{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=International+Archive+of+Women+in+Architecture+%28IAWA%29\u0026f%5Bdate_range%5D%5B%5D=1979\u0026page=5","prev":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=International+Archive+of+Women+in+Architecture+%28IAWA%29\u0026f%5Bdate_range%5D%5B%5D=1979\u0026page=4","next":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=International+Archive+of+Women+in+Architecture+%28IAWA%29\u0026f%5Bdate_range%5D%5B%5D=1979\u0026page=6","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=International+Archive+of+Women+in+Architecture+%28IAWA%29\u0026f%5Bdate_range%5D%5B%5D=1979\u0026page=9"},"meta":{"pages":{"current_page":5,"next_page":6,"prev_page":4,"total_pages":9,"limit_value":10,"offset_value":40,"total_count":90,"first_page?":false,"last_page?":false}},"data":[{"id":"viblbv_repositories_2_resources_2083","type":"collection","attributes":{"title":"Kathleen Cruise Architectural Papers, 1964/1995","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2083#creator","type":"document_value","attributes":{"value":"Cruise, Kathleen","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2083#abstract_or_scope","type":"document_value","attributes":{"value":"The Kathleen Cruise Architectural Papers concentrate on her work for Pacific Gas and Electric Company (PG\u0026amp;E) in San Francisco, 1964-1995.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2083#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2083","ead_ssi":"viblbv_repositories_2_resources_2083","_root_":"viblbv_repositories_2_resources_2083","_nest_parent_":"viblbv_repositories_2_resources_2083","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2083.xml","title_filing_ssi":"Cruise, Kathleen, Architectural Papers","title_ssm":["Kathleen Cruise Architectural Papers"],"title_tesim":["Kathleen Cruise Architectural Papers"],"unitdate_ssm":["1964-1995"],"unitdate_inclusive_ssm":["1964-1995"],"normalized_date_ssm":["1964/1995"],"normalized_title_ssm":["Kathleen Cruise Architectural Papers, 1964/1995"],"text":["Kathleen Cruise Architectural Papers, 1964/1995","Ms.1999.001","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Students and alumni","Women architects -- California","Women -- History","The collection is open to research.","The collection is arranged chronologically with the undated material last.","Kathleen Cruise is an architect and general contractor in San Francisco, California. 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Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. 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She achieves outstanding results in all phases of facilities management from award winning design to expert real estate management.","Representative projects include: PG\u0026E's Energy Center; East Geysers Administration Center, Golden Gate Regional Headquarters and the San Rafael, Garberville and Geyserville Service Centers. Cruise was a loaned executive from PG\u0026E to the Department of Energy for the Greening of the White House Project; Manager of Utilities for Stanford University; Principal, Program Development for Proven Alternatives; Program Manager, Real Estate and Facilities with the Microsoft Corporation and is currently Director of Facilities Management at Fort Mason in San Francisco."],"odd_html_tesm":["\u003cp\u003eThe guide to the Kathleen Cruise Architectural Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Kathleen Cruise Architectural Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Kathleen Cruise Architectural Papers, Ms1999-001, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Kathleen Cruise Architectural Papers, Ms1999-001, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Kathleen Cruise Architectural Papers commenced and was completed in 1999.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Kathleen Cruise Architectural Papers commenced and was completed in 1999."],"scopecontent_html_tesm":["\u003cp\u003eThe Kathleen Cruise Architectural Papers concentrate on her work for Pacific Gas and Electric Company (PG\u0026amp;E) in San Francisco, 1964-1995.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Kathleen Cruise Architectural Papers concentrate on her work for Pacific Gas and Electric Company (PG\u0026E) in San Francisco, 1964-1995."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. 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Papers also include travel sketches, and her personal statement and other application materials for Harvard's Graduate School of Design.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4358#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_4358","ead_ssi":"viblbv_repositories_2_resources_4358","_root_":"viblbv_repositories_2_resources_4358","_nest_parent_":"viblbv_repositories_2_resources_4358","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_4358.xml","title_filing_ssi":"Albright, Kathryn Clarke Architectural Papers","title_ssm":["Kathryn Clarke Albright Architectural Papers"],"title_tesim":["Kathryn Clarke Albright Architectural Papers"],"unitdate_ssm":["1978-2001"],"unitdate_inclusive_ssm":["1978-2001"],"normalized_date_ssm":["1978/2001"],"normalized_title_ssm":["Kathryn Clarke Albright Architectural Papers, 1978/2001"],"text":["Kathryn Clarke Albright Architectural Papers, 1978/2001","Ms.2025.021","Architects","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawing -- 20th century","Architectural drawings (visual works)","The collection is open for research.","Additional material is expected.","The collection is divided into four series:","Series I: Student Work","Series II: Professional Papers","Series III: Project and Office Records","Series IV: Digital Files","Born in 1960, Kathryn Clarke Albright was educated in Virginia. Albright began studying architecture at Virginia Polytechnic Institute and State University in 1978, and graduated with her Bachelor of Architecture in 1982. Shortly after her graduation in 1982, Albright joined San Francisco-based architecture firm Skidmore, Owings \u0026 Merrill (SOM). During the time she spent at the firm she worked on a number of commercial and urban planning projects until 1986, when she was hired as a Senior Designer at another San Francisco firm, Daniel Solomon \u0026 Associates (later Solomon, In.c). After three years of working at the firm she rose to the level of principal in 1989, and she would remain at the firm as a Principal Architect until 1993. In early 1993, she applied and was accepted at Harvard Unniversity's Graduate School of Design. Following her M. Arch., she returned to Virginia to work at Virginia Tech.","In 1995, Albright became licensed in the State of Virginia and started working as a Principal Architect alongside her academic and architecture colleague Donna Dunay at Dunay + Albright Architects. The firm focused on commercial, retail, planning, education, and single-family residential projects in southern Virginia. Albright would work with Dunay until 2001 when she started her own practice, Kathryn Albright Design.","Over the past 20 years, Kathryn Clarke Albright has continued to teach at the Virginia Tech School of Architecture, and still serves as a consultant for several Chicago-based firms, including DeStefano + Partners and Skidmore, Owings \u0026 Merrill. Her research interests include urban design and community planning, communal gathering places, and locally-grown food.","Throughout her career Albright has been a member of the national professional organization American Institute of Architects (AIA) and she is a current member of the Blue Ridge Chapter of the Virginia Society. She has also served as a chair for many professional and public committees including for the Town of Blacksburg, the AIA, Harvard Alumni Council, Norwich University Steering Committee, and many Virginia Tech committees.","She has written two books on farmers markets, including Blacksburg Farmers Market: An Archive (2010), and Exploring the Architecture of Place in America's Farmers Markets (2020).","The guide to the Kathryn Clarke Albright Architectural Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Kathryn Clarke Albright Papers was completed in July 2025.","Kathryn Clarke Albright's books are cataloged as part of Special Collections and University Archives' rare book collection. The following titles may be requested and viewed in the department's reading room:\n\nAlbright, Kathryn Clarke. Blacksburg Farmers Market : An Archive. Place of publication not identified: [publisher not identified], 2010. [Call number: SCUA Large SB319.863.A43 2010]\nAlbright, Kathryn Clarke. Exploring the Architecture of Place in America's Farmers Markets. Cincinnati, Ohio: University of Cincinnati Press, 2020. [Call number: SCUA Large NA9068.A43 2020]","The Kathryn Clarke Albright Architectural Papers include design projects Albright developed during her years as an undergraduate student at Virginia Polytechnic Institute and State University. Additionally, the collection contains 67 pen-and-ink travel sketches drawn during her 1982 trip to Europe.","Albright's papers also include a mixture of professional work and project records spanning her years working at private firms, like Skidmore, Owings, \u0026 Merrill and Solomon, Inc., and in academia. Project records primarily consist of bound project notebooks that are either portfolios (built projects) or meant for the evaluation of urban planning bodies. These early projects are all located throughout California.","Albright's later academic work centers on community planning and urban design.","Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Kathryn Clarke Albright (1960- ) Architectural Papers include design projects she developed while she was an undergraduate student at Virginia Polytechnic Insitute and State University (1978-1982), professional projects from her career at Daniel Solomon \u0026 Associates (1986-1993), including project descriptions, drawings, and progress photographs, professionial recognitions \u0026 awards. Papers also include travel sketches, and her personal statement and other application materials for Harvard's Graduate School of Design.","Special Collections and University Archives, Virginia Tech","English\n."],"collection_title_tesim":["Kathryn Clarke Albright Architectural Papers, 1978/2001"],"collection_ssim":["Kathryn Clarke Albright Architectural Papers, 1978/2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2025.021"],"unitid_tesim":["Ms.2025.021"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Kathryn Clarke-Albright Architectural Papers were donated to the International Archive of Women in Architecture by the creator in July 2024."],"access_subjects_ssim":["Architects","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawing -- 20th century","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawing -- 20th century","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["0.84 Cubic Feet 1 document box and 1 oversized flat box"],"extent_tesim":["0.84 Cubic Feet 1 document box and 1 oversized flat box"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"accruals_html_tesm":["\u003cp\u003eAdditional material is expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Additional material is expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into four series:\u003c/p\u003e","\u003cp\u003eSeries I: Student Work\u003c/p\u003e","\u003cp\u003eSeries II: Professional Papers\u003c/p\u003e","\u003cp\u003eSeries III: Project and Office Records\u003c/p\u003e","\u003cp\u003eSeries IV: Digital Files\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into four series:","Series I: Student Work","Series II: Professional Papers","Series III: Project and Office Records","Series IV: Digital Files"],"bioghist_html_tesm":["\u003cp\u003eBorn in 1960, Kathryn Clarke Albright was educated in Virginia. Albright began studying architecture at Virginia Polytechnic Institute and State University in 1978, and graduated with her Bachelor of Architecture in 1982. Shortly after her graduation in 1982, Albright joined San Francisco-based architecture firm Skidmore, Owings \u0026amp; Merrill (SOM). During the time she spent at the firm she worked on a number of commercial and urban planning projects until 1986, when she was hired as a Senior Designer at another San Francisco firm, Daniel Solomon \u0026amp; Associates (later Solomon, In.c). After three years of working at the firm she rose to the level of principal in 1989, and she would remain at the firm as a Principal Architect until 1993. In early 1993, she applied and was accepted at Harvard Unniversity's Graduate School of Design. Following her M. Arch., she returned to Virginia to work at Virginia Tech.\u003c/p\u003e","\u003cp\u003eIn 1995, Albright became licensed in the State of Virginia and started working as a Principal Architect alongside her academic and architecture colleague Donna Dunay at Dunay + Albright Architects. The firm focused on commercial, retail, planning, education, and single-family residential projects in southern Virginia. Albright would work with Dunay until 2001 when she started her own practice, Kathryn Albright Design. \u003c/p\u003e","\u003cp\u003eOver the past 20 years, Kathryn Clarke Albright has continued to teach at the Virginia Tech School of Architecture, and still serves as a consultant for several Chicago-based firms, including DeStefano + Partners and Skidmore, Owings \u0026amp; Merrill. Her research interests include urban design and community planning, communal gathering places, and locally-grown food.\u003c/p\u003e","\u003cp\u003eThroughout her career Albright has been a member of the national professional organization American Institute of Architects (AIA) and she is a current member of the Blue Ridge Chapter of the Virginia Society. She has also served as a chair for many professional and public committees including for the Town of Blacksburg, the AIA, Harvard Alumni Council, Norwich University Steering Committee, and many Virginia Tech committees.\u003c/p\u003e","\u003cp\u003eShe has written two books on farmers markets, including \u003cemph render=\"italic\"\u003eBlacksburg Farmers Market: An Archive\u003c/emph\u003e (2010), and \u003cemph render=\"italic\"\u003eExploring the Architecture of Place in America's Farmers Markets\u003c/emph\u003e (2020).\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Born in 1960, Kathryn Clarke Albright was educated in Virginia. Albright began studying architecture at Virginia Polytechnic Institute and State University in 1978, and graduated with her Bachelor of Architecture in 1982. Shortly after her graduation in 1982, Albright joined San Francisco-based architecture firm Skidmore, Owings \u0026 Merrill (SOM). During the time she spent at the firm she worked on a number of commercial and urban planning projects until 1986, when she was hired as a Senior Designer at another San Francisco firm, Daniel Solomon \u0026 Associates (later Solomon, In.c). After three years of working at the firm she rose to the level of principal in 1989, and she would remain at the firm as a Principal Architect until 1993. In early 1993, she applied and was accepted at Harvard Unniversity's Graduate School of Design. Following her M. Arch., she returned to Virginia to work at Virginia Tech.","In 1995, Albright became licensed in the State of Virginia and started working as a Principal Architect alongside her academic and architecture colleague Donna Dunay at Dunay + Albright Architects. The firm focused on commercial, retail, planning, education, and single-family residential projects in southern Virginia. Albright would work with Dunay until 2001 when she started her own practice, Kathryn Albright Design.","Over the past 20 years, Kathryn Clarke Albright has continued to teach at the Virginia Tech School of Architecture, and still serves as a consultant for several Chicago-based firms, including DeStefano + Partners and Skidmore, Owings \u0026 Merrill. Her research interests include urban design and community planning, communal gathering places, and locally-grown food.","Throughout her career Albright has been a member of the national professional organization American Institute of Architects (AIA) and she is a current member of the Blue Ridge Chapter of the Virginia Society. She has also served as a chair for many professional and public committees including for the Town of Blacksburg, the AIA, Harvard Alumni Council, Norwich University Steering Committee, and many Virginia Tech committees.","She has written two books on farmers markets, including Blacksburg Farmers Market: An Archive (2010), and Exploring the Architecture of Place in America's Farmers Markets (2020)."],"odd_html_tesm":["\u003cp\u003eThe guide to the Kathryn Clarke Albright Architectural Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Kathryn Clarke Albright Architectural Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [Describe item], Kathryn Clarke Albright Architectural Papers, Ms2025-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [Describe item], Kathryn Clarke Albright Architectural Papers, Ms2025-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Kathryn Clarke Albright Papers was completed in July 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Kathryn Clarke Albright Papers was completed in July 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eKathryn Clarke Albright's books are cataloged as part of Special Collections and University Archives' rare book collection. The following titles may be requested and viewed in the department's reading room:\n\u003cul\u003e\n\u003cli\u003eAlbright, Kathryn Clarke. \u003cemph render=\"italic\"\u003eBlacksburg Farmers Market : An Archive\u003c/emph\u003e. Place of publication not identified: [publisher not identified], 2010. [Call number: SCUA Large SB319.863.A43 2010]\u003c/li\u003e\n\u003cli\u003eAlbright, Kathryn Clarke. \u003cemph render=\"italic\"\u003eExploring the Architecture of Place in America's Farmers Markets\u003c/emph\u003e. Cincinnati, Ohio: University of Cincinnati Press, 2020. [Call number: SCUA Large NA9068.A43 2020]\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Kathryn Clarke Albright's books are cataloged as part of Special Collections and University Archives' rare book collection. The following titles may be requested and viewed in the department's reading room:\n\nAlbright, Kathryn Clarke. Blacksburg Farmers Market : An Archive. Place of publication not identified: [publisher not identified], 2010. [Call number: SCUA Large SB319.863.A43 2010]\nAlbright, Kathryn Clarke. Exploring the Architecture of Place in America's Farmers Markets. Cincinnati, Ohio: University of Cincinnati Press, 2020. [Call number: SCUA Large NA9068.A43 2020]"],"scopecontent_html_tesm":["\u003cp\u003eThe Kathryn Clarke Albright Architectural Papers include design projects Albright developed during her years as an undergraduate student at Virginia Polytechnic Institute and State University. Additionally, the collection contains 67 pen-and-ink travel sketches drawn during her 1982 trip to Europe. \u003c/p\u003e","\u003cp\u003eAlbright's papers also include a mixture of professional work and project records spanning her years working at private firms, like Skidmore, Owings, \u0026amp; Merrill and Solomon, Inc., and in academia. Project records primarily consist of bound project notebooks that are either portfolios (built projects) or meant for the evaluation of urban planning bodies. These early projects are all located throughout California. \u003c/p\u003e","\u003cp\u003eAlbright's later academic work centers on community planning and urban design.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Kathryn Clarke Albright Architectural Papers include design projects Albright developed during her years as an undergraduate student at Virginia Polytechnic Institute and State University. Additionally, the collection contains 67 pen-and-ink travel sketches drawn during her 1982 trip to Europe.","Albright's papers also include a mixture of professional work and project records spanning her years working at private firms, like Skidmore, Owings, \u0026 Merrill and Solomon, Inc., and in academia. Project records primarily consist of bound project notebooks that are either portfolios (built projects) or meant for the evaluation of urban planning bodies. These early projects are all located throughout California.","Albright's later academic work centers on community planning and urban design."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. \u003c/p\u003e","\u003cp\u003ePlease contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_adbbcea3a7f5ab36b5ee65c2b2579a20\" label=\"Abstract\"\u003eThe Kathryn Clarke Albright (1960- ) Architectural Papers include design projects she developed while she was an undergraduate student at Virginia Polytechnic Insitute and State University (1978-1982), professional projects from her career at Daniel Solomon \u0026amp; Associates (1986-1993), including project descriptions, drawings, and progress photographs, professionial recognitions \u0026amp; awards. Papers also include travel sketches, and her personal statement and other application materials for Harvard's Graduate School of Design.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Kathryn Clarke Albright (1960- ) Architectural Papers include design projects she developed while she was an undergraduate student at Virginia Polytechnic Insitute and State University (1978-1982), professional projects from her career at Daniel Solomon \u0026 Associates (1986-1993), including project descriptions, drawings, and progress photographs, professionial recognitions \u0026 awards. Papers also include travel sketches, and her personal statement and other application materials for Harvard's Graduate School of Design."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_ssim":["Special Collections and University Archives, Virginia Tech"],"language_ssim":["English\n."],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:33:12.556Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_4358","ead_ssi":"viblbv_repositories_2_resources_4358","_root_":"viblbv_repositories_2_resources_4358","_nest_parent_":"viblbv_repositories_2_resources_4358","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_4358.xml","title_filing_ssi":"Albright, Kathryn Clarke Architectural Papers","title_ssm":["Kathryn Clarke Albright Architectural Papers"],"title_tesim":["Kathryn Clarke Albright Architectural Papers"],"unitdate_ssm":["1978-2001"],"unitdate_inclusive_ssm":["1978-2001"],"normalized_date_ssm":["1978/2001"],"normalized_title_ssm":["Kathryn Clarke Albright Architectural Papers, 1978/2001"],"text":["Kathryn Clarke Albright Architectural Papers, 1978/2001","Ms.2025.021","Architects","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawing -- 20th century","Architectural drawings (visual works)","The collection is open for research.","Additional material is expected.","The collection is divided into four series:","Series I: Student Work","Series II: Professional Papers","Series III: Project and Office Records","Series IV: Digital Files","Born in 1960, Kathryn Clarke Albright was educated in Virginia. Albright began studying architecture at Virginia Polytechnic Institute and State University in 1978, and graduated with her Bachelor of Architecture in 1982. Shortly after her graduation in 1982, Albright joined San Francisco-based architecture firm Skidmore, Owings \u0026 Merrill (SOM). During the time she spent at the firm she worked on a number of commercial and urban planning projects until 1986, when she was hired as a Senior Designer at another San Francisco firm, Daniel Solomon \u0026 Associates (later Solomon, In.c). After three years of working at the firm she rose to the level of principal in 1989, and she would remain at the firm as a Principal Architect until 1993. In early 1993, she applied and was accepted at Harvard Unniversity's Graduate School of Design. Following her M. Arch., she returned to Virginia to work at Virginia Tech.","In 1995, Albright became licensed in the State of Virginia and started working as a Principal Architect alongside her academic and architecture colleague Donna Dunay at Dunay + Albright Architects. The firm focused on commercial, retail, planning, education, and single-family residential projects in southern Virginia. Albright would work with Dunay until 2001 when she started her own practice, Kathryn Albright Design.","Over the past 20 years, Kathryn Clarke Albright has continued to teach at the Virginia Tech School of Architecture, and still serves as a consultant for several Chicago-based firms, including DeStefano + Partners and Skidmore, Owings \u0026 Merrill. Her research interests include urban design and community planning, communal gathering places, and locally-grown food.","Throughout her career Albright has been a member of the national professional organization American Institute of Architects (AIA) and she is a current member of the Blue Ridge Chapter of the Virginia Society. She has also served as a chair for many professional and public committees including for the Town of Blacksburg, the AIA, Harvard Alumni Council, Norwich University Steering Committee, and many Virginia Tech committees.","She has written two books on farmers markets, including Blacksburg Farmers Market: An Archive (2010), and Exploring the Architecture of Place in America's Farmers Markets (2020).","The guide to the Kathryn Clarke Albright Architectural Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Kathryn Clarke Albright Papers was completed in July 2025.","Kathryn Clarke Albright's books are cataloged as part of Special Collections and University Archives' rare book collection. The following titles may be requested and viewed in the department's reading room:\n\nAlbright, Kathryn Clarke. Blacksburg Farmers Market : An Archive. Place of publication not identified: [publisher not identified], 2010. [Call number: SCUA Large SB319.863.A43 2010]\nAlbright, Kathryn Clarke. Exploring the Architecture of Place in America's Farmers Markets. Cincinnati, Ohio: University of Cincinnati Press, 2020. [Call number: SCUA Large NA9068.A43 2020]","The Kathryn Clarke Albright Architectural Papers include design projects Albright developed during her years as an undergraduate student at Virginia Polytechnic Institute and State University. Additionally, the collection contains 67 pen-and-ink travel sketches drawn during her 1982 trip to Europe.","Albright's papers also include a mixture of professional work and project records spanning her years working at private firms, like Skidmore, Owings, \u0026 Merrill and Solomon, Inc., and in academia. Project records primarily consist of bound project notebooks that are either portfolios (built projects) or meant for the evaluation of urban planning bodies. These early projects are all located throughout California.","Albright's later academic work centers on community planning and urban design.","Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Kathryn Clarke Albright (1960- ) Architectural Papers include design projects she developed while she was an undergraduate student at Virginia Polytechnic Insitute and State University (1978-1982), professional projects from her career at Daniel Solomon \u0026 Associates (1986-1993), including project descriptions, drawings, and progress photographs, professionial recognitions \u0026 awards. 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Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Kathryn Clarke-Albright Architectural Papers were donated to the International Archive of Women in Architecture by the creator in July 2024."],"access_subjects_ssim":["Architects","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawing -- 20th century","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawing -- 20th century","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["0.84 Cubic Feet 1 document box and 1 oversized flat box"],"extent_tesim":["0.84 Cubic Feet 1 document box and 1 oversized flat box"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"accruals_html_tesm":["\u003cp\u003eAdditional material is expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Additional material is expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into four series:\u003c/p\u003e","\u003cp\u003eSeries I: Student Work\u003c/p\u003e","\u003cp\u003eSeries II: Professional Papers\u003c/p\u003e","\u003cp\u003eSeries III: Project and Office Records\u003c/p\u003e","\u003cp\u003eSeries IV: Digital Files\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into four series:","Series I: Student Work","Series II: Professional Papers","Series III: Project and Office Records","Series IV: Digital Files"],"bioghist_html_tesm":["\u003cp\u003eBorn in 1960, Kathryn Clarke Albright was educated in Virginia. Albright began studying architecture at Virginia Polytechnic Institute and State University in 1978, and graduated with her Bachelor of Architecture in 1982. Shortly after her graduation in 1982, Albright joined San Francisco-based architecture firm Skidmore, Owings \u0026amp; Merrill (SOM). During the time she spent at the firm she worked on a number of commercial and urban planning projects until 1986, when she was hired as a Senior Designer at another San Francisco firm, Daniel Solomon \u0026amp; Associates (later Solomon, In.c). After three years of working at the firm she rose to the level of principal in 1989, and she would remain at the firm as a Principal Architect until 1993. In early 1993, she applied and was accepted at Harvard Unniversity's Graduate School of Design. Following her M. Arch., she returned to Virginia to work at Virginia Tech.\u003c/p\u003e","\u003cp\u003eIn 1995, Albright became licensed in the State of Virginia and started working as a Principal Architect alongside her academic and architecture colleague Donna Dunay at Dunay + Albright Architects. The firm focused on commercial, retail, planning, education, and single-family residential projects in southern Virginia. Albright would work with Dunay until 2001 when she started her own practice, Kathryn Albright Design. \u003c/p\u003e","\u003cp\u003eOver the past 20 years, Kathryn Clarke Albright has continued to teach at the Virginia Tech School of Architecture, and still serves as a consultant for several Chicago-based firms, including DeStefano + Partners and Skidmore, Owings \u0026amp; Merrill. Her research interests include urban design and community planning, communal gathering places, and locally-grown food.\u003c/p\u003e","\u003cp\u003eThroughout her career Albright has been a member of the national professional organization American Institute of Architects (AIA) and she is a current member of the Blue Ridge Chapter of the Virginia Society. She has also served as a chair for many professional and public committees including for the Town of Blacksburg, the AIA, Harvard Alumni Council, Norwich University Steering Committee, and many Virginia Tech committees.\u003c/p\u003e","\u003cp\u003eShe has written two books on farmers markets, including \u003cemph render=\"italic\"\u003eBlacksburg Farmers Market: An Archive\u003c/emph\u003e (2010), and \u003cemph render=\"italic\"\u003eExploring the Architecture of Place in America's Farmers Markets\u003c/emph\u003e (2020).\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Born in 1960, Kathryn Clarke Albright was educated in Virginia. Albright began studying architecture at Virginia Polytechnic Institute and State University in 1978, and graduated with her Bachelor of Architecture in 1982. Shortly after her graduation in 1982, Albright joined San Francisco-based architecture firm Skidmore, Owings \u0026 Merrill (SOM). During the time she spent at the firm she worked on a number of commercial and urban planning projects until 1986, when she was hired as a Senior Designer at another San Francisco firm, Daniel Solomon \u0026 Associates (later Solomon, In.c). After three years of working at the firm she rose to the level of principal in 1989, and she would remain at the firm as a Principal Architect until 1993. In early 1993, she applied and was accepted at Harvard Unniversity's Graduate School of Design. Following her M. Arch., she returned to Virginia to work at Virginia Tech.","In 1995, Albright became licensed in the State of Virginia and started working as a Principal Architect alongside her academic and architecture colleague Donna Dunay at Dunay + Albright Architects. The firm focused on commercial, retail, planning, education, and single-family residential projects in southern Virginia. Albright would work with Dunay until 2001 when she started her own practice, Kathryn Albright Design.","Over the past 20 years, Kathryn Clarke Albright has continued to teach at the Virginia Tech School of Architecture, and still serves as a consultant for several Chicago-based firms, including DeStefano + Partners and Skidmore, Owings \u0026 Merrill. Her research interests include urban design and community planning, communal gathering places, and locally-grown food.","Throughout her career Albright has been a member of the national professional organization American Institute of Architects (AIA) and she is a current member of the Blue Ridge Chapter of the Virginia Society. She has also served as a chair for many professional and public committees including for the Town of Blacksburg, the AIA, Harvard Alumni Council, Norwich University Steering Committee, and many Virginia Tech committees.","She has written two books on farmers markets, including Blacksburg Farmers Market: An Archive (2010), and Exploring the Architecture of Place in America's Farmers Markets (2020)."],"odd_html_tesm":["\u003cp\u003eThe guide to the Kathryn Clarke Albright Architectural Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Kathryn Clarke Albright Architectural Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [Describe item], Kathryn Clarke Albright Architectural Papers, Ms2025-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [Describe item], Kathryn Clarke Albright Architectural Papers, Ms2025-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Kathryn Clarke Albright Papers was completed in July 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Kathryn Clarke Albright Papers was completed in July 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eKathryn Clarke Albright's books are cataloged as part of Special Collections and University Archives' rare book collection. The following titles may be requested and viewed in the department's reading room:\n\u003cul\u003e\n\u003cli\u003eAlbright, Kathryn Clarke. \u003cemph render=\"italic\"\u003eBlacksburg Farmers Market : An Archive\u003c/emph\u003e. Place of publication not identified: [publisher not identified], 2010. [Call number: SCUA Large SB319.863.A43 2010]\u003c/li\u003e\n\u003cli\u003eAlbright, Kathryn Clarke. \u003cemph render=\"italic\"\u003eExploring the Architecture of Place in America's Farmers Markets\u003c/emph\u003e. Cincinnati, Ohio: University of Cincinnati Press, 2020. [Call number: SCUA Large NA9068.A43 2020]\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Kathryn Clarke Albright's books are cataloged as part of Special Collections and University Archives' rare book collection. The following titles may be requested and viewed in the department's reading room:\n\nAlbright, Kathryn Clarke. Blacksburg Farmers Market : An Archive. Place of publication not identified: [publisher not identified], 2010. [Call number: SCUA Large SB319.863.A43 2010]\nAlbright, Kathryn Clarke. Exploring the Architecture of Place in America's Farmers Markets. Cincinnati, Ohio: University of Cincinnati Press, 2020. [Call number: SCUA Large NA9068.A43 2020]"],"scopecontent_html_tesm":["\u003cp\u003eThe Kathryn Clarke Albright Architectural Papers include design projects Albright developed during her years as an undergraduate student at Virginia Polytechnic Institute and State University. Additionally, the collection contains 67 pen-and-ink travel sketches drawn during her 1982 trip to Europe. \u003c/p\u003e","\u003cp\u003eAlbright's papers also include a mixture of professional work and project records spanning her years working at private firms, like Skidmore, Owings, \u0026amp; Merrill and Solomon, Inc., and in academia. Project records primarily consist of bound project notebooks that are either portfolios (built projects) or meant for the evaluation of urban planning bodies. These early projects are all located throughout California. \u003c/p\u003e","\u003cp\u003eAlbright's later academic work centers on community planning and urban design.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Kathryn Clarke Albright Architectural Papers include design projects Albright developed during her years as an undergraduate student at Virginia Polytechnic Institute and State University. Additionally, the collection contains 67 pen-and-ink travel sketches drawn during her 1982 trip to Europe.","Albright's papers also include a mixture of professional work and project records spanning her years working at private firms, like Skidmore, Owings, \u0026 Merrill and Solomon, Inc., and in academia. Project records primarily consist of bound project notebooks that are either portfolios (built projects) or meant for the evaluation of urban planning bodies. These early projects are all located throughout California.","Albright's later academic work centers on community planning and urban design."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. \u003c/p\u003e","\u003cp\u003ePlease contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_adbbcea3a7f5ab36b5ee65c2b2579a20\" label=\"Abstract\"\u003eThe Kathryn Clarke Albright (1960- ) Architectural Papers include design projects she developed while she was an undergraduate student at Virginia Polytechnic Insitute and State University (1978-1982), professional projects from her career at Daniel Solomon \u0026amp; Associates (1986-1993), including project descriptions, drawings, and progress photographs, professionial recognitions \u0026amp; awards. Papers also include travel sketches, and her personal statement and other application materials for Harvard's Graduate School of Design.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Kathryn Clarke Albright (1960- ) Architectural Papers include design projects she developed while she was an undergraduate student at Virginia Polytechnic Insitute and State University (1978-1982), professional projects from her career at Daniel Solomon \u0026 Associates (1986-1993), including project descriptions, drawings, and progress photographs, professionial recognitions \u0026 awards. Papers also include travel sketches, and her personal statement and other application materials for Harvard's Graduate School of Design."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_ssim":["Special Collections and University Archives, Virginia Tech"],"language_ssim":["English\n."],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:33:12.556Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4358"}},{"id":"viblbv_repositories_2_resources_2929","type":"collection","attributes":{"title":"Kimiko Suzuki Architectural Collection, 1963/2013","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2929#creator","type":"document_value","attributes":{"value":"Matsukawa-Tsuchida, Junko","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2929#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe collection contains 3 sets of drawings and a publication for the Susume Abe residence completed in 1967. Abe was a famous education critic in Japan.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2929#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2929","ead_ssi":"viblbv_repositories_2_resources_2929","_root_":"viblbv_repositories_2_resources_2929","_nest_parent_":"viblbv_repositories_2_resources_2929","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2929.xml","title_filing_ssi":"Suzuki, Kimiko Architectural Collection","title_ssm":["Kimiko Suzuki Architectural Collection"],"title_tesim":["Kimiko Suzuki Architectural Collection"],"unitdate_ssm":["1963-1967, 2013"],"unitdate_other_ssim":["1963-1967, 2013"],"normalized_date_ssm":["1963/2013"],"normalized_title_ssm":["Kimiko Suzuki Architectural Collection, 1963/2013"],"text":["Kimiko Suzuki Architectural Collection, 1963/2013","Ms.2013.089","Women -- History","History of Women in Architecture","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)","Collection is open for research.","Some of this collection has been digitized and is available online.","Kimiko Suzuki (1929-1992) attended Japan Women's University and was their first graduate in the housing studies program.  Due to the economic conditions of Japan following World War II she could not find work in an architecture office.  She instead joined a publishing company because she was promised the same salary as a man.","Following her marriage she found work in an architecture office.  She performed her traditional roles in a big family and simultaneously kept working in the architecture office often working until late at night.  However, nursing care of her husband's parents forced her to resign from the architectural firm.  She thus began a practice out of her home working on residential projects, a kindergarten, and a medical clinic. She developed cancer at 50 and after a long struggle with the illness withdrew from architectural practice at 60. She passed away three years later at 63.","The processing, arrangement, and description of the Kimiko Suzuki Architectural Collection was completed in November 2013.","The collection contains 3 sets of drawings and a publication for the Susume Abe residence completed in 1967. Abe was a famous education critic in Japan.","Permission to publish material from Kimiko Suzuki Architectural Collection must be obtained from Special Collections, Virginia Tech.","Special Collections and University Archives, Virginia Tech","Matsukawa-Tsuchida, Junko","Suzuki, Michihiko","Material is in Japanese."],"collection_title_tesim":["Kimiko Suzuki Architectural Collection, 1963/2013"],"collection_ssim":["Kimiko Suzuki Architectural Collection, 1963/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2013.089"],"unitid_tesim":["Ms.2013.089"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Matsukawa-Tsuchida, Junko","Suzuki, Michihiko"],"creator_ssim":["Matsukawa-Tsuchida, Junko","Suzuki, Michihiko"],"creator_persname_ssim":["Matsukawa-Tsuchida, Junko","Suzuki, Michihiko"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Matsukawa-Tsuchida, Junko","Suzuki, Michihiko","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from Kimiko Suzuki Architectural Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The Kimiko Suzuki Architectural Collection was donated to Special Collections in November 2013."],"access_subjects_ssim":["Women -- History","History of Women in Architecture","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)"],"access_subjects_ssm":["Women -- History","History of Women in Architecture","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["1.1 Cubic Feet"],"extent_tesim":["1.1 Cubic Feet"],"genreform_ssim":["Architectural drawings (visual works)","Architecture (discipline)"],"date_range_isim":[1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/122\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"bioghist_html_tesm":["\u003cp\u003eKimiko Suzuki (1929-1992) attended Japan Women's University and was their first graduate in the housing studies program.  Due to the economic conditions of Japan following World War II she could not find work in an architecture office.  She instead joined a publishing company because she was promised the same salary as a man.\u003c/p\u003e","\u003cp\u003eFollowing her marriage she found work in an architecture office.  She performed her traditional roles in a big family and simultaneously kept working in the architecture office often working until late at night.  However, nursing care of her husband's parents forced her to resign from the architectural firm.  She thus began a practice out of her home working on residential projects, a kindergarten, and a medical clinic. She developed cancer at 50 and after a long struggle with the illness withdrew from architectural practice at 60. She passed away three years later at 63.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Kimiko Suzuki (1929-1992) attended Japan Women's University and was their first graduate in the housing studies program.  Due to the economic conditions of Japan following World War II she could not find work in an architecture office.  She instead joined a publishing company because she was promised the same salary as a man.","Following her marriage she found work in an architecture office.  She performed her traditional roles in a big family and simultaneously kept working in the architecture office often working until late at night.  However, nursing care of her husband's parents forced her to resign from the architectural firm.  She thus began a practice out of her home working on residential projects, a kindergarten, and a medical clinic. She developed cancer at 50 and after a long struggle with the illness withdrew from architectural practice at 60. She passed away three years later at 63."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Kimiko Suzuki Architectural Collection, Ms2013-089, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Kimiko Suzuki Architectural Collection, Ms2013-089, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Kimiko Suzuki Architectural Collection was completed in November 2013.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Kimiko Suzuki Architectural Collection was completed in November 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains 3 sets of drawings and a publication for the Susume Abe residence completed in 1967. Abe was a famous education critic in Japan.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection contains 3 sets of drawings and a publication for the Susume Abe residence completed in 1967. Abe was a famous education critic in Japan."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Kimiko Suzuki Architectural Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Kimiko Suzuki Architectural Collection must be obtained from Special Collections, Virginia Tech."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Matsukawa-Tsuchida, Junko","Suzuki, Michihiko"],"names_coll_ssim":["Matsukawa-Tsuchida, Junko","Suzuki, Michihiko"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Matsukawa-Tsuchida, Junko","Suzuki, Michihiko"],"language_ssim":["Material is in Japanese."],"total_component_count_is":6,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:31:18.677Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2929","ead_ssi":"viblbv_repositories_2_resources_2929","_root_":"viblbv_repositories_2_resources_2929","_nest_parent_":"viblbv_repositories_2_resources_2929","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2929.xml","title_filing_ssi":"Suzuki, Kimiko Architectural Collection","title_ssm":["Kimiko Suzuki Architectural Collection"],"title_tesim":["Kimiko Suzuki Architectural Collection"],"unitdate_ssm":["1963-1967, 2013"],"unitdate_other_ssim":["1963-1967, 2013"],"normalized_date_ssm":["1963/2013"],"normalized_title_ssm":["Kimiko Suzuki Architectural Collection, 1963/2013"],"text":["Kimiko Suzuki Architectural Collection, 1963/2013","Ms.2013.089","Women -- History","History of Women in Architecture","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)","Collection is open for research.","Some of this collection has been digitized and is available online.","Kimiko Suzuki (1929-1992) attended Japan Women's University and was their first graduate in the housing studies program.  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Due to the economic conditions of Japan following World War II she could not find work in an architecture office.  She instead joined a publishing company because she was promised the same salary as a man.\u003c/p\u003e","\u003cp\u003eFollowing her marriage she found work in an architecture office.  She performed her traditional roles in a big family and simultaneously kept working in the architecture office often working until late at night.  However, nursing care of her husband's parents forced her to resign from the architectural firm.  She thus began a practice out of her home working on residential projects, a kindergarten, and a medical clinic. She developed cancer at 50 and after a long struggle with the illness withdrew from architectural practice at 60. She passed away three years later at 63.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Kimiko Suzuki (1929-1992) attended Japan Women's University and was their first graduate in the housing studies program.  Due to the economic conditions of Japan following World War II she could not find work in an architecture office.  She instead joined a publishing company because she was promised the same salary as a man.","Following her marriage she found work in an architecture office.  She performed her traditional roles in a big family and simultaneously kept working in the architecture office often working until late at night.  However, nursing care of her husband's parents forced her to resign from the architectural firm.  She thus began a practice out of her home working on residential projects, a kindergarten, and a medical clinic. She developed cancer at 50 and after a long struggle with the illness withdrew from architectural practice at 60. She passed away three years later at 63."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Kimiko Suzuki Architectural Collection, Ms2013-089, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Kimiko Suzuki Architectural Collection, Ms2013-089, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Kimiko Suzuki Architectural Collection was completed in November 2013.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Kimiko Suzuki Architectural Collection was completed in November 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains 3 sets of drawings and a publication for the Susume Abe residence completed in 1967. Abe was a famous education critic in Japan.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection contains 3 sets of drawings and a publication for the Susume Abe residence completed in 1967. Abe was a famous education critic in Japan."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Kimiko Suzuki Architectural Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Kimiko Suzuki Architectural Collection must be obtained from Special Collections, Virginia Tech."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Matsukawa-Tsuchida, Junko","Suzuki, Michihiko"],"names_coll_ssim":["Matsukawa-Tsuchida, Junko","Suzuki, Michihiko"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Matsukawa-Tsuchida, Junko","Suzuki, Michihiko"],"language_ssim":["Material is in Japanese."],"total_component_count_is":6,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:31:18.677Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2929"}},{"id":"viblbv_repositories_2_resources_2307","type":"collection","attributes":{"title":"Krasimira Choneva Architectural Collection, 1958/1994","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2307#abstract_or_scope","type":"document_value","attributes":{"value":"The Krasimira Choneva Architectural Collection includes conceptual and working drawings as well as supporting documents for six projects. The projects range in date from 1958-1994 and were all designed and completed in Bulgaria by Krasimina Choneva. The collection also includes one biographical sketch written by Choneva herself as well as an additional biography written by Milka Bliznakov in 2007.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2307#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2307","ead_ssi":"viblbv_repositories_2_resources_2307","_root_":"viblbv_repositories_2_resources_2307","_nest_parent_":"viblbv_repositories_2_resources_2307","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2307.xml","title_filing_ssi":"Choneva, Krasimira, Architectural Collection","title_ssm":["Krasimira Choneva Architectural Collection"],"title_tesim":["Krasimira Choneva Architectural Collection"],"unitdate_ssm":["1958-1994"],"unitdate_inclusive_ssm":["1958-1994"],"normalized_date_ssm":["1958/1994"],"normalized_title_ssm":["Krasimira Choneva Architectural Collection, 1958/1994"],"text":["Krasimira Choneva Architectural Collection, 1958/1994","Ms.2007.003","Architects -- Bulgaria","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Bulgaria","Architectural drawings (visual works)","Photographs","The collection is open for research.","The collection is arranged chronologically according to project.","Krasimira Zheliazkova Choneva was born on September 23, 1935 in Varna, Bulgaria. Her father, Zheliaazko Maldjiev (b.1901) was an insurance agent and her mother Elena Ivanova Maldjieva (b.1898) was a middle school teacher who moved with her family to Varna from Macedonia after the Llinden uprising in 1903.","Choneva's family emphasized hard work and education, as a result Choneva's brothers attained university diplomas in electronics and technology and her cousins studied architecture. At the encouragement of her family Choneva enrolled in a Construction and Technological High School where she began her study of architecture. In addition to academia, Krasimira participated in sports, specifically swimming, eventually taking second place at a national competition in Bulgaria.","\"This sport helped me to aim at being the best, to follow the prescribed rules and to organize my time and activities. I didn't continue my architectural education in the university for the following reasons,\" Krasmira states, \"First, because I was in training to reach the international standards in swimming. Second, university entrance in the architecture program required contacts within the ruling communist party.\"","Choneva's professional architectural experience began in 1958 when she started working in the construction office of Varna's ship building industrial complex. The experience cemented her \"love and commitment for architecture.\" In 1959, Choneva's won a draftsman competition in the design organization for the town of Varna.","Choneva worked for this state organization until her mandatory retirement in 1990, calling this period her \"university training.\" The work experience provided Choneva with the opportunity to work with several architects including, Marin Marinov; Simeon Dimitrov; Kosio Khristov; Julia Angelova; Daniel Ognianov; and Philio Ginev on multiple design projects.","In 1961 Choneva married Marin Choveve (b.1932) a conductor of the leading Bulgarian choir \"Morski Zvutzu\" (The Sounds of the Sea). The choir performed abroad giving her the opportunity to visit multiple countries and familiarize herself with their architecture. \"During the years of the 'Iron Curtain' such knowledge gave me considerable advantage,\" Choneva recalls.","In 1971 Choneva became involved with construction of mass-housing utilizing prefabricated panels. The system developed after WWII in Western Europe and was later imported by the Soviet Union. \"Regardless of the persistent endless criticism of prefabricated multi-family apartment housing,\" Krasmiria insists, \"it was justified by the large migration of people from the agricultural sector (small towns and villages) to cities with large industrial developments. The prefabricated system gave to almost all urban dwellers the option to reside in their own apartment with adequate space and sanitary facilities. The modular panels (5.10 meters x 3.60 meters) allowed for functional arrangement of the required spaces. Speedy construction, however, allowed for sloppy finishes and shoddy appearance of the apartment buildings. I am glad to have responded to the societies demand for improved quality and to my personal desire to give the ugly panels a more attractive façade appearance.\"","In the latter part of the 1980's the Union of Bulgarian Architects (SAB) invited Choneva to join their organization. This was a distinct honor giving Choneva the right to open a private practice after the change in Bulgarian government between 1989 and 1990. Choneva opened a private office where she designed residential houses and apartment buildings for twelve years from 1990-2002.","Choneva had three children, two daughters and one son. Her daughter, Liuliana Marinova Chonevea (b. Oct. 14, 1962) joined her at the practice when she graduated Sofia Polytechnic in 1990. Upon her retirement Choneva transferred the practice to her daughter. Her son Kalin Tchonev (b.1971), also a choral conductor and piano performer, resides in North Carolina.","The guide to the  Krasimira Choneva Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement and description of the Krasimira Choneva Architectural Collection commenced in March 2010 and was completed in April 2010. Preliminary processing including a detailed inventory was completed in March 2007.","The Krasimira Choneva Architectural Collection span the years 1958 to 1994 and cover projects Choneva completed in Bulgaria. The collection includes conceptual drawings, working drawings and supporting documents for six projects including, Hotel \"Victor\" in St. Nikola; Apartment building for B. Mikhov on Llinden St. in Varna; Pavilion with changing rooms to the Euxinograd Palace near Varna; Vacation house for Burov in the subdivision of Briz, Varna; Vacation house for Manasiev in Euxinograd near Varna; and a Vacation house for Shulekov on the Monastikski Rd. area. The collection also includes one biographical sketch written by Choneva herself, as well as an additional biography written by Milka Bliznakov in 2007.","The majority of Choneva's work includes architectural drawings of residential apartment buildings and vacation homes. Items of particular distinction in the collection include Choneva's early work on the Pavilion for Euxinograd Palace and her apartment designs utilizing prefabricated panels and accent colors.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Krasimira Choneva Architectural Collection includes conceptual and working drawings as well as supporting documents for six projects. The projects range in date from 1958-1994 and were all designed and completed in Bulgaria by Krasimina Choneva. The collection also includes one biographical sketch written by Choneva herself as well as an additional biography written by Milka Bliznakov in 2007.","Special Collections and University Archives, Virginia Tech","Choneva, Krasimira","The materials in the collection are in English."],"collection_title_tesim":["Krasimira Choneva Architectural Collection, 1958/1994"],"collection_ssim":["Krasimira Choneva Architectural Collection, 1958/1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.003"],"unitid_tesim":["Ms.2007.003"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_persname_ssim":["Choneva, Krasimira"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Choneva, Krasimira","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Krasimira Choneva Architectural Collection was donated to Special Collections in 2007."],"access_subjects_ssim":["Architects -- Bulgaria","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Bulgaria","Architectural drawings (visual works)","Photographs"],"access_subjects_ssm":["Architects -- Bulgaria","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Bulgaria","Architectural drawings (visual works)","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["3.1 Cubic Feet 1 box and 7 oversize folders"],"extent_tesim":["3.1 Cubic Feet 1 box and 7 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)","Photographs"],"date_range_isim":[1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically according to project.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically according to project."],"bioghist_html_tesm":["\u003cp\u003eKrasimira Zheliazkova Choneva was born on September 23, 1935 in Varna, Bulgaria. Her father, Zheliaazko Maldjiev (b.1901) was an insurance agent and her mother Elena Ivanova Maldjieva (b.1898) was a middle school teacher who moved with her family to Varna from Macedonia after the Llinden uprising in 1903. \u003c/p\u003e","\u003cp\u003eChoneva's family emphasized hard work and education, as a result Choneva's brothers attained university diplomas in electronics and technology and her cousins studied architecture. At the encouragement of her family Choneva enrolled in a Construction and Technological High School where she began her study of architecture. In addition to academia, Krasimira participated in sports, specifically swimming, eventually taking second place at a national competition in Bulgaria. \u003c/p\u003e","\u003cp\u003e\"This sport helped me to aim at being the best, to follow the prescribed rules and to organize my time and activities. I didn't continue my architectural education in the university for the following reasons,\" Krasmira states, \"First, because I was in training to reach the international standards in swimming. Second, university entrance in the architecture program required contacts within the ruling communist party.\" \u003c/p\u003e","\u003cp\u003eChoneva's professional architectural experience began in 1958 when she started working in the construction office of Varna's ship building industrial complex. The experience cemented her \"love and commitment for architecture.\" In 1959, Choneva's won a draftsman competition in the design organization for the town of Varna. \u003c/p\u003e","\u003cp\u003eChoneva worked for this state organization until her mandatory retirement in 1990, calling this period her \"university training.\" The work experience provided Choneva with the opportunity to work with several architects including, Marin Marinov; Simeon Dimitrov; Kosio Khristov; Julia Angelova; Daniel Ognianov; and Philio Ginev on multiple design projects. \u003c/p\u003e","\u003cp\u003eIn 1961 Choneva married Marin Choveve (b.1932) a conductor of the leading Bulgarian choir \"Morski Zvutzu\" (The Sounds of the Sea). The choir performed abroad giving her the opportunity to visit multiple countries and familiarize herself with their architecture. \"During the years of the 'Iron Curtain' such knowledge gave me considerable advantage,\" Choneva recalls. \u003c/p\u003e","\u003cp\u003eIn 1971 Choneva became involved with construction of mass-housing utilizing prefabricated panels. The system developed after WWII in Western Europe and was later imported by the Soviet Union. \"Regardless of the persistent endless criticism of prefabricated multi-family apartment housing,\" Krasmiria insists, \"it was justified by the large migration of people from the agricultural sector (small towns and villages) to cities with large industrial developments. The prefabricated system gave to almost all urban dwellers the option to reside in their own apartment with adequate space and sanitary facilities. The modular panels (5.10 meters x 3.60 meters) allowed for functional arrangement of the required spaces. Speedy construction, however, allowed for sloppy finishes and shoddy appearance of the apartment buildings. I am glad to have responded to the societies demand for improved quality and to my personal desire to give the ugly panels a more attractive façade appearance.\" \u003c/p\u003e","\u003cp\u003eIn the latter part of the 1980's the Union of Bulgarian Architects (SAB) invited Choneva to join their organization. This was a distinct honor giving Choneva the right to open a private practice after the change in Bulgarian government between 1989 and 1990. Choneva opened a private office where she designed residential houses and apartment buildings for twelve years from 1990-2002. \u003c/p\u003e","\u003cp\u003eChoneva had three children, two daughters and one son. Her daughter, Liuliana Marinova Chonevea (b. Oct. 14, 1962) joined her at the practice when she graduated Sofia Polytechnic in 1990. Upon her retirement Choneva transferred the practice to her daughter. Her son Kalin Tchonev (b.1971), also a choral conductor and piano performer, resides in North Carolina. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Krasimira Zheliazkova Choneva was born on September 23, 1935 in Varna, Bulgaria. Her father, Zheliaazko Maldjiev (b.1901) was an insurance agent and her mother Elena Ivanova Maldjieva (b.1898) was a middle school teacher who moved with her family to Varna from Macedonia after the Llinden uprising in 1903.","Choneva's family emphasized hard work and education, as a result Choneva's brothers attained university diplomas in electronics and technology and her cousins studied architecture. At the encouragement of her family Choneva enrolled in a Construction and Technological High School where she began her study of architecture. In addition to academia, Krasimira participated in sports, specifically swimming, eventually taking second place at a national competition in Bulgaria.","\"This sport helped me to aim at being the best, to follow the prescribed rules and to organize my time and activities. I didn't continue my architectural education in the university for the following reasons,\" Krasmira states, \"First, because I was in training to reach the international standards in swimming. Second, university entrance in the architecture program required contacts within the ruling communist party.\"","Choneva's professional architectural experience began in 1958 when she started working in the construction office of Varna's ship building industrial complex. The experience cemented her \"love and commitment for architecture.\" In 1959, Choneva's won a draftsman competition in the design organization for the town of Varna.","Choneva worked for this state organization until her mandatory retirement in 1990, calling this period her \"university training.\" The work experience provided Choneva with the opportunity to work with several architects including, Marin Marinov; Simeon Dimitrov; Kosio Khristov; Julia Angelova; Daniel Ognianov; and Philio Ginev on multiple design projects.","In 1961 Choneva married Marin Choveve (b.1932) a conductor of the leading Bulgarian choir \"Morski Zvutzu\" (The Sounds of the Sea). The choir performed abroad giving her the opportunity to visit multiple countries and familiarize herself with their architecture. \"During the years of the 'Iron Curtain' such knowledge gave me considerable advantage,\" Choneva recalls.","In 1971 Choneva became involved with construction of mass-housing utilizing prefabricated panels. The system developed after WWII in Western Europe and was later imported by the Soviet Union. \"Regardless of the persistent endless criticism of prefabricated multi-family apartment housing,\" Krasmiria insists, \"it was justified by the large migration of people from the agricultural sector (small towns and villages) to cities with large industrial developments. The prefabricated system gave to almost all urban dwellers the option to reside in their own apartment with adequate space and sanitary facilities. The modular panels (5.10 meters x 3.60 meters) allowed for functional arrangement of the required spaces. Speedy construction, however, allowed for sloppy finishes and shoddy appearance of the apartment buildings. I am glad to have responded to the societies demand for improved quality and to my personal desire to give the ugly panels a more attractive façade appearance.\"","In the latter part of the 1980's the Union of Bulgarian Architects (SAB) invited Choneva to join their organization. This was a distinct honor giving Choneva the right to open a private practice after the change in Bulgarian government between 1989 and 1990. Choneva opened a private office where she designed residential houses and apartment buildings for twelve years from 1990-2002.","Choneva had three children, two daughters and one son. Her daughter, Liuliana Marinova Chonevea (b. Oct. 14, 1962) joined her at the practice when she graduated Sofia Polytechnic in 1990. Upon her retirement Choneva transferred the practice to her daughter. Her son Kalin Tchonev (b.1971), also a choral conductor and piano performer, resides in North Carolina."],"odd_html_tesm":["\u003cp\u003eThe guide to the  Krasimira Choneva Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Krasimira Choneva Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Krasimira Choneva Architectural Collection, Ms 2007-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Krasimira Choneva Architectural Collection, Ms 2007-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Krasimira Choneva Architectural Collection commenced in March 2010 and was completed in April 2010. Preliminary processing including a detailed inventory was completed in March 2007.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Krasimira Choneva Architectural Collection commenced in March 2010 and was completed in April 2010. Preliminary processing including a detailed inventory was completed in March 2007."],"scopecontent_html_tesm":["\u003cp\u003eThe Krasimira Choneva Architectural Collection span the years 1958 to 1994 and cover projects Choneva completed in Bulgaria. The collection includes conceptual drawings, working drawings and supporting documents for six projects including, Hotel \"Victor\" in St. Nikola; Apartment building for B. Mikhov on Llinden St. in Varna; Pavilion with changing rooms to the Euxinograd Palace near Varna; Vacation house for Burov in the subdivision of Briz, Varna; Vacation house for Manasiev in Euxinograd near Varna; and a Vacation house for Shulekov on the Monastikski Rd. area. The collection also includes one biographical sketch written by Choneva herself, as well as an additional biography written by Milka Bliznakov in 2007. \u003c/p\u003e","\u003cp\u003eThe majority of Choneva's work includes architectural drawings of residential apartment buildings and vacation homes. Items of particular distinction in the collection include Choneva's early work on the Pavilion for Euxinograd Palace and her apartment designs utilizing prefabricated panels and accent colors. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Krasimira Choneva Architectural Collection span the years 1958 to 1994 and cover projects Choneva completed in Bulgaria. The collection includes conceptual drawings, working drawings and supporting documents for six projects including, Hotel \"Victor\" in St. Nikola; Apartment building for B. Mikhov on Llinden St. in Varna; Pavilion with changing rooms to the Euxinograd Palace near Varna; Vacation house for Burov in the subdivision of Briz, Varna; Vacation house for Manasiev in Euxinograd near Varna; and a Vacation house for Shulekov on the Monastikski Rd. area. The collection also includes one biographical sketch written by Choneva herself, as well as an additional biography written by Milka Bliznakov in 2007.","The majority of Choneva's work includes architectural drawings of residential apartment buildings and vacation homes. Items of particular distinction in the collection include Choneva's early work on the Pavilion for Euxinograd Palace and her apartment designs utilizing prefabricated panels and accent colors."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_06546c798bf0fd1382b3bfdc9430a06e\" label=\"Abstract\"\u003eThe Krasimira Choneva Architectural Collection includes conceptual and working drawings as well as supporting documents for six projects. The projects range in date from 1958-1994 and were all designed and completed in Bulgaria by Krasimina Choneva. The collection also includes one biographical sketch written by Choneva herself as well as an additional biography written by Milka Bliznakov in 2007.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Krasimira Choneva Architectural Collection includes conceptual and working drawings as well as supporting documents for six projects. The projects range in date from 1958-1994 and were all designed and completed in Bulgaria by Krasimina Choneva. The collection also includes one biographical sketch written by Choneva herself as well as an additional biography written by Milka Bliznakov in 2007."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Choneva, Krasimira"],"names_coll_ssim":["Choneva, Krasimira"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Choneva, Krasimira"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":12,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:31.807Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2307","ead_ssi":"viblbv_repositories_2_resources_2307","_root_":"viblbv_repositories_2_resources_2307","_nest_parent_":"viblbv_repositories_2_resources_2307","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2307.xml","title_filing_ssi":"Choneva, Krasimira, Architectural Collection","title_ssm":["Krasimira Choneva Architectural Collection"],"title_tesim":["Krasimira Choneva Architectural Collection"],"unitdate_ssm":["1958-1994"],"unitdate_inclusive_ssm":["1958-1994"],"normalized_date_ssm":["1958/1994"],"normalized_title_ssm":["Krasimira Choneva Architectural Collection, 1958/1994"],"text":["Krasimira Choneva Architectural Collection, 1958/1994","Ms.2007.003","Architects -- Bulgaria","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Bulgaria","Architectural drawings (visual works)","Photographs","The collection is open for research.","The collection is arranged chronologically according to project.","Krasimira Zheliazkova Choneva was born on September 23, 1935 in Varna, Bulgaria. Her father, Zheliaazko Maldjiev (b.1901) was an insurance agent and her mother Elena Ivanova Maldjieva (b.1898) was a middle school teacher who moved with her family to Varna from Macedonia after the Llinden uprising in 1903.","Choneva's family emphasized hard work and education, as a result Choneva's brothers attained university diplomas in electronics and technology and her cousins studied architecture. At the encouragement of her family Choneva enrolled in a Construction and Technological High School where she began her study of architecture. In addition to academia, Krasimira participated in sports, specifically swimming, eventually taking second place at a national competition in Bulgaria.","\"This sport helped me to aim at being the best, to follow the prescribed rules and to organize my time and activities. I didn't continue my architectural education in the university for the following reasons,\" Krasmira states, \"First, because I was in training to reach the international standards in swimming. Second, university entrance in the architecture program required contacts within the ruling communist party.\"","Choneva's professional architectural experience began in 1958 when she started working in the construction office of Varna's ship building industrial complex. The experience cemented her \"love and commitment for architecture.\" In 1959, Choneva's won a draftsman competition in the design organization for the town of Varna.","Choneva worked for this state organization until her mandatory retirement in 1990, calling this period her \"university training.\" The work experience provided Choneva with the opportunity to work with several architects including, Marin Marinov; Simeon Dimitrov; Kosio Khristov; Julia Angelova; Daniel Ognianov; and Philio Ginev on multiple design projects.","In 1961 Choneva married Marin Choveve (b.1932) a conductor of the leading Bulgarian choir \"Morski Zvutzu\" (The Sounds of the Sea). The choir performed abroad giving her the opportunity to visit multiple countries and familiarize herself with their architecture. \"During the years of the 'Iron Curtain' such knowledge gave me considerable advantage,\" Choneva recalls.","In 1971 Choneva became involved with construction of mass-housing utilizing prefabricated panels. The system developed after WWII in Western Europe and was later imported by the Soviet Union. \"Regardless of the persistent endless criticism of prefabricated multi-family apartment housing,\" Krasmiria insists, \"it was justified by the large migration of people from the agricultural sector (small towns and villages) to cities with large industrial developments. The prefabricated system gave to almost all urban dwellers the option to reside in their own apartment with adequate space and sanitary facilities. The modular panels (5.10 meters x 3.60 meters) allowed for functional arrangement of the required spaces. Speedy construction, however, allowed for sloppy finishes and shoddy appearance of the apartment buildings. I am glad to have responded to the societies demand for improved quality and to my personal desire to give the ugly panels a more attractive façade appearance.\"","In the latter part of the 1980's the Union of Bulgarian Architects (SAB) invited Choneva to join their organization. This was a distinct honor giving Choneva the right to open a private practice after the change in Bulgarian government between 1989 and 1990. Choneva opened a private office where she designed residential houses and apartment buildings for twelve years from 1990-2002.","Choneva had three children, two daughters and one son. Her daughter, Liuliana Marinova Chonevea (b. Oct. 14, 1962) joined her at the practice when she graduated Sofia Polytechnic in 1990. Upon her retirement Choneva transferred the practice to her daughter. Her son Kalin Tchonev (b.1971), also a choral conductor and piano performer, resides in North Carolina.","The guide to the  Krasimira Choneva Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement and description of the Krasimira Choneva Architectural Collection commenced in March 2010 and was completed in April 2010. Preliminary processing including a detailed inventory was completed in March 2007.","The Krasimira Choneva Architectural Collection span the years 1958 to 1994 and cover projects Choneva completed in Bulgaria. The collection includes conceptual drawings, working drawings and supporting documents for six projects including, Hotel \"Victor\" in St. Nikola; Apartment building for B. Mikhov on Llinden St. in Varna; Pavilion with changing rooms to the Euxinograd Palace near Varna; Vacation house for Burov in the subdivision of Briz, Varna; Vacation house for Manasiev in Euxinograd near Varna; and a Vacation house for Shulekov on the Monastikski Rd. area. The collection also includes one biographical sketch written by Choneva herself, as well as an additional biography written by Milka Bliznakov in 2007.","The majority of Choneva's work includes architectural drawings of residential apartment buildings and vacation homes. Items of particular distinction in the collection include Choneva's early work on the Pavilion for Euxinograd Palace and her apartment designs utilizing prefabricated panels and accent colors.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Krasimira Choneva Architectural Collection includes conceptual and working drawings as well as supporting documents for six projects. The projects range in date from 1958-1994 and were all designed and completed in Bulgaria by Krasimina Choneva. The collection also includes one biographical sketch written by Choneva herself as well as an additional biography written by Milka Bliznakov in 2007.","Special Collections and University Archives, Virginia Tech","Choneva, Krasimira","The materials in the collection are in English."],"collection_title_tesim":["Krasimira Choneva Architectural Collection, 1958/1994"],"collection_ssim":["Krasimira Choneva Architectural Collection, 1958/1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.003"],"unitid_tesim":["Ms.2007.003"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_persname_ssim":["Choneva, Krasimira"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Choneva, Krasimira","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Krasimira Choneva Architectural Collection was donated to Special Collections in 2007."],"access_subjects_ssim":["Architects -- Bulgaria","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Bulgaria","Architectural drawings (visual works)","Photographs"],"access_subjects_ssm":["Architects -- Bulgaria","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Bulgaria","Architectural drawings (visual works)","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["3.1 Cubic Feet 1 box and 7 oversize folders"],"extent_tesim":["3.1 Cubic Feet 1 box and 7 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)","Photographs"],"date_range_isim":[1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically according to project.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically according to project."],"bioghist_html_tesm":["\u003cp\u003eKrasimira Zheliazkova Choneva was born on September 23, 1935 in Varna, Bulgaria. Her father, Zheliaazko Maldjiev (b.1901) was an insurance agent and her mother Elena Ivanova Maldjieva (b.1898) was a middle school teacher who moved with her family to Varna from Macedonia after the Llinden uprising in 1903. \u003c/p\u003e","\u003cp\u003eChoneva's family emphasized hard work and education, as a result Choneva's brothers attained university diplomas in electronics and technology and her cousins studied architecture. At the encouragement of her family Choneva enrolled in a Construction and Technological High School where she began her study of architecture. In addition to academia, Krasimira participated in sports, specifically swimming, eventually taking second place at a national competition in Bulgaria. \u003c/p\u003e","\u003cp\u003e\"This sport helped me to aim at being the best, to follow the prescribed rules and to organize my time and activities. I didn't continue my architectural education in the university for the following reasons,\" Krasmira states, \"First, because I was in training to reach the international standards in swimming. Second, university entrance in the architecture program required contacts within the ruling communist party.\" \u003c/p\u003e","\u003cp\u003eChoneva's professional architectural experience began in 1958 when she started working in the construction office of Varna's ship building industrial complex. The experience cemented her \"love and commitment for architecture.\" In 1959, Choneva's won a draftsman competition in the design organization for the town of Varna. \u003c/p\u003e","\u003cp\u003eChoneva worked for this state organization until her mandatory retirement in 1990, calling this period her \"university training.\" The work experience provided Choneva with the opportunity to work with several architects including, Marin Marinov; Simeon Dimitrov; Kosio Khristov; Julia Angelova; Daniel Ognianov; and Philio Ginev on multiple design projects. \u003c/p\u003e","\u003cp\u003eIn 1961 Choneva married Marin Choveve (b.1932) a conductor of the leading Bulgarian choir \"Morski Zvutzu\" (The Sounds of the Sea). The choir performed abroad giving her the opportunity to visit multiple countries and familiarize herself with their architecture. \"During the years of the 'Iron Curtain' such knowledge gave me considerable advantage,\" Choneva recalls. \u003c/p\u003e","\u003cp\u003eIn 1971 Choneva became involved with construction of mass-housing utilizing prefabricated panels. The system developed after WWII in Western Europe and was later imported by the Soviet Union. \"Regardless of the persistent endless criticism of prefabricated multi-family apartment housing,\" Krasmiria insists, \"it was justified by the large migration of people from the agricultural sector (small towns and villages) to cities with large industrial developments. The prefabricated system gave to almost all urban dwellers the option to reside in their own apartment with adequate space and sanitary facilities. The modular panels (5.10 meters x 3.60 meters) allowed for functional arrangement of the required spaces. Speedy construction, however, allowed for sloppy finishes and shoddy appearance of the apartment buildings. I am glad to have responded to the societies demand for improved quality and to my personal desire to give the ugly panels a more attractive façade appearance.\" \u003c/p\u003e","\u003cp\u003eIn the latter part of the 1980's the Union of Bulgarian Architects (SAB) invited Choneva to join their organization. This was a distinct honor giving Choneva the right to open a private practice after the change in Bulgarian government between 1989 and 1990. Choneva opened a private office where she designed residential houses and apartment buildings for twelve years from 1990-2002. \u003c/p\u003e","\u003cp\u003eChoneva had three children, two daughters and one son. Her daughter, Liuliana Marinova Chonevea (b. Oct. 14, 1962) joined her at the practice when she graduated Sofia Polytechnic in 1990. Upon her retirement Choneva transferred the practice to her daughter. Her son Kalin Tchonev (b.1971), also a choral conductor and piano performer, resides in North Carolina. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Krasimira Zheliazkova Choneva was born on September 23, 1935 in Varna, Bulgaria. Her father, Zheliaazko Maldjiev (b.1901) was an insurance agent and her mother Elena Ivanova Maldjieva (b.1898) was a middle school teacher who moved with her family to Varna from Macedonia after the Llinden uprising in 1903.","Choneva's family emphasized hard work and education, as a result Choneva's brothers attained university diplomas in electronics and technology and her cousins studied architecture. At the encouragement of her family Choneva enrolled in a Construction and Technological High School where she began her study of architecture. In addition to academia, Krasimira participated in sports, specifically swimming, eventually taking second place at a national competition in Bulgaria.","\"This sport helped me to aim at being the best, to follow the prescribed rules and to organize my time and activities. I didn't continue my architectural education in the university for the following reasons,\" Krasmira states, \"First, because I was in training to reach the international standards in swimming. Second, university entrance in the architecture program required contacts within the ruling communist party.\"","Choneva's professional architectural experience began in 1958 when she started working in the construction office of Varna's ship building industrial complex. The experience cemented her \"love and commitment for architecture.\" In 1959, Choneva's won a draftsman competition in the design organization for the town of Varna.","Choneva worked for this state organization until her mandatory retirement in 1990, calling this period her \"university training.\" The work experience provided Choneva with the opportunity to work with several architects including, Marin Marinov; Simeon Dimitrov; Kosio Khristov; Julia Angelova; Daniel Ognianov; and Philio Ginev on multiple design projects.","In 1961 Choneva married Marin Choveve (b.1932) a conductor of the leading Bulgarian choir \"Morski Zvutzu\" (The Sounds of the Sea). The choir performed abroad giving her the opportunity to visit multiple countries and familiarize herself with their architecture. \"During the years of the 'Iron Curtain' such knowledge gave me considerable advantage,\" Choneva recalls.","In 1971 Choneva became involved with construction of mass-housing utilizing prefabricated panels. The system developed after WWII in Western Europe and was later imported by the Soviet Union. \"Regardless of the persistent endless criticism of prefabricated multi-family apartment housing,\" Krasmiria insists, \"it was justified by the large migration of people from the agricultural sector (small towns and villages) to cities with large industrial developments. The prefabricated system gave to almost all urban dwellers the option to reside in their own apartment with adequate space and sanitary facilities. The modular panels (5.10 meters x 3.60 meters) allowed for functional arrangement of the required spaces. Speedy construction, however, allowed for sloppy finishes and shoddy appearance of the apartment buildings. I am glad to have responded to the societies demand for improved quality and to my personal desire to give the ugly panels a more attractive façade appearance.\"","In the latter part of the 1980's the Union of Bulgarian Architects (SAB) invited Choneva to join their organization. This was a distinct honor giving Choneva the right to open a private practice after the change in Bulgarian government between 1989 and 1990. Choneva opened a private office where she designed residential houses and apartment buildings for twelve years from 1990-2002.","Choneva had three children, two daughters and one son. Her daughter, Liuliana Marinova Chonevea (b. Oct. 14, 1962) joined her at the practice when she graduated Sofia Polytechnic in 1990. Upon her retirement Choneva transferred the practice to her daughter. Her son Kalin Tchonev (b.1971), also a choral conductor and piano performer, resides in North Carolina."],"odd_html_tesm":["\u003cp\u003eThe guide to the  Krasimira Choneva Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Krasimira Choneva Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Krasimira Choneva Architectural Collection, Ms 2007-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Krasimira Choneva Architectural Collection, Ms 2007-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Krasimira Choneva Architectural Collection commenced in March 2010 and was completed in April 2010. Preliminary processing including a detailed inventory was completed in March 2007.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Krasimira Choneva Architectural Collection commenced in March 2010 and was completed in April 2010. Preliminary processing including a detailed inventory was completed in March 2007."],"scopecontent_html_tesm":["\u003cp\u003eThe Krasimira Choneva Architectural Collection span the years 1958 to 1994 and cover projects Choneva completed in Bulgaria. The collection includes conceptual drawings, working drawings and supporting documents for six projects including, Hotel \"Victor\" in St. Nikola; Apartment building for B. Mikhov on Llinden St. in Varna; Pavilion with changing rooms to the Euxinograd Palace near Varna; Vacation house for Burov in the subdivision of Briz, Varna; Vacation house for Manasiev in Euxinograd near Varna; and a Vacation house for Shulekov on the Monastikski Rd. area. The collection also includes one biographical sketch written by Choneva herself, as well as an additional biography written by Milka Bliznakov in 2007. \u003c/p\u003e","\u003cp\u003eThe majority of Choneva's work includes architectural drawings of residential apartment buildings and vacation homes. Items of particular distinction in the collection include Choneva's early work on the Pavilion for Euxinograd Palace and her apartment designs utilizing prefabricated panels and accent colors. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Krasimira Choneva Architectural Collection span the years 1958 to 1994 and cover projects Choneva completed in Bulgaria. The collection includes conceptual drawings, working drawings and supporting documents for six projects including, Hotel \"Victor\" in St. Nikola; Apartment building for B. Mikhov on Llinden St. in Varna; Pavilion with changing rooms to the Euxinograd Palace near Varna; Vacation house for Burov in the subdivision of Briz, Varna; Vacation house for Manasiev in Euxinograd near Varna; and a Vacation house for Shulekov on the Monastikski Rd. area. The collection also includes one biographical sketch written by Choneva herself, as well as an additional biography written by Milka Bliznakov in 2007.","The majority of Choneva's work includes architectural drawings of residential apartment buildings and vacation homes. Items of particular distinction in the collection include Choneva's early work on the Pavilion for Euxinograd Palace and her apartment designs utilizing prefabricated panels and accent colors."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_06546c798bf0fd1382b3bfdc9430a06e\" label=\"Abstract\"\u003eThe Krasimira Choneva Architectural Collection includes conceptual and working drawings as well as supporting documents for six projects. The projects range in date from 1958-1994 and were all designed and completed in Bulgaria by Krasimina Choneva. The collection also includes one biographical sketch written by Choneva herself as well as an additional biography written by Milka Bliznakov in 2007.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Krasimira Choneva Architectural Collection includes conceptual and working drawings as well as supporting documents for six projects. The projects range in date from 1958-1994 and were all designed and completed in Bulgaria by Krasimina Choneva. The collection also includes one biographical sketch written by Choneva herself as well as an additional biography written by Milka Bliznakov in 2007."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Choneva, Krasimira"],"names_coll_ssim":["Choneva, Krasimira"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Choneva, Krasimira"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":12,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:31.807Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2307"}},{"id":"viblbv_repositories_2_resources_3229","type":"collection","attributes":{"title":"Kristine K. Fallon Papers, 1966/2018","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3229#creator","type":"document_value","attributes":{"value":"Fallon, Kristine K.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3229#abstract_or_scope","type":"document_value","attributes":{"value":"The Kristine K. Fallon Papers document Fallon's contributions to the built environment, the application of computer technology in design, and the advancement of women in architecture from 1979 through 2016.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3229#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_3229","ead_ssi":"viblbv_repositories_2_resources_3229","_root_":"viblbv_repositories_2_resources_3229","_nest_parent_":"viblbv_repositories_2_resources_3229","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3229.xml","title_filing_ssi":"Fallon, Kristine K. Papers","title_ssm":["Kristine K. Fallon Papers"],"title_tesim":["Kristine K. Fallon Papers"],"unitdate_ssm":["1966-2018"],"unitdate_inclusive_ssm":["1966-2018"],"normalized_date_ssm":["1966/2018"],"normalized_title_ssm":["Kristine K. Fallon Papers, 1966/2018"],"text":["Kristine K. Fallon Papers, 1966/2018","Ms.2000.035","International Archive of Women in Architecture (IAWA)","Women architects -- Illinois","History of Women in Architecture","Architecture -- Computer-aided design","Collection is open for research.","The Kristine K. Fallon Papers are arranged according to the original order established by the creator, with guidance from Shepherd and Lowell's \"Standard Series and Subseries for Architecture and Landscape Design.\" The papers comprise the following series and subseries:","Series I: Personal","Series II: Professional Papers","Series III: Teaching","Series IV: Office Records","Series V: Major Projects","This series is further sub-divided according to the managing company (e.g., Skidmore, Owings and Merrill; independent consulting by Kristine Fallon; and Kristine Fallon Associates, Inc.)","Kristine K. Fallon, FAIA, (1949 - ) is a licensed architect in Illinois and an internationally recognized authority in the use of technology for design. Fallon graduated from Virginia Polytechnic Institute in 1977 with a Master of Architecture. Following graduation, Fallon joined Skidmore, Owings and Merrill in 1977 where she helped implement the use of computer-aided design. Key projects from her SOM tenure include the Makkah Campus of King Abdulaziz University and King Abdulaziz International Airport Facility. She served as an independent consulting architect for the exterior renovation of the Historic Pullman Center in Chicago, . In 1984, Fallon began working for A. Epstein Companies as a leader in computer graphics technology. In 1986, Fallon opened Computer Technology Management, a consulting subsidiary of A. Epstein cmopanies. In this capacity, she provided expertise to architects and engineers on the effective use of computers in facility design. Fallon established her own technology consulting firm, Kristine Fallon Associates, Inc., in April 1993.  Major projects conducted by KFA Inc included a landmark \"CAD for Principals\" study commissioned by Revit Technology, a web-based project management system (ProjectNet) designed for the Chicago Transit Authority, and a 2004 research project with the Art Institute of Chicago to develop fundamentals for the preservation of born-digital design data.","Fallon was elected to the AIA College of Fellows in 1995 for her contributions to computing and technology in design.  She was invited by the government of Singapore to give the keynote presentation at the 1997 meeting of BAUCON Asia on \"Information Technology and the Re-engineering of the Construction Sector.\" In 1997, Fallon published \"The AEC Technology Survival Guide: Managing Today's Information Practice\" with John Wiley and Sons. Additional publications include her 2002 book with Arleen Boyd, \"Leading the Digital Practice: The A/E/C Firm Manager's Guide to Information Technology\" and many articles for leading journals in architecture, engineering, and construction. She taught courses on technology applications in design for the University of Illinois at Chicago School of Architecture, the University of Wisconsin-Madison College of Engineering, Triton College, and the Northwestern University McCormick School of Engineering's Master of Project Management Program. Fallon served on AIA's Technology in Architecture Practice Advisory Group from 2002-2007 and on the National Institute of Building Sciences' Board of Directors. She also held various leadership positions in Chicago Women in Architecture and the AIA Women in Architecture Network.","Sources: \nhttp://kfa-inc.com/kfa16/publications/\nhttp://kfa-inc.com/kfa16/about-us/kristine-k-fallon/","The guide to the Kristine K. Fallon Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","Processing of the Kristine K. Fallon Papers was completed in March 2018.","This collection comprises biographical and historic information on Fallon and her companies, documentation of Fallon's contributions to the application of technology in design, proceedings of preparatory materials and correspondence for major publications between 1983-2016, materials for courses taught by Fallon, and documentation for major projects conducted throughout her career. Materials include correspondence, research notes, published and draft reports, drafts and copies of publications authored by Fallon on technology in design, conference proceedings and participant materials, taped interviews and meeting records, and selected project records.","Two publications were separated from the materials, cataloged, and added to Special Collection's rare books.","Architecture et archives numériques: l'architecture à l'ère numérique, un enjeu de mémoire [Architecture and digital archives: architecture in the digital age, a question of memory]. Colloque architecture et archives numériques natives (2007 : Paris). Institut national d'histoire de l'art.","Fallon, Kristine K. The AEC technology survival guide: managing today's information practice. New York: John Wiley, 1997.","Permission to publish material from the Kristine K. Fallon Papers must be obtained from Special Collections, Virginia Tech. In some cases, additional permissions must be sought from content creators.","The Kristine K. Fallon Papers document Fallon's contributions to the built environment, the application of computer technology in design, and the advancement of women in architecture from 1979 through 2016.","Special Collections and University Archives, Virginia Tech","Fallon, Kristine K.","The materials in the collection are in English."],"collection_title_tesim":["Kristine K. Fallon Papers, 1966/2018"],"collection_ssim":["Kristine K. Fallon Papers, 1966/2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2000.035"],"unitid_tesim":["Ms.2000.035"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Fallon, Kristine K."],"creator_ssim":["Fallon, Kristine K."],"creator_persname_ssim":["Fallon, Kristine K."],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Fallon, Kristine K.","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from the Kristine K. Fallon Papers must be obtained from Special Collections, Virginia Tech. In some cases, additional permissions must be sought from content creators."],"acqinfo_ssim":["The Kristine K. Fallon papers were donated to Special Collections in 2005z, with additions in 2006 and 2017."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","Women architects -- Illinois","History of Women in Architecture","Architecture -- Computer-aided design"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","Women architects -- Illinois","History of Women in Architecture","Architecture -- Computer-aided design"],"has_online_content_ssim":["false"],"extent_ssm":["3.6 Cubic Feet Two document boxes, one telescoping tube, three small A/V boxes, one 1/2 newspaper box"],"extent_tesim":["3.6 Cubic Feet Two document boxes, one telescoping tube, three small A/V boxes, one 1/2 newspaper box"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Kristine K. Fallon Papers are arranged according to the original order established by the creator, with guidance from Shepherd and Lowell's \"Standard Series and Subseries for Architecture and Landscape Design.\" The papers comprise the following series and subseries:\u003c/p\u003e","\u003cp\u003eSeries I: Personal \u003c/p\u003e","\u003cp\u003eSeries II: Professional Papers\u003c/p\u003e","\u003cp\u003eSeries III: Teaching\u003c/p\u003e","\u003cp\u003eSeries IV: Office Records\u003c/p\u003e","\u003cp\u003eSeries V: Major Projects\u003c/p\u003e","\u003cp\u003eThis series is further sub-divided according to the managing company (e.g., Skidmore, Owings and Merrill; independent consulting by Kristine Fallon; and Kristine Fallon Associates, Inc.)\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Kristine K. Fallon Papers are arranged according to the original order established by the creator, with guidance from Shepherd and Lowell's \"Standard Series and Subseries for Architecture and Landscape Design.\" The papers comprise the following series and subseries:","Series I: Personal","Series II: Professional Papers","Series III: Teaching","Series IV: Office Records","Series V: Major Projects","This series is further sub-divided according to the managing company (e.g., Skidmore, Owings and Merrill; independent consulting by Kristine Fallon; and Kristine Fallon Associates, Inc.)"],"bioghist_html_tesm":["\u003cp\u003eKristine K. Fallon, FAIA, (1949 - ) is a licensed architect in Illinois and an internationally recognized authority in the use of technology for design. Fallon graduated from Virginia Polytechnic Institute in 1977 with a Master of Architecture. Following graduation, Fallon joined Skidmore, Owings and Merrill in 1977 where she helped implement the use of computer-aided design. Key projects from her SOM tenure include the Makkah Campus of King Abdulaziz University and King Abdulaziz International Airport Facility. She served as an independent consulting architect for the exterior renovation of the Historic Pullman Center in Chicago, . In 1984, Fallon began working for A. Epstein Companies as a leader in computer graphics technology. In 1986, Fallon opened Computer Technology Management, a consulting subsidiary of A. Epstein cmopanies. In this capacity, she provided expertise to architects and engineers on the effective use of computers in facility design. Fallon established her own technology consulting firm, Kristine Fallon Associates, Inc., in April 1993.  Major projects conducted by KFA Inc included a landmark \"CAD for Principals\" study commissioned by Revit Technology, a web-based project management system (ProjectNet) designed for the Chicago Transit Authority, and a 2004 research project with the Art Institute of Chicago to develop fundamentals for the preservation of born-digital design data.\u003c/p\u003e","\u003cp\u003eFallon was elected to the AIA College of Fellows in 1995 for her contributions to computing and technology in design.  She was invited by the government of Singapore to give the keynote presentation at the 1997 meeting of BAUCON Asia on \"Information Technology and the Re-engineering of the Construction Sector.\" In 1997, Fallon published \"The AEC Technology Survival Guide: Managing Today's Information Practice\" with John Wiley and Sons. Additional publications include her 2002 book with Arleen Boyd, \"Leading the Digital Practice: The A/E/C Firm Manager's Guide to Information Technology\" and many articles for leading journals in architecture, engineering, and construction. She taught courses on technology applications in design for the University of Illinois at Chicago School of Architecture, the University of Wisconsin-Madison College of Engineering, Triton College, and the Northwestern University McCormick School of Engineering's Master of Project Management Program. Fallon served on AIA's Technology in Architecture Practice Advisory Group from 2002-2007 and on the National Institute of Building Sciences' Board of Directors. She also held various leadership positions in Chicago Women in Architecture and the AIA Women in Architecture Network.\u003c/p\u003e","\u003cp\u003eSources: \nhttp://kfa-inc.com/kfa16/publications/\nhttp://kfa-inc.com/kfa16/about-us/kristine-k-fallon/ \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Kristine K. Fallon, FAIA, (1949 - ) is a licensed architect in Illinois and an internationally recognized authority in the use of technology for design. Fallon graduated from Virginia Polytechnic Institute in 1977 with a Master of Architecture. Following graduation, Fallon joined Skidmore, Owings and Merrill in 1977 where she helped implement the use of computer-aided design. Key projects from her SOM tenure include the Makkah Campus of King Abdulaziz University and King Abdulaziz International Airport Facility. She served as an independent consulting architect for the exterior renovation of the Historic Pullman Center in Chicago, . In 1984, Fallon began working for A. Epstein Companies as a leader in computer graphics technology. In 1986, Fallon opened Computer Technology Management, a consulting subsidiary of A. Epstein cmopanies. In this capacity, she provided expertise to architects and engineers on the effective use of computers in facility design. Fallon established her own technology consulting firm, Kristine Fallon Associates, Inc., in April 1993.  Major projects conducted by KFA Inc included a landmark \"CAD for Principals\" study commissioned by Revit Technology, a web-based project management system (ProjectNet) designed for the Chicago Transit Authority, and a 2004 research project with the Art Institute of Chicago to develop fundamentals for the preservation of born-digital design data.","Fallon was elected to the AIA College of Fellows in 1995 for her contributions to computing and technology in design.  She was invited by the government of Singapore to give the keynote presentation at the 1997 meeting of BAUCON Asia on \"Information Technology and the Re-engineering of the Construction Sector.\" In 1997, Fallon published \"The AEC Technology Survival Guide: Managing Today's Information Practice\" with John Wiley and Sons. Additional publications include her 2002 book with Arleen Boyd, \"Leading the Digital Practice: The A/E/C Firm Manager's Guide to Information Technology\" and many articles for leading journals in architecture, engineering, and construction. She taught courses on technology applications in design for the University of Illinois at Chicago School of Architecture, the University of Wisconsin-Madison College of Engineering, Triton College, and the Northwestern University McCormick School of Engineering's Master of Project Management Program. Fallon served on AIA's Technology in Architecture Practice Advisory Group from 2002-2007 and on the National Institute of Building Sciences' Board of Directors. She also held various leadership positions in Chicago Women in Architecture and the AIA Women in Architecture Network.","Sources: \nhttp://kfa-inc.com/kfa16/publications/\nhttp://kfa-inc.com/kfa16/about-us/kristine-k-fallon/"],"odd_html_tesm":["\u003cp\u003eThe guide to the Kristine K. Fallon Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Kristine K. Fallon Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Kristine K. Fallon Papers, Ms2000-035, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Kristine K. Fallon Papers, Ms2000-035, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eProcessing of the Kristine K. Fallon Papers was completed in March 2018.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing of the Kristine K. Fallon Papers was completed in March 2018."],"scopecontent_html_tesm":["\u003cp\u003eThis collection comprises biographical and historic information on Fallon and her companies, documentation of Fallon's contributions to the application of technology in design, proceedings of preparatory materials and correspondence for major publications between 1983-2016, materials for courses taught by Fallon, and documentation for major projects conducted throughout her career. Materials include correspondence, research notes, published and draft reports, drafts and copies of publications authored by Fallon on technology in design, conference proceedings and participant materials, taped interviews and meeting records, and selected project records.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection comprises biographical and historic information on Fallon and her companies, documentation of Fallon's contributions to the application of technology in design, proceedings of preparatory materials and correspondence for major publications between 1983-2016, materials for courses taught by Fallon, and documentation for major projects conducted throughout her career. Materials include correspondence, research notes, published and draft reports, drafts and copies of publications authored by Fallon on technology in design, conference proceedings and participant materials, taped interviews and meeting records, and selected project records."],"separatedmaterial_html_tesm":["\u003cp\u003eTwo publications were separated from the materials, cataloged, and added to Special Collection's rare books. \u003c/p\u003e","\u003cp\u003eArchitecture et archives numériques: l'architecture à l'ère numérique, un enjeu de mémoire [Architecture and digital archives: architecture in the digital age, a question of memory]. Colloque architecture et archives numériques natives (2007 : Paris). Institut national d'histoire de l'art.\u003c/p\u003e","\u003cp\u003eFallon, Kristine K. The AEC technology survival guide: managing today's information practice. New York: John Wiley, 1997.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Two publications were separated from the materials, cataloged, and added to Special Collection's rare books.","Architecture et archives numériques: l'architecture à l'ère numérique, un enjeu de mémoire [Architecture and digital archives: architecture in the digital age, a question of memory]. Colloque architecture et archives numériques natives (2007 : Paris). Institut national d'histoire de l'art.","Fallon, Kristine K. The AEC technology survival guide: managing today's information practice. New York: John Wiley, 1997."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Kristine K. Fallon Papers must be obtained from Special Collections, Virginia Tech. In some cases, additional permissions must be sought from content creators.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Permission to publish material from the Kristine K. Fallon Papers must be obtained from Special Collections, Virginia Tech. In some cases, additional permissions must be sought from content creators."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7356e7592c755ba5197e6e2b10ff029d\"\u003eThe Kristine K. Fallon Papers document Fallon's contributions to the built environment, the application of computer technology in design, and the advancement of women in architecture from 1979 through 2016.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Kristine K. Fallon Papers document Fallon's contributions to the built environment, the application of computer technology in design, and the advancement of women in architecture from 1979 through 2016."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Fallon, Kristine K."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Fallon, Kristine K."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":140,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:31:39.599Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3229","ead_ssi":"viblbv_repositories_2_resources_3229","_root_":"viblbv_repositories_2_resources_3229","_nest_parent_":"viblbv_repositories_2_resources_3229","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3229.xml","title_filing_ssi":"Fallon, Kristine K. Papers","title_ssm":["Kristine K. Fallon Papers"],"title_tesim":["Kristine K. Fallon Papers"],"unitdate_ssm":["1966-2018"],"unitdate_inclusive_ssm":["1966-2018"],"normalized_date_ssm":["1966/2018"],"normalized_title_ssm":["Kristine K. Fallon Papers, 1966/2018"],"text":["Kristine K. Fallon Papers, 1966/2018","Ms.2000.035","International Archive of Women in Architecture (IAWA)","Women architects -- Illinois","History of Women in Architecture","Architecture -- Computer-aided design","Collection is open for research.","The Kristine K. Fallon Papers are arranged according to the original order established by the creator, with guidance from Shepherd and Lowell's \"Standard Series and Subseries for Architecture and Landscape Design.\" The papers comprise the following series and subseries:","Series I: Personal","Series II: Professional Papers","Series III: Teaching","Series IV: Office Records","Series V: Major Projects","This series is further sub-divided according to the managing company (e.g., Skidmore, Owings and Merrill; independent consulting by Kristine Fallon; and Kristine Fallon Associates, Inc.)","Kristine K. Fallon, FAIA, (1949 - ) is a licensed architect in Illinois and an internationally recognized authority in the use of technology for design. Fallon graduated from Virginia Polytechnic Institute in 1977 with a Master of Architecture. Following graduation, Fallon joined Skidmore, Owings and Merrill in 1977 where she helped implement the use of computer-aided design. Key projects from her SOM tenure include the Makkah Campus of King Abdulaziz University and King Abdulaziz International Airport Facility. She served as an independent consulting architect for the exterior renovation of the Historic Pullman Center in Chicago, . In 1984, Fallon began working for A. Epstein Companies as a leader in computer graphics technology. In 1986, Fallon opened Computer Technology Management, a consulting subsidiary of A. Epstein cmopanies. In this capacity, she provided expertise to architects and engineers on the effective use of computers in facility design. Fallon established her own technology consulting firm, Kristine Fallon Associates, Inc., in April 1993.  Major projects conducted by KFA Inc included a landmark \"CAD for Principals\" study commissioned by Revit Technology, a web-based project management system (ProjectNet) designed for the Chicago Transit Authority, and a 2004 research project with the Art Institute of Chicago to develop fundamentals for the preservation of born-digital design data.","Fallon was elected to the AIA College of Fellows in 1995 for her contributions to computing and technology in design.  She was invited by the government of Singapore to give the keynote presentation at the 1997 meeting of BAUCON Asia on \"Information Technology and the Re-engineering of the Construction Sector.\" In 1997, Fallon published \"The AEC Technology Survival Guide: Managing Today's Information Practice\" with John Wiley and Sons. Additional publications include her 2002 book with Arleen Boyd, \"Leading the Digital Practice: The A/E/C Firm Manager's Guide to Information Technology\" and many articles for leading journals in architecture, engineering, and construction. She taught courses on technology applications in design for the University of Illinois at Chicago School of Architecture, the University of Wisconsin-Madison College of Engineering, Triton College, and the Northwestern University McCormick School of Engineering's Master of Project Management Program. Fallon served on AIA's Technology in Architecture Practice Advisory Group from 2002-2007 and on the National Institute of Building Sciences' Board of Directors. She also held various leadership positions in Chicago Women in Architecture and the AIA Women in Architecture Network.","Sources: \nhttp://kfa-inc.com/kfa16/publications/\nhttp://kfa-inc.com/kfa16/about-us/kristine-k-fallon/","The guide to the Kristine K. Fallon Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","Processing of the Kristine K. Fallon Papers was completed in March 2018.","This collection comprises biographical and historic information on Fallon and her companies, documentation of Fallon's contributions to the application of technology in design, proceedings of preparatory materials and correspondence for major publications between 1983-2016, materials for courses taught by Fallon, and documentation for major projects conducted throughout her career. Materials include correspondence, research notes, published and draft reports, drafts and copies of publications authored by Fallon on technology in design, conference proceedings and participant materials, taped interviews and meeting records, and selected project records.","Two publications were separated from the materials, cataloged, and added to Special Collection's rare books.","Architecture et archives numériques: l'architecture à l'ère numérique, un enjeu de mémoire [Architecture and digital archives: architecture in the digital age, a question of memory]. Colloque architecture et archives numériques natives (2007 : Paris). Institut national d'histoire de l'art.","Fallon, Kristine K. The AEC technology survival guide: managing today's information practice. New York: John Wiley, 1997.","Permission to publish material from the Kristine K. Fallon Papers must be obtained from Special Collections, Virginia Tech. In some cases, additional permissions must be sought from content creators.","The Kristine K. Fallon Papers document Fallon's contributions to the built environment, the application of computer technology in design, and the advancement of women in architecture from 1979 through 2016.","Special Collections and University Archives, Virginia Tech","Fallon, Kristine K.","The materials in the collection are in English."],"collection_title_tesim":["Kristine K. Fallon Papers, 1966/2018"],"collection_ssim":["Kristine K. 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Fallon papers were donated to Special Collections in 2005z, with additions in 2006 and 2017."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","Women architects -- Illinois","History of Women in Architecture","Architecture -- Computer-aided design"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","Women architects -- Illinois","History of Women in Architecture","Architecture -- Computer-aided design"],"has_online_content_ssim":["false"],"extent_ssm":["3.6 Cubic Feet Two document boxes, one telescoping tube, three small A/V boxes, one 1/2 newspaper box"],"extent_tesim":["3.6 Cubic Feet Two document boxes, one telescoping tube, three small A/V boxes, one 1/2 newspaper box"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Kristine K. Fallon Papers are arranged according to the original order established by the creator, with guidance from Shepherd and Lowell's \"Standard Series and Subseries for Architecture and Landscape Design.\" The papers comprise the following series and subseries:\u003c/p\u003e","\u003cp\u003eSeries I: Personal \u003c/p\u003e","\u003cp\u003eSeries II: Professional Papers\u003c/p\u003e","\u003cp\u003eSeries III: Teaching\u003c/p\u003e","\u003cp\u003eSeries IV: Office Records\u003c/p\u003e","\u003cp\u003eSeries V: Major Projects\u003c/p\u003e","\u003cp\u003eThis series is further sub-divided according to the managing company (e.g., Skidmore, Owings and Merrill; independent consulting by Kristine Fallon; and Kristine Fallon Associates, Inc.)\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Kristine K. Fallon Papers are arranged according to the original order established by the creator, with guidance from Shepherd and Lowell's \"Standard Series and Subseries for Architecture and Landscape Design.\" The papers comprise the following series and subseries:","Series I: Personal","Series II: Professional Papers","Series III: Teaching","Series IV: Office Records","Series V: Major Projects","This series is further sub-divided according to the managing company (e.g., Skidmore, Owings and Merrill; independent consulting by Kristine Fallon; and Kristine Fallon Associates, Inc.)"],"bioghist_html_tesm":["\u003cp\u003eKristine K. Fallon, FAIA, (1949 - ) is a licensed architect in Illinois and an internationally recognized authority in the use of technology for design. Fallon graduated from Virginia Polytechnic Institute in 1977 with a Master of Architecture. Following graduation, Fallon joined Skidmore, Owings and Merrill in 1977 where she helped implement the use of computer-aided design. Key projects from her SOM tenure include the Makkah Campus of King Abdulaziz University and King Abdulaziz International Airport Facility. She served as an independent consulting architect for the exterior renovation of the Historic Pullman Center in Chicago, . In 1984, Fallon began working for A. Epstein Companies as a leader in computer graphics technology. In 1986, Fallon opened Computer Technology Management, a consulting subsidiary of A. Epstein cmopanies. In this capacity, she provided expertise to architects and engineers on the effective use of computers in facility design. Fallon established her own technology consulting firm, Kristine Fallon Associates, Inc., in April 1993.  Major projects conducted by KFA Inc included a landmark \"CAD for Principals\" study commissioned by Revit Technology, a web-based project management system (ProjectNet) designed for the Chicago Transit Authority, and a 2004 research project with the Art Institute of Chicago to develop fundamentals for the preservation of born-digital design data.\u003c/p\u003e","\u003cp\u003eFallon was elected to the AIA College of Fellows in 1995 for her contributions to computing and technology in design.  She was invited by the government of Singapore to give the keynote presentation at the 1997 meeting of BAUCON Asia on \"Information Technology and the Re-engineering of the Construction Sector.\" In 1997, Fallon published \"The AEC Technology Survival Guide: Managing Today's Information Practice\" with John Wiley and Sons. Additional publications include her 2002 book with Arleen Boyd, \"Leading the Digital Practice: The A/E/C Firm Manager's Guide to Information Technology\" and many articles for leading journals in architecture, engineering, and construction. She taught courses on technology applications in design for the University of Illinois at Chicago School of Architecture, the University of Wisconsin-Madison College of Engineering, Triton College, and the Northwestern University McCormick School of Engineering's Master of Project Management Program. Fallon served on AIA's Technology in Architecture Practice Advisory Group from 2002-2007 and on the National Institute of Building Sciences' Board of Directors. She also held various leadership positions in Chicago Women in Architecture and the AIA Women in Architecture Network.\u003c/p\u003e","\u003cp\u003eSources: \nhttp://kfa-inc.com/kfa16/publications/\nhttp://kfa-inc.com/kfa16/about-us/kristine-k-fallon/ \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Kristine K. Fallon, FAIA, (1949 - ) is a licensed architect in Illinois and an internationally recognized authority in the use of technology for design. Fallon graduated from Virginia Polytechnic Institute in 1977 with a Master of Architecture. Following graduation, Fallon joined Skidmore, Owings and Merrill in 1977 where she helped implement the use of computer-aided design. Key projects from her SOM tenure include the Makkah Campus of King Abdulaziz University and King Abdulaziz International Airport Facility. She served as an independent consulting architect for the exterior renovation of the Historic Pullman Center in Chicago, . In 1984, Fallon began working for A. Epstein Companies as a leader in computer graphics technology. In 1986, Fallon opened Computer Technology Management, a consulting subsidiary of A. Epstein cmopanies. In this capacity, she provided expertise to architects and engineers on the effective use of computers in facility design. Fallon established her own technology consulting firm, Kristine Fallon Associates, Inc., in April 1993.  Major projects conducted by KFA Inc included a landmark \"CAD for Principals\" study commissioned by Revit Technology, a web-based project management system (ProjectNet) designed for the Chicago Transit Authority, and a 2004 research project with the Art Institute of Chicago to develop fundamentals for the preservation of born-digital design data.","Fallon was elected to the AIA College of Fellows in 1995 for her contributions to computing and technology in design.  She was invited by the government of Singapore to give the keynote presentation at the 1997 meeting of BAUCON Asia on \"Information Technology and the Re-engineering of the Construction Sector.\" In 1997, Fallon published \"The AEC Technology Survival Guide: Managing Today's Information Practice\" with John Wiley and Sons. Additional publications include her 2002 book with Arleen Boyd, \"Leading the Digital Practice: The A/E/C Firm Manager's Guide to Information Technology\" and many articles for leading journals in architecture, engineering, and construction. She taught courses on technology applications in design for the University of Illinois at Chicago School of Architecture, the University of Wisconsin-Madison College of Engineering, Triton College, and the Northwestern University McCormick School of Engineering's Master of Project Management Program. Fallon served on AIA's Technology in Architecture Practice Advisory Group from 2002-2007 and on the National Institute of Building Sciences' Board of Directors. She also held various leadership positions in Chicago Women in Architecture and the AIA Women in Architecture Network.","Sources: \nhttp://kfa-inc.com/kfa16/publications/\nhttp://kfa-inc.com/kfa16/about-us/kristine-k-fallon/"],"odd_html_tesm":["\u003cp\u003eThe guide to the Kristine K. Fallon Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Kristine K. Fallon Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Kristine K. Fallon Papers, Ms2000-035, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Kristine K. Fallon Papers, Ms2000-035, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eProcessing of the Kristine K. Fallon Papers was completed in March 2018.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing of the Kristine K. Fallon Papers was completed in March 2018."],"scopecontent_html_tesm":["\u003cp\u003eThis collection comprises biographical and historic information on Fallon and her companies, documentation of Fallon's contributions to the application of technology in design, proceedings of preparatory materials and correspondence for major publications between 1983-2016, materials for courses taught by Fallon, and documentation for major projects conducted throughout her career. Materials include correspondence, research notes, published and draft reports, drafts and copies of publications authored by Fallon on technology in design, conference proceedings and participant materials, taped interviews and meeting records, and selected project records.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection comprises biographical and historic information on Fallon and her companies, documentation of Fallon's contributions to the application of technology in design, proceedings of preparatory materials and correspondence for major publications between 1983-2016, materials for courses taught by Fallon, and documentation for major projects conducted throughout her career. Materials include correspondence, research notes, published and draft reports, drafts and copies of publications authored by Fallon on technology in design, conference proceedings and participant materials, taped interviews and meeting records, and selected project records."],"separatedmaterial_html_tesm":["\u003cp\u003eTwo publications were separated from the materials, cataloged, and added to Special Collection's rare books. \u003c/p\u003e","\u003cp\u003eArchitecture et archives numériques: l'architecture à l'ère numérique, un enjeu de mémoire [Architecture and digital archives: architecture in the digital age, a question of memory]. Colloque architecture et archives numériques natives (2007 : Paris). Institut national d'histoire de l'art.\u003c/p\u003e","\u003cp\u003eFallon, Kristine K. The AEC technology survival guide: managing today's information practice. New York: John Wiley, 1997.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Two publications were separated from the materials, cataloged, and added to Special Collection's rare books.","Architecture et archives numériques: l'architecture à l'ère numérique, un enjeu de mémoire [Architecture and digital archives: architecture in the digital age, a question of memory]. Colloque architecture et archives numériques natives (2007 : Paris). Institut national d'histoire de l'art.","Fallon, Kristine K. The AEC technology survival guide: managing today's information practice. New York: John Wiley, 1997."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Kristine K. Fallon Papers must be obtained from Special Collections, Virginia Tech. In some cases, additional permissions must be sought from content creators.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Permission to publish material from the Kristine K. Fallon Papers must be obtained from Special Collections, Virginia Tech. In some cases, additional permissions must be sought from content creators."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7356e7592c755ba5197e6e2b10ff029d\"\u003eThe Kristine K. Fallon Papers document Fallon's contributions to the built environment, the application of computer technology in design, and the advancement of women in architecture from 1979 through 2016.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Kristine K. Fallon Papers document Fallon's contributions to the built environment, the application of computer technology in design, and the advancement of women in architecture from 1979 through 2016."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Fallon, Kristine K."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Fallon, Kristine K."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":140,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:31:39.599Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3229"}},{"id":"viblbv_repositories_2_resources_1512","type":"collection","attributes":{"title":"Liane Zimbler Architectural Collection, 1912/1994","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1512#creator","type":"document_value","attributes":{"value":"Zimbler, Liane, 1892-1987","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1512#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains the professional papers of Liane Zimbler, architect and interior designer. The collection includes graphic and printed material, writings, drawings, and correspondence relating to Zimbler's architectural and interior design work in Europe and the United States.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1512#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1512","ead_ssi":"viblbv_repositories_2_resources_1512","_root_":"viblbv_repositories_2_resources_1512","_nest_parent_":"viblbv_repositories_2_resources_1512","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1512.xml","title_filing_ssi":"Zimbler, Liane, Architectural Collection","title_ssm":["Liane Zimbler Architectural Collection"],"title_tesim":["Liane Zimbler Architectural Collection"],"unitdate_ssm":["1912-1982, 1993-1994"],"unitdate_inclusive_ssm":["1912-1982, 1993-1994"],"normalized_date_ssm":["1912/1994"],"normalized_title_ssm":["Liane Zimbler Architectural Collection, 1912/1994"],"text":["Liane Zimbler Architectural Collection, 1912/1994","Ms.1988.005","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open for research.","The collection is arranged into one series of Professional Papers and five subseries according to type of material.","Series I. Professional Papers, 1912-1982, 1993-1994 This series consists of material created and collected by Zimbler in the course of her work as an architect and interior designer. Some material relates to her various projects in Vienna including the Harpner residence (1933) and the Preminger residence (1935). Most of the material relates to her various projects in Southern California including Dr Toch's residence, Santa Monica (1941), the Panzer residence, Beverly Hills (1942), the Barbas residence, Beverly Hills (1951), the Candianides Residence, Ventura (1961), the Barasch residence, Los Angeles (1960-1965), as well as to her participation in American Institute of Decorators (A.I.D) shows (1954, 1960-1961, 1967, 1973), \"Living with Famous Paintings\" shows (1956, 1958-1959, 1961) and Design House West shows (1970-1971). The series is arranged into five subseries, Subseries A. Correspondence, Subseries B. Writings, Subseries C. Drawings, Subseries D. Printed Material, and Subseries E. Photographs and Other Graphic Material.","Liane Zimbler was born in Czechoslovakia in 1892. She studied Art and Architecture at the State Art School in Austria, became the first women in Europe to be awarded an architect's license, and opened offices in Vienna and Prague. Her work ranged from bank buildings, offices, and stores to homes and designs for multi-purpose, mass-produced furniture. Her other activities included serving as chairman of the Austrian board of the International Housing Society and giving lectures on the sociological and artistic aspects of housing to students and various women's clubs.","Fleeing the Nazi invasion of Austria, Zimbler moved with her family to Los Angeles, California in 1938. There she worked with interior decorator Anita Toor and began to pursue a career in interior design. She soon headed her own design firm, did considerable lecturing and wrote articles on topics connected with decorating problems, and regularly took part in design shows and exhibitions. Her daughter, Eva Zimbler Huebscher, joined her as an apprentice in 1958 and thereafter became her associate. They became well known as a mother-daughter team.","Zimbler was a member of the American Institute of Interior Designers and the Association of Women in Architecture. Her work was published in various architecture and design periodicals (such as Interior Design, Designers West, and The Architectural Digest) and in the home section of daily newspapers (such as the Los Angeles Times). She also contributed articles and columns to various publications.","Zimbler carried on her design work until she was well into her seventies. She died in 1987 in Los Angeles.","The guide to the Liane Zimbler Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Liane Zimbler Architectural Collection commenced in October 2003 and were completed in March 2004. Some preliminary processing was done prior to this time.","The collection consists of material related to Liane Zimbler's work as an architect and interior designer in Vienna, Austria during the time period from 1921 to 1938 and in Los Angeles, California, during the time period from 1941 to 1975. Material includes photographs, slides, stereo transparencies and viewing device, exhibition programs, architectural and interior design periodicals, newspaper and magazine clippings, manuscripts of biographical essays, speeches, and articles, presentation and design drawings, and correspondence. The collection documents Zimbler's various projects (some in conjunction with her daughter, Eva Zimbler Huebscher), her participation in various design exhibitions and shows, her contribution to various publications, and her speeches to various organizations.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains the professional papers of Liane Zimbler, architect and interior designer. The collection includes graphic and printed material, writings, drawings, and correspondence relating to Zimbler's architectural and interior design work in Europe and the United States.","Special Collections and University Archives, Virginia Tech","Zimbler, Liane, 1892-1987","The materials in the collection are in English."],"collection_title_tesim":["Liane Zimbler Architectural Collection, 1912/1994"],"collection_ssim":["Liane Zimbler Architectural Collection, 1912/1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1988.005"],"unitid_tesim":["Ms.1988.005"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Zimbler, Liane, 1892-1987"],"creator_ssim":["Zimbler, Liane, 1892-1987"],"creator_persname_ssim":["Zimbler, Liane, 1892-1987"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Zimbler, Liane, 1892-1987","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated to the International Archive of Women in Architecture in 1988 and 1994."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["4 Cubic Feet 4 boxes; 1 oversize folder"],"extent_tesim":["4 Cubic Feet 4 boxes; 1 oversize folder"],"date_range_isim":[1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into one series of Professional Papers and five subseries according to type of material. \u003c/p\u003e","\u003cp\u003eSeries I. Professional Papers, 1912-1982, 1993-1994 This series consists of material created and collected by Zimbler in the course of her work as an architect and interior designer. Some material relates to her various projects in Vienna including the Harpner residence (1933) and the Preminger residence (1935). Most of the material relates to her various projects in Southern California including Dr Toch's residence, Santa Monica (1941), the Panzer residence, Beverly Hills (1942), the Barbas residence, Beverly Hills (1951), the Candianides Residence, Ventura (1961), the Barasch residence, Los Angeles (1960-1965), as well as to her participation in American Institute of Decorators (A.I.D) shows (1954, 1960-1961, 1967, 1973), \"Living with Famous Paintings\" shows (1956, 1958-1959, 1961) and Design House West shows (1970-1971). The series is arranged into five subseries, Subseries A. Correspondence, Subseries B. Writings, Subseries C. Drawings, Subseries D. Printed Material, and Subseries E. Photographs and Other Graphic Material. \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into one series of Professional Papers and five subseries according to type of material.","Series I. Professional Papers, 1912-1982, 1993-1994 This series consists of material created and collected by Zimbler in the course of her work as an architect and interior designer. Some material relates to her various projects in Vienna including the Harpner residence (1933) and the Preminger residence (1935). Most of the material relates to her various projects in Southern California including Dr Toch's residence, Santa Monica (1941), the Panzer residence, Beverly Hills (1942), the Barbas residence, Beverly Hills (1951), the Candianides Residence, Ventura (1961), the Barasch residence, Los Angeles (1960-1965), as well as to her participation in American Institute of Decorators (A.I.D) shows (1954, 1960-1961, 1967, 1973), \"Living with Famous Paintings\" shows (1956, 1958-1959, 1961) and Design House West shows (1970-1971). The series is arranged into five subseries, Subseries A. Correspondence, Subseries B. Writings, Subseries C. Drawings, Subseries D. Printed Material, and Subseries E. Photographs and Other Graphic Material."],"bioghist_html_tesm":["\u003cp\u003eLiane Zimbler was born in Czechoslovakia in 1892. She studied Art and Architecture at the State Art School in Austria, became the first women in Europe to be awarded an architect's license, and opened offices in Vienna and Prague. Her work ranged from bank buildings, offices, and stores to homes and designs for multi-purpose, mass-produced furniture. Her other activities included serving as chairman of the Austrian board of the International Housing Society and giving lectures on the sociological and artistic aspects of housing to students and various women's clubs. \u003c/p\u003e","\u003cp\u003eFleeing the Nazi invasion of Austria, Zimbler moved with her family to Los Angeles, California in 1938. There she worked with interior decorator Anita Toor and began to pursue a career in interior design. She soon headed her own design firm, did considerable lecturing and wrote articles on topics connected with decorating problems, and regularly took part in design shows and exhibitions. Her daughter, Eva Zimbler Huebscher, joined her as an apprentice in 1958 and thereafter became her associate. They became well known as a mother-daughter team. \u003c/p\u003e","\u003cp\u003eZimbler was a member of the American Institute of Interior Designers and the Association of Women in Architecture. Her work was published in various architecture and design periodicals (such as Interior Design, Designers West, and The Architectural Digest) and in the home section of daily newspapers (such as the Los Angeles Times). She also contributed articles and columns to various publications. \u003c/p\u003e","\u003cp\u003eZimbler carried on her design work until she was well into her seventies. She died in 1987 in Los Angeles. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Liane Zimbler was born in Czechoslovakia in 1892. She studied Art and Architecture at the State Art School in Austria, became the first women in Europe to be awarded an architect's license, and opened offices in Vienna and Prague. Her work ranged from bank buildings, offices, and stores to homes and designs for multi-purpose, mass-produced furniture. Her other activities included serving as chairman of the Austrian board of the International Housing Society and giving lectures on the sociological and artistic aspects of housing to students and various women's clubs.","Fleeing the Nazi invasion of Austria, Zimbler moved with her family to Los Angeles, California in 1938. There she worked with interior decorator Anita Toor and began to pursue a career in interior design. She soon headed her own design firm, did considerable lecturing and wrote articles on topics connected with decorating problems, and regularly took part in design shows and exhibitions. Her daughter, Eva Zimbler Huebscher, joined her as an apprentice in 1958 and thereafter became her associate. They became well known as a mother-daughter team.","Zimbler was a member of the American Institute of Interior Designers and the Association of Women in Architecture. Her work was published in various architecture and design periodicals (such as Interior Design, Designers West, and The Architectural Digest) and in the home section of daily newspapers (such as the Los Angeles Times). She also contributed articles and columns to various publications.","Zimbler carried on her design work until she was well into her seventies. She died in 1987 in Los Angeles."],"odd_html_tesm":["\u003cp\u003eThe guide to the Liane Zimbler Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Liane Zimbler Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Liane Zimbler Architectural Collection, Ms1988-005, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Liane Zimbler Architectural Collection, Ms1988-005, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Liane Zimbler Architectural Collection commenced in October 2003 and were completed in March 2004. Some preliminary processing was done prior to this time.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Liane Zimbler Architectural Collection commenced in October 2003 and were completed in March 2004. Some preliminary processing was done prior to this time."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of material related to Liane Zimbler's work as an architect and interior designer in Vienna, Austria during the time period from 1921 to 1938 and in Los Angeles, California, during the time period from 1941 to 1975. Material includes photographs, slides, stereo transparencies and viewing device, exhibition programs, architectural and interior design periodicals, newspaper and magazine clippings, manuscripts of biographical essays, speeches, and articles, presentation and design drawings, and correspondence. The collection documents Zimbler's various projects (some in conjunction with her daughter, Eva Zimbler Huebscher), her participation in various design exhibitions and shows, her contribution to various publications, and her speeches to various organizations.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of material related to Liane Zimbler's work as an architect and interior designer in Vienna, Austria during the time period from 1921 to 1938 and in Los Angeles, California, during the time period from 1941 to 1975. Material includes photographs, slides, stereo transparencies and viewing device, exhibition programs, architectural and interior design periodicals, newspaper and magazine clippings, manuscripts of biographical essays, speeches, and articles, presentation and design drawings, and correspondence. The collection documents Zimbler's various projects (some in conjunction with her daughter, Eva Zimbler Huebscher), her participation in various design exhibitions and shows, her contribution to various publications, and her speeches to various organizations."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ab56e4871bc1afe38588ca7a526097ad\" label=\"Abstract\"\u003eThis collection contains the professional papers of Liane Zimbler, architect and interior designer. The collection includes graphic and printed material, writings, drawings, and correspondence relating to Zimbler's architectural and interior design work in Europe and the United States.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains the professional papers of Liane Zimbler, architect and interior designer. The collection includes graphic and printed material, writings, drawings, and correspondence relating to Zimbler's architectural and interior design work in Europe and the United States."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Zimbler, Liane, 1892-1987"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Zimbler, Liane, 1892-1987"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":87,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:29:47.882Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1512","ead_ssi":"viblbv_repositories_2_resources_1512","_root_":"viblbv_repositories_2_resources_1512","_nest_parent_":"viblbv_repositories_2_resources_1512","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1512.xml","title_filing_ssi":"Zimbler, Liane, Architectural Collection","title_ssm":["Liane Zimbler Architectural Collection"],"title_tesim":["Liane Zimbler Architectural Collection"],"unitdate_ssm":["1912-1982, 1993-1994"],"unitdate_inclusive_ssm":["1912-1982, 1993-1994"],"normalized_date_ssm":["1912/1994"],"normalized_title_ssm":["Liane Zimbler Architectural Collection, 1912/1994"],"text":["Liane Zimbler Architectural Collection, 1912/1994","Ms.1988.005","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open for research.","The collection is arranged into one series of Professional Papers and five subseries according to type of material.","Series I. Professional Papers, 1912-1982, 1993-1994 This series consists of material created and collected by Zimbler in the course of her work as an architect and interior designer. Some material relates to her various projects in Vienna including the Harpner residence (1933) and the Preminger residence (1935). Most of the material relates to her various projects in Southern California including Dr Toch's residence, Santa Monica (1941), the Panzer residence, Beverly Hills (1942), the Barbas residence, Beverly Hills (1951), the Candianides Residence, Ventura (1961), the Barasch residence, Los Angeles (1960-1965), as well as to her participation in American Institute of Decorators (A.I.D) shows (1954, 1960-1961, 1967, 1973), \"Living with Famous Paintings\" shows (1956, 1958-1959, 1961) and Design House West shows (1970-1971). The series is arranged into five subseries, Subseries A. Correspondence, Subseries B. Writings, Subseries C. Drawings, Subseries D. Printed Material, and Subseries E. Photographs and Other Graphic Material.","Liane Zimbler was born in Czechoslovakia in 1892. She studied Art and Architecture at the State Art School in Austria, became the first women in Europe to be awarded an architect's license, and opened offices in Vienna and Prague. Her work ranged from bank buildings, offices, and stores to homes and designs for multi-purpose, mass-produced furniture. Her other activities included serving as chairman of the Austrian board of the International Housing Society and giving lectures on the sociological and artistic aspects of housing to students and various women's clubs.","Fleeing the Nazi invasion of Austria, Zimbler moved with her family to Los Angeles, California in 1938. There she worked with interior decorator Anita Toor and began to pursue a career in interior design. She soon headed her own design firm, did considerable lecturing and wrote articles on topics connected with decorating problems, and regularly took part in design shows and exhibitions. Her daughter, Eva Zimbler Huebscher, joined her as an apprentice in 1958 and thereafter became her associate. They became well known as a mother-daughter team.","Zimbler was a member of the American Institute of Interior Designers and the Association of Women in Architecture. Her work was published in various architecture and design periodicals (such as Interior Design, Designers West, and The Architectural Digest) and in the home section of daily newspapers (such as the Los Angeles Times). She also contributed articles and columns to various publications.","Zimbler carried on her design work until she was well into her seventies. She died in 1987 in Los Angeles.","The guide to the Liane Zimbler Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Liane Zimbler Architectural Collection commenced in October 2003 and were completed in March 2004. Some preliminary processing was done prior to this time.","The collection consists of material related to Liane Zimbler's work as an architect and interior designer in Vienna, Austria during the time period from 1921 to 1938 and in Los Angeles, California, during the time period from 1941 to 1975. Material includes photographs, slides, stereo transparencies and viewing device, exhibition programs, architectural and interior design periodicals, newspaper and magazine clippings, manuscripts of biographical essays, speeches, and articles, presentation and design drawings, and correspondence. The collection documents Zimbler's various projects (some in conjunction with her daughter, Eva Zimbler Huebscher), her participation in various design exhibitions and shows, her contribution to various publications, and her speeches to various organizations.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains the professional papers of Liane Zimbler, architect and interior designer. The collection includes graphic and printed material, writings, drawings, and correspondence relating to Zimbler's architectural and interior design work in Europe and the United States.","Special Collections and University Archives, Virginia Tech","Zimbler, Liane, 1892-1987","The materials in the collection are in English."],"collection_title_tesim":["Liane Zimbler Architectural Collection, 1912/1994"],"collection_ssim":["Liane Zimbler Architectural Collection, 1912/1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1988.005"],"unitid_tesim":["Ms.1988.005"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Zimbler, Liane, 1892-1987"],"creator_ssim":["Zimbler, Liane, 1892-1987"],"creator_persname_ssim":["Zimbler, Liane, 1892-1987"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Zimbler, Liane, 1892-1987","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated to the International Archive of Women in Architecture in 1988 and 1994."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["4 Cubic Feet 4 boxes; 1 oversize folder"],"extent_tesim":["4 Cubic Feet 4 boxes; 1 oversize folder"],"date_range_isim":[1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into one series of Professional Papers and five subseries according to type of material. \u003c/p\u003e","\u003cp\u003eSeries I. Professional Papers, 1912-1982, 1993-1994 This series consists of material created and collected by Zimbler in the course of her work as an architect and interior designer. Some material relates to her various projects in Vienna including the Harpner residence (1933) and the Preminger residence (1935). Most of the material relates to her various projects in Southern California including Dr Toch's residence, Santa Monica (1941), the Panzer residence, Beverly Hills (1942), the Barbas residence, Beverly Hills (1951), the Candianides Residence, Ventura (1961), the Barasch residence, Los Angeles (1960-1965), as well as to her participation in American Institute of Decorators (A.I.D) shows (1954, 1960-1961, 1967, 1973), \"Living with Famous Paintings\" shows (1956, 1958-1959, 1961) and Design House West shows (1970-1971). The series is arranged into five subseries, Subseries A. Correspondence, Subseries B. Writings, Subseries C. Drawings, Subseries D. Printed Material, and Subseries E. Photographs and Other Graphic Material. \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into one series of Professional Papers and five subseries according to type of material.","Series I. Professional Papers, 1912-1982, 1993-1994 This series consists of material created and collected by Zimbler in the course of her work as an architect and interior designer. Some material relates to her various projects in Vienna including the Harpner residence (1933) and the Preminger residence (1935). Most of the material relates to her various projects in Southern California including Dr Toch's residence, Santa Monica (1941), the Panzer residence, Beverly Hills (1942), the Barbas residence, Beverly Hills (1951), the Candianides Residence, Ventura (1961), the Barasch residence, Los Angeles (1960-1965), as well as to her participation in American Institute of Decorators (A.I.D) shows (1954, 1960-1961, 1967, 1973), \"Living with Famous Paintings\" shows (1956, 1958-1959, 1961) and Design House West shows (1970-1971). The series is arranged into five subseries, Subseries A. Correspondence, Subseries B. Writings, Subseries C. Drawings, Subseries D. Printed Material, and Subseries E. Photographs and Other Graphic Material."],"bioghist_html_tesm":["\u003cp\u003eLiane Zimbler was born in Czechoslovakia in 1892. She studied Art and Architecture at the State Art School in Austria, became the first women in Europe to be awarded an architect's license, and opened offices in Vienna and Prague. Her work ranged from bank buildings, offices, and stores to homes and designs for multi-purpose, mass-produced furniture. Her other activities included serving as chairman of the Austrian board of the International Housing Society and giving lectures on the sociological and artistic aspects of housing to students and various women's clubs. \u003c/p\u003e","\u003cp\u003eFleeing the Nazi invasion of Austria, Zimbler moved with her family to Los Angeles, California in 1938. There she worked with interior decorator Anita Toor and began to pursue a career in interior design. She soon headed her own design firm, did considerable lecturing and wrote articles on topics connected with decorating problems, and regularly took part in design shows and exhibitions. Her daughter, Eva Zimbler Huebscher, joined her as an apprentice in 1958 and thereafter became her associate. They became well known as a mother-daughter team. \u003c/p\u003e","\u003cp\u003eZimbler was a member of the American Institute of Interior Designers and the Association of Women in Architecture. Her work was published in various architecture and design periodicals (such as Interior Design, Designers West, and The Architectural Digest) and in the home section of daily newspapers (such as the Los Angeles Times). She also contributed articles and columns to various publications. \u003c/p\u003e","\u003cp\u003eZimbler carried on her design work until she was well into her seventies. She died in 1987 in Los Angeles. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Liane Zimbler was born in Czechoslovakia in 1892. She studied Art and Architecture at the State Art School in Austria, became the first women in Europe to be awarded an architect's license, and opened offices in Vienna and Prague. Her work ranged from bank buildings, offices, and stores to homes and designs for multi-purpose, mass-produced furniture. Her other activities included serving as chairman of the Austrian board of the International Housing Society and giving lectures on the sociological and artistic aspects of housing to students and various women's clubs.","Fleeing the Nazi invasion of Austria, Zimbler moved with her family to Los Angeles, California in 1938. There she worked with interior decorator Anita Toor and began to pursue a career in interior design. She soon headed her own design firm, did considerable lecturing and wrote articles on topics connected with decorating problems, and regularly took part in design shows and exhibitions. Her daughter, Eva Zimbler Huebscher, joined her as an apprentice in 1958 and thereafter became her associate. They became well known as a mother-daughter team.","Zimbler was a member of the American Institute of Interior Designers and the Association of Women in Architecture. Her work was published in various architecture and design periodicals (such as Interior Design, Designers West, and The Architectural Digest) and in the home section of daily newspapers (such as the Los Angeles Times). She also contributed articles and columns to various publications.","Zimbler carried on her design work until she was well into her seventies. She died in 1987 in Los Angeles."],"odd_html_tesm":["\u003cp\u003eThe guide to the Liane Zimbler Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Liane Zimbler Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Liane Zimbler Architectural Collection, Ms1988-005, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Liane Zimbler Architectural Collection, Ms1988-005, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Liane Zimbler Architectural Collection commenced in October 2003 and were completed in March 2004. Some preliminary processing was done prior to this time.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Liane Zimbler Architectural Collection commenced in October 2003 and were completed in March 2004. Some preliminary processing was done prior to this time."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of material related to Liane Zimbler's work as an architect and interior designer in Vienna, Austria during the time period from 1921 to 1938 and in Los Angeles, California, during the time period from 1941 to 1975. Material includes photographs, slides, stereo transparencies and viewing device, exhibition programs, architectural and interior design periodicals, newspaper and magazine clippings, manuscripts of biographical essays, speeches, and articles, presentation and design drawings, and correspondence. The collection documents Zimbler's various projects (some in conjunction with her daughter, Eva Zimbler Huebscher), her participation in various design exhibitions and shows, her contribution to various publications, and her speeches to various organizations.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of material related to Liane Zimbler's work as an architect and interior designer in Vienna, Austria during the time period from 1921 to 1938 and in Los Angeles, California, during the time period from 1941 to 1975. Material includes photographs, slides, stereo transparencies and viewing device, exhibition programs, architectural and interior design periodicals, newspaper and magazine clippings, manuscripts of biographical essays, speeches, and articles, presentation and design drawings, and correspondence. The collection documents Zimbler's various projects (some in conjunction with her daughter, Eva Zimbler Huebscher), her participation in various design exhibitions and shows, her contribution to various publications, and her speeches to various organizations."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ab56e4871bc1afe38588ca7a526097ad\" label=\"Abstract\"\u003eThis collection contains the professional papers of Liane Zimbler, architect and interior designer. The collection includes graphic and printed material, writings, drawings, and correspondence relating to Zimbler's architectural and interior design work in Europe and the United States.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains the professional papers of Liane Zimbler, architect and interior designer. The collection includes graphic and printed material, writings, drawings, and correspondence relating to Zimbler's architectural and interior design work in Europe and the United States."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Zimbler, Liane, 1892-1987"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Zimbler, Liane, 1892-1987"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":87,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:29:47.882Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1512"}},{"id":"viblbv_repositories_2_resources_2157","type":"collection","attributes":{"title":"Lilia Gramatikova Architectural Collection, 1960/2007, bulk 1965/1981","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2157#creator","type":"document_value","attributes":{"value":"Gramatikova, Lilia","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2157#abstract_or_scope","type":"document_value","attributes":{"value":"Lilia Gramatikova is an Bulgarian architect who practiced in Bulgaria, Mongolia, and East Germany from 1953-1985. The collection consists of 72 hand-drawn architectural drawings of two projects: Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria (1974) and Territorial Information and Computing Center in Vrasta, Bulgaria (1981). Also present is a drawing (photocopy) of Gramatikova's personal residence in Sofia (1965) and a folder containing biographical information.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2157#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2157","ead_ssi":"viblbv_repositories_2_resources_2157","_root_":"viblbv_repositories_2_resources_2157","_nest_parent_":"viblbv_repositories_2_resources_2157","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2157.xml","title_filing_ssi":"Gramatikova, Lilia, Architectural Collection","title_ssm":["Lilia Gramatikova Architectural Collection"],"title_tesim":["Lilia Gramatikova Architectural Collection"],"unitdate_ssm":["1960-2007","bulk dates 1965-1981"],"unitdate_inclusive_ssm":["1960-2007"],"unitdate_bulk_ssim":["bulk dates 1965-1981"],"normalized_date_ssm":["1960/2007, bulk 1965/1981"],"normalized_title_ssm":["Lilia Gramatikova Architectural Collection, 1960/2007, bulk 1965/1981"],"text":["Lilia Gramatikova Architectural Collection, 1960/2007, bulk 1965/1981","Ms.2001.023","Architects","Architects and community","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Bulgaria","Women architects -- Germany","Architectural drawings (visual works)","Architecture (discipline)","The collection is open to research.","Some of this collection has been digitized and is available online.","Lilia Bencheva-Gramatikova was born in 1929 in Karnobat, Bulgaria. She graduated in architecture from Sophia Polytechnic (1953) and began her practice in the Sohpia State Design Organization Sofproekt from 1953 to 1965. She spent two years in Mongolia (1961-1963) designing a youth center and its administrative council building. She transferred to Main State Design Organization Glavproekt (1965) where she worked until her retirement in 1985.","Between 1967 and 1982 she spent several years in Halle-Neustadt, East Germany where she designed the \"Haus der Dienste\" an apartment complex for 16,000 inhabitants.  She received several awards for her projects including the gold Order of Labor (1980) and the Diploma of Merit from the Committee for Architecture and Urbanism of the Council of the Bulgarian Republic (1981).","The guide to the Lilia Gramatikova Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Lilia Gramatikova Architectural Collection was completed in 2001. The 2007 addition was integrated in 2013.","The Lilia Gramatikova Architectural Collection consists of a drawing (photocopy) of Gramatikova's personal residence in Sofia (1965), photographs of the Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria, and biographical information including an article by Nikolai Khaitov regarding Gramatikova and photocopies of award certificates. The collection also includes architectural drawings of two of her projects: Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria (1974) and Territorial Information and Computing Center in Vrasta, Bulgaria (1981).","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Lilia Gramatikova is an Bulgarian architect who practiced in Bulgaria, Mongolia, and East Germany from 1953-1985. The collection consists of 72 hand-drawn architectural drawings of two projects: Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria (1974) and Territorial Information and Computing Center in Vrasta, Bulgaria (1981). Also present is a drawing (photocopy) of Gramatikova's personal residence in Sofia (1965) and a folder containing biographical information.","Special Collections and University Archives, Virginia Tech","Gramatikova, Lilia","The materials in the collection are in Bulgarian and German."],"collection_title_tesim":["Lilia Gramatikova Architectural Collection, 1960/2007, bulk 1965/1981"],"collection_ssim":["Lilia Gramatikova Architectural Collection, 1960/2007, bulk 1965/1981"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.023"],"unitid_tesim":["Ms.2001.023"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Gramatikova, Lilia"],"creator_ssim":["Gramatikova, Lilia"],"creator_persname_ssim":["Gramatikova, Lilia"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Gramatikova, Lilia","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Lilia Gramatikova Architectural Collection was donated to Special Collections in 2000 and 2007."],"access_subjects_ssim":["Architects","Architects and community","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Bulgaria","Women architects -- Germany","Architectural drawings (visual works)","Architecture (discipline)"],"access_subjects_ssm":["Architects","Architects and community","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Bulgaria","Women architects -- Germany","Architectural drawings (visual works)","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["1.2 Cubic Feet 4 boxes"],"extent_tesim":["1.2 Cubic Feet 4 boxes"],"genreform_ssim":["Architectural drawings (visual works)","Architecture (discipline)"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"http://imagebase.lib.vt.edu/browse.php?folio_ID=/iawa/gram\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"bioghist_html_tesm":["\u003cp\u003eLilia Bencheva-Gramatikova was born in 1929 in Karnobat, Bulgaria. She graduated in architecture from Sophia Polytechnic (1953) and began her practice in the Sohpia State Design Organization Sofproekt from 1953 to 1965. She spent two years in Mongolia (1961-1963) designing a youth center and its administrative council building. She transferred to Main State Design Organization Glavproekt (1965) where she worked until her retirement in 1985. \u003c/p\u003e","\u003cp\u003eBetween 1967 and 1982 she spent several years in Halle-Neustadt, East Germany where she designed the \"Haus der Dienste\" an apartment complex for 16,000 inhabitants.  She received several awards for her projects including the gold Order of Labor (1980) and the Diploma of Merit from the Committee for Architecture and Urbanism of the Council of the Bulgarian Republic (1981).\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Lilia Bencheva-Gramatikova was born in 1929 in Karnobat, Bulgaria. She graduated in architecture from Sophia Polytechnic (1953) and began her practice in the Sohpia State Design Organization Sofproekt from 1953 to 1965. She spent two years in Mongolia (1961-1963) designing a youth center and its administrative council building. She transferred to Main State Design Organization Glavproekt (1965) where she worked until her retirement in 1985.","Between 1967 and 1982 she spent several years in Halle-Neustadt, East Germany where she designed the \"Haus der Dienste\" an apartment complex for 16,000 inhabitants.  She received several awards for her projects including the gold Order of Labor (1980) and the Diploma of Merit from the Committee for Architecture and Urbanism of the Council of the Bulgarian Republic (1981)."],"odd_html_tesm":["\u003cp\u003eThe guide to the Lilia Gramatikova Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Lilia Gramatikova Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Lilia Gramatikova Architectural Collection, Ms2001-023, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Lilia Gramatikova Architectural Collection, Ms2001-023, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Lilia Gramatikova Architectural Collection was completed in 2001. The 2007 addition was integrated in 2013.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Lilia Gramatikova Architectural Collection was completed in 2001. The 2007 addition was integrated in 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe Lilia Gramatikova Architectural Collection consists of a drawing (photocopy) of Gramatikova's personal residence in Sofia (1965), photographs of the Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria, and biographical information including an article by Nikolai Khaitov regarding Gramatikova and photocopies of award certificates. The collection also includes architectural drawings of two of her projects: Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria (1974) and Territorial Information and Computing Center in Vrasta, Bulgaria (1981).\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Lilia Gramatikova Architectural Collection consists of a drawing (photocopy) of Gramatikova's personal residence in Sofia (1965), photographs of the Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria, and biographical information including an article by Nikolai Khaitov regarding Gramatikova and photocopies of award certificates. The collection also includes architectural drawings of two of her projects: Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria (1974) and Territorial Information and Computing Center in Vrasta, Bulgaria (1981)."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_fe4aa114be94d25f31c861ceeafbdf0e\" label=\"Abstract\"\u003eLilia Gramatikova is an Bulgarian architect who practiced in Bulgaria, Mongolia, and East Germany from 1953-1985. The collection consists of 72 hand-drawn architectural drawings of two projects: Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria (1974) and Territorial Information and Computing Center in Vrasta, Bulgaria (1981). Also present is a drawing (photocopy) of Gramatikova's personal residence in Sofia (1965) and a folder containing biographical information.\u003c/abstract\u003e\n    "],"abstract_tesim":["Lilia Gramatikova is an Bulgarian architect who practiced in Bulgaria, Mongolia, and East Germany from 1953-1985. The collection consists of 72 hand-drawn architectural drawings of two projects: Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria (1974) and Territorial Information and Computing Center in Vrasta, Bulgaria (1981). Also present is a drawing (photocopy) of Gramatikova's personal residence in Sofia (1965) and a folder containing biographical information."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Gramatikova, Lilia"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Gramatikova, Lilia"],"language_ssim":["The materials in the collection are in Bulgarian and German."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:31.807Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2157","ead_ssi":"viblbv_repositories_2_resources_2157","_root_":"viblbv_repositories_2_resources_2157","_nest_parent_":"viblbv_repositories_2_resources_2157","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2157.xml","title_filing_ssi":"Gramatikova, Lilia, Architectural Collection","title_ssm":["Lilia Gramatikova Architectural Collection"],"title_tesim":["Lilia Gramatikova Architectural Collection"],"unitdate_ssm":["1960-2007","bulk dates 1965-1981"],"unitdate_inclusive_ssm":["1960-2007"],"unitdate_bulk_ssim":["bulk dates 1965-1981"],"normalized_date_ssm":["1960/2007, bulk 1965/1981"],"normalized_title_ssm":["Lilia Gramatikova Architectural Collection, 1960/2007, bulk 1965/1981"],"text":["Lilia Gramatikova Architectural Collection, 1960/2007, bulk 1965/1981","Ms.2001.023","Architects","Architects and community","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Bulgaria","Women architects -- Germany","Architectural drawings (visual works)","Architecture (discipline)","The collection is open to research.","Some of this collection has been digitized and is available online.","Lilia Bencheva-Gramatikova was born in 1929 in Karnobat, Bulgaria. She graduated in architecture from Sophia Polytechnic (1953) and began her practice in the Sohpia State Design Organization Sofproekt from 1953 to 1965. She spent two years in Mongolia (1961-1963) designing a youth center and its administrative council building. She transferred to Main State Design Organization Glavproekt (1965) where she worked until her retirement in 1985.","Between 1967 and 1982 she spent several years in Halle-Neustadt, East Germany where she designed the \"Haus der Dienste\" an apartment complex for 16,000 inhabitants.  She received several awards for her projects including the gold Order of Labor (1980) and the Diploma of Merit from the Committee for Architecture and Urbanism of the Council of the Bulgarian Republic (1981).","The guide to the Lilia Gramatikova Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Lilia Gramatikova Architectural Collection was completed in 2001. The 2007 addition was integrated in 2013.","The Lilia Gramatikova Architectural Collection consists of a drawing (photocopy) of Gramatikova's personal residence in Sofia (1965), photographs of the Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria, and biographical information including an article by Nikolai Khaitov regarding Gramatikova and photocopies of award certificates. The collection also includes architectural drawings of two of her projects: Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria (1974) and Territorial Information and Computing Center in Vrasta, Bulgaria (1981).","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Lilia Gramatikova is an Bulgarian architect who practiced in Bulgaria, Mongolia, and East Germany from 1953-1985. The collection consists of 72 hand-drawn architectural drawings of two projects: Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria (1974) and Territorial Information and Computing Center in Vrasta, Bulgaria (1981). Also present is a drawing (photocopy) of Gramatikova's personal residence in Sofia (1965) and a folder containing biographical information.","Special Collections and University Archives, Virginia Tech","Gramatikova, Lilia","The materials in the collection are in Bulgarian and German."],"collection_title_tesim":["Lilia Gramatikova Architectural Collection, 1960/2007, bulk 1965/1981"],"collection_ssim":["Lilia Gramatikova Architectural Collection, 1960/2007, bulk 1965/1981"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.023"],"unitid_tesim":["Ms.2001.023"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Gramatikova, Lilia"],"creator_ssim":["Gramatikova, Lilia"],"creator_persname_ssim":["Gramatikova, Lilia"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Gramatikova, Lilia","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Lilia Gramatikova Architectural Collection was donated to Special Collections in 2000 and 2007."],"access_subjects_ssim":["Architects","Architects and community","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Bulgaria","Women architects -- Germany","Architectural drawings (visual works)","Architecture (discipline)"],"access_subjects_ssm":["Architects","Architects and community","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Bulgaria","Women architects -- Germany","Architectural drawings (visual works)","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["1.2 Cubic Feet 4 boxes"],"extent_tesim":["1.2 Cubic Feet 4 boxes"],"genreform_ssim":["Architectural drawings (visual works)","Architecture (discipline)"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"http://imagebase.lib.vt.edu/browse.php?folio_ID=/iawa/gram\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"bioghist_html_tesm":["\u003cp\u003eLilia Bencheva-Gramatikova was born in 1929 in Karnobat, Bulgaria. She graduated in architecture from Sophia Polytechnic (1953) and began her practice in the Sohpia State Design Organization Sofproekt from 1953 to 1965. She spent two years in Mongolia (1961-1963) designing a youth center and its administrative council building. She transferred to Main State Design Organization Glavproekt (1965) where she worked until her retirement in 1985. \u003c/p\u003e","\u003cp\u003eBetween 1967 and 1982 she spent several years in Halle-Neustadt, East Germany where she designed the \"Haus der Dienste\" an apartment complex for 16,000 inhabitants.  She received several awards for her projects including the gold Order of Labor (1980) and the Diploma of Merit from the Committee for Architecture and Urbanism of the Council of the Bulgarian Republic (1981).\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Lilia Bencheva-Gramatikova was born in 1929 in Karnobat, Bulgaria. She graduated in architecture from Sophia Polytechnic (1953) and began her practice in the Sohpia State Design Organization Sofproekt from 1953 to 1965. She spent two years in Mongolia (1961-1963) designing a youth center and its administrative council building. She transferred to Main State Design Organization Glavproekt (1965) where she worked until her retirement in 1985.","Between 1967 and 1982 she spent several years in Halle-Neustadt, East Germany where she designed the \"Haus der Dienste\" an apartment complex for 16,000 inhabitants.  She received several awards for her projects including the gold Order of Labor (1980) and the Diploma of Merit from the Committee for Architecture and Urbanism of the Council of the Bulgarian Republic (1981)."],"odd_html_tesm":["\u003cp\u003eThe guide to the Lilia Gramatikova Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Lilia Gramatikova Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Lilia Gramatikova Architectural Collection, Ms2001-023, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Lilia Gramatikova Architectural Collection, Ms2001-023, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Lilia Gramatikova Architectural Collection was completed in 2001. The 2007 addition was integrated in 2013.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Lilia Gramatikova Architectural Collection was completed in 2001. The 2007 addition was integrated in 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe Lilia Gramatikova Architectural Collection consists of a drawing (photocopy) of Gramatikova's personal residence in Sofia (1965), photographs of the Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria, and biographical information including an article by Nikolai Khaitov regarding Gramatikova and photocopies of award certificates. The collection also includes architectural drawings of two of her projects: Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria (1974) and Territorial Information and Computing Center in Vrasta, Bulgaria (1981).\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Lilia Gramatikova Architectural Collection consists of a drawing (photocopy) of Gramatikova's personal residence in Sofia (1965), photographs of the Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria, and biographical information including an article by Nikolai Khaitov regarding Gramatikova and photocopies of award certificates. The collection also includes architectural drawings of two of her projects: Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria (1974) and Territorial Information and Computing Center in Vrasta, Bulgaria (1981)."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_fe4aa114be94d25f31c861ceeafbdf0e\" label=\"Abstract\"\u003eLilia Gramatikova is an Bulgarian architect who practiced in Bulgaria, Mongolia, and East Germany from 1953-1985. The collection consists of 72 hand-drawn architectural drawings of two projects: Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria (1974) and Territorial Information and Computing Center in Vrasta, Bulgaria (1981). Also present is a drawing (photocopy) of Gramatikova's personal residence in Sofia (1965) and a folder containing biographical information.\u003c/abstract\u003e\n    "],"abstract_tesim":["Lilia Gramatikova is an Bulgarian architect who practiced in Bulgaria, Mongolia, and East Germany from 1953-1985. The collection consists of 72 hand-drawn architectural drawings of two projects: Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria (1974) and Territorial Information and Computing Center in Vrasta, Bulgaria (1981). Also present is a drawing (photocopy) of Gramatikova's personal residence in Sofia (1965) and a folder containing biographical information."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Gramatikova, Lilia"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Gramatikova, Lilia"],"language_ssim":["The materials in the collection are in Bulgarian and German."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:31.807Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2157"}},{"id":"viblbv_repositories_2_resources_2248","type":"collection","attributes":{"title":"Lilia Sofer Skala Student Portfolio, 1915/2003, bulk 1915/1928","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2248#creator","type":"document_value","attributes":{"value":"Skala, Lilia Sofer, 1896-1994","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2248#abstract_or_scope","type":"document_value","attributes":{"value":"This collection includes a student portfolio of Lilia Sofer Skala, who studied architecture at the University of Dresden from 1915 to 1920. It consists of her work as a student, including architectural drawings, sketches, photographs, and watercolor paintings, copies of her academic records, and other printed material.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2248#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2248","ead_ssi":"viblbv_repositories_2_resources_2248","_root_":"viblbv_repositories_2_resources_2248","_nest_parent_":"viblbv_repositories_2_resources_2248","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2248.xml","title_filing_ssi":"Skala, Lilia Sofer, Student Portfolio","title_ssm":["Lilia Sofer Skala Student Portfolio"],"title_tesim":["Lilia Sofer Skala Student Portfolio"],"unitdate_ssm":["1915-1928, 2003, n.d.","1915-1928"],"unitdate_inclusive_ssm":["1915-1928, 2003, n.d."],"unitdate_bulk_ssim":["1915-1928"],"normalized_date_ssm":["1915/2003, bulk 1915/1928"],"normalized_title_ssm":["Lilia Sofer Skala Student Portfolio, 1915/2003, bulk 1915/1928"],"text":["Lilia Sofer Skala Student Portfolio, 1915/2003, bulk 1915/1928","Ms.2003.015","International Archive of Women in Architecture (IAWA)","Women -- History","Photographs","Watercolors (paintings)","The collection is open for research.","The collection is arranged into two series of Drawings and Biographical Information.","Lilia Sofer Skala was born in Vienna, Austria in 1896. She earned a degree in architecture from the University of Dresden and became the first female member of the Austrian Association of Engineers and Architects, practicing architecture.","Skala became a successful stage and film actress in Europe before fleeing the Nazis with her husband and two sons. Among the personal belongings with which she escaped was her portfolio of student work from the University of Dresden.","Skala immigrated to the United States in 1939 and eventually found success as an actress on Broadway and in television and film. She was nominated for an Academy Award in 1963 for her role as Mother Maria in  Lilies of the Field .","Skala passed away in 1994.","The guide to the Lilia Sofer Skala Student Portfolio by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Lilia Sofer Skala Student Portfolio was completed in July 2004. Translations were incorporated in March 2011, and an addition was incorporated in July 2013.","The collection primarily consists of Lilia Sofer Skala's work as a student of architecture at the University of Dresden from 1915 to 1920. The student work includes architectural drawings, ink and charcoal sketches, and watercolor paintings. The collection also consists of biographical information including copies of Skala's academic records, printed material about the architectural program at the University of Dresden at the turn of the century, articles by and about Skala, and press material for  LiLiA! , a play about Skala written and performed by her grandaughter, Libby Skala.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection includes a student portfolio of Lilia Sofer Skala, who studied architecture at the University of Dresden from 1915 to 1920. It consists of her work as a student, including architectural drawings, sketches, photographs, and watercolor paintings, copies of her academic records, and other printed material.","Special Collections and University Archives, Virginia Tech","Skala, Lilia Sofer, 1896-1994","The materials in the collection are in German with some items translated into English. The translation was performed by Andrew Creamer."],"collection_title_tesim":["Lilia Sofer Skala Student Portfolio, 1915/2003, bulk 1915/1928"],"collection_ssim":["Lilia Sofer Skala Student Portfolio, 1915/2003, bulk 1915/1928"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2003.015"],"unitid_tesim":["Ms.2003.015"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Skala, Lilia Sofer, 1896-1994"],"creator_ssim":["Skala, Lilia Sofer, 1896-1994"],"creator_persname_ssim":["Skala, Lilia Sofer, 1896-1994"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Skala, Lilia Sofer, 1896-1994","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Lilia Sofer Skala Student Portfolio was donated to the International Archive of Women in Architecture at Special Collections in 2002. Additional materials were donated in 2004 and 2013."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","Women -- History","Photographs","Watercolors (paintings)"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","Women -- History","Photographs","Watercolors (paintings)"],"has_online_content_ssim":["false"],"extent_ssm":["1 Cubic Feet 1 box, 12 oversize folders"],"extent_tesim":["1 Cubic Feet 1 box, 12 oversize folders"],"genreform_ssim":["Photographs","Watercolors (paintings)"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series of Drawings and Biographical Information.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into two series of Drawings and Biographical Information."],"bioghist_html_tesm":["\u003cp\u003eLilia Sofer Skala was born in Vienna, Austria in 1896. She earned a degree in architecture from the University of Dresden and became the first female member of the Austrian Association of Engineers and Architects, practicing architecture. \u003c/p\u003e","\u003cp\u003eSkala became a successful stage and film actress in Europe before fleeing the Nazis with her husband and two sons. Among the personal belongings with which she escaped was her portfolio of student work from the University of Dresden. \u003c/p\u003e","\u003cp\u003eSkala immigrated to the United States in 1939 and eventually found success as an actress on Broadway and in television and film. She was nominated for an Academy Award in 1963 for her role as Mother Maria in \u003ctitle render=\"italic\"\u003e Lilies of the Field \u003c/title\u003e. \u003c/p\u003e","\u003cp\u003eSkala passed away in 1994. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Lilia Sofer Skala was born in Vienna, Austria in 1896. She earned a degree in architecture from the University of Dresden and became the first female member of the Austrian Association of Engineers and Architects, practicing architecture.","Skala became a successful stage and film actress in Europe before fleeing the Nazis with her husband and two sons. Among the personal belongings with which she escaped was her portfolio of student work from the University of Dresden.","Skala immigrated to the United States in 1939 and eventually found success as an actress on Broadway and in television and film. She was nominated for an Academy Award in 1963 for her role as Mother Maria in  Lilies of the Field .","Skala passed away in 1994."],"odd_html_tesm":["\u003cp\u003eThe guide to the Lilia Sofer Skala Student Portfolio by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Lilia Sofer Skala Student Portfolio by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Lilia Sofer Skala Student Portfolio, Ms2003-015, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Lilia Sofer Skala Student Portfolio, Ms2003-015, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Lilia Sofer Skala Student Portfolio was completed in July 2004. Translations were incorporated in March 2011, and an addition was incorporated in July 2013.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Lilia Sofer Skala Student Portfolio was completed in July 2004. Translations were incorporated in March 2011, and an addition was incorporated in July 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe collection primarily consists of Lilia Sofer Skala's work as a student of architecture at the University of Dresden from 1915 to 1920. The student work includes architectural drawings, ink and charcoal sketches, and watercolor paintings. The collection also consists of biographical information including copies of Skala's academic records, printed material about the architectural program at the University of Dresden at the turn of the century, articles by and about Skala, and press material for \u003ctitle render=\"italic\"\u003e LiLiA! \u003c/title\u003e, a play about Skala written and performed by her grandaughter, Libby Skala.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection primarily consists of Lilia Sofer Skala's work as a student of architecture at the University of Dresden from 1915 to 1920. The student work includes architectural drawings, ink and charcoal sketches, and watercolor paintings. The collection also consists of biographical information including copies of Skala's academic records, printed material about the architectural program at the University of Dresden at the turn of the century, articles by and about Skala, and press material for  LiLiA! , a play about Skala written and performed by her grandaughter, Libby Skala."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0c594e0581dc7debc3bd4cdccd73a7fa\" label=\"Abstract\"\u003eThis collection includes a student portfolio of Lilia Sofer Skala, who studied architecture at the University of Dresden from 1915 to 1920. It consists of her work as a student, including architectural drawings, sketches, photographs, and watercolor paintings, copies of her academic records, and other printed material.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection includes a student portfolio of Lilia Sofer Skala, who studied architecture at the University of Dresden from 1915 to 1920. It consists of her work as a student, including architectural drawings, sketches, photographs, and watercolor paintings, copies of her academic records, and other printed material."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Skala, Lilia Sofer, 1896-1994"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Skala, Lilia Sofer, 1896-1994"],"language_ssim":["The materials in the collection are in German with some items translated into English. The translation was performed by Andrew Creamer."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":15,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:31.807Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2248","ead_ssi":"viblbv_repositories_2_resources_2248","_root_":"viblbv_repositories_2_resources_2248","_nest_parent_":"viblbv_repositories_2_resources_2248","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2248.xml","title_filing_ssi":"Skala, Lilia Sofer, Student Portfolio","title_ssm":["Lilia Sofer Skala Student Portfolio"],"title_tesim":["Lilia Sofer Skala Student Portfolio"],"unitdate_ssm":["1915-1928, 2003, n.d.","1915-1928"],"unitdate_inclusive_ssm":["1915-1928, 2003, n.d."],"unitdate_bulk_ssim":["1915-1928"],"normalized_date_ssm":["1915/2003, bulk 1915/1928"],"normalized_title_ssm":["Lilia Sofer Skala Student Portfolio, 1915/2003, bulk 1915/1928"],"text":["Lilia Sofer Skala Student Portfolio, 1915/2003, bulk 1915/1928","Ms.2003.015","International Archive of Women in Architecture (IAWA)","Women -- History","Photographs","Watercolors (paintings)","The collection is open for research.","The collection is arranged into two series of Drawings and Biographical Information.","Lilia Sofer Skala was born in Vienna, Austria in 1896. She earned a degree in architecture from the University of Dresden and became the first female member of the Austrian Association of Engineers and Architects, practicing architecture.","Skala became a successful stage and film actress in Europe before fleeing the Nazis with her husband and two sons. Among the personal belongings with which she escaped was her portfolio of student work from the University of Dresden.","Skala immigrated to the United States in 1939 and eventually found success as an actress on Broadway and in television and film. She was nominated for an Academy Award in 1963 for her role as Mother Maria in  Lilies of the Field .","Skala passed away in 1994.","The guide to the Lilia Sofer Skala Student Portfolio by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Lilia Sofer Skala Student Portfolio was completed in July 2004. Translations were incorporated in March 2011, and an addition was incorporated in July 2013.","The collection primarily consists of Lilia Sofer Skala's work as a student of architecture at the University of Dresden from 1915 to 1920. The student work includes architectural drawings, ink and charcoal sketches, and watercolor paintings. The collection also consists of biographical information including copies of Skala's academic records, printed material about the architectural program at the University of Dresden at the turn of the century, articles by and about Skala, and press material for  LiLiA! , a play about Skala written and performed by her grandaughter, Libby Skala.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection includes a student portfolio of Lilia Sofer Skala, who studied architecture at the University of Dresden from 1915 to 1920. It consists of her work as a student, including architectural drawings, sketches, photographs, and watercolor paintings, copies of her academic records, and other printed material.","Special Collections and University Archives, Virginia Tech","Skala, Lilia Sofer, 1896-1994","The materials in the collection are in German with some items translated into English. The translation was performed by Andrew Creamer."],"collection_title_tesim":["Lilia Sofer Skala Student Portfolio, 1915/2003, bulk 1915/1928"],"collection_ssim":["Lilia Sofer Skala Student Portfolio, 1915/2003, bulk 1915/1928"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2003.015"],"unitid_tesim":["Ms.2003.015"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Skala, Lilia Sofer, 1896-1994"],"creator_ssim":["Skala, Lilia Sofer, 1896-1994"],"creator_persname_ssim":["Skala, Lilia Sofer, 1896-1994"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Skala, Lilia Sofer, 1896-1994","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Lilia Sofer Skala Student Portfolio was donated to the International Archive of Women in Architecture at Special Collections in 2002. Additional materials were donated in 2004 and 2013."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","Women -- History","Photographs","Watercolors (paintings)"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","Women -- History","Photographs","Watercolors (paintings)"],"has_online_content_ssim":["false"],"extent_ssm":["1 Cubic Feet 1 box, 12 oversize folders"],"extent_tesim":["1 Cubic Feet 1 box, 12 oversize folders"],"genreform_ssim":["Photographs","Watercolors (paintings)"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series of Drawings and Biographical Information.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into two series of Drawings and Biographical Information."],"bioghist_html_tesm":["\u003cp\u003eLilia Sofer Skala was born in Vienna, Austria in 1896. She earned a degree in architecture from the University of Dresden and became the first female member of the Austrian Association of Engineers and Architects, practicing architecture. \u003c/p\u003e","\u003cp\u003eSkala became a successful stage and film actress in Europe before fleeing the Nazis with her husband and two sons. Among the personal belongings with which she escaped was her portfolio of student work from the University of Dresden. \u003c/p\u003e","\u003cp\u003eSkala immigrated to the United States in 1939 and eventually found success as an actress on Broadway and in television and film. She was nominated for an Academy Award in 1963 for her role as Mother Maria in \u003ctitle render=\"italic\"\u003e Lilies of the Field \u003c/title\u003e. \u003c/p\u003e","\u003cp\u003eSkala passed away in 1994. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Lilia Sofer Skala was born in Vienna, Austria in 1896. She earned a degree in architecture from the University of Dresden and became the first female member of the Austrian Association of Engineers and Architects, practicing architecture.","Skala became a successful stage and film actress in Europe before fleeing the Nazis with her husband and two sons. Among the personal belongings with which she escaped was her portfolio of student work from the University of Dresden.","Skala immigrated to the United States in 1939 and eventually found success as an actress on Broadway and in television and film. She was nominated for an Academy Award in 1963 for her role as Mother Maria in  Lilies of the Field .","Skala passed away in 1994."],"odd_html_tesm":["\u003cp\u003eThe guide to the Lilia Sofer Skala Student Portfolio by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Lilia Sofer Skala Student Portfolio by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Lilia Sofer Skala Student Portfolio, Ms2003-015, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Lilia Sofer Skala Student Portfolio, Ms2003-015, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Lilia Sofer Skala Student Portfolio was completed in July 2004. Translations were incorporated in March 2011, and an addition was incorporated in July 2013.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Lilia Sofer Skala Student Portfolio was completed in July 2004. Translations were incorporated in March 2011, and an addition was incorporated in July 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe collection primarily consists of Lilia Sofer Skala's work as a student of architecture at the University of Dresden from 1915 to 1920. The student work includes architectural drawings, ink and charcoal sketches, and watercolor paintings. The collection also consists of biographical information including copies of Skala's academic records, printed material about the architectural program at the University of Dresden at the turn of the century, articles by and about Skala, and press material for \u003ctitle render=\"italic\"\u003e LiLiA! \u003c/title\u003e, a play about Skala written and performed by her grandaughter, Libby Skala.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection primarily consists of Lilia Sofer Skala's work as a student of architecture at the University of Dresden from 1915 to 1920. The student work includes architectural drawings, ink and charcoal sketches, and watercolor paintings. The collection also consists of biographical information including copies of Skala's academic records, printed material about the architectural program at the University of Dresden at the turn of the century, articles by and about Skala, and press material for  LiLiA! , a play about Skala written and performed by her grandaughter, Libby Skala."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0c594e0581dc7debc3bd4cdccd73a7fa\" label=\"Abstract\"\u003eThis collection includes a student portfolio of Lilia Sofer Skala, who studied architecture at the University of Dresden from 1915 to 1920. It consists of her work as a student, including architectural drawings, sketches, photographs, and watercolor paintings, copies of her academic records, and other printed material.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection includes a student portfolio of Lilia Sofer Skala, who studied architecture at the University of Dresden from 1915 to 1920. It consists of her work as a student, including architectural drawings, sketches, photographs, and watercolor paintings, copies of her academic records, and other printed material."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Skala, Lilia Sofer, 1896-1994"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Skala, Lilia Sofer, 1896-1994"],"language_ssim":["The materials in the collection are in German with some items translated into English. The translation was performed by Andrew Creamer."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":15,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:31.807Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2248"}},{"id":"viblbv_repositories_2_resources_3004","type":"collection","attributes":{"title":"Linda Kiisk Architectural Collection, 1968/2013","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3004#creator","type":"document_value","attributes":{"value":"Kiisk, Linda","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3004#abstract_or_scope","type":"document_value","attributes":{"value":"Linda Kiisk is an artist, architect, and educator specializing in sustainable design and historic preservation. This collection documents her personal and professional activities between 1968-2013, including her architectural studies, organizational activities, travel, projects, and career with her practice, Studio EESTI.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3004#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_3004","ead_ssi":"viblbv_repositories_2_resources_3004","_root_":"viblbv_repositories_2_resources_3004","_nest_parent_":"viblbv_repositories_2_resources_3004","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3004.xml","title_filing_ssi":"Kiisk, Linda, Architectural Collection","title_ssm":["Linda Kiisk Architectural Collection"],"title_tesim":["Linda Kiisk Architectural Collection"],"unitdate_ssm":["1968-2013"],"unitdate_inclusive_ssm":["1968-2013"],"normalized_date_ssm":["1968/2013"],"normalized_title_ssm":["Linda Kiisk Architectural Collection, 1968/2013"],"text":["Linda Kiisk Architectural Collection, 1968/2013","Ms.2015.054","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open for research.","of these materials reflects the Standard Series for Architecture and Landscape Design Records (Shepherd and Lowell). The intellectual structure reflects the following series and subseries:","Series I. Personal Papers \n \nBiographical Information \nDiaries \nStudent Work \nTravel \nPhotographs \n \nSeries II. Professional Papers \n \nCorrespondence \nWritings \nPresentations \nAssociations \nAwards \nResearch Notes \nResearch Files \n\nSeries III. Faculty Papers \n \nAdministrative \nCourse Materials \nResearch Notes \nResearch Files \nStudent Work \nInstitute for the Built Environment \nMinoan Project \n\nSeries IV. Office Records \n \nCorrespondence \nFinancial Records \n\nSeries V. Project Records \n \nFiles \nPhotographs \nDrawings \nHogue Residence \nMcGurk Residence \nSmith Residence \nCooper House Tavern \nSteigerwald Residence \nStephans Residence \nSigal Kitchen \nWientzen Residence \nGodfrey Residence \nMellon Residence  \n\nSeries VI. Art \u0026 Artifacts","Born to an Estonian father and a German mother in northern Virginia, Linda Kiisk (1950-present) is an artist, architect, and educator specializing in sustainable design and historic preservation. Kiisk earned a Bachelor of Fine Arts in Painting \u0026 Sculpture from the College of William and Mary in 1979 and a Master of Architecture from the University of Pennsylvania in 1982. After graduation, she served as an architectural consultant for several firms in Pennsylvania, including Robert Couch, John Milner Associates, and Lymen Perry. In 1988, she began teaching at Mount Vernon College and led the Summer Study Abroad Program in Finland. In 1991, Kiisk founded Studio EESTI (Environmental Evolution Studio and Teaching Institute) to specialize in designs that teach and practice architecture.  In 1994, Kiisk joined Colorado State University as a construction management professor. She cofounded CSU's Institute of the Built Environment, a multidisciplinary sustainable design and construction initiative serving public and private American institutions. Additionally, Kiisk joined the University of Wyoming in 2000 as an architectural engineering professor and studied the design and construction techniques of the Kuna Indians as a Fulbright scholar in Panama in 2004.","Since then, Kiisk has served as a member to several professional associations, including the American Institute of Architects (AIA), Women in Architecture (WIA), Union Internationale Des Femmes Architectes (UIFA), and the National Architectural Accrediting Board. Kiisk published \"20 on 20/20 Vision\" as a collection on papers on diversity in design in 2003 and \"When Shadows Vanish\" as a self-help manual in how educators, students, and professionals see the world. She served as an architect for the Wyoming State Historic Preservation Office in 2016. In her own words, this collection contains the \"inside story of being a first-generation American, single parent, architect, and professor.\"","The guide to the Linda Kiisk Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Linda Kiisk Architectural Collection commenced in April 2017 and completed in March 2018.","This collection documents the activities of Linda Kiisk (1968-2012). It contains personal materials from childhood through retirement, including student work and biographical information. This collection also contains materials documenting Kiisk's career as an educator, researcher, and architect by representing business records, architectural drawings, design sketches, correspondences, clippings, photographs, and material catalogs related to several professional projects. Her major projects include Colorado State University's Institute for the Built Environment, \"20 on 20/20 Vision\", and \"When Shadows Vanish.\" In addition, class lecture notes, conference information, promotional materials, home models, and course assignments are included. Furthermore, the collection includes offices records such as correspondences and financial records.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Linda Kiisk is an artist, architect, and educator specializing in sustainable design and historic preservation. This collection documents her personal and professional activities between 1968-2013, including her architectural studies, organizational activities, travel, projects, and career with her practice, Studio EESTI.","Special Collections and University Archives, Virginia Tech","International Union of Women Architects","Kiisk, Linda","The materials in the collection are in English."],"collection_title_tesim":["Linda Kiisk Architectural Collection, 1968/2013"],"collection_ssim":["Linda Kiisk Architectural Collection, 1968/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2015.054"],"unitid_tesim":["Ms.2015.054"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Kiisk, Linda"],"creator_ssim":["Kiisk, Linda"],"creator_persname_ssim":["Kiisk, Linda"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","International Union of Women Architects"],"creators_ssim":["Kiisk, Linda","Special Collections and University Archives, Virginia Tech","International Union of Women Architects"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Linda Kiisk Architectural Collection was donated to Special Collections and University Archives in 2015, with additions in 2017."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["17 Cubic Feet 8 archival boxes, six long rectangular boxes, three map case drawers"],"extent_tesim":["17 Cubic Feet 8 archival boxes, six long rectangular boxes, three map case drawers"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eof these materials reflects the Standard Series for Architecture and Landscape Design Records (Shepherd and Lowell). The intellectual structure reflects the following series and subseries:\u003c/p\u003e","\u003cp\u003eSeries I. Personal Papers \n\u003clist\u003e \n\u003citem\u003eBiographical Information\u003c/item\u003e \n\u003citem\u003eDiaries\u003c/item\u003e \n\u003citem\u003eStudent Work\u003c/item\u003e \n\u003citem\u003eTravel\u003c/item\u003e \n\u003citem\u003ePhotographs\u003c/item\u003e \n\u003c/list\u003e \nSeries II. Professional Papers \n\u003clist\u003e \n\u003citem\u003eCorrespondence\u003c/item\u003e \n\u003citem\u003eWritings\u003c/item\u003e \n\u003citem\u003ePresentations\u003c/item\u003e \n\u003citem\u003eAssociations\u003c/item\u003e \n\u003citem\u003eAwards\u003c/item\u003e \n\u003citem\u003eResearch Notes\u003c/item\u003e \n\u003citem\u003eResearch Files\u003c/item\u003e \n\u003c/list\u003e\nSeries III. Faculty Papers \n\u003clist\u003e \n\u003citem\u003eAdministrative\u003c/item\u003e \n\u003citem\u003eCourse Materials\u003c/item\u003e \n\u003citem\u003eResearch Notes\u003c/item\u003e \n\u003citem\u003eResearch Files\u003c/item\u003e \n\u003citem\u003eStudent Work\u003c/item\u003e \n\u003citem\u003eInstitute for the Built Environment\u003c/item\u003e \n\u003citem\u003eMinoan Project\u003c/item\u003e \n\u003c/list\u003e\nSeries IV. Office Records \n\u003clist\u003e \n\u003citem\u003eCorrespondence\u003c/item\u003e \n\u003citem\u003eFinancial Records\u003c/item\u003e \n\u003c/list\u003e\nSeries V. Project Records \n\u003clist\u003e \n\u003citem\u003eFiles\u003c/item\u003e \n\u003citem\u003ePhotographs\u003c/item\u003e \n\u003citem\u003eDrawings\u003c/item\u003e \n\u003citem\u003eHogue Residence\u003c/item\u003e \n\u003citem\u003eMcGurk Residence\u003c/item\u003e \n\u003citem\u003eSmith Residence\u003c/item\u003e \n\u003citem\u003eCooper House Tavern\u003c/item\u003e \n\u003citem\u003eSteigerwald Residence\u003c/item\u003e \n\u003citem\u003eStephans Residence\u003c/item\u003e \n\u003citem\u003eSigal Kitchen\u003c/item\u003e \n\u003citem\u003eWientzen Residence\u003c/item\u003e \n\u003citem\u003eGodfrey Residence\u003c/item\u003e \n\u003citem\u003eMellon Residence \u003c/item\u003e \n\u003c/list\u003e\nSeries VI. Art \u0026amp; Artifacts \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["of these materials reflects the Standard Series for Architecture and Landscape Design Records (Shepherd and Lowell). The intellectual structure reflects the following series and subseries:","Series I. Personal Papers \n \nBiographical Information \nDiaries \nStudent Work \nTravel \nPhotographs \n \nSeries II. Professional Papers \n \nCorrespondence \nWritings \nPresentations \nAssociations \nAwards \nResearch Notes \nResearch Files \n\nSeries III. Faculty Papers \n \nAdministrative \nCourse Materials \nResearch Notes \nResearch Files \nStudent Work \nInstitute for the Built Environment \nMinoan Project \n\nSeries IV. Office Records \n \nCorrespondence \nFinancial Records \n\nSeries V. Project Records \n \nFiles \nPhotographs \nDrawings \nHogue Residence \nMcGurk Residence \nSmith Residence \nCooper House Tavern \nSteigerwald Residence \nStephans Residence \nSigal Kitchen \nWientzen Residence \nGodfrey Residence \nMellon Residence  \n\nSeries VI. Art \u0026 Artifacts"],"bioghist_html_tesm":["\u003cp\u003eBorn to an Estonian father and a German mother in northern Virginia, Linda Kiisk (1950-present) is an artist, architect, and educator specializing in sustainable design and historic preservation. Kiisk earned a Bachelor of Fine Arts in Painting \u0026amp; Sculpture from the College of William and Mary in 1979 and a Master of Architecture from the University of Pennsylvania in 1982. After graduation, she served as an architectural consultant for several firms in Pennsylvania, including Robert Couch, John Milner Associates, and Lymen Perry. In 1988, she began teaching at Mount Vernon College and led the Summer Study Abroad Program in Finland. In 1991, Kiisk founded Studio EESTI (Environmental Evolution Studio and Teaching Institute) to specialize in designs that teach and practice architecture.  In 1994, Kiisk joined Colorado State University as a construction management professor. She cofounded CSU's Institute of the Built Environment, a multidisciplinary sustainable design and construction initiative serving public and private American institutions. Additionally, Kiisk joined the University of Wyoming in 2000 as an architectural engineering professor and studied the design and construction techniques of the Kuna Indians as a Fulbright scholar in Panama in 2004.\u003c/p\u003e","\u003cp\u003eSince then, Kiisk has served as a member to several professional associations, including the American Institute of Architects (AIA), Women in Architecture (WIA), Union Internationale Des Femmes Architectes (UIFA), and the National Architectural Accrediting Board. Kiisk published \"20 on 20/20 Vision\" as a collection on papers on diversity in design in 2003 and \"When Shadows Vanish\" as a self-help manual in how educators, students, and professionals see the world. She served as an architect for the Wyoming State Historic Preservation Office in 2016. In her own words, this collection contains the \"inside story of being a first-generation American, single parent, architect, and professor.\"\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Born to an Estonian father and a German mother in northern Virginia, Linda Kiisk (1950-present) is an artist, architect, and educator specializing in sustainable design and historic preservation. Kiisk earned a Bachelor of Fine Arts in Painting \u0026 Sculpture from the College of William and Mary in 1979 and a Master of Architecture from the University of Pennsylvania in 1982. After graduation, she served as an architectural consultant for several firms in Pennsylvania, including Robert Couch, John Milner Associates, and Lymen Perry. In 1988, she began teaching at Mount Vernon College and led the Summer Study Abroad Program in Finland. In 1991, Kiisk founded Studio EESTI (Environmental Evolution Studio and Teaching Institute) to specialize in designs that teach and practice architecture.  In 1994, Kiisk joined Colorado State University as a construction management professor. She cofounded CSU's Institute of the Built Environment, a multidisciplinary sustainable design and construction initiative serving public and private American institutions. Additionally, Kiisk joined the University of Wyoming in 2000 as an architectural engineering professor and studied the design and construction techniques of the Kuna Indians as a Fulbright scholar in Panama in 2004.","Since then, Kiisk has served as a member to several professional associations, including the American Institute of Architects (AIA), Women in Architecture (WIA), Union Internationale Des Femmes Architectes (UIFA), and the National Architectural Accrediting Board. Kiisk published \"20 on 20/20 Vision\" as a collection on papers on diversity in design in 2003 and \"When Shadows Vanish\" as a self-help manual in how educators, students, and professionals see the world. She served as an architect for the Wyoming State Historic Preservation Office in 2016. In her own words, this collection contains the \"inside story of being a first-generation American, single parent, architect, and professor.\""],"odd_html_tesm":["\u003cp\u003eThe guide to the Linda Kiisk Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Linda Kiisk Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Linda Kiisk Architectural Collection, Ms2015-054, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Linda Kiisk Architectural Collection, Ms2015-054, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Linda Kiisk Architectural Collection commenced in April 2017 and completed in March 2018.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Linda Kiisk Architectural Collection commenced in April 2017 and completed in March 2018."],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the activities of Linda Kiisk (1968-2012). It contains personal materials from childhood through retirement, including student work and biographical information. This collection also contains materials documenting Kiisk's career as an educator, researcher, and architect by representing business records, architectural drawings, design sketches, correspondences, clippings, photographs, and material catalogs related to several professional projects. Her major projects include Colorado State University's Institute for the Built Environment, \"20 on 20/20 Vision\", and \"When Shadows Vanish.\" In addition, class lecture notes, conference information, promotional materials, home models, and course assignments are included. Furthermore, the collection includes offices records such as correspondences and financial records.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection documents the activities of Linda Kiisk (1968-2012). It contains personal materials from childhood through retirement, including student work and biographical information. This collection also contains materials documenting Kiisk's career as an educator, researcher, and architect by representing business records, architectural drawings, design sketches, correspondences, clippings, photographs, and material catalogs related to several professional projects. Her major projects include Colorado State University's Institute for the Built Environment, \"20 on 20/20 Vision\", and \"When Shadows Vanish.\" In addition, class lecture notes, conference information, promotional materials, home models, and course assignments are included. Furthermore, the collection includes offices records such as correspondences and financial records."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_200a0aebde20a191eaf5f05470e5dcaa\" label=\"Abstract\"\u003eLinda Kiisk is an artist, architect, and educator specializing in sustainable design and historic preservation. This collection documents her personal and professional activities between 1968-2013, including her architectural studies, organizational activities, travel, projects, and career with her practice, Studio EESTI.\u003c/abstract\u003e\n    "],"abstract_tesim":["Linda Kiisk is an artist, architect, and educator specializing in sustainable design and historic preservation. This collection documents her personal and professional activities between 1968-2013, including her architectural studies, organizational activities, travel, projects, and career with her practice, Studio EESTI."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","International Union of Women Architects"],"names_coll_ssim":["International Union of Women Architects"],"persname_ssim":["Kiisk, Linda"],"names_ssim":["Special Collections and University Archives, Virginia Tech","International Union of Women Architects","Kiisk, Linda"],"language_ssim":["The materials in the collection are in English."],"total_component_count_is":377,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:31:18.677Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3004","ead_ssi":"viblbv_repositories_2_resources_3004","_root_":"viblbv_repositories_2_resources_3004","_nest_parent_":"viblbv_repositories_2_resources_3004","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3004.xml","title_filing_ssi":"Kiisk, Linda, Architectural Collection","title_ssm":["Linda Kiisk Architectural Collection"],"title_tesim":["Linda Kiisk Architectural Collection"],"unitdate_ssm":["1968-2013"],"unitdate_inclusive_ssm":["1968-2013"],"normalized_date_ssm":["1968/2013"],"normalized_title_ssm":["Linda Kiisk Architectural Collection, 1968/2013"],"text":["Linda Kiisk Architectural Collection, 1968/2013","Ms.2015.054","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open for research.","of these materials reflects the Standard Series for Architecture and Landscape Design Records (Shepherd and Lowell). The intellectual structure reflects the following series and subseries:","Series I. Personal Papers \n \nBiographical Information \nDiaries \nStudent Work \nTravel \nPhotographs \n \nSeries II. Professional Papers \n \nCorrespondence \nWritings \nPresentations \nAssociations \nAwards \nResearch Notes \nResearch Files \n\nSeries III. Faculty Papers \n \nAdministrative \nCourse Materials \nResearch Notes \nResearch Files \nStudent Work \nInstitute for the Built Environment \nMinoan Project \n\nSeries IV. Office Records \n \nCorrespondence \nFinancial Records \n\nSeries V. Project Records \n \nFiles \nPhotographs \nDrawings \nHogue Residence \nMcGurk Residence \nSmith Residence \nCooper House Tavern \nSteigerwald Residence \nStephans Residence \nSigal Kitchen \nWientzen Residence \nGodfrey Residence \nMellon Residence  \n\nSeries VI. Art \u0026 Artifacts","Born to an Estonian father and a German mother in northern Virginia, Linda Kiisk (1950-present) is an artist, architect, and educator specializing in sustainable design and historic preservation. Kiisk earned a Bachelor of Fine Arts in Painting \u0026 Sculpture from the College of William and Mary in 1979 and a Master of Architecture from the University of Pennsylvania in 1982. After graduation, she served as an architectural consultant for several firms in Pennsylvania, including Robert Couch, John Milner Associates, and Lymen Perry. In 1988, she began teaching at Mount Vernon College and led the Summer Study Abroad Program in Finland. In 1991, Kiisk founded Studio EESTI (Environmental Evolution Studio and Teaching Institute) to specialize in designs that teach and practice architecture.  In 1994, Kiisk joined Colorado State University as a construction management professor. She cofounded CSU's Institute of the Built Environment, a multidisciplinary sustainable design and construction initiative serving public and private American institutions. Additionally, Kiisk joined the University of Wyoming in 2000 as an architectural engineering professor and studied the design and construction techniques of the Kuna Indians as a Fulbright scholar in Panama in 2004.","Since then, Kiisk has served as a member to several professional associations, including the American Institute of Architects (AIA), Women in Architecture (WIA), Union Internationale Des Femmes Architectes (UIFA), and the National Architectural Accrediting Board. Kiisk published \"20 on 20/20 Vision\" as a collection on papers on diversity in design in 2003 and \"When Shadows Vanish\" as a self-help manual in how educators, students, and professionals see the world. She served as an architect for the Wyoming State Historic Preservation Office in 2016. In her own words, this collection contains the \"inside story of being a first-generation American, single parent, architect, and professor.\"","The guide to the Linda Kiisk Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Linda Kiisk Architectural Collection commenced in April 2017 and completed in March 2018.","This collection documents the activities of Linda Kiisk (1968-2012). It contains personal materials from childhood through retirement, including student work and biographical information. This collection also contains materials documenting Kiisk's career as an educator, researcher, and architect by representing business records, architectural drawings, design sketches, correspondences, clippings, photographs, and material catalogs related to several professional projects. Her major projects include Colorado State University's Institute for the Built Environment, \"20 on 20/20 Vision\", and \"When Shadows Vanish.\" In addition, class lecture notes, conference information, promotional materials, home models, and course assignments are included. Furthermore, the collection includes offices records such as correspondences and financial records.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Linda Kiisk is an artist, architect, and educator specializing in sustainable design and historic preservation. This collection documents her personal and professional activities between 1968-2013, including her architectural studies, organizational activities, travel, projects, and career with her practice, Studio EESTI.","Special Collections and University Archives, Virginia Tech","International Union of Women Architects","Kiisk, Linda","The materials in the collection are in English."],"collection_title_tesim":["Linda Kiisk Architectural Collection, 1968/2013"],"collection_ssim":["Linda Kiisk Architectural Collection, 1968/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2015.054"],"unitid_tesim":["Ms.2015.054"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Kiisk, Linda"],"creator_ssim":["Kiisk, Linda"],"creator_persname_ssim":["Kiisk, Linda"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","International Union of Women Architects"],"creators_ssim":["Kiisk, Linda","Special Collections and University Archives, Virginia Tech","International Union of Women Architects"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Linda Kiisk Architectural Collection was donated to Special Collections and University Archives in 2015, with additions in 2017."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["17 Cubic Feet 8 archival boxes, six long rectangular boxes, three map case drawers"],"extent_tesim":["17 Cubic Feet 8 archival boxes, six long rectangular boxes, three map case drawers"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eof these materials reflects the Standard Series for Architecture and Landscape Design Records (Shepherd and Lowell). The intellectual structure reflects the following series and subseries:\u003c/p\u003e","\u003cp\u003eSeries I. Personal Papers \n\u003clist\u003e \n\u003citem\u003eBiographical Information\u003c/item\u003e \n\u003citem\u003eDiaries\u003c/item\u003e \n\u003citem\u003eStudent Work\u003c/item\u003e \n\u003citem\u003eTravel\u003c/item\u003e \n\u003citem\u003ePhotographs\u003c/item\u003e \n\u003c/list\u003e \nSeries II. Professional Papers \n\u003clist\u003e \n\u003citem\u003eCorrespondence\u003c/item\u003e \n\u003citem\u003eWritings\u003c/item\u003e \n\u003citem\u003ePresentations\u003c/item\u003e \n\u003citem\u003eAssociations\u003c/item\u003e \n\u003citem\u003eAwards\u003c/item\u003e \n\u003citem\u003eResearch Notes\u003c/item\u003e \n\u003citem\u003eResearch Files\u003c/item\u003e \n\u003c/list\u003e\nSeries III. Faculty Papers \n\u003clist\u003e \n\u003citem\u003eAdministrative\u003c/item\u003e \n\u003citem\u003eCourse Materials\u003c/item\u003e \n\u003citem\u003eResearch Notes\u003c/item\u003e \n\u003citem\u003eResearch Files\u003c/item\u003e \n\u003citem\u003eStudent Work\u003c/item\u003e \n\u003citem\u003eInstitute for the Built Environment\u003c/item\u003e \n\u003citem\u003eMinoan Project\u003c/item\u003e \n\u003c/list\u003e\nSeries IV. Office Records \n\u003clist\u003e \n\u003citem\u003eCorrespondence\u003c/item\u003e \n\u003citem\u003eFinancial Records\u003c/item\u003e \n\u003c/list\u003e\nSeries V. Project Records \n\u003clist\u003e \n\u003citem\u003eFiles\u003c/item\u003e \n\u003citem\u003ePhotographs\u003c/item\u003e \n\u003citem\u003eDrawings\u003c/item\u003e \n\u003citem\u003eHogue Residence\u003c/item\u003e \n\u003citem\u003eMcGurk Residence\u003c/item\u003e \n\u003citem\u003eSmith Residence\u003c/item\u003e \n\u003citem\u003eCooper House Tavern\u003c/item\u003e \n\u003citem\u003eSteigerwald Residence\u003c/item\u003e \n\u003citem\u003eStephans Residence\u003c/item\u003e \n\u003citem\u003eSigal Kitchen\u003c/item\u003e \n\u003citem\u003eWientzen Residence\u003c/item\u003e \n\u003citem\u003eGodfrey Residence\u003c/item\u003e \n\u003citem\u003eMellon Residence \u003c/item\u003e \n\u003c/list\u003e\nSeries VI. Art \u0026amp; Artifacts \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["of these materials reflects the Standard Series for Architecture and Landscape Design Records (Shepherd and Lowell). The intellectual structure reflects the following series and subseries:","Series I. Personal Papers \n \nBiographical Information \nDiaries \nStudent Work \nTravel \nPhotographs \n \nSeries II. Professional Papers \n \nCorrespondence \nWritings \nPresentations \nAssociations \nAwards \nResearch Notes \nResearch Files \n\nSeries III. Faculty Papers \n \nAdministrative \nCourse Materials \nResearch Notes \nResearch Files \nStudent Work \nInstitute for the Built Environment \nMinoan Project \n\nSeries IV. Office Records \n \nCorrespondence \nFinancial Records \n\nSeries V. Project Records \n \nFiles \nPhotographs \nDrawings \nHogue Residence \nMcGurk Residence \nSmith Residence \nCooper House Tavern \nSteigerwald Residence \nStephans Residence \nSigal Kitchen \nWientzen Residence \nGodfrey Residence \nMellon Residence  \n\nSeries VI. Art \u0026 Artifacts"],"bioghist_html_tesm":["\u003cp\u003eBorn to an Estonian father and a German mother in northern Virginia, Linda Kiisk (1950-present) is an artist, architect, and educator specializing in sustainable design and historic preservation. Kiisk earned a Bachelor of Fine Arts in Painting \u0026amp; Sculpture from the College of William and Mary in 1979 and a Master of Architecture from the University of Pennsylvania in 1982. After graduation, she served as an architectural consultant for several firms in Pennsylvania, including Robert Couch, John Milner Associates, and Lymen Perry. In 1988, she began teaching at Mount Vernon College and led the Summer Study Abroad Program in Finland. In 1991, Kiisk founded Studio EESTI (Environmental Evolution Studio and Teaching Institute) to specialize in designs that teach and practice architecture.  In 1994, Kiisk joined Colorado State University as a construction management professor. She cofounded CSU's Institute of the Built Environment, a multidisciplinary sustainable design and construction initiative serving public and private American institutions. Additionally, Kiisk joined the University of Wyoming in 2000 as an architectural engineering professor and studied the design and construction techniques of the Kuna Indians as a Fulbright scholar in Panama in 2004.\u003c/p\u003e","\u003cp\u003eSince then, Kiisk has served as a member to several professional associations, including the American Institute of Architects (AIA), Women in Architecture (WIA), Union Internationale Des Femmes Architectes (UIFA), and the National Architectural Accrediting Board. Kiisk published \"20 on 20/20 Vision\" as a collection on papers on diversity in design in 2003 and \"When Shadows Vanish\" as a self-help manual in how educators, students, and professionals see the world. She served as an architect for the Wyoming State Historic Preservation Office in 2016. In her own words, this collection contains the \"inside story of being a first-generation American, single parent, architect, and professor.\"\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Born to an Estonian father and a German mother in northern Virginia, Linda Kiisk (1950-present) is an artist, architect, and educator specializing in sustainable design and historic preservation. Kiisk earned a Bachelor of Fine Arts in Painting \u0026 Sculpture from the College of William and Mary in 1979 and a Master of Architecture from the University of Pennsylvania in 1982. After graduation, she served as an architectural consultant for several firms in Pennsylvania, including Robert Couch, John Milner Associates, and Lymen Perry. In 1988, she began teaching at Mount Vernon College and led the Summer Study Abroad Program in Finland. In 1991, Kiisk founded Studio EESTI (Environmental Evolution Studio and Teaching Institute) to specialize in designs that teach and practice architecture.  In 1994, Kiisk joined Colorado State University as a construction management professor. She cofounded CSU's Institute of the Built Environment, a multidisciplinary sustainable design and construction initiative serving public and private American institutions. Additionally, Kiisk joined the University of Wyoming in 2000 as an architectural engineering professor and studied the design and construction techniques of the Kuna Indians as a Fulbright scholar in Panama in 2004.","Since then, Kiisk has served as a member to several professional associations, including the American Institute of Architects (AIA), Women in Architecture (WIA), Union Internationale Des Femmes Architectes (UIFA), and the National Architectural Accrediting Board. Kiisk published \"20 on 20/20 Vision\" as a collection on papers on diversity in design in 2003 and \"When Shadows Vanish\" as a self-help manual in how educators, students, and professionals see the world. She served as an architect for the Wyoming State Historic Preservation Office in 2016. In her own words, this collection contains the \"inside story of being a first-generation American, single parent, architect, and professor.\""],"odd_html_tesm":["\u003cp\u003eThe guide to the Linda Kiisk Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Linda Kiisk Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Linda Kiisk Architectural Collection, Ms2015-054, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Linda Kiisk Architectural Collection, Ms2015-054, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Linda Kiisk Architectural Collection commenced in April 2017 and completed in March 2018.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Linda Kiisk Architectural Collection commenced in April 2017 and completed in March 2018."],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the activities of Linda Kiisk (1968-2012). It contains personal materials from childhood through retirement, including student work and biographical information. This collection also contains materials documenting Kiisk's career as an educator, researcher, and architect by representing business records, architectural drawings, design sketches, correspondences, clippings, photographs, and material catalogs related to several professional projects. Her major projects include Colorado State University's Institute for the Built Environment, \"20 on 20/20 Vision\", and \"When Shadows Vanish.\" In addition, class lecture notes, conference information, promotional materials, home models, and course assignments are included. Furthermore, the collection includes offices records such as correspondences and financial records.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection documents the activities of Linda Kiisk (1968-2012). It contains personal materials from childhood through retirement, including student work and biographical information. This collection also contains materials documenting Kiisk's career as an educator, researcher, and architect by representing business records, architectural drawings, design sketches, correspondences, clippings, photographs, and material catalogs related to several professional projects. Her major projects include Colorado State University's Institute for the Built Environment, \"20 on 20/20 Vision\", and \"When Shadows Vanish.\" In addition, class lecture notes, conference information, promotional materials, home models, and course assignments are included. Furthermore, the collection includes offices records such as correspondences and financial records."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_200a0aebde20a191eaf5f05470e5dcaa\" label=\"Abstract\"\u003eLinda Kiisk is an artist, architect, and educator specializing in sustainable design and historic preservation. This collection documents her personal and professional activities between 1968-2013, including her architectural studies, organizational activities, travel, projects, and career with her practice, Studio EESTI.\u003c/abstract\u003e\n    "],"abstract_tesim":["Linda Kiisk is an artist, architect, and educator specializing in sustainable design and historic preservation. This collection documents her personal and professional activities between 1968-2013, including her architectural studies, organizational activities, travel, projects, and career with her practice, Studio EESTI."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","International Union of Women Architects"],"names_coll_ssim":["International Union of Women Architects"],"persname_ssim":["Kiisk, Linda"],"names_ssim":["Special Collections and University Archives, Virginia Tech","International Union of Women Architects","Kiisk, Linda"],"language_ssim":["The materials in the collection are in English."],"total_component_count_is":377,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:31:18.677Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3004"}},{"id":"viblbv_repositories_2_resources_2265","type":"collection","attributes":{"title":"L. Jane Hastings Architectural Papers, 1951/1998","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2265#creator","type":"document_value","attributes":{"value":"Hastings, L. Jane","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2265#abstract_or_scope","type":"document_value","attributes":{"value":"This collection includes the papers of L. Jane Hastings, architect in Seattle, WA, founder and owner of The Hastings Group - Architects. Includes drawings, presentation boards, photographs, and printed material relating to Hastings' professional and design activities.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2265#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2265","ead_ssi":"viblbv_repositories_2_resources_2265","_root_":"viblbv_repositories_2_resources_2265","_nest_parent_":"viblbv_repositories_2_resources_2265","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2265.xml","title_filing_ssi":"Hastings, L. Jane, Architectural Papers","title_ssm":["L. Jane Hastings Architectural Papers"],"title_tesim":["L. Jane Hastings Architectural Papers"],"unitdate_ssm":["1951-1998, n.d."],"unitdate_inclusive_ssm":["1951-1998, n.d."],"normalized_date_ssm":["1951/1998"],"normalized_title_ssm":["L. Jane Hastings Architectural Papers, 1951/1998"],"text":["L. Jane Hastings Architectural Papers, 1951/1998","Ms.2004.004","Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women-owned architectural firms","Architectural drawings (visual works)","The collection is open for research.","The collection is arranged into four series: Series I. Personal Papers, 2009; Series II: Professional Papers, 1951-1997; Series III: Project Records, 1959-1998; Series IV: Art and Artifacts, 1952-1989.","Series I: Personal Papers consists of a biographical outline and a brief history of the drafting tools and processes Hastings has used throughout her career.","Series II: Professional Papers, 1951-1997 consists of material documenting Hastings' numerous professional and civic activities. Newspaper and magazine articles and photographs document various completed residential design projects. Certificates and plaques document Hastings' various professional achievements, including various awards for design and being named a Fellow of the AIA. Other material, such as Hastings' diploma and license, document her entry into the architectural profession. The series is arranged into four subseries: A. Association and Committees, 1969-1998, B. Awards and Other Materials, 1951-1995, C. Reference Files, 1962-1985, 1996-1997, and D. \"Home of the Month\" residence, 1968-1984.","Series III. Project Records, 1959-1998 consists of material created and accumulated by Hastings (as well as other architects of the Hastings Group) in the course of various design projects. Material includes drawings, presentation boards, and photographs.","Series IV. Art and Artifacts, 1952-1989 consists of 2 registration stamps, a set of drafting tools, a set of lettering tools, four commemorative UIFA scarves, and a miniature book by one of Hastings' clients featuring Hastings' Reed House.","L. Jane Hastings was born and raised in Seattle, Washington. She received a Bachelor of Architecture from the University of Washington in 1952 and became licensed as an architect in the State of Washington in 1953 (she was the eighth woman to do so).","After working for a time in a firm, Hastings started her own practice in 1959. She formed the Hastings Group in 1974, eventually employing eight architects. The Hastings Group carried out work on more than 500 residential projects primarily in the Seattle and surrounding areas. Other projects of the Hastings Group include: small commercial and university facilities remodeling, Sea-Tac Airport renovations, I-90 bridge approach, and historic restoration of an Indian Tribal building.","Hastings' other professional activities include serving as a lecturer in Design Studios in the College of Architecture and Urban Planning at the University of Washington, and as an instructor in the Architectural Drafting Program at Seattle Community College for 10 years. She was also active in various professional organizations, including the American Institute of Architects (AIA) and the International Union of Women Architects (UIFA). She served as the president of the Seattle chapter of AIA in 1975, became a Fellow of AIA in 1980, and served as first woman chancellor of the College of Fellows in 1992.","During the course of her career, Hastings was the recipient of numerous awards and honors for her design work (including the AIA \"Home of the Month\" Annual Award in 1968), as well as for her other civic and professional activities. Her work was continually featured in the \"Home of the Month\" and Pictorial Sections of The Seattle Times, as well as in House Beautiful  and House \u0026 Garden.","Hastings retired from full-time practice in the late 1990s.","The guide to the  L. Jane Hastings Architectural Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the L. Jane Hastings Architectural Papers commenced in March 2004 and were completed in August 2004. Additions were processed and integrated into the collection July 2010 and August 2015.","The L. Jane Hastings Architectural Papers consist of material created and accumulated by Hastings (and, to certain extent, by the other architects of the Hastings Group) in the course of her design and other professional activities. This material primarily comprises drawings, presentation boards, photographs, and printed material, as well as other material, including certificates and plaques. The drawings, presentation boards, and photographs relate to various design projects undertaken by Hastings during the time period from 1959 to 1973 and by the Hastings Group from 1974 to 1998. The printed material includes copies of newspaper and magazine articles that document various completed projects and International Union of Women Architects(UIFA) meeting papers and programs from 1969-1998. Other material includes diploma, license, and awards that document Hastings' professional achievements and honors.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection includes the papers of L. Jane Hastings, architect in Seattle, WA, founder and owner of The Hastings Group - Architects. Includes drawings, presentation boards, photographs, and printed material relating to Hastings' professional and design activities.","Special Collections and University Archives, Virginia Tech","Hastings, L. Jane","The materials in the collection are in English."],"collection_title_tesim":["L. Jane Hastings Architectural Papers, 1951/1998"],"collection_ssim":["L. Jane Hastings Architectural Papers, 1951/1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2004.004"],"unitid_tesim":["Ms.2004.004"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Hastings, L. Jane"],"creator_ssim":["Hastings, L. Jane"],"creator_persname_ssim":["Hastings, L. Jane"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Hastings, L. Jane","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The L. Jane Hastings Architectural Papers were donated to the International Archive of Women in Architecture at Special Collections in 2002."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women-owned architectural firms","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women-owned architectural firms","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["10.5 Cubic Feet 8 boxes, 21 oversize folders, and 9 boards"],"extent_tesim":["10.5 Cubic Feet 8 boxes, 21 oversize folders, and 9 boards"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series: Series I. Personal Papers, 2009; Series II: Professional Papers, 1951-1997; Series III: Project Records, 1959-1998; Series IV: Art and Artifacts, 1952-1989.\u003c/p\u003e","\u003cp\u003eSeries I: Personal Papers consists of a biographical outline and a brief history of the drafting tools and processes Hastings has used throughout her career.\u003c/p\u003e","\u003cp\u003eSeries II: Professional Papers, 1951-1997 consists of material documenting Hastings' numerous professional and civic activities. Newspaper and magazine articles and photographs document various completed residential design projects. Certificates and plaques document Hastings' various professional achievements, including various awards for design and being named a Fellow of the AIA. Other material, such as Hastings' diploma and license, document her entry into the architectural profession. The series is arranged into four subseries: A. Association and Committees, 1969-1998, B. Awards and Other Materials, 1951-1995, C. Reference Files, 1962-1985, 1996-1997, and D. \"Home of the Month\" residence, 1968-1984.\u003c/p\u003e","\u003cp\u003eSeries III. Project Records, 1959-1998 consists of material created and accumulated by Hastings (as well as other architects of the Hastings Group) in the course of various design projects. Material includes drawings, presentation boards, and photographs.\u003c/p\u003e","\u003cp\u003eSeries IV. Art and Artifacts, 1952-1989 consists of 2 registration stamps, a set of drafting tools, a set of lettering tools, four commemorative UIFA scarves, and a miniature book by one of Hastings' clients featuring Hastings' Reed House. \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into four series: Series I. Personal Papers, 2009; Series II: Professional Papers, 1951-1997; Series III: Project Records, 1959-1998; Series IV: Art and Artifacts, 1952-1989.","Series I: Personal Papers consists of a biographical outline and a brief history of the drafting tools and processes Hastings has used throughout her career.","Series II: Professional Papers, 1951-1997 consists of material documenting Hastings' numerous professional and civic activities. Newspaper and magazine articles and photographs document various completed residential design projects. Certificates and plaques document Hastings' various professional achievements, including various awards for design and being named a Fellow of the AIA. Other material, such as Hastings' diploma and license, document her entry into the architectural profession. The series is arranged into four subseries: A. Association and Committees, 1969-1998, B. Awards and Other Materials, 1951-1995, C. Reference Files, 1962-1985, 1996-1997, and D. \"Home of the Month\" residence, 1968-1984.","Series III. Project Records, 1959-1998 consists of material created and accumulated by Hastings (as well as other architects of the Hastings Group) in the course of various design projects. Material includes drawings, presentation boards, and photographs.","Series IV. Art and Artifacts, 1952-1989 consists of 2 registration stamps, a set of drafting tools, a set of lettering tools, four commemorative UIFA scarves, and a miniature book by one of Hastings' clients featuring Hastings' Reed House."],"bioghist_html_tesm":["\u003cp\u003eL. Jane Hastings was born and raised in Seattle, Washington. She received a Bachelor of Architecture from the University of Washington in 1952 and became licensed as an architect in the State of Washington in 1953 (she was the eighth woman to do so). \u003c/p\u003e","\u003cp\u003eAfter working for a time in a firm, Hastings started her own practice in 1959. She formed the Hastings Group in 1974, eventually employing eight architects. The Hastings Group carried out work on more than 500 residential projects primarily in the Seattle and surrounding areas. Other projects of the Hastings Group include: small commercial and university facilities remodeling, Sea-Tac Airport renovations, I-90 bridge approach, and historic restoration of an Indian Tribal building. \u003c/p\u003e","\u003cp\u003eHastings' other professional activities include serving as a lecturer in Design Studios in the College of Architecture and Urban Planning at the University of Washington, and as an instructor in the Architectural Drafting Program at Seattle Community College for 10 years. She was also active in various professional organizations, including the American Institute of Architects (AIA) and the International Union of Women Architects (UIFA). She served as the president of the Seattle chapter of AIA in 1975, became a Fellow of AIA in 1980, and served as first woman chancellor of the College of Fellows in 1992. \u003c/p\u003e","\u003cp\u003eDuring the course of her career, Hastings was the recipient of numerous awards and honors for her design work (including the AIA \"Home of the Month\" Annual Award in 1968), as well as for her other civic and professional activities. Her work was continually featured in the \"Home of the Month\" and Pictorial Sections of \u003cemph render=\"italic\"\u003eThe Seattle Times\u003c/emph\u003e, as well as in \u003ctitle render=\"italic\"\u003eHouse Beautiful \u003c/title\u003e and \u003ctitle render=\"italic\"\u003eHouse \u0026amp; Garden\u003c/title\u003e. \u003c/p\u003e","\u003cp\u003eHastings retired from full-time practice in the late 1990s. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["L. Jane Hastings was born and raised in Seattle, Washington. She received a Bachelor of Architecture from the University of Washington in 1952 and became licensed as an architect in the State of Washington in 1953 (she was the eighth woman to do so).","After working for a time in a firm, Hastings started her own practice in 1959. She formed the Hastings Group in 1974, eventually employing eight architects. The Hastings Group carried out work on more than 500 residential projects primarily in the Seattle and surrounding areas. Other projects of the Hastings Group include: small commercial and university facilities remodeling, Sea-Tac Airport renovations, I-90 bridge approach, and historic restoration of an Indian Tribal building.","Hastings' other professional activities include serving as a lecturer in Design Studios in the College of Architecture and Urban Planning at the University of Washington, and as an instructor in the Architectural Drafting Program at Seattle Community College for 10 years. She was also active in various professional organizations, including the American Institute of Architects (AIA) and the International Union of Women Architects (UIFA). She served as the president of the Seattle chapter of AIA in 1975, became a Fellow of AIA in 1980, and served as first woman chancellor of the College of Fellows in 1992.","During the course of her career, Hastings was the recipient of numerous awards and honors for her design work (including the AIA \"Home of the Month\" Annual Award in 1968), as well as for her other civic and professional activities. Her work was continually featured in the \"Home of the Month\" and Pictorial Sections of The Seattle Times, as well as in House Beautiful  and House \u0026 Garden.","Hastings retired from full-time practice in the late 1990s."],"odd_html_tesm":["\u003cp\u003eThe guide to the  L. Jane Hastings Architectural Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  L. Jane Hastings Architectural Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  L. Jane Hastings Architectural Papers, Ms2004-004, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  L. Jane Hastings Architectural Papers, Ms2004-004, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the L. Jane Hastings Architectural Papers commenced in March 2004 and were completed in August 2004. Additions were processed and integrated into the collection July 2010 and August 2015.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the L. Jane Hastings Architectural Papers commenced in March 2004 and were completed in August 2004. Additions were processed and integrated into the collection July 2010 and August 2015."],"scopecontent_html_tesm":["\u003cp\u003eThe L. Jane Hastings Architectural Papers consist of material created and accumulated by Hastings (and, to certain extent, by the other architects of the Hastings Group) in the course of her design and other professional activities. This material primarily comprises drawings, presentation boards, photographs, and printed material, as well as other material, including certificates and plaques. The drawings, presentation boards, and photographs relate to various design projects undertaken by Hastings during the time period from 1959 to 1973 and by the Hastings Group from 1974 to 1998. The printed material includes copies of newspaper and magazine articles that document various completed projects and International Union of Women Architects(UIFA) meeting papers and programs from 1969-1998. Other material includes diploma, license, and awards that document Hastings' professional achievements and honors.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The L. Jane Hastings Architectural Papers consist of material created and accumulated by Hastings (and, to certain extent, by the other architects of the Hastings Group) in the course of her design and other professional activities. This material primarily comprises drawings, presentation boards, photographs, and printed material, as well as other material, including certificates and plaques. The drawings, presentation boards, and photographs relate to various design projects undertaken by Hastings during the time period from 1959 to 1973 and by the Hastings Group from 1974 to 1998. The printed material includes copies of newspaper and magazine articles that document various completed projects and International Union of Women Architects(UIFA) meeting papers and programs from 1969-1998. Other material includes diploma, license, and awards that document Hastings' professional achievements and honors."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9bb46d26c95152405a29db516eaa6fa3\" label=\"Abstract\"\u003eThis collection includes the papers of L. Jane Hastings, architect in Seattle, WA, founder and owner of The Hastings Group - Architects. Includes drawings, presentation boards, photographs, and printed material relating to Hastings' professional and design activities.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection includes the papers of L. Jane Hastings, architect in Seattle, WA, founder and owner of The Hastings Group - Architects. Includes drawings, presentation boards, photographs, and printed material relating to Hastings' professional and design activities."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Hastings, L. Jane"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Hastings, L. Jane"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":314,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:31.807Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2265","ead_ssi":"viblbv_repositories_2_resources_2265","_root_":"viblbv_repositories_2_resources_2265","_nest_parent_":"viblbv_repositories_2_resources_2265","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2265.xml","title_filing_ssi":"Hastings, L. Jane, Architectural Papers","title_ssm":["L. Jane Hastings Architectural Papers"],"title_tesim":["L. Jane Hastings Architectural Papers"],"unitdate_ssm":["1951-1998, n.d."],"unitdate_inclusive_ssm":["1951-1998, n.d."],"normalized_date_ssm":["1951/1998"],"normalized_title_ssm":["L. Jane Hastings Architectural Papers, 1951/1998"],"text":["L. Jane Hastings Architectural Papers, 1951/1998","Ms.2004.004","Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women-owned architectural firms","Architectural drawings (visual works)","The collection is open for research.","The collection is arranged into four series: Series I. Personal Papers, 2009; Series II: Professional Papers, 1951-1997; Series III: Project Records, 1959-1998; Series IV: Art and Artifacts, 1952-1989.","Series I: Personal Papers consists of a biographical outline and a brief history of the drafting tools and processes Hastings has used throughout her career.","Series II: Professional Papers, 1951-1997 consists of material documenting Hastings' numerous professional and civic activities. Newspaper and magazine articles and photographs document various completed residential design projects. Certificates and plaques document Hastings' various professional achievements, including various awards for design and being named a Fellow of the AIA. Other material, such as Hastings' diploma and license, document her entry into the architectural profession. The series is arranged into four subseries: A. Association and Committees, 1969-1998, B. Awards and Other Materials, 1951-1995, C. Reference Files, 1962-1985, 1996-1997, and D. \"Home of the Month\" residence, 1968-1984.","Series III. Project Records, 1959-1998 consists of material created and accumulated by Hastings (as well as other architects of the Hastings Group) in the course of various design projects. Material includes drawings, presentation boards, and photographs.","Series IV. Art and Artifacts, 1952-1989 consists of 2 registration stamps, a set of drafting tools, a set of lettering tools, four commemorative UIFA scarves, and a miniature book by one of Hastings' clients featuring Hastings' Reed House.","L. Jane Hastings was born and raised in Seattle, Washington. She received a Bachelor of Architecture from the University of Washington in 1952 and became licensed as an architect in the State of Washington in 1953 (she was the eighth woman to do so).","After working for a time in a firm, Hastings started her own practice in 1959. She formed the Hastings Group in 1974, eventually employing eight architects. The Hastings Group carried out work on more than 500 residential projects primarily in the Seattle and surrounding areas. Other projects of the Hastings Group include: small commercial and university facilities remodeling, Sea-Tac Airport renovations, I-90 bridge approach, and historic restoration of an Indian Tribal building.","Hastings' other professional activities include serving as a lecturer in Design Studios in the College of Architecture and Urban Planning at the University of Washington, and as an instructor in the Architectural Drafting Program at Seattle Community College for 10 years. She was also active in various professional organizations, including the American Institute of Architects (AIA) and the International Union of Women Architects (UIFA). She served as the president of the Seattle chapter of AIA in 1975, became a Fellow of AIA in 1980, and served as first woman chancellor of the College of Fellows in 1992.","During the course of her career, Hastings was the recipient of numerous awards and honors for her design work (including the AIA \"Home of the Month\" Annual Award in 1968), as well as for her other civic and professional activities. Her work was continually featured in the \"Home of the Month\" and Pictorial Sections of The Seattle Times, as well as in House Beautiful  and House \u0026 Garden.","Hastings retired from full-time practice in the late 1990s.","The guide to the  L. Jane Hastings Architectural Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the L. Jane Hastings Architectural Papers commenced in March 2004 and were completed in August 2004. Additions were processed and integrated into the collection July 2010 and August 2015.","The L. Jane Hastings Architectural Papers consist of material created and accumulated by Hastings (and, to certain extent, by the other architects of the Hastings Group) in the course of her design and other professional activities. This material primarily comprises drawings, presentation boards, photographs, and printed material, as well as other material, including certificates and plaques. The drawings, presentation boards, and photographs relate to various design projects undertaken by Hastings during the time period from 1959 to 1973 and by the Hastings Group from 1974 to 1998. The printed material includes copies of newspaper and magazine articles that document various completed projects and International Union of Women Architects(UIFA) meeting papers and programs from 1969-1998. Other material includes diploma, license, and awards that document Hastings' professional achievements and honors.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection includes the papers of L. Jane Hastings, architect in Seattle, WA, founder and owner of The Hastings Group - Architects. Includes drawings, presentation boards, photographs, and printed material relating to Hastings' professional and design activities.","Special Collections and University Archives, Virginia Tech","Hastings, L. Jane","The materials in the collection are in English."],"collection_title_tesim":["L. Jane Hastings Architectural Papers, 1951/1998"],"collection_ssim":["L. Jane Hastings Architectural Papers, 1951/1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2004.004"],"unitid_tesim":["Ms.2004.004"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Hastings, L. Jane"],"creator_ssim":["Hastings, L. Jane"],"creator_persname_ssim":["Hastings, L. Jane"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Hastings, L. Jane","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The L. Jane Hastings Architectural Papers were donated to the International Archive of Women in Architecture at Special Collections in 2002."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women-owned architectural firms","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women-owned architectural firms","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["10.5 Cubic Feet 8 boxes, 21 oversize folders, and 9 boards"],"extent_tesim":["10.5 Cubic Feet 8 boxes, 21 oversize folders, and 9 boards"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series: Series I. Personal Papers, 2009; Series II: Professional Papers, 1951-1997; Series III: Project Records, 1959-1998; Series IV: Art and Artifacts, 1952-1989.\u003c/p\u003e","\u003cp\u003eSeries I: Personal Papers consists of a biographical outline and a brief history of the drafting tools and processes Hastings has used throughout her career.\u003c/p\u003e","\u003cp\u003eSeries II: Professional Papers, 1951-1997 consists of material documenting Hastings' numerous professional and civic activities. Newspaper and magazine articles and photographs document various completed residential design projects. Certificates and plaques document Hastings' various professional achievements, including various awards for design and being named a Fellow of the AIA. Other material, such as Hastings' diploma and license, document her entry into the architectural profession. The series is arranged into four subseries: A. Association and Committees, 1969-1998, B. Awards and Other Materials, 1951-1995, C. Reference Files, 1962-1985, 1996-1997, and D. \"Home of the Month\" residence, 1968-1984.\u003c/p\u003e","\u003cp\u003eSeries III. Project Records, 1959-1998 consists of material created and accumulated by Hastings (as well as other architects of the Hastings Group) in the course of various design projects. Material includes drawings, presentation boards, and photographs.\u003c/p\u003e","\u003cp\u003eSeries IV. Art and Artifacts, 1952-1989 consists of 2 registration stamps, a set of drafting tools, a set of lettering tools, four commemorative UIFA scarves, and a miniature book by one of Hastings' clients featuring Hastings' Reed House. \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into four series: Series I. Personal Papers, 2009; Series II: Professional Papers, 1951-1997; Series III: Project Records, 1959-1998; Series IV: Art and Artifacts, 1952-1989.","Series I: Personal Papers consists of a biographical outline and a brief history of the drafting tools and processes Hastings has used throughout her career.","Series II: Professional Papers, 1951-1997 consists of material documenting Hastings' numerous professional and civic activities. Newspaper and magazine articles and photographs document various completed residential design projects. Certificates and plaques document Hastings' various professional achievements, including various awards for design and being named a Fellow of the AIA. Other material, such as Hastings' diploma and license, document her entry into the architectural profession. The series is arranged into four subseries: A. Association and Committees, 1969-1998, B. Awards and Other Materials, 1951-1995, C. Reference Files, 1962-1985, 1996-1997, and D. \"Home of the Month\" residence, 1968-1984.","Series III. Project Records, 1959-1998 consists of material created and accumulated by Hastings (as well as other architects of the Hastings Group) in the course of various design projects. Material includes drawings, presentation boards, and photographs.","Series IV. Art and Artifacts, 1952-1989 consists of 2 registration stamps, a set of drafting tools, a set of lettering tools, four commemorative UIFA scarves, and a miniature book by one of Hastings' clients featuring Hastings' Reed House."],"bioghist_html_tesm":["\u003cp\u003eL. Jane Hastings was born and raised in Seattle, Washington. She received a Bachelor of Architecture from the University of Washington in 1952 and became licensed as an architect in the State of Washington in 1953 (she was the eighth woman to do so). \u003c/p\u003e","\u003cp\u003eAfter working for a time in a firm, Hastings started her own practice in 1959. She formed the Hastings Group in 1974, eventually employing eight architects. The Hastings Group carried out work on more than 500 residential projects primarily in the Seattle and surrounding areas. Other projects of the Hastings Group include: small commercial and university facilities remodeling, Sea-Tac Airport renovations, I-90 bridge approach, and historic restoration of an Indian Tribal building. \u003c/p\u003e","\u003cp\u003eHastings' other professional activities include serving as a lecturer in Design Studios in the College of Architecture and Urban Planning at the University of Washington, and as an instructor in the Architectural Drafting Program at Seattle Community College for 10 years. She was also active in various professional organizations, including the American Institute of Architects (AIA) and the International Union of Women Architects (UIFA). She served as the president of the Seattle chapter of AIA in 1975, became a Fellow of AIA in 1980, and served as first woman chancellor of the College of Fellows in 1992. \u003c/p\u003e","\u003cp\u003eDuring the course of her career, Hastings was the recipient of numerous awards and honors for her design work (including the AIA \"Home of the Month\" Annual Award in 1968), as well as for her other civic and professional activities. Her work was continually featured in the \"Home of the Month\" and Pictorial Sections of \u003cemph render=\"italic\"\u003eThe Seattle Times\u003c/emph\u003e, as well as in \u003ctitle render=\"italic\"\u003eHouse Beautiful \u003c/title\u003e and \u003ctitle render=\"italic\"\u003eHouse \u0026amp; Garden\u003c/title\u003e. \u003c/p\u003e","\u003cp\u003eHastings retired from full-time practice in the late 1990s. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["L. Jane Hastings was born and raised in Seattle, Washington. She received a Bachelor of Architecture from the University of Washington in 1952 and became licensed as an architect in the State of Washington in 1953 (she was the eighth woman to do so).","After working for a time in a firm, Hastings started her own practice in 1959. She formed the Hastings Group in 1974, eventually employing eight architects. The Hastings Group carried out work on more than 500 residential projects primarily in the Seattle and surrounding areas. Other projects of the Hastings Group include: small commercial and university facilities remodeling, Sea-Tac Airport renovations, I-90 bridge approach, and historic restoration of an Indian Tribal building.","Hastings' other professional activities include serving as a lecturer in Design Studios in the College of Architecture and Urban Planning at the University of Washington, and as an instructor in the Architectural Drafting Program at Seattle Community College for 10 years. She was also active in various professional organizations, including the American Institute of Architects (AIA) and the International Union of Women Architects (UIFA). She served as the president of the Seattle chapter of AIA in 1975, became a Fellow of AIA in 1980, and served as first woman chancellor of the College of Fellows in 1992.","During the course of her career, Hastings was the recipient of numerous awards and honors for her design work (including the AIA \"Home of the Month\" Annual Award in 1968), as well as for her other civic and professional activities. Her work was continually featured in the \"Home of the Month\" and Pictorial Sections of The Seattle Times, as well as in House Beautiful  and House \u0026 Garden.","Hastings retired from full-time practice in the late 1990s."],"odd_html_tesm":["\u003cp\u003eThe guide to the  L. Jane Hastings Architectural Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  L. Jane Hastings Architectural Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  L. Jane Hastings Architectural Papers, Ms2004-004, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  L. Jane Hastings Architectural Papers, Ms2004-004, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the L. Jane Hastings Architectural Papers commenced in March 2004 and were completed in August 2004. Additions were processed and integrated into the collection July 2010 and August 2015.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the L. Jane Hastings Architectural Papers commenced in March 2004 and were completed in August 2004. Additions were processed and integrated into the collection July 2010 and August 2015."],"scopecontent_html_tesm":["\u003cp\u003eThe L. Jane Hastings Architectural Papers consist of material created and accumulated by Hastings (and, to certain extent, by the other architects of the Hastings Group) in the course of her design and other professional activities. This material primarily comprises drawings, presentation boards, photographs, and printed material, as well as other material, including certificates and plaques. The drawings, presentation boards, and photographs relate to various design projects undertaken by Hastings during the time period from 1959 to 1973 and by the Hastings Group from 1974 to 1998. The printed material includes copies of newspaper and magazine articles that document various completed projects and International Union of Women Architects(UIFA) meeting papers and programs from 1969-1998. Other material includes diploma, license, and awards that document Hastings' professional achievements and honors.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The L. Jane Hastings Architectural Papers consist of material created and accumulated by Hastings (and, to certain extent, by the other architects of the Hastings Group) in the course of her design and other professional activities. This material primarily comprises drawings, presentation boards, photographs, and printed material, as well as other material, including certificates and plaques. The drawings, presentation boards, and photographs relate to various design projects undertaken by Hastings during the time period from 1959 to 1973 and by the Hastings Group from 1974 to 1998. The printed material includes copies of newspaper and magazine articles that document various completed projects and International Union of Women Architects(UIFA) meeting papers and programs from 1969-1998. Other material includes diploma, license, and awards that document Hastings' professional achievements and honors."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9bb46d26c95152405a29db516eaa6fa3\" label=\"Abstract\"\u003eThis collection includes the papers of L. Jane Hastings, architect in Seattle, WA, founder and owner of The Hastings Group - Architects. Includes drawings, presentation boards, photographs, and printed material relating to Hastings' professional and design activities.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection includes the papers of L. Jane Hastings, architect in Seattle, WA, founder and owner of The Hastings Group - Architects. Includes drawings, presentation boards, photographs, and printed material relating to Hastings' professional and design activities."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Hastings, L. Jane"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Hastings, L. Jane"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":314,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:31.807Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2265"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Virginia Polytechnic Institute and State University","value":"Virginia Polytechnic Institute and State University","hits":90},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=International+Archive+of+Women+in+Architecture+%28IAWA%29\u0026f%5Bdate_range%5D%5B%5D=1979\u0026f%5Brepository%5D%5B%5D=Virginia+Polytechnic+Institute+and+State+University"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=International+Archive+of+Women+in+Architecture+%28IAWA%29\u0026f%5Bdate_range%5D%5B%5D=1979"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000","value":"\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=International+Archive+of+Women+in+Architecture+%28IAWA%29\u0026f%5Bcollection%5D%5B%5D=%22More+Than+the+Sum+of+Our+Body+Parts%3A+An+Exhibit+by+CARY%2C+1992-1993%22%2C+1934%2F2000\u0026f%5Bdate_range%5D%5B%5D=1979"}},{"attributes":{"label":"A. 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