market and Timberville – in September 1835 and their thirteen children, many of whom are also documented in this collection, were born and raised there. Siram farmed various crops and also operated a store and mill at The Plains. The Plains Mill was erected between 1847 and 1849 under the direction of Siram and his father Solomon, prior to his death in August 1847.","During the American Civil War, two of Siram and Margeret's sons served for the Confederacy. Lewis Philip (1837-1904) served in the Ordance Department of the Confederate Army. Around 1863, Lewis became a member of Co. H (Valley Rangers) of the 10th Virginia Cavalry. Luther Melanchton (1841-1919) was also a member of the Confederate Army and wrote home to his father from various camps. Lewis and Luther's brother Samuel Augustus (1840-1885) was exempt from military duty due to medical reasons. He became epileptic after sustaining injuries from run-away horses in 1855.","In 1878, one year prior to Siram's death, he sketched the plans for a new house at Plains Mill. The house was built in 1882 and served as the residence for Siram's widow, Margaret, until her death in 1899. The aforementioned sketch and photographs of the completed house are found in this collection.","Heleah Margaret Henkel, daughter of Siram and Margaret Henkel, married William M. Renalds in 1893. Their family is heavily documented in the 2023 accession materials.","Material was property of a Henkel family descendant, presumably Mildred Renalds Wittig, great-granddaughter of Siram and Margaret Koiner Henkel.","Materials in the 2023-0329 accession, purchased from ZH Books, share provenance with the rest of the collection in that they descended through the Henkel family to Mildred Renalds Wittig before being sold at Jeffrey S. Evans \u0026 Associates' March 2, 2022 Winter Americana sale.","The materials in this series share provenance with the rest of the collection in that they descended through the Henkel family to Mildred Renalds Wittig before being sold at Jeffrey S. Evans \u0026 Associates' March 2, 2022 Winter Americana sale.","Much of the collection was received in three-ring binders with the manuscripts in plastic sleeves. The correspondence was generally arranged in chronological order. The documents were removed from the binders and plastic sleeves and placed in Mylar when necessary.","Henkel Family Papers, 1783-1916, SC 0099, Special Collections, James Madison University, Harrisonburg, VA.","Henkel Family Papers, David M. Rubenstein Rare Book \u0026 Manuscript Library, Duke University.","Henkel family records, 1838-1903. Business records collection, The Library of Virginia, Richmond.","Henkel-Miller Family Papers, 1793-1910, #14434, Special Collections, University of Virginia Library, Charlottesville, Va.","Henkel Plain Mills Store Daybook, 1835-1849, Special Collections Research Center, Swem Library, College of William and Mary.","Multiple collections under the accession number 8653, Special Collections Department, University of Virginia Library.","Many of the documents in this collection are copied and transcribed in Mildred Renalds Wittig's  Henkel – Renalds Connection  (2014).","The Henkel Family Papers, 1801-2008, document the influential Henkel family of Shenandoah and Rockingham counties in Virginia's Shenandoah Valley. The collection, chiefly documenting the Siram and Margaret Koiner Henkel line of the family, is comprised primarily of correspondence written to Siram P. Henkel and includes letters from his sons Lewis and Luther during their service in the American Civil War. The collection also includes personal and financial papers of various Henkel family members including Siram's children and genealogical research materials, much of which was used to inform Mildred Renalds Wittig's  Henkel – Renalds Connection: with Ancestral Scripts and Collections  (2014).","Series 1: Correspondence, 1827-1913, chiefly contains letters written to Siram P. Henkel with correspondents including members of the Koiner/Coiner family of Augusta County, the Miller family of Winchester, and the Rupert family of Augusta County. The correspondents report on family and community news, marriages, health and illnesses, deaths, weather, harvest and planting updates, crop yields, and include fellow merchants requesting advice on the market of certain goods and numerous requests for Dr. Henkel's pills. Of particular interest are the letters written to Siram by his sons Lewis and Luther while serving in the American Civil War. The sons, and Luther in particular, write about camp life and general updates related to the war. In a December 21, 1861 letter to his father, Lewis P. Henkel writes from Winchester and mentions General Stonewall Jackson. He also refers to General Gilbert S. Meem as \"Genl. Drunk.\"","This series also contains correspondence to/from other Henkel family members including Dr. Solomon Henkel, Samuel G. Henkel, Solomon D. Henkel, Maggie Henkel Renalds, Lillian Henkel, and Margaret Koiner Henkel.","The documentary record confirms that Margaret Koiner Henkel's family were enslavers and given the date of much of the correspondence, a portion relates to slavery and enslaved persons. Delia Koiner Overholt wrote to her sister Margaret Henkel on May 28, 1847 relaying the news of their grandfather's death. She goes on to write that \"eleven or twelve blacks are to be sold and a great deal of property.\" In a January 24, 1857 letter to Siram Henkel, Delia Koiner Overholt writes again to describe in detail describes the sale of enslaved persons from her grandfather's estate. A similarly noteworthy letter, dated August 13, 1835, was penned by Siram Henkel to his wife Margaret in which he describes a large \"drove\" of enslaved persons that passed through the Valley. He describes the scene as follows: \"There were eighty-four chained together to one long chain; there were also a great many women and children that were also in company; the whole number of men, women \u0026 children was two hundred and forty.\" There are two original copies of this letter in the collection.","All correspondence addressed to Dr. Solomon Henkel and/or Solomon Henkel P.M. is filed with Solomon Henkel (1777-1847), who was a practicing physician and served as Shenandoah County's first postmaster. A concerted effort was made on behalf of the archivist to not confuse his papers with those of his son Solomon David Henkel (1815-1872).","Much of the correspondence includes envelopes or address leaves. The correspondence is arranged primarily by recipient, but in cases where the recipient is unknown (e.g. non-specific salutations and greetings or lack of return address), the correspondence is filed with miscellaneous correspondence. Some of the letters have non-original annotations on the address leaves relating to content or the correspondents.","Series 2: Personal Papers, 1801-1881, includes miscellaneous papers from the immediate family of Siram Henkel. School papers and writing assignements from Siram and Margaret Henkel's children, Lewis, Samuel, Julia, Martin, and Maggie are included. The documents include a January 17, 1881 essay on politeness written by Maggie Henkel.","The series also includes a manuscript music book penned by Siram's mother, Rebecca Miller Henkel, a grammar copybook belonging to Siram's brother Slyvanus Henkel, and Siram's 1878 plans for his family's new home place at Plains Mill.","Series 3: Financial Files, 1832-1894, contains receipts, ledger pages, and promissory notes. Included in Siram Henkel's financial papers is a form of the estimate and assessment of agricultural products to be taxed by the government of the Confederate States. Of particular interest is Paul P. Henkel's 1844-1872 daybook entitled \"Sawmill Book No. 3\" documenting the sawmill owned by Solomon Henkel. The daybook records prices for sawing and details sawing activities. Elizabeth Garber Renalds' account book and journal documents egg business and other farming and day-to-day activities while the family was living at the Lincoln Homestead on Linville Creek south of Broadway.","Series 4: Genealogy and Research Files, 1890-2008, is comprised of research material, much of which was used to inform Mildred Renalds Wittig's  Henkel – Renalds Connection: with Ancestral Scripts and Collections  (2014). Documents include family trees, facsimiles of correspondence and manuscript material not otherwise found in this collection, photographs of Henkel family members and properties including Plains Mill and the Plains School, newspaper clippings, Henkel family reunion materials, and blank postcards. An oversize reproduction of a blank family register printed by Ambrose Henkel \u0026 Comp. is included.","Series 5: 2023-0329 Accession, 1864-1923, includes Henkel family correspondence, Renalds family correspondence, and letters written to Ray Renalds while he was admitted to Rockingham Memorial Hospital in 1923 for an undisclosed illness.","School materials were created by Lillian Henkel while a student at the Shenandoah Institute in Dayton and Harry S. Henkel while a student at Dunsmore Business College in Staunton. Coursework created by Ray Renalds while a student at Shenandoah Luthern Institute is included.","Front covers of bound volumes are inscribed \"Lillian M. Henkel, Shenandoah Institute, Sept. 20, 1900\"","Tuition for Ray and Richard Renalds.","Several issues of serials including the  Lutheran Church Visitor  and the  Southern Churchman  have been removed from the collection and cataloged as part of Special Collections' rare book collection. Additionally, the facsimile publication of the  Day Book for Solomon Henkel at the Plains Mills, Rockingham County, Virginia  (2013) and Mildred Renalds Wittig's  Henkel – Renalds Connection: with Ancestral Scripts and Collections  (2nd ed., 2014) were removed from the collection and cataloged separately. Additional books and a broadside from the 2019 accession were cataloged separately. Two issues of  Shenandoah Valley  (1900), a New Market newspaper, were separated from the 2023-0329 accession and added to existing holdings in Special Collections.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Henkel Family Papers, 1801-2008, document the influential Henkel family of Rockingham and Shenandoah counties in Virginia's Shenandoah Valley. The collection, primarily documenting the Siram and Margaret Koiner Henkel line of the family, is comprised of correspondence, personal and financial papers, and genealogical research materials. The Renalds family is heavily documented in the 2023 accession materials.","James Madison University Libraries Special Collections","Jeffrey S. Evans \u0026 Associates","ZH Books","Dunsmore Business College (Staunton, Va.)","Henkel family","Henkel family -- Correspondence","Henkel, Siram Peter, 1809-1879","English, German"],"unitid_tesim":["SC 0253","/repositories/4/resources/429"],"normalized_title_ssm":["Henkel Family Papers"],"collection_title_tesim":["Henkel Family Papers"],"collection_ssim":["Henkel Family Papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["New Market (Va.) -- History","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Genealogy","Rockingham County (Va.) -- Social life and customs","Shenandoah County (Va.) -- History","Shenandoah County (Va.) -- Genealogy","Shenandoah County (Va.) -- Social life and customs","Shenandoah River Valley (Va. and W. Va.) -- History","Shenandoah River Valley (Va. and W. Va.) -- Genealogy","Shenandoah River Valley (Va. and W. Va.) -- Social life and customs","Virginia -- History","Virginia -- History, Local"," United States -- History -- Civil War, 1861-1865"],"geogname_ssim":["New Market (Va.) -- History","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Genealogy","Rockingham County (Va.) -- Social life and customs","Shenandoah County (Va.) -- History","Shenandoah County (Va.) -- Genealogy","Shenandoah County (Va.) -- Social life and customs","Shenandoah River Valley (Va. and W. Va.) -- History","Shenandoah River Valley (Va. and W. Va.) -- Genealogy","Shenandoah River Valley (Va. and W. Va.) -- Social life and customs","Virginia -- History","Virginia -- History, Local"," United States -- History -- Civil War, 1861-1865"],"creator_ssm":["Henkel family","Jeffrey S. Evans \u0026 Associates","ZH Books"],"creator_ssim":["Henkel family","Jeffrey S. Evans \u0026 Associates","ZH Books"],"creator_corpname_ssim":["Jeffrey S. Evans \u0026 Associates","ZH Books"],"creator_famname_ssim":["Henkel family"],"creators_ssim":["Jeffrey S. Evans \u0026 Associates","ZH Books","Henkel family"],"places_ssim":["New Market (Va.) -- History","Rockingham County (Va.) -- History","Rockingham County (Va.) -- Genealogy","Rockingham County (Va.) -- Social life and customs","Shenandoah County (Va.) -- History","Shenandoah County (Va.) -- Genealogy","Shenandoah County (Va.) -- Social life and customs","Shenandoah River Valley (Va. and W. Va.) -- History","Shenandoah River Valley (Va. and W. Va.) -- Genealogy","Shenandoah River Valley (Va. and W. Va.) -- Social life and customs","Virginia -- History","Virginia -- History, Local"," United States -- History -- Civil War, 1861-1865"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Acquired from Jeffrey S. Evans \u0026 Associates' November 10, 2017 Americana \u0026 Fine Antiques Auction, Featuring Virginia and the South auction. A second accrual to this collection was acquired directly from Mildred Renalds Wittig in May 2019. This accession comprised mostly books from the family's collection and were cataloged separately. A second copy of the August 1835 letter from Siram Henkel to Margaret Henkel regarding a large group of enslaved persons being marched through the Shenandoah Valley was included and interfiled. An arithmetic book belonging to Samuel A. Henkel, 1854, was also interfiled. Materials that comprise the 2023-0329 accession were purchased from ZH Books in March 2023."],"access_subjects_ssim":["Slavery -- Virginia -- 19th century","Sawmills -- Virginia","Letters (correspondence)","Songbooks","Copybooks (instructional materials)","Personal papers","Financial Records","Promissory notes","Receipts (financial records)","Daybooks","Account books","Genealogies (histories)","Research notes","Photographs","Postcards","Family papers","School records","Report Cards"],"access_subjects_ssm":["Slavery -- Virginia -- 19th century","Sawmills -- Virginia","Letters (correspondence)","Songbooks","Copybooks (instructional materials)","Personal papers","Financial Records","Promissory notes","Receipts (financial records)","Daybooks","Account books","Genealogies (histories)","Research notes","Photographs","Postcards","Family papers","School records","Report Cards"],"has_online_content_ssim":["false"],"extent_ssm":["2.08 cubic feet 6 boxes"],"extent_tesim":["2.08 cubic feet 6 boxes"],"genreform_ssim":["Letters (correspondence)","Songbooks","Copybooks (instructional materials)","Personal papers","Financial Records","Promissory notes","Receipts (financial records)","Daybooks","Account books","Genealogies (histories)","Research notes","Photographs","Postcards","Family papers","School records","Report Cards"],"date_range_isim":[1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"appraisal_html_tesm":["\u003cp\u003eA representative sample of course materials, comprising parctice invoices, checks, ledgers, day books, cash books, etc., created by Lillian Henkel and Harry S. Henkel were retained. Excessive duplicates, brittle and highly acidic documents, and materials with negligible research value were weeded from the 2023-0329 accession.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal"],"appraisal_tesim":["A representative sample of course materials, comprising parctice invoices, checks, ledgers, day books, cash books, etc., created by Lillian Henkel and Harry S. Henkel were retained. Excessive duplicates, brittle and highly acidic documents, and materials with negligible research value were weeded from the 2023-0329 accession."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in five series:\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eCorrespondence, 1827-1913\u003c/item\u003e\n      \u003citem\u003ePersonal Papers, 1801-1881\u003c/item\u003e\n      \u003citem\u003eFinancial Files, 1832-1894\u003c/item\u003e\n      \u003citem\u003eGenealogy and Research Files, 1890-2008\u003c/item\u003e\n      \u003citem\u003e2023-0329 Accession, 1864-1923\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in five series:","Correspondence, 1827-1913 Personal Papers, 1801-1881 Financial Files, 1832-1894 Genealogy and Research Files, 1890-2008 2023-0329 Accession, 1864-1923"],"bibliography_html_tesm":["\u003cbibref\u003eUnited States Department of the Interior, National Park Service. \u003cemph render=\"italic\"\u003ePlains Mill, VDHR File No. 082-5403, National Register of Historic Places Registration Form\u003c/emph\u003e. 2014.\u003c/bibref\u003e","\u003cbibref\u003eWittig, Mildred Renalds. \u003cemph render=\"italic\"\u003eHenkel – Renalds Connection: with Ancestral Scripts and Collections\u003c/emph\u003e. Harrisonburg, Va.: Custom Printing, 2014.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["United States Department of the Interior, National Park Service.  Plains Mill, VDHR File No. 082-5403, National Register of Historic Places Registration Form . 2014.","Wittig, Mildred Renalds.  Henkel – Renalds Connection: with Ancestral Scripts and Collections . Harrisonburg, Va.: Custom Printing, 2014."],"bioghist_html_tesm":["\u003cp\u003eSeveral complete and thorough genealogies have been written about the Henkel family and their contributions as doctors, printers, entrepreneurs, millers, and religious leaders. As such, this biographical note does not serve as an exhaustive rehashing of previous scholarship. Researchers are encouraged to review published secondary sources for additional information on the Henkel family.\u003c/p\u003e\n","\u003cp\u003eThe Henkel Family of Virginia's Shenandoah Valley descends from Rev. Paul Henkel (1754-1825) and Elizabeth Henkel (d. 1843). Siram Peter Henkel, who along with his immediate family is primarily documented in this collection, was the fifth child of Dr. Solomon Henkel (1777-1847) and Rebecca Miller Henkel (1780-1854) and grandson of Rev. Paul Henkel.\u003c/p\u003e\n","\u003cp\u003eSiram was born March 16, 1809 in New Market, Virginia. In an attempt to follow in his father's footsteps, Siram attended, but did not complete, medical school at the University of Pennsylvania. He married Margaret Koiner (variously spelled Coiner) Henkel (1820-1899) of Augusta County, Virginia on June 30, 1835. The couple settled at \"The Plains\" – located between New Market and Timberville – in September 1835 and their thirteen children, many of whom are also documented in this collection, were born and raised there. Siram farmed various crops and also operated a store and mill at The Plains. The Plains Mill was erected between 1847 and 1849 under the direction of Siram and his father Solomon, prior to his death in August 1847.\u003c/p\u003e\n","\u003cp\u003eDuring the American Civil War, two of Siram and Margeret's sons served for the Confederacy. Lewis Philip (1837-1904) served in the Ordance Department of the Confederate Army. Around 1863, Lewis became a member of Co. H (Valley Rangers) of the 10th Virginia Cavalry. Luther Melanchton (1841-1919) was also a member of the Confederate Army and wrote home to his father from various camps. Lewis and Luther's brother Samuel Augustus (1840-1885) was exempt from military duty due to medical reasons. He became epileptic after sustaining injuries from run-away horses in 1855.\u003c/p\u003e\n","\u003cp\u003eIn 1878, one year prior to Siram's death, he sketched the plans for a new house at Plains Mill. The house was built in 1882 and served as the residence for Siram's widow, Margaret, until her death in 1899. The aforementioned sketch and photographs of the completed house are found in this collection.\u003c/p\u003e\n","\u003cp\u003eHeleah Margaret Henkel, daughter of Siram and Margaret Henkel, married William M. Renalds in 1893. Their family is heavily documented in the 2023 accession materials.\u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["Several complete and thorough genealogies have been written about the Henkel family and their contributions as doctors, printers, entrepreneurs, millers, and religious leaders. As such, this biographical note does not serve as an exhaustive rehashing of previous scholarship. Researchers are encouraged to review published secondary sources for additional information on the Henkel family.","The Henkel Family of Virginia's Shenandoah Valley descends from Rev. Paul Henkel (1754-1825) and Elizabeth Henkel (d. 1843). Siram Peter Henkel, who along with his immediate family is primarily documented in this collection, was the fifth child of Dr. Solomon Henkel (1777-1847) and Rebecca Miller Henkel (1780-1854) and grandson of Rev. Paul Henkel.","Siram was born March 16, 1809 in New Market, Virginia. In an attempt to follow in his father's footsteps, Siram attended, but did not complete, medical school at the University of Pennsylvania. He married Margaret Koiner (variously spelled Coiner) Henkel (1820-1899) of Augusta County, Virginia on June 30, 1835. The couple settled at \"The Plains\" – located between New Market and Timberville – in September 1835 and their thirteen children, many of whom are also documented in this collection, were born and raised there. Siram farmed various crops and also operated a store and mill at The Plains. The Plains Mill was erected between 1847 and 1849 under the direction of Siram and his father Solomon, prior to his death in August 1847.","During the American Civil War, two of Siram and Margeret's sons served for the Confederacy. Lewis Philip (1837-1904) served in the Ordance Department of the Confederate Army. Around 1863, Lewis became a member of Co. H (Valley Rangers) of the 10th Virginia Cavalry. Luther Melanchton (1841-1919) was also a member of the Confederate Army and wrote home to his father from various camps. Lewis and Luther's brother Samuel Augustus (1840-1885) was exempt from military duty due to medical reasons. He became epileptic after sustaining injuries from run-away horses in 1855.","In 1878, one year prior to Siram's death, he sketched the plans for a new house at Plains Mill. The house was built in 1882 and served as the residence for Siram's widow, Margaret, until her death in 1899. The aforementioned sketch and photographs of the completed house are found in this collection.","Heleah Margaret Henkel, daughter of Siram and Margaret Henkel, married William M. Renalds in 1893. Their family is heavily documented in the 2023 accession materials."],"custodhist_html_tesm":["\u003cp\u003eMaterial was property of a Henkel family descendant, presumably Mildred Renalds Wittig, great-granddaughter of Siram and Margaret Koiner Henkel.\u003c/p\u003e\n","\u003cp\u003eMaterials in the 2023-0329 accession, purchased from ZH Books, share provenance with the rest of the collection in that they descended through the Henkel family to Mildred Renalds Wittig before being sold at Jeffrey S. Evans \u0026amp; Associates' March 2, 2022 Winter Americana sale.\u003c/p\u003e","\u003cp\u003eThe materials in this series share provenance with the rest of the collection in that they descended through the Henkel family to Mildred Renalds Wittig before being sold at Jeffrey S. Evans \u0026amp; Associates' March 2, 2022 Winter Americana sale.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance","Provenance"],"custodhist_tesim":["Material was property of a Henkel family descendant, presumably Mildred Renalds Wittig, great-granddaughter of Siram and Margaret Koiner Henkel.","Materials in the 2023-0329 accession, purchased from ZH Books, share provenance with the rest of the collection in that they descended through the Henkel family to Mildred Renalds Wittig before being sold at Jeffrey S. Evans \u0026 Associates' March 2, 2022 Winter Americana sale.","The materials in this series share provenance with the rest of the collection in that they descended through the Henkel family to Mildred Renalds Wittig before being sold at Jeffrey S. Evans \u0026 Associates' March 2, 2022 Winter Americana sale."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Henkel Family Papers, 1801-2008, SC 0253, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Henkel Family Papers, 1801-2008, SC 0253, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eMuch of the collection was received in three-ring binders with the manuscripts in plastic sleeves. The correspondence was generally arranged in chronological order. The documents were removed from the binders and plastic sleeves and placed in Mylar when necessary.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Much of the collection was received in three-ring binders with the manuscripts in plastic sleeves. The correspondence was generally arranged in chronological order. The documents were removed from the binders and plastic sleeves and placed in Mylar when necessary."],"relatedmaterial_html_tesm":["\u003cp\u003eHenkel Family Papers, 1783-1916, SC 0099, Special Collections, James Madison University, Harrisonburg, VA.\u003c/p\u003e","\u003cp\u003eHenkel Family Papers, David M. Rubenstein Rare Book \u0026amp; Manuscript Library, Duke University.\u003c/p\u003e","\u003cp\u003eHenkel family records, 1838-1903. Business records collection, The Library of Virginia, Richmond.\u003c/p\u003e","\u003cp\u003eHenkel-Miller Family Papers, 1793-1910, #14434, Special Collections, University of Virginia Library, Charlottesville, Va.\u003c/p\u003e","\u003cp\u003eHenkel Plain Mills Store Daybook, 1835-1849, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e","\u003cp\u003eMultiple collections under the accession number 8653, Special Collections Department, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMany of the documents in this collection are copied and transcribed in Mildred Renalds Wittig's \u003cemph render=\"italic\"\u003eHenkel – Renalds Connection\u003c/emph\u003e (2014).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Henkel Family Papers, 1783-1916, SC 0099, Special Collections, James Madison University, Harrisonburg, VA.","Henkel Family Papers, David M. Rubenstein Rare Book \u0026 Manuscript Library, Duke University.","Henkel family records, 1838-1903. Business records collection, The Library of Virginia, Richmond.","Henkel-Miller Family Papers, 1793-1910, #14434, Special Collections, University of Virginia Library, Charlottesville, Va.","Henkel Plain Mills Store Daybook, 1835-1849, Special Collections Research Center, Swem Library, College of William and Mary.","Multiple collections under the accession number 8653, Special Collections Department, University of Virginia Library.","Many of the documents in this collection are copied and transcribed in Mildred Renalds Wittig's  Henkel – Renalds Connection  (2014)."],"scopecontent_html_tesm":["\u003cp\u003eThe Henkel Family Papers, 1801-2008, document the influential Henkel family of Shenandoah and Rockingham counties in Virginia's Shenandoah Valley. The collection, chiefly documenting the Siram and Margaret Koiner Henkel line of the family, is comprised primarily of correspondence written to Siram P. Henkel and includes letters from his sons Lewis and Luther during their service in the American Civil War. The collection also includes personal and financial papers of various Henkel family members including Siram's children and genealogical research materials, much of which was used to inform Mildred Renalds Wittig's \u003cemph render=\"italic\"\u003eHenkel – Renalds Connection: with Ancestral Scripts and Collections\u003c/emph\u003e (2014).\u003c/p\u003e","\u003cp\u003eSeries 1: Correspondence, 1827-1913, chiefly contains letters written to Siram P. Henkel with correspondents including members of the Koiner/Coiner family of Augusta County, the Miller family of Winchester, and the Rupert family of Augusta County. The correspondents report on family and community news, marriages, health and illnesses, deaths, weather, harvest and planting updates, crop yields, and include fellow merchants requesting advice on the market of certain goods and numerous requests for Dr. Henkel's pills. Of particular interest are the letters written to Siram by his sons Lewis and Luther while serving in the American Civil War. The sons, and Luther in particular, write about camp life and general updates related to the war. In a December 21, 1861 letter to his father, Lewis P. Henkel writes from Winchester and mentions General Stonewall Jackson. He also refers to General Gilbert S. Meem as \"Genl. Drunk.\"\u003c/p\u003e\n","\u003cp\u003eThis series also contains correspondence to/from other Henkel family members including Dr. Solomon Henkel, Samuel G. Henkel, Solomon D. Henkel, Maggie Henkel Renalds, Lillian Henkel, and Margaret Koiner Henkel.\u003c/p\u003e\n","\u003cp\u003eThe documentary record confirms that Margaret Koiner Henkel's family were enslavers and given the date of much of the correspondence, a portion relates to slavery and enslaved persons. Delia Koiner Overholt wrote to her sister Margaret Henkel on May 28, 1847 relaying the news of their grandfather's death. She goes on to write that \"eleven or twelve blacks are to be sold and a great deal of property.\" In a January 24, 1857 letter to Siram Henkel, Delia Koiner Overholt writes again to describe in detail describes the sale of enslaved persons from her grandfather's estate. A similarly noteworthy letter, dated August 13, 1835, was penned by Siram Henkel to his wife Margaret in which he describes a large \"drove\" of enslaved persons that passed through the Valley. He describes the scene as follows: \"There were eighty-four chained together to one long chain; there were also a great many women and children that were also in company; the whole number of men, women \u0026amp; children was two hundred and forty.\" There are two original copies of this letter in the collection.\u003c/p\u003e\n","\u003cp\u003eAll correspondence addressed to Dr. Solomon Henkel and/or Solomon Henkel P.M. is filed with Solomon Henkel (1777-1847), who was a practicing physician and served as Shenandoah County's first postmaster. A concerted effort was made on behalf of the archivist to not confuse his papers with those of his son Solomon David Henkel (1815-1872).\u003c/p\u003e\n","\u003cp\u003eMuch of the correspondence includes envelopes or address leaves. The correspondence is arranged primarily by recipient, but in cases where the recipient is unknown (e.g. non-specific salutations and greetings or lack of return address), the correspondence is filed with miscellaneous correspondence. Some of the letters have non-original annotations on the address leaves relating to content or the correspondents.\u003c/p\u003e","\u003cp\u003eSeries 2: Personal Papers, 1801-1881, includes miscellaneous papers from the immediate family of Siram Henkel. School papers and writing assignements from Siram and Margaret Henkel's children, Lewis, Samuel, Julia, Martin, and Maggie are included. The documents include a January 17, 1881 essay on politeness written by Maggie Henkel.\u003c/p\u003e\n","\u003cp\u003eThe series also includes a manuscript music book penned by Siram's mother, Rebecca Miller Henkel, a grammar copybook belonging to Siram's brother Slyvanus Henkel, and Siram's 1878 plans for his family's new home place at Plains Mill.\u003c/p\u003e","\u003cp\u003eSeries 3: Financial Files, 1832-1894, contains receipts, ledger pages, and promissory notes. Included in Siram Henkel's financial papers is a form of the estimate and assessment of agricultural products to be taxed by the government of the Confederate States. Of particular interest is Paul P. Henkel's 1844-1872 daybook entitled \"Sawmill Book No. 3\" documenting the sawmill owned by Solomon Henkel. The daybook records prices for sawing and details sawing activities. Elizabeth Garber Renalds' account book and journal documents egg business and other farming and day-to-day activities while the family was living at the Lincoln Homestead on Linville Creek south of Broadway.\u003c/p\u003e","\u003cp\u003eSeries 4: Genealogy and Research Files, 1890-2008, is comprised of research material, much of which was used to inform Mildred Renalds Wittig's \u003cemph render=\"italic\"\u003eHenkel – Renalds Connection: with Ancestral Scripts and Collections\u003c/emph\u003e (2014). Documents include family trees, facsimiles of correspondence and manuscript material not otherwise found in this collection, photographs of Henkel family members and properties including Plains Mill and the Plains School, newspaper clippings, Henkel family reunion materials, and blank postcards. An oversize reproduction of a blank family register printed by Ambrose Henkel \u0026amp; Comp. is included.\u003c/p\u003e","\u003cp\u003eSeries 5: 2023-0329 Accession, 1864-1923, includes Henkel family correspondence, Renalds family correspondence, and letters written to Ray Renalds while he was admitted to Rockingham Memorial Hospital in 1923 for an undisclosed illness.\u003c/p\u003e\n","\u003cp\u003eSchool materials were created by Lillian Henkel while a student at the Shenandoah Institute in Dayton and Harry S. Henkel while a student at Dunsmore Business College in Staunton. Coursework created by Ray Renalds while a student at Shenandoah Luthern Institute is included.\u003c/p\u003e","\u003cp\u003eFront covers of bound volumes are inscribed \"Lillian M. Henkel, Shenandoah Institute, Sept. 20, 1900\"\u003c/p\u003e","\u003cp\u003eTuition for Ray and Richard Renalds.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Henkel Family Papers, 1801-2008, document the influential Henkel family of Shenandoah and Rockingham counties in Virginia's Shenandoah Valley. The collection, chiefly documenting the Siram and Margaret Koiner Henkel line of the family, is comprised primarily of correspondence written to Siram P. Henkel and includes letters from his sons Lewis and Luther during their service in the American Civil War. The collection also includes personal and financial papers of various Henkel family members including Siram's children and genealogical research materials, much of which was used to inform Mildred Renalds Wittig's  Henkel – Renalds Connection: with Ancestral Scripts and Collections  (2014).","Series 1: Correspondence, 1827-1913, chiefly contains letters written to Siram P. Henkel with correspondents including members of the Koiner/Coiner family of Augusta County, the Miller family of Winchester, and the Rupert family of Augusta County. The correspondents report on family and community news, marriages, health and illnesses, deaths, weather, harvest and planting updates, crop yields, and include fellow merchants requesting advice on the market of certain goods and numerous requests for Dr. Henkel's pills. Of particular interest are the letters written to Siram by his sons Lewis and Luther while serving in the American Civil War. The sons, and Luther in particular, write about camp life and general updates related to the war. In a December 21, 1861 letter to his father, Lewis P. Henkel writes from Winchester and mentions General Stonewall Jackson. He also refers to General Gilbert S. Meem as \"Genl. Drunk.\"","This series also contains correspondence to/from other Henkel family members including Dr. Solomon Henkel, Samuel G. Henkel, Solomon D. Henkel, Maggie Henkel Renalds, Lillian Henkel, and Margaret Koiner Henkel.","The documentary record confirms that Margaret Koiner Henkel's family were enslavers and given the date of much of the correspondence, a portion relates to slavery and enslaved persons. Delia Koiner Overholt wrote to her sister Margaret Henkel on May 28, 1847 relaying the news of their grandfather's death. She goes on to write that \"eleven or twelve blacks are to be sold and a great deal of property.\" In a January 24, 1857 letter to Siram Henkel, Delia Koiner Overholt writes again to describe in detail describes the sale of enslaved persons from her grandfather's estate. A similarly noteworthy letter, dated August 13, 1835, was penned by Siram Henkel to his wife Margaret in which he describes a large \"drove\" of enslaved persons that passed through the Valley. He describes the scene as follows: \"There were eighty-four chained together to one long chain; there were also a great many women and children that were also in company; the whole number of men, women \u0026 children was two hundred and forty.\" There are two original copies of this letter in the collection.","All correspondence addressed to Dr. Solomon Henkel and/or Solomon Henkel P.M. is filed with Solomon Henkel (1777-1847), who was a practicing physician and served as Shenandoah County's first postmaster. A concerted effort was made on behalf of the archivist to not confuse his papers with those of his son Solomon David Henkel (1815-1872).","Much of the correspondence includes envelopes or address leaves. The correspondence is arranged primarily by recipient, but in cases where the recipient is unknown (e.g. non-specific salutations and greetings or lack of return address), the correspondence is filed with miscellaneous correspondence. Some of the letters have non-original annotations on the address leaves relating to content or the correspondents.","Series 2: Personal Papers, 1801-1881, includes miscellaneous papers from the immediate family of Siram Henkel. School papers and writing assignements from Siram and Margaret Henkel's children, Lewis, Samuel, Julia, Martin, and Maggie are included. The documents include a January 17, 1881 essay on politeness written by Maggie Henkel.","The series also includes a manuscript music book penned by Siram's mother, Rebecca Miller Henkel, a grammar copybook belonging to Siram's brother Slyvanus Henkel, and Siram's 1878 plans for his family's new home place at Plains Mill.","Series 3: Financial Files, 1832-1894, contains receipts, ledger pages, and promissory notes. Included in Siram Henkel's financial papers is a form of the estimate and assessment of agricultural products to be taxed by the government of the Confederate States. Of particular interest is Paul P. Henkel's 1844-1872 daybook entitled \"Sawmill Book No. 3\" documenting the sawmill owned by Solomon Henkel. The daybook records prices for sawing and details sawing activities. Elizabeth Garber Renalds' account book and journal documents egg business and other farming and day-to-day activities while the family was living at the Lincoln Homestead on Linville Creek south of Broadway.","Series 4: Genealogy and Research Files, 1890-2008, is comprised of research material, much of which was used to inform Mildred Renalds Wittig's  Henkel – Renalds Connection: with Ancestral Scripts and Collections  (2014). Documents include family trees, facsimiles of correspondence and manuscript material not otherwise found in this collection, photographs of Henkel family members and properties including Plains Mill and the Plains School, newspaper clippings, Henkel family reunion materials, and blank postcards. An oversize reproduction of a blank family register printed by Ambrose Henkel \u0026 Comp. is included.","Series 5: 2023-0329 Accession, 1864-1923, includes Henkel family correspondence, Renalds family correspondence, and letters written to Ray Renalds while he was admitted to Rockingham Memorial Hospital in 1923 for an undisclosed illness.","School materials were created by Lillian Henkel while a student at the Shenandoah Institute in Dayton and Harry S. Henkel while a student at Dunsmore Business College in Staunton. Coursework created by Ray Renalds while a student at Shenandoah Luthern Institute is included.","Front covers of bound volumes are inscribed \"Lillian M. Henkel, Shenandoah Institute, Sept. 20, 1900\"","Tuition for Ray and Richard Renalds."],"separatedmaterial_html_tesm":["\u003cp\u003eSeveral issues of serials including the \u003cemph render=\"italic\"\u003eLutheran Church Visitor\u003c/emph\u003e and the \u003cemph render=\"italic\"\u003eSouthern Churchman\u003c/emph\u003e have been removed from the collection and cataloged as part of Special Collections' rare book collection. Additionally, the facsimile publication of the \u003cemph render=\"italic\"\u003eDay Book for Solomon Henkel at the Plains Mills, Rockingham County, Virginia\u003c/emph\u003e (2013) and Mildred Renalds Wittig's \u003cemph render=\"italic\"\u003eHenkel – Renalds Connection: with Ancestral Scripts and Collections\u003c/emph\u003e (2nd ed., 2014) were removed from the collection and cataloged separately. Additional books and a broadside from the 2019 accession were cataloged separately. Two issues of \u003cemph render=\"italic\"\u003eShenandoah Valley\u003c/emph\u003e (1900), a New Market newspaper, were separated from the 2023-0329 accession and added to existing holdings in Special Collections.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["Several issues of serials including the  Lutheran Church Visitor  and the  Southern Churchman  have been removed from the collection and cataloged as part of Special Collections' rare book collection. Additionally, the facsimile publication of the  Day Book for Solomon Henkel at the Plains Mills, Rockingham County, Virginia  (2013) and Mildred Renalds Wittig's  Henkel – Renalds Connection: with Ancestral Scripts and Collections  (2nd ed., 2014) were removed from the collection and cataloged separately. Additional books and a broadside from the 2019 accession were cataloged separately. Two issues of  Shenandoah Valley  (1900), a New Market newspaper, were separated from the 2023-0329 accession and added to existing holdings in Special Collections."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_fe701131976635fcfbf3af795f2aa11a\"\u003eThe Henkel Family Papers, 1801-2008, document the influential Henkel family of Rockingham and Shenandoah counties in Virginia's Shenandoah Valley. The collection, primarily documenting the Siram and Margaret Koiner Henkel line of the family, is comprised of correspondence, personal and financial papers, and genealogical research materials. The Renalds family is heavily documented in the 2023 accession materials.\u003c/abstract\u003e"],"abstract_tesim":["The Henkel Family Papers, 1801-2008, document the influential Henkel family of Rockingham and Shenandoah counties in Virginia's Shenandoah Valley. The collection, primarily documenting the Siram and Margaret Koiner Henkel line of the family, is comprised of correspondence, personal and financial papers, and genealogical research materials. The Renalds family is heavily documented in the 2023 accession materials."],"names_coll_ssim":["Jeffrey S. Evans \u0026 Associates","ZH Books","Henkel family -- Correspondence","Henkel, Siram Peter, 1809-1879"],"names_ssim":["James Madison University Libraries Special Collections","Jeffrey S. Evans \u0026 Associates","ZH Books","Dunsmore Business College (Staunton, Va.)","Henkel family","Henkel family -- Correspondence","Henkel, Siram Peter, 1809-1879"],"corpname_ssim":["James Madison University Libraries Special Collections","Jeffrey S. Evans \u0026 Associates","ZH Books","Dunsmore Business College (Staunton, Va.)"],"famname_ssim":["Henkel family","Henkel family -- Correspondence"],"persname_ssim":["Henkel, Siram Peter, 1809-1879"],"language_ssim":["English, German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":108,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:19:36.409Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_429"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":22},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"James Madison University","value":"James Madison University","hits":64},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Brepository%5D%5B%5D=James+Madison+University"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Alumni Association Records","value":"Alumni Association Records","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bcollection%5D%5B%5D=Alumni+Association+Records\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"attributes":{"label":"American Association of University Professors (AAUP). James Madison University Chapter records","value":"American Association of University Professors (AAUP). James Madison University Chapter records","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bcollection%5D%5B%5D=American+Association+of+University+Professors+%28AAUP%29.+James+Madison+University+Chapter+records\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"attributes":{"label":"American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch","value":"American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bcollection%5D%5B%5D=American+Association+of+University+Women+%28AAUW%29+Records%2C+Harrisonburg%2C+Virginia+Branch\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"attributes":{"label":"Barbara McKnight Benham papers","value":"Barbara McKnight Benham papers","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bcollection%5D%5B%5D=Barbara+McKnight+Benham+papers\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"attributes":{"label":"Benjamin Bray Papers","value":"Benjamin Bray Papers","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bcollection%5D%5B%5D=Benjamin+Bray+Papers\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"attributes":{"label":"Betty Brown Clemmer and Willis Clemmer papers","value":"Betty Brown Clemmer and Willis Clemmer papers","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bcollection%5D%5B%5D=Betty+Brown+Clemmer+and+Willis+Clemmer+papers\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"attributes":{"label":"Blackley Family papers","value":"Blackley Family papers","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bcollection%5D%5B%5D=Blackley+Family+papers\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"attributes":{"label":"Bob Bersson Papers","value":"Bob Bersson Papers","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bcollection%5D%5B%5D=Bob+Bersson+Papers\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"attributes":{"label":"Carol Barton papers","value":"Carol Barton papers","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bcollection%5D%5B%5D=Carol+Barton+papers\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"attributes":{"label":"Chandi J. Singer papers","value":"Chandi J. Singer papers","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bcollection%5D%5B%5D=Chandi+J.+Singer+papers\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"attributes":{"label":"Charles Grattan Price Jr. and Don W. Thomas collection on the Chesapeake Western Railway","value":"Charles Grattan Price Jr. and Don W. Thomas collection on the Chesapeake Western Railway","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bcollection%5D%5B%5D=Charles+Grattan+Price+Jr.+and+Don+W.+Thomas+collection+on+the+Chesapeake+Western+Railway\u0026f%5Bdate_range%5D%5B%5D=1987"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/collection_ssim.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1593","value":"1593","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bdate_range%5D%5B%5D=1593"}},{"attributes":{"label":"1594","value":"1594","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bdate_range%5D%5B%5D=1594"}},{"attributes":{"label":"1595","value":"1595","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bdate_range%5D%5B%5D=1595"}},{"attributes":{"label":"1596","value":"1596","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bdate_range%5D%5B%5D=1596"}},{"attributes":{"label":"1597","value":"1597","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bdate_range%5D%5B%5D=1597"}},{"attributes":{"label":"1598","value":"1598","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bdate_range%5D%5B%5D=1598"}},{"attributes":{"label":"1599","value":"1599","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bdate_range%5D%5B%5D=1599"}},{"attributes":{"label":"1600","value":"1600","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bdate_range%5D%5B%5D=1600"}},{"attributes":{"label":"1601","value":"1601","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bdate_range%5D%5B%5D=1601"}},{"attributes":{"label":"1602","value":"1602","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bdate_range%5D%5B%5D=1602"}},{"attributes":{"label":"1603","value":"1603","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bdate_range%5D%5B%5D=1603"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/date_range_isim.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Alleyne, Lauren K.","value":"Alleyne, Lauren K.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bcreators%5D%5B%5D=Alleyne%2C+Lauren+K.\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"attributes":{"label":"American Association of University Professors","value":"American Association of University Professors","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bcreators%5D%5B%5D=American+Association+of+University+Professors\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"attributes":{"label":"American Association of University Women. Harrisonburg Branch","value":"American Association of University Women. Harrisonburg Branch","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bcreators%5D%5B%5D=American+Association+of+University+Women.+Harrisonburg+Branch\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"attributes":{"label":"Arthur, Thomas H.","value":"Arthur, Thomas H.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bcreators%5D%5B%5D=Arthur%2C+Thomas+H.\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"attributes":{"label":"Baldwin, Frank Dwight, 1842-1923","value":"Baldwin, Frank Dwight, 1842-1923","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bcreators%5D%5B%5D=Baldwin%2C+Frank+Dwight%2C+1842-1923\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"attributes":{"label":"Barton, Carol June, 1954-","value":"Barton, Carol June, 1954-","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bcreators%5D%5B%5D=Barton%2C+Carol+June%2C+1954-\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"attributes":{"label":"Benham, Barbara McKnight, 1948-2022","value":"Benham, Barbara McKnight, 1948-2022","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bcreators%5D%5B%5D=Benham%2C+Barbara+McKnight%2C+1948-2022\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"attributes":{"label":"Bersson, Robert","value":"Bersson, Robert","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bcreators%5D%5B%5D=Bersson%2C+Robert\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"attributes":{"label":"Blackley family","value":"Blackley family","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bcreators%5D%5B%5D=Blackley+family\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"attributes":{"label":"Blackley, Charles Phillips, Sr., 1909-1999","value":"Blackley, Charles Phillips, Sr., 1909-1999","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bcreators%5D%5B%5D=Blackley%2C+Charles+Phillips%2C+Sr.%2C+1909-1999\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"attributes":{"label":"Blackley, Chuck","value":"Blackley, Chuck","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bcreators%5D%5B%5D=Blackley%2C+Chuck\u0026f%5Bdate_range%5D%5B%5D=1987"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/creator_ssim.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"Acosta, Jim","value":"Acosta, Jim","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bnames%5D%5B%5D=Acosta%2C+Jim"}},{"attributes":{"label":"Adams, Patch, 1945-","value":"Adams, Patch, 1945-","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bnames%5D%5B%5D=Adams%2C+Patch%2C+1945-"}},{"attributes":{"label":"Adesina, Gbenga","value":"Adesina, Gbenga","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bnames%5D%5B%5D=Adesina%2C+Gbenga"}},{"attributes":{"label":"Aleichem Sholem, 1859-1916","value":"Aleichem Sholem, 1859-1916","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bnames%5D%5B%5D=Aleichem+Sholem%2C+1859-1916"}},{"attributes":{"label":"Alexander, Elizabeth, 1962-","value":"Alexander, Elizabeth, 1962-","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bnames%5D%5B%5D=Alexander%2C+Elizabeth%2C+1962-"}},{"attributes":{"label":"Alexander, Kwame (1968-08-21)","value":"Alexander, Kwame (1968-08-21)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bnames%5D%5B%5D=Alexander%2C+Kwame+%281968-08-21%29"}},{"attributes":{"label":"Alexander, Michelle, (Poet)","value":"Alexander, Michelle, (Poet)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bnames%5D%5B%5D=Alexander%2C+Michelle%2C+%28Poet%29"}},{"attributes":{"label":"Alger, Jonathan R.","value":"Alger, Jonathan R.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bnames%5D%5B%5D=Alger%2C+Jonathan+R."}},{"attributes":{"label":"Allen, Doris Harper, 1927-2021","value":"Allen, Doris Harper, 1927-2021","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bnames%5D%5B%5D=Allen%2C+Doris+Harper%2C+1927-2021"}},{"attributes":{"label":"Allen, George, 1952-","value":"Allen, George, 1952-","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bnames%5D%5B%5D=Allen%2C+George%2C+1952-"}},{"attributes":{"label":"Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","value":"Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bnames%5D%5B%5D=Allen%2C+Samuel+W.+%28Samuel+Washington%29+%281917-12-09-2015-06-27%29"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/names_ssim.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":" United States -- History -- Civil War, 1861-1865","value":" United States -- History -- Civil War, 1861-1865","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bplaces%5D%5B%5D=+United+States+--+History+--+Civil+War%2C+1861-1865"}},{"attributes":{"label":"Accomack County (Va.)--History","value":"Accomack County (Va.)--History","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bplaces%5D%5B%5D=Accomack+County+%28Va.%29--History"}},{"attributes":{"label":"Albemarle County (Va.)--History","value":"Albemarle County (Va.)--History","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bplaces%5D%5B%5D=Albemarle+County+%28Va.%29--History"}},{"attributes":{"label":"Amelia County (Va.)--History","value":"Amelia County (Va.)--History","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bplaces%5D%5B%5D=Amelia+County+%28Va.%29--History"}},{"attributes":{"label":"Amherst County (Va.)--History","value":"Amherst County (Va.)--History","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bplaces%5D%5B%5D=Amherst+County+%28Va.%29--History"}},{"attributes":{"label":"Appalachian Region, Southern -- History","value":"Appalachian Region, Southern -- History","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bplaces%5D%5B%5D=Appalachian+Region%2C+Southern+--+History"}},{"attributes":{"label":"Arizona--Description and travel","value":"Arizona--Description and travel","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bplaces%5D%5B%5D=Arizona--Description+and+travel"}},{"attributes":{"label":"Augusta County (Va.) -- History","value":"Augusta County (Va.) -- History","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bplaces%5D%5B%5D=Augusta+County+%28Va.%29+--+History"}},{"attributes":{"label":"Augusta County (Va.) -- History -- 19th century","value":"Augusta County (Va.) -- History -- 19th century","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bplaces%5D%5B%5D=Augusta+County+%28Va.%29+--+History+--+19th+century"}},{"attributes":{"label":"Augusta County (Va.) -- History -- 20th century","value":"Augusta County (Va.) -- History -- 20th century","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bplaces%5D%5B%5D=Augusta+County+%28Va.%29+--+History+--+20th+century"}},{"attributes":{"label":"Augusta County (Va.) -- History -- 21st century","value":"Augusta County (Va.) -- History -- 21st century","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Bplaces%5D%5B%5D=Augusta+County+%28Va.%29+--+History+--+21st+century"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/geogname_ssim.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":" Arson","value":" Arson","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Baccess_subjects%5D%5B%5D=+Arson\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"attributes":{"label":" Forest management -- Massanutten National Forest (Va.)","value":" Forest management -- Massanutten National Forest (Va.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Baccess_subjects%5D%5B%5D=+Forest+management+--+Massanutten+National+Forest+%28Va.%29\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"attributes":{"label":" Recreation areas -- George Washington National Forest (Va. and W. Va.)","value":" Recreation areas -- George Washington National Forest (Va. and W. Va.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Baccess_subjects%5D%5B%5D=+Recreation+areas+--+George+Washington+National+Forest+%28Va.+and+W.+Va.%29\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"attributes":{"label":"Abused children -- Services for -- Virginia -- Periodicals","value":"Abused children -- Services for -- Virginia -- Periodicals","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Baccess_subjects%5D%5B%5D=Abused+children+--+Services+for+--+Virginia+--+Periodicals\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"attributes":{"label":"Academic writing","value":"Academic writing","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Baccess_subjects%5D%5B%5D=Academic+writing\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"attributes":{"label":"Account books","value":"Account books","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Baccess_subjects%5D%5B%5D=Account+books\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"attributes":{"label":"Accounts","value":"Accounts","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Baccess_subjects%5D%5B%5D=Accounts\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"attributes":{"label":"Actors -- United States -- Biography","value":"Actors -- United States -- Biography","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Baccess_subjects%5D%5B%5D=Actors+--+United+States+--+Biography\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"attributes":{"label":"Actors -- United States -- Correspondence","value":"Actors -- United States -- Correspondence","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Baccess_subjects%5D%5B%5D=Actors+--+United+States+--+Correspondence\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"attributes":{"label":"Actors -- United States -- Interviews","value":"Actors -- United States -- Interviews","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Baccess_subjects%5D%5B%5D=Actors+--+United+States+--+Interviews\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"attributes":{"label":"Actresses--United States","value":"Actresses--United States","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Baccess_subjects%5D%5B%5D=Actresses--United+States\u0026f%5Bdate_range%5D%5B%5D=1987"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/access_subjects_ssim.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Collection","value":"Collection","hits":86},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026f%5Blevel%5D%5B%5D=Collection"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/level_ssim.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026page=3\u0026search_field=all_fields"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026page=3\u0026search_field=keyword"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026page=3\u0026search_field=name"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026page=3\u0026search_field=place"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026page=3\u0026search_field=subject"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026page=3\u0026search_field=title"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026page=3\u0026search_field=container"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026page=3\u0026search_field=identifier"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026page=3\u0026sort=score+desc%2C+title_sort+asc"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026page=3\u0026sort=date_sort+asc"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026page=3\u0026sort=date_sort+desc"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026page=3\u0026sort=creator_sort+asc"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026page=3\u0026sort=creator_sort+desc"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026page=3\u0026sort=title_sort+asc"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Letters+%28correspondence%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026page=3\u0026sort=title_sort+desc"}}]}