{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=International+Archive+of+Women+in+Architecture+%28IAWA%29\u0026page=11","prev":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=International+Archive+of+Women+in+Architecture+%28IAWA%29\u0026page=10","next":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=International+Archive+of+Women+in+Architecture+%28IAWA%29\u0026page=12","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=International+Archive+of+Women+in+Architecture+%28IAWA%29\u0026page=17"},"meta":{"pages":{"current_page":11,"next_page":12,"prev_page":10,"total_pages":17,"limit_value":10,"offset_value":100,"total_count":164,"first_page?":false,"last_page?":false}},"data":[{"id":"viblbv_repositories_2_resources_2320","type":"collection","attributes":{"title":"Maria Peeva Architectural Collection, 1978/2006","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2320#creator","type":"document_value","attributes":{"value":"Peeva, Maria Georgieva","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2320#abstract_or_scope","type":"document_value","attributes":{"value":"Maria Peeva is a Bulgarian architect known particularly for designing schools, vacation houses, hotels, and retail stores. Her collection includes a curriculum vitae, project lists, and renderings/construction drawings for two projects: workers vacation retreat for the Shumen Chemical Factory \"Volov\" (1979) and vacation houses in the Village of Rogachevo, Balchik County (near Varna, 2005).","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2320#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2320","ead_ssi":"viblbv_repositories_2_resources_2320","_root_":"viblbv_repositories_2_resources_2320","_nest_parent_":"viblbv_repositories_2_resources_2320","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2320.xml","title_filing_ssi":"Peeva, Maria, Architectural Collection","title_ssm":["Maria Peeva Architectural Collection"],"title_tesim":["Maria Peeva Architectural Collection"],"unitdate_ssm":["1978-2006"],"unitdate_inclusive_ssm":["1978-2006"],"normalized_date_ssm":["1978/2006"],"normalized_title_ssm":["Maria Peeva Architectural Collection, 1978/2006"],"text":["Maria Peeva Architectural Collection, 1978/2006","Ms.2007.033","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Bulgaria","The collection is open for research.","Maria Peeva was born on August 8, 1954 in the town of Shumen, Bulgaria. She graduated from Sofia Polytechnic in 1977 and was assigned to work at the Design Organization in the town of Schumen, where she led the design section from 1980-1989. Peeva was named Chief Architect of the Boloslav Region (1988-2000) and Regional Architect of the Black Sea tourist region (2000-2006).","Peeva was able to move to Varna in 1989, and while still carrying the appointments listed above, opened a private practice (1991) in partnership with another female architect, Natalia Liutskanova. Liutskanova left the practice in 1993.","Maria Peeva has won competitions for school designs around Shumen and vacation homes on the Black Sea Shore near Varna. Over her career she has built numerous hotels, vacation houses, and retail stores.","She has a younger sister, Rositsa Peeva-Popova, also an architect.","The guide to the Maria Peeva Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Maria Peeva Architectural Collection was completed in July 2010.","Rositsa Peeva Popova, Maria Peeva's sister, has material in the  IAWA Small Collections, Ms2009-054, also in Virginia Tech Special Collections and University Archives.","The Maria Peeva Architectural Collection includes lists of projects (built, not built, remodeling/interior design), project documentation, and drawings from 1978-2006. The two projects documented include: workers vacation retreat for the Shumen Chemical Factory \"Volov,\" 7 drawings (1979) and vacation houses in the Village of Rogachevo, Balchik County, near Varna, 18 drawings and 9 rendering perspectives, (2005).","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Maria Peeva is a Bulgarian architect known particularly for designing schools, vacation houses, hotels, and retail stores. Her collection includes a curriculum vitae, project lists, and renderings/construction drawings for two projects: workers vacation retreat for the Shumen Chemical Factory \"Volov\" (1979) and vacation houses in the Village of Rogachevo, Balchik County (near Varna, 2005).","Special Collections and University Archives, Virginia Tech","Peeva, Maria Georgieva","Bulgarian\n."],"collection_title_tesim":["Maria Peeva Architectural Collection, 1978/2006"],"collection_ssim":["Maria Peeva Architectural Collection, 1978/2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.033"],"unitid_tesim":["Ms.2007.033"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Peeva, Maria Georgieva"],"creator_ssim":["Peeva, Maria Georgieva"],"creator_persname_ssim":["Peeva, Maria Georgieva"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Peeva, Maria Georgieva","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. 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She graduated from Sofia Polytechnic in 1977 and was assigned to work at the Design Organization in the town of Schumen, where she led the design section from 1980-1989. Peeva was named Chief Architect of the Boloslav Region (1988-2000) and Regional Architect of the Black Sea tourist region (2000-2006).\u003c/p\u003e","\u003cp\u003ePeeva was able to move to Varna in 1989, and while still carrying the appointments listed above, opened a private practice (1991) in partnership with another female architect, Natalia Liutskanova. Liutskanova left the practice in 1993.\u003c/p\u003e","\u003cp\u003eMaria Peeva has won competitions for school designs around Shumen and vacation homes on the Black Sea Shore near Varna. Over her career she has built numerous hotels, vacation houses, and retail stores. \u003c/p\u003e","\u003cp\u003eShe has a younger sister, Rositsa Peeva-Popova, also an architect. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Maria Peeva was born on August 8, 1954 in the town of Shumen, Bulgaria. She graduated from Sofia Polytechnic in 1977 and was assigned to work at the Design Organization in the town of Schumen, where she led the design section from 1980-1989. Peeva was named Chief Architect of the Boloslav Region (1988-2000) and Regional Architect of the Black Sea tourist region (2000-2006).","Peeva was able to move to Varna in 1989, and while still carrying the appointments listed above, opened a private practice (1991) in partnership with another female architect, Natalia Liutskanova. Liutskanova left the practice in 1993.","Maria Peeva has won competitions for school designs around Shumen and vacation homes on the Black Sea Shore near Varna. Over her career she has built numerous hotels, vacation houses, and retail stores.","She has a younger sister, Rositsa Peeva-Popova, also an architect."],"odd_html_tesm":["\u003cp\u003eThe guide to the Maria Peeva Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Maria Peeva Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Maria Peeva Architectural Collection, Ms2007-033, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Maria Peeva Architectural Collection, Ms2007-033, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Maria Peeva Architectural Collection was completed in July 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Maria Peeva Architectural Collection was completed in July 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eRositsa Peeva Popova, Maria Peeva's sister, has material in the \u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/lib.vt.edu/repositories/2/resources/2473.oai_ead.xml\" title=\"IAWA Small Collections, Ms2009-054\"\u003e IAWA Small Collections, Ms2009-054\u003c/a\u003e, also in Virginia Tech Special Collections and University Archives.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Material"],"relatedmaterial_tesim":["Rositsa Peeva Popova, Maria Peeva's sister, has material in the  IAWA Small Collections, Ms2009-054, also in Virginia Tech Special Collections and University Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Maria Peeva Architectural Collection includes lists of projects (built, not built, remodeling/interior design), project documentation, and drawings from 1978-2006. The two projects documented include: workers vacation retreat for the Shumen Chemical Factory \"Volov,\" 7 drawings (1979) and vacation houses in the Village of Rogachevo, Balchik County, near Varna, 18 drawings and 9 rendering perspectives, (2005).\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Maria Peeva Architectural Collection includes lists of projects (built, not built, remodeling/interior design), project documentation, and drawings from 1978-2006. The two projects documented include: workers vacation retreat for the Shumen Chemical Factory \"Volov,\" 7 drawings (1979) and vacation houses in the Village of Rogachevo, Balchik County, near Varna, 18 drawings and 9 rendering perspectives, (2005)."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_60ee727888db52473389ce1ee0bc322f\" label=\"Abstract\"\u003eMaria Peeva is a Bulgarian architect known particularly for designing schools, vacation houses, hotels, and retail stores. Her collection includes a curriculum vitae, project lists, and renderings/construction drawings for two projects: workers vacation retreat for the Shumen Chemical Factory \"Volov\" (1979) and vacation houses in the Village of Rogachevo, Balchik County (near Varna, 2005).\u003c/abstract\u003e\n    "],"abstract_tesim":["Maria Peeva is a Bulgarian architect known particularly for designing schools, vacation houses, hotels, and retail stores. Her collection includes a curriculum vitae, project lists, and renderings/construction drawings for two projects: workers vacation retreat for the Shumen Chemical Factory \"Volov\" (1979) and vacation houses in the Village of Rogachevo, Balchik County (near Varna, 2005)."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Peeva, Maria Georgieva"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Peeva, Maria Georgieva"],"language_ssim":["Bulgarian\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:47:23.643Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2320","ead_ssi":"viblbv_repositories_2_resources_2320","_root_":"viblbv_repositories_2_resources_2320","_nest_parent_":"viblbv_repositories_2_resources_2320","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2320.xml","title_filing_ssi":"Peeva, Maria, Architectural Collection","title_ssm":["Maria Peeva Architectural Collection"],"title_tesim":["Maria Peeva Architectural Collection"],"unitdate_ssm":["1978-2006"],"unitdate_inclusive_ssm":["1978-2006"],"normalized_date_ssm":["1978/2006"],"normalized_title_ssm":["Maria Peeva Architectural Collection, 1978/2006"],"text":["Maria Peeva Architectural Collection, 1978/2006","Ms.2007.033","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Bulgaria","The collection is open for research.","Maria Peeva was born on August 8, 1954 in the town of Shumen, Bulgaria. She graduated from Sofia Polytechnic in 1977 and was assigned to work at the Design Organization in the town of Schumen, where she led the design section from 1980-1989. Peeva was named Chief Architect of the Boloslav Region (1988-2000) and Regional Architect of the Black Sea tourist region (2000-2006).","Peeva was able to move to Varna in 1989, and while still carrying the appointments listed above, opened a private practice (1991) in partnership with another female architect, Natalia Liutskanova. Liutskanova left the practice in 1993.","Maria Peeva has won competitions for school designs around Shumen and vacation homes on the Black Sea Shore near Varna. 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The two projects documented include: workers vacation retreat for the Shumen Chemical Factory \"Volov,\" 7 drawings (1979) and vacation houses in the Village of Rogachevo, Balchik County, near Varna, 18 drawings and 9 rendering perspectives, (2005).","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Maria Peeva is a Bulgarian architect known particularly for designing schools, vacation houses, hotels, and retail stores. 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Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Maria Peeva Architectural Collection was donated to Special Collections in 2007."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Bulgaria"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Bulgaria"],"has_online_content_ssim":["false"],"extent_ssm":["2.53 Cubic Feet 1 box and 2 oversize folders"],"extent_tesim":["2.53 Cubic Feet 1 box and 2 oversize folders"],"date_range_isim":[1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eMaria Peeva was born on August 8, 1954 in the town of Shumen, Bulgaria. 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Over her career she has built numerous hotels, vacation houses, and retail stores. \u003c/p\u003e","\u003cp\u003eShe has a younger sister, Rositsa Peeva-Popova, also an architect. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Maria Peeva was born on August 8, 1954 in the town of Shumen, Bulgaria. She graduated from Sofia Polytechnic in 1977 and was assigned to work at the Design Organization in the town of Schumen, where she led the design section from 1980-1989. Peeva was named Chief Architect of the Boloslav Region (1988-2000) and Regional Architect of the Black Sea tourist region (2000-2006).","Peeva was able to move to Varna in 1989, and while still carrying the appointments listed above, opened a private practice (1991) in partnership with another female architect, Natalia Liutskanova. Liutskanova left the practice in 1993.","Maria Peeva has won competitions for school designs around Shumen and vacation homes on the Black Sea Shore near Varna. 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The two projects documented include: workers vacation retreat for the Shumen Chemical Factory \"Volov,\" 7 drawings (1979) and vacation houses in the Village of Rogachevo, Balchik County, near Varna, 18 drawings and 9 rendering perspectives, (2005).\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Maria Peeva Architectural Collection includes lists of projects (built, not built, remodeling/interior design), project documentation, and drawings from 1978-2006. The two projects documented include: workers vacation retreat for the Shumen Chemical Factory \"Volov,\" 7 drawings (1979) and vacation houses in the Village of Rogachevo, Balchik County, near Varna, 18 drawings and 9 rendering perspectives, (2005)."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_60ee727888db52473389ce1ee0bc322f\" label=\"Abstract\"\u003eMaria Peeva is a Bulgarian architect known particularly for designing schools, vacation houses, hotels, and retail stores. Her collection includes a curriculum vitae, project lists, and renderings/construction drawings for two projects: workers vacation retreat for the Shumen Chemical Factory \"Volov\" (1979) and vacation houses in the Village of Rogachevo, Balchik County (near Varna, 2005).\u003c/abstract\u003e\n    "],"abstract_tesim":["Maria Peeva is a Bulgarian architect known particularly for designing schools, vacation houses, hotels, and retail stores. Her collection includes a curriculum vitae, project lists, and renderings/construction drawings for two projects: workers vacation retreat for the Shumen Chemical Factory \"Volov\" (1979) and vacation houses in the Village of Rogachevo, Balchik County (near Varna, 2005)."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Peeva, Maria Georgieva"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Peeva, Maria Georgieva"],"language_ssim":["Bulgarian\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:47:23.643Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2320"}},{"id":"viblbv_repositories_2_resources_2151","type":"collection","attributes":{"title":"Maria von der Weppen Architectural Collection, 1978/2001","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2151#creator","type":"document_value","attributes":{"value":"von der Weppen, Maria","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2151#abstract_or_scope","type":"document_value","attributes":{"value":"Born in 1952 in Gdynia, Poland, Maria von der Weppen studied in Poland and Norway before beginning her career in Germany. She specialized in reconstructing buildings in East Germany damaged by the war as well as new residential and office construction. This collection consist of drawings, project records, photographs, and articles relating to von der Weppen's work.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2151#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2151","ead_ssi":"viblbv_repositories_2_resources_2151","_root_":"viblbv_repositories_2_resources_2151","_nest_parent_":"viblbv_repositories_2_resources_2151","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2151.xml","title_filing_ssi":"von der Weppen, Maria, Architectural Collection","title_ssm":["Maria von der Weppen Architectural Collection"],"title_tesim":["Maria von der Weppen Architectural Collection"],"unitdate_ssm":["1978-2001"],"unitdate_inclusive_ssm":["1978-2001"],"normalized_date_ssm":["1978/2001"],"normalized_title_ssm":["Maria von der Weppen Architectural Collection, 1978/2001"],"text":["Maria von der Weppen Architectural Collection, 1978/2001","Ms.2001.017","Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawings (visual works)","The collection is open for research.","Maria von der Weppen was born on July 18, 1952 in Gdynia, Poland.  von der Weppen studied architecture at Technical University of Gdansk in Poland (1971-1975).  From 1976 to 1978 she continued her studies at the Oslo School of Architecture and Design while working at the architectural office of Trygve Kleiven.","In the summer of 1979 Maria moved to Berlin, Germany and worked for several firms, including BSM Berlin a  consulting company for urban planning and modernism. In 1984 she opened her own architectural office and spent her private practice focusing on the reconstruction of structures damaged by World War II.  Her works ranged from historic buildings and neighborhoods to new housing and office complexes.  In 1995 after political changes, von der Weppen applied her experience in Poland beginning with the rehabilitation and restoration of a church in Slonsk/Sonnenburg.  Thereafter she divided her time between Germany and Poland.","The guide to the  Maria von der Weppen Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Maria von der Weppen Architectural Collection was completed in March 2012.","The Maria von der Weppen Architectural Collection encompasses work from her private practice (1985 to 2001) as well as some examples from her academic  career. In the collection you will find school work, drawings, photographs, and manuscript material relating to her projects.  Materials range in date from 1978-2001 and contain professional papers and project records.  Review the contents list below for details on individual categories.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Born in 1952 in Gdynia, Poland, Maria von der Weppen studied in Poland and Norway before beginning her career in Germany. She specialized in reconstructing buildings in East Germany damaged by the war as well as new residential and office construction. This collection consist of drawings, project records, photographs, and articles relating to von der Weppen's work.","Special Collections and University Archives, Virginia Tech","von der Weppen, Maria","The materials in the collection are in German."],"collection_title_tesim":["Maria von der Weppen Architectural Collection, 1978/2001"],"collection_ssim":["Maria von der Weppen Architectural Collection, 1978/2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.017"],"unitid_tesim":["Ms.2001.017"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["von der Weppen, Maria"],"creator_ssim":["von der Weppen, Maria"],"creator_persname_ssim":["von der Weppen, Maria"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["von der Weppen, Maria","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Maria von der Weppen Architectural Collection was donated to Special Collections in 2001 and 2007."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9 Cubic Feet 3 boxes, 28 tubes of drawings, 1 oversize folder"],"extent_tesim":["9 Cubic Feet 3 boxes, 28 tubes of drawings, 1 oversize folder"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eMaria von der Weppen was born on July 18, 1952 in Gdynia, Poland.  von der Weppen studied architecture at Technical University of Gdansk in Poland (1971-1975).  From 1976 to 1978 she continued her studies at the Oslo School of Architecture and Design while working at the architectural office of Trygve Kleiven.  \u003c/p\u003e","\u003cp\u003eIn the summer of 1979 Maria moved to Berlin, Germany and worked for several firms, including BSM Berlin a  consulting company for urban planning and modernism. In 1984 she opened her own architectural office and spent her private practice focusing on the reconstruction of structures damaged by World War II.  Her works ranged from historic buildings and neighborhoods to new housing and office complexes.  In 1995 after political changes, von der Weppen applied her experience in Poland beginning with the rehabilitation and restoration of a church in Slonsk/Sonnenburg.  Thereafter she divided her time between Germany and Poland. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Maria von der Weppen was born on July 18, 1952 in Gdynia, Poland.  von der Weppen studied architecture at Technical University of Gdansk in Poland (1971-1975).  From 1976 to 1978 she continued her studies at the Oslo School of Architecture and Design while working at the architectural office of Trygve Kleiven.","In the summer of 1979 Maria moved to Berlin, Germany and worked for several firms, including BSM Berlin a  consulting company for urban planning and modernism. In 1984 she opened her own architectural office and spent her private practice focusing on the reconstruction of structures damaged by World War II.  Her works ranged from historic buildings and neighborhoods to new housing and office complexes.  In 1995 after political changes, von der Weppen applied her experience in Poland beginning with the rehabilitation and restoration of a church in Slonsk/Sonnenburg.  Thereafter she divided her time between Germany and Poland."],"odd_html_tesm":["\u003cp\u003eThe guide to the  Maria von der Weppen Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Maria von der Weppen Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Maria von der Weppen Architectural Collection, Ms2001-017, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Maria von der Weppen Architectural Collection, Ms2001-017, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Maria von der Weppen Architectural Collection was completed in March 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Maria von der Weppen Architectural Collection was completed in March 2012."],"scopecontent_html_tesm":["\u003cp\u003eThe Maria von der Weppen Architectural Collection encompasses work from her private practice (1985 to 2001) as well as some examples from her academic  career. In the collection you will find school work, drawings, photographs, and manuscript material relating to her projects.  Materials range in date from 1978-2001 and contain professional papers and project records.  Review the contents list below for details on individual categories.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Maria von der Weppen Architectural Collection encompasses work from her private practice (1985 to 2001) as well as some examples from her academic  career. In the collection you will find school work, drawings, photographs, and manuscript material relating to her projects.  Materials range in date from 1978-2001 and contain professional papers and project records.  Review the contents list below for details on individual categories."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_76e40e8d0a2ce341158522444a09fa8e\" label=\"Abstract\"\u003eBorn in 1952 in Gdynia, Poland, Maria von der Weppen studied in Poland and Norway before beginning her career in Germany. She specialized in reconstructing buildings in East Germany damaged by the war as well as new residential and office construction. This collection consist of drawings, project records, photographs, and articles relating to von der Weppen's work.\u003c/abstract\u003e\n    "],"abstract_tesim":["Born in 1952 in Gdynia, Poland, Maria von der Weppen studied in Poland and Norway before beginning her career in Germany. She specialized in reconstructing buildings in East Germany damaged by the war as well as new residential and office construction. This collection consist of drawings, project records, photographs, and articles relating to von der Weppen's work."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["von der Weppen, Maria"],"names_ssim":["Special Collections and University Archives, Virginia Tech","von der Weppen, Maria"],"language_ssim":["The materials in the collection are in German."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:46:42.574Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2151","ead_ssi":"viblbv_repositories_2_resources_2151","_root_":"viblbv_repositories_2_resources_2151","_nest_parent_":"viblbv_repositories_2_resources_2151","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2151.xml","title_filing_ssi":"von der Weppen, Maria, Architectural Collection","title_ssm":["Maria von der Weppen Architectural Collection"],"title_tesim":["Maria von der Weppen Architectural Collection"],"unitdate_ssm":["1978-2001"],"unitdate_inclusive_ssm":["1978-2001"],"normalized_date_ssm":["1978/2001"],"normalized_title_ssm":["Maria von der Weppen Architectural Collection, 1978/2001"],"text":["Maria von der Weppen Architectural Collection, 1978/2001","Ms.2001.017","Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawings (visual works)","The collection is open for research.","Maria von der Weppen was born on July 18, 1952 in Gdynia, Poland.  von der Weppen studied architecture at Technical University of Gdansk in Poland (1971-1975).  From 1976 to 1978 she continued her studies at the Oslo School of Architecture and Design while working at the architectural office of Trygve Kleiven.","In the summer of 1979 Maria moved to Berlin, Germany and worked for several firms, including BSM Berlin a  consulting company for urban planning and modernism. In 1984 she opened her own architectural office and spent her private practice focusing on the reconstruction of structures damaged by World War II.  Her works ranged from historic buildings and neighborhoods to new housing and office complexes.  In 1995 after political changes, von der Weppen applied her experience in Poland beginning with the rehabilitation and restoration of a church in Slonsk/Sonnenburg.  Thereafter she divided her time between Germany and Poland.","The guide to the  Maria von der Weppen Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Maria von der Weppen Architectural Collection was completed in March 2012.","The Maria von der Weppen Architectural Collection encompasses work from her private practice (1985 to 2001) as well as some examples from her academic  career. In the collection you will find school work, drawings, photographs, and manuscript material relating to her projects.  Materials range in date from 1978-2001 and contain professional papers and project records.  Review the contents list below for details on individual categories.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Born in 1952 in Gdynia, Poland, Maria von der Weppen studied in Poland and Norway before beginning her career in Germany. She specialized in reconstructing buildings in East Germany damaged by the war as well as new residential and office construction. This collection consist of drawings, project records, photographs, and articles relating to von der Weppen's work.","Special Collections and University Archives, Virginia Tech","von der Weppen, Maria","The materials in the collection are in German."],"collection_title_tesim":["Maria von der Weppen Architectural Collection, 1978/2001"],"collection_ssim":["Maria von der Weppen Architectural Collection, 1978/2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.017"],"unitid_tesim":["Ms.2001.017"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["von der Weppen, Maria"],"creator_ssim":["von der Weppen, Maria"],"creator_persname_ssim":["von der Weppen, Maria"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["von der Weppen, Maria","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Maria von der Weppen Architectural Collection was donated to Special Collections in 2001 and 2007."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9 Cubic Feet 3 boxes, 28 tubes of drawings, 1 oversize folder"],"extent_tesim":["9 Cubic Feet 3 boxes, 28 tubes of drawings, 1 oversize folder"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eMaria von der Weppen was born on July 18, 1952 in Gdynia, Poland.  von der Weppen studied architecture at Technical University of Gdansk in Poland (1971-1975).  From 1976 to 1978 she continued her studies at the Oslo School of Architecture and Design while working at the architectural office of Trygve Kleiven.  \u003c/p\u003e","\u003cp\u003eIn the summer of 1979 Maria moved to Berlin, Germany and worked for several firms, including BSM Berlin a  consulting company for urban planning and modernism. In 1984 she opened her own architectural office and spent her private practice focusing on the reconstruction of structures damaged by World War II.  Her works ranged from historic buildings and neighborhoods to new housing and office complexes.  In 1995 after political changes, von der Weppen applied her experience in Poland beginning with the rehabilitation and restoration of a church in Slonsk/Sonnenburg.  Thereafter she divided her time between Germany and Poland. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Maria von der Weppen was born on July 18, 1952 in Gdynia, Poland.  von der Weppen studied architecture at Technical University of Gdansk in Poland (1971-1975).  From 1976 to 1978 she continued her studies at the Oslo School of Architecture and Design while working at the architectural office of Trygve Kleiven.","In the summer of 1979 Maria moved to Berlin, Germany and worked for several firms, including BSM Berlin a  consulting company for urban planning and modernism. In 1984 she opened her own architectural office and spent her private practice focusing on the reconstruction of structures damaged by World War II.  Her works ranged from historic buildings and neighborhoods to new housing and office complexes.  In 1995 after political changes, von der Weppen applied her experience in Poland beginning with the rehabilitation and restoration of a church in Slonsk/Sonnenburg.  Thereafter she divided her time between Germany and Poland."],"odd_html_tesm":["\u003cp\u003eThe guide to the  Maria von der Weppen Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Maria von der Weppen Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Maria von der Weppen Architectural Collection, Ms2001-017, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Maria von der Weppen Architectural Collection, Ms2001-017, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Maria von der Weppen Architectural Collection was completed in March 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Maria von der Weppen Architectural Collection was completed in March 2012."],"scopecontent_html_tesm":["\u003cp\u003eThe Maria von der Weppen Architectural Collection encompasses work from her private practice (1985 to 2001) as well as some examples from her academic  career. 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Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_76e40e8d0a2ce341158522444a09fa8e\" label=\"Abstract\"\u003eBorn in 1952 in Gdynia, Poland, Maria von der Weppen studied in Poland and Norway before beginning her career in Germany. She specialized in reconstructing buildings in East Germany damaged by the war as well as new residential and office construction. This collection consist of drawings, project records, photographs, and articles relating to von der Weppen's work.\u003c/abstract\u003e\n    "],"abstract_tesim":["Born in 1952 in Gdynia, Poland, Maria von der Weppen studied in Poland and Norway before beginning her career in Germany. She specialized in reconstructing buildings in East Germany damaged by the war as well as new residential and office construction. This collection consist of drawings, project records, photographs, and articles relating to von der Weppen's work."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["von der Weppen, Maria"],"names_ssim":["Special Collections and University Archives, Virginia Tech","von der Weppen, Maria"],"language_ssim":["The materials in the collection are in German."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:46:42.574Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2151"}},{"id":"viblbv_repositories_2_resources_2930","type":"collection","attributes":{"title":"Marie-Louise Laleyan Architectural Collection, 1961/2007","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2930#creator","type":"document_value","attributes":{"value":"Laleyan, Marie-Louise, 1935-2014","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2930#abstract_or_scope","type":"document_value","attributes":{"value":"Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977). Photographic record of her U.S. employment (1965-1972) is also present.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2930#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2930","ead_ssi":"viblbv_repositories_2_resources_2930","_root_":"viblbv_repositories_2_resources_2930","_nest_parent_":"viblbv_repositories_2_resources_2930","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2930.xml","title_filing_ssi":"Laleyan, Marie-Louise Architectural Collection","title_ssm":["Marie-Louise Laleyan Architectural Collection"],"title_tesim":["Marie-Louise Laleyan Architectural Collection"],"unitdate_ssm":["1961-2007"],"unitdate_inclusive_ssm":["1961-2007"],"normalized_date_ssm":["1961/2007"],"normalized_title_ssm":["Marie-Louise Laleyan Architectural Collection, 1961/2007"],"text":["Marie-Louise Laleyan Architectural Collection, 1961/2007","Ms.2013.090","Architects","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Women-owned architectural firms","Architecture (discipline)","Collection is open for research.","Some of this collection has been digitized and is available online.","The Project Index is a way to organize the various formats of architectural records from the same project. The index is arranged alphabetically by Job Number and contains information, where available, about the location, date, project type, architect, collaborators, photographers, and formats for each project in the collection. \n                  \nProject Index\n            \nA Summary of the Project Index is listed below.","Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007), formally Laleyan Associates.","Born and educated in Bulgaria Laleyan arrived in the United States in 1964. Laleyan has practiced architecture in Sofia, Bulgaria; Paris, France; and the United States.  Before establishing her own practice she worked with the following firms: Hart \u0026 Turner Architects (Sacramento, CA), Richard Neutra (Los Angeles, CA), and the San Francisco, CA firms of Claude Oakland and Associates, Anshen \u0026 Allen, Mario J. Ciamp, FAIA, and Paffard Keatinge Clay.","An active member of the American Institute of Architects (AIA) she has served on the Northern California Chapter's Board of Directors, as co-chairperson of the national AIA Task Force of Women in Architecture, and coauthor of the AIA Affirmative Action Plan.  She was also a founder of the Bay Area's Organization of Women in Architecture (OWA) and has represented the interests of women architects at numerous conferences and seminars.","The establishment of Laleyan Associates in 1977 was the culmination of a lifelong career intention and in her words a 'family tradition.' Laleyan was committed to keeping the firm small so that she would be able to provide quality service and personal attention to each project and client.  Projects undertaken by Laleyan Architects included light commercial, medical, institutional, residential, and public buildings with construction costs ranging from $25,000-3.4 million dollars.","In 2001, Laleyan began providing Physical Needs Assessments (PNA) and Construction Monitoring services for the California Housing Finance Agency (CHFA), a state housing acquisition lender to non-profit and for profit developers.","Laleyan died on January 21, 2014.","Projects with the California Housing Finance Agency are presented as a representation of services offered by Laleyan Architects and are to be used for general information only.  Laleyan Architects was not the architect for these projects.","The processing, arrangement, and description of the Marie-Louise Laleyan Architectural Collection was completed in April 2014.","The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.","The following is a list of architectural projects and services carried out by Marie L. Laleyan (1972-1973) and her firm Laleyan Architects (1977-2006).","Drawings are present for the following projects: #101, #102, #103, #104, #105, CCR85, DB-102, DB-103, DB-203, DB-303, DB-406, DB-503, DB-603, DLT99, DOE78,  ENN77, FRK89, HFC84, KLM86, LAZ81, LAZ94, LPPI84, PUB-B/81, SRR78, SSG91, T\u0026B82, TDE82, TDL82, TIM90, TMR81, UNY81, WBL95, and WBR91.","Drawings are in boxes 6-12. The locations are tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries.","Projects include work with Richard and Dion Neutra, Los Angeles (1967-1969) and Paffard Keatinge Clay, San Francisco (1969-1971)","Negatives are available for the following projects: DB103, DB203; DB303; DOE78.","Negatives are in box 5. The location is tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries.","Slides are present for the following projects: DB102, DB103, DB203, DB303, DB403, DOE78, ELD87, HFC84, KLM86, LAA88, LAZ81, SSG91, TDE82, and TDL82.","Slides are in box 5. The location is tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries.","Materials related to Illinois architect Bertha Y. Whitman were removed from the Laleyan collection and placed in Ms2009-054 IAWA Small Collections under Whitman's name.  (3/2009)","Permission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech.","Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.","Special Collections and University Archives, Virginia Tech","Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892","English\n."],"collection_title_tesim":["Marie-Louise Laleyan Architectural Collection, 1961/2007"],"collection_ssim":["Marie-Louise Laleyan Architectural Collection, 1961/2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2013.090"],"unitid_tesim":["Ms.2013.090"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Laleyan, Marie-Louise, 1935-2014"],"creator_ssim":["Laleyan, Marie-Louise, 1935-2014"],"creator_persname_ssim":["Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The Marie-Louise Laleyan Architectural Collection was donated to Special Collections in November 2008."],"access_subjects_ssim":["Architects","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Women-owned architectural firms","Architecture (discipline)"],"access_subjects_ssm":["Architects","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Women-owned architectural firms","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["11.3 Cubic Feet 13 boxes"],"extent_tesim":["11.3 Cubic Feet 13 boxes"],"genreform_ssim":["Architecture (discipline)"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/175\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe Project Index is a way to organize the various formats of architectural records from the same project. The index is arranged alphabetically by Job Number and contains information, where available, about the location, date, project type, architect, collaborators, photographers, and formats for each project in the collection. \n                  \u003cextref type=\"simple\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2013-090pi.xls\"\u003e\nProject Index\u003c/extref\u003e\n            \nA Summary of the Project Index is listed below.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Project Index is a way to organize the various formats of architectural records from the same project. The index is arranged alphabetically by Job Number and contains information, where available, about the location, date, project type, architect, collaborators, photographers, and formats for each project in the collection. \n                  \nProject Index\n            \nA Summary of the Project Index is listed below."],"bioghist_html_tesm":["\u003cp\u003eMarie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007), formally Laleyan Associates.  \u003c/p\u003e","\u003cp\u003eBorn and educated in Bulgaria Laleyan arrived in the United States in 1964. Laleyan has practiced architecture in Sofia, Bulgaria; Paris, France; and the United States.  Before establishing her own practice she worked with the following firms: Hart \u0026amp; Turner Architects (Sacramento, CA), Richard Neutra (Los Angeles, CA), and the San Francisco, CA firms of Claude Oakland and Associates, Anshen \u0026amp; Allen, Mario J. Ciamp, FAIA, and Paffard Keatinge Clay.  \u003c/p\u003e","\u003cp\u003eAn active member of the American Institute of Architects (AIA) she has served on the Northern California Chapter's Board of Directors, as co-chairperson of the national AIA Task Force of Women in Architecture, and coauthor of the AIA Affirmative Action Plan.  She was also a founder of the Bay Area's Organization of Women in Architecture (OWA) and has represented the interests of women architects at numerous conferences and seminars.  \u003c/p\u003e","\u003cp\u003eThe establishment of Laleyan Associates in 1977 was the culmination of a lifelong career intention and in her words a 'family tradition.' Laleyan was committed to keeping the firm small so that she would be able to provide quality service and personal attention to each project and client.  Projects undertaken by Laleyan Architects included light commercial, medical, institutional, residential, and public buildings with construction costs ranging from $25,000-3.4 million dollars.    \u003c/p\u003e","\u003cp\u003eIn 2001, Laleyan began providing Physical Needs Assessments (PNA) and Construction Monitoring services for the California Housing Finance Agency (CHFA), a state housing acquisition lender to non-profit and for profit developers. \u003c/p\u003e","\u003cp\u003eLaleyan died on January 21, 2014.      \t\u003c/p\u003e  ","\u003cp\u003eProjects with the California Housing Finance Agency are presented as a representation of services offered by Laleyan Architects and are to be used for general information only.  Laleyan Architects was not the architect for these projects.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note","Historical Note"],"bioghist_tesim":["Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007), formally Laleyan Associates.","Born and educated in Bulgaria Laleyan arrived in the United States in 1964. Laleyan has practiced architecture in Sofia, Bulgaria; Paris, France; and the United States.  Before establishing her own practice she worked with the following firms: Hart \u0026 Turner Architects (Sacramento, CA), Richard Neutra (Los Angeles, CA), and the San Francisco, CA firms of Claude Oakland and Associates, Anshen \u0026 Allen, Mario J. Ciamp, FAIA, and Paffard Keatinge Clay.","An active member of the American Institute of Architects (AIA) she has served on the Northern California Chapter's Board of Directors, as co-chairperson of the national AIA Task Force of Women in Architecture, and coauthor of the AIA Affirmative Action Plan.  She was also a founder of the Bay Area's Organization of Women in Architecture (OWA) and has represented the interests of women architects at numerous conferences and seminars.","The establishment of Laleyan Associates in 1977 was the culmination of a lifelong career intention and in her words a 'family tradition.' Laleyan was committed to keeping the firm small so that she would be able to provide quality service and personal attention to each project and client.  Projects undertaken by Laleyan Architects included light commercial, medical, institutional, residential, and public buildings with construction costs ranging from $25,000-3.4 million dollars.","In 2001, Laleyan began providing Physical Needs Assessments (PNA) and Construction Monitoring services for the California Housing Finance Agency (CHFA), a state housing acquisition lender to non-profit and for profit developers.","Laleyan died on January 21, 2014.","Projects with the California Housing Finance Agency are presented as a representation of services offered by Laleyan Architects and are to be used for general information only.  Laleyan Architects was not the architect for these projects."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Marie-Louise Laleyan Architectural Collection, Ms2013-090, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Marie-Louise Laleyan Architectural Collection, Ms2013-090, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Marie-Louise Laleyan Architectural Collection was completed in April 2014.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Marie-Louise Laleyan Architectural Collection was completed in April 2014."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.\u003c/p\u003e  ","\u003cp\u003eThe following is a list of architectural projects and services carried out by Marie L. Laleyan (1972-1973) and her firm Laleyan Architects (1977-2006).\u003c/p\u003e","\u003cp\u003eDrawings are present for the following projects: #101, #102, #103, #104, #105, CCR85, DB-102, DB-103, DB-203, DB-303, DB-406, DB-503, DB-603, DLT99, DOE78,  ENN77, FRK89, HFC84, KLM86, LAZ81, LAZ94, LPPI84, PUB-B/81, SRR78, SSG91, T\u0026amp;B82, TDE82, TDL82, TIM90, TMR81, UNY81, WBL95, and WBR91.\u003c/p\u003e","\u003cp\u003eDrawings are in boxes 6-12. The locations are tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries. \u003c/p\u003e","\u003cp\u003eProjects include work with Richard and Dion Neutra, Los Angeles (1967-1969) and Paffard Keatinge Clay, San Francisco (1969-1971)\u003c/p\u003e","\u003cp\u003eNegatives are available for the following projects: DB103, DB203; DB303; DOE78.  \u003c/p\u003e","\u003cp\u003eNegatives are in box 5. The location is tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries. \u003c/p\u003e","\u003cp\u003eSlides are present for the following projects: DB102, DB103, DB203, DB303, DB403, DOE78, ELD87, HFC84, KLM86, LAA88, LAZ81, SSG91, TDE82, and TDL82.  \u003c/p\u003e","\u003cp\u003eSlides are in box 5. The location is tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.","The following is a list of architectural projects and services carried out by Marie L. Laleyan (1972-1973) and her firm Laleyan Architects (1977-2006).","Drawings are present for the following projects: #101, #102, #103, #104, #105, CCR85, DB-102, DB-103, DB-203, DB-303, DB-406, DB-503, DB-603, DLT99, DOE78,  ENN77, FRK89, HFC84, KLM86, LAZ81, LAZ94, LPPI84, PUB-B/81, SRR78, SSG91, T\u0026B82, TDE82, TDL82, TIM90, TMR81, UNY81, WBL95, and WBR91.","Drawings are in boxes 6-12. The locations are tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries.","Projects include work with Richard and Dion Neutra, Los Angeles (1967-1969) and Paffard Keatinge Clay, San Francisco (1969-1971)","Negatives are available for the following projects: DB103, DB203; DB303; DOE78.","Negatives are in box 5. The location is tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries.","Slides are present for the following projects: DB102, DB103, DB203, DB303, DB403, DOE78, ELD87, HFC84, KLM86, LAA88, LAZ81, SSG91, TDE82, and TDL82.","Slides are in box 5. The location is tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries."],"separatedmaterial_html_tesm":["\u003cp\u003eMaterials related to Illinois architect Bertha Y. Whitman were removed from the Laleyan collection and placed in Ms2009-054 IAWA Small Collections under Whitman's name.  (3/2009)\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Materials related to Illinois architect Bertha Y. Whitman were removed from the Laleyan collection and placed in Ms2009-054 IAWA Small Collections under Whitman's name.  (3/2009)"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ae9a6e553a301d0d2ed09e216601b53e\" label=\"Abstract\"\u003eMarie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.\u003c/abstract\u003e\n    "],"abstract_tesim":["Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892"],"names_coll_ssim":["Whitman, Bertha Yerex, b.1892"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892"],"language_ssim":["English\n."],"total_component_count_is":71,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:47:53.929Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2930","ead_ssi":"viblbv_repositories_2_resources_2930","_root_":"viblbv_repositories_2_resources_2930","_nest_parent_":"viblbv_repositories_2_resources_2930","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2930.xml","title_filing_ssi":"Laleyan, Marie-Louise Architectural Collection","title_ssm":["Marie-Louise Laleyan Architectural Collection"],"title_tesim":["Marie-Louise Laleyan Architectural Collection"],"unitdate_ssm":["1961-2007"],"unitdate_inclusive_ssm":["1961-2007"],"normalized_date_ssm":["1961/2007"],"normalized_title_ssm":["Marie-Louise Laleyan Architectural Collection, 1961/2007"],"text":["Marie-Louise Laleyan Architectural Collection, 1961/2007","Ms.2013.090","Architects","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Women-owned architectural firms","Architecture (discipline)","Collection is open for research.","Some of this collection has been digitized and is available online.","The Project Index is a way to organize the various formats of architectural records from the same project. The index is arranged alphabetically by Job Number and contains information, where available, about the location, date, project type, architect, collaborators, photographers, and formats for each project in the collection. \n                  \nProject Index\n            \nA Summary of the Project Index is listed below.","Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007), formally Laleyan Associates.","Born and educated in Bulgaria Laleyan arrived in the United States in 1964. Laleyan has practiced architecture in Sofia, Bulgaria; Paris, France; and the United States.  Before establishing her own practice she worked with the following firms: Hart \u0026 Turner Architects (Sacramento, CA), Richard Neutra (Los Angeles, CA), and the San Francisco, CA firms of Claude Oakland and Associates, Anshen \u0026 Allen, Mario J. Ciamp, FAIA, and Paffard Keatinge Clay.","An active member of the American Institute of Architects (AIA) she has served on the Northern California Chapter's Board of Directors, as co-chairperson of the national AIA Task Force of Women in Architecture, and coauthor of the AIA Affirmative Action Plan.  She was also a founder of the Bay Area's Organization of Women in Architecture (OWA) and has represented the interests of women architects at numerous conferences and seminars.","The establishment of Laleyan Associates in 1977 was the culmination of a lifelong career intention and in her words a 'family tradition.' Laleyan was committed to keeping the firm small so that she would be able to provide quality service and personal attention to each project and client.  Projects undertaken by Laleyan Architects included light commercial, medical, institutional, residential, and public buildings with construction costs ranging from $25,000-3.4 million dollars.","In 2001, Laleyan began providing Physical Needs Assessments (PNA) and Construction Monitoring services for the California Housing Finance Agency (CHFA), a state housing acquisition lender to non-profit and for profit developers.","Laleyan died on January 21, 2014.","Projects with the California Housing Finance Agency are presented as a representation of services offered by Laleyan Architects and are to be used for general information only.  Laleyan Architects was not the architect for these projects.","The processing, arrangement, and description of the Marie-Louise Laleyan Architectural Collection was completed in April 2014.","The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.","The following is a list of architectural projects and services carried out by Marie L. Laleyan (1972-1973) and her firm Laleyan Architects (1977-2006).","Drawings are present for the following projects: #101, #102, #103, #104, #105, CCR85, DB-102, DB-103, DB-203, DB-303, DB-406, DB-503, DB-603, DLT99, DOE78,  ENN77, FRK89, HFC84, KLM86, LAZ81, LAZ94, LPPI84, PUB-B/81, SRR78, SSG91, T\u0026B82, TDE82, TDL82, TIM90, TMR81, UNY81, WBL95, and WBR91.","Drawings are in boxes 6-12. The locations are tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries.","Projects include work with Richard and Dion Neutra, Los Angeles (1967-1969) and Paffard Keatinge Clay, San Francisco (1969-1971)","Negatives are available for the following projects: DB103, DB203; DB303; DOE78.","Negatives are in box 5. The location is tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries.","Slides are present for the following projects: DB102, DB103, DB203, DB303, DB403, DOE78, ELD87, HFC84, KLM86, LAA88, LAZ81, SSG91, TDE82, and TDL82.","Slides are in box 5. The location is tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries.","Materials related to Illinois architect Bertha Y. Whitman were removed from the Laleyan collection and placed in Ms2009-054 IAWA Small Collections under Whitman's name.  (3/2009)","Permission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech.","Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.","Special Collections and University Archives, Virginia Tech","Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892","English\n."],"collection_title_tesim":["Marie-Louise Laleyan Architectural Collection, 1961/2007"],"collection_ssim":["Marie-Louise Laleyan Architectural Collection, 1961/2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2013.090"],"unitid_tesim":["Ms.2013.090"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Laleyan, Marie-Louise, 1935-2014"],"creator_ssim":["Laleyan, Marie-Louise, 1935-2014"],"creator_persname_ssim":["Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The Marie-Louise Laleyan Architectural Collection was donated to Special Collections in November 2008."],"access_subjects_ssim":["Architects","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Women-owned architectural firms","Architecture (discipline)"],"access_subjects_ssm":["Architects","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Women-owned architectural firms","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["11.3 Cubic Feet 13 boxes"],"extent_tesim":["11.3 Cubic Feet 13 boxes"],"genreform_ssim":["Architecture (discipline)"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/175\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe Project Index is a way to organize the various formats of architectural records from the same project. The index is arranged alphabetically by Job Number and contains information, where available, about the location, date, project type, architect, collaborators, photographers, and formats for each project in the collection. \n                  \u003cextref type=\"simple\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2013-090pi.xls\"\u003e\nProject Index\u003c/extref\u003e\n            \nA Summary of the Project Index is listed below.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Project Index is a way to organize the various formats of architectural records from the same project. The index is arranged alphabetically by Job Number and contains information, where available, about the location, date, project type, architect, collaborators, photographers, and formats for each project in the collection. \n                  \nProject Index\n            \nA Summary of the Project Index is listed below."],"bioghist_html_tesm":["\u003cp\u003eMarie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007), formally Laleyan Associates.  \u003c/p\u003e","\u003cp\u003eBorn and educated in Bulgaria Laleyan arrived in the United States in 1964. Laleyan has practiced architecture in Sofia, Bulgaria; Paris, France; and the United States.  Before establishing her own practice she worked with the following firms: Hart \u0026amp; Turner Architects (Sacramento, CA), Richard Neutra (Los Angeles, CA), and the San Francisco, CA firms of Claude Oakland and Associates, Anshen \u0026amp; Allen, Mario J. Ciamp, FAIA, and Paffard Keatinge Clay.  \u003c/p\u003e","\u003cp\u003eAn active member of the American Institute of Architects (AIA) she has served on the Northern California Chapter's Board of Directors, as co-chairperson of the national AIA Task Force of Women in Architecture, and coauthor of the AIA Affirmative Action Plan.  She was also a founder of the Bay Area's Organization of Women in Architecture (OWA) and has represented the interests of women architects at numerous conferences and seminars.  \u003c/p\u003e","\u003cp\u003eThe establishment of Laleyan Associates in 1977 was the culmination of a lifelong career intention and in her words a 'family tradition.' Laleyan was committed to keeping the firm small so that she would be able to provide quality service and personal attention to each project and client.  Projects undertaken by Laleyan Architects included light commercial, medical, institutional, residential, and public buildings with construction costs ranging from $25,000-3.4 million dollars.    \u003c/p\u003e","\u003cp\u003eIn 2001, Laleyan began providing Physical Needs Assessments (PNA) and Construction Monitoring services for the California Housing Finance Agency (CHFA), a state housing acquisition lender to non-profit and for profit developers. \u003c/p\u003e","\u003cp\u003eLaleyan died on January 21, 2014.      \t\u003c/p\u003e  ","\u003cp\u003eProjects with the California Housing Finance Agency are presented as a representation of services offered by Laleyan Architects and are to be used for general information only.  Laleyan Architects was not the architect for these projects.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note","Historical Note"],"bioghist_tesim":["Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007), formally Laleyan Associates.","Born and educated in Bulgaria Laleyan arrived in the United States in 1964. Laleyan has practiced architecture in Sofia, Bulgaria; Paris, France; and the United States.  Before establishing her own practice she worked with the following firms: Hart \u0026 Turner Architects (Sacramento, CA), Richard Neutra (Los Angeles, CA), and the San Francisco, CA firms of Claude Oakland and Associates, Anshen \u0026 Allen, Mario J. Ciamp, FAIA, and Paffard Keatinge Clay.","An active member of the American Institute of Architects (AIA) she has served on the Northern California Chapter's Board of Directors, as co-chairperson of the national AIA Task Force of Women in Architecture, and coauthor of the AIA Affirmative Action Plan.  She was also a founder of the Bay Area's Organization of Women in Architecture (OWA) and has represented the interests of women architects at numerous conferences and seminars.","The establishment of Laleyan Associates in 1977 was the culmination of a lifelong career intention and in her words a 'family tradition.' Laleyan was committed to keeping the firm small so that she would be able to provide quality service and personal attention to each project and client.  Projects undertaken by Laleyan Architects included light commercial, medical, institutional, residential, and public buildings with construction costs ranging from $25,000-3.4 million dollars.","In 2001, Laleyan began providing Physical Needs Assessments (PNA) and Construction Monitoring services for the California Housing Finance Agency (CHFA), a state housing acquisition lender to non-profit and for profit developers.","Laleyan died on January 21, 2014.","Projects with the California Housing Finance Agency are presented as a representation of services offered by Laleyan Architects and are to be used for general information only.  Laleyan Architects was not the architect for these projects."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Marie-Louise Laleyan Architectural Collection, Ms2013-090, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Marie-Louise Laleyan Architectural Collection, Ms2013-090, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Marie-Louise Laleyan Architectural Collection was completed in April 2014.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Marie-Louise Laleyan Architectural Collection was completed in April 2014."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.\u003c/p\u003e  ","\u003cp\u003eThe following is a list of architectural projects and services carried out by Marie L. Laleyan (1972-1973) and her firm Laleyan Architects (1977-2006).\u003c/p\u003e","\u003cp\u003eDrawings are present for the following projects: #101, #102, #103, #104, #105, CCR85, DB-102, DB-103, DB-203, DB-303, DB-406, DB-503, DB-603, DLT99, DOE78,  ENN77, FRK89, HFC84, KLM86, LAZ81, LAZ94, LPPI84, PUB-B/81, SRR78, SSG91, T\u0026amp;B82, TDE82, TDL82, TIM90, TMR81, UNY81, WBL95, and WBR91.\u003c/p\u003e","\u003cp\u003eDrawings are in boxes 6-12. The locations are tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries. \u003c/p\u003e","\u003cp\u003eProjects include work with Richard and Dion Neutra, Los Angeles (1967-1969) and Paffard Keatinge Clay, San Francisco (1969-1971)\u003c/p\u003e","\u003cp\u003eNegatives are available for the following projects: DB103, DB203; DB303; DOE78.  \u003c/p\u003e","\u003cp\u003eNegatives are in box 5. The location is tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries. \u003c/p\u003e","\u003cp\u003eSlides are present for the following projects: DB102, DB103, DB203, DB303, DB403, DOE78, ELD87, HFC84, KLM86, LAA88, LAZ81, SSG91, TDE82, and TDL82.  \u003c/p\u003e","\u003cp\u003eSlides are in box 5. The location is tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.","The following is a list of architectural projects and services carried out by Marie L. Laleyan (1972-1973) and her firm Laleyan Architects (1977-2006).","Drawings are present for the following projects: #101, #102, #103, #104, #105, CCR85, DB-102, DB-103, DB-203, DB-303, DB-406, DB-503, DB-603, DLT99, DOE78,  ENN77, FRK89, HFC84, KLM86, LAZ81, LAZ94, LPPI84, PUB-B/81, SRR78, SSG91, T\u0026B82, TDE82, TDL82, TIM90, TMR81, UNY81, WBL95, and WBR91.","Drawings are in boxes 6-12. The locations are tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries.","Projects include work with Richard and Dion Neutra, Los Angeles (1967-1969) and Paffard Keatinge Clay, San Francisco (1969-1971)","Negatives are available for the following projects: DB103, DB203; DB303; DOE78.","Negatives are in box 5. The location is tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries.","Slides are present for the following projects: DB102, DB103, DB203, DB303, DB403, DOE78, ELD87, HFC84, KLM86, LAA88, LAZ81, SSG91, TDE82, and TDL82.","Slides are in box 5. The location is tied to the relevant projects in the Marie L. Laleyan Project Records subseries and Laleyan Architects Project Records subseries."],"separatedmaterial_html_tesm":["\u003cp\u003eMaterials related to Illinois architect Bertha Y. Whitman were removed from the Laleyan collection and placed in Ms2009-054 IAWA Small Collections under Whitman's name.  (3/2009)\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Materials related to Illinois architect Bertha Y. Whitman were removed from the Laleyan collection and placed in Ms2009-054 IAWA Small Collections under Whitman's name.  (3/2009)"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ae9a6e553a301d0d2ed09e216601b53e\" label=\"Abstract\"\u003eMarie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.\u003c/abstract\u003e\n    "],"abstract_tesim":["Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892"],"names_coll_ssim":["Whitman, Bertha Yerex, b.1892"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892"],"language_ssim":["English\n."],"total_component_count_is":71,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:47:53.929Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2930"}},{"id":"viblbv_repositories_2_resources_2899","type":"collection","attributes":{"title":"Martha Bil Manevich Architectural Collection, 1963/2012, bulk 1963/1965","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2899#creator","type":"document_value","attributes":{"value":"Manevich, Martha Bil","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2899#abstract_or_scope","type":"document_value","attributes":{"value":"Martha Manevich, architect of Argentina and the United States. Collection contains drawings of three projects developed, 1963-1965, at the University of Buenos Aires, Argentina: a school, a hospital and an urban center. Also included are FAIA Fellowship Nomination materials (1995) for her work in heath care facilities.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2899#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2899","ead_ssi":"viblbv_repositories_2_resources_2899","_root_":"viblbv_repositories_2_resources_2899","_nest_parent_":"viblbv_repositories_2_resources_2899","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2899.xml","title_filing_ssi":"Manevich, Martha Bil Architectural Collection","title_ssm":["Martha Bil Manevich Architectural Collection"],"title_tesim":["Martha Bil Manevich Architectural Collection"],"unitdate_ssm":["1963-2012","1963-1965"],"unitdate_inclusive_ssm":["1963-2012"],"unitdate_bulk_ssim":["1963-1965"],"normalized_date_ssm":["1963/2012, bulk 1963/1965"],"normalized_title_ssm":["Martha Bil Manevich Architectural Collection, 1963/2012, bulk 1963/1965"],"text":["Martha Bil Manevich Architectural Collection, 1963/2012, bulk 1963/1965","Ms.2013.059","Women -- History","Architects","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)","Collection is open for research.","The collection is arranged by material type.","Martha Bil Manevich attended the University of Buenos Aires, Argentina and graduated with a Masters of Architecture in 1964. Upon graduation she came to the United States and worked with Ritchie Associates, Inc. as a Project Architect and Designer (1964-1975) and Vice President and Project Director (1976-1986) focusing on health care facilities and projects. She graduated from Boston University's Graduate School of Management with a Master of Business Administration Concentration in Health Care Management in 1989. Manevich opened her own consulting firm Planning Options in 1987 focusing on seeking opportunities in her new role of client representative to improve health care environments through better design and creative uses of resources and funds.","The processing, arrangement, and description of the Martha Bil Manevich Architectural Collection was completed in September 2013.","The collection contains three projects, all developed 1963-1965 at University of Buenos Aires. The projects are a community hospital, a high school for 1000 students and an urban center for mixed used. Each project is separated in folders with all drawings and explanations; each project has a series of hand drawn plans, section and perspective drawings.","Two copies of her nomination for FAIA Fellowship (1995) are also in the collection.","Permission to publish material from Martha Bil Manevich Architectural Collection must be obtained from Special Collections, Virginia Tech.","Martha Manevich, architect of Argentina and the United States. Collection contains drawings of three projects developed, 1963-1965, at the University of Buenos Aires, Argentina: a school, a hospital and an urban center. Also included are FAIA Fellowship Nomination materials (1995) for her work in heath care facilities.","Special Collections and University Archives, Virginia Tech","Manevich, Martha Bil","Materials are in Spanish and English."],"collection_title_tesim":["Martha Bil Manevich Architectural Collection, 1963/2012, bulk 1963/1965"],"collection_ssim":["Martha Bil Manevich Architectural Collection, 1963/2012, bulk 1963/1965"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2013.059"],"unitid_tesim":["Ms.2013.059"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Manevich, Martha Bil"],"creator_ssim":["Manevich, Martha Bil"],"creator_persname_ssim":["Manevich, Martha Bil"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Manevich, Martha Bil","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from Martha Bil Manevich Architectural Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The Martha Bil Manevich Architectural Collection was donated to the International Archive of Women in Architecture by the creator in 2012."],"access_subjects_ssim":["Women -- History","Architects","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)"],"access_subjects_ssm":["Women -- History","Architects","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["1.1 Cubic Feet 1 Box; 3 oversized folders."],"extent_tesim":["1.1 Cubic Feet 1 Box; 3 oversized folders."],"genreform_ssim":["Architectural drawings (visual works)","Architecture (discipline)"],"date_range_isim":[1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by material type.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by material type."],"bioghist_html_tesm":["\u003cp\u003eMartha Bil Manevich attended the University of Buenos Aires, Argentina and graduated with a Masters of Architecture in 1964. Upon graduation she came to the United States and worked with Ritchie Associates, Inc. as a Project Architect and Designer (1964-1975) and Vice President and Project Director (1976-1986) focusing on health care facilities and projects. She graduated from Boston University's Graduate School of Management with a Master of Business Administration Concentration in Health Care Management in 1989. Manevich opened her own consulting firm Planning Options in 1987 focusing on seeking opportunities in her new role of client representative to improve health care environments through better design and creative uses of resources and funds.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Martha Bil Manevich attended the University of Buenos Aires, Argentina and graduated with a Masters of Architecture in 1964. Upon graduation she came to the United States and worked with Ritchie Associates, Inc. as a Project Architect and Designer (1964-1975) and Vice President and Project Director (1976-1986) focusing on health care facilities and projects. She graduated from Boston University's Graduate School of Management with a Master of Business Administration Concentration in Health Care Management in 1989. Manevich opened her own consulting firm Planning Options in 1987 focusing on seeking opportunities in her new role of client representative to improve health care environments through better design and creative uses of resources and funds."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Martha Bil Manevich Architectural Collection, Ms 2013-059, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Martha Bil Manevich Architectural Collection, Ms 2013-059, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Martha Bil Manevich Architectural Collection was completed in September 2013.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Martha Bil Manevich Architectural Collection was completed in September 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains three projects, all developed 1963-1965 at University of Buenos Aires. The projects are a community hospital, a high school for 1000 students and an urban center for mixed used. Each project is separated in folders with all drawings and explanations; each project has a series of hand drawn plans, section and perspective drawings. \u003c/p\u003e","\u003cp\u003eTwo copies of her nomination for FAIA Fellowship (1995) are also in the collection. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection contains three projects, all developed 1963-1965 at University of Buenos Aires. The projects are a community hospital, a high school for 1000 students and an urban center for mixed used. Each project is separated in folders with all drawings and explanations; each project has a series of hand drawn plans, section and perspective drawings.","Two copies of her nomination for FAIA Fellowship (1995) are also in the collection."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Martha Bil Manevich Architectural Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Martha Bil Manevich Architectural Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_cc4ac9bf006b7cf7310a6a46f661fd96\" label=\"Abstract\"\u003eMartha Manevich, architect of Argentina and the United States. Collection contains drawings of three projects developed, 1963-1965, at the University of Buenos Aires, Argentina: a school, a hospital and an urban center. Also included are FAIA Fellowship Nomination materials (1995) for her work in heath care facilities.\u003c/abstract\u003e\n    "],"abstract_tesim":["Martha Manevich, architect of Argentina and the United States. Collection contains drawings of three projects developed, 1963-1965, at the University of Buenos Aires, Argentina: a school, a hospital and an urban center. Also included are FAIA Fellowship Nomination materials (1995) for her work in heath care facilities."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Manevich, Martha Bil"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Manevich, Martha Bil"],"language_ssim":["Materials are in Spanish and English."],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:47:53.929Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2899","ead_ssi":"viblbv_repositories_2_resources_2899","_root_":"viblbv_repositories_2_resources_2899","_nest_parent_":"viblbv_repositories_2_resources_2899","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2899.xml","title_filing_ssi":"Manevich, Martha Bil Architectural Collection","title_ssm":["Martha Bil Manevich Architectural Collection"],"title_tesim":["Martha Bil Manevich Architectural Collection"],"unitdate_ssm":["1963-2012","1963-1965"],"unitdate_inclusive_ssm":["1963-2012"],"unitdate_bulk_ssim":["1963-1965"],"normalized_date_ssm":["1963/2012, bulk 1963/1965"],"normalized_title_ssm":["Martha Bil Manevich Architectural Collection, 1963/2012, bulk 1963/1965"],"text":["Martha Bil Manevich Architectural Collection, 1963/2012, bulk 1963/1965","Ms.2013.059","Women -- History","Architects","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)","Collection is open for research.","The collection is arranged by material type.","Martha Bil Manevich attended the University of Buenos Aires, Argentina and graduated with a Masters of Architecture in 1964. Upon graduation she came to the United States and worked with Ritchie Associates, Inc. as a Project Architect and Designer (1964-1975) and Vice President and Project Director (1976-1986) focusing on health care facilities and projects. She graduated from Boston University's Graduate School of Management with a Master of Business Administration Concentration in Health Care Management in 1989. Manevich opened her own consulting firm Planning Options in 1987 focusing on seeking opportunities in her new role of client representative to improve health care environments through better design and creative uses of resources and funds.","The processing, arrangement, and description of the Martha Bil Manevich Architectural Collection was completed in September 2013.","The collection contains three projects, all developed 1963-1965 at University of Buenos Aires. The projects are a community hospital, a high school for 1000 students and an urban center for mixed used. Each project is separated in folders with all drawings and explanations; each project has a series of hand drawn plans, section and perspective drawings.","Two copies of her nomination for FAIA Fellowship (1995) are also in the collection.","Permission to publish material from Martha Bil Manevich Architectural Collection must be obtained from Special Collections, Virginia Tech.","Martha Manevich, architect of Argentina and the United States. Collection contains drawings of three projects developed, 1963-1965, at the University of Buenos Aires, Argentina: a school, a hospital and an urban center. Also included are FAIA Fellowship Nomination materials (1995) for her work in heath care facilities.","Special Collections and University Archives, Virginia Tech","Manevich, Martha Bil","Materials are in Spanish and English."],"collection_title_tesim":["Martha Bil Manevich Architectural Collection, 1963/2012, bulk 1963/1965"],"collection_ssim":["Martha Bil Manevich Architectural Collection, 1963/2012, bulk 1963/1965"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2013.059"],"unitid_tesim":["Ms.2013.059"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Manevich, Martha Bil"],"creator_ssim":["Manevich, Martha Bil"],"creator_persname_ssim":["Manevich, Martha Bil"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Manevich, Martha Bil","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from Martha Bil Manevich Architectural Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The Martha Bil Manevich Architectural Collection was donated to the International Archive of Women in Architecture by the creator in 2012."],"access_subjects_ssim":["Women -- History","Architects","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)"],"access_subjects_ssm":["Women -- History","Architects","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["1.1 Cubic Feet 1 Box; 3 oversized folders."],"extent_tesim":["1.1 Cubic Feet 1 Box; 3 oversized folders."],"genreform_ssim":["Architectural drawings (visual works)","Architecture (discipline)"],"date_range_isim":[1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by material type.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by material type."],"bioghist_html_tesm":["\u003cp\u003eMartha Bil Manevich attended the University of Buenos Aires, Argentina and graduated with a Masters of Architecture in 1964. Upon graduation she came to the United States and worked with Ritchie Associates, Inc. as a Project Architect and Designer (1964-1975) and Vice President and Project Director (1976-1986) focusing on health care facilities and projects. She graduated from Boston University's Graduate School of Management with a Master of Business Administration Concentration in Health Care Management in 1989. Manevich opened her own consulting firm Planning Options in 1987 focusing on seeking opportunities in her new role of client representative to improve health care environments through better design and creative uses of resources and funds.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Martha Bil Manevich attended the University of Buenos Aires, Argentina and graduated with a Masters of Architecture in 1964. Upon graduation she came to the United States and worked with Ritchie Associates, Inc. as a Project Architect and Designer (1964-1975) and Vice President and Project Director (1976-1986) focusing on health care facilities and projects. She graduated from Boston University's Graduate School of Management with a Master of Business Administration Concentration in Health Care Management in 1989. Manevich opened her own consulting firm Planning Options in 1987 focusing on seeking opportunities in her new role of client representative to improve health care environments through better design and creative uses of resources and funds."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Martha Bil Manevich Architectural Collection, Ms 2013-059, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Martha Bil Manevich Architectural Collection, Ms 2013-059, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Martha Bil Manevich Architectural Collection was completed in September 2013.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Martha Bil Manevich Architectural Collection was completed in September 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains three projects, all developed 1963-1965 at University of Buenos Aires. The projects are a community hospital, a high school for 1000 students and an urban center for mixed used. Each project is separated in folders with all drawings and explanations; each project has a series of hand drawn plans, section and perspective drawings. \u003c/p\u003e","\u003cp\u003eTwo copies of her nomination for FAIA Fellowship (1995) are also in the collection. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection contains three projects, all developed 1963-1965 at University of Buenos Aires. The projects are a community hospital, a high school for 1000 students and an urban center for mixed used. Each project is separated in folders with all drawings and explanations; each project has a series of hand drawn plans, section and perspective drawings.","Two copies of her nomination for FAIA Fellowship (1995) are also in the collection."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Martha Bil Manevich Architectural Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Martha Bil Manevich Architectural Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_cc4ac9bf006b7cf7310a6a46f661fd96\" label=\"Abstract\"\u003eMartha Manevich, architect of Argentina and the United States. Collection contains drawings of three projects developed, 1963-1965, at the University of Buenos Aires, Argentina: a school, a hospital and an urban center. Also included are FAIA Fellowship Nomination materials (1995) for her work in heath care facilities.\u003c/abstract\u003e\n    "],"abstract_tesim":["Martha Manevich, architect of Argentina and the United States. Collection contains drawings of three projects developed, 1963-1965, at the University of Buenos Aires, Argentina: a school, a hospital and an urban center. Also included are FAIA Fellowship Nomination materials (1995) for her work in heath care facilities."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Manevich, Martha Bil"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Manevich, Martha Bil"],"language_ssim":["Materials are in Spanish and English."],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:47:53.929Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2899"}},{"id":"viblbv_repositories_2_resources_1970","type":"collection","attributes":{"title":"Martha J. Crawford Design Papers, 1961/1974","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1970#creator","type":"document_value","attributes":{"value":"Crawford, Martha J., 1925-1994","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1970#abstract_or_scope","type":"document_value","attributes":{"value":"Martha J. Crawford (1925-1994) was an architectural interior designer of Waukesha, Wisconsin and first woman member of the New York Metropolitan Chapter of the Construction Specifications Institute. This collection consists of a portfolio of biographical and career information, including lists of projects and exhibitions, and articles about her work; two scrapbooks (1961-1974) of photographs, clippings, and lists of accomplishments; and drawings, artwork, and posters by Crawford.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1970#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1970","ead_ssi":"viblbv_repositories_2_resources_1970","_root_":"viblbv_repositories_2_resources_1970","_nest_parent_":"viblbv_repositories_2_resources_1970","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1970.xml","title_filing_ssi":"Crawford, Martha J., Design Papers","title_ssm":["Martha J. Crawford Design Papers"],"title_tesim":["Martha J. Crawford Design Papers"],"unitdate_ssm":["1961-1974"],"unitdate_inclusive_ssm":["1961-1974"],"normalized_date_ssm":["1961/1974"],"normalized_title_ssm":["Martha J. Crawford Design Papers, 1961/1974"],"text":["Martha J. Crawford Design Papers, 1961/1974","Ms.1994.016","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open to research.","Martha J. Crawford (1925-1994) was an architectural interior designer of Waukesha, Wisconsin. She attended Vassar College (1943-1945), graduated from Parsons School of Design with an interior design degree (1948), and was an alumna of the Columbia School of Architecture (1953).","For 10 years Crawford worked in New York City with firms such as Eleanor Lemaire and Associates, Amos Parrish \u0026 Company, Beeston and Patterson, and Welton Becket and Associates holding titles including Assistant Interior Designer, Head of Color and Décor Department, Contract Interior Designer, and Construction Coordinator. In 1958, Crawford opened her own firm Martha Crawford and Associates specializing in the design of commercial interiors. Following 1966, she was a contract interior designer in Florida, Virginia, Washington, D.C, and Wisconsin. Her long and active career included design projects for many major American department stores: Neiman Marcus; B. Altman \u0026 Company; Macy's; Bamberger's; Kresge; and Heironimus in Roanoke, Virginia. In 1975, Crawford retired to Waukesha, Wisconsin.","She designed numerous residential interiors as well as interiors for offices, showrooms, restaurants, hotels, banks, schools, and hospitals. In addition, Martha Crawford was a writer, studied poetry, and completed at least two novels. She was also an artist and among her papers are numerous watercolors and pastels.","The guide to the Martha J. Crawford Design Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Martha J. Crawford Design Papers was completed in or prior to 2010.","The Martha J. Crawford Design Papers contains two scrapbooks (1961-1974)of photographs, clippings, and lists of accomplishments; a portfolio of biographical and career information; 12 folders containing watercolors, pastels, posters, diazo prints, and sketches produced by Crawford. The artwork features landscapes, portraits, watercolor studies, abstracts, furniture, room interiors, and utilitarian items (bowls, cups, coffee press). The artwork is undated.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Martha J. Crawford (1925-1994) was an architectural interior designer of Waukesha, Wisconsin and first woman member of the New York Metropolitan Chapter of the Construction Specifications Institute. This collection consists of a portfolio of biographical and career information, including lists of projects and exhibitions, and articles about her work; two scrapbooks (1961-1974) of photographs, clippings, and lists of accomplishments; and drawings, artwork, and posters by Crawford.","Special Collections and University Archives, Virginia Tech","Crawford, Martha J., 1925-1994","The materials in the collection are in English."],"collection_title_tesim":["Martha J. Crawford Design Papers, 1961/1974"],"collection_ssim":["Martha J. 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Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Martha J. Crawford Design Papers were donated to Special Collections in 1994."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["3.73 Cubic Feet 1 box, 12 oversize folders"],"extent_tesim":["3.73 Cubic Feet 1 box, 12 oversize folders"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"bioghist_html_tesm":["\u003cp\u003eMartha J. Crawford (1925-1994) was an architectural interior designer of Waukesha, Wisconsin. She attended Vassar College (1943-1945), graduated from Parsons School of Design with an interior design degree (1948), and was an alumna of the Columbia School of Architecture (1953). \u003c/p\u003e","\u003cp\u003eFor 10 years Crawford worked in New York City with firms such as Eleanor Lemaire and Associates, Amos Parrish \u0026amp; Company, Beeston and Patterson, and Welton Becket and Associates holding titles including Assistant Interior Designer, Head of Color and Décor Department, Contract Interior Designer, and Construction Coordinator. In 1958, Crawford opened her own firm Martha Crawford and Associates specializing in the design of commercial interiors. Following 1966, she was a contract interior designer in Florida, Virginia, Washington, D.C, and Wisconsin. Her long and active career included design projects for many major American department stores: Neiman Marcus; B. Altman \u0026amp; Company; Macy's; Bamberger's; Kresge; and Heironimus in Roanoke, Virginia. In 1975, Crawford retired to Waukesha, Wisconsin. \u003c/p\u003e","\u003cp\u003eShe designed numerous residential interiors as well as interiors for offices, showrooms, restaurants, hotels, banks, schools, and hospitals. In addition, Martha Crawford was a writer, studied poetry, and completed at least two novels. She was also an artist and among her papers are numerous watercolors and pastels.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Martha J. Crawford (1925-1994) was an architectural interior designer of Waukesha, Wisconsin. She attended Vassar College (1943-1945), graduated from Parsons School of Design with an interior design degree (1948), and was an alumna of the Columbia School of Architecture (1953).","For 10 years Crawford worked in New York City with firms such as Eleanor Lemaire and Associates, Amos Parrish \u0026 Company, Beeston and Patterson, and Welton Becket and Associates holding titles including Assistant Interior Designer, Head of Color and Décor Department, Contract Interior Designer, and Construction Coordinator. In 1958, Crawford opened her own firm Martha Crawford and Associates specializing in the design of commercial interiors. Following 1966, she was a contract interior designer in Florida, Virginia, Washington, D.C, and Wisconsin. Her long and active career included design projects for many major American department stores: Neiman Marcus; B. Altman \u0026 Company; Macy's; Bamberger's; Kresge; and Heironimus in Roanoke, Virginia. In 1975, Crawford retired to Waukesha, Wisconsin.","She designed numerous residential interiors as well as interiors for offices, showrooms, restaurants, hotels, banks, schools, and hospitals. In addition, Martha Crawford was a writer, studied poetry, and completed at least two novels. She was also an artist and among her papers are numerous watercolors and pastels."],"odd_html_tesm":["\u003cp\u003eThe guide to the Martha J. Crawford Design Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Martha J. Crawford Design Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Martha J. Crawford Design Papers, Ms1994-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Martha J. Crawford Design Papers, Ms1994-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Martha J. 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Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4c8ece32df798e202716aff41c6d238e\" label=\"Abstract\"\u003eMartha J. Crawford (1925-1994) was an architectural interior designer of Waukesha, Wisconsin and first woman member of the New York Metropolitan Chapter of the Construction Specifications Institute. This collection consists of a portfolio of biographical and career information, including lists of projects and exhibitions, and articles about her work; two scrapbooks (1961-1974) of photographs, clippings, and lists of accomplishments; and drawings, artwork, and posters by Crawford.\u003c/abstract\u003e\n    "],"abstract_tesim":["Martha J. 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This collection consists of a portfolio of biographical and career information, including lists of projects and exhibitions, and articles about her work; two scrapbooks (1961-1974) of photographs, clippings, and lists of accomplishments; and drawings, artwork, and posters by Crawford."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Crawford, Martha J., 1925-1994"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Crawford, Martha J., 1925-1994"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":13,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:46:21.925Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1970","ead_ssi":"viblbv_repositories_2_resources_1970","_root_":"viblbv_repositories_2_resources_1970","_nest_parent_":"viblbv_repositories_2_resources_1970","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1970.xml","title_filing_ssi":"Crawford, Martha J., Design Papers","title_ssm":["Martha J. Crawford Design Papers"],"title_tesim":["Martha J. Crawford Design Papers"],"unitdate_ssm":["1961-1974"],"unitdate_inclusive_ssm":["1961-1974"],"normalized_date_ssm":["1961/1974"],"normalized_title_ssm":["Martha J. Crawford Design Papers, 1961/1974"],"text":["Martha J. Crawford Design Papers, 1961/1974","Ms.1994.016","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open to research.","Martha J. Crawford (1925-1994) was an architectural interior designer of Waukesha, Wisconsin. She attended Vassar College (1943-1945), graduated from Parsons School of Design with an interior design degree (1948), and was an alumna of the Columbia School of Architecture (1953).","For 10 years Crawford worked in New York City with firms such as Eleanor Lemaire and Associates, Amos Parrish \u0026 Company, Beeston and Patterson, and Welton Becket and Associates holding titles including Assistant Interior Designer, Head of Color and Décor Department, Contract Interior Designer, and Construction Coordinator. In 1958, Crawford opened her own firm Martha Crawford and Associates specializing in the design of commercial interiors. Following 1966, she was a contract interior designer in Florida, Virginia, Washington, D.C, and Wisconsin. Her long and active career included design projects for many major American department stores: Neiman Marcus; B. Altman \u0026 Company; Macy's; Bamberger's; Kresge; and Heironimus in Roanoke, Virginia. In 1975, Crawford retired to Waukesha, Wisconsin.","She designed numerous residential interiors as well as interiors for offices, showrooms, restaurants, hotels, banks, schools, and hospitals. In addition, Martha Crawford was a writer, studied poetry, and completed at least two novels. She was also an artist and among her papers are numerous watercolors and pastels.","The guide to the Martha J. Crawford Design Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Martha J. Crawford Design Papers was completed in or prior to 2010.","The Martha J. Crawford Design Papers contains two scrapbooks (1961-1974)of photographs, clippings, and lists of accomplishments; a portfolio of biographical and career information; 12 folders containing watercolors, pastels, posters, diazo prints, and sketches produced by Crawford. The artwork features landscapes, portraits, watercolor studies, abstracts, furniture, room interiors, and utilitarian items (bowls, cups, coffee press). The artwork is undated.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Martha J. Crawford (1925-1994) was an architectural interior designer of Waukesha, Wisconsin and first woman member of the New York Metropolitan Chapter of the Construction Specifications Institute. This collection consists of a portfolio of biographical and career information, including lists of projects and exhibitions, and articles about her work; two scrapbooks (1961-1974) of photographs, clippings, and lists of accomplishments; and drawings, artwork, and posters by Crawford.","Special Collections and University Archives, Virginia Tech","Crawford, Martha J., 1925-1994","The materials in the collection are in English."],"collection_title_tesim":["Martha J. Crawford Design Papers, 1961/1974"],"collection_ssim":["Martha J. Crawford Design Papers, 1961/1974"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1994.016"],"unitid_tesim":["Ms.1994.016"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Crawford, Martha J., 1925-1994"],"creator_ssim":["Crawford, Martha J., 1925-1994"],"creator_persname_ssim":["Crawford, Martha J., 1925-1994"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Crawford, Martha J., 1925-1994","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Martha J. Crawford Design Papers were donated to Special Collections in 1994."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["3.73 Cubic Feet 1 box, 12 oversize folders"],"extent_tesim":["3.73 Cubic Feet 1 box, 12 oversize folders"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"bioghist_html_tesm":["\u003cp\u003eMartha J. Crawford (1925-1994) was an architectural interior designer of Waukesha, Wisconsin. She attended Vassar College (1943-1945), graduated from Parsons School of Design with an interior design degree (1948), and was an alumna of the Columbia School of Architecture (1953). \u003c/p\u003e","\u003cp\u003eFor 10 years Crawford worked in New York City with firms such as Eleanor Lemaire and Associates, Amos Parrish \u0026amp; Company, Beeston and Patterson, and Welton Becket and Associates holding titles including Assistant Interior Designer, Head of Color and Décor Department, Contract Interior Designer, and Construction Coordinator. In 1958, Crawford opened her own firm Martha Crawford and Associates specializing in the design of commercial interiors. Following 1966, she was a contract interior designer in Florida, Virginia, Washington, D.C, and Wisconsin. Her long and active career included design projects for many major American department stores: Neiman Marcus; B. Altman \u0026amp; Company; Macy's; Bamberger's; Kresge; and Heironimus in Roanoke, Virginia. In 1975, Crawford retired to Waukesha, Wisconsin. \u003c/p\u003e","\u003cp\u003eShe designed numerous residential interiors as well as interiors for offices, showrooms, restaurants, hotels, banks, schools, and hospitals. In addition, Martha Crawford was a writer, studied poetry, and completed at least two novels. She was also an artist and among her papers are numerous watercolors and pastels.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Martha J. Crawford (1925-1994) was an architectural interior designer of Waukesha, Wisconsin. She attended Vassar College (1943-1945), graduated from Parsons School of Design with an interior design degree (1948), and was an alumna of the Columbia School of Architecture (1953).","For 10 years Crawford worked in New York City with firms such as Eleanor Lemaire and Associates, Amos Parrish \u0026 Company, Beeston and Patterson, and Welton Becket and Associates holding titles including Assistant Interior Designer, Head of Color and Décor Department, Contract Interior Designer, and Construction Coordinator. In 1958, Crawford opened her own firm Martha Crawford and Associates specializing in the design of commercial interiors. Following 1966, she was a contract interior designer in Florida, Virginia, Washington, D.C, and Wisconsin. Her long and active career included design projects for many major American department stores: Neiman Marcus; B. Altman \u0026 Company; Macy's; Bamberger's; Kresge; and Heironimus in Roanoke, Virginia. In 1975, Crawford retired to Waukesha, Wisconsin.","She designed numerous residential interiors as well as interiors for offices, showrooms, restaurants, hotels, banks, schools, and hospitals. In addition, Martha Crawford was a writer, studied poetry, and completed at least two novels. She was also an artist and among her papers are numerous watercolors and pastels."],"odd_html_tesm":["\u003cp\u003eThe guide to the Martha J. Crawford Design Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Martha J. Crawford Design Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Martha J. Crawford Design Papers, Ms1994-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Martha J. Crawford Design Papers, Ms1994-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Martha J. Crawford Design Papers was completed in or prior to 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Martha J. Crawford Design Papers was completed in or prior to 2010."],"scopecontent_html_tesm":["\u003cp\u003eThe Martha J. Crawford Design Papers contains two scrapbooks (1961-1974)of photographs, clippings, and lists of accomplishments; a portfolio of biographical and career information; 12 folders containing watercolors, pastels, posters, diazo prints, and sketches produced by Crawford. The artwork features landscapes, portraits, watercolor studies, abstracts, furniture, room interiors, and utilitarian items (bowls, cups, coffee press). The artwork is undated.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Martha J. Crawford Design Papers contains two scrapbooks (1961-1974)of photographs, clippings, and lists of accomplishments; a portfolio of biographical and career information; 12 folders containing watercolors, pastels, posters, diazo prints, and sketches produced by Crawford. The artwork features landscapes, portraits, watercolor studies, abstracts, furniture, room interiors, and utilitarian items (bowls, cups, coffee press). The artwork is undated."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4c8ece32df798e202716aff41c6d238e\" label=\"Abstract\"\u003eMartha J. Crawford (1925-1994) was an architectural interior designer of Waukesha, Wisconsin and first woman member of the New York Metropolitan Chapter of the Construction Specifications Institute. This collection consists of a portfolio of biographical and career information, including lists of projects and exhibitions, and articles about her work; two scrapbooks (1961-1974) of photographs, clippings, and lists of accomplishments; and drawings, artwork, and posters by Crawford.\u003c/abstract\u003e\n    "],"abstract_tesim":["Martha J. Crawford (1925-1994) was an architectural interior designer of Waukesha, Wisconsin and first woman member of the New York Metropolitan Chapter of the Construction Specifications Institute. This collection consists of a portfolio of biographical and career information, including lists of projects and exhibitions, and articles about her work; two scrapbooks (1961-1974) of photographs, clippings, and lists of accomplishments; and drawings, artwork, and posters by Crawford."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Crawford, Martha J., 1925-1994"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Crawford, Martha J., 1925-1994"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":13,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:46:21.925Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1970"}},{"id":"viblbv_repositories_2_resources_4219","type":"collection","attributes":{"title":"Mary Anne Shephard Manuscript, 1847/2016","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4219#creator","type":"document_value","attributes":{"value":"Shephard, Mary Anne","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4219#abstract_or_scope","type":"document_value","attributes":{"value":"The Mary Anne Shephard Manuscript is a manuscript titled, \"Principles and Illustrations of Gothic Ecclesiastical Architecture\", created by Shephard, possibly from England, in 1847 that details gothic architecture through descriptions and drawings, with an additional focus on churches and ministers. This may be based on Matthew Holbrech Bloxam's \u003cem\u003eThe Principles of Gothic Ecclesiastical Architecture\u003c/em\u003e (London, 1829). While the majority of the document was written in 1847, there are dates written that reach 1850, 1950, and 2016.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4219#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_4219","ead_ssi":"viblbv_repositories_2_resources_4219","_root_":"viblbv_repositories_2_resources_4219","_nest_parent_":"viblbv_repositories_2_resources_4219","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_4219.xml","title_filing_ssi":"Shephard, Mary Anne, Manuscript","title_ssm":["Mary Anne Shephard Manuscript"],"title_tesim":["Mary Anne Shephard Manuscript"],"unitdate_ssm":["1847-1850, 1950, 2016"],"unitdate_inclusive_ssm":["1847-1850, 1950, 2016"],"normalized_date_ssm":["1847/2016"],"normalized_title_ssm":["Mary Anne Shephard Manuscript, 1847/2016"],"text":["Mary Anne Shephard Manuscript, 1847/2016","Ms.2024.013","/repositories/2/resources/4219","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","The collection is open for research.","Mary Anne Shephard may have been from England.","The guide to the Mary Anne Shephard Manuscript by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Mary Anne Shephard Manuscript was completed in January 2024.","The Mary Anne Shephard Manuscript is a manuscript titled, \"Principles and Illustrations of Gothic Ecclesiastical Architecture\", created by Shephard in 1847 that details gothic architecture through descriptions and numerous drawings with an additional focus on churches and ministers. This may be based on Matthew Holbrech Bloxam's The Principles of Gothic Ecclesiastical Architecture (London, 1829). The majority of the document was written in 1847, but there are dates written that reach 1850. There is a date in the front of the manuscript marked 1950, possibly by a previous owner, and a date marked 2016, possibly to mark the purchase of the manuscript.","The copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials.","Reproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\nhttp://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Mary Anne Shephard Manuscript is a manuscript titled, \"Principles and Illustrations of Gothic Ecclesiastical Architecture\", created by Shephard, possibly from England, in 1847 that details gothic architecture through descriptions and drawings, with an additional focus on churches and ministers. This may be based on Matthew Holbrech Bloxam's The Principles of Gothic Ecclesiastical Architecture (London, 1829).  While the majority of the document was written in 1847, there are dates written that reach 1850, 1950, and 2016.","Special Collections and University Archives, Virginia Tech","Shephard, Mary Anne","The materials in this collection are in English."],"collection_title_tesim":["Mary Anne Shephard Manuscript, 1847/2016"],"collection_ssim":["Mary Anne Shephard Manuscript, 1847/2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2024.013","/repositories/2/resources/4219"],"unitid_tesim":["Ms.2024.013","/repositories/2/resources/4219"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Shephard, Mary Anne"],"creator_ssim":["Shephard, Mary Anne"],"creator_persname_ssim":["Shephard, Mary Anne"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Shephard, Mary Anne","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials.","Reproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\nhttp://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Mary Anne Shephard Manuscript was purchased by Special Collections and University Archives in August 2016."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture"],"has_online_content_ssim":["false"],"extent_ssm":["0.1 Cubic Feet 1 folder"],"extent_tesim":["0.1 Cubic Feet 1 folder"],"date_range_isim":[1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eMary Anne Shephard may have been from England.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Mary Anne Shephard may have been from England."],"odd_html_tesm":["\u003cp\u003eThe guide to the Mary Anne Shephard Manuscript by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Mary Anne Shephard Manuscript by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Mary Anne Shephard Manuscript, 1847-1850, 1950, 2016, Ms2024-013, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Mary Anne Shephard Manuscript, 1847-1850, 1950, 2016, Ms2024-013, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Mary Anne Shephard Manuscript was completed in January 2024.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Mary Anne Shephard Manuscript was completed in January 2024."],"scopecontent_html_tesm":["\u003cp\u003eThe Mary Anne Shephard Manuscript is a manuscript titled, \"Principles and Illustrations of Gothic Ecclesiastical Architecture\", created by Shephard in 1847 that details gothic architecture through descriptions and numerous drawings with an additional focus on churches and ministers. This may be based on Matthew Holbrech Bloxam's \u003ctitle render=\"italic\"\u003eThe Principles of Gothic Ecclesiastical Architecture\u003c/title\u003e (London, 1829). The majority of the document was written in 1847, but there are dates written that reach 1850. There is a date in the front of the manuscript marked 1950, possibly by a previous owner, and a date marked 2016, possibly to mark the purchase of the manuscript.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Mary Anne Shephard Manuscript is a manuscript titled, \"Principles and Illustrations of Gothic Ecclesiastical Architecture\", created by Shephard in 1847 that details gothic architecture through descriptions and numerous drawings with an additional focus on churches and ministers. This may be based on Matthew Holbrech Bloxam's The Principles of Gothic Ecclesiastical Architecture (London, 1829). The majority of the document was written in 1847, but there are dates written that reach 1850. There is a date in the front of the manuscript marked 1950, possibly by a previous owner, and a date marked 2016, possibly to mark the purchase of the manuscript."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\n\u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials.","Reproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\nhttp://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_31933bc97a4e3cb82b863aa550538fb6\" label=\"Abstract\"\u003eThe Mary Anne Shephard Manuscript is a manuscript titled, \"Principles and Illustrations of Gothic Ecclesiastical Architecture\", created by Shephard, possibly from England, in 1847 that details gothic architecture through descriptions and drawings, with an additional focus on churches and ministers. This may be based on Matthew Holbrech Bloxam's \u003ctitle render=\"italic\"\u003eThe Principles of Gothic Ecclesiastical Architecture\u003c/title\u003e (London, 1829).  While the majority of the document was written in 1847, there are dates written that reach 1850, 1950, and 2016.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Mary Anne Shephard Manuscript is a manuscript titled, \"Principles and Illustrations of Gothic Ecclesiastical Architecture\", created by Shephard, possibly from England, in 1847 that details gothic architecture through descriptions and drawings, with an additional focus on churches and ministers. This may be based on Matthew Holbrech Bloxam's The Principles of Gothic Ecclesiastical Architecture (London, 1829).  While the majority of the document was written in 1847, there are dates written that reach 1850, 1950, and 2016."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Shephard, Mary Anne"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Shephard, Mary Anne"],"language_ssim":["The materials in this collection are in English."],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:50:43.410Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_4219","ead_ssi":"viblbv_repositories_2_resources_4219","_root_":"viblbv_repositories_2_resources_4219","_nest_parent_":"viblbv_repositories_2_resources_4219","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_4219.xml","title_filing_ssi":"Shephard, Mary Anne, Manuscript","title_ssm":["Mary Anne Shephard Manuscript"],"title_tesim":["Mary Anne Shephard Manuscript"],"unitdate_ssm":["1847-1850, 1950, 2016"],"unitdate_inclusive_ssm":["1847-1850, 1950, 2016"],"normalized_date_ssm":["1847/2016"],"normalized_title_ssm":["Mary Anne Shephard Manuscript, 1847/2016"],"text":["Mary Anne Shephard Manuscript, 1847/2016","Ms.2024.013","/repositories/2/resources/4219","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","The collection is open for research.","Mary Anne Shephard may have been from England.","The guide to the Mary Anne Shephard Manuscript by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Mary Anne Shephard Manuscript was completed in January 2024.","The Mary Anne Shephard Manuscript is a manuscript titled, \"Principles and Illustrations of Gothic Ecclesiastical Architecture\", created by Shephard in 1847 that details gothic architecture through descriptions and numerous drawings with an additional focus on churches and ministers. This may be based on Matthew Holbrech Bloxam's The Principles of Gothic Ecclesiastical Architecture (London, 1829). The majority of the document was written in 1847, but there are dates written that reach 1850. There is a date in the front of the manuscript marked 1950, possibly by a previous owner, and a date marked 2016, possibly to mark the purchase of the manuscript.","The copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials.","Reproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\nhttp://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Mary Anne Shephard Manuscript is a manuscript titled, \"Principles and Illustrations of Gothic Ecclesiastical Architecture\", created by Shephard, possibly from England, in 1847 that details gothic architecture through descriptions and drawings, with an additional focus on churches and ministers. This may be based on Matthew Holbrech Bloxam's The Principles of Gothic Ecclesiastical Architecture (London, 1829).  While the majority of the document was written in 1847, there are dates written that reach 1850, 1950, and 2016.","Special Collections and University Archives, Virginia Tech","Shephard, Mary Anne","The materials in this collection are in English."],"collection_title_tesim":["Mary Anne Shephard Manuscript, 1847/2016"],"collection_ssim":["Mary Anne Shephard Manuscript, 1847/2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2024.013","/repositories/2/resources/4219"],"unitid_tesim":["Ms.2024.013","/repositories/2/resources/4219"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Shephard, Mary Anne"],"creator_ssim":["Shephard, Mary Anne"],"creator_persname_ssim":["Shephard, Mary Anne"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Shephard, Mary Anne","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials.","Reproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\nhttp://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Mary Anne Shephard Manuscript was purchased by Special Collections and University Archives in August 2016."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture"],"has_online_content_ssim":["false"],"extent_ssm":["0.1 Cubic Feet 1 folder"],"extent_tesim":["0.1 Cubic Feet 1 folder"],"date_range_isim":[1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eMary Anne Shephard may have been from England.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Mary Anne Shephard may have been from England."],"odd_html_tesm":["\u003cp\u003eThe guide to the Mary Anne Shephard Manuscript by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Mary Anne Shephard Manuscript by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Mary Anne Shephard Manuscript, 1847-1850, 1950, 2016, Ms2024-013, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Mary Anne Shephard Manuscript, 1847-1850, 1950, 2016, Ms2024-013, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Mary Anne Shephard Manuscript was completed in January 2024.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Mary Anne Shephard Manuscript was completed in January 2024."],"scopecontent_html_tesm":["\u003cp\u003eThe Mary Anne Shephard Manuscript is a manuscript titled, \"Principles and Illustrations of Gothic Ecclesiastical Architecture\", created by Shephard in 1847 that details gothic architecture through descriptions and numerous drawings with an additional focus on churches and ministers. This may be based on Matthew Holbrech Bloxam's \u003ctitle render=\"italic\"\u003eThe Principles of Gothic Ecclesiastical Architecture\u003c/title\u003e (London, 1829). The majority of the document was written in 1847, but there are dates written that reach 1850. There is a date in the front of the manuscript marked 1950, possibly by a previous owner, and a date marked 2016, possibly to mark the purchase of the manuscript.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Mary Anne Shephard Manuscript is a manuscript titled, \"Principles and Illustrations of Gothic Ecclesiastical Architecture\", created by Shephard in 1847 that details gothic architecture through descriptions and numerous drawings with an additional focus on churches and ministers. This may be based on Matthew Holbrech Bloxam's The Principles of Gothic Ecclesiastical Architecture (London, 1829). The majority of the document was written in 1847, but there are dates written that reach 1850. There is a date in the front of the manuscript marked 1950, possibly by a previous owner, and a date marked 2016, possibly to mark the purchase of the manuscript."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\n\u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials.","Reproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\nhttp://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_31933bc97a4e3cb82b863aa550538fb6\" label=\"Abstract\"\u003eThe Mary Anne Shephard Manuscript is a manuscript titled, \"Principles and Illustrations of Gothic Ecclesiastical Architecture\", created by Shephard, possibly from England, in 1847 that details gothic architecture through descriptions and drawings, with an additional focus on churches and ministers. This may be based on Matthew Holbrech Bloxam's \u003ctitle render=\"italic\"\u003eThe Principles of Gothic Ecclesiastical Architecture\u003c/title\u003e (London, 1829).  While the majority of the document was written in 1847, there are dates written that reach 1850, 1950, and 2016.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Mary Anne Shephard Manuscript is a manuscript titled, \"Principles and Illustrations of Gothic Ecclesiastical Architecture\", created by Shephard, possibly from England, in 1847 that details gothic architecture through descriptions and drawings, with an additional focus on churches and ministers. This may be based on Matthew Holbrech Bloxam's The Principles of Gothic Ecclesiastical Architecture (London, 1829).  While the majority of the document was written in 1847, there are dates written that reach 1850, 1950, and 2016."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Shephard, Mary Anne"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Shephard, Mary Anne"],"language_ssim":["The materials in this collection are in English."],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:50:43.410Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4219"}},{"id":"viblbv_repositories_2_resources_2317","type":"collection","attributes":{"title":"Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2317#creator","type":"document_value","attributes":{"value":"Channel, Mary Brown, 1907-2006","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2317#abstract_or_scope","type":"document_value","attributes":{"value":"After graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2317#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2317","ead_ssi":"viblbv_repositories_2_resources_2317","_root_":"viblbv_repositories_2_resources_2317","_nest_parent_":"viblbv_repositories_2_resources_2317","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2317.xml","title_filing_ssi":"Channel, Mary Brown, Architectural Collection","title_ssm":["Mary Brown Channel Architectural Collection"],"title_tesim":["Mary Brown Channel Architectural Collection"],"unitdate_ssm":["1936-2002","1936-1950"],"unitdate_inclusive_ssm":["1936-2002"],"unitdate_bulk_ssim":["1936-1950"],"normalized_date_ssm":["1936/2002, bulk 1936/1950"],"normalized_title_ssm":["Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950"],"text":["Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950","Ms.2007.030","/repositories/2/resources/2317","Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)","The collection is open for research.","The collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.","Series II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a project index alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor.","In order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941.","On the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects.","The Project Index list is arranged alphabetically by Project/Client Name and contains information, where available, about the location, date, project type, collaborators, and formats for each project in the collection.","Mary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.","She attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.","Graduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\"","Channel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect.","Following her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.","Channel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.","She was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.","Mary Ramsay Brown Channel died on January 21, 2006. She was 98 years old.","There is a discrepancy in the client name.  The plans list the client as Mrs. F.D. Warner while the specifications (Box 10, folder 9) list the client as Mrs. T.D. Warner.  Special Collections has received communication from the family of Mrs. Warner and they confirm that the house was remodeled for Mrs. Thomas Dickens Warner.","The guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010.","There is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the   Fall 2008 IAWA Center News, the International Archive of Women in Architecture newsletter.","The Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950.","The following is a sampling of architectural projects from the Mary Brown Channel Collection. For more information about each project, see the Project Index for full details.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access.","After graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects.","Special Collections and University Archives, Virginia Tech","Channel, Mary Brown, 1907-2006","The materials in the collection are in English."],"collection_title_tesim":["Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950"],"collection_ssim":["Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.030","/repositories/2/resources/2317"],"unitid_tesim":["Ms.2007.030","/repositories/2/resources/2317"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Channel, Mary Brown, 1907-2006"],"creator_ssim":["Channel, Mary Brown, 1907-2006"],"creator_persname_ssim":["Channel, Mary Brown, 1907-2006"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Channel, Mary Brown, 1907-2006","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access."],"acqinfo_ssim":["The Mary Brown Channel Architectural Collection was donated to Special Collections in 2007."],"access_subjects_ssim":["Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["11 Cubic Feet 10 boxes and 36 oversize folders"],"extent_tesim":["11 Cubic Feet 10 boxes and 36 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSeries II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\"\u003eproject index\u003c/a\u003e alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor. \u003c/p\u003e","\u003cp\u003eIn order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941. \u003c/p\u003e","\u003cp\u003eOn the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects. \u003c/p\u003e  ","\u003cp\u003eThe \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\" title=\"Project Index\"\u003eProject Index\u003c/a\u003e list is arranged alphabetically by Project/Client Name and contains information, where available, about the location, date, project type, collaborators, and formats for each project in the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["The collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.","Series II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a project index alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor.","In order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941.","On the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects.","The Project Index list is arranged alphabetically by Project/Client Name and contains information, where available, about the location, date, project type, collaborators, and formats for each project in the collection."],"bioghist_html_tesm":["\u003cp\u003eMary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.\u003c/p\u003e","\u003cp\u003eShe attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.\u003c/p\u003e","\u003cp\u003eGraduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\" \u003c/p\u003e","\u003cp\u003eChannel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect. \u003c/p\u003e","\u003cp\u003eFollowing her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.\u003c/p\u003e","\u003cp\u003eChannel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.\u003c/p\u003e","\u003cp\u003eShe was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.\u003c/p\u003e","\u003cp\u003eMary Ramsay Brown Channel died on January 21, 2006. She was 98 years old.\u003c/p\u003e  ","\u003cp\u003eThere is a discrepancy in the client name.  The plans list the client as Mrs. F.D. Warner while the specifications (Box 10, folder 9) list the client as Mrs. T.D. Warner.  Special Collections has received communication from the family of Mrs. Warner and they confirm that the house was remodeled for Mrs. Thomas Dickens Warner.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note","Historical Note"],"bioghist_tesim":["Mary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.","She attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.","Graduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\"","Channel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect.","Following her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.","Channel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.","She was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.","Mary Ramsay Brown Channel died on January 21, 2006. She was 98 years old.","There is a discrepancy in the client name.  The plans list the client as Mrs. F.D. Warner while the specifications (Box 10, folder 9) list the client as Mrs. T.D. Warner.  Special Collections has received communication from the family of Mrs. Warner and they confirm that the house was remodeled for Mrs. Thomas Dickens Warner."],"odd_html_tesm":["\u003cp\u003eThe guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\" title=\"Project Index\"\u003eFor Series II: Project Records, see Project Index for full details.\u003c/a\u003e\u003c/p\u003e  ","\u003cp\u003e\u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\" title=\"Project Index\"\u003eSee Project Index for full details.\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids","Other Finding Aids"],"otherfindaid_tesim":["For Series II: Project Records, see Project Index for full details.","See Project Index for full details."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Mary Brown Channel Architectural Collection, Ms2007-030, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Mary Brown Channel Architectural Collection, Ms2007-030, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThere is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the  \u003ca target=\"_blank\" href=\"https://vtechworks.lib.vt.edu/handle/10919/5606\" title=\"IAWA Center News\"\u003e Fall 2008 IAWA Center News\u003c/a\u003e, the International Archive of Women in Architecture newsletter.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["There is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the   Fall 2008 IAWA Center News, the International Archive of Women in Architecture newsletter."],"scopecontent_html_tesm":["\u003cp\u003eThe Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950.\u003c/p\u003e  ","\u003cp\u003eThe following is a sampling of architectural projects from the Mary Brown Channel Collection. For more information about each project, \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\" title=\"Project Index\"\u003esee the Project Index for full details\u003c/a\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content"],"scopecontent_tesim":["The Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950.","The following is a sampling of architectural projects from the Mary Brown Channel Collection. For more information about each project, see the Project Index for full details."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e","\u003cp\u003eMany of the college drawings and projects are extremely fragile and may require conservation work prior to access.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access."],"abstract_html_tesm":["\u003cabstract id=\"aspace_00ff62260d8228d2388ef81cd786864d\" label=\"Abstract\"\u003eAfter graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects.\u003c/abstract\u003e\n    "],"abstract_tesim":["After graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Channel, Mary Brown, 1907-2006"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Channel, Mary Brown, 1907-2006"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":106,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:47:23.643Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2317","ead_ssi":"viblbv_repositories_2_resources_2317","_root_":"viblbv_repositories_2_resources_2317","_nest_parent_":"viblbv_repositories_2_resources_2317","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2317.xml","title_filing_ssi":"Channel, Mary Brown, Architectural Collection","title_ssm":["Mary Brown Channel Architectural Collection"],"title_tesim":["Mary Brown Channel Architectural Collection"],"unitdate_ssm":["1936-2002","1936-1950"],"unitdate_inclusive_ssm":["1936-2002"],"unitdate_bulk_ssim":["1936-1950"],"normalized_date_ssm":["1936/2002, bulk 1936/1950"],"normalized_title_ssm":["Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950"],"text":["Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950","Ms.2007.030","/repositories/2/resources/2317","Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)","The collection is open for research.","The collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.","Series II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a project index alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor.","In order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941.","On the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects.","The Project Index list is arranged alphabetically by Project/Client Name and contains information, where available, about the location, date, project type, collaborators, and formats for each project in the collection.","Mary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.","She attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.","Graduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\"","Channel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect.","Following her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.","Channel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.","She was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.","Mary Ramsay Brown Channel died on January 21, 2006. She was 98 years old.","There is a discrepancy in the client name.  The plans list the client as Mrs. F.D. Warner while the specifications (Box 10, folder 9) list the client as Mrs. T.D. Warner.  Special Collections has received communication from the family of Mrs. Warner and they confirm that the house was remodeled for Mrs. Thomas Dickens Warner.","The guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010.","There is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the   Fall 2008 IAWA Center News, the International Archive of Women in Architecture newsletter.","The Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950.","The following is a sampling of architectural projects from the Mary Brown Channel Collection. For more information about each project, see the Project Index for full details.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access.","After graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects.","Special Collections and University Archives, Virginia Tech","Channel, Mary Brown, 1907-2006","The materials in the collection are in English."],"collection_title_tesim":["Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950"],"collection_ssim":["Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.030","/repositories/2/resources/2317"],"unitid_tesim":["Ms.2007.030","/repositories/2/resources/2317"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Channel, Mary Brown, 1907-2006"],"creator_ssim":["Channel, Mary Brown, 1907-2006"],"creator_persname_ssim":["Channel, Mary Brown, 1907-2006"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Channel, Mary Brown, 1907-2006","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access."],"acqinfo_ssim":["The Mary Brown Channel Architectural Collection was donated to Special Collections in 2007."],"access_subjects_ssim":["Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["11 Cubic Feet 10 boxes and 36 oversize folders"],"extent_tesim":["11 Cubic Feet 10 boxes and 36 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSeries II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\"\u003eproject index\u003c/a\u003e alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor. \u003c/p\u003e","\u003cp\u003eIn order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941. \u003c/p\u003e","\u003cp\u003eOn the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects. \u003c/p\u003e  ","\u003cp\u003eThe \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\" title=\"Project Index\"\u003eProject Index\u003c/a\u003e list is arranged alphabetically by Project/Client Name and contains information, where available, about the location, date, project type, collaborators, and formats for each project in the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["The collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.","Series II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a project index alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor.","In order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941.","On the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects.","The Project Index list is arranged alphabetically by Project/Client Name and contains information, where available, about the location, date, project type, collaborators, and formats for each project in the collection."],"bioghist_html_tesm":["\u003cp\u003eMary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.\u003c/p\u003e","\u003cp\u003eShe attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.\u003c/p\u003e","\u003cp\u003eGraduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\" \u003c/p\u003e","\u003cp\u003eChannel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect. \u003c/p\u003e","\u003cp\u003eFollowing her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.\u003c/p\u003e","\u003cp\u003eChannel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.\u003c/p\u003e","\u003cp\u003eShe was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.\u003c/p\u003e","\u003cp\u003eMary Ramsay Brown Channel died on January 21, 2006. She was 98 years old.\u003c/p\u003e  ","\u003cp\u003eThere is a discrepancy in the client name.  The plans list the client as Mrs. F.D. Warner while the specifications (Box 10, folder 9) list the client as Mrs. T.D. Warner.  Special Collections has received communication from the family of Mrs. Warner and they confirm that the house was remodeled for Mrs. Thomas Dickens Warner.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note","Historical Note"],"bioghist_tesim":["Mary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.","She attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.","Graduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\"","Channel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect.","Following her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.","Channel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.","She was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.","Mary Ramsay Brown Channel died on January 21, 2006. She was 98 years old.","There is a discrepancy in the client name.  The plans list the client as Mrs. F.D. Warner while the specifications (Box 10, folder 9) list the client as Mrs. T.D. Warner.  Special Collections has received communication from the family of Mrs. Warner and they confirm that the house was remodeled for Mrs. Thomas Dickens Warner."],"odd_html_tesm":["\u003cp\u003eThe guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\" title=\"Project Index\"\u003eFor Series II: Project Records, see Project Index for full details.\u003c/a\u003e\u003c/p\u003e  ","\u003cp\u003e\u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\" title=\"Project Index\"\u003eSee Project Index for full details.\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids","Other Finding Aids"],"otherfindaid_tesim":["For Series II: Project Records, see Project Index for full details.","See Project Index for full details."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Mary Brown Channel Architectural Collection, Ms2007-030, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Mary Brown Channel Architectural Collection, Ms2007-030, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThere is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the  \u003ca target=\"_blank\" href=\"https://vtechworks.lib.vt.edu/handle/10919/5606\" title=\"IAWA Center News\"\u003e Fall 2008 IAWA Center News\u003c/a\u003e, the International Archive of Women in Architecture newsletter.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["There is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the   Fall 2008 IAWA Center News, the International Archive of Women in Architecture newsletter."],"scopecontent_html_tesm":["\u003cp\u003eThe Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950.\u003c/p\u003e  ","\u003cp\u003eThe following is a sampling of architectural projects from the Mary Brown Channel Collection. For more information about each project, \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\" title=\"Project Index\"\u003esee the Project Index for full details\u003c/a\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content"],"scopecontent_tesim":["The Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950.","The following is a sampling of architectural projects from the Mary Brown Channel Collection. For more information about each project, see the Project Index for full details."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e","\u003cp\u003eMany of the college drawings and projects are extremely fragile and may require conservation work prior to access.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access."],"abstract_html_tesm":["\u003cabstract id=\"aspace_00ff62260d8228d2388ef81cd786864d\" label=\"Abstract\"\u003eAfter graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects.\u003c/abstract\u003e\n    "],"abstract_tesim":["After graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Channel, Mary Brown, 1907-2006"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Channel, Mary Brown, 1907-2006"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":106,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:47:23.643Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2317"}},{"id":"viblbv_repositories_2_resources_3021","type":"collection","attributes":{"title":"Mary Lou Drosten Architectural Collection","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3021#creator","type":"document_value","attributes":{"value":"Kushner, Pinky","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3021#abstract_or_scope","type":"document_value","attributes":{"value":".","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3021#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_3021","ead_ssi":"viblbv_repositories_2_resources_3021","_root_":"viblbv_repositories_2_resources_3021","_nest_parent_":"viblbv_repositories_2_resources_3021","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3021.xml","title_filing_ssi":"Drosten, Mary Lou Architectural Collection","title_ssm":["Mary Lou Drosten Architectural Collection"],"title_tesim":["Mary Lou Drosten Architectural Collection"],"unitdate_ssm":["n.d."],"unitdate_other_ssim":["n.d."],"normalized_title_ssm":["Mary Lou Drosten Architectural Collection"],"text":["Mary Lou Drosten Architectural Collection","Ms.2016.008","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women-owned architectural firms","Women architects -- Tennessee","Women architects -- Missouri","Collection is open for research.","This collection is arranged in original order as detailed by the creator.","Mary Lou Drosten was born on July 5, 1910 in St. Louis, Missouri. Drosten attended Washington University in St. Louis from 1928-1933. There, she received a B.A. in Architecture. After graduation, Drosten became a caseworker. In 1937, Drosten married Fred Drosten. Mary Lou Drosten and Fred Drosten had four children. Throughout her life, Drosten lived in St. Louis, MO; Oak Ridge, TN; Nicaro, Cuba; Chattanooga, TN; Huntsville, AL; and retired in St. Louis, MO. In Chattanooga, TN, Mary Lou owned Drosten Design and worked on many projects. Some projects of note include a building design for a dental surgeon (1934), 7-room residence for the Drosten family in Chevy Chase (1937), and proposal for a new hospital for polio in Des Moines (1942). Despite Drosten suffering from polio, she continued to work in the architectural field. Drosten died on November 16, 1991.","The processing, arrangement, and description of the Mary Lou Drosten Architectural Collection was completed in March 2017.","The Mary Lou Drosten Architectural Collection documents Mary Lou Drosten's personal and professional life as an architect. The collection contains Mary Lou Drosten's personal papers, including biographic information such as newspaper articles documenting Mary Lou Drosten's contraction of polio and her remarkable recovery. Mary Lou Drosten collected newspaper articles, advertisements, and other material on social inequality. Drosten's primary interest was women's rights, but she also collected materials on racial discrimination. Mary Lou Droston's professional papers include associations and committees such as the Association of Women in Architecture, Huntsville League of Women Voters, and Congress on American Women Leaders. In addition, Drosten maintained project records, including research materials, financial records, contracts, photographs, and detailed drawings.","The following is a list of architectural projects carried out by Mary Lou Drosten","Arrangement\nThe Project Index is a way to organize the various formats of architectural records from the same project. The index is arranged alphabetically by client name or project name. It contains information, where available, about the location, date, project type, architect, collaborators, photographers, and formats for each project in the collection.","[Project Index link]","A Summary of the Project Index is listed below.","Permission to publish material from Mary Lou Drosten Architectural Collection must be obtained from Special Collections, Virginia Tech.",".","Special Collections and University Archives, Virginia Tech","Kushner, Pinky","Rivard, Betsy Drosten","Drosten, Mary Lou, 1910-1991","English\n."],"collection_title_tesim":["Mary Lou Drosten Architectural Collection"],"collection_ssim":["Mary Lou Drosten Architectural Collection"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2016.008"],"unitid_tesim":["Ms.2016.008"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Kushner, Pinky","Rivard, Betsy Drosten","Drosten, Mary Lou, 1910-1991"],"creator_ssim":["Kushner, Pinky","Rivard, Betsy Drosten","Drosten, Mary Lou, 1910-1991"],"creator_persname_ssim":["Kushner, Pinky","Rivard, Betsy Drosten","Drosten, Mary Lou, 1910-1991"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Kushner, Pinky","Rivard, Betsy Drosten","Drosten, Mary Lou, 1910-1991","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from Mary Lou Drosten Architectural Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women-owned architectural firms","Women architects -- Tennessee","Women architects -- Missouri"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women-owned architectural firms","Women architects -- Tennessee","Women architects -- Missouri"],"has_online_content_ssim":["false"],"extent_ssm":["9 Cubic Feet"],"extent_tesim":["9 Cubic Feet"],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in original order as detailed by the creator.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in original order as detailed by the creator."],"bioghist_html_tesm":["\u003cp\u003eMary Lou Drosten was born on July 5, 1910 in St. Louis, Missouri. Drosten attended Washington University in St. Louis from 1928-1933. There, she received a B.A. in Architecture. After graduation, Drosten became a caseworker. In 1937, Drosten married Fred Drosten. Mary Lou Drosten and Fred Drosten had four children. Throughout her life, Drosten lived in St. Louis, MO; Oak Ridge, TN; Nicaro, Cuba; Chattanooga, TN; Huntsville, AL; and retired in St. Louis, MO. In Chattanooga, TN, Mary Lou owned Drosten Design and worked on many projects. Some projects of note include a building design for a dental surgeon (1934), 7-room residence for the Drosten family in Chevy Chase (1937), and proposal for a new hospital for polio in Des Moines (1942). Despite Drosten suffering from polio, she continued to work in the architectural field. Drosten died on November 16, 1991.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Mary Lou Drosten was born on July 5, 1910 in St. Louis, Missouri. Drosten attended Washington University in St. Louis from 1928-1933. There, she received a B.A. in Architecture. After graduation, Drosten became a caseworker. In 1937, Drosten married Fred Drosten. Mary Lou Drosten and Fred Drosten had four children. Throughout her life, Drosten lived in St. Louis, MO; Oak Ridge, TN; Nicaro, Cuba; Chattanooga, TN; Huntsville, AL; and retired in St. Louis, MO. In Chattanooga, TN, Mary Lou owned Drosten Design and worked on many projects. Some projects of note include a building design for a dental surgeon (1934), 7-room residence for the Drosten family in Chevy Chase (1937), and proposal for a new hospital for polio in Des Moines (1942). Despite Drosten suffering from polio, she continued to work in the architectural field. Drosten died on November 16, 1991."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Mary Lou Drosten Architectural Collection was completed in March 2017.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Mary Lou Drosten Architectural Collection was completed in March 2017."],"scopecontent_html_tesm":["\u003cp\u003eThe Mary Lou Drosten Architectural Collection documents Mary Lou Drosten's personal and professional life as an architect. The collection contains Mary Lou Drosten's personal papers, including biographic information such as newspaper articles documenting Mary Lou Drosten's contraction of polio and her remarkable recovery. Mary Lou Drosten collected newspaper articles, advertisements, and other material on social inequality. Drosten's primary interest was women's rights, but she also collected materials on racial discrimination. Mary Lou Droston's professional papers include associations and committees such as the Association of Women in Architecture, Huntsville League of Women Voters, and Congress on American Women Leaders. In addition, Drosten maintained project records, including research materials, financial records, contracts, photographs, and detailed drawings.\u003c/p\u003e  ","\u003cp\u003eThe following is a list of architectural projects carried out by Mary Lou Drosten\u003c/p\u003e","\u003cp\u003eArrangement\nThe Project Index is a way to organize the various formats of architectural records from the same project. The index is arranged alphabetically by client name or project name. It contains information, where available, about the location, date, project type, architect, collaborators, photographers, and formats for each project in the collection. \u003c/p\u003e","\u003cp\u003e[Project Index link]\u003c/p\u003e","\u003cp\u003eA Summary of the Project Index is listed below.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents"],"scopecontent_tesim":["The Mary Lou Drosten Architectural Collection documents Mary Lou Drosten's personal and professional life as an architect. The collection contains Mary Lou Drosten's personal papers, including biographic information such as newspaper articles documenting Mary Lou Drosten's contraction of polio and her remarkable recovery. Mary Lou Drosten collected newspaper articles, advertisements, and other material on social inequality. Drosten's primary interest was women's rights, but she also collected materials on racial discrimination. Mary Lou Droston's professional papers include associations and committees such as the Association of Women in Architecture, Huntsville League of Women Voters, and Congress on American Women Leaders. In addition, Drosten maintained project records, including research materials, financial records, contracts, photographs, and detailed drawings.","The following is a list of architectural projects carried out by Mary Lou Drosten","Arrangement\nThe Project Index is a way to organize the various formats of architectural records from the same project. The index is arranged alphabetically by client name or project name. It contains information, where available, about the location, date, project type, architect, collaborators, photographers, and formats for each project in the collection.","[Project Index link]","A Summary of the Project Index is listed below."],"separatedmaterial_heading_ssm":["Separated Materials"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Mary Lou Drosten Architectural Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Mary Lou Drosten Architectural Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bd1003c0e93e8be2fc1c410f784e2f9d\" label=\"Abstract\"\u003e.\u003c/abstract\u003e\n    "],"abstract_tesim":["."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Kushner, Pinky","Rivard, Betsy Drosten","Drosten, Mary Lou, 1910-1991"],"names_coll_ssim":["Kushner, Pinky","Rivard, Betsy Drosten"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Kushner, Pinky","Rivard, Betsy Drosten","Drosten, Mary Lou, 1910-1991"],"language_ssim":["English\n."],"total_component_count_is":164,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:47:53.929Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3021","ead_ssi":"viblbv_repositories_2_resources_3021","_root_":"viblbv_repositories_2_resources_3021","_nest_parent_":"viblbv_repositories_2_resources_3021","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3021.xml","title_filing_ssi":"Drosten, Mary Lou Architectural Collection","title_ssm":["Mary Lou Drosten Architectural Collection"],"title_tesim":["Mary Lou Drosten Architectural Collection"],"unitdate_ssm":["n.d."],"unitdate_other_ssim":["n.d."],"normalized_title_ssm":["Mary Lou Drosten Architectural Collection"],"text":["Mary Lou Drosten Architectural Collection","Ms.2016.008","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women-owned architectural firms","Women architects -- Tennessee","Women architects -- Missouri","Collection is open for research.","This collection is arranged in original order as detailed by the creator.","Mary Lou Drosten was born on July 5, 1910 in St. Louis, Missouri. Drosten attended Washington University in St. Louis from 1928-1933. There, she received a B.A. in Architecture. After graduation, Drosten became a caseworker. In 1937, Drosten married Fred Drosten. Mary Lou Drosten and Fred Drosten had four children. Throughout her life, Drosten lived in St. Louis, MO; Oak Ridge, TN; Nicaro, Cuba; Chattanooga, TN; Huntsville, AL; and retired in St. Louis, MO. In Chattanooga, TN, Mary Lou owned Drosten Design and worked on many projects. Some projects of note include a building design for a dental surgeon (1934), 7-room residence for the Drosten family in Chevy Chase (1937), and proposal for a new hospital for polio in Des Moines (1942). Despite Drosten suffering from polio, she continued to work in the architectural field. Drosten died on November 16, 1991.","The processing, arrangement, and description of the Mary Lou Drosten Architectural Collection was completed in March 2017.","The Mary Lou Drosten Architectural Collection documents Mary Lou Drosten's personal and professional life as an architect. The collection contains Mary Lou Drosten's personal papers, including biographic information such as newspaper articles documenting Mary Lou Drosten's contraction of polio and her remarkable recovery. Mary Lou Drosten collected newspaper articles, advertisements, and other material on social inequality. Drosten's primary interest was women's rights, but she also collected materials on racial discrimination. Mary Lou Droston's professional papers include associations and committees such as the Association of Women in Architecture, Huntsville League of Women Voters, and Congress on American Women Leaders. In addition, Drosten maintained project records, including research materials, financial records, contracts, photographs, and detailed drawings.","The following is a list of architectural projects carried out by Mary Lou Drosten","Arrangement\nThe Project Index is a way to organize the various formats of architectural records from the same project. The index is arranged alphabetically by client name or project name. It contains information, where available, about the location, date, project type, architect, collaborators, photographers, and formats for each project in the collection.","[Project Index link]","A Summary of the Project Index is listed below.","Permission to publish material from Mary Lou Drosten Architectural Collection must be obtained from Special Collections, Virginia Tech.",".","Special Collections and University Archives, Virginia Tech","Kushner, Pinky","Rivard, Betsy Drosten","Drosten, Mary Lou, 1910-1991","English\n."],"collection_title_tesim":["Mary Lou Drosten Architectural Collection"],"collection_ssim":["Mary Lou Drosten Architectural Collection"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2016.008"],"unitid_tesim":["Ms.2016.008"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Kushner, Pinky","Rivard, Betsy Drosten","Drosten, Mary Lou, 1910-1991"],"creator_ssim":["Kushner, Pinky","Rivard, Betsy Drosten","Drosten, Mary Lou, 1910-1991"],"creator_persname_ssim":["Kushner, Pinky","Rivard, Betsy Drosten","Drosten, Mary Lou, 1910-1991"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Kushner, Pinky","Rivard, Betsy Drosten","Drosten, Mary Lou, 1910-1991","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from Mary Lou Drosten Architectural Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women-owned architectural firms","Women architects -- Tennessee","Women architects -- Missouri"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women-owned architectural firms","Women architects -- Tennessee","Women architects -- Missouri"],"has_online_content_ssim":["false"],"extent_ssm":["9 Cubic Feet"],"extent_tesim":["9 Cubic Feet"],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in original order as detailed by the creator.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in original order as detailed by the creator."],"bioghist_html_tesm":["\u003cp\u003eMary Lou Drosten was born on July 5, 1910 in St. Louis, Missouri. Drosten attended Washington University in St. Louis from 1928-1933. There, she received a B.A. in Architecture. After graduation, Drosten became a caseworker. In 1937, Drosten married Fred Drosten. Mary Lou Drosten and Fred Drosten had four children. Throughout her life, Drosten lived in St. Louis, MO; Oak Ridge, TN; Nicaro, Cuba; Chattanooga, TN; Huntsville, AL; and retired in St. Louis, MO. In Chattanooga, TN, Mary Lou owned Drosten Design and worked on many projects. Some projects of note include a building design for a dental surgeon (1934), 7-room residence for the Drosten family in Chevy Chase (1937), and proposal for a new hospital for polio in Des Moines (1942). Despite Drosten suffering from polio, she continued to work in the architectural field. Drosten died on November 16, 1991.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Mary Lou Drosten was born on July 5, 1910 in St. Louis, Missouri. Drosten attended Washington University in St. Louis from 1928-1933. There, she received a B.A. in Architecture. After graduation, Drosten became a caseworker. In 1937, Drosten married Fred Drosten. Mary Lou Drosten and Fred Drosten had four children. Throughout her life, Drosten lived in St. Louis, MO; Oak Ridge, TN; Nicaro, Cuba; Chattanooga, TN; Huntsville, AL; and retired in St. Louis, MO. In Chattanooga, TN, Mary Lou owned Drosten Design and worked on many projects. Some projects of note include a building design for a dental surgeon (1934), 7-room residence for the Drosten family in Chevy Chase (1937), and proposal for a new hospital for polio in Des Moines (1942). Despite Drosten suffering from polio, she continued to work in the architectural field. Drosten died on November 16, 1991."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Mary Lou Drosten Architectural Collection was completed in March 2017.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Mary Lou Drosten Architectural Collection was completed in March 2017."],"scopecontent_html_tesm":["\u003cp\u003eThe Mary Lou Drosten Architectural Collection documents Mary Lou Drosten's personal and professional life as an architect. The collection contains Mary Lou Drosten's personal papers, including biographic information such as newspaper articles documenting Mary Lou Drosten's contraction of polio and her remarkable recovery. Mary Lou Drosten collected newspaper articles, advertisements, and other material on social inequality. Drosten's primary interest was women's rights, but she also collected materials on racial discrimination. Mary Lou Droston's professional papers include associations and committees such as the Association of Women in Architecture, Huntsville League of Women Voters, and Congress on American Women Leaders. In addition, Drosten maintained project records, including research materials, financial records, contracts, photographs, and detailed drawings.\u003c/p\u003e  ","\u003cp\u003eThe following is a list of architectural projects carried out by Mary Lou Drosten\u003c/p\u003e","\u003cp\u003eArrangement\nThe Project Index is a way to organize the various formats of architectural records from the same project. The index is arranged alphabetically by client name or project name. It contains information, where available, about the location, date, project type, architect, collaborators, photographers, and formats for each project in the collection. \u003c/p\u003e","\u003cp\u003e[Project Index link]\u003c/p\u003e","\u003cp\u003eA Summary of the Project Index is listed below.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents"],"scopecontent_tesim":["The Mary Lou Drosten Architectural Collection documents Mary Lou Drosten's personal and professional life as an architect. The collection contains Mary Lou Drosten's personal papers, including biographic information such as newspaper articles documenting Mary Lou Drosten's contraction of polio and her remarkable recovery. Mary Lou Drosten collected newspaper articles, advertisements, and other material on social inequality. Drosten's primary interest was women's rights, but she also collected materials on racial discrimination. Mary Lou Droston's professional papers include associations and committees such as the Association of Women in Architecture, Huntsville League of Women Voters, and Congress on American Women Leaders. In addition, Drosten maintained project records, including research materials, financial records, contracts, photographs, and detailed drawings.","The following is a list of architectural projects carried out by Mary Lou Drosten","Arrangement\nThe Project Index is a way to organize the various formats of architectural records from the same project. The index is arranged alphabetically by client name or project name. It contains information, where available, about the location, date, project type, architect, collaborators, photographers, and formats for each project in the collection.","[Project Index link]","A Summary of the Project Index is listed below."],"separatedmaterial_heading_ssm":["Separated Materials"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Mary Lou Drosten Architectural Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Mary Lou Drosten Architectural Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bd1003c0e93e8be2fc1c410f784e2f9d\" label=\"Abstract\"\u003e.\u003c/abstract\u003e\n    "],"abstract_tesim":["."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Kushner, Pinky","Rivard, Betsy Drosten","Drosten, Mary Lou, 1910-1991"],"names_coll_ssim":["Kushner, Pinky","Rivard, Betsy Drosten"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Kushner, Pinky","Rivard, Betsy Drosten","Drosten, Mary Lou, 1910-1991"],"language_ssim":["English\n."],"total_component_count_is":164,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:47:53.929Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3021"}},{"id":"viblbv_repositories_2_resources_2934","type":"collection","attributes":{"title":"Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz, 1928/1947","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2934#creator","type":"document_value","attributes":{"value":"Hofheinz, Elsa Marie, 1912-2012","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2934#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains a book of meeting minutes for the Art League of Philadelphia recorded primarily by secretaries Margaret Nefferdorf and Elsa Hofheinz. The collection also includes Elsa Hofheinz's diary from 1928 when she was in high school.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2934#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2934","ead_ssi":"viblbv_repositories_2_resources_2934","_root_":"viblbv_repositories_2_resources_2934","_nest_parent_":"viblbv_repositories_2_resources_2934","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2934.xml","title_filing_ssi":"Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz","title_ssm":["Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz"],"title_tesim":["Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz"],"unitdate_ssm":["1928-1947"],"unitdate_inclusive_ssm":["1928-1947"],"normalized_date_ssm":["1928/1947"],"normalized_title_ssm":["Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz, 1928/1947"],"text":["Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz, 1928/1947","Ms.2013.094","Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Diaries","Collection is open for research.","The collection is in its original order.","Elsa Marie Hofheinz Wurtz (1912-2012) became the secretary for the Art League of Philadelphia in 1944. Elsa was enthusiastic about art from a young age as evidenced from her high school journal. She was a cartoonist for her school's newspaper and her diary contains many sketches and doodles. Little is known about Elsa's later life outside of the Art League, but it is known that she met her husband Charles Wurtz through the Art League.","The Art League of Philadelphia aimed to present and promote the work of member artists, both male and female. Their work included painting, watercolors, ceramics, photography and a variety of printmaking techniques. The League held exhibitions of members' work, lectures, and studio classes. Many members were graduates of art institutions including the Pennsylvania Museum and School of Industrial Art, the Pennsylvannia  Academy of the Fine Arts, the Woodmere Art Museum, and the Barnes Foundation.","In 2015, the following biographical information was submitted by family of Elsa Wurtz. This and additional information from the family has been included with the collection:","A Philadelphian, Mrs. Wurtz was awarded a four-year scholarship to Moore College of Art. She designed greeting cards for Norcross in New York City before learning to read blueprints and then illustrating them for Fleetwings (an aircraft supplier or manufacturer outside Philadelphia) during World War II.","Early in her career, she painted in watercolor and exhibited at numerous venues, including the Rittenhouse Square Clothesline Exhibit. As time went on, she painted Impressionistic works in acrylic. She also created silkscreen art, prints, and worked in stained glass.","Her future husband always said that he picked out his mother-in-law and married her only single daughter. Elsa preferred to put it that she picked out her father-in-law (a fellow member of the Art League) and married his only single son!","The processing, arrangement, and description of the Meeting Minutes of the Art League of Philadelphia with Manuscript Diary of Art League Member Elsa Marie Hofheinz was completed in May 2014.","This collection contains a book of minutes from the meetings of the Art League of Philadelphia from October 21, 1936 to October 21, 1947 as recorded by the League's secretaries over those years. The Art League of Philadelphia aimed to present and promote the work of member artists, both male and female. Their work included painting, watercolors, ceramics, photography and a variety of printmaking techniques. The League held exhibitions of members' work, lectures, and studio classes. Many members were graduates of art institutions including the Pennsylvania Museum and School of Industrial Art, the Pennsylvannia  Academy of the Fine Arts, the Woodmere Art Museum, and the Barnes Foundation. The minutes record plans for upcoming events, the group's monthly monetary balance, and yearly lists of members.","The collection also contains the diary of Art League member Elsa Marie Rupp Hofheinz from 1928. Elsa Hofheinz later became Art League secretary in 1944. Her diary details her comments on fashion, her experiences learning to drive, her daily activities at school and around the house, as well as her artistic endeavors. The diary also contains many of Elsa's doodles.","Permission to publish material from Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz must be obtained from Special Collections, Virginia Tech.","This collection contains a book of meeting minutes for the Art League of Philadelphia recorded primarily by secretaries Margaret Nefferdorf and Elsa Hofheinz. The collection also includes Elsa Hofheinz's diary from 1928 when she was in high school.","Special Collections and University Archives, Virginia Tech","Art League of Philadelphia","Hofheinz, Elsa Marie, 1912-2012","English\n."],"collection_title_tesim":["Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz, 1928/1947"],"collection_ssim":["Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz, 1928/1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2013.094"],"unitid_tesim":["Ms.2013.094"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Hofheinz, Elsa Marie, 1912-2012"],"creator_ssim":["Hofheinz, Elsa Marie, 1912-2012"],"creator_persname_ssim":["Hofheinz, Elsa Marie, 1912-2012"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Art League of Philadelphia"],"creators_ssim":["Hofheinz, Elsa Marie, 1912-2012","Special Collections and University Archives, Virginia Tech","Art League of Philadelphia"],"access_terms_ssm":["Permission to publish material from Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["This collection was purchased by Special Collections in 2013."],"access_subjects_ssim":["Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Diaries"],"access_subjects_ssm":["Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Diaries"],"has_online_content_ssim":["false"],"extent_ssm":["0.2 Cubic Feet 1 box"],"extent_tesim":["0.2 Cubic Feet 1 box"],"genreform_ssim":["Diaries"],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is in its original order.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is in its original order."],"bioghist_html_tesm":["\u003cp\u003eElsa Marie Hofheinz Wurtz (1912-2012) became the secretary for the Art League of Philadelphia in 1944. Elsa was enthusiastic about art from a young age as evidenced from her high school journal. She was a cartoonist for her school's newspaper and her diary contains many sketches and doodles. Little is known about Elsa's later life outside of the Art League, but it is known that she met her husband Charles Wurtz through the Art League. \u003c/p\u003e","\u003cp\u003eThe Art League of Philadelphia aimed to present and promote the work of member artists, both male and female. Their work included painting, watercolors, ceramics, photography and a variety of printmaking techniques. The League held exhibitions of members' work, lectures, and studio classes. Many members were graduates of art institutions including the Pennsylvania Museum and School of Industrial Art, the Pennsylvannia  Academy of the Fine Arts, the Woodmere Art Museum, and the Barnes Foundation. \u003c/p\u003e","\u003cp\u003eIn 2015, the following biographical information was submitted by family of Elsa Wurtz. This and additional information from the family has been included with the collection:\u003c/p\u003e","\u003cp\u003eA Philadelphian, Mrs. Wurtz was awarded a four-year scholarship to Moore College of Art. She designed greeting cards for Norcross in New York City before learning to read blueprints and then illustrating them for Fleetwings (an aircraft supplier or manufacturer outside Philadelphia) during World War II. \u003c/p\u003e","\u003cp\u003eEarly in her career, she painted in watercolor and exhibited at numerous venues, including the Rittenhouse Square Clothesline Exhibit. As time went on, she painted Impressionistic works in acrylic. She also created silkscreen art, prints, and worked in stained glass. \u003c/p\u003e","\u003cp\u003eHer future husband always said that he picked out his mother-in-law and married her only single daughter. Elsa preferred to put it that she picked out her father-in-law (a fellow member of the Art League) and married his only single son!\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical/Historical  Note"],"bioghist_tesim":["Elsa Marie Hofheinz Wurtz (1912-2012) became the secretary for the Art League of Philadelphia in 1944. Elsa was enthusiastic about art from a young age as evidenced from her high school journal. She was a cartoonist for her school's newspaper and her diary contains many sketches and doodles. Little is known about Elsa's later life outside of the Art League, but it is known that she met her husband Charles Wurtz through the Art League.","The Art League of Philadelphia aimed to present and promote the work of member artists, both male and female. Their work included painting, watercolors, ceramics, photography and a variety of printmaking techniques. The League held exhibitions of members' work, lectures, and studio classes. Many members were graduates of art institutions including the Pennsylvania Museum and School of Industrial Art, the Pennsylvannia  Academy of the Fine Arts, the Woodmere Art Museum, and the Barnes Foundation.","In 2015, the following biographical information was submitted by family of Elsa Wurtz. This and additional information from the family has been included with the collection:","A Philadelphian, Mrs. Wurtz was awarded a four-year scholarship to Moore College of Art. She designed greeting cards for Norcross in New York City before learning to read blueprints and then illustrating them for Fleetwings (an aircraft supplier or manufacturer outside Philadelphia) during World War II.","Early in her career, she painted in watercolor and exhibited at numerous venues, including the Rittenhouse Square Clothesline Exhibit. As time went on, she painted Impressionistic works in acrylic. She also created silkscreen art, prints, and worked in stained glass.","Her future husband always said that he picked out his mother-in-law and married her only single daughter. Elsa preferred to put it that she picked out her father-in-law (a fellow member of the Art League) and married his only single son!"],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Meeting Minutes of the Art League of Philadelphia and Diary of Elsa Marie Hofheinz, Ms2013-097, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Meeting Minutes of the Art League of Philadelphia and Diary of Elsa Marie Hofheinz, Ms2013-097, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Meeting Minutes of the Art League of Philadelphia with Manuscript Diary of Art League Member Elsa Marie Hofheinz was completed in May 2014.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Meeting Minutes of the Art League of Philadelphia with Manuscript Diary of Art League Member Elsa Marie Hofheinz was completed in May 2014."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a book of minutes from the meetings of the Art League of Philadelphia from October 21, 1936 to October 21, 1947 as recorded by the League's secretaries over those years. The Art League of Philadelphia aimed to present and promote the work of member artists, both male and female. Their work included painting, watercolors, ceramics, photography and a variety of printmaking techniques. The League held exhibitions of members' work, lectures, and studio classes. Many members were graduates of art institutions including the Pennsylvania Museum and School of Industrial Art, the Pennsylvannia  Academy of the Fine Arts, the Woodmere Art Museum, and the Barnes Foundation. The minutes record plans for upcoming events, the group's monthly monetary balance, and yearly lists of members.\u003c/p\u003e","\u003cp\u003eThe collection also contains the diary of Art League member Elsa Marie Rupp Hofheinz from 1928. Elsa Hofheinz later became Art League secretary in 1944. Her diary details her comments on fashion, her experiences learning to drive, her daily activities at school and around the house, as well as her artistic endeavors. The diary also contains many of Elsa's doodles. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains a book of minutes from the meetings of the Art League of Philadelphia from October 21, 1936 to October 21, 1947 as recorded by the League's secretaries over those years. The Art League of Philadelphia aimed to present and promote the work of member artists, both male and female. Their work included painting, watercolors, ceramics, photography and a variety of printmaking techniques. The League held exhibitions of members' work, lectures, and studio classes. Many members were graduates of art institutions including the Pennsylvania Museum and School of Industrial Art, the Pennsylvannia  Academy of the Fine Arts, the Woodmere Art Museum, and the Barnes Foundation. The minutes record plans for upcoming events, the group's monthly monetary balance, and yearly lists of members.","The collection also contains the diary of Art League member Elsa Marie Rupp Hofheinz from 1928. Elsa Hofheinz later became Art League secretary in 1944. Her diary details her comments on fashion, her experiences learning to drive, her daily activities at school and around the house, as well as her artistic endeavors. The diary also contains many of Elsa's doodles."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_55d85c1335a953a7ae2bc89fddd4841b\" label=\"Abstract\"\u003eThis collection contains a book of meeting minutes for the Art League of Philadelphia recorded primarily by secretaries Margaret Nefferdorf and Elsa Hofheinz. The collection also includes Elsa Hofheinz's diary from 1928 when she was in high school.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains a book of meeting minutes for the Art League of Philadelphia recorded primarily by secretaries Margaret Nefferdorf and Elsa Hofheinz. The collection also includes Elsa Hofheinz's diary from 1928 when she was in high school."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Art League of Philadelphia"],"names_coll_ssim":["Art League of Philadelphia","Hofheinz, Elsa Marie, 1912-2012"],"persname_ssim":["Hofheinz, Elsa Marie, 1912-2012"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Art League of Philadelphia","Hofheinz, Elsa Marie, 1912-2012"],"language_ssim":["English\n."],"total_component_count_is":2,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:47:53.929Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2934","ead_ssi":"viblbv_repositories_2_resources_2934","_root_":"viblbv_repositories_2_resources_2934","_nest_parent_":"viblbv_repositories_2_resources_2934","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2934.xml","title_filing_ssi":"Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz","title_ssm":["Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz"],"title_tesim":["Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz"],"unitdate_ssm":["1928-1947"],"unitdate_inclusive_ssm":["1928-1947"],"normalized_date_ssm":["1928/1947"],"normalized_title_ssm":["Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz, 1928/1947"],"text":["Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz, 1928/1947","Ms.2013.094","Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Diaries","Collection is open for research.","The collection is in its original order.","Elsa Marie Hofheinz Wurtz (1912-2012) became the secretary for the Art League of Philadelphia in 1944. Elsa was enthusiastic about art from a young age as evidenced from her high school journal. She was a cartoonist for her school's newspaper and her diary contains many sketches and doodles. Little is known about Elsa's later life outside of the Art League, but it is known that she met her husband Charles Wurtz through the Art League.","The Art League of Philadelphia aimed to present and promote the work of member artists, both male and female. Their work included painting, watercolors, ceramics, photography and a variety of printmaking techniques. The League held exhibitions of members' work, lectures, and studio classes. Many members were graduates of art institutions including the Pennsylvania Museum and School of Industrial Art, the Pennsylvannia  Academy of the Fine Arts, the Woodmere Art Museum, and the Barnes Foundation.","In 2015, the following biographical information was submitted by family of Elsa Wurtz. This and additional information from the family has been included with the collection:","A Philadelphian, Mrs. Wurtz was awarded a four-year scholarship to Moore College of Art. She designed greeting cards for Norcross in New York City before learning to read blueprints and then illustrating them for Fleetwings (an aircraft supplier or manufacturer outside Philadelphia) during World War II.","Early in her career, she painted in watercolor and exhibited at numerous venues, including the Rittenhouse Square Clothesline Exhibit. As time went on, she painted Impressionistic works in acrylic. She also created silkscreen art, prints, and worked in stained glass.","Her future husband always said that he picked out his mother-in-law and married her only single daughter. Elsa preferred to put it that she picked out her father-in-law (a fellow member of the Art League) and married his only single son!","The processing, arrangement, and description of the Meeting Minutes of the Art League of Philadelphia with Manuscript Diary of Art League Member Elsa Marie Hofheinz was completed in May 2014.","This collection contains a book of minutes from the meetings of the Art League of Philadelphia from October 21, 1936 to October 21, 1947 as recorded by the League's secretaries over those years. The Art League of Philadelphia aimed to present and promote the work of member artists, both male and female. Their work included painting, watercolors, ceramics, photography and a variety of printmaking techniques. The League held exhibitions of members' work, lectures, and studio classes. Many members were graduates of art institutions including the Pennsylvania Museum and School of Industrial Art, the Pennsylvannia  Academy of the Fine Arts, the Woodmere Art Museum, and the Barnes Foundation. The minutes record plans for upcoming events, the group's monthly monetary balance, and yearly lists of members.","The collection also contains the diary of Art League member Elsa Marie Rupp Hofheinz from 1928. Elsa Hofheinz later became Art League secretary in 1944. Her diary details her comments on fashion, her experiences learning to drive, her daily activities at school and around the house, as well as her artistic endeavors. The diary also contains many of Elsa's doodles.","Permission to publish material from Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz must be obtained from Special Collections, Virginia Tech.","This collection contains a book of meeting minutes for the Art League of Philadelphia recorded primarily by secretaries Margaret Nefferdorf and Elsa Hofheinz. The collection also includes Elsa Hofheinz's diary from 1928 when she was in high school.","Special Collections and University Archives, Virginia Tech","Art League of Philadelphia","Hofheinz, Elsa Marie, 1912-2012","English\n."],"collection_title_tesim":["Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz, 1928/1947"],"collection_ssim":["Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz, 1928/1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2013.094"],"unitid_tesim":["Ms.2013.094"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Hofheinz, Elsa Marie, 1912-2012"],"creator_ssim":["Hofheinz, Elsa Marie, 1912-2012"],"creator_persname_ssim":["Hofheinz, Elsa Marie, 1912-2012"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Art League of Philadelphia"],"creators_ssim":["Hofheinz, Elsa Marie, 1912-2012","Special Collections and University Archives, Virginia Tech","Art League of Philadelphia"],"access_terms_ssm":["Permission to publish material from Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["This collection was purchased by Special Collections in 2013."],"access_subjects_ssim":["Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Diaries"],"access_subjects_ssm":["Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Diaries"],"has_online_content_ssim":["false"],"extent_ssm":["0.2 Cubic Feet 1 box"],"extent_tesim":["0.2 Cubic Feet 1 box"],"genreform_ssim":["Diaries"],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is in its original order.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is in its original order."],"bioghist_html_tesm":["\u003cp\u003eElsa Marie Hofheinz Wurtz (1912-2012) became the secretary for the Art League of Philadelphia in 1944. Elsa was enthusiastic about art from a young age as evidenced from her high school journal. She was a cartoonist for her school's newspaper and her diary contains many sketches and doodles. Little is known about Elsa's later life outside of the Art League, but it is known that she met her husband Charles Wurtz through the Art League. \u003c/p\u003e","\u003cp\u003eThe Art League of Philadelphia aimed to present and promote the work of member artists, both male and female. Their work included painting, watercolors, ceramics, photography and a variety of printmaking techniques. The League held exhibitions of members' work, lectures, and studio classes. Many members were graduates of art institutions including the Pennsylvania Museum and School of Industrial Art, the Pennsylvannia  Academy of the Fine Arts, the Woodmere Art Museum, and the Barnes Foundation. \u003c/p\u003e","\u003cp\u003eIn 2015, the following biographical information was submitted by family of Elsa Wurtz. This and additional information from the family has been included with the collection:\u003c/p\u003e","\u003cp\u003eA Philadelphian, Mrs. Wurtz was awarded a four-year scholarship to Moore College of Art. She designed greeting cards for Norcross in New York City before learning to read blueprints and then illustrating them for Fleetwings (an aircraft supplier or manufacturer outside Philadelphia) during World War II. \u003c/p\u003e","\u003cp\u003eEarly in her career, she painted in watercolor and exhibited at numerous venues, including the Rittenhouse Square Clothesline Exhibit. As time went on, she painted Impressionistic works in acrylic. She also created silkscreen art, prints, and worked in stained glass. \u003c/p\u003e","\u003cp\u003eHer future husband always said that he picked out his mother-in-law and married her only single daughter. Elsa preferred to put it that she picked out her father-in-law (a fellow member of the Art League) and married his only single son!\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical/Historical  Note"],"bioghist_tesim":["Elsa Marie Hofheinz Wurtz (1912-2012) became the secretary for the Art League of Philadelphia in 1944. Elsa was enthusiastic about art from a young age as evidenced from her high school journal. She was a cartoonist for her school's newspaper and her diary contains many sketches and doodles. Little is known about Elsa's later life outside of the Art League, but it is known that she met her husband Charles Wurtz through the Art League.","The Art League of Philadelphia aimed to present and promote the work of member artists, both male and female. Their work included painting, watercolors, ceramics, photography and a variety of printmaking techniques. The League held exhibitions of members' work, lectures, and studio classes. Many members were graduates of art institutions including the Pennsylvania Museum and School of Industrial Art, the Pennsylvannia  Academy of the Fine Arts, the Woodmere Art Museum, and the Barnes Foundation.","In 2015, the following biographical information was submitted by family of Elsa Wurtz. This and additional information from the family has been included with the collection:","A Philadelphian, Mrs. Wurtz was awarded a four-year scholarship to Moore College of Art. She designed greeting cards for Norcross in New York City before learning to read blueprints and then illustrating them for Fleetwings (an aircraft supplier or manufacturer outside Philadelphia) during World War II.","Early in her career, she painted in watercolor and exhibited at numerous venues, including the Rittenhouse Square Clothesline Exhibit. As time went on, she painted Impressionistic works in acrylic. She also created silkscreen art, prints, and worked in stained glass.","Her future husband always said that he picked out his mother-in-law and married her only single daughter. Elsa preferred to put it that she picked out her father-in-law (a fellow member of the Art League) and married his only single son!"],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Meeting Minutes of the Art League of Philadelphia and Diary of Elsa Marie Hofheinz, Ms2013-097, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Meeting Minutes of the Art League of Philadelphia and Diary of Elsa Marie Hofheinz, Ms2013-097, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Meeting Minutes of the Art League of Philadelphia with Manuscript Diary of Art League Member Elsa Marie Hofheinz was completed in May 2014.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Meeting Minutes of the Art League of Philadelphia with Manuscript Diary of Art League Member Elsa Marie Hofheinz was completed in May 2014."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a book of minutes from the meetings of the Art League of Philadelphia from October 21, 1936 to October 21, 1947 as recorded by the League's secretaries over those years. The Art League of Philadelphia aimed to present and promote the work of member artists, both male and female. Their work included painting, watercolors, ceramics, photography and a variety of printmaking techniques. The League held exhibitions of members' work, lectures, and studio classes. Many members were graduates of art institutions including the Pennsylvania Museum and School of Industrial Art, the Pennsylvannia  Academy of the Fine Arts, the Woodmere Art Museum, and the Barnes Foundation. The minutes record plans for upcoming events, the group's monthly monetary balance, and yearly lists of members.\u003c/p\u003e","\u003cp\u003eThe collection also contains the diary of Art League member Elsa Marie Rupp Hofheinz from 1928. Elsa Hofheinz later became Art League secretary in 1944. Her diary details her comments on fashion, her experiences learning to drive, her daily activities at school and around the house, as well as her artistic endeavors. The diary also contains many of Elsa's doodles. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains a book of minutes from the meetings of the Art League of Philadelphia from October 21, 1936 to October 21, 1947 as recorded by the League's secretaries over those years. The Art League of Philadelphia aimed to present and promote the work of member artists, both male and female. Their work included painting, watercolors, ceramics, photography and a variety of printmaking techniques. The League held exhibitions of members' work, lectures, and studio classes. Many members were graduates of art institutions including the Pennsylvania Museum and School of Industrial Art, the Pennsylvannia  Academy of the Fine Arts, the Woodmere Art Museum, and the Barnes Foundation. The minutes record plans for upcoming events, the group's monthly monetary balance, and yearly lists of members.","The collection also contains the diary of Art League member Elsa Marie Rupp Hofheinz from 1928. Elsa Hofheinz later became Art League secretary in 1944. Her diary details her comments on fashion, her experiences learning to drive, her daily activities at school and around the house, as well as her artistic endeavors. The diary also contains many of Elsa's doodles."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_55d85c1335a953a7ae2bc89fddd4841b\" label=\"Abstract\"\u003eThis collection contains a book of meeting minutes for the Art League of Philadelphia recorded primarily by secretaries Margaret Nefferdorf and Elsa Hofheinz. The collection also includes Elsa Hofheinz's diary from 1928 when she was in high school.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains a book of meeting minutes for the Art League of Philadelphia recorded primarily by secretaries Margaret Nefferdorf and Elsa Hofheinz. The collection also includes Elsa Hofheinz's diary from 1928 when she was in high school."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Art League of Philadelphia"],"names_coll_ssim":["Art League of Philadelphia","Hofheinz, Elsa Marie, 1912-2012"],"persname_ssim":["Hofheinz, Elsa Marie, 1912-2012"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Art League of Philadelphia","Hofheinz, Elsa Marie, 1912-2012"],"language_ssim":["English\n."],"total_component_count_is":2,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:47:53.929Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2934"}},{"id":"viblbv_repositories_2_resources_1904","type":"collection","attributes":{"title":"Melita Rodeck Architectural Collection, 1931/2003, bulk 1960/1990","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1904#creator","type":"document_value","attributes":{"value":"Rodeck, Melita, b.1914","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1904#abstract_or_scope","type":"document_value","attributes":{"value":"The Melita Rodeck Architectural Collection consist of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1904#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1904","ead_ssi":"viblbv_repositories_2_resources_1904","_root_":"viblbv_repositories_2_resources_1904","_nest_parent_":"viblbv_repositories_2_resources_1904","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1904.xml","title_filing_ssi":"Rodeck, Melita, Architectural Collection","title_ssm":["Melita Rodeck Architectural Collection"],"title_tesim":["Melita Rodeck Architectural Collection"],"unitdate_ssm":["1931-2003","1960-1990"],"unitdate_inclusive_ssm":["1931-2003"],"unitdate_bulk_ssim":["1960-1990"],"normalized_date_ssm":["1931/2003, bulk 1960/1990"],"normalized_title_ssm":["Melita Rodeck Architectural Collection, 1931/2003, bulk 1960/1990"],"text":["Melita Rodeck Architectural Collection, 1931/2003, bulk 1960/1990","Ms.1992.028","Architectural drawing -- 20th century","Architects","Women -- History","Women-owned architectural firms","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","The collection is open to research.","Some of this collection has been digitized and is available online.","The collection has been divided into four series: I. Personal Papers, II. Professional Papers, III. Project Records, and IV. Artwork.","The following is a list of Rodeck's projects from 1949-1975.  It has been divided into five subseries: Church/Community Projects;  Commercial/Residential Projects;  Furniture/Miscellaneous; Government; and Urban Planning.","Project/Client Name (location, date) [Format - Dr=Drawings, Ph=Photographs, Sp=Specifications, PB=Presentation Boards]","Melita Rodeck was born on April 12, 1914, in Milan, Italy, to Austrian parents. After the outbreak of World War I her family returned to Vienna where she was educated. She enrolled at the Vienna Polytechnic in 1932 to study architecture, and immigrated  to the United States in 1939. Upon arriving in the United States she spent four years volunteering in the Harlem slums. In 1950 she moved to Washington, D.C., and worked for the General Services Administration of the U.S. federal government. She became a registered architect of the District of Columbia in 1952 and established her own office in 1958, where she designed residences in Maryland and Virginia and restored townhouses in Washington, D.C.","From 1968 to 1973 Rodeck worked as an architect for special research projects at the U.S. Army Corps of Engineers, then from 1973 to 1980 as a coordinator for architectural research for the U.S. Department of Housing and Urban Development. She was a program manager of Radiological Emergency Preparedness Programs for the Federal Emergency Management Agency from 1980 to 1985 and designed guidelines to minimize or eliminate flood damage to buildings. She retired from federal government work in 1985.","Rodeck was a devout Catholic and in the 1960s established the Regina Institute of Sacred Art, an organization dedicated to aiding Catholic parishes in their design and decoration efforts.  The institute aimed to educate parishioners about the emotional impact of and psychological need for good design.","The guide to the Melita Rodeck Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Melita Rodeck Architectural Collection commenced and was completed in January 1998. The 2003 addition was processed in 2012.","The Melita Rodeck Architectural Collection consists of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government. The collection also includes various pieces of literature she wrote for the U.S. Army Corps of Engineers and the Federal Emergency Management Agency (FEMA).","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Melita Rodeck Architectural Collection consist of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government.","Special Collections and University Archives, Virginia Tech","Rodeck, Melita, b.1914","The materials in the collection are in English."],"collection_title_tesim":["Melita Rodeck Architectural Collection, 1931/2003, bulk 1960/1990"],"collection_ssim":["Melita Rodeck Architectural Collection, 1931/2003, bulk 1960/1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1992.028"],"unitid_tesim":["Ms.1992.028"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Rodeck, Melita, b.1914"],"creator_ssim":["Rodeck, Melita, b.1914"],"creator_persname_ssim":["Rodeck, Melita, b.1914"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Rodeck, Melita, b.1914","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Melita Rodeck Architectural Collection was donated to Special Collections in 1992, 1993, 1997, and 2003."],"access_subjects_ssim":["Architectural drawing -- 20th century","Architects","Women -- History","Women-owned architectural firms","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"access_subjects_ssm":["Architectural drawing -- 20th century","Architects","Women -- History","Women-owned architectural firms","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["10.7 Cubic Feet 2 boxes, 30 oversize folders"],"extent_tesim":["10.7 Cubic Feet 2 boxes, 30 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/174\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe collection has been divided into four series: I. Personal Papers, II. Professional Papers, III. Project Records, and IV. Artwork.\u003c/p\u003e  ","\u003cp\u003eThe following is a list of Rodeck's projects from 1949-1975.  It has been divided into five subseries: Church/Community Projects;  Commercial/Residential Projects;  Furniture/Miscellaneous; Government; and Urban Planning.  \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eProject/Client Name (location, date) [Format - Dr=Drawings, Ph=Photographs, Sp=Specifications, PB=Presentation Boards] \u003c/emph\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["The collection has been divided into four series: I. Personal Papers, II. Professional Papers, III. Project Records, and IV. Artwork.","The following is a list of Rodeck's projects from 1949-1975.  It has been divided into five subseries: Church/Community Projects;  Commercial/Residential Projects;  Furniture/Miscellaneous; Government; and Urban Planning.","Project/Client Name (location, date) [Format - Dr=Drawings, Ph=Photographs, Sp=Specifications, PB=Presentation Boards]"],"bioghist_html_tesm":["\u003cp\u003eMelita Rodeck was born on April 12, 1914, in Milan, Italy, to Austrian parents. After the outbreak of World War I her family returned to Vienna where she was educated. She enrolled at the Vienna Polytechnic in 1932 to study architecture, and immigrated  to the United States in 1939. Upon arriving in the United States she spent four years volunteering in the Harlem slums. In 1950 she moved to Washington, D.C., and worked for the General Services Administration of the U.S. federal government. She became a registered architect of the District of Columbia in 1952 and established her own office in 1958, where she designed residences in Maryland and Virginia and restored townhouses in Washington, D.C. \u003c/p\u003e","\u003cp\u003eFrom 1968 to 1973 Rodeck worked as an architect for special research projects at the U.S. Army Corps of Engineers, then from 1973 to 1980 as a coordinator for architectural research for the U.S. Department of Housing and Urban Development. She was a program manager of Radiological Emergency Preparedness Programs for the Federal Emergency Management Agency from 1980 to 1985 and designed guidelines to minimize or eliminate flood damage to buildings. She retired from federal government work in 1985.\u003c/p\u003e","\u003cp\u003eRodeck was a devout Catholic and in the 1960s established the Regina Institute of Sacred Art, an organization dedicated to aiding Catholic parishes in their design and decoration efforts.  The institute aimed to educate parishioners about the emotional impact of and psychological need for good design.    \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Melita Rodeck was born on April 12, 1914, in Milan, Italy, to Austrian parents. After the outbreak of World War I her family returned to Vienna where she was educated. She enrolled at the Vienna Polytechnic in 1932 to study architecture, and immigrated  to the United States in 1939. Upon arriving in the United States she spent four years volunteering in the Harlem slums. In 1950 she moved to Washington, D.C., and worked for the General Services Administration of the U.S. federal government. She became a registered architect of the District of Columbia in 1952 and established her own office in 1958, where she designed residences in Maryland and Virginia and restored townhouses in Washington, D.C.","From 1968 to 1973 Rodeck worked as an architect for special research projects at the U.S. Army Corps of Engineers, then from 1973 to 1980 as a coordinator for architectural research for the U.S. Department of Housing and Urban Development. She was a program manager of Radiological Emergency Preparedness Programs for the Federal Emergency Management Agency from 1980 to 1985 and designed guidelines to minimize or eliminate flood damage to buildings. She retired from federal government work in 1985.","Rodeck was a devout Catholic and in the 1960s established the Regina Institute of Sacred Art, an organization dedicated to aiding Catholic parishes in their design and decoration efforts.  The institute aimed to educate parishioners about the emotional impact of and psychological need for good design."],"odd_html_tesm":["\u003cp\u003eThe guide to the Melita Rodeck Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Melita Rodeck Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Melita Rodeck Architectural Collection, Ms1992-028, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Melita Rodeck Architectural Collection, Ms1992-028, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Melita Rodeck Architectural Collection commenced and was completed in January 1998. The 2003 addition was processed in 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Melita Rodeck Architectural Collection commenced and was completed in January 1998. The 2003 addition was processed in 2012."],"scopecontent_html_tesm":["\u003cp\u003eThe Melita Rodeck Architectural Collection consists of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government. The collection also includes various pieces of literature she wrote for the U.S. Army Corps of Engineers and the Federal Emergency Management Agency (FEMA).\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Melita Rodeck Architectural Collection consists of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government. The collection also includes various pieces of literature she wrote for the U.S. Army Corps of Engineers and the Federal Emergency Management Agency (FEMA)."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3bf52f3d291d01508151d283851daef0\" label=\"Abstract\"\u003eThe Melita Rodeck Architectural Collection consist of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Melita Rodeck Architectural Collection consist of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Rodeck, Melita, b.1914"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Rodeck, Melita, b.1914"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":168,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:46:21.925Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1904","ead_ssi":"viblbv_repositories_2_resources_1904","_root_":"viblbv_repositories_2_resources_1904","_nest_parent_":"viblbv_repositories_2_resources_1904","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1904.xml","title_filing_ssi":"Rodeck, Melita, Architectural Collection","title_ssm":["Melita Rodeck Architectural Collection"],"title_tesim":["Melita Rodeck Architectural Collection"],"unitdate_ssm":["1931-2003","1960-1990"],"unitdate_inclusive_ssm":["1931-2003"],"unitdate_bulk_ssim":["1960-1990"],"normalized_date_ssm":["1931/2003, bulk 1960/1990"],"normalized_title_ssm":["Melita Rodeck Architectural Collection, 1931/2003, bulk 1960/1990"],"text":["Melita Rodeck Architectural Collection, 1931/2003, bulk 1960/1990","Ms.1992.028","Architectural drawing -- 20th century","Architects","Women -- History","Women-owned architectural firms","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","The collection is open to research.","Some of this collection has been digitized and is available online.","The collection has been divided into four series: I. Personal Papers, II. Professional Papers, III. Project Records, and IV. Artwork.","The following is a list of Rodeck's projects from 1949-1975.  It has been divided into five subseries: Church/Community Projects;  Commercial/Residential Projects;  Furniture/Miscellaneous; Government; and Urban Planning.","Project/Client Name (location, date) [Format - Dr=Drawings, Ph=Photographs, Sp=Specifications, PB=Presentation Boards]","Melita Rodeck was born on April 12, 1914, in Milan, Italy, to Austrian parents. After the outbreak of World War I her family returned to Vienna where she was educated. She enrolled at the Vienna Polytechnic in 1932 to study architecture, and immigrated  to the United States in 1939. Upon arriving in the United States she spent four years volunteering in the Harlem slums. In 1950 she moved to Washington, D.C., and worked for the General Services Administration of the U.S. federal government. She became a registered architect of the District of Columbia in 1952 and established her own office in 1958, where she designed residences in Maryland and Virginia and restored townhouses in Washington, D.C.","From 1968 to 1973 Rodeck worked as an architect for special research projects at the U.S. Army Corps of Engineers, then from 1973 to 1980 as a coordinator for architectural research for the U.S. Department of Housing and Urban Development. She was a program manager of Radiological Emergency Preparedness Programs for the Federal Emergency Management Agency from 1980 to 1985 and designed guidelines to minimize or eliminate flood damage to buildings. She retired from federal government work in 1985.","Rodeck was a devout Catholic and in the 1960s established the Regina Institute of Sacred Art, an organization dedicated to aiding Catholic parishes in their design and decoration efforts.  The institute aimed to educate parishioners about the emotional impact of and psychological need for good design.","The guide to the Melita Rodeck Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Melita Rodeck Architectural Collection commenced and was completed in January 1998. The 2003 addition was processed in 2012.","The Melita Rodeck Architectural Collection consists of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government. The collection also includes various pieces of literature she wrote for the U.S. Army Corps of Engineers and the Federal Emergency Management Agency (FEMA).","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Melita Rodeck Architectural Collection consist of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government.","Special Collections and University Archives, Virginia Tech","Rodeck, Melita, b.1914","The materials in the collection are in English."],"collection_title_tesim":["Melita Rodeck Architectural Collection, 1931/2003, bulk 1960/1990"],"collection_ssim":["Melita Rodeck Architectural Collection, 1931/2003, bulk 1960/1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1992.028"],"unitid_tesim":["Ms.1992.028"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Rodeck, Melita, b.1914"],"creator_ssim":["Rodeck, Melita, b.1914"],"creator_persname_ssim":["Rodeck, Melita, b.1914"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Rodeck, Melita, b.1914","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Melita Rodeck Architectural Collection was donated to Special Collections in 1992, 1993, 1997, and 2003."],"access_subjects_ssim":["Architectural drawing -- 20th century","Architects","Women -- History","Women-owned architectural firms","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"access_subjects_ssm":["Architectural drawing -- 20th century","Architects","Women -- History","Women-owned architectural firms","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["10.7 Cubic Feet 2 boxes, 30 oversize folders"],"extent_tesim":["10.7 Cubic Feet 2 boxes, 30 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/174\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe collection has been divided into four series: I. Personal Papers, II. Professional Papers, III. Project Records, and IV. Artwork.\u003c/p\u003e  ","\u003cp\u003eThe following is a list of Rodeck's projects from 1949-1975.  It has been divided into five subseries: Church/Community Projects;  Commercial/Residential Projects;  Furniture/Miscellaneous; Government; and Urban Planning.  \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eProject/Client Name (location, date) [Format - Dr=Drawings, Ph=Photographs, Sp=Specifications, PB=Presentation Boards] \u003c/emph\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["The collection has been divided into four series: I. Personal Papers, II. Professional Papers, III. Project Records, and IV. Artwork.","The following is a list of Rodeck's projects from 1949-1975.  It has been divided into five subseries: Church/Community Projects;  Commercial/Residential Projects;  Furniture/Miscellaneous; Government; and Urban Planning.","Project/Client Name (location, date) [Format - Dr=Drawings, Ph=Photographs, Sp=Specifications, PB=Presentation Boards]"],"bioghist_html_tesm":["\u003cp\u003eMelita Rodeck was born on April 12, 1914, in Milan, Italy, to Austrian parents. After the outbreak of World War I her family returned to Vienna where she was educated. She enrolled at the Vienna Polytechnic in 1932 to study architecture, and immigrated  to the United States in 1939. Upon arriving in the United States she spent four years volunteering in the Harlem slums. In 1950 she moved to Washington, D.C., and worked for the General Services Administration of the U.S. federal government. She became a registered architect of the District of Columbia in 1952 and established her own office in 1958, where she designed residences in Maryland and Virginia and restored townhouses in Washington, D.C. \u003c/p\u003e","\u003cp\u003eFrom 1968 to 1973 Rodeck worked as an architect for special research projects at the U.S. Army Corps of Engineers, then from 1973 to 1980 as a coordinator for architectural research for the U.S. Department of Housing and Urban Development. She was a program manager of Radiological Emergency Preparedness Programs for the Federal Emergency Management Agency from 1980 to 1985 and designed guidelines to minimize or eliminate flood damage to buildings. She retired from federal government work in 1985.\u003c/p\u003e","\u003cp\u003eRodeck was a devout Catholic and in the 1960s established the Regina Institute of Sacred Art, an organization dedicated to aiding Catholic parishes in their design and decoration efforts.  The institute aimed to educate parishioners about the emotional impact of and psychological need for good design.    \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Melita Rodeck was born on April 12, 1914, in Milan, Italy, to Austrian parents. After the outbreak of World War I her family returned to Vienna where she was educated. She enrolled at the Vienna Polytechnic in 1932 to study architecture, and immigrated  to the United States in 1939. Upon arriving in the United States she spent four years volunteering in the Harlem slums. In 1950 she moved to Washington, D.C., and worked for the General Services Administration of the U.S. federal government. She became a registered architect of the District of Columbia in 1952 and established her own office in 1958, where she designed residences in Maryland and Virginia and restored townhouses in Washington, D.C.","From 1968 to 1973 Rodeck worked as an architect for special research projects at the U.S. Army Corps of Engineers, then from 1973 to 1980 as a coordinator for architectural research for the U.S. Department of Housing and Urban Development. She was a program manager of Radiological Emergency Preparedness Programs for the Federal Emergency Management Agency from 1980 to 1985 and designed guidelines to minimize or eliminate flood damage to buildings. She retired from federal government work in 1985.","Rodeck was a devout Catholic and in the 1960s established the Regina Institute of Sacred Art, an organization dedicated to aiding Catholic parishes in their design and decoration efforts.  The institute aimed to educate parishioners about the emotional impact of and psychological need for good design."],"odd_html_tesm":["\u003cp\u003eThe guide to the Melita Rodeck Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Melita Rodeck Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Melita Rodeck Architectural Collection, Ms1992-028, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Melita Rodeck Architectural Collection, Ms1992-028, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Melita Rodeck Architectural Collection commenced and was completed in January 1998. The 2003 addition was processed in 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Melita Rodeck Architectural Collection commenced and was completed in January 1998. The 2003 addition was processed in 2012."],"scopecontent_html_tesm":["\u003cp\u003eThe Melita Rodeck Architectural Collection consists of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government. The collection also includes various pieces of literature she wrote for the U.S. Army Corps of Engineers and the Federal Emergency Management Agency (FEMA).\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Melita Rodeck Architectural Collection consists of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government. The collection also includes various pieces of literature she wrote for the U.S. Army Corps of Engineers and the Federal Emergency Management Agency (FEMA)."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3bf52f3d291d01508151d283851daef0\" label=\"Abstract\"\u003eThe Melita Rodeck Architectural Collection consist of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Melita Rodeck Architectural Collection consist of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Rodeck, Melita, b.1914"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Rodeck, Melita, b.1914"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":168,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:46:21.925Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1904"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Virginia Polytechnic Institute and State University","value":"Virginia Polytechnic Institute and State 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