{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=International+Archive+of+Women+in+Architecture+%28IAWA%29\u0026f%5Bdate_range%5D%5B%5D=1967\u0026page=8","prev":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=International+Archive+of+Women+in+Architecture+%28IAWA%29\u0026f%5Bdate_range%5D%5B%5D=1967\u0026page=7","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=International+Archive+of+Women+in+Architecture+%28IAWA%29\u0026f%5Bdate_range%5D%5B%5D=1967\u0026page=8"},"meta":{"pages":{"current_page":8,"next_page":null,"prev_page":7,"total_pages":8,"limit_value":10,"offset_value":70,"total_count":76,"first_page?":false,"last_page?":true}},"data":[{"id":"viblbv_repositories_2_resources_1750","type":"collection","attributes":{"title":"Susana Torre Architectural Collection, 1830/2003, bulk 1967/2003","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1750#creator","type":"document_value","attributes":{"value":"Torre, Susana, 1944-","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1750#abstract_or_scope","type":"document_value","attributes":{"value":"After earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1750#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1750","ead_ssi":"viblbv_repositories_2_resources_1750","_root_":"viblbv_repositories_2_resources_1750","_nest_parent_":"viblbv_repositories_2_resources_1750","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1750.xml","title_filing_ssi":"Torre, Susana, Architectural Collection","title_ssm":["Susana Torre Architectural Collection"],"title_tesim":["Susana Torre Architectural Collection"],"unitdate_ssm":["1830-2003","1967-2003"],"unitdate_inclusive_ssm":["1830-2003"],"unitdate_bulk_ssim":["1967-2003"],"normalized_date_ssm":["1830/2003, bulk 1967/2003"],"normalized_title_ssm":["Susana Torre Architectural Collection, 1830/2003, bulk 1967/2003"],"text":["Susana Torre Architectural Collection, 1830/2003, bulk 1967/2003","Ms.1990.016","Women -- History","Architecture -- Study and teaching","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)","The collection is open for research.","Selected images of work by Susana Torre has been digitized and is available online.","The Susana Torre Collection is arranged in four series reflecting architectural projects, work with professional organizations, teaching, and office work.","Series I: Project Files, 1961-1990, consists of project files and some sets of architectural drawings. The project information is arranged chronologically. Some projects have been assigned circa dates, reflecting the fact that although they do not have specific dates, they were filed in the order that Torre worked on them.","Series II: Professional Papers, 1830, 1941-2003, contains three subseries of material: (A) Professional and Cultural Organizations, (B) Publications, and (C) Research Files. Subseries A and C are arranged chronologically, and subseries B is grouped by topic and arranged alphabetically.","Series III: Faculty Papers, 1971-1992, contains material Torre used and collected while teaching at universities. The material is arranged by the name of the school with which it is associated, and chronologically within each school grouping.","Series IV: Office Files, 1967-1994, contains five subseries: (A) Lectures, (B) Conferences and Symposia, (C) Juries and Advisory Boards, (D) Exhibitions, and (E) Awards and Fellowships. All are arranged chronologically.","Susana Torre was born in 1944 in Argentina and graduated from the University of Buenos Aires with a degree in architecture and additional course work in urban planning in 1967. In 1968 she moved to the United States to pursue post-graduate studies in urban planning at Columbia University. Her career following the completion of her studies was based in New York City. Susana Torre was a principal of the Architectural Studio in New York from 1978 to 1984. She also worked as a partner at Wank Adams Slavin Associates and Torre Beeler Associates before starting an independent practice, Susana Torre and Associates of New York, in 1989. She has been associated with the Museum of Modern Art's Department of Architecture and Design and served as the coordinator of a research study on six new towns for the Institute for Architecture and Urban Studies. Torre also has held academic appointments at Columbia University, SUNY at Old Westbury, Barnard College Architecture Program, and New Jersey Institute of Technology as well as serving as a visiting critic and adjunct professor at other schools in the New York area.","Throughout her career, Torre has been concerned with the status of women in architecture, studying the history of the subject and advocating fuller participation of women in the field. Her work is strongly engaged in a dialogue of Modernist and Post-modernist forms. Susana Torre has received several awards, including recognition from the Edgar Kaufman Foundation and the National Endowment for the Arts. Torre has served on national juries for the American Institute of Architects (AIA) as well as other educational institutions. She is well known for her renovation and remodeling projects such as the master plan for the restoration of Ellis Island in New York Harbor (1981); renovation of Clark House, a turn-of-the-century carriage house in South Hampton, New York (1982) which received an Award of Excellence of Design from Architectural Record; the renovation of Schermerhorn Hall at Columbia University (1985); and Fire Station Five in Columbus, Indiana (1987).","Torre has published many articles in journals, newspapers, and magazines and has exhibited works at the Museum of Modern Art, The Institute for Architecture and Urban Studies, The Otis Art Institute, MIT's Hayden Gallery, and the Cooper Hewitt Museum. Ms. Torre was the editor, curator and designer of the exhibit \"Women in Architecture: A Historic and Contemporary Perspective,\" that toured United States in 1977 and the complementary book of essays (1977) that accompanied it.","The guide to the Susana Torre Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Susana Torre Architectural Collection was completed in January 2005. Initial processing, arrangement, and description was completed in 1990. Additions were integrated in 2007, 2012, and 2013.","The Susana Torre Architectural Collection consist of twenty-four cubic feet of material including professional correspondence, project files, research notes, published articles, office files about and by Torre, and teaching notes amassed by Torre, as well as twenty folders of architectural drawings and sketches, and photographs of projects taken before, during and after construction, mostly during the period from 1968 to 1991. The collection also includes three framed drawings and a model of the Garvey residence at Amagansett, Long Island. The information focuses on Torre's professional career, with the bulk of the material covering architectural projects and publishing and teaching efforts.","The project files include contracts, bids and proposals, project notes, feasibility studies, correspondence with clients and builders, specifications, product information, and clippings of articles about the projects. There are also seventeen sets of project drawings. The most important and best-documented projects of this collection are the renovation of a law office for Harry Torcyzner, New York; the Clark's residence at South Hampton, New York; the Chamber's Street Restaurant, New York; the Embassy of the Ivory Coast; the Robert Panero Associates office renovation project; a feasibility study for \"Suitables\" (a chain of women's clothing stores); the renovation of Schemerhorn Hall at Columbia University, New York; the Fire Station Five at Columbus, Indiana; the Montauk Public Library, New York; a fire station in Jersey City, New Jersey; a feasibility study for the Ruppert Green Project (a multi-family residential complex in New Jersey); the Garvey residence; the Feinberg residence in Chillmark, Massachusetts; Columbia University's Law Library renovation; and the Jewett Arts Center at Wellesley College, MA.","Professional papers include information about associations and organizations in which Torre participated; organizational correspondence regarding meetings, objectives and proceedings, invitations, brochures and articles about speakers and organization events; publications by and about Torre and architecture; and Torre's notes about women in architecture that she used to prepare the 1977 exhibition and its companion book, Women in American Architecture. Organizations to which Torre belonged include the Architectural League of New York, the Heresies (a feminist publication on art and politics), Networks: Women in Architecture, the Journal of Architectural Education (JAE), the International Archive of Women in Architecture (IAWA), the Association of Collegiate Schools of Architecture (ASCA): Task Force on the Status of Women in Architecture Schools, and Architects Designers Planners for Social Responsibility (ADPSR). The publications span the dates 1967-1992 and include early Spanish-language and later English material written by Torre, as well as magazine and newspaper clippings, invitations to conferences and technical paper presentations, outlines of articles and comments on other author's publications, correspondence with publishers and organizations, and Torre's hand-written notes from meetings and conferences.","There are also accumulated research notes about women architects in America that Torre compiled to write the introduction and several segments of the book Women in American Architecture: a Historic and Contemporary Perspective that received support from the Architectural League of New York and was published by Whitney Library of Design. The exhibition opened at the Brooklyn Museum in 1977 and then toured around the United States. The research files include information about specific architects, general notes and photographs, and articles and papers published by American women architects.","Faculty papers include lecture notes, student projects, newspaper clippings and theses from lecture and teaching positions that Torre held at schools such as State University of New York (SUNY) at Old Westbury, the Pratt Institute, Syracuse University, Miami University in Ohio, Columbia University and its Graduate School of Architecture Planning and preservation program, University of Pennsylvania, Escula Technica Superior De Architectura in Spain, Barnard Architecture College, University of Sydney, New Jersey Institute of Technology, and New Jersey School of Architecture.","Office Files include correspondence documents, notes, brochures and invitations for lectures, conference and symposia attended and participated in by Torre spanning from 1967 to 1994. The collection also includes information about the various exhibitions, juries, and advisory boards in which Torre participated, helped organize, and presided over during her professional career. The Awards and Fellowships files include documentation and information regarding the various awards, honors, and fellowships that Torre received from 1979 to 1990.","Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death.","After earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes.","Special Collections and University Archives, Virginia Tech","Torre, Susana, 1944-","The materials in the collection are in English."],"collection_title_tesim":["Susana Torre Architectural Collection, 1830/2003, bulk 1967/2003"],"collection_ssim":["Susana Torre Architectural Collection, 1830/2003, bulk 1967/2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1990.016"],"unitid_tesim":["Ms.1990.016"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Torre, Susana, 1944-"],"creator_ssim":["Torre, Susana, 1944-"],"creator_persname_ssim":["Torre, Susana, 1944-"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Torre, Susana, 1944-","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death."],"acqinfo_ssim":["The Susana Torre Architectural Collection was donated to the International Archive of Women in Architecture in 1990. Additional material was donated in 1998, 2000, 2003, and 2008."],"access_subjects_ssim":["Women -- History","Architecture -- Study and teaching","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)"],"access_subjects_ssm":["Women -- History","Architecture -- Study and teaching","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["26.4 Cubic Feet 23 boxes, 28 oversize folders, 3 framed drawings, and 1 model"],"extent_tesim":["26.4 Cubic Feet 23 boxes, 28 oversize folders, 3 framed drawings, and 1 model"],"genreform_ssim":["Architectural drawings (visual works)","Architecture (discipline)"],"date_range_isim":[1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/354\"\u003eSelected images of work by Susana Torre has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Selected images of work by Susana Torre has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe Susana Torre Collection is arranged in four series reflecting architectural projects, work with professional organizations, teaching, and office work. \u003c/p\u003e","\u003cp\u003eSeries I: Project Files, 1961-1990, consists of project files and some sets of architectural drawings. The project information is arranged chronologically. Some projects have been assigned circa dates, reflecting the fact that although they do not have specific dates, they were filed in the order that Torre worked on them. \u003c/p\u003e","\u003cp\u003eSeries II: Professional Papers, 1830, 1941-2003, contains three subseries of material: (A) Professional and Cultural Organizations, (B) Publications, and (C) Research Files. Subseries A and C are arranged chronologically, and subseries B is grouped by topic and arranged alphabetically. \u003c/p\u003e","\u003cp\u003eSeries III: Faculty Papers, 1971-1992, contains material Torre used and collected while teaching at universities. The material is arranged by the name of the school with which it is associated, and chronologically within each school grouping. \u003c/p\u003e","\u003cp\u003eSeries IV: Office Files, 1967-1994, contains five subseries: (A) Lectures, (B) Conferences and Symposia, (C) Juries and Advisory Boards, (D) Exhibitions, and (E) Awards and Fellowships. All are arranged chronologically. \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Susana Torre Collection is arranged in four series reflecting architectural projects, work with professional organizations, teaching, and office work.","Series I: Project Files, 1961-1990, consists of project files and some sets of architectural drawings. The project information is arranged chronologically. Some projects have been assigned circa dates, reflecting the fact that although they do not have specific dates, they were filed in the order that Torre worked on them.","Series II: Professional Papers, 1830, 1941-2003, contains three subseries of material: (A) Professional and Cultural Organizations, (B) Publications, and (C) Research Files. Subseries A and C are arranged chronologically, and subseries B is grouped by topic and arranged alphabetically.","Series III: Faculty Papers, 1971-1992, contains material Torre used and collected while teaching at universities. The material is arranged by the name of the school with which it is associated, and chronologically within each school grouping.","Series IV: Office Files, 1967-1994, contains five subseries: (A) Lectures, (B) Conferences and Symposia, (C) Juries and Advisory Boards, (D) Exhibitions, and (E) Awards and Fellowships. All are arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eSusana Torre was born in 1944 in Argentina and graduated from the University of Buenos Aires with a degree in architecture and additional course work in urban planning in 1967. In 1968 she moved to the United States to pursue post-graduate studies in urban planning at Columbia University. Her career following the completion of her studies was based in New York City. Susana Torre was a principal of the Architectural Studio in New York from 1978 to 1984. She also worked as a partner at Wank Adams Slavin Associates and Torre Beeler Associates before starting an independent practice, Susana Torre and Associates of New York, in 1989. She has been associated with the Museum of Modern Art's Department of Architecture and Design and served as the coordinator of a research study on six new towns for the Institute for Architecture and Urban Studies. Torre also has held academic appointments at Columbia University, SUNY at Old Westbury, Barnard College Architecture Program, and New Jersey Institute of Technology as well as serving as a visiting critic and adjunct professor at other schools in the New York area. \u003c/p\u003e","\u003cp\u003eThroughout her career, Torre has been concerned with the status of women in architecture, studying the history of the subject and advocating fuller participation of women in the field. Her work is strongly engaged in a dialogue of Modernist and Post-modernist forms. Susana Torre has received several awards, including recognition from the Edgar Kaufman Foundation and the National Endowment for the Arts. Torre has served on national juries for the American Institute of Architects (AIA) as well as other educational institutions. She is well known for her renovation and remodeling projects such as the master plan for the restoration of Ellis Island in New York Harbor (1981); renovation of Clark House, a turn-of-the-century carriage house in South Hampton, New York (1982) which received an Award of Excellence of Design from \u003ctitle render=\"italic\"\u003eArchitectural Record\u003c/title\u003e; the renovation of Schermerhorn Hall at Columbia University (1985); and Fire Station Five in Columbus, Indiana (1987). \u003c/p\u003e","\u003cp\u003eTorre has published many articles in journals, newspapers, and magazines and has exhibited works at the Museum of Modern Art, The Institute for Architecture and Urban Studies, The Otis Art Institute, MIT's Hayden Gallery, and the Cooper Hewitt Museum. Ms. Torre was the editor, curator and designer of the exhibit \"Women in Architecture: A Historic and Contemporary Perspective,\" that toured United States in 1977 and the complementary book of essays (1977) that accompanied it. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Susana Torre was born in 1944 in Argentina and graduated from the University of Buenos Aires with a degree in architecture and additional course work in urban planning in 1967. In 1968 she moved to the United States to pursue post-graduate studies in urban planning at Columbia University. Her career following the completion of her studies was based in New York City. Susana Torre was a principal of the Architectural Studio in New York from 1978 to 1984. She also worked as a partner at Wank Adams Slavin Associates and Torre Beeler Associates before starting an independent practice, Susana Torre and Associates of New York, in 1989. She has been associated with the Museum of Modern Art's Department of Architecture and Design and served as the coordinator of a research study on six new towns for the Institute for Architecture and Urban Studies. Torre also has held academic appointments at Columbia University, SUNY at Old Westbury, Barnard College Architecture Program, and New Jersey Institute of Technology as well as serving as a visiting critic and adjunct professor at other schools in the New York area.","Throughout her career, Torre has been concerned with the status of women in architecture, studying the history of the subject and advocating fuller participation of women in the field. Her work is strongly engaged in a dialogue of Modernist and Post-modernist forms. Susana Torre has received several awards, including recognition from the Edgar Kaufman Foundation and the National Endowment for the Arts. Torre has served on national juries for the American Institute of Architects (AIA) as well as other educational institutions. She is well known for her renovation and remodeling projects such as the master plan for the restoration of Ellis Island in New York Harbor (1981); renovation of Clark House, a turn-of-the-century carriage house in South Hampton, New York (1982) which received an Award of Excellence of Design from Architectural Record; the renovation of Schermerhorn Hall at Columbia University (1985); and Fire Station Five in Columbus, Indiana (1987).","Torre has published many articles in journals, newspapers, and magazines and has exhibited works at the Museum of Modern Art, The Institute for Architecture and Urban Studies, The Otis Art Institute, MIT's Hayden Gallery, and the Cooper Hewitt Museum. Ms. Torre was the editor, curator and designer of the exhibit \"Women in Architecture: A Historic and Contemporary Perspective,\" that toured United States in 1977 and the complementary book of essays (1977) that accompanied it."],"odd_html_tesm":["\u003cp\u003eThe guide to the Susana Torre Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Susana Torre Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Susana Torre Architectural Collection, Ms1990-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Susana Torre Architectural Collection, Ms1990-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Susana Torre Architectural Collection was completed in January 2005. Initial processing, arrangement, and description was completed in 1990. Additions were integrated in 2007, 2012, and 2013.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Susana Torre Architectural Collection was completed in January 2005. Initial processing, arrangement, and description was completed in 1990. Additions were integrated in 2007, 2012, and 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe Susana Torre Architectural Collection consist of twenty-four cubic feet of material including professional correspondence, project files, research notes, published articles, office files about and by Torre, and teaching notes amassed by Torre, as well as twenty folders of architectural drawings and sketches, and photographs of projects taken before, during and after construction, mostly during the period from 1968 to 1991. The collection also includes three framed drawings and a model of the Garvey residence at Amagansett, Long Island. The information focuses on Torre's professional career, with the bulk of the material covering architectural projects and publishing and teaching efforts. \u003c/p\u003e","\u003cp\u003eThe project files include contracts, bids and proposals, project notes, feasibility studies, correspondence with clients and builders, specifications, product information, and clippings of articles about the projects. There are also seventeen sets of project drawings. The most important and best-documented projects of this collection are the renovation of a law office for Harry Torcyzner, New York; the Clark's residence at South Hampton, New York; the Chamber's Street Restaurant, New York; the Embassy of the Ivory Coast; the Robert Panero Associates office renovation project; a feasibility study for \"Suitables\" (a chain of women's clothing stores); the renovation of Schemerhorn Hall at Columbia University, New York; the Fire Station Five at Columbus, Indiana; the Montauk Public Library, New York; a fire station in Jersey City, New Jersey; a feasibility study for the Ruppert Green Project (a multi-family residential complex in New Jersey); the Garvey residence; the Feinberg residence in Chillmark, Massachusetts; Columbia University's Law Library renovation; and the Jewett Arts Center at Wellesley College, MA. \u003c/p\u003e","\u003cp\u003eProfessional papers include information about associations and organizations in which Torre participated; organizational correspondence regarding meetings, objectives and proceedings, invitations, brochures and articles about speakers and organization events; publications by and about Torre and architecture; and Torre's notes about women in architecture that she used to prepare the 1977 exhibition and its companion book, \u003ctitle render=\"italic\"\u003eWomen in American Architecture.\u003c/title\u003e Organizations to which Torre belonged include the Architectural League of New York, the \u003ctitle render=\"italic\"\u003eHeresies\u003c/title\u003e (a feminist publication on art and politics), Networks: Women in Architecture, the \u003ctitle render=\"italic\"\u003eJournal of Architectural Education\u003c/title\u003e (JAE), the International Archive of Women in Architecture (IAWA), the Association of Collegiate Schools of Architecture (ASCA): Task Force on the Status of Women in Architecture Schools, and Architects Designers Planners for Social Responsibility (ADPSR). The publications span the dates 1967-1992 and include early Spanish-language and later English material written by Torre, as well as magazine and newspaper clippings, invitations to conferences and technical paper presentations, outlines of articles and comments on other author's publications, correspondence with publishers and organizations, and Torre's hand-written notes from meetings and conferences. \u003c/p\u003e","\u003cp\u003eThere are also accumulated research notes about women architects in America that Torre compiled to write the introduction and several segments of the book \u003ctitle render=\"italic\"\u003eWomen in American Architecture: a Historic and Contemporary Perspective\u003c/title\u003e that received support from the Architectural League of New York and was published by Whitney Library of Design. The exhibition opened at the Brooklyn Museum in 1977 and then toured around the United States. The research files include information about specific architects, general notes and photographs, and articles and papers published by American women architects. \u003c/p\u003e","\u003cp\u003eFaculty papers include lecture notes, student projects, newspaper clippings and theses from lecture and teaching positions that Torre held at schools such as State University of New York (SUNY) at Old Westbury, the Pratt Institute, Syracuse University, Miami University in Ohio, Columbia University and its Graduate School of Architecture Planning and preservation program, University of Pennsylvania, Escula Technica Superior De Architectura in Spain, Barnard Architecture College, University of Sydney, New Jersey Institute of Technology, and New Jersey School of Architecture. \u003c/p\u003e","\u003cp\u003eOffice Files include correspondence documents, notes, brochures and invitations for lectures, conference and symposia attended and participated in by Torre spanning from 1967 to 1994. The collection also includes information about the various exhibitions, juries, and advisory boards in which Torre participated, helped organize, and presided over during her professional career. The Awards and Fellowships files include documentation and information regarding the various awards, honors, and fellowships that Torre received from 1979 to 1990. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Susana Torre Architectural Collection consist of twenty-four cubic feet of material including professional correspondence, project files, research notes, published articles, office files about and by Torre, and teaching notes amassed by Torre, as well as twenty folders of architectural drawings and sketches, and photographs of projects taken before, during and after construction, mostly during the period from 1968 to 1991. The collection also includes three framed drawings and a model of the Garvey residence at Amagansett, Long Island. The information focuses on Torre's professional career, with the bulk of the material covering architectural projects and publishing and teaching efforts.","The project files include contracts, bids and proposals, project notes, feasibility studies, correspondence with clients and builders, specifications, product information, and clippings of articles about the projects. There are also seventeen sets of project drawings. The most important and best-documented projects of this collection are the renovation of a law office for Harry Torcyzner, New York; the Clark's residence at South Hampton, New York; the Chamber's Street Restaurant, New York; the Embassy of the Ivory Coast; the Robert Panero Associates office renovation project; a feasibility study for \"Suitables\" (a chain of women's clothing stores); the renovation of Schemerhorn Hall at Columbia University, New York; the Fire Station Five at Columbus, Indiana; the Montauk Public Library, New York; a fire station in Jersey City, New Jersey; a feasibility study for the Ruppert Green Project (a multi-family residential complex in New Jersey); the Garvey residence; the Feinberg residence in Chillmark, Massachusetts; Columbia University's Law Library renovation; and the Jewett Arts Center at Wellesley College, MA.","Professional papers include information about associations and organizations in which Torre participated; organizational correspondence regarding meetings, objectives and proceedings, invitations, brochures and articles about speakers and organization events; publications by and about Torre and architecture; and Torre's notes about women in architecture that she used to prepare the 1977 exhibition and its companion book, Women in American Architecture. Organizations to which Torre belonged include the Architectural League of New York, the Heresies (a feminist publication on art and politics), Networks: Women in Architecture, the Journal of Architectural Education (JAE), the International Archive of Women in Architecture (IAWA), the Association of Collegiate Schools of Architecture (ASCA): Task Force on the Status of Women in Architecture Schools, and Architects Designers Planners for Social Responsibility (ADPSR). The publications span the dates 1967-1992 and include early Spanish-language and later English material written by Torre, as well as magazine and newspaper clippings, invitations to conferences and technical paper presentations, outlines of articles and comments on other author's publications, correspondence with publishers and organizations, and Torre's hand-written notes from meetings and conferences.","There are also accumulated research notes about women architects in America that Torre compiled to write the introduction and several segments of the book Women in American Architecture: a Historic and Contemporary Perspective that received support from the Architectural League of New York and was published by Whitney Library of Design. The exhibition opened at the Brooklyn Museum in 1977 and then toured around the United States. The research files include information about specific architects, general notes and photographs, and articles and papers published by American women architects.","Faculty papers include lecture notes, student projects, newspaper clippings and theses from lecture and teaching positions that Torre held at schools such as State University of New York (SUNY) at Old Westbury, the Pratt Institute, Syracuse University, Miami University in Ohio, Columbia University and its Graduate School of Architecture Planning and preservation program, University of Pennsylvania, Escula Technica Superior De Architectura in Spain, Barnard Architecture College, University of Sydney, New Jersey Institute of Technology, and New Jersey School of Architecture.","Office Files include correspondence documents, notes, brochures and invitations for lectures, conference and symposia attended and participated in by Torre spanning from 1967 to 1994. The collection also includes information about the various exhibitions, juries, and advisory boards in which Torre participated, helped organize, and presided over during her professional career. The Awards and Fellowships files include documentation and information regarding the various awards, honors, and fellowships that Torre received from 1979 to 1990."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ffe2379cf92e88916e01253a1d5e4ec4\" label=\"Abstract\"\u003eAfter earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes.\u003c/abstract\u003e\n    "],"abstract_tesim":["After earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Torre, Susana, 1944-"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Torre, Susana, 1944-"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":386,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:00.355Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1750","ead_ssi":"viblbv_repositories_2_resources_1750","_root_":"viblbv_repositories_2_resources_1750","_nest_parent_":"viblbv_repositories_2_resources_1750","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1750.xml","title_filing_ssi":"Torre, Susana, Architectural Collection","title_ssm":["Susana Torre Architectural Collection"],"title_tesim":["Susana Torre Architectural Collection"],"unitdate_ssm":["1830-2003","1967-2003"],"unitdate_inclusive_ssm":["1830-2003"],"unitdate_bulk_ssim":["1967-2003"],"normalized_date_ssm":["1830/2003, bulk 1967/2003"],"normalized_title_ssm":["Susana Torre Architectural Collection, 1830/2003, bulk 1967/2003"],"text":["Susana Torre Architectural Collection, 1830/2003, bulk 1967/2003","Ms.1990.016","Women -- History","Architecture -- Study and teaching","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)","The collection is open for research.","Selected images of work by Susana Torre has been digitized and is available online.","The Susana Torre Collection is arranged in four series reflecting architectural projects, work with professional organizations, teaching, and office work.","Series I: Project Files, 1961-1990, consists of project files and some sets of architectural drawings. The project information is arranged chronologically. Some projects have been assigned circa dates, reflecting the fact that although they do not have specific dates, they were filed in the order that Torre worked on them.","Series II: Professional Papers, 1830, 1941-2003, contains three subseries of material: (A) Professional and Cultural Organizations, (B) Publications, and (C) Research Files. Subseries A and C are arranged chronologically, and subseries B is grouped by topic and arranged alphabetically.","Series III: Faculty Papers, 1971-1992, contains material Torre used and collected while teaching at universities. The material is arranged by the name of the school with which it is associated, and chronologically within each school grouping.","Series IV: Office Files, 1967-1994, contains five subseries: (A) Lectures, (B) Conferences and Symposia, (C) Juries and Advisory Boards, (D) Exhibitions, and (E) Awards and Fellowships. All are arranged chronologically.","Susana Torre was born in 1944 in Argentina and graduated from the University of Buenos Aires with a degree in architecture and additional course work in urban planning in 1967. In 1968 she moved to the United States to pursue post-graduate studies in urban planning at Columbia University. Her career following the completion of her studies was based in New York City. Susana Torre was a principal of the Architectural Studio in New York from 1978 to 1984. She also worked as a partner at Wank Adams Slavin Associates and Torre Beeler Associates before starting an independent practice, Susana Torre and Associates of New York, in 1989. She has been associated with the Museum of Modern Art's Department of Architecture and Design and served as the coordinator of a research study on six new towns for the Institute for Architecture and Urban Studies. Torre also has held academic appointments at Columbia University, SUNY at Old Westbury, Barnard College Architecture Program, and New Jersey Institute of Technology as well as serving as a visiting critic and adjunct professor at other schools in the New York area.","Throughout her career, Torre has been concerned with the status of women in architecture, studying the history of the subject and advocating fuller participation of women in the field. Her work is strongly engaged in a dialogue of Modernist and Post-modernist forms. Susana Torre has received several awards, including recognition from the Edgar Kaufman Foundation and the National Endowment for the Arts. Torre has served on national juries for the American Institute of Architects (AIA) as well as other educational institutions. She is well known for her renovation and remodeling projects such as the master plan for the restoration of Ellis Island in New York Harbor (1981); renovation of Clark House, a turn-of-the-century carriage house in South Hampton, New York (1982) which received an Award of Excellence of Design from Architectural Record; the renovation of Schermerhorn Hall at Columbia University (1985); and Fire Station Five in Columbus, Indiana (1987).","Torre has published many articles in journals, newspapers, and magazines and has exhibited works at the Museum of Modern Art, The Institute for Architecture and Urban Studies, The Otis Art Institute, MIT's Hayden Gallery, and the Cooper Hewitt Museum. Ms. Torre was the editor, curator and designer of the exhibit \"Women in Architecture: A Historic and Contemporary Perspective,\" that toured United States in 1977 and the complementary book of essays (1977) that accompanied it.","The guide to the Susana Torre Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Susana Torre Architectural Collection was completed in January 2005. Initial processing, arrangement, and description was completed in 1990. Additions were integrated in 2007, 2012, and 2013.","The Susana Torre Architectural Collection consist of twenty-four cubic feet of material including professional correspondence, project files, research notes, published articles, office files about and by Torre, and teaching notes amassed by Torre, as well as twenty folders of architectural drawings and sketches, and photographs of projects taken before, during and after construction, mostly during the period from 1968 to 1991. The collection also includes three framed drawings and a model of the Garvey residence at Amagansett, Long Island. The information focuses on Torre's professional career, with the bulk of the material covering architectural projects and publishing and teaching efforts.","The project files include contracts, bids and proposals, project notes, feasibility studies, correspondence with clients and builders, specifications, product information, and clippings of articles about the projects. There are also seventeen sets of project drawings. The most important and best-documented projects of this collection are the renovation of a law office for Harry Torcyzner, New York; the Clark's residence at South Hampton, New York; the Chamber's Street Restaurant, New York; the Embassy of the Ivory Coast; the Robert Panero Associates office renovation project; a feasibility study for \"Suitables\" (a chain of women's clothing stores); the renovation of Schemerhorn Hall at Columbia University, New York; the Fire Station Five at Columbus, Indiana; the Montauk Public Library, New York; a fire station in Jersey City, New Jersey; a feasibility study for the Ruppert Green Project (a multi-family residential complex in New Jersey); the Garvey residence; the Feinberg residence in Chillmark, Massachusetts; Columbia University's Law Library renovation; and the Jewett Arts Center at Wellesley College, MA.","Professional papers include information about associations and organizations in which Torre participated; organizational correspondence regarding meetings, objectives and proceedings, invitations, brochures and articles about speakers and organization events; publications by and about Torre and architecture; and Torre's notes about women in architecture that she used to prepare the 1977 exhibition and its companion book, Women in American Architecture. Organizations to which Torre belonged include the Architectural League of New York, the Heresies (a feminist publication on art and politics), Networks: Women in Architecture, the Journal of Architectural Education (JAE), the International Archive of Women in Architecture (IAWA), the Association of Collegiate Schools of Architecture (ASCA): Task Force on the Status of Women in Architecture Schools, and Architects Designers Planners for Social Responsibility (ADPSR). The publications span the dates 1967-1992 and include early Spanish-language and later English material written by Torre, as well as magazine and newspaper clippings, invitations to conferences and technical paper presentations, outlines of articles and comments on other author's publications, correspondence with publishers and organizations, and Torre's hand-written notes from meetings and conferences.","There are also accumulated research notes about women architects in America that Torre compiled to write the introduction and several segments of the book Women in American Architecture: a Historic and Contemporary Perspective that received support from the Architectural League of New York and was published by Whitney Library of Design. The exhibition opened at the Brooklyn Museum in 1977 and then toured around the United States. The research files include information about specific architects, general notes and photographs, and articles and papers published by American women architects.","Faculty papers include lecture notes, student projects, newspaper clippings and theses from lecture and teaching positions that Torre held at schools such as State University of New York (SUNY) at Old Westbury, the Pratt Institute, Syracuse University, Miami University in Ohio, Columbia University and its Graduate School of Architecture Planning and preservation program, University of Pennsylvania, Escula Technica Superior De Architectura in Spain, Barnard Architecture College, University of Sydney, New Jersey Institute of Technology, and New Jersey School of Architecture.","Office Files include correspondence documents, notes, brochures and invitations for lectures, conference and symposia attended and participated in by Torre spanning from 1967 to 1994. The collection also includes information about the various exhibitions, juries, and advisory boards in which Torre participated, helped organize, and presided over during her professional career. The Awards and Fellowships files include documentation and information regarding the various awards, honors, and fellowships that Torre received from 1979 to 1990.","Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death.","After earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes.","Special Collections and University Archives, Virginia Tech","Torre, Susana, 1944-","The materials in the collection are in English."],"collection_title_tesim":["Susana Torre Architectural Collection, 1830/2003, bulk 1967/2003"],"collection_ssim":["Susana Torre Architectural Collection, 1830/2003, bulk 1967/2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1990.016"],"unitid_tesim":["Ms.1990.016"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Torre, Susana, 1944-"],"creator_ssim":["Torre, Susana, 1944-"],"creator_persname_ssim":["Torre, Susana, 1944-"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Torre, Susana, 1944-","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death."],"acqinfo_ssim":["The Susana Torre Architectural Collection was donated to the International Archive of Women in Architecture in 1990. Additional material was donated in 1998, 2000, 2003, and 2008."],"access_subjects_ssim":["Women -- History","Architecture -- Study and teaching","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)"],"access_subjects_ssm":["Women -- History","Architecture -- Study and teaching","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["26.4 Cubic Feet 23 boxes, 28 oversize folders, 3 framed drawings, and 1 model"],"extent_tesim":["26.4 Cubic Feet 23 boxes, 28 oversize folders, 3 framed drawings, and 1 model"],"genreform_ssim":["Architectural drawings (visual works)","Architecture (discipline)"],"date_range_isim":[1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/354\"\u003eSelected images of work by Susana Torre has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Selected images of work by Susana Torre has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe Susana Torre Collection is arranged in four series reflecting architectural projects, work with professional organizations, teaching, and office work. \u003c/p\u003e","\u003cp\u003eSeries I: Project Files, 1961-1990, consists of project files and some sets of architectural drawings. The project information is arranged chronologically. Some projects have been assigned circa dates, reflecting the fact that although they do not have specific dates, they were filed in the order that Torre worked on them. \u003c/p\u003e","\u003cp\u003eSeries II: Professional Papers, 1830, 1941-2003, contains three subseries of material: (A) Professional and Cultural Organizations, (B) Publications, and (C) Research Files. Subseries A and C are arranged chronologically, and subseries B is grouped by topic and arranged alphabetically. \u003c/p\u003e","\u003cp\u003eSeries III: Faculty Papers, 1971-1992, contains material Torre used and collected while teaching at universities. The material is arranged by the name of the school with which it is associated, and chronologically within each school grouping. \u003c/p\u003e","\u003cp\u003eSeries IV: Office Files, 1967-1994, contains five subseries: (A) Lectures, (B) Conferences and Symposia, (C) Juries and Advisory Boards, (D) Exhibitions, and (E) Awards and Fellowships. All are arranged chronologically. \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Susana Torre Collection is arranged in four series reflecting architectural projects, work with professional organizations, teaching, and office work.","Series I: Project Files, 1961-1990, consists of project files and some sets of architectural drawings. The project information is arranged chronologically. Some projects have been assigned circa dates, reflecting the fact that although they do not have specific dates, they were filed in the order that Torre worked on them.","Series II: Professional Papers, 1830, 1941-2003, contains three subseries of material: (A) Professional and Cultural Organizations, (B) Publications, and (C) Research Files. Subseries A and C are arranged chronologically, and subseries B is grouped by topic and arranged alphabetically.","Series III: Faculty Papers, 1971-1992, contains material Torre used and collected while teaching at universities. The material is arranged by the name of the school with which it is associated, and chronologically within each school grouping.","Series IV: Office Files, 1967-1994, contains five subseries: (A) Lectures, (B) Conferences and Symposia, (C) Juries and Advisory Boards, (D) Exhibitions, and (E) Awards and Fellowships. All are arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eSusana Torre was born in 1944 in Argentina and graduated from the University of Buenos Aires with a degree in architecture and additional course work in urban planning in 1967. In 1968 she moved to the United States to pursue post-graduate studies in urban planning at Columbia University. Her career following the completion of her studies was based in New York City. Susana Torre was a principal of the Architectural Studio in New York from 1978 to 1984. She also worked as a partner at Wank Adams Slavin Associates and Torre Beeler Associates before starting an independent practice, Susana Torre and Associates of New York, in 1989. She has been associated with the Museum of Modern Art's Department of Architecture and Design and served as the coordinator of a research study on six new towns for the Institute for Architecture and Urban Studies. Torre also has held academic appointments at Columbia University, SUNY at Old Westbury, Barnard College Architecture Program, and New Jersey Institute of Technology as well as serving as a visiting critic and adjunct professor at other schools in the New York area. \u003c/p\u003e","\u003cp\u003eThroughout her career, Torre has been concerned with the status of women in architecture, studying the history of the subject and advocating fuller participation of women in the field. Her work is strongly engaged in a dialogue of Modernist and Post-modernist forms. Susana Torre has received several awards, including recognition from the Edgar Kaufman Foundation and the National Endowment for the Arts. Torre has served on national juries for the American Institute of Architects (AIA) as well as other educational institutions. She is well known for her renovation and remodeling projects such as the master plan for the restoration of Ellis Island in New York Harbor (1981); renovation of Clark House, a turn-of-the-century carriage house in South Hampton, New York (1982) which received an Award of Excellence of Design from \u003ctitle render=\"italic\"\u003eArchitectural Record\u003c/title\u003e; the renovation of Schermerhorn Hall at Columbia University (1985); and Fire Station Five in Columbus, Indiana (1987). \u003c/p\u003e","\u003cp\u003eTorre has published many articles in journals, newspapers, and magazines and has exhibited works at the Museum of Modern Art, The Institute for Architecture and Urban Studies, The Otis Art Institute, MIT's Hayden Gallery, and the Cooper Hewitt Museum. Ms. Torre was the editor, curator and designer of the exhibit \"Women in Architecture: A Historic and Contemporary Perspective,\" that toured United States in 1977 and the complementary book of essays (1977) that accompanied it. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Susana Torre was born in 1944 in Argentina and graduated from the University of Buenos Aires with a degree in architecture and additional course work in urban planning in 1967. In 1968 she moved to the United States to pursue post-graduate studies in urban planning at Columbia University. Her career following the completion of her studies was based in New York City. Susana Torre was a principal of the Architectural Studio in New York from 1978 to 1984. She also worked as a partner at Wank Adams Slavin Associates and Torre Beeler Associates before starting an independent practice, Susana Torre and Associates of New York, in 1989. She has been associated with the Museum of Modern Art's Department of Architecture and Design and served as the coordinator of a research study on six new towns for the Institute for Architecture and Urban Studies. Torre also has held academic appointments at Columbia University, SUNY at Old Westbury, Barnard College Architecture Program, and New Jersey Institute of Technology as well as serving as a visiting critic and adjunct professor at other schools in the New York area.","Throughout her career, Torre has been concerned with the status of women in architecture, studying the history of the subject and advocating fuller participation of women in the field. Her work is strongly engaged in a dialogue of Modernist and Post-modernist forms. Susana Torre has received several awards, including recognition from the Edgar Kaufman Foundation and the National Endowment for the Arts. Torre has served on national juries for the American Institute of Architects (AIA) as well as other educational institutions. She is well known for her renovation and remodeling projects such as the master plan for the restoration of Ellis Island in New York Harbor (1981); renovation of Clark House, a turn-of-the-century carriage house in South Hampton, New York (1982) which received an Award of Excellence of Design from Architectural Record; the renovation of Schermerhorn Hall at Columbia University (1985); and Fire Station Five in Columbus, Indiana (1987).","Torre has published many articles in journals, newspapers, and magazines and has exhibited works at the Museum of Modern Art, The Institute for Architecture and Urban Studies, The Otis Art Institute, MIT's Hayden Gallery, and the Cooper Hewitt Museum. Ms. Torre was the editor, curator and designer of the exhibit \"Women in Architecture: A Historic and Contemporary Perspective,\" that toured United States in 1977 and the complementary book of essays (1977) that accompanied it."],"odd_html_tesm":["\u003cp\u003eThe guide to the Susana Torre Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Susana Torre Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Susana Torre Architectural Collection, Ms1990-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Susana Torre Architectural Collection, Ms1990-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Susana Torre Architectural Collection was completed in January 2005. Initial processing, arrangement, and description was completed in 1990. Additions were integrated in 2007, 2012, and 2013.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Susana Torre Architectural Collection was completed in January 2005. Initial processing, arrangement, and description was completed in 1990. Additions were integrated in 2007, 2012, and 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe Susana Torre Architectural Collection consist of twenty-four cubic feet of material including professional correspondence, project files, research notes, published articles, office files about and by Torre, and teaching notes amassed by Torre, as well as twenty folders of architectural drawings and sketches, and photographs of projects taken before, during and after construction, mostly during the period from 1968 to 1991. The collection also includes three framed drawings and a model of the Garvey residence at Amagansett, Long Island. The information focuses on Torre's professional career, with the bulk of the material covering architectural projects and publishing and teaching efforts. \u003c/p\u003e","\u003cp\u003eThe project files include contracts, bids and proposals, project notes, feasibility studies, correspondence with clients and builders, specifications, product information, and clippings of articles about the projects. There are also seventeen sets of project drawings. The most important and best-documented projects of this collection are the renovation of a law office for Harry Torcyzner, New York; the Clark's residence at South Hampton, New York; the Chamber's Street Restaurant, New York; the Embassy of the Ivory Coast; the Robert Panero Associates office renovation project; a feasibility study for \"Suitables\" (a chain of women's clothing stores); the renovation of Schemerhorn Hall at Columbia University, New York; the Fire Station Five at Columbus, Indiana; the Montauk Public Library, New York; a fire station in Jersey City, New Jersey; a feasibility study for the Ruppert Green Project (a multi-family residential complex in New Jersey); the Garvey residence; the Feinberg residence in Chillmark, Massachusetts; Columbia University's Law Library renovation; and the Jewett Arts Center at Wellesley College, MA. \u003c/p\u003e","\u003cp\u003eProfessional papers include information about associations and organizations in which Torre participated; organizational correspondence regarding meetings, objectives and proceedings, invitations, brochures and articles about speakers and organization events; publications by and about Torre and architecture; and Torre's notes about women in architecture that she used to prepare the 1977 exhibition and its companion book, \u003ctitle render=\"italic\"\u003eWomen in American Architecture.\u003c/title\u003e Organizations to which Torre belonged include the Architectural League of New York, the \u003ctitle render=\"italic\"\u003eHeresies\u003c/title\u003e (a feminist publication on art and politics), Networks: Women in Architecture, the \u003ctitle render=\"italic\"\u003eJournal of Architectural Education\u003c/title\u003e (JAE), the International Archive of Women in Architecture (IAWA), the Association of Collegiate Schools of Architecture (ASCA): Task Force on the Status of Women in Architecture Schools, and Architects Designers Planners for Social Responsibility (ADPSR). The publications span the dates 1967-1992 and include early Spanish-language and later English material written by Torre, as well as magazine and newspaper clippings, invitations to conferences and technical paper presentations, outlines of articles and comments on other author's publications, correspondence with publishers and organizations, and Torre's hand-written notes from meetings and conferences. \u003c/p\u003e","\u003cp\u003eThere are also accumulated research notes about women architects in America that Torre compiled to write the introduction and several segments of the book \u003ctitle render=\"italic\"\u003eWomen in American Architecture: a Historic and Contemporary Perspective\u003c/title\u003e that received support from the Architectural League of New York and was published by Whitney Library of Design. The exhibition opened at the Brooklyn Museum in 1977 and then toured around the United States. The research files include information about specific architects, general notes and photographs, and articles and papers published by American women architects. \u003c/p\u003e","\u003cp\u003eFaculty papers include lecture notes, student projects, newspaper clippings and theses from lecture and teaching positions that Torre held at schools such as State University of New York (SUNY) at Old Westbury, the Pratt Institute, Syracuse University, Miami University in Ohio, Columbia University and its Graduate School of Architecture Planning and preservation program, University of Pennsylvania, Escula Technica Superior De Architectura in Spain, Barnard Architecture College, University of Sydney, New Jersey Institute of Technology, and New Jersey School of Architecture. \u003c/p\u003e","\u003cp\u003eOffice Files include correspondence documents, notes, brochures and invitations for lectures, conference and symposia attended and participated in by Torre spanning from 1967 to 1994. The collection also includes information about the various exhibitions, juries, and advisory boards in which Torre participated, helped organize, and presided over during her professional career. The Awards and Fellowships files include documentation and information regarding the various awards, honors, and fellowships that Torre received from 1979 to 1990. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Susana Torre Architectural Collection consist of twenty-four cubic feet of material including professional correspondence, project files, research notes, published articles, office files about and by Torre, and teaching notes amassed by Torre, as well as twenty folders of architectural drawings and sketches, and photographs of projects taken before, during and after construction, mostly during the period from 1968 to 1991. The collection also includes three framed drawings and a model of the Garvey residence at Amagansett, Long Island. The information focuses on Torre's professional career, with the bulk of the material covering architectural projects and publishing and teaching efforts.","The project files include contracts, bids and proposals, project notes, feasibility studies, correspondence with clients and builders, specifications, product information, and clippings of articles about the projects. There are also seventeen sets of project drawings. The most important and best-documented projects of this collection are the renovation of a law office for Harry Torcyzner, New York; the Clark's residence at South Hampton, New York; the Chamber's Street Restaurant, New York; the Embassy of the Ivory Coast; the Robert Panero Associates office renovation project; a feasibility study for \"Suitables\" (a chain of women's clothing stores); the renovation of Schemerhorn Hall at Columbia University, New York; the Fire Station Five at Columbus, Indiana; the Montauk Public Library, New York; a fire station in Jersey City, New Jersey; a feasibility study for the Ruppert Green Project (a multi-family residential complex in New Jersey); the Garvey residence; the Feinberg residence in Chillmark, Massachusetts; Columbia University's Law Library renovation; and the Jewett Arts Center at Wellesley College, MA.","Professional papers include information about associations and organizations in which Torre participated; organizational correspondence regarding meetings, objectives and proceedings, invitations, brochures and articles about speakers and organization events; publications by and about Torre and architecture; and Torre's notes about women in architecture that she used to prepare the 1977 exhibition and its companion book, Women in American Architecture. Organizations to which Torre belonged include the Architectural League of New York, the Heresies (a feminist publication on art and politics), Networks: Women in Architecture, the Journal of Architectural Education (JAE), the International Archive of Women in Architecture (IAWA), the Association of Collegiate Schools of Architecture (ASCA): Task Force on the Status of Women in Architecture Schools, and Architects Designers Planners for Social Responsibility (ADPSR). The publications span the dates 1967-1992 and include early Spanish-language and later English material written by Torre, as well as magazine and newspaper clippings, invitations to conferences and technical paper presentations, outlines of articles and comments on other author's publications, correspondence with publishers and organizations, and Torre's hand-written notes from meetings and conferences.","There are also accumulated research notes about women architects in America that Torre compiled to write the introduction and several segments of the book Women in American Architecture: a Historic and Contemporary Perspective that received support from the Architectural League of New York and was published by Whitney Library of Design. The exhibition opened at the Brooklyn Museum in 1977 and then toured around the United States. The research files include information about specific architects, general notes and photographs, and articles and papers published by American women architects.","Faculty papers include lecture notes, student projects, newspaper clippings and theses from lecture and teaching positions that Torre held at schools such as State University of New York (SUNY) at Old Westbury, the Pratt Institute, Syracuse University, Miami University in Ohio, Columbia University and its Graduate School of Architecture Planning and preservation program, University of Pennsylvania, Escula Technica Superior De Architectura in Spain, Barnard Architecture College, University of Sydney, New Jersey Institute of Technology, and New Jersey School of Architecture.","Office Files include correspondence documents, notes, brochures and invitations for lectures, conference and symposia attended and participated in by Torre spanning from 1967 to 1994. The collection also includes information about the various exhibitions, juries, and advisory boards in which Torre participated, helped organize, and presided over during her professional career. The Awards and Fellowships files include documentation and information regarding the various awards, honors, and fellowships that Torre received from 1979 to 1990."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ffe2379cf92e88916e01253a1d5e4ec4\" label=\"Abstract\"\u003eAfter earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes.\u003c/abstract\u003e\n    "],"abstract_tesim":["After earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Torre, Susana, 1944-"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Torre, Susana, 1944-"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":386,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:00.355Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1750"}},{"id":"viblbv_repositories_2_resources_2160","type":"collection","attributes":{"title":"Vera Jansone Architectural Collection, 1940/1975","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2160#creator","type":"document_value","attributes":{"value":"Jansone, Vera E., 1915-2004","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2160#abstract_or_scope","type":"document_value","attributes":{"value":"The Vera Jansone Architectural Collection primarily consists of drawings documenting Jansone (1915-2004)'s career as a student at the Ecole Nationale Superieure des Beaux Arts, Paris and as a professional architect in California.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2160#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2160","ead_ssi":"viblbv_repositories_2_resources_2160","_root_":"viblbv_repositories_2_resources_2160","_nest_parent_":"viblbv_repositories_2_resources_2160","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2160.xml","title_filing_ssi":"Jansone, Vera, Architectural Collection","title_ssm":["Vera Jansone Architectural Collection"],"title_tesim":["Vera Jansone Architectural Collection"],"unitdate_ssm":["ca 1940s, 1961-1975"],"unitdate_inclusive_ssm":["ca 1940s, 1961-1975"],"normalized_date_ssm":["1940/1975"],"normalized_title_ssm":["Vera Jansone Architectural Collection, 1940/1975"],"text":["Vera Jansone Architectural Collection, 1940/1975","Ms.2001.026","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- California","The collection is open to research.","This collection is arranged chronologically according to project.","Born in Latvia, Vera Jansone (1915-2004) studied architecture, engineering, and art history at the University of Latvia. Following World War II, Jansone left her homeland to accept a scholarship to study at the Ecole des Beaux Arts from 1945-1949, after which she worked full time in the Atelier Le Corbusier on the reconstruction of Paris. Upon receiving her French license, Jansone started practicing with J.L. Humbaire working mostly on schools, housing, hospitals and commercial buildings. In 1950 Jansone was awarded full tuition and travel expenses under an American Association of University Women (AAUW) scholarship to attend the Illinois Institute of Technology, where she studied under Mies van der Rohe. Jansone received her MS in Architecture from IIT in 1952.","After returning briefly to Paris, Jansone moved to the United States, first living in New York for a short duration and later moving with her husband to California in the early 1960s, where job opportunities were much more abundant for women architects. Some of her projects include The Fox Plaza while working with Victor Gruen Associates; underground stations for the Bay Area Rapid Transit (BART) system while working with Ernest Born; the Mt. Shasta Mall in Redding CA while working at Robert B. Liles, Inc.; and the Sycamore Medical Building, while working with T. Liles \u0026 Assoc.","External source: Inge S. Horton, \"In Memoriam: Vera E. Jansone\", OWA+DP Newsletter, Vol. 35:4, Jul/Aug 2007, https://owa-usa.org/newsletter.php?v=354, accessed Feb. 10, 2023.","The guide to the Vera Jansone Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Vera Jansone Architectural Collection was completed in August 2001. Additional material was integrated in May 2003.","The Vera Jansone Architectural Collection consists of 89 drawings documenting her career as a student at the Ecole Nationale Superieure des Beaux Arts, Paris and as a professional architect in California. Her student work is comprised of drawings of the Atelier Labro, Atelier Perret, and Atelier Auguste Perret. Her later work includes drawings from the Mount Shasta Mall in Redding, CA, Commercial Development in Vancouver, WA, and Pearl Ridge Shopping Mall in Honolulu, HI. Also included are drawings from the Del Norte Medical Center, BART Civic Center, Crescent Beach, CA renderings, Fox Plaza Rapid Transit, and various stations and parks in San Francisco. Additionally, the collection contains an article in the \"OWA Tour of Residences Designed by Women Architects in Marin County and Napa Valley\" about the Greenbrae Residence which Jansone designed in 1975, as well as two resumes.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Vera Jansone Architectural Collection primarily consists of drawings documenting Jansone (1915-2004)'s career as a student at the Ecole Nationale Superieure des Beaux Arts, Paris and as a professional architect in California.","Special Collections and University Archives, Virginia Tech","Jansone, Vera E., 1915-2004","The materials in the collection are in English."],"collection_title_tesim":["Vera Jansone Architectural Collection, 1940/1975"],"collection_ssim":["Vera Jansone Architectural Collection, 1940/1975"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.026"],"unitid_tesim":["Ms.2001.026"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Jansone, Vera E., 1915-2004"],"creator_ssim":["Jansone, Vera E., 1915-2004"],"creator_persname_ssim":["Jansone, Vera E., 1915-2004"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Jansone, Vera E., 1915-2004","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated to Special Collections and University Archives in 2000 and 2003."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- California"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- California"],"has_online_content_ssim":["false"],"extent_ssm":["9.5 Cubic Feet 9 oversize boxes; 4 oversize folders"],"extent_tesim":["9.5 Cubic Feet 9 oversize boxes; 4 oversize folders"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged chronologically according to project.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged chronologically according to project."],"bioghist_html_tesm":["\u003cp\u003eBorn in Latvia, Vera Jansone (1915-2004) studied architecture, engineering, and art history at the University of Latvia. Following World War II, Jansone left her homeland to accept a scholarship to study at the Ecole des Beaux Arts from 1945-1949, after which she worked full time in the Atelier Le Corbusier on the reconstruction of Paris. Upon receiving her French license, Jansone started practicing with J.L. Humbaire working mostly on schools, housing, hospitals and commercial buildings. In 1950 Jansone was awarded full tuition and travel expenses under an American Association of University Women (AAUW) scholarship to attend the Illinois Institute of Technology, where she studied under Mies van der Rohe. Jansone received her MS in Architecture from IIT in 1952.\u003c/p\u003e","\u003cp\u003eAfter returning briefly to Paris, Jansone moved to the United States, first living in New York for a short duration and later moving with her husband to California in the early 1960s, where job opportunities were much more abundant for women architects. Some of her projects include The Fox Plaza while working with Victor Gruen Associates; underground stations for the Bay Area Rapid Transit (BART) system while working with Ernest Born; the Mt. Shasta Mall in Redding CA while working at Robert B. Liles, Inc.; and the Sycamore Medical Building, while working with T. Liles \u0026amp; Assoc.\u003c/p\u003e","\u003cp\u003eExternal source: Inge S. Horton, \"In Memoriam: Vera E. Jansone\", OWA+DP Newsletter, Vol. 35:4, Jul/Aug 2007, \u003ca target=\"_blank\" href=\"https://owa-usa.org/newsletter.php?v=354\"\u003ehttps://owa-usa.org/newsletter.php?v=354\u003c/a\u003e, accessed Feb. 10, 2023.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Born in Latvia, Vera Jansone (1915-2004) studied architecture, engineering, and art history at the University of Latvia. Following World War II, Jansone left her homeland to accept a scholarship to study at the Ecole des Beaux Arts from 1945-1949, after which she worked full time in the Atelier Le Corbusier on the reconstruction of Paris. Upon receiving her French license, Jansone started practicing with J.L. Humbaire working mostly on schools, housing, hospitals and commercial buildings. In 1950 Jansone was awarded full tuition and travel expenses under an American Association of University Women (AAUW) scholarship to attend the Illinois Institute of Technology, where she studied under Mies van der Rohe. Jansone received her MS in Architecture from IIT in 1952.","After returning briefly to Paris, Jansone moved to the United States, first living in New York for a short duration and later moving with her husband to California in the early 1960s, where job opportunities were much more abundant for women architects. Some of her projects include The Fox Plaza while working with Victor Gruen Associates; underground stations for the Bay Area Rapid Transit (BART) system while working with Ernest Born; the Mt. Shasta Mall in Redding CA while working at Robert B. Liles, Inc.; and the Sycamore Medical Building, while working with T. Liles \u0026 Assoc.","External source: Inge S. Horton, \"In Memoriam: Vera E. Jansone\", OWA+DP Newsletter, Vol. 35:4, Jul/Aug 2007, https://owa-usa.org/newsletter.php?v=354, accessed Feb. 10, 2023."],"odd_html_tesm":["\u003cp\u003eThe guide to the Vera Jansone Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Vera Jansone Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Vera Jansone Architectural Collection, Ms2001-026, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Vera Jansone Architectural Collection, Ms2001-026, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Vera Jansone Architectural Collection was completed in August 2001. Additional material was integrated in May 2003.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Vera Jansone Architectural Collection was completed in August 2001. Additional material was integrated in May 2003."],"scopecontent_html_tesm":["\u003cp\u003eThe Vera Jansone Architectural Collection consists of 89 drawings documenting her career as a student at the Ecole Nationale Superieure des Beaux Arts, Paris and as a professional architect in California. Her student work is comprised of drawings of the Atelier Labro, Atelier Perret, and Atelier Auguste Perret. Her later work includes drawings from the Mount Shasta Mall in Redding, CA, Commercial Development in Vancouver, WA, and Pearl Ridge Shopping Mall in Honolulu, HI. Also included are drawings from the Del Norte Medical Center, BART Civic Center, Crescent Beach, CA renderings, Fox Plaza Rapid Transit, and various stations and parks in San Francisco. Additionally, the collection contains an article in the \"OWA Tour of Residences Designed by Women Architects in Marin County and Napa Valley\" about the Greenbrae Residence which Jansone designed in 1975, as well as two resumes.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Vera Jansone Architectural Collection consists of 89 drawings documenting her career as a student at the Ecole Nationale Superieure des Beaux Arts, Paris and as a professional architect in California. Her student work is comprised of drawings of the Atelier Labro, Atelier Perret, and Atelier Auguste Perret. Her later work includes drawings from the Mount Shasta Mall in Redding, CA, Commercial Development in Vancouver, WA, and Pearl Ridge Shopping Mall in Honolulu, HI. Also included are drawings from the Del Norte Medical Center, BART Civic Center, Crescent Beach, CA renderings, Fox Plaza Rapid Transit, and various stations and parks in San Francisco. Additionally, the collection contains an article in the \"OWA Tour of Residences Designed by Women Architects in Marin County and Napa Valley\" about the Greenbrae Residence which Jansone designed in 1975, as well as two resumes."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5fc82cd4645d7a747dfba06c4d0cef5f\" label=\"Abstract\"\u003eThe Vera Jansone Architectural Collection primarily consists of drawings documenting Jansone (1915-2004)'s career as a student at the Ecole Nationale Superieure des Beaux Arts, Paris and as a professional architect in California.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Vera Jansone Architectural Collection primarily consists of drawings documenting Jansone (1915-2004)'s career as a student at the Ecole Nationale Superieure des Beaux Arts, Paris and as a professional architect in California."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Jansone, Vera E., 1915-2004"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Jansone, Vera E., 1915-2004"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":23,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:31.807Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2160","ead_ssi":"viblbv_repositories_2_resources_2160","_root_":"viblbv_repositories_2_resources_2160","_nest_parent_":"viblbv_repositories_2_resources_2160","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2160.xml","title_filing_ssi":"Jansone, Vera, Architectural Collection","title_ssm":["Vera Jansone Architectural Collection"],"title_tesim":["Vera Jansone Architectural Collection"],"unitdate_ssm":["ca 1940s, 1961-1975"],"unitdate_inclusive_ssm":["ca 1940s, 1961-1975"],"normalized_date_ssm":["1940/1975"],"normalized_title_ssm":["Vera Jansone Architectural Collection, 1940/1975"],"text":["Vera Jansone Architectural Collection, 1940/1975","Ms.2001.026","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- California","The collection is open to research.","This collection is arranged chronologically according to project.","Born in Latvia, Vera Jansone (1915-2004) studied architecture, engineering, and art history at the University of Latvia. Following World War II, Jansone left her homeland to accept a scholarship to study at the Ecole des Beaux Arts from 1945-1949, after which she worked full time in the Atelier Le Corbusier on the reconstruction of Paris. Upon receiving her French license, Jansone started practicing with J.L. Humbaire working mostly on schools, housing, hospitals and commercial buildings. In 1950 Jansone was awarded full tuition and travel expenses under an American Association of University Women (AAUW) scholarship to attend the Illinois Institute of Technology, where she studied under Mies van der Rohe. Jansone received her MS in Architecture from IIT in 1952.","After returning briefly to Paris, Jansone moved to the United States, first living in New York for a short duration and later moving with her husband to California in the early 1960s, where job opportunities were much more abundant for women architects. Some of her projects include The Fox Plaza while working with Victor Gruen Associates; underground stations for the Bay Area Rapid Transit (BART) system while working with Ernest Born; the Mt. Shasta Mall in Redding CA while working at Robert B. Liles, Inc.; and the Sycamore Medical Building, while working with T. Liles \u0026 Assoc.","External source: Inge S. Horton, \"In Memoriam: Vera E. Jansone\", OWA+DP Newsletter, Vol. 35:4, Jul/Aug 2007, https://owa-usa.org/newsletter.php?v=354, accessed Feb. 10, 2023.","The guide to the Vera Jansone Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Vera Jansone Architectural Collection was completed in August 2001. Additional material was integrated in May 2003.","The Vera Jansone Architectural Collection consists of 89 drawings documenting her career as a student at the Ecole Nationale Superieure des Beaux Arts, Paris and as a professional architect in California. Her student work is comprised of drawings of the Atelier Labro, Atelier Perret, and Atelier Auguste Perret. Her later work includes drawings from the Mount Shasta Mall in Redding, CA, Commercial Development in Vancouver, WA, and Pearl Ridge Shopping Mall in Honolulu, HI. Also included are drawings from the Del Norte Medical Center, BART Civic Center, Crescent Beach, CA renderings, Fox Plaza Rapid Transit, and various stations and parks in San Francisco. Additionally, the collection contains an article in the \"OWA Tour of Residences Designed by Women Architects in Marin County and Napa Valley\" about the Greenbrae Residence which Jansone designed in 1975, as well as two resumes.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Vera Jansone Architectural Collection primarily consists of drawings documenting Jansone (1915-2004)'s career as a student at the Ecole Nationale Superieure des Beaux Arts, Paris and as a professional architect in California.","Special Collections and University Archives, Virginia Tech","Jansone, Vera E., 1915-2004","The materials in the collection are in English."],"collection_title_tesim":["Vera Jansone Architectural Collection, 1940/1975"],"collection_ssim":["Vera Jansone Architectural Collection, 1940/1975"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.026"],"unitid_tesim":["Ms.2001.026"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Jansone, Vera E., 1915-2004"],"creator_ssim":["Jansone, Vera E., 1915-2004"],"creator_persname_ssim":["Jansone, Vera E., 1915-2004"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Jansone, Vera E., 1915-2004","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated to Special Collections and University Archives in 2000 and 2003."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- California"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- California"],"has_online_content_ssim":["false"],"extent_ssm":["9.5 Cubic Feet 9 oversize boxes; 4 oversize folders"],"extent_tesim":["9.5 Cubic Feet 9 oversize boxes; 4 oversize folders"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged chronologically according to project.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged chronologically according to project."],"bioghist_html_tesm":["\u003cp\u003eBorn in Latvia, Vera Jansone (1915-2004) studied architecture, engineering, and art history at the University of Latvia. Following World War II, Jansone left her homeland to accept a scholarship to study at the Ecole des Beaux Arts from 1945-1949, after which she worked full time in the Atelier Le Corbusier on the reconstruction of Paris. Upon receiving her French license, Jansone started practicing with J.L. Humbaire working mostly on schools, housing, hospitals and commercial buildings. In 1950 Jansone was awarded full tuition and travel expenses under an American Association of University Women (AAUW) scholarship to attend the Illinois Institute of Technology, where she studied under Mies van der Rohe. Jansone received her MS in Architecture from IIT in 1952.\u003c/p\u003e","\u003cp\u003eAfter returning briefly to Paris, Jansone moved to the United States, first living in New York for a short duration and later moving with her husband to California in the early 1960s, where job opportunities were much more abundant for women architects. Some of her projects include The Fox Plaza while working with Victor Gruen Associates; underground stations for the Bay Area Rapid Transit (BART) system while working with Ernest Born; the Mt. Shasta Mall in Redding CA while working at Robert B. Liles, Inc.; and the Sycamore Medical Building, while working with T. Liles \u0026amp; Assoc.\u003c/p\u003e","\u003cp\u003eExternal source: Inge S. Horton, \"In Memoriam: Vera E. Jansone\", OWA+DP Newsletter, Vol. 35:4, Jul/Aug 2007, \u003ca target=\"_blank\" href=\"https://owa-usa.org/newsletter.php?v=354\"\u003ehttps://owa-usa.org/newsletter.php?v=354\u003c/a\u003e, accessed Feb. 10, 2023.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Born in Latvia, Vera Jansone (1915-2004) studied architecture, engineering, and art history at the University of Latvia. Following World War II, Jansone left her homeland to accept a scholarship to study at the Ecole des Beaux Arts from 1945-1949, after which she worked full time in the Atelier Le Corbusier on the reconstruction of Paris. Upon receiving her French license, Jansone started practicing with J.L. Humbaire working mostly on schools, housing, hospitals and commercial buildings. In 1950 Jansone was awarded full tuition and travel expenses under an American Association of University Women (AAUW) scholarship to attend the Illinois Institute of Technology, where she studied under Mies van der Rohe. Jansone received her MS in Architecture from IIT in 1952.","After returning briefly to Paris, Jansone moved to the United States, first living in New York for a short duration and later moving with her husband to California in the early 1960s, where job opportunities were much more abundant for women architects. Some of her projects include The Fox Plaza while working with Victor Gruen Associates; underground stations for the Bay Area Rapid Transit (BART) system while working with Ernest Born; the Mt. Shasta Mall in Redding CA while working at Robert B. Liles, Inc.; and the Sycamore Medical Building, while working with T. Liles \u0026 Assoc.","External source: Inge S. Horton, \"In Memoriam: Vera E. Jansone\", OWA+DP Newsletter, Vol. 35:4, Jul/Aug 2007, https://owa-usa.org/newsletter.php?v=354, accessed Feb. 10, 2023."],"odd_html_tesm":["\u003cp\u003eThe guide to the Vera Jansone Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Vera Jansone Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Vera Jansone Architectural Collection, Ms2001-026, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Vera Jansone Architectural Collection, Ms2001-026, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Vera Jansone Architectural Collection was completed in August 2001. Additional material was integrated in May 2003.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Vera Jansone Architectural Collection was completed in August 2001. Additional material was integrated in May 2003."],"scopecontent_html_tesm":["\u003cp\u003eThe Vera Jansone Architectural Collection consists of 89 drawings documenting her career as a student at the Ecole Nationale Superieure des Beaux Arts, Paris and as a professional architect in California. Her student work is comprised of drawings of the Atelier Labro, Atelier Perret, and Atelier Auguste Perret. Her later work includes drawings from the Mount Shasta Mall in Redding, CA, Commercial Development in Vancouver, WA, and Pearl Ridge Shopping Mall in Honolulu, HI. Also included are drawings from the Del Norte Medical Center, BART Civic Center, Crescent Beach, CA renderings, Fox Plaza Rapid Transit, and various stations and parks in San Francisco. Additionally, the collection contains an article in the \"OWA Tour of Residences Designed by Women Architects in Marin County and Napa Valley\" about the Greenbrae Residence which Jansone designed in 1975, as well as two resumes.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Vera Jansone Architectural Collection consists of 89 drawings documenting her career as a student at the Ecole Nationale Superieure des Beaux Arts, Paris and as a professional architect in California. Her student work is comprised of drawings of the Atelier Labro, Atelier Perret, and Atelier Auguste Perret. Her later work includes drawings from the Mount Shasta Mall in Redding, CA, Commercial Development in Vancouver, WA, and Pearl Ridge Shopping Mall in Honolulu, HI. Also included are drawings from the Del Norte Medical Center, BART Civic Center, Crescent Beach, CA renderings, Fox Plaza Rapid Transit, and various stations and parks in San Francisco. Additionally, the collection contains an article in the \"OWA Tour of Residences Designed by Women Architects in Marin County and Napa Valley\" about the Greenbrae Residence which Jansone designed in 1975, as well as two resumes."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5fc82cd4645d7a747dfba06c4d0cef5f\" label=\"Abstract\"\u003eThe Vera Jansone Architectural Collection primarily consists of drawings documenting Jansone (1915-2004)'s career as a student at the Ecole Nationale Superieure des Beaux Arts, Paris and as a professional architect in California.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Vera Jansone Architectural Collection primarily consists of drawings documenting Jansone (1915-2004)'s career as a student at the Ecole Nationale Superieure des Beaux Arts, Paris and as a professional architect in California."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Jansone, Vera E., 1915-2004"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Jansone, Vera E., 1915-2004"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":23,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:31.807Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2160"}},{"id":"viblbv_repositories_2_resources_2141","type":"collection","attributes":{"title":"Virginia M. Herz Currie Papers, 1934/2000","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2141#creator","type":"document_value","attributes":{"value":"Currie, Virginia M. Herz, 1913-2006","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2141#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains watercolors executed by Virginia M. Herz Currie, as well as information pertaining to the 1995 Valiant Woman Award and a scrapbook.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2141#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2141","ead_ssi":"viblbv_repositories_2_resources_2141","_root_":"viblbv_repositories_2_resources_2141","_nest_parent_":"viblbv_repositories_2_resources_2141","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2141.xml","title_filing_ssi":"Currie, Virginia M. Herz, Papers","title_ssm":["Virginia M. Herz Currie Papers"],"title_tesim":["Virginia M. Herz Currie Papers"],"unitdate_ssm":["1934-2000"],"unitdate_inclusive_ssm":["1934-2000"],"normalized_date_ssm":["1934/2000"],"normalized_title_ssm":["Virginia M. Herz Currie Papers, 1934/2000"],"text":["Virginia M. Herz Currie Papers, 1934/2000","Ms.2001.005","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open to research.","Some of this collection has been digitized and is available online.","Virginia M. Herz was born in Minnesota in 1913. She graduated in 1936 from the University of Minnesota in Minneapolis with a degree in Interior Architecture. While in the program she met her future husband, fellow architecture student, Leonard James Currie and they married in 1937. The couple traveled over much of the world including Bogota, Columbia, Penang, Malausia, Boston, Chicago, and Blacksburg, Virginia. The American Institute of Architects elected Currie to Honorary Society Membership in recognition of her voluntary efforts to improve the natural and built environment, and in particular for her leadership in the Blacksburg Beautification program resulting in landscaped medians throughout town. The couple had three children - Barbara, Robert, and Elizabeth. Currie died in 2006 at the age of 92.","The guide to the Virginia M. Herz Currie Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Virginia M. Herz Currie Papers commenced and was completed in 2001.","See the Leonard J. Currie Papers, Ms2007-028, also at Virginia Tech Special Collections and University Archives.","The Virginia M. Herz Currie Papers contain watercolors probably done while she was a student in the architectural program at the University of Minnesota in the 1930s. There is also a scrapbook from a neighborhood beautification project in Chicago in 1966 and the 1995 Valiant Woman Award.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains watercolors executed by Virginia M. Herz Currie, as well as information pertaining to the 1995 Valiant Woman Award and a scrapbook.","Special Collections and University Archives, Virginia Tech","Currie, Virginia M. Herz, 1913-2006","The materials in the collection are in English."],"collection_title_tesim":["Virginia M. Herz Currie Papers, 1934/2000"],"collection_ssim":["Virginia M. Herz Currie Papers, 1934/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.005"],"unitid_tesim":["Ms.2001.005"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Currie, Virginia M. Herz, 1913-2006"],"creator_ssim":["Currie, Virginia M. Herz, 1913-2006"],"creator_persname_ssim":["Currie, Virginia M. Herz, 1913-2006"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Currie, Virginia M. Herz, 1913-2006","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Virginia M. Herz Currie Papers were donated to Special Collections in 2001."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["3.8 Cubic Feet 1 box, 8 oversize folders"],"extent_tesim":["3.8 Cubic Feet 1 box, 8 oversize folders"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/346\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"bioghist_html_tesm":["\u003cp\u003eVirginia M. Herz was born in Minnesota in 1913. She graduated in 1936 from the University of Minnesota in Minneapolis with a degree in Interior Architecture. While in the program she met her future husband, fellow architecture student, Leonard James Currie and they married in 1937. The couple traveled over much of the world including Bogota, Columbia, Penang, Malausia, Boston, Chicago, and Blacksburg, Virginia. The American Institute of Architects elected Currie to Honorary Society Membership in recognition of her voluntary efforts to improve the natural and built environment, and in particular for her leadership in the Blacksburg Beautification program resulting in landscaped medians throughout town. The couple had three children - Barbara, Robert, and Elizabeth. Currie died in 2006 at the age of 92.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Virginia M. Herz was born in Minnesota in 1913. She graduated in 1936 from the University of Minnesota in Minneapolis with a degree in Interior Architecture. While in the program she met her future husband, fellow architecture student, Leonard James Currie and they married in 1937. The couple traveled over much of the world including Bogota, Columbia, Penang, Malausia, Boston, Chicago, and Blacksburg, Virginia. The American Institute of Architects elected Currie to Honorary Society Membership in recognition of her voluntary efforts to improve the natural and built environment, and in particular for her leadership in the Blacksburg Beautification program resulting in landscaped medians throughout town. The couple had three children - Barbara, Robert, and Elizabeth. Currie died in 2006 at the age of 92."],"odd_html_tesm":["\u003cp\u003eThe guide to the Virginia M. Herz Currie Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Virginia M. Herz Currie Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Virginia M. Herz Currie Papers, Ms2001-005, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Virginia M. Herz Currie Papers, Ms2001-005, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Virginia M. Herz Currie Papers commenced and was completed in 2001.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Virginia M. Herz Currie Papers commenced and was completed in 2001."],"relatedmaterial_html_tesm":["\u003cp\u003eSee the \u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/lib.vt.edu/repositories/2/resources/2315.oai_ead.xml\"\u003eLeonard J. Currie Papers, Ms2007-028\u003c/a\u003e, also at Virginia Tech Special Collections and University Archives.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See the Leonard J. Currie Papers, Ms2007-028, also at Virginia Tech Special Collections and University Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Virginia M. Herz Currie Papers contain watercolors probably done while she was a student in the architectural program at the University of Minnesota in the 1930s. There is also a scrapbook from a neighborhood beautification project in Chicago in 1966 and the 1995 Valiant Woman Award.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Virginia M. Herz Currie Papers contain watercolors probably done while she was a student in the architectural program at the University of Minnesota in the 1930s. There is also a scrapbook from a neighborhood beautification project in Chicago in 1966 and the 1995 Valiant Woman Award."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b218fd545439b8ca8b4f752f0b6b1edc\" label=\"Abstract\"\u003eThis collection contains watercolors executed by Virginia M. Herz Currie, as well as information pertaining to the 1995 Valiant Woman Award and a scrapbook.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains watercolors executed by Virginia M. Herz Currie, as well as information pertaining to the 1995 Valiant Woman Award and a scrapbook."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Currie, Virginia M. Herz, 1913-2006"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Currie, Virginia M. Herz, 1913-2006"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":12,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:31.807Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2141","ead_ssi":"viblbv_repositories_2_resources_2141","_root_":"viblbv_repositories_2_resources_2141","_nest_parent_":"viblbv_repositories_2_resources_2141","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2141.xml","title_filing_ssi":"Currie, Virginia M. Herz, Papers","title_ssm":["Virginia M. Herz Currie Papers"],"title_tesim":["Virginia M. Herz Currie Papers"],"unitdate_ssm":["1934-2000"],"unitdate_inclusive_ssm":["1934-2000"],"normalized_date_ssm":["1934/2000"],"normalized_title_ssm":["Virginia M. Herz Currie Papers, 1934/2000"],"text":["Virginia M. Herz Currie Papers, 1934/2000","Ms.2001.005","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open to research.","Some of this collection has been digitized and is available online.","Virginia M. Herz was born in Minnesota in 1913. She graduated in 1936 from the University of Minnesota in Minneapolis with a degree in Interior Architecture. While in the program she met her future husband, fellow architecture student, Leonard James Currie and they married in 1937. The couple traveled over much of the world including Bogota, Columbia, Penang, Malausia, Boston, Chicago, and Blacksburg, Virginia. The American Institute of Architects elected Currie to Honorary Society Membership in recognition of her voluntary efforts to improve the natural and built environment, and in particular for her leadership in the Blacksburg Beautification program resulting in landscaped medians throughout town. The couple had three children - Barbara, Robert, and Elizabeth. Currie died in 2006 at the age of 92.","The guide to the Virginia M. Herz Currie Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Virginia M. Herz Currie Papers commenced and was completed in 2001.","See the Leonard J. Currie Papers, Ms2007-028, also at Virginia Tech Special Collections and University Archives.","The Virginia M. Herz Currie Papers contain watercolors probably done while she was a student in the architectural program at the University of Minnesota in the 1930s. There is also a scrapbook from a neighborhood beautification project in Chicago in 1966 and the 1995 Valiant Woman Award.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains watercolors executed by Virginia M. Herz Currie, as well as information pertaining to the 1995 Valiant Woman Award and a scrapbook.","Special Collections and University Archives, Virginia Tech","Currie, Virginia M. Herz, 1913-2006","The materials in the collection are in English."],"collection_title_tesim":["Virginia M. Herz Currie Papers, 1934/2000"],"collection_ssim":["Virginia M. Herz Currie Papers, 1934/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.005"],"unitid_tesim":["Ms.2001.005"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Currie, Virginia M. Herz, 1913-2006"],"creator_ssim":["Currie, Virginia M. Herz, 1913-2006"],"creator_persname_ssim":["Currie, Virginia M. Herz, 1913-2006"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Currie, Virginia M. Herz, 1913-2006","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Virginia M. Herz Currie Papers were donated to Special Collections in 2001."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["3.8 Cubic Feet 1 box, 8 oversize folders"],"extent_tesim":["3.8 Cubic Feet 1 box, 8 oversize folders"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/346\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"bioghist_html_tesm":["\u003cp\u003eVirginia M. Herz was born in Minnesota in 1913. She graduated in 1936 from the University of Minnesota in Minneapolis with a degree in Interior Architecture. While in the program she met her future husband, fellow architecture student, Leonard James Currie and they married in 1937. The couple traveled over much of the world including Bogota, Columbia, Penang, Malausia, Boston, Chicago, and Blacksburg, Virginia. The American Institute of Architects elected Currie to Honorary Society Membership in recognition of her voluntary efforts to improve the natural and built environment, and in particular for her leadership in the Blacksburg Beautification program resulting in landscaped medians throughout town. The couple had three children - Barbara, Robert, and Elizabeth. Currie died in 2006 at the age of 92.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Virginia M. Herz was born in Minnesota in 1913. She graduated in 1936 from the University of Minnesota in Minneapolis with a degree in Interior Architecture. While in the program she met her future husband, fellow architecture student, Leonard James Currie and they married in 1937. The couple traveled over much of the world including Bogota, Columbia, Penang, Malausia, Boston, Chicago, and Blacksburg, Virginia. The American Institute of Architects elected Currie to Honorary Society Membership in recognition of her voluntary efforts to improve the natural and built environment, and in particular for her leadership in the Blacksburg Beautification program resulting in landscaped medians throughout town. The couple had three children - Barbara, Robert, and Elizabeth. Currie died in 2006 at the age of 92."],"odd_html_tesm":["\u003cp\u003eThe guide to the Virginia M. Herz Currie Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Virginia M. Herz Currie Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Virginia M. Herz Currie Papers, Ms2001-005, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Virginia M. Herz Currie Papers, Ms2001-005, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Virginia M. Herz Currie Papers commenced and was completed in 2001.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Virginia M. Herz Currie Papers commenced and was completed in 2001."],"relatedmaterial_html_tesm":["\u003cp\u003eSee the \u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/lib.vt.edu/repositories/2/resources/2315.oai_ead.xml\"\u003eLeonard J. Currie Papers, Ms2007-028\u003c/a\u003e, also at Virginia Tech Special Collections and University Archives.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See the Leonard J. Currie Papers, Ms2007-028, also at Virginia Tech Special Collections and University Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Virginia M. Herz Currie Papers contain watercolors probably done while she was a student in the architectural program at the University of Minnesota in the 1930s. There is also a scrapbook from a neighborhood beautification project in Chicago in 1966 and the 1995 Valiant Woman Award.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Virginia M. Herz Currie Papers contain watercolors probably done while she was a student in the architectural program at the University of Minnesota in the 1930s. There is also a scrapbook from a neighborhood beautification project in Chicago in 1966 and the 1995 Valiant Woman Award."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b218fd545439b8ca8b4f752f0b6b1edc\" label=\"Abstract\"\u003eThis collection contains watercolors executed by Virginia M. Herz Currie, as well as information pertaining to the 1995 Valiant Woman Award and a scrapbook.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains watercolors executed by Virginia M. Herz Currie, as well as information pertaining to the 1995 Valiant Woman Award and a scrapbook."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Currie, Virginia M. Herz, 1913-2006"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Currie, Virginia M. Herz, 1913-2006"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":12,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:31.807Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2141"}},{"id":"viblbv_repositories_2_resources_1747","type":"collection","attributes":{"title":"Wena Dows Architectural Collection, 1952/2005","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1747#creator","type":"document_value","attributes":{"value":"Dows, Wena W., 1928-","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1747#abstract_or_scope","type":"document_value","attributes":{"value":"Architect Wena Dows earned her B.A. in Architecture from the University of California, Berkeley, in 1950 and began working independently, specializing in residential remodeling, in 1954. Along with her architectural commitments she also worked as a nutritionist. The Wena Dows Architectural Collection contains drawings, supporting text documents, photographs and slides of Dows' addition and renovation projects for residences in California from 1952 to 2005, along with information about a few commercial projects.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1747#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1747","ead_ssi":"viblbv_repositories_2_resources_1747","_root_":"viblbv_repositories_2_resources_1747","_nest_parent_":"viblbv_repositories_2_resources_1747","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1747.xml","title_filing_ssi":"Dows, Wena, Architectural Collection","title_ssm":["Wena Dows Architectural Collection"],"title_tesim":["Wena Dows Architectural Collection"],"unitdate_ssm":["1952-2005"],"unitdate_inclusive_ssm":["1952-2005"],"normalized_date_ssm":["1952/2005"],"normalized_title_ssm":["Wena Dows Architectural Collection, 1952/2005"],"text":["Wena Dows Architectural Collection, 1952/2005","Ms.1990.013","Architects","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)","The collection is open for research.","The collection has been arranged into a Project Index. which is a way to organize the various formats of architectural records from the same project. The index is arranged alphabetically by client name and contains information, where available, about the location, date, project type, architect, collaborators, and formats for each project in the collection.","A Summary of the Project Index.  is listed below.  Consult the Project Index.  for location information.","Client Name/Project Title (location, date, architect/collaborator) [Format - Ms=Manuscripts, Dr=Drawings, Ph=Photograghs, S=Slides ]","Wena Dows was born in 1928, in Taft, California. She completed a BA in Architecture from the University of California, Berkeley, in 1950. From 1950 till 1954 she worked as a draftsperson for Ernest F. Winkler, AIA, in San Francisco and for Clyde Bentley, a consulting engineer in Oakland, California. In 1954 she started working independently, specializing in residential architecture. She mostly undertook addition and renovation work to residences in California.","Dows also took courses in nutrition at UCLA, Los Angeles City College, American Institute of Family Relations. Along with her architectural commitments she also worked as a nutritionist. In 1968, Wena Dows was a Diet Analyst for the Retail Clerks Union. She started teaching healthy cooking in 1969 and taught at Venice Adult School, Los Angeles School District for many years. Later she started \"The Healthy Gourmet\" classes from her residence.","Wena Dows is professionally affiliated with the Association for Women in Architecture (AWA) and the Society for Nutrition Education (SNE). She holds a standard California teaching credential for Architecture and for Nutrition.","The guide to the Wena Dows Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The preliminary processing, arrangement and description of the Wena Dows Architectural Collection was completed in 1990. Final arrangement and description took place from April to August 2005. The 2009 addition was processed February 2012. The 2015 and 2017 additions were processed in October 2021.","The Wena Dows Architectural Collection consists of hand-drafted architectural drawings with supporting photographs, slides, and textual descriptions of California residential buildings renovated or expanded by Wena Dows from 1952 to 2005. In addition, there are plans for a few commercial projects with limited descriptive information. The textual descriptions contain Dows' handwritten notes on the client's requirements for the project, sketches of the existing building layout and dimensions, lists of the materials to be used for the project and specifications for some projects. Photographs of the building, before and after the work, accompany some of the project documents.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Architect Wena Dows earned her B.A. in Architecture from the University of California, Berkeley, in 1950 and began working independently, specializing in residential remodeling, in 1954. Along with her architectural commitments she also worked as a nutritionist. The Wena Dows Architectural Collection contains drawings, supporting text documents, photographs and slides of Dows' addition and renovation projects for residences in California from 1952 to 2005, along with information about a few commercial projects.","Special Collections and University Archives, Virginia Tech","Dows, Wena W., 1928-","The materials in the collection are in English."],"collection_title_tesim":["Wena Dows Architectural Collection, 1952/2005"],"collection_ssim":["Wena Dows Architectural Collection, 1952/2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1990.013"],"unitid_tesim":["Ms.1990.013"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Dows, Wena W., 1928-"],"creator_ssim":["Dows, Wena W., 1928-"],"creator_persname_ssim":["Dows, Wena W., 1928-"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Dows, Wena W., 1928-","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The creator donated the Wena Dows material to the International Archive of Women in Architecture in May 1990. Additions to the collection were received in 2009, 2015, and 2017."],"access_subjects_ssim":["Architects","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["21.1 Cubic Feet 1 box; 86 oversize folders"],"extent_tesim":["21.1 Cubic Feet 1 box; 86 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection has been arranged into a \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms1990-013pi.xls\" title=\"Project Index\"\u003eProject Index.\u003c/a\u003e which is a way to organize the various formats of architectural records from the same project. The index is arranged alphabetically by client name and contains information, where available, about the location, date, project type, architect, collaborators, and formats for each project in the collection.\u003c/p\u003e","\u003cp\u003eA Summary of the \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms1990-013pi.xls\" title=\"Project Index\"\u003eProject Index.\u003c/a\u003e  is listed below.  Consult the \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms1990-013pi.xls\" title=\"Project Index\"\u003eProject Index.\u003c/a\u003e  for location information.  \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eClient Name/Project Title (location, date, architect/collaborator) [Format - Ms=Manuscripts, Dr=Drawings, Ph=Photograghs, S=Slides ] \u003c/emph\u003e\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection has been arranged into a Project Index. which is a way to organize the various formats of architectural records from the same project. The index is arranged alphabetically by client name and contains information, where available, about the location, date, project type, architect, collaborators, and formats for each project in the collection.","A Summary of the Project Index.  is listed below.  Consult the Project Index.  for location information.","Client Name/Project Title (location, date, architect/collaborator) [Format - Ms=Manuscripts, Dr=Drawings, Ph=Photograghs, S=Slides ]"],"bioghist_html_tesm":["\u003cp\u003eWena Dows was born in 1928, in Taft, California. She completed a BA in Architecture from the University of California, Berkeley, in 1950. From 1950 till 1954 she worked as a draftsperson for Ernest F. Winkler, AIA, in San Francisco and for Clyde Bentley, a consulting engineer in Oakland, California. In 1954 she started working independently, specializing in residential architecture. She mostly undertook addition and renovation work to residences in California.\u003c/p\u003e","\u003cp\u003eDows also took courses in nutrition at UCLA, Los Angeles City College, American Institute of Family Relations. Along with her architectural commitments she also worked as a nutritionist. In 1968, Wena Dows was a Diet Analyst for the Retail Clerks Union. She started teaching healthy cooking in 1969 and taught at Venice Adult School, Los Angeles School District for many years. Later she started \"The Healthy Gourmet\" classes from her residence.\u003c/p\u003e","\u003cp\u003eWena Dows is professionally affiliated with the Association for Women in Architecture (AWA) and the Society for Nutrition Education (SNE). She holds a standard California teaching credential for Architecture and for Nutrition.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Wena Dows was born in 1928, in Taft, California. She completed a BA in Architecture from the University of California, Berkeley, in 1950. From 1950 till 1954 she worked as a draftsperson for Ernest F. Winkler, AIA, in San Francisco and for Clyde Bentley, a consulting engineer in Oakland, California. In 1954 she started working independently, specializing in residential architecture. She mostly undertook addition and renovation work to residences in California.","Dows also took courses in nutrition at UCLA, Los Angeles City College, American Institute of Family Relations. Along with her architectural commitments she also worked as a nutritionist. In 1968, Wena Dows was a Diet Analyst for the Retail Clerks Union. She started teaching healthy cooking in 1969 and taught at Venice Adult School, Los Angeles School District for many years. Later she started \"The Healthy Gourmet\" classes from her residence.","Wena Dows is professionally affiliated with the Association for Women in Architecture (AWA) and the Society for Nutrition Education (SNE). She holds a standard California teaching credential for Architecture and for Nutrition."],"odd_html_tesm":["\u003cp\u003eThe guide to the Wena Dows Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Wena Dows Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Wena Dows Architectural Collection, Ms1990-013, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Wena Dows Architectural Collection, Ms1990-013, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe preliminary processing, arrangement and description of the Wena Dows Architectural Collection was completed in 1990. Final arrangement and description took place from April to August 2005. The 2009 addition was processed February 2012. The 2015 and 2017 additions were processed in October 2021.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The preliminary processing, arrangement and description of the Wena Dows Architectural Collection was completed in 1990. Final arrangement and description took place from April to August 2005. The 2009 addition was processed February 2012. The 2015 and 2017 additions were processed in October 2021."],"scopecontent_html_tesm":["\u003cp\u003eThe Wena Dows Architectural Collection consists of hand-drafted architectural drawings with supporting photographs, slides, and textual descriptions of California residential buildings renovated or expanded by Wena Dows from 1952 to 2005. In addition, there are plans for a few commercial projects with limited descriptive information. The textual descriptions contain Dows' handwritten notes on the client's requirements for the project, sketches of the existing building layout and dimensions, lists of the materials to be used for the project and specifications for some projects. Photographs of the building, before and after the work, accompany some of the project documents.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Wena Dows Architectural Collection consists of hand-drafted architectural drawings with supporting photographs, slides, and textual descriptions of California residential buildings renovated or expanded by Wena Dows from 1952 to 2005. In addition, there are plans for a few commercial projects with limited descriptive information. The textual descriptions contain Dows' handwritten notes on the client's requirements for the project, sketches of the existing building layout and dimensions, lists of the materials to be used for the project and specifications for some projects. Photographs of the building, before and after the work, accompany some of the project documents."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0015fe8c135f2feea4682950d2dcf54d\" label=\"Abstract\"\u003eArchitect Wena Dows earned her B.A. in Architecture from the University of California, Berkeley, in 1950 and began working independently, specializing in residential remodeling, in 1954. Along with her architectural commitments she also worked as a nutritionist. The Wena Dows Architectural Collection contains drawings, supporting text documents, photographs and slides of Dows' addition and renovation projects for residences in California from 1952 to 2005, along with information about a few commercial projects.\u003c/abstract\u003e\n    "],"abstract_tesim":["Architect Wena Dows earned her B.A. in Architecture from the University of California, Berkeley, in 1950 and began working independently, specializing in residential remodeling, in 1954. Along with her architectural commitments she also worked as a nutritionist. The Wena Dows Architectural Collection contains drawings, supporting text documents, photographs and slides of Dows' addition and renovation projects for residences in California from 1952 to 2005, along with information about a few commercial projects."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Dows, Wena W., 1928-"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Dows, Wena W., 1928-"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":415,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:00.355Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1747","ead_ssi":"viblbv_repositories_2_resources_1747","_root_":"viblbv_repositories_2_resources_1747","_nest_parent_":"viblbv_repositories_2_resources_1747","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1747.xml","title_filing_ssi":"Dows, Wena, Architectural Collection","title_ssm":["Wena Dows Architectural Collection"],"title_tesim":["Wena Dows Architectural Collection"],"unitdate_ssm":["1952-2005"],"unitdate_inclusive_ssm":["1952-2005"],"normalized_date_ssm":["1952/2005"],"normalized_title_ssm":["Wena Dows Architectural Collection, 1952/2005"],"text":["Wena Dows Architectural Collection, 1952/2005","Ms.1990.013","Architects","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)","The collection is open for research.","The collection has been arranged into a Project Index. which is a way to organize the various formats of architectural records from the same project. The index is arranged alphabetically by client name and contains information, where available, about the location, date, project type, architect, collaborators, and formats for each project in the collection.","A Summary of the Project Index.  is listed below.  Consult the Project Index.  for location information.","Client Name/Project Title (location, date, architect/collaborator) [Format - Ms=Manuscripts, Dr=Drawings, Ph=Photograghs, S=Slides ]","Wena Dows was born in 1928, in Taft, California. She completed a BA in Architecture from the University of California, Berkeley, in 1950. From 1950 till 1954 she worked as a draftsperson for Ernest F. Winkler, AIA, in San Francisco and for Clyde Bentley, a consulting engineer in Oakland, California. In 1954 she started working independently, specializing in residential architecture. She mostly undertook addition and renovation work to residences in California.","Dows also took courses in nutrition at UCLA, Los Angeles City College, American Institute of Family Relations. Along with her architectural commitments she also worked as a nutritionist. In 1968, Wena Dows was a Diet Analyst for the Retail Clerks Union. She started teaching healthy cooking in 1969 and taught at Venice Adult School, Los Angeles School District for many years. Later she started \"The Healthy Gourmet\" classes from her residence.","Wena Dows is professionally affiliated with the Association for Women in Architecture (AWA) and the Society for Nutrition Education (SNE). She holds a standard California teaching credential for Architecture and for Nutrition.","The guide to the Wena Dows Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The preliminary processing, arrangement and description of the Wena Dows Architectural Collection was completed in 1990. Final arrangement and description took place from April to August 2005. The 2009 addition was processed February 2012. The 2015 and 2017 additions were processed in October 2021.","The Wena Dows Architectural Collection consists of hand-drafted architectural drawings with supporting photographs, slides, and textual descriptions of California residential buildings renovated or expanded by Wena Dows from 1952 to 2005. In addition, there are plans for a few commercial projects with limited descriptive information. The textual descriptions contain Dows' handwritten notes on the client's requirements for the project, sketches of the existing building layout and dimensions, lists of the materials to be used for the project and specifications for some projects. Photographs of the building, before and after the work, accompany some of the project documents.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Architect Wena Dows earned her B.A. in Architecture from the University of California, Berkeley, in 1950 and began working independently, specializing in residential remodeling, in 1954. Along with her architectural commitments she also worked as a nutritionist. The Wena Dows Architectural Collection contains drawings, supporting text documents, photographs and slides of Dows' addition and renovation projects for residences in California from 1952 to 2005, along with information about a few commercial projects.","Special Collections and University Archives, Virginia Tech","Dows, Wena W., 1928-","The materials in the collection are in English."],"collection_title_tesim":["Wena Dows Architectural Collection, 1952/2005"],"collection_ssim":["Wena Dows Architectural Collection, 1952/2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1990.013"],"unitid_tesim":["Ms.1990.013"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Dows, Wena W., 1928-"],"creator_ssim":["Dows, Wena W., 1928-"],"creator_persname_ssim":["Dows, Wena W., 1928-"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Dows, Wena W., 1928-","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The creator donated the Wena Dows material to the International Archive of Women in Architecture in May 1990. Additions to the collection were received in 2009, 2015, and 2017."],"access_subjects_ssim":["Architects","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["21.1 Cubic Feet 1 box; 86 oversize folders"],"extent_tesim":["21.1 Cubic Feet 1 box; 86 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection has been arranged into a \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms1990-013pi.xls\" title=\"Project Index\"\u003eProject Index.\u003c/a\u003e which is a way to organize the various formats of architectural records from the same project. The index is arranged alphabetically by client name and contains information, where available, about the location, date, project type, architect, collaborators, and formats for each project in the collection.\u003c/p\u003e","\u003cp\u003eA Summary of the \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms1990-013pi.xls\" title=\"Project Index\"\u003eProject Index.\u003c/a\u003e  is listed below.  Consult the \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms1990-013pi.xls\" title=\"Project Index\"\u003eProject Index.\u003c/a\u003e  for location information.  \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eClient Name/Project Title (location, date, architect/collaborator) [Format - Ms=Manuscripts, Dr=Drawings, Ph=Photograghs, S=Slides ] \u003c/emph\u003e\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection has been arranged into a Project Index. which is a way to organize the various formats of architectural records from the same project. The index is arranged alphabetically by client name and contains information, where available, about the location, date, project type, architect, collaborators, and formats for each project in the collection.","A Summary of the Project Index.  is listed below.  Consult the Project Index.  for location information.","Client Name/Project Title (location, date, architect/collaborator) [Format - Ms=Manuscripts, Dr=Drawings, Ph=Photograghs, S=Slides ]"],"bioghist_html_tesm":["\u003cp\u003eWena Dows was born in 1928, in Taft, California. She completed a BA in Architecture from the University of California, Berkeley, in 1950. From 1950 till 1954 she worked as a draftsperson for Ernest F. Winkler, AIA, in San Francisco and for Clyde Bentley, a consulting engineer in Oakland, California. In 1954 she started working independently, specializing in residential architecture. She mostly undertook addition and renovation work to residences in California.\u003c/p\u003e","\u003cp\u003eDows also took courses in nutrition at UCLA, Los Angeles City College, American Institute of Family Relations. Along with her architectural commitments she also worked as a nutritionist. In 1968, Wena Dows was a Diet Analyst for the Retail Clerks Union. She started teaching healthy cooking in 1969 and taught at Venice Adult School, Los Angeles School District for many years. Later she started \"The Healthy Gourmet\" classes from her residence.\u003c/p\u003e","\u003cp\u003eWena Dows is professionally affiliated with the Association for Women in Architecture (AWA) and the Society for Nutrition Education (SNE). She holds a standard California teaching credential for Architecture and for Nutrition.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Wena Dows was born in 1928, in Taft, California. She completed a BA in Architecture from the University of California, Berkeley, in 1950. From 1950 till 1954 she worked as a draftsperson for Ernest F. Winkler, AIA, in San Francisco and for Clyde Bentley, a consulting engineer in Oakland, California. In 1954 she started working independently, specializing in residential architecture. She mostly undertook addition and renovation work to residences in California.","Dows also took courses in nutrition at UCLA, Los Angeles City College, American Institute of Family Relations. Along with her architectural commitments she also worked as a nutritionist. In 1968, Wena Dows was a Diet Analyst for the Retail Clerks Union. She started teaching healthy cooking in 1969 and taught at Venice Adult School, Los Angeles School District for many years. Later she started \"The Healthy Gourmet\" classes from her residence.","Wena Dows is professionally affiliated with the Association for Women in Architecture (AWA) and the Society for Nutrition Education (SNE). She holds a standard California teaching credential for Architecture and for Nutrition."],"odd_html_tesm":["\u003cp\u003eThe guide to the Wena Dows Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Wena Dows Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Wena Dows Architectural Collection, Ms1990-013, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Wena Dows Architectural Collection, Ms1990-013, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe preliminary processing, arrangement and description of the Wena Dows Architectural Collection was completed in 1990. Final arrangement and description took place from April to August 2005. The 2009 addition was processed February 2012. The 2015 and 2017 additions were processed in October 2021.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The preliminary processing, arrangement and description of the Wena Dows Architectural Collection was completed in 1990. Final arrangement and description took place from April to August 2005. The 2009 addition was processed February 2012. The 2015 and 2017 additions were processed in October 2021."],"scopecontent_html_tesm":["\u003cp\u003eThe Wena Dows Architectural Collection consists of hand-drafted architectural drawings with supporting photographs, slides, and textual descriptions of California residential buildings renovated or expanded by Wena Dows from 1952 to 2005. In addition, there are plans for a few commercial projects with limited descriptive information. The textual descriptions contain Dows' handwritten notes on the client's requirements for the project, sketches of the existing building layout and dimensions, lists of the materials to be used for the project and specifications for some projects. Photographs of the building, before and after the work, accompany some of the project documents.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Wena Dows Architectural Collection consists of hand-drafted architectural drawings with supporting photographs, slides, and textual descriptions of California residential buildings renovated or expanded by Wena Dows from 1952 to 2005. In addition, there are plans for a few commercial projects with limited descriptive information. The textual descriptions contain Dows' handwritten notes on the client's requirements for the project, sketches of the existing building layout and dimensions, lists of the materials to be used for the project and specifications for some projects. Photographs of the building, before and after the work, accompany some of the project documents."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0015fe8c135f2feea4682950d2dcf54d\" label=\"Abstract\"\u003eArchitect Wena Dows earned her B.A. in Architecture from the University of California, Berkeley, in 1950 and began working independently, specializing in residential remodeling, in 1954. Along with her architectural commitments she also worked as a nutritionist. The Wena Dows Architectural Collection contains drawings, supporting text documents, photographs and slides of Dows' addition and renovation projects for residences in California from 1952 to 2005, along with information about a few commercial projects.\u003c/abstract\u003e\n    "],"abstract_tesim":["Architect Wena Dows earned her B.A. in Architecture from the University of California, Berkeley, in 1950 and began working independently, specializing in residential remodeling, in 1954. Along with her architectural commitments she also worked as a nutritionist. The Wena Dows Architectural Collection contains drawings, supporting text documents, photographs and slides of Dows' addition and renovation projects for residences in California from 1952 to 2005, along with information about a few commercial projects."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Dows, Wena W., 1928-"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Dows, Wena W., 1928-"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":415,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:00.355Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1747"}},{"id":"viblbv_repositories_2_resources_2865","type":"collection","attributes":{"title":"Wendy Scott Bertrand Architectural Collection, 1954/2012","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2865#creator","type":"document_value","attributes":{"value":"Bertrand, Wendy","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2865#abstract_or_scope","type":"document_value","attributes":{"value":"Wendy Bertrand is a registered architect, rug weaver, self-described feminist and author living in Northern California since 1967. This collection documents her personal and professional activism and activities between 1954-2012, including her architectural studies, organizational activities, family life, travel, professional writing, textile projects, and career with the U.S. Navy and U.S. Forest Service.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2865#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2865","ead_ssi":"viblbv_repositories_2_resources_2865","_root_":"viblbv_repositories_2_resources_2865","_nest_parent_":"viblbv_repositories_2_resources_2865","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2865.xml","title_filing_ssi":"Bertrand, Wendy Scott Architectural Collection","title_ssm":["Wendy Scott Bertrand Architectural Collection"],"title_tesim":["Wendy Scott Bertrand Architectural Collection"],"unitdate_ssm":["1954-2012"],"unitdate_inclusive_ssm":["1954-2012"],"normalized_date_ssm":["1954/2012"],"normalized_title_ssm":["Wendy Scott Bertrand Architectural Collection, 1954/2012"],"text":["Wendy Scott Bertrand Architectural Collection, 1954/2012","Ms.2013.025","International Archive of Women in Architecture (IAWA)","Women architects -- California","Women -- History","History of Women in Architecture","The collection is open for research, with the exception of divorce documents (restricted until the death of all parties) and personnel records (restricted until August 1, 2065) in Box 10.","Personal Papers\n\n\t\n\n\t\tWritings\n\n\t\tCorrespondence\n\n\t\tSchool Work\n\n\t\tTravel\n\n\t\tPhotographs\n\n\t\tActivism\n\n\t\tHobbies and Family Records\n\n\t\n\n\n\nProfessional papers\n\n\t\n\n\t\tCorrespondence\n\n\t\tPhotographs\n\n\t\tWritings\n\n\t\tReference Files\n\n\t\tPresentations\n\n\t\tExhibits\n\n\t\tAssociations and Committee\n\n\t\tAwards\n\n\t\tCareer Records\n\n\t\tContinuing Education\n\n\t\n\n\n\nOffice Records\n\n\t\n\n\t\tNaval Facilities Engineering Command, Western Division\n\n\t\tNavy Public Works Center\n\n\t\tU.S. Forest Service Pacific Southwest Region 5\n\n\t\n\n\n\nProject Records\n\n\t\n\n\t\tNaval Facilities Engineering Command, Western Division \n\n\t\tNavy Public Works Center\n\n\t\tIndependent Projects","Wendy Scott Bertrand (née Eaken) is a registered architect, fiber artist and author brought up in San Diego, California. She studied at the École des Beaux Arts in France from 1964–65 and graduated from the University of California, Berkeley (Bach. Architecture 1971 , M.A. Architecture 1972). She designed private residential structures and supervised large-scale architectural projects for government contracts. Bertrand managed an Architectural Branch and an Engineering Division for the U.S. Navy (1973-1991) and held the position of engineering supervisor in the Western Region (5) Office of the U.S. Forest Service (1991-1994). Bertrand served in a variety of leadership roles throughout her career, including chair of the Quality of Worklife Committee for the U.S. Navy Public Works Center, examiner for her local Board of Architectural Examiners, and rating panelist for the City and County of San Francisco. She was an active participant in the Society of American Military Engineers and helped found the Organization of Women Architects and Design Professionals. In 2008, Bertrand published Rug Retrospective: Nine Weaving Seasons 1999-2008 (updated in 2010), documenting her textile projects. In 2012, Bertrand published Enamored with place: as woman + as architect, a memoir of her experiences as a single mother working in a traditionally male profession. Her 2015 epilogue, If I Knew Then What I Know Now (available online at http://wendybertrand.com/enamored-with-place/wp-content/uploads/2015/02/02_2015_epilogue.pdf), reflects on the influences of gender in architectural practice and what the future might hold for women in architecture.","The processing, arrangement, and description of the Wendy Bertrand Architectural Collection was completed in August 2017.","This collection documents the professional and personal activities of Wendy Bertrand between 1954-2012. Comprised primarily of textual materials and architectural drawings with supporting photographs and ephemera, the collection documents Bertrand's study of art and architecture; her career as an architect, engineering advisor, and supervisor for the US Navy and US Forest service; her private practice and engagement in national organizations; her family life, personal networks, and community engagement; and her artistic endeavors in textiles, photography, and furniture design. Coverage includes correspondence, travel journals, education files, project records and business files, personal reflections on her career, manuscript drafts, research notes, photographs, exhibition boards, construction documents, architectural drawings, and ephemera.","Permission to publish material from the Wendy Bertrand Architectural Collection must be obtained from Special Collections, Virginia Tech.","Wendy Bertrand is a registered architect, rug weaver, self-described feminist and author living in Northern California since 1967. This collection documents her personal and professional activism and activities between 1954-2012, including her architectural studies, organizational activities, family life, travel, professional writing, textile projects, and career with the U.S. Navy and U.S. Forest Service.","Special Collections and University Archives, Virginia Tech","Bertrand, Wendy","English\n."],"collection_title_tesim":["Wendy Scott Bertrand Architectural Collection, 1954/2012"],"collection_ssim":["Wendy Scott Bertrand Architectural Collection, 1954/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2013.025"],"unitid_tesim":["Ms.2013.025"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Bertrand, Wendy"],"creator_ssim":["Bertrand, Wendy"],"creator_persname_ssim":["Bertrand, Wendy"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Bertrand, Wendy","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from the Wendy Bertrand Architectural Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The Wendy Bertrand Architectural Collection was donated to Special Collections in 2013."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","Women architects -- California","Women -- History","History of Women in Architecture"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","Women architects -- California","Women -- History","History of Women in Architecture"],"has_online_content_ssim":["false"],"extent_ssm":["15.73 Cubic Feet"],"extent_tesim":["15.73 Cubic Feet"],"date_range_isim":[1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research, with the exception of divorce documents (restricted until the death of all parties) and personnel records (restricted until August 1, 2065) in Box 10.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research, with the exception of divorce documents (restricted until the death of all parties) and personnel records (restricted until August 1, 2065) in Box 10."],"arrangement_html_tesm":["\u003col type=\"I\"\u003e\n\n\u003cli\u003ePersonal Papers\n\n\t\u003col type=\"A\"\u003e\n\n\t\t\u003cli\u003eWritings\u003c/li\u003e\n\n\t\t\u003cli\u003eCorrespondence\u003c/li\u003e\n\n\t\t\u003cli\u003eSchool Work\u003c/li\u003e\n\n\t\t\u003cli\u003eTravel\u003c/li\u003e\n\n\t\t\u003cli\u003ePhotographs\u003c/li\u003e\n\n\t\t\u003cli\u003eActivism\u003c/li\u003e\n\n\t\t\u003cli\u003eHobbies and Family Records\u003c/li\u003e\n\n\t\u003c/ol\u003e\n\n\u003c/li\u003e\n\n\u003cli\u003eProfessional papers\n\n\t\u003col type=\"A\"\u003e\n\n\t\t\u003cli\u003eCorrespondence\u003c/li\u003e\n\n\t\t\u003cli\u003ePhotographs\u003c/li\u003e\n\n\t\t\u003cli\u003eWritings\u003c/li\u003e\n\n\t\t\u003cli\u003eReference Files\u003c/li\u003e\n\n\t\t\u003cli\u003ePresentations\u003c/li\u003e\n\n\t\t\u003cli\u003eExhibits\u003c/li\u003e\n\n\t\t\u003cli\u003eAssociations and Committee\u003c/li\u003e\n\n\t\t\u003cli\u003eAwards\u003c/li\u003e\n\n\t\t\u003cli\u003eCareer Records\u003c/li\u003e\n\n\t\t\u003cli\u003eContinuing Education\u003c/li\u003e\n\n\t\u003c/ol\u003e\n\n\u003c/li\u003e\n\n\u003cli\u003eOffice Records\n\n\t\u003col type=\"A\"\u003e\n\n\t\t\u003cli\u003eNaval Facilities Engineering Command, Western Division\u003c/li\u003e\n\n\t\t\u003cli\u003eNavy Public Works Center\u003c/li\u003e\n\n\t\t\u003cli\u003eU.S. Forest Service Pacific Southwest Region 5\u003c/li\u003e\n\n\t\u003c/ol\u003e\n\n\u003c/li\u003e\n\n\u003cli\u003eProject Records\n\n\t\u003col type=\"A\"\u003e\n\n\t\t\u003cli\u003eNaval Facilities Engineering Command, Western Division\u003c/li\u003e \n\n\t\t\u003cli\u003eNavy Public Works Center\u003c/li\u003e\n\n\t\t\u003cli\u003eIndependent Projects\u003c/li\u003e\n\n\t\u003c/ol\u003e\n\n\u003c/li\u003e\n\u003c/ol\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Personal Papers\n\n\t\n\n\t\tWritings\n\n\t\tCorrespondence\n\n\t\tSchool Work\n\n\t\tTravel\n\n\t\tPhotographs\n\n\t\tActivism\n\n\t\tHobbies and Family Records\n\n\t\n\n\n\nProfessional papers\n\n\t\n\n\t\tCorrespondence\n\n\t\tPhotographs\n\n\t\tWritings\n\n\t\tReference Files\n\n\t\tPresentations\n\n\t\tExhibits\n\n\t\tAssociations and Committee\n\n\t\tAwards\n\n\t\tCareer Records\n\n\t\tContinuing Education\n\n\t\n\n\n\nOffice Records\n\n\t\n\n\t\tNaval Facilities Engineering Command, Western Division\n\n\t\tNavy Public Works Center\n\n\t\tU.S. Forest Service Pacific Southwest Region 5\n\n\t\n\n\n\nProject Records\n\n\t\n\n\t\tNaval Facilities Engineering Command, Western Division \n\n\t\tNavy Public Works Center\n\n\t\tIndependent Projects"],"bioghist_html_tesm":["\u003cp\u003eWendy Scott Bertrand (née Eaken) is a registered architect, fiber artist and author brought up in San Diego, California. She studied at the École des Beaux Arts in France from 1964–65 and graduated from the University of California, Berkeley (Bach. Architecture 1971 , M.A. Architecture 1972). She designed private residential structures and supervised large-scale architectural projects for government contracts. Bertrand managed an Architectural Branch and an Engineering Division for the U.S. Navy (1973-1991) and held the position of engineering supervisor in the Western Region (5) Office of the U.S. Forest Service (1991-1994). Bertrand served in a variety of leadership roles throughout her career, including chair of the Quality of Worklife Committee for the U.S. Navy Public Works Center, examiner for her local Board of Architectural Examiners, and rating panelist for the City and County of San Francisco. She was an active participant in the Society of American Military Engineers and helped found the Organization of Women Architects and Design Professionals. In 2008, Bertrand published \u003cem\u003eRug Retrospective: Nine Weaving Seasons 1999-2008\u003c/em\u003e (updated in 2010), documenting her textile projects. In 2012, Bertrand published \u003cem\u003eEnamored with place: as woman + as architect\u003c/em\u003e, a memoir of her experiences as a single mother working in a traditionally male profession. Her 2015 epilogue, \u003cem\u003eIf I Knew Then What I Know Now\u003c/em\u003e (available online at \u003ca href=\"http://wendybertrand.com/enamored-with-place/wp-content/uploads/2015/02/02_2015_epilogue.pdf\" target=\"blank\"\u003ehttp://wendybertrand.com/enamored-with-place/wp-content/uploads/2015/02/02_2015_epilogue.pdf\u003c/a\u003e), reflects on the influences of gender in architectural practice and what the future might hold for women in architecture.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Wendy Scott Bertrand (née Eaken) is a registered architect, fiber artist and author brought up in San Diego, California. She studied at the École des Beaux Arts in France from 1964–65 and graduated from the University of California, Berkeley (Bach. Architecture 1971 , M.A. Architecture 1972). She designed private residential structures and supervised large-scale architectural projects for government contracts. Bertrand managed an Architectural Branch and an Engineering Division for the U.S. Navy (1973-1991) and held the position of engineering supervisor in the Western Region (5) Office of the U.S. Forest Service (1991-1994). Bertrand served in a variety of leadership roles throughout her career, including chair of the Quality of Worklife Committee for the U.S. Navy Public Works Center, examiner for her local Board of Architectural Examiners, and rating panelist for the City and County of San Francisco. She was an active participant in the Society of American Military Engineers and helped found the Organization of Women Architects and Design Professionals. In 2008, Bertrand published Rug Retrospective: Nine Weaving Seasons 1999-2008 (updated in 2010), documenting her textile projects. In 2012, Bertrand published Enamored with place: as woman + as architect, a memoir of her experiences as a single mother working in a traditionally male profession. Her 2015 epilogue, If I Knew Then What I Know Now (available online at http://wendybertrand.com/enamored-with-place/wp-content/uploads/2015/02/02_2015_epilogue.pdf), reflects on the influences of gender in architectural practice and what the future might hold for women in architecture."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Wendy Bertrand Architectural Collection, Ms2013-025, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Wendy Bertrand Architectural Collection, Ms2013-025, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Wendy Bertrand Architectural Collection was completed in August 2017.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Wendy Bertrand Architectural Collection was completed in August 2017."],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the professional and personal activities of Wendy Bertrand between 1954-2012. Comprised primarily of textual materials and architectural drawings with supporting photographs and ephemera, the collection documents Bertrand's study of art and architecture; her career as an architect, engineering advisor, and supervisor for the US Navy and US Forest service; her private practice and engagement in national organizations; her family life, personal networks, and community engagement; and her artistic endeavors in textiles, photography, and furniture design. Coverage includes correspondence, travel journals, education files, project records and business files, personal reflections on her career, manuscript drafts, research notes, photographs, exhibition boards, construction documents, architectural drawings, and ephemera.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the professional and personal activities of Wendy Bertrand between 1954-2012. Comprised primarily of textual materials and architectural drawings with supporting photographs and ephemera, the collection documents Bertrand's study of art and architecture; her career as an architect, engineering advisor, and supervisor for the US Navy and US Forest service; her private practice and engagement in national organizations; her family life, personal networks, and community engagement; and her artistic endeavors in textiles, photography, and furniture design. Coverage includes correspondence, travel journals, education files, project records and business files, personal reflections on her career, manuscript drafts, research notes, photographs, exhibition boards, construction documents, architectural drawings, and ephemera."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Wendy Bertrand Architectural Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish material from the Wendy Bertrand Architectural Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3b8776781836046417e231ed6fc03b8e\" label=\"Abstract\"\u003eWendy Bertrand is a registered architect, rug weaver, self-described feminist and author living in Northern California since 1967. This collection documents her personal and professional activism and activities between 1954-2012, including her architectural studies, organizational activities, family life, travel, professional writing, textile projects, and career with the U.S. Navy and U.S. Forest Service.\u003c/abstract\u003e\n    "],"abstract_tesim":["Wendy Bertrand is a registered architect, rug weaver, self-described feminist and author living in Northern California since 1967. This collection documents her personal and professional activism and activities between 1954-2012, including her architectural studies, organizational activities, family life, travel, professional writing, textile projects, and career with the U.S. Navy and U.S. Forest Service."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Bertrand, Wendy"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Bertrand, Wendy"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":250,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:31:18.677Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2865","ead_ssi":"viblbv_repositories_2_resources_2865","_root_":"viblbv_repositories_2_resources_2865","_nest_parent_":"viblbv_repositories_2_resources_2865","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2865.xml","title_filing_ssi":"Bertrand, Wendy Scott Architectural Collection","title_ssm":["Wendy Scott Bertrand Architectural Collection"],"title_tesim":["Wendy Scott Bertrand Architectural Collection"],"unitdate_ssm":["1954-2012"],"unitdate_inclusive_ssm":["1954-2012"],"normalized_date_ssm":["1954/2012"],"normalized_title_ssm":["Wendy Scott Bertrand Architectural Collection, 1954/2012"],"text":["Wendy Scott Bertrand Architectural Collection, 1954/2012","Ms.2013.025","International Archive of Women in Architecture (IAWA)","Women architects -- California","Women -- History","History of Women in Architecture","The collection is open for research, with the exception of divorce documents (restricted until the death of all parties) and personnel records (restricted until August 1, 2065) in Box 10.","Personal Papers\n\n\t\n\n\t\tWritings\n\n\t\tCorrespondence\n\n\t\tSchool Work\n\n\t\tTravel\n\n\t\tPhotographs\n\n\t\tActivism\n\n\t\tHobbies and Family Records\n\n\t\n\n\n\nProfessional papers\n\n\t\n\n\t\tCorrespondence\n\n\t\tPhotographs\n\n\t\tWritings\n\n\t\tReference Files\n\n\t\tPresentations\n\n\t\tExhibits\n\n\t\tAssociations and Committee\n\n\t\tAwards\n\n\t\tCareer Records\n\n\t\tContinuing Education\n\n\t\n\n\n\nOffice Records\n\n\t\n\n\t\tNaval Facilities Engineering Command, Western Division\n\n\t\tNavy Public Works Center\n\n\t\tU.S. Forest Service Pacific Southwest Region 5\n\n\t\n\n\n\nProject Records\n\n\t\n\n\t\tNaval Facilities Engineering Command, Western Division \n\n\t\tNavy Public Works Center\n\n\t\tIndependent Projects","Wendy Scott Bertrand (née Eaken) is a registered architect, fiber artist and author brought up in San Diego, California. She studied at the École des Beaux Arts in France from 1964–65 and graduated from the University of California, Berkeley (Bach. Architecture 1971 , M.A. Architecture 1972). She designed private residential structures and supervised large-scale architectural projects for government contracts. Bertrand managed an Architectural Branch and an Engineering Division for the U.S. Navy (1973-1991) and held the position of engineering supervisor in the Western Region (5) Office of the U.S. Forest Service (1991-1994). Bertrand served in a variety of leadership roles throughout her career, including chair of the Quality of Worklife Committee for the U.S. Navy Public Works Center, examiner for her local Board of Architectural Examiners, and rating panelist for the City and County of San Francisco. She was an active participant in the Society of American Military Engineers and helped found the Organization of Women Architects and Design Professionals. In 2008, Bertrand published Rug Retrospective: Nine Weaving Seasons 1999-2008 (updated in 2010), documenting her textile projects. In 2012, Bertrand published Enamored with place: as woman + as architect, a memoir of her experiences as a single mother working in a traditionally male profession. Her 2015 epilogue, If I Knew Then What I Know Now (available online at http://wendybertrand.com/enamored-with-place/wp-content/uploads/2015/02/02_2015_epilogue.pdf), reflects on the influences of gender in architectural practice and what the future might hold for women in architecture.","The processing, arrangement, and description of the Wendy Bertrand Architectural Collection was completed in August 2017.","This collection documents the professional and personal activities of Wendy Bertrand between 1954-2012. Comprised primarily of textual materials and architectural drawings with supporting photographs and ephemera, the collection documents Bertrand's study of art and architecture; her career as an architect, engineering advisor, and supervisor for the US Navy and US Forest service; her private practice and engagement in national organizations; her family life, personal networks, and community engagement; and her artistic endeavors in textiles, photography, and furniture design. Coverage includes correspondence, travel journals, education files, project records and business files, personal reflections on her career, manuscript drafts, research notes, photographs, exhibition boards, construction documents, architectural drawings, and ephemera.","Permission to publish material from the Wendy Bertrand Architectural Collection must be obtained from Special Collections, Virginia Tech.","Wendy Bertrand is a registered architect, rug weaver, self-described feminist and author living in Northern California since 1967. This collection documents her personal and professional activism and activities between 1954-2012, including her architectural studies, organizational activities, family life, travel, professional writing, textile projects, and career with the U.S. Navy and U.S. Forest Service.","Special Collections and University Archives, Virginia Tech","Bertrand, Wendy","English\n."],"collection_title_tesim":["Wendy Scott Bertrand Architectural Collection, 1954/2012"],"collection_ssim":["Wendy Scott Bertrand Architectural Collection, 1954/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2013.025"],"unitid_tesim":["Ms.2013.025"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Bertrand, Wendy"],"creator_ssim":["Bertrand, Wendy"],"creator_persname_ssim":["Bertrand, Wendy"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia 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Feet"],"date_range_isim":[1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research, with the exception of divorce documents (restricted until the death of all parties) and personnel records (restricted until August 1, 2065) in Box 10.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research, with the exception of divorce documents (restricted until the death of all parties) and personnel records (restricted until August 1, 2065) in Box 10."],"arrangement_html_tesm":["\u003col type=\"I\"\u003e\n\n\u003cli\u003ePersonal Papers\n\n\t\u003col 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papers\n\n\t\n\n\t\tCorrespondence\n\n\t\tPhotographs\n\n\t\tWritings\n\n\t\tReference Files\n\n\t\tPresentations\n\n\t\tExhibits\n\n\t\tAssociations and Committee\n\n\t\tAwards\n\n\t\tCareer Records\n\n\t\tContinuing Education\n\n\t\n\n\n\nOffice Records\n\n\t\n\n\t\tNaval Facilities Engineering Command, Western Division\n\n\t\tNavy Public Works Center\n\n\t\tU.S. Forest Service Pacific Southwest Region 5\n\n\t\n\n\n\nProject Records\n\n\t\n\n\t\tNaval Facilities Engineering Command, Western Division \n\n\t\tNavy Public Works Center\n\n\t\tIndependent Projects"],"bioghist_html_tesm":["\u003cp\u003eWendy Scott Bertrand (née Eaken) is a registered architect, fiber artist and author brought up in San Diego, California. She studied at the École des Beaux Arts in France from 1964–65 and graduated from the University of California, Berkeley (Bach. Architecture 1971 , M.A. Architecture 1972). She designed private residential structures and supervised large-scale architectural projects for government contracts. Bertrand managed an Architectural Branch and an Engineering Division for the U.S. Navy (1973-1991) and held the position of engineering supervisor in the Western Region (5) Office of the U.S. Forest Service (1991-1994). Bertrand served in a variety of leadership roles throughout her career, including chair of the Quality of Worklife Committee for the U.S. Navy Public Works Center, examiner for her local Board of Architectural Examiners, and rating panelist for the City and County of San Francisco. She was an active participant in the Society of American Military Engineers and helped found the Organization of Women Architects and Design Professionals. In 2008, Bertrand published \u003cem\u003eRug Retrospective: Nine Weaving Seasons 1999-2008\u003c/em\u003e (updated in 2010), documenting her textile projects. In 2012, Bertrand published \u003cem\u003eEnamored with place: as woman + as architect\u003c/em\u003e, a memoir of her experiences as a single mother working in a traditionally male profession. Her 2015 epilogue, \u003cem\u003eIf I Knew Then What I Know Now\u003c/em\u003e (available online at \u003ca href=\"http://wendybertrand.com/enamored-with-place/wp-content/uploads/2015/02/02_2015_epilogue.pdf\" target=\"blank\"\u003ehttp://wendybertrand.com/enamored-with-place/wp-content/uploads/2015/02/02_2015_epilogue.pdf\u003c/a\u003e), reflects on the influences of gender in architectural practice and what the future might hold for women in architecture.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Wendy Scott Bertrand (née Eaken) is a registered architect, fiber artist and author brought up in San Diego, California. She studied at the École des Beaux Arts in France from 1964–65 and graduated from the University of California, Berkeley (Bach. Architecture 1971 , M.A. Architecture 1972). She designed private residential structures and supervised large-scale architectural projects for government contracts. Bertrand managed an Architectural Branch and an Engineering Division for the U.S. Navy (1973-1991) and held the position of engineering supervisor in the Western Region (5) Office of the U.S. Forest Service (1991-1994). Bertrand served in a variety of leadership roles throughout her career, including chair of the Quality of Worklife Committee for the U.S. Navy Public Works Center, examiner for her local Board of Architectural Examiners, and rating panelist for the City and County of San Francisco. She was an active participant in the Society of American Military Engineers and helped found the Organization of Women Architects and Design Professionals. In 2008, Bertrand published Rug Retrospective: Nine Weaving Seasons 1999-2008 (updated in 2010), documenting her textile projects. In 2012, Bertrand published Enamored with place: as woman + as architect, a memoir of her experiences as a single mother working in a traditionally male profession. Her 2015 epilogue, If I Knew Then What I Know Now (available online at http://wendybertrand.com/enamored-with-place/wp-content/uploads/2015/02/02_2015_epilogue.pdf), reflects on the influences of gender in architectural practice and what the future might hold for women in architecture."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Wendy Bertrand Architectural Collection, Ms2013-025, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Wendy Bertrand Architectural Collection, Ms2013-025, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Wendy Bertrand Architectural Collection was completed in August 2017.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Wendy Bertrand Architectural Collection was completed in August 2017."],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the professional and personal activities of Wendy Bertrand between 1954-2012. Comprised primarily of textual materials and architectural drawings with supporting photographs and ephemera, the collection documents Bertrand's study of art and architecture; her career as an architect, engineering advisor, and supervisor for the US Navy and US Forest service; her private practice and engagement in national organizations; her family life, personal networks, and community engagement; and her artistic endeavors in textiles, photography, and furniture design. Coverage includes correspondence, travel journals, education files, project records and business files, personal reflections on her career, manuscript drafts, research notes, photographs, exhibition boards, construction documents, architectural drawings, and ephemera.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the professional and personal activities of Wendy Bertrand between 1954-2012. Comprised primarily of textual materials and architectural drawings with supporting photographs and ephemera, the collection documents Bertrand's study of art and architecture; her career as an architect, engineering advisor, and supervisor for the US Navy and US Forest service; her private practice and engagement in national organizations; her family life, personal networks, and community engagement; and her artistic endeavors in textiles, photography, and furniture design. Coverage includes correspondence, travel journals, education files, project records and business files, personal reflections on her career, manuscript drafts, research notes, photographs, exhibition boards, construction documents, architectural drawings, and ephemera."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Wendy Bertrand Architectural Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish material from the Wendy Bertrand Architectural Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3b8776781836046417e231ed6fc03b8e\" label=\"Abstract\"\u003eWendy Bertrand is a registered architect, rug weaver, self-described feminist and author living in Northern California since 1967. This collection documents her personal and professional activism and activities between 1954-2012, including her architectural studies, organizational activities, family life, travel, professional writing, textile projects, and career with the U.S. Navy and U.S. Forest Service.\u003c/abstract\u003e\n    "],"abstract_tesim":["Wendy Bertrand is a registered architect, rug weaver, self-described feminist and author living in Northern California since 1967. This collection documents her personal and professional activism and activities between 1954-2012, including her architectural studies, organizational activities, family life, travel, professional writing, textile projects, and career with the U.S. Navy and U.S. Forest Service."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Bertrand, Wendy"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Bertrand, Wendy"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":250,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:31:18.677Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2865"}},{"id":"viblbv_repositories_2_resources_1855","type":"collection","attributes":{"title":"Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1855#creator","type":"document_value","attributes":{"value":"Wilson, Zelma, 1918-1996","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1855#abstract_or_scope","type":"document_value","attributes":{"value":"Wilson (1918-1996) an architect in Ojai, CA was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm. Her collection contains biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects. Materials range in date from 1940-1995 (bulk 1969-1991).","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1855#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1855","ead_ssi":"viblbv_repositories_2_resources_1855","_root_":"viblbv_repositories_2_resources_1855","_nest_parent_":"viblbv_repositories_2_resources_1855","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1855.xml","title_filing_ssi":"Wilson, Zelma, Architectural Collection","title_ssm":["Zelma Wilson Architectural Collection"],"title_tesim":["Zelma Wilson Architectural Collection"],"unitdate_ssm":["1940-1995","1969-1991"],"unitdate_inclusive_ssm":["1940-1995"],"unitdate_bulk_ssim":["1969-1991"],"normalized_date_ssm":["1940/1995, bulk 1969/1991"],"normalized_title_ssm":["Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991"],"text":["Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991","Ms.1991.046","Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawings (visual works)","The collection is open for research.","Zelma Wilson (1918-1996) was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson was the only woman in her graduating class at USC that year.  Her husband, a screenwriter, was blacklisted in 1952 after co-producing a film about New Mexico zinc miners.  As a result the couple moved to Europe.  While in Paris, Zelma pursued her post graduate studies at L'Ecole de Beaux Arts and her husband wrote \"The Bridge on the River Kwai\" and co-wrote \"Lawrence of Arabia.\"","After working for the Los Angeles Planning Department, she obtained valuable experience in the offices of Richard Neutra, Victor Gruen Associates, R. M. Schindler, and Raphael Soriano.  By 1957 Wilson was licensed and in 1967 she became principle of her own firm, Zelma Wilson and Associates, AIA, which she maintained continuously for over 20 years.  She became a Fellow of the AIA in 1983 and guest lectured at Cal Poly San Luis Obispo for 10 years.  As her practice grew Wilson acquired two partners and changed the firm name to Wilson and Conrad, Architects, AIA (1979-1984).  The name shifted again as staffing and partnerships changed to The Ojai Group (1985-1986[?]) and finally Zelma Wilson, FAIA (1987[?]-1995).","Her projects started with houses and grew to institutional work, churches, and private schools.  Wilson served on the California State Governors Emergency Task Force on Earthquake Preparedness from 1979 until 1985. Her projects include Vandenberg AFB Child Development Center, Ojai City Hall and the Simi Valley Community Center. Asked once by a prospective male employer if she cried on the job, Wilson answered, \"I don't, but I've made a few contractors cry.\"","The guide to the Zelma Wilson Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Zelma Wilson Architectural Collection was completed in August 2011. Preliminary processing was undertaken January 2006.","Zelma Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm initially Zelma Wilson and Associates and its many iterations (Wilson and Conrad Architects, The Ojai Group, and  Zelma Wilson, FAIA). In the collection you will find biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991) and are divided into three categories:  Professional Papers, Office Records, and Project Records.   Review the contents list below for details on individual categories.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Wilson (1918-1996) an architect in Ojai, CA was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm.  Her collection contains biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991).","Special Collections and University Archives, Virginia Tech","Wilson, Zelma, 1918-1996","The materials in the collection are in English."],"collection_title_tesim":["Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991"],"collection_ssim":["Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1991.046"],"unitid_tesim":["Ms.1991.046"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Wilson, Zelma, 1918-1996"],"creator_ssim":["Wilson, Zelma, 1918-1996"],"creator_persname_ssim":["Wilson, Zelma, 1918-1996"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Wilson, Zelma, 1918-1996","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Zelma Wilson Architectural Collection was donated to Special Collections in 1991 with the bulk of the collection arriving in 1996."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["115.5 Cubic Feet 24 record cartons; 177 rolled drawings; 5 map-case drawers"],"extent_tesim":["115.5 Cubic Feet 24 record cartons; 177 rolled drawings; 5 map-case drawers"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eZelma Wilson (1918-1996) was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson was the only woman in her graduating class at USC that year.  Her husband, a screenwriter, was blacklisted in 1952 after co-producing a film about New Mexico zinc miners.  As a result the couple moved to Europe.  While in Paris, Zelma pursued her post graduate studies at L'Ecole de Beaux Arts and her husband wrote \"The Bridge on the River Kwai\" and co-wrote \"Lawrence of Arabia.\"\u003c/p\u003e","\u003cp\u003eAfter working for the Los Angeles Planning Department, she obtained valuable experience in the offices of Richard Neutra, Victor Gruen Associates, R. M. Schindler, and Raphael Soriano.  By 1957 Wilson was licensed and in 1967 she became principle of her own firm, Zelma Wilson and Associates, AIA, which she maintained continuously for over 20 years.  She became a Fellow of the AIA in 1983 and guest lectured at Cal Poly San Luis Obispo for 10 years.  As her practice grew Wilson acquired two partners and changed the firm name to Wilson and Conrad, Architects, AIA (1979-1984).  The name shifted again as staffing and partnerships changed to The Ojai Group (1985-1986[?]) and finally Zelma Wilson, FAIA (1987[?]-1995). \u003c/p\u003e","\u003cp\u003eHer projects started with houses and grew to institutional work, churches, and private schools.  Wilson served on the California State Governors Emergency Task Force on Earthquake Preparedness from 1979 until 1985. Her projects include Vandenberg AFB Child Development Center, Ojai City Hall and the Simi Valley Community Center. Asked once by a prospective male employer if she cried on the job, Wilson answered, \"I don't, but I've made a few contractors cry.\" \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Zelma Wilson (1918-1996) was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson was the only woman in her graduating class at USC that year.  Her husband, a screenwriter, was blacklisted in 1952 after co-producing a film about New Mexico zinc miners.  As a result the couple moved to Europe.  While in Paris, Zelma pursued her post graduate studies at L'Ecole de Beaux Arts and her husband wrote \"The Bridge on the River Kwai\" and co-wrote \"Lawrence of Arabia.\"","After working for the Los Angeles Planning Department, she obtained valuable experience in the offices of Richard Neutra, Victor Gruen Associates, R. M. Schindler, and Raphael Soriano.  By 1957 Wilson was licensed and in 1967 she became principle of her own firm, Zelma Wilson and Associates, AIA, which she maintained continuously for over 20 years.  She became a Fellow of the AIA in 1983 and guest lectured at Cal Poly San Luis Obispo for 10 years.  As her practice grew Wilson acquired two partners and changed the firm name to Wilson and Conrad, Architects, AIA (1979-1984).  The name shifted again as staffing and partnerships changed to The Ojai Group (1985-1986[?]) and finally Zelma Wilson, FAIA (1987[?]-1995).","Her projects started with houses and grew to institutional work, churches, and private schools.  Wilson served on the California State Governors Emergency Task Force on Earthquake Preparedness from 1979 until 1985. Her projects include Vandenberg AFB Child Development Center, Ojai City Hall and the Simi Valley Community Center. Asked once by a prospective male employer if she cried on the job, Wilson answered, \"I don't, but I've made a few contractors cry.\""],"odd_html_tesm":["\u003cp\u003eThe guide to the Zelma Wilson Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Zelma Wilson Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Zelma Wilson Architectural Collection, Ms1991-046, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Zelma Wilson Architectural Collection, Ms1991-046, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Zelma Wilson Architectural Collection was completed in August 2011. Preliminary processing was undertaken January 2006.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Zelma Wilson Architectural Collection was completed in August 2011. Preliminary processing was undertaken January 2006."],"scopecontent_html_tesm":["\u003cp\u003eZelma Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm initially Zelma Wilson and Associates and its many iterations (Wilson and Conrad Architects, The Ojai Group, and  Zelma Wilson, FAIA). In the collection you will find biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991) and are divided into three categories:  Professional Papers, Office Records, and Project Records.   Review the contents list below for details on individual categories.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Zelma Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm initially Zelma Wilson and Associates and its many iterations (Wilson and Conrad Architects, The Ojai Group, and  Zelma Wilson, FAIA). In the collection you will find biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991) and are divided into three categories:  Professional Papers, Office Records, and Project Records.   Review the contents list below for details on individual categories."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a5530344875689115357e4bee240e5e1\" label=\"Abstract\"\u003eWilson (1918-1996) an architect in Ojai, CA was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm.  Her collection contains biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991).\u003c/abstract\u003e\n    "],"abstract_tesim":["Wilson (1918-1996) an architect in Ojai, CA was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm.  Her collection contains biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991)."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Wilson, Zelma, 1918-1996"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Wilson, Zelma, 1918-1996"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":417,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:00.355Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1855","ead_ssi":"viblbv_repositories_2_resources_1855","_root_":"viblbv_repositories_2_resources_1855","_nest_parent_":"viblbv_repositories_2_resources_1855","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1855.xml","title_filing_ssi":"Wilson, Zelma, Architectural Collection","title_ssm":["Zelma Wilson Architectural Collection"],"title_tesim":["Zelma Wilson Architectural Collection"],"unitdate_ssm":["1940-1995","1969-1991"],"unitdate_inclusive_ssm":["1940-1995"],"unitdate_bulk_ssim":["1969-1991"],"normalized_date_ssm":["1940/1995, bulk 1969/1991"],"normalized_title_ssm":["Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991"],"text":["Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991","Ms.1991.046","Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawings (visual works)","The collection is open for research.","Zelma Wilson (1918-1996) was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson was the only woman in her graduating class at USC that year.  Her husband, a screenwriter, was blacklisted in 1952 after co-producing a film about New Mexico zinc miners.  As a result the couple moved to Europe.  While in Paris, Zelma pursued her post graduate studies at L'Ecole de Beaux Arts and her husband wrote \"The Bridge on the River Kwai\" and co-wrote \"Lawrence of Arabia.\"","After working for the Los Angeles Planning Department, she obtained valuable experience in the offices of Richard Neutra, Victor Gruen Associates, R. M. Schindler, and Raphael Soriano.  By 1957 Wilson was licensed and in 1967 she became principle of her own firm, Zelma Wilson and Associates, AIA, which she maintained continuously for over 20 years.  She became a Fellow of the AIA in 1983 and guest lectured at Cal Poly San Luis Obispo for 10 years.  As her practice grew Wilson acquired two partners and changed the firm name to Wilson and Conrad, Architects, AIA (1979-1984).  The name shifted again as staffing and partnerships changed to The Ojai Group (1985-1986[?]) and finally Zelma Wilson, FAIA (1987[?]-1995).","Her projects started with houses and grew to institutional work, churches, and private schools.  Wilson served on the California State Governors Emergency Task Force on Earthquake Preparedness from 1979 until 1985. Her projects include Vandenberg AFB Child Development Center, Ojai City Hall and the Simi Valley Community Center. Asked once by a prospective male employer if she cried on the job, Wilson answered, \"I don't, but I've made a few contractors cry.\"","The guide to the Zelma Wilson Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Zelma Wilson Architectural Collection was completed in August 2011. Preliminary processing was undertaken January 2006.","Zelma Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm initially Zelma Wilson and Associates and its many iterations (Wilson and Conrad Architects, The Ojai Group, and  Zelma Wilson, FAIA). In the collection you will find biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991) and are divided into three categories:  Professional Papers, Office Records, and Project Records.   Review the contents list below for details on individual categories.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Wilson (1918-1996) an architect in Ojai, CA was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm.  Her collection contains biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991).","Special Collections and University Archives, Virginia Tech","Wilson, Zelma, 1918-1996","The materials in the collection are in English."],"collection_title_tesim":["Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991"],"collection_ssim":["Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1991.046"],"unitid_tesim":["Ms.1991.046"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Wilson, Zelma, 1918-1996"],"creator_ssim":["Wilson, Zelma, 1918-1996"],"creator_persname_ssim":["Wilson, Zelma, 1918-1996"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Wilson, Zelma, 1918-1996","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Zelma Wilson Architectural Collection was donated to Special Collections in 1991 with the bulk of the collection arriving in 1996."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["115.5 Cubic Feet 24 record cartons; 177 rolled drawings; 5 map-case drawers"],"extent_tesim":["115.5 Cubic Feet 24 record cartons; 177 rolled drawings; 5 map-case drawers"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eZelma Wilson (1918-1996) was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson was the only woman in her graduating class at USC that year.  Her husband, a screenwriter, was blacklisted in 1952 after co-producing a film about New Mexico zinc miners.  As a result the couple moved to Europe.  While in Paris, Zelma pursued her post graduate studies at L'Ecole de Beaux Arts and her husband wrote \"The Bridge on the River Kwai\" and co-wrote \"Lawrence of Arabia.\"\u003c/p\u003e","\u003cp\u003eAfter working for the Los Angeles Planning Department, she obtained valuable experience in the offices of Richard Neutra, Victor Gruen Associates, R. M. Schindler, and Raphael Soriano.  By 1957 Wilson was licensed and in 1967 she became principle of her own firm, Zelma Wilson and Associates, AIA, which she maintained continuously for over 20 years.  She became a Fellow of the AIA in 1983 and guest lectured at Cal Poly San Luis Obispo for 10 years.  As her practice grew Wilson acquired two partners and changed the firm name to Wilson and Conrad, Architects, AIA (1979-1984).  The name shifted again as staffing and partnerships changed to The Ojai Group (1985-1986[?]) and finally Zelma Wilson, FAIA (1987[?]-1995). \u003c/p\u003e","\u003cp\u003eHer projects started with houses and grew to institutional work, churches, and private schools.  Wilson served on the California State Governors Emergency Task Force on Earthquake Preparedness from 1979 until 1985. Her projects include Vandenberg AFB Child Development Center, Ojai City Hall and the Simi Valley Community Center. Asked once by a prospective male employer if she cried on the job, Wilson answered, \"I don't, but I've made a few contractors cry.\" \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Zelma Wilson (1918-1996) was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson was the only woman in her graduating class at USC that year.  Her husband, a screenwriter, was blacklisted in 1952 after co-producing a film about New Mexico zinc miners.  As a result the couple moved to Europe.  While in Paris, Zelma pursued her post graduate studies at L'Ecole de Beaux Arts and her husband wrote \"The Bridge on the River Kwai\" and co-wrote \"Lawrence of Arabia.\"","After working for the Los Angeles Planning Department, she obtained valuable experience in the offices of Richard Neutra, Victor Gruen Associates, R. M. Schindler, and Raphael Soriano.  By 1957 Wilson was licensed and in 1967 she became principle of her own firm, Zelma Wilson and Associates, AIA, which she maintained continuously for over 20 years.  She became a Fellow of the AIA in 1983 and guest lectured at Cal Poly San Luis Obispo for 10 years.  As her practice grew Wilson acquired two partners and changed the firm name to Wilson and Conrad, Architects, AIA (1979-1984).  The name shifted again as staffing and partnerships changed to The Ojai Group (1985-1986[?]) and finally Zelma Wilson, FAIA (1987[?]-1995).","Her projects started with houses and grew to institutional work, churches, and private schools.  Wilson served on the California State Governors Emergency Task Force on Earthquake Preparedness from 1979 until 1985. Her projects include Vandenberg AFB Child Development Center, Ojai City Hall and the Simi Valley Community Center. Asked once by a prospective male employer if she cried on the job, Wilson answered, \"I don't, but I've made a few contractors cry.\""],"odd_html_tesm":["\u003cp\u003eThe guide to the Zelma Wilson Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Zelma Wilson Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Zelma Wilson Architectural Collection, Ms1991-046, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Zelma Wilson Architectural Collection, Ms1991-046, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Zelma Wilson Architectural Collection was completed in August 2011. Preliminary processing was undertaken January 2006.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Zelma Wilson Architectural Collection was completed in August 2011. Preliminary processing was undertaken January 2006."],"scopecontent_html_tesm":["\u003cp\u003eZelma Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm initially Zelma Wilson and Associates and its many iterations (Wilson and Conrad Architects, The Ojai Group, and  Zelma Wilson, FAIA). In the collection you will find biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991) and are divided into three categories:  Professional Papers, Office Records, and Project Records.   Review the contents list below for details on individual categories.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Zelma Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm initially Zelma Wilson and Associates and its many iterations (Wilson and Conrad Architects, The Ojai Group, and  Zelma Wilson, FAIA). In the collection you will find biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991) and are divided into three categories:  Professional Papers, Office Records, and Project Records.   Review the contents list below for details on individual categories."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a5530344875689115357e4bee240e5e1\" label=\"Abstract\"\u003eWilson (1918-1996) an architect in Ojai, CA was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm.  Her collection contains biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991).\u003c/abstract\u003e\n    "],"abstract_tesim":["Wilson (1918-1996) an architect in Ojai, CA was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm.  Her collection contains biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991)."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Wilson, Zelma, 1918-1996"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Wilson, Zelma, 1918-1996"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":417,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:00.355Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1855"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Virginia Polytechnic Institute and State University","value":"Virginia Polytechnic Institute and State University","hits":76},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=International+Archive+of+Women+in+Architecture+%28IAWA%29\u0026f%5Bdate_range%5D%5B%5D=1967\u0026f%5Brepository%5D%5B%5D=Virginia+Polytechnic+Institute+and+State+University"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=International+Archive+of+Women+in+Architecture+%28IAWA%29\u0026f%5Bdate_range%5D%5B%5D=1967"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000","value":"\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=International+Archive+of+Women+in+Architecture+%28IAWA%29\u0026f%5Bcollection%5D%5B%5D=%22More+Than+the+Sum+of+Our+Body+Parts%3A+An+Exhibit+by+CARY%2C+1992-1993%22%2C+1934%2F2000\u0026f%5Bdate_range%5D%5B%5D=1967"}},{"attributes":{"label":"A. 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