{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Largo\u0026f%5Bnames%5D%5B%5D=Harp+and+Hoboy\u0026f%5Bplaces%5D%5B%5D=London+%28England%29","next":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Largo\u0026f%5Bnames%5D%5B%5D=Harp+and+Hoboy\u0026f%5Bplaces%5D%5B%5D=London+%28England%29\u0026page=2","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Largo\u0026f%5Bnames%5D%5B%5D=Harp+and+Hoboy\u0026f%5Bplaces%5D%5B%5D=London+%28England%29\u0026page=2"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":2,"limit_value":10,"offset_value":0,"total_count":11,"first_page?":true,"last_page?":false}},"data":[{"id":"viumu_mackay-smith_c85","type":"Item","attributes":{"title":"Title Transcription: ARCANGELO CORELLI Opera Prima XII SONATAS of three parts for two VIOLINS and a BASS with A Through BASS for ye ORGAN HARPSICORD or Arch LUTE Engrav'd from ye Score and Carefully Corected by ye best Italian Masters Note, there are five Operas of this Author's Engrav'd (wch. may be had Single or in one Volume) being all that are as yet Publish'd. London Printed for I. Walsh Servt. to her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand and I. Hare at the Golden Viol in St Pauls Church yard and at his Shop in Freemans yard near ye Royl. Exchange, 1705","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c85#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e31111\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e31119\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e31127\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e31135\"\u003eAllegro3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e31155\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e31163\"\u003eVivaceC\u003c/li\u003e\n\u003cli id=\"mvtd1e31171\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e31179\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e31199\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e31207\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e31215\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e31223\"\u003eAllegro3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IV\u003c/span\u003ea\u003cul\u003e\n\u003cli id=\"mvtd1e31243\"\u003eVivaceC\u003c/li\u003e\n\u003cli id=\"mvtd1e31251\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e31259\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e31267\"\u003ePrestoC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA V\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e31288\"\u003eGrave3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e31296\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e31304\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e31312\"\u003eAllegroC6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VI\u003c/span\u003eb\u003cul\u003e\n\u003cli id=\"mvtd1e31332\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e31340\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e31348\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e31356\"\u003eAllegroC6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VII\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e31376\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e31384\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e31392\"\u003eAllegro6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VIII\u003c/span\u003ec\u003cul\u003e\n\u003cli id=\"mvtd1e31412\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e31420\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e31428\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e31436\"\u003eVivace3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IX\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e31456\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e31464\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e31472\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e31480\"\u003eAllegro3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA X\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e31500\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e31508\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e31516\"\u003eAllegro6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e31524\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e31532\"\u003eAllegroC3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA XI\u003c/span\u003ed\u003cul\u003e\n\u003cli id=\"mvtd1e31553\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e31561\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e31569\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e31577\"\u003eAllegroC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA XII\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e31597\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e31605\"\u003eLargo e PuntatoC\u003c/li\u003e\n\u003cli id=\"mvtd1e31613\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e31621\"\u003eAllegro6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c85#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c85","ref_ssm":["viumu_mackay-smith_c85"],"id":"viumu_mackay-smith_c85","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"ARCANGELO CORELLI Opera Prima XII SONATAS of three parts for two VIOLINS and a BASS with A Through BASS for ye ORGAN HARPSICORD or Arch LUTE Engrav'd from ye Score and Carefully Corected by ye best Italian Masters Note, there are five Operas of this Author's Engrav'd (wch. may be had Single or in one Volume) being all that are as yet Publish'd. London Printed for I. Walsh Servt. to her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand and I. Hare at the Golden Viol in St Pauls Church yard and at his Shop in Freemans yard near ye Royl. Exchange","title_ssm":["Title Transcription: ARCANGELO CORELLI Opera Prima XII SONATAS of three parts for two VIOLINS and a BASS with A Through BASS for ye ORGAN HARPSICORD or Arch LUTE Engrav'd from ye Score and Carefully Corected by ye best Italian Masters Note, there are five Operas of this Author's Engrav'd (wch. may be had Single or in one Volume) being all that are as yet Publish'd. London Printed for I. Walsh Servt. to her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand and I. Hare at the Golden Viol in St Pauls Church yard and at his Shop in Freemans yard near ye Royl. Exchange"],"title_tesim":["Title Transcription: ARCANGELO CORELLI Opera Prima XII SONATAS of three parts for two VIOLINS and a BASS with A Through BASS for ye ORGAN HARPSICORD or Arch LUTE Engrav'd from ye Score and Carefully Corected by ye best Italian Masters Note, there are five Operas of this Author's Engrav'd (wch. may be had Single or in one Volume) being all that are as yet Publish'd. London Printed for I. Walsh Servt. to her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand and I. Hare at the Golden Viol in St Pauls Church yard and at his Shop in Freemans yard near ye Royl. Exchange"],"normalized_title_ssm":["Title Transcription: ARCANGELO CORELLI Opera Prima XII SONATAS of three parts for two VIOLINS and a BASS with A Through BASS for ye ORGAN HARPSICORD or Arch LUTE Engrav'd from ye Score and Carefully Corected by ye best Italian Masters Note, there are five Operas of this Author's Engrav'd (wch. may be had Single or in one Volume) being all that are as yet Publish'd. London Printed for I. Walsh Servt. to her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand and I. Hare at the Golden Viol in St Pauls Church yard and at his Shop in Freemans yard near ye Royl. Exchange, 1705"],"text":["Title Transcription: ARCANGELO CORELLI Opera Prima XII SONATAS of three parts for two VIOLINS and a BASS with A Through BASS for ye ORGAN HARPSICORD or Arch LUTE Engrav'd from ye Score and Carefully Corected by ye best Italian Masters Note, there are five Operas of this Author's Engrav'd (wch. may be had Single or in one Volume) being all that are as yet Publish'd. London Printed for I. Walsh Servt. to her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand and I. Hare at the Golden Viol in St Pauls Church yard and at his Shop in Freemans yard near ye Royl. Exchange, 1705","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Incomplete set. One part, quarto, 213x158 (216x164): VIOLINO PRIMO: Blank, verso engraved portrait of the composer: \"ARCANGELUS CORELLIUS de FUSIGNANO dictus BONONIENSIS. Liquisse Infernas jam Credimus Orphea Sedes Et terras habitare, hujus sub imagine formae Divinus patet Ipse Orpheus, dum numine dignâ Arte modos fingit, vel chordas mulcet utramque Agnoscit Laudem, meritosque BRITANNUS honores. [at bottom] H. Howard pinx. W. Sherwin Sculp.\". Title, verso blank. Blank, [i]. Music, pp. 1-24. Blank, [25].","Golden Viol","Harp and Hoboy","Corelli, Arcangelo, 1653-1713","Hare, John, d. 1725","Walsh, John, 1665 or 6-1736","London (England)","A","B♭","C","D","F","G","B","E","3/2","3/4","3/8","6/8","C|","Adagio","Allegro","Grave","Largo","Largo e puntato","Presto","Vivace","Smithno. 181.","Announced in\n                     Post Man\n                  , September 22-25, 1705.","Forms a complete set with no. 88; bound with nos.88,89,90,91,92,93,94.","Contents\n                  \n                     SONATA I\n                     F\n                     \n                        \n                           Grave\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           3/4\n                        \n                        \n                           Allegro\n                           3/4\n                        \n                     \n                  \n                  \n                     SONATA II\n                     e\n                     \n                        \n                           Grave\n                           C\n                        \n                        \n                           Vivace\n                           C\n                        \n                        \n                           Adagio\n                           3/4\n                        \n                        \n                           Allegro\n                           3/8\n                        \n                     \n                  \n                  \n                     SONATA III\n                     A\n                     \n                        \n                           Grave\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Allegro\n                           3/4\n                        \n                     \n                  \n                  \n                     SONATA IV\n                     a\n                     \n                        \n                           Vivace\n                           C\n                        \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Presto\n                           C|\n                        \n                     \n                  \n                  \n                     SONATA V\n                     B♭\n                     \n                        \n                           Grave\n                           3/2\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Allegro\n                           C\n                           6/8\n                        \n                     \n                  \n                  \n                     SONATA VI\n                     b\n                     \n                        \n                           Grave\n                           C\n                        \n                        \n                           Largo\n                           C\n                        \n                        \n                           Adagio\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                           6/8\n                        \n                     \n                  \n                  \n                     SONATA VII\n                     C\n                     \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Grave\n                           C\n                        \n                        \n                           Allegro\n                           6/8\n                        \n                     \n                  \n                  \n                     SONATA VIII\n                     c\n                     \n                        \n                           Grave\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Largo\n                           C\n                        \n                        \n                           Vivace\n                           3/4\n                        \n                     \n                  \n                  \n                     SONATA IX\n                     G\n                     \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Allegro\n                           3/4\n                        \n                     \n                  \n                  \n                     SONATA X\n                     g\n                     \n                        \n                           Grave\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Allegro\n                           6/8\n                        \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Allegro\n                           C\n                           3/8\n                        \n                     \n                  \n                  \n                     SONATA XI\n                     d\n                     \n                        \n                           Grave\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Allegro\n                           C\n                        \n                     \n                  \n                  \n                     SONATA XII\n                     D\n                     \n                        \n                           Grave\n                           C\n                        \n                        \n                           Largo e Puntato\n                           C\n                        \n                        \n                           Grave\n                           C\n                        \n                        \n                           Allegro\n                           6/8","M312.4.C77 1700z"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1705"],"unitdate_other_ssim":["1705"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":320,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Incomplete set. One part, quarto, 213x158 (216x164): VIOLINO PRIMO: Blank, verso engraved portrait of the composer: \"ARCANGELUS CORELLIUS de FUSIGNANO dictus BONONIENSIS. Liquisse Infernas jam Credimus Orphea Sedes Et terras habitare, hujus sub imagine formae Divinus patet Ipse Orpheus, dum numine dignâ Arte modos fingit, vel chordas mulcet utramque Agnoscit Laudem, meritosque BRITANNUS honores. [at bottom] H. Howard pinx. W. Sherwin Sculp.\". Title, verso blank. Blank, [i]. Music, pp. 1-24. Blank, [25]."],"has_online_content_ssim":["false"],"child_component_count_isi":1,"corpname_ssim":["Golden Viol","Harp and Hoboy"],"persname_ssim":["Corelli, Arcangelo, 1653-1713","Hare, John, d. 1725","Walsh, John, 1665 or 6-1736"],"names_ssim":["Golden Viol","Harp and Hoboy","Corelli, Arcangelo, 1653-1713","Hare, John, d. 1725","Walsh, John, 1665 or 6-1736"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["A","B♭","C","D","F","G","B","E","3/2","3/4","3/8","6/8","C|","Adagio","Allegro","Grave","Largo","Largo e puntato","Presto","Vivace"],"access_subjects_ssm":["A","B♭","C","D","F","G","B","E","3/2","3/4","3/8","6/8","C|","Adagio","Allegro","Grave","Largo","Largo e puntato","Presto","Vivace"],"date_range_isim":[1705],"bibliography_html_tesm":["\u003cp\u003e\n                  \u003cref target=\"Smith\"\u003eSmith\u003c/ref\u003eno. 181.\u003c/p\u003e\n               ","\u003cp\u003eAnnounced in\u003cbibref\u003e\n                     \u003ctitle\u003ePost Man\u003c/title\u003e\n                  \u003c/bibref\u003e, September 22-25, 1705.\u003c/p\u003e\n            "],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Smithno. 181.","Announced in\n                     Post Man\n                  , September 22-25, 1705."],"note_html_tesm":["\u003cp\u003eForms a complete set with no. 88; bound with nos.\u003cref target=\"ms088\"\u003e88\u003c/ref\u003e,\u003cref target=\"ms089\"\u003e89\u003c/ref\u003e,\u003cref target=\"ms090\"\u003e90\u003c/ref\u003e,\u003cref target=\"ms091\"\u003e91\u003c/ref\u003e,\u003cref target=\"ms092\"\u003e92\u003c/ref\u003e,\u003cref target=\"ms093\"\u003e93\u003c/ref\u003e,\u003cref target=\"ms094\"\u003e94\u003c/ref\u003e.\u003c/p\u003e\n            "],"note_tesim":["Forms a complete set with no. 88; bound with nos.88,89,90,91,92,93,94."],"scopecontent_tesim":["Contents\n                  \n                     SONATA I\n                     F\n                     \n                        \n                           Grave\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           3/4\n                        \n                        \n                           Allegro\n                           3/4\n                        \n                     \n                  \n                  \n                     SONATA II\n                     e\n                     \n                        \n                           Grave\n                           C\n                        \n                        \n                           Vivace\n                           C\n                        \n                        \n                           Adagio\n                           3/4\n                        \n                        \n                           Allegro\n                           3/8\n                        \n                     \n                  \n                  \n                     SONATA III\n                     A\n                     \n                        \n                           Grave\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Allegro\n                           3/4\n                        \n                     \n                  \n                  \n                     SONATA IV\n                     a\n                     \n                        \n                           Vivace\n                           C\n                        \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Presto\n                           C|\n                        \n                     \n                  \n                  \n                     SONATA V\n                     B♭\n                     \n                        \n                           Grave\n                           3/2\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Allegro\n                           C\n                           6/8\n                        \n                     \n                  \n                  \n                     SONATA VI\n                     b\n                     \n                        \n                           Grave\n                           C\n                        \n                        \n                           Largo\n                           C\n                        \n                        \n                           Adagio\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                           6/8\n                        \n                     \n                  \n                  \n                     SONATA VII\n                     C\n                     \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Grave\n                           C\n                        \n                        \n                           Allegro\n                           6/8\n                        \n                     \n                  \n                  \n                     SONATA VIII\n                     c\n                     \n                        \n                           Grave\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Largo\n                           C\n                        \n                        \n                           Vivace\n                           3/4\n                        \n                     \n                  \n                  \n                     SONATA IX\n                     G\n                     \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Allegro\n                           3/4\n                        \n                     \n                  \n                  \n                     SONATA X\n                     g\n                     \n                        \n                           Grave\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Allegro\n                           6/8\n                        \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Allegro\n                           C\n                           3/8\n                        \n                     \n                  \n                  \n                     SONATA XI\n                     d\n                     \n                        \n                           Grave\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Allegro\n                           C\n                        \n                     \n                  \n                  \n                     SONATA XII\n                     D\n                     \n                        \n                           Grave\n                           C\n                        \n                        \n                           Largo e Puntato\n                           C\n                        \n                        \n                           Grave\n                           C\n                        \n                        \n                           Allegro\n                           6/8"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.C77 1700z\u003c/physloc\u003e\n               "],"physloc_tesim":["M312.4.C77 1700z"],"_nest_path_":"/components#84","timestamp":"2026-07-23T21:47:27.798Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA I\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eF\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e31111\"\u003e\n                           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"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n                              Freiburg:Hochschule-Verlag,1981\n                           .\n                     \n                  \n                  \n                     B. [Handel]\n                     \n                        \n                           Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n                              Darley:Grian-Aig Press, 1972.\n                     \n                  \n                  \n                     B. [Pleyel]\n                     \n                        \n                           Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n                              New York:Pendragon Press,1977\n                           .\n                     \n                  \n                  \n                     B. [Tartini]\n                     \n                        \n                           Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n                              Milan:Carisch,1975\n                           .\n                     \n                  \n                  \n                     BUCEM\n                     \n                        \n                           The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n                           .\n                     \n                  \n                  \n                     CPM\n                     \n                        \n                           The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n                           \n                        \n                     \n                  \n                  \n                     \n                     \n                        \n                           Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n                              Geneva:Minkoff,1976\n                           .\n                     \n                  \n                  \n                     Devriès-Lesure\n                     \n                        \n                           Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n                              Geneva:Minkoff,1979-\n                           \n                        \n                     \n                  \n                  \n                     D.\n                     \n                        \n                           Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n                              Munich:Druck der Salesianischen Offizin,1935\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n                           .\n                     \n                  \n                  \n                     G.\n                     \n                        \n                           Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n                              London:Oxford University Press,1969\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n                           \n                              London:Haas, [1944].\n                     \n                  \n                  \n                     \n                     \n                        \n                           Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n                              New York:Da Capo,1979(reprint of the London, 1954, ed.).\n                        \n                     \n                  \n                  \n                     Hob.\n                     \n                        \n                           Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n                           .\n                     \n                  \n                  \n                     Humphries-Smith\n                     \n                        \n                           Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     J.\n                     \n                        \n                           Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n                              Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n                           .\n                     \n                  \n                  \n                     Johansson/French\n                     \n                        \n                           Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n                     \n                  \n                  \n                     Johansson/Hummel\n                     \n                        \n                           Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n                              Cuxhaven:W. Knape,1972\n                           .\n                     \n                  \n                  \n                     K.\n                     \n                        \n                           Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n                           .\n                     \n                  \n                  \n                     Lesure/Bibliographie\n                     \n                        \n                           Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n                              Paris:Société française de musicologie,1969\n                           .\n                     \n                  \n                  \n                     Lesure/Catalogue\n                     \n                        \n                           Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n                              Paris:Bibliothèque Nationale,1981\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n                              Cologne:Arno Volk Verlag,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n                     \n                  \n                  \n                     RISM\n                     \n                        \n                           Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n                           .\n                     \n                  \n                  \n                     RISM B/II\n                     \n                        \n                           Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n                           .\n                     \n                  \n                  \n                     Smith\n                     \n                        \n                           Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n                              London:The Bibliographical Society,1948\n                           .\n                     \n                  \n                  \n                     Smith/Handel\n                     \n                        \n                           Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     Smith-Humphries\n                     \n                        \n                           Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n                              London:The Bibliographical Society,1968\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n                           . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n                     \n                  \n                  \n                     \n                     \n                        \n                           Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n                              Leipzig:Breitkopf \u0026 Härtel,1904\n                           .\n                     \n                  \n                  \n                     Z. [Purcell]\n                     \n                        \n                           Zimmerman, Franklin B.\n                           Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n                              New York:St. Martin's Press,1963\n                           .\n                     \n                  \n                  \n                     Z. [Pugnani]\n                     \n                        \n                           Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n                              Berlin:Atlantis,1939\n                           .","Introduction\n            \n               \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n               \n            \n            Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n            The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n            The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n                  I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n                  \n               \n            \n            Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n                  The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n                  \n               \n               \n                  It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n                  \n               \n            \n            The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n            \n            It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n            The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n            A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n                  Anglo-American Cataloguing Rules\n                  (Chicago:American Library Association,1979)\n               . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n            Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n            \n            The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n            For dates, the terminology used is that recommended by the\n                  International Association of Music Libraries' Guide for Dating Early Published Music\n               .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n            All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n            The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n            \n               \n                  1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n               \n                  2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n               \n                  3Ibid.\n               \n                  4Mackay-Smith to Tuttle, 16 July 1948.\n               \n                  5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n               \n                  6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n                     The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n               \n                  7See\n                     Ronald B. McKerrow,An Introduction to Bibliography(\n                        Oxford:Clarendon Press,1927\n                     ), pp. 164-174.\n               \n                  8\n                  \n                     D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n               \n                  9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n                  , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n               \n                  10\n                  Compiled byD. W. Krummel\n                     (Hackensack, N.J.:Joseph Boonin,1974)\n                  .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. 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Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n                              Freiburg:Hochschule-Verlag,1981\n                           .\n                     \n                  \n                  \n                     B. [Handel]\n                     \n                        \n                           Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n                              Darley:Grian-Aig Press, 1972.\n                     \n                  \n                  \n                     B. [Pleyel]\n                     \n                        \n                           Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n                              New York:Pendragon Press,1977\n                           .\n                     \n                  \n                  \n                     B. [Tartini]\n                     \n                        \n                           Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n                              Milan:Carisch,1975\n                           .\n                     \n                  \n                  \n                     BUCEM\n                     \n                        \n                           The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n                           .\n                     \n                  \n                  \n                     CPM\n                     \n                        \n                           The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n                           \n                        \n                     \n                  \n                  \n                     \n                     \n                        \n                           Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n                              Geneva:Minkoff,1976\n                           .\n                     \n                  \n                  \n                     Devriès-Lesure\n                     \n                        \n                           Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n                              Geneva:Minkoff,1979-\n                           \n                        \n                     \n                  \n                  \n                     D.\n                     \n                        \n                           Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n                              Munich:Druck der Salesianischen Offizin,1935\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n                           .\n                     \n                  \n                  \n                     G.\n                     \n                        \n                           Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n                              London:Oxford University Press,1969\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n                           \n                              London:Haas, [1944].\n                     \n                  \n                  \n                     \n                     \n                        \n                           Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n                              New York:Da Capo,1979(reprint of the London, 1954, ed.).\n                        \n                     \n                  \n                  \n                     Hob.\n                     \n                        \n                           Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n                           .\n                     \n                  \n                  \n                     Humphries-Smith\n                     \n                        \n                           Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     J.\n                     \n                        \n                           Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n                              Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n                           .\n                     \n                  \n                  \n                     Johansson/French\n                     \n                        \n                           Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n                     \n                  \n                  \n                     Johansson/Hummel\n                     \n                        \n                           Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n                              Cuxhaven:W. Knape,1972\n                           .\n                     \n                  \n                  \n                     K.\n                     \n                        \n                           Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n                           .\n                     \n                  \n                  \n                     Lesure/Bibliographie\n                     \n                        \n                           Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n                              Paris:Société française de musicologie,1969\n                           .\n                     \n                  \n                  \n                     Lesure/Catalogue\n                     \n                        \n                           Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n                              Paris:Bibliothèque Nationale,1981\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n                              Cologne:Arno Volk Verlag,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n                     \n                  \n                  \n                     RISM\n                     \n                        \n                           Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n                           .\n                     \n                  \n                  \n                     RISM B/II\n                     \n                        \n                           Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n                           .\n                     \n                  \n                  \n                     Smith\n                     \n                        \n                           Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n                              London:The Bibliographical Society,1948\n                           .\n                     \n                  \n                  \n                     Smith/Handel\n                     \n                        \n                           Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     Smith-Humphries\n                     \n                        \n                           Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n                              London:The Bibliographical Society,1968\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n                           . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n                     \n                  \n                  \n                     \n                     \n                        \n                           Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n                              Leipzig:Breitkopf \u0026 Härtel,1904\n                           .\n                     \n                  \n                  \n                     Z. [Purcell]\n                     \n                        \n                           Zimmerman, Franklin B.\n                           Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n                              New York:St. Martin's Press,1963\n                           .\n                     \n                  \n                  \n                     Z. [Pugnani]\n                     \n                        \n                           Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n                              Berlin:Atlantis,1939\n                           ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e\n         ","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e\n         ","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e\n      "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n            \n               \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n               \n            \n            Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n            The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n            The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n                  I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n                  \n               \n            \n            Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n                  The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n                  \n               \n               \n                  It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n                  \n               \n            \n            The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n            \n            It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n            The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n            A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n                  Anglo-American Cataloguing Rules\n                  (Chicago:American Library Association,1979)\n               . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n            Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n            \n            The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n            For dates, the terminology used is that recommended by the\n                  International Association of Music Libraries' Guide for Dating Early Published Music\n               .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n            All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n            The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n            \n               \n                  1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n               \n                  2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n               \n                  3Ibid.\n               \n                  4Mackay-Smith to Tuttle, 16 July 1948.\n               \n                  5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n               \n                  6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n                     The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n               \n                  7See\n                     Ronald B. McKerrow,An Introduction to Bibliography(\n                        Oxford:Clarendon Press,1927\n                     ), pp. 164-174.\n               \n                  8\n                  \n                     D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n               \n                  9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n                  , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n               \n                  10\n                  Compiled byD. W. Krummel\n                     (Hackensack, N.J.:Joseph Boonin,1974)\n                  ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n         "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are inEnglishandFrench"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:47:27.798Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Handel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Handel\"\u003e\n                           \u003cpersname\u003eBell, A. Craig\u003c/persname\u003e.\u003ctitle\u003eHandel: Chronological Thematic Catalogue\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eDarley\u003c/geogname\u003e:\u003cpublisher\u003eGrian-Aig Press\u003c/publisher\u003e, 1972\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Pleyel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Pleyel\"\u003e\n                           \u003cpersname\u003eBenton, Rita\u003c/persname\u003e.\u003ctitle\u003eIgnace Pleyel: A Thematic Catalogue of His Compositions\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003ePendragon Press\u003c/publisher\u003e,\u003cdate\u003e1977\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Tartini]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Tartini\"\u003e\n                           \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eBUCEM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"BUCEM\"\u003e\n                           \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eCPM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"CPM\"\u003e\n                           \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e\n      "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viumu_mackay-smith_c85"}},{"id":"viumu_mackay-smith_c88","type":"Item","attributes":{"title":"Title Transcription: ARCANGELO CORELLI Opera Secunda XII SONATAS of three parts for two VIOLINS and a BASS with A Through BASS for ye. ORGAN HARPSICORD or Arch LUTE Engrav'd from ye Score and Carefully Corected by ye. best Italian Masters Note there are five Operas of this Author Engrav'd wch. may be had Single or in one Volume being all that are as yet Publishd London Printed for I Walsh Servt. to his Matie. at ye. Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand. No. 365, 1730","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c88#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003e\u003cul\u003e\n\u003cli id=\"mvtd1e32551\"\u003ePreludio LargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e32559\"\u003eAllemanda AllegroC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003e\u003cul\u003e\u003cli id=\"mvtd1e32576\"\u003eGiga AllegroC12/8\u003c/li\u003e\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003e\u003cul\u003e\u003cli id=\"mvtd1e32596\"\u003eAllamanda PrestoC\u003c/li\u003e\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IV\u003c/span\u003e\u003cul\u003e\n\u003cli id=\"mvtd1e32613\"\u003ePrestoC\u003c/li\u003e\n\u003cli id=\"mvtd1e32621\"\u003eAllegroC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA V\u003c/span\u003e\u003cul\u003e\u003cli id=\"mvtd1e32639\"\u003eAllemanda AllegroC\u003c/li\u003e\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VI\u003c/span\u003e\u003cul\u003e\u003cli id=\"mvtd1e32656\"\u003eGiga AllegroC12/8\u003c/li\u003e\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VII\u003c/span\u003e\u003cul\u003e\u003cli id=\"mvtd1e32676\"\u003eGiga AllegroC3/8\u003c/li\u003e\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VIII\u003c/span\u003e\u003cul\u003e\n\u003cli id=\"mvtd1e32696\"\u003eSarabanda AdagioC3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e32704\"\u003eTempo di GavottaC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA X\u003c/span\u003e\u003cul\u003e\u003cli id=\"mvtd1e32721\"\u003eAllemanda AllegroC\u003c/li\u003e\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCIACCONA\u003c/span\u003e\u003cul\u003e\u003cli id=\"mvtd1e32738\"\u003eLargo3/4\u003c/li\u003e\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c88#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c88","ref_ssm":["viumu_mackay-smith_c88"],"id":"viumu_mackay-smith_c88","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"ARCANGELO CORELLI Opera Secunda XII SONATAS of three parts for two VIOLINS and a BASS with A Through BASS for ye. ORGAN HARPSICORD or Arch LUTE Engrav'd from ye Score and Carefully Corected by ye. best Italian Masters Note there are five Operas of this Author Engrav'd wch. may be had Single or in one Volume being all that are as yet Publishd London Printed for I Walsh Servt. to his Matie. at ye. Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand. No. 365","title_ssm":["Title Transcription: ARCANGELO CORELLI Opera Secunda XII SONATAS of three parts for two VIOLINS and a BASS with A Through BASS for ye. ORGAN HARPSICORD or Arch LUTE Engrav'd from ye Score and Carefully Corected by ye. best Italian Masters Note there are five Operas of this Author Engrav'd wch. may be had Single or in one Volume being all that are as yet Publishd London Printed for I Walsh Servt. to his Matie. at ye. Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand. No. 365"],"title_tesim":["Title Transcription: ARCANGELO CORELLI Opera Secunda XII SONATAS of three parts for two VIOLINS and a BASS with A Through BASS for ye. ORGAN HARPSICORD or Arch LUTE Engrav'd from ye Score and Carefully Corected by ye. best Italian Masters Note there are five Operas of this Author Engrav'd wch. may be had Single or in one Volume being all that are as yet Publishd London Printed for I Walsh Servt. to his Matie. at ye. Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand. No. 365"],"normalized_title_ssm":["Title Transcription: ARCANGELO CORELLI Opera Secunda XII SONATAS of three parts for two VIOLINS and a BASS with A Through BASS for ye. ORGAN HARPSICORD or Arch LUTE Engrav'd from ye Score and Carefully Corected by ye. best Italian Masters Note there are five Operas of this Author Engrav'd wch. may be had Single or in one Volume being all that are as yet Publishd London Printed for I Walsh Servt. to his Matie. at ye. Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand. No. 365, 1730"],"text":["Title Transcription: ARCANGELO CORELLI Opera Secunda XII SONATAS of three parts for two VIOLINS and a BASS with A Through BASS for ye. ORGAN HARPSICORD or Arch LUTE Engrav'd from ye Score and Carefully Corected by ye. best Italian Masters Note there are five Operas of this Author Engrav'd wch. may be had Single or in one Volume being all that are as yet Publishd London Printed for I Walsh Servt. to his Matie. at ye. Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand. No. 365, 1730","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Incomplete set. Three parts: VIOLINO SECONDO: Folio, 212x153 (220x163): Title, verso blank. Blank, [i]. Music, pp. 1-18. Blank, [19]. VIOLONE O CIMBALO (2 copies): Folio, 211x151 (220x159): Title, verso blank. Blank, [i]. Music, pp. 1-18. Blank, [19]. Plate no. 2 throughout. Forms a complete set with no. 89; bound with nos. 87, 88, 89 and 91, 92, 93, 94.","Harp and Hoboy","Corelli, Arcangelo, 1653-1713","Walsh, John, 1665 or 6-1736","London (England)","Allemande","Gavotte","Jig","Prelude","Sarabande","12/8","3/4","3/8","C","Allamanda presto","Allegro","Allemanda allegro","Giga allegro","Largo","Preludio largo","Presto","Sarabanda adagio","Tempo di gavotta","Smith-Humphries, no. 415.","Contents\n                  \n                     SONATA I\n                     \n                        \n                           Preludio Largo\n                           C\n                        \n                        \n                           Allemanda Allegro\n                           C\n                        \n                     \n                  \n                  \n                     SONATA II\n                     \n                        \n                           Giga Allegro\n                           C\n                           12/8\n                        \n                     \n                  \n                  \n                     SONATA III\n                     \n                        \n                           Allamanda Presto\n                           C\n                        \n                     \n                  \n                  \n                     SONATA IV\n                     \n                        \n                           Presto\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                     \n                  \n                  \n                     SONATA V\n                     \n                        \n                           Allemanda Allegro\n                           C\n                        \n                     \n                  \n                  \n                     SONATA VI\n                     \n                        \n                           Giga Allegro\n                           C\n                           12/8\n                        \n                     \n                  \n                  \n                     SONATA VII\n                     \n                        \n                           Giga Allegro\n                           C\n                           3/8\n                        \n                     \n                  \n                  \n                     SONATA VIII\n                     \n                        \n                           Sarabanda Adagio\n                           C\n                           3/4\n                        \n                        \n                           Tempo di Gavotta\n                           C\n                        \n                     \n                  \n                  \n                     SONATA X\n                     \n                        \n                           Allemanda Allegro\n                           C\n                        \n                     \n                  \n                  \n                     CIACCONA\n                     \n                        \n                           Largo\n                           3/4","M312.4.C77 1700z"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1730"],"unitdate_other_ssim":["ca. 1730"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":328,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Incomplete set. Three parts: VIOLINO SECONDO: Folio, 212x153 (220x163): Title, verso blank. Blank, [i]. Music, pp. 1-18. Blank, [19]. VIOLONE O CIMBALO (2 copies): Folio, 211x151 (220x159): Title, verso blank. Blank, [i]. Music, pp. 1-18. Blank, [19]. Plate no. 2 throughout. Forms a complete set with no. 89; bound with nos. 87, 88, 89 and 91, 92, 93, 94."],"has_online_content_ssim":["false"],"child_component_count_isi":2,"corpname_ssim":["Harp and Hoboy"],"persname_ssim":["Corelli, Arcangelo, 1653-1713","Walsh, John, 1665 or 6-1736"],"names_ssim":["Harp and Hoboy","Corelli, Arcangelo, 1653-1713","Walsh, John, 1665 or 6-1736"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["Allemande","Gavotte","Jig","Prelude","Sarabande","12/8","3/4","3/8","C","Allamanda presto","Allegro","Allemanda allegro","Giga allegro","Largo","Preludio largo","Presto","Sarabanda adagio","Tempo di gavotta"],"access_subjects_ssm":["Allemande","Gavotte","Jig","Prelude","Sarabande","12/8","3/4","3/8","C","Allamanda presto","Allegro","Allemanda allegro","Giga allegro","Largo","Preludio largo","Presto","Sarabanda adagio","Tempo di gavotta"],"date_range_isim":[1730],"bibliography_html_tesm":["\u003cp\u003e\n                  \u003cref target=\"Smith-Humphries\"\u003eSmith-Humphries\u003c/ref\u003e, no. 415.\u003c/p\u003e\n            "],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Smith-Humphries, no. 415."],"scopecontent_tesim":["Contents\n                  \n                     SONATA I\n                     \n                        \n                           Preludio Largo\n                           C\n                        \n                        \n                           Allemanda Allegro\n                           C\n                        \n                     \n                  \n                  \n                     SONATA II\n                     \n                        \n                           Giga Allegro\n                           C\n                           12/8\n                        \n                     \n                  \n                  \n                     SONATA III\n                     \n                        \n                           Allamanda Presto\n                           C\n                        \n                     \n                  \n                  \n                     SONATA IV\n                     \n                        \n                           Presto\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                     \n                  \n                  \n                     SONATA V\n                     \n                        \n                           Allemanda Allegro\n                           C\n                        \n                     \n                  \n                  \n                     SONATA VI\n                     \n                        \n                           Giga Allegro\n                           C\n                           12/8\n                        \n                     \n                  \n                  \n                     SONATA VII\n                     \n                        \n                           Giga Allegro\n                           C\n                           3/8\n                        \n                     \n                  \n                  \n                     SONATA VIII\n                     \n                        \n                           Sarabanda Adagio\n                           C\n                           3/4\n                        \n                        \n                           Tempo di Gavotta\n                           C\n                        \n                     \n                  \n                  \n                     SONATA X\n                     \n                        \n                           Allemanda Allegro\n                           C\n                        \n                     \n                  \n                  \n                     CIACCONA\n                     \n                        \n                           Largo\n                           3/4"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.C77 1700z\u003c/physloc\u003e\n               "],"physloc_tesim":["M312.4.C77 1700z"],"_nest_path_":"/components#87","timestamp":"2026-07-23T21:47:27.798Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA I\u003c/title\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e32551\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003ePreludio Largo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e32559\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllemanda Allegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA II\u003c/title\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e32576\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eGiga Allegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e12/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA III\u003c/title\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e32596\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllamanda Presto\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA IV\u003c/title\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e32613\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003ePresto\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e32621\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA V\u003c/title\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e32639\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllemanda Allegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA VI\u003c/title\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e32656\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eGiga Allegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e12/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA VII\u003c/title\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e32676\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eGiga Allegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA VIII\u003c/title\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e32696\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eSarabanda Adagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e32704\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eTempo di Gavotta\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA X\u003c/title\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e32721\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllemanda Allegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCIACCONA\u003c/title\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e32738\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n               \u003c/list\u003e\n            "],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n                              Freiburg:Hochschule-Verlag,1981\n                           .\n                     \n                  \n                  \n                     B. [Handel]\n                     \n                        \n                           Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n                              Darley:Grian-Aig Press, 1972.\n                     \n                  \n                  \n                     B. [Pleyel]\n                     \n                        \n                           Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n                              New York:Pendragon Press,1977\n                           .\n                     \n                  \n                  \n                     B. [Tartini]\n                     \n                        \n                           Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n                              Milan:Carisch,1975\n                           .\n                     \n                  \n                  \n                     BUCEM\n                     \n                        \n                           The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n                           .\n                     \n                  \n                  \n                     CPM\n                     \n                        \n                           The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n                           \n                        \n                     \n                  \n                  \n                     \n                     \n                        \n                           Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n                              Geneva:Minkoff,1976\n                           .\n                     \n                  \n                  \n                     Devriès-Lesure\n                     \n                        \n                           Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n                              Geneva:Minkoff,1979-\n                           \n                        \n                     \n                  \n                  \n                     D.\n                     \n                        \n                           Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n                              Munich:Druck der Salesianischen Offizin,1935\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n                           .\n                     \n                  \n                  \n                     G.\n                     \n                        \n                           Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n                              London:Oxford University Press,1969\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n                           \n                              London:Haas, [1944].\n                     \n                  \n                  \n                     \n                     \n                        \n                           Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n                              New York:Da Capo,1979(reprint of the London, 1954, ed.).\n                        \n                     \n                  \n                  \n                     Hob.\n                     \n                        \n                           Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n                           .\n                     \n                  \n                  \n                     Humphries-Smith\n                     \n                        \n                           Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     J.\n                     \n                        \n                           Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n                              Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n                           .\n                     \n                  \n                  \n                     Johansson/French\n                     \n                        \n                           Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n                     \n                  \n                  \n                     Johansson/Hummel\n                     \n                        \n                           Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n                              Cuxhaven:W. Knape,1972\n                           .\n                     \n                  \n                  \n                     K.\n                     \n                        \n                           Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n                           .\n                     \n                  \n                  \n                     Lesure/Bibliographie\n                     \n                        \n                           Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n                              Paris:Société française de musicologie,1969\n                           .\n                     \n                  \n                  \n                     Lesure/Catalogue\n                     \n                        \n                           Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n                              Paris:Bibliothèque Nationale,1981\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n                              Cologne:Arno Volk Verlag,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n                     \n                  \n                  \n                     RISM\n                     \n                        \n                           Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n                           .\n                     \n                  \n                  \n                     RISM B/II\n                     \n                        \n                           Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n                           .\n                     \n                  \n                  \n                     Smith\n                     \n                        \n                           Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n                              London:The Bibliographical Society,1948\n                           .\n                     \n                  \n                  \n                     Smith/Handel\n                     \n                        \n                           Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     Smith-Humphries\n                     \n                        \n                           Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n                              London:The Bibliographical Society,1968\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n                           . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n                     \n                  \n                  \n                     \n                     \n                        \n                           Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n                              Leipzig:Breitkopf \u0026 Härtel,1904\n                           .\n                     \n                  \n                  \n                     Z. [Purcell]\n                     \n                        \n                           Zimmerman, Franklin B.\n                           Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n                              New York:St. Martin's Press,1963\n                           .\n                     \n                  \n                  \n                     Z. [Pugnani]\n                     \n                        \n                           Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n                              Berlin:Atlantis,1939\n                           .","Introduction\n            \n               \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n               \n            \n            Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n            The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n            The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n                  I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n                  \n               \n            \n            Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n                  The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n                  \n               \n               \n                  It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n                  \n               \n            \n            The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n            \n            It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n            The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n            A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n                  Anglo-American Cataloguing Rules\n                  (Chicago:American Library Association,1979)\n               . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n            Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n            \n            The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n            For dates, the terminology used is that recommended by the\n                  International Association of Music Libraries' Guide for Dating Early Published Music\n               .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n            All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n            The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n            \n               \n                  1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n               \n                  2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n               \n                  3Ibid.\n               \n                  4Mackay-Smith to Tuttle, 16 July 1948.\n               \n                  5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n               \n                  6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n                     The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n               \n                  7See\n                     Ronald B. McKerrow,An Introduction to Bibliography(\n                        Oxford:Clarendon Press,1927\n                     ), pp. 164-174.\n               \n                  8\n                  \n                     D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n               \n                  9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n                  , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n               \n                  10\n                  Compiled byD. W. Krummel\n                     (Hackensack, N.J.:Joseph Boonin,1974)\n                  .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"creator_corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"creators_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n                              Freiburg:Hochschule-Verlag,1981\n                           .\n                     \n                  \n                  \n                     B. [Handel]\n                     \n                        \n                           Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n                              Darley:Grian-Aig Press, 1972.\n                     \n                  \n                  \n                     B. [Pleyel]\n                     \n                        \n                           Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n                              New York:Pendragon Press,1977\n                           .\n                     \n                  \n                  \n                     B. [Tartini]\n                     \n                        \n                           Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n                              Milan:Carisch,1975\n                           .\n                     \n                  \n                  \n                     BUCEM\n                     \n                        \n                           The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n                           .\n                     \n                  \n                  \n                     CPM\n                     \n                        \n                           The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n                           \n                        \n                     \n                  \n                  \n                     \n                     \n                        \n                           Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n                              Geneva:Minkoff,1976\n                           .\n                     \n                  \n                  \n                     Devriès-Lesure\n                     \n                        \n                           Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n                              Geneva:Minkoff,1979-\n                           \n                        \n                     \n                  \n                  \n                     D.\n                     \n                        \n                           Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n                              Munich:Druck der Salesianischen Offizin,1935\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n                           .\n                     \n                  \n                  \n                     G.\n                     \n                        \n                           Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n                              London:Oxford University Press,1969\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n                           \n                              London:Haas, [1944].\n                     \n                  \n                  \n                     \n                     \n                        \n                           Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n                              New York:Da Capo,1979(reprint of the London, 1954, ed.).\n                        \n                     \n                  \n                  \n                     Hob.\n                     \n                        \n                           Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n                           .\n                     \n                  \n                  \n                     Humphries-Smith\n                     \n                        \n                           Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     J.\n                     \n                        \n                           Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n                              Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n                           .\n                     \n                  \n                  \n                     Johansson/French\n                     \n                        \n                           Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n                     \n                  \n                  \n                     Johansson/Hummel\n                     \n                        \n                           Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n                              Cuxhaven:W. Knape,1972\n                           .\n                     \n                  \n                  \n                     K.\n                     \n                        \n                           Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n                           .\n                     \n                  \n                  \n                     Lesure/Bibliographie\n                     \n                        \n                           Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n                              Paris:Société française de musicologie,1969\n                           .\n                     \n                  \n                  \n                     Lesure/Catalogue\n                     \n                        \n                           Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n                              Paris:Bibliothèque Nationale,1981\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n                              Cologne:Arno Volk Verlag,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n                     \n                  \n                  \n                     RISM\n                     \n                        \n                           Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n                           .\n                     \n                  \n                  \n                     RISM B/II\n                     \n                        \n                           Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n                           .\n                     \n                  \n                  \n                     Smith\n                     \n                        \n                           Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n                              London:The Bibliographical Society,1948\n                           .\n                     \n                  \n                  \n                     Smith/Handel\n                     \n                        \n                           Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     Smith-Humphries\n                     \n                        \n                           Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n                              London:The Bibliographical Society,1968\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n                           . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n                     \n                  \n                  \n                     \n                     \n                        \n                           Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n                              Leipzig:Breitkopf \u0026 Härtel,1904\n                           .\n                     \n                  \n                  \n                     Z. [Purcell]\n                     \n                        \n                           Zimmerman, Franklin B.\n                           Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n                              New York:St. Martin's Press,1963\n                           .\n                     \n                  \n                  \n                     Z. [Pugnani]\n                     \n                        \n                           Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n                              Berlin:Atlantis,1939\n                           ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e\n         ","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e\n         ","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e\n      "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n            \n               \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n               \n            \n            Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n            The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n            The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n                  I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n                  \n               \n            \n            Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n                  The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n                  \n               \n               \n                  It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n                  \n               \n            \n            The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n            \n            It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n            The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n            A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n                  Anglo-American Cataloguing Rules\n                  (Chicago:American Library Association,1979)\n               . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n            Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n            \n            The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n            For dates, the terminology used is that recommended by the\n                  International Association of Music Libraries' Guide for Dating Early Published Music\n               .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n            All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n            The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n            \n               \n                  1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n               \n                  2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n               \n                  3Ibid.\n               \n                  4Mackay-Smith to Tuttle, 16 July 1948.\n               \n                  5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n               \n                  6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n                     The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n               \n                  7See\n                     Ronald B. McKerrow,An Introduction to Bibliography(\n                        Oxford:Clarendon Press,1927\n                     ), pp. 164-174.\n               \n                  8\n                  \n                     D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n               \n                  9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n                  , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n               \n                  10\n                  Compiled byD. W. Krummel\n                     (Hackensack, N.J.:Joseph Boonin,1974)\n                  ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n         "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"names_ssim":["University of Virginia. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are inEnglishandFrench"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:47:27.798Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. 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               \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. 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London Printed for I. Walsh Servt. to his Matie. at the Harp and Hoboy in Katherine Street near Somerset House in ye Strand, 1715","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c89#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e32844\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e32852\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e32860\"\u003eVivace3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e32868\"\u003eAllegroC6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e32888\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e32896\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e32904\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e32912\"\u003eAllegroC6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e32932\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e32940\"\u003eVivace3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e32948\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e32956\"\u003eAllegro6/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IV\u003c/span\u003eb\u003cul\u003e\n\u003cli id=\"mvtd1e32976\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e32984\"\u003eVivaceC\u003c/li\u003e\n\u003cli id=\"mvtd1e32992\"\u003eAdagio3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e33000\"\u003ePrestoC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA V\u003c/span\u003ed\u003cul\u003e\n\u003cli id=\"mvtd1e33021\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e33029\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e33037\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e33045\"\u003eAllegroC12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VI\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e33065\"\u003eVivaceC\u003c/li\u003e\n\u003cli id=\"mvtd1e33073\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e33081\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e33089\"\u003eAllegro6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VII\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e33109\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e33117\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e33125\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e33133\"\u003eAllegroC3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VIII\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e33153\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e33161\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e33169\"\u003eLargo3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e33177\"\u003eAllegroC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IX\u003c/span\u003ef\u003cul\u003e\n\u003cli id=\"mvtd1e33197\"\u003eGrave3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e33205\"\u003eVivaceC\u003c/li\u003e\n\u003cli id=\"mvtd1e33213\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e33221\"\u003eAllegroC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA X\u003c/span\u003ea\u003cul\u003e\n\u003cli id=\"mvtd1e33241\"\u003eVivaceC\u003c/li\u003e\n\u003cli id=\"mvtd1e33249\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e33257\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e33265\"\u003eAllegroC12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA XI\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e33286\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e33294\"\u003ePrestoC\u003c/li\u003e\n\u003cli id=\"mvtd1e33302\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e33310\"\u003eAllegroC3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA XII\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e33330\"\u003eGraveC-AllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e33344\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e33352\"\u003eVivaceC\u003c/li\u003e\n\u003cli id=\"mvtd1e33360\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e33368\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e33377\"\u003eAllegro6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c89#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c89","ref_ssm":["viumu_mackay-smith_c89"],"id":"viumu_mackay-smith_c89","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"Arcangelo Corelli Opera Terza XII SONATAS of three parts for two VIOLINS and a BASS with A Through BASS for ye ORGAN HARPSICORD or Arch LUTE Engrav'd from ye Score and Carefully Corected by ye best Italian Masters Note, there are five Operas of this Author's Engrav'd, (wch: may be had Single, or in one Volume) being all that are as yet Publishd. London Printed for I. Walsh Servt. to his Matie. at the Harp and Hoboy in Katherine Street near Somerset House in ye Strand","title_ssm":["Title Transcription: Arcangelo Corelli Opera Terza XII SONATAS of three parts for two VIOLINS and a BASS with A Through BASS for ye ORGAN HARPSICORD or Arch LUTE Engrav'd from ye Score and Carefully Corected by ye best Italian Masters Note, there are five Operas of this Author's Engrav'd, (wch: may be had Single, or in one Volume) being all that are as yet Publishd. London Printed for I. Walsh Servt. to his Matie. at the Harp and Hoboy in Katherine Street near Somerset House in ye Strand"],"title_tesim":["Title Transcription: Arcangelo Corelli Opera Terza XII SONATAS of three parts for two VIOLINS and a BASS with A Through BASS for ye ORGAN HARPSICORD or Arch LUTE Engrav'd from ye Score and Carefully Corected by ye best Italian Masters Note, there are five Operas of this Author's Engrav'd, (wch: may be had Single, or in one Volume) being all that are as yet Publishd. London Printed for I. Walsh Servt. to his Matie. at the Harp and Hoboy in Katherine Street near Somerset House in ye Strand"],"normalized_title_ssm":["Title Transcription: Arcangelo Corelli Opera Terza XII SONATAS of three parts for two VIOLINS and a BASS with A Through BASS for ye ORGAN HARPSICORD or Arch LUTE Engrav'd from ye Score and Carefully Corected by ye best Italian Masters Note, there are five Operas of this Author's Engrav'd, (wch: may be had Single, or in one Volume) being all that are as yet Publishd. London Printed for I. Walsh Servt. to his Matie. at the Harp and Hoboy in Katherine Street near Somerset House in ye Strand, 1715"],"text":["Title Transcription: Arcangelo Corelli Opera Terza XII SONATAS of three parts for two VIOLINS and a BASS with A Through BASS for ye ORGAN HARPSICORD or Arch LUTE Engrav'd from ye Score and Carefully Corected by ye best Italian Masters Note, there are five Operas of this Author's Engrav'd, (wch: may be had Single, or in one Volume) being all that are as yet Publishd. London Printed for I. Walsh Servt. to his Matie. at the Harp and Hoboy in Katherine Street near Somerset House in ye Strand, 1715","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Incomplete set. One part, quarto, 213x160 (217x165): VIOLINO PRIMO: Title, verso blank. Blank, [i]. Music, pp. 1-25. Plate no. 3 throughout. Forms a complete set with no. 92; bound with nos. 87, 88, 89, 90 and 92, 93, 94.","Harp and Hoboy","Corelli, Arcangelo, 1653-1713","Walsh, John, 1665 or 6-1736","London (England)","A","B♭","C","D","F","G","B","E","12/8","3/2","3/4","3/8","6/4","6/8","C|","Adagio","Allegro","Grave","Largo","Presto","Vivace","Smithno. 477.","Contents\n                  \n                     SONATA I\n                     F\n                     \n                        \n                           Grave\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Vivace\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                           6/8\n                        \n                     \n                  \n                  \n                     SONATA II\n                     D\n                     \n                        \n                           Grave\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Allegro\n                           C\n                           6/8\n                        \n                     \n                  \n                  \n                     SONATA III\n                     B♭\n                     \n                        \n                           Grave\n                           C\n                        \n                        \n                           Vivace\n                           3/4\n                        \n                        \n                           Largo\n                           C\n                        \n                        \n                           Allegro\n                           6/4\n                        \n                     \n                  \n                  \n                     SONATA IV\n                     b\n                     \n                        \n                           Largo\n                           C\n                        \n                        \n                           Vivace\n                           C\n                        \n                        \n                           Adagio\n                           3/8\n                        \n                        \n                           Presto\n                           C\n                        \n                     \n                  \n                  \n                     SONATA V\n                     d\n                     \n                        \n                           Grave\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Largo\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                           12/8\n                        \n                     \n                  \n                  \n                     SONATA VI\n                     G\n                     \n                        \n                           Vivace\n                           C\n                        \n                        \n                           Grave\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Allegro\n                           6/8\n                        \n                     \n                  \n                  \n                     SONATA VII\n                     e\n                     \n                        \n                           Grave\n                           C\n                        \n                        \n                           Allegro\n                           C|\n                        \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Allegro\n                           C\n                           3/4\n                        \n                     \n                  \n                  \n                     SONATA VIII\n                     C\n                     \n                        \n                           Largo\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Largo\n                           3/2\n                        \n                        \n                           Allegro\n                           C\n                        \n                     \n                  \n                  \n                     SONATA IX\n                     f\n                     \n                        \n                           Grave\n                           3/2\n                        \n                        \n                           Vivace\n                           C\n                        \n                        \n                           Largo\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                        \n                     \n                  \n                  \n                     SONATA X\n                     a\n                     \n                        \n                           Vivace\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Allegro\n                           C\n                           12/8\n                        \n                     \n                  \n                  \n                     SONATA XI\n                     g\n                     \n                        \n                           Grave\n                           C\n                        \n                        \n                           Presto\n                           C\n                        \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Allegro\n                           C\n                           3/4\n                        \n                     \n                  \n                  \n                     SONATA XII\n                     A\n                     \n                        \n                           Grave\n                           C-Allegro\n                           C\n                        \n                        \n                           Allegro\n                           3/4\n                        \n                        \n                           Vivace\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Allegro\n                           6/8","M312.4.C77 1700z"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1715"],"unitdate_other_ssim":["ca. 1715 or later"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":331,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Incomplete set. One part, quarto, 213x160 (217x165): VIOLINO PRIMO: Title, verso blank. Blank, [i]. Music, pp. 1-25. Plate no. 3 throughout. Forms a complete set with no. 92; bound with nos. 87, 88, 89, 90 and 92, 93, 94."],"has_online_content_ssim":["false"],"child_component_count_isi":1,"corpname_ssim":["Harp and Hoboy"],"persname_ssim":["Corelli, Arcangelo, 1653-1713","Walsh, John, 1665 or 6-1736"],"names_ssim":["Harp and Hoboy","Corelli, Arcangelo, 1653-1713","Walsh, John, 1665 or 6-1736"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["A","B♭","C","D","F","G","B","E","12/8","3/2","3/4","3/8","6/4","6/8","C|","Adagio","Allegro","Grave","Largo","Presto","Vivace"],"access_subjects_ssm":["A","B♭","C","D","F","G","B","E","12/8","3/2","3/4","3/8","6/4","6/8","C|","Adagio","Allegro","Grave","Largo","Presto","Vivace"],"date_range_isim":[1715],"bibliography_html_tesm":["\u003cp\u003e\n                  \u003cref target=\"Smith\"\u003eSmith\u003c/ref\u003eno. 477.\u003c/p\u003e\n            "],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Smithno. 477."],"scopecontent_tesim":["Contents\n                  \n                     SONATA I\n                     F\n                     \n                        \n                           Grave\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Vivace\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                           6/8\n                        \n                     \n                  \n                  \n                     SONATA II\n                     D\n                     \n                        \n                           Grave\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Allegro\n                           C\n                           6/8\n                        \n                     \n                  \n                  \n                     SONATA III\n                     B♭\n                     \n                        \n                           Grave\n                           C\n                        \n                        \n                           Vivace\n                           3/4\n                        \n                        \n                           Largo\n                           C\n                        \n                        \n                           Allegro\n                           6/4\n                        \n                     \n                  \n                  \n                     SONATA IV\n                     b\n                     \n                        \n                           Largo\n                           C\n                        \n                        \n                           Vivace\n                           C\n                        \n                        \n                           Adagio\n                           3/8\n                        \n                        \n                           Presto\n                           C\n                        \n                     \n                  \n                  \n                     SONATA V\n                     d\n                     \n                        \n                           Grave\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Largo\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                           12/8\n                        \n                     \n                  \n                  \n                     SONATA VI\n                     G\n                     \n                        \n                           Vivace\n                           C\n                        \n                        \n                           Grave\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Allegro\n                           6/8\n                        \n                     \n                  \n                  \n                     SONATA VII\n                     e\n                     \n                        \n                           Grave\n                           C\n                        \n                        \n                           Allegro\n                           C|\n                        \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Allegro\n                           C\n                           3/4\n                        \n                     \n                  \n                  \n                     SONATA VIII\n                     C\n                     \n                        \n                           Largo\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Largo\n                           3/2\n                        \n                        \n                           Allegro\n                           C\n                        \n                     \n                  \n                  \n                     SONATA IX\n                     f\n                     \n                        \n                           Grave\n                           3/2\n                        \n                        \n                           Vivace\n                           C\n                        \n                        \n                           Largo\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                        \n                     \n                  \n                  \n                     SONATA X\n                     a\n                     \n                        \n                           Vivace\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Allegro\n                           C\n                           12/8\n                        \n                     \n                  \n                  \n                     SONATA XI\n                     g\n                     \n                        \n                           Grave\n                           C\n                        \n                        \n                           Presto\n                           C\n                        \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Allegro\n                           C\n                           3/4\n                        \n                     \n                  \n                  \n                     SONATA XII\n                     A\n                     \n                        \n                           Grave\n                           C-Allegro\n                           C\n                        \n                        \n                           Allegro\n                           3/4\n                        \n                        \n                           Vivace\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Allegro\n                           6/8"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.C77 1700z\u003c/physloc\u003e\n               "],"physloc_tesim":["M312.4.C77 1700z"],"_nest_path_":"/components#88","timestamp":"2026-07-23T21:47:27.798Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA I\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eF\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e32844\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eGrave\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e32852\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n    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type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA XII\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eA\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e33330\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eGrave\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e-\u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e33344\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e33352\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eVivace\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e33360\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e33368\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e33377\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n               \u003c/list\u003e\n            "],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n                              Freiburg:Hochschule-Verlag,1981\n                           .\n                     \n                  \n                  \n                     B. [Handel]\n                     \n                        \n                           Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n                              Darley:Grian-Aig Press, 1972.\n                     \n                  \n                  \n                     B. [Pleyel]\n                     \n                        \n                           Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n                              New York:Pendragon Press,1977\n                           .\n                     \n                  \n                  \n                     B. [Tartini]\n                     \n                        \n                           Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n                              Milan:Carisch,1975\n                           .\n                     \n                  \n                  \n                     BUCEM\n                     \n                        \n                           The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n                           .\n                     \n                  \n                  \n                     CPM\n                     \n                        \n                           The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n                           \n                        \n                     \n                  \n                  \n                     \n                     \n                        \n                           Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n                              Geneva:Minkoff,1976\n                           .\n                     \n                  \n                  \n                     Devriès-Lesure\n                     \n                        \n                           Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n                              Geneva:Minkoff,1979-\n                           \n                        \n                     \n                  \n                  \n                     D.\n                     \n                        \n                           Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n                              Munich:Druck der Salesianischen Offizin,1935\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n                           .\n                     \n                  \n                  \n                     G.\n                     \n                        \n                           Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n                              London:Oxford University Press,1969\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n                           \n                              London:Haas, [1944].\n                     \n                  \n                  \n                     \n                     \n                        \n                           Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n                              New York:Da Capo,1979(reprint of the London, 1954, ed.).\n                        \n                     \n                  \n                  \n                     Hob.\n                     \n                        \n                           Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n                           .\n                     \n                  \n                  \n                     Humphries-Smith\n                     \n                        \n                           Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     J.\n                     \n                        \n                           Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n                              Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n                           .\n                     \n                  \n                  \n                     Johansson/French\n                     \n                        \n                           Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n                     \n                  \n                  \n                     Johansson/Hummel\n                     \n                        \n                           Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n                              Cuxhaven:W. Knape,1972\n                           .\n                     \n                  \n                  \n                     K.\n                     \n                        \n                           Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n                           .\n                     \n                  \n                  \n                     Lesure/Bibliographie\n                     \n                        \n                           Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n                              Paris:Société française de musicologie,1969\n                           .\n                     \n                  \n                  \n                     Lesure/Catalogue\n                     \n                        \n                           Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n                              Paris:Bibliothèque Nationale,1981\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n                              Cologne:Arno Volk Verlag,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n                     \n                  \n                  \n                     RISM\n                     \n                        \n                           Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n                           .\n                     \n                  \n                  \n                     RISM B/II\n                     \n                        \n                           Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n                           .\n                     \n                  \n                  \n                     Smith\n                     \n                        \n                           Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n                              London:The Bibliographical Society,1948\n                           .\n                     \n                  \n                  \n                     Smith/Handel\n                     \n                        \n                           Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     Smith-Humphries\n                     \n                        \n                           Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n                              London:The Bibliographical Society,1968\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n                           . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n                     \n                  \n                  \n                     \n                     \n                        \n                           Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n                              Leipzig:Breitkopf \u0026 Härtel,1904\n                           .\n                     \n                  \n                  \n                     Z. [Purcell]\n                     \n                        \n                           Zimmerman, Franklin B.\n                           Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n                              New York:St. Martin's Press,1963\n                           .\n                     \n                  \n                  \n                     Z. [Pugnani]\n                     \n                        \n                           Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n                              Berlin:Atlantis,1939\n                           .","Introduction\n            \n               \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n               \n            \n            Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n            The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n            The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n                  I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n                  \n               \n            \n            Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n                  The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n                  \n               \n               \n                  It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n                  \n               \n            \n            The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n            \n            It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n            The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n            A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n                  Anglo-American Cataloguing Rules\n                  (Chicago:American Library Association,1979)\n               . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n            Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n            \n            The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n            For dates, the terminology used is that recommended by the\n                  International Association of Music Libraries' Guide for Dating Early Published Music\n               .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n            All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n            The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n            \n               \n                  1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n               \n                  2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n               \n                  3Ibid.\n               \n                  4Mackay-Smith to Tuttle, 16 July 1948.\n               \n                  5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n               \n                  6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n                     The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n               \n                  7See\n                     Ronald B. McKerrow,An Introduction to Bibliography(\n                        Oxford:Clarendon Press,1927\n                     ), pp. 164-174.\n               \n                  8\n                  \n                     D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n               \n                  9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n                  , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n               \n                  10\n                  Compiled byD. W. Krummel\n                     (Hackensack, N.J.:Joseph Boonin,1974)\n                  .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. 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(Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n                              Freiburg:Hochschule-Verlag,1981\n                           .\n                     \n                  \n                  \n                     B. [Handel]\n                     \n                        \n                           Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n                              Darley:Grian-Aig Press, 1972.\n                     \n                  \n                  \n                     B. [Pleyel]\n                     \n                        \n                           Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n                              New York:Pendragon Press,1977\n                           .\n                     \n                  \n                  \n                     B. [Tartini]\n                     \n                        \n                           Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n                              Milan:Carisch,1975\n                           .\n                     \n                  \n                  \n                     BUCEM\n                     \n                        \n                           The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n                           .\n                     \n                  \n                  \n                     CPM\n                     \n                        \n                           The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n                           \n                        \n                     \n                  \n                  \n                     \n                     \n                        \n                           Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n                              Geneva:Minkoff,1976\n                           .\n                     \n                  \n                  \n                     Devriès-Lesure\n                     \n                        \n                           Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n                              Geneva:Minkoff,1979-\n                           \n                        \n                     \n                  \n                  \n                     D.\n                     \n                        \n                           Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n                              Munich:Druck der Salesianischen Offizin,1935\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n                           .\n                     \n                  \n                  \n                     G.\n                     \n                        \n                           Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n                              London:Oxford University Press,1969\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n                           \n                              London:Haas, [1944].\n                     \n                  \n                  \n                     \n                     \n                        \n                           Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n                              New York:Da Capo,1979(reprint of the London, 1954, ed.).\n                        \n                     \n                  \n                  \n                     Hob.\n                     \n                        \n                           Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n                           .\n                     \n                  \n                  \n                     Humphries-Smith\n                     \n                        \n                           Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     J.\n                     \n                        \n                           Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n                              Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n                           .\n                     \n                  \n                  \n                     Johansson/French\n                     \n                        \n                           Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n                     \n                  \n                  \n                     Johansson/Hummel\n                     \n                        \n                           Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n                              Cuxhaven:W. Knape,1972\n                           .\n                     \n                  \n                  \n                     K.\n                     \n                        \n                           Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n                           .\n                     \n                  \n                  \n                     Lesure/Bibliographie\n                     \n                        \n                           Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n                              Paris:Société française de musicologie,1969\n                           .\n                     \n                  \n                  \n                     Lesure/Catalogue\n                     \n                        \n                           Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n                              Paris:Bibliothèque Nationale,1981\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n                              Cologne:Arno Volk Verlag,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n                     \n                  \n                  \n                     RISM\n                     \n                        \n                           Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n                           .\n                     \n                  \n                  \n                     RISM B/II\n                     \n                        \n                           Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n                           .\n                     \n                  \n                  \n                     Smith\n                     \n                        \n                           Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n                              London:The Bibliographical Society,1948\n                           .\n                     \n                  \n                  \n                     Smith/Handel\n                     \n                        \n                           Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     Smith-Humphries\n                     \n                        \n                           Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n                              London:The Bibliographical Society,1968\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n                           . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n                     \n                  \n                  \n                     \n                     \n                        \n                           Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n                              Leipzig:Breitkopf \u0026 Härtel,1904\n                           .\n                     \n                  \n                  \n                     Z. [Purcell]\n                     \n                        \n                           Zimmerman, Franklin B.\n                           Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n                              New York:St. Martin's Press,1963\n                           .\n                     \n                  \n                  \n                     Z. [Pugnani]\n                     \n                        \n                           Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n                              Berlin:Atlantis,1939\n                           ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e\n         ","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e\n         ","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e\n      "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n            \n               \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n               \n            \n            Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n            The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n            The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n                  I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n                  \n               \n            \n            Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n                  The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n                  \n               \n               \n                  It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n                  \n               \n            \n            The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n            \n            It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n            The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n            A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n                  Anglo-American Cataloguing Rules\n                  (Chicago:American Library Association,1979)\n               . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n            Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n            \n            The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n            For dates, the terminology used is that recommended by the\n                  International Association of Music Libraries' Guide for Dating Early Published Music\n               .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n            All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n            The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n            \n               \n                  1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n               \n                  2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n               \n                  3Ibid.\n               \n                  4Mackay-Smith to Tuttle, 16 July 1948.\n               \n                  5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n               \n                  6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n                     The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n               \n                  7See\n                     Ronald B. McKerrow,An Introduction to Bibliography(\n                        Oxford:Clarendon Press,1927\n                     ), pp. 164-174.\n               \n                  8\n                  \n                     D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n               \n                  9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n                  , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n               \n                  10\n                  Compiled byD. W. Krummel\n                     (Hackensack, N.J.:Joseph Boonin,1974)\n                  ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n         "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are inEnglishandFrench"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:47:27.798Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Handel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Handel\"\u003e\n                           \u003cpersname\u003eBell, A. Craig\u003c/persname\u003e.\u003ctitle\u003eHandel: Chronological Thematic Catalogue\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eDarley\u003c/geogname\u003e:\u003cpublisher\u003eGrian-Aig Press\u003c/publisher\u003e, 1972\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Pleyel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Pleyel\"\u003e\n                           \u003cpersname\u003eBenton, Rita\u003c/persname\u003e.\u003ctitle\u003eIgnace Pleyel: A Thematic Catalogue of His Compositions\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003ePendragon Press\u003c/publisher\u003e,\u003cdate\u003e1977\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Tartini]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Tartini\"\u003e\n                           \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eBUCEM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"BUCEM\"\u003e\n                           \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eCPM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"CPM\"\u003e\n                           \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e\n      "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viumu_mackay-smith_c89"}},{"id":"viumu_mackay-smith_c146","type":"Item","attributes":{"title":"Title Transcription: HARMONIA MUNDY Consisting of Six Favourite SONATA'S Collected out of the Choisest Works of Six most Eminent Authors viz page Signr.Torelli......1.Mr.Pepusch..........7. Mr.H.Purcell......3.Signr.Albinoni......9. Signr.Basani.......5.Signr.Pez..........11. the First Collection Engraven \u0026 Carefully Corected. London Printed for I. Walsh Servt. to Her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand and I. Hare Instrument-maker, at ye Golden Viol and Flute in Cornhill near the Royal Exchange -- and P. Randall Instrument Seller at ye Violin \u0026 Lute by Pauls grave head Court with out Temple Barr in the Strand., 1707","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c146#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eTorelli SONATA I\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e52062\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e52070\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e52078\"\u003eLargo3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e52086\"\u003eAllegro3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eMr. Henry Purcell SONATA II\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e52106\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e52114\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e52122\"\u003eCanzona AllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e52130\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e52138\"\u003eAllegro3/8[an arrangement of the Sonatas of four parts, no. 9, Zimmerman 810]\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDel Basani SONATA III\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e52159\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e52167\"\u003eLargoC|\u003c/li\u003e\n\u003cli id=\"mvtd1e52175\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e52183\"\u003eGrave3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e52191\"\u003eVivace3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDel Pepusch SONATA IV\u003c/span\u003ee\u003cp\u003e[Fred no. 33]\u003c/p\u003e\n\u003cul\u003e\n\u003cli id=\"mvtd1e52217\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e52225\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e52233\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e52241\"\u003eGiga6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDel Albinoni SONATA V\u003c/span\u003eB♭\u003cp\u003e[Trio sonatas, op. 1, no. 12]\u003c/p\u003e\n\u003cul\u003e\n\u003cli id=\"mvtd1e52268\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e52276\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e52284\"\u003eGrave3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e52292\"\u003ePrestoC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003ePez SONATA VI\u003c/span\u003eD\u003cp\u003e[Duplex Genius sive Gallo-Italus Instrumentorum Concentus, no. 3]\u003c/p\u003e\n\u003cul\u003e\n\u003cli id=\"mvtd1e52318\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e52326\"\u003eFuga Allegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e52334\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e52342\"\u003eAllegroC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c146#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c146","ref_ssm":["viumu_mackay-smith_c146"],"id":"viumu_mackay-smith_c146","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"HARMONIA MUNDY Consisting of Six Favourite SONATA'S Collected out of the Choisest Works of Six most Eminent Authors viz page Signr.Torelli......1.Mr.Pepusch..........7. Mr.H.Purcell......3.Signr.Albinoni......9. Signr.Basani.......5.Signr.Pez..........11. the First Collection Engraven \u0026 Carefully Corected. London Printed for I. Walsh Servt. to Her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand and I. Hare Instrument-maker, at ye Golden Viol and Flute in Cornhill near the Royal Exchange -- and P. Randall Instrument Seller at ye Violin \u0026 Lute by Pauls grave head Court with out Temple Barr in the Strand.","title_ssm":["Title Transcription: HARMONIA MUNDY Consisting of Six Favourite SONATA'S Collected out of the Choisest Works of Six most Eminent Authors viz page Signr.Torelli......1.Mr.Pepusch..........7. Mr.H.Purcell......3.Signr.Albinoni......9. Signr.Basani.......5.Signr.Pez..........11. the First Collection Engraven \u0026 Carefully Corected. London Printed for I. Walsh Servt. to Her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand and I. Hare Instrument-maker, at ye Golden Viol and Flute in Cornhill near the Royal Exchange -- and P. Randall Instrument Seller at ye Violin \u0026 Lute by Pauls grave head Court with out Temple Barr in the Strand."],"title_tesim":["Title Transcription: HARMONIA MUNDY Consisting of Six Favourite SONATA'S Collected out of the Choisest Works of Six most Eminent Authors viz page Signr.Torelli......1.Mr.Pepusch..........7. Mr.H.Purcell......3.Signr.Albinoni......9. Signr.Basani.......5.Signr.Pez..........11. the First Collection Engraven \u0026 Carefully Corected. London Printed for I. Walsh Servt. to Her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand and I. Hare Instrument-maker, at ye Golden Viol and Flute in Cornhill near the Royal Exchange -- and P. Randall Instrument Seller at ye Violin \u0026 Lute by Pauls grave head Court with out Temple Barr in the Strand."],"normalized_title_ssm":["Title Transcription: HARMONIA MUNDY Consisting of Six Favourite SONATA'S Collected out of the Choisest Works of Six most Eminent Authors viz page Signr.Torelli......1.Mr.Pepusch..........7. Mr.H.Purcell......3.Signr.Albinoni......9. Signr.Basani.......5.Signr.Pez..........11. the First Collection Engraven \u0026 Carefully Corected. London Printed for I. Walsh Servt. to Her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand and I. Hare Instrument-maker, at ye Golden Viol and Flute in Cornhill near the Royal Exchange -- and P. Randall Instrument Seller at ye Violin \u0026 Lute by Pauls grave head Court with out Temple Barr in the Strand., 1707"],"text":["Title Transcription: HARMONIA MUNDY Consisting of Six Favourite SONATA'S Collected out of the Choisest Works of Six most Eminent Authors viz page Signr.Torelli......1.Mr.Pepusch..........7. Mr.H.Purcell......3.Signr.Albinoni......9. Signr.Basani.......5.Signr.Pez..........11. the First Collection Engraven \u0026 Carefully Corected. London Printed for I. Walsh Servt. to Her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand and I. Hare Instrument-maker, at ye Golden Viol and Flute in Cornhill near the Royal Exchange -- and P. Randall Instrument Seller at ye Violin \u0026 Lute by Pauls grave head Court with out Temple Barr in the Strand., 1707","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Three parts, folio, 258x184 (264x187): VIOLINO PRIMO: Title, verso blank. Blank, [i]. Music, pp. 1-12. Blank, [13]. VIOLINO SECONDO: Same as VIOLINO PRIMO. BASSO CONTINUO (2 copies): Same as VIOLINO PRIMO. Title-page of each part except the first copy of BASSO CONTINUO has been changed in MS to read \"MUNDI\".","Golden Viol and Flute","Harp and Hoboy","Violin and Lute","Albinoni, Tomaso, 1671-1750","Bassani, Giovanni Battista, ca. 1650-1716","Pepusch, John Christopher, 1667-1752","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hare, John, d. 1725","Randall, Peter, fl. ca. 1706-1710","Walsh, John, 1665 or 6-1736","London (England)","Canzona","Fugue","Jig","A","B♭","D","F","E","3/2","3/4","3/8","6/8","C","C|","Adagio","Allegro","Canzona allegro","Fuga allegro","Giga","Grave","Largo","Presto","Vivace","Smithno. 257.","Announced in\n                     The Monthly Masks of vocal Musick\n                  ...1707.","Contents\n                  \n                     Torelli SONATA I\n                     A\n                     \n                        \n                           Grave\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Largo\n                           3/2\n                        \n                        \n                           Allegro\n                           3/4\n                        \n                     \n                  \n                  \n                     Mr. Henry Purcell SONATA II\n                     F\n                     \n                        \n                           Largo\n                           C\n                        \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Canzona Allegro\n                           C\n                        \n                        \n                           Grave\n                           C\n                        \n                        \n                           Allegro\n                           3/8[an arrangement of the Sonatas of four parts, no. 9, Zimmerman 810]\n                     \n                  \n                  \n                     Del Basani SONATA III\n                     A\n                     \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Largo\n                           C|\n                        \n                        \n                           Largo\n                           C\n                        \n                        \n                           Grave\n                           3/2\n                        \n                        \n                           Vivace\n                           3/4\n                        \n                     \n                  \n                  \n                     Del Pepusch SONATA IV\n                     e\n                     \n                        [Fred no. 33]\n                     \n                     \n                        \n                           Grave\n                           C\n                        \n                        \n                           Allegro\n                           C|\n                        \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Giga\n                           6/8\n                        \n                     \n                  \n                  \n                     Del Albinoni SONATA V\n                     B♭\n                     \n                        [Trio sonatas, op. 1, no. 12]\n                     \n                     \n                        \n                           Grave\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Grave\n                           3/2\n                        \n                        \n                           Presto\n                           C\n                        \n                     \n                  \n                  \n                     Pez SONATA VI\n                     D\n                     \n                        [Duplex Genius sive Gallo-Italus Instrumentorum Concentus, no. 3]\n                     \n                     \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Fuga Allegro\n                           3/4\n                        \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Allegro\n                           C|","M312.4.H27 1700z"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 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Blank, [i]. Music, pp. 1-12. Blank, [13]. VIOLINO SECONDO: Same as VIOLINO PRIMO. BASSO CONTINUO (2 copies): Same as VIOLINO PRIMO. Title-page of each part except the first copy of BASSO CONTINUO has been changed in MS to read \"MUNDI\"."],"has_online_content_ssim":["false"],"child_component_count_isi":3,"corpname_ssim":["Golden Viol and Flute","Harp and Hoboy","Violin and Lute"],"persname_ssim":["Albinoni, Tomaso, 1671-1750","Bassani, Giovanni Battista, ca. 1650-1716","Pepusch, John Christopher, 1667-1752","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hare, John, d. 1725","Randall, Peter, fl. ca. 1706-1710","Walsh, John, 1665 or 6-1736"],"names_ssim":["Golden Viol and Flute","Harp and Hoboy","Violin and Lute","Albinoni, Tomaso, 1671-1750","Bassani, Giovanni Battista, ca. 1650-1716","Pepusch, John Christopher, 1667-1752","Pez, Joh. Chr. 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F\n                     \n                        \n                           Largo\n                           C\n                        \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Canzona Allegro\n                           C\n                        \n                        \n                           Grave\n                           C\n                        \n                        \n                           Allegro\n                           3/8[an arrangement of the Sonatas of four parts, no. 9, Zimmerman 810]\n                     \n                  \n                  \n                     Del Basani SONATA III\n                     A\n                     \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Largo\n      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                  \n                           Giga\n                           6/8\n                        \n                     \n                  \n                  \n                     Del Albinoni SONATA V\n                     B♭\n                     \n                        [Trio sonatas, op. 1, no. 12]\n                     \n                     \n                        \n                           Grave\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Grave\n                           3/2\n                        \n                        \n                           Presto\n                           C\n                        \n                     \n                  \n                  \n                     Pez SONATA VI\n                     D\n                     \n                   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                .\n                     \n                  \n                  \n                     B. [Handel]\n                     \n                        \n                           Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n                              Darley:Grian-Aig Press, 1972.\n                     \n                  \n                  \n                     B. [Pleyel]\n                     \n                        \n                           Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n                              New York:Pendragon Press,1977\n                           .\n                     \n                  \n                  \n                     B. [Tartini]\n                     \n                        \n                           Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n                              Milan:Carisch,1975\n                           .\n                     \n                  \n                  \n                     BUCEM\n                     \n                        \n                           The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n                           .\n                     \n                  \n                  \n                     CPM\n                     \n                        \n                           The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n                           \n                        \n                     \n                  \n                  \n                     \n                     \n                        \n                           Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n                              Geneva:Minkoff,1976\n                           .\n                     \n                  \n                  \n                     Devriès-Lesure\n                     \n                        \n                           Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n                              Geneva:Minkoff,1979-\n                           \n                        \n                     \n                  \n                  \n                     D.\n                     \n                        \n                           Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n                              Munich:Druck der Salesianischen Offizin,1935\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n                           .\n                     \n                  \n                  \n                     G.\n                     \n                        \n                           Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n                              London:Oxford University Press,1969\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n                           \n                              London:Haas, [1944].\n                     \n                  \n                  \n                     \n                     \n                        \n                           Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n                              New York:Da Capo,1979(reprint of the London, 1954, ed.).\n                        \n                     \n                  \n                  \n                     Hob.\n                     \n                        \n                           Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n                           .\n                     \n                  \n                  \n                     Humphries-Smith\n                     \n                        \n                           Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     J.\n                     \n                        \n                           Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n                              Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n                           .\n                     \n                  \n                  \n                     Johansson/French\n                     \n                        \n                           Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n                     \n                  \n                  \n                     Johansson/Hummel\n                     \n                        \n                           Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n                              Cuxhaven:W. Knape,1972\n                           .\n                     \n                  \n                  \n                     K.\n                     \n                        \n                           Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n                           .\n                     \n                  \n                  \n                     Lesure/Bibliographie\n                     \n                        \n                           Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n                              Paris:Société française de musicologie,1969\n                           .\n                     \n                  \n                  \n                     Lesure/Catalogue\n                     \n                        \n                           Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n                              Paris:Bibliothèque Nationale,1981\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n                              Cologne:Arno Volk Verlag,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n                     \n                  \n                  \n                     RISM\n                     \n                        \n                           Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n                           .\n                     \n                  \n                  \n                     RISM B/II\n                     \n                        \n                           Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n                           .\n                     \n                  \n                  \n                     Smith\n                     \n                        \n                           Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n                              London:The Bibliographical Society,1948\n                           .\n                     \n                  \n                  \n                     Smith/Handel\n                     \n                        \n                           Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     Smith-Humphries\n                     \n                        \n                           Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n                              London:The Bibliographical Society,1968\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n                           . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n                     \n                  \n                  \n                     \n                     \n                        \n                           Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n                              Leipzig:Breitkopf \u0026 Härtel,1904\n                           .\n                     \n                  \n                  \n                     Z. [Purcell]\n                     \n                        \n                           Zimmerman, Franklin B.\n                           Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n                              New York:St. Martin's Press,1963\n                           .\n                     \n                  \n                  \n                     Z. [Pugnani]\n                     \n                        \n                           Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n                              Berlin:Atlantis,1939\n                           .","Introduction\n            \n               \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n               \n            \n            Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n            The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n            The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n                  I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n                  \n               \n            \n            Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n                  The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n                  \n               \n               \n                  It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n                  \n               \n            \n            The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n            \n            It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n            The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n            A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n                  Anglo-American Cataloguing Rules\n                  (Chicago:American Library Association,1979)\n               . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n            Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n            \n            The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n            For dates, the terminology used is that recommended by the\n                  International Association of Music Libraries' Guide for Dating Early Published Music\n               .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n            All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n            The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n            \n               \n                  1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n               \n                  2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n               \n                  3Ibid.\n               \n                  4Mackay-Smith to Tuttle, 16 July 1948.\n               \n                  5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n               \n                  6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n                     The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n               \n                  7See\n                     Ronald B. McKerrow,An Introduction to Bibliography(\n                        Oxford:Clarendon Press,1927\n                     ), pp. 164-174.\n               \n                  8\n                  \n                     D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n               \n                  9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n                  , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n               \n                  10\n                  Compiled byD. W. Krummel\n                     (Hackensack, N.J.:Joseph Boonin,1974)\n                  .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n                              Freiburg:Hochschule-Verlag,1981\n                           .\n                     \n                  \n                  \n                     B. [Handel]\n                     \n                        \n                           Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n                              Darley:Grian-Aig Press, 1972.\n                     \n                  \n                  \n                     B. [Pleyel]\n                     \n                        \n                           Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n                              New York:Pendragon Press,1977\n                           .\n                     \n                  \n                  \n                     B. [Tartini]\n                     \n                        \n                           Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n                              Milan:Carisch,1975\n                           .\n                     \n                  \n                  \n                     BUCEM\n                     \n                        \n                           The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n                           .\n                     \n                  \n                  \n                     CPM\n                     \n                        \n                           The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n                           \n                        \n                     \n                  \n                  \n                     \n                     \n                        \n                           Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n                              Geneva:Minkoff,1976\n                           .\n                     \n                  \n                  \n                     Devriès-Lesure\n                     \n                        \n                           Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n                              Geneva:Minkoff,1979-\n                           \n                        \n                     \n                  \n                  \n                     D.\n                     \n                        \n                           Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n                              Munich:Druck der Salesianischen Offizin,1935\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n                           .\n                     \n                  \n                  \n                     G.\n                     \n                        \n                           Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n                              London:Oxford University Press,1969\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n                           \n                              London:Haas, [1944].\n                     \n                  \n                  \n                     \n                     \n                        \n                           Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n                              New York:Da Capo,1979(reprint of the London, 1954, ed.).\n                        \n                     \n                  \n                  \n                     Hob.\n                     \n                        \n                           Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n                           .\n                     \n                  \n                  \n                     Humphries-Smith\n                     \n                        \n                           Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     J.\n                     \n                        \n                           Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n                              Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n                           .\n                     \n                  \n                  \n                     Johansson/French\n                     \n                        \n                           Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n                     \n                  \n                  \n                     Johansson/Hummel\n                     \n                        \n                           Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n                              Cuxhaven:W. Knape,1972\n                           .\n                     \n                  \n                  \n                     K.\n                     \n                        \n                           Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n                           .\n                     \n                  \n                  \n                     Lesure/Bibliographie\n                     \n                        \n                           Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n                              Paris:Société française de musicologie,1969\n                           .\n                     \n                  \n                  \n                     Lesure/Catalogue\n                     \n                        \n                           Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n                              Paris:Bibliothèque Nationale,1981\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n                              Cologne:Arno Volk Verlag,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n                     \n                  \n                  \n                     RISM\n                     \n                        \n                           Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n                           .\n                     \n                  \n                  \n                     RISM B/II\n                     \n                        \n                           Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n                           .\n                     \n                  \n                  \n                     Smith\n                     \n                        \n                           Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n                              London:The Bibliographical Society,1948\n                           .\n                     \n                  \n                  \n                     Smith/Handel\n                     \n                        \n                           Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     Smith-Humphries\n                     \n                        \n                           Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n                              London:The Bibliographical Society,1968\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n                           . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n                     \n                  \n                  \n                     \n                     \n                        \n                           Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n                              Leipzig:Breitkopf \u0026 Härtel,1904\n                           .\n                     \n                  \n                  \n                     Z. [Purcell]\n                     \n                        \n                           Zimmerman, Franklin B.\n                           Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n                              New York:St. Martin's Press,1963\n                           .\n                     \n                  \n                  \n                     Z. [Pugnani]\n                     \n                        \n                           Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n                              Berlin:Atlantis,1939\n                           ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e\n         ","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e\n         ","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e\n      "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n            \n               \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n               \n            \n            Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n            The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n            The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n                  I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n                  \n               \n            \n            Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n                  The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n                  \n               \n               \n                  It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n                  \n               \n            \n            The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n            \n            It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n            The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n            A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n                  Anglo-American Cataloguing Rules\n                  (Chicago:American Library Association,1979)\n               . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n            Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n            \n            The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n            For dates, the terminology used is that recommended by the\n                  International Association of Music Libraries' Guide for Dating Early Published Music\n               .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n            All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n            The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n            \n               \n                  1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n               \n                  2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n               \n                  3Ibid.\n               \n                  4Mackay-Smith to Tuttle, 16 July 1948.\n               \n                  5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n               \n                  6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n                     The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n               \n                  7See\n                     Ronald B. McKerrow,An Introduction to Bibliography(\n                        Oxford:Clarendon Press,1927\n                     ), pp. 164-174.\n               \n                  8\n                  \n                     D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n               \n                  9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n                  , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n               \n                  10\n                  Compiled byD. W. Krummel\n                     (Hackensack, N.J.:Joseph Boonin,1974)\n                  ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n         "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are inEnglishandFrench"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:47:27.798Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Handel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Handel\"\u003e\n                           \u003cpersname\u003eBell, A. Craig\u003c/persname\u003e.\u003ctitle\u003eHandel: Chronological Thematic Catalogue\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eDarley\u003c/geogname\u003e:\u003cpublisher\u003eGrian-Aig Press\u003c/publisher\u003e, 1972\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Pleyel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Pleyel\"\u003e\n                           \u003cpersname\u003eBenton, Rita\u003c/persname\u003e.\u003ctitle\u003eIgnace Pleyel: A Thematic Catalogue of His Compositions\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003ePendragon Press\u003c/publisher\u003e,\u003cdate\u003e1977\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Tartini]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Tartini\"\u003e\n                           \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eBUCEM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"BUCEM\"\u003e\n                           \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eCPM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"CPM\"\u003e\n                           \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. 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Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e\n      "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viumu_mackay-smith_c146"}},{"id":"viumu_mackay-smith_c145","type":"Item","attributes":{"title":"Title Transcription: Seven SONATAS or TRIOS for two VIOLINS or GERMAN FLUTES with a Thorough Bass for the HARPSICORD or VIOLONCELLO Compos'd by Mr. HANDEL. Opera Quinta. London. Printed for \u0026 Sold by I. Walsh, Musick Printer, \u0026 Instrument maker to his Majesty, at the Harp \u0026 Hoboy in Catherine Street, in the Strand. where may be had the following Pieces of Musick Compos'd by Mr. Handel [list of works beginning with: \"Six Concertos for Violins \u0026c. and for the harpsicord and Organ. Opera Quarta.\" and ending with: \"The Celebrated Te Deum and Jubilate.\"] No. 653, 1739","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c145#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e51533\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e51541\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e51549\"\u003eLarghettoC\u003c/li\u003e\n\u003cli id=\"mvtd1e51557\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e51565\"\u003eGavotte AllegroC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e51585\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e51593\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e51601\"\u003eMusette Andante6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e51609\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e51617\"\u003eMusette Andante6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e51626\"\u003eMarcheC\u003c/li\u003e\n\u003cli id=\"mvtd1e51634\"\u003eGavotte AllegroC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e51654\"\u003e\n\u003cabbr\u003eAndte.\u003c/abbr\u003eLarghetto3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e51665\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e51673\"\u003eSarabande Largo assai3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e51681\"\u003eAllemande\u003cabbr\u003eAndte.\u003c/abbr\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e51689\"\u003eRondeau3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e51698\"\u003eGavotte AllegroC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IV\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e51718\"\u003eAllegro6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e51726\"\u003eA Tempo OrdinarioC\u003c/li\u003e\n\u003cli id=\"mvtd1e51734\"\u003eAllegro non prestoC\u003c/li\u003e\n\u003cli id=\"mvtd1e51742\"\u003ePassacaille3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e51750\"\u003eGigue Presto6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e51759\"\u003eMenuet Allegro Moderato3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA V\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e51780\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e51788\"\u003eCome alla breveC|\u003c/li\u003e\n\u003cli id=\"mvtd1e51796\"\u003eLarghettoC\u003c/li\u003e\n\u003cli id=\"mvtd1e51804\"\u003eA tempo GiustoC\u003c/li\u003e\n\u003cli id=\"mvtd1e51812\"\u003eAir Andante Allegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e51821\"\u003eBourreC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VI\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e51841\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e51849\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e51857\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e51865\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e51873\"\u003eMenuet Allegro Moderato3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VII\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e51893\"\u003eLarghettoC\u003c/li\u003e\n\u003cli id=\"mvtd1e51901\"\u003eAllegro ma non prestoC\u003c/li\u003e\n\u003cli id=\"mvtd1e51909\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e51917\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e51925\"\u003eGavotte AllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e51934\"\u003eMenuet\u003cabbr\u003eAnde.\u003c/abbr\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c145#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c145","ref_ssm":["viumu_mackay-smith_c145"],"id":"viumu_mackay-smith_c145","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"Seven SONATAS or TRIOS for two VIOLINS or GERMAN FLUTES with a Thorough Bass for the HARPSICORD or VIOLONCELLO Compos'd by Mr. HANDEL. Opera Quinta. London. Printed for \u0026 Sold by I. Walsh, Musick Printer, \u0026 Instrument maker to his Majesty, at the Harp \u0026 Hoboy in Catherine Street, in the Strand. where may be had the following Pieces of Musick Compos'd by Mr. Handel [list of works beginning with: \"Six Concertos for Violins \u0026c. and for the harpsicord and Organ. Opera Quarta.\" and ending with: \"The Celebrated Te Deum and Jubilate.\"] No. 653","title_ssm":["Title Transcription: Seven SONATAS or TRIOS for two VIOLINS or GERMAN FLUTES with a Thorough Bass for the HARPSICORD or VIOLONCELLO Compos'd by Mr. HANDEL. Opera Quinta. London. Printed for \u0026 Sold by I. Walsh, Musick Printer, \u0026 Instrument maker to his Majesty, at the Harp \u0026 Hoboy in Catherine Street, in the Strand. where may be had the following Pieces of Musick Compos'd by Mr. Handel [list of works beginning with: \"Six Concertos for Violins \u0026c. and for the harpsicord and Organ. Opera Quarta.\" and ending with: \"The Celebrated Te Deum and Jubilate.\"] No. 653"],"title_tesim":["Title Transcription: Seven SONATAS or TRIOS for two VIOLINS or GERMAN FLUTES with a Thorough Bass for the HARPSICORD or VIOLONCELLO Compos'd by Mr. HANDEL. Opera Quinta. London. Printed for \u0026 Sold by I. Walsh, Musick Printer, \u0026 Instrument maker to his Majesty, at the Harp \u0026 Hoboy in Catherine Street, in the Strand. where may be had the following Pieces of Musick Compos'd by Mr. Handel [list of works beginning with: \"Six Concertos for Violins \u0026c. and for the harpsicord and Organ. Opera Quarta.\" and ending with: \"The Celebrated Te Deum and Jubilate.\"] No. 653"],"normalized_title_ssm":["Title Transcription: Seven SONATAS or TRIOS for two VIOLINS or GERMAN FLUTES with a Thorough Bass for the HARPSICORD or VIOLONCELLO Compos'd by Mr. HANDEL. Opera Quinta. London. Printed for \u0026 Sold by I. Walsh, Musick Printer, \u0026 Instrument maker to his Majesty, at the Harp \u0026 Hoboy in Catherine Street, in the Strand. where may be had the following Pieces of Musick Compos'd by Mr. Handel [list of works beginning with: \"Six Concertos for Violins \u0026c. and for the harpsicord and Organ. Opera Quarta.\" and ending with: \"The Celebrated Te Deum and Jubilate.\"] No. 653, 1739"],"text":["Title Transcription: Seven SONATAS or TRIOS for two VIOLINS or GERMAN FLUTES with a Thorough Bass for the HARPSICORD or VIOLONCELLO Compos'd by Mr. HANDEL. Opera Quinta. London. Printed for \u0026 Sold by I. Walsh, Musick Printer, \u0026 Instrument maker to his Majesty, at the Harp \u0026 Hoboy in Catherine Street, in the Strand. where may be had the following Pieces of Musick Compos'd by Mr. Handel [list of works beginning with: \"Six Concertos for Violins \u0026c. and for the harpsicord and Organ. Opera Quarta.\" and ending with: \"The Celebrated Te Deum and Jubilate.\"] No. 653, 1739","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Three parts, folio, 250x179 (257x188): VIOLINO PRIMO: Title, verso blank. Music, pp 1-27. Blank, [28]. VIOLINO SECONDO: Title, verso blank. Music, pp. 1-25. Blank, [26]. BASSO: Title, verso blank. Blank, [1]. Music, pp. 2-8. Blank, [9]. Music, pp. 10-26.","Harp and Hoboy","Handel, George Frideric, 1685-1759","Walsh, John, 1665 or 6-1736","London (England)","Air","Allemande","Bourrée","Gavotte","Jig","March","Minuet","Musette","Rondo","Sarabande","A","B♭","D","F","G","E","3/4","3/8","6/8","C","C|","A tempo ordinario","A tempo giusto","Adagio","Air andante allegro","Allegro","Allegro ma non presto","Allegro non presto","Allemande andante allegro","Andante","Andante larghetto","Bourre","Come alla breve","Gavotte allegro","Gigue presto","Larghetto","Largo","Marche","Menuet allegro moderato","Menuet andante allegro","Musette andante","Passacaille","Rondeau","Sarabande largo assai","Smith/Handel, p. 246, no. 1.","Announced in\n                     London Daily Post\n                  , February 28, 1739.","Contents\n                  \n                     SONATA I\n                     A\n                     \n                        \n                           Andante\n                           C\n                        \n                        \n                           Allegro\n                           3/4\n                        \n                        \n                           Larghetto\n                           C\n                        \n                        \n                           Allegro\n                           3/4\n                        \n                        \n                           Gavotte Allegro\n                           C|\n                        \n                     \n                  \n                  \n                     SONATA II\n                     D\n                     \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Musette Andante\n                           6/8\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Musette Andante\n                           6/8\n                        \n                        \n                           Marche\n                           C\n                        \n                        \n                           Gavotte Allegro\n                           C|\n                        \n                     \n                  \n                  \n                     SONATA III\n                     e\n                     \n                        \n                           \n                              \n                                 Andte.\n                              Larghetto\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Sarabande Largo assai\n                           3/4\n                        \n                        \n                           Allemande\n                                 Andte.\n                              Allegro\n                           C\n                        \n                        \n                           Rondeau\n                           3/8\n                        \n                        \n                           Gavotte Allegro\n                           C\n                        \n                     \n                  \n                  \n                     SONATA IV\n                     G\n                     \n                        \n                           Allegro\n                           6/8\n                        \n                        \n                           A Tempo Ordinario\n                           C\n                        \n                        \n                           Allegro non presto\n                           C\n                        \n                        \n                           Passacaille\n                           3/4\n                        \n                        \n                           Gigue Presto\n                           6/8\n                        \n                        \n                           Menuet Allegro Moderato\n                           3/4\n                        \n                     \n                  \n                  \n                     SONATA V\n                     B♭\n                     \n                        \n                           Largo\n                           3/4\n                        \n                        \n                           Come alla breve\n                           C|\n                        \n                        \n                           Larghetto\n                           C\n                        \n                        \n                           A tempo Giusto\n                           C\n                        \n                        \n                           Air Andante Allegro\n                           3/4\n                        \n                        \n                           Bourre\n                           C|\n                        \n                     \n                  \n                  \n                     SONATA VI\n                     F\n                     \n                        \n                           Largo\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Menuet Allegro Moderato\n                           3/8\n                        \n                     \n                  \n                  \n                     SONATA VII\n                     B♭\n                     \n                        \n                           Larghetto\n                           C\n                        \n                        \n                           Allegro ma non presto\n                           C\n                        \n                        \n                           Adagio\n                           3/4\n                        \n                        \n                           Allegro\n                           3/4\n                        \n                        \n                           Gavotte Allegro\n                           C\n                        \n                        \n                           Menuet\n                                 Ande.\n                              Allegro\n                           3/8","M312.4.H32 1739"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1739"],"unitdate_other_ssim":["1739"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":508,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Three parts, folio, 250x179 (257x188): VIOLINO PRIMO: Title, verso blank. Music, pp 1-27. Blank, [28]. VIOLINO SECONDO: Title, verso blank. Music, pp. 1-25. Blank, [26]. BASSO: Title, verso blank. Blank, [1]. Music, pp. 2-8. Blank, [9]. Music, pp. 10-26."],"has_online_content_ssim":["false"],"child_component_count_isi":3,"corpname_ssim":["Harp and Hoboy"],"persname_ssim":["Handel, George Frideric, 1685-1759","Walsh, John, 1665 or 6-1736"],"names_ssim":["Harp and Hoboy","Handel, George Frideric, 1685-1759","Walsh, John, 1665 or 6-1736"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["Air","Allemande","Bourrée","Gavotte","Jig","March","Minuet","Musette","Rondo","Sarabande","A","B♭","D","F","G","E","3/4","3/8","6/8","C","C|","A tempo ordinario","A tempo giusto","Adagio","Air andante allegro","Allegro","Allegro ma non presto","Allegro non presto","Allemande andante allegro","Andante","Andante larghetto","Bourre","Come alla breve","Gavotte allegro","Gigue presto","Larghetto","Largo","Marche","Menuet allegro moderato","Menuet andante allegro","Musette andante","Passacaille","Rondeau","Sarabande largo assai"],"access_subjects_ssm":["Air","Allemande","Bourrée","Gavotte","Jig","March","Minuet","Musette","Rondo","Sarabande","A","B♭","D","F","G","E","3/4","3/8","6/8","C","C|","A tempo ordinario","A tempo giusto","Adagio","Air andante allegro","Allegro","Allegro ma non presto","Allegro non presto","Allemande andante allegro","Andante","Andante larghetto","Bourre","Come alla breve","Gavotte allegro","Gigue presto","Larghetto","Largo","Marche","Menuet allegro moderato","Menuet andante allegro","Musette andante","Passacaille","Rondeau","Sarabande largo assai"],"date_range_isim":[1739],"bibliography_html_tesm":["\u003cp\u003e\n                  \u003cref target=\"Smith-Handel\"\u003eSmith/Handel\u003c/ref\u003e, p. 246, no. 1.\u003c/p\u003e\n               ","\u003cp\u003eAnnounced in\u003cbibref\u003e\n                     \u003ctitle\u003eLondon Daily Post\u003c/title\u003e\n                  \u003c/bibref\u003e, February 28, 1739.\u003c/p\u003e\n            "],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Smith/Handel, p. 246, no. 1.","Announced in\n                     London Daily Post\n                  , February 28, 1739."],"scopecontent_tesim":["Contents\n                  \n                     SONATA I\n                     A\n                     \n                        \n                           Andante\n                           C\n                        \n                        \n                           Allegro\n                           3/4\n                        \n                        \n                           Larghetto\n                           C\n                        \n                        \n                           Allegro\n                           3/4\n                        \n                        \n                           Gavotte Allegro\n                           C|\n                        \n                     \n                  \n                  \n                     SONATA II\n                     D\n                     \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Musette Andante\n                           6/8\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Musette Andante\n                           6/8\n                        \n                        \n                           Marche\n                           C\n                        \n                        \n                           Gavotte Allegro\n                           C|\n                        \n                     \n                  \n                  \n                     SONATA III\n                     e\n                     \n                        \n                           \n                              \n                                 Andte.\n                              Larghetto\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Sarabande Largo assai\n                           3/4\n                        \n                        \n                           Allemande\n                                 Andte.\n                              Allegro\n                           C\n                        \n                        \n                           Rondeau\n                           3/8\n                        \n                        \n                           Gavotte Allegro\n                           C\n                        \n                     \n                  \n                  \n                     SONATA IV\n                     G\n                     \n                        \n                           Allegro\n                           6/8\n                        \n                        \n                           A Tempo Ordinario\n                           C\n                        \n                        \n                           Allegro non presto\n                           C\n                        \n                        \n                           Passacaille\n                           3/4\n                        \n                        \n                           Gigue Presto\n                           6/8\n                        \n                        \n                           Menuet Allegro Moderato\n                           3/4\n                        \n                     \n                  \n                  \n                     SONATA V\n                     B♭\n                     \n                        \n                           Largo\n                           3/4\n                        \n                        \n                           Come alla breve\n                           C|\n                        \n                        \n                           Larghetto\n                           C\n                        \n                        \n                           A tempo Giusto\n                           C\n                        \n                        \n                           Air Andante Allegro\n                           3/4\n                        \n                        \n                           Bourre\n                           C|\n                        \n                     \n                  \n                  \n                     SONATA VI\n                     F\n                     \n                        \n                           Largo\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Menuet Allegro Moderato\n                           3/8\n                        \n                     \n                  \n                  \n                     SONATA VII\n                     B♭\n                     \n                        \n                           Larghetto\n                           C\n                        \n                        \n                           Allegro ma non presto\n                           C\n                        \n                        \n                           Adagio\n                           3/4\n                        \n                        \n                           Allegro\n                           3/4\n                        \n                        \n                           Gavotte Allegro\n                           C\n                        \n                        \n                           Menuet\n                                 Ande.\n                              Allegro\n                           3/8"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.H32 1739\u003c/physloc\u003e\n               "],"physloc_tesim":["M312.4.H32 1739"],"_nest_path_":"/components#144","timestamp":"2026-07-23T21:47:27.798Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA I\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eA\u003c/genreform\u003e\n                     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\u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e51565\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eGavotte Allegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA II\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e51585\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e51593\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e51601\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eMusette Andante\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e51609\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                    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id=\"mvtd1e51673\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eSarabande Largo assai\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e51681\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllemande\u003cemph\u003e\n                                 \u003cabbr expan=\"Andante\"\u003eAndte.\u003c/abbr\u003e\n                              \u003c/emph\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e51689\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eRondeau\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        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type=\"mvtLabel\"\u003eAllegro ma non presto\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e51909\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e51917\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e51925\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eGavotte Allegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e51934\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eMenuet\u003cemph\u003e\n                                 \u003cabbr expan=\"Andante\"\u003eAnde.\u003c/abbr\u003e\n                              \u003c/emph\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n               \u003c/list\u003e\n            "],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n                              Freiburg:Hochschule-Verlag,1981\n                           .\n                     \n                  \n                  \n                     B. [Handel]\n                     \n                        \n                           Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n                              Darley:Grian-Aig Press, 1972.\n                     \n                  \n                  \n                     B. [Pleyel]\n                     \n                        \n                           Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n                              New York:Pendragon Press,1977\n                           .\n                     \n                  \n                  \n                     B. [Tartini]\n                     \n                        \n                           Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n                              Milan:Carisch,1975\n                           .\n                     \n                  \n                  \n                     BUCEM\n                     \n                        \n                           The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n                           .\n                     \n                  \n                  \n                     CPM\n                     \n                        \n                           The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n                           \n                        \n                     \n                  \n                  \n                     \n                     \n                        \n                           Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n                              Geneva:Minkoff,1976\n                           .\n                     \n                  \n                  \n                     Devriès-Lesure\n                     \n                        \n                           Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n                              Geneva:Minkoff,1979-\n                           \n                        \n                     \n                  \n                  \n                     D.\n                     \n                        \n                           Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n                              Munich:Druck der Salesianischen Offizin,1935\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n                           .\n                     \n                  \n                  \n                     G.\n                     \n                        \n                           Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n                              London:Oxford University Press,1969\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n                           \n                              London:Haas, [1944].\n                     \n                  \n                  \n                     \n                     \n                        \n                           Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n                              New York:Da Capo,1979(reprint of the London, 1954, ed.).\n                        \n                     \n                  \n                  \n                     Hob.\n                     \n                        \n                           Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n                           .\n                     \n                  \n                  \n                     Humphries-Smith\n                     \n                        \n                           Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     J.\n                     \n                        \n                           Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n                              Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n                           .\n                     \n                  \n                  \n                     Johansson/French\n                     \n                        \n                           Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n                     \n                  \n                  \n                     Johansson/Hummel\n                     \n                        \n                           Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n                              Cuxhaven:W. Knape,1972\n                           .\n                     \n                  \n                  \n                     K.\n                     \n                        \n                           Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n                           .\n                     \n                  \n                  \n                     Lesure/Bibliographie\n                     \n                        \n                           Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n                              Paris:Société française de musicologie,1969\n                           .\n                     \n                  \n                  \n                     Lesure/Catalogue\n                     \n                        \n                           Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n                              Paris:Bibliothèque Nationale,1981\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n                              Cologne:Arno Volk Verlag,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n                     \n                  \n                  \n                     RISM\n                     \n                        \n                           Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n                           .\n                     \n                  \n                  \n                     RISM B/II\n                     \n                        \n                           Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n                           .\n                     \n                  \n                  \n                     Smith\n                     \n                        \n                           Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n                              London:The Bibliographical Society,1948\n                           .\n                     \n                  \n                  \n                     Smith/Handel\n                     \n                        \n                           Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     Smith-Humphries\n                     \n                        \n                           Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n                              London:The Bibliographical Society,1968\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n                           . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n                     \n                  \n                  \n                     \n                     \n                        \n                           Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n                              Leipzig:Breitkopf \u0026 Härtel,1904\n                           .\n                     \n                  \n                  \n                     Z. [Purcell]\n                     \n                        \n                           Zimmerman, Franklin B.\n                           Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n                              New York:St. Martin's Press,1963\n                           .\n                     \n                  \n                  \n                     Z. [Pugnani]\n                     \n                        \n                           Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n                              Berlin:Atlantis,1939\n                           .","Introduction\n            \n               \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n               \n            \n            Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n            The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n            The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n                  I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n                  \n               \n            \n            Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n                  The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n                  \n               \n               \n                  It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n                  \n               \n            \n            The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n            \n            It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n            The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n            A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n                  Anglo-American Cataloguing Rules\n                  (Chicago:American Library Association,1979)\n               . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n            Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n            \n            The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n            For dates, the terminology used is that recommended by the\n                  International Association of Music Libraries' Guide for Dating Early Published Music\n               .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n            All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n            The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n            \n               \n                  1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n               \n                  2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n               \n                  3Ibid.\n               \n                  4Mackay-Smith to Tuttle, 16 July 1948.\n               \n                  5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n               \n                  6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n                     The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n               \n                  7See\n                     Ronald B. McKerrow,An Introduction to Bibliography(\n                        Oxford:Clarendon Press,1927\n                     ), pp. 164-174.\n               \n                  8\n                  \n                     D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n               \n                  9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n                  , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n               \n                  10\n                  Compiled byD. W. Krummel\n                     (Hackensack, N.J.:Joseph Boonin,1974)\n                  .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. 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H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"creator_corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"creators_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n                              Freiburg:Hochschule-Verlag,1981\n                           .\n                     \n                  \n                  \n                     B. [Handel]\n                     \n                        \n                           Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n                              Darley:Grian-Aig Press, 1972.\n                     \n                  \n                  \n                     B. [Pleyel]\n                     \n                        \n                           Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n                              New York:Pendragon Press,1977\n                           .\n                     \n                  \n                  \n                     B. [Tartini]\n                     \n                        \n                           Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n                              Milan:Carisch,1975\n                           .\n                     \n                  \n                  \n                     BUCEM\n                     \n                        \n                           The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n                           .\n                     \n                  \n                  \n                     CPM\n                     \n                        \n                           The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n                           \n                        \n                     \n                  \n                  \n                     \n                     \n                        \n                           Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n                              Geneva:Minkoff,1976\n                           .\n                     \n                  \n                  \n                     Devriès-Lesure\n                     \n                        \n                           Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n                              Geneva:Minkoff,1979-\n                           \n                        \n                     \n                  \n                  \n                     D.\n                     \n                        \n                           Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n                              Munich:Druck der Salesianischen Offizin,1935\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n                           .\n                     \n                  \n                  \n                     G.\n                     \n                        \n                           Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n                              London:Oxford University Press,1969\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n                           \n                              London:Haas, [1944].\n                     \n                  \n                  \n                     \n                     \n                        \n                           Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n                              New York:Da Capo,1979(reprint of the London, 1954, ed.).\n                        \n                     \n                  \n                  \n                     Hob.\n                     \n                        \n                           Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n                           .\n                     \n                  \n                  \n                     Humphries-Smith\n                     \n                        \n                           Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     J.\n                     \n                        \n                           Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n                              Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n                           .\n                     \n                  \n                  \n                     Johansson/French\n                     \n                        \n                           Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n                     \n                  \n                  \n                     Johansson/Hummel\n                     \n                        \n                           Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n                              Cuxhaven:W. Knape,1972\n                           .\n                     \n                  \n                  \n                     K.\n                     \n                        \n                           Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n                           .\n                     \n                  \n                  \n                     Lesure/Bibliographie\n                     \n                        \n                           Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n                              Paris:Société française de musicologie,1969\n                           .\n                     \n                  \n                  \n                     Lesure/Catalogue\n                     \n                        \n                           Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n                              Paris:Bibliothèque Nationale,1981\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n                              Cologne:Arno Volk Verlag,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n                     \n                  \n                  \n                     RISM\n                     \n                        \n                           Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n                           .\n                     \n                  \n                  \n                     RISM B/II\n                     \n                        \n                           Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n                           .\n                     \n                  \n                  \n                     Smith\n                     \n                        \n                           Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n                              London:The Bibliographical Society,1948\n                           .\n                     \n                  \n                  \n                     Smith/Handel\n                     \n                        \n                           Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     Smith-Humphries\n                     \n                        \n                           Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n                              London:The Bibliographical Society,1968\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n                           . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n                     \n                  \n                  \n                     \n                     \n                        \n                           Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n                              Leipzig:Breitkopf \u0026 Härtel,1904\n                           .\n                     \n                  \n                  \n                     Z. [Purcell]\n                     \n                        \n                           Zimmerman, Franklin B.\n                           Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n                              New York:St. Martin's Press,1963\n                           .\n                     \n                  \n                  \n                     Z. [Pugnani]\n                     \n                        \n                           Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n                              Berlin:Atlantis,1939\n                           ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e\n         ","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e\n         ","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e\n      "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n            \n               \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n               \n            \n            Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n            The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n            The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n                  I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n                  \n               \n            \n            Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n                  The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n                  \n               \n               \n                  It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n                  \n               \n            \n            The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n            \n            It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n            The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n            A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n                  Anglo-American Cataloguing Rules\n                  (Chicago:American Library Association,1979)\n               . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n            Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n            \n            The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n            For dates, the terminology used is that recommended by the\n                  International Association of Music Libraries' Guide for Dating Early Published Music\n               .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n            All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n            The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n            \n               \n                  1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n               \n                  2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n               \n                  3Ibid.\n               \n                  4Mackay-Smith to Tuttle, 16 July 1948.\n               \n                  5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n               \n                  6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n                     The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n               \n                  7See\n                     Ronald B. McKerrow,An Introduction to Bibliography(\n                        Oxford:Clarendon Press,1927\n                     ), pp. 164-174.\n               \n                  8\n                  \n                     D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n               \n                  9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n                  , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n               \n                  10\n                  Compiled byD. W. Krummel\n                     (Hackensack, N.J.:Joseph Boonin,1974)\n                  ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n         "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are inEnglishandFrench"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:47:27.798Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Handel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Handel\"\u003e\n                           \u003cpersname\u003eBell, A. Craig\u003c/persname\u003e.\u003ctitle\u003eHandel: Chronological Thematic Catalogue\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eDarley\u003c/geogname\u003e:\u003cpublisher\u003eGrian-Aig Press\u003c/publisher\u003e, 1972\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Pleyel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Pleyel\"\u003e\n                           \u003cpersname\u003eBenton, Rita\u003c/persname\u003e.\u003ctitle\u003eIgnace Pleyel: A Thematic Catalogue of His Compositions\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003ePendragon Press\u003c/publisher\u003e,\u003cdate\u003e1977\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Tartini]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Tartini\"\u003e\n                           \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eBUCEM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"BUCEM\"\u003e\n                           \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eCPM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"CPM\"\u003e\n                           \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e\n      "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viumu_mackay-smith_c145"}},{"id":"viumu_mackay-smith_c79","type":"Item","attributes":{"title":"Title Transcription: Six SONATAS for 2 Common FLUTES or two GERMAN FLUTES and a BASS Consisting of Preludes, Allmands, Corants Sarabands, Gavotts, and Jiggs Compos'd by Mr: Wm: Corbett. Opera Quarta London Printed for I: Walsh Servant in Ordinary to his Majesty at the Harp \u0026 Hoboy in Catherine Street in the Strand and I: Hare at the Viol and Flute in Cornhill near the Royall Exchange, 1709","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c79#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e27857\"\u003ePreludio Largo3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e27865\"\u003eAllemanda AllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e27873\"\u003eCorrente Vivace3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e27881\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e27889\"\u003eGiga Allegro6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e27909\"\u003ePreludio Allegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e27917\"\u003eAllemanda AdagioC|\u003c/li\u003e\n\u003cli id=\"mvtd1e27925\"\u003eGavotta AllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e27933\"\u003eAria Allegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003ed\u003cul\u003e\n\u003cli id=\"mvtd1e27953\"\u003ePreludio AdagioC|\u003c/li\u003e\n\u003cli id=\"mvtd1e27961\"\u003eAllemanda VivaceC|\u003c/li\u003e\n\u003cli id=\"mvtd1e27969\"\u003eCorrente Allegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e27977\"\u003eSarabanda Adagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e27985\"\u003eGavotta PrestoC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IV\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e28005\"\u003ePreludio Adagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e28013\"\u003eFuga PrestoC|\u003c/li\u003e\n\u003cli id=\"mvtd1e28021\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e28029\"\u003eCorrente Allegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e28037\"\u003eSarabanda Largo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e28046\"\u003eGiga Presto6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA V\u003c/span\u003ed\u003cul\u003e\n\u003cli id=\"mvtd1e28067\"\u003eLargo PreludioC\u003c/li\u003e\n\u003cli id=\"mvtd1e28075\"\u003eAllemanda VivaceC|\u003c/li\u003e\n\u003cli id=\"mvtd1e28083\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e28091\"\u003eGiga Allegro12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VI\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e28111\"\u003eAdagio PreludioC|\u003c/li\u003e\n\u003cli id=\"mvtd1e28119\"\u003eAllemanda VivaceC|\u003c/li\u003e\n\u003cli id=\"mvtd1e28127\"\u003eCorrente Allegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e28135\"\u003eAdagioC|\u003c/li\u003e\n\u003cli id=\"mvtd1e28143\"\u003eGiga Allegro6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c79#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c79","ref_ssm":["viumu_mackay-smith_c79"],"id":"viumu_mackay-smith_c79","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"Six SONATAS for 2 Common FLUTES or two GERMAN FLUTES and a BASS Consisting of Preludes, Allmands, Corants Sarabands, Gavotts, and Jiggs Compos'd by Mr: Wm: Corbett. Opera Quarta London Printed for I: Walsh Servant in Ordinary to his Majesty at the Harp \u0026 Hoboy in Catherine Street in the Strand and I: Hare at the Viol and Flute in Cornhill near the Royall Exchange","title_ssm":["Title Transcription: Six SONATAS for 2 Common FLUTES or two GERMAN FLUTES and a BASS Consisting of Preludes, Allmands, Corants Sarabands, Gavotts, and Jiggs Compos'd by Mr: Wm: Corbett. Opera Quarta London Printed for I: Walsh Servant in Ordinary to his Majesty at the Harp \u0026 Hoboy in Catherine Street in the Strand and I: Hare at the Viol and Flute in Cornhill near the Royall Exchange"],"title_tesim":["Title Transcription: Six SONATAS for 2 Common FLUTES or two GERMAN FLUTES and a BASS Consisting of Preludes, Allmands, Corants Sarabands, Gavotts, and Jiggs Compos'd by Mr: Wm: Corbett. Opera Quarta London Printed for I: Walsh Servant in Ordinary to his Majesty at the Harp \u0026 Hoboy in Catherine Street in the Strand and I: Hare at the Viol and Flute in Cornhill near the Royall Exchange"],"normalized_title_ssm":["Title Transcription: Six SONATAS for 2 Common FLUTES or two GERMAN FLUTES and a BASS Consisting of Preludes, Allmands, Corants Sarabands, Gavotts, and Jiggs Compos'd by Mr: Wm: Corbett. Opera Quarta London Printed for I: Walsh Servant in Ordinary to his Majesty at the Harp \u0026 Hoboy in Catherine Street in the Strand and I: Hare at the Viol and Flute in Cornhill near the Royall Exchange, 1709"],"text":["Title Transcription: Six SONATAS for 2 Common FLUTES or two GERMAN FLUTES and a BASS Consisting of Preludes, Allmands, Corants Sarabands, Gavotts, and Jiggs Compos'd by Mr: Wm: Corbett. Opera Quarta London Printed for I: Walsh Servant in Ordinary to his Majesty at the Harp \u0026 Hoboy in Catherine Street in the Strand and I: Hare at the Viol and Flute in Cornhill near the Royall Exchange, 1709","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Incomplete set. One part, folio, 252x167 (255x172): FLUTO PRIMO: Title, verso blank. Music, p. 1, verso blank. Blank. Music, pp. 2-3. Blank. Music, pp. 4-6, printed on recto only, verso of each page is blank.","Harp and Hoboy","Viol and Flute","Corbett, William, 1675-1748","Hare, John, d. 1725","Walsh, John, 1665 or 6-1736","London (England)","Fugue","Allemande","Aria","Corrente","Gavotte","Jig","Prelude","Sarabande","B♭","C","G","D","12/8","3/2","3/4","3/8","6/8","C|","Adagio","Adagio preludio","Allemanda adagio","Allemanda allegro","Allemanda vivace","Aria allegro","Corrente allegro","Corrente vivace","Fuga presto","Gavotta allegro","Gavotta presto","Giga allegro","Giga presto","Largo","Largo preludio","Preludio adagio","Preludio allegro","Preludio largo","Sarabanda adagio","Sarabanda largo","Not cited by Smith, who speculates that Smith no. 324 may have been Walsh's edition of the composer's \"Opera Quarta Libro Secondo\" originally published by L. Pippard. Perhaps the reference in\n                     ... The Monthly Masks of Vocal Musick... for the Year 1709\n                  (Smith no. 331) was to this set, the first book of op.4.","Shelved with no. 82 to make a complete set.","Contents\n                  \n                     SONATA I\n                     B♭\n                     \n                        \n                           Preludio Largo\n                           3/2\n                        \n                        \n                           Allemanda Allegro\n                           C|\n                        \n                        \n                           Corrente Vivace\n                           3/4\n                        \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Giga Allegro\n                           6/8\n                        \n                     \n                  \n                  \n                     SONATA II\n                     G\n                     \n                        \n                           Preludio Allegro\n                           3/4\n                        \n                        \n                           Allemanda Adagio\n                           C|\n                        \n                        \n                           Gavotta Allegro\n                           C|\n                        \n                        \n                           Aria Allegro\n                           3/8\n                        \n                     \n                  \n                  \n                     SONATA III\n                     d\n                     \n                        \n                           Preludio Adagio\n                           C|\n                        \n                        \n                           Allemanda Vivace\n                           C|\n                        \n                        \n                           Corrente Allegro\n                           3/4\n                        \n                        \n                           Sarabanda Adagio\n                           3/4\n                        \n                        \n                           Gavotta Presto\n                           C|\n                        \n                     \n                  \n                  \n                     SONATA IV\n                     C\n                     \n                        \n                           Preludio Adagio\n                           3/2\n                        \n                        \n                           Fuga Presto\n                           C|\n                        \n                        \n                           Largo\n                           C\n                        \n                        \n                           Corrente Allegro\n                           3/4\n                        \n                        \n                           Sarabanda Largo\n                           3/4\n                        \n                        \n                           Giga Presto\n                           6/8\n                        \n                     \n                  \n                  \n                     SONATA V\n                     d\n                     \n                        \n                           Largo Preludio\n                           C\n                        \n                        \n                           Allemanda Vivace\n                           C|\n                        \n                        \n                           Largo\n                           3/4\n                        \n                        \n                           Giga Allegro\n                           12/8\n                        \n                     \n                  \n                  \n                     SONATA VI\n                     G\n                     \n                        \n                           Adagio Preludio\n                           C|\n                        \n                        \n                           Allemanda Vivace\n                           C|\n                        \n                        \n                           Corrente Allegro\n                           3/4\n                        \n                        \n                           Adagio\n                           C|\n                        \n                        \n                           Giga Allegro\n                           6/8","M361.C67 1713"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1709"],"unitdate_other_ssim":["1709?"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":304,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Incomplete set. One part, folio, 252x167 (255x172): FLUTO PRIMO: Title, verso blank. Music, p. 1, verso blank. Blank. Music, pp. 2-3. Blank. Music, pp. 4-6, printed on recto only, verso of each page is blank."],"has_online_content_ssim":["false"],"child_component_count_isi":1,"corpname_ssim":["Harp and Hoboy","Viol and Flute"],"persname_ssim":["Corbett, William, 1675-1748","Hare, John, d. 1725","Walsh, John, 1665 or 6-1736"],"names_ssim":["Harp and Hoboy","Viol and Flute","Corbett, William, 1675-1748","Hare, John, d. 1725","Walsh, John, 1665 or 6-1736"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["Fugue","Allemande","Aria","Corrente","Gavotte","Jig","Prelude","Sarabande","B♭","C","G","D","12/8","3/2","3/4","3/8","6/8","C|","Adagio","Adagio preludio","Allemanda adagio","Allemanda allegro","Allemanda vivace","Aria allegro","Corrente allegro","Corrente vivace","Fuga presto","Gavotta allegro","Gavotta presto","Giga allegro","Giga presto","Largo","Largo preludio","Preludio adagio","Preludio allegro","Preludio largo","Sarabanda adagio","Sarabanda largo"],"access_subjects_ssm":["Fugue","Allemande","Aria","Corrente","Gavotte","Jig","Prelude","Sarabande","B♭","C","G","D","12/8","3/2","3/4","3/8","6/8","C|","Adagio","Adagio preludio","Allemanda adagio","Allemanda allegro","Allemanda vivace","Aria allegro","Corrente allegro","Corrente vivace","Fuga presto","Gavotta allegro","Gavotta presto","Giga allegro","Giga presto","Largo","Largo preludio","Preludio adagio","Preludio allegro","Preludio largo","Sarabanda adagio","Sarabanda largo"],"date_range_isim":[1709],"bibliography_html_tesm":["\u003cp\u003eNot cited by Smith, who speculates that Smith no. 324 may have been Walsh's edition of the composer's \"Opera Quarta Libro Secondo\" originally published by L. Pippard. Perhaps the reference in\u003cbibref\u003e\n                     \u003ctitle\u003e... The Monthly Masks of Vocal Musick... for the Year 1709\u003c/title\u003e\n                  \u003c/bibref\u003e(Smith no. 331) was to this set, the first book of op.4.\u003c/p\u003e\n            "],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Not cited by Smith, who speculates that Smith no. 324 may have been Walsh's edition of the composer's \"Opera Quarta Libro Secondo\" originally published by L. Pippard. Perhaps the reference in\n                     ... The Monthly Masks of Vocal Musick... for the Year 1709\n                  (Smith no. 331) was to this set, the first book of op.4."],"note_html_tesm":["\u003cp\u003eShelved with no. 82 to make a complete set.\u003c/p\u003e\n            "],"note_tesim":["Shelved with no. 82 to make a complete set."],"scopecontent_tesim":["Contents\n                  \n                     SONATA I\n                     B♭\n                     \n                        \n                           Preludio Largo\n                           3/2\n                        \n                        \n                           Allemanda Allegro\n                           C|\n                        \n                        \n                           Corrente Vivace\n                           3/4\n                        \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Giga Allegro\n                           6/8\n                        \n                     \n                  \n                  \n                     SONATA II\n                     G\n                     \n                        \n                           Preludio Allegro\n                           3/4\n                        \n                        \n                           Allemanda Adagio\n                           C|\n                        \n                        \n                           Gavotta Allegro\n                           C|\n                        \n                        \n                           Aria Allegro\n                           3/8\n                        \n                     \n                  \n                  \n                     SONATA III\n                     d\n                     \n                        \n                           Preludio Adagio\n                           C|\n                        \n                        \n                           Allemanda Vivace\n                           C|\n                        \n                        \n                           Corrente Allegro\n                           3/4\n                        \n                        \n                           Sarabanda Adagio\n                           3/4\n                        \n                        \n                           Gavotta Presto\n                           C|\n                        \n                     \n                  \n                  \n                     SONATA IV\n                     C\n                     \n                        \n                           Preludio Adagio\n                           3/2\n                        \n                        \n                           Fuga Presto\n                           C|\n                        \n                        \n                           Largo\n                           C\n                        \n                        \n                           Corrente Allegro\n                           3/4\n                        \n                        \n                           Sarabanda Largo\n                           3/4\n                        \n                        \n                           Giga Presto\n                           6/8\n                        \n                     \n                  \n                  \n                     SONATA V\n                     d\n                     \n                        \n                           Largo Preludio\n                           C\n                        \n                        \n                           Allemanda Vivace\n                           C|\n                        \n                        \n                           Largo\n                           3/4\n                        \n                        \n                           Giga Allegro\n                           12/8\n                        \n                     \n                  \n                  \n                     SONATA VI\n                     G\n                     \n                        \n                           Adagio Preludio\n                           C|\n                        \n                        \n                           Allemanda Vivace\n                           C|\n                        \n                        \n                           Corrente Allegro\n                           3/4\n                        \n                        \n                           Adagio\n                           C|\n                        \n                        \n                           Giga Allegro\n                           6/8"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM361.C67 1713\u003c/physloc\u003e\n               "],"physloc_tesim":["M361.C67 1713"],"_nest_path_":"/components#78","timestamp":"2026-07-23T21:47:27.798Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA I\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eB♭\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e27857\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003ePreludio Largo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/2\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e27865\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllemanda Allegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e27873\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eCorrente Vivace\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e27881\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/2\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e27889\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eGiga Allegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA II\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eG\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e27909\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003ePreludio Allegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e27917\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllemanda Adagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e27925\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eGavotta Allegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e27933\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAria Allegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA III\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ed\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e27953\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003ePreludio Adagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e27961\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllemanda Vivace\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e27969\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eCorrente Allegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e27977\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eSarabanda Adagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e27985\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eGavotta Presto\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA IV\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eC\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e28005\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003ePreludio Adagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/2\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e28013\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eFuga Presto\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e28021\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e28029\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eCorrente Allegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e28037\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eSarabanda Largo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e28046\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eGiga Presto\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA V\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ed\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e28067\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo Preludio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e28075\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllemanda Vivace\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e28083\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e28091\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eGiga Allegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e12/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA VI\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eG\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e28111\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio Preludio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e28119\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllemanda Vivace\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e28127\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eCorrente Allegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e28135\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e28143\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eGiga Allegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n               \u003c/list\u003e\n            "],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n                              Freiburg:Hochschule-Verlag,1981\n                           .\n                     \n                  \n                  \n                     B. [Handel]\n                     \n                        \n                           Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n                              Darley:Grian-Aig Press, 1972.\n                     \n                  \n                  \n                     B. [Pleyel]\n                     \n                        \n                           Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n                              New York:Pendragon Press,1977\n                           .\n                     \n                  \n                  \n                     B. [Tartini]\n                     \n                        \n                           Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n                              Milan:Carisch,1975\n                           .\n                     \n                  \n                  \n                     BUCEM\n                     \n                        \n                           The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n                           .\n                     \n                  \n                  \n                     CPM\n                     \n                        \n                           The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n                           \n                        \n                     \n                  \n                  \n                     \n                     \n                        \n                           Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n                              Geneva:Minkoff,1976\n                           .\n                     \n                  \n                  \n                     Devriès-Lesure\n                     \n                        \n                           Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n                              Geneva:Minkoff,1979-\n                           \n                        \n                     \n                  \n                  \n                     D.\n                     \n                        \n                           Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n                              Munich:Druck der Salesianischen Offizin,1935\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n                           .\n                     \n                  \n                  \n                     G.\n                     \n                        \n                           Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n                              London:Oxford University Press,1969\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n                           \n                              London:Haas, [1944].\n                     \n                  \n                  \n                     \n                     \n                        \n                           Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n                              New York:Da Capo,1979(reprint of the London, 1954, ed.).\n                        \n                     \n                  \n                  \n                     Hob.\n                     \n                        \n                           Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n                           .\n                     \n                  \n                  \n                     Humphries-Smith\n                     \n                        \n                           Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     J.\n                     \n                        \n                           Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n                              Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n                           .\n                     \n                  \n                  \n                     Johansson/French\n                     \n                        \n                           Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n                     \n                  \n                  \n                     Johansson/Hummel\n                     \n                        \n                           Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n                              Cuxhaven:W. Knape,1972\n                           .\n                     \n                  \n                  \n                     K.\n                     \n                        \n                           Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n                           .\n                     \n                  \n                  \n                     Lesure/Bibliographie\n                     \n                        \n                           Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n                              Paris:Société française de musicologie,1969\n                           .\n                     \n                  \n                  \n                     Lesure/Catalogue\n                     \n                        \n                           Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n                              Paris:Bibliothèque Nationale,1981\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n                              Cologne:Arno Volk Verlag,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n                     \n                  \n                  \n                     RISM\n                     \n                        \n                           Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n                           .\n                     \n                  \n                  \n                     RISM B/II\n                     \n                        \n                           Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n                           .\n                     \n                  \n                  \n                     Smith\n                     \n                        \n                           Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n                              London:The Bibliographical Society,1948\n                           .\n                     \n                  \n                  \n                     Smith/Handel\n                     \n                        \n                           Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     Smith-Humphries\n                     \n                        \n                           Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n                              London:The Bibliographical Society,1968\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n                           . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n                     \n                  \n                  \n                     \n                     \n                        \n                           Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n                              Leipzig:Breitkopf \u0026 Härtel,1904\n                           .\n                     \n                  \n                  \n                     Z. [Purcell]\n                     \n                        \n                           Zimmerman, Franklin B.\n                           Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n                              New York:St. Martin's Press,1963\n                           .\n                     \n                  \n                  \n                     Z. [Pugnani]\n                     \n                        \n                           Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n                              Berlin:Atlantis,1939\n                           .","Introduction\n            \n               \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n               \n            \n            Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n            The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n            The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n                  I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n                  \n               \n            \n            Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n                  The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n                  \n               \n               \n                  It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n                  \n               \n            \n            The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n            \n            It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n            The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n            A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n                  Anglo-American Cataloguing Rules\n                  (Chicago:American Library Association,1979)\n               . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n            Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n            \n            The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n            For dates, the terminology used is that recommended by the\n                  International Association of Music Libraries' Guide for Dating Early Published Music\n               .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n            All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n            The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n            \n               \n                  1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n               \n                  2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n               \n                  3Ibid.\n               \n                  4Mackay-Smith to Tuttle, 16 July 1948.\n               \n                  5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n               \n                  6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n                     The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n               \n                  7See\n                     Ronald B. McKerrow,An Introduction to Bibliography(\n                        Oxford:Clarendon Press,1927\n                     ), pp. 164-174.\n               \n                  8\n                  \n                     D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n               \n                  9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n                  , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n               \n                  10\n                  Compiled byD. W. Krummel\n                     (Hackensack, N.J.:Joseph Boonin,1974)\n                  .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n                              Freiburg:Hochschule-Verlag,1981\n                           .\n                     \n                  \n                  \n                     B. [Handel]\n                     \n                        \n                           Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n                              Darley:Grian-Aig Press, 1972.\n                     \n                  \n                  \n                     B. [Pleyel]\n                     \n                        \n                           Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n                              New York:Pendragon Press,1977\n                           .\n                     \n                  \n                  \n                     B. [Tartini]\n                     \n                        \n                           Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n                              Milan:Carisch,1975\n                           .\n                     \n                  \n                  \n                     BUCEM\n                     \n                        \n                           The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n                           .\n                     \n                  \n                  \n                     CPM\n                     \n                        \n                           The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n                           \n                        \n                     \n                  \n                  \n                     \n                     \n                        \n                           Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n                              Geneva:Minkoff,1976\n                           .\n                     \n                  \n                  \n                     Devriès-Lesure\n                     \n                        \n                           Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n                              Geneva:Minkoff,1979-\n                           \n                        \n                     \n                  \n                  \n                     D.\n                     \n                        \n                           Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n                              Munich:Druck der Salesianischen Offizin,1935\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n                           .\n                     \n                  \n                  \n                     G.\n                     \n                        \n                           Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n                              London:Oxford University Press,1969\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n                           \n                              London:Haas, [1944].\n                     \n                  \n                  \n                     \n                     \n                        \n                           Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n                              New York:Da Capo,1979(reprint of the London, 1954, ed.).\n                        \n                     \n                  \n                  \n                     Hob.\n                     \n                        \n                           Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n                           .\n                     \n                  \n                  \n                     Humphries-Smith\n                     \n                        \n                           Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     J.\n                     \n                        \n                           Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n                              Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n                           .\n                     \n                  \n                  \n                     Johansson/French\n                     \n                        \n                           Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n                     \n                  \n                  \n                     Johansson/Hummel\n                     \n                        \n                           Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n                              Cuxhaven:W. Knape,1972\n                           .\n                     \n                  \n                  \n                     K.\n                     \n                        \n                           Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n                           .\n                     \n                  \n                  \n                     Lesure/Bibliographie\n                     \n                        \n                           Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n                              Paris:Société française de musicologie,1969\n                           .\n                     \n                  \n                  \n                     Lesure/Catalogue\n                     \n                        \n                           Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n                              Paris:Bibliothèque Nationale,1981\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n                              Cologne:Arno Volk Verlag,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n                     \n                  \n                  \n                     RISM\n                     \n                        \n                           Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n                           .\n                     \n                  \n                  \n                     RISM B/II\n                     \n                        \n                           Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n                           .\n                     \n                  \n                  \n                     Smith\n                     \n                        \n                           Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n                              London:The Bibliographical Society,1948\n                           .\n                     \n                  \n                  \n                     Smith/Handel\n                     \n                        \n                           Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     Smith-Humphries\n                     \n                        \n                           Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n                              London:The Bibliographical Society,1968\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n                           . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n                     \n                  \n                  \n                     \n                     \n                        \n                           Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n                              Leipzig:Breitkopf \u0026 Härtel,1904\n                           .\n                     \n                  \n                  \n                     Z. [Purcell]\n                     \n                        \n                           Zimmerman, Franklin B.\n                           Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n                              New York:St. Martin's Press,1963\n                           .\n                     \n                  \n                  \n                     Z. [Pugnani]\n                     \n                        \n                           Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n                              Berlin:Atlantis,1939\n                           ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e\n         ","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e\n         ","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e\n      "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n            \n               \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n               \n            \n            Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n            The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n            The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n                  I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n                  \n               \n            \n            Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n                  The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n                  \n               \n               \n                  It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n                  \n               \n            \n            The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n            \n            It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n            The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n            A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n                  Anglo-American Cataloguing Rules\n                  (Chicago:American Library Association,1979)\n               . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n            Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n            \n            The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n            For dates, the terminology used is that recommended by the\n                  International Association of Music Libraries' Guide for Dating Early Published Music\n               .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n            All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n            The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n            \n               \n                  1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n               \n                  2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n               \n                  3Ibid.\n               \n                  4Mackay-Smith to Tuttle, 16 July 1948.\n               \n                  5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n               \n                  6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n                     The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n               \n                  7See\n                     Ronald B. McKerrow,An Introduction to Bibliography(\n                        Oxford:Clarendon Press,1927\n                     ), pp. 164-174.\n               \n                  8\n                  \n                     D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n               \n                  9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n                  , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n               \n                  10\n                  Compiled byD. W. Krummel\n                     (Hackensack, N.J.:Joseph Boonin,1974)\n                  ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n         "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are inEnglishandFrench"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:47:27.798Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Handel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Handel\"\u003e\n                           \u003cpersname\u003eBell, A. Craig\u003c/persname\u003e.\u003ctitle\u003eHandel: Chronological Thematic Catalogue\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eDarley\u003c/geogname\u003e:\u003cpublisher\u003eGrian-Aig Press\u003c/publisher\u003e, 1972\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Pleyel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Pleyel\"\u003e\n                           \u003cpersname\u003eBenton, Rita\u003c/persname\u003e.\u003ctitle\u003eIgnace Pleyel: A Thematic Catalogue of His Compositions\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003ePendragon Press\u003c/publisher\u003e,\u003cdate\u003e1977\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Tartini]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Tartini\"\u003e\n                           \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eBUCEM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"BUCEM\"\u003e\n                           \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eCPM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"CPM\"\u003e\n                           \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. 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Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e\n      "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viumu_mackay-smith_c79"}},{"id":"viumu_mackay-smith_c189","type":"Item","attributes":{"title":"Title Transcription: SONATAS of three Parts, for two Violins \u0026 a Bass with a through Bass for ye Organ Harpsicord or arch Lute Compos'd by Michele Mascitti. Opera Quinta. LONDON, Printed for J. Walsh Servt. to her Majty. at ye Harp \u0026 Hoboy in Katherine Street in ye Strand, \u0026 J. Hare at ye Viol \u0026 Flute in Cornhill near ye Royal Exchang, 1712","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c189#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e67228\"\u003eVivaceC\u003c/li\u003e\n\u003cli id=\"mvtd1e67236\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e67244\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e67252\"\u003eAllegro12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003ea\u003cul\u003e\n\u003cli id=\"mvtd1e67272\"\u003eUn Poco Andante3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e67280\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e67288\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e67296\"\u003eAllegro3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e67316\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e67324\"\u003eAllegro assaiC\u003c/li\u003e\n\u003cli id=\"mvtd1e67332\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e67340\"\u003eAllegroC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IV\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e67360\"\u003eAllegro e spiccoC\u003c/li\u003e\n\u003cli id=\"mvtd1e67368\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e67376\"\u003eLargoC3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e67384\"\u003eAllegroC2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA a Violino solo e Basso e secondo Violino se piace V\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e67405\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e67413\"\u003eAllemanda spiritosoC\u003c/li\u003e\n\u003cli id=\"mvtd1e67421\"\u003eCorrente AndanteC3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e67432\"\u003eGiga AllegroC12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VI\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e67455\"\u003eSpiritosoC\u003c/li\u003e\n\u003cli id=\"mvtd1e67463\"\u003eAllemanda AllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e67471\"\u003eSarabandaC3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e67479\"\u003eAllegroC2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c189#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c189","ref_ssm":["viumu_mackay-smith_c189"],"id":"viumu_mackay-smith_c189","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"SONATAS of three Parts, for two Violins \u0026 a Bass with a through Bass for ye Organ Harpsicord or arch Lute Compos'd by Michele Mascitti. Opera Quinta. LONDON, Printed for J. Walsh Servt. to her Majty. at ye Harp \u0026 Hoboy in Katherine Street in ye Strand, \u0026 J. Hare at ye Viol \u0026 Flute in Cornhill near ye Royal Exchang","title_ssm":["Title Transcription: SONATAS of three Parts, for two Violins \u0026 a Bass with a through Bass for ye Organ Harpsicord or arch Lute Compos'd by Michele Mascitti. Opera Quinta. LONDON, Printed for J. Walsh Servt. to her Majty. at ye Harp \u0026 Hoboy in Katherine Street in ye Strand, \u0026 J. Hare at ye Viol \u0026 Flute in Cornhill near ye Royal Exchang"],"title_tesim":["Title Transcription: SONATAS of three Parts, for two Violins \u0026 a Bass with a through Bass for ye Organ Harpsicord or arch Lute Compos'd by Michele Mascitti. Opera Quinta. LONDON, Printed for J. Walsh Servt. to her Majty. at ye Harp \u0026 Hoboy in Katherine Street in ye Strand, \u0026 J. Hare at ye Viol \u0026 Flute in Cornhill near ye Royal Exchang"],"normalized_title_ssm":["Title Transcription: SONATAS of three Parts, for two Violins \u0026 a Bass with a through Bass for ye Organ Harpsicord or arch Lute Compos'd by Michele Mascitti. Opera Quinta. LONDON, Printed for J. Walsh Servt. to her Majty. at ye Harp \u0026 Hoboy in Katherine Street in ye Strand, \u0026 J. Hare at ye Viol \u0026 Flute in Cornhill near ye Royal Exchang, 1712"],"text":["Title Transcription: SONATAS of three Parts, for two Violins \u0026 a Bass with a through Bass for ye Organ Harpsicord or arch Lute Compos'd by Michele Mascitti. Opera Quinta. LONDON, Printed for J. Walsh Servt. to her Majty. at ye Harp \u0026 Hoboy in Katherine Street in ye Strand, \u0026 J. Hare at ye Viol \u0026 Flute in Cornhill near ye Royal Exchang, 1712","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Four parts, folio, 274x173 (280x178): VIOLINO PRIMO: Title, verso blank. Music, pp. 1-10. VIOLINO SECONDO: Same as VIOLINO PRIMO. VIOLONCELLO: Title, verso blank. Music, pp. 1-9. Blank, [10]. Unfigured. ORGANO: Same as VIOLINO PRIMO.","Harp and Hoboy","Viol and Flute","Mascitti, Michele, 1663 or 1664-1760","Hare, John, d. 1725","Walsh, John, 1665 or 6-1736","London (England)","Allemande","Corrente","Jig","Sarabande","A","C","D","E","12/8","2/4","3/4","Adagio","Allegro","Allegro assai","Allegro e spicco","Allemanda allegro","Allemanda spiritoso","Corrente andante","Giga allegro","Grave","Largo","Sarabanda","Spiritoso","Un poco andante","Vivace","Smithno. 434.","The collection contains a second copy of this item.","Contents\n                  \n                     SONATA I\n                     D\n                     \n                        \n                           Vivace\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Grave\n                           C\n                        \n                        \n                           Allegro\n                           12/8\n                        \n                     \n                  \n                  \n                     SONATA II\n                     a\n                     \n                        \n                           Un Poco Andante\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Allegro\n                           3/4\n                        \n                     \n                  \n                  \n                     SONATA III\n                     C\n                     \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Allegro assai\n                           C\n                        \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                     \n                  \n                  \n                     SONATA IV\n                     e\n                     \n                        \n                           Allegro e spicco\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Largo\n                           C\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                           2/4\n                        \n                     \n                  \n                  \n                     SONATA a Violino solo e Basso e secondo Violino se piace V\n                     D\n                     \n                        \n                           Largo\n                           C\n                        \n                        \n                           Allemanda spiritoso\n                           C\n                        \n                        \n                           Corrente Andante\n                           C\n                           3/4\n                        \n                        \n                           Giga Allegro\n                           C\n                           12/8\n                        \n                     \n                  \n                  \n                     SONATA VI\n                     A\n                     \n                        \n                           Spiritoso\n                           C\n                        \n                        \n                           Allemanda Allegro\n                           C\n                        \n                        \n                           Sarabanda\n                           C\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                           2/4","M312.4.M37 1710"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1712"],"unitdate_other_ssim":["ca. 1712"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":676,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Four parts, folio, 274x173 (280x178): VIOLINO PRIMO: Title, verso blank. Music, pp. 1-10. VIOLINO SECONDO: Same as VIOLINO PRIMO. VIOLONCELLO: Title, verso blank. Music, pp. 1-9. Blank, [10]. Unfigured. ORGANO: Same as VIOLINO PRIMO."],"has_online_content_ssim":["false"],"child_component_count_isi":4,"corpname_ssim":["Harp and Hoboy","Viol and Flute"],"persname_ssim":["Mascitti, Michele, 1663 or 1664-1760","Hare, John, d. 1725","Walsh, John, 1665 or 6-1736"],"names_ssim":["Harp and Hoboy","Viol and Flute","Mascitti, Michele, 1663 or 1664-1760","Hare, John, d. 1725","Walsh, John, 1665 or 6-1736"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["Allemande","Corrente","Jig","Sarabande","A","C","D","E","12/8","2/4","3/4","Adagio","Allegro","Allegro assai","Allegro e spicco","Allemanda allegro","Allemanda spiritoso","Corrente andante","Giga allegro","Grave","Largo","Sarabanda","Spiritoso","Un poco andante","Vivace"],"access_subjects_ssm":["Allemande","Corrente","Jig","Sarabande","A","C","D","E","12/8","2/4","3/4","Adagio","Allegro","Allegro assai","Allegro e spicco","Allemanda allegro","Allemanda spiritoso","Corrente andante","Giga allegro","Grave","Largo","Sarabanda","Spiritoso","Un poco andante","Vivace"],"date_range_isim":[1712],"bibliography_html_tesm":["\u003cp\u003e\n                  \u003cref target=\"Smith\"\u003eSmith\u003c/ref\u003eno. 434.\u003c/p\u003e\n            "],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Smithno. 434."],"note_html_tesm":["\u003cp\u003eThe collection contains a second copy of this item.\u003c/p\u003e\n            "],"note_tesim":["The collection contains a second copy of this item."],"scopecontent_tesim":["Contents\n                  \n                     SONATA I\n                     D\n                     \n                        \n                           Vivace\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Grave\n                           C\n                        \n                        \n                           Allegro\n                           12/8\n                        \n                     \n                  \n                  \n                     SONATA II\n                     a\n                     \n                        \n                           Un Poco Andante\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Allegro\n                           3/4\n                        \n                     \n                  \n                  \n                     SONATA III\n                     C\n                     \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Allegro assai\n                           C\n                        \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                     \n                  \n                  \n                     SONATA IV\n                     e\n                     \n                        \n                           Allegro e spicco\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Largo\n                           C\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                           2/4\n                        \n                     \n                  \n                  \n                     SONATA a Violino solo e Basso e secondo Violino se piace V\n                     D\n                     \n                        \n                           Largo\n                           C\n                        \n                        \n                           Allemanda spiritoso\n                           C\n                        \n                        \n                           Corrente Andante\n                           C\n                           3/4\n                        \n                        \n                           Giga Allegro\n                           C\n                           12/8\n                        \n                     \n                  \n                  \n                     SONATA VI\n                     A\n                     \n                    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Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n                              Freiburg:Hochschule-Verlag,1981\n                           .\n                     \n                  \n                  \n                     B. [Handel]\n                     \n                        \n                           Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n                              Darley:Grian-Aig Press, 1972.\n                     \n                  \n                  \n                     B. [Pleyel]\n                     \n                        \n                           Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n                              New York:Pendragon Press,1977\n                           .\n                     \n                  \n                  \n                     B. [Tartini]\n                     \n                        \n                           Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n                              Milan:Carisch,1975\n                           .\n                     \n                  \n                  \n                     BUCEM\n                     \n                        \n                           The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n                           .\n                     \n                  \n                  \n                     CPM\n                     \n                        \n                           The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n                           \n                        \n                     \n                  \n                  \n                     \n                     \n                        \n                           Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n                              Geneva:Minkoff,1976\n                           .\n                     \n                  \n                  \n                     Devriès-Lesure\n                     \n                        \n                           Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n                              Geneva:Minkoff,1979-\n                           \n                        \n                     \n                  \n                  \n                     D.\n                     \n                        \n                           Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n                              Munich:Druck der Salesianischen Offizin,1935\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n                           .\n                     \n                  \n                  \n                     G.\n                     \n                        \n                           Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n                              London:Oxford University Press,1969\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n                           \n                              London:Haas, [1944].\n                     \n                  \n                  \n                     \n                     \n                        \n                           Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n                              New York:Da Capo,1979(reprint of the London, 1954, ed.).\n                        \n                     \n                  \n                  \n                     Hob.\n                     \n                        \n                           Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n                           .\n                     \n                  \n                  \n                     Humphries-Smith\n                     \n                        \n                           Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     J.\n                     \n                        \n                           Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n                              Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n                           .\n                     \n                  \n                  \n                     Johansson/French\n                     \n                        \n                           Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n                     \n                  \n                  \n                     Johansson/Hummel\n                     \n                        \n                           Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n                              Cuxhaven:W. Knape,1972\n                           .\n                     \n                  \n                  \n                     K.\n                     \n                        \n                           Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n                           .\n                     \n                  \n                  \n                     Lesure/Bibliographie\n                     \n                        \n                           Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n                              Paris:Société française de musicologie,1969\n                           .\n                     \n                  \n                  \n                     Lesure/Catalogue\n                     \n                        \n                           Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n                              Paris:Bibliothèque Nationale,1981\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n                              Cologne:Arno Volk Verlag,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n                     \n                  \n                  \n                     RISM\n                     \n                        \n                           Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n                           .\n                     \n                  \n                  \n                     RISM B/II\n                     \n                        \n                           Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n                           .\n                     \n                  \n                  \n                     Smith\n                     \n                        \n                           Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n                              London:The Bibliographical Society,1948\n                           .\n                     \n                  \n                  \n                     Smith/Handel\n                     \n                        \n                           Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     Smith-Humphries\n                     \n                        \n                           Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n                              London:The Bibliographical Society,1968\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n                           . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n                     \n                  \n                  \n                     \n                     \n                        \n                           Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n                              Leipzig:Breitkopf \u0026 Härtel,1904\n                           .\n                     \n                  \n                  \n                     Z. [Purcell]\n                     \n                        \n                           Zimmerman, Franklin B.\n                           Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n                              New York:St. Martin's Press,1963\n                           .\n                     \n                  \n                  \n                     Z. [Pugnani]\n                     \n                        \n                           Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n                              Berlin:Atlantis,1939\n                           .","Introduction\n            \n               \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n               \n            \n            Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n            The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n            The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n                  I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n                  \n               \n            \n            Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n                  The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n                  \n               \n               \n                  It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n                  \n               \n            \n            The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n            \n            It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n            The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n            A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n                  Anglo-American Cataloguing Rules\n                  (Chicago:American Library Association,1979)\n               . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n            Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n            \n            The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n            For dates, the terminology used is that recommended by the\n                  International Association of Music Libraries' Guide for Dating Early Published Music\n               .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n            All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n            The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n            \n               \n                  1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n               \n                  2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n               \n                  3Ibid.\n               \n                  4Mackay-Smith to Tuttle, 16 July 1948.\n               \n                  5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n               \n                  6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n                     The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n               \n                  7See\n                     Ronald B. McKerrow,An Introduction to Bibliography(\n                        Oxford:Clarendon Press,1927\n                     ), pp. 164-174.\n               \n                  8\n                  \n                     D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n               \n                  9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n                  , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n               \n                  10\n                  Compiled byD. W. Krummel\n                     (Hackensack, N.J.:Joseph Boonin,1974)\n                  .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"creator_corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"creators_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n                              Freiburg:Hochschule-Verlag,1981\n                           .\n                     \n                  \n                  \n                     B. [Handel]\n                     \n                        \n                           Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n                              Darley:Grian-Aig Press, 1972.\n                     \n                  \n                  \n                     B. [Pleyel]\n                     \n                        \n                           Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n                              New York:Pendragon Press,1977\n                           .\n                     \n                  \n                  \n                     B. [Tartini]\n                     \n                        \n                           Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n                              Milan:Carisch,1975\n                           .\n                     \n                  \n                  \n                     BUCEM\n                     \n                        \n                           The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n                           .\n                     \n                  \n                  \n                     CPM\n                     \n                        \n                           The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n                           \n                        \n                     \n                  \n                  \n                     \n                     \n                        \n                           Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n                              Geneva:Minkoff,1976\n                           .\n                     \n                  \n                  \n                     Devriès-Lesure\n                     \n                        \n                           Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n                              Geneva:Minkoff,1979-\n                           \n                        \n                     \n                  \n                  \n                     D.\n                     \n                        \n                           Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n                              Munich:Druck der Salesianischen Offizin,1935\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n                           .\n                     \n                  \n                  \n                     G.\n                     \n                        \n                           Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n                              London:Oxford University Press,1969\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n                           \n                              London:Haas, [1944].\n                     \n                  \n                  \n                     \n                     \n                        \n                           Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n                              New York:Da Capo,1979(reprint of the London, 1954, ed.).\n                        \n                     \n                  \n                  \n                     Hob.\n                     \n                        \n                           Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n                           .\n                     \n                  \n                  \n                     Humphries-Smith\n                     \n                        \n                           Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     J.\n                     \n                        \n                           Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n                              Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n                           .\n                     \n                  \n                  \n                     Johansson/French\n                     \n                        \n                           Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n                     \n                  \n                  \n                     Johansson/Hummel\n                     \n                        \n                           Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n                              Cuxhaven:W. Knape,1972\n                           .\n                     \n                  \n                  \n                     K.\n                     \n                        \n                           Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n                           .\n                     \n                  \n                  \n                     Lesure/Bibliographie\n                     \n                        \n                           Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n                              Paris:Société française de musicologie,1969\n                           .\n                     \n                  \n                  \n                     Lesure/Catalogue\n                     \n                        \n                           Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n                              Paris:Bibliothèque Nationale,1981\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n                              Cologne:Arno Volk Verlag,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n                     \n                  \n                  \n                     RISM\n                     \n                        \n                           Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n                           .\n                     \n                  \n                  \n                     RISM B/II\n                     \n                        \n                           Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n                           .\n                     \n                  \n                  \n                     Smith\n                     \n                        \n                           Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n                              London:The Bibliographical Society,1948\n                           .\n                     \n                  \n                  \n                     Smith/Handel\n                     \n                        \n                           Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     Smith-Humphries\n                     \n                        \n                           Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n                              London:The Bibliographical Society,1968\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n                           . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n                     \n                  \n                  \n                     \n                     \n                        \n                           Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n                              Leipzig:Breitkopf \u0026 Härtel,1904\n                           .\n                     \n                  \n                  \n                     Z. [Purcell]\n                     \n                        \n                           Zimmerman, Franklin B.\n                           Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n                              New York:St. Martin's Press,1963\n                           .\n                     \n                  \n                  \n                     Z. [Pugnani]\n                     \n                        \n                           Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n                              Berlin:Atlantis,1939\n                           ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e\n         ","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e\n         ","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e\n      "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n            \n               \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n               \n            \n            Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n            The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n            The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n                  I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n                  \n               \n            \n            Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n                  The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n                  \n               \n               \n                  It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n                  \n               \n            \n            The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n            \n            It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n            The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n            A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n                  Anglo-American Cataloguing Rules\n                  (Chicago:American Library Association,1979)\n               . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n            Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n            \n            The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n            For dates, the terminology used is that recommended by the\n                  International Association of Music Libraries' Guide for Dating Early Published Music\n               .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n            All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n            The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n            \n               \n                  1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n               \n                  2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n               \n                  3Ibid.\n               \n                  4Mackay-Smith to Tuttle, 16 July 1948.\n               \n                  5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n               \n                  6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n                     The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n               \n                  7See\n                     Ronald B. McKerrow,An Introduction to Bibliography(\n                        Oxford:Clarendon Press,1927\n                     ), pp. 164-174.\n               \n                  8\n                  \n                     D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n               \n                  9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n                  , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n               \n                  10\n                  Compiled byD. W. Krummel\n                     (Hackensack, N.J.:Joseph Boonin,1974)\n                  ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n         "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. 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H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. 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Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e\n      "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viumu_mackay-smith_c189"}},{"id":"viumu_mackay-smith_c143","type":"Item","attributes":{"title":"Title Transcription: TWELVE GRAND CONCERTOS IN SEVEN PARTS FOR FOUR VIOLINS, a TENOR VIOLIN, a VIOLONCELLO with a THROUGH BASS for the HARPSICORD. COMPOS'D BY GEORGE FREDERICK HANDEL. Publish'd by the Author London Printed for and sold by Iohn Walsh Musick Printer \u0026 Instrument Maker to his Majesty at the Harp and Hoboy in Catherine Street in the Strand. No. 670, 1740/1741","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c143#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO I\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e50544\"\u003eA tempo GiustoC\u003c/li\u003e\n\u003cli id=\"mvtd1e50552\"\u003eAllegro e forteC\u003c/li\u003e\n\u003cli id=\"mvtd1e50560\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e50568\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e50576\"\u003eAllegro6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO II\u003c/span\u003ed\u003cul\u003e\n\u003cli id=\"mvtd1e50596\"\u003eAndante LarghettoC\u003c/li\u003e\n\u003cli id=\"mvtd1e50604\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e50612\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e50620\"\u003eAllegro ma non troppo3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO III\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e50640\"\u003eLarghetto3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e50648\"\u003eAndante12/8\u003c/li\u003e\n\u003cli id=\"mvtd1e50656\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e50664\"\u003e\n\u003cabbr\u003ePolonoise\u003c/abbr\u003eAndante3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e50675\"\u003eAllegro ma non troppo6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO IV\u003c/span\u003ea\u003cul\u003e\n\u003cli id=\"mvtd1e50695\"\u003eLarghetto affettuosoC\u003c/li\u003e\n\u003cli id=\"mvtd1e50703\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e50711\"\u003eLargo e piano3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e50719\"\u003eAllegro3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO V\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e50740\"\u003e[no indication]3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e50748\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e50756\"\u003ePresto3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e50764\"\u003eLargo3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e50772\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e50781\"\u003eMinuet un poco Larghetto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO VI\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e50801\"\u003eLargo Affettuoso3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e50809\"\u003eAllegro ma non troppoC\u003c/li\u003e\n\u003cli id=\"mvtd1e50817\"\u003eLarghetto Musette3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e50825\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e50833\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO VII\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e50853\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e50861\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e50869\"\u003eLargo e piano3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e50877\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e50885\"\u003eHornpipe3/2\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO VIII\u003c/span\u003ec\u003cul\u003e\n\u003cli id=\"mvtd1e50905\"\u003eAllemandeC\u003c/li\u003e\n\u003cli id=\"mvtd1e50913\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e50921\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e50929\"\u003eSiciliana Andante12/8\u003c/li\u003e\n\u003cli id=\"mvtd1e50937\"\u003eAllegro3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO IX\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e50957\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e50965\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e50973\"\u003eLarghetto6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e50981\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e50989\"\u003eMenuet3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e50998\"\u003eGigue12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO X\u003c/span\u003ed\u003cul\u003e\n\u003cli id=\"mvtd1e51018\"\u003eOvertureC\u003c/li\u003e\n\u003cli id=\"mvtd1e51026\"\u003eAllegro6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e51034\"\u003eAir Lente3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e51042\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e51050\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e51059\"\u003eAllegro ModeratoC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO XI\u003c/span\u003eE\u003cul\u003e\n\u003cli id=\"mvtd1e51080\"\u003eAndante Larghetto e StaccatoC\u003c/li\u003e\n\u003cli id=\"mvtd1e51088\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e51096\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e51104\"\u003eAndante3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e51112\"\u003eAllegroC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO XII\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e51132\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e51140\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e51148\"\u003eAria Larghetto3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e51156\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e51164\"\u003eAllegroC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c143#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c143","ref_ssm":["viumu_mackay-smith_c143"],"id":"viumu_mackay-smith_c143","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"TWELVE GRAND CONCERTOS IN SEVEN PARTS FOR FOUR VIOLINS, a TENOR VIOLIN, a VIOLONCELLO with a THROUGH BASS for the HARPSICORD. COMPOS'D BY GEORGE FREDERICK HANDEL. Publish'd by the Author London Printed for and sold by Iohn Walsh Musick Printer \u0026 Instrument Maker to his Majesty at the Harp and Hoboy in Catherine Street in the Strand. No. 670","title_ssm":["Title Transcription: TWELVE GRAND CONCERTOS IN SEVEN PARTS FOR FOUR VIOLINS, a TENOR VIOLIN, a VIOLONCELLO with a THROUGH BASS for the HARPSICORD. COMPOS'D BY GEORGE FREDERICK HANDEL. Publish'd by the Author London Printed for and sold by Iohn Walsh Musick Printer \u0026 Instrument Maker to his Majesty at the Harp and Hoboy in Catherine Street in the Strand. No. 670"],"title_tesim":["Title Transcription: TWELVE GRAND CONCERTOS IN SEVEN PARTS FOR FOUR VIOLINS, a TENOR VIOLIN, a VIOLONCELLO with a THROUGH BASS for the HARPSICORD. COMPOS'D BY GEORGE FREDERICK HANDEL. Publish'd by the Author London Printed for and sold by Iohn Walsh Musick Printer \u0026 Instrument Maker to his Majesty at the Harp and Hoboy in Catherine Street in the Strand. No. 670"],"normalized_title_ssm":["Title Transcription: TWELVE GRAND CONCERTOS IN SEVEN PARTS FOR FOUR VIOLINS, a TENOR VIOLIN, a VIOLONCELLO with a THROUGH BASS for the HARPSICORD. COMPOS'D BY GEORGE FREDERICK HANDEL. Publish'd by the Author London Printed for and sold by Iohn Walsh Musick Printer \u0026 Instrument Maker to his Majesty at the Harp and Hoboy in Catherine Street in the Strand. No. 670, 1740/1741"],"text":["Title Transcription: TWELVE GRAND CONCERTOS IN SEVEN PARTS FOR FOUR VIOLINS, a TENOR VIOLIN, a VIOLONCELLO with a THROUGH BASS for the HARPSICORD. COMPOS'D BY GEORGE FREDERICK HANDEL. Publish'd by the Author London Printed for and sold by Iohn Walsh Musick Printer \u0026 Instrument Maker to his Majesty at the Harp and Hoboy in Catherine Street in the Strand. No. 670, 1740/1741","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Incomplete set. Four parts, folio, 241x190 (262x196): VIOLINO SECONDO CONCERTINO: Title, verso blank. Blank, [1]. Music, pp. 2-52. Blank. Music, pp. 53-56. Blank, [57]. VIOLINO PRIMO RIPIENO: Title, verso blank. Blank, [1]. Music, pp. 2-8. Blank, [9]. Music, pp. 10-12. Blank, [13]. Music, pp. 14-52. VIOLINO SECONDO RIPIENO: Title, verso blank. Music, pp. 1-34. Blank, [35]. Music, pp. 36-46. VIOLONCELLO: Title, verso blank. Blank, [1]. Music, pp. 16-44. Blank. Music, pp. 45-48. Blank, [49]. Unfigured.","Harp and Hoboy","Handel, George Frideric, 1685-1759","Walsh, John, 1665 or 6-1736","London (England)","Air","Allemande","Aria","Jig","Minuet","Musette","Overture","Polonaise","Siciliana","B♭","D","E","F","G","A","C","12/8","3/2","3/4","3/8","6/8","A tempo giusto","Adagio","Air lente","Allegro","Allegro moderato","Allegro e forte","Allegro ma non troppo","Andante","Andante larghetto","Andante larghetto e staccato","Aria larghetto","Gigue","Grave","Hornpipe","Larghetto","Larghetto musette","Larghetto affettuoso","Largo","Largo affettuoso","Largo e piano","Menuet","Minuet un poco larghetto","Polonaise andante","Presto","Siciliana andante","[no indication]","Smith/Handel, p. 222, no. 2.","Forms a complete set with no. 145.","Contents\n                  \n                     CONCERTO I\n                     G\n                     \n                        \n                           A tempo Giusto\n                           C\n                        \n                        \n                           Allegro e forte\n                           C\n                        \n                        \n                           Adagio\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Allegro\n                           6/8\n                        \n                     \n                  \n                  \n                     CONCERTO II\n                     d\n                     \n                        \n                           Andante Larghetto\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Largo\n                           3/4\n                        \n                        \n                           Allegro ma non troppo\n                           3/4\n                        \n                     \n                  \n                  \n                     CONCERTO III\n                     e\n                     \n                        \n                           Larghetto\n                           3/2\n                        \n                        \n                           Andante\n                           12/8\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           \n                              \n                                 PolonoiseAndante\n                           \n                           3/4\n                        \n                        \n                           Allegro ma non troppo\n                           6/8\n                        \n                     \n                  \n                  \n                     CONCERTO IV\n                     a\n                     \n                        \n                           Larghetto affettuoso\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Largo e piano\n                           3/2\n                        \n                        \n                           Allegro\n                           3/4\n                        \n                     \n                  \n                  \n                     CONCERTO V\n                     D\n                     \n                        \n                           [no indication]\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Presto\n                           3/8\n                        \n                        \n                           Largo\n                           3/2\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Minuet un poco Larghetto\n                           3/4\n                        \n                     \n                  \n                  \n                     CONCERTO VI\n                     g\n                     \n                        \n                           Largo Affettuoso\n                           3/2\n                        \n                        \n                           Allegro ma non troppo\n                           C\n                        \n                        \n                           Larghetto Musette\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Allegro\n                           3/8\n                        \n                     \n                  \n                  \n                     CONCERTO VII\n                     B♭\n                     \n                        \n                           Largo\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Largo e piano\n                           3/4\n                        \n                        \n                           Andante\n                           C\n                        \n                        \n                           Hornpipe\n                           3/2\n                        \n                     \n                  \n                  \n                     CONCERTO VIII\n                     c\n                     \n                        \n                           Allemande\n                           C\n                        \n                        \n                           Grave\n                           C\n                        \n                        \n                           Adagio\n                           3/4\n                        \n                        \n                           Siciliana Andante\n                           12/8\n                        \n                        \n                           Allegro\n                           3/4\n                        \n                     \n                  \n                  \n                     CONCERTO IX\n                     F\n                     \n                        \n                           Largo\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Larghetto\n                           6/8\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Menuet\n                           3/8\n                        \n                        \n                           Gigue\n                           12/8\n                        \n                     \n                  \n                  \n                     CONCERTO X\n                     d\n                     \n                        \n                           Overture\n                           C\n                        \n                        \n                           Allegro\n                           6/8\n                        \n                        \n                           Air Lente\n                           3/2\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Allegro\n                           3/4\n                        \n                        \n                           Allegro Moderato\n                           C\n                        \n                     \n                  \n                  \n                     CONCERTO XI\n                     E\n                     \n                        \n                           Andante Larghetto e Staccato\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Largo\n                           C\n                        \n                        \n                           Andante\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                        \n                     \n                  \n                  \n                     CONCERTO XII\n                     D\n                     \n                        \n                           Largo\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Aria Larghetto\n                           3/4\n                        \n                        \n                           Largo\n                           C\n                        \n                        \n                           Allegro\n                           C","M1040.H2 Op.6 1740"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1740/1741"],"unitdate_other_ssim":["ca. 1740-1741"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":499,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Incomplete set. Four parts, folio, 241x190 (262x196): VIOLINO SECONDO CONCERTINO: Title, verso blank. Blank, [1]. Music, pp. 2-52. Blank. Music, pp. 53-56. Blank, [57]. VIOLINO PRIMO RIPIENO: Title, verso blank. Blank, [1]. Music, pp. 2-8. Blank, [9]. Music, pp. 10-12. Blank, [13]. Music, pp. 14-52. VIOLINO SECONDO RIPIENO: Title, verso blank. Music, pp. 1-34. Blank, [35]. Music, pp. 36-46. VIOLONCELLO: Title, verso blank. Blank, [1]. Music, pp. 16-44. Blank. Music, pp. 45-48. Blank, [49]. Unfigured."],"has_online_content_ssim":["false"],"child_component_count_isi":4,"corpname_ssim":["Harp and Hoboy"],"persname_ssim":["Handel, George Frideric, 1685-1759","Walsh, John, 1665 or 6-1736"],"names_ssim":["Harp and Hoboy","Handel, George Frideric, 1685-1759","Walsh, John, 1665 or 6-1736"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["Air","Allemande","Aria","Jig","Minuet","Musette","Overture","Polonaise","Siciliana","B♭","D","E","F","G","A","C","12/8","3/2","3/4","3/8","6/8","A tempo giusto","Adagio","Air lente","Allegro","Allegro moderato","Allegro e forte","Allegro ma non troppo","Andante","Andante larghetto","Andante larghetto e staccato","Aria larghetto","Gigue","Grave","Hornpipe","Larghetto","Larghetto musette","Larghetto affettuoso","Largo","Largo affettuoso","Largo e piano","Menuet","Minuet un poco larghetto","Polonaise andante","Presto","Siciliana andante","[no indication]"],"access_subjects_ssm":["Air","Allemande","Aria","Jig","Minuet","Musette","Overture","Polonaise","Siciliana","B♭","D","E","F","G","A","C","12/8","3/2","3/4","3/8","6/8","A tempo giusto","Adagio","Air lente","Allegro","Allegro moderato","Allegro e forte","Allegro ma non troppo","Andante","Andante larghetto","Andante larghetto e staccato","Aria larghetto","Gigue","Grave","Hornpipe","Larghetto","Larghetto musette","Larghetto affettuoso","Largo","Largo affettuoso","Largo e piano","Menuet","Minuet un poco larghetto","Polonaise andante","Presto","Siciliana andante","[no indication]"],"date_range_isim":[1740,1741],"bibliography_html_tesm":["\u003cp\u003e\n                  \u003cref target=\"Smith-Handel\"\u003eSmith/Handel\u003c/ref\u003e, p. 222, no. 2.\u003c/p\u003e\n            "],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Smith/Handel, p. 222, no. 2."],"note_html_tesm":["\u003cp\u003eForms a complete set with no. 145.\u003c/p\u003e\n            "],"note_tesim":["Forms a complete set with no. 145."],"scopecontent_tesim":["Contents\n                  \n                     CONCERTO I\n                     G\n                     \n                        \n                           A tempo Giusto\n                           C\n                        \n                        \n                           Allegro e forte\n                           C\n                        \n                        \n                           Adagio\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Allegro\n                           6/8\n                        \n                     \n                  \n                  \n                     CONCERTO II\n                     d\n                     \n                        \n                           Andante Larghetto\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Largo\n                           3/4\n                        \n                        \n                           Allegro ma non troppo\n                           3/4\n                        \n                     \n                  \n                  \n                     CONCERTO III\n                     e\n                     \n                        \n                           Larghetto\n                           3/2\n                        \n                        \n                           Andante\n                           12/8\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           \n                              \n                                 PolonoiseAndante\n                           \n                           3/4\n                        \n                        \n                           Allegro ma non troppo\n                           6/8\n                        \n                     \n                  \n                  \n                     CONCERTO IV\n                     a\n                     \n                        \n                           Larghetto affettuoso\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Largo e piano\n                           3/2\n                        \n                        \n                           Allegro\n                           3/4\n                        \n                     \n                  \n                  \n                     CONCERTO V\n                     D\n                     \n                        \n                           [no indication]\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Presto\n                           3/8\n                        \n                        \n                           Largo\n                           3/2\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Minuet un poco Larghetto\n                           3/4\n                        \n                     \n                  \n                  \n                     CONCERTO VI\n                     g\n                     \n                        \n                           Largo Affettuoso\n                           3/2\n                        \n                        \n                           Allegro ma non troppo\n                           C\n                        \n                        \n                           Larghetto Musette\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Allegro\n                           3/8\n                        \n                     \n                  \n                  \n                     CONCERTO VII\n                     B♭\n                     \n                        \n                           Largo\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Largo e piano\n                           3/4\n                        \n                        \n                           Andante\n                           C\n                        \n                        \n                           Hornpipe\n                           3/2\n                        \n                     \n                  \n                  \n                     CONCERTO VIII\n                     c\n                     \n                        \n                           Allemande\n                           C\n                        \n                        \n                           Grave\n                           C\n                        \n                        \n                           Adagio\n                           3/4\n                        \n                        \n                           Siciliana Andante\n                           12/8\n                        \n                        \n                           Allegro\n                           3/4\n                        \n                     \n                  \n                  \n                     CONCERTO IX\n                     F\n                     \n                        \n                           Largo\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Larghetto\n                           6/8\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Menuet\n                           3/8\n                        \n                        \n                           Gigue\n                           12/8\n                        \n                     \n                  \n                  \n                     CONCERTO X\n                     d\n                     \n                        \n                           Overture\n                           C\n                        \n                        \n                           Allegro\n                           6/8\n                        \n                        \n                           Air Lente\n                           3/2\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Allegro\n                           3/4\n                        \n                        \n                           Allegro Moderato\n                           C\n                        \n                     \n                  \n                  \n                     CONCERTO XI\n                     E\n                     \n                        \n                           Andante Larghetto e Staccato\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Largo\n                           C\n                        \n                        \n                           Andante\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                        \n                     \n                  \n                  \n                     CONCERTO XII\n                     D\n                     \n                        \n                           Largo\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Aria Larghetto\n                           3/4\n                        \n                        \n                           Largo\n                           C\n                        \n                        \n                           Allegro\n                           C"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM1040.H2 Op.6 1740\u003c/physloc\u003e\n               "],"physloc_tesim":["M1040.H2 Op.6 1740"],"_nest_path_":"/components#142","timestamp":"2026-07-23T21:47:27.798Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO I\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eG\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e50544\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eA tempo Giusto\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50552\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro e forte\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50560\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50568\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50576\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO II\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ed\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e50596\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAndante Larghetto\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50604\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50612\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50620\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro ma non troppo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO III\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ee\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e50640\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLarghetto\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/2\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50648\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e12/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50656\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50664\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003e\n                              \u003cemph\u003e\n                                 \u003cabbr expan=\"Polonaise\"\u003ePolonoise\u003c/abbr\u003eAndante\u003c/emph\u003e\n                           \u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50675\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro ma non troppo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO IV\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ea\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e50695\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLarghetto affettuoso\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50703\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50711\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo e piano\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/2\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50719\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO V\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e50740\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003e[no indication]\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50748\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50756\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003ePresto\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50764\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/2\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50772\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50781\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eMinuet un poco Larghetto\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO VI\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eg\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e50801\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo Affettuoso\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/2\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50809\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro ma non troppo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50817\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLarghetto Musette\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50825\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50833\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO VII\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eB♭\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e50853\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50861\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50869\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo e piano\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50877\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50885\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eHornpipe\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/2\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO VIII\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ec\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e50905\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllemande\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50913\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eGrave\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50921\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50929\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eSiciliana Andante\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e12/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50937\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO IX\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eF\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e50957\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50965\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50973\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLarghetto\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50981\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50989\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eMenuet\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50998\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eGigue\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e12/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO X\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ed\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e51018\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eOverture\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e51026\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e51034\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAir 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"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n                              Freiburg:Hochschule-Verlag,1981\n                           .\n                     \n                  \n                  \n                     B. [Handel]\n                     \n                        \n                           Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n                              Darley:Grian-Aig Press, 1972.\n                     \n                  \n                  \n                     B. [Pleyel]\n                     \n                        \n                           Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n                              New York:Pendragon Press,1977\n                           .\n                     \n                  \n                  \n                     B. [Tartini]\n                     \n                        \n                           Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n                              Milan:Carisch,1975\n                           .\n                     \n                  \n                  \n                     BUCEM\n                     \n                        \n                           The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n                           .\n                     \n                  \n                  \n                     CPM\n                     \n                        \n                           The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n                           \n                        \n                     \n                  \n                  \n                     \n                     \n                        \n                           Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n                              Geneva:Minkoff,1976\n                           .\n                     \n                  \n                  \n                     Devriès-Lesure\n                     \n                        \n                           Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n                              Geneva:Minkoff,1979-\n                           \n                        \n                     \n                  \n                  \n                     D.\n                     \n                        \n                           Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n                              Munich:Druck der Salesianischen Offizin,1935\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n                           .\n                     \n                  \n                  \n                     G.\n                     \n                        \n                           Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n                              London:Oxford University Press,1969\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n                           \n                              London:Haas, [1944].\n                     \n                  \n                  \n                     \n                     \n                        \n                           Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n                              New York:Da Capo,1979(reprint of the London, 1954, ed.).\n                        \n                     \n                  \n                  \n                     Hob.\n                     \n                        \n                           Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n                           .\n                     \n                  \n                  \n                     Humphries-Smith\n                     \n                        \n                           Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     J.\n                     \n                        \n                           Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n                              Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n                           .\n                     \n                  \n                  \n                     Johansson/French\n                     \n                        \n                           Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n                     \n                  \n                  \n                     Johansson/Hummel\n                     \n                        \n                           Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n                              Cuxhaven:W. Knape,1972\n                           .\n                     \n                  \n                  \n                     K.\n                     \n                        \n                           Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n                           .\n                     \n                  \n                  \n                     Lesure/Bibliographie\n                     \n                        \n                           Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n                              Paris:Société française de musicologie,1969\n                           .\n                     \n                  \n                  \n                     Lesure/Catalogue\n                     \n                        \n                           Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n                              Paris:Bibliothèque Nationale,1981\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n                              Cologne:Arno Volk Verlag,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n                     \n                  \n                  \n                     RISM\n                     \n                        \n                           Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n                           .\n                     \n                  \n                  \n                     RISM B/II\n                     \n                        \n                           Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n                           .\n                     \n                  \n                  \n                     Smith\n                     \n                        \n                           Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n                              London:The Bibliographical Society,1948\n                           .\n                     \n                  \n                  \n                     Smith/Handel\n                     \n                        \n                           Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     Smith-Humphries\n                     \n                        \n                           Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n                              London:The Bibliographical Society,1968\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n                           . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n                     \n                  \n                  \n                     \n                     \n                        \n                           Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n                              Leipzig:Breitkopf \u0026 Härtel,1904\n                           .\n                     \n                  \n                  \n                     Z. [Purcell]\n                     \n                        \n                           Zimmerman, Franklin B.\n                           Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n                              New York:St. Martin's Press,1963\n                           .\n                     \n                  \n                  \n                     Z. [Pugnani]\n                     \n                        \n                           Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n                              Berlin:Atlantis,1939\n                           .","Introduction\n            \n               \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n               \n            \n            Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n            The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n            The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n                  I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n                  \n               \n            \n            Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n                  The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n                  \n               \n               \n                  It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n                  \n               \n            \n            The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n            \n            It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n            The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n            A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n                  Anglo-American Cataloguing Rules\n                  (Chicago:American Library Association,1979)\n               . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n            Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n            \n            The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n            For dates, the terminology used is that recommended by the\n                  International Association of Music Libraries' Guide for Dating Early Published Music\n               .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n            All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n            The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n            \n               \n                  1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n               \n                  2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n               \n                  3Ibid.\n               \n                  4Mackay-Smith to Tuttle, 16 July 1948.\n               \n                  5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n               \n                  6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n                     The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n               \n                  7See\n                     Ronald B. McKerrow,An Introduction to Bibliography(\n                        Oxford:Clarendon Press,1927\n                     ), pp. 164-174.\n               \n                  8\n                  \n                     D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n               \n                  9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n                  , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n               \n                  10\n                  Compiled byD. W. Krummel\n                     (Hackensack, N.J.:Joseph Boonin,1974)\n                  .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. 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H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. 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Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. 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A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. 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Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n                              Freiburg:Hochschule-Verlag,1981\n                           .\n                     \n                  \n                  \n                     B. [Handel]\n                     \n                        \n                           Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n                              Darley:Grian-Aig Press, 1972.\n                     \n                  \n                  \n                     B. [Pleyel]\n                     \n                        \n                           Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n                              New York:Pendragon Press,1977\n                           .\n                     \n                  \n                  \n                     B. [Tartini]\n                     \n                        \n                           Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n                              Milan:Carisch,1975\n                           .\n                     \n                  \n                  \n                     BUCEM\n                     \n                        \n                           The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n                           .\n                     \n                  \n                  \n                     CPM\n                     \n                        \n                           The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n                           \n                        \n                     \n                  \n                  \n                     \n                     \n                        \n                           Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n                              Geneva:Minkoff,1976\n                           .\n                     \n                  \n                  \n                     Devriès-Lesure\n                     \n                        \n                           Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n                              Geneva:Minkoff,1979-\n                           \n                        \n                     \n                  \n                  \n                     D.\n                     \n                        \n                           Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n                              Munich:Druck der Salesianischen Offizin,1935\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n                           .\n                     \n                  \n                  \n                     G.\n                     \n                        \n                           Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n                              London:Oxford University Press,1969\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n                           \n                              London:Haas, [1944].\n                     \n                  \n                  \n                     \n                     \n                        \n                           Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n                              New York:Da Capo,1979(reprint of the London, 1954, ed.).\n                        \n                     \n                  \n                  \n                     Hob.\n                     \n                        \n                           Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n                           .\n                     \n                  \n                  \n                     Humphries-Smith\n                     \n                        \n                           Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     J.\n                     \n                        \n                           Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n                              Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n                           .\n                     \n                  \n                  \n                     Johansson/French\n                     \n                        \n                           Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n                     \n                  \n                  \n                     Johansson/Hummel\n                     \n                        \n                           Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n                              Cuxhaven:W. Knape,1972\n                           .\n                     \n                  \n                  \n                     K.\n                     \n                        \n                           Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n                           .\n                     \n                  \n                  \n                     Lesure/Bibliographie\n                     \n                        \n                           Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n                              Paris:Société française de musicologie,1969\n                           .\n                     \n                  \n                  \n                     Lesure/Catalogue\n                     \n                        \n                           Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n                              Paris:Bibliothèque Nationale,1981\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n                              Cologne:Arno Volk Verlag,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n                     \n                  \n                  \n                     RISM\n                     \n                        \n                           Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n                           .\n                     \n                  \n                  \n                     RISM B/II\n                     \n                        \n                           Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n                           .\n                     \n                  \n                  \n                     Smith\n                     \n                        \n                           Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n                              London:The Bibliographical Society,1948\n                           .\n                     \n                  \n                  \n                     Smith/Handel\n                     \n                        \n                           Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     Smith-Humphries\n                     \n                        \n                           Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n                              London:The Bibliographical Society,1968\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n                           . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n                     \n                  \n                  \n                     \n                     \n                        \n                           Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n                              Leipzig:Breitkopf \u0026 Härtel,1904\n                           .\n                     \n                  \n                  \n                     Z. [Purcell]\n                     \n                        \n                           Zimmerman, Franklin B.\n                           Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n                              New York:St. Martin's Press,1963\n                           .\n                     \n                  \n                  \n                     Z. [Pugnani]\n                     \n                        \n                           Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n                              Berlin:Atlantis,1939\n                           ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e\n         ","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e\n         ","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e\n      "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n            \n               \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n               \n            \n            Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n            The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n            The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n                  I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n                  \n               \n            \n            Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n                  The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n                  \n               \n               \n                  It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n                  \n               \n            \n            The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n            \n            It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n            The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n            A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n                  Anglo-American Cataloguing Rules\n                  (Chicago:American Library Association,1979)\n               . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n            Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n            \n            The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n            For dates, the terminology used is that recommended by the\n                  International Association of Music Libraries' Guide for Dating Early Published Music\n               .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n            All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n            The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n            \n               \n                  1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n               \n                  2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n               \n                  3Ibid.\n               \n                  4Mackay-Smith to Tuttle, 16 July 1948.\n               \n                  5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n               \n                  6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n                     The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n               \n                  7See\n                     Ronald B. McKerrow,An Introduction to Bibliography(\n                        Oxford:Clarendon Press,1927\n                     ), pp. 164-174.\n               \n                  8\n                  \n                     D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n               \n                  9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n                  , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n               \n                  10\n                  Compiled byD. W. Krummel\n                     (Hackensack, N.J.:Joseph Boonin,1974)\n                  ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n         "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"names_ssim":["University of Virginia. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are inEnglishandFrench"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:47:27.798Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. 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         \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e\n      "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viumu_mackay-smith_c143"}},{"id":"viumu_mackay-smith_c159","type":"Item","attributes":{"title":"Title Transcription: XII SONATAS, FOR TWO VIOLINS; WITH A THROUGH BASS FOR THE HARPSICHORD. Composed by J: S: Humphries. Opera Prima. N.B. These Sonatas are proper to be play'd with two German Flutes \u0026c. Likewise where these are Sold may be had great variety of new Concertos, Sonatas, and Solos, for all Instruments in use. London. Printed for, and Sold by I: Walsh, Musick Printer, and Instrument maker to his Majesty, at the Harp and Hoboy, in Catherine Street, in the Strand., 1736","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c159#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e56744\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e56752\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e56760\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e56768\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e56776\"\u003eMenuet3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e56796\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e56804\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e56812\"\u003eAria Largo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e56820\"\u003eMenuett3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003ec\u003cul\u003e\n\u003cli id=\"mvtd1e56840\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e56848\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e56856\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e56864\"\u003eAllegroC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IV\u003c/span\u003ef\u003cul\u003e\n\u003cli id=\"mvtd1e56884\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e56892\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e56900\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e56908\"\u003eMinuet3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA V\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e56929\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e56937\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e56945\"\u003eLargo3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e56953\"\u003eGigue6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VI\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e56973\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e56981\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e56989\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e56997\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VII\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e57017\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e57025\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e57033\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e57041\"\u003eGigue6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VIII\u003c/span\u003eE♭\u003cul\u003e\n\u003cli id=\"mvtd1e57061\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e57069\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e57077\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e57085\"\u003eGigue6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IX\u003c/span\u003eE\u003cul\u003e\n\u003cli id=\"mvtd1e57105\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e57113\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e57121\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e57129\"\u003eMenuet3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA X\u003c/span\u003ec\u003cul\u003e\n\u003cli id=\"mvtd1e57149\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e57157\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e57165\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e57173\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA XI\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e57194\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e57202\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e57210\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e57218\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA XII\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e57238\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e57246\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e57254\"\u003eSarabanda Largo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e57262\"\u003eGigue6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c159#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c159","ref_ssm":["viumu_mackay-smith_c159"],"id":"viumu_mackay-smith_c159","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"XII SONATAS, FOR TWO VIOLINS; WITH A THROUGH BASS FOR THE HARPSICHORD. Composed by J: S: Humphries. Opera Prima. N.B. These Sonatas are proper to be play'd with two German Flutes \u0026c. Likewise where these are Sold may be had great variety of new Concertos, Sonatas, and Solos, for all Instruments in use. London. Printed for, and Sold by I: Walsh, Musick Printer, and Instrument maker to his Majesty, at the Harp and Hoboy, in Catherine Street, in the Strand.","title_ssm":["Title Transcription: XII SONATAS, FOR TWO VIOLINS; WITH A THROUGH BASS FOR THE HARPSICHORD. Composed by J: S: Humphries. Opera Prima. N.B. These Sonatas are proper to be play'd with two German Flutes \u0026c. Likewise where these are Sold may be had great variety of new Concertos, Sonatas, and Solos, for all Instruments in use. London. Printed for, and Sold by I: Walsh, Musick Printer, and Instrument maker to his Majesty, at the Harp and Hoboy, in Catherine Street, in the Strand."],"title_tesim":["Title Transcription: XII SONATAS, FOR TWO VIOLINS; WITH A THROUGH BASS FOR THE HARPSICHORD. Composed by J: S: Humphries. Opera Prima. N.B. These Sonatas are proper to be play'd with two German Flutes \u0026c. Likewise where these are Sold may be had great variety of new Concertos, Sonatas, and Solos, for all Instruments in use. London. Printed for, and Sold by I: Walsh, Musick Printer, and Instrument maker to his Majesty, at the Harp and Hoboy, in Catherine Street, in the Strand."],"normalized_title_ssm":["Title Transcription: XII SONATAS, FOR TWO VIOLINS; WITH A THROUGH BASS FOR THE HARPSICHORD. Composed by J: S: Humphries. Opera Prima. N.B. These Sonatas are proper to be play'd with two German Flutes \u0026c. Likewise where these are Sold may be had great variety of new Concertos, Sonatas, and Solos, for all Instruments in use. London. Printed for, and Sold by I: Walsh, Musick Printer, and Instrument maker to his Majesty, at the Harp and Hoboy, in Catherine Street, in the Strand., 1736"],"text":["Title Transcription: XII SONATAS, FOR TWO VIOLINS; WITH A THROUGH BASS FOR THE HARPSICHORD. Composed by J: S: Humphries. Opera Prima. N.B. These Sonatas are proper to be play'd with two German Flutes \u0026c. Likewise where these are Sold may be had great variety of new Concertos, Sonatas, and Solos, for all Instruments in use. London. Printed for, and Sold by I: Walsh, Musick Printer, and Instrument maker to his Majesty, at the Harp and Hoboy, in Catherine Street, in the Strand., 1736","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Three parts, folio, 144x176 (259x189): VIOLINO PRIMO: Title, verso blank. Blank, [1]. Music, pp. 2-20. VIOLINO SECONDO: Title, verso blank. Blank, [1]. Music, pp. 2-15. Blank, [16]. BASSO CONTINUO: Same as VIOLINO SECONDO.","Harp and Hoboy","Humphries, John, ca. 1707-ca. 1740","Walsh, John, 1665 or 6-1736","Owain Edwards","William S. Newman","London (England)","Aria","Jig","Minuet","Sarabande","A","D","E","E♭","F","G","C","3/2","3/4","3/8","6/8","Adagio","Allegro","Aria largo","Gigue","Largo","Menuet","Menuett","Sarabanda largo","Smith-Humphries, no. 852.","It is unclear if J.S. Humphries and John Humphries were the same composer. See\n                     Owain Edwards, \"Humphries, John,\"The New Grove\n                  , v. 8, p. 792 and\n                     William S. Newman,The Sonata in the Baroque Era,3d ed. (New York:Norton,1972), pp. 317-318.","Contents\n                  \n                     SONATA I\n                     G\n                     \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Menuet\n                           3/8\n                        \n                     \n                  \n                  \n                     SONATA II\n                     e\n                     \n                        \n                           Adagio\n                           3/4\n                        \n                        \n                           Allegro\n                           3/4\n                        \n                        \n                           Aria Largo\n                           3/4\n                        \n                        \n                           Menuett\n                           3/8\n                        \n                     \n                  \n                  \n                     SONATA III\n                     c\n                     \n                        \n                           Adagio\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                        \n                     \n                  \n                  \n                     SONATA IV\n                     f\n                     \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Minuet\n                           3/8\n                        \n                     \n                  \n                  \n                     SONATA V\n                     D\n                     \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Largo\n                           3/8\n                        \n                        \n                           Gigue\n                           6/8\n                        \n                     \n                  \n                  \n                     SONATA VI\n                     A\n                     \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Allegro\n                           3/8\n                        \n                     \n                  \n                  \n                     SONATA VII\n                     e\n                     \n                        \n                           Adagio\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           3/4\n                        \n                        \n                           Gigue\n                           6/8\n                        \n                     \n                  \n                  \n                     SONATA VIII\n                     E♭\n                     \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Gigue\n                           6/8\n                        \n                     \n                  \n                  \n                     SONATA IX\n                     E\n                     \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Menuet\n                           3/8\n                        \n                     \n                  \n                  \n                     SONATA X\n                     c\n                     \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Allegro\n                           3/8\n                        \n                     \n                  \n                  \n                     SONATA XI\n                     g\n                     \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Allegro\n                           3/8\n                        \n                     \n                  \n                  \n                     SONATA XII\n                     F\n                     \n                        \n                           Adagio\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Sarabanda Largo\n                           3/4\n                        \n                        \n                           Gigue\n                           6/8","M312.4.H85 1750"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1736"],"unitdate_other_ssim":["ca. 1736"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":569,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Three parts, folio, 144x176 (259x189): VIOLINO PRIMO: Title, verso blank. Blank, [1]. Music, pp. 2-20. VIOLINO SECONDO: Title, verso blank. Blank, [1]. Music, pp. 2-15. Blank, [16]. BASSO CONTINUO: Same as VIOLINO SECONDO."],"has_online_content_ssim":["false"],"child_component_count_isi":3,"corpname_ssim":["Harp and Hoboy"],"persname_ssim":["Humphries, John, ca. 1707-ca. 1740","Walsh, John, 1665 or 6-1736","Owain Edwards","William S. Newman"],"names_ssim":["Harp and Hoboy","Humphries, John, ca. 1707-ca. 1740","Walsh, John, 1665 or 6-1736","Owain Edwards","William S. Newman"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["Aria","Jig","Minuet","Sarabande","A","D","E","E♭","F","G","C","3/2","3/4","3/8","6/8","Adagio","Allegro","Aria largo","Gigue","Largo","Menuet","Menuett","Sarabanda largo"],"access_subjects_ssm":["Aria","Jig","Minuet","Sarabande","A","D","E","E♭","F","G","C","3/2","3/4","3/8","6/8","Adagio","Allegro","Aria largo","Gigue","Largo","Menuet","Menuett","Sarabanda largo"],"date_range_isim":[1736],"bibliography_html_tesm":["\u003cp\u003e\n                  \u003cref target=\"Smith-Humphries\"\u003eSmith-Humphries\u003c/ref\u003e, no. 852.\u003c/p\u003e\n            "],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Smith-Humphries, no. 852."],"note_html_tesm":["\u003cp\u003eIt is unclear if J.S. Humphries and John Humphries were the same composer. See\u003cbibref\u003e\n                     \u003cpersname\u003eOwain Edwards\u003c/persname\u003e, \"\u003ctitle\u003eHumphries, John\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e\n                  \u003c/bibref\u003e, v. 8, p. 792 and\u003cbibref\u003e\n                     \u003cpersname\u003eWilliam S. Newman\u003c/persname\u003e,\u003ctitle\u003eThe Sonata in the Baroque Era\u003c/title\u003e,\u003cimprint\u003e3d ed. (\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eNorton\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e)\u003c/imprint\u003e, pp. 317-318.\u003c/bibref\u003e\n               \u003c/p\u003e\n            "],"note_tesim":["It is unclear if J.S. Humphries and John Humphries were the same composer. See\n                     Owain Edwards, \"Humphries, John,\"The New Grove\n                  , v. 8, p. 792 and\n                     William S. Newman,The Sonata in the Baroque Era,3d ed. (New York:Norton,1972), pp. 317-318."],"scopecontent_tesim":["Contents\n                  \n                     SONATA I\n                     G\n                     \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Menuet\n                           3/8\n                        \n                     \n                  \n                  \n                     SONATA II\n                     e\n                     \n                        \n                           Adagio\n                           3/4\n                        \n                        \n                           Allegro\n                           3/4\n                        \n                        \n                           Aria Largo\n                           3/4\n                        \n                        \n                           Menuett\n                           3/8\n                        \n                     \n                  \n                  \n                     SONATA III\n                     c\n                     \n                        \n                           Adagio\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                        \n                     \n                  \n                  \n                     SONATA IV\n                     f\n                     \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Minuet\n                           3/8\n                        \n                     \n                  \n                  \n                     SONATA V\n                     D\n                     \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Largo\n                           3/8\n                        \n                        \n                           Gigue\n                           6/8\n                        \n                     \n                  \n                  \n                     SONATA VI\n                     A\n                     \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Allegro\n                           3/8\n                        \n                     \n                  \n                  \n                     SONATA VII\n                     e\n                     \n                        \n                           Adagio\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           3/4\n                        \n                        \n                           Gigue\n                           6/8\n                        \n                     \n                  \n                  \n                     SONATA VIII\n                     E♭\n                     \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Gigue\n                           6/8\n                        \n                     \n                  \n                  \n                     SONATA IX\n                     E\n                     \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Menuet\n                           3/8\n                        \n                     \n                  \n                  \n                     SONATA X\n                     c\n                     \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Allegro\n                           3/8\n                        \n                     \n                  \n                  \n                     SONATA XI\n                     g\n                     \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Allegro\n                           3/8\n                        \n                     \n                  \n                  \n                     SONATA XII\n                     F\n                     \n                        \n                           Adagio\n                           3/4\n                        \n                        \n                           Allegro\n                           C\n                        \n                        \n                           Sarabanda Largo\n                           3/4\n                        \n                        \n                           Gigue\n                           6/8"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.H85 1750\u003c/physloc\u003e\n               "],"physloc_tesim":["M312.4.H85 1750"],"_nest_path_":"/components#158","timestamp":"2026-07-23T21:47:27.798Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA I\u003c/title\u003e\n                     \u003cgenreform 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type=\"meter\"\u003e6/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n               \u003c/list\u003e\n            "],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n                              Freiburg:Hochschule-Verlag,1981\n                           .\n                     \n                  \n                  \n                     B. [Handel]\n                     \n                        \n                           Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n                              Darley:Grian-Aig Press, 1972.\n                     \n                  \n                  \n                     B. [Pleyel]\n                     \n                        \n                           Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n                              New York:Pendragon Press,1977\n                           .\n                     \n                  \n                  \n                     B. [Tartini]\n                     \n                        \n                           Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n                              Milan:Carisch,1975\n                           .\n                     \n                  \n                  \n                     BUCEM\n                     \n                        \n                           The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n                           .\n                     \n                  \n                  \n                     CPM\n                     \n                        \n                           The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n                           \n                        \n                     \n                  \n                  \n                     \n                     \n                        \n                           Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n                              Geneva:Minkoff,1976\n                           .\n                     \n                  \n                  \n                     Devriès-Lesure\n                     \n                        \n                           Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n                              Geneva:Minkoff,1979-\n                           \n                        \n                     \n                  \n                  \n                     D.\n                     \n                        \n                           Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n                              Munich:Druck der Salesianischen Offizin,1935\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n                           .\n                     \n                  \n                  \n                     G.\n                     \n                        \n                           Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n                              London:Oxford University Press,1969\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n                           \n                              London:Haas, [1944].\n                     \n                  \n                  \n                     \n                     \n                        \n                           Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n                              New York:Da Capo,1979(reprint of the London, 1954, ed.).\n                        \n                     \n                  \n                  \n                     Hob.\n                     \n                        \n                           Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n                           .\n                     \n                  \n                  \n                     Humphries-Smith\n                     \n                        \n                           Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     J.\n                     \n                        \n                           Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n                              Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n                           .\n                     \n                  \n                  \n                     Johansson/French\n                     \n                        \n                           Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n                     \n                  \n                  \n                     Johansson/Hummel\n                     \n                        \n                           Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n                              Cuxhaven:W. Knape,1972\n                           .\n                     \n                  \n                  \n                     K.\n                     \n                        \n                           Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n                           .\n                     \n                  \n                  \n                     Lesure/Bibliographie\n                     \n                        \n                           Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n                              Paris:Société française de musicologie,1969\n                           .\n                     \n                  \n                  \n                     Lesure/Catalogue\n                     \n                        \n                           Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n                              Paris:Bibliothèque Nationale,1981\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n                              Cologne:Arno Volk Verlag,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n                     \n                  \n                  \n                     RISM\n                     \n                        \n                           Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n                           .\n                     \n                  \n                  \n                     RISM B/II\n                     \n                        \n                           Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n                           .\n                     \n                  \n                  \n                     Smith\n                     \n                        \n                           Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n                              London:The Bibliographical Society,1948\n                           .\n                     \n                  \n                  \n                     Smith/Handel\n                     \n                        \n                           Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     Smith-Humphries\n                     \n                        \n                           Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n                              London:The Bibliographical Society,1968\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n                           . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n                     \n                  \n                  \n                     \n                     \n                        \n                           Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n                              Leipzig:Breitkopf \u0026 Härtel,1904\n                           .\n                     \n                  \n                  \n                     Z. [Purcell]\n                     \n                        \n                           Zimmerman, Franklin B.\n                           Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n                              New York:St. Martin's Press,1963\n                           .\n                     \n                  \n                  \n                     Z. [Pugnani]\n                     \n                        \n                           Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n                              Berlin:Atlantis,1939\n                           .","Introduction\n            \n               \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n               \n            \n            Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n            The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n            The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n                  I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n                  \n               \n            \n            Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n                  The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n                  \n               \n               \n                  It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n                  \n               \n            \n            The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n            \n            It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n            The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n            A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n                  Anglo-American Cataloguing Rules\n                  (Chicago:American Library Association,1979)\n               . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n            Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n            \n            The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n            For dates, the terminology used is that recommended by the\n                  International Association of Music Libraries' Guide for Dating Early Published Music\n               .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n            All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n            The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n            \n               \n                  1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n               \n                  2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n               \n                  3Ibid.\n               \n                  4Mackay-Smith to Tuttle, 16 July 1948.\n               \n                  5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n               \n                  6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n                     The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n               \n                  7See\n                     Ronald B. McKerrow,An Introduction to Bibliography(\n                        Oxford:Clarendon Press,1927\n                     ), pp. 164-174.\n               \n                  8\n                  \n                     D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n               \n                  9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n                  , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n               \n                  10\n                  Compiled byD. W. Krummel\n                     (Hackensack, N.J.:Joseph Boonin,1974)\n                  .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. 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Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n                              Freiburg:Hochschule-Verlag,1981\n                           .\n                     \n                  \n                  \n                     B. [Handel]\n                     \n                        \n                           Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n                              Darley:Grian-Aig Press, 1972.\n                     \n                  \n                  \n                     B. [Pleyel]\n                     \n                        \n                           Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n                              New York:Pendragon Press,1977\n                           .\n                     \n                  \n                  \n                     B. [Tartini]\n                     \n                        \n                           Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n                              Milan:Carisch,1975\n                           .\n                     \n                  \n                  \n                     BUCEM\n                     \n                        \n                           The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n                           .\n                     \n                  \n                  \n                     CPM\n                     \n                        \n                           The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n                           \n                        \n                     \n                  \n                  \n                     \n                     \n                        \n                           Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n                              Geneva:Minkoff,1976\n                           .\n                     \n                  \n                  \n                     Devriès-Lesure\n                     \n                        \n                           Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n                              Geneva:Minkoff,1979-\n                           \n                        \n                     \n                  \n                  \n                     D.\n                     \n                        \n                           Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n                              Munich:Druck der Salesianischen Offizin,1935\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n                           .\n                     \n                  \n                  \n                     G.\n                     \n                        \n                           Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n                              London:Oxford University Press,1969\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n                           \n                              London:Haas, [1944].\n                     \n                  \n                  \n                     \n                     \n                        \n                           Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n                              New York:Da Capo,1979(reprint of the London, 1954, ed.).\n                        \n                     \n                  \n                  \n                     Hob.\n                     \n                        \n                           Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n                           .\n                     \n                  \n                  \n                     Humphries-Smith\n                     \n                        \n                           Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     J.\n                     \n                        \n                           Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n                              Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n                           .\n                     \n                  \n                  \n                     Johansson/French\n                     \n                        \n                           Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n                     \n                  \n                  \n                     Johansson/Hummel\n                     \n                        \n                           Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n                              Cuxhaven:W. Knape,1972\n                           .\n                     \n                  \n                  \n                     K.\n                     \n                        \n                           Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n                           .\n                     \n                  \n                  \n                     Lesure/Bibliographie\n                     \n                        \n                           Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n                              Paris:Société française de musicologie,1969\n                           .\n                     \n                  \n                  \n                     Lesure/Catalogue\n                     \n                        \n                           Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n                              Paris:Bibliothèque Nationale,1981\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n                              Cologne:Arno Volk Verlag,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n                     \n                  \n                  \n                     RISM\n                     \n                        \n                           Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n                           .\n                     \n                  \n                  \n                     RISM B/II\n                     \n                        \n                           Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n                           .\n                     \n                  \n                  \n                     Smith\n                     \n                        \n                           Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n                              London:The Bibliographical Society,1948\n                           .\n                     \n                  \n                  \n                     Smith/Handel\n                     \n                        \n                           Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     Smith-Humphries\n                     \n                        \n                           Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n                              London:The Bibliographical Society,1968\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n                           . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n                     \n                  \n                  \n                     \n                     \n                        \n                           Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n                              Leipzig:Breitkopf \u0026 Härtel,1904\n                           .\n                     \n                  \n                  \n                     Z. [Purcell]\n                     \n                        \n                           Zimmerman, Franklin B.\n                           Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n                              New York:St. Martin's Press,1963\n                           .\n                     \n                  \n                  \n                     Z. [Pugnani]\n                     \n                        \n                           Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n                              Berlin:Atlantis,1939\n                           ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e\n         ","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e\n         ","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e\n      "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n            \n               \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n               \n            \n            Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n            The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n            The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n                  I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n                  \n               \n            \n            Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n                  The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n                  \n               \n               \n                  It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n                  \n               \n            \n            The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n            \n            It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n            The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n            A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n                  Anglo-American Cataloguing Rules\n                  (Chicago:American Library Association,1979)\n               . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n            Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n            \n            The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n            For dates, the terminology used is that recommended by the\n                  International Association of Music Libraries' Guide for Dating Early Published Music\n               .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n            All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n            The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n            \n               \n                  1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n               \n                  2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n               \n                  3Ibid.\n               \n                  4Mackay-Smith to Tuttle, 16 July 1948.\n               \n                  5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n               \n                  6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n                     The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n               \n                  7See\n                     Ronald B. McKerrow,An Introduction to Bibliography(\n                        Oxford:Clarendon Press,1927\n                     ), pp. 164-174.\n               \n                  8\n                  \n                     D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n               \n                  9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n                  , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n               \n                  10\n                  Compiled byD. W. Krummel\n                     (Hackensack, N.J.:Joseph Boonin,1974)\n                  ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n         "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are inEnglishandFrench"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:47:27.798Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Handel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Handel\"\u003e\n                           \u003cpersname\u003eBell, A. Craig\u003c/persname\u003e.\u003ctitle\u003eHandel: Chronological Thematic Catalogue\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eDarley\u003c/geogname\u003e:\u003cpublisher\u003eGrian-Aig Press\u003c/publisher\u003e, 1972\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Pleyel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Pleyel\"\u003e\n                           \u003cpersname\u003eBenton, Rita\u003c/persname\u003e.\u003ctitle\u003eIgnace Pleyel: A Thematic Catalogue of His Compositions\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003ePendragon Press\u003c/publisher\u003e,\u003cdate\u003e1977\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Tartini]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Tartini\"\u003e\n                           \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eBUCEM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"BUCEM\"\u003e\n                           \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eCPM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"CPM\"\u003e\n                           \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e\n      "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viumu_mackay-smith_c159"}},{"id":"viumu_mackay-smith_c183","type":"Item","attributes":{"title":"Title Transcription: XII SONATAS in three Parts Six of which are for two VIOLINS and a BASS three for two GERMAN FLUTES and three for a HAUTBOY \u0026 common FLUTE with a BASS for the VIOLONCELLO and a Thorough BASS for the HARPSICORD Compos'd by Mr: John Loeillet Opera Secunda London Printed for and sold by I: Walsh servant to his Majesty at the Harp and Hoboy in Catherine. street in the Strand. and Ino. and Ioseph Hare at the Viol and Flute in Cornhill near the Royal Exchange, 1725","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c183#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e64937\"\u003ePoco LargoC|\u003c/li\u003e\n\u003cli id=\"mvtd1e64945\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e64953\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e64961\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e64969\"\u003eGavotta Poco Allegro2\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e64989\"\u003eLargoC|\u003c/li\u003e\n\u003cli id=\"mvtd1e64997\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e65005\"\u003eLargo3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e65013\"\u003eAllegro3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e65021\"\u003eMenuet3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e65030\"\u003e[no indication]3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e65050\"\u003eGraveC|\u003c/li\u003e\n\u003cli id=\"mvtd1e65058\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e65066\"\u003eLargo3\u003c/li\u003e\n\u003cli id=\"mvtd1e65074\"\u003eVivaceC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IV\u003c/span\u003ed\u003cul\u003e\n\u003cli id=\"mvtd1e65094\"\u003eLargoC|\u003c/li\u003e\n\u003cli id=\"mvtd1e65102\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e65110\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e65118\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA V\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e65139\"\u003eVivaceC|\u003c/li\u003e\n\u003cli id=\"mvtd1e65147\"\u003eAllegro3\u003c/li\u003e\n\u003cli id=\"mvtd1e65155\"\u003eLargo3\u003c/li\u003e\n\u003cli id=\"mvtd1e65163\"\u003eAllegro12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VI\u003c/span\u003ec\u003cul\u003e\n\u003cli id=\"mvtd1e65183\"\u003eLargo3\u003c/li\u003e\n\u003cli id=\"mvtd1e65191\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e65199\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e65207\"\u003eAllegro2\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VII\u003c/span\u003eE\u003cul\u003e\n\u003cli id=\"mvtd1e65227\"\u003eLarghettoC|\u003c/li\u003e\n\u003cli id=\"mvtd1e65235\"\u003eAllegro3\u003c/li\u003e\n\u003cli id=\"mvtd1e65243\"\u003eLargo3\u003c/li\u003e\n\u003cli id=\"mvtd1e65251\"\u003eAllegro Assai2\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VIII\u003c/span\u003eb\u003cul\u003e\n\u003cli id=\"mvtd1e65271\"\u003e\n\u003cabbr\u003eSisilliano\u003c/abbr\u003eAffettuoso6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e65282\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e65290\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e65298\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IX\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e65318\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e65326\"\u003ePoco AllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e65334\"\u003eLargo3\u003c/li\u003e\n\u003cli id=\"mvtd1e65342\"\u003eAllegro2\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA X\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e65362\"\u003eLargo3\u003c/li\u003e\n\u003cli id=\"mvtd1e65370\"\u003ePoco AllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e65378\"\u003eLargo3\u003c/li\u003e\n\u003cli id=\"mvtd1e65386\"\u003eAllegro12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA XI\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e65407\"\u003eAdagioC|\u003c/li\u003e\n\u003cli id=\"mvtd1e65415\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e65423\"\u003eLargo3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e65431\"\u003eAllegro3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA XII\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e65451\"\u003e\n\u003cabbr\u003eAffetuoso\u003c/abbr\u003e6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e65461\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e65469\"\u003eLargo3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e65477\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c183#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c183","ref_ssm":["viumu_mackay-smith_c183"],"id":"viumu_mackay-smith_c183","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"XII SONATAS in three Parts Six of which are for two VIOLINS and a BASS three for two GERMAN FLUTES and three for a HAUTBOY \u0026 common FLUTE with a BASS for the VIOLONCELLO and a Thorough BASS for the HARPSICORD Compos'd by Mr: John Loeillet Opera Secunda London Printed for and sold by I: Walsh servant to his Majesty at the Harp and Hoboy in Catherine. street in the Strand. and Ino. and Ioseph Hare at the Viol and Flute in Cornhill near the Royal Exchange","title_ssm":["Title Transcription: XII SONATAS in three Parts Six of which are for two VIOLINS and a BASS three for two GERMAN FLUTES and three for a HAUTBOY \u0026 common FLUTE with a BASS for the VIOLONCELLO and a Thorough BASS for the HARPSICORD Compos'd by Mr: John Loeillet Opera Secunda London Printed for and sold by I: Walsh servant to his Majesty at the Harp and Hoboy in Catherine. street in the Strand. and Ino. and Ioseph Hare at the Viol and Flute in Cornhill near the Royal Exchange"],"title_tesim":["Title Transcription: XII SONATAS in three Parts Six of which are for two VIOLINS and a BASS three for two GERMAN FLUTES and three for a HAUTBOY \u0026 common FLUTE with a BASS for the VIOLONCELLO and a Thorough BASS for the HARPSICORD Compos'd by Mr: John Loeillet Opera Secunda London Printed for and sold by I: Walsh servant to his Majesty at the Harp and Hoboy in Catherine. street in the Strand. and Ino. and Ioseph Hare at the Viol and Flute in Cornhill near the Royal Exchange"],"normalized_title_ssm":["Title Transcription: XII SONATAS in three Parts Six of which are for two VIOLINS and a BASS three for two GERMAN FLUTES and three for a HAUTBOY \u0026 common FLUTE with a BASS for the VIOLONCELLO and a Thorough BASS for the HARPSICORD Compos'd by Mr: John Loeillet Opera Secunda London Printed for and sold by I: Walsh servant to his Majesty at the Harp and Hoboy in Catherine. street in the Strand. and Ino. and Ioseph Hare at the Viol and Flute in Cornhill near the Royal Exchange, 1725"],"text":["Title Transcription: XII SONATAS in three Parts Six of which are for two VIOLINS and a BASS three for two GERMAN FLUTES and three for a HAUTBOY \u0026 common FLUTE with a BASS for the VIOLONCELLO and a Thorough BASS for the HARPSICORD Compos'd by Mr: John Loeillet Opera Secunda London Printed for and sold by I: Walsh servant to his Majesty at the Harp and Hoboy in Catherine. street in the Strand. and Ino. and Ioseph Hare at the Viol and Flute in Cornhill near the Royal Exchange, 1725","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Three parts, folio, 260x182 (265x195): Violino Primo: Title, verso blank. Letter of dedication, verso blank, [i-ii]. Blank, [iii]. Music, pp. 1-24. Blank, [25]. Pages 7-8 (Sonata IV) and 11-12 (Sonata VI) have heading: \"Flauto\". Pages 15-16 (Sonata VIII), 19-20 (Sonata X), and 23-24 (Sonata XII) have heading: \"Traversa Prima\". Violino Secondo: Title, verso blank. Blank, [i]. Music, pp. 1-24. Blank, [25]. Pages 3-4 (Sonata II), 7-8 (Sonata IV), and 11-12 (Sonata VI) have heading: \"Hautboy Secondo\". Pages 15-16 (Sonata VIII), 19-20 (Sonata X), and 23-24 (Sonata XII) have heading: \"Traversa Secondo\". Basso Continuo (2 copies): Title, verso blank. Blank, [i]. Music, pp. 1-24. Blank, [25].","John and Joseph Hare","Harp and Hoboy","Viol and Flute","Lœillet, Jean Baptiste, b. 1688","Walsh, John, 1665 or 6-1736","London (England)","Gavotte","Minuet","Siciliana","A","B♭","D","E","F","G","B","C","12/8","2","3","3/2","3/4","3/8","6/8","C|","Adagio","Affettuoso","Allegro","Allegro assai","Andante","Gavotta poco allegro","Grave","Larghetto","Largo","Menuet","Poco allegro","Poco largo","Siciliano affettuoso","Vivace","[no indication]","Smith-Humphries, no. 958.","Dedicated \"To the most Noble his Grace John Duke of Rutland...\". The letter of dedication cited by Priestman (p. 226) varies: \"To the Most Illustrious Prince John Duke of Rutland...\". The collection contains a second copy of this item.","Contents\n                  \n                     SONATA I\n                     B♭\n                     \n                        \n                           Poco Largo\n                           C|\n                        \n                        \n                           Allegro\n                           3/4\n                        \n                        \n                           Grave\n                           C\n                        \n                        \n                           Andante\n                           C\n                        \n                        \n                           Gavotta Poco Allegro\n                           2\n                        \n                     \n                  \n                  \n                     SONATA II\n                     F\n                     \n                        \n                           Largo\n                           C|\n                        \n                        \n                           Allegro\n                           C|\n                        \n                        \n                           Largo\n                           3/2\n                        \n                        \n                           Allegro\n                           3/8\n                        \n                        \n                           Menuet\n                           3/8\n                        \n                        \n                           [no indication]\n                           3/8\n                        \n                     \n                  \n                  \n                     SONATA III\n                     A\n                     \n                        \n                           Grave\n                           C|\n                        \n                        \n                           Allegro\n                           3/4\n                        \n                        \n                           Largo\n                           3\n                        \n                        \n                           Vivace\n                           C|\n                        \n                     \n                  \n                  \n                     SONATA IV\n                     d\n                     \n                        \n                           Largo\n                           C|\n                        \n                        \n                           Allegro\n                           C|\n                        \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Allegro\n                           3/8\n                        \n                     \n                  \n                  \n                     SONATA V\n                     g\n                     \n                        \n                           Vivace\n                           C|\n                        \n                        \n                           Allegro\n                           3\n                        \n                        \n                           Largo\n                           3\n                        \n                        \n                           Allegro\n                           12/8\n                        \n                     \n                  \n                  \n                     SONATA VI\n                     c\n                     \n                        \n                           Largo\n                           3\n                        \n                        \n                           Allegro\n                           C|\n                        \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Allegro\n                           2\n                        \n                     \n                  \n                  \n                     SONATA VII\n                     E\n                     \n                        \n                           Larghetto\n                           C|\n                        \n                        \n                           Allegro\n                           3\n                        \n                        \n                           Largo\n                           3\n                        \n                        \n                           Allegro Assai\n                           2\n                        \n                     \n                  \n                  \n                     SONATA VIII\n                     b\n                     \n                        \n                           \n                              \n                                 SisillianoAffettuoso\n                           \n                           6/8\n                        \n                        \n                           Allegro\n                           3/4\n                        \n                        \n                           Largo\n                           C\n                        \n                        \n                           Allegro\n                           3/8\n                        \n                     \n                  \n                  \n                     SONATA IX\n                     g\n                     \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Poco Allegro\n                           C|\n                        \n                        \n                           Largo\n                           3\n                        \n                        \n                           Allegro\n                           2\n                        \n                     \n                  \n                  \n                     SONATA X\n                     e\n                     \n                        \n                           Largo\n                           3\n                        \n                        \n                           Poco Allegro\n                           C|\n                        \n                        \n                           Largo\n                           3\n                        \n                        \n                           Allegro\n                           12/8\n                        \n                     \n                  \n                  \n                     SONATA XI\n                     D\n                     \n                        \n                           Adagio\n                           C|\n                        \n                        \n                           Allegro\n                           C|\n                        \n                        \n                           Largo\n                           3/2\n                        \n                        \n                           Allegro\n                           3/4\n                        \n                     \n                  \n                  \n                     SONATA XII\n                     G\n                     \n                        \n                           \n                              \n                                 Affetuoso\n                              \n                           \n                           6/8\n                        \n                        \n                           Allegro\n                           C|\n                        \n                        \n                           Largo\n                           3/2\n                        \n                        \n                           Allegro\n                           3/8","M312.4.L62 1725"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1725"],"unitdate_other_ssim":["ca. 1725"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":657,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Three parts, folio, 260x182 (265x195): Violino Primo: Title, verso blank. Letter of dedication, verso blank, [i-ii]. Blank, [iii]. Music, pp. 1-24. Blank, [25]. Pages 7-8 (Sonata IV) and 11-12 (Sonata VI) have heading: \"Flauto\". Pages 15-16 (Sonata VIII), 19-20 (Sonata X), and 23-24 (Sonata XII) have heading: \"Traversa Prima\". Violino Secondo: Title, verso blank. Blank, [i]. Music, pp. 1-24. Blank, [25]. Pages 3-4 (Sonata II), 7-8 (Sonata IV), and 11-12 (Sonata VI) have heading: \"Hautboy Secondo\". Pages 15-16 (Sonata VIII), 19-20 (Sonata X), and 23-24 (Sonata XII) have heading: \"Traversa Secondo\". Basso Continuo (2 copies): Title, verso blank. Blank, [i]. Music, pp. 1-24. Blank, [25]."],"has_online_content_ssim":["false"],"child_component_count_isi":3,"corpname_ssim":["John and Joseph Hare","Harp and Hoboy","Viol and Flute"],"persname_ssim":["Lœillet, Jean Baptiste, b. 1688","Walsh, John, 1665 or 6-1736"],"names_ssim":["John and Joseph Hare","Harp and Hoboy","Viol and Flute","Lœillet, Jean Baptiste, b. 1688","Walsh, John, 1665 or 6-1736"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["Gavotte","Minuet","Siciliana","A","B♭","D","E","F","G","B","C","12/8","2","3","3/2","3/4","3/8","6/8","C|","Adagio","Affettuoso","Allegro","Allegro assai","Andante","Gavotta poco allegro","Grave","Larghetto","Largo","Menuet","Poco allegro","Poco largo","Siciliano affettuoso","Vivace","[no indication]"],"access_subjects_ssm":["Gavotte","Minuet","Siciliana","A","B♭","D","E","F","G","B","C","12/8","2","3","3/2","3/4","3/8","6/8","C|","Adagio","Affettuoso","Allegro","Allegro assai","Andante","Gavotta poco allegro","Grave","Larghetto","Largo","Menuet","Poco allegro","Poco largo","Siciliano affettuoso","Vivace","[no indication]"],"date_range_isim":[1725],"bibliography_html_tesm":["\u003cp\u003e\n                  \u003cref target=\"Smith-Humphries\"\u003eSmith-Humphries\u003c/ref\u003e, no. 958.\u003c/p\u003e\n            "],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Smith-Humphries, no. 958."],"note_html_tesm":["\u003cp\u003eDedicated \"To the most Noble his Grace John Duke of Rutland...\". The letter of dedication cited by Priestman (p. 226) varies: \"To the Most Illustrious Prince John Duke of Rutland...\". The collection contains a second copy of this item.\u003c/p\u003e\n            "],"note_tesim":["Dedicated \"To the most Noble his Grace John Duke of Rutland...\". The letter of dedication cited by Priestman (p. 226) varies: \"To the Most Illustrious Prince John Duke of Rutland...\". The collection contains a second copy of this item."],"scopecontent_tesim":["Contents\n                  \n                     SONATA I\n                     B♭\n                     \n                        \n                           Poco Largo\n                           C|\n                        \n                        \n                           Allegro\n                           3/4\n                        \n                        \n                           Grave\n                           C\n                        \n                        \n                           Andante\n                           C\n                        \n                        \n                           Gavotta Poco Allegro\n                           2\n                        \n                     \n                  \n                  \n                     SONATA II\n                     F\n                     \n                        \n                           Largo\n                           C|\n                        \n                        \n                           Allegro\n                           C|\n                        \n                        \n                           Largo\n                           3/2\n                        \n                        \n                           Allegro\n                           3/8\n                        \n                        \n                           Menuet\n                           3/8\n                        \n                        \n                           [no indication]\n                           3/8\n                        \n                     \n                  \n                  \n                     SONATA III\n                     A\n                     \n                        \n                           Grave\n                           C|\n                        \n                        \n                           Allegro\n                           3/4\n                        \n                        \n                           Largo\n                           3\n                        \n                        \n                           Vivace\n                           C|\n                        \n                     \n                  \n                  \n                     SONATA IV\n                     d\n                     \n                        \n                           Largo\n                           C|\n                        \n                        \n                           Allegro\n                           C|\n                        \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Allegro\n                           3/8\n                        \n                     \n                  \n                  \n                     SONATA V\n                     g\n                     \n                        \n                           Vivace\n                           C|\n                        \n                        \n                           Allegro\n                           3\n                        \n                        \n                           Largo\n                           3\n                        \n                        \n                           Allegro\n                           12/8\n                        \n                     \n                  \n                  \n                     SONATA VI\n                     c\n                     \n                        \n                           Largo\n                           3\n                        \n                        \n                           Allegro\n                           C|\n                        \n                        \n                           Adagio\n                           3/2\n                        \n                        \n                           Allegro\n                           2\n                        \n                     \n                  \n                  \n                     SONATA VII\n                     E\n                     \n                        \n                           Larghetto\n                           C|\n                        \n                        \n                           Allegro\n                           3\n                        \n                        \n                           Largo\n                           3\n                        \n                        \n                           Allegro Assai\n                           2\n                        \n                     \n                  \n                  \n                     SONATA VIII\n                     b\n                     \n                        \n                           \n                              \n                                 SisillianoAffettuoso\n                           \n                           6/8\n                        \n                        \n                           Allegro\n                           3/4\n                        \n                        \n                           Largo\n                           C\n                        \n                        \n                           Allegro\n                           3/8\n                        \n                     \n                  \n                  \n                     SONATA IX\n                     g\n                     \n                        \n                           Adagio\n                           C\n                        \n                        \n                           Poco Allegro\n                           C|\n                        \n                        \n                           Largo\n                           3\n                        \n                        \n                           Allegro\n                           2\n                        \n                     \n                  \n                  \n                     SONATA X\n                     e\n                     \n                        \n                           Largo\n                           3\n                        \n                        \n                           Poco Allegro\n                           C|\n                        \n                        \n                           Largo\n                           3\n                        \n                        \n                           Allegro\n                           12/8\n                        \n                     \n                  \n                  \n                     SONATA XI\n                     D\n                     \n                        \n                           Adagio\n                           C|\n                        \n                        \n                           Allegro\n                           C|\n                        \n                        \n                           Largo\n                           3/2\n                        \n                        \n                           Allegro\n                           3/4\n                        \n                     \n                  \n                  \n                     SONATA XII\n                     G\n                     \n                        \n                           \n                              \n                                 Affetuoso\n                              \n                           \n                           6/8\n                        \n                        \n                           Allegro\n                           C|\n                        \n                        \n                           Largo\n                           3/2\n                        \n                        \n                           Allegro\n                           3/8"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.L62 1725\u003c/physloc\u003e\n               "],"physloc_tesim":["M312.4.L62 1725"],"_nest_path_":"/components#182","timestamp":"2026-07-23T21:47:27.798Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA I\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eB♭\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e64937\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003ePoco Largo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64945\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64953\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eGrave\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64961\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64969\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eGavotta Poco Allegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e2\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA II\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eF\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e64989\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64997\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e65005\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/2\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e65013\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e65021\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eMenuet\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e65030\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003e[no 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    \u003citem id=\"mvtd1e65094\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e65102\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e65110\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/2\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e65118\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA V\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eg\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e65139\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eVivace\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e65147\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform 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       \u003citem id=\"mvtd1e65415\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e65423\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/2\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e65431\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA XII\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eG\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e65451\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003e\n                              \u003cemph\u003e\n                                 \u003cabbr expan=\"Affettuoso\"\u003eAffetuoso\u003c/abbr\u003e\n                              \u003c/emph\u003e\n                           \u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e65461\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     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"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n                              Freiburg:Hochschule-Verlag,1981\n                           .\n                     \n                  \n                  \n                     B. [Handel]\n                     \n                        \n                           Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n                              Darley:Grian-Aig Press, 1972.\n                     \n                  \n                  \n                     B. [Pleyel]\n                     \n                        \n                           Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n                              New York:Pendragon Press,1977\n                           .\n                     \n                  \n                  \n                     B. [Tartini]\n                     \n                        \n                           Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n                              Milan:Carisch,1975\n                           .\n                     \n                  \n                  \n                     BUCEM\n                     \n                        \n                           The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n                           .\n                     \n                  \n                  \n                     CPM\n                     \n                        \n                           The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n                           \n                        \n                     \n                  \n                  \n                     \n                     \n                        \n                           Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n                              Geneva:Minkoff,1976\n                           .\n                     \n                  \n                  \n                     Devriès-Lesure\n                     \n                        \n                           Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n                              Geneva:Minkoff,1979-\n                           \n                        \n                     \n                  \n                  \n                     D.\n                     \n                        \n                           Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n                              Munich:Druck der Salesianischen Offizin,1935\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n                           .\n                     \n                  \n                  \n                     G.\n                     \n                        \n                           Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n                              London:Oxford University Press,1969\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n                           \n                              London:Haas, [1944].\n                     \n                  \n                  \n                     \n                     \n                        \n                           Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n                              New York:Da Capo,1979(reprint of the London, 1954, ed.).\n                        \n                     \n                  \n                  \n                     Hob.\n                     \n                        \n                           Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n                           .\n                     \n                  \n                  \n                     Humphries-Smith\n                     \n                        \n                           Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     J.\n                     \n                        \n                           Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n                              Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n                           .\n                     \n                  \n                  \n                     Johansson/French\n                     \n                        \n                           Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n                     \n                  \n                  \n                     Johansson/Hummel\n                     \n                        \n                           Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n                              Cuxhaven:W. Knape,1972\n                           .\n                     \n                  \n                  \n                     K.\n                     \n                        \n                           Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n                           .\n                     \n                  \n                  \n                     Lesure/Bibliographie\n                     \n                        \n                           Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n                              Paris:Société française de musicologie,1969\n                           .\n                     \n                  \n                  \n                     Lesure/Catalogue\n                     \n                        \n                           Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n                              Paris:Bibliothèque Nationale,1981\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n                              Cologne:Arno Volk Verlag,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n                     \n                  \n                  \n                     RISM\n                     \n                        \n                           Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n                           .\n                     \n                  \n                  \n                     RISM B/II\n                     \n                        \n                           Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n                           .\n                     \n                  \n                  \n                     Smith\n                     \n                        \n                           Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n                              London:The Bibliographical Society,1948\n                           .\n                     \n                  \n                  \n                     Smith/Handel\n                     \n                        \n                           Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     Smith-Humphries\n                     \n                        \n                           Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n                              London:The Bibliographical Society,1968\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n                           . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n                     \n                  \n                  \n                     \n                     \n                        \n                           Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n                              Leipzig:Breitkopf \u0026 Härtel,1904\n                           .\n                     \n                  \n                  \n                     Z. [Purcell]\n                     \n                        \n                           Zimmerman, Franklin B.\n                           Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n                              New York:St. Martin's Press,1963\n                           .\n                     \n                  \n                  \n                     Z. [Pugnani]\n                     \n                        \n                           Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n                              Berlin:Atlantis,1939\n                           .","Introduction\n            \n               \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n               \n            \n            Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n            The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n            The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n                  I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n                  \n               \n            \n            Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n                  The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n                  \n               \n               \n                  It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n                  \n               \n            \n            The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n            \n            It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n            The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n            A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n                  Anglo-American Cataloguing Rules\n                  (Chicago:American Library Association,1979)\n               . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n            Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n            \n            The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n            For dates, the terminology used is that recommended by the\n                  International Association of Music Libraries' Guide for Dating Early Published Music\n               .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n            All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n            The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n            \n               \n                  1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n               \n                  2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n               \n                  3Ibid.\n               \n                  4Mackay-Smith to Tuttle, 16 July 1948.\n               \n                  5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n               \n                  6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n                     The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n               \n                  7See\n                     Ronald B. McKerrow,An Introduction to Bibliography(\n                        Oxford:Clarendon Press,1927\n                     ), pp. 164-174.\n               \n                  8\n                  \n                     D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n               \n                  9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n                  , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n               \n                  10\n                  Compiled byD. W. Krummel\n                     (Hackensack, N.J.:Joseph Boonin,1974)\n                  .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"creator_corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"creators_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n                              Freiburg:Hochschule-Verlag,1981\n                           .\n                     \n                  \n                  \n                     B. [Handel]\n                     \n                        \n                           Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n                              Darley:Grian-Aig Press, 1972.\n                     \n                  \n                  \n                     B. [Pleyel]\n                     \n                        \n                           Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n                              New York:Pendragon Press,1977\n                           .\n                     \n                  \n                  \n                     B. [Tartini]\n                     \n                        \n                           Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n                              Milan:Carisch,1975\n                           .\n                     \n                  \n                  \n                     BUCEM\n                     \n                        \n                           The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n                           .\n                     \n                  \n                  \n                     CPM\n                     \n                        \n                           The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n                           \n                        \n                     \n                  \n                  \n                     \n                     \n                        \n                           Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n                              Geneva:Minkoff,1976\n                           .\n                     \n                  \n                  \n                     Devriès-Lesure\n                     \n                        \n                           Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n                              Geneva:Minkoff,1979-\n                           \n                        \n                     \n                  \n                  \n                     D.\n                     \n                        \n                           Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n                              Munich:Druck der Salesianischen Offizin,1935\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n                           .\n                     \n                  \n                  \n                     G.\n                     \n                        \n                           Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n                              London:Oxford University Press,1969\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n                           \n                              London:Haas, [1944].\n                     \n                  \n                  \n                     \n                     \n                        \n                           Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n                              New York:Da Capo,1979(reprint of the London, 1954, ed.).\n                        \n                     \n                  \n                  \n                     Hob.\n                     \n                        \n                           Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n                           .\n                     \n                  \n                  \n                     Humphries-Smith\n                     \n                        \n                           Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     J.\n                     \n                        \n                           Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n                              Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n                           .\n                     \n                  \n                  \n                     Johansson/French\n                     \n                        \n                           Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n                     \n                  \n                  \n                     Johansson/Hummel\n                     \n                        \n                           Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n                              Cuxhaven:W. Knape,1972\n                           .\n                     \n                  \n                  \n                     K.\n                     \n                        \n                           Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n                           .\n                     \n                  \n                  \n                     Lesure/Bibliographie\n                     \n                        \n                           Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n                              Paris:Société française de musicologie,1969\n                           .\n                     \n                  \n                  \n                     Lesure/Catalogue\n                     \n                        \n                           Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n                              Paris:Bibliothèque Nationale,1981\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n                              Cologne:Arno Volk Verlag,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n                     \n                  \n                  \n                     RISM\n                     \n                        \n                           Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n                           .\n                     \n                  \n                  \n                     RISM B/II\n                     \n                        \n                           Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n                           .\n                     \n                  \n                  \n                     Smith\n                     \n                        \n                           Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n                              London:The Bibliographical Society,1948\n                           .\n                     \n                  \n                  \n                     Smith/Handel\n                     \n                        \n                           Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n                           .\n                     \n                  \n                  \n                     Smith-Humphries\n                     \n                        \n                           Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n                              London:The Bibliographical Society,1968\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n                           .\n                     \n                  \n                  \n                     \n                     \n                        \n                           Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n                           . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n                     \n                  \n                  \n                     \n                     \n                        \n                           Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n                              Leipzig:Breitkopf \u0026 Härtel,1904\n                           .\n                     \n                  \n                  \n                     Z. [Purcell]\n                     \n                        \n                           Zimmerman, Franklin B.\n                           Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n                              New York:St. Martin's Press,1963\n                           .\n                     \n                  \n                  \n                     Z. [Pugnani]\n                     \n                        \n                           Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n                              Berlin:Atlantis,1939\n                           ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e\n         ","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e\n         ","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e\n      "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n            \n               \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n               \n            \n            Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n            The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n            The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n                  I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n                  \n               \n            \n            Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n                  The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n                  \n               \n               \n                  It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n                  \n               \n            \n            The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n            \n            It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n            The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n            A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n                  Anglo-American Cataloguing Rules\n                  (Chicago:American Library Association,1979)\n               . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n            Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n            \n            The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n            For dates, the terminology used is that recommended by the\n                  International Association of Music Libraries' Guide for Dating Early Published Music\n               .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n            All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n            The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n            \n               \n                  1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n               \n                  2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n               \n                  3Ibid.\n               \n                  4Mackay-Smith to Tuttle, 16 July 1948.\n               \n                  5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n               \n                  6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n                     The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n               \n                  7See\n                     Ronald B. McKerrow,An Introduction to Bibliography(\n                        Oxford:Clarendon Press,1927\n                     ), pp. 164-174.\n               \n                  8\n                  \n                     D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n               \n                  9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n                  , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n               \n                  10\n                  Compiled byD. W. Krummel\n                     (Hackensack, N.J.:Joseph Boonin,1974)\n                  ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n         "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. 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A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. 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Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eCPM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"CPM\"\u003e\n                           \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. 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