{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=International+Archive+of+Women+in+Architecture+%28IAWA%29\u0026f%5Bdate_range%5D%5B%5D=1945\u0026page=3","prev":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=International+Archive+of+Women+in+Architecture+%28IAWA%29\u0026f%5Bdate_range%5D%5B%5D=1945\u0026page=2","next":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=International+Archive+of+Women+in+Architecture+%28IAWA%29\u0026f%5Bdate_range%5D%5B%5D=1945\u0026page=4","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=International+Archive+of+Women+in+Architecture+%28IAWA%29\u0026f%5Bdate_range%5D%5B%5D=1945\u0026page=4"},"meta":{"pages":{"current_page":3,"next_page":4,"prev_page":2,"total_pages":4,"limit_value":10,"offset_value":20,"total_count":33,"first_page?":false,"last_page?":false}},"data":[{"id":"viblbv_repositories_2_resources_2317","type":"collection","attributes":{"title":"Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2317#creator","type":"document_value","attributes":{"value":"Channel, Mary Brown, 1907-2006","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2317#abstract_or_scope","type":"document_value","attributes":{"value":"After graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2317#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2317","ead_ssi":"viblbv_repositories_2_resources_2317","_root_":"viblbv_repositories_2_resources_2317","_nest_parent_":"viblbv_repositories_2_resources_2317","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2317.xml","title_filing_ssi":"Channel, Mary Brown, Architectural Collection","title_ssm":["Mary Brown Channel Architectural Collection"],"title_tesim":["Mary Brown Channel Architectural Collection"],"unitdate_ssm":["1936-2002","1936-1950"],"unitdate_inclusive_ssm":["1936-2002"],"unitdate_bulk_ssim":["1936-1950"],"normalized_date_ssm":["1936/2002, bulk 1936/1950"],"normalized_title_ssm":["Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950"],"text":["Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950","Ms.2007.030","/repositories/2/resources/2317","Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)","The collection is open for research.","The collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.","Series II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a project index alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor.","In order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941.","On the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects.","Mary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.","She attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.","Graduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\"","Channel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect.","Following her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.","Channel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.","She was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.","Mary Ramsay Brown Channel died on January 21, 2006. She was 98 years old.","The guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010.","There is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the   Fall 2008 IAWA Center News, the International Archive of Women in Architecture newsletter.","The Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access.","After graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects.","Special Collections and University Archives, Virginia Tech","Channel, Mary Brown, 1907-2006","The materials in the collection are in English."],"collection_title_tesim":["Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950"],"collection_ssim":["Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.030","/repositories/2/resources/2317"],"unitid_tesim":["Ms.2007.030","/repositories/2/resources/2317"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Channel, Mary Brown, 1907-2006"],"creator_ssim":["Channel, Mary Brown, 1907-2006"],"creator_persname_ssim":["Channel, Mary Brown, 1907-2006"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Channel, Mary Brown, 1907-2006","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access."],"acqinfo_ssim":["The Mary Brown Channel Architectural Collection was donated to Special Collections in 2007."],"access_subjects_ssim":["Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["11 Cubic Feet 10 boxes and 36 oversize folders"],"extent_tesim":["11 Cubic Feet 10 boxes and 36 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSeries II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\"\u003eproject index\u003c/a\u003e alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor. \u003c/p\u003e","\u003cp\u003eIn order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941. \u003c/p\u003e","\u003cp\u003eOn the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects. \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.","Series II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a project index alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor.","In order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941.","On the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects."],"bioghist_html_tesm":["\u003cp\u003eMary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.\u003c/p\u003e","\u003cp\u003eShe attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.\u003c/p\u003e","\u003cp\u003eGraduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\" \u003c/p\u003e","\u003cp\u003eChannel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect. \u003c/p\u003e","\u003cp\u003eFollowing her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.\u003c/p\u003e","\u003cp\u003eChannel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.\u003c/p\u003e","\u003cp\u003eShe was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.\u003c/p\u003e","\u003cp\u003eMary Ramsay Brown Channel died on January 21, 2006. She was 98 years old.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Mary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.","She attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.","Graduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\"","Channel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect.","Following her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.","Channel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.","She was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.","Mary Ramsay Brown Channel died on January 21, 2006. She was 98 years old."],"odd_html_tesm":["\u003cp\u003eThe guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\" title=\"Project Index\"\u003eFor Series II: Project Records, see Project Index for full details.\u003c/a\u003e\u003c/p\u003e  "],"otherfindaid_heading_ssm":["Other Finding Aids"],"otherfindaid_tesim":["For Series II: Project Records, see Project Index for full details."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Mary Brown Channel Architectural Collection, Ms2007-030, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Mary Brown Channel Architectural Collection, Ms2007-030, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThere is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the  \u003ca target=\"_blank\" href=\"https://vtechworks.lib.vt.edu/handle/10919/5606\" title=\"IAWA Center News\"\u003e Fall 2008 IAWA Center News\u003c/a\u003e, the International Archive of Women in Architecture newsletter.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["There is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the   Fall 2008 IAWA Center News, the International Archive of Women in Architecture newsletter."],"scopecontent_html_tesm":["\u003cp\u003eThe Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e","\u003cp\u003eMany of the college drawings and projects are extremely fragile and may require conservation work prior to access.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access."],"abstract_html_tesm":["\u003cabstract id=\"aspace_00ff62260d8228d2388ef81cd786864d\" label=\"Abstract\"\u003eAfter graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects.\u003c/abstract\u003e\n    "],"abstract_tesim":["After graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Channel, Mary Brown, 1907-2006"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Channel, Mary Brown, 1907-2006"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":106,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:16:52.444Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2317","ead_ssi":"viblbv_repositories_2_resources_2317","_root_":"viblbv_repositories_2_resources_2317","_nest_parent_":"viblbv_repositories_2_resources_2317","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2317.xml","title_filing_ssi":"Channel, Mary Brown, Architectural Collection","title_ssm":["Mary Brown Channel Architectural Collection"],"title_tesim":["Mary Brown Channel Architectural Collection"],"unitdate_ssm":["1936-2002","1936-1950"],"unitdate_inclusive_ssm":["1936-2002"],"unitdate_bulk_ssim":["1936-1950"],"normalized_date_ssm":["1936/2002, bulk 1936/1950"],"normalized_title_ssm":["Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950"],"text":["Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950","Ms.2007.030","/repositories/2/resources/2317","Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)","The collection is open for research.","The collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.","Series II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a project index alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor.","In order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941.","On the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects.","Mary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.","She attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.","Graduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\"","Channel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect.","Following her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.","Channel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.","She was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.","Mary Ramsay Brown Channel died on January 21, 2006. She was 98 years old.","The guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010.","There is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the   Fall 2008 IAWA Center News, the International Archive of Women in Architecture newsletter.","The Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access.","After graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects.","Special Collections and University Archives, Virginia Tech","Channel, Mary Brown, 1907-2006","The materials in the collection are in English."],"collection_title_tesim":["Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950"],"collection_ssim":["Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.030","/repositories/2/resources/2317"],"unitid_tesim":["Ms.2007.030","/repositories/2/resources/2317"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Channel, Mary Brown, 1907-2006"],"creator_ssim":["Channel, Mary Brown, 1907-2006"],"creator_persname_ssim":["Channel, Mary Brown, 1907-2006"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Channel, Mary Brown, 1907-2006","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access."],"acqinfo_ssim":["The Mary Brown Channel Architectural Collection was donated to Special Collections in 2007."],"access_subjects_ssim":["Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["11 Cubic Feet 10 boxes and 36 oversize folders"],"extent_tesim":["11 Cubic Feet 10 boxes and 36 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSeries II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\"\u003eproject index\u003c/a\u003e alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor. \u003c/p\u003e","\u003cp\u003eIn order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941. \u003c/p\u003e","\u003cp\u003eOn the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects. \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.","Series II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a project index alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor.","In order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941.","On the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects."],"bioghist_html_tesm":["\u003cp\u003eMary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.\u003c/p\u003e","\u003cp\u003eShe attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.\u003c/p\u003e","\u003cp\u003eGraduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\" \u003c/p\u003e","\u003cp\u003eChannel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect. \u003c/p\u003e","\u003cp\u003eFollowing her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.\u003c/p\u003e","\u003cp\u003eChannel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.\u003c/p\u003e","\u003cp\u003eShe was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.\u003c/p\u003e","\u003cp\u003eMary Ramsay Brown Channel died on January 21, 2006. She was 98 years old.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Mary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.","She attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.","Graduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\"","Channel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect.","Following her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.","Channel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.","She was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.","Mary Ramsay Brown Channel died on January 21, 2006. She was 98 years old."],"odd_html_tesm":["\u003cp\u003eThe guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\" title=\"Project Index\"\u003eFor Series II: Project Records, see Project Index for full details.\u003c/a\u003e\u003c/p\u003e  "],"otherfindaid_heading_ssm":["Other Finding Aids"],"otherfindaid_tesim":["For Series II: Project Records, see Project Index for full details."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Mary Brown Channel Architectural Collection, Ms2007-030, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Mary Brown Channel Architectural Collection, Ms2007-030, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThere is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the  \u003ca target=\"_blank\" href=\"https://vtechworks.lib.vt.edu/handle/10919/5606\" title=\"IAWA Center News\"\u003e Fall 2008 IAWA Center News\u003c/a\u003e, the International Archive of Women in Architecture newsletter.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["There is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the   Fall 2008 IAWA Center News, the International Archive of Women in Architecture newsletter."],"scopecontent_html_tesm":["\u003cp\u003eThe Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e","\u003cp\u003eMany of the college drawings and projects are extremely fragile and may require conservation work prior to access.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access."],"abstract_html_tesm":["\u003cabstract id=\"aspace_00ff62260d8228d2388ef81cd786864d\" label=\"Abstract\"\u003eAfter graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects.\u003c/abstract\u003e\n    "],"abstract_tesim":["After graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Channel, Mary Brown, 1907-2006"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Channel, Mary Brown, 1907-2006"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":106,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:16:52.444Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2317"}},{"id":"viblbv_repositories_2_resources_2934","type":"collection","attributes":{"title":"Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz, 1928/1947","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2934#creator","type":"document_value","attributes":{"value":"Hofheinz, Elsa Marie, 1912-2012","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2934#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains a book of meeting minutes for the Art League of Philadelphia recorded primarily by secretaries Margaret Nefferdorf and Elsa Hofheinz. The collection also includes Elsa Hofheinz's diary from 1928 when she was in high school.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2934#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2934","ead_ssi":"viblbv_repositories_2_resources_2934","_root_":"viblbv_repositories_2_resources_2934","_nest_parent_":"viblbv_repositories_2_resources_2934","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2934.xml","title_filing_ssi":"Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz","title_ssm":["Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz"],"title_tesim":["Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz"],"unitdate_ssm":["1928-1947"],"unitdate_inclusive_ssm":["1928-1947"],"normalized_date_ssm":["1928/1947"],"normalized_title_ssm":["Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz, 1928/1947"],"text":["Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz, 1928/1947","Ms.2013.094","Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Diaries","Collection is open for research.","The collection is in its original order.","Elsa Marie Hofheinz Wurtz (1912-2012) became the secretary for the Art League of Philadelphia in 1944. Elsa was enthusiastic about art from a young age as evidenced from her high school journal. She was a cartoonist for her school's newspaper and her diary contains many sketches and doodles. Little is known about Elsa's later life outside of the Art League, but it is known that she met her husband Charles Wurtz through the Art League.","The Art League of Philadelphia aimed to present and promote the work of member artists, both male and female. Their work included painting, watercolors, ceramics, photography and a variety of printmaking techniques. The League held exhibitions of members' work, lectures, and studio classes. Many members were graduates of art institutions including the Pennsylvania Museum and School of Industrial Art, the Pennsylvannia  Academy of the Fine Arts, the Woodmere Art Museum, and the Barnes Foundation.","In 2015, the following biographical information was submitted by family of Elsa Wurtz. This and additional information from the family has been included with the collection:","A Philadelphian, Mrs. Wurtz was awarded a four-year scholarship to Moore College of Art. She designed greeting cards for Norcross in New York City before learning to read blueprints and then illustrating them for Fleetwings (an aircraft supplier or manufacturer outside Philadelphia) during World War II.","Early in her career, she painted in watercolor and exhibited at numerous venues, including the Rittenhouse Square Clothesline Exhibit. As time went on, she painted Impressionistic works in acrylic. She also created silkscreen art, prints, and worked in stained glass.","Her future husband always said that he picked out his mother-in-law and married her only single daughter. Elsa preferred to put it that she picked out her father-in-law (a fellow member of the Art League) and married his only single son!","The processing, arrangement, and description of the Meeting Minutes of the Art League of Philadelphia with Manuscript Diary of Art League Member Elsa Marie Hofheinz was completed in May 2014.","This collection contains a book of minutes from the meetings of the Art League of Philadelphia from October 21, 1936 to October 21, 1947 as recorded by the League's secretaries over those years. The Art League of Philadelphia aimed to present and promote the work of member artists, both male and female. Their work included painting, watercolors, ceramics, photography and a variety of printmaking techniques. The League held exhibitions of members' work, lectures, and studio classes. Many members were graduates of art institutions including the Pennsylvania Museum and School of Industrial Art, the Pennsylvannia  Academy of the Fine Arts, the Woodmere Art Museum, and the Barnes Foundation. The minutes record plans for upcoming events, the group's monthly monetary balance, and yearly lists of members.","The collection also contains the diary of Art League member Elsa Marie Rupp Hofheinz from 1928. Elsa Hofheinz later became Art League secretary in 1944. Her diary details her comments on fashion, her experiences learning to drive, her daily activities at school and around the house, as well as her artistic endeavors. The diary also contains many of Elsa's doodles.","Permission to publish material from Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz must be obtained from Special Collections, Virginia Tech.","This collection contains a book of meeting minutes for the Art League of Philadelphia recorded primarily by secretaries Margaret Nefferdorf and Elsa Hofheinz. The collection also includes Elsa Hofheinz's diary from 1928 when she was in high school.","Special Collections and University Archives, Virginia Tech","Art League of Philadelphia","Hofheinz, Elsa Marie, 1912-2012","English\n."],"collection_title_tesim":["Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz, 1928/1947"],"collection_ssim":["Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz, 1928/1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2013.094"],"unitid_tesim":["Ms.2013.094"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Hofheinz, Elsa Marie, 1912-2012"],"creator_ssim":["Hofheinz, Elsa Marie, 1912-2012"],"creator_persname_ssim":["Hofheinz, Elsa Marie, 1912-2012"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Art League of Philadelphia"],"creators_ssim":["Hofheinz, Elsa Marie, 1912-2012","Special Collections and University Archives, Virginia Tech","Art League of Philadelphia"],"access_terms_ssm":["Permission to publish material from Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["This collection was purchased by Special Collections in 2013."],"access_subjects_ssim":["Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Diaries"],"access_subjects_ssm":["Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Diaries"],"has_online_content_ssim":["false"],"extent_ssm":["0.2 Cubic Feet 1 box"],"extent_tesim":["0.2 Cubic Feet 1 box"],"genreform_ssim":["Diaries"],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is in its original order.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is in its original order."],"bioghist_html_tesm":["\u003cp\u003eElsa Marie Hofheinz Wurtz (1912-2012) became the secretary for the Art League of Philadelphia in 1944. Elsa was enthusiastic about art from a young age as evidenced from her high school journal. She was a cartoonist for her school's newspaper and her diary contains many sketches and doodles. Little is known about Elsa's later life outside of the Art League, but it is known that she met her husband Charles Wurtz through the Art League. \u003c/p\u003e","\u003cp\u003eThe Art League of Philadelphia aimed to present and promote the work of member artists, both male and female. Their work included painting, watercolors, ceramics, photography and a variety of printmaking techniques. The League held exhibitions of members' work, lectures, and studio classes. Many members were graduates of art institutions including the Pennsylvania Museum and School of Industrial Art, the Pennsylvannia  Academy of the Fine Arts, the Woodmere Art Museum, and the Barnes Foundation. \u003c/p\u003e","\u003cp\u003eIn 2015, the following biographical information was submitted by family of Elsa Wurtz. This and additional information from the family has been included with the collection:\u003c/p\u003e","\u003cp\u003eA Philadelphian, Mrs. Wurtz was awarded a four-year scholarship to Moore College of Art. She designed greeting cards for Norcross in New York City before learning to read blueprints and then illustrating them for Fleetwings (an aircraft supplier or manufacturer outside Philadelphia) during World War II. \u003c/p\u003e","\u003cp\u003eEarly in her career, she painted in watercolor and exhibited at numerous venues, including the Rittenhouse Square Clothesline Exhibit. As time went on, she painted Impressionistic works in acrylic. She also created silkscreen art, prints, and worked in stained glass. \u003c/p\u003e","\u003cp\u003eHer future husband always said that he picked out his mother-in-law and married her only single daughter. Elsa preferred to put it that she picked out her father-in-law (a fellow member of the Art League) and married his only single son!\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical/Historical  Note"],"bioghist_tesim":["Elsa Marie Hofheinz Wurtz (1912-2012) became the secretary for the Art League of Philadelphia in 1944. Elsa was enthusiastic about art from a young age as evidenced from her high school journal. She was a cartoonist for her school's newspaper and her diary contains many sketches and doodles. Little is known about Elsa's later life outside of the Art League, but it is known that she met her husband Charles Wurtz through the Art League.","The Art League of Philadelphia aimed to present and promote the work of member artists, both male and female. Their work included painting, watercolors, ceramics, photography and a variety of printmaking techniques. The League held exhibitions of members' work, lectures, and studio classes. Many members were graduates of art institutions including the Pennsylvania Museum and School of Industrial Art, the Pennsylvannia  Academy of the Fine Arts, the Woodmere Art Museum, and the Barnes Foundation.","In 2015, the following biographical information was submitted by family of Elsa Wurtz. This and additional information from the family has been included with the collection:","A Philadelphian, Mrs. Wurtz was awarded a four-year scholarship to Moore College of Art. She designed greeting cards for Norcross in New York City before learning to read blueprints and then illustrating them for Fleetwings (an aircraft supplier or manufacturer outside Philadelphia) during World War II.","Early in her career, she painted in watercolor and exhibited at numerous venues, including the Rittenhouse Square Clothesline Exhibit. As time went on, she painted Impressionistic works in acrylic. She also created silkscreen art, prints, and worked in stained glass.","Her future husband always said that he picked out his mother-in-law and married her only single daughter. Elsa preferred to put it that she picked out her father-in-law (a fellow member of the Art League) and married his only single son!"],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Meeting Minutes of the Art League of Philadelphia and Diary of Elsa Marie Hofheinz, Ms2013-097, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Meeting Minutes of the Art League of Philadelphia and Diary of Elsa Marie Hofheinz, Ms2013-097, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Meeting Minutes of the Art League of Philadelphia with Manuscript Diary of Art League Member Elsa Marie Hofheinz was completed in May 2014.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Meeting Minutes of the Art League of Philadelphia with Manuscript Diary of Art League Member Elsa Marie Hofheinz was completed in May 2014."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a book of minutes from the meetings of the Art League of Philadelphia from October 21, 1936 to October 21, 1947 as recorded by the League's secretaries over those years. The Art League of Philadelphia aimed to present and promote the work of member artists, both male and female. Their work included painting, watercolors, ceramics, photography and a variety of printmaking techniques. The League held exhibitions of members' work, lectures, and studio classes. Many members were graduates of art institutions including the Pennsylvania Museum and School of Industrial Art, the Pennsylvannia  Academy of the Fine Arts, the Woodmere Art Museum, and the Barnes Foundation. The minutes record plans for upcoming events, the group's monthly monetary balance, and yearly lists of members.\u003c/p\u003e","\u003cp\u003eThe collection also contains the diary of Art League member Elsa Marie Rupp Hofheinz from 1928. Elsa Hofheinz later became Art League secretary in 1944. Her diary details her comments on fashion, her experiences learning to drive, her daily activities at school and around the house, as well as her artistic endeavors. The diary also contains many of Elsa's doodles. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains a book of minutes from the meetings of the Art League of Philadelphia from October 21, 1936 to October 21, 1947 as recorded by the League's secretaries over those years. The Art League of Philadelphia aimed to present and promote the work of member artists, both male and female. Their work included painting, watercolors, ceramics, photography and a variety of printmaking techniques. The League held exhibitions of members' work, lectures, and studio classes. Many members were graduates of art institutions including the Pennsylvania Museum and School of Industrial Art, the Pennsylvannia  Academy of the Fine Arts, the Woodmere Art Museum, and the Barnes Foundation. The minutes record plans for upcoming events, the group's monthly monetary balance, and yearly lists of members.","The collection also contains the diary of Art League member Elsa Marie Rupp Hofheinz from 1928. Elsa Hofheinz later became Art League secretary in 1944. Her diary details her comments on fashion, her experiences learning to drive, her daily activities at school and around the house, as well as her artistic endeavors. The diary also contains many of Elsa's doodles."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_55d85c1335a953a7ae2bc89fddd4841b\" label=\"Abstract\"\u003eThis collection contains a book of meeting minutes for the Art League of Philadelphia recorded primarily by secretaries Margaret Nefferdorf and Elsa Hofheinz. The collection also includes Elsa Hofheinz's diary from 1928 when she was in high school.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains a book of meeting minutes for the Art League of Philadelphia recorded primarily by secretaries Margaret Nefferdorf and Elsa Hofheinz. The collection also includes Elsa Hofheinz's diary from 1928 when she was in high school."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Art League of Philadelphia"],"names_coll_ssim":["Art League of Philadelphia","Hofheinz, Elsa Marie, 1912-2012"],"persname_ssim":["Hofheinz, Elsa Marie, 1912-2012"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Art League of Philadelphia","Hofheinz, Elsa Marie, 1912-2012"],"language_ssim":["English\n."],"total_component_count_is":2,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:17:09.987Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2934","ead_ssi":"viblbv_repositories_2_resources_2934","_root_":"viblbv_repositories_2_resources_2934","_nest_parent_":"viblbv_repositories_2_resources_2934","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2934.xml","title_filing_ssi":"Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz","title_ssm":["Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz"],"title_tesim":["Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz"],"unitdate_ssm":["1928-1947"],"unitdate_inclusive_ssm":["1928-1947"],"normalized_date_ssm":["1928/1947"],"normalized_title_ssm":["Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz, 1928/1947"],"text":["Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz, 1928/1947","Ms.2013.094","Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Diaries","Collection is open for research.","The collection is in its original order.","Elsa Marie Hofheinz Wurtz (1912-2012) became the secretary for the Art League of Philadelphia in 1944. Elsa was enthusiastic about art from a young age as evidenced from her high school journal. She was a cartoonist for her school's newspaper and her diary contains many sketches and doodles. Little is known about Elsa's later life outside of the Art League, but it is known that she met her husband Charles Wurtz through the Art League.","The Art League of Philadelphia aimed to present and promote the work of member artists, both male and female. Their work included painting, watercolors, ceramics, photography and a variety of printmaking techniques. The League held exhibitions of members' work, lectures, and studio classes. Many members were graduates of art institutions including the Pennsylvania Museum and School of Industrial Art, the Pennsylvannia  Academy of the Fine Arts, the Woodmere Art Museum, and the Barnes Foundation.","In 2015, the following biographical information was submitted by family of Elsa Wurtz. This and additional information from the family has been included with the collection:","A Philadelphian, Mrs. Wurtz was awarded a four-year scholarship to Moore College of Art. She designed greeting cards for Norcross in New York City before learning to read blueprints and then illustrating them for Fleetwings (an aircraft supplier or manufacturer outside Philadelphia) during World War II.","Early in her career, she painted in watercolor and exhibited at numerous venues, including the Rittenhouse Square Clothesline Exhibit. As time went on, she painted Impressionistic works in acrylic. She also created silkscreen art, prints, and worked in stained glass.","Her future husband always said that he picked out his mother-in-law and married her only single daughter. Elsa preferred to put it that she picked out her father-in-law (a fellow member of the Art League) and married his only single son!","The processing, arrangement, and description of the Meeting Minutes of the Art League of Philadelphia with Manuscript Diary of Art League Member Elsa Marie Hofheinz was completed in May 2014.","This collection contains a book of minutes from the meetings of the Art League of Philadelphia from October 21, 1936 to October 21, 1947 as recorded by the League's secretaries over those years. The Art League of Philadelphia aimed to present and promote the work of member artists, both male and female. Their work included painting, watercolors, ceramics, photography and a variety of printmaking techniques. The League held exhibitions of members' work, lectures, and studio classes. Many members were graduates of art institutions including the Pennsylvania Museum and School of Industrial Art, the Pennsylvannia  Academy of the Fine Arts, the Woodmere Art Museum, and the Barnes Foundation. The minutes record plans for upcoming events, the group's monthly monetary balance, and yearly lists of members.","The collection also contains the diary of Art League member Elsa Marie Rupp Hofheinz from 1928. Elsa Hofheinz later became Art League secretary in 1944. Her diary details her comments on fashion, her experiences learning to drive, her daily activities at school and around the house, as well as her artistic endeavors. The diary also contains many of Elsa's doodles.","Permission to publish material from Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz must be obtained from Special Collections, Virginia Tech.","This collection contains a book of meeting minutes for the Art League of Philadelphia recorded primarily by secretaries Margaret Nefferdorf and Elsa Hofheinz. The collection also includes Elsa Hofheinz's diary from 1928 when she was in high school.","Special Collections and University Archives, Virginia Tech","Art League of Philadelphia","Hofheinz, Elsa Marie, 1912-2012","English\n."],"collection_title_tesim":["Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz, 1928/1947"],"collection_ssim":["Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz, 1928/1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2013.094"],"unitid_tesim":["Ms.2013.094"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Hofheinz, Elsa Marie, 1912-2012"],"creator_ssim":["Hofheinz, Elsa Marie, 1912-2012"],"creator_persname_ssim":["Hofheinz, Elsa Marie, 1912-2012"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Art League of Philadelphia"],"creators_ssim":["Hofheinz, Elsa Marie, 1912-2012","Special Collections and University Archives, Virginia Tech","Art League of Philadelphia"],"access_terms_ssm":["Permission to publish material from Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["This collection was purchased by Special Collections in 2013."],"access_subjects_ssim":["Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Diaries"],"access_subjects_ssm":["Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Diaries"],"has_online_content_ssim":["false"],"extent_ssm":["0.2 Cubic Feet 1 box"],"extent_tesim":["0.2 Cubic Feet 1 box"],"genreform_ssim":["Diaries"],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is in its original order.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is in its original order."],"bioghist_html_tesm":["\u003cp\u003eElsa Marie Hofheinz Wurtz (1912-2012) became the secretary for the Art League of Philadelphia in 1944. Elsa was enthusiastic about art from a young age as evidenced from her high school journal. She was a cartoonist for her school's newspaper and her diary contains many sketches and doodles. Little is known about Elsa's later life outside of the Art League, but it is known that she met her husband Charles Wurtz through the Art League. \u003c/p\u003e","\u003cp\u003eThe Art League of Philadelphia aimed to present and promote the work of member artists, both male and female. Their work included painting, watercolors, ceramics, photography and a variety of printmaking techniques. The League held exhibitions of members' work, lectures, and studio classes. Many members were graduates of art institutions including the Pennsylvania Museum and School of Industrial Art, the Pennsylvannia  Academy of the Fine Arts, the Woodmere Art Museum, and the Barnes Foundation. \u003c/p\u003e","\u003cp\u003eIn 2015, the following biographical information was submitted by family of Elsa Wurtz. This and additional information from the family has been included with the collection:\u003c/p\u003e","\u003cp\u003eA Philadelphian, Mrs. Wurtz was awarded a four-year scholarship to Moore College of Art. She designed greeting cards for Norcross in New York City before learning to read blueprints and then illustrating them for Fleetwings (an aircraft supplier or manufacturer outside Philadelphia) during World War II. \u003c/p\u003e","\u003cp\u003eEarly in her career, she painted in watercolor and exhibited at numerous venues, including the Rittenhouse Square Clothesline Exhibit. As time went on, she painted Impressionistic works in acrylic. She also created silkscreen art, prints, and worked in stained glass. \u003c/p\u003e","\u003cp\u003eHer future husband always said that he picked out his mother-in-law and married her only single daughter. Elsa preferred to put it that she picked out her father-in-law (a fellow member of the Art League) and married his only single son!\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical/Historical  Note"],"bioghist_tesim":["Elsa Marie Hofheinz Wurtz (1912-2012) became the secretary for the Art League of Philadelphia in 1944. Elsa was enthusiastic about art from a young age as evidenced from her high school journal. She was a cartoonist for her school's newspaper and her diary contains many sketches and doodles. Little is known about Elsa's later life outside of the Art League, but it is known that she met her husband Charles Wurtz through the Art League.","The Art League of Philadelphia aimed to present and promote the work of member artists, both male and female. Their work included painting, watercolors, ceramics, photography and a variety of printmaking techniques. The League held exhibitions of members' work, lectures, and studio classes. Many members were graduates of art institutions including the Pennsylvania Museum and School of Industrial Art, the Pennsylvannia  Academy of the Fine Arts, the Woodmere Art Museum, and the Barnes Foundation.","In 2015, the following biographical information was submitted by family of Elsa Wurtz. This and additional information from the family has been included with the collection:","A Philadelphian, Mrs. Wurtz was awarded a four-year scholarship to Moore College of Art. She designed greeting cards for Norcross in New York City before learning to read blueprints and then illustrating them for Fleetwings (an aircraft supplier or manufacturer outside Philadelphia) during World War II.","Early in her career, she painted in watercolor and exhibited at numerous venues, including the Rittenhouse Square Clothesline Exhibit. As time went on, she painted Impressionistic works in acrylic. She also created silkscreen art, prints, and worked in stained glass.","Her future husband always said that he picked out his mother-in-law and married her only single daughter. Elsa preferred to put it that she picked out her father-in-law (a fellow member of the Art League) and married his only single son!"],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Meeting Minutes of the Art League of Philadelphia and Diary of Elsa Marie Hofheinz, Ms2013-097, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Meeting Minutes of the Art League of Philadelphia and Diary of Elsa Marie Hofheinz, Ms2013-097, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Meeting Minutes of the Art League of Philadelphia with Manuscript Diary of Art League Member Elsa Marie Hofheinz was completed in May 2014.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Meeting Minutes of the Art League of Philadelphia with Manuscript Diary of Art League Member Elsa Marie Hofheinz was completed in May 2014."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a book of minutes from the meetings of the Art League of Philadelphia from October 21, 1936 to October 21, 1947 as recorded by the League's secretaries over those years. The Art League of Philadelphia aimed to present and promote the work of member artists, both male and female. Their work included painting, watercolors, ceramics, photography and a variety of printmaking techniques. The League held exhibitions of members' work, lectures, and studio classes. Many members were graduates of art institutions including the Pennsylvania Museum and School of Industrial Art, the Pennsylvannia  Academy of the Fine Arts, the Woodmere Art Museum, and the Barnes Foundation. The minutes record plans for upcoming events, the group's monthly monetary balance, and yearly lists of members.\u003c/p\u003e","\u003cp\u003eThe collection also contains the diary of Art League member Elsa Marie Rupp Hofheinz from 1928. Elsa Hofheinz later became Art League secretary in 1944. Her diary details her comments on fashion, her experiences learning to drive, her daily activities at school and around the house, as well as her artistic endeavors. The diary also contains many of Elsa's doodles. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains a book of minutes from the meetings of the Art League of Philadelphia from October 21, 1936 to October 21, 1947 as recorded by the League's secretaries over those years. The Art League of Philadelphia aimed to present and promote the work of member artists, both male and female. Their work included painting, watercolors, ceramics, photography and a variety of printmaking techniques. The League held exhibitions of members' work, lectures, and studio classes. Many members were graduates of art institutions including the Pennsylvania Museum and School of Industrial Art, the Pennsylvannia  Academy of the Fine Arts, the Woodmere Art Museum, and the Barnes Foundation. The minutes record plans for upcoming events, the group's monthly monetary balance, and yearly lists of members.","The collection also contains the diary of Art League member Elsa Marie Rupp Hofheinz from 1928. Elsa Hofheinz later became Art League secretary in 1944. Her diary details her comments on fashion, her experiences learning to drive, her daily activities at school and around the house, as well as her artistic endeavors. The diary also contains many of Elsa's doodles."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_55d85c1335a953a7ae2bc89fddd4841b\" label=\"Abstract\"\u003eThis collection contains a book of meeting minutes for the Art League of Philadelphia recorded primarily by secretaries Margaret Nefferdorf and Elsa Hofheinz. The collection also includes Elsa Hofheinz's diary from 1928 when she was in high school.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains a book of meeting minutes for the Art League of Philadelphia recorded primarily by secretaries Margaret Nefferdorf and Elsa Hofheinz. The collection also includes Elsa Hofheinz's diary from 1928 when she was in high school."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Art League of Philadelphia"],"names_coll_ssim":["Art League of Philadelphia","Hofheinz, Elsa Marie, 1912-2012"],"persname_ssim":["Hofheinz, Elsa Marie, 1912-2012"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Art League of Philadelphia","Hofheinz, Elsa Marie, 1912-2012"],"language_ssim":["English\n."],"total_component_count_is":2,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:17:09.987Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2934"}},{"id":"viblbv_repositories_2_resources_1904","type":"collection","attributes":{"title":"Melita Rodeck Architectural Collection, 1931/2003, bulk 1960/1990","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1904#creator","type":"document_value","attributes":{"value":"Rodeck, Melita, b.1914","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1904#abstract_or_scope","type":"document_value","attributes":{"value":"The Melita Rodeck Architectural Collection consist of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1904#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1904","ead_ssi":"viblbv_repositories_2_resources_1904","_root_":"viblbv_repositories_2_resources_1904","_nest_parent_":"viblbv_repositories_2_resources_1904","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1904.xml","title_filing_ssi":"Rodeck, Melita, Architectural Collection","title_ssm":["Melita Rodeck Architectural Collection"],"title_tesim":["Melita Rodeck Architectural Collection"],"unitdate_ssm":["1931-2003","1960-1990"],"unitdate_inclusive_ssm":["1931-2003"],"unitdate_bulk_ssim":["1960-1990"],"normalized_date_ssm":["1931/2003, bulk 1960/1990"],"normalized_title_ssm":["Melita Rodeck Architectural Collection, 1931/2003, bulk 1960/1990"],"text":["Melita Rodeck Architectural Collection, 1931/2003, bulk 1960/1990","Ms.1992.028","Architectural drawing -- 20th century","Architects","Women -- History","Women-owned architectural firms","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","The collection is open to research.","Some of this collection has been digitized and is available online.","The collection has been divided into four series: I. Personal Papers, II. Professional Papers, III. Project Records, and IV. Artwork.","Melita Rodeck was born on April 12, 1914, in Milan, Italy, to Austrian parents. After the outbreak of World War I her family returned to Vienna where she was educated. She enrolled at the Vienna Polytechnic in 1932 to study architecture, and immigrated  to the United States in 1939. Upon arriving in the United States she spent four years volunteering in the Harlem slums. In 1950 she moved to Washington, D.C., and worked for the General Services Administration of the U.S. federal government. She became a registered architect of the District of Columbia in 1952 and established her own office in 1958, where she designed residences in Maryland and Virginia and restored townhouses in Washington, D.C.","From 1968 to 1973 Rodeck worked as an architect for special research projects at the U.S. Army Corps of Engineers, then from 1973 to 1980 as a coordinator for architectural research for the U.S. Department of Housing and Urban Development. She was a program manager of Radiological Emergency Preparedness Programs for the Federal Emergency Management Agency from 1980 to 1985 and designed guidelines to minimize or eliminate flood damage to buildings. She retired from federal government work in 1985.","Rodeck was a devout Catholic and in the 1960s established the Regina Institute of Sacred Art, an organization dedicated to aiding Catholic parishes in their design and decoration efforts.  The institute aimed to educate parishioners about the emotional impact of and psychological need for good design.","The guide to the Melita Rodeck Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Melita Rodeck Architectural Collection commenced and was completed in January 1998. The 2003 addition was processed in 2012.","The Melita Rodeck Architectural Collection consists of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government. The collection also includes various pieces of literature she wrote for the U.S. Army Corps of Engineers and the Federal Emergency Management Agency (FEMA).","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Melita Rodeck Architectural Collection consist of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government.","Special Collections and University Archives, Virginia Tech","Rodeck, Melita, b.1914","The materials in the collection are in English."],"collection_title_tesim":["Melita Rodeck Architectural Collection, 1931/2003, bulk 1960/1990"],"collection_ssim":["Melita Rodeck Architectural Collection, 1931/2003, bulk 1960/1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1992.028"],"unitid_tesim":["Ms.1992.028"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Rodeck, Melita, b.1914"],"creator_ssim":["Rodeck, Melita, b.1914"],"creator_persname_ssim":["Rodeck, Melita, b.1914"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Rodeck, Melita, b.1914","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Melita Rodeck Architectural Collection was donated to Special Collections in 1992, 1993, 1997, and 2003."],"access_subjects_ssim":["Architectural drawing -- 20th century","Architects","Women -- History","Women-owned architectural firms","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"access_subjects_ssm":["Architectural drawing -- 20th century","Architects","Women -- History","Women-owned architectural firms","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["10.7 Cubic Feet 2 boxes, 30 oversize folders"],"extent_tesim":["10.7 Cubic Feet 2 boxes, 30 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/174\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe collection has been divided into four series: I. Personal Papers, II. Professional Papers, III. Project Records, and IV. Artwork.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection has been divided into four series: I. Personal Papers, II. Professional Papers, III. Project Records, and IV. Artwork."],"bioghist_html_tesm":["\u003cp\u003eMelita Rodeck was born on April 12, 1914, in Milan, Italy, to Austrian parents. After the outbreak of World War I her family returned to Vienna where she was educated. She enrolled at the Vienna Polytechnic in 1932 to study architecture, and immigrated  to the United States in 1939. Upon arriving in the United States she spent four years volunteering in the Harlem slums. In 1950 she moved to Washington, D.C., and worked for the General Services Administration of the U.S. federal government. She became a registered architect of the District of Columbia in 1952 and established her own office in 1958, where she designed residences in Maryland and Virginia and restored townhouses in Washington, D.C. \u003c/p\u003e","\u003cp\u003eFrom 1968 to 1973 Rodeck worked as an architect for special research projects at the U.S. Army Corps of Engineers, then from 1973 to 1980 as a coordinator for architectural research for the U.S. Department of Housing and Urban Development. She was a program manager of Radiological Emergency Preparedness Programs for the Federal Emergency Management Agency from 1980 to 1985 and designed guidelines to minimize or eliminate flood damage to buildings. She retired from federal government work in 1985.\u003c/p\u003e","\u003cp\u003eRodeck was a devout Catholic and in the 1960s established the Regina Institute of Sacred Art, an organization dedicated to aiding Catholic parishes in their design and decoration efforts.  The institute aimed to educate parishioners about the emotional impact of and psychological need for good design.    \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Melita Rodeck was born on April 12, 1914, in Milan, Italy, to Austrian parents. After the outbreak of World War I her family returned to Vienna where she was educated. She enrolled at the Vienna Polytechnic in 1932 to study architecture, and immigrated  to the United States in 1939. Upon arriving in the United States she spent four years volunteering in the Harlem slums. In 1950 she moved to Washington, D.C., and worked for the General Services Administration of the U.S. federal government. She became a registered architect of the District of Columbia in 1952 and established her own office in 1958, where she designed residences in Maryland and Virginia and restored townhouses in Washington, D.C.","From 1968 to 1973 Rodeck worked as an architect for special research projects at the U.S. Army Corps of Engineers, then from 1973 to 1980 as a coordinator for architectural research for the U.S. Department of Housing and Urban Development. She was a program manager of Radiological Emergency Preparedness Programs for the Federal Emergency Management Agency from 1980 to 1985 and designed guidelines to minimize or eliminate flood damage to buildings. She retired from federal government work in 1985.","Rodeck was a devout Catholic and in the 1960s established the Regina Institute of Sacred Art, an organization dedicated to aiding Catholic parishes in their design and decoration efforts.  The institute aimed to educate parishioners about the emotional impact of and psychological need for good design."],"odd_html_tesm":["\u003cp\u003eThe guide to the Melita Rodeck Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Melita Rodeck Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Melita Rodeck Architectural Collection, Ms1992-028, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Melita Rodeck Architectural Collection, Ms1992-028, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Melita Rodeck Architectural Collection commenced and was completed in January 1998. The 2003 addition was processed in 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Melita Rodeck Architectural Collection commenced and was completed in January 1998. The 2003 addition was processed in 2012."],"scopecontent_html_tesm":["\u003cp\u003eThe Melita Rodeck Architectural Collection consists of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government. The collection also includes various pieces of literature she wrote for the U.S. Army Corps of Engineers and the Federal Emergency Management Agency (FEMA).\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Melita Rodeck Architectural Collection consists of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government. The collection also includes various pieces of literature she wrote for the U.S. Army Corps of Engineers and the Federal Emergency Management Agency (FEMA)."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3bf52f3d291d01508151d283851daef0\" label=\"Abstract\"\u003eThe Melita Rodeck Architectural Collection consist of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Melita Rodeck Architectural Collection consist of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Rodeck, Melita, b.1914"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Rodeck, Melita, b.1914"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":168,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:16:10.724Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1904","ead_ssi":"viblbv_repositories_2_resources_1904","_root_":"viblbv_repositories_2_resources_1904","_nest_parent_":"viblbv_repositories_2_resources_1904","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1904.xml","title_filing_ssi":"Rodeck, Melita, Architectural Collection","title_ssm":["Melita Rodeck Architectural Collection"],"title_tesim":["Melita Rodeck Architectural Collection"],"unitdate_ssm":["1931-2003","1960-1990"],"unitdate_inclusive_ssm":["1931-2003"],"unitdate_bulk_ssim":["1960-1990"],"normalized_date_ssm":["1931/2003, bulk 1960/1990"],"normalized_title_ssm":["Melita Rodeck Architectural Collection, 1931/2003, bulk 1960/1990"],"text":["Melita Rodeck Architectural Collection, 1931/2003, bulk 1960/1990","Ms.1992.028","Architectural drawing -- 20th century","Architects","Women -- History","Women-owned architectural firms","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","The collection is open to research.","Some of this collection has been digitized and is available online.","The collection has been divided into four series: I. Personal Papers, II. Professional Papers, III. Project Records, and IV. Artwork.","Melita Rodeck was born on April 12, 1914, in Milan, Italy, to Austrian parents. After the outbreak of World War I her family returned to Vienna where she was educated. She enrolled at the Vienna Polytechnic in 1932 to study architecture, and immigrated  to the United States in 1939. Upon arriving in the United States she spent four years volunteering in the Harlem slums. In 1950 she moved to Washington, D.C., and worked for the General Services Administration of the U.S. federal government. She became a registered architect of the District of Columbia in 1952 and established her own office in 1958, where she designed residences in Maryland and Virginia and restored townhouses in Washington, D.C.","From 1968 to 1973 Rodeck worked as an architect for special research projects at the U.S. Army Corps of Engineers, then from 1973 to 1980 as a coordinator for architectural research for the U.S. Department of Housing and Urban Development. She was a program manager of Radiological Emergency Preparedness Programs for the Federal Emergency Management Agency from 1980 to 1985 and designed guidelines to minimize or eliminate flood damage to buildings. She retired from federal government work in 1985.","Rodeck was a devout Catholic and in the 1960s established the Regina Institute of Sacred Art, an organization dedicated to aiding Catholic parishes in their design and decoration efforts.  The institute aimed to educate parishioners about the emotional impact of and psychological need for good design.","The guide to the Melita Rodeck Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Melita Rodeck Architectural Collection commenced and was completed in January 1998. The 2003 addition was processed in 2012.","The Melita Rodeck Architectural Collection consists of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government. The collection also includes various pieces of literature she wrote for the U.S. Army Corps of Engineers and the Federal Emergency Management Agency (FEMA).","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Melita Rodeck Architectural Collection consist of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government.","Special Collections and University Archives, Virginia Tech","Rodeck, Melita, b.1914","The materials in the collection are in English."],"collection_title_tesim":["Melita Rodeck Architectural Collection, 1931/2003, bulk 1960/1990"],"collection_ssim":["Melita Rodeck Architectural Collection, 1931/2003, bulk 1960/1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1992.028"],"unitid_tesim":["Ms.1992.028"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Rodeck, Melita, b.1914"],"creator_ssim":["Rodeck, Melita, b.1914"],"creator_persname_ssim":["Rodeck, Melita, b.1914"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Rodeck, Melita, b.1914","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Melita Rodeck Architectural Collection was donated to Special Collections in 1992, 1993, 1997, and 2003."],"access_subjects_ssim":["Architectural drawing -- 20th century","Architects","Women -- History","Women-owned architectural firms","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"access_subjects_ssm":["Architectural drawing -- 20th century","Architects","Women -- History","Women-owned architectural firms","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["10.7 Cubic Feet 2 boxes, 30 oversize folders"],"extent_tesim":["10.7 Cubic Feet 2 boxes, 30 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/174\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe collection has been divided into four series: I. Personal Papers, II. Professional Papers, III. Project Records, and IV. Artwork.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection has been divided into four series: I. Personal Papers, II. Professional Papers, III. Project Records, and IV. Artwork."],"bioghist_html_tesm":["\u003cp\u003eMelita Rodeck was born on April 12, 1914, in Milan, Italy, to Austrian parents. After the outbreak of World War I her family returned to Vienna where she was educated. She enrolled at the Vienna Polytechnic in 1932 to study architecture, and immigrated  to the United States in 1939. Upon arriving in the United States she spent four years volunteering in the Harlem slums. In 1950 she moved to Washington, D.C., and worked for the General Services Administration of the U.S. federal government. She became a registered architect of the District of Columbia in 1952 and established her own office in 1958, where she designed residences in Maryland and Virginia and restored townhouses in Washington, D.C. \u003c/p\u003e","\u003cp\u003eFrom 1968 to 1973 Rodeck worked as an architect for special research projects at the U.S. Army Corps of Engineers, then from 1973 to 1980 as a coordinator for architectural research for the U.S. Department of Housing and Urban Development. She was a program manager of Radiological Emergency Preparedness Programs for the Federal Emergency Management Agency from 1980 to 1985 and designed guidelines to minimize or eliminate flood damage to buildings. She retired from federal government work in 1985.\u003c/p\u003e","\u003cp\u003eRodeck was a devout Catholic and in the 1960s established the Regina Institute of Sacred Art, an organization dedicated to aiding Catholic parishes in their design and decoration efforts.  The institute aimed to educate parishioners about the emotional impact of and psychological need for good design.    \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Melita Rodeck was born on April 12, 1914, in Milan, Italy, to Austrian parents. After the outbreak of World War I her family returned to Vienna where she was educated. She enrolled at the Vienna Polytechnic in 1932 to study architecture, and immigrated  to the United States in 1939. Upon arriving in the United States she spent four years volunteering in the Harlem slums. In 1950 she moved to Washington, D.C., and worked for the General Services Administration of the U.S. federal government. She became a registered architect of the District of Columbia in 1952 and established her own office in 1958, where she designed residences in Maryland and Virginia and restored townhouses in Washington, D.C.","From 1968 to 1973 Rodeck worked as an architect for special research projects at the U.S. Army Corps of Engineers, then from 1973 to 1980 as a coordinator for architectural research for the U.S. Department of Housing and Urban Development. She was a program manager of Radiological Emergency Preparedness Programs for the Federal Emergency Management Agency from 1980 to 1985 and designed guidelines to minimize or eliminate flood damage to buildings. She retired from federal government work in 1985.","Rodeck was a devout Catholic and in the 1960s established the Regina Institute of Sacred Art, an organization dedicated to aiding Catholic parishes in their design and decoration efforts.  The institute aimed to educate parishioners about the emotional impact of and psychological need for good design."],"odd_html_tesm":["\u003cp\u003eThe guide to the Melita Rodeck Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Melita Rodeck Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Melita Rodeck Architectural Collection, Ms1992-028, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Melita Rodeck Architectural Collection, Ms1992-028, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Melita Rodeck Architectural Collection commenced and was completed in January 1998. The 2003 addition was processed in 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Melita Rodeck Architectural Collection commenced and was completed in January 1998. The 2003 addition was processed in 2012."],"scopecontent_html_tesm":["\u003cp\u003eThe Melita Rodeck Architectural Collection consists of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government. The collection also includes various pieces of literature she wrote for the U.S. Army Corps of Engineers and the Federal Emergency Management Agency (FEMA).\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Melita Rodeck Architectural Collection consists of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government. The collection also includes various pieces of literature she wrote for the U.S. Army Corps of Engineers and the Federal Emergency Management Agency (FEMA)."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3bf52f3d291d01508151d283851daef0\" label=\"Abstract\"\u003eThe Melita Rodeck Architectural Collection consist of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Melita Rodeck Architectural Collection consist of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Rodeck, Melita, b.1914"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Rodeck, Melita, b.1914"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":168,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:16:10.724Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1904"}},{"id":"viblbv_repositories_2_resources_1976","type":"collection","attributes":{"title":"\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1976#abstract_or_scope","type":"document_value","attributes":{"value":"The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\".","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1976#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1976","ead_ssi":"viblbv_repositories_2_resources_1976","_root_":"viblbv_repositories_2_resources_1976","_nest_parent_":"viblbv_repositories_2_resources_1976","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1976.xml","title_filing_ssi":"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993","title_ssm":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\""],"title_tesim":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\""],"unitdate_ssm":["1934-2000"],"unitdate_inclusive_ssm":["1934-2000"],"normalized_date_ssm":["1934/2000"],"normalized_title_ssm":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000"],"text":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000","Ms.1994.023","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open to research.","Some of this collection has been digitized and is available online.","This collection is arranged by subject.","CARY, Chicks in Architecture Refuse to Yield (to Atavistic Thinking in Design and Society), was founded in 1992 as an offshoot of Chicago Women in Architecture by Chicago architects Carol Crandall, Kay Janis, and Sally Levine. The group originally formed as a Chicago-based collective whose goals are to focus attention on the status-quo of women and the position of women in the field of architecture.","The group designed and produced an exhibit called \"More Than the Sum of Our Body Parts\" that was shown at the Randolph Street Gallery in Chicago from June 16 to July 2, 1993. The purpose of the exhibit was to illustrate the many ways that women architects are discriminated against in the workplace by their male colleagues. The exhibit was comprised of sculptural and multimedia installations, focusing on such topics as the sexual discrimination and harassment of women architects, and the glass ceiling said to be limiting the advance of women in architecture.","The guide to the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" commenced and was completed in August 1994.","The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\". It consists of vignette sketches, drawings and floorplans of the exhibit layout, directory of members list, press releases, announcements and newsletters, copies of articles advertising the exhibit, slides used in the exhibit and of the exhibit, a videotape of the exhibit set-up and opening reception, letters, meeting minutes, mounted boards with dates and facts, an audiocassette, exhibit catalogs, a frieze of a series of caryatids (architectural columns in the shape of a woman) imposed with the faces of CARY members, and a large cut-out of the body of a caryatid.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\".","Special Collections and University Archives, Virginia Tech","The materials in the collection are in English."],"collection_title_tesim":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000"],"collection_ssim":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1994.023"],"unitid_tesim":["Ms.1994.023"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" collection was donated to Special Collections in August 1994."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["2 Cubic Feet 2 boxes, 1 oversize"],"extent_tesim":["2 Cubic Feet 2 boxes, 1 oversize"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003eSome of this collection has been digitized and is \u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/items/show/4672\"\u003eavailable online\u003c/a\u003e.\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject."],"bioghist_html_tesm":["\u003cp\u003eCARY, Chicks in Architecture Refuse to Yield (to Atavistic Thinking in Design and Society), was founded in 1992 as an offshoot of Chicago Women in Architecture by Chicago architects Carol Crandall, Kay Janis, and Sally Levine. The group originally formed as a Chicago-based collective whose goals are to focus attention on the status-quo of women and the position of women in the field of architecture. \u003c/p\u003e","\u003cp\u003eThe group designed and produced an exhibit called \"More Than the Sum of Our Body Parts\" that was shown at the Randolph Street Gallery in Chicago from June 16 to July 2, 1993. The purpose of the exhibit was to illustrate the many ways that women architects are discriminated against in the workplace by their male colleagues. The exhibit was comprised of sculptural and multimedia installations, focusing on such topics as the sexual discrimination and harassment of women architects, and the glass ceiling said to be limiting the advance of women in architecture.\u003c/p\u003e  "],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["CARY, Chicks in Architecture Refuse to Yield (to Atavistic Thinking in Design and Society), was founded in 1992 as an offshoot of Chicago Women in Architecture by Chicago architects Carol Crandall, Kay Janis, and Sally Levine. The group originally formed as a Chicago-based collective whose goals are to focus attention on the status-quo of women and the position of women in the field of architecture.","The group designed and produced an exhibit called \"More Than the Sum of Our Body Parts\" that was shown at the Randolph Street Gallery in Chicago from June 16 to July 2, 1993. The purpose of the exhibit was to illustrate the many ways that women architects are discriminated against in the workplace by their male colleagues. The exhibit was comprised of sculptural and multimedia installations, focusing on such topics as the sexual discrimination and harassment of women architects, and the glass ceiling said to be limiting the advance of women in architecture."],"odd_html_tesm":["\u003cp\u003eThe guide to the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993,\" Ms1994-023, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993,\" Ms1994-023, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" commenced and was completed in August 1994.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" commenced and was completed in August 1994."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\". It consists of vignette sketches, drawings and floorplans of the exhibit layout, directory of members list, press releases, announcements and newsletters, copies of articles advertising the exhibit, slides used in the exhibit and of the exhibit, a videotape of the exhibit set-up and opening reception, letters, meeting minutes, mounted boards with dates and facts, an audiocassette, exhibit catalogs, a frieze of a series of caryatids (architectural columns in the shape of a woman) imposed with the faces of CARY members, and a large cut-out of the body of a caryatid.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\". It consists of vignette sketches, drawings and floorplans of the exhibit layout, directory of members list, press releases, announcements and newsletters, copies of articles advertising the exhibit, slides used in the exhibit and of the exhibit, a videotape of the exhibit set-up and opening reception, letters, meeting minutes, mounted boards with dates and facts, an audiocassette, exhibit catalogs, a frieze of a series of caryatids (architectural columns in the shape of a woman) imposed with the faces of CARY members, and a large cut-out of the body of a caryatid."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_86d2ba0ef1b2b402a3db987ba3173c6d\" label=\"Abstract\"\u003eThe collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\".\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\"."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_ssim":["Special Collections and University Archives, Virginia Tech"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":17,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:16:10.724Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1976","ead_ssi":"viblbv_repositories_2_resources_1976","_root_":"viblbv_repositories_2_resources_1976","_nest_parent_":"viblbv_repositories_2_resources_1976","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1976.xml","title_filing_ssi":"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993","title_ssm":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\""],"title_tesim":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\""],"unitdate_ssm":["1934-2000"],"unitdate_inclusive_ssm":["1934-2000"],"normalized_date_ssm":["1934/2000"],"normalized_title_ssm":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000"],"text":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000","Ms.1994.023","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open to research.","Some of this collection has been digitized and is available online.","This collection is arranged by subject.","CARY, Chicks in Architecture Refuse to Yield (to Atavistic Thinking in Design and Society), was founded in 1992 as an offshoot of Chicago Women in Architecture by Chicago architects Carol Crandall, Kay Janis, and Sally Levine. The group originally formed as a Chicago-based collective whose goals are to focus attention on the status-quo of women and the position of women in the field of architecture.","The group designed and produced an exhibit called \"More Than the Sum of Our Body Parts\" that was shown at the Randolph Street Gallery in Chicago from June 16 to July 2, 1993. The purpose of the exhibit was to illustrate the many ways that women architects are discriminated against in the workplace by their male colleagues. The exhibit was comprised of sculptural and multimedia installations, focusing on such topics as the sexual discrimination and harassment of women architects, and the glass ceiling said to be limiting the advance of women in architecture.","The guide to the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" commenced and was completed in August 1994.","The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\". It consists of vignette sketches, drawings and floorplans of the exhibit layout, directory of members list, press releases, announcements and newsletters, copies of articles advertising the exhibit, slides used in the exhibit and of the exhibit, a videotape of the exhibit set-up and opening reception, letters, meeting minutes, mounted boards with dates and facts, an audiocassette, exhibit catalogs, a frieze of a series of caryatids (architectural columns in the shape of a woman) imposed with the faces of CARY members, and a large cut-out of the body of a caryatid.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\".","Special Collections and University Archives, Virginia Tech","The materials in the collection are in English."],"collection_title_tesim":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000"],"collection_ssim":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1994.023"],"unitid_tesim":["Ms.1994.023"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" collection was donated to Special Collections in August 1994."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["2 Cubic Feet 2 boxes, 1 oversize"],"extent_tesim":["2 Cubic Feet 2 boxes, 1 oversize"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003eSome of this collection has been digitized and is \u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/items/show/4672\"\u003eavailable online\u003c/a\u003e.\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject."],"bioghist_html_tesm":["\u003cp\u003eCARY, Chicks in Architecture Refuse to Yield (to Atavistic Thinking in Design and Society), was founded in 1992 as an offshoot of Chicago Women in Architecture by Chicago architects Carol Crandall, Kay Janis, and Sally Levine. The group originally formed as a Chicago-based collective whose goals are to focus attention on the status-quo of women and the position of women in the field of architecture. \u003c/p\u003e","\u003cp\u003eThe group designed and produced an exhibit called \"More Than the Sum of Our Body Parts\" that was shown at the Randolph Street Gallery in Chicago from June 16 to July 2, 1993. The purpose of the exhibit was to illustrate the many ways that women architects are discriminated against in the workplace by their male colleagues. The exhibit was comprised of sculptural and multimedia installations, focusing on such topics as the sexual discrimination and harassment of women architects, and the glass ceiling said to be limiting the advance of women in architecture.\u003c/p\u003e  "],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["CARY, Chicks in Architecture Refuse to Yield (to Atavistic Thinking in Design and Society), was founded in 1992 as an offshoot of Chicago Women in Architecture by Chicago architects Carol Crandall, Kay Janis, and Sally Levine. The group originally formed as a Chicago-based collective whose goals are to focus attention on the status-quo of women and the position of women in the field of architecture.","The group designed and produced an exhibit called \"More Than the Sum of Our Body Parts\" that was shown at the Randolph Street Gallery in Chicago from June 16 to July 2, 1993. The purpose of the exhibit was to illustrate the many ways that women architects are discriminated against in the workplace by their male colleagues. The exhibit was comprised of sculptural and multimedia installations, focusing on such topics as the sexual discrimination and harassment of women architects, and the glass ceiling said to be limiting the advance of women in architecture."],"odd_html_tesm":["\u003cp\u003eThe guide to the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993,\" Ms1994-023, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993,\" Ms1994-023, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" commenced and was completed in August 1994.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" commenced and was completed in August 1994."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\". It consists of vignette sketches, drawings and floorplans of the exhibit layout, directory of members list, press releases, announcements and newsletters, copies of articles advertising the exhibit, slides used in the exhibit and of the exhibit, a videotape of the exhibit set-up and opening reception, letters, meeting minutes, mounted boards with dates and facts, an audiocassette, exhibit catalogs, a frieze of a series of caryatids (architectural columns in the shape of a woman) imposed with the faces of CARY members, and a large cut-out of the body of a caryatid.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\". It consists of vignette sketches, drawings and floorplans of the exhibit layout, directory of members list, press releases, announcements and newsletters, copies of articles advertising the exhibit, slides used in the exhibit and of the exhibit, a videotape of the exhibit set-up and opening reception, letters, meeting minutes, mounted boards with dates and facts, an audiocassette, exhibit catalogs, a frieze of a series of caryatids (architectural columns in the shape of a woman) imposed with the faces of CARY members, and a large cut-out of the body of a caryatid."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_86d2ba0ef1b2b402a3db987ba3173c6d\" label=\"Abstract\"\u003eThe collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\".\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\"."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_ssim":["Special Collections and University Archives, Virginia Tech"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":17,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:16:10.724Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1976"}},{"id":"viblbv_repositories_2_resources_2314","type":"collection","attributes":{"title":"Natalie de Blois Architectural Collection, 1941/2013","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2314#creator","type":"document_value","attributes":{"value":"De Blois, Natalie, 1921-2013","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2314#abstract_or_scope","type":"document_value","attributes":{"value":"The Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2314#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2314","ead_ssi":"viblbv_repositories_2_resources_2314","_root_":"viblbv_repositories_2_resources_2314","_nest_parent_":"viblbv_repositories_2_resources_2314","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2314.xml","title_filing_ssi":"de Blois, Natalie, Architectural Collection","title_ssm":["Natalie de Blois Architectural Collection"],"title_tesim":["Natalie de Blois Architectural Collection"],"unitdate_ssm":["1941-2013"],"unitdate_inclusive_ssm":["1941-2013"],"normalized_date_ssm":["1941/2013"],"normalized_title_ssm":["Natalie de Blois Architectural Collection, 1941/2013"],"text":["Natalie de Blois Architectural Collection, 1941/2013","Ms.2007.017","/repositories/2/resources/2314","Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)","The collection is open for research.","The collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005.","Natalie de Blois was born in Paterson, New Jersey on April 2, 1921.","In 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026 Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026 Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.","Natalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).","After 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026 Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.","During the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.","Sources:","SOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.","Natalie de Blois collection, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.","The guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","A preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012.","Natalie de Blois collection, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.","The Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects.","Special Collections and University Archives, Virginia Tech","De Blois, Natalie, 1921-2013","The materials in the collection are in English."],"collection_title_tesim":["Natalie de Blois Architectural Collection, 1941/2013"],"collection_ssim":["Natalie de Blois Architectural Collection, 1941/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.017","/repositories/2/resources/2314"],"unitid_tesim":["Ms.2007.017","/repositories/2/resources/2314"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["De Blois, Natalie, 1921-2013"],"creator_ssim":["De Blois, Natalie, 1921-2013"],"creator_persname_ssim":["De Blois, Natalie, 1921-2013"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["De Blois, Natalie, 1921-2013","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Natalie de Blois Architectural Collection was donated to Special Collections in November 2007."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["2.7 Cubic Feet 2 boxes and 7 oversize folders"],"extent_tesim":["2.7 Cubic Feet 2 boxes and 7 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005."],"bioghist_html_tesm":["\u003cp\u003eNatalie de Blois was born in Paterson, New Jersey on April 2, 1921.   \u003c/p\u003e","\u003cp\u003eIn 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026amp; Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026amp; Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.    \u003c/p\u003e","\u003cp\u003eNatalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).\u003c/p\u003e","\u003cp\u003eAfter 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026amp; Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.\u003c/p\u003e","\u003cp\u003eDuring the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.\u003c/p\u003e","\u003cp\u003eSources:\u003c/p\u003e","\u003cp\u003eSOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.\u003c/p\u003e","\u003cp\u003e\u003ca target=\"_blank\" href=\"https://txarchives.org/utaaa/finding_aids/00047.xml\" title=\"Natalie de Blois collection\"\u003eNatalie de Blois collection\u003c/a\u003e, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Natalie de Blois was born in Paterson, New Jersey on April 2, 1921.","In 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026 Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026 Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.","Natalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).","After 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026 Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.","During the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.","Sources:","SOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.","Natalie de Blois collection, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin."],"odd_html_tesm":["\u003cp\u003eThe guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Natalie de Blois Architectural Collection, Ms2007-017, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Natalie de Blois Architectural Collection, Ms2007-017, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eA preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["A preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://txarchives.org/utaaa/finding_aids/00047.xml\" title=\"Natalie de Blois collection\"\u003eNatalie de Blois collection\u003c/a\u003e, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["Natalie de Blois collection, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin."],"scopecontent_html_tesm":["\u003cp\u003eThe Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f5117d486842b5d3b8217ef9b02e28c4\" label=\"Abstract\"\u003eThe Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["De Blois, Natalie, 1921-2013"],"names_coll_ssim":["De Blois, Natalie, 1921-2013"],"names_ssim":["Special Collections and University Archives, Virginia Tech","De Blois, Natalie, 1921-2013"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":55,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:16:22.775Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2314","ead_ssi":"viblbv_repositories_2_resources_2314","_root_":"viblbv_repositories_2_resources_2314","_nest_parent_":"viblbv_repositories_2_resources_2314","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2314.xml","title_filing_ssi":"de Blois, Natalie, Architectural Collection","title_ssm":["Natalie de Blois Architectural Collection"],"title_tesim":["Natalie de Blois Architectural Collection"],"unitdate_ssm":["1941-2013"],"unitdate_inclusive_ssm":["1941-2013"],"normalized_date_ssm":["1941/2013"],"normalized_title_ssm":["Natalie de Blois Architectural Collection, 1941/2013"],"text":["Natalie de Blois Architectural Collection, 1941/2013","Ms.2007.017","/repositories/2/resources/2314","Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)","The collection is open for research.","The collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005.","Natalie de Blois was born in Paterson, New Jersey on April 2, 1921.","In 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026 Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026 Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.","Natalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).","After 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026 Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.","During the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.","Sources:","SOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.","Natalie de Blois collection, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.","The guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","A preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012.","Natalie de Blois collection, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.","The Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects.","Special Collections and University Archives, Virginia Tech","De Blois, Natalie, 1921-2013","The materials in the collection are in English."],"collection_title_tesim":["Natalie de Blois Architectural Collection, 1941/2013"],"collection_ssim":["Natalie de Blois Architectural Collection, 1941/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.017","/repositories/2/resources/2314"],"unitid_tesim":["Ms.2007.017","/repositories/2/resources/2314"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["De Blois, Natalie, 1921-2013"],"creator_ssim":["De Blois, Natalie, 1921-2013"],"creator_persname_ssim":["De Blois, Natalie, 1921-2013"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["De Blois, Natalie, 1921-2013","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Natalie de Blois Architectural Collection was donated to Special Collections in November 2007."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["2.7 Cubic Feet 2 boxes and 7 oversize folders"],"extent_tesim":["2.7 Cubic Feet 2 boxes and 7 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into two series: Series I Professional papers and Series II Project Records. 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Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.    \u003c/p\u003e","\u003cp\u003eNatalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).\u003c/p\u003e","\u003cp\u003eAfter 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026amp; Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.\u003c/p\u003e","\u003cp\u003eDuring the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.\u003c/p\u003e","\u003cp\u003eSources:\u003c/p\u003e","\u003cp\u003eSOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.\u003c/p\u003e","\u003cp\u003e\u003ca target=\"_blank\" href=\"https://txarchives.org/utaaa/finding_aids/00047.xml\" title=\"Natalie de Blois collection\"\u003eNatalie de Blois collection\u003c/a\u003e, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Natalie de Blois was born in Paterson, New Jersey on April 2, 1921.","In 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026 Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026 Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.","Natalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).","After 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026 Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.","During the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.","Sources:","SOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.","Natalie de Blois collection, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin."],"odd_html_tesm":["\u003cp\u003eThe guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Natalie de Blois Architectural Collection, Ms2007-017, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Natalie de Blois Architectural Collection, Ms2007-017, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eA preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["A preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://txarchives.org/utaaa/finding_aids/00047.xml\" title=\"Natalie de Blois collection\"\u003eNatalie de Blois collection\u003c/a\u003e, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["Natalie de Blois collection, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin."],"scopecontent_html_tesm":["\u003cp\u003eThe Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f5117d486842b5d3b8217ef9b02e28c4\" label=\"Abstract\"\u003eThe Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["De Blois, Natalie, 1921-2013"],"names_coll_ssim":["De Blois, Natalie, 1921-2013"],"names_ssim":["Special Collections and University Archives, Virginia Tech","De Blois, Natalie, 1921-2013"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":55,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:16:22.775Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2314"}},{"id":"viblbv_repositories_2_resources_1790","type":"collection","attributes":{"title":"Olive Chadeayne Architectural Collection, 1924/1956","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1790#creator","type":"document_value","attributes":{"value":"Chadeayne, Olive, 1904-2001","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1790#abstract_or_scope","type":"document_value","attributes":{"value":"The Olive Chadeayne Architectural Collection includes drawings for residences, schools, churches and businesses primarily located in southern California. In addition to Olive Chadeayne's work, the collection also contains over twenty-five drawings by American architect Lillian Rice.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1790#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1790","ead_ssi":"viblbv_repositories_2_resources_1790","_root_":"viblbv_repositories_2_resources_1790","_nest_parent_":"viblbv_repositories_2_resources_1790","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1790.xml","title_filing_ssi":"Chadeayne, Olive, Architectural Collection","title_ssm":["Olive Chadeayne Architectural Collection"],"title_tesim":["Olive Chadeayne Architectural Collection"],"unitdate_ssm":["1924-1956"],"unitdate_inclusive_ssm":["1924-1956"],"normalized_date_ssm":["1924/1956"],"normalized_title_ssm":["Olive Chadeayne Architectural Collection, 1924/1956"],"text":["Olive Chadeayne Architectural Collection, 1924/1956","Ms.1990.057","Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)","The collection is open for research.","Some of this collection has been digitized and is available online.","There are three series in The Olive Chadeayne Architectural Collection:","Series I: Personal \u0026 Professional Papers and Series","Series II: Project Records, is arranged alphabetically by client/project title.  Blue prints are stored separtely from tracing and dizao papers.  Blue line/diazo drawings are stored with tracings, separted by interleaving tissue.","Series III: Arts \u0026 Artifacts are arranged chronologically according to project.","Olive Chadeayne was born on February 9, 1904 in Ossining, New York.  Educated in California, Chadeayne began studying architecture at the University of California (currently UCLA) in 1922 later completing her coursework at Berkeley when the UCLA architecture program was shut down.  Chadeayne graduated with a B.A. in Architecture from Berkeley on May 12, 1926 and went on to complete her graduate work there in 1927.","Los Angeles based architecture firm, Pierpont \u0026 Walter Davis hired Chadeayne shortly after graduation in 1927.  During the time Chadeayne spent at the firm she worked on a number of small residential projects improving her drafting abilities.  In 1935 Chadeayne met and became close associate to architect Lilian J. Rice (1888-1938).  For three years Chadeayne collaborated with Rice, designing two schools, small offices and other assorted buildings.  Their association was cut short when Lilian Rice passed away suddenly in 1938, Chadeayne went on to complete a number of Rice's unfinished work projects.","In 1940 Chadeayne began taking on private contract work for the first time and accepted a teaching position at Cornell University.  There, she taught house planning in the College of Home Economics.  By July 1942 however, Chadeayne returned to California taking work as a production illustrator for the Lockheed engineering department in war service.  While working for Lockheed Chadeayne also handled side projects for various firms in the Los Angeles area concentrating primarily on residential and educational facilities.  In 1945 Chadeayne left Lockheed.","By 1951 Chadeayne was hired at Daniel, Mann, Johnson \u0026 Mendenhall (DMJM).  Her job at the company required extensive travel to educational facilities in various stages of building development.  As a result of her travels, Chadeayne became a highly skilled specifications writer for DMJM.  Her ability to write technically became her greatest professional asset.","\"I tried to write specifications so that the ordinary workmen could understand them.  I found that the specifications were the standard by which the building was built and that some of the workmen couldn't understand…So I tried to write them in a way that anybody could…\"","From 1958 to 1965 Chadeayne worked at Los Angeles based firm, A.Q. Jones \u0026 Frederick Emmons.  She worked on a number of projects including a U.S. Air Force hospital, Naval housing and most significantly, the U.S. Consulate in Singapore.  By 1966 one of Chadeayne's most prominent architectural endeavors began when she was hired to write specifications at the Bank of America Headquarters in San Francisco, California.","By 1970 Chadeayne retired formally but continued working part time until 1973 as a consultant for renowned architecture firm, Skidmore Owings \u0026 Merrill (SOM).  There she wrote furnishing specifications for a bank project in Buffalo, NY.","Throughout her career and in retirement Chadeayne held membership with the AWA (Association of Women Architects) and the Los Angeles chapter of the AIA (American Institute of Architects).  Chadeayne took an active in role in AIA serving as chairwoman for the membership committee and later on the Codes Committee ensuring utilization of California building regulations statewide.","In her free time Chadeayne enjoyed cooking and gardening.  She spent significant time traveling with friends and family visiting such places as Australia, New Zealand, China and Japan.  She died on February 23, 2001 at the age of 97 in Tracy, California.","Works Consulted","Chadeayne, O., Horton, I. S., O'Hara, E., International Archive of Women in Architecture, \u0026 American Institute of Architects. (1993). Olive Chadeayne, architect: Transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects. S.l: s.n.","Horton, Inge Schaefer. (Eds.). (2010).  Early women architects of the San Francisco Bay Area : the lives and work of fifty professionals, 1890-1951.  Jefferson, N.C: McFarland \u0026 Co. Inc.","Lilian Rice (1889-1938) was born in National City, California in 1889.  She attended the University of California at Berkley for architecture and in 1910 became one of the first females to graduate from the program.  Rice's greatest professional achievement came from her work as resident architect in the design of the upscale southern California community, Rancho Santa Fe.","Recognized for her work with Spanish colonial architecture, Rice advocated utilizing natural and local materials to blend surrounding landscapes into her designs.  This practice was particularly evident in her work on the Rancho Santa Fe community.","\"Every environment here calls for simplicity and beauty: the gorgeous natural landscapes, the gently broken topography, the nearby mountains. No one with a sense of fitness, it seems to me, could violate these natural factors by creating anything that lacked simplicity in line and form and color.\"","In addition to her work on the Rancho Santa Fe community, Rice designed San Dieguito Union High School in Encitas, California later serving as an original trustee for the Rancho Santa Fe school district.","Lilian Rice died suddenly on Dec. 22, 1938 at the age of 49.","Sources:","Cox, Lilian. (2009, October).  Famous female architect finally gets a biography.  The Coast News.  Retrieved from http://thecoastnews.com/view/full_story/3901797/article-Famous-female-architect-finally-gets-a-biography","Eddy, L. L. (1985). Lilian Jeannette Rice: The lady as architect (A University of San Diego Thesis By Lucinda Eddy).  University  of San Diego, San Diego, CA.","The guide to the Olive Chadeayne Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","A preliminary inventory of the Olive Chadeayne Architectural Collection was completed in 1990.  The collection was fully processed and described in September 2010.","See also: \"Olive Chadeayne, architect: transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects.\"  cataloged in the Special Collections Reading Room SPEC LARGE NA2125.C3 C42 1993","The Olive Chadeayne Architectural Collection spans the years 1924 to 1956 with the majority of projects completed in greater southern California. Additionally, the designs of architect Lilian J. Rice are included. This collection contains both independent and collaborative design projects by Chadeayne and Rice. Materials in the collection include watercolor drawings, tracings, blue prints photographs, magazine clippings and display boards for approximately 125 projects.","The collection is divided into three series:","Series I: Personal \u0026 Professional Papers (1924) consists of Chadeayne's student work; watercolor designs; portrait photographs of Chadeayne as well as her co-worker, Greta Grossman; and magazine clippings from Ladies Home Journal.","Series II: Project Records (1926-1952) includes project notes, finished project photos, display photos and Chadeayne's drawings.","Series III: Art \u0026 Artifacts (1927-1937) contains, one watercolor drawing of the Townley residence and one historical color map of Monterey, California.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Olive Chadeayne Architectural Collection includes drawings for residences, schools, churches and businesses primarily located in southern California.  In addition to Olive Chadeayne's work, the collection also contains over twenty-five drawings by American architect Lillian Rice.","Special Collections and University Archives, Virginia Tech","Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S.","The materials in the collection are in English."],"collection_title_tesim":["Olive Chadeayne Architectural Collection, 1924/1956"],"collection_ssim":["Olive Chadeayne Architectural Collection, 1924/1956"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1990.057"],"unitid_tesim":["Ms.1990.057"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S."],"creator_ssim":["Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S."],"creator_persname_ssim":["Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S."],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S.","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Olive Chadeayne Architectural Collection was donated to Special Collections in multiple accruals between 1990 and 1994."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.8 Cubic Feet 2 boxes; 28 oversize folders"],"extent_tesim":["9.8 Cubic Feet 2 boxes; 28 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/176\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThere are three series in The Olive Chadeayne Architectural Collection:\u003c/p\u003e","\u003cp\u003eSeries I: Personal \u0026amp; Professional Papers and Series \u003c/p\u003e","\u003cp\u003eSeries II: Project Records, is arranged alphabetically by client/project title.  Blue prints are stored separtely from tracing and dizao papers.  Blue line/diazo drawings are stored with tracings, separted by interleaving tissue.\u003c/p\u003e","\u003cp\u003eSeries III: Arts \u0026amp; Artifacts are arranged chronologically according to project.  \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["There are three series in The Olive Chadeayne Architectural Collection:","Series I: Personal \u0026 Professional Papers and Series","Series II: Project Records, is arranged alphabetically by client/project title.  Blue prints are stored separtely from tracing and dizao papers.  Blue line/diazo drawings are stored with tracings, separted by interleaving tissue.","Series III: Arts \u0026 Artifacts are arranged chronologically according to project."],"bioghist_html_tesm":["\u003cp\u003eOlive Chadeayne was born on February 9, 1904 in Ossining, New York.  Educated in California, Chadeayne began studying architecture at the University of California (currently UCLA) in 1922 later completing her coursework at Berkeley when the UCLA architecture program was shut down.  Chadeayne graduated with a B.A. in Architecture from Berkeley on May 12, 1926 and went on to complete her graduate work there in 1927.\u003c/p\u003e","\u003cp\u003eLos Angeles based architecture firm, Pierpont \u0026amp; Walter Davis hired Chadeayne shortly after graduation in 1927.  During the time Chadeayne spent at the firm she worked on a number of small residential projects improving her drafting abilities.  In 1935 Chadeayne met and became close associate to architect Lilian J. Rice (1888-1938).  For three years Chadeayne collaborated with Rice, designing two schools, small offices and other assorted buildings.  Their association was cut short when Lilian Rice passed away suddenly in 1938, Chadeayne went on to complete a number of Rice's unfinished work projects.\u003c/p\u003e","\u003cp\u003eIn 1940 Chadeayne began taking on private contract work for the first time and accepted a teaching position at Cornell University.  There, she taught house planning in the College of Home Economics.  By July 1942 however, Chadeayne returned to California taking work as a production illustrator for the Lockheed engineering department in war service.  While working for Lockheed Chadeayne also handled side projects for various firms in the Los Angeles area concentrating primarily on residential and educational facilities.  In 1945 Chadeayne left Lockheed. \u003c/p\u003e","\u003cp\u003eBy 1951 Chadeayne was hired at Daniel, Mann, Johnson \u0026amp; Mendenhall (DMJM).  Her job at the company required extensive travel to educational facilities in various stages of building development.  As a result of her travels, Chadeayne became a highly skilled specifications writer for DMJM.  Her ability to write technically became her greatest professional asset. \u003c/p\u003e","\u003cp\u003e\u003cblockquote\u003e\u003cp\u003e\"I tried to write specifications so that the ordinary workmen could understand them.  I found that the specifications were the standard by which the building was built and that some of the workmen couldn't understand…So I tried to write them in a way that anybody could…\" \u003c/p\u003e\u003c/blockquote\u003e\u003c/p\u003e","\u003cp\u003eFrom 1958 to 1965 Chadeayne worked at Los Angeles based firm, A.Q. Jones \u0026amp; Frederick Emmons.  She worked on a number of projects including a U.S. Air Force hospital, Naval housing and most significantly, the U.S. Consulate in Singapore.  By 1966 one of Chadeayne's most prominent architectural endeavors began when she was hired to write specifications at the Bank of America Headquarters in San Francisco, California.  \u003c/p\u003e","\u003cp\u003eBy 1970 Chadeayne retired formally but continued working part time until 1973 as a consultant for renowned architecture firm, Skidmore Owings \u0026amp; Merrill (SOM).  There she wrote furnishing specifications for a bank project in Buffalo, NY. \u003c/p\u003e","\u003cp\u003eThroughout her career and in retirement Chadeayne held membership with the AWA (Association of Women Architects) and the Los Angeles chapter of the AIA (American Institute of Architects).  Chadeayne took an active in role in AIA serving as chairwoman for the membership committee and later on the Codes Committee ensuring utilization of California building regulations statewide.  \u003c/p\u003e","\u003cp\u003eIn her free time Chadeayne enjoyed cooking and gardening.  She spent significant time traveling with friends and family visiting such places as Australia, New Zealand, China and Japan.  She died on February 23, 2001 at the age of 97 in Tracy, California.  \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eWorks Consulted \u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eChadeayne, O., Horton, I. S., O'Hara, E., \u003cemph render=\"italic\"\u003eInternational Archive of Women in Architecture, \u0026amp; American Institute of Architects. (1993). Olive Chadeayne, architect: Transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects.\u003c/emph\u003e S.l: s.n.\u003c/p\u003e","\u003cp\u003eHorton, Inge Schaefer. (Eds.). (2010).  \u003cemph render=\"italic\"\u003eEarly women architects of the San Francisco Bay Area : the lives and work of fifty professionals, 1890-1951. \u003c/emph\u003e Jefferson, N.C: McFarland \u0026amp; Co. Inc.\u003c/p\u003e  ","\u003cp\u003eLilian Rice (1889-1938) was born in National City, California in 1889.  She attended the University of California at Berkley for architecture and in 1910 became one of the first females to graduate from the program.  Rice's greatest professional achievement came from her work as resident architect in the design of the upscale southern California community, Rancho Santa Fe.\u003c/p\u003e","\u003cp\u003eRecognized for her work with Spanish colonial architecture, Rice advocated utilizing natural and local materials to blend surrounding landscapes into her designs.  This practice was particularly evident in her work on the Rancho Santa Fe community.\u003c/p\u003e","\u003cp\u003e\u003cblockquote\u003e\u003cp\u003e\"Every environment here calls for simplicity and beauty: the gorgeous natural landscapes, the gently broken topography, the nearby mountains. No one with a sense of fitness, it seems to me, could violate these natural factors by creating anything that lacked simplicity in line and form and color.\" \u003c/p\u003e\u003c/blockquote\u003e\u003c/p\u003e","\u003cp\u003eIn addition to her work on the Rancho Santa Fe community, Rice designed San Dieguito Union High School in Encitas, California later serving as an original trustee for the Rancho Santa Fe school district.\u003c/p\u003e","\u003cp\u003eLilian Rice died suddenly on Dec. 22, 1938 at the age of 49.  \u003c/p\u003e","\u003cp\u003eSources:\u003c/p\u003e","\u003cp\u003eCox, Lilian. (2009, October).  Famous female architect finally gets a biography.  \u003cemph render=\"italic\"\u003eThe Coast News.\u003c/emph\u003e  Retrieved from \u003ca target=\"_blank\" href=\"http://thecoastnews.com/view/full_story/3901797/article-Famous-female-architect-finally-gets-a-biography\"\u003ehttp://thecoastnews.com/view/full_story/3901797/article-Famous-female-architect-finally-gets-a-biography\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eEddy, L. L. (1985). \u003cemph render=\"italic\"\u003eLilian Jeannette Rice: The lady as architect (A University of San Diego Thesis By Lucinda Eddy).\u003c/emph\u003e  University  of San Diego, San Diego, CA.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note - Olive Chadeayne","Biographical Note - Lilian Rice"],"bioghist_tesim":["Olive Chadeayne was born on February 9, 1904 in Ossining, New York.  Educated in California, Chadeayne began studying architecture at the University of California (currently UCLA) in 1922 later completing her coursework at Berkeley when the UCLA architecture program was shut down.  Chadeayne graduated with a B.A. in Architecture from Berkeley on May 12, 1926 and went on to complete her graduate work there in 1927.","Los Angeles based architecture firm, Pierpont \u0026 Walter Davis hired Chadeayne shortly after graduation in 1927.  During the time Chadeayne spent at the firm she worked on a number of small residential projects improving her drafting abilities.  In 1935 Chadeayne met and became close associate to architect Lilian J. Rice (1888-1938).  For three years Chadeayne collaborated with Rice, designing two schools, small offices and other assorted buildings.  Their association was cut short when Lilian Rice passed away suddenly in 1938, Chadeayne went on to complete a number of Rice's unfinished work projects.","In 1940 Chadeayne began taking on private contract work for the first time and accepted a teaching position at Cornell University.  There, she taught house planning in the College of Home Economics.  By July 1942 however, Chadeayne returned to California taking work as a production illustrator for the Lockheed engineering department in war service.  While working for Lockheed Chadeayne also handled side projects for various firms in the Los Angeles area concentrating primarily on residential and educational facilities.  In 1945 Chadeayne left Lockheed.","By 1951 Chadeayne was hired at Daniel, Mann, Johnson \u0026 Mendenhall (DMJM).  Her job at the company required extensive travel to educational facilities in various stages of building development.  As a result of her travels, Chadeayne became a highly skilled specifications writer for DMJM.  Her ability to write technically became her greatest professional asset.","\"I tried to write specifications so that the ordinary workmen could understand them.  I found that the specifications were the standard by which the building was built and that some of the workmen couldn't understand…So I tried to write them in a way that anybody could…\"","From 1958 to 1965 Chadeayne worked at Los Angeles based firm, A.Q. Jones \u0026 Frederick Emmons.  She worked on a number of projects including a U.S. Air Force hospital, Naval housing and most significantly, the U.S. Consulate in Singapore.  By 1966 one of Chadeayne's most prominent architectural endeavors began when she was hired to write specifications at the Bank of America Headquarters in San Francisco, California.","By 1970 Chadeayne retired formally but continued working part time until 1973 as a consultant for renowned architecture firm, Skidmore Owings \u0026 Merrill (SOM).  There she wrote furnishing specifications for a bank project in Buffalo, NY.","Throughout her career and in retirement Chadeayne held membership with the AWA (Association of Women Architects) and the Los Angeles chapter of the AIA (American Institute of Architects).  Chadeayne took an active in role in AIA serving as chairwoman for the membership committee and later on the Codes Committee ensuring utilization of California building regulations statewide.","In her free time Chadeayne enjoyed cooking and gardening.  She spent significant time traveling with friends and family visiting such places as Australia, New Zealand, China and Japan.  She died on February 23, 2001 at the age of 97 in Tracy, California.","Works Consulted","Chadeayne, O., Horton, I. S., O'Hara, E., International Archive of Women in Architecture, \u0026 American Institute of Architects. (1993). Olive Chadeayne, architect: Transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects. S.l: s.n.","Horton, Inge Schaefer. (Eds.). (2010).  Early women architects of the San Francisco Bay Area : the lives and work of fifty professionals, 1890-1951.  Jefferson, N.C: McFarland \u0026 Co. Inc.","Lilian Rice (1889-1938) was born in National City, California in 1889.  She attended the University of California at Berkley for architecture and in 1910 became one of the first females to graduate from the program.  Rice's greatest professional achievement came from her work as resident architect in the design of the upscale southern California community, Rancho Santa Fe.","Recognized for her work with Spanish colonial architecture, Rice advocated utilizing natural and local materials to blend surrounding landscapes into her designs.  This practice was particularly evident in her work on the Rancho Santa Fe community.","\"Every environment here calls for simplicity and beauty: the gorgeous natural landscapes, the gently broken topography, the nearby mountains. No one with a sense of fitness, it seems to me, could violate these natural factors by creating anything that lacked simplicity in line and form and color.\"","In addition to her work on the Rancho Santa Fe community, Rice designed San Dieguito Union High School in Encitas, California later serving as an original trustee for the Rancho Santa Fe school district.","Lilian Rice died suddenly on Dec. 22, 1938 at the age of 49.","Sources:","Cox, Lilian. (2009, October).  Famous female architect finally gets a biography.  The Coast News.  Retrieved from http://thecoastnews.com/view/full_story/3901797/article-Famous-female-architect-finally-gets-a-biography","Eddy, L. L. (1985). Lilian Jeannette Rice: The lady as architect (A University of San Diego Thesis By Lucinda Eddy).  University  of San Diego, San Diego, CA."],"odd_html_tesm":["\u003cp\u003eThe guide to the Olive Chadeayne Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Olive Chadeayne Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Olive Chadeayne Architectural Collection, Ms 1990-057, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Olive Chadeayne Architectural Collection, Ms 1990-057, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eA preliminary inventory of the Olive Chadeayne Architectural Collection was completed in 1990.  The collection was fully processed and described in September 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["A preliminary inventory of the Olive Chadeayne Architectural Collection was completed in 1990.  The collection was fully processed and described in September 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also: \"Olive Chadeayne, architect: transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects.\"  cataloged in the Special Collections Reading Room SPEC LARGE NA2125.C3 C42 1993\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also: \"Olive Chadeayne, architect: transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects.\"  cataloged in the Special Collections Reading Room SPEC LARGE NA2125.C3 C42 1993"],"scopecontent_html_tesm":["\u003cp\u003eThe Olive Chadeayne Architectural Collection spans the years 1924 to 1956 with the majority of projects completed in greater southern California. Additionally, the designs of architect Lilian J. Rice are included. This collection contains both independent and collaborative design projects by Chadeayne and Rice. Materials in the collection include watercolor drawings, tracings, blue prints photographs, magazine clippings and display boards for approximately 125 projects.  \u003c/p\u003e","\u003cp\u003eThe collection is divided into three series:\u003c/p\u003e","\u003cp\u003eSeries I: Personal \u0026amp; Professional Papers (1924) consists of Chadeayne's student work; watercolor designs; portrait photographs of Chadeayne as well as her co-worker, Greta Grossman; and magazine clippings from \u003cemph render=\"italic\"\u003eLadies Home Journal.\u003c/emph\u003e   \u003c/p\u003e","\u003cp\u003eSeries II: Project Records (1926-1952) includes project notes, finished project photos, display photos and Chadeayne's drawings.    \u003c/p\u003e","\u003cp\u003eSeries III: Art \u0026amp; Artifacts (1927-1937) contains, one watercolor drawing of the Townley residence and one historical color map of Monterey, California.  \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Olive Chadeayne Architectural Collection spans the years 1924 to 1956 with the majority of projects completed in greater southern California. Additionally, the designs of architect Lilian J. Rice are included. This collection contains both independent and collaborative design projects by Chadeayne and Rice. Materials in the collection include watercolor drawings, tracings, blue prints photographs, magazine clippings and display boards for approximately 125 projects.","The collection is divided into three series:","Series I: Personal \u0026 Professional Papers (1924) consists of Chadeayne's student work; watercolor designs; portrait photographs of Chadeayne as well as her co-worker, Greta Grossman; and magazine clippings from Ladies Home Journal.","Series II: Project Records (1926-1952) includes project notes, finished project photos, display photos and Chadeayne's drawings.","Series III: Art \u0026 Artifacts (1927-1937) contains, one watercolor drawing of the Townley residence and one historical color map of Monterey, California."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4f0d7b8e766de5ccff7c339a98ee76a\" label=\"Abstract\"\u003eThe Olive Chadeayne Architectural Collection includes drawings for residences, schools, churches and businesses primarily located in southern California.  In addition to Olive Chadeayne's work, the collection also contains over twenty-five drawings by American architect Lillian Rice.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Olive Chadeayne Architectural Collection includes drawings for residences, schools, churches and businesses primarily located in southern California.  In addition to Olive Chadeayne's work, the collection also contains over twenty-five drawings by American architect Lillian Rice."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S."],"names_coll_ssim":["Rice, Lilian, 1889-1938","Horton, Inge S."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":115,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:15:53.205Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1790","ead_ssi":"viblbv_repositories_2_resources_1790","_root_":"viblbv_repositories_2_resources_1790","_nest_parent_":"viblbv_repositories_2_resources_1790","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1790.xml","title_filing_ssi":"Chadeayne, Olive, Architectural Collection","title_ssm":["Olive Chadeayne Architectural Collection"],"title_tesim":["Olive Chadeayne Architectural Collection"],"unitdate_ssm":["1924-1956"],"unitdate_inclusive_ssm":["1924-1956"],"normalized_date_ssm":["1924/1956"],"normalized_title_ssm":["Olive Chadeayne Architectural Collection, 1924/1956"],"text":["Olive Chadeayne Architectural Collection, 1924/1956","Ms.1990.057","Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)","The collection is open for research.","Some of this collection has been digitized and is available online.","There are three series in The Olive Chadeayne Architectural Collection:","Series I: Personal \u0026 Professional Papers and Series","Series II: Project Records, is arranged alphabetically by client/project title.  Blue prints are stored separtely from tracing and dizao papers.  Blue line/diazo drawings are stored with tracings, separted by interleaving tissue.","Series III: Arts \u0026 Artifacts are arranged chronologically according to project.","Olive Chadeayne was born on February 9, 1904 in Ossining, New York.  Educated in California, Chadeayne began studying architecture at the University of California (currently UCLA) in 1922 later completing her coursework at Berkeley when the UCLA architecture program was shut down.  Chadeayne graduated with a B.A. in Architecture from Berkeley on May 12, 1926 and went on to complete her graduate work there in 1927.","Los Angeles based architecture firm, Pierpont \u0026 Walter Davis hired Chadeayne shortly after graduation in 1927.  During the time Chadeayne spent at the firm she worked on a number of small residential projects improving her drafting abilities.  In 1935 Chadeayne met and became close associate to architect Lilian J. Rice (1888-1938).  For three years Chadeayne collaborated with Rice, designing two schools, small offices and other assorted buildings.  Their association was cut short when Lilian Rice passed away suddenly in 1938, Chadeayne went on to complete a number of Rice's unfinished work projects.","In 1940 Chadeayne began taking on private contract work for the first time and accepted a teaching position at Cornell University.  There, she taught house planning in the College of Home Economics.  By July 1942 however, Chadeayne returned to California taking work as a production illustrator for the Lockheed engineering department in war service.  While working for Lockheed Chadeayne also handled side projects for various firms in the Los Angeles area concentrating primarily on residential and educational facilities.  In 1945 Chadeayne left Lockheed.","By 1951 Chadeayne was hired at Daniel, Mann, Johnson \u0026 Mendenhall (DMJM).  Her job at the company required extensive travel to educational facilities in various stages of building development.  As a result of her travels, Chadeayne became a highly skilled specifications writer for DMJM.  Her ability to write technically became her greatest professional asset.","\"I tried to write specifications so that the ordinary workmen could understand them.  I found that the specifications were the standard by which the building was built and that some of the workmen couldn't understand…So I tried to write them in a way that anybody could…\"","From 1958 to 1965 Chadeayne worked at Los Angeles based firm, A.Q. Jones \u0026 Frederick Emmons.  She worked on a number of projects including a U.S. Air Force hospital, Naval housing and most significantly, the U.S. Consulate in Singapore.  By 1966 one of Chadeayne's most prominent architectural endeavors began when she was hired to write specifications at the Bank of America Headquarters in San Francisco, California.","By 1970 Chadeayne retired formally but continued working part time until 1973 as a consultant for renowned architecture firm, Skidmore Owings \u0026 Merrill (SOM).  There she wrote furnishing specifications for a bank project in Buffalo, NY.","Throughout her career and in retirement Chadeayne held membership with the AWA (Association of Women Architects) and the Los Angeles chapter of the AIA (American Institute of Architects).  Chadeayne took an active in role in AIA serving as chairwoman for the membership committee and later on the Codes Committee ensuring utilization of California building regulations statewide.","In her free time Chadeayne enjoyed cooking and gardening.  She spent significant time traveling with friends and family visiting such places as Australia, New Zealand, China and Japan.  She died on February 23, 2001 at the age of 97 in Tracy, California.","Works Consulted","Chadeayne, O., Horton, I. S., O'Hara, E., International Archive of Women in Architecture, \u0026 American Institute of Architects. (1993). Olive Chadeayne, architect: Transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects. S.l: s.n.","Horton, Inge Schaefer. (Eds.). (2010).  Early women architects of the San Francisco Bay Area : the lives and work of fifty professionals, 1890-1951.  Jefferson, N.C: McFarland \u0026 Co. Inc.","Lilian Rice (1889-1938) was born in National City, California in 1889.  She attended the University of California at Berkley for architecture and in 1910 became one of the first females to graduate from the program.  Rice's greatest professional achievement came from her work as resident architect in the design of the upscale southern California community, Rancho Santa Fe.","Recognized for her work with Spanish colonial architecture, Rice advocated utilizing natural and local materials to blend surrounding landscapes into her designs.  This practice was particularly evident in her work on the Rancho Santa Fe community.","\"Every environment here calls for simplicity and beauty: the gorgeous natural landscapes, the gently broken topography, the nearby mountains. No one with a sense of fitness, it seems to me, could violate these natural factors by creating anything that lacked simplicity in line and form and color.\"","In addition to her work on the Rancho Santa Fe community, Rice designed San Dieguito Union High School in Encitas, California later serving as an original trustee for the Rancho Santa Fe school district.","Lilian Rice died suddenly on Dec. 22, 1938 at the age of 49.","Sources:","Cox, Lilian. (2009, October).  Famous female architect finally gets a biography.  The Coast News.  Retrieved from http://thecoastnews.com/view/full_story/3901797/article-Famous-female-architect-finally-gets-a-biography","Eddy, L. L. (1985). Lilian Jeannette Rice: The lady as architect (A University of San Diego Thesis By Lucinda Eddy).  University  of San Diego, San Diego, CA.","The guide to the Olive Chadeayne Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","A preliminary inventory of the Olive Chadeayne Architectural Collection was completed in 1990.  The collection was fully processed and described in September 2010.","See also: \"Olive Chadeayne, architect: transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects.\"  cataloged in the Special Collections Reading Room SPEC LARGE NA2125.C3 C42 1993","The Olive Chadeayne Architectural Collection spans the years 1924 to 1956 with the majority of projects completed in greater southern California. Additionally, the designs of architect Lilian J. Rice are included. This collection contains both independent and collaborative design projects by Chadeayne and Rice. Materials in the collection include watercolor drawings, tracings, blue prints photographs, magazine clippings and display boards for approximately 125 projects.","The collection is divided into three series:","Series I: Personal \u0026 Professional Papers (1924) consists of Chadeayne's student work; watercolor designs; portrait photographs of Chadeayne as well as her co-worker, Greta Grossman; and magazine clippings from Ladies Home Journal.","Series II: Project Records (1926-1952) includes project notes, finished project photos, display photos and Chadeayne's drawings.","Series III: Art \u0026 Artifacts (1927-1937) contains, one watercolor drawing of the Townley residence and one historical color map of Monterey, California.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Olive Chadeayne Architectural Collection includes drawings for residences, schools, churches and businesses primarily located in southern California.  In addition to Olive Chadeayne's work, the collection also contains over twenty-five drawings by American architect Lillian Rice.","Special Collections and University Archives, Virginia Tech","Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S.","The materials in the collection are in English."],"collection_title_tesim":["Olive Chadeayne Architectural Collection, 1924/1956"],"collection_ssim":["Olive Chadeayne Architectural Collection, 1924/1956"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1990.057"],"unitid_tesim":["Ms.1990.057"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S."],"creator_ssim":["Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S."],"creator_persname_ssim":["Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S."],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S.","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Olive Chadeayne Architectural Collection was donated to Special Collections in multiple accruals between 1990 and 1994."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.8 Cubic Feet 2 boxes; 28 oversize folders"],"extent_tesim":["9.8 Cubic Feet 2 boxes; 28 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/176\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThere are three series in The Olive Chadeayne Architectural Collection:\u003c/p\u003e","\u003cp\u003eSeries I: Personal \u0026amp; Professional Papers and Series \u003c/p\u003e","\u003cp\u003eSeries II: Project Records, is arranged alphabetically by client/project title.  Blue prints are stored separtely from tracing and dizao papers.  Blue line/diazo drawings are stored with tracings, separted by interleaving tissue.\u003c/p\u003e","\u003cp\u003eSeries III: Arts \u0026amp; Artifacts are arranged chronologically according to project.  \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["There are three series in The Olive Chadeayne Architectural Collection:","Series I: Personal \u0026 Professional Papers and Series","Series II: Project Records, is arranged alphabetically by client/project title.  Blue prints are stored separtely from tracing and dizao papers.  Blue line/diazo drawings are stored with tracings, separted by interleaving tissue.","Series III: Arts \u0026 Artifacts are arranged chronologically according to project."],"bioghist_html_tesm":["\u003cp\u003eOlive Chadeayne was born on February 9, 1904 in Ossining, New York.  Educated in California, Chadeayne began studying architecture at the University of California (currently UCLA) in 1922 later completing her coursework at Berkeley when the UCLA architecture program was shut down.  Chadeayne graduated with a B.A. in Architecture from Berkeley on May 12, 1926 and went on to complete her graduate work there in 1927.\u003c/p\u003e","\u003cp\u003eLos Angeles based architecture firm, Pierpont \u0026amp; Walter Davis hired Chadeayne shortly after graduation in 1927.  During the time Chadeayne spent at the firm she worked on a number of small residential projects improving her drafting abilities.  In 1935 Chadeayne met and became close associate to architect Lilian J. Rice (1888-1938).  For three years Chadeayne collaborated with Rice, designing two schools, small offices and other assorted buildings.  Their association was cut short when Lilian Rice passed away suddenly in 1938, Chadeayne went on to complete a number of Rice's unfinished work projects.\u003c/p\u003e","\u003cp\u003eIn 1940 Chadeayne began taking on private contract work for the first time and accepted a teaching position at Cornell University.  There, she taught house planning in the College of Home Economics.  By July 1942 however, Chadeayne returned to California taking work as a production illustrator for the Lockheed engineering department in war service.  While working for Lockheed Chadeayne also handled side projects for various firms in the Los Angeles area concentrating primarily on residential and educational facilities.  In 1945 Chadeayne left Lockheed. \u003c/p\u003e","\u003cp\u003eBy 1951 Chadeayne was hired at Daniel, Mann, Johnson \u0026amp; Mendenhall (DMJM).  Her job at the company required extensive travel to educational facilities in various stages of building development.  As a result of her travels, Chadeayne became a highly skilled specifications writer for DMJM.  Her ability to write technically became her greatest professional asset. \u003c/p\u003e","\u003cp\u003e\u003cblockquote\u003e\u003cp\u003e\"I tried to write specifications so that the ordinary workmen could understand them.  I found that the specifications were the standard by which the building was built and that some of the workmen couldn't understand…So I tried to write them in a way that anybody could…\" \u003c/p\u003e\u003c/blockquote\u003e\u003c/p\u003e","\u003cp\u003eFrom 1958 to 1965 Chadeayne worked at Los Angeles based firm, A.Q. Jones \u0026amp; Frederick Emmons.  She worked on a number of projects including a U.S. Air Force hospital, Naval housing and most significantly, the U.S. Consulate in Singapore.  By 1966 one of Chadeayne's most prominent architectural endeavors began when she was hired to write specifications at the Bank of America Headquarters in San Francisco, California.  \u003c/p\u003e","\u003cp\u003eBy 1970 Chadeayne retired formally but continued working part time until 1973 as a consultant for renowned architecture firm, Skidmore Owings \u0026amp; Merrill (SOM).  There she wrote furnishing specifications for a bank project in Buffalo, NY. \u003c/p\u003e","\u003cp\u003eThroughout her career and in retirement Chadeayne held membership with the AWA (Association of Women Architects) and the Los Angeles chapter of the AIA (American Institute of Architects).  Chadeayne took an active in role in AIA serving as chairwoman for the membership committee and later on the Codes Committee ensuring utilization of California building regulations statewide.  \u003c/p\u003e","\u003cp\u003eIn her free time Chadeayne enjoyed cooking and gardening.  She spent significant time traveling with friends and family visiting such places as Australia, New Zealand, China and Japan.  She died on February 23, 2001 at the age of 97 in Tracy, California.  \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eWorks Consulted \u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eChadeayne, O., Horton, I. S., O'Hara, E., \u003cemph render=\"italic\"\u003eInternational Archive of Women in Architecture, \u0026amp; American Institute of Architects. (1993). Olive Chadeayne, architect: Transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects.\u003c/emph\u003e S.l: s.n.\u003c/p\u003e","\u003cp\u003eHorton, Inge Schaefer. (Eds.). (2010).  \u003cemph render=\"italic\"\u003eEarly women architects of the San Francisco Bay Area : the lives and work of fifty professionals, 1890-1951. \u003c/emph\u003e Jefferson, N.C: McFarland \u0026amp; Co. Inc.\u003c/p\u003e  ","\u003cp\u003eLilian Rice (1889-1938) was born in National City, California in 1889.  She attended the University of California at Berkley for architecture and in 1910 became one of the first females to graduate from the program.  Rice's greatest professional achievement came from her work as resident architect in the design of the upscale southern California community, Rancho Santa Fe.\u003c/p\u003e","\u003cp\u003eRecognized for her work with Spanish colonial architecture, Rice advocated utilizing natural and local materials to blend surrounding landscapes into her designs.  This practice was particularly evident in her work on the Rancho Santa Fe community.\u003c/p\u003e","\u003cp\u003e\u003cblockquote\u003e\u003cp\u003e\"Every environment here calls for simplicity and beauty: the gorgeous natural landscapes, the gently broken topography, the nearby mountains. No one with a sense of fitness, it seems to me, could violate these natural factors by creating anything that lacked simplicity in line and form and color.\" \u003c/p\u003e\u003c/blockquote\u003e\u003c/p\u003e","\u003cp\u003eIn addition to her work on the Rancho Santa Fe community, Rice designed San Dieguito Union High School in Encitas, California later serving as an original trustee for the Rancho Santa Fe school district.\u003c/p\u003e","\u003cp\u003eLilian Rice died suddenly on Dec. 22, 1938 at the age of 49.  \u003c/p\u003e","\u003cp\u003eSources:\u003c/p\u003e","\u003cp\u003eCox, Lilian. (2009, October).  Famous female architect finally gets a biography.  \u003cemph render=\"italic\"\u003eThe Coast News.\u003c/emph\u003e  Retrieved from \u003ca target=\"_blank\" href=\"http://thecoastnews.com/view/full_story/3901797/article-Famous-female-architect-finally-gets-a-biography\"\u003ehttp://thecoastnews.com/view/full_story/3901797/article-Famous-female-architect-finally-gets-a-biography\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eEddy, L. L. (1985). \u003cemph render=\"italic\"\u003eLilian Jeannette Rice: The lady as architect (A University of San Diego Thesis By Lucinda Eddy).\u003c/emph\u003e  University  of San Diego, San Diego, CA.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note - Olive Chadeayne","Biographical Note - Lilian Rice"],"bioghist_tesim":["Olive Chadeayne was born on February 9, 1904 in Ossining, New York.  Educated in California, Chadeayne began studying architecture at the University of California (currently UCLA) in 1922 later completing her coursework at Berkeley when the UCLA architecture program was shut down.  Chadeayne graduated with a B.A. in Architecture from Berkeley on May 12, 1926 and went on to complete her graduate work there in 1927.","Los Angeles based architecture firm, Pierpont \u0026 Walter Davis hired Chadeayne shortly after graduation in 1927.  During the time Chadeayne spent at the firm she worked on a number of small residential projects improving her drafting abilities.  In 1935 Chadeayne met and became close associate to architect Lilian J. Rice (1888-1938).  For three years Chadeayne collaborated with Rice, designing two schools, small offices and other assorted buildings.  Their association was cut short when Lilian Rice passed away suddenly in 1938, Chadeayne went on to complete a number of Rice's unfinished work projects.","In 1940 Chadeayne began taking on private contract work for the first time and accepted a teaching position at Cornell University.  There, she taught house planning in the College of Home Economics.  By July 1942 however, Chadeayne returned to California taking work as a production illustrator for the Lockheed engineering department in war service.  While working for Lockheed Chadeayne also handled side projects for various firms in the Los Angeles area concentrating primarily on residential and educational facilities.  In 1945 Chadeayne left Lockheed.","By 1951 Chadeayne was hired at Daniel, Mann, Johnson \u0026 Mendenhall (DMJM).  Her job at the company required extensive travel to educational facilities in various stages of building development.  As a result of her travels, Chadeayne became a highly skilled specifications writer for DMJM.  Her ability to write technically became her greatest professional asset.","\"I tried to write specifications so that the ordinary workmen could understand them.  I found that the specifications were the standard by which the building was built and that some of the workmen couldn't understand…So I tried to write them in a way that anybody could…\"","From 1958 to 1965 Chadeayne worked at Los Angeles based firm, A.Q. Jones \u0026 Frederick Emmons.  She worked on a number of projects including a U.S. Air Force hospital, Naval housing and most significantly, the U.S. Consulate in Singapore.  By 1966 one of Chadeayne's most prominent architectural endeavors began when she was hired to write specifications at the Bank of America Headquarters in San Francisco, California.","By 1970 Chadeayne retired formally but continued working part time until 1973 as a consultant for renowned architecture firm, Skidmore Owings \u0026 Merrill (SOM).  There she wrote furnishing specifications for a bank project in Buffalo, NY.","Throughout her career and in retirement Chadeayne held membership with the AWA (Association of Women Architects) and the Los Angeles chapter of the AIA (American Institute of Architects).  Chadeayne took an active in role in AIA serving as chairwoman for the membership committee and later on the Codes Committee ensuring utilization of California building regulations statewide.","In her free time Chadeayne enjoyed cooking and gardening.  She spent significant time traveling with friends and family visiting such places as Australia, New Zealand, China and Japan.  She died on February 23, 2001 at the age of 97 in Tracy, California.","Works Consulted","Chadeayne, O., Horton, I. S., O'Hara, E., International Archive of Women in Architecture, \u0026 American Institute of Architects. (1993). Olive Chadeayne, architect: Transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects. S.l: s.n.","Horton, Inge Schaefer. (Eds.). (2010).  Early women architects of the San Francisco Bay Area : the lives and work of fifty professionals, 1890-1951.  Jefferson, N.C: McFarland \u0026 Co. Inc.","Lilian Rice (1889-1938) was born in National City, California in 1889.  She attended the University of California at Berkley for architecture and in 1910 became one of the first females to graduate from the program.  Rice's greatest professional achievement came from her work as resident architect in the design of the upscale southern California community, Rancho Santa Fe.","Recognized for her work with Spanish colonial architecture, Rice advocated utilizing natural and local materials to blend surrounding landscapes into her designs.  This practice was particularly evident in her work on the Rancho Santa Fe community.","\"Every environment here calls for simplicity and beauty: the gorgeous natural landscapes, the gently broken topography, the nearby mountains. No one with a sense of fitness, it seems to me, could violate these natural factors by creating anything that lacked simplicity in line and form and color.\"","In addition to her work on the Rancho Santa Fe community, Rice designed San Dieguito Union High School in Encitas, California later serving as an original trustee for the Rancho Santa Fe school district.","Lilian Rice died suddenly on Dec. 22, 1938 at the age of 49.","Sources:","Cox, Lilian. (2009, October).  Famous female architect finally gets a biography.  The Coast News.  Retrieved from http://thecoastnews.com/view/full_story/3901797/article-Famous-female-architect-finally-gets-a-biography","Eddy, L. L. (1985). Lilian Jeannette Rice: The lady as architect (A University of San Diego Thesis By Lucinda Eddy).  University  of San Diego, San Diego, CA."],"odd_html_tesm":["\u003cp\u003eThe guide to the Olive Chadeayne Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Olive Chadeayne Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Olive Chadeayne Architectural Collection, Ms 1990-057, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Olive Chadeayne Architectural Collection, Ms 1990-057, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eA preliminary inventory of the Olive Chadeayne Architectural Collection was completed in 1990.  The collection was fully processed and described in September 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["A preliminary inventory of the Olive Chadeayne Architectural Collection was completed in 1990.  The collection was fully processed and described in September 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also: \"Olive Chadeayne, architect: transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects.\"  cataloged in the Special Collections Reading Room SPEC LARGE NA2125.C3 C42 1993\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also: \"Olive Chadeayne, architect: transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects.\"  cataloged in the Special Collections Reading Room SPEC LARGE NA2125.C3 C42 1993"],"scopecontent_html_tesm":["\u003cp\u003eThe Olive Chadeayne Architectural Collection spans the years 1924 to 1956 with the majority of projects completed in greater southern California. Additionally, the designs of architect Lilian J. Rice are included. This collection contains both independent and collaborative design projects by Chadeayne and Rice. Materials in the collection include watercolor drawings, tracings, blue prints photographs, magazine clippings and display boards for approximately 125 projects.  \u003c/p\u003e","\u003cp\u003eThe collection is divided into three series:\u003c/p\u003e","\u003cp\u003eSeries I: Personal \u0026amp; Professional Papers (1924) consists of Chadeayne's student work; watercolor designs; portrait photographs of Chadeayne as well as her co-worker, Greta Grossman; and magazine clippings from \u003cemph render=\"italic\"\u003eLadies Home Journal.\u003c/emph\u003e   \u003c/p\u003e","\u003cp\u003eSeries II: Project Records (1926-1952) includes project notes, finished project photos, display photos and Chadeayne's drawings.    \u003c/p\u003e","\u003cp\u003eSeries III: Art \u0026amp; Artifacts (1927-1937) contains, one watercolor drawing of the Townley residence and one historical color map of Monterey, California.  \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Olive Chadeayne Architectural Collection spans the years 1924 to 1956 with the majority of projects completed in greater southern California. Additionally, the designs of architect Lilian J. Rice are included. This collection contains both independent and collaborative design projects by Chadeayne and Rice. Materials in the collection include watercolor drawings, tracings, blue prints photographs, magazine clippings and display boards for approximately 125 projects.","The collection is divided into three series:","Series I: Personal \u0026 Professional Papers (1924) consists of Chadeayne's student work; watercolor designs; portrait photographs of Chadeayne as well as her co-worker, Greta Grossman; and magazine clippings from Ladies Home Journal.","Series II: Project Records (1926-1952) includes project notes, finished project photos, display photos and Chadeayne's drawings.","Series III: Art \u0026 Artifacts (1927-1937) contains, one watercolor drawing of the Townley residence and one historical color map of Monterey, California."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4f0d7b8e766de5ccff7c339a98ee76a\" label=\"Abstract\"\u003eThe Olive Chadeayne Architectural Collection includes drawings for residences, schools, churches and businesses primarily located in southern California.  In addition to Olive Chadeayne's work, the collection also contains over twenty-five drawings by American architect Lillian Rice.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Olive Chadeayne Architectural Collection includes drawings for residences, schools, churches and businesses primarily located in southern California.  In addition to Olive Chadeayne's work, the collection also contains over twenty-five drawings by American architect Lillian Rice."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S."],"names_coll_ssim":["Rice, Lilian, 1889-1938","Horton, Inge S."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":115,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:15:53.205Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1790"}},{"id":"viblbv_repositories_2_resources_1997","type":"collection","attributes":{"title":"Rebecca Wood Watkin Architectural Drawings, 1940/2011","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1997#creator","type":"document_value","attributes":{"value":"Watkin, Rebecca Wood, 1913-2010","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1997#abstract_or_scope","type":"document_value","attributes":{"value":"Rebecca Wood Watkin was born in 1913 in Portland, Oregon. She earned a B.A. from Bryn Mawr College in 1933, and a B. Arch. from the Architecture School of the University of Pennsylvania. She returned to the west coast, and worked in other architects' offices during the 1930s and 1940s. She earned her California Architectural license in 1944 and opened her own practice in 1951. The collection consists of architectural drawings of remodelings, alterations, additions, and new designs of buildings, mostly residences, that Watkin worked on from 1940 to 1989.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1997#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1997","ead_ssi":"viblbv_repositories_2_resources_1997","_root_":"viblbv_repositories_2_resources_1997","_nest_parent_":"viblbv_repositories_2_resources_1997","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1997.xml","title_filing_ssi":"Watkin, Rebecca Wood, Architectural Collection","title_ssm":["Rebecca Wood Watkin Architectural Drawings"],"title_tesim":["Rebecca Wood Watkin Architectural Drawings"],"unitdate_ssm":["1940-1989, 2011"],"unitdate_inclusive_ssm":["1940-1989, 2011"],"normalized_date_ssm":["1940/2011"],"normalized_title_ssm":["Rebecca Wood Watkin Architectural Drawings, 1940/2011"],"text":["Rebecca Wood Watkin Architectural Drawings, 1940/2011","Ms.1995.009","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawing -- 20th century","Architects","Architectural drawings (visual works)","The collection is open to research.","Some of this collection has been digitized and is available online.","Rebecca Wood Watkin was born in 1913 in Portland, Oregon. She earned a B.A. from Bryn Mawr College in 1933, and a B. Arch. from the Architecture School of the University of Pennsylvania. She returned to the west coast, and worked in other architects' offices during the 1930s and 1940s. She earned her California Architectural license in 1944 and opened her own practice in 1951. She collaborated with architect Fred Coolidge from 1953 to 1970, and then practiced from her own office in Sausalito, California, from 1972 to 1989. She served on the Marin County Planning Commission from 1954 to 1958. She continued to design until her retirement in 1990.","Watkin married Joseph Esherick in 1938; they divorced in 1951. She married Harold Watkin in 1958; he died in 1981. She has three children. Her avocational activities include involvement in Democratic Party political campaigns on all levels of government and work with the Ecumenical Association for Housing in Marin County, California.","Watkin passed away on December 19, 2010, at the age of 97, in La Jolla, CA.","The guide to the Rebecca Wood Watkin Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","Processing of the collection was completed by J. Harlow, Student Assistant, under the supervision of L. K. Smith, Manuscripts Curator, in 1995; and by Jessica Caruthers, Student Assistant, under the supervision of Catherine G. OBrion, Manuscripts Archivist, in October 2002. The 2011 addition was processed by Kathryn Shackelford, Graduate Assistant.","The Rebecca Wood Watkin Architectural Collection consists of architectural drawings of remodelings, alterations, additions, and new designs of buildings, mostly residences, that Watkin worked on from 1940 to 1989. The locations, unless otherwise noted, are all in northern California.","Also in the collection are photographs of three projects: the Watkin residence in Kentfield, California; the Creek Apartments in San Anselmo, Marin County, California; and the Watkin residence in Placer County, California; and a 1956 article in Progressive Architecture on the Watkin residence in Kentfield.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Rebecca Wood Watkin was born in 1913 in Portland, Oregon. She earned a B.A. from Bryn Mawr College in 1933, and a B. Arch. from the Architecture School of the University of Pennsylvania. She returned to the west coast, and worked in other architects' offices during the 1930s and 1940s. She earned her California Architectural license in 1944 and opened her own practice in 1951. The collection consists of architectural drawings of remodelings, alterations, additions, and new designs of buildings, mostly residences, that Watkin worked on from 1940 to 1989.","Special Collections and University Archives, Virginia Tech","Watkin, Rebecca Wood, 1913-2010","The materials in the collection are in English."],"collection_title_tesim":["Rebecca Wood Watkin Architectural Drawings, 1940/2011"],"collection_ssim":["Rebecca Wood Watkin Architectural Drawings, 1940/2011"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["Ms.1995.009"],"unitid_tesim":["Ms.1995.009"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Watkin, Rebecca Wood, 1913-2010"],"creator_ssim":["Watkin, Rebecca Wood, 1913-2010"],"creator_persname_ssim":["Watkin, Rebecca Wood, 1913-2010"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Watkin, Rebecca Wood, 1913-2010","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated by Rebecca Wood Watkin in April 1995 with the aid of Inge S. Horton of San Francisco, California. Additions to the collection were received in August 2002 and March 2011."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawing -- 20th century","Architects","Architectural drawings (visual works)"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawing -- 20th century","Architects","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["6.6 Cubic Feet 2 boxes, 14 oversize folders"],"extent_tesim":["6.6 Cubic Feet 2 boxes, 14 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/352\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"bioghist_html_tesm":["\u003cp\u003eRebecca Wood Watkin was born in 1913 in Portland, Oregon. She earned a B.A. from Bryn Mawr College in 1933, and a B. Arch. from the Architecture School of the University of Pennsylvania. She returned to the west coast, and worked in other architects' offices during the 1930s and 1940s. She earned her California Architectural license in 1944 and opened her own practice in 1951. She collaborated with architect Fred Coolidge from 1953 to 1970, and then practiced from her own office in Sausalito, California, from 1972 to 1989. She served on the Marin County Planning Commission from 1954 to 1958. She continued to design until her retirement in 1990. \u003c/p\u003e","\u003cp\u003eWatkin married Joseph Esherick in 1938; they divorced in 1951. She married Harold Watkin in 1958; he died in 1981. She has three children. Her avocational activities include involvement in Democratic Party political campaigns on all levels of government and work with the Ecumenical Association for Housing in Marin County, California.\u003c/p\u003e","\u003cp\u003eWatkin passed away on December 19, 2010, at the age of 97, in La Jolla, CA.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Rebecca Wood Watkin was born in 1913 in Portland, Oregon. She earned a B.A. from Bryn Mawr College in 1933, and a B. Arch. from the Architecture School of the University of Pennsylvania. She returned to the west coast, and worked in other architects' offices during the 1930s and 1940s. She earned her California Architectural license in 1944 and opened her own practice in 1951. She collaborated with architect Fred Coolidge from 1953 to 1970, and then practiced from her own office in Sausalito, California, from 1972 to 1989. She served on the Marin County Planning Commission from 1954 to 1958. She continued to design until her retirement in 1990.","Watkin married Joseph Esherick in 1938; they divorced in 1951. She married Harold Watkin in 1958; he died in 1981. She has three children. Her avocational activities include involvement in Democratic Party political campaigns on all levels of government and work with the Ecumenical Association for Housing in Marin County, California.","Watkin passed away on December 19, 2010, at the age of 97, in La Jolla, CA."],"odd_html_tesm":["\u003cp\u003eThe guide to the Rebecca Wood Watkin Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Rebecca Wood Watkin Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Rebecca Wood Watkin Architectural Collection, Ms1995-009, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Rebecca Wood Watkin Architectural Collection, Ms1995-009, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eProcessing of the collection was completed by J. Harlow, Student Assistant, under the supervision of L. K. Smith, Manuscripts Curator, in 1995; and by Jessica Caruthers, Student Assistant, under the supervision of Catherine G. OBrion, Manuscripts Archivist, in October 2002. The 2011 addition was processed by Kathryn Shackelford, Graduate Assistant.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing of the collection was completed by J. Harlow, Student Assistant, under the supervision of L. K. Smith, Manuscripts Curator, in 1995; and by Jessica Caruthers, Student Assistant, under the supervision of Catherine G. OBrion, Manuscripts Archivist, in October 2002. The 2011 addition was processed by Kathryn Shackelford, Graduate Assistant."],"scopecontent_html_tesm":["\u003cp\u003eThe Rebecca Wood Watkin Architectural Collection consists of architectural drawings of remodelings, alterations, additions, and new designs of buildings, mostly residences, that Watkin worked on from 1940 to 1989. The locations, unless otherwise noted, are all in northern California. \u003c/p\u003e","\u003cp\u003eAlso in the collection are photographs of three projects: the Watkin residence in Kentfield, California; the Creek Apartments in San Anselmo, Marin County, California; and the Watkin residence in Placer County, California; and a 1956 article in Progressive Architecture on the Watkin residence in Kentfield.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Rebecca Wood Watkin Architectural Collection consists of architectural drawings of remodelings, alterations, additions, and new designs of buildings, mostly residences, that Watkin worked on from 1940 to 1989. The locations, unless otherwise noted, are all in northern California.","Also in the collection are photographs of three projects: the Watkin residence in Kentfield, California; the Creek Apartments in San Anselmo, Marin County, California; and the Watkin residence in Placer County, California; and a 1956 article in Progressive Architecture on the Watkin residence in Kentfield."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_dc91c90122b458451f873e594f668551\" label=\"Abstract\"\u003eRebecca Wood Watkin was born in 1913 in Portland, Oregon. She earned a B.A. from Bryn Mawr College in 1933, and a B. Arch. from the Architecture School of the University of Pennsylvania. She returned to the west coast, and worked in other architects' offices during the 1930s and 1940s. She earned her California Architectural license in 1944 and opened her own practice in 1951. The collection consists of architectural drawings of remodelings, alterations, additions, and new designs of buildings, mostly residences, that Watkin worked on from 1940 to 1989.\u003c/abstract\u003e\n    "],"abstract_tesim":["Rebecca Wood Watkin was born in 1913 in Portland, Oregon. She earned a B.A. from Bryn Mawr College in 1933, and a B. Arch. from the Architecture School of the University of Pennsylvania. She returned to the west coast, and worked in other architects' offices during the 1930s and 1940s. She earned her California Architectural license in 1944 and opened her own practice in 1951. The collection consists of architectural drawings of remodelings, alterations, additions, and new designs of buildings, mostly residences, that Watkin worked on from 1940 to 1989."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Watkin, Rebecca Wood, 1913-2010"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Watkin, Rebecca Wood, 1913-2010"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":76,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:16:10.724Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1997","ead_ssi":"viblbv_repositories_2_resources_1997","_root_":"viblbv_repositories_2_resources_1997","_nest_parent_":"viblbv_repositories_2_resources_1997","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1997.xml","title_filing_ssi":"Watkin, Rebecca Wood, Architectural Collection","title_ssm":["Rebecca Wood Watkin Architectural Drawings"],"title_tesim":["Rebecca Wood Watkin Architectural Drawings"],"unitdate_ssm":["1940-1989, 2011"],"unitdate_inclusive_ssm":["1940-1989, 2011"],"normalized_date_ssm":["1940/2011"],"normalized_title_ssm":["Rebecca Wood Watkin Architectural Drawings, 1940/2011"],"text":["Rebecca Wood Watkin Architectural Drawings, 1940/2011","Ms.1995.009","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawing -- 20th century","Architects","Architectural drawings (visual works)","The collection is open to research.","Some of this collection has been digitized and is available online.","Rebecca Wood Watkin was born in 1913 in Portland, Oregon. She earned a B.A. from Bryn Mawr College in 1933, and a B. Arch. from the Architecture School of the University of Pennsylvania. She returned to the west coast, and worked in other architects' offices during the 1930s and 1940s. She earned her California Architectural license in 1944 and opened her own practice in 1951. She collaborated with architect Fred Coolidge from 1953 to 1970, and then practiced from her own office in Sausalito, California, from 1972 to 1989. She served on the Marin County Planning Commission from 1954 to 1958. She continued to design until her retirement in 1990.","Watkin married Joseph Esherick in 1938; they divorced in 1951. She married Harold Watkin in 1958; he died in 1981. She has three children. Her avocational activities include involvement in Democratic Party political campaigns on all levels of government and work with the Ecumenical Association for Housing in Marin County, California.","Watkin passed away on December 19, 2010, at the age of 97, in La Jolla, CA.","The guide to the Rebecca Wood Watkin Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","Processing of the collection was completed by J. Harlow, Student Assistant, under the supervision of L. K. Smith, Manuscripts Curator, in 1995; and by Jessica Caruthers, Student Assistant, under the supervision of Catherine G. OBrion, Manuscripts Archivist, in October 2002. The 2011 addition was processed by Kathryn Shackelford, Graduate Assistant.","The Rebecca Wood Watkin Architectural Collection consists of architectural drawings of remodelings, alterations, additions, and new designs of buildings, mostly residences, that Watkin worked on from 1940 to 1989. The locations, unless otherwise noted, are all in northern California.","Also in the collection are photographs of three projects: the Watkin residence in Kentfield, California; the Creek Apartments in San Anselmo, Marin County, California; and the Watkin residence in Placer County, California; and a 1956 article in Progressive Architecture on the Watkin residence in Kentfield.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Rebecca Wood Watkin was born in 1913 in Portland, Oregon. She earned a B.A. from Bryn Mawr College in 1933, and a B. Arch. from the Architecture School of the University of Pennsylvania. She returned to the west coast, and worked in other architects' offices during the 1930s and 1940s. She earned her California Architectural license in 1944 and opened her own practice in 1951. The collection consists of architectural drawings of remodelings, alterations, additions, and new designs of buildings, mostly residences, that Watkin worked on from 1940 to 1989.","Special Collections and University Archives, Virginia Tech","Watkin, Rebecca Wood, 1913-2010","The materials in the collection are in English."],"collection_title_tesim":["Rebecca Wood Watkin Architectural Drawings, 1940/2011"],"collection_ssim":["Rebecca Wood Watkin Architectural Drawings, 1940/2011"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["Ms.1995.009"],"unitid_tesim":["Ms.1995.009"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Watkin, Rebecca Wood, 1913-2010"],"creator_ssim":["Watkin, Rebecca Wood, 1913-2010"],"creator_persname_ssim":["Watkin, Rebecca Wood, 1913-2010"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Watkin, Rebecca Wood, 1913-2010","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated by Rebecca Wood Watkin in April 1995 with the aid of Inge S. Horton of San Francisco, California. Additions to the collection were received in August 2002 and March 2011."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawing -- 20th century","Architects","Architectural drawings (visual works)"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawing -- 20th century","Architects","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["6.6 Cubic Feet 2 boxes, 14 oversize folders"],"extent_tesim":["6.6 Cubic Feet 2 boxes, 14 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/352\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"bioghist_html_tesm":["\u003cp\u003eRebecca Wood Watkin was born in 1913 in Portland, Oregon. She earned a B.A. from Bryn Mawr College in 1933, and a B. Arch. from the Architecture School of the University of Pennsylvania. She returned to the west coast, and worked in other architects' offices during the 1930s and 1940s. She earned her California Architectural license in 1944 and opened her own practice in 1951. She collaborated with architect Fred Coolidge from 1953 to 1970, and then practiced from her own office in Sausalito, California, from 1972 to 1989. She served on the Marin County Planning Commission from 1954 to 1958. She continued to design until her retirement in 1990. \u003c/p\u003e","\u003cp\u003eWatkin married Joseph Esherick in 1938; they divorced in 1951. She married Harold Watkin in 1958; he died in 1981. She has three children. Her avocational activities include involvement in Democratic Party political campaigns on all levels of government and work with the Ecumenical Association for Housing in Marin County, California.\u003c/p\u003e","\u003cp\u003eWatkin passed away on December 19, 2010, at the age of 97, in La Jolla, CA.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Rebecca Wood Watkin was born in 1913 in Portland, Oregon. She earned a B.A. from Bryn Mawr College in 1933, and a B. Arch. from the Architecture School of the University of Pennsylvania. She returned to the west coast, and worked in other architects' offices during the 1930s and 1940s. She earned her California Architectural license in 1944 and opened her own practice in 1951. She collaborated with architect Fred Coolidge from 1953 to 1970, and then practiced from her own office in Sausalito, California, from 1972 to 1989. She served on the Marin County Planning Commission from 1954 to 1958. She continued to design until her retirement in 1990.","Watkin married Joseph Esherick in 1938; they divorced in 1951. She married Harold Watkin in 1958; he died in 1981. She has three children. Her avocational activities include involvement in Democratic Party political campaigns on all levels of government and work with the Ecumenical Association for Housing in Marin County, California.","Watkin passed away on December 19, 2010, at the age of 97, in La Jolla, CA."],"odd_html_tesm":["\u003cp\u003eThe guide to the Rebecca Wood Watkin Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Rebecca Wood Watkin Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Rebecca Wood Watkin Architectural Collection, Ms1995-009, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Rebecca Wood Watkin Architectural Collection, Ms1995-009, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eProcessing of the collection was completed by J. Harlow, Student Assistant, under the supervision of L. K. Smith, Manuscripts Curator, in 1995; and by Jessica Caruthers, Student Assistant, under the supervision of Catherine G. OBrion, Manuscripts Archivist, in October 2002. The 2011 addition was processed by Kathryn Shackelford, Graduate Assistant.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing of the collection was completed by J. Harlow, Student Assistant, under the supervision of L. K. Smith, Manuscripts Curator, in 1995; and by Jessica Caruthers, Student Assistant, under the supervision of Catherine G. OBrion, Manuscripts Archivist, in October 2002. The 2011 addition was processed by Kathryn Shackelford, Graduate Assistant."],"scopecontent_html_tesm":["\u003cp\u003eThe Rebecca Wood Watkin Architectural Collection consists of architectural drawings of remodelings, alterations, additions, and new designs of buildings, mostly residences, that Watkin worked on from 1940 to 1989. The locations, unless otherwise noted, are all in northern California. \u003c/p\u003e","\u003cp\u003eAlso in the collection are photographs of three projects: the Watkin residence in Kentfield, California; the Creek Apartments in San Anselmo, Marin County, California; and the Watkin residence in Placer County, California; and a 1956 article in Progressive Architecture on the Watkin residence in Kentfield.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Rebecca Wood Watkin Architectural Collection consists of architectural drawings of remodelings, alterations, additions, and new designs of buildings, mostly residences, that Watkin worked on from 1940 to 1989. The locations, unless otherwise noted, are all in northern California.","Also in the collection are photographs of three projects: the Watkin residence in Kentfield, California; the Creek Apartments in San Anselmo, Marin County, California; and the Watkin residence in Placer County, California; and a 1956 article in Progressive Architecture on the Watkin residence in Kentfield."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_dc91c90122b458451f873e594f668551\" label=\"Abstract\"\u003eRebecca Wood Watkin was born in 1913 in Portland, Oregon. She earned a B.A. from Bryn Mawr College in 1933, and a B. Arch. from the Architecture School of the University of Pennsylvania. She returned to the west coast, and worked in other architects' offices during the 1930s and 1940s. She earned her California Architectural license in 1944 and opened her own practice in 1951. The collection consists of architectural drawings of remodelings, alterations, additions, and new designs of buildings, mostly residences, that Watkin worked on from 1940 to 1989.\u003c/abstract\u003e\n    "],"abstract_tesim":["Rebecca Wood Watkin was born in 1913 in Portland, Oregon. She earned a B.A. from Bryn Mawr College in 1933, and a B. Arch. from the Architecture School of the University of Pennsylvania. She returned to the west coast, and worked in other architects' offices during the 1930s and 1940s. She earned her California Architectural license in 1944 and opened her own practice in 1951. The collection consists of architectural drawings of remodelings, alterations, additions, and new designs of buildings, mostly residences, that Watkin worked on from 1940 to 1989."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Watkin, Rebecca Wood, 1913-2010"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Watkin, Rebecca Wood, 1913-2010"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":76,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:16:10.724Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1997"}},{"id":"viblbv_repositories_2_resources_2149","type":"collection","attributes":{"title":"Sally Waldner Bould Stan Architectural Collection, 1940/1997","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2149#creator","type":"document_value","attributes":{"value":"Stan, Sally Waldner Bould, b.1917","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2149#abstract_or_scope","type":"document_value","attributes":{"value":"This collection documents the architect Sally Waldner Bould Stan. She lived from 1917 to 2008, spending most of her life in Lafayette, California. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects before retiring in 1998. Her collection is comprised of biographical notes as well as drawings for 55 of her professional projects. One standard and five oversized folders.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2149#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2149","ead_ssi":"viblbv_repositories_2_resources_2149","_root_":"viblbv_repositories_2_resources_2149","_nest_parent_":"viblbv_repositories_2_resources_2149","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2149.xml","title_ssm":["Sally Waldner Bould Stan Architectural Collection"],"title_tesim":["Sally Waldner Bould Stan Architectural Collection"],"unitdate_ssm":["1940-1997, undated"],"unitdate_inclusive_ssm":["1940-1997, undated"],"normalized_date_ssm":["1940/1997"],"normalized_title_ssm":["Sally Waldner Bould Stan Architectural Collection, 1940/1997"],"text":["Sally Waldner Bould Stan Architectural Collection, 1940/1997","Ms.2001.015","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","The collection is open to research.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Sally Waldner Bould Stan Collection is organized into three series: Biographical Notes, Residential Drawings, and Commercial Notes. Project records are organized alphabetically.","This collection documents the architect Sally Waldner Bould Stan who lived from 1917 to 2008 and who spent most of her life in Lafayette, California. She earned her degree in architecture after 4 years of study at the University of California, Berkeley as one of three women in her class. She married in 1940 and later divorced in 1967. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects. She was the first woman to serve on the board of the Lafayette Improvement Association, first as secretary; she then advanced through various roles, from treasurer, to vice president, and then to president. Sally continued her professional practice, primarily working from home and getting work via referrals, until retiring in 1998. Her collection contains biographical references and drawings for 55 of her projects. Pictures of her work are available on the VT ImageBase.","The guide to the Sally Waldner Bould Stan Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The collection is comprised of biographical materials and architectural drawings for residential and commercial projects. Among the biographical materials are two brief biographical accounts of Stan's life, a memorial bulletin with a portrait photograph, obituary, and service information. Residential drawings include sepia, diazo, and trace paper drawings. Commercial drawings include sepia and trace paper drawings. Several projects also include engineering calculation notes.","This collection documents the architect Sally Waldner Bould Stan. She lived from 1917 to 2008, spending most of her life in Lafayette, California. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects before retiring in 1998. Her collection is comprised of biographical notes as well as drawings for 55 of her professional projects. One standard and five oversized folders.","Special Collections and University Archives, Virginia Tech","Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-","The materials in the collection are in English."],"collection_title_tesim":["Sally Waldner Bould Stan Architectural Collection, 1940/1997"],"collection_ssim":["Sally Waldner Bould Stan Architectural Collection, 1940/1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.015"],"unitid_tesim":["Ms.2001.015"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-","Stan, Sally Waldner Bould, b.1917"],"creator_ssim":["Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-","Stan, Sally Waldner Bould, b.1917"],"creator_persname_ssim":["Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-","Special Collections and University Archives, Virginia Tech"],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["2 Cubic Feet 5 folders of 42x30 inches and one folder of 14.75x9.5 inches"],"extent_tesim":["2 Cubic Feet 5 folders of 42x30 inches and one folder of 14.75x9.5 inches"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  ","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Reproduction and Use"],"accessrestrict_tesim":["The collection is open to research.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"arrangement_html_tesm":["\u003cp\u003eThe Sally Waldner Bould Stan Collection is organized into three series: Biographical Notes, Residential Drawings, and Commercial Notes. Project records are organized alphabetically.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Sally Waldner Bould Stan Collection is organized into three series: Biographical Notes, Residential Drawings, and Commercial Notes. Project records are organized alphabetically."],"bioghist_html_tesm":["\u003cp\u003eThis collection documents the architect Sally Waldner Bould Stan who lived from 1917 to 2008 and who spent most of her life in Lafayette, California. She earned her degree in architecture after 4 years of study at the University of California, Berkeley as one of three women in her class. She married in 1940 and later divorced in 1967. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects. She was the first woman to serve on the board of the Lafayette Improvement Association, first as secretary; she then advanced through various roles, from treasurer, to vice president, and then to president. Sally continued her professional practice, primarily working from home and getting work via referrals, until retiring in 1998. Her collection contains biographical references and drawings for 55 of her projects. Pictures of her work are available on the \u003cextref actuate=\"onRequest\" href=\"http://imagebase.lib.vt.edu/browse.php?folio_ID=/iawa/stb\" show=\"new\"\u003eVT ImageBase\u003c/extref\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["This collection documents the architect Sally Waldner Bould Stan who lived from 1917 to 2008 and who spent most of her life in Lafayette, California. She earned her degree in architecture after 4 years of study at the University of California, Berkeley as one of three women in her class. She married in 1940 and later divorced in 1967. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects. She was the first woman to serve on the board of the Lafayette Improvement Association, first as secretary; she then advanced through various roles, from treasurer, to vice president, and then to president. Sally continued her professional practice, primarily working from home and getting work via referrals, until retiring in 1998. Her collection contains biographical references and drawings for 55 of her projects. Pictures of her work are available on the VT ImageBase."],"odd_html_tesm":["\u003cp\u003eThe guide to the Sally Waldner Bould Stan Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Sally Waldner Bould Stan Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Sally Waldner Bould Stan Architectural Collection, Ms2001-015, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Sally Waldner Bould Stan Architectural Collection, Ms2001-015, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is comprised of biographical materials and architectural drawings for residential and commercial projects. Among the biographical materials are two brief biographical accounts of Stan's life, a memorial bulletin with a portrait photograph, obituary, and service information. Residential drawings include sepia, diazo, and trace paper drawings. Commercial drawings include sepia and trace paper drawings. Several projects also include engineering calculation notes.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is comprised of biographical materials and architectural drawings for residential and commercial projects. Among the biographical materials are two brief biographical accounts of Stan's life, a memorial bulletin with a portrait photograph, obituary, and service information. Residential drawings include sepia, diazo, and trace paper drawings. Commercial drawings include sepia and trace paper drawings. Several projects also include engineering calculation notes."],"abstract_html_tesm":["\u003cabstract id=\"aspace_da78057b6a88b73e648a5099130cfbfd\"\u003eThis collection documents the architect Sally Waldner Bould Stan. She lived from 1917 to 2008, spending most of her life in Lafayette, California. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects before retiring in 1998. Her collection is comprised of biographical notes as well as drawings for 55 of her professional projects. One standard and five oversized folders.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection documents the architect Sally Waldner Bould Stan. She lived from 1917 to 2008, spending most of her life in Lafayette, California. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects before retiring in 1998. Her collection is comprised of biographical notes as well as drawings for 55 of her professional projects. One standard and five oversized folders."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-"],"names_coll_ssim":["Dows, Wena W., 1928-","Stan, Sally Waldner Bould, b.1917"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":62,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:16:22.775Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2149","ead_ssi":"viblbv_repositories_2_resources_2149","_root_":"viblbv_repositories_2_resources_2149","_nest_parent_":"viblbv_repositories_2_resources_2149","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2149.xml","title_ssm":["Sally Waldner Bould Stan Architectural Collection"],"title_tesim":["Sally Waldner Bould Stan Architectural Collection"],"unitdate_ssm":["1940-1997, undated"],"unitdate_inclusive_ssm":["1940-1997, undated"],"normalized_date_ssm":["1940/1997"],"normalized_title_ssm":["Sally Waldner Bould Stan Architectural Collection, 1940/1997"],"text":["Sally Waldner Bould Stan Architectural Collection, 1940/1997","Ms.2001.015","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","The collection is open to research.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Sally Waldner Bould Stan Collection is organized into three series: Biographical Notes, Residential Drawings, and Commercial Notes. Project records are organized alphabetically.","This collection documents the architect Sally Waldner Bould Stan who lived from 1917 to 2008 and who spent most of her life in Lafayette, California. She earned her degree in architecture after 4 years of study at the University of California, Berkeley as one of three women in her class. She married in 1940 and later divorced in 1967. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects. She was the first woman to serve on the board of the Lafayette Improvement Association, first as secretary; she then advanced through various roles, from treasurer, to vice president, and then to president. Sally continued her professional practice, primarily working from home and getting work via referrals, until retiring in 1998. Her collection contains biographical references and drawings for 55 of her projects. Pictures of her work are available on the VT ImageBase.","The guide to the Sally Waldner Bould Stan Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The collection is comprised of biographical materials and architectural drawings for residential and commercial projects. Among the biographical materials are two brief biographical accounts of Stan's life, a memorial bulletin with a portrait photograph, obituary, and service information. Residential drawings include sepia, diazo, and trace paper drawings. Commercial drawings include sepia and trace paper drawings. Several projects also include engineering calculation notes.","This collection documents the architect Sally Waldner Bould Stan. She lived from 1917 to 2008, spending most of her life in Lafayette, California. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects before retiring in 1998. Her collection is comprised of biographical notes as well as drawings for 55 of her professional projects. One standard and five oversized folders.","Special Collections and University Archives, Virginia Tech","Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-","The materials in the collection are in English."],"collection_title_tesim":["Sally Waldner Bould Stan Architectural Collection, 1940/1997"],"collection_ssim":["Sally Waldner Bould Stan Architectural Collection, 1940/1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.015"],"unitid_tesim":["Ms.2001.015"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-","Stan, Sally Waldner Bould, b.1917"],"creator_ssim":["Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-","Stan, Sally Waldner Bould, b.1917"],"creator_persname_ssim":["Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-","Special Collections and University Archives, Virginia Tech"],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["2 Cubic Feet 5 folders of 42x30 inches and one folder of 14.75x9.5 inches"],"extent_tesim":["2 Cubic Feet 5 folders of 42x30 inches and one folder of 14.75x9.5 inches"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  ","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Reproduction and Use"],"accessrestrict_tesim":["The collection is open to research.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"arrangement_html_tesm":["\u003cp\u003eThe Sally Waldner Bould Stan Collection is organized into three series: Biographical Notes, Residential Drawings, and Commercial Notes. Project records are organized alphabetically.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Sally Waldner Bould Stan Collection is organized into three series: Biographical Notes, Residential Drawings, and Commercial Notes. Project records are organized alphabetically."],"bioghist_html_tesm":["\u003cp\u003eThis collection documents the architect Sally Waldner Bould Stan who lived from 1917 to 2008 and who spent most of her life in Lafayette, California. She earned her degree in architecture after 4 years of study at the University of California, Berkeley as one of three women in her class. She married in 1940 and later divorced in 1967. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects. She was the first woman to serve on the board of the Lafayette Improvement Association, first as secretary; she then advanced through various roles, from treasurer, to vice president, and then to president. Sally continued her professional practice, primarily working from home and getting work via referrals, until retiring in 1998. Her collection contains biographical references and drawings for 55 of her projects. Pictures of her work are available on the \u003cextref actuate=\"onRequest\" href=\"http://imagebase.lib.vt.edu/browse.php?folio_ID=/iawa/stb\" show=\"new\"\u003eVT ImageBase\u003c/extref\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["This collection documents the architect Sally Waldner Bould Stan who lived from 1917 to 2008 and who spent most of her life in Lafayette, California. She earned her degree in architecture after 4 years of study at the University of California, Berkeley as one of three women in her class. She married in 1940 and later divorced in 1967. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects. She was the first woman to serve on the board of the Lafayette Improvement Association, first as secretary; she then advanced through various roles, from treasurer, to vice president, and then to president. Sally continued her professional practice, primarily working from home and getting work via referrals, until retiring in 1998. Her collection contains biographical references and drawings for 55 of her projects. Pictures of her work are available on the VT ImageBase."],"odd_html_tesm":["\u003cp\u003eThe guide to the Sally Waldner Bould Stan Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Sally Waldner Bould Stan Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Sally Waldner Bould Stan Architectural Collection, Ms2001-015, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Sally Waldner Bould Stan Architectural Collection, Ms2001-015, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is comprised of biographical materials and architectural drawings for residential and commercial projects. Among the biographical materials are two brief biographical accounts of Stan's life, a memorial bulletin with a portrait photograph, obituary, and service information. Residential drawings include sepia, diazo, and trace paper drawings. Commercial drawings include sepia and trace paper drawings. Several projects also include engineering calculation notes.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is comprised of biographical materials and architectural drawings for residential and commercial projects. Among the biographical materials are two brief biographical accounts of Stan's life, a memorial bulletin with a portrait photograph, obituary, and service information. Residential drawings include sepia, diazo, and trace paper drawings. Commercial drawings include sepia and trace paper drawings. Several projects also include engineering calculation notes."],"abstract_html_tesm":["\u003cabstract id=\"aspace_da78057b6a88b73e648a5099130cfbfd\"\u003eThis collection documents the architect Sally Waldner Bould Stan. She lived from 1917 to 2008, spending most of her life in Lafayette, California. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects before retiring in 1998. Her collection is comprised of biographical notes as well as drawings for 55 of her professional projects. One standard and five oversized folders.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection documents the architect Sally Waldner Bould Stan. She lived from 1917 to 2008, spending most of her life in Lafayette, California. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects before retiring in 1998. Her collection is comprised of biographical notes as well as drawings for 55 of her professional projects. One standard and five oversized folders."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-"],"names_coll_ssim":["Dows, Wena W., 1928-","Stan, Sally Waldner Bould, b.1917"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":62,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:16:22.775Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2149"}},{"id":"viblbv_repositories_2_resources_1750","type":"collection","attributes":{"title":"Susana Torre Architectural Collection, 1830/2003, bulk 1967/2003","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1750#creator","type":"document_value","attributes":{"value":"Torre, Susana, 1944-","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1750#abstract_or_scope","type":"document_value","attributes":{"value":"After earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1750#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1750","ead_ssi":"viblbv_repositories_2_resources_1750","_root_":"viblbv_repositories_2_resources_1750","_nest_parent_":"viblbv_repositories_2_resources_1750","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1750.xml","title_filing_ssi":"Torre, Susana, Architectural Collection","title_ssm":["Susana Torre Architectural Collection"],"title_tesim":["Susana Torre Architectural Collection"],"unitdate_ssm":["1830-2003","1967-2003"],"unitdate_inclusive_ssm":["1830-2003"],"unitdate_bulk_ssim":["1967-2003"],"normalized_date_ssm":["1830/2003, bulk 1967/2003"],"normalized_title_ssm":["Susana Torre Architectural Collection, 1830/2003, bulk 1967/2003"],"text":["Susana Torre Architectural Collection, 1830/2003, bulk 1967/2003","Ms.1990.016","Women -- History","Architecture -- Study and teaching","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)","The collection is open for research.","Selected images of work by Susana Torre has been digitized and is available online.","The Susana Torre Collection is arranged in four series reflecting architectural projects, work with professional organizations, teaching, and office work.","Series I: Project Files, 1961-1990, consists of project files and some sets of architectural drawings. The project information is arranged chronologically. Some projects have been assigned circa dates, reflecting the fact that although they do not have specific dates, they were filed in the order that Torre worked on them.","Series II: Professional Papers, 1830, 1941-2003, contains three subseries of material: (A) Professional and Cultural Organizations, (B) Publications, and (C) Research Files. Subseries A and C are arranged chronologically, and subseries B is grouped by topic and arranged alphabetically.","Series III: Faculty Papers, 1971-1992, contains material Torre used and collected while teaching at universities. The material is arranged by the name of the school with which it is associated, and chronologically within each school grouping.","Series IV: Office Files, 1967-1994, contains five subseries: (A) Lectures, (B) Conferences and Symposia, (C) Juries and Advisory Boards, (D) Exhibitions, and (E) Awards and Fellowships. All are arranged chronologically.","Susana Torre was born in 1944 in Argentina and graduated from the University of Buenos Aires with a degree in architecture and additional course work in urban planning in 1967. In 1968 she moved to the United States to pursue post-graduate studies in urban planning at Columbia University. Her career following the completion of her studies was based in New York City. Susana Torre was a principal of the Architectural Studio in New York from 1978 to 1984. She also worked as a partner at Wank Adams Slavin Associates and Torre Beeler Associates before starting an independent practice, Susana Torre and Associates of New York, in 1989. She has been associated with the Museum of Modern Art's Department of Architecture and Design and served as the coordinator of a research study on six new towns for the Institute for Architecture and Urban Studies. Torre also has held academic appointments at Columbia University, SUNY at Old Westbury, Barnard College Architecture Program, and New Jersey Institute of Technology as well as serving as a visiting critic and adjunct professor at other schools in the New York area.","Throughout her career, Torre has been concerned with the status of women in architecture, studying the history of the subject and advocating fuller participation of women in the field. Her work is strongly engaged in a dialogue of Modernist and Post-modernist forms. Susana Torre has received several awards, including recognition from the Edgar Kaufman Foundation and the National Endowment for the Arts. Torre has served on national juries for the American Institute of Architects (AIA) as well as other educational institutions. She is well known for her renovation and remodeling projects such as the master plan for the restoration of Ellis Island in New York Harbor (1981); renovation of Clark House, a turn-of-the-century carriage house in South Hampton, New York (1982) which received an Award of Excellence of Design from Architectural Record; the renovation of Schermerhorn Hall at Columbia University (1985); and Fire Station Five in Columbus, Indiana (1987).","Torre has published many articles in journals, newspapers, and magazines and has exhibited works at the Museum of Modern Art, The Institute for Architecture and Urban Studies, The Otis Art Institute, MIT's Hayden Gallery, and the Cooper Hewitt Museum. Ms. Torre was the editor, curator and designer of the exhibit \"Women in Architecture: A Historic and Contemporary Perspective,\" that toured United States in 1977 and the complementary book of essays (1977) that accompanied it.","The guide to the Susana Torre Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Susana Torre Architectural Collection was completed in January 2005. Initial processing, arrangement, and description was completed in 1990. Additions were integrated in 2007, 2012, and 2013.","The Susana Torre Architectural Collection consist of twenty-four cubic feet of material including professional correspondence, project files, research notes, published articles, office files about and by Torre, and teaching notes amassed by Torre, as well as twenty folders of architectural drawings and sketches, and photographs of projects taken before, during and after construction, mostly during the period from 1968 to 1991. The collection also includes three framed drawings and a model of the Garvey residence at Amagansett, Long Island. The information focuses on Torre's professional career, with the bulk of the material covering architectural projects and publishing and teaching efforts.","The project files include contracts, bids and proposals, project notes, feasibility studies, correspondence with clients and builders, specifications, product information, and clippings of articles about the projects. There are also seventeen sets of project drawings. The most important and best-documented projects of this collection are the renovation of a law office for Harry Torcyzner, New York; the Clark's residence at South Hampton, New York; the Chamber's Street Restaurant, New York; the Embassy of the Ivory Coast; the Robert Panero Associates office renovation project; a feasibility study for \"Suitables\" (a chain of women's clothing stores); the renovation of Schemerhorn Hall at Columbia University, New York; the Fire Station Five at Columbus, Indiana; the Montauk Public Library, New York; a fire station in Jersey City, New Jersey; a feasibility study for the Ruppert Green Project (a multi-family residential complex in New Jersey); the Garvey residence; the Feinberg residence in Chillmark, Massachusetts; Columbia University's Law Library renovation; and the Jewett Arts Center at Wellesley College, MA.","Professional papers include information about associations and organizations in which Torre participated; organizational correspondence regarding meetings, objectives and proceedings, invitations, brochures and articles about speakers and organization events; publications by and about Torre and architecture; and Torre's notes about women in architecture that she used to prepare the 1977 exhibition and its companion book, Women in American Architecture. Organizations to which Torre belonged include the Architectural League of New York, the Heresies (a feminist publication on art and politics), Networks: Women in Architecture, the Journal of Architectural Education (JAE), the International Archive of Women in Architecture (IAWA), the Association of Collegiate Schools of Architecture (ASCA): Task Force on the Status of Women in Architecture Schools, and Architects Designers Planners for Social Responsibility (ADPSR). The publications span the dates 1967-1992 and include early Spanish-language and later English material written by Torre, as well as magazine and newspaper clippings, invitations to conferences and technical paper presentations, outlines of articles and comments on other author's publications, correspondence with publishers and organizations, and Torre's hand-written notes from meetings and conferences.","There are also accumulated research notes about women architects in America that Torre compiled to write the introduction and several segments of the book Women in American Architecture: a Historic and Contemporary Perspective that received support from the Architectural League of New York and was published by Whitney Library of Design. The exhibition opened at the Brooklyn Museum in 1977 and then toured around the United States. The research files include information about specific architects, general notes and photographs, and articles and papers published by American women architects.","Faculty papers include lecture notes, student projects, newspaper clippings and theses from lecture and teaching positions that Torre held at schools such as State University of New York (SUNY) at Old Westbury, the Pratt Institute, Syracuse University, Miami University in Ohio, Columbia University and its Graduate School of Architecture Planning and preservation program, University of Pennsylvania, Escula Technica Superior De Architectura in Spain, Barnard Architecture College, University of Sydney, New Jersey Institute of Technology, and New Jersey School of Architecture.","Office Files include correspondence documents, notes, brochures and invitations for lectures, conference and symposia attended and participated in by Torre spanning from 1967 to 1994. The collection also includes information about the various exhibitions, juries, and advisory boards in which Torre participated, helped organize, and presided over during her professional career. The Awards and Fellowships files include documentation and information regarding the various awards, honors, and fellowships that Torre received from 1979 to 1990.","Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death.","After earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes.","Special Collections and University Archives, Virginia Tech","Torre, Susana, 1944-","The materials in the collection are in English."],"collection_title_tesim":["Susana Torre Architectural Collection, 1830/2003, bulk 1967/2003"],"collection_ssim":["Susana Torre Architectural Collection, 1830/2003, bulk 1967/2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1990.016"],"unitid_tesim":["Ms.1990.016"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Torre, Susana, 1944-"],"creator_ssim":["Torre, Susana, 1944-"],"creator_persname_ssim":["Torre, Susana, 1944-"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Torre, Susana, 1944-","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death."],"acqinfo_ssim":["The Susana Torre Architectural Collection was donated to the International Archive of Women in Architecture in 1990. Additional material was donated in 1998, 2000, 2003, and 2008."],"access_subjects_ssim":["Women -- History","Architecture -- Study and teaching","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)"],"access_subjects_ssm":["Women -- History","Architecture -- Study and teaching","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["26.4 Cubic Feet 23 boxes, 28 oversize folders, 3 framed drawings, and 1 model"],"extent_tesim":["26.4 Cubic Feet 23 boxes, 28 oversize folders, 3 framed drawings, and 1 model"],"genreform_ssim":["Architectural drawings (visual works)","Architecture (discipline)"],"date_range_isim":[1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/354\"\u003eSelected images of work by Susana Torre has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Selected images of work by Susana Torre has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe Susana Torre Collection is arranged in four series reflecting architectural projects, work with professional organizations, teaching, and office work. \u003c/p\u003e","\u003cp\u003eSeries I: Project Files, 1961-1990, consists of project files and some sets of architectural drawings. The project information is arranged chronologically. Some projects have been assigned circa dates, reflecting the fact that although they do not have specific dates, they were filed in the order that Torre worked on them. \u003c/p\u003e","\u003cp\u003eSeries II: Professional Papers, 1830, 1941-2003, contains three subseries of material: (A) Professional and Cultural Organizations, (B) Publications, and (C) Research Files. Subseries A and C are arranged chronologically, and subseries B is grouped by topic and arranged alphabetically. \u003c/p\u003e","\u003cp\u003eSeries III: Faculty Papers, 1971-1992, contains material Torre used and collected while teaching at universities. The material is arranged by the name of the school with which it is associated, and chronologically within each school grouping. \u003c/p\u003e","\u003cp\u003eSeries IV: Office Files, 1967-1994, contains five subseries: (A) Lectures, (B) Conferences and Symposia, (C) Juries and Advisory Boards, (D) Exhibitions, and (E) Awards and Fellowships. All are arranged chronologically. \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Susana Torre Collection is arranged in four series reflecting architectural projects, work with professional organizations, teaching, and office work.","Series I: Project Files, 1961-1990, consists of project files and some sets of architectural drawings. The project information is arranged chronologically. Some projects have been assigned circa dates, reflecting the fact that although they do not have specific dates, they were filed in the order that Torre worked on them.","Series II: Professional Papers, 1830, 1941-2003, contains three subseries of material: (A) Professional and Cultural Organizations, (B) Publications, and (C) Research Files. Subseries A and C are arranged chronologically, and subseries B is grouped by topic and arranged alphabetically.","Series III: Faculty Papers, 1971-1992, contains material Torre used and collected while teaching at universities. The material is arranged by the name of the school with which it is associated, and chronologically within each school grouping.","Series IV: Office Files, 1967-1994, contains five subseries: (A) Lectures, (B) Conferences and Symposia, (C) Juries and Advisory Boards, (D) Exhibitions, and (E) Awards and Fellowships. All are arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eSusana Torre was born in 1944 in Argentina and graduated from the University of Buenos Aires with a degree in architecture and additional course work in urban planning in 1967. In 1968 she moved to the United States to pursue post-graduate studies in urban planning at Columbia University. Her career following the completion of her studies was based in New York City. Susana Torre was a principal of the Architectural Studio in New York from 1978 to 1984. She also worked as a partner at Wank Adams Slavin Associates and Torre Beeler Associates before starting an independent practice, Susana Torre and Associates of New York, in 1989. She has been associated with the Museum of Modern Art's Department of Architecture and Design and served as the coordinator of a research study on six new towns for the Institute for Architecture and Urban Studies. Torre also has held academic appointments at Columbia University, SUNY at Old Westbury, Barnard College Architecture Program, and New Jersey Institute of Technology as well as serving as a visiting critic and adjunct professor at other schools in the New York area. \u003c/p\u003e","\u003cp\u003eThroughout her career, Torre has been concerned with the status of women in architecture, studying the history of the subject and advocating fuller participation of women in the field. Her work is strongly engaged in a dialogue of Modernist and Post-modernist forms. Susana Torre has received several awards, including recognition from the Edgar Kaufman Foundation and the National Endowment for the Arts. Torre has served on national juries for the American Institute of Architects (AIA) as well as other educational institutions. She is well known for her renovation and remodeling projects such as the master plan for the restoration of Ellis Island in New York Harbor (1981); renovation of Clark House, a turn-of-the-century carriage house in South Hampton, New York (1982) which received an Award of Excellence of Design from \u003ctitle render=\"italic\"\u003eArchitectural Record\u003c/title\u003e; the renovation of Schermerhorn Hall at Columbia University (1985); and Fire Station Five in Columbus, Indiana (1987). \u003c/p\u003e","\u003cp\u003eTorre has published many articles in journals, newspapers, and magazines and has exhibited works at the Museum of Modern Art, The Institute for Architecture and Urban Studies, The Otis Art Institute, MIT's Hayden Gallery, and the Cooper Hewitt Museum. Ms. Torre was the editor, curator and designer of the exhibit \"Women in Architecture: A Historic and Contemporary Perspective,\" that toured United States in 1977 and the complementary book of essays (1977) that accompanied it. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Susana Torre was born in 1944 in Argentina and graduated from the University of Buenos Aires with a degree in architecture and additional course work in urban planning in 1967. In 1968 she moved to the United States to pursue post-graduate studies in urban planning at Columbia University. Her career following the completion of her studies was based in New York City. Susana Torre was a principal of the Architectural Studio in New York from 1978 to 1984. She also worked as a partner at Wank Adams Slavin Associates and Torre Beeler Associates before starting an independent practice, Susana Torre and Associates of New York, in 1989. She has been associated with the Museum of Modern Art's Department of Architecture and Design and served as the coordinator of a research study on six new towns for the Institute for Architecture and Urban Studies. Torre also has held academic appointments at Columbia University, SUNY at Old Westbury, Barnard College Architecture Program, and New Jersey Institute of Technology as well as serving as a visiting critic and adjunct professor at other schools in the New York area.","Throughout her career, Torre has been concerned with the status of women in architecture, studying the history of the subject and advocating fuller participation of women in the field. Her work is strongly engaged in a dialogue of Modernist and Post-modernist forms. Susana Torre has received several awards, including recognition from the Edgar Kaufman Foundation and the National Endowment for the Arts. Torre has served on national juries for the American Institute of Architects (AIA) as well as other educational institutions. She is well known for her renovation and remodeling projects such as the master plan for the restoration of Ellis Island in New York Harbor (1981); renovation of Clark House, a turn-of-the-century carriage house in South Hampton, New York (1982) which received an Award of Excellence of Design from Architectural Record; the renovation of Schermerhorn Hall at Columbia University (1985); and Fire Station Five in Columbus, Indiana (1987).","Torre has published many articles in journals, newspapers, and magazines and has exhibited works at the Museum of Modern Art, The Institute for Architecture and Urban Studies, The Otis Art Institute, MIT's Hayden Gallery, and the Cooper Hewitt Museum. Ms. Torre was the editor, curator and designer of the exhibit \"Women in Architecture: A Historic and Contemporary Perspective,\" that toured United States in 1977 and the complementary book of essays (1977) that accompanied it."],"odd_html_tesm":["\u003cp\u003eThe guide to the Susana Torre Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Susana Torre Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Susana Torre Architectural Collection, Ms1990-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Susana Torre Architectural Collection, Ms1990-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Susana Torre Architectural Collection was completed in January 2005. Initial processing, arrangement, and description was completed in 1990. Additions were integrated in 2007, 2012, and 2013.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Susana Torre Architectural Collection was completed in January 2005. Initial processing, arrangement, and description was completed in 1990. Additions were integrated in 2007, 2012, and 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe Susana Torre Architectural Collection consist of twenty-four cubic feet of material including professional correspondence, project files, research notes, published articles, office files about and by Torre, and teaching notes amassed by Torre, as well as twenty folders of architectural drawings and sketches, and photographs of projects taken before, during and after construction, mostly during the period from 1968 to 1991. The collection also includes three framed drawings and a model of the Garvey residence at Amagansett, Long Island. The information focuses on Torre's professional career, with the bulk of the material covering architectural projects and publishing and teaching efforts. \u003c/p\u003e","\u003cp\u003eThe project files include contracts, bids and proposals, project notes, feasibility studies, correspondence with clients and builders, specifications, product information, and clippings of articles about the projects. There are also seventeen sets of project drawings. The most important and best-documented projects of this collection are the renovation of a law office for Harry Torcyzner, New York; the Clark's residence at South Hampton, New York; the Chamber's Street Restaurant, New York; the Embassy of the Ivory Coast; the Robert Panero Associates office renovation project; a feasibility study for \"Suitables\" (a chain of women's clothing stores); the renovation of Schemerhorn Hall at Columbia University, New York; the Fire Station Five at Columbus, Indiana; the Montauk Public Library, New York; a fire station in Jersey City, New Jersey; a feasibility study for the Ruppert Green Project (a multi-family residential complex in New Jersey); the Garvey residence; the Feinberg residence in Chillmark, Massachusetts; Columbia University's Law Library renovation; and the Jewett Arts Center at Wellesley College, MA. \u003c/p\u003e","\u003cp\u003eProfessional papers include information about associations and organizations in which Torre participated; organizational correspondence regarding meetings, objectives and proceedings, invitations, brochures and articles about speakers and organization events; publications by and about Torre and architecture; and Torre's notes about women in architecture that she used to prepare the 1977 exhibition and its companion book, \u003ctitle render=\"italic\"\u003eWomen in American Architecture.\u003c/title\u003e Organizations to which Torre belonged include the Architectural League of New York, the \u003ctitle render=\"italic\"\u003eHeresies\u003c/title\u003e (a feminist publication on art and politics), Networks: Women in Architecture, the \u003ctitle render=\"italic\"\u003eJournal of Architectural Education\u003c/title\u003e (JAE), the International Archive of Women in Architecture (IAWA), the Association of Collegiate Schools of Architecture (ASCA): Task Force on the Status of Women in Architecture Schools, and Architects Designers Planners for Social Responsibility (ADPSR). The publications span the dates 1967-1992 and include early Spanish-language and later English material written by Torre, as well as magazine and newspaper clippings, invitations to conferences and technical paper presentations, outlines of articles and comments on other author's publications, correspondence with publishers and organizations, and Torre's hand-written notes from meetings and conferences. \u003c/p\u003e","\u003cp\u003eThere are also accumulated research notes about women architects in America that Torre compiled to write the introduction and several segments of the book \u003ctitle render=\"italic\"\u003eWomen in American Architecture: a Historic and Contemporary Perspective\u003c/title\u003e that received support from the Architectural League of New York and was published by Whitney Library of Design. The exhibition opened at the Brooklyn Museum in 1977 and then toured around the United States. The research files include information about specific architects, general notes and photographs, and articles and papers published by American women architects. \u003c/p\u003e","\u003cp\u003eFaculty papers include lecture notes, student projects, newspaper clippings and theses from lecture and teaching positions that Torre held at schools such as State University of New York (SUNY) at Old Westbury, the Pratt Institute, Syracuse University, Miami University in Ohio, Columbia University and its Graduate School of Architecture Planning and preservation program, University of Pennsylvania, Escula Technica Superior De Architectura in Spain, Barnard Architecture College, University of Sydney, New Jersey Institute of Technology, and New Jersey School of Architecture. \u003c/p\u003e","\u003cp\u003eOffice Files include correspondence documents, notes, brochures and invitations for lectures, conference and symposia attended and participated in by Torre spanning from 1967 to 1994. The collection also includes information about the various exhibitions, juries, and advisory boards in which Torre participated, helped organize, and presided over during her professional career. The Awards and Fellowships files include documentation and information regarding the various awards, honors, and fellowships that Torre received from 1979 to 1990. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Susana Torre Architectural Collection consist of twenty-four cubic feet of material including professional correspondence, project files, research notes, published articles, office files about and by Torre, and teaching notes amassed by Torre, as well as twenty folders of architectural drawings and sketches, and photographs of projects taken before, during and after construction, mostly during the period from 1968 to 1991. The collection also includes three framed drawings and a model of the Garvey residence at Amagansett, Long Island. The information focuses on Torre's professional career, with the bulk of the material covering architectural projects and publishing and teaching efforts.","The project files include contracts, bids and proposals, project notes, feasibility studies, correspondence with clients and builders, specifications, product information, and clippings of articles about the projects. There are also seventeen sets of project drawings. The most important and best-documented projects of this collection are the renovation of a law office for Harry Torcyzner, New York; the Clark's residence at South Hampton, New York; the Chamber's Street Restaurant, New York; the Embassy of the Ivory Coast; the Robert Panero Associates office renovation project; a feasibility study for \"Suitables\" (a chain of women's clothing stores); the renovation of Schemerhorn Hall at Columbia University, New York; the Fire Station Five at Columbus, Indiana; the Montauk Public Library, New York; a fire station in Jersey City, New Jersey; a feasibility study for the Ruppert Green Project (a multi-family residential complex in New Jersey); the Garvey residence; the Feinberg residence in Chillmark, Massachusetts; Columbia University's Law Library renovation; and the Jewett Arts Center at Wellesley College, MA.","Professional papers include information about associations and organizations in which Torre participated; organizational correspondence regarding meetings, objectives and proceedings, invitations, brochures and articles about speakers and organization events; publications by and about Torre and architecture; and Torre's notes about women in architecture that she used to prepare the 1977 exhibition and its companion book, Women in American Architecture. Organizations to which Torre belonged include the Architectural League of New York, the Heresies (a feminist publication on art and politics), Networks: Women in Architecture, the Journal of Architectural Education (JAE), the International Archive of Women in Architecture (IAWA), the Association of Collegiate Schools of Architecture (ASCA): Task Force on the Status of Women in Architecture Schools, and Architects Designers Planners for Social Responsibility (ADPSR). The publications span the dates 1967-1992 and include early Spanish-language and later English material written by Torre, as well as magazine and newspaper clippings, invitations to conferences and technical paper presentations, outlines of articles and comments on other author's publications, correspondence with publishers and organizations, and Torre's hand-written notes from meetings and conferences.","There are also accumulated research notes about women architects in America that Torre compiled to write the introduction and several segments of the book Women in American Architecture: a Historic and Contemporary Perspective that received support from the Architectural League of New York and was published by Whitney Library of Design. The exhibition opened at the Brooklyn Museum in 1977 and then toured around the United States. The research files include information about specific architects, general notes and photographs, and articles and papers published by American women architects.","Faculty papers include lecture notes, student projects, newspaper clippings and theses from lecture and teaching positions that Torre held at schools such as State University of New York (SUNY) at Old Westbury, the Pratt Institute, Syracuse University, Miami University in Ohio, Columbia University and its Graduate School of Architecture Planning and preservation program, University of Pennsylvania, Escula Technica Superior De Architectura in Spain, Barnard Architecture College, University of Sydney, New Jersey Institute of Technology, and New Jersey School of Architecture.","Office Files include correspondence documents, notes, brochures and invitations for lectures, conference and symposia attended and participated in by Torre spanning from 1967 to 1994. The collection also includes information about the various exhibitions, juries, and advisory boards in which Torre participated, helped organize, and presided over during her professional career. The Awards and Fellowships files include documentation and information regarding the various awards, honors, and fellowships that Torre received from 1979 to 1990."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ffe2379cf92e88916e01253a1d5e4ec4\" label=\"Abstract\"\u003eAfter earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes.\u003c/abstract\u003e\n    "],"abstract_tesim":["After earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Torre, Susana, 1944-"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Torre, Susana, 1944-"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":386,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:15:53.205Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1750","ead_ssi":"viblbv_repositories_2_resources_1750","_root_":"viblbv_repositories_2_resources_1750","_nest_parent_":"viblbv_repositories_2_resources_1750","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1750.xml","title_filing_ssi":"Torre, Susana, Architectural Collection","title_ssm":["Susana Torre Architectural Collection"],"title_tesim":["Susana Torre Architectural Collection"],"unitdate_ssm":["1830-2003","1967-2003"],"unitdate_inclusive_ssm":["1830-2003"],"unitdate_bulk_ssim":["1967-2003"],"normalized_date_ssm":["1830/2003, bulk 1967/2003"],"normalized_title_ssm":["Susana Torre Architectural Collection, 1830/2003, bulk 1967/2003"],"text":["Susana Torre Architectural Collection, 1830/2003, bulk 1967/2003","Ms.1990.016","Women -- History","Architecture -- Study and teaching","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)","The collection is open for research.","Selected images of work by Susana Torre has been digitized and is available online.","The Susana Torre Collection is arranged in four series reflecting architectural projects, work with professional organizations, teaching, and office work.","Series I: Project Files, 1961-1990, consists of project files and some sets of architectural drawings. The project information is arranged chronologically. Some projects have been assigned circa dates, reflecting the fact that although they do not have specific dates, they were filed in the order that Torre worked on them.","Series II: Professional Papers, 1830, 1941-2003, contains three subseries of material: (A) Professional and Cultural Organizations, (B) Publications, and (C) Research Files. Subseries A and C are arranged chronologically, and subseries B is grouped by topic and arranged alphabetically.","Series III: Faculty Papers, 1971-1992, contains material Torre used and collected while teaching at universities. The material is arranged by the name of the school with which it is associated, and chronologically within each school grouping.","Series IV: Office Files, 1967-1994, contains five subseries: (A) Lectures, (B) Conferences and Symposia, (C) Juries and Advisory Boards, (D) Exhibitions, and (E) Awards and Fellowships. All are arranged chronologically.","Susana Torre was born in 1944 in Argentina and graduated from the University of Buenos Aires with a degree in architecture and additional course work in urban planning in 1967. In 1968 she moved to the United States to pursue post-graduate studies in urban planning at Columbia University. Her career following the completion of her studies was based in New York City. Susana Torre was a principal of the Architectural Studio in New York from 1978 to 1984. She also worked as a partner at Wank Adams Slavin Associates and Torre Beeler Associates before starting an independent practice, Susana Torre and Associates of New York, in 1989. She has been associated with the Museum of Modern Art's Department of Architecture and Design and served as the coordinator of a research study on six new towns for the Institute for Architecture and Urban Studies. Torre also has held academic appointments at Columbia University, SUNY at Old Westbury, Barnard College Architecture Program, and New Jersey Institute of Technology as well as serving as a visiting critic and adjunct professor at other schools in the New York area.","Throughout her career, Torre has been concerned with the status of women in architecture, studying the history of the subject and advocating fuller participation of women in the field. Her work is strongly engaged in a dialogue of Modernist and Post-modernist forms. Susana Torre has received several awards, including recognition from the Edgar Kaufman Foundation and the National Endowment for the Arts. Torre has served on national juries for the American Institute of Architects (AIA) as well as other educational institutions. She is well known for her renovation and remodeling projects such as the master plan for the restoration of Ellis Island in New York Harbor (1981); renovation of Clark House, a turn-of-the-century carriage house in South Hampton, New York (1982) which received an Award of Excellence of Design from Architectural Record; the renovation of Schermerhorn Hall at Columbia University (1985); and Fire Station Five in Columbus, Indiana (1987).","Torre has published many articles in journals, newspapers, and magazines and has exhibited works at the Museum of Modern Art, The Institute for Architecture and Urban Studies, The Otis Art Institute, MIT's Hayden Gallery, and the Cooper Hewitt Museum. Ms. Torre was the editor, curator and designer of the exhibit \"Women in Architecture: A Historic and Contemporary Perspective,\" that toured United States in 1977 and the complementary book of essays (1977) that accompanied it.","The guide to the Susana Torre Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Susana Torre Architectural Collection was completed in January 2005. Initial processing, arrangement, and description was completed in 1990. Additions were integrated in 2007, 2012, and 2013.","The Susana Torre Architectural Collection consist of twenty-four cubic feet of material including professional correspondence, project files, research notes, published articles, office files about and by Torre, and teaching notes amassed by Torre, as well as twenty folders of architectural drawings and sketches, and photographs of projects taken before, during and after construction, mostly during the period from 1968 to 1991. The collection also includes three framed drawings and a model of the Garvey residence at Amagansett, Long Island. The information focuses on Torre's professional career, with the bulk of the material covering architectural projects and publishing and teaching efforts.","The project files include contracts, bids and proposals, project notes, feasibility studies, correspondence with clients and builders, specifications, product information, and clippings of articles about the projects. There are also seventeen sets of project drawings. The most important and best-documented projects of this collection are the renovation of a law office for Harry Torcyzner, New York; the Clark's residence at South Hampton, New York; the Chamber's Street Restaurant, New York; the Embassy of the Ivory Coast; the Robert Panero Associates office renovation project; a feasibility study for \"Suitables\" (a chain of women's clothing stores); the renovation of Schemerhorn Hall at Columbia University, New York; the Fire Station Five at Columbus, Indiana; the Montauk Public Library, New York; a fire station in Jersey City, New Jersey; a feasibility study for the Ruppert Green Project (a multi-family residential complex in New Jersey); the Garvey residence; the Feinberg residence in Chillmark, Massachusetts; Columbia University's Law Library renovation; and the Jewett Arts Center at Wellesley College, MA.","Professional papers include information about associations and organizations in which Torre participated; organizational correspondence regarding meetings, objectives and proceedings, invitations, brochures and articles about speakers and organization events; publications by and about Torre and architecture; and Torre's notes about women in architecture that she used to prepare the 1977 exhibition and its companion book, Women in American Architecture. Organizations to which Torre belonged include the Architectural League of New York, the Heresies (a feminist publication on art and politics), Networks: Women in Architecture, the Journal of Architectural Education (JAE), the International Archive of Women in Architecture (IAWA), the Association of Collegiate Schools of Architecture (ASCA): Task Force on the Status of Women in Architecture Schools, and Architects Designers Planners for Social Responsibility (ADPSR). The publications span the dates 1967-1992 and include early Spanish-language and later English material written by Torre, as well as magazine and newspaper clippings, invitations to conferences and technical paper presentations, outlines of articles and comments on other author's publications, correspondence with publishers and organizations, and Torre's hand-written notes from meetings and conferences.","There are also accumulated research notes about women architects in America that Torre compiled to write the introduction and several segments of the book Women in American Architecture: a Historic and Contemporary Perspective that received support from the Architectural League of New York and was published by Whitney Library of Design. The exhibition opened at the Brooklyn Museum in 1977 and then toured around the United States. The research files include information about specific architects, general notes and photographs, and articles and papers published by American women architects.","Faculty papers include lecture notes, student projects, newspaper clippings and theses from lecture and teaching positions that Torre held at schools such as State University of New York (SUNY) at Old Westbury, the Pratt Institute, Syracuse University, Miami University in Ohio, Columbia University and its Graduate School of Architecture Planning and preservation program, University of Pennsylvania, Escula Technica Superior De Architectura in Spain, Barnard Architecture College, University of Sydney, New Jersey Institute of Technology, and New Jersey School of Architecture.","Office Files include correspondence documents, notes, brochures and invitations for lectures, conference and symposia attended and participated in by Torre spanning from 1967 to 1994. The collection also includes information about the various exhibitions, juries, and advisory boards in which Torre participated, helped organize, and presided over during her professional career. The Awards and Fellowships files include documentation and information regarding the various awards, honors, and fellowships that Torre received from 1979 to 1990.","Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death.","After earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes.","Special Collections and University Archives, Virginia Tech","Torre, Susana, 1944-","The materials in the collection are in English."],"collection_title_tesim":["Susana Torre Architectural Collection, 1830/2003, bulk 1967/2003"],"collection_ssim":["Susana Torre Architectural Collection, 1830/2003, bulk 1967/2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1990.016"],"unitid_tesim":["Ms.1990.016"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Torre, Susana, 1944-"],"creator_ssim":["Torre, Susana, 1944-"],"creator_persname_ssim":["Torre, Susana, 1944-"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Torre, Susana, 1944-","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death."],"acqinfo_ssim":["The Susana Torre Architectural Collection was donated to the International Archive of Women in Architecture in 1990. Additional material was donated in 1998, 2000, 2003, and 2008."],"access_subjects_ssim":["Women -- History","Architecture -- Study and teaching","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)"],"access_subjects_ssm":["Women -- History","Architecture -- Study and teaching","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["26.4 Cubic Feet 23 boxes, 28 oversize folders, 3 framed drawings, and 1 model"],"extent_tesim":["26.4 Cubic Feet 23 boxes, 28 oversize folders, 3 framed drawings, and 1 model"],"genreform_ssim":["Architectural drawings (visual works)","Architecture (discipline)"],"date_range_isim":[1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/354\"\u003eSelected images of work by Susana Torre has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Selected images of work by Susana Torre has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe Susana Torre Collection is arranged in four series reflecting architectural projects, work with professional organizations, teaching, and office work. \u003c/p\u003e","\u003cp\u003eSeries I: Project Files, 1961-1990, consists of project files and some sets of architectural drawings. The project information is arranged chronologically. Some projects have been assigned circa dates, reflecting the fact that although they do not have specific dates, they were filed in the order that Torre worked on them. \u003c/p\u003e","\u003cp\u003eSeries II: Professional Papers, 1830, 1941-2003, contains three subseries of material: (A) Professional and Cultural Organizations, (B) Publications, and (C) Research Files. Subseries A and C are arranged chronologically, and subseries B is grouped by topic and arranged alphabetically. \u003c/p\u003e","\u003cp\u003eSeries III: Faculty Papers, 1971-1992, contains material Torre used and collected while teaching at universities. The material is arranged by the name of the school with which it is associated, and chronologically within each school grouping. \u003c/p\u003e","\u003cp\u003eSeries IV: Office Files, 1967-1994, contains five subseries: (A) Lectures, (B) Conferences and Symposia, (C) Juries and Advisory Boards, (D) Exhibitions, and (E) Awards and Fellowships. All are arranged chronologically. \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Susana Torre Collection is arranged in four series reflecting architectural projects, work with professional organizations, teaching, and office work.","Series I: Project Files, 1961-1990, consists of project files and some sets of architectural drawings. The project information is arranged chronologically. Some projects have been assigned circa dates, reflecting the fact that although they do not have specific dates, they were filed in the order that Torre worked on them.","Series II: Professional Papers, 1830, 1941-2003, contains three subseries of material: (A) Professional and Cultural Organizations, (B) Publications, and (C) Research Files. Subseries A and C are arranged chronologically, and subseries B is grouped by topic and arranged alphabetically.","Series III: Faculty Papers, 1971-1992, contains material Torre used and collected while teaching at universities. The material is arranged by the name of the school with which it is associated, and chronologically within each school grouping.","Series IV: Office Files, 1967-1994, contains five subseries: (A) Lectures, (B) Conferences and Symposia, (C) Juries and Advisory Boards, (D) Exhibitions, and (E) Awards and Fellowships. All are arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eSusana Torre was born in 1944 in Argentina and graduated from the University of Buenos Aires with a degree in architecture and additional course work in urban planning in 1967. In 1968 she moved to the United States to pursue post-graduate studies in urban planning at Columbia University. Her career following the completion of her studies was based in New York City. Susana Torre was a principal of the Architectural Studio in New York from 1978 to 1984. She also worked as a partner at Wank Adams Slavin Associates and Torre Beeler Associates before starting an independent practice, Susana Torre and Associates of New York, in 1989. She has been associated with the Museum of Modern Art's Department of Architecture and Design and served as the coordinator of a research study on six new towns for the Institute for Architecture and Urban Studies. Torre also has held academic appointments at Columbia University, SUNY at Old Westbury, Barnard College Architecture Program, and New Jersey Institute of Technology as well as serving as a visiting critic and adjunct professor at other schools in the New York area. \u003c/p\u003e","\u003cp\u003eThroughout her career, Torre has been concerned with the status of women in architecture, studying the history of the subject and advocating fuller participation of women in the field. Her work is strongly engaged in a dialogue of Modernist and Post-modernist forms. Susana Torre has received several awards, including recognition from the Edgar Kaufman Foundation and the National Endowment for the Arts. Torre has served on national juries for the American Institute of Architects (AIA) as well as other educational institutions. She is well known for her renovation and remodeling projects such as the master plan for the restoration of Ellis Island in New York Harbor (1981); renovation of Clark House, a turn-of-the-century carriage house in South Hampton, New York (1982) which received an Award of Excellence of Design from \u003ctitle render=\"italic\"\u003eArchitectural Record\u003c/title\u003e; the renovation of Schermerhorn Hall at Columbia University (1985); and Fire Station Five in Columbus, Indiana (1987). \u003c/p\u003e","\u003cp\u003eTorre has published many articles in journals, newspapers, and magazines and has exhibited works at the Museum of Modern Art, The Institute for Architecture and Urban Studies, The Otis Art Institute, MIT's Hayden Gallery, and the Cooper Hewitt Museum. Ms. Torre was the editor, curator and designer of the exhibit \"Women in Architecture: A Historic and Contemporary Perspective,\" that toured United States in 1977 and the complementary book of essays (1977) that accompanied it. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Susana Torre was born in 1944 in Argentina and graduated from the University of Buenos Aires with a degree in architecture and additional course work in urban planning in 1967. In 1968 she moved to the United States to pursue post-graduate studies in urban planning at Columbia University. Her career following the completion of her studies was based in New York City. Susana Torre was a principal of the Architectural Studio in New York from 1978 to 1984. She also worked as a partner at Wank Adams Slavin Associates and Torre Beeler Associates before starting an independent practice, Susana Torre and Associates of New York, in 1989. She has been associated with the Museum of Modern Art's Department of Architecture and Design and served as the coordinator of a research study on six new towns for the Institute for Architecture and Urban Studies. Torre also has held academic appointments at Columbia University, SUNY at Old Westbury, Barnard College Architecture Program, and New Jersey Institute of Technology as well as serving as a visiting critic and adjunct professor at other schools in the New York area.","Throughout her career, Torre has been concerned with the status of women in architecture, studying the history of the subject and advocating fuller participation of women in the field. Her work is strongly engaged in a dialogue of Modernist and Post-modernist forms. Susana Torre has received several awards, including recognition from the Edgar Kaufman Foundation and the National Endowment for the Arts. Torre has served on national juries for the American Institute of Architects (AIA) as well as other educational institutions. She is well known for her renovation and remodeling projects such as the master plan for the restoration of Ellis Island in New York Harbor (1981); renovation of Clark House, a turn-of-the-century carriage house in South Hampton, New York (1982) which received an Award of Excellence of Design from Architectural Record; the renovation of Schermerhorn Hall at Columbia University (1985); and Fire Station Five in Columbus, Indiana (1987).","Torre has published many articles in journals, newspapers, and magazines and has exhibited works at the Museum of Modern Art, The Institute for Architecture and Urban Studies, The Otis Art Institute, MIT's Hayden Gallery, and the Cooper Hewitt Museum. Ms. Torre was the editor, curator and designer of the exhibit \"Women in Architecture: A Historic and Contemporary Perspective,\" that toured United States in 1977 and the complementary book of essays (1977) that accompanied it."],"odd_html_tesm":["\u003cp\u003eThe guide to the Susana Torre Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Susana Torre Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Susana Torre Architectural Collection, Ms1990-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Susana Torre Architectural Collection, Ms1990-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Susana Torre Architectural Collection was completed in January 2005. Initial processing, arrangement, and description was completed in 1990. Additions were integrated in 2007, 2012, and 2013.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Susana Torre Architectural Collection was completed in January 2005. Initial processing, arrangement, and description was completed in 1990. Additions were integrated in 2007, 2012, and 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe Susana Torre Architectural Collection consist of twenty-four cubic feet of material including professional correspondence, project files, research notes, published articles, office files about and by Torre, and teaching notes amassed by Torre, as well as twenty folders of architectural drawings and sketches, and photographs of projects taken before, during and after construction, mostly during the period from 1968 to 1991. The collection also includes three framed drawings and a model of the Garvey residence at Amagansett, Long Island. The information focuses on Torre's professional career, with the bulk of the material covering architectural projects and publishing and teaching efforts. \u003c/p\u003e","\u003cp\u003eThe project files include contracts, bids and proposals, project notes, feasibility studies, correspondence with clients and builders, specifications, product information, and clippings of articles about the projects. There are also seventeen sets of project drawings. The most important and best-documented projects of this collection are the renovation of a law office for Harry Torcyzner, New York; the Clark's residence at South Hampton, New York; the Chamber's Street Restaurant, New York; the Embassy of the Ivory Coast; the Robert Panero Associates office renovation project; a feasibility study for \"Suitables\" (a chain of women's clothing stores); the renovation of Schemerhorn Hall at Columbia University, New York; the Fire Station Five at Columbus, Indiana; the Montauk Public Library, New York; a fire station in Jersey City, New Jersey; a feasibility study for the Ruppert Green Project (a multi-family residential complex in New Jersey); the Garvey residence; the Feinberg residence in Chillmark, Massachusetts; Columbia University's Law Library renovation; and the Jewett Arts Center at Wellesley College, MA. \u003c/p\u003e","\u003cp\u003eProfessional papers include information about associations and organizations in which Torre participated; organizational correspondence regarding meetings, objectives and proceedings, invitations, brochures and articles about speakers and organization events; publications by and about Torre and architecture; and Torre's notes about women in architecture that she used to prepare the 1977 exhibition and its companion book, \u003ctitle render=\"italic\"\u003eWomen in American Architecture.\u003c/title\u003e Organizations to which Torre belonged include the Architectural League of New York, the \u003ctitle render=\"italic\"\u003eHeresies\u003c/title\u003e (a feminist publication on art and politics), Networks: Women in Architecture, the \u003ctitle render=\"italic\"\u003eJournal of Architectural Education\u003c/title\u003e (JAE), the International Archive of Women in Architecture (IAWA), the Association of Collegiate Schools of Architecture (ASCA): Task Force on the Status of Women in Architecture Schools, and Architects Designers Planners for Social Responsibility (ADPSR). The publications span the dates 1967-1992 and include early Spanish-language and later English material written by Torre, as well as magazine and newspaper clippings, invitations to conferences and technical paper presentations, outlines of articles and comments on other author's publications, correspondence with publishers and organizations, and Torre's hand-written notes from meetings and conferences. \u003c/p\u003e","\u003cp\u003eThere are also accumulated research notes about women architects in America that Torre compiled to write the introduction and several segments of the book \u003ctitle render=\"italic\"\u003eWomen in American Architecture: a Historic and Contemporary Perspective\u003c/title\u003e that received support from the Architectural League of New York and was published by Whitney Library of Design. The exhibition opened at the Brooklyn Museum in 1977 and then toured around the United States. The research files include information about specific architects, general notes and photographs, and articles and papers published by American women architects. \u003c/p\u003e","\u003cp\u003eFaculty papers include lecture notes, student projects, newspaper clippings and theses from lecture and teaching positions that Torre held at schools such as State University of New York (SUNY) at Old Westbury, the Pratt Institute, Syracuse University, Miami University in Ohio, Columbia University and its Graduate School of Architecture Planning and preservation program, University of Pennsylvania, Escula Technica Superior De Architectura in Spain, Barnard Architecture College, University of Sydney, New Jersey Institute of Technology, and New Jersey School of Architecture. \u003c/p\u003e","\u003cp\u003eOffice Files include correspondence documents, notes, brochures and invitations for lectures, conference and symposia attended and participated in by Torre spanning from 1967 to 1994. The collection also includes information about the various exhibitions, juries, and advisory boards in which Torre participated, helped organize, and presided over during her professional career. The Awards and Fellowships files include documentation and information regarding the various awards, honors, and fellowships that Torre received from 1979 to 1990. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Susana Torre Architectural Collection consist of twenty-four cubic feet of material including professional correspondence, project files, research notes, published articles, office files about and by Torre, and teaching notes amassed by Torre, as well as twenty folders of architectural drawings and sketches, and photographs of projects taken before, during and after construction, mostly during the period from 1968 to 1991. The collection also includes three framed drawings and a model of the Garvey residence at Amagansett, Long Island. The information focuses on Torre's professional career, with the bulk of the material covering architectural projects and publishing and teaching efforts.","The project files include contracts, bids and proposals, project notes, feasibility studies, correspondence with clients and builders, specifications, product information, and clippings of articles about the projects. There are also seventeen sets of project drawings. The most important and best-documented projects of this collection are the renovation of a law office for Harry Torcyzner, New York; the Clark's residence at South Hampton, New York; the Chamber's Street Restaurant, New York; the Embassy of the Ivory Coast; the Robert Panero Associates office renovation project; a feasibility study for \"Suitables\" (a chain of women's clothing stores); the renovation of Schemerhorn Hall at Columbia University, New York; the Fire Station Five at Columbus, Indiana; the Montauk Public Library, New York; a fire station in Jersey City, New Jersey; a feasibility study for the Ruppert Green Project (a multi-family residential complex in New Jersey); the Garvey residence; the Feinberg residence in Chillmark, Massachusetts; Columbia University's Law Library renovation; and the Jewett Arts Center at Wellesley College, MA.","Professional papers include information about associations and organizations in which Torre participated; organizational correspondence regarding meetings, objectives and proceedings, invitations, brochures and articles about speakers and organization events; publications by and about Torre and architecture; and Torre's notes about women in architecture that she used to prepare the 1977 exhibition and its companion book, Women in American Architecture. Organizations to which Torre belonged include the Architectural League of New York, the Heresies (a feminist publication on art and politics), Networks: Women in Architecture, the Journal of Architectural Education (JAE), the International Archive of Women in Architecture (IAWA), the Association of Collegiate Schools of Architecture (ASCA): Task Force on the Status of Women in Architecture Schools, and Architects Designers Planners for Social Responsibility (ADPSR). The publications span the dates 1967-1992 and include early Spanish-language and later English material written by Torre, as well as magazine and newspaper clippings, invitations to conferences and technical paper presentations, outlines of articles and comments on other author's publications, correspondence with publishers and organizations, and Torre's hand-written notes from meetings and conferences.","There are also accumulated research notes about women architects in America that Torre compiled to write the introduction and several segments of the book Women in American Architecture: a Historic and Contemporary Perspective that received support from the Architectural League of New York and was published by Whitney Library of Design. The exhibition opened at the Brooklyn Museum in 1977 and then toured around the United States. The research files include information about specific architects, general notes and photographs, and articles and papers published by American women architects.","Faculty papers include lecture notes, student projects, newspaper clippings and theses from lecture and teaching positions that Torre held at schools such as State University of New York (SUNY) at Old Westbury, the Pratt Institute, Syracuse University, Miami University in Ohio, Columbia University and its Graduate School of Architecture Planning and preservation program, University of Pennsylvania, Escula Technica Superior De Architectura in Spain, Barnard Architecture College, University of Sydney, New Jersey Institute of Technology, and New Jersey School of Architecture.","Office Files include correspondence documents, notes, brochures and invitations for lectures, conference and symposia attended and participated in by Torre spanning from 1967 to 1994. The collection also includes information about the various exhibitions, juries, and advisory boards in which Torre participated, helped organize, and presided over during her professional career. The Awards and Fellowships files include documentation and information regarding the various awards, honors, and fellowships that Torre received from 1979 to 1990."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ffe2379cf92e88916e01253a1d5e4ec4\" label=\"Abstract\"\u003eAfter earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes.\u003c/abstract\u003e\n    "],"abstract_tesim":["After earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Torre, Susana, 1944-"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Torre, Susana, 1944-"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":386,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:15:53.205Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1750"}},{"id":"viblbv_repositories_2_resources_2160","type":"collection","attributes":{"title":"Vera Jansone Architectural Collection, 1940/1975","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2160#creator","type":"document_value","attributes":{"value":"Jansone, Vera E., 1915-2004","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2160#abstract_or_scope","type":"document_value","attributes":{"value":"The Vera Jansone Architectural Collection primarily consists of drawings documenting Jansone (1915-2004)'s career as a student at the Ecole Nationale Superieure des Beaux Arts, Paris and as a professional architect in California.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2160#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2160","ead_ssi":"viblbv_repositories_2_resources_2160","_root_":"viblbv_repositories_2_resources_2160","_nest_parent_":"viblbv_repositories_2_resources_2160","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2160.xml","title_filing_ssi":"Jansone, Vera, Architectural Collection","title_ssm":["Vera Jansone Architectural Collection"],"title_tesim":["Vera Jansone Architectural Collection"],"unitdate_ssm":["ca 1940s, 1961-1975"],"unitdate_inclusive_ssm":["ca 1940s, 1961-1975"],"normalized_date_ssm":["1940/1975"],"normalized_title_ssm":["Vera Jansone Architectural Collection, 1940/1975"],"text":["Vera Jansone Architectural Collection, 1940/1975","Ms.2001.026","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- California","The collection is open to research.","This collection is arranged chronologically according to project.","Born in Latvia, Vera Jansone (1915-2004) studied architecture, engineering, and art history at the University of Latvia. Following World War II, Jansone left her homeland to accept a scholarship to study at the Ecole des Beaux Arts from 1945-1949, after which she worked full time in the Atelier Le Corbusier on the reconstruction of Paris. Upon receiving her French license, Jansone started practicing with J.L. Humbaire working mostly on schools, housing, hospitals and commercial buildings. In 1950 Jansone was awarded full tuition and travel expenses under an American Association of University Women (AAUW) scholarship to attend the Illinois Institute of Technology, where she studied under Mies van der Rohe. Jansone received her MS in Architecture from IIT in 1952.","After returning briefly to Paris, Jansone moved to the United States, first living in New York for a short duration and later moving with her husband to California in the early 1960s, where job opportunities were much more abundant for women architects. Some of her projects include The Fox Plaza while working with Victor Gruen Associates; underground stations for the Bay Area Rapid Transit (BART) system while working with Ernest Born; the Mt. Shasta Mall in Redding CA while working at Robert B. Liles, Inc.; and the Sycamore Medical Building, while working with T. Liles \u0026 Assoc.","External source: Inge S. Horton, \"In Memoriam: Vera E. Jansone\", OWA+DP Newsletter, Vol. 35:4, Jul/Aug 2007, https://owa-usa.org/newsletter.php?v=354, accessed Feb. 10, 2023.","The guide to the Vera Jansone Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Vera Jansone Architectural Collection was completed in August 2001. Additional material was integrated in May 2003.","The Vera Jansone Architectural Collection consists of 89 drawings documenting her career as a student at the Ecole Nationale Superieure des Beaux Arts, Paris and as a professional architect in California. Her student work is comprised of drawings of the Atelier Labro, Atelier Perret, and Atelier Auguste Perret. Her later work includes drawings from the Mount Shasta Mall in Redding, CA, Commercial Development in Vancouver, WA, and Pearl Ridge Shopping Mall in Honolulu, HI. Also included are drawings from the Del Norte Medical Center, BART Civic Center, Crescent Beach, CA renderings, Fox Plaza Rapid Transit, and various stations and parks in San Francisco. Additionally, the collection contains an article in the \"OWA Tour of Residences Designed by Women Architects in Marin County and Napa Valley\" about the Greenbrae Residence which Jansone designed in 1975, as well as two resumes.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Vera Jansone Architectural Collection primarily consists of drawings documenting Jansone (1915-2004)'s career as a student at the Ecole Nationale Superieure des Beaux Arts, Paris and as a professional architect in California.","Special Collections and University Archives, Virginia Tech","Jansone, Vera E., 1915-2004","The materials in the collection are in English."],"collection_title_tesim":["Vera Jansone Architectural Collection, 1940/1975"],"collection_ssim":["Vera Jansone Architectural Collection, 1940/1975"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.026"],"unitid_tesim":["Ms.2001.026"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Jansone, Vera E., 1915-2004"],"creator_ssim":["Jansone, Vera E., 1915-2004"],"creator_persname_ssim":["Jansone, Vera E., 1915-2004"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Jansone, Vera E., 1915-2004","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated to Special Collections and University Archives in 2000 and 2003."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- California"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- California"],"has_online_content_ssim":["false"],"extent_ssm":["9.5 Cubic Feet 9 oversize boxes; 4 oversize folders"],"extent_tesim":["9.5 Cubic Feet 9 oversize boxes; 4 oversize folders"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged chronologically according to project.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged chronologically according to project."],"bioghist_html_tesm":["\u003cp\u003eBorn in Latvia, Vera Jansone (1915-2004) studied architecture, engineering, and art history at the University of Latvia. Following World War II, Jansone left her homeland to accept a scholarship to study at the Ecole des Beaux Arts from 1945-1949, after which she worked full time in the Atelier Le Corbusier on the reconstruction of Paris. Upon receiving her French license, Jansone started practicing with J.L. Humbaire working mostly on schools, housing, hospitals and commercial buildings. In 1950 Jansone was awarded full tuition and travel expenses under an American Association of University Women (AAUW) scholarship to attend the Illinois Institute of Technology, where she studied under Mies van der Rohe. Jansone received her MS in Architecture from IIT in 1952.\u003c/p\u003e","\u003cp\u003eAfter returning briefly to Paris, Jansone moved to the United States, first living in New York for a short duration and later moving with her husband to California in the early 1960s, where job opportunities were much more abundant for women architects. Some of her projects include The Fox Plaza while working with Victor Gruen Associates; underground stations for the Bay Area Rapid Transit (BART) system while working with Ernest Born; the Mt. Shasta Mall in Redding CA while working at Robert B. Liles, Inc.; and the Sycamore Medical Building, while working with T. Liles \u0026amp; Assoc.\u003c/p\u003e","\u003cp\u003eExternal source: Inge S. Horton, \"In Memoriam: Vera E. Jansone\", OWA+DP Newsletter, Vol. 35:4, Jul/Aug 2007, \u003ca target=\"_blank\" href=\"https://owa-usa.org/newsletter.php?v=354\"\u003ehttps://owa-usa.org/newsletter.php?v=354\u003c/a\u003e, accessed Feb. 10, 2023.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Born in Latvia, Vera Jansone (1915-2004) studied architecture, engineering, and art history at the University of Latvia. Following World War II, Jansone left her homeland to accept a scholarship to study at the Ecole des Beaux Arts from 1945-1949, after which she worked full time in the Atelier Le Corbusier on the reconstruction of Paris. Upon receiving her French license, Jansone started practicing with J.L. Humbaire working mostly on schools, housing, hospitals and commercial buildings. In 1950 Jansone was awarded full tuition and travel expenses under an American Association of University Women (AAUW) scholarship to attend the Illinois Institute of Technology, where she studied under Mies van der Rohe. Jansone received her MS in Architecture from IIT in 1952.","After returning briefly to Paris, Jansone moved to the United States, first living in New York for a short duration and later moving with her husband to California in the early 1960s, where job opportunities were much more abundant for women architects. Some of her projects include The Fox Plaza while working with Victor Gruen Associates; underground stations for the Bay Area Rapid Transit (BART) system while working with Ernest Born; the Mt. Shasta Mall in Redding CA while working at Robert B. Liles, Inc.; and the Sycamore Medical Building, while working with T. Liles \u0026 Assoc.","External source: Inge S. Horton, \"In Memoriam: Vera E. Jansone\", OWA+DP Newsletter, Vol. 35:4, Jul/Aug 2007, https://owa-usa.org/newsletter.php?v=354, accessed Feb. 10, 2023."],"odd_html_tesm":["\u003cp\u003eThe guide to the Vera Jansone Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Vera Jansone Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Vera Jansone Architectural Collection, Ms2001-026, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Vera Jansone Architectural Collection, Ms2001-026, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Vera Jansone Architectural Collection was completed in August 2001. Additional material was integrated in May 2003.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Vera Jansone Architectural Collection was completed in August 2001. Additional material was integrated in May 2003."],"scopecontent_html_tesm":["\u003cp\u003eThe Vera Jansone Architectural Collection consists of 89 drawings documenting her career as a student at the Ecole Nationale Superieure des Beaux Arts, Paris and as a professional architect in California. Her student work is comprised of drawings of the Atelier Labro, Atelier Perret, and Atelier Auguste Perret. Her later work includes drawings from the Mount Shasta Mall in Redding, CA, Commercial Development in Vancouver, WA, and Pearl Ridge Shopping Mall in Honolulu, HI. Also included are drawings from the Del Norte Medical Center, BART Civic Center, Crescent Beach, CA renderings, Fox Plaza Rapid Transit, and various stations and parks in San Francisco. Additionally, the collection contains an article in the \"OWA Tour of Residences Designed by Women Architects in Marin County and Napa Valley\" about the Greenbrae Residence which Jansone designed in 1975, as well as two resumes.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Vera Jansone Architectural Collection consists of 89 drawings documenting her career as a student at the Ecole Nationale Superieure des Beaux Arts, Paris and as a professional architect in California. Her student work is comprised of drawings of the Atelier Labro, Atelier Perret, and Atelier Auguste Perret. Her later work includes drawings from the Mount Shasta Mall in Redding, CA, Commercial Development in Vancouver, WA, and Pearl Ridge Shopping Mall in Honolulu, HI. Also included are drawings from the Del Norte Medical Center, BART Civic Center, Crescent Beach, CA renderings, Fox Plaza Rapid Transit, and various stations and parks in San Francisco. Additionally, the collection contains an article in the \"OWA Tour of Residences Designed by Women Architects in Marin County and Napa Valley\" about the Greenbrae Residence which Jansone designed in 1975, as well as two resumes."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5fc82cd4645d7a747dfba06c4d0cef5f\" label=\"Abstract\"\u003eThe Vera Jansone Architectural Collection primarily consists of drawings documenting Jansone (1915-2004)'s career as a student at the Ecole Nationale Superieure des Beaux Arts, Paris and as a professional architect in California.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Vera Jansone Architectural Collection primarily consists of drawings documenting Jansone (1915-2004)'s career as a student at the Ecole Nationale Superieure des Beaux Arts, Paris and as a professional architect in California."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Jansone, Vera E., 1915-2004"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Jansone, Vera E., 1915-2004"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":23,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:16:22.775Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2160","ead_ssi":"viblbv_repositories_2_resources_2160","_root_":"viblbv_repositories_2_resources_2160","_nest_parent_":"viblbv_repositories_2_resources_2160","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2160.xml","title_filing_ssi":"Jansone, Vera, Architectural Collection","title_ssm":["Vera Jansone Architectural Collection"],"title_tesim":["Vera Jansone Architectural Collection"],"unitdate_ssm":["ca 1940s, 1961-1975"],"unitdate_inclusive_ssm":["ca 1940s, 1961-1975"],"normalized_date_ssm":["1940/1975"],"normalized_title_ssm":["Vera Jansone Architectural Collection, 1940/1975"],"text":["Vera Jansone Architectural Collection, 1940/1975","Ms.2001.026","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- California","The collection is open to research.","This collection is arranged chronologically according to project.","Born in Latvia, Vera Jansone (1915-2004) studied architecture, engineering, and art history at the University of Latvia. Following World War II, Jansone left her homeland to accept a scholarship to study at the Ecole des Beaux Arts from 1945-1949, after which she worked full time in the Atelier Le Corbusier on the reconstruction of Paris. Upon receiving her French license, Jansone started practicing with J.L. Humbaire working mostly on schools, housing, hospitals and commercial buildings. In 1950 Jansone was awarded full tuition and travel expenses under an American Association of University Women (AAUW) scholarship to attend the Illinois Institute of Technology, where she studied under Mies van der Rohe. Jansone received her MS in Architecture from IIT in 1952.","After returning briefly to Paris, Jansone moved to the United States, first living in New York for a short duration and later moving with her husband to California in the early 1960s, where job opportunities were much more abundant for women architects. Some of her projects include The Fox Plaza while working with Victor Gruen Associates; underground stations for the Bay Area Rapid Transit (BART) system while working with Ernest Born; the Mt. Shasta Mall in Redding CA while working at Robert B. Liles, Inc.; and the Sycamore Medical Building, while working with T. Liles \u0026 Assoc.","External source: Inge S. Horton, \"In Memoriam: Vera E. Jansone\", OWA+DP Newsletter, Vol. 35:4, Jul/Aug 2007, https://owa-usa.org/newsletter.php?v=354, accessed Feb. 10, 2023.","The guide to the Vera Jansone Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Vera Jansone Architectural Collection was completed in August 2001. Additional material was integrated in May 2003.","The Vera Jansone Architectural Collection consists of 89 drawings documenting her career as a student at the Ecole Nationale Superieure des Beaux Arts, Paris and as a professional architect in California. Her student work is comprised of drawings of the Atelier Labro, Atelier Perret, and Atelier Auguste Perret. Her later work includes drawings from the Mount Shasta Mall in Redding, CA, Commercial Development in Vancouver, WA, and Pearl Ridge Shopping Mall in Honolulu, HI. Also included are drawings from the Del Norte Medical Center, BART Civic Center, Crescent Beach, CA renderings, Fox Plaza Rapid Transit, and various stations and parks in San Francisco. Additionally, the collection contains an article in the \"OWA Tour of Residences Designed by Women Architects in Marin County and Napa Valley\" about the Greenbrae Residence which Jansone designed in 1975, as well as two resumes.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Vera Jansone Architectural Collection primarily consists of drawings documenting Jansone (1915-2004)'s career as a student at the Ecole Nationale Superieure des Beaux Arts, Paris and as a professional architect in California.","Special Collections and University Archives, Virginia Tech","Jansone, Vera E., 1915-2004","The materials in the collection are in English."],"collection_title_tesim":["Vera Jansone Architectural Collection, 1940/1975"],"collection_ssim":["Vera Jansone Architectural Collection, 1940/1975"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.026"],"unitid_tesim":["Ms.2001.026"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Jansone, Vera E., 1915-2004"],"creator_ssim":["Jansone, Vera E., 1915-2004"],"creator_persname_ssim":["Jansone, Vera E., 1915-2004"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Jansone, Vera E., 1915-2004","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated to Special Collections and University Archives in 2000 and 2003."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- California"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- California"],"has_online_content_ssim":["false"],"extent_ssm":["9.5 Cubic Feet 9 oversize boxes; 4 oversize folders"],"extent_tesim":["9.5 Cubic Feet 9 oversize boxes; 4 oversize folders"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged chronologically according to project.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged chronologically according to project."],"bioghist_html_tesm":["\u003cp\u003eBorn in Latvia, Vera Jansone (1915-2004) studied architecture, engineering, and art history at the University of Latvia. Following World War II, Jansone left her homeland to accept a scholarship to study at the Ecole des Beaux Arts from 1945-1949, after which she worked full time in the Atelier Le Corbusier on the reconstruction of Paris. Upon receiving her French license, Jansone started practicing with J.L. Humbaire working mostly on schools, housing, hospitals and commercial buildings. In 1950 Jansone was awarded full tuition and travel expenses under an American Association of University Women (AAUW) scholarship to attend the Illinois Institute of Technology, where she studied under Mies van der Rohe. Jansone received her MS in Architecture from IIT in 1952.\u003c/p\u003e","\u003cp\u003eAfter returning briefly to Paris, Jansone moved to the United States, first living in New York for a short duration and later moving with her husband to California in the early 1960s, where job opportunities were much more abundant for women architects. Some of her projects include The Fox Plaza while working with Victor Gruen Associates; underground stations for the Bay Area Rapid Transit (BART) system while working with Ernest Born; the Mt. Shasta Mall in Redding CA while working at Robert B. Liles, Inc.; and the Sycamore Medical Building, while working with T. Liles \u0026amp; Assoc.\u003c/p\u003e","\u003cp\u003eExternal source: Inge S. Horton, \"In Memoriam: Vera E. Jansone\", OWA+DP Newsletter, Vol. 35:4, Jul/Aug 2007, \u003ca target=\"_blank\" href=\"https://owa-usa.org/newsletter.php?v=354\"\u003ehttps://owa-usa.org/newsletter.php?v=354\u003c/a\u003e, accessed Feb. 10, 2023.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Born in Latvia, Vera Jansone (1915-2004) studied architecture, engineering, and art history at the University of Latvia. Following World War II, Jansone left her homeland to accept a scholarship to study at the Ecole des Beaux Arts from 1945-1949, after which she worked full time in the Atelier Le Corbusier on the reconstruction of Paris. Upon receiving her French license, Jansone started practicing with J.L. Humbaire working mostly on schools, housing, hospitals and commercial buildings. In 1950 Jansone was awarded full tuition and travel expenses under an American Association of University Women (AAUW) scholarship to attend the Illinois Institute of Technology, where she studied under Mies van der Rohe. Jansone received her MS in Architecture from IIT in 1952.","After returning briefly to Paris, Jansone moved to the United States, first living in New York for a short duration and later moving with her husband to California in the early 1960s, where job opportunities were much more abundant for women architects. Some of her projects include The Fox Plaza while working with Victor Gruen Associates; underground stations for the Bay Area Rapid Transit (BART) system while working with Ernest Born; the Mt. Shasta Mall in Redding CA while working at Robert B. Liles, Inc.; and the Sycamore Medical Building, while working with T. Liles \u0026 Assoc.","External source: Inge S. Horton, \"In Memoriam: Vera E. Jansone\", OWA+DP Newsletter, Vol. 35:4, Jul/Aug 2007, https://owa-usa.org/newsletter.php?v=354, accessed Feb. 10, 2023."],"odd_html_tesm":["\u003cp\u003eThe guide to the Vera Jansone Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Vera Jansone Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Vera Jansone Architectural Collection, Ms2001-026, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Vera Jansone Architectural Collection, Ms2001-026, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Vera Jansone Architectural Collection was completed in August 2001. Additional material was integrated in May 2003.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Vera Jansone Architectural Collection was completed in August 2001. Additional material was integrated in May 2003."],"scopecontent_html_tesm":["\u003cp\u003eThe Vera Jansone Architectural Collection consists of 89 drawings documenting her career as a student at the Ecole Nationale Superieure des Beaux Arts, Paris and as a professional architect in California. Her student work is comprised of drawings of the Atelier Labro, Atelier Perret, and Atelier Auguste Perret. Her later work includes drawings from the Mount Shasta Mall in Redding, CA, Commercial Development in Vancouver, WA, and Pearl Ridge Shopping Mall in Honolulu, HI. Also included are drawings from the Del Norte Medical Center, BART Civic Center, Crescent Beach, CA renderings, Fox Plaza Rapid Transit, and various stations and parks in San Francisco. Additionally, the collection contains an article in the \"OWA Tour of Residences Designed by Women Architects in Marin County and Napa Valley\" about the Greenbrae Residence which Jansone designed in 1975, as well as two resumes.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Vera Jansone Architectural Collection consists of 89 drawings documenting her career as a student at the Ecole Nationale Superieure des Beaux Arts, Paris and as a professional architect in California. Her student work is comprised of drawings of the Atelier Labro, Atelier Perret, and Atelier Auguste Perret. Her later work includes drawings from the Mount Shasta Mall in Redding, CA, Commercial Development in Vancouver, WA, and Pearl Ridge Shopping Mall in Honolulu, HI. Also included are drawings from the Del Norte Medical Center, BART Civic Center, Crescent Beach, CA renderings, Fox Plaza Rapid Transit, and various stations and parks in San Francisco. Additionally, the collection contains an article in the \"OWA Tour of Residences Designed by Women Architects in Marin County and Napa Valley\" about the Greenbrae Residence which Jansone designed in 1975, as well as two resumes."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5fc82cd4645d7a747dfba06c4d0cef5f\" label=\"Abstract\"\u003eThe Vera Jansone Architectural Collection primarily consists of drawings documenting Jansone (1915-2004)'s career as a student at the Ecole Nationale Superieure des Beaux Arts, Paris and as a professional architect in California.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Vera Jansone Architectural Collection primarily consists of drawings documenting Jansone (1915-2004)'s career as a student at the Ecole Nationale Superieure des Beaux Arts, Paris and as a professional architect in California."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Jansone, Vera E., 1915-2004"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Jansone, Vera E., 1915-2004"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":23,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:16:22.775Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2160"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Virginia Polytechnic Institute and State University","value":"Virginia Polytechnic Institute and State University","hits":33},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=International+Archive+of+Women+in+Architecture+%28IAWA%29\u0026f%5Bdate_range%5D%5B%5D=1945\u0026f%5Brepository%5D%5B%5D=Virginia+Polytechnic+Institute+and+State+University"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=International+Archive+of+Women+in+Architecture+%28IAWA%29\u0026f%5Bdate_range%5D%5B%5D=1945"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000","value":"\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=International+Archive+of+Women+in+Architecture+%28IAWA%29\u0026f%5Bcollection%5D%5B%5D=%22More+Than+the+Sum+of+Our+Body+Parts%3A+An+Exhibit+by+CARY%2C+1992-1993%22%2C+1934%2F2000\u0026f%5Bdate_range%5D%5B%5D=1945"}},{"attributes":{"label":"Abbye A. 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