{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Illustrators\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept.","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Illustrators\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept.\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":3,"first_page?":true,"last_page?":true}},"data":[{"id":"viu_repositories_3_resources_1100","type":"collection","attributes":{"title":"Jefferson Wallace collection","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1100#creator","type":"document_value","attributes":{"value":"Wallace, Jefferson, 1864-1951","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1100#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains typescript and manuscript books, all richly illustrated with watercolor paintings and illuminations by commercial artist and Richmond resident, Jefferson Wallace. These include The Fairy Book, The Story Teller, Anthology of English poetry, The Virginia Text Book: Containing a history of Masonic Grand Lodges and The Book of Myths. The content mainly focuses on mythological stories, fairy tales, original stories and selections from English\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1100#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1100","ead_ssi":"viu_repositories_3_resources_1100","_root_":"viu_repositories_3_resources_1100","_nest_parent_":"viu_repositories_3_resources_1100","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1100.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/122641","title_filing_ssi":"Wallace, Jefferson collection","title_ssm":["Jefferson Wallace collection"],"title_tesim":["Jefferson Wallace collection"],"unitdate_ssm":["1890-1950"],"unitdate_inclusive_ssm":["1890-1950"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.16338","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1100"],"text":["MSS.16338","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1100","Jefferson Wallace collection","Richmond (Va.)","witchcraft, folklore, and mythology","Fairy tales","Illustrators","This collection is open for research use.","Jefferson Wallace (1864-1951) was A commercial artist from Richmond, Virginia.  Wallace was born in Richmond on August 8, 1864, to Charles M. and Joyce W. Clopton Wallace.   He was active in state and city politics. He was the Secretary of Richmond's Democratic Committee and challenged Joseph Bryan, an American publisher and industrialist from Richmond to a duel in 1894. Bryan refused him publicly in The Richmond Times, effectively ending the practice in Virginia, saying that duels were uncivilized. ","Wallace went on to study commercial art in New York and returned to Richmond to work. He was active in fraternal organizations and served as a Master Mason of Dove Lodge for nearly 52 years. He served as a high priest of the Temple Chapter No 32, Temple Chapter No 32, Ancient Free and Accepted Masons (AF\u0026AM), and an honorary member of Fraternal Lodge No 53. He married Anne Wynn Hawthorn in 1906 in Lunenburg, Virginia. They had one child, Anne Wallace, and would divorce. He died in Richmond on March 31, 1951, and is buried in Hollywood Cemetery in Richmond. ","This collection contains typescript and manuscript books, all richly illustrated with watercolor paintings and illuminations by commercial artist and Richmond resident, Jefferson Wallace. These include The Fairy Book, The Story Teller, Anthology of English poetry, The Virginia Text Book: Containing a history of Masonic Grand Lodges and The Book of Myths. The content mainly focuses on mythological stories, fairy tales, original stories and selections from English","The \"Anthology of English Poetry, selected from the writings of British and American Poets and illuminated by Jefferson Wallace, Richmond, Virginia MCMXXVI [1926]. Contains 327 pages including index. Illuminated in watercolor throughout, with attractive borders, decorations, illuminated letters, and ornaments and portrait rondels of poets. Large collection of male poets, both minor and major. Selected names include Samuel Taylor Coleridge, Rudyard Kipling, Edgar Allan Poe, and Oscar Wilde.","\"The Fairy Book, MS Edition of Colored Illustrations by Jefferson Wallace\" contains 296 pages of heavily ornamented typescript, with borders in the medieval style and hundreds of illuminated figures and decorations in the margins. THe book is incomplete. The entire book was to be over 346 pages; we lack the final 6 tales. With twenty-seven full page watercolor illustrations with captions and pagination indications.","\"The Storyteller\" contains 192 pages, with illuminated letters, full page watercolor illustrations, chapter headings, tail piece, and so on. Typescript of a group of stories by Wallace, with notations to a printer as well as notes to himself of things still to be done. Of particular interest are several stories set in Richmond, including a tale about Richmond Theater, the Carrington family of Richmond, Cary Street. Many illustrations of Richmond places and people, including African-American figures.","The full title page reads: \"The Virginia Text Book: Containing a history of Masonic Grand Lodges and the Constitutions of Masonry or Ahiman Rezon together with a digest of the laws, rules and regulations of the Grand Lodge of Virginia, also a complete compilation of the illustrations of masonic work, as drawn from Preston, Webb, Read and others by John Dove, Grand Secretary of the Grand Lodge of Virginia. Engrossed and illuminated by Jefferson Wallace, Worshipful Master of Dove Lodge, No. 51, Richmond, Virginia 1925.\" It is a heavily illustrated typescript; illustrations are pen and ink drawings with extensive hand-coloring, and include portraits, illuminated capitals, and whimsical marginal illustrations. It is in unbound gatherings.","\"The Book of Myths\" is a leather-bound 1913 illustrated manuscript by Jefferson Wallace for his daughter, Anne Clopton Wallace. Jefferson Wallace's bookplate, place marked Richmond, Virginia, appears at the volume's front endpage. The hand-illustrated and colored frontispiece of the book features the subtitle \"Some of the Sweet Myths of Nature\" and features the credit line \"Arranged for Mistress Anne Clopton Wallace by Her Daddy.\" Underneath these captions is \"Philadelphia, MCMXIII,\" where the manuscript was completed for Anne in 1913. Opposite the frontispiece is a photograph of Jefferson alongside Anne, captioned \"The man and the girl. Scranton, Pa., January 1, 1914.\" There is a table of contents that covers up to page 115, but there are another 23 additional pages following that for a total of 143 pages, including the title and content pages. The book's content is separated into eight sections: \"Greek Mythology,\" \"Folk-Lore,\" \"Bible Stories,\" \"Indian Stories,\" \"Persian Fables,\" \"Japanese Stores,\" \"Norse Mythology,\" and \"Hindu Mythology.\" Wallace's hand-drawn coat of arms, seen on his bookplate, appears again following the table of contents. There is a total of 35 stories across these sections. Each story ranges in length and is typewritten at the center of each page inside a rectangle. Surrounding each text block are hand-illustrated and colored scenes associated with each story. There are more robust scenes depicted from each story pasted on brown cardstock and captioned throughout, with page numbers provided in reference to each occurrence's location in the volume. Many of these illustrations depict vibrant wildlife and nature scenes. The front cover of the book is gilt with \"The Book of Myths\" and \"Anne Clopton Wallace, Her Book.\"","Albert and Shirley Small Special Collections Library","Wallace, Jefferson, 1864-1951","English"],"unitid_tesim":["MSS.16338","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1100"],"normalized_title_ssm":["Jefferson Wallace collection"],"collection_title_tesim":["Jefferson Wallace collection"],"collection_ssim":["Jefferson Wallace collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Richmond (Va.)","witchcraft, folklore, and mythology"],"geogname_ssim":["Richmond (Va.)","witchcraft, folklore, and mythology"],"creator_ssm":["Wallace, Jefferson, 1864-1951"],"creator_ssim":["Wallace, Jefferson, 1864-1951"],"creator_persname_ssim":["Wallace, Jefferson, 1864-1951"],"creators_ssim":["Wallace, Jefferson, 1864-1951"],"places_ssim":["Richmond (Va.)","witchcraft, folklore, and mythology"],"acqinfo_ssim":["This collection was purchased from Black Swan Books by the Small Special Collections Library at the University of Virginia Library in July and August 2017. An addition to the collection was purchased from Charles Agvent on February 17, 2026."],"access_subjects_ssim":["Fairy tales","Illustrators"],"access_subjects_ssm":["Fairy tales","Illustrators"],"has_online_content_ssim":["false"],"extent_ssm":["0.6 Cubic Feet 1 letter size document box and 1 half-width letter size document box"],"extent_tesim":["0.6 Cubic Feet 1 letter size document box and 1 half-width letter size document box"],"physfacet_tesim":["typescript books and unbound pages; Virginia text-book unbound"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eJefferson Wallace (1864-1951) was A commercial artist from Richmond, Virginia.  Wallace was born in Richmond on August 8, 1864, to Charles M. and Joyce W. Clopton Wallace.   He was active in state and city politics. He was the Secretary of Richmond's Democratic Committee and challenged Joseph Bryan, an American publisher and industrialist from Richmond to a duel in 1894. Bryan refused him publicly in The Richmond Times, effectively ending the practice in Virginia, saying that duels were uncivilized. \u003c/p\u003e\n","\u003cp\u003eWallace went on to study commercial art in New York and returned to Richmond to work. He was active in fraternal organizations and served as a Master Mason of Dove Lodge for nearly 52 years. He served as a high priest of the Temple Chapter No 32, Temple Chapter No 32, Ancient Free and Accepted Masons (AF\u0026amp;AM), and an honorary member of Fraternal Lodge No 53. He married Anne Wynn Hawthorn in 1906 in Lunenburg, Virginia. They had one child, Anne Wallace, and would divorce. He died in Richmond on March 31, 1951, and is buried in Hollywood Cemetery in Richmond. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Jefferson Wallace (1864-1951) was A commercial artist from Richmond, Virginia.  Wallace was born in Richmond on August 8, 1864, to Charles M. and Joyce W. Clopton Wallace.   He was active in state and city politics. He was the Secretary of Richmond's Democratic Committee and challenged Joseph Bryan, an American publisher and industrialist from Richmond to a duel in 1894. Bryan refused him publicly in The Richmond Times, effectively ending the practice in Virginia, saying that duels were uncivilized. ","Wallace went on to study commercial art in New York and returned to Richmond to work. He was active in fraternal organizations and served as a Master Mason of Dove Lodge for nearly 52 years. He served as a high priest of the Temple Chapter No 32, Temple Chapter No 32, Ancient Free and Accepted Masons (AF\u0026AM), and an honorary member of Fraternal Lodge No 53. He married Anne Wynn Hawthorn in 1906 in Lunenburg, Virginia. They had one child, Anne Wallace, and would divorce. He died in Richmond on March 31, 1951, and is buried in Hollywood Cemetery in Richmond. "],"prefercite_html_tesm":["\u003cp\u003eMSS 16338, Jefferson Wallace collection, Small Special Collections Library at the University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 16338, Jefferson Wallace collection, Small Special Collections Library at the University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains typescript and manuscript books, all richly illustrated with watercolor paintings and illuminations by commercial artist and Richmond resident, Jefferson Wallace. These include The Fairy Book, The Story Teller, Anthology of English poetry, The Virginia Text Book: Containing a history of Masonic Grand Lodges and The Book of Myths. The content mainly focuses on mythological stories, fairy tales, original stories and selections from English\u003c/p\u003e","\u003cp\u003eThe \"Anthology of English Poetry, selected from the writings of British and American Poets and illuminated by Jefferson Wallace, Richmond, Virginia MCMXXVI [1926]. Contains 327 pages including index. Illuminated in watercolor throughout, with attractive borders, decorations, illuminated letters, and ornaments and portrait rondels of poets. Large collection of male poets, both minor and major. Selected names include Samuel Taylor Coleridge, Rudyard Kipling, Edgar Allan Poe, and Oscar Wilde.\u003c/p\u003e","\u003cp\u003e\"The Fairy Book, MS Edition of Colored Illustrations by Jefferson Wallace\" contains 296 pages of heavily ornamented typescript, with borders in the medieval style and hundreds of illuminated figures and decorations in the margins. THe book is incomplete. The entire book was to be over 346 pages; we lack the final 6 tales. With twenty-seven full page watercolor illustrations with captions and pagination indications.\u003c/p\u003e","\u003cp\u003e\"The Storyteller\" contains 192 pages, with illuminated letters, full page watercolor illustrations, chapter headings, tail piece, and so on. Typescript of a group of stories by Wallace, with notations to a printer as well as notes to himself of things still to be done. Of particular interest are several stories set in Richmond, including a tale about Richmond Theater, the Carrington family of Richmond, Cary Street. Many illustrations of Richmond places and people, including African-American figures.\u003c/p\u003e","\u003cp\u003eThe full title page reads: \"The Virginia Text Book: Containing a history of Masonic Grand Lodges and the Constitutions of Masonry or Ahiman Rezon together with a digest of the laws, rules and regulations of the Grand Lodge of Virginia, also a complete compilation of the illustrations of masonic work, as drawn from Preston, Webb, Read and others by John Dove, Grand Secretary of the Grand Lodge of Virginia. Engrossed and illuminated by Jefferson Wallace, Worshipful Master of Dove Lodge, No. 51, Richmond, Virginia 1925.\" It is a heavily illustrated typescript; illustrations are pen and ink drawings with extensive hand-coloring, and include portraits, illuminated capitals, and whimsical marginal illustrations. It is in unbound gatherings.\u003c/p\u003e","\u003cp\u003e\"The Book of Myths\" is a leather-bound 1913 illustrated manuscript by Jefferson Wallace for his daughter, Anne Clopton Wallace. Jefferson Wallace's bookplate, place marked Richmond, Virginia, appears at the volume's front endpage. The hand-illustrated and colored frontispiece of the book features the subtitle \"Some of the Sweet Myths of Nature\" and features the credit line \"Arranged for Mistress Anne Clopton Wallace by Her Daddy.\" Underneath these captions is \"Philadelphia, MCMXIII,\" where the manuscript was completed for Anne in 1913. Opposite the frontispiece is a photograph of Jefferson alongside Anne, captioned \"The man and the girl. Scranton, Pa., January 1, 1914.\" There is a table of contents that covers up to page 115, but there are another 23 additional pages following that for a total of 143 pages, including the title and content pages. The book's content is separated into eight sections: \"Greek Mythology,\" \"Folk-Lore,\" \"Bible Stories,\" \"Indian Stories,\" \"Persian Fables,\" \"Japanese Stores,\" \"Norse Mythology,\" and \"Hindu Mythology.\" Wallace's hand-drawn coat of arms, seen on his bookplate, appears again following the table of contents. There is a total of 35 stories across these sections. Each story ranges in length and is typewritten at the center of each page inside a rectangle. Surrounding each text block are hand-illustrated and colored scenes associated with each story. There are more robust scenes depicted from each story pasted on brown cardstock and captioned throughout, with page numbers provided in reference to each occurrence's location in the volume. Many of these illustrations depict vibrant wildlife and nature scenes. The front cover of the book is gilt with \"The Book of Myths\" and \"Anne Clopton Wallace, Her Book.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains typescript and manuscript books, all richly illustrated with watercolor paintings and illuminations by commercial artist and Richmond resident, Jefferson Wallace. These include The Fairy Book, The Story Teller, Anthology of English poetry, The Virginia Text Book: Containing a history of Masonic Grand Lodges and The Book of Myths. The content mainly focuses on mythological stories, fairy tales, original stories and selections from English","The \"Anthology of English Poetry, selected from the writings of British and American Poets and illuminated by Jefferson Wallace, Richmond, Virginia MCMXXVI [1926]. Contains 327 pages including index. Illuminated in watercolor throughout, with attractive borders, decorations, illuminated letters, and ornaments and portrait rondels of poets. Large collection of male poets, both minor and major. Selected names include Samuel Taylor Coleridge, Rudyard Kipling, Edgar Allan Poe, and Oscar Wilde.","\"The Fairy Book, MS Edition of Colored Illustrations by Jefferson Wallace\" contains 296 pages of heavily ornamented typescript, with borders in the medieval style and hundreds of illuminated figures and decorations in the margins. THe book is incomplete. The entire book was to be over 346 pages; we lack the final 6 tales. With twenty-seven full page watercolor illustrations with captions and pagination indications.","\"The Storyteller\" contains 192 pages, with illuminated letters, full page watercolor illustrations, chapter headings, tail piece, and so on. Typescript of a group of stories by Wallace, with notations to a printer as well as notes to himself of things still to be done. Of particular interest are several stories set in Richmond, including a tale about Richmond Theater, the Carrington family of Richmond, Cary Street. Many illustrations of Richmond places and people, including African-American figures.","The full title page reads: \"The Virginia Text Book: Containing a history of Masonic Grand Lodges and the Constitutions of Masonry or Ahiman Rezon together with a digest of the laws, rules and regulations of the Grand Lodge of Virginia, also a complete compilation of the illustrations of masonic work, as drawn from Preston, Webb, Read and others by John Dove, Grand Secretary of the Grand Lodge of Virginia. Engrossed and illuminated by Jefferson Wallace, Worshipful Master of Dove Lodge, No. 51, Richmond, Virginia 1925.\" It is a heavily illustrated typescript; illustrations are pen and ink drawings with extensive hand-coloring, and include portraits, illuminated capitals, and whimsical marginal illustrations. It is in unbound gatherings.","\"The Book of Myths\" is a leather-bound 1913 illustrated manuscript by Jefferson Wallace for his daughter, Anne Clopton Wallace. Jefferson Wallace's bookplate, place marked Richmond, Virginia, appears at the volume's front endpage. The hand-illustrated and colored frontispiece of the book features the subtitle \"Some of the Sweet Myths of Nature\" and features the credit line \"Arranged for Mistress Anne Clopton Wallace by Her Daddy.\" Underneath these captions is \"Philadelphia, MCMXIII,\" where the manuscript was completed for Anne in 1913. Opposite the frontispiece is a photograph of Jefferson alongside Anne, captioned \"The man and the girl. Scranton, Pa., January 1, 1914.\" There is a table of contents that covers up to page 115, but there are another 23 additional pages following that for a total of 143 pages, including the title and content pages. The book's content is separated into eight sections: \"Greek Mythology,\" \"Folk-Lore,\" \"Bible Stories,\" \"Indian Stories,\" \"Persian Fables,\" \"Japanese Stores,\" \"Norse Mythology,\" and \"Hindu Mythology.\" Wallace's hand-drawn coat of arms, seen on his bookplate, appears again following the table of contents. There is a total of 35 stories across these sections. Each story ranges in length and is typewritten at the center of each page inside a rectangle. Surrounding each text block are hand-illustrated and colored scenes associated with each story. There are more robust scenes depicted from each story pasted on brown cardstock and captioned throughout, with page numbers provided in reference to each occurrence's location in the volume. Many of these illustrations depict vibrant wildlife and nature scenes. The front cover of the book is gilt with \"The Book of Myths\" and \"Anne Clopton Wallace, Her Book.\""],"names_ssim":["Albert and Shirley Small Special Collections Library","Wallace, Jefferson, 1864-1951"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Wallace, Jefferson, 1864-1951"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:25:52.359Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1100","ead_ssi":"viu_repositories_3_resources_1100","_root_":"viu_repositories_3_resources_1100","_nest_parent_":"viu_repositories_3_resources_1100","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1100.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/122641","title_filing_ssi":"Wallace, Jefferson collection","title_ssm":["Jefferson Wallace collection"],"title_tesim":["Jefferson Wallace collection"],"unitdate_ssm":["1890-1950"],"unitdate_inclusive_ssm":["1890-1950"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.16338","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1100"],"text":["MSS.16338","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1100","Jefferson Wallace collection","Richmond (Va.)","witchcraft, folklore, and mythology","Fairy tales","Illustrators","This collection is open for research use.","Jefferson Wallace (1864-1951) was A commercial artist from Richmond, Virginia.  Wallace was born in Richmond on August 8, 1864, to Charles M. and Joyce W. Clopton Wallace.   He was active in state and city politics. He was the Secretary of Richmond's Democratic Committee and challenged Joseph Bryan, an American publisher and industrialist from Richmond to a duel in 1894. Bryan refused him publicly in The Richmond Times, effectively ending the practice in Virginia, saying that duels were uncivilized. ","Wallace went on to study commercial art in New York and returned to Richmond to work. He was active in fraternal organizations and served as a Master Mason of Dove Lodge for nearly 52 years. He served as a high priest of the Temple Chapter No 32, Temple Chapter No 32, Ancient Free and Accepted Masons (AF\u0026AM), and an honorary member of Fraternal Lodge No 53. He married Anne Wynn Hawthorn in 1906 in Lunenburg, Virginia. They had one child, Anne Wallace, and would divorce. He died in Richmond on March 31, 1951, and is buried in Hollywood Cemetery in Richmond. ","This collection contains typescript and manuscript books, all richly illustrated with watercolor paintings and illuminations by commercial artist and Richmond resident, Jefferson Wallace. These include The Fairy Book, The Story Teller, Anthology of English poetry, The Virginia Text Book: Containing a history of Masonic Grand Lodges and The Book of Myths. The content mainly focuses on mythological stories, fairy tales, original stories and selections from English","The \"Anthology of English Poetry, selected from the writings of British and American Poets and illuminated by Jefferson Wallace, Richmond, Virginia MCMXXVI [1926]. Contains 327 pages including index. Illuminated in watercolor throughout, with attractive borders, decorations, illuminated letters, and ornaments and portrait rondels of poets. Large collection of male poets, both minor and major. Selected names include Samuel Taylor Coleridge, Rudyard Kipling, Edgar Allan Poe, and Oscar Wilde.","\"The Fairy Book, MS Edition of Colored Illustrations by Jefferson Wallace\" contains 296 pages of heavily ornamented typescript, with borders in the medieval style and hundreds of illuminated figures and decorations in the margins. THe book is incomplete. The entire book was to be over 346 pages; we lack the final 6 tales. With twenty-seven full page watercolor illustrations with captions and pagination indications.","\"The Storyteller\" contains 192 pages, with illuminated letters, full page watercolor illustrations, chapter headings, tail piece, and so on. Typescript of a group of stories by Wallace, with notations to a printer as well as notes to himself of things still to be done. Of particular interest are several stories set in Richmond, including a tale about Richmond Theater, the Carrington family of Richmond, Cary Street. Many illustrations of Richmond places and people, including African-American figures.","The full title page reads: \"The Virginia Text Book: Containing a history of Masonic Grand Lodges and the Constitutions of Masonry or Ahiman Rezon together with a digest of the laws, rules and regulations of the Grand Lodge of Virginia, also a complete compilation of the illustrations of masonic work, as drawn from Preston, Webb, Read and others by John Dove, Grand Secretary of the Grand Lodge of Virginia. Engrossed and illuminated by Jefferson Wallace, Worshipful Master of Dove Lodge, No. 51, Richmond, Virginia 1925.\" It is a heavily illustrated typescript; illustrations are pen and ink drawings with extensive hand-coloring, and include portraits, illuminated capitals, and whimsical marginal illustrations. It is in unbound gatherings.","\"The Book of Myths\" is a leather-bound 1913 illustrated manuscript by Jefferson Wallace for his daughter, Anne Clopton Wallace. Jefferson Wallace's bookplate, place marked Richmond, Virginia, appears at the volume's front endpage. The hand-illustrated and colored frontispiece of the book features the subtitle \"Some of the Sweet Myths of Nature\" and features the credit line \"Arranged for Mistress Anne Clopton Wallace by Her Daddy.\" Underneath these captions is \"Philadelphia, MCMXIII,\" where the manuscript was completed for Anne in 1913. Opposite the frontispiece is a photograph of Jefferson alongside Anne, captioned \"The man and the girl. Scranton, Pa., January 1, 1914.\" There is a table of contents that covers up to page 115, but there are another 23 additional pages following that for a total of 143 pages, including the title and content pages. The book's content is separated into eight sections: \"Greek Mythology,\" \"Folk-Lore,\" \"Bible Stories,\" \"Indian Stories,\" \"Persian Fables,\" \"Japanese Stores,\" \"Norse Mythology,\" and \"Hindu Mythology.\" Wallace's hand-drawn coat of arms, seen on his bookplate, appears again following the table of contents. There is a total of 35 stories across these sections. Each story ranges in length and is typewritten at the center of each page inside a rectangle. Surrounding each text block are hand-illustrated and colored scenes associated with each story. There are more robust scenes depicted from each story pasted on brown cardstock and captioned throughout, with page numbers provided in reference to each occurrence's location in the volume. Many of these illustrations depict vibrant wildlife and nature scenes. The front cover of the book is gilt with \"The Book of Myths\" and \"Anne Clopton Wallace, Her Book.\"","Albert and Shirley Small Special Collections Library","Wallace, Jefferson, 1864-1951","English"],"unitid_tesim":["MSS.16338","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1100"],"normalized_title_ssm":["Jefferson Wallace collection"],"collection_title_tesim":["Jefferson Wallace collection"],"collection_ssim":["Jefferson Wallace collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Richmond (Va.)","witchcraft, folklore, and mythology"],"geogname_ssim":["Richmond (Va.)","witchcraft, folklore, and mythology"],"creator_ssm":["Wallace, Jefferson, 1864-1951"],"creator_ssim":["Wallace, Jefferson, 1864-1951"],"creator_persname_ssim":["Wallace, Jefferson, 1864-1951"],"creators_ssim":["Wallace, Jefferson, 1864-1951"],"places_ssim":["Richmond (Va.)","witchcraft, folklore, and mythology"],"acqinfo_ssim":["This collection was purchased from Black Swan Books by the Small Special Collections Library at the University of Virginia Library in July and August 2017. An addition to the collection was purchased from Charles Agvent on February 17, 2026."],"access_subjects_ssim":["Fairy tales","Illustrators"],"access_subjects_ssm":["Fairy tales","Illustrators"],"has_online_content_ssim":["false"],"extent_ssm":["0.6 Cubic Feet 1 letter size document box and 1 half-width letter size document box"],"extent_tesim":["0.6 Cubic Feet 1 letter size document box and 1 half-width letter size document box"],"physfacet_tesim":["typescript books and unbound pages; Virginia text-book unbound"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eJefferson Wallace (1864-1951) was A commercial artist from Richmond, Virginia.  Wallace was born in Richmond on August 8, 1864, to Charles M. and Joyce W. Clopton Wallace.   He was active in state and city politics. He was the Secretary of Richmond's Democratic Committee and challenged Joseph Bryan, an American publisher and industrialist from Richmond to a duel in 1894. Bryan refused him publicly in The Richmond Times, effectively ending the practice in Virginia, saying that duels were uncivilized. \u003c/p\u003e\n","\u003cp\u003eWallace went on to study commercial art in New York and returned to Richmond to work. He was active in fraternal organizations and served as a Master Mason of Dove Lodge for nearly 52 years. He served as a high priest of the Temple Chapter No 32, Temple Chapter No 32, Ancient Free and Accepted Masons (AF\u0026amp;AM), and an honorary member of Fraternal Lodge No 53. He married Anne Wynn Hawthorn in 1906 in Lunenburg, Virginia. They had one child, Anne Wallace, and would divorce. He died in Richmond on March 31, 1951, and is buried in Hollywood Cemetery in Richmond. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Jefferson Wallace (1864-1951) was A commercial artist from Richmond, Virginia.  Wallace was born in Richmond on August 8, 1864, to Charles M. and Joyce W. Clopton Wallace.   He was active in state and city politics. He was the Secretary of Richmond's Democratic Committee and challenged Joseph Bryan, an American publisher and industrialist from Richmond to a duel in 1894. Bryan refused him publicly in The Richmond Times, effectively ending the practice in Virginia, saying that duels were uncivilized. ","Wallace went on to study commercial art in New York and returned to Richmond to work. He was active in fraternal organizations and served as a Master Mason of Dove Lodge for nearly 52 years. He served as a high priest of the Temple Chapter No 32, Temple Chapter No 32, Ancient Free and Accepted Masons (AF\u0026AM), and an honorary member of Fraternal Lodge No 53. He married Anne Wynn Hawthorn in 1906 in Lunenburg, Virginia. They had one child, Anne Wallace, and would divorce. He died in Richmond on March 31, 1951, and is buried in Hollywood Cemetery in Richmond. "],"prefercite_html_tesm":["\u003cp\u003eMSS 16338, Jefferson Wallace collection, Small Special Collections Library at the University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 16338, Jefferson Wallace collection, Small Special Collections Library at the University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains typescript and manuscript books, all richly illustrated with watercolor paintings and illuminations by commercial artist and Richmond resident, Jefferson Wallace. These include The Fairy Book, The Story Teller, Anthology of English poetry, The Virginia Text Book: Containing a history of Masonic Grand Lodges and The Book of Myths. The content mainly focuses on mythological stories, fairy tales, original stories and selections from English\u003c/p\u003e","\u003cp\u003eThe \"Anthology of English Poetry, selected from the writings of British and American Poets and illuminated by Jefferson Wallace, Richmond, Virginia MCMXXVI [1926]. Contains 327 pages including index. Illuminated in watercolor throughout, with attractive borders, decorations, illuminated letters, and ornaments and portrait rondels of poets. Large collection of male poets, both minor and major. Selected names include Samuel Taylor Coleridge, Rudyard Kipling, Edgar Allan Poe, and Oscar Wilde.\u003c/p\u003e","\u003cp\u003e\"The Fairy Book, MS Edition of Colored Illustrations by Jefferson Wallace\" contains 296 pages of heavily ornamented typescript, with borders in the medieval style and hundreds of illuminated figures and decorations in the margins. THe book is incomplete. The entire book was to be over 346 pages; we lack the final 6 tales. With twenty-seven full page watercolor illustrations with captions and pagination indications.\u003c/p\u003e","\u003cp\u003e\"The Storyteller\" contains 192 pages, with illuminated letters, full page watercolor illustrations, chapter headings, tail piece, and so on. Typescript of a group of stories by Wallace, with notations to a printer as well as notes to himself of things still to be done. Of particular interest are several stories set in Richmond, including a tale about Richmond Theater, the Carrington family of Richmond, Cary Street. Many illustrations of Richmond places and people, including African-American figures.\u003c/p\u003e","\u003cp\u003eThe full title page reads: \"The Virginia Text Book: Containing a history of Masonic Grand Lodges and the Constitutions of Masonry or Ahiman Rezon together with a digest of the laws, rules and regulations of the Grand Lodge of Virginia, also a complete compilation of the illustrations of masonic work, as drawn from Preston, Webb, Read and others by John Dove, Grand Secretary of the Grand Lodge of Virginia. Engrossed and illuminated by Jefferson Wallace, Worshipful Master of Dove Lodge, No. 51, Richmond, Virginia 1925.\" It is a heavily illustrated typescript; illustrations are pen and ink drawings with extensive hand-coloring, and include portraits, illuminated capitals, and whimsical marginal illustrations. It is in unbound gatherings.\u003c/p\u003e","\u003cp\u003e\"The Book of Myths\" is a leather-bound 1913 illustrated manuscript by Jefferson Wallace for his daughter, Anne Clopton Wallace. Jefferson Wallace's bookplate, place marked Richmond, Virginia, appears at the volume's front endpage. The hand-illustrated and colored frontispiece of the book features the subtitle \"Some of the Sweet Myths of Nature\" and features the credit line \"Arranged for Mistress Anne Clopton Wallace by Her Daddy.\" Underneath these captions is \"Philadelphia, MCMXIII,\" where the manuscript was completed for Anne in 1913. Opposite the frontispiece is a photograph of Jefferson alongside Anne, captioned \"The man and the girl. Scranton, Pa., January 1, 1914.\" There is a table of contents that covers up to page 115, but there are another 23 additional pages following that for a total of 143 pages, including the title and content pages. The book's content is separated into eight sections: \"Greek Mythology,\" \"Folk-Lore,\" \"Bible Stories,\" \"Indian Stories,\" \"Persian Fables,\" \"Japanese Stores,\" \"Norse Mythology,\" and \"Hindu Mythology.\" Wallace's hand-drawn coat of arms, seen on his bookplate, appears again following the table of contents. There is a total of 35 stories across these sections. Each story ranges in length and is typewritten at the center of each page inside a rectangle. Surrounding each text block are hand-illustrated and colored scenes associated with each story. There are more robust scenes depicted from each story pasted on brown cardstock and captioned throughout, with page numbers provided in reference to each occurrence's location in the volume. Many of these illustrations depict vibrant wildlife and nature scenes. The front cover of the book is gilt with \"The Book of Myths\" and \"Anne Clopton Wallace, Her Book.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains typescript and manuscript books, all richly illustrated with watercolor paintings and illuminations by commercial artist and Richmond resident, Jefferson Wallace. These include The Fairy Book, The Story Teller, Anthology of English poetry, The Virginia Text Book: Containing a history of Masonic Grand Lodges and The Book of Myths. The content mainly focuses on mythological stories, fairy tales, original stories and selections from English","The \"Anthology of English Poetry, selected from the writings of British and American Poets and illuminated by Jefferson Wallace, Richmond, Virginia MCMXXVI [1926]. Contains 327 pages including index. Illuminated in watercolor throughout, with attractive borders, decorations, illuminated letters, and ornaments and portrait rondels of poets. Large collection of male poets, both minor and major. Selected names include Samuel Taylor Coleridge, Rudyard Kipling, Edgar Allan Poe, and Oscar Wilde.","\"The Fairy Book, MS Edition of Colored Illustrations by Jefferson Wallace\" contains 296 pages of heavily ornamented typescript, with borders in the medieval style and hundreds of illuminated figures and decorations in the margins. THe book is incomplete. The entire book was to be over 346 pages; we lack the final 6 tales. With twenty-seven full page watercolor illustrations with captions and pagination indications.","\"The Storyteller\" contains 192 pages, with illuminated letters, full page watercolor illustrations, chapter headings, tail piece, and so on. Typescript of a group of stories by Wallace, with notations to a printer as well as notes to himself of things still to be done. Of particular interest are several stories set in Richmond, including a tale about Richmond Theater, the Carrington family of Richmond, Cary Street. Many illustrations of Richmond places and people, including African-American figures.","The full title page reads: \"The Virginia Text Book: Containing a history of Masonic Grand Lodges and the Constitutions of Masonry or Ahiman Rezon together with a digest of the laws, rules and regulations of the Grand Lodge of Virginia, also a complete compilation of the illustrations of masonic work, as drawn from Preston, Webb, Read and others by John Dove, Grand Secretary of the Grand Lodge of Virginia. Engrossed and illuminated by Jefferson Wallace, Worshipful Master of Dove Lodge, No. 51, Richmond, Virginia 1925.\" It is a heavily illustrated typescript; illustrations are pen and ink drawings with extensive hand-coloring, and include portraits, illuminated capitals, and whimsical marginal illustrations. It is in unbound gatherings.","\"The Book of Myths\" is a leather-bound 1913 illustrated manuscript by Jefferson Wallace for his daughter, Anne Clopton Wallace. Jefferson Wallace's bookplate, place marked Richmond, Virginia, appears at the volume's front endpage. The hand-illustrated and colored frontispiece of the book features the subtitle \"Some of the Sweet Myths of Nature\" and features the credit line \"Arranged for Mistress Anne Clopton Wallace by Her Daddy.\" Underneath these captions is \"Philadelphia, MCMXIII,\" where the manuscript was completed for Anne in 1913. Opposite the frontispiece is a photograph of Jefferson alongside Anne, captioned \"The man and the girl. Scranton, Pa., January 1, 1914.\" There is a table of contents that covers up to page 115, but there are another 23 additional pages following that for a total of 143 pages, including the title and content pages. The book's content is separated into eight sections: \"Greek Mythology,\" \"Folk-Lore,\" \"Bible Stories,\" \"Indian Stories,\" \"Persian Fables,\" \"Japanese Stores,\" \"Norse Mythology,\" and \"Hindu Mythology.\" Wallace's hand-drawn coat of arms, seen on his bookplate, appears again following the table of contents. There is a total of 35 stories across these sections. Each story ranges in length and is typewritten at the center of each page inside a rectangle. Surrounding each text block are hand-illustrated and colored scenes associated with each story. There are more robust scenes depicted from each story pasted on brown cardstock and captioned throughout, with page numbers provided in reference to each occurrence's location in the volume. Many of these illustrations depict vibrant wildlife and nature scenes. The front cover of the book is gilt with \"The Book of Myths\" and \"Anne Clopton Wallace, Her Book.\""],"names_ssim":["Albert and Shirley Small Special Collections Library","Wallace, Jefferson, 1864-1951"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Wallace, Jefferson, 1864-1951"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:25:52.359Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1100"}},{"id":"viu_repositories_3_resources_1798","type":"collection","attributes":{"title":"John Leech watercolor sketches","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1798#creator","type":"document_value","attributes":{"value":"Leech, John, 1817-1864","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1798#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains eight original pen, ink, and watercolor sketches with initials by the English caricaturist John Leech (1816-1864). Illustrated roughly around 1840, each illustration depicts his observations of daily British life of the lower and middle classes: on the street, in taverns, and at home. All contain captions related to the image, and some have titles in addition to their caption. These titles include \"A Speculation,\" \"On the Boulevards,\" \"A Toothless Trio,\" \"A Learned Trio,\" and \"The Moustache Movement.\"\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1798#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1798","ead_ssi":"viu_repositories_3_resources_1798","_root_":"viu_repositories_3_resources_1798","_nest_parent_":"viu_repositories_3_resources_1798","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1798.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/226414","title_filing_ssi":"Leech, John watercolor sketches","title_ssm":["John Leech watercolor sketches"],"title_tesim":["John Leech watercolor sketches"],"unitdate_ssm":["undated, circa 1840"],"unitdate_other_ssim":["undated, circa 1840"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16912","Archival Resource Key","/repositories/3/resources/1798"],"text":["MSS 16912","Archival Resource Key","/repositories/3/resources/1798","John Leech watercolor sketches","England -- History","Illustrators","cartoons (humorous images)","drawings (visual works)","Good","This collection is open for research.","John Leech  ( 1817–1864 )  was an English caricaturist known for his contributions to  Punch   the weekly humor and satire magazine, as well as the first illustrator of  Charles Dickens ' 1843 novella  A Christmas Carol .  Leech was born in London in 1817, the son of the landlord of the London Coffee House on Ludgate Hill. He  studied at Charterhouse School, where he met his life-long friend, the novelist, William Makepeace Thackeray.  He continued his studies of medicine, at the age of sixteen, at St. Bartholomew's Hospital, before leaving his studies to pursue an artistic profession. His first publication was 'Etchings and Sketchings, By A Pen, Esq.' (1835) and he joined Punch in 1841, regularly contributing to the magazine until his death. His illustrations included political cartoons, social caricature, scenes of everyday life and sporting works. Aside from Punch, he contributed to many other illustrated periodicals including  The New Monthly Magazine , T he Illuminated Magazine ,  The Illustrated London News  and  The Field . He died at the age of forty-seven in London. ","Resources ","\"Leech, John.\"  Benezit Dictionary of Artist s. 31 Oct. 2011; Accessed 11 Jul. 2025. https://www.oxfordartonline.com/benezit/view/10.1093/benz/9780199773787.001.0001/acref-9780199773787-e-00106434. ","\"John Leech.\"  Encyclopedia Britannica , revised March 21, 2024.  https://www.britannica.com/biography/John-Leech. ","\"John Leech.\" Lambiek Comiclopedia . Lambiek, revised October 6,  2024. https://www.lambiek.net/artists/l/leech_john.htm. ","Leech's caricatures relate to the Lea Iselin Collection of Humor at the University of Virginia.","This collection contains eight original pen, ink, and watercolor sketches with initials by the English caricaturist John Leech (1816-1864). Illustrated roughly around 1840, each illustration depicts his observations of daily British life of the lower and middle classes: on the street, in taverns, and at home. All contain captions related to the image, and some have titles in addition to their caption. These titles include \"A Speculation,\" \"On the Boulevards,\" \"A Toothless Trio,\" \"A Learned Trio,\"  and \"The Moustache Movement.\"","Albert and Shirley Small Special Collections Library","Punch ","The New Monthly Magazine","he Illuminated Magazine","The Illustrated London News","The Field"," Benezit Dictionary of Artist","Encyclopedia Britannica","Lambiek Comiclopedia","Leech, John, 1817-1864","John Leech","Charles Dickens","English"],"unitid_tesim":["MSS 16912","Archival Resource Key","/repositories/3/resources/1798"],"normalized_title_ssm":["John Leech watercolor sketches"],"collection_title_tesim":["John Leech watercolor sketches"],"collection_ssim":["John Leech watercolor sketches"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["England -- History"],"geogname_ssim":["England -- History"],"creator_ssm":["Leech, John, 1817-1864"],"creator_ssim":["Leech, John, 1817-1864"],"creator_persname_ssim":["Leech, John, 1817-1864"],"creators_ssim":["Leech, John, 1817-1864"],"places_ssim":["England -- History"],"acqinfo_ssim":["This collection was purchased from Jarndyce Antiquarian Booksellers by the Small Special Collections Library, University of Virginia on 18 September 2024."],"access_subjects_ssim":["Illustrators","cartoons (humorous images)","drawings (visual works)"],"access_subjects_ssm":["Illustrators","cartoons (humorous images)","drawings (visual works)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good"],"extent_ssm":[".04 Cubic Feet 1 legal folder"],"extent_tesim":[".04 Cubic Feet 1 legal folder"],"genreform_ssim":["cartoons (humorous images)","drawings (visual works)"],"date_range_isim":[1840],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"bioghist_html_tesm":["\u003cp\u003e\u003cpersname\u003eJohn Leech\u003c/persname\u003e (\u003cdate\u003e1817–1864\u003c/date\u003e)  was an English caricaturist known for his contributions to \u003ccorpname\u003ePunch \u003c/corpname\u003e the weekly humor and satire magazine, as well as the first illustrator of \u003cpersname\u003eCharles Dickens\u003c/persname\u003e' 1843 novella \u003ctitle\u003eA Christmas Carol\u003c/title\u003e.  Leech was born in London in 1817, the son of the landlord of the London Coffee House on Ludgate Hill. He  studied at Charterhouse School, where he met his life-long friend, the novelist, William Makepeace Thackeray.  He continued his studies of medicine, at the age of sixteen, at St. Bartholomew's Hospital, before leaving his studies to pursue an artistic profession. His first publication was 'Etchings and Sketchings, By A Pen, Esq.' (1835) and he joined Punch in 1841, regularly contributing to the magazine until his death. His illustrations included political cartoons, social caricature, scenes of everyday life and sporting works. Aside from Punch, he contributed to many other illustrated periodicals including \u003ccorpname\u003eThe New Monthly Magazine\u003c/corpname\u003e, T\u003ccorpname\u003ehe Illuminated Magazine\u003c/corpname\u003e, \u003ccorpname\u003eThe Illustrated London News\u003c/corpname\u003e and \u003ccorpname\u003eThe Field\u003c/corpname\u003e. He died at the age of forty-seven in London. \u003c/p\u003e\n","\u003cp\u003e\u003cemph\u003eResources \u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\"Leech, John.\"\u003ccorpname\u003e Benezit Dictionary of Artist\u003c/corpname\u003es. 31 Oct. 2011; Accessed 11 Jul. 2025. https://www.oxfordartonline.com/benezit/view/10.1093/benz/9780199773787.001.0001/acref-9780199773787-e-00106434. \u003c/p\u003e\n","\u003cp\u003e\"John Leech.\" \u003ccorpname\u003eEncyclopedia Britannica\u003c/corpname\u003e, revised March 21, 2024.  https://www.britannica.com/biography/John-Leech. \u003c/p\u003e\n","\u003cp\u003e\"John Leech.\"\u003ccorpname\u003eLambiek Comiclopedia\u003c/corpname\u003e. Lambiek, revised October 6,  2024. https://www.lambiek.net/artists/l/leech_john.htm. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["John Leech  ( 1817–1864 )  was an English caricaturist known for his contributions to  Punch   the weekly humor and satire magazine, as well as the first illustrator of  Charles Dickens ' 1843 novella  A Christmas Carol .  Leech was born in London in 1817, the son of the landlord of the London Coffee House on Ludgate Hill. He  studied at Charterhouse School, where he met his life-long friend, the novelist, William Makepeace Thackeray.  He continued his studies of medicine, at the age of sixteen, at St. Bartholomew's Hospital, before leaving his studies to pursue an artistic profession. His first publication was 'Etchings and Sketchings, By A Pen, Esq.' (1835) and he joined Punch in 1841, regularly contributing to the magazine until his death. His illustrations included political cartoons, social caricature, scenes of everyday life and sporting works. Aside from Punch, he contributed to many other illustrated periodicals including  The New Monthly Magazine , T he Illuminated Magazine ,  The Illustrated London News  and  The Field . He died at the age of forty-seven in London. ","Resources ","\"Leech, John.\"  Benezit Dictionary of Artist s. 31 Oct. 2011; Accessed 11 Jul. 2025. https://www.oxfordartonline.com/benezit/view/10.1093/benz/9780199773787.001.0001/acref-9780199773787-e-00106434. ","\"John Leech.\"  Encyclopedia Britannica , revised March 21, 2024.  https://www.britannica.com/biography/John-Leech. ","\"John Leech.\" Lambiek Comiclopedia . Lambiek, revised October 6,  2024. https://www.lambiek.net/artists/l/leech_john.htm. "],"prefercite_html_tesm":["\u003cp\u003eMSS 16912, John Leech watercolors, Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16912, John Leech watercolors, Small Special Collections Library, University of Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eLeech's caricatures relate to the Lea Iselin Collection of Humor at the University of Virginia.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Leech's caricatures relate to the Lea Iselin Collection of Humor at the University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains eight original pen, ink, and watercolor sketches with initials by the English caricaturist John Leech (1816-1864). Illustrated roughly around 1840, each illustration depicts his observations of daily British life of the lower and middle classes: on the street, in taverns, and at home. All contain captions related to the image, and some have titles in addition to their caption. These titles include \"A Speculation,\" \"On the Boulevards,\" \"A Toothless Trio,\" \"A Learned Trio,\"  and \"The Moustache Movement.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains eight original pen, ink, and watercolor sketches with initials by the English caricaturist John Leech (1816-1864). Illustrated roughly around 1840, each illustration depicts his observations of daily British life of the lower and middle classes: on the street, in taverns, and at home. All contain captions related to the image, and some have titles in addition to their caption. These titles include \"A Speculation,\" \"On the Boulevards,\" \"A Toothless Trio,\" \"A Learned Trio,\"  and \"The Moustache Movement.\""],"names_ssim":["Albert and Shirley Small Special Collections Library","Punch ","The New Monthly Magazine","he Illuminated Magazine","The Illustrated London News","The Field"," Benezit Dictionary of Artist","Encyclopedia Britannica","Lambiek Comiclopedia","Leech, John, 1817-1864","John Leech","Charles Dickens"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Punch ","The New Monthly Magazine","he Illuminated Magazine","The Illustrated London News","The Field"," Benezit Dictionary of Artist","Encyclopedia Britannica","Lambiek Comiclopedia"],"persname_ssim":["Leech, John, 1817-1864","John Leech","Charles Dickens"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:52:00.356Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1798","ead_ssi":"viu_repositories_3_resources_1798","_root_":"viu_repositories_3_resources_1798","_nest_parent_":"viu_repositories_3_resources_1798","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1798.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/226414","title_filing_ssi":"Leech, John watercolor sketches","title_ssm":["John Leech watercolor sketches"],"title_tesim":["John Leech watercolor sketches"],"unitdate_ssm":["undated, circa 1840"],"unitdate_other_ssim":["undated, circa 1840"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16912","Archival Resource Key","/repositories/3/resources/1798"],"text":["MSS 16912","Archival Resource Key","/repositories/3/resources/1798","John Leech watercolor sketches","England -- History","Illustrators","cartoons (humorous images)","drawings (visual works)","Good","This collection is open for research.","John Leech  ( 1817–1864 )  was an English caricaturist known for his contributions to  Punch   the weekly humor and satire magazine, as well as the first illustrator of  Charles Dickens ' 1843 novella  A Christmas Carol .  Leech was born in London in 1817, the son of the landlord of the London Coffee House on Ludgate Hill. He  studied at Charterhouse School, where he met his life-long friend, the novelist, William Makepeace Thackeray.  He continued his studies of medicine, at the age of sixteen, at St. Bartholomew's Hospital, before leaving his studies to pursue an artistic profession. His first publication was 'Etchings and Sketchings, By A Pen, Esq.' (1835) and he joined Punch in 1841, regularly contributing to the magazine until his death. His illustrations included political cartoons, social caricature, scenes of everyday life and sporting works. Aside from Punch, he contributed to many other illustrated periodicals including  The New Monthly Magazine , T he Illuminated Magazine ,  The Illustrated London News  and  The Field . He died at the age of forty-seven in London. ","Resources ","\"Leech, John.\"  Benezit Dictionary of Artist s. 31 Oct. 2011; Accessed 11 Jul. 2025. https://www.oxfordartonline.com/benezit/view/10.1093/benz/9780199773787.001.0001/acref-9780199773787-e-00106434. ","\"John Leech.\"  Encyclopedia Britannica , revised March 21, 2024.  https://www.britannica.com/biography/John-Leech. ","\"John Leech.\" Lambiek Comiclopedia . Lambiek, revised October 6,  2024. https://www.lambiek.net/artists/l/leech_john.htm. ","Leech's caricatures relate to the Lea Iselin Collection of Humor at the University of Virginia.","This collection contains eight original pen, ink, and watercolor sketches with initials by the English caricaturist John Leech (1816-1864). Illustrated roughly around 1840, each illustration depicts his observations of daily British life of the lower and middle classes: on the street, in taverns, and at home. All contain captions related to the image, and some have titles in addition to their caption. These titles include \"A Speculation,\" \"On the Boulevards,\" \"A Toothless Trio,\" \"A Learned Trio,\"  and \"The Moustache Movement.\"","Albert and Shirley Small Special Collections Library","Punch ","The New Monthly Magazine","he Illuminated Magazine","The Illustrated London News","The Field"," Benezit Dictionary of Artist","Encyclopedia Britannica","Lambiek Comiclopedia","Leech, John, 1817-1864","John Leech","Charles Dickens","English"],"unitid_tesim":["MSS 16912","Archival Resource Key","/repositories/3/resources/1798"],"normalized_title_ssm":["John Leech watercolor sketches"],"collection_title_tesim":["John Leech watercolor sketches"],"collection_ssim":["John Leech watercolor sketches"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["England -- History"],"geogname_ssim":["England -- History"],"creator_ssm":["Leech, John, 1817-1864"],"creator_ssim":["Leech, John, 1817-1864"],"creator_persname_ssim":["Leech, John, 1817-1864"],"creators_ssim":["Leech, John, 1817-1864"],"places_ssim":["England -- History"],"acqinfo_ssim":["This collection was purchased from Jarndyce Antiquarian Booksellers by the Small Special Collections Library, University of Virginia on 18 September 2024."],"access_subjects_ssim":["Illustrators","cartoons (humorous images)","drawings (visual works)"],"access_subjects_ssm":["Illustrators","cartoons (humorous images)","drawings (visual works)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good"],"extent_ssm":[".04 Cubic Feet 1 legal folder"],"extent_tesim":[".04 Cubic Feet 1 legal folder"],"genreform_ssim":["cartoons (humorous images)","drawings (visual works)"],"date_range_isim":[1840],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"bioghist_html_tesm":["\u003cp\u003e\u003cpersname\u003eJohn Leech\u003c/persname\u003e (\u003cdate\u003e1817–1864\u003c/date\u003e)  was an English caricaturist known for his contributions to \u003ccorpname\u003ePunch \u003c/corpname\u003e the weekly humor and satire magazine, as well as the first illustrator of \u003cpersname\u003eCharles Dickens\u003c/persname\u003e' 1843 novella \u003ctitle\u003eA Christmas Carol\u003c/title\u003e.  Leech was born in London in 1817, the son of the landlord of the London Coffee House on Ludgate Hill. He  studied at Charterhouse School, where he met his life-long friend, the novelist, William Makepeace Thackeray.  He continued his studies of medicine, at the age of sixteen, at St. Bartholomew's Hospital, before leaving his studies to pursue an artistic profession. His first publication was 'Etchings and Sketchings, By A Pen, Esq.' (1835) and he joined Punch in 1841, regularly contributing to the magazine until his death. His illustrations included political cartoons, social caricature, scenes of everyday life and sporting works. Aside from Punch, he contributed to many other illustrated periodicals including \u003ccorpname\u003eThe New Monthly Magazine\u003c/corpname\u003e, T\u003ccorpname\u003ehe Illuminated Magazine\u003c/corpname\u003e, \u003ccorpname\u003eThe Illustrated London News\u003c/corpname\u003e and \u003ccorpname\u003eThe Field\u003c/corpname\u003e. He died at the age of forty-seven in London. \u003c/p\u003e\n","\u003cp\u003e\u003cemph\u003eResources \u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\"Leech, John.\"\u003ccorpname\u003e Benezit Dictionary of Artist\u003c/corpname\u003es. 31 Oct. 2011; Accessed 11 Jul. 2025. https://www.oxfordartonline.com/benezit/view/10.1093/benz/9780199773787.001.0001/acref-9780199773787-e-00106434. \u003c/p\u003e\n","\u003cp\u003e\"John Leech.\" \u003ccorpname\u003eEncyclopedia Britannica\u003c/corpname\u003e, revised March 21, 2024.  https://www.britannica.com/biography/John-Leech. \u003c/p\u003e\n","\u003cp\u003e\"John Leech.\"\u003ccorpname\u003eLambiek Comiclopedia\u003c/corpname\u003e. Lambiek, revised October 6,  2024. https://www.lambiek.net/artists/l/leech_john.htm. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["John Leech  ( 1817–1864 )  was an English caricaturist known for his contributions to  Punch   the weekly humor and satire magazine, as well as the first illustrator of  Charles Dickens ' 1843 novella  A Christmas Carol .  Leech was born in London in 1817, the son of the landlord of the London Coffee House on Ludgate Hill. He  studied at Charterhouse School, where he met his life-long friend, the novelist, William Makepeace Thackeray.  He continued his studies of medicine, at the age of sixteen, at St. Bartholomew's Hospital, before leaving his studies to pursue an artistic profession. His first publication was 'Etchings and Sketchings, By A Pen, Esq.' (1835) and he joined Punch in 1841, regularly contributing to the magazine until his death. His illustrations included political cartoons, social caricature, scenes of everyday life and sporting works. Aside from Punch, he contributed to many other illustrated periodicals including  The New Monthly Magazine , T he Illuminated Magazine ,  The Illustrated London News  and  The Field . He died at the age of forty-seven in London. ","Resources ","\"Leech, John.\"  Benezit Dictionary of Artist s. 31 Oct. 2011; Accessed 11 Jul. 2025. https://www.oxfordartonline.com/benezit/view/10.1093/benz/9780199773787.001.0001/acref-9780199773787-e-00106434. ","\"John Leech.\"  Encyclopedia Britannica , revised March 21, 2024.  https://www.britannica.com/biography/John-Leech. ","\"John Leech.\" Lambiek Comiclopedia . Lambiek, revised October 6,  2024. https://www.lambiek.net/artists/l/leech_john.htm. "],"prefercite_html_tesm":["\u003cp\u003eMSS 16912, John Leech watercolors, Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16912, John Leech watercolors, Small Special Collections Library, University of Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eLeech's caricatures relate to the Lea Iselin Collection of Humor at the University of Virginia.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Leech's caricatures relate to the Lea Iselin Collection of Humor at the University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains eight original pen, ink, and watercolor sketches with initials by the English caricaturist John Leech (1816-1864). Illustrated roughly around 1840, each illustration depicts his observations of daily British life of the lower and middle classes: on the street, in taverns, and at home. All contain captions related to the image, and some have titles in addition to their caption. These titles include \"A Speculation,\" \"On the Boulevards,\" \"A Toothless Trio,\" \"A Learned Trio,\"  and \"The Moustache Movement.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains eight original pen, ink, and watercolor sketches with initials by the English caricaturist John Leech (1816-1864). Illustrated roughly around 1840, each illustration depicts his observations of daily British life of the lower and middle classes: on the street, in taverns, and at home. All contain captions related to the image, and some have titles in addition to their caption. These titles include \"A Speculation,\" \"On the Boulevards,\" \"A Toothless Trio,\" \"A Learned Trio,\"  and \"The Moustache Movement.\""],"names_ssim":["Albert and Shirley Small Special Collections Library","Punch ","The New Monthly Magazine","he Illuminated Magazine","The Illustrated London News","The Field"," Benezit Dictionary of Artist","Encyclopedia Britannica","Lambiek Comiclopedia","Leech, John, 1817-1864","John Leech","Charles Dickens"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Punch ","The New Monthly Magazine","he Illuminated Magazine","The Illustrated London News","The Field"," Benezit Dictionary of Artist","Encyclopedia Britannica","Lambiek Comiclopedia"],"persname_ssim":["Leech, John, 1817-1864","John Leech","Charles Dickens"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:52:00.356Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1798"}},{"id":"viu_repositories_7_resources_57","type":"collection","attributes":{"title":"University of Virginia Medical Illustrations collection","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_57#creator","type":"document_value","attributes":{"value":"Bernie, Frederick, fl. 1792","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_57#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe collection comprises mostly of anatomical illustrations of humans and animals by professional medical illustrators and medical practioners, but there is a good number of caricatures. Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. In addition, there are some drawings in notepads and on tracing paper.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_57#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_7_resources_57","ead_ssi":"viu_repositories_7_resources_57","_root_":"viu_repositories_7_resources_57","_nest_parent_":"viu_repositories_7_resources_57","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_57.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/56","title_ssm":["University of Virginia Medical Illustrations collection"],"title_tesim":["University of Virginia Medical Illustrations collection"],"unitdate_ssm":["1720-1969","undated"],"unitdate_bulk_ssim":["undated"],"unitdate_inclusive_ssm":["1720-1969"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.67","Archival Resource Key","/repositories/7/resources/57"],"text":["MS.67","Archival Resource Key","/repositories/7/resources/57","University of Virginia Medical Illustrations collection","Illustrators","Medical libraries","cartoons (humorous images)","drawings (visual works)","7.5 linear feet: 4 boxes with dimensions 16 in x 20 in x 3.5 in 2 document boxes","Collection is open to research.","Authenticated by Medicine Rara 185 Madison Ave, NY, NY 10016.","The illustrations are arranged by the name of their illustrator, and by chronology, then grouped by the subject of the drawing. The exceptions to this arrangement are items where the artist or subject is unknown or if there is no series for individual artists.","The University of Virginia has taught the study of human anatomy as part of the medical curriculum since its first session in 1825. ","The creator of several of the drawings in the collection, Harvey E. Jordan (1878-1963), was on the faculty of the School of Medicine at the University of Virginia between 1907 and 1949 and had a strong interest in anatomy throughout his career. Jordan served as a Professor of Histology and Embryology, Director of Anatomical Laboratories, and, from 1938 to 1949, as the Dean of the Department of Medicine (in 1950 the title changed to \"Dean of the School of Medicine\"). During his tenure as Dean, Jordan started a Division of Medical Illustration at the Univeristy. Among the many professional societies to which he belonged was the American Association of Anatomists, and throughout his career he wrote many papers on the subject of microscopic anatomy.","In addition to Harvey E. Jordan, the collection also contains work by illustrators including P. Le Paumier, Helen Lorraine, and Ted Bloodhart. P. Le Paumier (dates unknown) was a French illustrator whose work was published in the book  Travaux pratiques d'anatomie. Cahier d'ostéologie,  by French anatomist André Latarjet (1877-1947). Helen Lorraine (1892-1980) was a medical illustrator who graduated from Johns Hopkins School of Art as Applied to Medicine (1916) and studied under Max Brodel and J. Shelton Horsley. Lorraine's illustrations were produced for Dr. Charles Bruce Morton (1908-1966), a University of Virginia School of Medicine graduate (B.S. 1920, M.D. 1922) and professor of Surgery and Gynecology at UVA from 1927 to 1954. Little is known about the other illustrators. Some works in the collection are not identified.","Another set of prints included in this collection are the Elizabeth Mandell historical prints collection, which consists of prints, illustrations, and pages from an unidentified text. Items include 3 anatomical plates; 3 surgical plates; and a print of a physician and patient from the Illustrated Times, London Dec. 8, 1880. Also included: an image of a doctor and patients from an \"extra supplement to the Illustrated London News, May 19, 187?\"; and illustrations from the International Medical and Sanitary Exposition. The 4 loose pages contain an entry on Anatomy and are taken from the same text as the anatomical and surgical plates (possibly an encyclopedia).","In 2026, the English and French caricatures were added to the collection. ","The collection comprises mostly of anatomical illustrations of humans and animals by professional medical illustrators and medical practioners, but there is a good number of caricatures. Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. In addition, there are some drawings in notepads and on tracing paper.","From The Graphic: an illustrated weekly newspaper, page 109","5 figures: 1. extempore dressing on the Battlefield. 2. ward tent and apparatus for steaming throat and bronchial cases, Guy's Hospital. 3. (ditto), St. Mary's Hospital. 4. a bad accident case: London Hospital. 5. bath lift: Middlesex Hospital.","Extra supplement to the Illustrated London News May 19 1877.","Caricature by definition is a representation in which the subject's distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect. Nineteenth-century medicine provided caricaturists with a wealth of material. Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.","While some caricatures were straightforward in their message, others contained yet another layer of meaning. Medical conditions could symbolize failed interpersonal relationships, national political affairs, and everything in between. Ailments caused by the follies of fashion, such as ill-fitting footwear or constricting corsets, inspired many drawings. Artists also directly linked illness to excesses in nineteenth-century social life, particularly over-consumption of food and alcohol.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","English Caricature:\nPrecariousness of Life\nHeroic Medicine\nPray Remember the Poor Debtors\nQuacks \u0026 Nostrums\nDoomed Relationships\nFashionable Follies\nNineteenth-Century Excess\nEnglish Artists\nFootnotes, Bibliography, \u0026 Links","French Caricature:\nScenes of the Day\nMedicine in France\nMedical Caricatures or Political Commentary?\nHunchbacks: Mocked or Mocker?\nPublic Health: The Need Is Pressing\nWet Nursing: Paying Consumers\nFrench Artists\nFootnotes, Bibliography, \u0026 Links","The caption of this image describes the 'Extraordinary Effects of Morison's Vegetable Pills', re-growing a man's legs overnight. Morison's Vegetable Pills were the brainchild of James Morison (1770-1840) and sold from 1825 onwards. Morison believed that all disease was caused by an impurity of the blood that could only be purged by his vegetable pills. The pills, a laxative based on a variety of herbs, including rhubarb and myrrh, were sold in chemists, grocers and even libraries. Morison believed that his pills could be taken in large doses but a number of deaths proved him wrong. Many labelled him a quack and his pills a poison. The print is by Charles Grant Jameson (active 1832-1850); artist: Grant, Charles Jameson; maker: J Kendrick; place made: London, England, United Kingdom.","Colored etching by G[eorge] Cruikshank: Source of the Southwark Water Works, or [headed] Salus Populi Suprema Lex. Published by S. Knight, [1832]. 51x32.5cm. Printed on broadsheet with text poem beneath: Royal Address of Cadwallader... water-king of Southwark [John Edwards]. Concern at pollution and threat to public health. ","The satirical poem 'Royal Address of Cadwallader ap-Tudor ap-Edwards ap-Vaughan, Water-King of Southwark', published in 1832, is a comment on the pollution of the River Thames, the main water supply for London. The crowd chants \"Give us clean water\" and \"We shall get the cholera\" – 1832 being the year that a major cholera epidemic hit London. The writer of the poem and the people in the illustration appear to believe that cholera is spread by vapours from rotting waste – the miasma theory of disease. However, John Snow (1813-1858) discovered that cholera is a water-borne disease. Despite this, many physicians still accepted the miasma theory. The illustration was drawn by the artist and caricaturist George Cruikshank (1792-1878).","Inscription: Lettered with title, \"Ex Marmore Antiquo,\" three lines of description of subject beginning \"He grounded his Precepts upon Aesculapius. ...,\" and production details: \"P. P. Rubens Del.,\" \"I. Faber Fecit,\" and \"Printed for \u0026 Sold by Tho: Bowles next the Chapter House in St. Pauls Ch. Yard and John Bowles at the Black Horse in Cornhill.\"","This satirical response to \"fast living\" centers on a figure whose left side is a skeleton holding a spade before a tombstone lettered with a quote from Romans 6.23, \"The wages of sin is death,\" with other biblical admonishments below. The figure's right side is fashionably dressed living aristocrat standing in a parkland with a temple similar to one at Stowe in Buckinghamshire. Emblems of the Order of the Garter are part of the man's dress and items that refer to gambling and partying are strewn around his buckled shoe. These include part of a \"EO\" wheel (an 18th century game similar to roulette), dice and a shaker, cards, and a masquerade ticket to the Pantheon in London. A scroll that confirms the man's \"Pedigree\" suggests that rank offers no protection from mortality.","This cartoon by J. A. Wales.found in Puck on April 14, 1880 satirizes the Eclectic Medical College of Pennsylvania, a diploma mill selling fake medical degrees in the later decades of the 19th century. \"Professor Grind-Em-Out\" is, no doubt, the school's \"Dean,\" John Buchanan, who was finally arrested in 1880, due in part to his exposure in the popular media.","Etching depicting a group of male academics and students, many wearing mortar boards, gathered around a professor who reads form a book inscribed 'Datur Vacuum.'","Within a lugubrious coat-of-arms, Hogarth depicts three well-known quacks with a group of twelve portly physicians. The three quacks at the top of the print are Joshua Ward, perhaps the most famous charlatan of his time; Sarah Mapp, a well-known bonesetter; and John Taylor, an oculist. The bewigged physicians dispel the stench of death by sniffing the pomander attached to the top of their canes. According to Hogarth, proper physicians and disreputable quacks are all members of the same Company of Undertakers. The Latin caption, Et plurima mortis imago, translates as \"And many are the faces of death.\"","A sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration.","A sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration.","Some materials may be subject to copyright restrictions.","Claude Moore Health Sciences Library","Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. J., 1803-1847","English, French, Latin"],"unitid_tesim":["MS.67","Archival Resource Key","/repositories/7/resources/57"],"normalized_title_ssm":["University of Virginia Medical Illustrations collection"],"collection_title_tesim":["University of Virginia Medical Illustrations collection"],"collection_ssim":["University of Virginia Medical Illustrations collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916"],"creator_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916"],"creator_persname_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916"],"creators_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916"],"access_terms_ssm":["Some materials may be subject to copyright restrictions."],"acqinfo_ssim":["The bulk of the illustrations in the collection were donated by Dr. Claude Coleman to the Plastic and Maxillofacial Surgery Department at the University of Virginia. The collection was transferred to the Claude Moore Health Sciences Library in approximately 2009."],"access_subjects_ssim":["Illustrators","Medical libraries","cartoons (humorous images)","drawings (visual works)"],"access_subjects_ssm":["Illustrators","Medical libraries","cartoons (humorous images)","drawings (visual works)"],"has_online_content_ssim":["true"],"digital_objects_ssm":["{\"label\":\"“Very Ill!”: The Many Faces of Medical Caricature in Nineteenth-Century England \u0026 France Online Exhibit\",\"href\":\"https://wayback.archive-it.org/18731/20250701185054/https://exhibits.hsl.virginia.edu/caricatures/\"}"],"physdesc_tesim":["7.5 linear feet: 4 boxes with dimensions 16 in x 20 in x 3.5 in 2 document boxes"],"extent_ssm":["7 boxes (7 containers)"],"extent_tesim":["7 boxes (7 containers)"],"physfacet_tesim":["77.0 linear inches "],"genreform_ssim":["cartoons (humorous images)","drawings (visual works)"],"date_range_isim":[0,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e","\u003clegalstatus id=\"aspace_761807940929756b048fd8cece628502\"\u003eAuthenticated by Medicine Rara 185 Madison Ave, NY, NY 10016.\u003c/legalstatus\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.","Authenticated by Medicine Rara 185 Madison Ave, NY, NY 10016."],"arrangement_html_tesm":["\u003cp\u003eThe illustrations are arranged by the name of their illustrator, and by chronology, then grouped by the subject of the drawing. The exceptions to this arrangement are items where the artist or subject is unknown or if there is no series for individual artists.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The illustrations are arranged by the name of their illustrator, and by chronology, then grouped by the subject of the drawing. The exceptions to this arrangement are items where the artist or subject is unknown or if there is no series for individual artists."],"bioghist_html_tesm":["\u003cp\u003eThe University of Virginia has taught the study of human anatomy as part of the medical curriculum since its first session in 1825. \u003c/p\u003e\n","\u003cp\u003eThe creator of several of the drawings in the collection, Harvey E. Jordan (1878-1963), was on the faculty of the School of Medicine at the University of Virginia between 1907 and 1949 and had a strong interest in anatomy throughout his career. Jordan served as a Professor of Histology and Embryology, Director of Anatomical Laboratories, and, from 1938 to 1949, as the Dean of the Department of Medicine (in 1950 the title changed to \"Dean of the School of Medicine\"). During his tenure as Dean, Jordan started a Division of Medical Illustration at the Univeristy. Among the many professional societies to which he belonged was the American Association of Anatomists, and throughout his career he wrote many papers on the subject of microscopic anatomy.\u003c/p\u003e\n","\u003cp\u003eIn addition to Harvey E. Jordan, the collection also contains work by illustrators including P. Le Paumier, Helen Lorraine, and Ted Bloodhart. P. Le Paumier (dates unknown) was a French illustrator whose work was published in the book \u003ci\u003eTravaux pratiques d'anatomie. Cahier d'ostéologie,\u003c/i\u003e by French anatomist André Latarjet (1877-1947). Helen Lorraine (1892-1980) was a medical illustrator who graduated from Johns Hopkins School of Art as Applied to Medicine (1916) and studied under Max Brodel and J. Shelton Horsley. Lorraine's illustrations were produced for Dr. Charles Bruce Morton (1908-1966), a University of Virginia School of Medicine graduate (B.S. 1920, M.D. 1922) and professor of Surgery and Gynecology at UVA from 1927 to 1954. Little is known about the other illustrators. Some works in the collection are not identified.\u003c/p\u003e\n","\u003cp\u003eAnother set of prints included in this collection are the Elizabeth Mandell historical prints collection, which consists of prints, illustrations, and pages from an unidentified text. Items include 3 anatomical plates; 3 surgical plates; and a print of a physician and patient from the Illustrated Times, London Dec. 8, 1880. Also included: an image of a doctor and patients from an \"extra supplement to the Illustrated London News, May 19, 187?\"; and illustrations from the International Medical and Sanitary Exposition. The 4 loose pages contain an entry on Anatomy and are taken from the same text as the anatomical and surgical plates (possibly an encyclopedia).\u003c/p\u003e\n","\u003cp\u003eIn 2026, the English and French caricatures were added to the collection. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["The University of Virginia has taught the study of human anatomy as part of the medical curriculum since its first session in 1825. ","The creator of several of the drawings in the collection, Harvey E. Jordan (1878-1963), was on the faculty of the School of Medicine at the University of Virginia between 1907 and 1949 and had a strong interest in anatomy throughout his career. Jordan served as a Professor of Histology and Embryology, Director of Anatomical Laboratories, and, from 1938 to 1949, as the Dean of the Department of Medicine (in 1950 the title changed to \"Dean of the School of Medicine\"). During his tenure as Dean, Jordan started a Division of Medical Illustration at the Univeristy. Among the many professional societies to which he belonged was the American Association of Anatomists, and throughout his career he wrote many papers on the subject of microscopic anatomy.","In addition to Harvey E. Jordan, the collection also contains work by illustrators including P. Le Paumier, Helen Lorraine, and Ted Bloodhart. P. Le Paumier (dates unknown) was a French illustrator whose work was published in the book  Travaux pratiques d'anatomie. Cahier d'ostéologie,  by French anatomist André Latarjet (1877-1947). Helen Lorraine (1892-1980) was a medical illustrator who graduated from Johns Hopkins School of Art as Applied to Medicine (1916) and studied under Max Brodel and J. Shelton Horsley. Lorraine's illustrations were produced for Dr. Charles Bruce Morton (1908-1966), a University of Virginia School of Medicine graduate (B.S. 1920, M.D. 1922) and professor of Surgery and Gynecology at UVA from 1927 to 1954. Little is known about the other illustrators. Some works in the collection are not identified.","Another set of prints included in this collection are the Elizabeth Mandell historical prints collection, which consists of prints, illustrations, and pages from an unidentified text. Items include 3 anatomical plates; 3 surgical plates; and a print of a physician and patient from the Illustrated Times, London Dec. 8, 1880. Also included: an image of a doctor and patients from an \"extra supplement to the Illustrated London News, May 19, 187?\"; and illustrations from the International Medical and Sanitary Exposition. The 4 loose pages contain an entry on Anatomy and are taken from the same text as the anatomical and surgical plates (possibly an encyclopedia).","In 2026, the English and French caricatures were added to the collection. "],"otherfindaid_html_tesm":["\u003cp\u003eAll of these illustrations were digitized and curated in an online exhibit written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.\u003c/p\u003e\n","\u003cp\u003eThe web archived exhibit can be found via the Internet Archive's Wayback Machine here: \u003cextref\u003ehttps://web.archive.org/web/20251212135051/https://exhibits.hsl.virginia.edu/caricatures/index.html\u003c/extref\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids"],"otherfindaid_tesim":["All of these illustrations were digitized and curated in an online exhibit written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.","The web archived exhibit can be found via the Internet Archive's Wayback Machine here:  https://web.archive.org/web/20251212135051/https://exhibits.hsl.virginia.edu/caricatures/index.html"],"prefercite_html_tesm":["\u003cp\u003eUniversity of Virginia Anatomical Illustrations Collection, #MS-67, Historical Collections \u0026amp; Services, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e"],"prefercite_tesim":["University of Virginia Anatomical Illustrations Collection, #MS-67, Historical Collections \u0026 Services, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe collection comprises mostly of anatomical illustrations of humans and animals by professional medical illustrators and medical practioners, but there is a good number of caricatures. Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. In addition, there are some drawings in notepads and on tracing paper.\u003c/p\u003e","\u003cp\u003eFrom The Graphic: an illustrated weekly newspaper, page 109\u003c/p\u003e\n","\u003cp\u003e5 figures: 1. extempore dressing on the Battlefield. 2. ward tent and apparatus for steaming throat and bronchial cases, Guy's Hospital. 3. (ditto), St. Mary's Hospital. 4. a bad accident case: London Hospital. 5. bath lift: Middlesex Hospital.\u003c/p\u003e","\u003cp\u003eExtra supplement to the Illustrated London News May 19 1877.\u003c/p\u003e","\u003cp\u003eCaricature by definition is a representation in which the subject's distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect. Nineteenth-century medicine provided caricaturists with a wealth of material. Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.\u003c/p\u003e\n","\u003cp\u003eWhile some caricatures were straightforward in their message, others contained yet another layer of meaning. Medical conditions could symbolize failed interpersonal relationships, national political affairs, and everything in between. Ailments caused by the follies of fashion, such as ill-fitting footwear or constricting corsets, inspired many drawings. Artists also directly linked illness to excesses in nineteenth-century social life, particularly over-consumption of food and alcohol.\u003c/p\u003e\n","\u003cp\u003eThe 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.\u003c/p\u003e\n","\u003cp\u003eEnglish Caricature:\nPrecariousness of Life\nHeroic Medicine\nPray Remember the Poor Debtors\nQuacks \u0026amp; Nostrums\nDoomed Relationships\nFashionable Follies\nNineteenth-Century Excess\nEnglish Artists\nFootnotes, Bibliography, \u0026amp; Links\u003c/p\u003e\n","\u003cp\u003eFrench Caricature:\nScenes of the Day\nMedicine in France\nMedical Caricatures or Political Commentary?\nHunchbacks: Mocked or Mocker?\nPublic Health: The Need Is Pressing\nWet Nursing: Paying Consumers\nFrench Artists\nFootnotes, Bibliography, \u0026amp; Links\u003c/p\u003e","\u003cp\u003eThe caption of this image describes the 'Extraordinary Effects of Morison's Vegetable Pills', re-growing a man's legs overnight. Morison's Vegetable Pills were the brainchild of James Morison (1770-1840) and sold from 1825 onwards. Morison believed that all disease was caused by an impurity of the blood that could only be purged by his vegetable pills. The pills, a laxative based on a variety of herbs, including rhubarb and myrrh, were sold in chemists, grocers and even libraries. Morison believed that his pills could be taken in large doses but a number of deaths proved him wrong. Many labelled him a quack and his pills a poison. The print is by Charles Grant Jameson (active 1832-1850); artist: Grant, Charles Jameson; maker: J Kendrick; place made: London, England, United Kingdom.\u003c/p\u003e","\u003cp\u003eColored etching by G[eorge] Cruikshank: Source of the Southwark Water Works, or [headed] Salus Populi Suprema Lex. Published by S. Knight, [1832]. 51x32.5cm. Printed on broadsheet with text poem beneath: Royal Address of Cadwallader... water-king of Southwark [John Edwards]. Concern at pollution and threat to public health. \u003c/p\u003e\n","\u003cp\u003eThe satirical poem 'Royal Address of Cadwallader ap-Tudor ap-Edwards ap-Vaughan, Water-King of Southwark', published in 1832, is a comment on the pollution of the River Thames, the main water supply for London. The crowd chants \"Give us clean water\" and \"We shall get the cholera\" – 1832 being the year that a major cholera epidemic hit London. The writer of the poem and the people in the illustration appear to believe that cholera is spread by vapours from rotting waste – the miasma theory of disease. However, John Snow (1813-1858) discovered that cholera is a water-borne disease. Despite this, many physicians still accepted the miasma theory. The illustration was drawn by the artist and caricaturist George Cruikshank (1792-1878).\u003c/p\u003e","\u003cp\u003eInscription: Lettered with title, \"Ex Marmore Antiquo,\" three lines of description of subject beginning \"He grounded his Precepts upon Aesculapius. ...,\" and production details: \"P. P. Rubens Del.,\" \"I. Faber Fecit,\" and \"Printed for \u0026amp; Sold by Tho: Bowles next the Chapter House in St. Pauls Ch. Yard and John Bowles at the Black Horse in Cornhill.\"\u003c/p\u003e","\u003cp\u003eThis satirical response to \"fast living\" centers on a figure whose left side is a skeleton holding a spade before a tombstone lettered with a quote from Romans 6.23, \"The wages of sin is death,\" with other biblical admonishments below. The figure's right side is fashionably dressed living aristocrat standing in a parkland with a temple similar to one at Stowe in Buckinghamshire. Emblems of the Order of the Garter are part of the man's dress and items that refer to gambling and partying are strewn around his buckled shoe. These include part of a \"EO\" wheel (an 18th century game similar to roulette), dice and a shaker, cards, and a masquerade ticket to the Pantheon in London. A scroll that confirms the man's \"Pedigree\" suggests that rank offers no protection from mortality.\u003c/p\u003e","\u003cp\u003eThis cartoon by J. A. Wales.found in Puck on April 14, 1880 satirizes the Eclectic Medical College of Pennsylvania, a diploma mill selling fake medical degrees in the later decades of the 19th century. \"Professor Grind-Em-Out\" is, no doubt, the school's \"Dean,\" John Buchanan, who was finally arrested in 1880, due in part to his exposure in the popular media.\u003c/p\u003e","\u003cp\u003eEtching depicting a group of male academics and students, many wearing mortar boards, gathered around a professor who reads form a book inscribed 'Datur Vacuum.'\u003c/p\u003e","\u003cp\u003eWithin a lugubrious coat-of-arms, Hogarth depicts three well-known quacks with a group of twelve portly physicians. The three quacks at the top of the print are Joshua Ward, perhaps the most famous charlatan of his time; Sarah Mapp, a well-known bonesetter; and John Taylor, an oculist. The bewigged physicians dispel the stench of death by sniffing the pomander attached to the top of their canes. According to Hogarth, proper physicians and disreputable quacks are all members of the same Company of Undertakers. The Latin caption, Et plurima mortis imago, translates as \"And many are the faces of death.\"\u003c/p\u003e","\u003cp\u003eA sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration.\u003c/p\u003e","\u003cp\u003eA sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection comprises mostly of anatomical illustrations of humans and animals by professional medical illustrators and medical practioners, but there is a good number of caricatures. Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. In addition, there are some drawings in notepads and on tracing paper.","From The Graphic: an illustrated weekly newspaper, page 109","5 figures: 1. extempore dressing on the Battlefield. 2. ward tent and apparatus for steaming throat and bronchial cases, Guy's Hospital. 3. (ditto), St. Mary's Hospital. 4. a bad accident case: London Hospital. 5. bath lift: Middlesex Hospital.","Extra supplement to the Illustrated London News May 19 1877.","Caricature by definition is a representation in which the subject's distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect. Nineteenth-century medicine provided caricaturists with a wealth of material. Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.","While some caricatures were straightforward in their message, others contained yet another layer of meaning. Medical conditions could symbolize failed interpersonal relationships, national political affairs, and everything in between. Ailments caused by the follies of fashion, such as ill-fitting footwear or constricting corsets, inspired many drawings. Artists also directly linked illness to excesses in nineteenth-century social life, particularly over-consumption of food and alcohol.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","English Caricature:\nPrecariousness of Life\nHeroic Medicine\nPray Remember the Poor Debtors\nQuacks \u0026 Nostrums\nDoomed Relationships\nFashionable Follies\nNineteenth-Century Excess\nEnglish Artists\nFootnotes, Bibliography, \u0026 Links","French Caricature:\nScenes of the Day\nMedicine in France\nMedical Caricatures or Political Commentary?\nHunchbacks: Mocked or Mocker?\nPublic Health: The Need Is Pressing\nWet Nursing: Paying Consumers\nFrench Artists\nFootnotes, Bibliography, \u0026 Links","The caption of this image describes the 'Extraordinary Effects of Morison's Vegetable Pills', re-growing a man's legs overnight. Morison's Vegetable Pills were the brainchild of James Morison (1770-1840) and sold from 1825 onwards. Morison believed that all disease was caused by an impurity of the blood that could only be purged by his vegetable pills. The pills, a laxative based on a variety of herbs, including rhubarb and myrrh, were sold in chemists, grocers and even libraries. Morison believed that his pills could be taken in large doses but a number of deaths proved him wrong. Many labelled him a quack and his pills a poison. The print is by Charles Grant Jameson (active 1832-1850); artist: Grant, Charles Jameson; maker: J Kendrick; place made: London, England, United Kingdom.","Colored etching by G[eorge] Cruikshank: Source of the Southwark Water Works, or [headed] Salus Populi Suprema Lex. Published by S. Knight, [1832]. 51x32.5cm. Printed on broadsheet with text poem beneath: Royal Address of Cadwallader... water-king of Southwark [John Edwards]. Concern at pollution and threat to public health. ","The satirical poem 'Royal Address of Cadwallader ap-Tudor ap-Edwards ap-Vaughan, Water-King of Southwark', published in 1832, is a comment on the pollution of the River Thames, the main water supply for London. The crowd chants \"Give us clean water\" and \"We shall get the cholera\" – 1832 being the year that a major cholera epidemic hit London. The writer of the poem and the people in the illustration appear to believe that cholera is spread by vapours from rotting waste – the miasma theory of disease. However, John Snow (1813-1858) discovered that cholera is a water-borne disease. Despite this, many physicians still accepted the miasma theory. The illustration was drawn by the artist and caricaturist George Cruikshank (1792-1878).","Inscription: Lettered with title, \"Ex Marmore Antiquo,\" three lines of description of subject beginning \"He grounded his Precepts upon Aesculapius. ...,\" and production details: \"P. P. Rubens Del.,\" \"I. Faber Fecit,\" and \"Printed for \u0026 Sold by Tho: Bowles next the Chapter House in St. Pauls Ch. Yard and John Bowles at the Black Horse in Cornhill.\"","This satirical response to \"fast living\" centers on a figure whose left side is a skeleton holding a spade before a tombstone lettered with a quote from Romans 6.23, \"The wages of sin is death,\" with other biblical admonishments below. The figure's right side is fashionably dressed living aristocrat standing in a parkland with a temple similar to one at Stowe in Buckinghamshire. Emblems of the Order of the Garter are part of the man's dress and items that refer to gambling and partying are strewn around his buckled shoe. These include part of a \"EO\" wheel (an 18th century game similar to roulette), dice and a shaker, cards, and a masquerade ticket to the Pantheon in London. A scroll that confirms the man's \"Pedigree\" suggests that rank offers no protection from mortality.","This cartoon by J. A. Wales.found in Puck on April 14, 1880 satirizes the Eclectic Medical College of Pennsylvania, a diploma mill selling fake medical degrees in the later decades of the 19th century. \"Professor Grind-Em-Out\" is, no doubt, the school's \"Dean,\" John Buchanan, who was finally arrested in 1880, due in part to his exposure in the popular media.","Etching depicting a group of male academics and students, many wearing mortar boards, gathered around a professor who reads form a book inscribed 'Datur Vacuum.'","Within a lugubrious coat-of-arms, Hogarth depicts three well-known quacks with a group of twelve portly physicians. The three quacks at the top of the print are Joshua Ward, perhaps the most famous charlatan of his time; Sarah Mapp, a well-known bonesetter; and John Taylor, an oculist. The bewigged physicians dispel the stench of death by sniffing the pomander attached to the top of their canes. According to Hogarth, proper physicians and disreputable quacks are all members of the same Company of Undertakers. The Latin caption, Et plurima mortis imago, translates as \"And many are the faces of death.\"","A sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration.","A sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration."],"userestrict_html_tesm":["\u003cp\u003eSome materials may be subject to copyright restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Some materials may be subject to copyright restrictions."],"names_ssim":["Claude Moore Health Sciences Library","Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. J., 1803-1847"],"corpname_ssim":["Claude Moore Health Sciences Library"],"names_coll_ssim":["Gans, Sigismund, 1829-1831 ","Humphrey, Hannah, 1750-1818"],"persname_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. J., 1803-1847"],"language_ssim":["English, French, Latin"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":248,"online_item_count_is":2,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:33:21.103Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_7_resources_57","ead_ssi":"viu_repositories_7_resources_57","_root_":"viu_repositories_7_resources_57","_nest_parent_":"viu_repositories_7_resources_57","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_57.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/56","title_ssm":["University of Virginia Medical Illustrations collection"],"title_tesim":["University of Virginia Medical Illustrations collection"],"unitdate_ssm":["1720-1969","undated"],"unitdate_bulk_ssim":["undated"],"unitdate_inclusive_ssm":["1720-1969"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.67","Archival Resource Key","/repositories/7/resources/57"],"text":["MS.67","Archival Resource Key","/repositories/7/resources/57","University of Virginia Medical Illustrations collection","Illustrators","Medical libraries","cartoons (humorous images)","drawings (visual works)","7.5 linear feet: 4 boxes with dimensions 16 in x 20 in x 3.5 in 2 document boxes","Collection is open to research.","Authenticated by Medicine Rara 185 Madison Ave, NY, NY 10016.","The illustrations are arranged by the name of their illustrator, and by chronology, then grouped by the subject of the drawing. The exceptions to this arrangement are items where the artist or subject is unknown or if there is no series for individual artists.","The University of Virginia has taught the study of human anatomy as part of the medical curriculum since its first session in 1825. ","The creator of several of the drawings in the collection, Harvey E. Jordan (1878-1963), was on the faculty of the School of Medicine at the University of Virginia between 1907 and 1949 and had a strong interest in anatomy throughout his career. Jordan served as a Professor of Histology and Embryology, Director of Anatomical Laboratories, and, from 1938 to 1949, as the Dean of the Department of Medicine (in 1950 the title changed to \"Dean of the School of Medicine\"). During his tenure as Dean, Jordan started a Division of Medical Illustration at the Univeristy. Among the many professional societies to which he belonged was the American Association of Anatomists, and throughout his career he wrote many papers on the subject of microscopic anatomy.","In addition to Harvey E. Jordan, the collection also contains work by illustrators including P. Le Paumier, Helen Lorraine, and Ted Bloodhart. P. Le Paumier (dates unknown) was a French illustrator whose work was published in the book  Travaux pratiques d'anatomie. Cahier d'ostéologie,  by French anatomist André Latarjet (1877-1947). Helen Lorraine (1892-1980) was a medical illustrator who graduated from Johns Hopkins School of Art as Applied to Medicine (1916) and studied under Max Brodel and J. Shelton Horsley. Lorraine's illustrations were produced for Dr. Charles Bruce Morton (1908-1966), a University of Virginia School of Medicine graduate (B.S. 1920, M.D. 1922) and professor of Surgery and Gynecology at UVA from 1927 to 1954. Little is known about the other illustrators. Some works in the collection are not identified.","Another set of prints included in this collection are the Elizabeth Mandell historical prints collection, which consists of prints, illustrations, and pages from an unidentified text. Items include 3 anatomical plates; 3 surgical plates; and a print of a physician and patient from the Illustrated Times, London Dec. 8, 1880. Also included: an image of a doctor and patients from an \"extra supplement to the Illustrated London News, May 19, 187?\"; and illustrations from the International Medical and Sanitary Exposition. The 4 loose pages contain an entry on Anatomy and are taken from the same text as the anatomical and surgical plates (possibly an encyclopedia).","In 2026, the English and French caricatures were added to the collection. ","The collection comprises mostly of anatomical illustrations of humans and animals by professional medical illustrators and medical practioners, but there is a good number of caricatures. Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. In addition, there are some drawings in notepads and on tracing paper.","From The Graphic: an illustrated weekly newspaper, page 109","5 figures: 1. extempore dressing on the Battlefield. 2. ward tent and apparatus for steaming throat and bronchial cases, Guy's Hospital. 3. (ditto), St. Mary's Hospital. 4. a bad accident case: London Hospital. 5. bath lift: Middlesex Hospital.","Extra supplement to the Illustrated London News May 19 1877.","Caricature by definition is a representation in which the subject's distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect. Nineteenth-century medicine provided caricaturists with a wealth of material. Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.","While some caricatures were straightforward in their message, others contained yet another layer of meaning. Medical conditions could symbolize failed interpersonal relationships, national political affairs, and everything in between. Ailments caused by the follies of fashion, such as ill-fitting footwear or constricting corsets, inspired many drawings. Artists also directly linked illness to excesses in nineteenth-century social life, particularly over-consumption of food and alcohol.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","English Caricature:\nPrecariousness of Life\nHeroic Medicine\nPray Remember the Poor Debtors\nQuacks \u0026 Nostrums\nDoomed Relationships\nFashionable Follies\nNineteenth-Century Excess\nEnglish Artists\nFootnotes, Bibliography, \u0026 Links","French Caricature:\nScenes of the Day\nMedicine in France\nMedical Caricatures or Political Commentary?\nHunchbacks: Mocked or Mocker?\nPublic Health: The Need Is Pressing\nWet Nursing: Paying Consumers\nFrench Artists\nFootnotes, Bibliography, \u0026 Links","The caption of this image describes the 'Extraordinary Effects of Morison's Vegetable Pills', re-growing a man's legs overnight. Morison's Vegetable Pills were the brainchild of James Morison (1770-1840) and sold from 1825 onwards. Morison believed that all disease was caused by an impurity of the blood that could only be purged by his vegetable pills. The pills, a laxative based on a variety of herbs, including rhubarb and myrrh, were sold in chemists, grocers and even libraries. Morison believed that his pills could be taken in large doses but a number of deaths proved him wrong. Many labelled him a quack and his pills a poison. The print is by Charles Grant Jameson (active 1832-1850); artist: Grant, Charles Jameson; maker: J Kendrick; place made: London, England, United Kingdom.","Colored etching by G[eorge] Cruikshank: Source of the Southwark Water Works, or [headed] Salus Populi Suprema Lex. Published by S. Knight, [1832]. 51x32.5cm. Printed on broadsheet with text poem beneath: Royal Address of Cadwallader... water-king of Southwark [John Edwards]. Concern at pollution and threat to public health. ","The satirical poem 'Royal Address of Cadwallader ap-Tudor ap-Edwards ap-Vaughan, Water-King of Southwark', published in 1832, is a comment on the pollution of the River Thames, the main water supply for London. The crowd chants \"Give us clean water\" and \"We shall get the cholera\" – 1832 being the year that a major cholera epidemic hit London. The writer of the poem and the people in the illustration appear to believe that cholera is spread by vapours from rotting waste – the miasma theory of disease. However, John Snow (1813-1858) discovered that cholera is a water-borne disease. Despite this, many physicians still accepted the miasma theory. The illustration was drawn by the artist and caricaturist George Cruikshank (1792-1878).","Inscription: Lettered with title, \"Ex Marmore Antiquo,\" three lines of description of subject beginning \"He grounded his Precepts upon Aesculapius. ...,\" and production details: \"P. P. Rubens Del.,\" \"I. Faber Fecit,\" and \"Printed for \u0026 Sold by Tho: Bowles next the Chapter House in St. Pauls Ch. Yard and John Bowles at the Black Horse in Cornhill.\"","This satirical response to \"fast living\" centers on a figure whose left side is a skeleton holding a spade before a tombstone lettered with a quote from Romans 6.23, \"The wages of sin is death,\" with other biblical admonishments below. The figure's right side is fashionably dressed living aristocrat standing in a parkland with a temple similar to one at Stowe in Buckinghamshire. Emblems of the Order of the Garter are part of the man's dress and items that refer to gambling and partying are strewn around his buckled shoe. These include part of a \"EO\" wheel (an 18th century game similar to roulette), dice and a shaker, cards, and a masquerade ticket to the Pantheon in London. A scroll that confirms the man's \"Pedigree\" suggests that rank offers no protection from mortality.","This cartoon by J. A. Wales.found in Puck on April 14, 1880 satirizes the Eclectic Medical College of Pennsylvania, a diploma mill selling fake medical degrees in the later decades of the 19th century. \"Professor Grind-Em-Out\" is, no doubt, the school's \"Dean,\" John Buchanan, who was finally arrested in 1880, due in part to his exposure in the popular media.","Etching depicting a group of male academics and students, many wearing mortar boards, gathered around a professor who reads form a book inscribed 'Datur Vacuum.'","Within a lugubrious coat-of-arms, Hogarth depicts three well-known quacks with a group of twelve portly physicians. The three quacks at the top of the print are Joshua Ward, perhaps the most famous charlatan of his time; Sarah Mapp, a well-known bonesetter; and John Taylor, an oculist. The bewigged physicians dispel the stench of death by sniffing the pomander attached to the top of their canes. According to Hogarth, proper physicians and disreputable quacks are all members of the same Company of Undertakers. The Latin caption, Et plurima mortis imago, translates as \"And many are the faces of death.\"","A sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration.","A sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration.","Some materials may be subject to copyright restrictions.","Claude Moore Health Sciences Library","Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. J., 1803-1847","English, French, Latin"],"unitid_tesim":["MS.67","Archival Resource Key","/repositories/7/resources/57"],"normalized_title_ssm":["University of Virginia Medical Illustrations collection"],"collection_title_tesim":["University of Virginia Medical Illustrations collection"],"collection_ssim":["University of Virginia Medical Illustrations collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916"],"creator_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916"],"creator_persname_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916"],"creators_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916"],"access_terms_ssm":["Some materials may be subject to copyright restrictions."],"acqinfo_ssim":["The bulk of the illustrations in the collection were donated by Dr. Claude Coleman to the Plastic and Maxillofacial Surgery Department at the University of Virginia. The collection was transferred to the Claude Moore Health Sciences Library in approximately 2009."],"access_subjects_ssim":["Illustrators","Medical libraries","cartoons (humorous images)","drawings (visual works)"],"access_subjects_ssm":["Illustrators","Medical libraries","cartoons (humorous images)","drawings (visual works)"],"has_online_content_ssim":["true"],"digital_objects_ssm":["{\"label\":\"“Very Ill!”: The Many Faces of Medical Caricature in Nineteenth-Century England \u0026 France Online Exhibit\",\"href\":\"https://wayback.archive-it.org/18731/20250701185054/https://exhibits.hsl.virginia.edu/caricatures/\"}"],"physdesc_tesim":["7.5 linear feet: 4 boxes with dimensions 16 in x 20 in x 3.5 in 2 document boxes"],"extent_ssm":["7 boxes (7 containers)"],"extent_tesim":["7 boxes (7 containers)"],"physfacet_tesim":["77.0 linear inches "],"genreform_ssim":["cartoons (humorous images)","drawings (visual works)"],"date_range_isim":[0,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e","\u003clegalstatus id=\"aspace_761807940929756b048fd8cece628502\"\u003eAuthenticated by Medicine Rara 185 Madison Ave, NY, NY 10016.\u003c/legalstatus\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.","Authenticated by Medicine Rara 185 Madison Ave, NY, NY 10016."],"arrangement_html_tesm":["\u003cp\u003eThe illustrations are arranged by the name of their illustrator, and by chronology, then grouped by the subject of the drawing. The exceptions to this arrangement are items where the artist or subject is unknown or if there is no series for individual artists.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The illustrations are arranged by the name of their illustrator, and by chronology, then grouped by the subject of the drawing. The exceptions to this arrangement are items where the artist or subject is unknown or if there is no series for individual artists."],"bioghist_html_tesm":["\u003cp\u003eThe University of Virginia has taught the study of human anatomy as part of the medical curriculum since its first session in 1825. \u003c/p\u003e\n","\u003cp\u003eThe creator of several of the drawings in the collection, Harvey E. Jordan (1878-1963), was on the faculty of the School of Medicine at the University of Virginia between 1907 and 1949 and had a strong interest in anatomy throughout his career. Jordan served as a Professor of Histology and Embryology, Director of Anatomical Laboratories, and, from 1938 to 1949, as the Dean of the Department of Medicine (in 1950 the title changed to \"Dean of the School of Medicine\"). During his tenure as Dean, Jordan started a Division of Medical Illustration at the Univeristy. Among the many professional societies to which he belonged was the American Association of Anatomists, and throughout his career he wrote many papers on the subject of microscopic anatomy.\u003c/p\u003e\n","\u003cp\u003eIn addition to Harvey E. Jordan, the collection also contains work by illustrators including P. Le Paumier, Helen Lorraine, and Ted Bloodhart. P. Le Paumier (dates unknown) was a French illustrator whose work was published in the book \u003ci\u003eTravaux pratiques d'anatomie. Cahier d'ostéologie,\u003c/i\u003e by French anatomist André Latarjet (1877-1947). Helen Lorraine (1892-1980) was a medical illustrator who graduated from Johns Hopkins School of Art as Applied to Medicine (1916) and studied under Max Brodel and J. Shelton Horsley. Lorraine's illustrations were produced for Dr. Charles Bruce Morton (1908-1966), a University of Virginia School of Medicine graduate (B.S. 1920, M.D. 1922) and professor of Surgery and Gynecology at UVA from 1927 to 1954. Little is known about the other illustrators. Some works in the collection are not identified.\u003c/p\u003e\n","\u003cp\u003eAnother set of prints included in this collection are the Elizabeth Mandell historical prints collection, which consists of prints, illustrations, and pages from an unidentified text. Items include 3 anatomical plates; 3 surgical plates; and a print of a physician and patient from the Illustrated Times, London Dec. 8, 1880. Also included: an image of a doctor and patients from an \"extra supplement to the Illustrated London News, May 19, 187?\"; and illustrations from the International Medical and Sanitary Exposition. The 4 loose pages contain an entry on Anatomy and are taken from the same text as the anatomical and surgical plates (possibly an encyclopedia).\u003c/p\u003e\n","\u003cp\u003eIn 2026, the English and French caricatures were added to the collection. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["The University of Virginia has taught the study of human anatomy as part of the medical curriculum since its first session in 1825. ","The creator of several of the drawings in the collection, Harvey E. Jordan (1878-1963), was on the faculty of the School of Medicine at the University of Virginia between 1907 and 1949 and had a strong interest in anatomy throughout his career. Jordan served as a Professor of Histology and Embryology, Director of Anatomical Laboratories, and, from 1938 to 1949, as the Dean of the Department of Medicine (in 1950 the title changed to \"Dean of the School of Medicine\"). During his tenure as Dean, Jordan started a Division of Medical Illustration at the Univeristy. Among the many professional societies to which he belonged was the American Association of Anatomists, and throughout his career he wrote many papers on the subject of microscopic anatomy.","In addition to Harvey E. Jordan, the collection also contains work by illustrators including P. Le Paumier, Helen Lorraine, and Ted Bloodhart. P. Le Paumier (dates unknown) was a French illustrator whose work was published in the book  Travaux pratiques d'anatomie. Cahier d'ostéologie,  by French anatomist André Latarjet (1877-1947). Helen Lorraine (1892-1980) was a medical illustrator who graduated from Johns Hopkins School of Art as Applied to Medicine (1916) and studied under Max Brodel and J. Shelton Horsley. Lorraine's illustrations were produced for Dr. Charles Bruce Morton (1908-1966), a University of Virginia School of Medicine graduate (B.S. 1920, M.D. 1922) and professor of Surgery and Gynecology at UVA from 1927 to 1954. Little is known about the other illustrators. Some works in the collection are not identified.","Another set of prints included in this collection are the Elizabeth Mandell historical prints collection, which consists of prints, illustrations, and pages from an unidentified text. Items include 3 anatomical plates; 3 surgical plates; and a print of a physician and patient from the Illustrated Times, London Dec. 8, 1880. Also included: an image of a doctor and patients from an \"extra supplement to the Illustrated London News, May 19, 187?\"; and illustrations from the International Medical and Sanitary Exposition. The 4 loose pages contain an entry on Anatomy and are taken from the same text as the anatomical and surgical plates (possibly an encyclopedia).","In 2026, the English and French caricatures were added to the collection. "],"otherfindaid_html_tesm":["\u003cp\u003eAll of these illustrations were digitized and curated in an online exhibit written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.\u003c/p\u003e\n","\u003cp\u003eThe web archived exhibit can be found via the Internet Archive's Wayback Machine here: \u003cextref\u003ehttps://web.archive.org/web/20251212135051/https://exhibits.hsl.virginia.edu/caricatures/index.html\u003c/extref\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids"],"otherfindaid_tesim":["All of these illustrations were digitized and curated in an online exhibit written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.","The web archived exhibit can be found via the Internet Archive's Wayback Machine here:  https://web.archive.org/web/20251212135051/https://exhibits.hsl.virginia.edu/caricatures/index.html"],"prefercite_html_tesm":["\u003cp\u003eUniversity of Virginia Anatomical Illustrations Collection, #MS-67, Historical Collections \u0026amp; Services, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e"],"prefercite_tesim":["University of Virginia Anatomical Illustrations Collection, #MS-67, Historical Collections \u0026 Services, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe collection comprises mostly of anatomical illustrations of humans and animals by professional medical illustrators and medical practioners, but there is a good number of caricatures. Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. In addition, there are some drawings in notepads and on tracing paper.\u003c/p\u003e","\u003cp\u003eFrom The Graphic: an illustrated weekly newspaper, page 109\u003c/p\u003e\n","\u003cp\u003e5 figures: 1. extempore dressing on the Battlefield. 2. ward tent and apparatus for steaming throat and bronchial cases, Guy's Hospital. 3. (ditto), St. Mary's Hospital. 4. a bad accident case: London Hospital. 5. bath lift: Middlesex Hospital.\u003c/p\u003e","\u003cp\u003eExtra supplement to the Illustrated London News May 19 1877.\u003c/p\u003e","\u003cp\u003eCaricature by definition is a representation in which the subject's distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect. Nineteenth-century medicine provided caricaturists with a wealth of material. Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.\u003c/p\u003e\n","\u003cp\u003eWhile some caricatures were straightforward in their message, others contained yet another layer of meaning. Medical conditions could symbolize failed interpersonal relationships, national political affairs, and everything in between. Ailments caused by the follies of fashion, such as ill-fitting footwear or constricting corsets, inspired many drawings. Artists also directly linked illness to excesses in nineteenth-century social life, particularly over-consumption of food and alcohol.\u003c/p\u003e\n","\u003cp\u003eThe 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.\u003c/p\u003e\n","\u003cp\u003eEnglish Caricature:\nPrecariousness of Life\nHeroic Medicine\nPray Remember the Poor Debtors\nQuacks \u0026amp; Nostrums\nDoomed Relationships\nFashionable Follies\nNineteenth-Century Excess\nEnglish Artists\nFootnotes, Bibliography, \u0026amp; Links\u003c/p\u003e\n","\u003cp\u003eFrench Caricature:\nScenes of the Day\nMedicine in France\nMedical Caricatures or Political Commentary?\nHunchbacks: Mocked or Mocker?\nPublic Health: The Need Is Pressing\nWet Nursing: Paying Consumers\nFrench Artists\nFootnotes, Bibliography, \u0026amp; Links\u003c/p\u003e","\u003cp\u003eThe caption of this image describes the 'Extraordinary Effects of Morison's Vegetable Pills', re-growing a man's legs overnight. Morison's Vegetable Pills were the brainchild of James Morison (1770-1840) and sold from 1825 onwards. Morison believed that all disease was caused by an impurity of the blood that could only be purged by his vegetable pills. The pills, a laxative based on a variety of herbs, including rhubarb and myrrh, were sold in chemists, grocers and even libraries. Morison believed that his pills could be taken in large doses but a number of deaths proved him wrong. Many labelled him a quack and his pills a poison. The print is by Charles Grant Jameson (active 1832-1850); artist: Grant, Charles Jameson; maker: J Kendrick; place made: London, England, United Kingdom.\u003c/p\u003e","\u003cp\u003eColored etching by G[eorge] Cruikshank: Source of the Southwark Water Works, or [headed] Salus Populi Suprema Lex. Published by S. Knight, [1832]. 51x32.5cm. Printed on broadsheet with text poem beneath: Royal Address of Cadwallader... water-king of Southwark [John Edwards]. Concern at pollution and threat to public health. \u003c/p\u003e\n","\u003cp\u003eThe satirical poem 'Royal Address of Cadwallader ap-Tudor ap-Edwards ap-Vaughan, Water-King of Southwark', published in 1832, is a comment on the pollution of the River Thames, the main water supply for London. The crowd chants \"Give us clean water\" and \"We shall get the cholera\" – 1832 being the year that a major cholera epidemic hit London. The writer of the poem and the people in the illustration appear to believe that cholera is spread by vapours from rotting waste – the miasma theory of disease. However, John Snow (1813-1858) discovered that cholera is a water-borne disease. Despite this, many physicians still accepted the miasma theory. The illustration was drawn by the artist and caricaturist George Cruikshank (1792-1878).\u003c/p\u003e","\u003cp\u003eInscription: Lettered with title, \"Ex Marmore Antiquo,\" three lines of description of subject beginning \"He grounded his Precepts upon Aesculapius. ...,\" and production details: \"P. P. Rubens Del.,\" \"I. Faber Fecit,\" and \"Printed for \u0026amp; Sold by Tho: Bowles next the Chapter House in St. Pauls Ch. Yard and John Bowles at the Black Horse in Cornhill.\"\u003c/p\u003e","\u003cp\u003eThis satirical response to \"fast living\" centers on a figure whose left side is a skeleton holding a spade before a tombstone lettered with a quote from Romans 6.23, \"The wages of sin is death,\" with other biblical admonishments below. The figure's right side is fashionably dressed living aristocrat standing in a parkland with a temple similar to one at Stowe in Buckinghamshire. Emblems of the Order of the Garter are part of the man's dress and items that refer to gambling and partying are strewn around his buckled shoe. These include part of a \"EO\" wheel (an 18th century game similar to roulette), dice and a shaker, cards, and a masquerade ticket to the Pantheon in London. A scroll that confirms the man's \"Pedigree\" suggests that rank offers no protection from mortality.\u003c/p\u003e","\u003cp\u003eThis cartoon by J. A. Wales.found in Puck on April 14, 1880 satirizes the Eclectic Medical College of Pennsylvania, a diploma mill selling fake medical degrees in the later decades of the 19th century. \"Professor Grind-Em-Out\" is, no doubt, the school's \"Dean,\" John Buchanan, who was finally arrested in 1880, due in part to his exposure in the popular media.\u003c/p\u003e","\u003cp\u003eEtching depicting a group of male academics and students, many wearing mortar boards, gathered around a professor who reads form a book inscribed 'Datur Vacuum.'\u003c/p\u003e","\u003cp\u003eWithin a lugubrious coat-of-arms, Hogarth depicts three well-known quacks with a group of twelve portly physicians. The three quacks at the top of the print are Joshua Ward, perhaps the most famous charlatan of his time; Sarah Mapp, a well-known bonesetter; and John Taylor, an oculist. The bewigged physicians dispel the stench of death by sniffing the pomander attached to the top of their canes. According to Hogarth, proper physicians and disreputable quacks are all members of the same Company of Undertakers. The Latin caption, Et plurima mortis imago, translates as \"And many are the faces of death.\"\u003c/p\u003e","\u003cp\u003eA sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration.\u003c/p\u003e","\u003cp\u003eA sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection comprises mostly of anatomical illustrations of humans and animals by professional medical illustrators and medical practioners, but there is a good number of caricatures. Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. In addition, there are some drawings in notepads and on tracing paper.","From The Graphic: an illustrated weekly newspaper, page 109","5 figures: 1. extempore dressing on the Battlefield. 2. ward tent and apparatus for steaming throat and bronchial cases, Guy's Hospital. 3. (ditto), St. Mary's Hospital. 4. a bad accident case: London Hospital. 5. bath lift: Middlesex Hospital.","Extra supplement to the Illustrated London News May 19 1877.","Caricature by definition is a representation in which the subject's distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect. Nineteenth-century medicine provided caricaturists with a wealth of material. Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.","While some caricatures were straightforward in their message, others contained yet another layer of meaning. Medical conditions could symbolize failed interpersonal relationships, national political affairs, and everything in between. Ailments caused by the follies of fashion, such as ill-fitting footwear or constricting corsets, inspired many drawings. Artists also directly linked illness to excesses in nineteenth-century social life, particularly over-consumption of food and alcohol.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","English Caricature:\nPrecariousness of Life\nHeroic Medicine\nPray Remember the Poor Debtors\nQuacks \u0026 Nostrums\nDoomed Relationships\nFashionable Follies\nNineteenth-Century Excess\nEnglish Artists\nFootnotes, Bibliography, \u0026 Links","French Caricature:\nScenes of the Day\nMedicine in France\nMedical Caricatures or Political Commentary?\nHunchbacks: Mocked or Mocker?\nPublic Health: The Need Is Pressing\nWet Nursing: Paying Consumers\nFrench Artists\nFootnotes, Bibliography, \u0026 Links","The caption of this image describes the 'Extraordinary Effects of Morison's Vegetable Pills', re-growing a man's legs overnight. Morison's Vegetable Pills were the brainchild of James Morison (1770-1840) and sold from 1825 onwards. Morison believed that all disease was caused by an impurity of the blood that could only be purged by his vegetable pills. The pills, a laxative based on a variety of herbs, including rhubarb and myrrh, were sold in chemists, grocers and even libraries. Morison believed that his pills could be taken in large doses but a number of deaths proved him wrong. Many labelled him a quack and his pills a poison. The print is by Charles Grant Jameson (active 1832-1850); artist: Grant, Charles Jameson; maker: J Kendrick; place made: London, England, United Kingdom.","Colored etching by G[eorge] Cruikshank: Source of the Southwark Water Works, or [headed] Salus Populi Suprema Lex. Published by S. Knight, [1832]. 51x32.5cm. Printed on broadsheet with text poem beneath: Royal Address of Cadwallader... water-king of Southwark [John Edwards]. Concern at pollution and threat to public health. ","The satirical poem 'Royal Address of Cadwallader ap-Tudor ap-Edwards ap-Vaughan, Water-King of Southwark', published in 1832, is a comment on the pollution of the River Thames, the main water supply for London. The crowd chants \"Give us clean water\" and \"We shall get the cholera\" – 1832 being the year that a major cholera epidemic hit London. The writer of the poem and the people in the illustration appear to believe that cholera is spread by vapours from rotting waste – the miasma theory of disease. However, John Snow (1813-1858) discovered that cholera is a water-borne disease. Despite this, many physicians still accepted the miasma theory. The illustration was drawn by the artist and caricaturist George Cruikshank (1792-1878).","Inscription: Lettered with title, \"Ex Marmore Antiquo,\" three lines of description of subject beginning \"He grounded his Precepts upon Aesculapius. ...,\" and production details: \"P. P. Rubens Del.,\" \"I. Faber Fecit,\" and \"Printed for \u0026 Sold by Tho: Bowles next the Chapter House in St. Pauls Ch. Yard and John Bowles at the Black Horse in Cornhill.\"","This satirical response to \"fast living\" centers on a figure whose left side is a skeleton holding a spade before a tombstone lettered with a quote from Romans 6.23, \"The wages of sin is death,\" with other biblical admonishments below. The figure's right side is fashionably dressed living aristocrat standing in a parkland with a temple similar to one at Stowe in Buckinghamshire. Emblems of the Order of the Garter are part of the man's dress and items that refer to gambling and partying are strewn around his buckled shoe. These include part of a \"EO\" wheel (an 18th century game similar to roulette), dice and a shaker, cards, and a masquerade ticket to the Pantheon in London. A scroll that confirms the man's \"Pedigree\" suggests that rank offers no protection from mortality.","This cartoon by J. A. Wales.found in Puck on April 14, 1880 satirizes the Eclectic Medical College of Pennsylvania, a diploma mill selling fake medical degrees in the later decades of the 19th century. \"Professor Grind-Em-Out\" is, no doubt, the school's \"Dean,\" John Buchanan, who was finally arrested in 1880, due in part to his exposure in the popular media.","Etching depicting a group of male academics and students, many wearing mortar boards, gathered around a professor who reads form a book inscribed 'Datur Vacuum.'","Within a lugubrious coat-of-arms, Hogarth depicts three well-known quacks with a group of twelve portly physicians. The three quacks at the top of the print are Joshua Ward, perhaps the most famous charlatan of his time; Sarah Mapp, a well-known bonesetter; and John Taylor, an oculist. The bewigged physicians dispel the stench of death by sniffing the pomander attached to the top of their canes. According to Hogarth, proper physicians and disreputable quacks are all members of the same Company of Undertakers. The Latin caption, Et plurima mortis imago, translates as \"And many are the faces of death.\"","A sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration.","A sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration."],"userestrict_html_tesm":["\u003cp\u003eSome materials may be subject to copyright restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Some materials may be subject to copyright restrictions."],"names_ssim":["Claude Moore Health Sciences Library","Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. J., 1803-1847"],"corpname_ssim":["Claude Moore Health Sciences Library"],"names_coll_ssim":["Gans, Sigismund, 1829-1831 ","Humphrey, Hannah, 1750-1818"],"persname_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. J., 1803-1847"],"language_ssim":["English, French, Latin"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":248,"online_item_count_is":2,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:33:21.103Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_7_resources_57"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"University of Virginia, Special Collections Dept.","value":"University of Virginia, Special Collections 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