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Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ba5167132a9b5daf0e5edb795948d7fb\" label=\"Abstract\"\u003eCzeslawa Zielinska is a Polish-born Canadian architect and the inventor the GETSET Building System and, with her husband Zenon, of the UCOPAN, a pre-cast concrete building system. The collection includes promotional material, published articles, and booklets about UCOPAN as well as copies of landscape and building sketches drawn during her travels.\u003c/abstract\u003e\n    "],"abstract_tesim":["Czeslawa Zielinska is a Polish-born Canadian architect and the inventor the GETSET Building System and, with her husband Zenon, of the UCOPAN, a pre-cast concrete building system. The collection includes promotional material, published articles, and booklets about UCOPAN as well as copies of landscape and building sketches drawn during her travels."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Zielinska, Cz."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Zielinska, Cz."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":19,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:46:42.574Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2289"}},{"id":"viblbv_repositories_2_resources_2192","type":"collection","attributes":{"title":"Despina Stratigakos Architectural Collection, 1998/2013","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2192#creator","type":"document_value","attributes":{"value":"Stratigakus, Despina","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2192#abstract_or_scope","type":"document_value","attributes":{"value":"The Despina Stratigakos Architectural Collection comprises her vita and published works including her dissertation and articles exploring the public image of women architects in Wilhelm, Germany (early 20th century), the contributions of women in re-building of Berlin, Germany, and exiled Jewish women architects in America. The collection also contains a 2011 Architect Barbie from Mattel and press releases concerning her creation.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2192#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2192","ead_ssi":"viblbv_repositories_2_resources_2192","_root_":"viblbv_repositories_2_resources_2192","_nest_parent_":"viblbv_repositories_2_resources_2192","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2192.xml","title_filing_ssi":"Stratigakos, Despina, Architectural Collection","title_ssm":["Despina Stratigakos Architectural Collection"],"title_tesim":["Despina Stratigakos Architectural Collection"],"unitdate_ssm":["1998-2013"],"unitdate_inclusive_ssm":["1998-2013"],"normalized_date_ssm":["1998/2013"],"normalized_title_ssm":["Despina Stratigakos Architectural Collection, 1998/2013"],"text":["Despina Stratigakos Architectural Collection, 1998/2013","Ms.2001.062","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open for research.","Despina Stratigakos completed her doctoral thesis in the History of Art at Bryn Mawr College. She specializes in Nineteenth and Twentieth-Century European art and architecture, women architects and designers in Europe and the United States, and the theories of gender and design. Stratigakos' dissertation entitled, \"Skirts and Scaffolding: women architects, gender and design in Wilhelmine Germany\" explores the advancement of women into architecture from approximately 1900-1920.","Stratigakos is currently (2009) an assistant Professor at University at Buffalo, School of Architecture and Planning. Previously she has held positions at Illinois State University, Grinnell College, the University of Iowa and at the Visual Arts Center in Montreal.","Stratigakos also successfully lobbied the Mattel toy company for the inclusion of an architect to the 'Barbie I Can Be...' series.  Architect became the 127th career for Barbie in 2011.","The guide to the Despina Stratigakos Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Despina Stratigakos Architectural Collection was completed in 2009. An addition was integrated in 2012. Initial description was completed in 2002.","The Despina Stratigakos Architectural Collection comprises her vita and published works including her dissertation and articles exploring the public image of women architects in Wilhelm, Germany (early 20th century), the contributions of women in re-building of Berlin, Germany, and exiled Jewish women architects in America. The collection also contains a 2011 Architect Barbie from Mattel and press releases concerning her creation.","Stratigakos' thesis Skirts and scaffolding : women architects, gender, and design in Wilhelmine Germany NA1997 .S82 1999 is located in the Rare Books Collection.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Despina Stratigakos Architectural Collection comprises her vita and published works including her dissertation and articles exploring the public image of women architects in Wilhelm, Germany (early 20th century), the contributions of women in re-building of Berlin, Germany, and exiled Jewish women architects in America. The collection also contains a 2011 Architect Barbie from Mattel and press releases concerning her creation.","Special Collections and University Archives, Virginia Tech","Stratigakus, Despina","The materials in the collection are in English and German."],"collection_title_tesim":["Despina Stratigakos Architectural Collection, 1998/2013"],"collection_ssim":["Despina Stratigakos Architectural Collection, 1998/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.062"],"unitid_tesim":["Ms.2001.062"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Stratigakus, Despina"],"creator_ssim":["Stratigakus, Despina"],"creator_persname_ssim":["Stratigakus, Despina"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Stratigakus, Despina","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated to Special Collections and University Archives in 2002 and 2011."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Cubic Feet 2 boxes"],"extent_tesim":["0.5 Cubic Feet 2 boxes"],"date_range_isim":[1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eDespina Stratigakos completed her doctoral thesis in the History of Art at Bryn Mawr College. She specializes in Nineteenth and Twentieth-Century European art and architecture, women architects and designers in Europe and the United States, and the theories of gender and design. Stratigakos' dissertation entitled, \u003ca href=\"https://catalog.lib.vt.edu/cgi-bin/koha/opac-detail.pl?biblionumber=317172\" title=\"Skirts and Scaffolding: women architects, gender and design in Wilhelmine Germany\"\u003e\"Skirts and Scaffolding: women architects, gender and design in Wilhelmine Germany\"\u003c/a\u003e explores the advancement of women into architecture from approximately 1900-1920. \u003c/p\u003e","\u003cp\u003eStratigakos is currently (2009) an assistant Professor at University at Buffalo, School of Architecture and Planning. Previously she has held positions at Illinois State University, Grinnell College, the University of Iowa and at the Visual Arts Center in Montreal.\u003c/p\u003e","\u003cp\u003eStratigakos also successfully lobbied the Mattel toy company for the inclusion of an architect to the 'Barbie I Can Be...' series.  Architect became the 127th career for Barbie in 2011. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Despina Stratigakos completed her doctoral thesis in the History of Art at Bryn Mawr College. She specializes in Nineteenth and Twentieth-Century European art and architecture, women architects and designers in Europe and the United States, and the theories of gender and design. Stratigakos' dissertation entitled, \"Skirts and Scaffolding: women architects, gender and design in Wilhelmine Germany\" explores the advancement of women into architecture from approximately 1900-1920.","Stratigakos is currently (2009) an assistant Professor at University at Buffalo, School of Architecture and Planning. Previously she has held positions at Illinois State University, Grinnell College, the University of Iowa and at the Visual Arts Center in Montreal.","Stratigakos also successfully lobbied the Mattel toy company for the inclusion of an architect to the 'Barbie I Can Be...' series.  Architect became the 127th career for Barbie in 2011."],"odd_html_tesm":["\u003cp\u003eThe guide to the Despina Stratigakos Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Despina Stratigakos Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Despina Stratigakos Architectural Collection, Ms2001-062, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Despina Stratigakos Architectural Collection, Ms2001-062, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Despina Stratigakos Architectural Collection was completed in 2009. An addition was integrated in 2012. Initial description was completed in 2002.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Despina Stratigakos Architectural Collection was completed in 2009. An addition was integrated in 2012. Initial description was completed in 2002."],"scopecontent_html_tesm":["\u003cp\u003eThe Despina Stratigakos Architectural Collection comprises her vita and published works including her dissertation and articles exploring the public image of women architects in Wilhelm, Germany (early 20th century), the contributions of women in re-building of Berlin, Germany, and exiled Jewish women architects in America. The collection also contains a 2011 Architect Barbie from Mattel and press releases concerning her creation.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Despina Stratigakos Architectural Collection comprises her vita and published works including her dissertation and articles exploring the public image of women architects in Wilhelm, Germany (early 20th century), the contributions of women in re-building of Berlin, Germany, and exiled Jewish women architects in America. The collection also contains a 2011 Architect Barbie from Mattel and press releases concerning her creation."],"separatedmaterial_html_tesm":["\u003cp\u003eStratigakos' thesis \u003ctitle render=\"italic\"\u003eSkirts and scaffolding : women architects, gender, and design in Wilhelmine Germany\u003c/title\u003e NA1997 .S82 1999 is located in the Rare Books Collection.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["Stratigakos' thesis Skirts and scaffolding : women architects, gender, and design in Wilhelmine Germany NA1997 .S82 1999 is located in the Rare Books Collection."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_405c90c6b1af97689b382f9993ba6eec\" label=\"Abstract\"\u003eThe Despina Stratigakos Architectural Collection comprises her vita and published works including her dissertation and articles exploring the public image of women architects in Wilhelm, Germany (early 20th century), the contributions of women in re-building of Berlin, Germany, and exiled Jewish women architects in America. The collection also contains a 2011 Architect Barbie from Mattel and press releases concerning her creation.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Despina Stratigakos Architectural Collection comprises her vita and published works including her dissertation and articles exploring the public image of women architects in Wilhelm, Germany (early 20th century), the contributions of women in re-building of Berlin, Germany, and exiled Jewish women architects in America. 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She specializes in Nineteenth and Twentieth-Century European art and architecture, women architects and designers in Europe and the United States, and the theories of gender and design. Stratigakos' dissertation entitled, \"Skirts and Scaffolding: women architects, gender and design in Wilhelmine Germany\" explores the advancement of women into architecture from approximately 1900-1920.","Stratigakos is currently (2009) an assistant Professor at University at Buffalo, School of Architecture and Planning. Previously she has held positions at Illinois State University, Grinnell College, the University of Iowa and at the Visual Arts Center in Montreal.","Stratigakos also successfully lobbied the Mattel toy company for the inclusion of an architect to the 'Barbie I Can Be...' series.  Architect became the 127th career for Barbie in 2011.","The guide to the Despina Stratigakos Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Despina Stratigakos Architectural Collection was completed in 2009. An addition was integrated in 2012. Initial description was completed in 2002.","The Despina Stratigakos Architectural Collection comprises her vita and published works including her dissertation and articles exploring the public image of women architects in Wilhelm, Germany (early 20th century), the contributions of women in re-building of Berlin, Germany, and exiled Jewish women architects in America. The collection also contains a 2011 Architect Barbie from Mattel and press releases concerning her creation.","Stratigakos' thesis Skirts and scaffolding : women architects, gender, and design in Wilhelmine Germany NA1997 .S82 1999 is located in the Rare Books Collection.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Despina Stratigakos Architectural Collection comprises her vita and published works including her dissertation and articles exploring the public image of women architects in Wilhelm, Germany (early 20th century), the contributions of women in re-building of Berlin, Germany, and exiled Jewish women architects in America. The collection also contains a 2011 Architect Barbie from Mattel and press releases concerning her creation.","Special Collections and University Archives, Virginia Tech","Stratigakus, Despina","The materials in the collection are in English and German."],"collection_title_tesim":["Despina Stratigakos Architectural Collection, 1998/2013"],"collection_ssim":["Despina Stratigakos Architectural Collection, 1998/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.062"],"unitid_tesim":["Ms.2001.062"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Stratigakus, Despina"],"creator_ssim":["Stratigakus, Despina"],"creator_persname_ssim":["Stratigakus, Despina"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Stratigakus, Despina","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated to Special Collections and University Archives in 2002 and 2011."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Cubic Feet 2 boxes"],"extent_tesim":["0.5 Cubic Feet 2 boxes"],"date_range_isim":[1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eDespina Stratigakos completed her doctoral thesis in the History of Art at Bryn Mawr College. She specializes in Nineteenth and Twentieth-Century European art and architecture, women architects and designers in Europe and the United States, and the theories of gender and design. Stratigakos' dissertation entitled, \u003ca href=\"https://catalog.lib.vt.edu/cgi-bin/koha/opac-detail.pl?biblionumber=317172\" title=\"Skirts and Scaffolding: women architects, gender and design in Wilhelmine Germany\"\u003e\"Skirts and Scaffolding: women architects, gender and design in Wilhelmine Germany\"\u003c/a\u003e explores the advancement of women into architecture from approximately 1900-1920. \u003c/p\u003e","\u003cp\u003eStratigakos is currently (2009) an assistant Professor at University at Buffalo, School of Architecture and Planning. 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Stratigakos' dissertation entitled, \"Skirts and Scaffolding: women architects, gender and design in Wilhelmine Germany\" explores the advancement of women into architecture from approximately 1900-1920.","Stratigakos is currently (2009) an assistant Professor at University at Buffalo, School of Architecture and Planning. Previously she has held positions at Illinois State University, Grinnell College, the University of Iowa and at the Visual Arts Center in Montreal.","Stratigakos also successfully lobbied the Mattel toy company for the inclusion of an architect to the 'Barbie I Can Be...' series.  Architect became the 127th career for Barbie in 2011."],"odd_html_tesm":["\u003cp\u003eThe guide to the Despina Stratigakos Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Despina Stratigakos Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Despina Stratigakos Architectural Collection, Ms2001-062, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Despina Stratigakos Architectural Collection, Ms2001-062, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Despina Stratigakos Architectural Collection was completed in 2009. 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The collection also contains a 2011 Architect Barbie from Mattel and press releases concerning her creation.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Despina Stratigakos Architectural Collection comprises her vita and published works including her dissertation and articles exploring the public image of women architects in Wilhelm, Germany (early 20th century), the contributions of women in re-building of Berlin, Germany, and exiled Jewish women architects in America. The collection also contains a 2011 Architect Barbie from Mattel and press releases concerning her creation."],"separatedmaterial_html_tesm":["\u003cp\u003eStratigakos' thesis \u003ctitle render=\"italic\"\u003eSkirts and scaffolding : women architects, gender, and design in Wilhelmine Germany\u003c/title\u003e NA1997 .S82 1999 is located in the Rare Books Collection.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["Stratigakos' thesis Skirts and scaffolding : women architects, gender, and design in Wilhelmine Germany NA1997 .S82 1999 is located in the Rare Books Collection."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_405c90c6b1af97689b382f9993ba6eec\" label=\"Abstract\"\u003eThe Despina Stratigakos Architectural Collection comprises her vita and published works including her dissertation and articles exploring the public image of women architects in Wilhelm, Germany (early 20th century), the contributions of women in re-building of Berlin, Germany, and exiled Jewish women architects in America. The collection also contains a 2011 Architect Barbie from Mattel and press releases concerning her creation.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Despina Stratigakos Architectural Collection comprises her vita and published works including her dissertation and articles exploring the public image of women architects in Wilhelm, Germany (early 20th century), the contributions of women in re-building of Berlin, Germany, and exiled Jewish women architects in America. The collection also contains a 2011 Architect Barbie from Mattel and press releases concerning her creation."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Stratigakus, Despina"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Stratigakus, Despina"],"language_ssim":["The materials in the collection are in English and German."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":9,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:46:42.574Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2192"}},{"id":"viblbv_repositories_2_resources_2230","type":"collection","attributes":{"title":"Diane Elliott Gayer Architectural Papers,, 1974/2023","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2230#creator","type":"document_value","attributes":{"value":"Gayer, Diane Elliott","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2230#abstract_or_scope","type":"document_value","attributes":{"value":"The Diane Elliott Gayer Architectural Papers contain teaching materials, students' work, writings, correspondence, project documentation in the form of files, photographs, and rolled drawings, conference programs and other ephemera related to Gayer's professional engagement, charrette materials and reports, portfolios, and some office records.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2230#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2230","ead_ssi":"viblbv_repositories_2_resources_2230","_root_":"viblbv_repositories_2_resources_2230","_nest_parent_":"viblbv_repositories_2_resources_2230","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2230.xml","title_filing_ssi":"Gayer, Diane Elliot, Architectural Papers","title_ssm":["Diane Elliott Gayer Architectural Papers,"],"title_tesim":["Diane Elliott Gayer Architectural Papers,"],"unitdate_ssm":["1974-2023, undated"],"unitdate_inclusive_ssm":["1974-2023, undated"],"normalized_date_ssm":["1974/2023"],"normalized_title_ssm":["Diane Elliott Gayer Architectural Papers,, 1974/2023"],"text":["Diane Elliott Gayer Architectural Papers,, 1974/2023","Ms.2002.045","Women -- History","Architects and community","International Archive of Women in Architecture (IAWA)","Collection is open for research.","The Diane Elliott Gayer architectural papers are arranged into five series, four of which are divided further into subseries. Within series and subseries files are arranged chronologically with some minor exceptions, where grouping together of files related to a particular project was prioritized. The series arrangement is as follows:","I. Personal papers, 1974 - 2016, undated\nII. Professional papers, 1981 - 2015, undated\nIII. Faculty papers, 1970 - 2014\nIV. Office records, 1980 - 2014\nV. Project records, 1980 - 2013, undated","This series is arranged into several sub-series, as follows:","A. Conferences, Workshops, and Associations, 1985 - 2014, undated\ni. Citizens Democracy Corps, 1981 - 1997, undated [1995-1996]\nii. l'Union Internationale des Femmes Architectes (UIFA), 1984 - 2015\niii. World Summit on Sustainable Development, Johannesburg, South Africa, 2002 - 2005, undated\nB. Writings, 1989 - 2013, undated","This series is arranged into several sub-series, as follows:","A. K-12 school programs\nB. University courses and programs\nC. Students' work","Records in this series are divided into files and rolled drawings, arranged chronologically by project.","Born November 27, 1952, in Geneva, Switzerland, Diane Elliott Gayer is an architect, environmentally conscious designer, teacher, artist, and writer who has mostly practiced in the United States. From 1976 to 1979 Gayer attended a Masters in Architecture Program at the University of Colorado, Denver. There, she completed a thesis project proposing a mixed-use hospital expansion for the National Jewish Hospital-University of Colorado Medical Center complex. After graduating, she took a job at Marvin E. Knedler \u0026 Associates, and her work there led to other opportunities at the firms Duff, Reck, and Lehman Architects, and later at Michael Gaviglio \u0026 Associates. In 1983, she and her husband/business partner Geoff Kampe established their own practice, Artemis Designs, Inc., where they worked as a team to design the Left Bank Townhouses in Lakewood, Colorado, an infill project on reclaimed land. While still living in Colorado, she developed and taught teacher training programs in environmental education and served as architect in residence for the Colorado Arts Council and environmental design consultant for the Gifted and Talented Program of the Jefferson County School District. In 1988, Gayer relocated to Vermont to work as an associate architect at the University of Vermont.","Over the years, she has taught at Norwich University, the University of Vermont (UVM), and at the Yestermorrow Design/Build School in Waitsfield, Vermont. She also worked as architect, planner, and environmental designer at Diane Elliott Gayer Associates in Hinesburg, Vermont. From 1991-1997, Gayer served on the advisory board of the Vermont Design Institute (VDI), a non-profit design and community development collaborative based in Burlington, Vermont, that had grown out of an outreach effort of the Vermont Council on the Arts. From 1995 to 2016, she served as its director. As a teacher, she regularly pulled design problems and case studies from her work as a planner, and, conversely, would use student input and solutions to inform her approach to design. Many student projects and course materials make mention of VDI projects, like the Historic Main Street Study of St. Johnsbury or the Old Main building renovations at the UVM campus.","She's devoted her career to examining what architecture can do and to building a more sustainable future through community empowerment. She has worked as a teacher, organizer, volunteer, and advocate for sustainability and environmental awareness in design. Professionally, she has been active in many organizations, including Women in Design of the Built Environment (WIND), of which she was a founding member, the Colorado chapter of Women in Architecture, l'Union International des Femmes Architects (UIFA), and the American Institute of Architects (AIA), among others. She was selected as a consultant volunteer for Citizens Democracy Corps and spent a year in Yekaterinburg, Russia, working on curriculum development with and for the Urals Architecture Institute. Additionally, she's participated in, consulted on, and led many design charrettes and workshops.","She served as editor of and frequent contributor to the Vermont Design Quarterly, the quarterly publication of the Vermont Design Institute, from 1998-2001. She's written that she feels that the quarterly represents her \"work and vision as an architect and planner.\" Along with Jane Petrillo, she co-authored a monograph, also associated with VDI, called Groundswell, a 24 page large-format graphic publication focused on community planning and design.","Sources (other than the collection itself)","Gayer, Diane E. \"Reflections: Creating an Architectural Practice.\" In The Routledge Companion to Women in Architecture, edited by Anna Sokolina, 370-381. New York, NY: Routledge, 2021.","The guide to the Diane Elliot Gayer Architectural Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The majority of the processing, arrangement, and description of the Diane Elliott Gayer Architectural Papers was completed between August and November of 2021. The four folders in the original collection were processed in 2002.","An addition from early 2024 was processed and integrated by Jade Snelling in April 2025.","An oral history interview conducted by Jade Snelling with Gayer was made in 2021. Please contact the archives for access to the audio file and transcripts.","The Diane Elliott Gayer Architectural Papers span from roughly 1974 to 2016, and contain teaching materials, students' work, writings, correspondence, project documentation in the form of files, photographs, and rolled drawings, conference programs and other ephemera related to Gayer's professional engagement, charrette materials and reports, portfolios, and some office records.","Cuban photography show produced and curated by Diane Gayer; artists featured include Tomas Inda Berrera, Yadira Ismael Sotomayor, Nadieshda Inda Gonzalez, Alfredo Sarabia Fajardo","05401 is published by architect Louis Mannie Lionni. This issue anthologizes architects who've influenced him, including Diane Gayer (p. 76-77).","USB thumb drive contains roughly 506.1 Mb of folders and files cosisting of a mixture of electronic file formats, including .doc, .pdf, .jpg., .ppt, .html, and others. The contents of these files document the Vermont Design Institute's 2013 Living Place Competition, including graphics, calls for proposals, and presentations. Other files relate to an article Gayer wrote and illustrated about several projects she completed in Rwanda for a publication called VT Woman, while others consist of office and publicity materials for the Vermont Design Institute (abbreviated VDI in filenames).","Folders and files retain their original names at time of receipt, and all files have been backed up to the archives' servers. Inventory is top-level and does not include sub-directories, but does indicate when an object title refers to a folder or an individual file. Patrons may request access copies of all files by contacting Special Collections and University Archives.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Diane Elliott Gayer Architectural Papers contain teaching materials, students' work, writings, correspondence, project documentation in the form of files, photographs, and rolled drawings, conference programs and other ephemera related to Gayer's professional engagement, charrette materials and reports, portfolios, and some office records.","Special Collections and University Archives, Virginia Tech","Artemis Designs, Inc","Vermont Design Institute","Gayer, Diane Elliott","The materials in the collection are in English."],"collection_title_tesim":["Diane Elliott Gayer Architectural Papers,, 1974/2023"],"collection_ssim":["Diane Elliott Gayer Architectural Papers,, 1974/2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2002.045"],"unitid_tesim":["Ms.2002.045"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Gayer, Diane Elliott"],"creator_ssim":["Gayer, Diane Elliott"],"creator_persname_ssim":["Gayer, Diane Elliott"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Artemis Designs, Inc","Vermont Design Institute"],"creators_ssim":["Gayer, Diane Elliott","Special Collections and University Archives, Virginia Tech","Artemis Designs, Inc","Vermont Design Institute"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["Some materials were donated to Special Collections and University Archives by Diane Elliott Gayer in November 2002. The bulk of materials in this collection were donated in June 2019. A small addition was made in January 2024 by Diane Gayer."],"access_subjects_ssim":["Women -- History","Architects and community","International Archive of Women in Architecture (IAWA)"],"access_subjects_ssm":["Women -- History","Architects and community","International Archive of Women in Architecture (IAWA)"],"has_online_content_ssim":["false"],"extent_ssm":["20 Cubic Feet 10 standard file boxes, 1 half-document box, 3 flat file boxes, 11 telescoping boxes, and 2 oversized folders"],"extent_tesim":["20 Cubic Feet 10 standard file boxes, 1 half-document box, 3 flat file boxes, 11 telescoping boxes, and 2 oversized folders"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Diane Elliott Gayer architectural papers are arranged into five series, four of which are divided further into subseries. Within series and subseries files are arranged chronologically with some minor exceptions, where grouping together of files related to a particular project was prioritized. The series arrangement is as follows:\u003c/p\u003e","\u003cp\u003e\u003clist\u003e\n\u003citem\u003eI. Personal papers, 1974 - 2016, undated\u003c/item\u003e\u003cbr\u003e\n\u003citem\u003eII. Professional papers, 1981 - 2015, undated\u003c/item\u003e\u003cbr\u003e\n\u003citem\u003eIII. Faculty papers, 1970 - 2014\u003c/item\u003e\u003cbr\u003e\n\u003citem\u003eIV. Office records, 1980 - 2014\u003c/item\u003e\u003cbr\u003e\n\u003citem\u003eV. Project records, 1980 - 2013, undated\u003c/item\u003e\u003cbr\u003e\n\u003c/list\u003e\u003c/p\u003e  ","\u003cp\u003eThis series is arranged into several sub-series, as follows:\u003c/p\u003e","\u003cp\u003e\u003clist\u003e\n\u003citem\u003e\u003cemph render=\"bold\"\u003eA. Conferences, Workshops, and Associations, 1985 - 2014, undated\u003c/emph\u003e\u003c/item\u003e\u003cbr\u003e\n\u003citem\u003ei. Citizens Democracy Corps, 1981 - 1997, undated [1995-1996]\u003c/item\u003e\u003cbr\u003e\n\u003citem\u003eii. l'Union Internationale des Femmes Architectes (UIFA), 1984 - 2015\u003c/item\u003e\u003cbr\u003e\n\u003citem\u003eiii. World Summit on Sustainable Development, Johannesburg, South Africa, 2002 - 2005, undated\u003c/item\u003e\u003cbr\u003e\n\u003citem\u003e\u003cemph render=\"bold\"\u003eB. Writings, 1989 - 2013, undated\u003c/emph\u003e\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e","\u003cp\u003eThis series is arranged into several sub-series, as follows:\u003c/p\u003e","\u003cp\u003e\u003clist\u003e\n\u003citem\u003e\u003cemph render=\"bold\"\u003eA. K-12 school programs\u003c/emph\u003e\u003c/item\u003e\u003cbr\u003e\n\u003citem\u003e\u003cemph render=\"bold\"\u003eB. University courses and programs\u003c/emph\u003e\u003c/item\u003e\u003cbr\u003e\n\u003citem\u003e\u003cemph render=\"bold\"\u003eC. Students' work\u003c/emph\u003e\u003c/item\u003e\u003cbr\u003e\n\u003c/list\u003e\u003c/p\u003e","\u003cp\u003eRecords in this series are divided into files and rolled drawings, arranged chronologically by project.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The Diane Elliott Gayer architectural papers are arranged into five series, four of which are divided further into subseries. Within series and subseries files are arranged chronologically with some minor exceptions, where grouping together of files related to a particular project was prioritized. The series arrangement is as follows:","I. Personal papers, 1974 - 2016, undated\nII. Professional papers, 1981 - 2015, undated\nIII. Faculty papers, 1970 - 2014\nIV. Office records, 1980 - 2014\nV. Project records, 1980 - 2013, undated","This series is arranged into several sub-series, as follows:","A. Conferences, Workshops, and Associations, 1985 - 2014, undated\ni. Citizens Democracy Corps, 1981 - 1997, undated [1995-1996]\nii. l'Union Internationale des Femmes Architectes (UIFA), 1984 - 2015\niii. World Summit on Sustainable Development, Johannesburg, South Africa, 2002 - 2005, undated\nB. Writings, 1989 - 2013, undated","This series is arranged into several sub-series, as follows:","A. K-12 school programs\nB. University courses and programs\nC. Students' work","Records in this series are divided into files and rolled drawings, arranged chronologically by project."],"bioghist_html_tesm":["\u003cp\u003eBorn November 27, 1952, in Geneva, Switzerland, Diane Elliott Gayer is an architect, environmentally conscious designer, teacher, artist, and writer who has mostly practiced in the United States. From 1976 to 1979 Gayer attended a Masters in Architecture Program at the University of Colorado, Denver. There, she completed a thesis project proposing a mixed-use hospital expansion for the National Jewish Hospital-University of Colorado Medical Center complex. After graduating, she took a job at Marvin E. Knedler \u0026amp; Associates, and her work there led to other opportunities at the firms Duff, Reck, and Lehman Architects, and later at Michael Gaviglio \u0026amp; Associates. In 1983, she and her husband/business partner Geoff Kampe established their own practice, Artemis Designs, Inc., where they worked as a team to design the Left Bank Townhouses in Lakewood, Colorado, an infill project on reclaimed land. While still living in Colorado, she developed and taught teacher training programs in environmental education and served as architect in residence for the Colorado Arts Council and environmental design consultant for the Gifted and Talented Program of the Jefferson County School District. In 1988, Gayer relocated to Vermont to work as an associate architect at the University of Vermont.\u003c/p\u003e","\u003cp\u003eOver the years, she has taught at Norwich University, the University of Vermont (UVM), and at the Yestermorrow Design/Build School in Waitsfield, Vermont. She also worked as architect, planner, and environmental designer at Diane Elliott Gayer Associates in Hinesburg, Vermont. From 1991-1997, Gayer served on the advisory board of the Vermont Design Institute (VDI), a non-profit design and community development collaborative based in Burlington, Vermont, that had grown out of an outreach effort of the Vermont Council on the Arts. From 1995 to 2016, she served as its director. As a teacher, she regularly pulled design problems and case studies from her work as a planner, and, conversely, would use student input and solutions to inform her approach to design. Many student projects and course materials make mention of VDI projects, like the Historic Main Street Study of St. Johnsbury or the Old Main building renovations at the UVM campus. \u003c/p\u003e","\u003cp\u003eShe's devoted her career to examining what architecture can do and to building a more sustainable future through community empowerment. She has worked as a teacher, organizer, volunteer, and advocate for sustainability and environmental awareness in design. Professionally, she has been active in many organizations, including Women in Design of the Built Environment (WIND), of which she was a founding member, the Colorado chapter of Women in Architecture, l'Union International des Femmes Architects (UIFA), and the American Institute of Architects (AIA), among others. She was selected as a consultant volunteer for Citizens Democracy Corps and spent a year in Yekaterinburg, Russia, working on curriculum development with and for the Urals Architecture Institute. Additionally, she's participated in, consulted on, and led many design charrettes and workshops. \u003c/p\u003e","\u003cp\u003eShe served as editor of and frequent contributor to the Vermont Design Quarterly, the quarterly publication of the Vermont Design Institute, from 1998-2001. She's written that she feels that the quarterly represents her \"work and vision as an architect and planner.\" Along with Jane Petrillo, she co-authored a monograph, also associated with VDI, called \u003cemph render=\"italic\"\u003eGroundswell\u003c/emph\u003e, a 24 page large-format graphic publication focused on community planning and design.\u003c/p\u003e","\u003cp\u003e\nSources (other than the collection itself)\u003c/p\u003e","\u003cp\u003eGayer, Diane E. \"Reflections: Creating an Architectural Practice.\" In \u003cemph render=\"italic\"\u003eThe Routledge Companion to Women in Architecture\u003c/emph\u003e, edited by Anna Sokolina, 370-381. New York, NY: Routledge, 2021.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Born November 27, 1952, in Geneva, Switzerland, Diane Elliott Gayer is an architect, environmentally conscious designer, teacher, artist, and writer who has mostly practiced in the United States. From 1976 to 1979 Gayer attended a Masters in Architecture Program at the University of Colorado, Denver. There, she completed a thesis project proposing a mixed-use hospital expansion for the National Jewish Hospital-University of Colorado Medical Center complex. After graduating, she took a job at Marvin E. Knedler \u0026 Associates, and her work there led to other opportunities at the firms Duff, Reck, and Lehman Architects, and later at Michael Gaviglio \u0026 Associates. In 1983, she and her husband/business partner Geoff Kampe established their own practice, Artemis Designs, Inc., where they worked as a team to design the Left Bank Townhouses in Lakewood, Colorado, an infill project on reclaimed land. While still living in Colorado, she developed and taught teacher training programs in environmental education and served as architect in residence for the Colorado Arts Council and environmental design consultant for the Gifted and Talented Program of the Jefferson County School District. In 1988, Gayer relocated to Vermont to work as an associate architect at the University of Vermont.","Over the years, she has taught at Norwich University, the University of Vermont (UVM), and at the Yestermorrow Design/Build School in Waitsfield, Vermont. She also worked as architect, planner, and environmental designer at Diane Elliott Gayer Associates in Hinesburg, Vermont. From 1991-1997, Gayer served on the advisory board of the Vermont Design Institute (VDI), a non-profit design and community development collaborative based in Burlington, Vermont, that had grown out of an outreach effort of the Vermont Council on the Arts. From 1995 to 2016, she served as its director. As a teacher, she regularly pulled design problems and case studies from her work as a planner, and, conversely, would use student input and solutions to inform her approach to design. Many student projects and course materials make mention of VDI projects, like the Historic Main Street Study of St. Johnsbury or the Old Main building renovations at the UVM campus.","She's devoted her career to examining what architecture can do and to building a more sustainable future through community empowerment. She has worked as a teacher, organizer, volunteer, and advocate for sustainability and environmental awareness in design. Professionally, she has been active in many organizations, including Women in Design of the Built Environment (WIND), of which she was a founding member, the Colorado chapter of Women in Architecture, l'Union International des Femmes Architects (UIFA), and the American Institute of Architects (AIA), among others. She was selected as a consultant volunteer for Citizens Democracy Corps and spent a year in Yekaterinburg, Russia, working on curriculum development with and for the Urals Architecture Institute. Additionally, she's participated in, consulted on, and led many design charrettes and workshops.","She served as editor of and frequent contributor to the Vermont Design Quarterly, the quarterly publication of the Vermont Design Institute, from 1998-2001. She's written that she feels that the quarterly represents her \"work and vision as an architect and planner.\" Along with Jane Petrillo, she co-authored a monograph, also associated with VDI, called Groundswell, a 24 page large-format graphic publication focused on community planning and design.","Sources (other than the collection itself)","Gayer, Diane E. \"Reflections: Creating an Architectural Practice.\" In The Routledge Companion to Women in Architecture, edited by Anna Sokolina, 370-381. New York, NY: Routledge, 2021."],"odd_html_tesm":["\u003cp\u003eThe guide to the Diane Elliot Gayer Architectural Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Diane Elliot Gayer Architectural Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Diane Elliot Gayer Architectural Papers, Ms2002-045, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Diane Elliot Gayer Architectural Papers, Ms2002-045, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe majority of the processing, arrangement, and description of the Diane Elliott Gayer Architectural Papers was completed between August and November of 2021. The four folders in the original collection were processed in 2002. \u003c/p\u003e","\u003cp\u003eAn addition from early 2024 was processed and integrated by Jade Snelling in April 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The majority of the processing, arrangement, and description of the Diane Elliott Gayer Architectural Papers was completed between August and November of 2021. The four folders in the original collection were processed in 2002.","An addition from early 2024 was processed and integrated by Jade Snelling in April 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eAn oral history interview conducted by Jade Snelling with Gayer was made in 2021. Please contact the archives for access to the audio file and transcripts.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["An oral history interview conducted by Jade Snelling with Gayer was made in 2021. Please contact the archives for access to the audio file and transcripts."],"scopecontent_html_tesm":["\u003cp\u003eThe Diane Elliott Gayer Architectural Papers span from roughly 1974 to 2016, and contain teaching materials, students' work, writings, correspondence, project documentation in the form of files, photographs, and rolled drawings, conference programs and other ephemera related to Gayer's professional engagement, charrette materials and reports, portfolios, and some office records.\u003c/p\u003e  ","\u003cp\u003eCuban photography show produced and curated by Diane Gayer; artists featured include Tomas Inda Berrera, Yadira Ismael Sotomayor, Nadieshda Inda Gonzalez, Alfredo Sarabia Fajardo\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003e05401\u003c/emph\u003e is published by architect Louis Mannie Lionni. This issue anthologizes architects who've influenced him, including Diane Gayer (p. 76-77).\u003c/p\u003e","\u003cp\u003eUSB thumb drive contains roughly 506.1 Mb of folders and files cosisting of a mixture of electronic file formats, including .doc, .pdf, .jpg., .ppt, .html, and others. The contents of these files document the Vermont Design Institute's 2013 Living Place Competition, including graphics, calls for proposals, and presentations. Other files relate to an article Gayer wrote and illustrated about several projects she completed in Rwanda for a publication called \u003cemph render=\"italic\"\u003eVT Woman\u003c/emph\u003e, while others consist of office and publicity materials for the Vermont Design Institute (abbreviated VDI in filenames). \u003c/p\u003e","\u003cp\u003eFolders and files retain their original names at time of receipt, and all files have been backed up to the archives' servers. Inventory is top-level and does not include sub-directories, but does indicate when an object title refers to a folder or an individual file. Patrons may request access copies of all files by contacting Special Collections and University Archives.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Diane Elliott Gayer Architectural Papers span from roughly 1974 to 2016, and contain teaching materials, students' work, writings, correspondence, project documentation in the form of files, photographs, and rolled drawings, conference programs and other ephemera related to Gayer's professional engagement, charrette materials and reports, portfolios, and some office records.","Cuban photography show produced and curated by Diane Gayer; artists featured include Tomas Inda Berrera, Yadira Ismael Sotomayor, Nadieshda Inda Gonzalez, Alfredo Sarabia Fajardo","05401 is published by architect Louis Mannie Lionni. This issue anthologizes architects who've influenced him, including Diane Gayer (p. 76-77).","USB thumb drive contains roughly 506.1 Mb of folders and files cosisting of a mixture of electronic file formats, including .doc, .pdf, .jpg., .ppt, .html, and others. The contents of these files document the Vermont Design Institute's 2013 Living Place Competition, including graphics, calls for proposals, and presentations. Other files relate to an article Gayer wrote and illustrated about several projects she completed in Rwanda for a publication called VT Woman, while others consist of office and publicity materials for the Vermont Design Institute (abbreviated VDI in filenames).","Folders and files retain their original names at time of receipt, and all files have been backed up to the archives' servers. Inventory is top-level and does not include sub-directories, but does indicate when an object title refers to a folder or an individual file. Patrons may request access copies of all files by contacting Special Collections and University Archives."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_19c7dda76060bec1ea70c89d8762150d\"\u003eThe Diane Elliott Gayer Architectural Papers contain teaching materials, students' work, writings, correspondence, project documentation in the form of files, photographs, and rolled drawings, conference programs and other ephemera related to Gayer's professional engagement, charrette materials and reports, portfolios, and some office records.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Diane Elliott Gayer Architectural Papers contain teaching materials, students' work, writings, correspondence, project documentation in the form of files, photographs, and rolled drawings, conference programs and other ephemera related to Gayer's professional engagement, charrette materials and reports, portfolios, and some office records."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Artemis Designs, Inc","Vermont Design Institute"],"names_coll_ssim":["Artemis Designs, Inc","Vermont Design Institute","Gayer, Diane Elliott"],"persname_ssim":["Gayer, Diane Elliott"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Artemis Designs, Inc","Vermont Design Institute","Gayer, Diane Elliott"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":415,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:46:42.574Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2230","ead_ssi":"viblbv_repositories_2_resources_2230","_root_":"viblbv_repositories_2_resources_2230","_nest_parent_":"viblbv_repositories_2_resources_2230","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2230.xml","title_filing_ssi":"Gayer, Diane Elliot, Architectural Papers","title_ssm":["Diane Elliott Gayer Architectural Papers,"],"title_tesim":["Diane Elliott Gayer Architectural Papers,"],"unitdate_ssm":["1974-2023, undated"],"unitdate_inclusive_ssm":["1974-2023, undated"],"normalized_date_ssm":["1974/2023"],"normalized_title_ssm":["Diane Elliott Gayer Architectural Papers,, 1974/2023"],"text":["Diane Elliott Gayer Architectural Papers,, 1974/2023","Ms.2002.045","Women -- History","Architects and community","International Archive of Women in Architecture (IAWA)","Collection is open for research.","The Diane Elliott Gayer architectural papers are arranged into five series, four of which are divided further into subseries. Within series and subseries files are arranged chronologically with some minor exceptions, where grouping together of files related to a particular project was prioritized. The series arrangement is as follows:","I. Personal papers, 1974 - 2016, undated\nII. Professional papers, 1981 - 2015, undated\nIII. Faculty papers, 1970 - 2014\nIV. Office records, 1980 - 2014\nV. Project records, 1980 - 2013, undated","This series is arranged into several sub-series, as follows:","A. Conferences, Workshops, and Associations, 1985 - 2014, undated\ni. Citizens Democracy Corps, 1981 - 1997, undated [1995-1996]\nii. l'Union Internationale des Femmes Architectes (UIFA), 1984 - 2015\niii. World Summit on Sustainable Development, Johannesburg, South Africa, 2002 - 2005, undated\nB. Writings, 1989 - 2013, undated","This series is arranged into several sub-series, as follows:","A. K-12 school programs\nB. University courses and programs\nC. Students' work","Records in this series are divided into files and rolled drawings, arranged chronologically by project.","Born November 27, 1952, in Geneva, Switzerland, Diane Elliott Gayer is an architect, environmentally conscious designer, teacher, artist, and writer who has mostly practiced in the United States. From 1976 to 1979 Gayer attended a Masters in Architecture Program at the University of Colorado, Denver. There, she completed a thesis project proposing a mixed-use hospital expansion for the National Jewish Hospital-University of Colorado Medical Center complex. After graduating, she took a job at Marvin E. Knedler \u0026 Associates, and her work there led to other opportunities at the firms Duff, Reck, and Lehman Architects, and later at Michael Gaviglio \u0026 Associates. In 1983, she and her husband/business partner Geoff Kampe established their own practice, Artemis Designs, Inc., where they worked as a team to design the Left Bank Townhouses in Lakewood, Colorado, an infill project on reclaimed land. While still living in Colorado, she developed and taught teacher training programs in environmental education and served as architect in residence for the Colorado Arts Council and environmental design consultant for the Gifted and Talented Program of the Jefferson County School District. In 1988, Gayer relocated to Vermont to work as an associate architect at the University of Vermont.","Over the years, she has taught at Norwich University, the University of Vermont (UVM), and at the Yestermorrow Design/Build School in Waitsfield, Vermont. She also worked as architect, planner, and environmental designer at Diane Elliott Gayer Associates in Hinesburg, Vermont. From 1991-1997, Gayer served on the advisory board of the Vermont Design Institute (VDI), a non-profit design and community development collaborative based in Burlington, Vermont, that had grown out of an outreach effort of the Vermont Council on the Arts. From 1995 to 2016, she served as its director. As a teacher, she regularly pulled design problems and case studies from her work as a planner, and, conversely, would use student input and solutions to inform her approach to design. Many student projects and course materials make mention of VDI projects, like the Historic Main Street Study of St. Johnsbury or the Old Main building renovations at the UVM campus.","She's devoted her career to examining what architecture can do and to building a more sustainable future through community empowerment. She has worked as a teacher, organizer, volunteer, and advocate for sustainability and environmental awareness in design. Professionally, she has been active in many organizations, including Women in Design of the Built Environment (WIND), of which she was a founding member, the Colorado chapter of Women in Architecture, l'Union International des Femmes Architects (UIFA), and the American Institute of Architects (AIA), among others. She was selected as a consultant volunteer for Citizens Democracy Corps and spent a year in Yekaterinburg, Russia, working on curriculum development with and for the Urals Architecture Institute. Additionally, she's participated in, consulted on, and led many design charrettes and workshops.","She served as editor of and frequent contributor to the Vermont Design Quarterly, the quarterly publication of the Vermont Design Institute, from 1998-2001. She's written that she feels that the quarterly represents her \"work and vision as an architect and planner.\" Along with Jane Petrillo, she co-authored a monograph, also associated with VDI, called Groundswell, a 24 page large-format graphic publication focused on community planning and design.","Sources (other than the collection itself)","Gayer, Diane E. \"Reflections: Creating an Architectural Practice.\" In The Routledge Companion to Women in Architecture, edited by Anna Sokolina, 370-381. New York, NY: Routledge, 2021.","The guide to the Diane Elliot Gayer Architectural Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The majority of the processing, arrangement, and description of the Diane Elliott Gayer Architectural Papers was completed between August and November of 2021. The four folders in the original collection were processed in 2002.","An addition from early 2024 was processed and integrated by Jade Snelling in April 2025.","An oral history interview conducted by Jade Snelling with Gayer was made in 2021. Please contact the archives for access to the audio file and transcripts.","The Diane Elliott Gayer Architectural Papers span from roughly 1974 to 2016, and contain teaching materials, students' work, writings, correspondence, project documentation in the form of files, photographs, and rolled drawings, conference programs and other ephemera related to Gayer's professional engagement, charrette materials and reports, portfolios, and some office records.","Cuban photography show produced and curated by Diane Gayer; artists featured include Tomas Inda Berrera, Yadira Ismael Sotomayor, Nadieshda Inda Gonzalez, Alfredo Sarabia Fajardo","05401 is published by architect Louis Mannie Lionni. This issue anthologizes architects who've influenced him, including Diane Gayer (p. 76-77).","USB thumb drive contains roughly 506.1 Mb of folders and files cosisting of a mixture of electronic file formats, including .doc, .pdf, .jpg., .ppt, .html, and others. The contents of these files document the Vermont Design Institute's 2013 Living Place Competition, including graphics, calls for proposals, and presentations. Other files relate to an article Gayer wrote and illustrated about several projects she completed in Rwanda for a publication called VT Woman, while others consist of office and publicity materials for the Vermont Design Institute (abbreviated VDI in filenames).","Folders and files retain their original names at time of receipt, and all files have been backed up to the archives' servers. Inventory is top-level and does not include sub-directories, but does indicate when an object title refers to a folder or an individual file. Patrons may request access copies of all files by contacting Special Collections and University Archives.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Diane Elliott Gayer Architectural Papers contain teaching materials, students' work, writings, correspondence, project documentation in the form of files, photographs, and rolled drawings, conference programs and other ephemera related to Gayer's professional engagement, charrette materials and reports, portfolios, and some office records.","Special Collections and University Archives, Virginia Tech","Artemis Designs, Inc","Vermont Design Institute","Gayer, Diane Elliott","The materials in the collection are in English."],"collection_title_tesim":["Diane Elliott Gayer Architectural Papers,, 1974/2023"],"collection_ssim":["Diane Elliott Gayer Architectural Papers,, 1974/2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2002.045"],"unitid_tesim":["Ms.2002.045"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Gayer, Diane Elliott"],"creator_ssim":["Gayer, Diane Elliott"],"creator_persname_ssim":["Gayer, Diane Elliott"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Artemis Designs, Inc","Vermont Design Institute"],"creators_ssim":["Gayer, Diane Elliott","Special Collections and University Archives, Virginia Tech","Artemis Designs, Inc","Vermont Design Institute"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["Some materials were donated to Special Collections and University Archives by Diane Elliott Gayer in November 2002. The bulk of materials in this collection were donated in June 2019. A small addition was made in January 2024 by Diane Gayer."],"access_subjects_ssim":["Women -- History","Architects and community","International Archive of Women in Architecture (IAWA)"],"access_subjects_ssm":["Women -- History","Architects and community","International Archive of Women in Architecture (IAWA)"],"has_online_content_ssim":["false"],"extent_ssm":["20 Cubic Feet 10 standard file boxes, 1 half-document box, 3 flat file boxes, 11 telescoping boxes, and 2 oversized folders"],"extent_tesim":["20 Cubic Feet 10 standard file boxes, 1 half-document box, 3 flat file boxes, 11 telescoping boxes, and 2 oversized folders"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Diane Elliott Gayer architectural papers are arranged into five series, four of which are divided further into subseries. Within series and subseries files are arranged chronologically with some minor exceptions, where grouping together of files related to a particular project was prioritized. The series arrangement is as follows:\u003c/p\u003e","\u003cp\u003e\u003clist\u003e\n\u003citem\u003eI. Personal papers, 1974 - 2016, undated\u003c/item\u003e\u003cbr\u003e\n\u003citem\u003eII. Professional papers, 1981 - 2015, undated\u003c/item\u003e\u003cbr\u003e\n\u003citem\u003eIII. Faculty papers, 1970 - 2014\u003c/item\u003e\u003cbr\u003e\n\u003citem\u003eIV. Office records, 1980 - 2014\u003c/item\u003e\u003cbr\u003e\n\u003citem\u003eV. Project records, 1980 - 2013, undated\u003c/item\u003e\u003cbr\u003e\n\u003c/list\u003e\u003c/p\u003e  ","\u003cp\u003eThis series is arranged into several sub-series, as follows:\u003c/p\u003e","\u003cp\u003e\u003clist\u003e\n\u003citem\u003e\u003cemph render=\"bold\"\u003eA. Conferences, Workshops, and Associations, 1985 - 2014, undated\u003c/emph\u003e\u003c/item\u003e\u003cbr\u003e\n\u003citem\u003ei. Citizens Democracy Corps, 1981 - 1997, undated [1995-1996]\u003c/item\u003e\u003cbr\u003e\n\u003citem\u003eii. l'Union Internationale des Femmes Architectes (UIFA), 1984 - 2015\u003c/item\u003e\u003cbr\u003e\n\u003citem\u003eiii. World Summit on Sustainable Development, Johannesburg, South Africa, 2002 - 2005, undated\u003c/item\u003e\u003cbr\u003e\n\u003citem\u003e\u003cemph render=\"bold\"\u003eB. Writings, 1989 - 2013, undated\u003c/emph\u003e\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e","\u003cp\u003eThis series is arranged into several sub-series, as follows:\u003c/p\u003e","\u003cp\u003e\u003clist\u003e\n\u003citem\u003e\u003cemph render=\"bold\"\u003eA. K-12 school programs\u003c/emph\u003e\u003c/item\u003e\u003cbr\u003e\n\u003citem\u003e\u003cemph render=\"bold\"\u003eB. University courses and programs\u003c/emph\u003e\u003c/item\u003e\u003cbr\u003e\n\u003citem\u003e\u003cemph render=\"bold\"\u003eC. Students' work\u003c/emph\u003e\u003c/item\u003e\u003cbr\u003e\n\u003c/list\u003e\u003c/p\u003e","\u003cp\u003eRecords in this series are divided into files and rolled drawings, arranged chronologically by project.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The Diane Elliott Gayer architectural papers are arranged into five series, four of which are divided further into subseries. Within series and subseries files are arranged chronologically with some minor exceptions, where grouping together of files related to a particular project was prioritized. The series arrangement is as follows:","I. Personal papers, 1974 - 2016, undated\nII. Professional papers, 1981 - 2015, undated\nIII. Faculty papers, 1970 - 2014\nIV. Office records, 1980 - 2014\nV. Project records, 1980 - 2013, undated","This series is arranged into several sub-series, as follows:","A. Conferences, Workshops, and Associations, 1985 - 2014, undated\ni. Citizens Democracy Corps, 1981 - 1997, undated [1995-1996]\nii. l'Union Internationale des Femmes Architectes (UIFA), 1984 - 2015\niii. World Summit on Sustainable Development, Johannesburg, South Africa, 2002 - 2005, undated\nB. Writings, 1989 - 2013, undated","This series is arranged into several sub-series, as follows:","A. K-12 school programs\nB. University courses and programs\nC. Students' work","Records in this series are divided into files and rolled drawings, arranged chronologically by project."],"bioghist_html_tesm":["\u003cp\u003eBorn November 27, 1952, in Geneva, Switzerland, Diane Elliott Gayer is an architect, environmentally conscious designer, teacher, artist, and writer who has mostly practiced in the United States. From 1976 to 1979 Gayer attended a Masters in Architecture Program at the University of Colorado, Denver. There, she completed a thesis project proposing a mixed-use hospital expansion for the National Jewish Hospital-University of Colorado Medical Center complex. After graduating, she took a job at Marvin E. Knedler \u0026amp; Associates, and her work there led to other opportunities at the firms Duff, Reck, and Lehman Architects, and later at Michael Gaviglio \u0026amp; Associates. In 1983, she and her husband/business partner Geoff Kampe established their own practice, Artemis Designs, Inc., where they worked as a team to design the Left Bank Townhouses in Lakewood, Colorado, an infill project on reclaimed land. While still living in Colorado, she developed and taught teacher training programs in environmental education and served as architect in residence for the Colorado Arts Council and environmental design consultant for the Gifted and Talented Program of the Jefferson County School District. In 1988, Gayer relocated to Vermont to work as an associate architect at the University of Vermont.\u003c/p\u003e","\u003cp\u003eOver the years, she has taught at Norwich University, the University of Vermont (UVM), and at the Yestermorrow Design/Build School in Waitsfield, Vermont. She also worked as architect, planner, and environmental designer at Diane Elliott Gayer Associates in Hinesburg, Vermont. From 1991-1997, Gayer served on the advisory board of the Vermont Design Institute (VDI), a non-profit design and community development collaborative based in Burlington, Vermont, that had grown out of an outreach effort of the Vermont Council on the Arts. From 1995 to 2016, she served as its director. As a teacher, she regularly pulled design problems and case studies from her work as a planner, and, conversely, would use student input and solutions to inform her approach to design. Many student projects and course materials make mention of VDI projects, like the Historic Main Street Study of St. Johnsbury or the Old Main building renovations at the UVM campus. \u003c/p\u003e","\u003cp\u003eShe's devoted her career to examining what architecture can do and to building a more sustainable future through community empowerment. She has worked as a teacher, organizer, volunteer, and advocate for sustainability and environmental awareness in design. Professionally, she has been active in many organizations, including Women in Design of the Built Environment (WIND), of which she was a founding member, the Colorado chapter of Women in Architecture, l'Union International des Femmes Architects (UIFA), and the American Institute of Architects (AIA), among others. She was selected as a consultant volunteer for Citizens Democracy Corps and spent a year in Yekaterinburg, Russia, working on curriculum development with and for the Urals Architecture Institute. Additionally, she's participated in, consulted on, and led many design charrettes and workshops. \u003c/p\u003e","\u003cp\u003eShe served as editor of and frequent contributor to the Vermont Design Quarterly, the quarterly publication of the Vermont Design Institute, from 1998-2001. She's written that she feels that the quarterly represents her \"work and vision as an architect and planner.\" Along with Jane Petrillo, she co-authored a monograph, also associated with VDI, called \u003cemph render=\"italic\"\u003eGroundswell\u003c/emph\u003e, a 24 page large-format graphic publication focused on community planning and design.\u003c/p\u003e","\u003cp\u003e\nSources (other than the collection itself)\u003c/p\u003e","\u003cp\u003eGayer, Diane E. \"Reflections: Creating an Architectural Practice.\" In \u003cemph render=\"italic\"\u003eThe Routledge Companion to Women in Architecture\u003c/emph\u003e, edited by Anna Sokolina, 370-381. New York, NY: Routledge, 2021.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Born November 27, 1952, in Geneva, Switzerland, Diane Elliott Gayer is an architect, environmentally conscious designer, teacher, artist, and writer who has mostly practiced in the United States. From 1976 to 1979 Gayer attended a Masters in Architecture Program at the University of Colorado, Denver. There, she completed a thesis project proposing a mixed-use hospital expansion for the National Jewish Hospital-University of Colorado Medical Center complex. After graduating, she took a job at Marvin E. Knedler \u0026 Associates, and her work there led to other opportunities at the firms Duff, Reck, and Lehman Architects, and later at Michael Gaviglio \u0026 Associates. In 1983, she and her husband/business partner Geoff Kampe established their own practice, Artemis Designs, Inc., where they worked as a team to design the Left Bank Townhouses in Lakewood, Colorado, an infill project on reclaimed land. While still living in Colorado, she developed and taught teacher training programs in environmental education and served as architect in residence for the Colorado Arts Council and environmental design consultant for the Gifted and Talented Program of the Jefferson County School District. In 1988, Gayer relocated to Vermont to work as an associate architect at the University of Vermont.","Over the years, she has taught at Norwich University, the University of Vermont (UVM), and at the Yestermorrow Design/Build School in Waitsfield, Vermont. She also worked as architect, planner, and environmental designer at Diane Elliott Gayer Associates in Hinesburg, Vermont. From 1991-1997, Gayer served on the advisory board of the Vermont Design Institute (VDI), a non-profit design and community development collaborative based in Burlington, Vermont, that had grown out of an outreach effort of the Vermont Council on the Arts. From 1995 to 2016, she served as its director. As a teacher, she regularly pulled design problems and case studies from her work as a planner, and, conversely, would use student input and solutions to inform her approach to design. Many student projects and course materials make mention of VDI projects, like the Historic Main Street Study of St. Johnsbury or the Old Main building renovations at the UVM campus.","She's devoted her career to examining what architecture can do and to building a more sustainable future through community empowerment. She has worked as a teacher, organizer, volunteer, and advocate for sustainability and environmental awareness in design. Professionally, she has been active in many organizations, including Women in Design of the Built Environment (WIND), of which she was a founding member, the Colorado chapter of Women in Architecture, l'Union International des Femmes Architects (UIFA), and the American Institute of Architects (AIA), among others. She was selected as a consultant volunteer for Citizens Democracy Corps and spent a year in Yekaterinburg, Russia, working on curriculum development with and for the Urals Architecture Institute. Additionally, she's participated in, consulted on, and led many design charrettes and workshops.","She served as editor of and frequent contributor to the Vermont Design Quarterly, the quarterly publication of the Vermont Design Institute, from 1998-2001. She's written that she feels that the quarterly represents her \"work and vision as an architect and planner.\" Along with Jane Petrillo, she co-authored a monograph, also associated with VDI, called Groundswell, a 24 page large-format graphic publication focused on community planning and design.","Sources (other than the collection itself)","Gayer, Diane E. \"Reflections: Creating an Architectural Practice.\" In The Routledge Companion to Women in Architecture, edited by Anna Sokolina, 370-381. New York, NY: Routledge, 2021."],"odd_html_tesm":["\u003cp\u003eThe guide to the Diane Elliot Gayer Architectural Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Diane Elliot Gayer Architectural Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Diane Elliot Gayer Architectural Papers, Ms2002-045, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Diane Elliot Gayer Architectural Papers, Ms2002-045, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe majority of the processing, arrangement, and description of the Diane Elliott Gayer Architectural Papers was completed between August and November of 2021. The four folders in the original collection were processed in 2002. \u003c/p\u003e","\u003cp\u003eAn addition from early 2024 was processed and integrated by Jade Snelling in April 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The majority of the processing, arrangement, and description of the Diane Elliott Gayer Architectural Papers was completed between August and November of 2021. The four folders in the original collection were processed in 2002.","An addition from early 2024 was processed and integrated by Jade Snelling in April 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eAn oral history interview conducted by Jade Snelling with Gayer was made in 2021. Please contact the archives for access to the audio file and transcripts.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["An oral history interview conducted by Jade Snelling with Gayer was made in 2021. Please contact the archives for access to the audio file and transcripts."],"scopecontent_html_tesm":["\u003cp\u003eThe Diane Elliott Gayer Architectural Papers span from roughly 1974 to 2016, and contain teaching materials, students' work, writings, correspondence, project documentation in the form of files, photographs, and rolled drawings, conference programs and other ephemera related to Gayer's professional engagement, charrette materials and reports, portfolios, and some office records.\u003c/p\u003e  ","\u003cp\u003eCuban photography show produced and curated by Diane Gayer; artists featured include Tomas Inda Berrera, Yadira Ismael Sotomayor, Nadieshda Inda Gonzalez, Alfredo Sarabia Fajardo\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003e05401\u003c/emph\u003e is published by architect Louis Mannie Lionni. This issue anthologizes architects who've influenced him, including Diane Gayer (p. 76-77).\u003c/p\u003e","\u003cp\u003eUSB thumb drive contains roughly 506.1 Mb of folders and files cosisting of a mixture of electronic file formats, including .doc, .pdf, .jpg., .ppt, .html, and others. The contents of these files document the Vermont Design Institute's 2013 Living Place Competition, including graphics, calls for proposals, and presentations. Other files relate to an article Gayer wrote and illustrated about several projects she completed in Rwanda for a publication called \u003cemph render=\"italic\"\u003eVT Woman\u003c/emph\u003e, while others consist of office and publicity materials for the Vermont Design Institute (abbreviated VDI in filenames). \u003c/p\u003e","\u003cp\u003eFolders and files retain their original names at time of receipt, and all files have been backed up to the archives' servers. Inventory is top-level and does not include sub-directories, but does indicate when an object title refers to a folder or an individual file. Patrons may request access copies of all files by contacting Special Collections and University Archives.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Diane Elliott Gayer Architectural Papers span from roughly 1974 to 2016, and contain teaching materials, students' work, writings, correspondence, project documentation in the form of files, photographs, and rolled drawings, conference programs and other ephemera related to Gayer's professional engagement, charrette materials and reports, portfolios, and some office records.","Cuban photography show produced and curated by Diane Gayer; artists featured include Tomas Inda Berrera, Yadira Ismael Sotomayor, Nadieshda Inda Gonzalez, Alfredo Sarabia Fajardo","05401 is published by architect Louis Mannie Lionni. This issue anthologizes architects who've influenced him, including Diane Gayer (p. 76-77).","USB thumb drive contains roughly 506.1 Mb of folders and files cosisting of a mixture of electronic file formats, including .doc, .pdf, .jpg., .ppt, .html, and others. The contents of these files document the Vermont Design Institute's 2013 Living Place Competition, including graphics, calls for proposals, and presentations. Other files relate to an article Gayer wrote and illustrated about several projects she completed in Rwanda for a publication called VT Woman, while others consist of office and publicity materials for the Vermont Design Institute (abbreviated VDI in filenames).","Folders and files retain their original names at time of receipt, and all files have been backed up to the archives' servers. Inventory is top-level and does not include sub-directories, but does indicate when an object title refers to a folder or an individual file. Patrons may request access copies of all files by contacting Special Collections and University Archives."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_19c7dda76060bec1ea70c89d8762150d\"\u003eThe Diane Elliott Gayer Architectural Papers contain teaching materials, students' work, writings, correspondence, project documentation in the form of files, photographs, and rolled drawings, conference programs and other ephemera related to Gayer's professional engagement, charrette materials and reports, portfolios, and some office records.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Diane Elliott Gayer Architectural Papers contain teaching materials, students' work, writings, correspondence, project documentation in the form of files, photographs, and rolled drawings, conference programs and other ephemera related to Gayer's professional engagement, charrette materials and reports, portfolios, and some office records."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Artemis Designs, Inc","Vermont Design Institute"],"names_coll_ssim":["Artemis Designs, Inc","Vermont Design Institute","Gayer, Diane Elliott"],"persname_ssim":["Gayer, Diane Elliott"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Artemis Designs, Inc","Vermont Design Institute","Gayer, Diane Elliott"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":415,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:46:42.574Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2230"}},{"id":"viblbv_repositories_2_resources_2863","type":"collection","attributes":{"title":"Dorothee Stelzer King Architectural Collection, 1950/2018","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2863#creator","type":"document_value","attributes":{"value":"King, Dorothée","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2863#abstract_or_scope","type":"document_value","attributes":{"value":"Born in Berlin, Germany. Dorothee Stelzer King is an architect and professor who has practiced in Germany, the United States, and the Bahamas. The collection consists of material (drawings, presentation boards, photographs, and printed material) created and accumulated by King as a student and during her professional career. Some examples include: her award-winning student project of creating a flexible and transportable exhibition hall and her project work for the Government of the Bahamas. Materials in this collection range in date from 1950-2008.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2863#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2863","ead_ssi":"viblbv_repositories_2_resources_2863","_root_":"viblbv_repositories_2_resources_2863","_nest_parent_":"viblbv_repositories_2_resources_2863","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2863.xml","title_filing_ssi":"King, Dorothee Stelzer, Architectural Collection","title_ssm":["Dorothee Stelzer King Architectural Collection"],"title_tesim":["Dorothee Stelzer King Architectural Collection"],"unitdate_ssm":["1950-2018"],"unitdate_inclusive_ssm":["1950-2018"],"normalized_date_ssm":["1950/2018"],"normalized_title_ssm":["Dorothee Stelzer King Architectural Collection, 1950/2018"],"text":["Dorothee Stelzer King Architectural Collection, 1950/2018","Ms.2013.023","Women -- History","International Archive of Women in Architecture (IAWA)","Architects","Architecture (discipline)","Architectural drawings (visual works)","Collection is open for research.","Born in Berlin, Germany. King is an architect and professor who has practiced in Germany, the United States, and the Bahamas. She graduated from the Hochschule fur Bildende Kunste (HBK) with the title 'Diplom Architect HBK Berlin' in 1962. Upon graduating from HBK she worked for two years (1962-1964) in the architectural office of Dipl. Ing. Hilde Westrom, one of the few independently working women architects in Berlin. King would go on to receive the Airlift Memorial Scholarship and Fulbright Travel Grant allowing her to study under Louis I. Kahn in his Master Studio at the University of Pennsylvania (1965-1967). Her experiences with Kahn would greatly influence her own style of teaching at the Pratt Institute School of Architecture (1969-1981) and other organizations.","King and her husband, fellow architect Douglas King, were offered the opportunity to work as architects with the Government of the Bahamas in Nassau (1981-1985). There she primarily worked on projects for the Ministries of Health and Housing including: public rental units with a senior citizen complex, design for a high school library in Cooperstown, and as project architect and head construction supervisor for the Bahamas Nursing School.  1985-1991 saw King commuting between New York, Nassau, and Florida as she finished supervising the Bahamas Nursing School and partnered with her husband on a design-build company called Kingston Homes in West Palm Beach, Florida.  Shortly after returning to New York full-time (1991) King began teaching at several New York institutions and public schools within the city (1993-2008).","The processing, arrangement, and description of the Dorothee Stelzer King Architectural Collection was completed in May 2013. Additional donations processed in September 2021.","The collection consists of material created and accumulated by King during the course of her days as a student and her professional career. This material primarily comprises drawings, presentation boards, photographs, and printed material related to various design projects undertaken by King during the time period 1957 to 1988. Also included within the collection is a detailed biographical narrative written by King describing the trajectory of her career and a family history and genealogy titled From the Basilius, Gersdorff and Horn Families to the King, Kruppa and Stelzer Families, also written by King.","This subseries consists of Dorothee S. King's personal documents, school reports, drawings, and notes on projects relating to her at Hochschule fur Bildende Kunste (HBK) and the University of Pennsylvania.","Materials present include a project description, 2 model photographs, 1 set of photographic reductions of the model, 1 set of slides of the drawings and model, along with a publication \"ars viva 62\" featuring the project.  Drawings include: 7 original ink drawings on board and transparent paper and 2 blueprints.","2 original ink drawings on board and transparent paper.","9 original ink drawings in transparent paper.","7 original ink drawings on transparent paper.","Several serial and standalone German publications on architecture and architects. Some publications likely belonged to King's mother, Gudrun Horn (Stelzer), who was studying architecture when she met King's father, Gerhard Stelzer. She resumed her studies in the late 1940s after divorcing Stelzer, at which time she reverted to her maiden name, Horn. [Source: Dorothee Stelzer King's family history, Box 1, Folder 3, Dorothee Stelzer King Architectural Collection, Ms2013-023]","Builder: Monthly journal of architectural culture and practice [two issues]","International Building Exhibition Berlin: Reconstruction of the Hansa neighborhood (West) Berlin [two issues]; King won second prize for a student project conpetition associated with the exhibition","Serial publication on architecture, construction technology and industry[5 issues]","Reconstruction of the Helgoland Archipelago","Work and Time [two issues]: \"From the 1920s: An Inheritance and Its Heirs,\" and \"Form and Formalism\"","2 hand colored presentation drawings on prints.","3 original construction drawings, pencil on vellum.","2 hand colored original presentation drawings on board.","Tusculum Plantation, New Providence, Bahamas Illustrations - Recorded and Drawn by Dorothee Stelzer King","Figure Number Followed by Subject and Description\n1.1 Map of the Bahamas\n1.2 Map of New Providence; Tusculum is located on the northwest coastline\n3.1 Map pre-dating recent subdivisions that occurred circa 1985. The map shows the Tusculum site located on the northern coastline of New Providence and its relationship to adjacent areas and topography. A curved road leads to the ruin complex situated at the top of the ridge\n3.3 Cross section of the Gambier Ridge at the Tusculum site\n3.8 Site plan of the Ruin Complex showing Ruin A on the summit of the ridge, and the locations Ruins B, C, D and F. Also shown are three wells and the old roadway in dotted lines\n3.10 Ruin A: Axonometric View as it appeared at the time of the survey. The north facade with the entrance and the north terrace are in the foreground\n3.25 Ruin A: Wall Plan at the time of the survey.\n3.26 Ruin A: North-South Section through the Ruin\n3.27 Ruin A: North Elevation\n3.28 Ruin A: South Elevation\n3.29 Ruin A: East Elevation\n3.30 Ruin A: West Elevation\n3.31 Ruin A: Typical Wall Section with Window Opening\n3.32 Ruin A: Typical Wall Section through Cellar Window\n3.34 Ruin B: Axonometric View of the Ruin at the time of the survey. In the foreground, attached to the eastern wall, is a small addition. The wall shown collapsed and faces Ruin A.\n3.35 Ruin B: Wall Plan\n3.36 Ruin B: West Elevation\n3.37 Ruin B: East Elevation\n3.38 Ruin B: North Elevation\n3.39 Ruin B: South Elevation\n3.40 Ruin C: Axonometric View of the Ruin at the time of the survey. The front elevation with three doors and a window faces east and the Main House, Ruin A. In the foreground, to the right, are the remains of the fireplace. The rear wall, to the west, has collapsed to its foundations.\n3.41 Ruin C: Wall Plan\n3.42 Ruin C: North Elevation\n3.43 Ruin C: South Elevation\n3.44 Ruin C: East Elevation\n3.45 Ruin C: West Elevation","One copy of description and a documentation report titled\"Ten Small Houses in Grants Town, Nassau, Bahamas,\" April 2014","Original report, printed text with hand drawn icon diagrams for the documentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas\"","Original report drawings on transparent paper of houses(site plans, floor plans, sections and elevations) for the documentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas\".","Hand written notes and first hard line draft drawings for the\ndocumentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas\"","Original field notes, sketches and resident interviews(1983-1984) for the documentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas.\"","Original field notes, sketches and resident interviews(1983-1984) for the documentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas.\"","Photographic negatives of houses analyzed for the documentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas\"","Corespendence and meeting records, 1980-1985","Introduction for Louis I. Kahn for a Talk He Gave at Pratt, 1973","General class talk, introduction to Amerinds, Pueblo Lecture #1, Puebloe Lecture #2 (in depth), Seminar outline: plazas and countryards, maps","Amerinds Slides Records of Lectures","Pueblo Reports, The Navajo Hogan and Eskmo Dwellings, 1978","Pueblo Settlement Patterns, notes and discussions, general and details, 1978","Pueblo Seminar, May 1978","American Pueblo Lecture Materials, Notes, Semi-final, 1978","Course Outline and Class Schedule","Hand Wrriten Course Notes","Housing Design Studio Notes","Class List and Course Information","Permission to publish material from Dorothee Stelzer King Architectural Collection must be obtained from Special Collections, Virginia Tech.","Born in Berlin, Germany. Dorothee Stelzer King is an architect and professor who has practiced in Germany, the United States, and the Bahamas. The collection consists of material (drawings, presentation boards, photographs, and printed material) created and accumulated by King as a student and during her professional career. Some examples include: her award-winning student project of creating a flexible and transportable exhibition hall and her project work for the Government of the Bahamas. Materials in this collection range in date from 1950-2008.","Special Collections and University Archives, Virginia Tech","King, Dorothée","Material is in English and German."],"collection_title_tesim":["Dorothee Stelzer King Architectural Collection, 1950/2018"],"collection_ssim":["Dorothee Stelzer King Architectural Collection, 1950/2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2013.023"],"unitid_tesim":["Ms.2013.023"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["King, Dorothée"],"creator_ssim":["King, Dorothée"],"creator_persname_ssim":["King, Dorothée"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["King, Dorothée","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from Dorothee Stelzer King Architectural Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The Dorothee Stelzer King Architectural Collection was donated to Special Collections in December 2008."],"access_subjects_ssim":["Women -- History","International Archive of Women in Architecture (IAWA)","Architects","Architecture (discipline)","Architectural drawings (visual works)"],"access_subjects_ssm":["Women -- History","International Archive of Women in Architecture (IAWA)","Architects","Architecture (discipline)","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["6.92 Cubic Feet 6 boxes; 6 oversize folders"],"extent_tesim":["6.92 Cubic Feet 6 boxes; 6 oversize folders"],"genreform_ssim":["Architecture (discipline)","Architectural drawings (visual works)"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eBorn in Berlin, Germany. King is an architect and professor who has practiced in Germany, the United States, and the Bahamas. She graduated from the Hochschule fur Bildende Kunste (HBK) with the title 'Diplom Architect HBK Berlin' in 1962. Upon graduating from HBK she worked for two years (1962-1964) in the architectural office of Dipl. Ing. \u003cextref actuate=\"onRequest\" href=\"http://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv00140.xml\" title=\"Hilde Westrom\"\u003eHilde Westrom\u003c/extref\u003e, one of the few independently working women architects in Berlin. King would go on to receive the Airlift Memorial Scholarship and Fulbright Travel Grant allowing her to study under Louis I. Kahn in his Master Studio at the University of Pennsylvania (1965-1967). Her experiences with Kahn would greatly influence her own style of teaching at the Pratt Institute School of Architecture (1969-1981) and other organizations. \u003c/p\u003e","\u003cp\u003eKing and her husband, fellow architect Douglas King, were offered the opportunity to work as architects with the Government of the Bahamas in Nassau (1981-1985). There she primarily worked on projects for the Ministries of Health and Housing including: public rental units with a senior citizen complex, design for a high school library in Cooperstown, and as project architect and head construction supervisor for the Bahamas Nursing School.  1985-1991 saw King commuting between New York, Nassau, and Florida as she finished supervising the Bahamas Nursing School and partnered with her husband on a design-build company called Kingston Homes in West Palm Beach, Florida.  Shortly after returning to New York full-time (1991) King began teaching at several New York institutions and public schools within the city (1993-2008). \n \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Born in Berlin, Germany. King is an architect and professor who has practiced in Germany, the United States, and the Bahamas. She graduated from the Hochschule fur Bildende Kunste (HBK) with the title 'Diplom Architect HBK Berlin' in 1962. Upon graduating from HBK she worked for two years (1962-1964) in the architectural office of Dipl. Ing. Hilde Westrom, one of the few independently working women architects in Berlin. King would go on to receive the Airlift Memorial Scholarship and Fulbright Travel Grant allowing her to study under Louis I. Kahn in his Master Studio at the University of Pennsylvania (1965-1967). Her experiences with Kahn would greatly influence her own style of teaching at the Pratt Institute School of Architecture (1969-1981) and other organizations.","King and her husband, fellow architect Douglas King, were offered the opportunity to work as architects with the Government of the Bahamas in Nassau (1981-1985). There she primarily worked on projects for the Ministries of Health and Housing including: public rental units with a senior citizen complex, design for a high school library in Cooperstown, and as project architect and head construction supervisor for the Bahamas Nursing School.  1985-1991 saw King commuting between New York, Nassau, and Florida as she finished supervising the Bahamas Nursing School and partnered with her husband on a design-build company called Kingston Homes in West Palm Beach, Florida.  Shortly after returning to New York full-time (1991) King began teaching at several New York institutions and public schools within the city (1993-2008)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Dorothee Stelzer King Architectural Collection Ms2013-023, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Dorothee Stelzer King Architectural Collection Ms2013-023, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Dorothee Stelzer King Architectural Collection was completed in May 2013. Additional donations processed in September 2021.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Dorothee Stelzer King Architectural Collection was completed in May 2013. Additional donations processed in September 2021."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of material created and accumulated by King during the course of her days as a student and her professional career. This material primarily comprises drawings, presentation boards, photographs, and printed material related to various design projects undertaken by King during the time period 1957 to 1988. Also included within the collection is a detailed biographical narrative written by King describing the trajectory of her career and a family history and genealogy titled \u003ctitle render=\"doublequote\"\u003eFrom the Basilius, Gersdorff and Horn Families to the King, Kruppa and Stelzer Families\u003c/title\u003e, also written by King.\u003c/p\u003e  ","\u003cp\u003eThis subseries consists of Dorothee S. King's personal documents, school reports, drawings, and notes on projects relating to her at Hochschule fur Bildende Kunste (HBK) and the University of Pennsylvania.\u003c/p\u003e","\u003cp\u003eMaterials present include a project description, 2 model photographs, 1 set of photographic reductions of the model, 1 set of slides of the drawings and model, along with a publication \"ars viva 62\" featuring the project.  Drawings include: 7 original ink drawings on board and transparent paper and 2 blueprints.\u003c/p\u003e","\u003cp\u003e2 original ink drawings on board and transparent paper.\u003c/p\u003e","\u003cp\u003e9 original ink drawings in transparent paper.\u003c/p\u003e","\u003cp\u003e7 original ink drawings on transparent paper.\u003c/p\u003e","\u003cp\u003eSeveral serial and standalone German publications on architecture and architects. Some publications likely belonged to King's mother, Gudrun Horn (Stelzer), who was studying architecture when she met King's father, Gerhard Stelzer. She resumed her studies in the late 1940s after divorcing Stelzer, at which time she reverted to her maiden name, Horn. [Source: Dorothee Stelzer King's family history, Box 1, Folder 3, Dorothee Stelzer King Architectural Collection, Ms2013-023]\u003c/p\u003e","\u003cp\u003eBuilder: Monthly journal of architectural culture and practice [two issues]\u003c/p\u003e","\u003cp\u003eInternational Building Exhibition Berlin: Reconstruction of the Hansa neighborhood (West) Berlin [two issues]; King won second prize for a student project conpetition associated with the exhibition\u003c/p\u003e","\u003cp\u003eSerial publication on architecture, construction technology and industry[5 issues]\u003c/p\u003e","\u003cp\u003eReconstruction of the Helgoland Archipelago\u003c/p\u003e","\u003cp\u003eWork and Time [two issues]: \"From the 1920s: An Inheritance and Its Heirs,\" and \"Form and Formalism\"\u003c/p\u003e","\u003cp\u003e2 hand colored presentation drawings on prints.\u003c/p\u003e","\u003cp\u003e3 original construction drawings, pencil on vellum.\u003c/p\u003e","\u003cp\u003e2 hand colored original presentation drawings on board.\u003c/p\u003e","\u003cp\u003eTusculum Plantation, New Providence, Bahamas Illustrations - Recorded and Drawn by Dorothee Stelzer King\u003c/p\u003e","\u003cp\u003eFigure Number Followed by Subject and Description\u003cbr\u003e\n1.1 Map of the Bahamas\u003cbr\u003e\n1.2 Map of New Providence; Tusculum is located on the northwest coastline\u003cbr\u003e\n3.1 Map pre-dating recent subdivisions that occurred circa 1985. The map shows the Tusculum site located on the northern coastline of New Providence and its relationship to adjacent areas and topography. A curved road leads to the ruin complex situated at the top of the ridge\u003cbr\u003e\n3.3 Cross section of the Gambier Ridge at the Tusculum site\u003cbr\u003e\n3.8 Site plan of the Ruin Complex showing Ruin A on the summit of the ridge, and the locations Ruins B, C, D and F. Also shown are three wells and the old roadway in dotted lines\u003cbr\u003e\n3.10 Ruin A: Axonometric View as it appeared at the time of the survey. The north facade with the entrance and the north terrace are in the foreground\u003cbr\u003e\n3.25 Ruin A: Wall Plan at the time of the survey.\u003cbr\u003e\n3.26 Ruin A: North-South Section through the Ruin\u003cbr\u003e\n3.27 Ruin A: North Elevation\u003cbr\u003e\n3.28 Ruin A: South Elevation\u003cbr\u003e\n3.29 Ruin A: East Elevation\u003cbr\u003e\n3.30 Ruin A: West Elevation\u003cbr\u003e\n3.31 Ruin A: Typical Wall Section with Window Opening\u003cbr\u003e\n3.32 Ruin A: Typical Wall Section through Cellar Window\n3.34 Ruin B: Axonometric View of the Ruin at the time of the survey. In the foreground, attached to the eastern wall, is a small addition. The wall shown collapsed and faces Ruin A.\u003cbr\u003e\n3.35 Ruin B: Wall Plan\u003cbr\u003e\n3.36 Ruin B: West Elevation\u003cbr\u003e\n3.37 Ruin B: East Elevation\u003cbr\u003e\n3.38 Ruin B: North Elevation\u003cbr\u003e\n3.39 Ruin B: South Elevation\u003cbr\u003e\n3.40 Ruin C: Axonometric View of the Ruin at the time of the survey. The front elevation with three doors and a window faces east and the Main House, Ruin A. In the foreground, to the right, are the remains of the fireplace. The rear wall, to the west, has collapsed to its foundations.\u003cbr\u003e\n3.41 Ruin C: Wall Plan\u003cbr\u003e\n3.42 Ruin C: North Elevation\u003cbr\u003e\n3.43 Ruin C: South Elevation\u003cbr\u003e\n3.44 Ruin C: East Elevation\u003cbr\u003e\n3.45 Ruin C: West Elevation\u003cbr\u003e\u003c/p\u003e","\u003cp\u003eOne copy of description and a documentation report titled\"Ten Small Houses in Grants Town, Nassau, Bahamas,\" April 2014\u003c/p\u003e","\u003cp\u003eOriginal report, printed text with hand drawn icon diagrams for the documentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas\"\u003c/p\u003e","\u003cp\u003eOriginal report drawings on transparent paper of houses(site plans, floor plans, sections and elevations) for the documentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas\".\u003c/p\u003e","\u003cp\u003eHand written notes and first hard line draft drawings for the\ndocumentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas\"\u003c/p\u003e","\u003cp\u003eOriginal field notes, sketches and resident interviews(1983-1984) for the documentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas.\"\u003c/p\u003e","\u003cp\u003eOriginal field notes, sketches and resident interviews(1983-1984) for the documentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas.\"\u003c/p\u003e","\u003cp\u003ePhotographic negatives of houses analyzed for the documentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas\"\u003c/p\u003e","\u003cp\u003eCorespendence and meeting records, 1980-1985\u003c/p\u003e","\u003cp\u003eIntroduction for Louis I. Kahn for a Talk He Gave at Pratt, 1973\u003c/p\u003e","\u003cp\u003eGeneral class talk, introduction to Amerinds, Pueblo Lecture #1, Puebloe Lecture #2 (in depth), Seminar outline: plazas and countryards, maps\u003c/p\u003e","\u003cp\u003eAmerinds Slides Records of Lectures\u003c/p\u003e","\u003cp\u003ePueblo Reports, The Navajo Hogan and Eskmo Dwellings, 1978\u003c/p\u003e","\u003cp\u003ePueblo Settlement Patterns, notes and discussions, general and details, 1978\u003c/p\u003e","\u003cp\u003ePueblo Seminar, May 1978\u003c/p\u003e","\u003cp\u003eAmerican Pueblo Lecture Materials, Notes, Semi-final, 1978\u003c/p\u003e","\u003cp\u003eCourse Outline and Class Schedule\u003c/p\u003e","\u003cp\u003eHand Wrriten Course Notes\u003c/p\u003e","\u003cp\u003eHousing Design Studio Notes\u003c/p\u003e","\u003cp\u003eClass List and Course Information\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection consists of material created and accumulated by King during the course of her days as a student and her professional career. This material primarily comprises drawings, presentation boards, photographs, and printed material related to various design projects undertaken by King during the time period 1957 to 1988. Also included within the collection is a detailed biographical narrative written by King describing the trajectory of her career and a family history and genealogy titled From the Basilius, Gersdorff and Horn Families to the King, Kruppa and Stelzer Families, also written by King.","This subseries consists of Dorothee S. King's personal documents, school reports, drawings, and notes on projects relating to her at Hochschule fur Bildende Kunste (HBK) and the University of Pennsylvania.","Materials present include a project description, 2 model photographs, 1 set of photographic reductions of the model, 1 set of slides of the drawings and model, along with a publication \"ars viva 62\" featuring the project.  Drawings include: 7 original ink drawings on board and transparent paper and 2 blueprints.","2 original ink drawings on board and transparent paper.","9 original ink drawings in transparent paper.","7 original ink drawings on transparent paper.","Several serial and standalone German publications on architecture and architects. Some publications likely belonged to King's mother, Gudrun Horn (Stelzer), who was studying architecture when she met King's father, Gerhard Stelzer. She resumed her studies in the late 1940s after divorcing Stelzer, at which time she reverted to her maiden name, Horn. [Source: Dorothee Stelzer King's family history, Box 1, Folder 3, Dorothee Stelzer King Architectural Collection, Ms2013-023]","Builder: Monthly journal of architectural culture and practice [two issues]","International Building Exhibition Berlin: Reconstruction of the Hansa neighborhood (West) Berlin [two issues]; King won second prize for a student project conpetition associated with the exhibition","Serial publication on architecture, construction technology and industry[5 issues]","Reconstruction of the Helgoland Archipelago","Work and Time [two issues]: \"From the 1920s: An Inheritance and Its Heirs,\" and \"Form and Formalism\"","2 hand colored presentation drawings on prints.","3 original construction drawings, pencil on vellum.","2 hand colored original presentation drawings on board.","Tusculum Plantation, New Providence, Bahamas Illustrations - Recorded and Drawn by Dorothee Stelzer King","Figure Number Followed by Subject and Description\n1.1 Map of the Bahamas\n1.2 Map of New Providence; Tusculum is located on the northwest coastline\n3.1 Map pre-dating recent subdivisions that occurred circa 1985. The map shows the Tusculum site located on the northern coastline of New Providence and its relationship to adjacent areas and topography. A curved road leads to the ruin complex situated at the top of the ridge\n3.3 Cross section of the Gambier Ridge at the Tusculum site\n3.8 Site plan of the Ruin Complex showing Ruin A on the summit of the ridge, and the locations Ruins B, C, D and F. Also shown are three wells and the old roadway in dotted lines\n3.10 Ruin A: Axonometric View as it appeared at the time of the survey. The north facade with the entrance and the north terrace are in the foreground\n3.25 Ruin A: Wall Plan at the time of the survey.\n3.26 Ruin A: North-South Section through the Ruin\n3.27 Ruin A: North Elevation\n3.28 Ruin A: South Elevation\n3.29 Ruin A: East Elevation\n3.30 Ruin A: West Elevation\n3.31 Ruin A: Typical Wall Section with Window Opening\n3.32 Ruin A: Typical Wall Section through Cellar Window\n3.34 Ruin B: Axonometric View of the Ruin at the time of the survey. In the foreground, attached to the eastern wall, is a small addition. The wall shown collapsed and faces Ruin A.\n3.35 Ruin B: Wall Plan\n3.36 Ruin B: West Elevation\n3.37 Ruin B: East Elevation\n3.38 Ruin B: North Elevation\n3.39 Ruin B: South Elevation\n3.40 Ruin C: Axonometric View of the Ruin at the time of the survey. The front elevation with three doors and a window faces east and the Main House, Ruin A. In the foreground, to the right, are the remains of the fireplace. The rear wall, to the west, has collapsed to its foundations.\n3.41 Ruin C: Wall Plan\n3.42 Ruin C: North Elevation\n3.43 Ruin C: South Elevation\n3.44 Ruin C: East Elevation\n3.45 Ruin C: West Elevation","One copy of description and a documentation report titled\"Ten Small Houses in Grants Town, Nassau, Bahamas,\" April 2014","Original report, printed text with hand drawn icon diagrams for the documentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas\"","Original report drawings on transparent paper of houses(site plans, floor plans, sections and elevations) for the documentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas\".","Hand written notes and first hard line draft drawings for the\ndocumentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas\"","Original field notes, sketches and resident interviews(1983-1984) for the documentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas.\"","Original field notes, sketches and resident interviews(1983-1984) for the documentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas.\"","Photographic negatives of houses analyzed for the documentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas\"","Corespendence and meeting records, 1980-1985","Introduction for Louis I. Kahn for a Talk He Gave at Pratt, 1973","General class talk, introduction to Amerinds, Pueblo Lecture #1, Puebloe Lecture #2 (in depth), Seminar outline: plazas and countryards, maps","Amerinds Slides Records of Lectures","Pueblo Reports, The Navajo Hogan and Eskmo Dwellings, 1978","Pueblo Settlement Patterns, notes and discussions, general and details, 1978","Pueblo Seminar, May 1978","American Pueblo Lecture Materials, Notes, Semi-final, 1978","Course Outline and Class Schedule","Hand Wrriten Course Notes","Housing Design Studio Notes","Class List and Course Information"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Dorothee Stelzer King Architectural Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Dorothee Stelzer King Architectural Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_948bcc29da18f2208d2d64a12e44e0be\" label=\"Abstract\"\u003eBorn in Berlin, Germany. Dorothee Stelzer King is an architect and professor who has practiced in Germany, the United States, and the Bahamas. The collection consists of material (drawings, presentation boards, photographs, and printed material) created and accumulated by King as a student and during her professional career. Some examples include: her award-winning student project of creating a flexible and transportable exhibition hall and her project work for the Government of the Bahamas. Materials in this collection range in date from 1950-2008.\u003c/abstract\u003e\n    "],"abstract_tesim":["Born in Berlin, Germany. Dorothee Stelzer King is an architect and professor who has practiced in Germany, the United States, and the Bahamas. The collection consists of material (drawings, presentation boards, photographs, and printed material) created and accumulated by King as a student and during her professional career. Some examples include: her award-winning student project of creating a flexible and transportable exhibition hall and her project work for the Government of the Bahamas. Materials in this collection range in date from 1950-2008."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["King, Dorothée"],"names_ssim":["Special Collections and University Archives, Virginia Tech","King, Dorothée"],"language_ssim":["Material is in English and German."],"total_component_count_is":168,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:47:53.929Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2863","ead_ssi":"viblbv_repositories_2_resources_2863","_root_":"viblbv_repositories_2_resources_2863","_nest_parent_":"viblbv_repositories_2_resources_2863","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2863.xml","title_filing_ssi":"King, Dorothee Stelzer, Architectural Collection","title_ssm":["Dorothee Stelzer King Architectural Collection"],"title_tesim":["Dorothee Stelzer King Architectural Collection"],"unitdate_ssm":["1950-2018"],"unitdate_inclusive_ssm":["1950-2018"],"normalized_date_ssm":["1950/2018"],"normalized_title_ssm":["Dorothee Stelzer King Architectural Collection, 1950/2018"],"text":["Dorothee Stelzer King Architectural Collection, 1950/2018","Ms.2013.023","Women -- History","International Archive of Women in Architecture (IAWA)","Architects","Architecture (discipline)","Architectural drawings (visual works)","Collection is open for research.","Born in Berlin, Germany. King is an architect and professor who has practiced in Germany, the United States, and the Bahamas. She graduated from the Hochschule fur Bildende Kunste (HBK) with the title 'Diplom Architect HBK Berlin' in 1962. Upon graduating from HBK she worked for two years (1962-1964) in the architectural office of Dipl. Ing. Hilde Westrom, one of the few independently working women architects in Berlin. King would go on to receive the Airlift Memorial Scholarship and Fulbright Travel Grant allowing her to study under Louis I. Kahn in his Master Studio at the University of Pennsylvania (1965-1967). Her experiences with Kahn would greatly influence her own style of teaching at the Pratt Institute School of Architecture (1969-1981) and other organizations.","King and her husband, fellow architect Douglas King, were offered the opportunity to work as architects with the Government of the Bahamas in Nassau (1981-1985). There she primarily worked on projects for the Ministries of Health and Housing including: public rental units with a senior citizen complex, design for a high school library in Cooperstown, and as project architect and head construction supervisor for the Bahamas Nursing School.  1985-1991 saw King commuting between New York, Nassau, and Florida as she finished supervising the Bahamas Nursing School and partnered with her husband on a design-build company called Kingston Homes in West Palm Beach, Florida.  Shortly after returning to New York full-time (1991) King began teaching at several New York institutions and public schools within the city (1993-2008).","The processing, arrangement, and description of the Dorothee Stelzer King Architectural Collection was completed in May 2013. Additional donations processed in September 2021.","The collection consists of material created and accumulated by King during the course of her days as a student and her professional career. This material primarily comprises drawings, presentation boards, photographs, and printed material related to various design projects undertaken by King during the time period 1957 to 1988. Also included within the collection is a detailed biographical narrative written by King describing the trajectory of her career and a family history and genealogy titled From the Basilius, Gersdorff and Horn Families to the King, Kruppa and Stelzer Families, also written by King.","This subseries consists of Dorothee S. King's personal documents, school reports, drawings, and notes on projects relating to her at Hochschule fur Bildende Kunste (HBK) and the University of Pennsylvania.","Materials present include a project description, 2 model photographs, 1 set of photographic reductions of the model, 1 set of slides of the drawings and model, along with a publication \"ars viva 62\" featuring the project.  Drawings include: 7 original ink drawings on board and transparent paper and 2 blueprints.","2 original ink drawings on board and transparent paper.","9 original ink drawings in transparent paper.","7 original ink drawings on transparent paper.","Several serial and standalone German publications on architecture and architects. Some publications likely belonged to King's mother, Gudrun Horn (Stelzer), who was studying architecture when she met King's father, Gerhard Stelzer. She resumed her studies in the late 1940s after divorcing Stelzer, at which time she reverted to her maiden name, Horn. [Source: Dorothee Stelzer King's family history, Box 1, Folder 3, Dorothee Stelzer King Architectural Collection, Ms2013-023]","Builder: Monthly journal of architectural culture and practice [two issues]","International Building Exhibition Berlin: Reconstruction of the Hansa neighborhood (West) Berlin [two issues]; King won second prize for a student project conpetition associated with the exhibition","Serial publication on architecture, construction technology and industry[5 issues]","Reconstruction of the Helgoland Archipelago","Work and Time [two issues]: \"From the 1920s: An Inheritance and Its Heirs,\" and \"Form and Formalism\"","2 hand colored presentation drawings on prints.","3 original construction drawings, pencil on vellum.","2 hand colored original presentation drawings on board.","Tusculum Plantation, New Providence, Bahamas Illustrations - Recorded and Drawn by Dorothee Stelzer King","Figure Number Followed by Subject and Description\n1.1 Map of the Bahamas\n1.2 Map of New Providence; Tusculum is located on the northwest coastline\n3.1 Map pre-dating recent subdivisions that occurred circa 1985. The map shows the Tusculum site located on the northern coastline of New Providence and its relationship to adjacent areas and topography. A curved road leads to the ruin complex situated at the top of the ridge\n3.3 Cross section of the Gambier Ridge at the Tusculum site\n3.8 Site plan of the Ruin Complex showing Ruin A on the summit of the ridge, and the locations Ruins B, C, D and F. Also shown are three wells and the old roadway in dotted lines\n3.10 Ruin A: Axonometric View as it appeared at the time of the survey. The north facade with the entrance and the north terrace are in the foreground\n3.25 Ruin A: Wall Plan at the time of the survey.\n3.26 Ruin A: North-South Section through the Ruin\n3.27 Ruin A: North Elevation\n3.28 Ruin A: South Elevation\n3.29 Ruin A: East Elevation\n3.30 Ruin A: West Elevation\n3.31 Ruin A: Typical Wall Section with Window Opening\n3.32 Ruin A: Typical Wall Section through Cellar Window\n3.34 Ruin B: Axonometric View of the Ruin at the time of the survey. In the foreground, attached to the eastern wall, is a small addition. The wall shown collapsed and faces Ruin A.\n3.35 Ruin B: Wall Plan\n3.36 Ruin B: West Elevation\n3.37 Ruin B: East Elevation\n3.38 Ruin B: North Elevation\n3.39 Ruin B: South Elevation\n3.40 Ruin C: Axonometric View of the Ruin at the time of the survey. The front elevation with three doors and a window faces east and the Main House, Ruin A. In the foreground, to the right, are the remains of the fireplace. The rear wall, to the west, has collapsed to its foundations.\n3.41 Ruin C: Wall Plan\n3.42 Ruin C: North Elevation\n3.43 Ruin C: South Elevation\n3.44 Ruin C: East Elevation\n3.45 Ruin C: West Elevation","One copy of description and a documentation report titled\"Ten Small Houses in Grants Town, Nassau, Bahamas,\" April 2014","Original report, printed text with hand drawn icon diagrams for the documentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas\"","Original report drawings on transparent paper of houses(site plans, floor plans, sections and elevations) for the documentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas\".","Hand written notes and first hard line draft drawings for the\ndocumentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas\"","Original field notes, sketches and resident interviews(1983-1984) for the documentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas.\"","Original field notes, sketches and resident interviews(1983-1984) for the documentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas.\"","Photographic negatives of houses analyzed for the documentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas\"","Corespendence and meeting records, 1980-1985","Introduction for Louis I. Kahn for a Talk He Gave at Pratt, 1973","General class talk, introduction to Amerinds, Pueblo Lecture #1, Puebloe Lecture #2 (in depth), Seminar outline: plazas and countryards, maps","Amerinds Slides Records of Lectures","Pueblo Reports, The Navajo Hogan and Eskmo Dwellings, 1978","Pueblo Settlement Patterns, notes and discussions, general and details, 1978","Pueblo Seminar, May 1978","American Pueblo Lecture Materials, Notes, Semi-final, 1978","Course Outline and Class Schedule","Hand Wrriten Course Notes","Housing Design Studio Notes","Class List and Course Information","Permission to publish material from Dorothee Stelzer King Architectural Collection must be obtained from Special Collections, Virginia Tech.","Born in Berlin, Germany. Dorothee Stelzer King is an architect and professor who has practiced in Germany, the United States, and the Bahamas. The collection consists of material (drawings, presentation boards, photographs, and printed material) created and accumulated by King as a student and during her professional career. Some examples include: her award-winning student project of creating a flexible and transportable exhibition hall and her project work for the Government of the Bahamas. Materials in this collection range in date from 1950-2008.","Special Collections and University Archives, Virginia Tech","King, Dorothée","Material is in English and German."],"collection_title_tesim":["Dorothee Stelzer King Architectural Collection, 1950/2018"],"collection_ssim":["Dorothee Stelzer King Architectural Collection, 1950/2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2013.023"],"unitid_tesim":["Ms.2013.023"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["King, Dorothée"],"creator_ssim":["King, Dorothée"],"creator_persname_ssim":["King, Dorothée"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["King, Dorothée","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from Dorothee Stelzer King Architectural Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The Dorothee Stelzer King Architectural Collection was donated to Special Collections in December 2008."],"access_subjects_ssim":["Women -- History","International Archive of Women in Architecture (IAWA)","Architects","Architecture (discipline)","Architectural drawings (visual works)"],"access_subjects_ssm":["Women -- History","International Archive of Women in Architecture (IAWA)","Architects","Architecture (discipline)","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["6.92 Cubic Feet 6 boxes; 6 oversize folders"],"extent_tesim":["6.92 Cubic Feet 6 boxes; 6 oversize folders"],"genreform_ssim":["Architecture (discipline)","Architectural drawings (visual works)"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eBorn in Berlin, Germany. King is an architect and professor who has practiced in Germany, the United States, and the Bahamas. She graduated from the Hochschule fur Bildende Kunste (HBK) with the title 'Diplom Architect HBK Berlin' in 1962. Upon graduating from HBK she worked for two years (1962-1964) in the architectural office of Dipl. Ing. \u003cextref actuate=\"onRequest\" href=\"http://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv00140.xml\" title=\"Hilde Westrom\"\u003eHilde Westrom\u003c/extref\u003e, one of the few independently working women architects in Berlin. King would go on to receive the Airlift Memorial Scholarship and Fulbright Travel Grant allowing her to study under Louis I. Kahn in his Master Studio at the University of Pennsylvania (1965-1967). Her experiences with Kahn would greatly influence her own style of teaching at the Pratt Institute School of Architecture (1969-1981) and other organizations. \u003c/p\u003e","\u003cp\u003eKing and her husband, fellow architect Douglas King, were offered the opportunity to work as architects with the Government of the Bahamas in Nassau (1981-1985). There she primarily worked on projects for the Ministries of Health and Housing including: public rental units with a senior citizen complex, design for a high school library in Cooperstown, and as project architect and head construction supervisor for the Bahamas Nursing School.  1985-1991 saw King commuting between New York, Nassau, and Florida as she finished supervising the Bahamas Nursing School and partnered with her husband on a design-build company called Kingston Homes in West Palm Beach, Florida.  Shortly after returning to New York full-time (1991) King began teaching at several New York institutions and public schools within the city (1993-2008). \n \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Born in Berlin, Germany. King is an architect and professor who has practiced in Germany, the United States, and the Bahamas. She graduated from the Hochschule fur Bildende Kunste (HBK) with the title 'Diplom Architect HBK Berlin' in 1962. Upon graduating from HBK she worked for two years (1962-1964) in the architectural office of Dipl. Ing. Hilde Westrom, one of the few independently working women architects in Berlin. King would go on to receive the Airlift Memorial Scholarship and Fulbright Travel Grant allowing her to study under Louis I. Kahn in his Master Studio at the University of Pennsylvania (1965-1967). Her experiences with Kahn would greatly influence her own style of teaching at the Pratt Institute School of Architecture (1969-1981) and other organizations.","King and her husband, fellow architect Douglas King, were offered the opportunity to work as architects with the Government of the Bahamas in Nassau (1981-1985). There she primarily worked on projects for the Ministries of Health and Housing including: public rental units with a senior citizen complex, design for a high school library in Cooperstown, and as project architect and head construction supervisor for the Bahamas Nursing School.  1985-1991 saw King commuting between New York, Nassau, and Florida as she finished supervising the Bahamas Nursing School and partnered with her husband on a design-build company called Kingston Homes in West Palm Beach, Florida.  Shortly after returning to New York full-time (1991) King began teaching at several New York institutions and public schools within the city (1993-2008)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Dorothee Stelzer King Architectural Collection Ms2013-023, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Dorothee Stelzer King Architectural Collection Ms2013-023, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Dorothee Stelzer King Architectural Collection was completed in May 2013. Additional donations processed in September 2021.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Dorothee Stelzer King Architectural Collection was completed in May 2013. Additional donations processed in September 2021."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of material created and accumulated by King during the course of her days as a student and her professional career. This material primarily comprises drawings, presentation boards, photographs, and printed material related to various design projects undertaken by King during the time period 1957 to 1988. Also included within the collection is a detailed biographical narrative written by King describing the trajectory of her career and a family history and genealogy titled \u003ctitle render=\"doublequote\"\u003eFrom the Basilius, Gersdorff and Horn Families to the King, Kruppa and Stelzer Families\u003c/title\u003e, also written by King.\u003c/p\u003e  ","\u003cp\u003eThis subseries consists of Dorothee S. King's personal documents, school reports, drawings, and notes on projects relating to her at Hochschule fur Bildende Kunste (HBK) and the University of Pennsylvania.\u003c/p\u003e","\u003cp\u003eMaterials present include a project description, 2 model photographs, 1 set of photographic reductions of the model, 1 set of slides of the drawings and model, along with a publication \"ars viva 62\" featuring the project.  Drawings include: 7 original ink drawings on board and transparent paper and 2 blueprints.\u003c/p\u003e","\u003cp\u003e2 original ink drawings on board and transparent paper.\u003c/p\u003e","\u003cp\u003e9 original ink drawings in transparent paper.\u003c/p\u003e","\u003cp\u003e7 original ink drawings on transparent paper.\u003c/p\u003e","\u003cp\u003eSeveral serial and standalone German publications on architecture and architects. Some publications likely belonged to King's mother, Gudrun Horn (Stelzer), who was studying architecture when she met King's father, Gerhard Stelzer. She resumed her studies in the late 1940s after divorcing Stelzer, at which time she reverted to her maiden name, Horn. [Source: Dorothee Stelzer King's family history, Box 1, Folder 3, Dorothee Stelzer King Architectural Collection, Ms2013-023]\u003c/p\u003e","\u003cp\u003eBuilder: Monthly journal of architectural culture and practice [two issues]\u003c/p\u003e","\u003cp\u003eInternational Building Exhibition Berlin: Reconstruction of the Hansa neighborhood (West) Berlin [two issues]; King won second prize for a student project conpetition associated with the exhibition\u003c/p\u003e","\u003cp\u003eSerial publication on architecture, construction technology and industry[5 issues]\u003c/p\u003e","\u003cp\u003eReconstruction of the Helgoland Archipelago\u003c/p\u003e","\u003cp\u003eWork and Time [two issues]: \"From the 1920s: An Inheritance and Its Heirs,\" and \"Form and Formalism\"\u003c/p\u003e","\u003cp\u003e2 hand colored presentation drawings on prints.\u003c/p\u003e","\u003cp\u003e3 original construction drawings, pencil on vellum.\u003c/p\u003e","\u003cp\u003e2 hand colored original presentation drawings on board.\u003c/p\u003e","\u003cp\u003eTusculum Plantation, New Providence, Bahamas Illustrations - Recorded and Drawn by Dorothee Stelzer King\u003c/p\u003e","\u003cp\u003eFigure Number Followed by Subject and Description\u003cbr\u003e\n1.1 Map of the Bahamas\u003cbr\u003e\n1.2 Map of New Providence; Tusculum is located on the northwest coastline\u003cbr\u003e\n3.1 Map pre-dating recent subdivisions that occurred circa 1985. The map shows the Tusculum site located on the northern coastline of New Providence and its relationship to adjacent areas and topography. A curved road leads to the ruin complex situated at the top of the ridge\u003cbr\u003e\n3.3 Cross section of the Gambier Ridge at the Tusculum site\u003cbr\u003e\n3.8 Site plan of the Ruin Complex showing Ruin A on the summit of the ridge, and the locations Ruins B, C, D and F. Also shown are three wells and the old roadway in dotted lines\u003cbr\u003e\n3.10 Ruin A: Axonometric View as it appeared at the time of the survey. The north facade with the entrance and the north terrace are in the foreground\u003cbr\u003e\n3.25 Ruin A: Wall Plan at the time of the survey.\u003cbr\u003e\n3.26 Ruin A: North-South Section through the Ruin\u003cbr\u003e\n3.27 Ruin A: North Elevation\u003cbr\u003e\n3.28 Ruin A: South Elevation\u003cbr\u003e\n3.29 Ruin A: East Elevation\u003cbr\u003e\n3.30 Ruin A: West Elevation\u003cbr\u003e\n3.31 Ruin A: Typical Wall Section with Window Opening\u003cbr\u003e\n3.32 Ruin A: Typical Wall Section through Cellar Window\n3.34 Ruin B: Axonometric View of the Ruin at the time of the survey. In the foreground, attached to the eastern wall, is a small addition. The wall shown collapsed and faces Ruin A.\u003cbr\u003e\n3.35 Ruin B: Wall Plan\u003cbr\u003e\n3.36 Ruin B: West Elevation\u003cbr\u003e\n3.37 Ruin B: East Elevation\u003cbr\u003e\n3.38 Ruin B: North Elevation\u003cbr\u003e\n3.39 Ruin B: South Elevation\u003cbr\u003e\n3.40 Ruin C: Axonometric View of the Ruin at the time of the survey. The front elevation with three doors and a window faces east and the Main House, Ruin A. In the foreground, to the right, are the remains of the fireplace. The rear wall, to the west, has collapsed to its foundations.\u003cbr\u003e\n3.41 Ruin C: Wall Plan\u003cbr\u003e\n3.42 Ruin C: North Elevation\u003cbr\u003e\n3.43 Ruin C: South Elevation\u003cbr\u003e\n3.44 Ruin C: East Elevation\u003cbr\u003e\n3.45 Ruin C: West Elevation\u003cbr\u003e\u003c/p\u003e","\u003cp\u003eOne copy of description and a documentation report titled\"Ten Small Houses in Grants Town, Nassau, Bahamas,\" April 2014\u003c/p\u003e","\u003cp\u003eOriginal report, printed text with hand drawn icon diagrams for the documentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas\"\u003c/p\u003e","\u003cp\u003eOriginal report drawings on transparent paper of houses(site plans, floor plans, sections and elevations) for the documentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas\".\u003c/p\u003e","\u003cp\u003eHand written notes and first hard line draft drawings for the\ndocumentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas\"\u003c/p\u003e","\u003cp\u003eOriginal field notes, sketches and resident interviews(1983-1984) for the documentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas.\"\u003c/p\u003e","\u003cp\u003eOriginal field notes, sketches and resident interviews(1983-1984) for the documentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas.\"\u003c/p\u003e","\u003cp\u003ePhotographic negatives of houses analyzed for the documentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas\"\u003c/p\u003e","\u003cp\u003eCorespendence and meeting records, 1980-1985\u003c/p\u003e","\u003cp\u003eIntroduction for Louis I. Kahn for a Talk He Gave at Pratt, 1973\u003c/p\u003e","\u003cp\u003eGeneral class talk, introduction to Amerinds, Pueblo Lecture #1, Puebloe Lecture #2 (in depth), Seminar outline: plazas and countryards, maps\u003c/p\u003e","\u003cp\u003eAmerinds Slides Records of Lectures\u003c/p\u003e","\u003cp\u003ePueblo Reports, The Navajo Hogan and Eskmo Dwellings, 1978\u003c/p\u003e","\u003cp\u003ePueblo Settlement Patterns, notes and discussions, general and details, 1978\u003c/p\u003e","\u003cp\u003ePueblo Seminar, May 1978\u003c/p\u003e","\u003cp\u003eAmerican Pueblo Lecture Materials, Notes, Semi-final, 1978\u003c/p\u003e","\u003cp\u003eCourse Outline and Class Schedule\u003c/p\u003e","\u003cp\u003eHand Wrriten Course Notes\u003c/p\u003e","\u003cp\u003eHousing Design Studio Notes\u003c/p\u003e","\u003cp\u003eClass List and Course Information\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection consists of material created and accumulated by King during the course of her days as a student and her professional career. This material primarily comprises drawings, presentation boards, photographs, and printed material related to various design projects undertaken by King during the time period 1957 to 1988. Also included within the collection is a detailed biographical narrative written by King describing the trajectory of her career and a family history and genealogy titled From the Basilius, Gersdorff and Horn Families to the King, Kruppa and Stelzer Families, also written by King.","This subseries consists of Dorothee S. King's personal documents, school reports, drawings, and notes on projects relating to her at Hochschule fur Bildende Kunste (HBK) and the University of Pennsylvania.","Materials present include a project description, 2 model photographs, 1 set of photographic reductions of the model, 1 set of slides of the drawings and model, along with a publication \"ars viva 62\" featuring the project.  Drawings include: 7 original ink drawings on board and transparent paper and 2 blueprints.","2 original ink drawings on board and transparent paper.","9 original ink drawings in transparent paper.","7 original ink drawings on transparent paper.","Several serial and standalone German publications on architecture and architects. Some publications likely belonged to King's mother, Gudrun Horn (Stelzer), who was studying architecture when she met King's father, Gerhard Stelzer. She resumed her studies in the late 1940s after divorcing Stelzer, at which time she reverted to her maiden name, Horn. [Source: Dorothee Stelzer King's family history, Box 1, Folder 3, Dorothee Stelzer King Architectural Collection, Ms2013-023]","Builder: Monthly journal of architectural culture and practice [two issues]","International Building Exhibition Berlin: Reconstruction of the Hansa neighborhood (West) Berlin [two issues]; King won second prize for a student project conpetition associated with the exhibition","Serial publication on architecture, construction technology and industry[5 issues]","Reconstruction of the Helgoland Archipelago","Work and Time [two issues]: \"From the 1920s: An Inheritance and Its Heirs,\" and \"Form and Formalism\"","2 hand colored presentation drawings on prints.","3 original construction drawings, pencil on vellum.","2 hand colored original presentation drawings on board.","Tusculum Plantation, New Providence, Bahamas Illustrations - Recorded and Drawn by Dorothee Stelzer King","Figure Number Followed by Subject and Description\n1.1 Map of the Bahamas\n1.2 Map of New Providence; Tusculum is located on the northwest coastline\n3.1 Map pre-dating recent subdivisions that occurred circa 1985. The map shows the Tusculum site located on the northern coastline of New Providence and its relationship to adjacent areas and topography. A curved road leads to the ruin complex situated at the top of the ridge\n3.3 Cross section of the Gambier Ridge at the Tusculum site\n3.8 Site plan of the Ruin Complex showing Ruin A on the summit of the ridge, and the locations Ruins B, C, D and F. Also shown are three wells and the old roadway in dotted lines\n3.10 Ruin A: Axonometric View as it appeared at the time of the survey. The north facade with the entrance and the north terrace are in the foreground\n3.25 Ruin A: Wall Plan at the time of the survey.\n3.26 Ruin A: North-South Section through the Ruin\n3.27 Ruin A: North Elevation\n3.28 Ruin A: South Elevation\n3.29 Ruin A: East Elevation\n3.30 Ruin A: West Elevation\n3.31 Ruin A: Typical Wall Section with Window Opening\n3.32 Ruin A: Typical Wall Section through Cellar Window\n3.34 Ruin B: Axonometric View of the Ruin at the time of the survey. In the foreground, attached to the eastern wall, is a small addition. The wall shown collapsed and faces Ruin A.\n3.35 Ruin B: Wall Plan\n3.36 Ruin B: West Elevation\n3.37 Ruin B: East Elevation\n3.38 Ruin B: North Elevation\n3.39 Ruin B: South Elevation\n3.40 Ruin C: Axonometric View of the Ruin at the time of the survey. The front elevation with three doors and a window faces east and the Main House, Ruin A. In the foreground, to the right, are the remains of the fireplace. The rear wall, to the west, has collapsed to its foundations.\n3.41 Ruin C: Wall Plan\n3.42 Ruin C: North Elevation\n3.43 Ruin C: South Elevation\n3.44 Ruin C: East Elevation\n3.45 Ruin C: West Elevation","One copy of description and a documentation report titled\"Ten Small Houses in Grants Town, Nassau, Bahamas,\" April 2014","Original report, printed text with hand drawn icon diagrams for the documentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas\"","Original report drawings on transparent paper of houses(site plans, floor plans, sections and elevations) for the documentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas\".","Hand written notes and first hard line draft drawings for the\ndocumentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas\"","Original field notes, sketches and resident interviews(1983-1984) for the documentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas.\"","Original field notes, sketches and resident interviews(1983-1984) for the documentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas.\"","Photographic negatives of houses analyzed for the documentation report \"Ten Small Houses in Grants Town, Nassau, Bahamas\"","Corespendence and meeting records, 1980-1985","Introduction for Louis I. Kahn for a Talk He Gave at Pratt, 1973","General class talk, introduction to Amerinds, Pueblo Lecture #1, Puebloe Lecture #2 (in depth), Seminar outline: plazas and countryards, maps","Amerinds Slides Records of Lectures","Pueblo Reports, The Navajo Hogan and Eskmo Dwellings, 1978","Pueblo Settlement Patterns, notes and discussions, general and details, 1978","Pueblo Seminar, May 1978","American Pueblo Lecture Materials, Notes, Semi-final, 1978","Course Outline and Class Schedule","Hand Wrriten Course Notes","Housing Design Studio Notes","Class List and Course Information"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Dorothee Stelzer King Architectural Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Dorothee Stelzer King Architectural Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_948bcc29da18f2208d2d64a12e44e0be\" label=\"Abstract\"\u003eBorn in Berlin, Germany. Dorothee Stelzer King is an architect and professor who has practiced in Germany, the United States, and the Bahamas. The collection consists of material (drawings, presentation boards, photographs, and printed material) created and accumulated by King as a student and during her professional career. Some examples include: her award-winning student project of creating a flexible and transportable exhibition hall and her project work for the Government of the Bahamas. Materials in this collection range in date from 1950-2008.\u003c/abstract\u003e\n    "],"abstract_tesim":["Born in Berlin, Germany. Dorothee Stelzer King is an architect and professor who has practiced in Germany, the United States, and the Bahamas. The collection consists of material (drawings, presentation boards, photographs, and printed material) created and accumulated by King as a student and during her professional career. Some examples include: her award-winning student project of creating a flexible and transportable exhibition hall and her project work for the Government of the Bahamas. Materials in this collection range in date from 1950-2008."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["King, Dorothée"],"names_ssim":["Special Collections and University Archives, Virginia Tech","King, Dorothée"],"language_ssim":["Material is in English and German."],"total_component_count_is":168,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:47:53.929Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2863"}},{"id":"viblbv_repositories_2_resources_2251","type":"collection","attributes":{"title":"Eleanore Pettersen Architectural Collection,, 1915/2003, bulk 1950/2000","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2251#abstract_or_scope","type":"document_value","attributes":{"value":"Eleanore K. Pettersen (1916-2003) received a Certificate in Architecture from Cooper Union for Advancement of Science and Art in 1941, and was an apprentice to Frank Lloyd Wright at Taliesin from 1941-1943. She was one of the first women licensed as an architect in the state of New Jersey in 1950, and was the first woman in New Jersey to open her own architectural office. She primarily designed residences and was also very active in professional and civic organizations. She became a Fellow of the American Institute of Architects (FAIA) in 1991. The collection consists of project files, sketches, blueprints, drawings, models, photographs, and other material relating to over 600 of Pettersen's projects as well as material relating to her participation in various professional and civic organizations. The materials in the collection range in date from 1915-2003 with the bulk of the material dating 1950-2000.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2251#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2251","ead_ssi":"viblbv_repositories_2_resources_2251","_root_":"viblbv_repositories_2_resources_2251","_nest_parent_":"viblbv_repositories_2_resources_2251","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2251.xml","title_filing_ssi":"Pettersen, Eleanore Architectural Collection","title_ssm":["Eleanore Pettersen Architectural Collection,"],"title_tesim":["Eleanore Pettersen Architectural Collection,"],"unitdate_ssm":["1915-2003","1950-2000"],"unitdate_inclusive_ssm":["1915-2003"],"unitdate_bulk_ssim":["1950-2000"],"normalized_date_ssm":["1915/2003, bulk 1950/2000"],"normalized_title_ssm":["Eleanore Pettersen Architectural Collection,, 1915/2003, bulk 1950/2000"],"text":["Eleanore Pettersen Architectural Collection,, 1915/2003, bulk 1950/2000","Ms.2003.018","Architects","Buildings -- Specifications","International Archive of Women in Architecture (IAWA)","Women architects -- New Jersey","Women -- History","Women-owned architectural firms","Architectural drawing -- 20th century","Architects -- New Jersey","Photographs","Models (representations)","Blueprints (reprographic copies)","Architectural drawings (visual works)","Some of the materials in the collection were matted for inclusion in \"Glass Ceilings: Highlights from the IAWA Center\" an exhibit held at the Virginia Center for Architecture, Richmond, VA, 2010.","Collection is open to research.","The accessible information has been transferred to Special Collections server space, please contact Special Collections Staff for assistance in accessing this material.","The Eleanore Pettersen Architecture Collection is divided into five series: Personal Papers, Professional Papers, Office Records, Project Records, and Art, Artifacts, Models. The series are arranged alphabetically by subject except for the Project Records. They are arranged in a project index alphabetically by client's name.","Ageless Perceptions IV: Senior Women in Architecture","1991 will be my fortieth year as an architectural principal with my own office. Architecture has been a total commitment. If I were to make a choice all over again, the choice would be the same. Architecture has imbued me with a sense of self worth and has given me the privilege of contributing a new sense of life and meaning to my clients and their families.","Ageless Perceptions IV – Senior Women in Architecture","Eleanore Pettersen, FAIA/Four Decades","Taliesin Legacy: The Independent Work of Frank Lloyd Wright Apprentices","The guide to the Eleanore Pettersen Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement and description of the Eleanore Pettersen Architectural Collection commenced in February, 2009 and was completed in February, 2010. Preliminary processing was untaken by Amy Vilelle in 2007.","The ImageBase at Virginia Tech's Special Collections contains digital images of Pettersen's work.","Pettersen's collection encompasses over fifty years of architectural practice including project files, sketches, drawings, blueprints, models, slides and photographs representing approximately 600 designs. The collection also contains Pettersen's personal papers including biographical information, family papers, and photographs. The materials range in date from 1915-2003 (bulk 1950-2000) and are divided into five series: Personal Papers, Professional Papers, Office Records, Project Records, and Artifacts and Models. See the contents list below for more detail about the individual series.","The Personal Papers series contains Pettersen's family papers, biographical information, and personal correspondence (1963-1999). The series also contains a subseries of photographs and slides.","The subseries photographs/slides are divided further into Family Portraits and Photographs, Miscellaneous. The miscellaneous photographs are mostly unidentified snapshots. Major subjects present include: Altrusa meetings; Pettersen's barn/studio and pets; Pettersen's travels to visit friends; parties/gatherings; house models; Taliesin West Half Century celebration; and a visit to Frank Lloyd Wright's Grand Waikapu Country Club in Maui, Hawaii.","The Professional Papers series consists of material relating to Pettersen's participation in various professional and civic organizations, material (collected by Pettersen) documenting Frank Lloyd Wright and Taliesin, various awards received by Pettersen, correspondence, and general reference files.","Pettersen was active locally and nationally in professional organizations, as a member of the New Jersey Society of Architects and the American Institute of Architects, and in civic organizations, as a member of the Altrusa Club, YWCA, and the New Jersey State Council on the Arts. She was also involved in various local groups/projects, such as the Housing Development Corporation of Bergen County, Bergen Community College Women's Institute Advisory Council, and the Uniform Construction Code Advisory Board. Materials relating to these activities primarily include minutes, correspondence, agendas, reports, notes, and printed material.","Professional and civic awards presented to Pettersen.","Pettersen served as an apprentice to Frank Lloyd Wright as part of the Taliesin Fellowship from 1941 to 1943. Over the years, she collected material, such as newspaper and magazine clippings, newsletters (Frank Lloyd Wright Building Conservancy and FLLW Update), documenting Frank Lloyd Wright, his buildings, and his legacy. She also collected material, such as correspondence, publications, and clippings relating to Taliesin Fellows.","The Office Records series consists of materials relating to the day to day operations of a private architectural practice including financial materials, exhibit materials, publicity, clippings and scrapbooks featuring Pettersen and her practice, and photographs.","The General subseries focuses on the daily operations of the practices with an emphasis on financial matters. Materials present include: invoices, architectural fees, budget correspondence, purchase order books (1972-2000) and appointment books (1993-1998).","The Clippings/Scrapbook subseries includes newspaper and magazine clippings (1957- 2000) about Pettersen and her practice, real estate ads for houses designed by Pettersen, and two scrapbooks compiled by Pettersen.","The Presentation Materials subseries contain exhibit boards, publicity, and other materials for three exhibits featuring Pettersen.","The Public Relations series contains materials relating to the promotion of Pettersen's practice including press clippings, correspondence between Pettersen and interviewers/media outlets, and photograph albums containing a selection of Pettersen's projects.","The Photographs subseries contain glass slides, photographs, and slides of a mixture of unidentified structures and buildings designed by Pettersen. The photographs are mostly snapshots and Polaroids.","The Computer Disks subseries contains 5 ¼-inch and 3 ½-inch diskettes. They contain office records and project files. 1986-1988 and undated","The Project Records series consists of files, specifications, drawings, and other material relating to over 650 design and construction projects carried by Pettersen with her consecutive firms Eleanore Pettersen Associates and Design Collaborative.","Arrangement note: The Project Index is a way to organize the various formats of architectural records from the same project. The project index is organized alphabetically by client's last name and then by project number. Researchers should note that several distinct projects share project numbers.","The Files subseries consists of standard forms of agreement, change orders, invoices for architectural service, applications and certificates of payment, specifications, photographs, notes, correspondence, drawings and sketches, purchase orders, job reports, schedules, and other material created by Pettersen (and, to a certain extent, her associates) in the course of work on various residential and commercial projects. Projects primarily include the design and construction of new residences, and additions and alterations to existing residences. Most projects are located in New Jersey although there are also projects in New York, Massachusetts, Vermont, Connecticut, Maine, Michigan, Colorado, Virginia, North Carolina, South Carolina, Georgia, Tennessee, and Florida.","Pettersen classified some of her files as \"Dead Files.\" This classification has been retained and is indicated in the Project Index with an italicized box number. The \"Dead Files\" include boxes 40-47.","The Specifications subseries consist primarily of master copies, but also some draft and office copies, of specifications for various projects. Copies of specifications can also be found in the Files subseries; these copies were maintained distinct from the project files and therefore seem to warrant arrangement as a separate subseries.","The Drawings subseries includes architectural plans and sketches on a variety of formats including trace paper, diazo prints, blueprints, and CAD drawings.","The Artifacts, Models series contains memorabilia, material samples, and models associated with Pettersen and her practice as well as Design Collaborative.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Eleanore K. Pettersen (1916-2003) received a Certificate in Architecture from Cooper Union for Advancement of Science and Art in 1941, and was an apprentice to Frank Lloyd Wright at Taliesin from 1941-1943. She was one of the first women licensed as an architect in the state of New Jersey in 1950, and was the first woman in New Jersey to open her own architectural office. She primarily designed residences and was also very active in professional and civic organizations. She became a Fellow of the American Institute of Architects (FAIA) in 1991. The collection consists of project files, sketches, blueprints, drawings, models, photographs, and other material relating to over 600 of Pettersen's projects as well as material relating to her participation in various professional and civic organizations. The materials in the collection range in date from 1915-2003 with the bulk of the material dating 1950-2000.","Special Collections and University Archives, Virginia Tech","Design Collaborative (1970-?)","Eleanore Pettersen Associates","Pettersen, Eleanore, 1916-2003","Wright, Frank Lloyd, 1867-1959","The materials in the collection are in English."],"collection_title_tesim":["Eleanore Pettersen Architectural Collection,, 1915/2003, bulk 1950/2000"],"collection_ssim":["Eleanore Pettersen Architectural Collection,, 1915/2003, bulk 1950/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2003.018"],"unitid_tesim":["Ms.2003.018"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_persname_ssim":["Pettersen, Eleanore, 1916-2003","Wright, Frank Lloyd, 1867-1959"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Design Collaborative (1970-?)","Eleanore Pettersen Associates"],"creators_ssim":["Pettersen, Eleanore, 1916-2003","Wright, Frank Lloyd, 1867-1959","Special Collections and University Archives, Virginia Tech","Design Collaborative (1970-?)","Eleanore Pettersen Associates"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Eleanore Pettersen Architectural Collection was donated to Special Collections in September 2003. Additions were received in April 2010 and August 2011."],"access_subjects_ssim":["Architects","Buildings -- Specifications","International Archive of Women in Architecture (IAWA)","Women architects -- New Jersey","Women -- History","Women-owned architectural firms","Architectural drawing -- 20th century","Architects -- New Jersey","Photographs","Models (representations)","Blueprints (reprographic copies)","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Buildings -- Specifications","International Archive of Women in Architecture (IAWA)","Women architects -- New Jersey","Women -- History","Women-owned architectural firms","Architectural drawing -- 20th century","Architects -- New Jersey","Photographs","Models (representations)","Blueprints (reprographic copies)","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Some of the materials in the collection were matted for inclusion in \"Glass Ceilings: Highlights from the IAWA Center\" an exhibit held at the Virginia Center for Architecture, Richmond, VA, 2010."],"extent_ssm":["296 Cubic Feet 219 boxes; 7 map cases"],"extent_tesim":["296 Cubic Feet 219 boxes; 7 map cases"],"genreform_ssim":["Photographs","Models (representations)","Blueprints (reprographic copies)","Architectural drawings (visual works)"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  ","\u003cp\u003eThe accessible information has been transferred to Special Collections server space, please contact Special Collections Staff for assistance in accessing this material.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.","The accessible information has been transferred to Special Collections server space, please contact Special Collections Staff for assistance in accessing this material."],"arrangement_html_tesm":["\u003cp\u003eThe Eleanore Pettersen Architecture Collection is divided into five series: Personal Papers, Professional Papers, Office Records, Project Records, and Art, Artifacts, Models. The series are arranged alphabetically by subject except for the Project Records. They are arranged in a project index alphabetically by client's name.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Eleanore Pettersen Architecture Collection is divided into five series: Personal Papers, Professional Papers, Office Records, Project Records, and Art, Artifacts, Models. The series are arranged alphabetically by subject except for the Project Records. They are arranged in a project index alphabetically by client's name."],"bioghist_html_tesm":["\u003cemph render=\"italic\"\u003eAgeless Perceptions IV: Senior Women in Architecture\u003c/emph\u003e, an exhibit held at the SOHO20 Gallery in New York City, highlights Pettersen's devotion to architecture: \n\n","\u003cblockquote\u003e1991 will be my fortieth year as an architectural principal with my own office. Architecture has been a total commitment. If I were to make a choice all over again, the choice would be the same. Architecture has imbued me with a sense of self worth and has given me the privilege of contributing a new sense of life and meaning to my clients and their families.\n\n\u003c/blockquote\u003ePettersen's commitment to architecture superseded creating designs and working with clients. She also served on a number of national and local professional/civic organizations promoting architecture as a viable profession for women with her presence and accomplishments. \n\nIn 1957 she founded the Bergen County Chapter of Altrusa (a service organization for professional women), and over her decades long involvement served as president for three non-consecutive terms. She was also on several boards including: the Arts Center of Northern New Jersey; Ramapo College of New Jersey; the Mercer Community College board of directors; Young Women's Christian Association (YWCA); and various Bergen County committees including the Bergen County Task Force of Affordable Housing. \n\nProfessionally she was just as engaged becoming a member of the American Institute of Architects (AIA) in 1954 and serving on various sub-committees. She also belonged to the New Jersey Society of Architects, the Architectural League of Northern New Jersey, and served on the boards of local architecture schools like the New Jersey Institute of Technology\n\nPettersen was featured in [at least] three exhibitions: ","\u003cemph render=\"italic\"\u003eAgeless Perceptions IV – Senior Women in Architecture\u003c/emph\u003e at the SOHO20 Gallery in New York City in 1991, ","\u003cemph render=\"italic\"\u003eEleanore Pettersen, FAIA/Four Decades\u003c/emph\u003e (a one-woman show) at the Arts Center of Northern New Jersey in New Milford, NJ, in 1991, and ","\u003cemph render=\"italic\"\u003eTaliesin Legacy: The Independent Work of Frank Lloyd Wright Apprentices\u003c/emph\u003e at the Pratt Manhattan Gallery in New York in 1992. \n\nDuring her fifty year career Pettersen achieved a number of firsts including: the first woman recipient of the Professional Achievement Citation for Distinguished Accomplishments by Cooper Union (1965); first woman appointed by the governor to the New Jersey State Board of Architects and subsequently its first woman president (1975- 1976); first female president of the New Jersey Society of Architects (1984); and first woman elected as New Jersey's Regional Director to the AIA Board (1986-1989). \n\nPettersen was named an AIA Fellow in 1991. She passed away at her Saddle River home in 2003. \n\n  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Ageless Perceptions IV: Senior Women in Architecture","1991 will be my fortieth year as an architectural principal with my own office. Architecture has been a total commitment. If I were to make a choice all over again, the choice would be the same. Architecture has imbued me with a sense of self worth and has given me the privilege of contributing a new sense of life and meaning to my clients and their families.","Ageless Perceptions IV – Senior Women in Architecture","Eleanore Pettersen, FAIA/Four Decades","Taliesin Legacy: The Independent Work of Frank Lloyd Wright Apprentices"],"odd_html_tesm":["\u003cp\u003eThe guide to the Eleanore Pettersen Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Eleanore Pettersen Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Eleanore Pettersen Architectural Collection, Ms2003-018, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Eleanore Pettersen Architectural Collection, Ms2003-018, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Eleanore Pettersen Architectural Collection commenced in February, 2009 and was completed in February, 2010. Preliminary processing was untaken by Amy Vilelle in 2007.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Eleanore Pettersen Architectural Collection commenced in February, 2009 and was completed in February, 2010. Preliminary processing was untaken by Amy Vilelle in 2007."],"relatedmaterial_html_tesm":["\u003cp\u003eThe \u003cextref href=\"http://imagebase.lib.vt.edu/browse.php?folio_ID=/iawa/pedd\" title=\"ImageBase\"\u003eImageBase\u003c/extref\u003e at Virginia Tech's Special Collections contains digital images of Pettersen's work.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Material"],"relatedmaterial_tesim":["The ImageBase at Virginia Tech's Special Collections contains digital images of Pettersen's work."],"scopecontent_html_tesm":["\u003cp\u003ePettersen's collection encompasses over fifty years of architectural practice including project files, sketches, drawings, blueprints, models, slides and photographs representing approximately 600 designs. The collection also contains Pettersen's personal papers including biographical information, family papers, and photographs. The materials range in date from 1915-2003 (bulk 1950-2000) and are divided into five series: Personal Papers, Professional Papers, Office Records, Project Records, and Artifacts and Models. See the contents list below for more detail about the individual series.\u003c/p\u003e  ","\u003cp\u003eThe Personal Papers series contains Pettersen's family papers, biographical information, and personal correspondence (1963-1999). The series also contains a subseries of photographs and slides.\u003c/p\u003e","\u003cp\u003eThe subseries photographs/slides are divided further into Family Portraits and Photographs, Miscellaneous. The miscellaneous photographs are mostly unidentified snapshots. Major subjects present include: Altrusa meetings; Pettersen's barn/studio and pets; Pettersen's travels to visit friends; parties/gatherings; house models; Taliesin West Half Century celebration; and a visit to Frank Lloyd Wright's Grand Waikapu Country Club in Maui, Hawaii.\u003c/p\u003e","\u003cp\u003eThe Professional Papers series consists of material relating to Pettersen's participation in various professional and civic organizations, material (collected by Pettersen) documenting Frank Lloyd Wright and Taliesin, various awards received by Pettersen, correspondence, and general reference files.\u003c/p\u003e","\u003cp\u003ePettersen was active locally and nationally in professional organizations, as a member of the New Jersey Society of Architects and the American Institute of Architects, and in civic organizations, as a member of the Altrusa Club, YWCA, and the New Jersey State Council on the Arts. She was also involved in various local groups/projects, such as the Housing Development Corporation of Bergen County, Bergen Community College Women's Institute Advisory Council, and the Uniform Construction Code Advisory Board. Materials relating to these activities primarily include minutes, correspondence, agendas, reports, notes, and printed material.\u003c/p\u003e","\u003cp\u003eProfessional and civic awards presented to Pettersen.\u003c/p\u003e","\u003cp\u003ePettersen served as an apprentice to Frank Lloyd Wright as part of the Taliesin Fellowship from 1941 to 1943. Over the years, she collected material, such as newspaper and magazine clippings, newsletters (Frank Lloyd Wright Building Conservancy and FLLW Update), documenting Frank Lloyd Wright, his buildings, and his legacy. She also collected material, such as correspondence, publications, and clippings relating to Taliesin Fellows.\u003c/p\u003e","\u003cp\u003eThe Office Records series consists of materials relating to the day to day operations of a private architectural practice including financial materials, exhibit materials, publicity, clippings and scrapbooks featuring Pettersen and her practice, and photographs.\u003c/p\u003e","\u003cp\u003eThe General subseries focuses on the daily operations of the practices with an emphasis on financial matters. Materials present include: invoices, architectural fees, budget correspondence, purchase order books (1972-2000) and appointment books (1993-1998).\u003c/p\u003e","\u003cp\u003eThe Clippings/Scrapbook subseries includes newspaper and magazine clippings (1957- 2000) about Pettersen and her practice, real estate ads for houses designed by Pettersen, and two scrapbooks compiled by Pettersen.\u003c/p\u003e","\u003cp\u003eThe Presentation Materials subseries contain exhibit boards, publicity, and other materials for three exhibits featuring Pettersen.\u003c/p\u003e","\u003cp\u003eThe Public Relations series contains materials relating to the promotion of Pettersen's practice including press clippings, correspondence between Pettersen and interviewers/media outlets, and photograph albums containing a selection of Pettersen's projects.\u003c/p\u003e","\u003cp\u003eThe Photographs subseries contain glass slides, photographs, and slides of a mixture of unidentified structures and buildings designed by Pettersen. The photographs are mostly snapshots and Polaroids.\u003c/p\u003e","\u003cp\u003eThe Computer Disks subseries contains 5 ¼-inch and 3 ½-inch diskettes. They contain office records and project files. 1986-1988 and undated\u003c/p\u003e","\u003cp\u003eThe Project Records series consists of files, specifications, drawings, and other material relating to over 650 design and construction projects carried by Pettersen with her consecutive firms Eleanore Pettersen Associates and Design Collaborative.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eArrangement note:\u003c/emph\u003e The \u003cextref actuate=\"onRequest\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2003-018pi.xls\" show=\"new\" title=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2003-018pi.xls\"\u003eProject Index\u003c/extref\u003e is a way to organize the various formats of architectural records from the same project. The project index is organized alphabetically by client's last name and then by project number. Researchers should note that several distinct projects share project numbers. \u003c/p\u003e","\u003cp\u003eThe Files subseries consists of standard forms of agreement, change orders, invoices for architectural service, applications and certificates of payment, specifications, photographs, notes, correspondence, drawings and sketches, purchase orders, job reports, schedules, and other material created by Pettersen (and, to a certain extent, her associates) in the course of work on various residential and commercial projects. Projects primarily include the design and construction of new residences, and additions and alterations to existing residences. Most projects are located in New Jersey although there are also projects in New York, Massachusetts, Vermont, Connecticut, Maine, Michigan, Colorado, Virginia, North Carolina, South Carolina, Georgia, Tennessee, and Florida. \u003c/p\u003e","\u003cp\u003ePettersen classified some of her files as \"Dead Files.\" This classification has been retained and is indicated in the Project Index with an italicized box number. The \"Dead Files\" include boxes 40-47. \u003c/p\u003e","\u003cp\u003eThe Specifications subseries consist primarily of master copies, but also some draft and office copies, of specifications for various projects. Copies of specifications can also be found in the Files subseries; these copies were maintained distinct from the project files and therefore seem to warrant arrangement as a separate subseries.\u003c/p\u003e","\u003cp\u003eThe Drawings subseries includes architectural plans and sketches on a variety of formats including trace paper, diazo prints, blueprints, and CAD drawings.\u003c/p\u003e","\u003cp\u003eThe Artifacts, Models series contains memorabilia, material samples, and models associated with Pettersen and her practice as well as Design Collaborative.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Pettersen's collection encompasses over fifty years of architectural practice including project files, sketches, drawings, blueprints, models, slides and photographs representing approximately 600 designs. The collection also contains Pettersen's personal papers including biographical information, family papers, and photographs. The materials range in date from 1915-2003 (bulk 1950-2000) and are divided into five series: Personal Papers, Professional Papers, Office Records, Project Records, and Artifacts and Models. See the contents list below for more detail about the individual series.","The Personal Papers series contains Pettersen's family papers, biographical information, and personal correspondence (1963-1999). The series also contains a subseries of photographs and slides.","The subseries photographs/slides are divided further into Family Portraits and Photographs, Miscellaneous. The miscellaneous photographs are mostly unidentified snapshots. Major subjects present include: Altrusa meetings; Pettersen's barn/studio and pets; Pettersen's travels to visit friends; parties/gatherings; house models; Taliesin West Half Century celebration; and a visit to Frank Lloyd Wright's Grand Waikapu Country Club in Maui, Hawaii.","The Professional Papers series consists of material relating to Pettersen's participation in various professional and civic organizations, material (collected by Pettersen) documenting Frank Lloyd Wright and Taliesin, various awards received by Pettersen, correspondence, and general reference files.","Pettersen was active locally and nationally in professional organizations, as a member of the New Jersey Society of Architects and the American Institute of Architects, and in civic organizations, as a member of the Altrusa Club, YWCA, and the New Jersey State Council on the Arts. She was also involved in various local groups/projects, such as the Housing Development Corporation of Bergen County, Bergen Community College Women's Institute Advisory Council, and the Uniform Construction Code Advisory Board. Materials relating to these activities primarily include minutes, correspondence, agendas, reports, notes, and printed material.","Professional and civic awards presented to Pettersen.","Pettersen served as an apprentice to Frank Lloyd Wright as part of the Taliesin Fellowship from 1941 to 1943. Over the years, she collected material, such as newspaper and magazine clippings, newsletters (Frank Lloyd Wright Building Conservancy and FLLW Update), documenting Frank Lloyd Wright, his buildings, and his legacy. She also collected material, such as correspondence, publications, and clippings relating to Taliesin Fellows.","The Office Records series consists of materials relating to the day to day operations of a private architectural practice including financial materials, exhibit materials, publicity, clippings and scrapbooks featuring Pettersen and her practice, and photographs.","The General subseries focuses on the daily operations of the practices with an emphasis on financial matters. Materials present include: invoices, architectural fees, budget correspondence, purchase order books (1972-2000) and appointment books (1993-1998).","The Clippings/Scrapbook subseries includes newspaper and magazine clippings (1957- 2000) about Pettersen and her practice, real estate ads for houses designed by Pettersen, and two scrapbooks compiled by Pettersen.","The Presentation Materials subseries contain exhibit boards, publicity, and other materials for three exhibits featuring Pettersen.","The Public Relations series contains materials relating to the promotion of Pettersen's practice including press clippings, correspondence between Pettersen and interviewers/media outlets, and photograph albums containing a selection of Pettersen's projects.","The Photographs subseries contain glass slides, photographs, and slides of a mixture of unidentified structures and buildings designed by Pettersen. The photographs are mostly snapshots and Polaroids.","The Computer Disks subseries contains 5 ¼-inch and 3 ½-inch diskettes. They contain office records and project files. 1986-1988 and undated","The Project Records series consists of files, specifications, drawings, and other material relating to over 650 design and construction projects carried by Pettersen with her consecutive firms Eleanore Pettersen Associates and Design Collaborative.","Arrangement note: The Project Index is a way to organize the various formats of architectural records from the same project. The project index is organized alphabetically by client's last name and then by project number. Researchers should note that several distinct projects share project numbers.","The Files subseries consists of standard forms of agreement, change orders, invoices for architectural service, applications and certificates of payment, specifications, photographs, notes, correspondence, drawings and sketches, purchase orders, job reports, schedules, and other material created by Pettersen (and, to a certain extent, her associates) in the course of work on various residential and commercial projects. Projects primarily include the design and construction of new residences, and additions and alterations to existing residences. Most projects are located in New Jersey although there are also projects in New York, Massachusetts, Vermont, Connecticut, Maine, Michigan, Colorado, Virginia, North Carolina, South Carolina, Georgia, Tennessee, and Florida.","Pettersen classified some of her files as \"Dead Files.\" This classification has been retained and is indicated in the Project Index with an italicized box number. The \"Dead Files\" include boxes 40-47.","The Specifications subseries consist primarily of master copies, but also some draft and office copies, of specifications for various projects. Copies of specifications can also be found in the Files subseries; these copies were maintained distinct from the project files and therefore seem to warrant arrangement as a separate subseries.","The Drawings subseries includes architectural plans and sketches on a variety of formats including trace paper, diazo prints, blueprints, and CAD drawings.","The Artifacts, Models series contains memorabilia, material samples, and models associated with Pettersen and her practice as well as Design Collaborative."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_962b3c36991e920d77cf488eb8cd9c4d\" label=\"Abstract\"\u003eEleanore K. Pettersen (1916-2003) received a Certificate in Architecture from Cooper Union for Advancement of Science and Art in 1941, and was an apprentice to Frank Lloyd Wright at Taliesin from 1941-1943. She was one of the first women licensed as an architect in the state of New Jersey in 1950, and was the first woman in New Jersey to open her own architectural office. She primarily designed residences and was also very active in professional and civic organizations. She became a Fellow of the American Institute of Architects (FAIA) in 1991. The collection consists of project files, sketches, blueprints, drawings, models, photographs, and other material relating to over 600 of Pettersen's projects as well as material relating to her participation in various professional and civic organizations. The materials in the collection range in date from 1915-2003 with the bulk of the material dating 1950-2000.\u003c/abstract\u003e\n    "],"abstract_tesim":["Eleanore K. Pettersen (1916-2003) received a Certificate in Architecture from Cooper Union for Advancement of Science and Art in 1941, and was an apprentice to Frank Lloyd Wright at Taliesin from 1941-1943. She was one of the first women licensed as an architect in the state of New Jersey in 1950, and was the first woman in New Jersey to open her own architectural office. She primarily designed residences and was also very active in professional and civic organizations. She became a Fellow of the American Institute of Architects (FAIA) in 1991. The collection consists of project files, sketches, blueprints, drawings, models, photographs, and other material relating to over 600 of Pettersen's projects as well as material relating to her participation in various professional and civic organizations. The materials in the collection range in date from 1915-2003 with the bulk of the material dating 1950-2000."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Design Collaborative (1970-?)","Eleanore Pettersen Associates"],"names_coll_ssim":["Design Collaborative (1970-?)","Eleanore Pettersen Associates","Pettersen, Eleanore, 1916-2003","Wright, Frank Lloyd, 1867-1959"],"persname_ssim":["Pettersen, Eleanore, 1916-2003","Wright, Frank Lloyd, 1867-1959"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Design Collaborative (1970-?)","Eleanore Pettersen Associates","Pettersen, Eleanore, 1916-2003","Wright, Frank Lloyd, 1867-1959"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":641,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:46:42.574Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2251","ead_ssi":"viblbv_repositories_2_resources_2251","_root_":"viblbv_repositories_2_resources_2251","_nest_parent_":"viblbv_repositories_2_resources_2251","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2251.xml","title_filing_ssi":"Pettersen, Eleanore Architectural Collection","title_ssm":["Eleanore Pettersen Architectural Collection,"],"title_tesim":["Eleanore Pettersen Architectural Collection,"],"unitdate_ssm":["1915-2003","1950-2000"],"unitdate_inclusive_ssm":["1915-2003"],"unitdate_bulk_ssim":["1950-2000"],"normalized_date_ssm":["1915/2003, bulk 1950/2000"],"normalized_title_ssm":["Eleanore Pettersen Architectural Collection,, 1915/2003, bulk 1950/2000"],"text":["Eleanore Pettersen Architectural Collection,, 1915/2003, bulk 1950/2000","Ms.2003.018","Architects","Buildings -- Specifications","International Archive of Women in Architecture (IAWA)","Women architects -- New Jersey","Women -- History","Women-owned architectural firms","Architectural drawing -- 20th century","Architects -- New Jersey","Photographs","Models (representations)","Blueprints (reprographic copies)","Architectural drawings (visual works)","Some of the materials in the collection were matted for inclusion in \"Glass Ceilings: Highlights from the IAWA Center\" an exhibit held at the Virginia Center for Architecture, Richmond, VA, 2010.","Collection is open to research.","The accessible information has been transferred to Special Collections server space, please contact Special Collections Staff for assistance in accessing this material.","The Eleanore Pettersen Architecture Collection is divided into five series: Personal Papers, Professional Papers, Office Records, Project Records, and Art, Artifacts, Models. The series are arranged alphabetically by subject except for the Project Records. They are arranged in a project index alphabetically by client's name.","Ageless Perceptions IV: Senior Women in Architecture","1991 will be my fortieth year as an architectural principal with my own office. Architecture has been a total commitment. If I were to make a choice all over again, the choice would be the same. Architecture has imbued me with a sense of self worth and has given me the privilege of contributing a new sense of life and meaning to my clients and their families.","Ageless Perceptions IV – Senior Women in Architecture","Eleanore Pettersen, FAIA/Four Decades","Taliesin Legacy: The Independent Work of Frank Lloyd Wright Apprentices","The guide to the Eleanore Pettersen Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement and description of the Eleanore Pettersen Architectural Collection commenced in February, 2009 and was completed in February, 2010. Preliminary processing was untaken by Amy Vilelle in 2007.","The ImageBase at Virginia Tech's Special Collections contains digital images of Pettersen's work.","Pettersen's collection encompasses over fifty years of architectural practice including project files, sketches, drawings, blueprints, models, slides and photographs representing approximately 600 designs. The collection also contains Pettersen's personal papers including biographical information, family papers, and photographs. The materials range in date from 1915-2003 (bulk 1950-2000) and are divided into five series: Personal Papers, Professional Papers, Office Records, Project Records, and Artifacts and Models. See the contents list below for more detail about the individual series.","The Personal Papers series contains Pettersen's family papers, biographical information, and personal correspondence (1963-1999). The series also contains a subseries of photographs and slides.","The subseries photographs/slides are divided further into Family Portraits and Photographs, Miscellaneous. The miscellaneous photographs are mostly unidentified snapshots. Major subjects present include: Altrusa meetings; Pettersen's barn/studio and pets; Pettersen's travels to visit friends; parties/gatherings; house models; Taliesin West Half Century celebration; and a visit to Frank Lloyd Wright's Grand Waikapu Country Club in Maui, Hawaii.","The Professional Papers series consists of material relating to Pettersen's participation in various professional and civic organizations, material (collected by Pettersen) documenting Frank Lloyd Wright and Taliesin, various awards received by Pettersen, correspondence, and general reference files.","Pettersen was active locally and nationally in professional organizations, as a member of the New Jersey Society of Architects and the American Institute of Architects, and in civic organizations, as a member of the Altrusa Club, YWCA, and the New Jersey State Council on the Arts. She was also involved in various local groups/projects, such as the Housing Development Corporation of Bergen County, Bergen Community College Women's Institute Advisory Council, and the Uniform Construction Code Advisory Board. Materials relating to these activities primarily include minutes, correspondence, agendas, reports, notes, and printed material.","Professional and civic awards presented to Pettersen.","Pettersen served as an apprentice to Frank Lloyd Wright as part of the Taliesin Fellowship from 1941 to 1943. Over the years, she collected material, such as newspaper and magazine clippings, newsletters (Frank Lloyd Wright Building Conservancy and FLLW Update), documenting Frank Lloyd Wright, his buildings, and his legacy. She also collected material, such as correspondence, publications, and clippings relating to Taliesin Fellows.","The Office Records series consists of materials relating to the day to day operations of a private architectural practice including financial materials, exhibit materials, publicity, clippings and scrapbooks featuring Pettersen and her practice, and photographs.","The General subseries focuses on the daily operations of the practices with an emphasis on financial matters. Materials present include: invoices, architectural fees, budget correspondence, purchase order books (1972-2000) and appointment books (1993-1998).","The Clippings/Scrapbook subseries includes newspaper and magazine clippings (1957- 2000) about Pettersen and her practice, real estate ads for houses designed by Pettersen, and two scrapbooks compiled by Pettersen.","The Presentation Materials subseries contain exhibit boards, publicity, and other materials for three exhibits featuring Pettersen.","The Public Relations series contains materials relating to the promotion of Pettersen's practice including press clippings, correspondence between Pettersen and interviewers/media outlets, and photograph albums containing a selection of Pettersen's projects.","The Photographs subseries contain glass slides, photographs, and slides of a mixture of unidentified structures and buildings designed by Pettersen. The photographs are mostly snapshots and Polaroids.","The Computer Disks subseries contains 5 ¼-inch and 3 ½-inch diskettes. They contain office records and project files. 1986-1988 and undated","The Project Records series consists of files, specifications, drawings, and other material relating to over 650 design and construction projects carried by Pettersen with her consecutive firms Eleanore Pettersen Associates and Design Collaborative.","Arrangement note: The Project Index is a way to organize the various formats of architectural records from the same project. The project index is organized alphabetically by client's last name and then by project number. Researchers should note that several distinct projects share project numbers.","The Files subseries consists of standard forms of agreement, change orders, invoices for architectural service, applications and certificates of payment, specifications, photographs, notes, correspondence, drawings and sketches, purchase orders, job reports, schedules, and other material created by Pettersen (and, to a certain extent, her associates) in the course of work on various residential and commercial projects. Projects primarily include the design and construction of new residences, and additions and alterations to existing residences. Most projects are located in New Jersey although there are also projects in New York, Massachusetts, Vermont, Connecticut, Maine, Michigan, Colorado, Virginia, North Carolina, South Carolina, Georgia, Tennessee, and Florida.","Pettersen classified some of her files as \"Dead Files.\" This classification has been retained and is indicated in the Project Index with an italicized box number. The \"Dead Files\" include boxes 40-47.","The Specifications subseries consist primarily of master copies, but also some draft and office copies, of specifications for various projects. Copies of specifications can also be found in the Files subseries; these copies were maintained distinct from the project files and therefore seem to warrant arrangement as a separate subseries.","The Drawings subseries includes architectural plans and sketches on a variety of formats including trace paper, diazo prints, blueprints, and CAD drawings.","The Artifacts, Models series contains memorabilia, material samples, and models associated with Pettersen and her practice as well as Design Collaborative.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Eleanore K. Pettersen (1916-2003) received a Certificate in Architecture from Cooper Union for Advancement of Science and Art in 1941, and was an apprentice to Frank Lloyd Wright at Taliesin from 1941-1943. She was one of the first women licensed as an architect in the state of New Jersey in 1950, and was the first woman in New Jersey to open her own architectural office. She primarily designed residences and was also very active in professional and civic organizations. She became a Fellow of the American Institute of Architects (FAIA) in 1991. The collection consists of project files, sketches, blueprints, drawings, models, photographs, and other material relating to over 600 of Pettersen's projects as well as material relating to her participation in various professional and civic organizations. The materials in the collection range in date from 1915-2003 with the bulk of the material dating 1950-2000.","Special Collections and University Archives, Virginia Tech","Design Collaborative (1970-?)","Eleanore Pettersen Associates","Pettersen, Eleanore, 1916-2003","Wright, Frank Lloyd, 1867-1959","The materials in the collection are in English."],"collection_title_tesim":["Eleanore Pettersen Architectural Collection,, 1915/2003, bulk 1950/2000"],"collection_ssim":["Eleanore Pettersen Architectural Collection,, 1915/2003, bulk 1950/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2003.018"],"unitid_tesim":["Ms.2003.018"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_persname_ssim":["Pettersen, Eleanore, 1916-2003","Wright, Frank Lloyd, 1867-1959"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Design Collaborative (1970-?)","Eleanore Pettersen Associates"],"creators_ssim":["Pettersen, Eleanore, 1916-2003","Wright, Frank Lloyd, 1867-1959","Special Collections and University Archives, Virginia Tech","Design Collaborative (1970-?)","Eleanore Pettersen Associates"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Eleanore Pettersen Architectural Collection was donated to Special Collections in September 2003. Additions were received in April 2010 and August 2011."],"access_subjects_ssim":["Architects","Buildings -- Specifications","International Archive of Women in Architecture (IAWA)","Women architects -- New Jersey","Women -- History","Women-owned architectural firms","Architectural drawing -- 20th century","Architects -- New Jersey","Photographs","Models (representations)","Blueprints (reprographic copies)","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Buildings -- Specifications","International Archive of Women in Architecture (IAWA)","Women architects -- New Jersey","Women -- History","Women-owned architectural firms","Architectural drawing -- 20th century","Architects -- New Jersey","Photographs","Models (representations)","Blueprints (reprographic copies)","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Some of the materials in the collection were matted for inclusion in \"Glass Ceilings: Highlights from the IAWA Center\" an exhibit held at the Virginia Center for Architecture, Richmond, VA, 2010."],"extent_ssm":["296 Cubic Feet 219 boxes; 7 map cases"],"extent_tesim":["296 Cubic Feet 219 boxes; 7 map cases"],"genreform_ssim":["Photographs","Models (representations)","Blueprints (reprographic copies)","Architectural drawings (visual works)"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  ","\u003cp\u003eThe accessible information has been transferred to Special Collections server space, please contact Special Collections Staff for assistance in accessing this material.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.","The accessible information has been transferred to Special Collections server space, please contact Special Collections Staff for assistance in accessing this material."],"arrangement_html_tesm":["\u003cp\u003eThe Eleanore Pettersen Architecture Collection is divided into five series: Personal Papers, Professional Papers, Office Records, Project Records, and Art, Artifacts, Models. The series are arranged alphabetically by subject except for the Project Records. They are arranged in a project index alphabetically by client's name.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Eleanore Pettersen Architecture Collection is divided into five series: Personal Papers, Professional Papers, Office Records, Project Records, and Art, Artifacts, Models. The series are arranged alphabetically by subject except for the Project Records. They are arranged in a project index alphabetically by client's name."],"bioghist_html_tesm":["\u003cemph render=\"italic\"\u003eAgeless Perceptions IV: Senior Women in Architecture\u003c/emph\u003e, an exhibit held at the SOHO20 Gallery in New York City, highlights Pettersen's devotion to architecture: \n\n","\u003cblockquote\u003e1991 will be my fortieth year as an architectural principal with my own office. Architecture has been a total commitment. If I were to make a choice all over again, the choice would be the same. Architecture has imbued me with a sense of self worth and has given me the privilege of contributing a new sense of life and meaning to my clients and their families.\n\n\u003c/blockquote\u003ePettersen's commitment to architecture superseded creating designs and working with clients. She also served on a number of national and local professional/civic organizations promoting architecture as a viable profession for women with her presence and accomplishments. \n\nIn 1957 she founded the Bergen County Chapter of Altrusa (a service organization for professional women), and over her decades long involvement served as president for three non-consecutive terms. She was also on several boards including: the Arts Center of Northern New Jersey; Ramapo College of New Jersey; the Mercer Community College board of directors; Young Women's Christian Association (YWCA); and various Bergen County committees including the Bergen County Task Force of Affordable Housing. \n\nProfessionally she was just as engaged becoming a member of the American Institute of Architects (AIA) in 1954 and serving on various sub-committees. She also belonged to the New Jersey Society of Architects, the Architectural League of Northern New Jersey, and served on the boards of local architecture schools like the New Jersey Institute of Technology\n\nPettersen was featured in [at least] three exhibitions: ","\u003cemph render=\"italic\"\u003eAgeless Perceptions IV – Senior Women in Architecture\u003c/emph\u003e at the SOHO20 Gallery in New York City in 1991, ","\u003cemph render=\"italic\"\u003eEleanore Pettersen, FAIA/Four Decades\u003c/emph\u003e (a one-woman show) at the Arts Center of Northern New Jersey in New Milford, NJ, in 1991, and ","\u003cemph render=\"italic\"\u003eTaliesin Legacy: The Independent Work of Frank Lloyd Wright Apprentices\u003c/emph\u003e at the Pratt Manhattan Gallery in New York in 1992. \n\nDuring her fifty year career Pettersen achieved a number of firsts including: the first woman recipient of the Professional Achievement Citation for Distinguished Accomplishments by Cooper Union (1965); first woman appointed by the governor to the New Jersey State Board of Architects and subsequently its first woman president (1975- 1976); first female president of the New Jersey Society of Architects (1984); and first woman elected as New Jersey's Regional Director to the AIA Board (1986-1989). \n\nPettersen was named an AIA Fellow in 1991. She passed away at her Saddle River home in 2003. \n\n  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Ageless Perceptions IV: Senior Women in Architecture","1991 will be my fortieth year as an architectural principal with my own office. Architecture has been a total commitment. If I were to make a choice all over again, the choice would be the same. Architecture has imbued me with a sense of self worth and has given me the privilege of contributing a new sense of life and meaning to my clients and their families.","Ageless Perceptions IV – Senior Women in Architecture","Eleanore Pettersen, FAIA/Four Decades","Taliesin Legacy: The Independent Work of Frank Lloyd Wright Apprentices"],"odd_html_tesm":["\u003cp\u003eThe guide to the Eleanore Pettersen Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Eleanore Pettersen Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Eleanore Pettersen Architectural Collection, Ms2003-018, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Eleanore Pettersen Architectural Collection, Ms2003-018, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Eleanore Pettersen Architectural Collection commenced in February, 2009 and was completed in February, 2010. Preliminary processing was untaken by Amy Vilelle in 2007.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Eleanore Pettersen Architectural Collection commenced in February, 2009 and was completed in February, 2010. Preliminary processing was untaken by Amy Vilelle in 2007."],"relatedmaterial_html_tesm":["\u003cp\u003eThe \u003cextref href=\"http://imagebase.lib.vt.edu/browse.php?folio_ID=/iawa/pedd\" title=\"ImageBase\"\u003eImageBase\u003c/extref\u003e at Virginia Tech's Special Collections contains digital images of Pettersen's work.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Material"],"relatedmaterial_tesim":["The ImageBase at Virginia Tech's Special Collections contains digital images of Pettersen's work."],"scopecontent_html_tesm":["\u003cp\u003ePettersen's collection encompasses over fifty years of architectural practice including project files, sketches, drawings, blueprints, models, slides and photographs representing approximately 600 designs. The collection also contains Pettersen's personal papers including biographical information, family papers, and photographs. The materials range in date from 1915-2003 (bulk 1950-2000) and are divided into five series: Personal Papers, Professional Papers, Office Records, Project Records, and Artifacts and Models. See the contents list below for more detail about the individual series.\u003c/p\u003e  ","\u003cp\u003eThe Personal Papers series contains Pettersen's family papers, biographical information, and personal correspondence (1963-1999). The series also contains a subseries of photographs and slides.\u003c/p\u003e","\u003cp\u003eThe subseries photographs/slides are divided further into Family Portraits and Photographs, Miscellaneous. The miscellaneous photographs are mostly unidentified snapshots. Major subjects present include: Altrusa meetings; Pettersen's barn/studio and pets; Pettersen's travels to visit friends; parties/gatherings; house models; Taliesin West Half Century celebration; and a visit to Frank Lloyd Wright's Grand Waikapu Country Club in Maui, Hawaii.\u003c/p\u003e","\u003cp\u003eThe Professional Papers series consists of material relating to Pettersen's participation in various professional and civic organizations, material (collected by Pettersen) documenting Frank Lloyd Wright and Taliesin, various awards received by Pettersen, correspondence, and general reference files.\u003c/p\u003e","\u003cp\u003ePettersen was active locally and nationally in professional organizations, as a member of the New Jersey Society of Architects and the American Institute of Architects, and in civic organizations, as a member of the Altrusa Club, YWCA, and the New Jersey State Council on the Arts. She was also involved in various local groups/projects, such as the Housing Development Corporation of Bergen County, Bergen Community College Women's Institute Advisory Council, and the Uniform Construction Code Advisory Board. Materials relating to these activities primarily include minutes, correspondence, agendas, reports, notes, and printed material.\u003c/p\u003e","\u003cp\u003eProfessional and civic awards presented to Pettersen.\u003c/p\u003e","\u003cp\u003ePettersen served as an apprentice to Frank Lloyd Wright as part of the Taliesin Fellowship from 1941 to 1943. Over the years, she collected material, such as newspaper and magazine clippings, newsletters (Frank Lloyd Wright Building Conservancy and FLLW Update), documenting Frank Lloyd Wright, his buildings, and his legacy. She also collected material, such as correspondence, publications, and clippings relating to Taliesin Fellows.\u003c/p\u003e","\u003cp\u003eThe Office Records series consists of materials relating to the day to day operations of a private architectural practice including financial materials, exhibit materials, publicity, clippings and scrapbooks featuring Pettersen and her practice, and photographs.\u003c/p\u003e","\u003cp\u003eThe General subseries focuses on the daily operations of the practices with an emphasis on financial matters. Materials present include: invoices, architectural fees, budget correspondence, purchase order books (1972-2000) and appointment books (1993-1998).\u003c/p\u003e","\u003cp\u003eThe Clippings/Scrapbook subseries includes newspaper and magazine clippings (1957- 2000) about Pettersen and her practice, real estate ads for houses designed by Pettersen, and two scrapbooks compiled by Pettersen.\u003c/p\u003e","\u003cp\u003eThe Presentation Materials subseries contain exhibit boards, publicity, and other materials for three exhibits featuring Pettersen.\u003c/p\u003e","\u003cp\u003eThe Public Relations series contains materials relating to the promotion of Pettersen's practice including press clippings, correspondence between Pettersen and interviewers/media outlets, and photograph albums containing a selection of Pettersen's projects.\u003c/p\u003e","\u003cp\u003eThe Photographs subseries contain glass slides, photographs, and slides of a mixture of unidentified structures and buildings designed by Pettersen. The photographs are mostly snapshots and Polaroids.\u003c/p\u003e","\u003cp\u003eThe Computer Disks subseries contains 5 ¼-inch and 3 ½-inch diskettes. They contain office records and project files. 1986-1988 and undated\u003c/p\u003e","\u003cp\u003eThe Project Records series consists of files, specifications, drawings, and other material relating to over 650 design and construction projects carried by Pettersen with her consecutive firms Eleanore Pettersen Associates and Design Collaborative.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eArrangement note:\u003c/emph\u003e The \u003cextref actuate=\"onRequest\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2003-018pi.xls\" show=\"new\" title=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2003-018pi.xls\"\u003eProject Index\u003c/extref\u003e is a way to organize the various formats of architectural records from the same project. The project index is organized alphabetically by client's last name and then by project number. Researchers should note that several distinct projects share project numbers. \u003c/p\u003e","\u003cp\u003eThe Files subseries consists of standard forms of agreement, change orders, invoices for architectural service, applications and certificates of payment, specifications, photographs, notes, correspondence, drawings and sketches, purchase orders, job reports, schedules, and other material created by Pettersen (and, to a certain extent, her associates) in the course of work on various residential and commercial projects. Projects primarily include the design and construction of new residences, and additions and alterations to existing residences. Most projects are located in New Jersey although there are also projects in New York, Massachusetts, Vermont, Connecticut, Maine, Michigan, Colorado, Virginia, North Carolina, South Carolina, Georgia, Tennessee, and Florida. \u003c/p\u003e","\u003cp\u003ePettersen classified some of her files as \"Dead Files.\" This classification has been retained and is indicated in the Project Index with an italicized box number. The \"Dead Files\" include boxes 40-47. \u003c/p\u003e","\u003cp\u003eThe Specifications subseries consist primarily of master copies, but also some draft and office copies, of specifications for various projects. Copies of specifications can also be found in the Files subseries; these copies were maintained distinct from the project files and therefore seem to warrant arrangement as a separate subseries.\u003c/p\u003e","\u003cp\u003eThe Drawings subseries includes architectural plans and sketches on a variety of formats including trace paper, diazo prints, blueprints, and CAD drawings.\u003c/p\u003e","\u003cp\u003eThe Artifacts, Models series contains memorabilia, material samples, and models associated with Pettersen and her practice as well as Design Collaborative.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Pettersen's collection encompasses over fifty years of architectural practice including project files, sketches, drawings, blueprints, models, slides and photographs representing approximately 600 designs. The collection also contains Pettersen's personal papers including biographical information, family papers, and photographs. The materials range in date from 1915-2003 (bulk 1950-2000) and are divided into five series: Personal Papers, Professional Papers, Office Records, Project Records, and Artifacts and Models. See the contents list below for more detail about the individual series.","The Personal Papers series contains Pettersen's family papers, biographical information, and personal correspondence (1963-1999). The series also contains a subseries of photographs and slides.","The subseries photographs/slides are divided further into Family Portraits and Photographs, Miscellaneous. The miscellaneous photographs are mostly unidentified snapshots. Major subjects present include: Altrusa meetings; Pettersen's barn/studio and pets; Pettersen's travels to visit friends; parties/gatherings; house models; Taliesin West Half Century celebration; and a visit to Frank Lloyd Wright's Grand Waikapu Country Club in Maui, Hawaii.","The Professional Papers series consists of material relating to Pettersen's participation in various professional and civic organizations, material (collected by Pettersen) documenting Frank Lloyd Wright and Taliesin, various awards received by Pettersen, correspondence, and general reference files.","Pettersen was active locally and nationally in professional organizations, as a member of the New Jersey Society of Architects and the American Institute of Architects, and in civic organizations, as a member of the Altrusa Club, YWCA, and the New Jersey State Council on the Arts. She was also involved in various local groups/projects, such as the Housing Development Corporation of Bergen County, Bergen Community College Women's Institute Advisory Council, and the Uniform Construction Code Advisory Board. Materials relating to these activities primarily include minutes, correspondence, agendas, reports, notes, and printed material.","Professional and civic awards presented to Pettersen.","Pettersen served as an apprentice to Frank Lloyd Wright as part of the Taliesin Fellowship from 1941 to 1943. Over the years, she collected material, such as newspaper and magazine clippings, newsletters (Frank Lloyd Wright Building Conservancy and FLLW Update), documenting Frank Lloyd Wright, his buildings, and his legacy. She also collected material, such as correspondence, publications, and clippings relating to Taliesin Fellows.","The Office Records series consists of materials relating to the day to day operations of a private architectural practice including financial materials, exhibit materials, publicity, clippings and scrapbooks featuring Pettersen and her practice, and photographs.","The General subseries focuses on the daily operations of the practices with an emphasis on financial matters. Materials present include: invoices, architectural fees, budget correspondence, purchase order books (1972-2000) and appointment books (1993-1998).","The Clippings/Scrapbook subseries includes newspaper and magazine clippings (1957- 2000) about Pettersen and her practice, real estate ads for houses designed by Pettersen, and two scrapbooks compiled by Pettersen.","The Presentation Materials subseries contain exhibit boards, publicity, and other materials for three exhibits featuring Pettersen.","The Public Relations series contains materials relating to the promotion of Pettersen's practice including press clippings, correspondence between Pettersen and interviewers/media outlets, and photograph albums containing a selection of Pettersen's projects.","The Photographs subseries contain glass slides, photographs, and slides of a mixture of unidentified structures and buildings designed by Pettersen. The photographs are mostly snapshots and Polaroids.","The Computer Disks subseries contains 5 ¼-inch and 3 ½-inch diskettes. They contain office records and project files. 1986-1988 and undated","The Project Records series consists of files, specifications, drawings, and other material relating to over 650 design and construction projects carried by Pettersen with her consecutive firms Eleanore Pettersen Associates and Design Collaborative.","Arrangement note: The Project Index is a way to organize the various formats of architectural records from the same project. The project index is organized alphabetically by client's last name and then by project number. Researchers should note that several distinct projects share project numbers.","The Files subseries consists of standard forms of agreement, change orders, invoices for architectural service, applications and certificates of payment, specifications, photographs, notes, correspondence, drawings and sketches, purchase orders, job reports, schedules, and other material created by Pettersen (and, to a certain extent, her associates) in the course of work on various residential and commercial projects. Projects primarily include the design and construction of new residences, and additions and alterations to existing residences. Most projects are located in New Jersey although there are also projects in New York, Massachusetts, Vermont, Connecticut, Maine, Michigan, Colorado, Virginia, North Carolina, South Carolina, Georgia, Tennessee, and Florida.","Pettersen classified some of her files as \"Dead Files.\" This classification has been retained and is indicated in the Project Index with an italicized box number. The \"Dead Files\" include boxes 40-47.","The Specifications subseries consist primarily of master copies, but also some draft and office copies, of specifications for various projects. Copies of specifications can also be found in the Files subseries; these copies were maintained distinct from the project files and therefore seem to warrant arrangement as a separate subseries.","The Drawings subseries includes architectural plans and sketches on a variety of formats including trace paper, diazo prints, blueprints, and CAD drawings.","The Artifacts, Models series contains memorabilia, material samples, and models associated with Pettersen and her practice as well as Design Collaborative."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_962b3c36991e920d77cf488eb8cd9c4d\" label=\"Abstract\"\u003eEleanore K. Pettersen (1916-2003) received a Certificate in Architecture from Cooper Union for Advancement of Science and Art in 1941, and was an apprentice to Frank Lloyd Wright at Taliesin from 1941-1943. She was one of the first women licensed as an architect in the state of New Jersey in 1950, and was the first woman in New Jersey to open her own architectural office. She primarily designed residences and was also very active in professional and civic organizations. She became a Fellow of the American Institute of Architects (FAIA) in 1991. The collection consists of project files, sketches, blueprints, drawings, models, photographs, and other material relating to over 600 of Pettersen's projects as well as material relating to her participation in various professional and civic organizations. The materials in the collection range in date from 1915-2003 with the bulk of the material dating 1950-2000.\u003c/abstract\u003e\n    "],"abstract_tesim":["Eleanore K. Pettersen (1916-2003) received a Certificate in Architecture from Cooper Union for Advancement of Science and Art in 1941, and was an apprentice to Frank Lloyd Wright at Taliesin from 1941-1943. She was one of the first women licensed as an architect in the state of New Jersey in 1950, and was the first woman in New Jersey to open her own architectural office. She primarily designed residences and was also very active in professional and civic organizations. She became a Fellow of the American Institute of Architects (FAIA) in 1991. The collection consists of project files, sketches, blueprints, drawings, models, photographs, and other material relating to over 600 of Pettersen's projects as well as material relating to her participation in various professional and civic organizations. The materials in the collection range in date from 1915-2003 with the bulk of the material dating 1950-2000."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Design Collaborative (1970-?)","Eleanore Pettersen Associates"],"names_coll_ssim":["Design Collaborative (1970-?)","Eleanore Pettersen Associates","Pettersen, Eleanore, 1916-2003","Wright, Frank Lloyd, 1867-1959"],"persname_ssim":["Pettersen, Eleanore, 1916-2003","Wright, Frank Lloyd, 1867-1959"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Design Collaborative (1970-?)","Eleanore Pettersen Associates","Pettersen, Eleanore, 1916-2003","Wright, Frank Lloyd, 1867-1959"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":641,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:46:42.574Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2251"}},{"id":"viblbv_repositories_2_resources_2055","type":"collection","attributes":{"title":"Elizabeth Chu Richter Architectural Collection, 1988/2003","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2055#creator","type":"document_value","attributes":{"value":"Richter, Elizabeth Chu","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2055#abstract_or_scope","type":"document_value","attributes":{"value":"The Elizabeth Chu Richter Architectural Collection consists of correspondence, articles, and project files. Richter and her husband David Richter founded Richter Architects in Corpus Christi, Texas.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2055#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2055","ead_ssi":"viblbv_repositories_2_resources_2055","_root_":"viblbv_repositories_2_resources_2055","_nest_parent_":"viblbv_repositories_2_resources_2055","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2055.xml","title_filing_ssi":"Richter, Elizabeth Chu, Architectural Collection","title_ssm":["Elizabeth Chu Richter Architectural Collection"],"title_tesim":["Elizabeth Chu Richter Architectural Collection"],"unitdate_ssm":["1988-2003, n.d."],"unitdate_inclusive_ssm":["1988-2003, n.d."],"normalized_date_ssm":["1988/2003"],"normalized_title_ssm":["Elizabeth Chu Richter Architectural Collection, 1988/2003"],"text":["Elizabeth Chu Richter Architectural Collection, 1988/2003","Ms.1997.022","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open for research.","The collection is arranged by material type.","Elizabeth Chu Richter was born in Nanjing China in 1949. In 1963, before starting high school, she moved to the United States. Chu Richter attended the University of Texas at Austin, where she graduated with a degree in architecture in 1974. While raising three children, she worked part time on larger projects with her husband, David Richter, a fellow graduate of the University of Texas. In 1989, Chu Richter began working full time with her husband at their firm, Richter Architects, in Corpus Christi, Texas.","In 1999, one of the firm's projects, the Brooks County Safety Rest Area, received numerous awards including, Texas Society of Architects Design Award, AIA Honor Award for Architecture. Chu Richter also devotes much time to public design education. She has written op-ed pieces for newspapers, and produced a radio program entitled \"The Shape of Texas.\"","See also Elizabeth Chu Richter FAIA in the IAWA Biographical Database.","The guide to the Elizabeth Chu Richter Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Elizabeth Chu Richter Architectural Collection was completed in 2003.","The Elizabeth Chu Richter Architectural Collection consists of correspondence with Milka Bliznakov, letters written which detail the career and personal life of Elizabeth and her husband, David. Numerous articles about the awards given to the Brooks County Safety Rest Area, and the Richter's residence, are also featured. Op-ed pieces that Chu has written and articles featuring the Richter's practice, color printouts of the Rest Area and the Richter's projects in Texas are included.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Elizabeth Chu Richter Architectural Collection consists of correspondence, articles, and project files. Richter and her husband David Richter founded Richter Architects in Corpus Christi, Texas.","Special Collections and University Archives, Virginia Tech","Richter, Elizabeth Chu","The materials in the collection are in English."],"collection_title_tesim":["Elizabeth Chu Richter Architectural Collection, 1988/2003"],"collection_ssim":["Elizabeth Chu Richter Architectural Collection, 1988/2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1997.022"],"unitid_tesim":["Ms.1997.022"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Richter, Elizabeth Chu"],"creator_ssim":["Richter, Elizabeth Chu"],"creator_persname_ssim":["Richter, Elizabeth Chu"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Richter, Elizabeth Chu","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Elizabeth Chu Richter Architectural Collection was donated in February 2002. Additional materials were donated in 2003."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Cubic Feet 1 box"],"extent_tesim":["0.5 Cubic Feet 1 box"],"date_range_isim":[1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by material type.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by material type."],"bioghist_html_tesm":["\u003cp\u003eElizabeth Chu Richter was born in Nanjing China in 1949. In 1963, before starting high school, she moved to the United States. Chu Richter attended the University of Texas at Austin, where she graduated with a degree in architecture in 1974. While raising three children, she worked part time on larger projects with her husband, David Richter, a fellow graduate of the University of Texas. In 1989, Chu Richter began working full time with her husband at their firm, Richter Architects, in Corpus Christi, Texas.\u003c/p\u003e","\u003cp\u003eIn 1999, one of the firm's projects, the Brooks County Safety Rest Area, received numerous awards including, Texas Society of Architects Design Award, AIA Honor Award for Architecture. Chu Richter also devotes much time to public design education. She has written op-ed pieces for newspapers, and produced a radio program entitled \"The Shape of Texas.\" \u003c/p\u003e","\u003cp\u003eSee also \u003ca href=\"https://iawadb.lib.vt.edu/view_all.php?person_pk=200\" target=\"_blank\"\u003eElizabeth Chu Richter FAIA\u003c/a\u003e in the IAWA Biographical Database.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Elizabeth Chu Richter was born in Nanjing China in 1949. In 1963, before starting high school, she moved to the United States. Chu Richter attended the University of Texas at Austin, where she graduated with a degree in architecture in 1974. While raising three children, she worked part time on larger projects with her husband, David Richter, a fellow graduate of the University of Texas. In 1989, Chu Richter began working full time with her husband at their firm, Richter Architects, in Corpus Christi, Texas.","In 1999, one of the firm's projects, the Brooks County Safety Rest Area, received numerous awards including, Texas Society of Architects Design Award, AIA Honor Award for Architecture. Chu Richter also devotes much time to public design education. She has written op-ed pieces for newspapers, and produced a radio program entitled \"The Shape of Texas.\"","See also Elizabeth Chu Richter FAIA in the IAWA Biographical Database."],"odd_html_tesm":["\u003cp\u003eThe guide to the Elizabeth Chu Richter Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Elizabeth Chu Richter Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Elizabeth Chu Richter Architectural Collection, Ms1997-022, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Elizabeth Chu Richter Architectural Collection, Ms1997-022, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Elizabeth Chu Richter Architectural Collection was completed in 2003.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Elizabeth Chu Richter Architectural Collection was completed in 2003."],"scopecontent_html_tesm":["\u003cp\u003eThe Elizabeth Chu Richter Architectural Collection consists of correspondence with Milka Bliznakov, letters written which detail the career and personal life of Elizabeth and her husband, David. Numerous articles about the awards given to the Brooks County Safety Rest Area, and the Richter's residence, are also featured. Op-ed pieces that Chu has written and articles featuring the Richter's practice, color printouts of the Rest Area and the Richter's projects in Texas are included.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Elizabeth Chu Richter Architectural Collection consists of correspondence with Milka Bliznakov, letters written which detail the career and personal life of Elizabeth and her husband, David. Numerous articles about the awards given to the Brooks County Safety Rest Area, and the Richter's residence, are also featured. Op-ed pieces that Chu has written and articles featuring the Richter's practice, color printouts of the Rest Area and the Richter's projects in Texas are included."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_941856735be315dc0a8e8a4fd1186ca3\" label=\"Abstract\"\u003eThe Elizabeth Chu Richter Architectural Collection consists of correspondence, articles, and project files. Richter and her husband David Richter founded Richter Architects in Corpus Christi, Texas.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Elizabeth Chu Richter Architectural Collection consists of correspondence, articles, and project files. Richter and her husband David Richter founded Richter Architects in Corpus Christi, Texas."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Richter, Elizabeth Chu"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Richter, Elizabeth Chu"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:46:21.925Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2055","ead_ssi":"viblbv_repositories_2_resources_2055","_root_":"viblbv_repositories_2_resources_2055","_nest_parent_":"viblbv_repositories_2_resources_2055","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2055.xml","title_filing_ssi":"Richter, Elizabeth Chu, Architectural Collection","title_ssm":["Elizabeth Chu Richter Architectural Collection"],"title_tesim":["Elizabeth Chu Richter Architectural Collection"],"unitdate_ssm":["1988-2003, n.d."],"unitdate_inclusive_ssm":["1988-2003, n.d."],"normalized_date_ssm":["1988/2003"],"normalized_title_ssm":["Elizabeth Chu Richter Architectural Collection, 1988/2003"],"text":["Elizabeth Chu Richter Architectural Collection, 1988/2003","Ms.1997.022","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open for research.","The collection is arranged by material type.","Elizabeth Chu Richter was born in Nanjing China in 1949. In 1963, before starting high school, she moved to the United States. Chu Richter attended the University of Texas at Austin, where she graduated with a degree in architecture in 1974. While raising three children, she worked part time on larger projects with her husband, David Richter, a fellow graduate of the University of Texas. In 1989, Chu Richter began working full time with her husband at their firm, Richter Architects, in Corpus Christi, Texas.","In 1999, one of the firm's projects, the Brooks County Safety Rest Area, received numerous awards including, Texas Society of Architects Design Award, AIA Honor Award for Architecture. Chu Richter also devotes much time to public design education. She has written op-ed pieces for newspapers, and produced a radio program entitled \"The Shape of Texas.\"","See also Elizabeth Chu Richter FAIA in the IAWA Biographical Database.","The guide to the Elizabeth Chu Richter Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Elizabeth Chu Richter Architectural Collection was completed in 2003.","The Elizabeth Chu Richter Architectural Collection consists of correspondence with Milka Bliznakov, letters written which detail the career and personal life of Elizabeth and her husband, David. Numerous articles about the awards given to the Brooks County Safety Rest Area, and the Richter's residence, are also featured. Op-ed pieces that Chu has written and articles featuring the Richter's practice, color printouts of the Rest Area and the Richter's projects in Texas are included.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Elizabeth Chu Richter Architectural Collection consists of correspondence, articles, and project files. Richter and her husband David Richter founded Richter Architects in Corpus Christi, Texas.","Special Collections and University Archives, Virginia Tech","Richter, Elizabeth Chu","The materials in the collection are in English."],"collection_title_tesim":["Elizabeth Chu Richter Architectural Collection, 1988/2003"],"collection_ssim":["Elizabeth Chu Richter Architectural Collection, 1988/2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1997.022"],"unitid_tesim":["Ms.1997.022"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Richter, Elizabeth Chu"],"creator_ssim":["Richter, Elizabeth Chu"],"creator_persname_ssim":["Richter, Elizabeth Chu"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Richter, Elizabeth Chu","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Elizabeth Chu Richter Architectural Collection was donated in February 2002. Additional materials were donated in 2003."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Cubic Feet 1 box"],"extent_tesim":["0.5 Cubic Feet 1 box"],"date_range_isim":[1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by material type.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by material type."],"bioghist_html_tesm":["\u003cp\u003eElizabeth Chu Richter was born in Nanjing China in 1949. In 1963, before starting high school, she moved to the United States. Chu Richter attended the University of Texas at Austin, where she graduated with a degree in architecture in 1974. While raising three children, she worked part time on larger projects with her husband, David Richter, a fellow graduate of the University of Texas. In 1989, Chu Richter began working full time with her husband at their firm, Richter Architects, in Corpus Christi, Texas.\u003c/p\u003e","\u003cp\u003eIn 1999, one of the firm's projects, the Brooks County Safety Rest Area, received numerous awards including, Texas Society of Architects Design Award, AIA Honor Award for Architecture. Chu Richter also devotes much time to public design education. She has written op-ed pieces for newspapers, and produced a radio program entitled \"The Shape of Texas.\" \u003c/p\u003e","\u003cp\u003eSee also \u003ca href=\"https://iawadb.lib.vt.edu/view_all.php?person_pk=200\" target=\"_blank\"\u003eElizabeth Chu Richter FAIA\u003c/a\u003e in the IAWA Biographical Database.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Elizabeth Chu Richter was born in Nanjing China in 1949. In 1963, before starting high school, she moved to the United States. Chu Richter attended the University of Texas at Austin, where she graduated with a degree in architecture in 1974. While raising three children, she worked part time on larger projects with her husband, David Richter, a fellow graduate of the University of Texas. In 1989, Chu Richter began working full time with her husband at their firm, Richter Architects, in Corpus Christi, Texas.","In 1999, one of the firm's projects, the Brooks County Safety Rest Area, received numerous awards including, Texas Society of Architects Design Award, AIA Honor Award for Architecture. Chu Richter also devotes much time to public design education. She has written op-ed pieces for newspapers, and produced a radio program entitled \"The Shape of Texas.\"","See also Elizabeth Chu Richter FAIA in the IAWA Biographical Database."],"odd_html_tesm":["\u003cp\u003eThe guide to the Elizabeth Chu Richter Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Elizabeth Chu Richter Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Elizabeth Chu Richter Architectural Collection, Ms1997-022, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Elizabeth Chu Richter Architectural Collection, Ms1997-022, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Elizabeth Chu Richter Architectural Collection was completed in 2003.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Elizabeth Chu Richter Architectural Collection was completed in 2003."],"scopecontent_html_tesm":["\u003cp\u003eThe Elizabeth Chu Richter Architectural Collection consists of correspondence with Milka Bliznakov, letters written which detail the career and personal life of Elizabeth and her husband, David. Numerous articles about the awards given to the Brooks County Safety Rest Area, and the Richter's residence, are also featured. Op-ed pieces that Chu has written and articles featuring the Richter's practice, color printouts of the Rest Area and the Richter's projects in Texas are included.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Elizabeth Chu Richter Architectural Collection consists of correspondence with Milka Bliznakov, letters written which detail the career and personal life of Elizabeth and her husband, David. Numerous articles about the awards given to the Brooks County Safety Rest Area, and the Richter's residence, are also featured. Op-ed pieces that Chu has written and articles featuring the Richter's practice, color printouts of the Rest Area and the Richter's projects in Texas are included."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_941856735be315dc0a8e8a4fd1186ca3\" label=\"Abstract\"\u003eThe Elizabeth Chu Richter Architectural Collection consists of correspondence, articles, and project files. Richter and her husband David Richter founded Richter Architects in Corpus Christi, Texas.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Elizabeth Chu Richter Architectural Collection consists of correspondence, articles, and project files. Richter and her husband David Richter founded Richter Architects in Corpus Christi, Texas."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Richter, Elizabeth Chu"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Richter, Elizabeth Chu"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:46:21.925Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2055"}},{"id":"viblbv_repositories_2_resources_2310","type":"collection","attributes":{"title":"E. Maria Roth Architectural Collection, 1940/2010","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2310#creator","type":"document_value","attributes":{"value":"Roth, Maria","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2310#abstract_or_scope","type":"document_value","attributes":{"value":"The E. Maria Roth Architectural Collection contains the personal papers, professional papers, and project files of a landscape architect working largely in New Jersey, New York, and Virginia. School work from Cooper Union and Rutgers University is included, along with a school notebook from 1940 made during the Hitler era in Germany. Projects largely conform to the following categories: schools, residences/neighborhoods, public and recreation areas, and furniture/structural designs.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2310#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2310","ead_ssi":"viblbv_repositories_2_resources_2310","_root_":"viblbv_repositories_2_resources_2310","_nest_parent_":"viblbv_repositories_2_resources_2310","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2310.xml","title_filing_ssi":"Roth, E. Maria, Architectural Collection","title_ssm":["E. Maria Roth Architectural Collection"],"title_tesim":["E. Maria Roth Architectural Collection"],"unitdate_ssm":["1940-2010"],"unitdate_inclusive_ssm":["1940-2010"],"normalized_date_ssm":["1940/2010"],"normalized_title_ssm":["E. Maria Roth Architectural Collection, 1940/2010"],"text":["E. Maria Roth Architectural Collection, 1940/2010","Ms.2007.009","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- New Jersey","Women architects -- New York","Women architects -- Virginia","The collection is open for research.","The collection has been digitized and is available online.","The collection is arranged in the following series: I: Personal Papers 1940-2010, n.d.; II: Professional Papers 1956-2006, n.d.; and III: Projects 1973-2005, n.d. Within these series, folders appear in alphabetical order.","E. Maria Roth lived in Germany throughout World War II and later immigrated to the United States at age fifteen. She attended Bulkeley High School in Hartford, CT, and became a United States citizen. After receiving a Certificate of Completion from the Cooper Union School of Architecture in New York City in 1956, Roth designed for Robert P. Moran Architects and Engineers in East Orange, New Jersey, until 1958.","From 1974 to 1976, Roth served as a substitute teacher while rewriting and updating the landscape portion of Hopewell Township, New Jersey's city ordinances; performing technical translation of German; and providing civil engineering and architectural work in New Jersey firms. Also in 1976, Roth earned a Bachelor of Science in Landscape Architecture from Rutgers University. From 1976 to 1978, Roth worked for Van Note-Harvey Associates in Princeton, New Jersey, and Parsons Brinckerhoff in New York.","During the late 1970s to the mid nineties, she worked for the state of New Jersey in several departments: the Department of Transportation as an Assistant Landscape Architect, Transportation Planner, and Assistant Architect; the Department of Human Servicers as Senior Architectural Assistant; and the Department of Community Affairs as Construction Code Specialist.","Roth returned to a private architecture firm as a Marketing Associate, Morgan Architecture Inc, in Lawrenceville, NJ, from 1996 to 1997. In 2000, she received a Master of Science from Virginia Tech's department of Landscape Architecture. Roth continued her relation with Virginia Tech as a part time instructor of German in 2005.","The guide to the E. Maria Roth Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the E. Maria Roth Architectural Collection occurred in 2007. An addition was processed and integrated from June to July 2010.","The E. Maria Roth Architectural Collection contains the personal, professional, and project records of an architect working primarily in New Jersey, New York, and Virginia. Documents date from the mid to late twentieth century to the early twenty-first century.","Roth's personal papers include artwork, educational documents, newspaper articles, various notes and sketches, and a resume of her work. The artwork within Roth's personal papers includes intricate paper cut-outs, prints done in linoleum paint, hand-painted cards, and several examples of calligraphy.","The included educational papers extend from Roth's early grammar school days through high school, to her time at Columbia University, Cooper Union, Rutgers University, and finally Virginia Tech. Particularly significant is Roth's grammar school notebook created during the Hitler era in Germany. This social studies/geography notebook, from 1940, mentions Hitler's fifty-first birthday as well as other contemporary political events.","Roth's professional papers include competition information, an application to a professional organization, newspapers from her time as editor of the \"New River Free Press,\" logos Roth designed, and documents from her time at the New Jersey Department of Transportation.","Pieces written as a citizen activist in Blacksburg.","Created during the Hitler era in Germany.","Map drawn by Roth based on National Geographic Magazine.","Articles cover Medford Circle Project, Pennington Park Project, and Toll Gate School Project. Folder also includes an article profiling Roth as an eighteen year old award winning student. Additional photographs included.","Includes drawings that redesign Blacksburg and other locations.","Includes Drawings for the \"1956 Marble Industry of New York Competition\" and the \"Parcel Enamel Design Competition.\"","See also \"Press Coverage.\"","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The E. Maria Roth Architectural Collection contains the personal papers, professional papers, and project files of a landscape architect working largely in New Jersey, New York, and Virginia. School work from Cooper Union and Rutgers University is included, along with a school notebook from 1940 made during the Hitler era in Germany. Projects largely conform to the following categories: schools, residences/neighborhoods, public and recreation areas, and furniture/structural designs.","Special Collections and University Archives, Virginia Tech","Roth, Maria","The materials in the collection are in English."],"collection_title_tesim":["E. Maria Roth Architectural Collection, 1940/2010"],"collection_ssim":["E. Maria Roth Architectural Collection, 1940/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.009"],"unitid_tesim":["Ms.2007.009"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Roth, Maria"],"creator_ssim":["Roth, Maria"],"creator_persname_ssim":["Roth, Maria"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Roth, Maria","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The E. Maria Roth Architectural Collection was donated to Special Collections in 2006 and 2010."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- New Jersey","Women architects -- New York","Women architects -- Virginia"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- New Jersey","Women architects -- New York","Women architects -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["3.6 Cubic Feet 3 boxes"],"extent_tesim":["3.6 Cubic Feet 3 boxes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://iawa.lib.vt.edu/collection/k3579b08\"\u003eThe collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["The collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in the following series: I: Personal Papers 1940-2010, n.d.; II: Professional Papers 1956-2006, n.d.; and III: Projects 1973-2005, n.d. Within these series, folders appear in alphabetical order.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in the following series: I: Personal Papers 1940-2010, n.d.; II: Professional Papers 1956-2006, n.d.; and III: Projects 1973-2005, n.d. Within these series, folders appear in alphabetical order."],"bioghist_html_tesm":["\u003cp\u003eE. Maria Roth lived in Germany throughout World War II and later immigrated to the United States at age fifteen. She attended Bulkeley High School in Hartford, CT, and became a United States citizen. After receiving a Certificate of Completion from the Cooper Union School of Architecture in New York City in 1956, Roth designed for Robert P. Moran Architects and Engineers in East Orange, New Jersey, until 1958. \u003c/p\u003e","\u003cp\u003eFrom 1974 to 1976, Roth served as a substitute teacher while rewriting and updating the landscape portion of Hopewell Township, New Jersey's city ordinances; performing technical translation of German; and providing civil engineering and architectural work in New Jersey firms. Also in 1976, Roth earned a Bachelor of Science in Landscape Architecture from Rutgers University. From 1976 to 1978, Roth worked for Van Note-Harvey Associates in Princeton, New Jersey, and Parsons Brinckerhoff in New York. \u003c/p\u003e","\u003cp\u003eDuring the late 1970s to the mid nineties, she worked for the state of New Jersey in several departments: the Department of Transportation as an Assistant Landscape Architect, Transportation Planner, and Assistant Architect; the Department of Human Servicers as Senior Architectural Assistant; and the Department of Community Affairs as Construction Code Specialist. \u003c/p\u003e","\u003cp\u003eRoth returned to a private architecture firm as a Marketing Associate, Morgan Architecture Inc, in Lawrenceville, NJ, from 1996 to 1997. In 2000, she received a Master of Science from Virginia Tech's department of Landscape Architecture. Roth continued her relation with Virginia Tech as a part time instructor of German in 2005. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["E. Maria Roth lived in Germany throughout World War II and later immigrated to the United States at age fifteen. She attended Bulkeley High School in Hartford, CT, and became a United States citizen. After receiving a Certificate of Completion from the Cooper Union School of Architecture in New York City in 1956, Roth designed for Robert P. Moran Architects and Engineers in East Orange, New Jersey, until 1958.","From 1974 to 1976, Roth served as a substitute teacher while rewriting and updating the landscape portion of Hopewell Township, New Jersey's city ordinances; performing technical translation of German; and providing civil engineering and architectural work in New Jersey firms. Also in 1976, Roth earned a Bachelor of Science in Landscape Architecture from Rutgers University. From 1976 to 1978, Roth worked for Van Note-Harvey Associates in Princeton, New Jersey, and Parsons Brinckerhoff in New York.","During the late 1970s to the mid nineties, she worked for the state of New Jersey in several departments: the Department of Transportation as an Assistant Landscape Architect, Transportation Planner, and Assistant Architect; the Department of Human Servicers as Senior Architectural Assistant; and the Department of Community Affairs as Construction Code Specialist.","Roth returned to a private architecture firm as a Marketing Associate, Morgan Architecture Inc, in Lawrenceville, NJ, from 1996 to 1997. In 2000, she received a Master of Science from Virginia Tech's department of Landscape Architecture. Roth continued her relation with Virginia Tech as a part time instructor of German in 2005."],"odd_html_tesm":["\u003cp\u003eThe guide to the E. Maria Roth Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the E. Maria Roth Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], E. Maria Roth Architectural Collection, Ms2007-009, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], E. Maria Roth Architectural Collection, Ms2007-009, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the E. Maria Roth Architectural Collection occurred in 2007. An addition was processed and integrated from June to July 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the E. Maria Roth Architectural Collection occurred in 2007. An addition was processed and integrated from June to July 2010."],"scopecontent_html_tesm":["\u003cp\u003eThe E. Maria Roth Architectural Collection contains the personal, professional, and project records of an architect working primarily in New Jersey, New York, and Virginia. Documents date from the mid to late twentieth century to the early twenty-first century. \u003c/p\u003e","\u003cp\u003eRoth's personal papers include artwork, educational documents, newspaper articles, various notes and sketches, and a resume of her work. The artwork within Roth's personal papers includes intricate paper cut-outs, prints done in linoleum paint, hand-painted cards, and several examples of calligraphy. \u003c/p\u003e","\u003cp\u003eThe included educational papers extend from Roth's early grammar school days through high school, to her time at Columbia University, Cooper Union, Rutgers University, and finally Virginia Tech. Particularly significant is Roth's grammar school notebook created during the Hitler era in Germany. This social studies/geography notebook, from 1940, mentions Hitler's fifty-first birthday as well as other contemporary political events. \u003c/p\u003e","\u003cp\u003eRoth's professional papers include competition information, an application to a professional organization, newspapers from her time as editor of the \"New River Free Press,\" logos Roth designed, and documents from her time at the New Jersey Department of Transportation. \u003c/p\u003e  ","\u003cp\u003ePieces written as a citizen activist in Blacksburg.\u003c/p\u003e","\u003cp\u003eCreated during the Hitler era in Germany.\u003c/p\u003e","\u003cp\u003eMap drawn by Roth based on National Geographic Magazine.\u003c/p\u003e","\u003cp\u003eArticles cover Medford Circle Project, Pennington Park Project, and Toll Gate School Project. Folder also includes an article profiling Roth as an eighteen year old award winning student. Additional photographs included.\u003c/p\u003e","\u003cp\u003eIncludes drawings that redesign Blacksburg and other locations.\u003c/p\u003e","\u003cp\u003eIncludes Drawings for the \"1956 Marble Industry of New York Competition\" and the \"Parcel Enamel Design Competition.\"\u003c/p\u003e","\u003cp\u003eSee also \"Press Coverage.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Contents note"],"scopecontent_tesim":["The E. Maria Roth Architectural Collection contains the personal, professional, and project records of an architect working primarily in New Jersey, New York, and Virginia. Documents date from the mid to late twentieth century to the early twenty-first century.","Roth's personal papers include artwork, educational documents, newspaper articles, various notes and sketches, and a resume of her work. The artwork within Roth's personal papers includes intricate paper cut-outs, prints done in linoleum paint, hand-painted cards, and several examples of calligraphy.","The included educational papers extend from Roth's early grammar school days through high school, to her time at Columbia University, Cooper Union, Rutgers University, and finally Virginia Tech. Particularly significant is Roth's grammar school notebook created during the Hitler era in Germany. This social studies/geography notebook, from 1940, mentions Hitler's fifty-first birthday as well as other contemporary political events.","Roth's professional papers include competition information, an application to a professional organization, newspapers from her time as editor of the \"New River Free Press,\" logos Roth designed, and documents from her time at the New Jersey Department of Transportation.","Pieces written as a citizen activist in Blacksburg.","Created during the Hitler era in Germany.","Map drawn by Roth based on National Geographic Magazine.","Articles cover Medford Circle Project, Pennington Park Project, and Toll Gate School Project. Folder also includes an article profiling Roth as an eighteen year old award winning student. Additional photographs included.","Includes drawings that redesign Blacksburg and other locations.","Includes Drawings for the \"1956 Marble Industry of New York Competition\" and the \"Parcel Enamel Design Competition.\"","See also \"Press Coverage.\""],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b9836b8a7f0b2efbfc1deae6dce6d640\" label=\"Abstract\"\u003eThe E. Maria Roth Architectural Collection contains the personal papers, professional papers, and project files of a landscape architect working largely in New Jersey, New York, and Virginia. School work from Cooper Union and Rutgers University is included, along with a school notebook from 1940 made during the Hitler era in Germany. Projects largely conform to the following categories: schools, residences/neighborhoods, public and recreation areas, and furniture/structural designs.\u003c/abstract\u003e\n    "],"abstract_tesim":["The E. Maria Roth Architectural Collection contains the personal papers, professional papers, and project files of a landscape architect working largely in New Jersey, New York, and Virginia. School work from Cooper Union and Rutgers University is included, along with a school notebook from 1940 made during the Hitler era in Germany. Projects largely conform to the following categories: schools, residences/neighborhoods, public and recreation areas, and furniture/structural designs."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Roth, Maria"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Roth, Maria"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":58,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:47:23.643Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2310","ead_ssi":"viblbv_repositories_2_resources_2310","_root_":"viblbv_repositories_2_resources_2310","_nest_parent_":"viblbv_repositories_2_resources_2310","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2310.xml","title_filing_ssi":"Roth, E. Maria, Architectural Collection","title_ssm":["E. Maria Roth Architectural Collection"],"title_tesim":["E. Maria Roth Architectural Collection"],"unitdate_ssm":["1940-2010"],"unitdate_inclusive_ssm":["1940-2010"],"normalized_date_ssm":["1940/2010"],"normalized_title_ssm":["E. Maria Roth Architectural Collection, 1940/2010"],"text":["E. Maria Roth Architectural Collection, 1940/2010","Ms.2007.009","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- New Jersey","Women architects -- New York","Women architects -- Virginia","The collection is open for research.","The collection has been digitized and is available online.","The collection is arranged in the following series: I: Personal Papers 1940-2010, n.d.; II: Professional Papers 1956-2006, n.d.; and III: Projects 1973-2005, n.d. Within these series, folders appear in alphabetical order.","E. Maria Roth lived in Germany throughout World War II and later immigrated to the United States at age fifteen. She attended Bulkeley High School in Hartford, CT, and became a United States citizen. After receiving a Certificate of Completion from the Cooper Union School of Architecture in New York City in 1956, Roth designed for Robert P. Moran Architects and Engineers in East Orange, New Jersey, until 1958.","From 1974 to 1976, Roth served as a substitute teacher while rewriting and updating the landscape portion of Hopewell Township, New Jersey's city ordinances; performing technical translation of German; and providing civil engineering and architectural work in New Jersey firms. Also in 1976, Roth earned a Bachelor of Science in Landscape Architecture from Rutgers University. From 1976 to 1978, Roth worked for Van Note-Harvey Associates in Princeton, New Jersey, and Parsons Brinckerhoff in New York.","During the late 1970s to the mid nineties, she worked for the state of New Jersey in several departments: the Department of Transportation as an Assistant Landscape Architect, Transportation Planner, and Assistant Architect; the Department of Human Servicers as Senior Architectural Assistant; and the Department of Community Affairs as Construction Code Specialist.","Roth returned to a private architecture firm as a Marketing Associate, Morgan Architecture Inc, in Lawrenceville, NJ, from 1996 to 1997. In 2000, she received a Master of Science from Virginia Tech's department of Landscape Architecture. Roth continued her relation with Virginia Tech as a part time instructor of German in 2005.","The guide to the E. Maria Roth Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the E. Maria Roth Architectural Collection occurred in 2007. An addition was processed and integrated from June to July 2010.","The E. Maria Roth Architectural Collection contains the personal, professional, and project records of an architect working primarily in New Jersey, New York, and Virginia. Documents date from the mid to late twentieth century to the early twenty-first century.","Roth's personal papers include artwork, educational documents, newspaper articles, various notes and sketches, and a resume of her work. The artwork within Roth's personal papers includes intricate paper cut-outs, prints done in linoleum paint, hand-painted cards, and several examples of calligraphy.","The included educational papers extend from Roth's early grammar school days through high school, to her time at Columbia University, Cooper Union, Rutgers University, and finally Virginia Tech. Particularly significant is Roth's grammar school notebook created during the Hitler era in Germany. This social studies/geography notebook, from 1940, mentions Hitler's fifty-first birthday as well as other contemporary political events.","Roth's professional papers include competition information, an application to a professional organization, newspapers from her time as editor of the \"New River Free Press,\" logos Roth designed, and documents from her time at the New Jersey Department of Transportation.","Pieces written as a citizen activist in Blacksburg.","Created during the Hitler era in Germany.","Map drawn by Roth based on National Geographic Magazine.","Articles cover Medford Circle Project, Pennington Park Project, and Toll Gate School Project. Folder also includes an article profiling Roth as an eighteen year old award winning student. Additional photographs included.","Includes drawings that redesign Blacksburg and other locations.","Includes Drawings for the \"1956 Marble Industry of New York Competition\" and the \"Parcel Enamel Design Competition.\"","See also \"Press Coverage.\"","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The E. Maria Roth Architectural Collection contains the personal papers, professional papers, and project files of a landscape architect working largely in New Jersey, New York, and Virginia. School work from Cooper Union and Rutgers University is included, along with a school notebook from 1940 made during the Hitler era in Germany. Projects largely conform to the following categories: schools, residences/neighborhoods, public and recreation areas, and furniture/structural designs.","Special Collections and University Archives, Virginia Tech","Roth, Maria","The materials in the collection are in English."],"collection_title_tesim":["E. Maria Roth Architectural Collection, 1940/2010"],"collection_ssim":["E. Maria Roth Architectural Collection, 1940/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.009"],"unitid_tesim":["Ms.2007.009"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Roth, Maria"],"creator_ssim":["Roth, Maria"],"creator_persname_ssim":["Roth, Maria"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Roth, Maria","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The E. Maria Roth Architectural Collection was donated to Special Collections in 2006 and 2010."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- New Jersey","Women architects -- New York","Women architects -- Virginia"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- New Jersey","Women architects -- New York","Women architects -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["3.6 Cubic Feet 3 boxes"],"extent_tesim":["3.6 Cubic Feet 3 boxes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://iawa.lib.vt.edu/collection/k3579b08\"\u003eThe collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["The collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in the following series: I: Personal Papers 1940-2010, n.d.; II: Professional Papers 1956-2006, n.d.; and III: Projects 1973-2005, n.d. Within these series, folders appear in alphabetical order.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in the following series: I: Personal Papers 1940-2010, n.d.; II: Professional Papers 1956-2006, n.d.; and III: Projects 1973-2005, n.d. Within these series, folders appear in alphabetical order."],"bioghist_html_tesm":["\u003cp\u003eE. Maria Roth lived in Germany throughout World War II and later immigrated to the United States at age fifteen. She attended Bulkeley High School in Hartford, CT, and became a United States citizen. After receiving a Certificate of Completion from the Cooper Union School of Architecture in New York City in 1956, Roth designed for Robert P. Moran Architects and Engineers in East Orange, New Jersey, until 1958. \u003c/p\u003e","\u003cp\u003eFrom 1974 to 1976, Roth served as a substitute teacher while rewriting and updating the landscape portion of Hopewell Township, New Jersey's city ordinances; performing technical translation of German; and providing civil engineering and architectural work in New Jersey firms. Also in 1976, Roth earned a Bachelor of Science in Landscape Architecture from Rutgers University. From 1976 to 1978, Roth worked for Van Note-Harvey Associates in Princeton, New Jersey, and Parsons Brinckerhoff in New York. \u003c/p\u003e","\u003cp\u003eDuring the late 1970s to the mid nineties, she worked for the state of New Jersey in several departments: the Department of Transportation as an Assistant Landscape Architect, Transportation Planner, and Assistant Architect; the Department of Human Servicers as Senior Architectural Assistant; and the Department of Community Affairs as Construction Code Specialist. \u003c/p\u003e","\u003cp\u003eRoth returned to a private architecture firm as a Marketing Associate, Morgan Architecture Inc, in Lawrenceville, NJ, from 1996 to 1997. In 2000, she received a Master of Science from Virginia Tech's department of Landscape Architecture. Roth continued her relation with Virginia Tech as a part time instructor of German in 2005. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["E. Maria Roth lived in Germany throughout World War II and later immigrated to the United States at age fifteen. She attended Bulkeley High School in Hartford, CT, and became a United States citizen. After receiving a Certificate of Completion from the Cooper Union School of Architecture in New York City in 1956, Roth designed for Robert P. Moran Architects and Engineers in East Orange, New Jersey, until 1958.","From 1974 to 1976, Roth served as a substitute teacher while rewriting and updating the landscape portion of Hopewell Township, New Jersey's city ordinances; performing technical translation of German; and providing civil engineering and architectural work in New Jersey firms. Also in 1976, Roth earned a Bachelor of Science in Landscape Architecture from Rutgers University. From 1976 to 1978, Roth worked for Van Note-Harvey Associates in Princeton, New Jersey, and Parsons Brinckerhoff in New York.","During the late 1970s to the mid nineties, she worked for the state of New Jersey in several departments: the Department of Transportation as an Assistant Landscape Architect, Transportation Planner, and Assistant Architect; the Department of Human Servicers as Senior Architectural Assistant; and the Department of Community Affairs as Construction Code Specialist.","Roth returned to a private architecture firm as a Marketing Associate, Morgan Architecture Inc, in Lawrenceville, NJ, from 1996 to 1997. In 2000, she received a Master of Science from Virginia Tech's department of Landscape Architecture. Roth continued her relation with Virginia Tech as a part time instructor of German in 2005."],"odd_html_tesm":["\u003cp\u003eThe guide to the E. Maria Roth Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the E. Maria Roth Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], E. Maria Roth Architectural Collection, Ms2007-009, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], E. Maria Roth Architectural Collection, Ms2007-009, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the E. Maria Roth Architectural Collection occurred in 2007. An addition was processed and integrated from June to July 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the E. Maria Roth Architectural Collection occurred in 2007. An addition was processed and integrated from June to July 2010."],"scopecontent_html_tesm":["\u003cp\u003eThe E. Maria Roth Architectural Collection contains the personal, professional, and project records of an architect working primarily in New Jersey, New York, and Virginia. Documents date from the mid to late twentieth century to the early twenty-first century. \u003c/p\u003e","\u003cp\u003eRoth's personal papers include artwork, educational documents, newspaper articles, various notes and sketches, and a resume of her work. The artwork within Roth's personal papers includes intricate paper cut-outs, prints done in linoleum paint, hand-painted cards, and several examples of calligraphy. \u003c/p\u003e","\u003cp\u003eThe included educational papers extend from Roth's early grammar school days through high school, to her time at Columbia University, Cooper Union, Rutgers University, and finally Virginia Tech. Particularly significant is Roth's grammar school notebook created during the Hitler era in Germany. This social studies/geography notebook, from 1940, mentions Hitler's fifty-first birthday as well as other contemporary political events. \u003c/p\u003e","\u003cp\u003eRoth's professional papers include competition information, an application to a professional organization, newspapers from her time as editor of the \"New River Free Press,\" logos Roth designed, and documents from her time at the New Jersey Department of Transportation. \u003c/p\u003e  ","\u003cp\u003ePieces written as a citizen activist in Blacksburg.\u003c/p\u003e","\u003cp\u003eCreated during the Hitler era in Germany.\u003c/p\u003e","\u003cp\u003eMap drawn by Roth based on National Geographic Magazine.\u003c/p\u003e","\u003cp\u003eArticles cover Medford Circle Project, Pennington Park Project, and Toll Gate School Project. Folder also includes an article profiling Roth as an eighteen year old award winning student. Additional photographs included.\u003c/p\u003e","\u003cp\u003eIncludes drawings that redesign Blacksburg and other locations.\u003c/p\u003e","\u003cp\u003eIncludes Drawings for the \"1956 Marble Industry of New York Competition\" and the \"Parcel Enamel Design Competition.\"\u003c/p\u003e","\u003cp\u003eSee also \"Press Coverage.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Contents note"],"scopecontent_tesim":["The E. Maria Roth Architectural Collection contains the personal, professional, and project records of an architect working primarily in New Jersey, New York, and Virginia. Documents date from the mid to late twentieth century to the early twenty-first century.","Roth's personal papers include artwork, educational documents, newspaper articles, various notes and sketches, and a resume of her work. The artwork within Roth's personal papers includes intricate paper cut-outs, prints done in linoleum paint, hand-painted cards, and several examples of calligraphy.","The included educational papers extend from Roth's early grammar school days through high school, to her time at Columbia University, Cooper Union, Rutgers University, and finally Virginia Tech. Particularly significant is Roth's grammar school notebook created during the Hitler era in Germany. This social studies/geography notebook, from 1940, mentions Hitler's fifty-first birthday as well as other contemporary political events.","Roth's professional papers include competition information, an application to a professional organization, newspapers from her time as editor of the \"New River Free Press,\" logos Roth designed, and documents from her time at the New Jersey Department of Transportation.","Pieces written as a citizen activist in Blacksburg.","Created during the Hitler era in Germany.","Map drawn by Roth based on National Geographic Magazine.","Articles cover Medford Circle Project, Pennington Park Project, and Toll Gate School Project. Folder also includes an article profiling Roth as an eighteen year old award winning student. Additional photographs included.","Includes drawings that redesign Blacksburg and other locations.","Includes Drawings for the \"1956 Marble Industry of New York Competition\" and the \"Parcel Enamel Design Competition.\"","See also \"Press Coverage.\""],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b9836b8a7f0b2efbfc1deae6dce6d640\" label=\"Abstract\"\u003eThe E. Maria Roth Architectural Collection contains the personal papers, professional papers, and project files of a landscape architect working largely in New Jersey, New York, and Virginia. School work from Cooper Union and Rutgers University is included, along with a school notebook from 1940 made during the Hitler era in Germany. Projects largely conform to the following categories: schools, residences/neighborhoods, public and recreation areas, and furniture/structural designs.\u003c/abstract\u003e\n    "],"abstract_tesim":["The E. Maria Roth Architectural Collection contains the personal papers, professional papers, and project files of a landscape architect working largely in New Jersey, New York, and Virginia. School work from Cooper Union and Rutgers University is included, along with a school notebook from 1940 made during the Hitler era in Germany. Projects largely conform to the following categories: schools, residences/neighborhoods, public and recreation areas, and furniture/structural designs."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Roth, Maria"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Roth, Maria"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":58,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:47:23.643Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2310"}},{"id":"viblbv_repositories_2_resources_2105","type":"collection","attributes":{"title":"Gae Aulenti Architectural Collection, 1987/2003","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2105#creator","type":"document_value","attributes":{"value":"Aulenti, Gae, 1929-2012","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2105#abstract_or_scope","type":"document_value","attributes":{"value":"Italian architect Gae Aulenti's ability to transform historic public buildings into museum spaces is documented in the Gae Aulenti Architectural Collection by newspaper and magazine articles, biographical information, and her conceptual computer-drawn designs for the Asian Art Museum in San Francisco, California.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2105#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2105","ead_ssi":"viblbv_repositories_2_resources_2105","_root_":"viblbv_repositories_2_resources_2105","_nest_parent_":"viblbv_repositories_2_resources_2105","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2105.xml","title_filing_ssi":"Aulenti, Gae, Architectural Collection","title_ssm":["Gae Aulenti Architectural Collection"],"title_tesim":["Gae Aulenti Architectural Collection"],"unitdate_ssm":["1987-2003"],"unitdate_inclusive_ssm":["1987-2003"],"normalized_date_ssm":["1987/2003"],"normalized_title_ssm":["Gae Aulenti Architectural Collection, 1987/2003"],"text":["Gae Aulenti Architectural Collection, 1987/2003","Ms.2000.014","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Italy","The collection is open for research.","The Aulenti collection is arranged by content and by format.","Gae Aulenti was born in Italy in 1929. She graduated from Facola di Architecttua-Politencico in Milan in 1954. Her career, spanning 1955 to 2012, includes work on architecture, furniture, and interior design projects. She is known for her transformation of historic public buildings into museum spaces including Musee d' Orsay (Paris, France), Musee d'Art Moderne at the Centre Pompidou (Paris, France), Palazzo Grassi (Venice, Italy), Museu Nacional d'Art de Catalunya (Barcelona, Spain) and the Asian Art Museum (San Francisco, USA). Aulenti was given first prize at the 1964 Milan Triennial with her piece 'Arrivo al Mare' in the Italian Pavilion. She served on the Executive Board for the Milan Triennial (1977-1980) and received its career prize in mid-October a few weeks before her death on October 31, 2012.","The guide to the Gae Aulenti Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The arrangement of the Gae Aulenti Architectural Collection was completed in 2000 and the processing and description in 2003. Additional materials were integrated in 2006.","The Gae Aulenti Architectural Collection contains biographical materials and documentation of Aulenti's work converting a 1917 former public library building in San Francisco, California into the Asian Art Museum of San Francisco. Biographical materials include: a 1989 curriculum vitae and some articles about her work.  The documentation of the Asian Art museum of San Francisco include: articles about the construction of the museum, materials relating to the museum's 2003 opening, and forty print-outs of design drawings (some in color) showing proposed before-and-after views of the building's exterior and floor plans.","This book was cataloged and is now stored in the Rare Book Room:","Zardini, Mirko, Jean Jenger, Michel Laclotte, and Gae Aulenti.  Gae Aulenti e il Museo d'Orsay. Milan: Electa, 1987.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Italian architect Gae Aulenti's ability to transform historic public buildings into museum spaces is documented in the Gae Aulenti Architectural Collection by newspaper and magazine articles, biographical information, and her conceptual computer-drawn designs for the Asian Art Museum in San Francisco, California.","Special Collections and University Archives, Virginia Tech","Aulenti, Gae, 1929-2012","The materials in the collection are in English."],"collection_title_tesim":["Gae Aulenti Architectural Collection, 1987/2003"],"collection_ssim":["Gae Aulenti Architectural Collection, 1987/2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2000.014"],"unitid_tesim":["Ms.2000.014"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Aulenti, Gae, 1929-2012"],"creator_ssim":["Aulenti, Gae, 1929-2012"],"creator_persname_ssim":["Aulenti, Gae, 1929-2012"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Aulenti, Gae, 1929-2012","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Gae Aulenti Architectural Collection was donated to the International Archive of Women in Architecture at Special Collections in 2000, 2003, and 2005."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Italy"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Italy"],"has_online_content_ssim":["false"],"extent_ssm":["0.6 Cubic Feet 1 box"],"extent_tesim":["0.6 Cubic Feet 1 box"],"date_range_isim":[1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Aulenti collection is arranged by content and by format.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Aulenti collection is arranged by content and by format."],"bioghist_html_tesm":["\u003cp\u003eGae Aulenti was born in Italy in 1929. She graduated from Facola di Architecttua-Politencico in Milan in 1954. Her career, spanning 1955 to 2012, includes work on architecture, furniture, and interior design projects. She is known for her transformation of historic public buildings into museum spaces including Musee d' Orsay (Paris, France), Musee d'Art Moderne at the Centre Pompidou (Paris, France), Palazzo Grassi (Venice, Italy), Museu Nacional d'Art de Catalunya (Barcelona, Spain) and the Asian Art Museum (San Francisco, USA). Aulenti was given first prize at the 1964 Milan Triennial with her piece 'Arrivo al Mare' in the Italian Pavilion. She served on the Executive Board for the Milan Triennial (1977-1980) and received its career prize in mid-October a few weeks before her death on October 31, 2012.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Gae Aulenti was born in Italy in 1929. She graduated from Facola di Architecttua-Politencico in Milan in 1954. Her career, spanning 1955 to 2012, includes work on architecture, furniture, and interior design projects. She is known for her transformation of historic public buildings into museum spaces including Musee d' Orsay (Paris, France), Musee d'Art Moderne at the Centre Pompidou (Paris, France), Palazzo Grassi (Venice, Italy), Museu Nacional d'Art de Catalunya (Barcelona, Spain) and the Asian Art Museum (San Francisco, USA). Aulenti was given first prize at the 1964 Milan Triennial with her piece 'Arrivo al Mare' in the Italian Pavilion. She served on the Executive Board for the Milan Triennial (1977-1980) and received its career prize in mid-October a few weeks before her death on October 31, 2012."],"odd_html_tesm":["\u003cp\u003eThe guide to the Gae Aulenti Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Gae Aulenti Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Gae Aulenti Architectural Collection, Ms2000-014, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Gae Aulenti Architectural Collection, Ms2000-014, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe arrangement of the Gae Aulenti Architectural Collection was completed in 2000 and the processing and description in 2003. Additional materials were integrated in 2006.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The arrangement of the Gae Aulenti Architectural Collection was completed in 2000 and the processing and description in 2003. Additional materials were integrated in 2006."],"scopecontent_html_tesm":["\u003cp\u003eThe Gae Aulenti Architectural Collection contains biographical materials and documentation of Aulenti's work converting a 1917 former public library building in San Francisco, California into the Asian Art Museum of San Francisco. Biographical materials include: a 1989 curriculum vitae and some articles about her work.  The documentation of the Asian Art museum of San Francisco include: articles about the construction of the museum, materials relating to the museum's 2003 opening, and forty print-outs of design drawings (some in color) showing proposed before-and-after views of the building's exterior and floor plans.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Gae Aulenti Architectural Collection contains biographical materials and documentation of Aulenti's work converting a 1917 former public library building in San Francisco, California into the Asian Art Museum of San Francisco. Biographical materials include: a 1989 curriculum vitae and some articles about her work.  The documentation of the Asian Art museum of San Francisco include: articles about the construction of the museum, materials relating to the museum's 2003 opening, and forty print-outs of design drawings (some in color) showing proposed before-and-after views of the building's exterior and floor plans."],"separatedmaterial_html_tesm":["\u003cp\u003eThis book was cataloged and is now stored in the Rare Book Room:\u003c/p\u003e","\u003cp\u003eZardini, Mirko, Jean Jenger, Michel Laclotte, and Gae Aulenti. \u003cemph render=\"underline\"\u003e Gae Aulenti e il Museo d'Orsay.\u003c/emph\u003e Milan: Electa, 1987.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["This book was cataloged and is now stored in the Rare Book Room:","Zardini, Mirko, Jean Jenger, Michel Laclotte, and Gae Aulenti.  Gae Aulenti e il Museo d'Orsay. Milan: Electa, 1987."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_25094657bcfd019dfa78d65f89525db8\" label=\"Abstract\"\u003eItalian architect Gae Aulenti's ability to transform historic public buildings into museum spaces is documented in the Gae Aulenti Architectural Collection by newspaper and magazine articles, biographical information, and her conceptual computer-drawn designs for the Asian Art Museum in San Francisco, California.\u003c/abstract\u003e\n    "],"abstract_tesim":["Italian architect Gae Aulenti's ability to transform historic public buildings into museum spaces is documented in the Gae Aulenti Architectural Collection by newspaper and magazine articles, biographical information, and her conceptual computer-drawn designs for the Asian Art Museum in San Francisco, California."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Aulenti, Gae, 1929-2012"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Aulenti, Gae, 1929-2012"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:46:21.925Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2105","ead_ssi":"viblbv_repositories_2_resources_2105","_root_":"viblbv_repositories_2_resources_2105","_nest_parent_":"viblbv_repositories_2_resources_2105","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2105.xml","title_filing_ssi":"Aulenti, Gae, Architectural Collection","title_ssm":["Gae Aulenti Architectural Collection"],"title_tesim":["Gae Aulenti Architectural Collection"],"unitdate_ssm":["1987-2003"],"unitdate_inclusive_ssm":["1987-2003"],"normalized_date_ssm":["1987/2003"],"normalized_title_ssm":["Gae Aulenti Architectural Collection, 1987/2003"],"text":["Gae Aulenti Architectural Collection, 1987/2003","Ms.2000.014","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Italy","The collection is open for research.","The Aulenti collection is arranged by content and by format.","Gae Aulenti was born in Italy in 1929. She graduated from Facola di Architecttua-Politencico in Milan in 1954. Her career, spanning 1955 to 2012, includes work on architecture, furniture, and interior design projects. She is known for her transformation of historic public buildings into museum spaces including Musee d' Orsay (Paris, France), Musee d'Art Moderne at the Centre Pompidou (Paris, France), Palazzo Grassi (Venice, Italy), Museu Nacional d'Art de Catalunya (Barcelona, Spain) and the Asian Art Museum (San Francisco, USA). Aulenti was given first prize at the 1964 Milan Triennial with her piece 'Arrivo al Mare' in the Italian Pavilion. She served on the Executive Board for the Milan Triennial (1977-1980) and received its career prize in mid-October a few weeks before her death on October 31, 2012.","The guide to the Gae Aulenti Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The arrangement of the Gae Aulenti Architectural Collection was completed in 2000 and the processing and description in 2003. Additional materials were integrated in 2006.","The Gae Aulenti Architectural Collection contains biographical materials and documentation of Aulenti's work converting a 1917 former public library building in San Francisco, California into the Asian Art Museum of San Francisco. Biographical materials include: a 1989 curriculum vitae and some articles about her work.  The documentation of the Asian Art museum of San Francisco include: articles about the construction of the museum, materials relating to the museum's 2003 opening, and forty print-outs of design drawings (some in color) showing proposed before-and-after views of the building's exterior and floor plans.","This book was cataloged and is now stored in the Rare Book Room:","Zardini, Mirko, Jean Jenger, Michel Laclotte, and Gae Aulenti.  Gae Aulenti e il Museo d'Orsay. Milan: Electa, 1987.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Italian architect Gae Aulenti's ability to transform historic public buildings into museum spaces is documented in the Gae Aulenti Architectural Collection by newspaper and magazine articles, biographical information, and her conceptual computer-drawn designs for the Asian Art Museum in San Francisco, California.","Special Collections and University Archives, Virginia Tech","Aulenti, Gae, 1929-2012","The materials in the collection are in English."],"collection_title_tesim":["Gae Aulenti Architectural Collection, 1987/2003"],"collection_ssim":["Gae Aulenti Architectural Collection, 1987/2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2000.014"],"unitid_tesim":["Ms.2000.014"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Aulenti, Gae, 1929-2012"],"creator_ssim":["Aulenti, Gae, 1929-2012"],"creator_persname_ssim":["Aulenti, Gae, 1929-2012"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Aulenti, Gae, 1929-2012","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Gae Aulenti Architectural Collection was donated to the International Archive of Women in Architecture at Special Collections in 2000, 2003, and 2005."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Italy"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Italy"],"has_online_content_ssim":["false"],"extent_ssm":["0.6 Cubic Feet 1 box"],"extent_tesim":["0.6 Cubic Feet 1 box"],"date_range_isim":[1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Aulenti collection is arranged by content and by format.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Aulenti collection is arranged by content and by format."],"bioghist_html_tesm":["\u003cp\u003eGae Aulenti was born in Italy in 1929. She graduated from Facola di Architecttua-Politencico in Milan in 1954. Her career, spanning 1955 to 2012, includes work on architecture, furniture, and interior design projects. She is known for her transformation of historic public buildings into museum spaces including Musee d' Orsay (Paris, France), Musee d'Art Moderne at the Centre Pompidou (Paris, France), Palazzo Grassi (Venice, Italy), Museu Nacional d'Art de Catalunya (Barcelona, Spain) and the Asian Art Museum (San Francisco, USA). Aulenti was given first prize at the 1964 Milan Triennial with her piece 'Arrivo al Mare' in the Italian Pavilion. She served on the Executive Board for the Milan Triennial (1977-1980) and received its career prize in mid-October a few weeks before her death on October 31, 2012.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Gae Aulenti was born in Italy in 1929. She graduated from Facola di Architecttua-Politencico in Milan in 1954. Her career, spanning 1955 to 2012, includes work on architecture, furniture, and interior design projects. She is known for her transformation of historic public buildings into museum spaces including Musee d' Orsay (Paris, France), Musee d'Art Moderne at the Centre Pompidou (Paris, France), Palazzo Grassi (Venice, Italy), Museu Nacional d'Art de Catalunya (Barcelona, Spain) and the Asian Art Museum (San Francisco, USA). Aulenti was given first prize at the 1964 Milan Triennial with her piece 'Arrivo al Mare' in the Italian Pavilion. She served on the Executive Board for the Milan Triennial (1977-1980) and received its career prize in mid-October a few weeks before her death on October 31, 2012."],"odd_html_tesm":["\u003cp\u003eThe guide to the Gae Aulenti Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Gae Aulenti Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Gae Aulenti Architectural Collection, Ms2000-014, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Gae Aulenti Architectural Collection, Ms2000-014, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe arrangement of the Gae Aulenti Architectural Collection was completed in 2000 and the processing and description in 2003. Additional materials were integrated in 2006.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The arrangement of the Gae Aulenti Architectural Collection was completed in 2000 and the processing and description in 2003. Additional materials were integrated in 2006."],"scopecontent_html_tesm":["\u003cp\u003eThe Gae Aulenti Architectural Collection contains biographical materials and documentation of Aulenti's work converting a 1917 former public library building in San Francisco, California into the Asian Art Museum of San Francisco. Biographical materials include: a 1989 curriculum vitae and some articles about her work.  The documentation of the Asian Art museum of San Francisco include: articles about the construction of the museum, materials relating to the museum's 2003 opening, and forty print-outs of design drawings (some in color) showing proposed before-and-after views of the building's exterior and floor plans.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Gae Aulenti Architectural Collection contains biographical materials and documentation of Aulenti's work converting a 1917 former public library building in San Francisco, California into the Asian Art Museum of San Francisco. Biographical materials include: a 1989 curriculum vitae and some articles about her work.  The documentation of the Asian Art museum of San Francisco include: articles about the construction of the museum, materials relating to the museum's 2003 opening, and forty print-outs of design drawings (some in color) showing proposed before-and-after views of the building's exterior and floor plans."],"separatedmaterial_html_tesm":["\u003cp\u003eThis book was cataloged and is now stored in the Rare Book Room:\u003c/p\u003e","\u003cp\u003eZardini, Mirko, Jean Jenger, Michel Laclotte, and Gae Aulenti. \u003cemph render=\"underline\"\u003e Gae Aulenti e il Museo d'Orsay.\u003c/emph\u003e Milan: Electa, 1987.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["This book was cataloged and is now stored in the Rare Book Room:","Zardini, Mirko, Jean Jenger, Michel Laclotte, and Gae Aulenti.  Gae Aulenti e il Museo d'Orsay. Milan: Electa, 1987."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_25094657bcfd019dfa78d65f89525db8\" label=\"Abstract\"\u003eItalian architect Gae Aulenti's ability to transform historic public buildings into museum spaces is documented in the Gae Aulenti Architectural Collection by newspaper and magazine articles, biographical information, and her conceptual computer-drawn designs for the Asian Art Museum in San Francisco, California.\u003c/abstract\u003e\n    "],"abstract_tesim":["Italian architect Gae Aulenti's ability to transform historic public buildings into museum spaces is documented in the Gae Aulenti Architectural Collection by newspaper and magazine articles, biographical information, and her conceptual computer-drawn designs for the Asian Art Museum in San Francisco, California."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Aulenti, Gae, 1929-2012"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Aulenti, Gae, 1929-2012"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:46:21.925Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2105"}},{"id":"viblbv_repositories_2_resources_4299","type":"collection","attributes":{"title":"Garlinghouse Home Collection, Ranch Home No. 9540, Built Project, c. 1950s - 2023, 1950/2023","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4299#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains two sets of houseplans produced by Garlinghouse, an annotated issue of Garlinghouse Homes from which the plans were ordered, and a set of photographs of the as-built ranch-style home in Kentucky.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4299#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_4299","ead_ssi":"viblbv_repositories_2_resources_4299","_root_":"viblbv_repositories_2_resources_4299","_nest_parent_":"viblbv_repositories_2_resources_4299","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_4299.xml","title_filing_ssi":"Garlinghouse Home Collection","title_ssm":["Garlinghouse Home Collection, Ranch Home No. 9540, Built Project, c. 1950s - 2023"],"title_tesim":["Garlinghouse Home Collection, Ranch Home No. 9540, Built Project, c. 1950s - 2023"],"unitdate_ssm":["c. 1950s - 1963, 2023"],"unitdate_inclusive_ssm":["c. 1950s - 1963, 2023"],"normalized_date_ssm":["1950/2023"],"normalized_title_ssm":["Garlinghouse Home Collection, Ranch Home No. 9540, Built Project, c. 1950s - 2023, 1950/2023"],"text":["Garlinghouse Home Collection, Ranch Home No. 9540, Built Project, c. 1950s - 2023, 1950/2023","Ms.2024.080","/repositories/2/resources/4299","International Archive of Women in Architecture (IAWA)","The collection is open for research.","This collection is arranged at the item level into a single oversized folder.","Administrative history:","Early 20th century designers in the US advertised their house plans by distributing catalogs to homebuilders, lending agents, and manufacturers. The Garlinghouse Company was founded around 1910 by homebuilder Lewis F. Garlinghouse of Topeka, Kansas. Advertising for decades under the tagline \"America's Pioneer Home Planning Service,\" Garlinghouse Company was among the first and most prolific sellers of home plans in the US. Iva G. Lieurance was the company's principal house designer, and her plans appear in several catalogs through the 1950s. We know little about her work beyond what appears in the catalogs. She may have worked for the company as early as 1907, traveling around the country to document attractive homes and adapt their floor plans for customers in the midwest. An application with the Maryland Historical Trust calls Lieurance \"the only known woman credited for design work associated with the mail-order house movement.\"","Source: Winn, Sam. \"Ephemera as evidence: uncovering glimpses of women in design history.\" Special Collections and University Archives blog. August 8, 2016. [The above description is a lightly-edited version of Winn's description of the Garlinghouse Company and Iva Lieurance's working relationship with said company]","The guide to the [collection name] by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Garlinghouse Home Collection was completed in August 2024.","Special Collections and University Archives has a large and growing collection of Garlinghouse mail-order home catalogs, that, at the time of processing, contains 42 publications. These have been cataloged and added to our Rare Book Room and patrons may request them to view in the SCUA reading room.","The Garlinghouse Home Collection contains two sets of architectural plan reproductions for Ranch Home No. 9540, an annotated edition of the Garlinghouse \"Homes in Brick\" publication from which the plans were ordered, and six as-built exterior photographs of the Purcell family home in Rockcastle County, Kentucky. The home was constructed in 1963 and the as-built photographs were taken in 2023.","Cover page annotated by previous owners.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains two sets of houseplans produced by Garlinghouse, an annotated issue of Garlinghouse Homes from which the plans were ordered, and a set of photographs of the as-built ranch-style home in Kentucky.","Special Collections and University Archives, Virginia Tech","English"],"collection_title_tesim":["Garlinghouse Home Collection, Ranch Home No. 9540, Built Project, c. 1950s - 2023, 1950/2023"],"collection_ssim":["Garlinghouse Home Collection, Ranch Home No. 9540, Built Project, c. 1950s - 2023, 1950/2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2024.080","/repositories/2/resources/4299"],"unitid_tesim":["Ms.2024.080","/repositories/2/resources/4299"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["Materials were transferred to the archives in July 2024."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)"],"has_online_content_ssim":["false"],"extent_ssm":["0.55 Cubic Feet 1 oversize folder"],"extent_tesim":["0.55 Cubic Feet 1 oversize folder"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged at the item level into a single oversized folder.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged at the item level into a single oversized folder."],"bioghist_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eAdministrative history:\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eEarly 20th century designers in the US advertised their house plans by distributing catalogs to homebuilders, lending agents, and manufacturers. The Garlinghouse Company was founded around 1910 by homebuilder Lewis F. Garlinghouse of Topeka, Kansas. Advertising for decades under the tagline \"America's Pioneer Home Planning Service,\" Garlinghouse Company was among the first and most prolific sellers of home plans in the US. Iva G. Lieurance was the company's principal house designer, and her plans appear in several catalogs through the 1950s. We know little about her work beyond what appears in the catalogs. She may have worked for the company as early as 1907, traveling around the country to document attractive homes and adapt their floor plans for customers in the midwest. An application with the Maryland Historical Trust calls Lieurance \"the only known woman credited for design work associated with the mail-order house movement.\"\u003c/p\u003e","\u003cp\u003eSource: Winn, Sam. \"Ephemera as evidence: uncovering glimpses of women in design history.\" Special Collections and University Archives blog. August 8, 2016. [The above description is a lightly-edited version of Winn's description of the Garlinghouse Company and Iva Lieurance's working relationship with said company]\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Administrative history:","Early 20th century designers in the US advertised their house plans by distributing catalogs to homebuilders, lending agents, and manufacturers. The Garlinghouse Company was founded around 1910 by homebuilder Lewis F. Garlinghouse of Topeka, Kansas. Advertising for decades under the tagline \"America's Pioneer Home Planning Service,\" Garlinghouse Company was among the first and most prolific sellers of home plans in the US. Iva G. Lieurance was the company's principal house designer, and her plans appear in several catalogs through the 1950s. We know little about her work beyond what appears in the catalogs. She may have worked for the company as early as 1907, traveling around the country to document attractive homes and adapt their floor plans for customers in the midwest. An application with the Maryland Historical Trust calls Lieurance \"the only known woman credited for design work associated with the mail-order house movement.\"","Source: Winn, Sam. \"Ephemera as evidence: uncovering glimpses of women in design history.\" Special Collections and University Archives blog. August 8, 2016. [The above description is a lightly-edited version of Winn's description of the Garlinghouse Company and Iva Lieurance's working relationship with said company]"],"odd_html_tesm":["\u003cp\u003eThe guide to the [collection name] by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the [collection name] by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [folder], Garlinghouse Home Collection, Ranch Home No. 9540, Built Project, c. 1950s - 2023, Ms2024-080, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [folder], Garlinghouse Home Collection, Ranch Home No. 9540, Built Project, c. 1950s - 2023, Ms2024-080, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Garlinghouse Home Collection was completed in August 2024.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Garlinghouse Home Collection was completed in August 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and University Archives has a large and growing collection of Garlinghouse mail-order home catalogs, that, at the time of processing, contains 42 publications. These have been cataloged and added to our Rare Book Room and patrons may request them to view in the SCUA reading room.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Special Collections and University Archives has a large and growing collection of Garlinghouse mail-order home catalogs, that, at the time of processing, contains 42 publications. These have been cataloged and added to our Rare Book Room and patrons may request them to view in the SCUA reading room."],"scopecontent_html_tesm":["\u003cp\u003eThe Garlinghouse Home Collection contains two sets of architectural plan reproductions for Ranch Home No. 9540, an annotated edition of the Garlinghouse \"Homes in Brick\" publication from which the plans were ordered, and six as-built exterior photographs of the Purcell family home in Rockcastle County, Kentucky. The home was constructed in 1963 and the as-built photographs were taken in 2023.\u003c/p\u003e  ","\u003cp\u003eCover page annotated by previous owners.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents"],"scopecontent_tesim":["The Garlinghouse Home Collection contains two sets of architectural plan reproductions for Ranch Home No. 9540, an annotated edition of the Garlinghouse \"Homes in Brick\" publication from which the plans were ordered, and six as-built exterior photographs of the Purcell family home in Rockcastle County, Kentucky. The home was constructed in 1963 and the as-built photographs were taken in 2023.","Cover page annotated by previous owners."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1ea57170ad73f4543262871c1cb290be\" label=\"Abstract\"\u003eThis collection contains two sets of houseplans produced by Garlinghouse, an annotated issue of Garlinghouse Homes from which the plans were ordered, and a set of photographs of the as-built ranch-style home in Kentucky.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains two sets of houseplans produced by Garlinghouse, an annotated issue of Garlinghouse Homes from which the plans were ordered, and a set of photographs of the as-built ranch-style home in Kentucky."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_ssim":["Special Collections and University Archives, Virginia Tech"],"language_ssim":["English"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:50:43.410Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_4299","ead_ssi":"viblbv_repositories_2_resources_4299","_root_":"viblbv_repositories_2_resources_4299","_nest_parent_":"viblbv_repositories_2_resources_4299","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_4299.xml","title_filing_ssi":"Garlinghouse Home Collection","title_ssm":["Garlinghouse Home Collection, Ranch Home No. 9540, Built Project, c. 1950s - 2023"],"title_tesim":["Garlinghouse Home Collection, Ranch Home No. 9540, Built Project, c. 1950s - 2023"],"unitdate_ssm":["c. 1950s - 1963, 2023"],"unitdate_inclusive_ssm":["c. 1950s - 1963, 2023"],"normalized_date_ssm":["1950/2023"],"normalized_title_ssm":["Garlinghouse Home Collection, Ranch Home No. 9540, Built Project, c. 1950s - 2023, 1950/2023"],"text":["Garlinghouse Home Collection, Ranch Home No. 9540, Built Project, c. 1950s - 2023, 1950/2023","Ms.2024.080","/repositories/2/resources/4299","International Archive of Women in Architecture (IAWA)","The collection is open for research.","This collection is arranged at the item level into a single oversized folder.","Administrative history:","Early 20th century designers in the US advertised their house plans by distributing catalogs to homebuilders, lending agents, and manufacturers. The Garlinghouse Company was founded around 1910 by homebuilder Lewis F. Garlinghouse of Topeka, Kansas. Advertising for decades under the tagline \"America's Pioneer Home Planning Service,\" Garlinghouse Company was among the first and most prolific sellers of home plans in the US. Iva G. Lieurance was the company's principal house designer, and her plans appear in several catalogs through the 1950s. We know little about her work beyond what appears in the catalogs. She may have worked for the company as early as 1907, traveling around the country to document attractive homes and adapt their floor plans for customers in the midwest. An application with the Maryland Historical Trust calls Lieurance \"the only known woman credited for design work associated with the mail-order house movement.\"","Source: Winn, Sam. \"Ephemera as evidence: uncovering glimpses of women in design history.\" Special Collections and University Archives blog. August 8, 2016. [The above description is a lightly-edited version of Winn's description of the Garlinghouse Company and Iva Lieurance's working relationship with said company]","The guide to the [collection name] by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Garlinghouse Home Collection was completed in August 2024.","Special Collections and University Archives has a large and growing collection of Garlinghouse mail-order home catalogs, that, at the time of processing, contains 42 publications. These have been cataloged and added to our Rare Book Room and patrons may request them to view in the SCUA reading room.","The Garlinghouse Home Collection contains two sets of architectural plan reproductions for Ranch Home No. 9540, an annotated edition of the Garlinghouse \"Homes in Brick\" publication from which the plans were ordered, and six as-built exterior photographs of the Purcell family home in Rockcastle County, Kentucky. The home was constructed in 1963 and the as-built photographs were taken in 2023.","Cover page annotated by previous owners.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains two sets of houseplans produced by Garlinghouse, an annotated issue of Garlinghouse Homes from which the plans were ordered, and a set of photographs of the as-built ranch-style home in Kentucky.","Special Collections and University Archives, Virginia Tech","English"],"collection_title_tesim":["Garlinghouse Home Collection, Ranch Home No. 9540, Built Project, c. 1950s - 2023, 1950/2023"],"collection_ssim":["Garlinghouse Home Collection, Ranch Home No. 9540, Built Project, c. 1950s - 2023, 1950/2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2024.080","/repositories/2/resources/4299"],"unitid_tesim":["Ms.2024.080","/repositories/2/resources/4299"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["Materials were transferred to the archives in July 2024."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)"],"has_online_content_ssim":["false"],"extent_ssm":["0.55 Cubic Feet 1 oversize folder"],"extent_tesim":["0.55 Cubic Feet 1 oversize folder"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged at the item level into a single oversized folder.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged at the item level into a single oversized folder."],"bioghist_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eAdministrative history:\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eEarly 20th century designers in the US advertised their house plans by distributing catalogs to homebuilders, lending agents, and manufacturers. The Garlinghouse Company was founded around 1910 by homebuilder Lewis F. Garlinghouse of Topeka, Kansas. Advertising for decades under the tagline \"America's Pioneer Home Planning Service,\" Garlinghouse Company was among the first and most prolific sellers of home plans in the US. Iva G. Lieurance was the company's principal house designer, and her plans appear in several catalogs through the 1950s. We know little about her work beyond what appears in the catalogs. She may have worked for the company as early as 1907, traveling around the country to document attractive homes and adapt their floor plans for customers in the midwest. An application with the Maryland Historical Trust calls Lieurance \"the only known woman credited for design work associated with the mail-order house movement.\"\u003c/p\u003e","\u003cp\u003eSource: Winn, Sam. \"Ephemera as evidence: uncovering glimpses of women in design history.\" Special Collections and University Archives blog. August 8, 2016. [The above description is a lightly-edited version of Winn's description of the Garlinghouse Company and Iva Lieurance's working relationship with said company]\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Administrative history:","Early 20th century designers in the US advertised their house plans by distributing catalogs to homebuilders, lending agents, and manufacturers. The Garlinghouse Company was founded around 1910 by homebuilder Lewis F. Garlinghouse of Topeka, Kansas. Advertising for decades under the tagline \"America's Pioneer Home Planning Service,\" Garlinghouse Company was among the first and most prolific sellers of home plans in the US. Iva G. Lieurance was the company's principal house designer, and her plans appear in several catalogs through the 1950s. We know little about her work beyond what appears in the catalogs. She may have worked for the company as early as 1907, traveling around the country to document attractive homes and adapt their floor plans for customers in the midwest. An application with the Maryland Historical Trust calls Lieurance \"the only known woman credited for design work associated with the mail-order house movement.\"","Source: Winn, Sam. \"Ephemera as evidence: uncovering glimpses of women in design history.\" Special Collections and University Archives blog. August 8, 2016. [The above description is a lightly-edited version of Winn's description of the Garlinghouse Company and Iva Lieurance's working relationship with said company]"],"odd_html_tesm":["\u003cp\u003eThe guide to the [collection name] by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the [collection name] by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [folder], Garlinghouse Home Collection, Ranch Home No. 9540, Built Project, c. 1950s - 2023, Ms2024-080, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [folder], Garlinghouse Home Collection, Ranch Home No. 9540, Built Project, c. 1950s - 2023, Ms2024-080, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Garlinghouse Home Collection was completed in August 2024.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Garlinghouse Home Collection was completed in August 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and University Archives has a large and growing collection of Garlinghouse mail-order home catalogs, that, at the time of processing, contains 42 publications. These have been cataloged and added to our Rare Book Room and patrons may request them to view in the SCUA reading room.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Special Collections and University Archives has a large and growing collection of Garlinghouse mail-order home catalogs, that, at the time of processing, contains 42 publications. These have been cataloged and added to our Rare Book Room and patrons may request them to view in the SCUA reading room."],"scopecontent_html_tesm":["\u003cp\u003eThe Garlinghouse Home Collection contains two sets of architectural plan reproductions for Ranch Home No. 9540, an annotated edition of the Garlinghouse \"Homes in Brick\" publication from which the plans were ordered, and six as-built exterior photographs of the Purcell family home in Rockcastle County, Kentucky. The home was constructed in 1963 and the as-built photographs were taken in 2023.\u003c/p\u003e  ","\u003cp\u003eCover page annotated by previous owners.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents"],"scopecontent_tesim":["The Garlinghouse Home Collection contains two sets of architectural plan reproductions for Ranch Home No. 9540, an annotated edition of the Garlinghouse \"Homes in Brick\" publication from which the plans were ordered, and six as-built exterior photographs of the Purcell family home in Rockcastle County, Kentucky. The home was constructed in 1963 and the as-built photographs were taken in 2023.","Cover page annotated by previous owners."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1ea57170ad73f4543262871c1cb290be\" label=\"Abstract\"\u003eThis collection contains two sets of houseplans produced by Garlinghouse, an annotated issue of Garlinghouse Homes from which the plans were ordered, and a set of photographs of the as-built ranch-style home in Kentucky.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains two sets of houseplans produced by Garlinghouse, an annotated issue of Garlinghouse Homes from which the plans were ordered, and a set of photographs of the as-built ranch-style home in Kentucky."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_ssim":["Special Collections and University Archives, Virginia Tech"],"language_ssim":["English"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:50:43.410Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4299"}},{"id":"viblbv_repositories_2_resources_1426","type":"collection","attributes":{"title":"IAWA: International Archive of Women in Architecture Records, 1967/2013, bulk 1985/2008","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1426#creator","type":"document_value","attributes":{"value":"Dunay, Donna","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1426#abstract_or_scope","type":"document_value","attributes":{"value":"The records of the International Archive of Women in Architecture (IAWA) consist of files created by IAWA founder Milka Bliznakov, various IAWA officers, and Special Collections archivists. Materials include founding documents, meeting minutes, newsletter information, correspondence with supporters and donors, and internal correspondence.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1426#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1426","ead_ssi":"viblbv_repositories_2_resources_1426","_root_":"viblbv_repositories_2_resources_1426","_nest_parent_":"viblbv_repositories_2_resources_1426","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1426.xml","title_filing_ssi":"IAWA: International Archive of Women in Architecture Records","title_ssm":["IAWA: International Archive of Women in Architecture Records"],"title_tesim":["IAWA: International Archive of Women in Architecture Records"],"unitdate_ssm":["1967-2013","1985-2008"],"unitdate_inclusive_ssm":["1967-2013"],"unitdate_bulk_ssim":["1985-2008"],"normalized_date_ssm":["1967/2013, bulk 1985/2008"],"normalized_title_ssm":["IAWA: International Archive of Women in Architecture Records, 1967/2013, bulk 1985/2008"],"text":["IAWA: International Archive of Women in Architecture Records, 1967/2013, bulk 1985/2008","Ms.1985.021","Architects","Architects and community","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open for research.","Some of this collection has been digitized and is available online.","The collection is arranged into three series:","Series I. Founding Files, 1985-1996","Series II. IAWA Center Files, 1967-2011 (bulk 1985-2008)","Series III. Archivist Files, 1973-2007 (bulk 1985-2007)","The series retain the original order of the records and organizationally preserves the separate functions provided by each member of the partnership.","The International Archive of Women in Architecture (IAWA) was established in 1985 as a joint program of the College of Architecture and Urban Studies and the University Libraries at Virginia Polytechnic Institute and State University (Virginia Tech). The purpose of the program is to document the history of women's involvement in architecture by collecting, preserving, storing, and making available to researchers the professional papers of women architects, landscape architects, designers, architectural historians and critics, and urban planners, and the records of women architectural organizations, from around the world. The IAWA collects this information to fill serious gaps in the availability of primary research materials for architectural, women's history, and social history research.","The guide to the International Archive of Women in Architecture Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the International Archive of Women in Architecture was completed in November 2011.","See \"Glass Ceilings: Highlights from the International Archive of Women in Architecture Center,\" selected exhibit panels, Ms2011-075, also at Virginia Tech Special Collections and University Archives.","The International Archive of Women in Architecture records encompass the founding of and day-to-day operations of the organization. Materials present include administration files (meeting minutes, bylaws, financial information), correspondence (internal and with potential donors), collection development files (policy developments, solicitation efforts), promotional material (newsletters, exhibits, conferences, and visiting speakers), and reference files. The collection ranges in date from 1967-2013 (bulk 1985-2008) and is divided into three series: Founder's Files, IAWA Center Files, and Archivist Files.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The records of the International Archive of Women in Architecture (IAWA) consist of files created by IAWA founder Milka Bliznakov, various IAWA officers, and Special Collections archivists. Materials include founding documents, meeting minutes, newsletter information, correspondence with supporters and donors, and internal correspondence.","Special Collections and University Archives, Virginia Tech","Dunay, Donna","Bliznakov, Milka T., 1927-2010","The materials in the collection are in English."],"collection_title_tesim":["IAWA: International Archive of Women in Architecture Records, 1967/2013, bulk 1985/2008"],"collection_ssim":["IAWA: International Archive of Women in Architecture Records, 1967/2013, bulk 1985/2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1985.021"],"unitid_tesim":["Ms.1985.021"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Dunay, Donna","Bliznakov, Milka T., 1927-2010"],"creator_ssim":["Dunay, Donna","Bliznakov, Milka T., 1927-2010"],"creator_persname_ssim":["Dunay, Donna","Bliznakov, Milka T., 1927-2010"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Dunay, Donna","Bliznakov, Milka T., 1927-2010","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The International Archive of Women in Architecture records were donated to Special Collections in 1998 and 1999 by Dr. Bliznakov. Other materials have been periodically donated by various IAWA Board Members over the years."],"access_subjects_ssim":["Architects","Architects and community","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["Architects","Architects and community","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["15.5 Cubic Feet 10 boxes, 1 oversize folder, 1 tube box"],"extent_tesim":["15.5 Cubic Feet 10 boxes, 1 oversize folder, 1 tube box"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/116\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into three series: \u003c/p\u003e","\u003cp\u003eSeries I. Founding Files, 1985-1996\u003c/p\u003e","\u003cp\u003eSeries II. IAWA Center Files, 1967-2011 (bulk 1985-2008)\u003c/p\u003e","\u003cp\u003eSeries III. Archivist Files, 1973-2007 (bulk 1985-2007)\u003c/p\u003e","\u003cp\u003eThe series retain the original order of the records and organizationally preserves the separate functions provided by each member of the partnership.  \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into three series:","Series I. Founding Files, 1985-1996","Series II. IAWA Center Files, 1967-2011 (bulk 1985-2008)","Series III. Archivist Files, 1973-2007 (bulk 1985-2007)","The series retain the original order of the records and organizationally preserves the separate functions provided by each member of the partnership."],"bioghist_html_tesm":["\u003cp\u003eThe International Archive of Women in Architecture (IAWA) was established in 1985 as a joint program of the College of Architecture and Urban Studies and the University Libraries at Virginia Polytechnic Institute and State University (Virginia Tech). The purpose of the program is to document the history of women's involvement in architecture by collecting, preserving, storing, and making available to researchers the professional papers of women architects, landscape architects, designers, architectural historians and critics, and urban planners, and the records of women architectural organizations, from around the world. The IAWA collects this information to fill serious gaps in the availability of primary research materials for architectural, women's history, and social history research.\u003c/p\u003e  "],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["The International Archive of Women in Architecture (IAWA) was established in 1985 as a joint program of the College of Architecture and Urban Studies and the University Libraries at Virginia Polytechnic Institute and State University (Virginia Tech). The purpose of the program is to document the history of women's involvement in architecture by collecting, preserving, storing, and making available to researchers the professional papers of women architects, landscape architects, designers, architectural historians and critics, and urban planners, and the records of women architectural organizations, from around the world. 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Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_745241fcc75f9e00e6d68a138b3b77f4\" label=\"Abstract\"\u003eThe records of the International Archive of Women in Architecture (IAWA) consist of files created by IAWA founder Milka Bliznakov, various IAWA officers, and Special Collections archivists. Materials include founding documents, meeting minutes, newsletter information, correspondence with supporters and donors, and internal correspondence.\u003c/abstract\u003e\n    "],"abstract_tesim":["The records of the International Archive of Women in Architecture (IAWA) consist of files created by IAWA founder Milka Bliznakov, various IAWA officers, and Special Collections archivists. 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Sokolina Architectural Collection, 1924/2019","value":"Anna P. Sokolina Architectural Collection, 1924/2019","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=International+Archive+of+Women+in+Architecture+%28IAWA%29\u0026f%5Bcollection%5D%5B%5D=Anna+P.+Sokolina+Architectural+Collection%2C+1924%2F2019\u0026f%5Bdate_range%5D%5B%5D=2003"}},{"attributes":{"label":"Betty L. Moss Architectural Collection, 1950/2007","value":"Betty L. 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