{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Illustrators\u0026f%5Blevel%5D%5B%5D=Collection","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Illustrators\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":5,"first_page?":true,"last_page?":true}},"data":[{"id":"viw_repositories_2_resources_9167","type":"collection","attributes":{"title":"Cece Bell Papers","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9167#creator","type":"document_value","attributes":{"value":"Bell, Cece","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9167#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ePapers of Cece Bell (W \u0026amp; M '92), an award-winning author and illustrator of children's books. The collection documents Bell's creative process, from initial brainstorming to finished product, and also details editing interactions between Bell, her husband Tom Angleberger (W \u0026amp; M '92), and others. Includes story development, illustration tests and sketches.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9167#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9167","ead_ssi":"viw_repositories_2_resources_9167","_root_":"viw_repositories_2_resources_9167","_nest_parent_":"viw_repositories_2_resources_9167","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9167.xml","title_filing_ssi":"Cece Bell Papers","title_ssm":["Cece Bell Papers"],"title_tesim":["Cece Bell Papers"],"unitdate_ssm":["circa 1988-2017"],"unitdate_inclusive_ssm":["circa 1988-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00312","/repositories/2/resources/9167"],"text":["MS 00312","/repositories/2/resources/9167","Cece Bell Papers","Children's literature -- Illustrations","Picture books","Authors, American--Women","Illustration of books -- 21st century","Illustration of books -- Awards -- United States -- Juvenile literature","Children's books","Illustrators","Watercolors (paintings)","Watercolors (drawings)","Design drawings","Manuscripts for publication","Correspondence","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Artwork arranged according to media: watercolors, print, pastel, and other media.","Series arranged chronologically by book publication date.","Within each title the materials are organized according to stages of production, from rough to finished. ","Series arranged chronologically by publication date.","Series arranged chronologically by publication date. Stories about Bell are marked.","Series arranged chronologically.","Cece Bell (William \u0026 Mary class of 1992) is an American children's book author and illustrator. She has published 11 books, and several others co-written with her husband, Tom Angleberger. In 2015, her graphic novel, El Deafo, won a Newberry Honor and the Eisner Award for Best Publication for Kids.  El Deafo is the semiautobiographical story of a hearing impaired bunny who finds superpowers in her new hearing aid. Much of her work uses speech bubbles to define dialogue.","Papers of Cece Bell (W \u0026 M '92), an award-winning author and illustrator of children's books. The collection documents Bell's creative process, from initial brainstorming to finished product, and also details editing interactions between Bell, her husband Tom Angleberger (W \u0026 M '92), and others. Includes story development, illustration tests and sketches.","Artwork done by Bell during her undergraduate years at William \u0026 Mary, from 1988-1992. Includes watercolors, prints, pastels, and pencil sketches. From Bell's student work, one can see how she developed the whimsical and imaginative qualities found in her later artistic work, especially in the pastels and prints. Lewis Carroll's Alice in Wonderland and \"Jabberwocky\" feature prominently in Bell's early work. She also depicted the university grounds and nearby neighborhoods. Some of the artwork appears to depict her now husband, Tom Angleberger.","Featuring a plate, white porch with the United States flag, and steep roofs through trees","Plate scene is labeled in pencil on back: \"Cece Bell, Untitled, Summer 90, Watercolor.\"","On loose sheets of watercolor paper","William \u0026 Mary campus scenes, ","Pastel watercolors, abstract, on watercolor paper from spiral notebook or loose sheets","3 watercolors of William \u0026 Mary's campus possibly featuring the Crim Dell, the Sunken Gardens, Lake Matoaka, and either the President's House or the Brafferton. ","Pastel watercolors, abstract, on watercolor paper from spiral notebook or loose sheets","No signature or title labels","3 watercolors of William \u0026 Mary's campus and the Historic Area, 2 torn from watercolor paper spiral","2 watercolors, one with red alligator, crocodile, pencil, flag; and one with two multicolored alarm clocks with faces and small figures in the lower left hand corner (pencil sketch of clock on folded sheet)","2 watercolors, possible of William \u0026 Mary's campus, torn from watercolor notebook","Unevenly shaped black and white paintings, possibly Gouache","One painting, perhaps oil and watercolor, depicts a close-up eyeball","One painting, perhaps oil and watercolor, depicts a cow with bridle","2 watercolors of William \u0026 Mary's campus","Black and white print (from an etching?) of bespectacled, short-haired head wearing a dress with pinafore and holding a vial labeled \"drink me.\" The figure stands on a checkered floor with a small door in the background. The figure casts a shadow, and has a small cat peeking out from the hair above the left ear.  ","Labeled, in pencil, \"2/90, 'Curiouser + Curiouser!' C Bell.\"","Two prints. One is matted, with pink text in foreground and the Jabberwocky monster in the background (black and white), titled \"Jabberwocky\" in pencil, with Cece Bell signature, \"With special thanks to Lewis Carroll\" on print's lower right hand corner, 21 x 16\"","Second print is un-matted with text in white and the Jabberwocky monster in the background (black and white), \"With special thanks to Lewis Carroll\" on print's lower right hand corner, some brown stains at top of print and along bottom border, 23 x 18.5\"","Images of a spiky haired, bespectacled figure, with arms outstretched and purple shirt, with one collagraph textured plate, made of cardboard pieces painted with watercolor, 12 x 18\"","Second collagraph print, brown hair, green and black-lined background, green eyes, 14.5 x 23\"","Mono-print ","Matted print of a large eyed, mouth agape figure with detached hands and feet, mustache and either a hat or hair","Labeled, in green marker, \"Fritz Junior\" with some sizing specs: \"126%, p 4\" 19/180","Figure, with curly limbs, eyeglasses, deerstalker cap, shorts and t-shirt, creeps away from an open door in the background","Drawn on 4 sheets of white paper taped together, no label or signature","Red-haired figure with green and orange hat, blue shirt, purple pants, green booties, black jester neck ruffle, and yellow wings leaping over the tops of two Pepto-Bismol bottles","Titled, in black and pink, \"Pepto prancing pixie\"","Light pencil tracing on back of a bike, motorcycle, scooter ","Series contains materials from several of Bell's book projects. Includes initial story and picture brainstorming, draft sketches, illustration roughs, storyboards, manuscripts and typescripts, color experiments and specifications, book dummies and mock-ups, planning documents, and publishing house correspondence. Each book project shows Bell's process of writing and illustrating her books, from rough draft to finished project.","Food Friends is a board book that shows complementary food pairing familiar to children, i.e. cookies and milk, bacon and eggs. ","Sub-series includes draft pages and illustrations, and book jacket mock-ups.","Bug Patrol was written by Denise Dowling Mortensen, with illustrations by Bell. The children's book follows Captain Bob on his job policing various bug behaviors, including housing protests and noise violations. ","Subseries includes mock up pages, draft text, and colored pencil illustrations.","Rabbit and Robot is the first in an illustrated series of books for early readers. It focuses on the funny friendship between a rabbit and a robot. ","Sub-series includes book dummy, draft text, chapter outlines, book mapping, cover options, and pencil sketches.","I Yam A Donkey is a children's book that details the silly conversation between an excited donkey and a grammar-focused yam. ","Subseries includes color painted cartoon cells on waxy paper,  white outlines, and some balloon speech bubbles. ","Sock Monkey Boogie Woogie is a children's book that continues the adventures of Sock Monkey as he attends an important dance and seeks a dance partner. ","Sub-series includes color tests, book mapping, a book dummy, page outlines, and illustrations on tracing paper.","Sock Monkey Rides Again is a children's book that details Sock Monkey's latest acting role in a movie about singing cowboys. ","Sub-series includes email exchanges, text drafts, and page mock-ups. ","Inspector Flytrap was written by Tom Angleberger with illustrations by Bell. It is the first in a chapter book series for young readers. The book follows the adventures of the Inspector Flytrap's Detective Agency, aided by Nina the Goat. ","Sub-series includes pink post-it note edits and revisions, draft text and book outlines.","Bee-Wigged is a children's picture book about a lonely bee seeking friendship. ","Sub-series includes sketches, planning documents, handwritten notes, draft pages, book mock-ups, full size pages and illustrations on tracing paper. ","Pages are pencil sketches on tracing paper, 15 numbered sheets","Pages are pencil sketches on tracing paper, 9 numbered sheets","Pages are in black and white, 16 numbered sheets","Illustrations are in black and white, 10 numbered sheets","Printed copies of Bee-Wigged sketches, 10 numbered sheets","Itty Bitty is a children's board book about a very small dog who decorates his new home, a hollowed out dog bone. ","Sub-series includes draft pages, font ideas, dog book title list, fabric swatch ideas, and illustration sketches on tracing paper. ","Rabbit and Robot and Ribbit is an illustrated book in a series for young readers that continues the storyline of Rabbit and Robot. In this book, the pair meets up with a new frog friend, Ribbit, and the trio works to play together well.","Sub-series includes drafts of the book text, book jacket mock-ups, revisions, and draft illustrations.","Crankee Doodle is an illustrated children's book that plays on the traditional \"Yankee Doodle\" song. The funny storyline follows Mr. Doodle, who is very cranky and  his horse is unable to change this bad attitude. ","Sub-series includes text draft, book jacket mock-ups, revisions, and draft illustrations. ","Series contains Bell's contributions to edited anthologies, collections, and previously published items. Materials include rough drafts, drawing outlines, color descriptions, and other elements from Bell's creative process.","Draft of Bell's short story, including color choices and descriptions, 44 pages.","Bell contributed the comic, \"Crazy Little Thing Called Lunch!\" to the comic collection – an homage to the Sunday comics page edited by Jennifer L. Holm, Matthew Holm, and Jarrett J. Krosoczka. ","Other contributors include Peanuts and Jason Shiga. ","Includes Bell's notes in pencil, draft illustrations, 7 pages, dimensions and Ef Deafo size mentioned. ","Bell's contribution is \"A Most Serious Recitation of the Poem 'Trees.'\" ","Funny Girl is an anthology of funny stories, edited by Betsey Bird, written by and featuring women. Other contributors include Lisa Graff, Raina Telgemeier, and Akilah Hughes. ","Includes Bell's notes about language, font to use, pencil on ripped out notebook paper, red hearts stamped across first page, orange highlighter on some sections, 7 pages. ","Bell wrote the Foreword to Beverly Cleary's 1964 Ribsy, a novel from a dog's point of view about being separated from his owner. It is the sixth book in Cleary's Henry Huggins series and contains illustrations by Louis Darling. ","Series contains publications (magazines, newspapers, journals) that feature stories and photographs on Bell's childhood, education, and career path as a children's author and illustrator. Most detail her experiences with childhood hearing loss and her desire to be understood and respected.","News story about Bell runs p. 14-16 and includes her husband, fellow author-illustrator Tom Angleberger. Magazine includes a small post-it: \"We loved the college photo!\" ","Article covers Bell and Angleberger's time at William \u0026 Mary, including \nworking in the graphics department of the Flat Hat student newspaper staff. ","Other topics include their publications, working styles, and how they collaborate. ","First issue of the magazine, and the article about Bell runs p. 34-43. ","Bell discusses her development of the main character from El Deafo, her experiences with hearing loss, her writing process, and answers questions about her childhood, favorite book, and inspirations","Newspaper published on 20 January 2017, and Bell's comic is featured on the 6th page from back, publication tagline: \"A Woman's Place is in the Revolution.\" ","Published contributions were selected from \"over 1000 submissions that were sent in from across the world.\" Published by Desert Island, Brooklyn, New York. ","Bell's contribution is \"Voice\" and it is a graphic representation of comments made about actor Marlee Matlin during the 2016 presidential election. ","From the December 2017 magazine issue, story runs p. 11-15, includes list of Bell's published works, her experiences with hearing loss and the Phonic Ear hearing aid, her career path to illustrating and writing children's books, and photographs from her childhood and her award-winning book, El Deafo.","Series consists of fan mail Bell received from readers. Most letters concern the Sock Monkey book series. Some correspondence from individual children and their parents; others are from school classrooms and camps. There are two photographs of Bell performing in front of a school-age audience.","20 letters to Bell, thanking her for a class visit to Salem Elementary School, dated 27 January 2005","Thank you card to Bell, dated 16 February 2006","Large poster, dated 13 April 2006, thanking Bell for a visit to East Salem and the Camp Shining Kids, signed by the students","Thank you note from the Donahue family, dated 16 December 2008","Thank you letters from child and parent, dated 27 January 2009","Flyer for night with Cece Bell at Christiansburg Elementary School, 26 February 2009","Thank you to Bell from Christiansburg Elementary School, dated 5 March 2009","Thank you card to Bell, dated 16 March 2009","21 drawings to Bell from Charlottesville area, postmarked 26 April 2009","15 drawings, on lined composition paper, to Bell thanking her for talking to their class, 3 June 2009","21 letters from students at SIS Parkside 101 in China, each addressed to \"Cece\" and discussing their favorite books","Two photos of Bell in front of an audience","Sock Monkey book, handmade by a child and illustrated with crayon","Letter from a teacher, Kimberly, in China, written in blue marker on fish-themed stationery","Handmade book of drawings from Camp Shining Star Kids, titled Sock Monkey Goes to East Salem, with 17 student pictures with Sock Monkey bound together with black ribbon","Thank you drawings from Christiansburg Elementary School students, with 20 pictures","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Bell, Cece","Angleberger, Tom","English"],"unitid_tesim":["MS 00312","/repositories/2/resources/9167"],"normalized_title_ssm":["Cece Bell Papers"],"collection_title_tesim":["Cece Bell Papers"],"collection_ssim":["Cece Bell Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Bell, Cece","Angleberger, Tom"],"creator_ssim":["Bell, Cece","Angleberger, Tom"],"creator_persname_ssim":["Bell, Cece","Angleberger, Tom"],"creators_ssim":["Bell, Cece","Angleberger, Tom"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Children's literature -- Illustrations","Picture books","Authors, American--Women","Illustration of books -- 21st century","Illustration of books -- Awards -- United States -- Juvenile literature","Children's books","Illustrators","Watercolors (paintings)","Watercolors (drawings)","Design drawings","Manuscripts for publication","Correspondence"],"access_subjects_ssm":["Children's literature -- Illustrations","Picture books","Authors, American--Women","Illustration of books -- 21st century","Illustration of books -- Awards -- United States -- Juvenile literature","Children's books","Illustrators","Watercolors (paintings)","Watercolors (drawings)","Design drawings","Manuscripts for publication","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["6 Linear Feet"],"extent_tesim":["6 Linear Feet"],"genreform_ssim":["Watercolors (paintings)","Watercolors (drawings)","Design drawings","Manuscripts for publication","Correspondence"],"date_range_isim":[1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eArtwork arranged according to media: watercolors, print, pastel, and other media.\u003c/p\u003e","\u003cp\u003eSeries arranged chronologically by book publication date.\u003c/p\u003e\n","\u003cp\u003eWithin each title the materials are organized according to stages of production, from rough to finished. \u003c/p\u003e","\u003cp\u003eSeries arranged chronologically by publication date.\u003c/p\u003e","\u003cp\u003eSeries arranged chronologically by publication date. Stories about Bell are marked.\u003c/p\u003e","\u003cp\u003eSeries arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["Artwork arranged according to media: watercolors, print, pastel, and other media.","Series arranged chronologically by book publication date.","Within each title the materials are organized according to stages of production, from rough to finished. ","Series arranged chronologically by publication date.","Series arranged chronologically by publication date. Stories about Bell are marked.","Series arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eCece Bell (William \u0026amp; Mary class of 1992) is an American children's book author and illustrator. She has published 11 books, and several others co-written with her husband, Tom Angleberger. In 2015, her graphic novel, El Deafo, won a Newberry Honor and the Eisner Award for Best Publication for Kids.  El Deafo is the semiautobiographical story of a hearing impaired bunny who finds superpowers in her new hearing aid. Much of her work uses speech bubbles to define dialogue.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Cece Bell (William \u0026 Mary class of 1992) is an American children's book author and illustrator. She has published 11 books, and several others co-written with her husband, Tom Angleberger. In 2015, her graphic novel, El Deafo, won a Newberry Honor and the Eisner Award for Best Publication for Kids.  El Deafo is the semiautobiographical story of a hearing impaired bunny who finds superpowers in her new hearing aid. Much of her work uses speech bubbles to define dialogue."],"scopecontent_html_tesm":["\u003cp\u003ePapers of Cece Bell (W \u0026amp; M '92), an award-winning author and illustrator of children's books. The collection documents Bell's creative process, from initial brainstorming to finished product, and also details editing interactions between Bell, her husband Tom Angleberger (W \u0026amp; M '92), and others. Includes story development, illustration tests and sketches.\u003c/p\u003e","\u003cp\u003eArtwork done by Bell during her undergraduate years at William \u0026amp; Mary, from 1988-1992. Includes watercolors, prints, pastels, and pencil sketches. From Bell's student work, one can see how she developed the whimsical and imaginative qualities found in her later artistic work, especially in the pastels and prints. Lewis Carroll's Alice in Wonderland and \"Jabberwocky\" feature prominently in Bell's early work. She also depicted the university grounds and nearby neighborhoods. Some of the artwork appears to depict her now husband, Tom Angleberger.\u003c/p\u003e","\u003cp\u003eFeaturing a plate, white porch with the United States flag, and steep roofs through trees\u003c/p\u003e\n","\u003cp\u003ePlate scene is labeled in pencil on back: \"Cece Bell, Untitled, Summer 90, Watercolor.\"\u003c/p\u003e\n","\u003cp\u003eOn loose sheets of watercolor paper\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary campus scenes, \u003c/p\u003e\n","\u003cp\u003ePastel watercolors, abstract, on watercolor paper from spiral notebook or loose sheets\u003c/p\u003e","\u003cp\u003e3 watercolors of William \u0026amp; Mary's campus possibly featuring the Crim Dell, the Sunken Gardens, Lake Matoaka, and either the President's House or the Brafferton. \u003c/p\u003e\n","\u003cp\u003ePastel watercolors, abstract, on watercolor paper from spiral notebook or loose sheets\u003c/p\u003e\n","\u003cp\u003eNo signature or title labels\u003c/p\u003e","\u003cp\u003e3 watercolors of William \u0026amp; Mary's campus and the Historic Area, 2 torn from watercolor paper spiral\u003c/p\u003e","\u003cp\u003e2 watercolors, one with red alligator, crocodile, pencil, flag; and one with two multicolored alarm clocks with faces and small figures in the lower left hand corner (pencil sketch of clock on folded sheet)\u003c/p\u003e","\u003cp\u003e2 watercolors, possible of William \u0026amp; Mary's campus, torn from watercolor notebook\u003c/p\u003e","\u003cp\u003eUnevenly shaped black and white paintings, possibly Gouache\u003c/p\u003e\n","\u003cp\u003eOne painting, perhaps oil and watercolor, depicts a close-up eyeball\u003c/p\u003e\n","\u003cp\u003eOne painting, perhaps oil and watercolor, depicts a cow with bridle\u003c/p\u003e","\u003cp\u003e2 watercolors of William \u0026amp; Mary's campus\u003c/p\u003e","\u003cp\u003eBlack and white print (from an etching?) of bespectacled, short-haired head wearing a dress with pinafore and holding a vial labeled \"drink me.\" The figure stands on a checkered floor with a small door in the background. The figure casts a shadow, and has a small cat peeking out from the hair above the left ear.  \u003c/p\u003e\n","\u003cp\u003eLabeled, in pencil, \"2/90, 'Curiouser + Curiouser!' C Bell.\"\u003c/p\u003e","\u003cp\u003eTwo prints. One is matted, with pink text in foreground and the Jabberwocky monster in the background (black and white), titled \"Jabberwocky\" in pencil, with Cece Bell signature, \"With special thanks to Lewis Carroll\" on print's lower right hand corner, 21 x 16\"\u003c/p\u003e\n","\u003cp\u003eSecond print is un-matted with text in white and the Jabberwocky monster in the background (black and white), \"With special thanks to Lewis Carroll\" on print's lower right hand corner, some brown stains at top of print and along bottom border, 23 x 18.5\"\u003c/p\u003e","\u003cp\u003eImages of a spiky haired, bespectacled figure, with arms outstretched and purple shirt, with one collagraph textured plate, made of cardboard pieces painted with watercolor, 12 x 18\"\u003c/p\u003e\n","\u003cp\u003eSecond collagraph print, brown hair, green and black-lined background, green eyes, 14.5 x 23\"\u003c/p\u003e\n","\u003cp\u003eMono-print \u003c/p\u003e","\u003cp\u003eMatted print of a large eyed, mouth agape figure with detached hands and feet, mustache and either a hat or hair\u003c/p\u003e\n","\u003cp\u003eLabeled, in green marker, \"Fritz Junior\" with some sizing specs: \"126%, p 4\" 19/180\u003c/p\u003e","\u003cp\u003eFigure, with curly limbs, eyeglasses, deerstalker cap, shorts and t-shirt, creeps away from an open door in the background\u003c/p\u003e\n","\u003cp\u003eDrawn on 4 sheets of white paper taped together, no label or signature\u003c/p\u003e","\u003cp\u003eRed-haired figure with green and orange hat, blue shirt, purple pants, green booties, black jester neck ruffle, and yellow wings leaping over the tops of two Pepto-Bismol bottles\u003c/p\u003e\n","\u003cp\u003eTitled, in black and pink, \"Pepto prancing pixie\"\u003c/p\u003e\n","\u003cp\u003eLight pencil tracing on back of a bike, motorcycle, scooter \u003c/p\u003e","\u003cp\u003eSeries contains materials from several of Bell's book projects. Includes initial story and picture brainstorming, draft sketches, illustration roughs, storyboards, manuscripts and typescripts, color experiments and specifications, book dummies and mock-ups, planning documents, and publishing house correspondence. Each book project shows Bell's process of writing and illustrating her books, from rough draft to finished project.\u003c/p\u003e","\u003cp\u003eFood Friends is a board book that shows complementary food pairing familiar to children, i.e. cookies and milk, bacon and eggs. \u003c/p\u003e\n","\u003cp\u003eSub-series includes draft pages and illustrations, and book jacket mock-ups.\u003c/p\u003e","\u003cp\u003eBug Patrol was written by Denise Dowling Mortensen, with illustrations by Bell. The children's book follows Captain Bob on his job policing various bug behaviors, including housing protests and noise violations. \u003c/p\u003e\n","\u003cp\u003eSubseries includes mock up pages, draft text, and colored pencil illustrations.\u003c/p\u003e","\u003cp\u003eRabbit and Robot is the first in an illustrated series of books for early readers. It focuses on the funny friendship between a rabbit and a robot. \u003c/p\u003e\n","\u003cp\u003eSub-series includes book dummy, draft text, chapter outlines, book mapping, cover options, and pencil sketches.\u003c/p\u003e","\u003cp\u003eI Yam A Donkey is a children's book that details the silly conversation between an excited donkey and a grammar-focused yam. \u003c/p\u003e\n","\u003cp\u003eSubseries includes color painted cartoon cells on waxy paper,  white outlines, and some balloon speech bubbles. \u003c/p\u003e","\u003cp\u003eSock Monkey Boogie Woogie is a children's book that continues the adventures of Sock Monkey as he attends an important dance and seeks a dance partner. \u003c/p\u003e\n","\u003cp\u003eSub-series includes color tests, book mapping, a book dummy, page outlines, and illustrations on tracing paper.\u003c/p\u003e","\u003cp\u003eSock Monkey Rides Again is a children's book that details Sock Monkey's latest acting role in a movie about singing cowboys. \u003c/p\u003e\n","\u003cp\u003eSub-series includes email exchanges, text drafts, and page mock-ups. \u003c/p\u003e","\u003cp\u003eInspector Flytrap was written by Tom Angleberger with illustrations by Bell. It is the first in a chapter book series for young readers. The book follows the adventures of the Inspector Flytrap's Detective Agency, aided by Nina the Goat. \u003c/p\u003e\n","\u003cp\u003eSub-series includes pink post-it note edits and revisions, draft text and book outlines.\u003c/p\u003e","\u003cp\u003eBee-Wigged is a children's picture book about a lonely bee seeking friendship. \u003c/p\u003e\n","\u003cp\u003eSub-series includes sketches, planning documents, handwritten notes, draft pages, book mock-ups, full size pages and illustrations on tracing paper. \u003c/p\u003e","\u003cp\u003ePages are pencil sketches on tracing paper, 15 numbered sheets\u003c/p\u003e","\u003cp\u003ePages are pencil sketches on tracing paper, 9 numbered sheets\u003c/p\u003e","\u003cp\u003ePages are in black and white, 16 numbered sheets\u003c/p\u003e","\u003cp\u003eIllustrations are in black and white, 10 numbered sheets\u003c/p\u003e","\u003cp\u003ePrinted copies of Bee-Wigged sketches, 10 numbered sheets\u003c/p\u003e","\u003cp\u003eItty Bitty is a children's board book about a very small dog who decorates his new home, a hollowed out dog bone. \u003c/p\u003e\n","\u003cp\u003eSub-series includes draft pages, font ideas, dog book title list, fabric swatch ideas, and illustration sketches on tracing paper. \u003c/p\u003e","\u003cp\u003eRabbit and Robot and Ribbit is an illustrated book in a series for young readers that continues the storyline of Rabbit and Robot. In this book, the pair meets up with a new frog friend, Ribbit, and the trio works to play together well.\u003c/p\u003e\n","\u003cp\u003eSub-series includes drafts of the book text, book jacket mock-ups, revisions, and draft illustrations.\u003c/p\u003e","\u003cp\u003eCrankee Doodle is an illustrated children's book that plays on the traditional \"Yankee Doodle\" song. The funny storyline follows Mr. Doodle, who is very cranky and  his horse is unable to change this bad attitude. \u003c/p\u003e\n","\u003cp\u003eSub-series includes text draft, book jacket mock-ups, revisions, and draft illustrations. \u003c/p\u003e","\u003cp\u003eSeries contains Bell's contributions to edited anthologies, collections, and previously published items. Materials include rough drafts, drawing outlines, color descriptions, and other elements from Bell's creative process.\u003c/p\u003e","\u003cp\u003eDraft of Bell's short story, including color choices and descriptions, 44 pages.\u003c/p\u003e\n","\u003cp\u003eBell contributed the comic, \"Crazy Little Thing Called Lunch!\" to the comic collection – an homage to the Sunday comics page edited by Jennifer L. Holm, Matthew Holm, and Jarrett J. Krosoczka. \u003c/p\u003e\n","\u003cp\u003eOther contributors include Peanuts and Jason Shiga. \u003c/p\u003e","\u003cp\u003eIncludes Bell's notes in pencil, draft illustrations, 7 pages, dimensions and Ef Deafo size mentioned. \u003c/p\u003e\n","\u003cp\u003eBell's contribution is \"A Most Serious Recitation of the Poem 'Trees.'\" \u003c/p\u003e\n","\u003cp\u003eFunny Girl is an anthology of funny stories, edited by Betsey Bird, written by and featuring women. Other contributors include Lisa Graff, Raina Telgemeier, and Akilah Hughes. \u003c/p\u003e","\u003cp\u003eIncludes Bell's notes about language, font to use, pencil on ripped out notebook paper, red hearts stamped across first page, orange highlighter on some sections, 7 pages. \u003c/p\u003e\n","\u003cp\u003eBell wrote the Foreword to Beverly Cleary's 1964 Ribsy, a novel from a dog's point of view about being separated from his owner. It is the sixth book in Cleary's Henry Huggins series and contains illustrations by Louis Darling. \u003c/p\u003e","\u003cp\u003eSeries contains publications (magazines, newspapers, journals) that feature stories and photographs on Bell's childhood, education, and career path as a children's author and illustrator. Most detail her experiences with childhood hearing loss and her desire to be understood and respected.\u003c/p\u003e","\u003cp\u003eNews story about Bell runs p. 14-16 and includes her husband, fellow author-illustrator Tom Angleberger. Magazine includes a small post-it: \"We loved the college photo!\" \u003c/p\u003e\n","\u003cp\u003eArticle covers Bell and Angleberger's time at William \u0026amp; Mary, including \nworking in the graphics department of the Flat Hat student newspaper staff. \u003c/p\u003e\n","\u003cp\u003eOther topics include their publications, working styles, and how they collaborate. \u003c/p\u003e","\u003cp\u003eFirst issue of the magazine, and the article about Bell runs p. 34-43. \u003c/p\u003e\n","\u003cp\u003eBell discusses her development of the main character from El Deafo, her experiences with hearing loss, her writing process, and answers questions about her childhood, favorite book, and inspirations\u003c/p\u003e","\u003cp\u003eNewspaper published on 20 January 2017, and Bell's comic is featured on the 6th page from back, publication tagline: \"A Woman's Place is in the Revolution.\" \u003c/p\u003e\n","\u003cp\u003ePublished contributions were selected from \"over 1000 submissions that were sent in from across the world.\" Published by Desert Island, Brooklyn, New York. \u003c/p\u003e\n","\u003cp\u003eBell's contribution is \"Voice\" and it is a graphic representation of comments made about actor Marlee Matlin during the 2016 presidential election. \u003c/p\u003e","\u003cp\u003eFrom the December 2017 magazine issue, story runs p. 11-15, includes list of Bell's published works, her experiences with hearing loss and the Phonic Ear hearing aid, her career path to illustrating and writing children's books, and photographs from her childhood and her award-winning book, El Deafo.\u003c/p\u003e","\u003cp\u003eSeries consists of fan mail Bell received from readers. Most letters concern the Sock Monkey book series. Some correspondence from individual children and their parents; others are from school classrooms and camps. There are two photographs of Bell performing in front of a school-age audience.\u003c/p\u003e","\u003cp\u003e20 letters to Bell, thanking her for a class visit to Salem Elementary School, dated 27 January 2005\u003c/p\u003e\n","\u003cp\u003eThank you card to Bell, dated 16 February 2006\u003c/p\u003e\n","\u003cp\u003eLarge poster, dated 13 April 2006, thanking Bell for a visit to East Salem and the Camp Shining Kids, signed by the students\u003c/p\u003e\n","\u003cp\u003eThank you note from the Donahue family, dated 16 December 2008\u003c/p\u003e","\u003cp\u003eThank you letters from child and parent, dated 27 January 2009\u003c/p\u003e\n","\u003cp\u003eFlyer for night with Cece Bell at Christiansburg Elementary School, 26 February 2009\u003c/p\u003e\n","\u003cp\u003eThank you to Bell from Christiansburg Elementary School, dated 5 March 2009\u003c/p\u003e\n","\u003cp\u003eThank you card to Bell, dated 16 March 2009\u003c/p\u003e\n","\u003cp\u003e21 drawings to Bell from Charlottesville area, postmarked 26 April 2009\u003c/p\u003e\n","\u003cp\u003e15 drawings, on lined composition paper, to Bell thanking her for talking to their class, 3 June 2009\u003c/p\u003e","\u003cp\u003e21 letters from students at SIS Parkside 101 in China, each addressed to \"Cece\" and discussing their favorite books\u003c/p\u003e","\u003cp\u003eTwo photos of Bell in front of an audience\u003c/p\u003e\n","\u003cp\u003eSock Monkey book, handmade by a child and illustrated with crayon\u003c/p\u003e\n","\u003cp\u003eLetter from a teacher, Kimberly, in China, written in blue marker on fish-themed stationery\u003c/p\u003e\n","\u003cp\u003eHandmade book of drawings from Camp Shining Star Kids, titled Sock Monkey Goes to East Salem, with 17 student pictures with Sock Monkey bound together with black ribbon\u003c/p\u003e\n","\u003cp\u003eThank you drawings from Christiansburg Elementary School students, with 20 pictures\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of Cece Bell (W \u0026 M '92), an award-winning author and illustrator of children's books. The collection documents Bell's creative process, from initial brainstorming to finished product, and also details editing interactions between Bell, her husband Tom Angleberger (W \u0026 M '92), and others. Includes story development, illustration tests and sketches.","Artwork done by Bell during her undergraduate years at William \u0026 Mary, from 1988-1992. Includes watercolors, prints, pastels, and pencil sketches. From Bell's student work, one can see how she developed the whimsical and imaginative qualities found in her later artistic work, especially in the pastels and prints. Lewis Carroll's Alice in Wonderland and \"Jabberwocky\" feature prominently in Bell's early work. She also depicted the university grounds and nearby neighborhoods. Some of the artwork appears to depict her now husband, Tom Angleberger.","Featuring a plate, white porch with the United States flag, and steep roofs through trees","Plate scene is labeled in pencil on back: \"Cece Bell, Untitled, Summer 90, Watercolor.\"","On loose sheets of watercolor paper","William \u0026 Mary campus scenes, ","Pastel watercolors, abstract, on watercolor paper from spiral notebook or loose sheets","3 watercolors of William \u0026 Mary's campus possibly featuring the Crim Dell, the Sunken Gardens, Lake Matoaka, and either the President's House or the Brafferton. ","Pastel watercolors, abstract, on watercolor paper from spiral notebook or loose sheets","No signature or title labels","3 watercolors of William \u0026 Mary's campus and the Historic Area, 2 torn from watercolor paper spiral","2 watercolors, one with red alligator, crocodile, pencil, flag; and one with two multicolored alarm clocks with faces and small figures in the lower left hand corner (pencil sketch of clock on folded sheet)","2 watercolors, possible of William \u0026 Mary's campus, torn from watercolor notebook","Unevenly shaped black and white paintings, possibly Gouache","One painting, perhaps oil and watercolor, depicts a close-up eyeball","One painting, perhaps oil and watercolor, depicts a cow with bridle","2 watercolors of William \u0026 Mary's campus","Black and white print (from an etching?) of bespectacled, short-haired head wearing a dress with pinafore and holding a vial labeled \"drink me.\" The figure stands on a checkered floor with a small door in the background. The figure casts a shadow, and has a small cat peeking out from the hair above the left ear.  ","Labeled, in pencil, \"2/90, 'Curiouser + Curiouser!' C Bell.\"","Two prints. One is matted, with pink text in foreground and the Jabberwocky monster in the background (black and white), titled \"Jabberwocky\" in pencil, with Cece Bell signature, \"With special thanks to Lewis Carroll\" on print's lower right hand corner, 21 x 16\"","Second print is un-matted with text in white and the Jabberwocky monster in the background (black and white), \"With special thanks to Lewis Carroll\" on print's lower right hand corner, some brown stains at top of print and along bottom border, 23 x 18.5\"","Images of a spiky haired, bespectacled figure, with arms outstretched and purple shirt, with one collagraph textured plate, made of cardboard pieces painted with watercolor, 12 x 18\"","Second collagraph print, brown hair, green and black-lined background, green eyes, 14.5 x 23\"","Mono-print ","Matted print of a large eyed, mouth agape figure with detached hands and feet, mustache and either a hat or hair","Labeled, in green marker, \"Fritz Junior\" with some sizing specs: \"126%, p 4\" 19/180","Figure, with curly limbs, eyeglasses, deerstalker cap, shorts and t-shirt, creeps away from an open door in the background","Drawn on 4 sheets of white paper taped together, no label or signature","Red-haired figure with green and orange hat, blue shirt, purple pants, green booties, black jester neck ruffle, and yellow wings leaping over the tops of two Pepto-Bismol bottles","Titled, in black and pink, \"Pepto prancing pixie\"","Light pencil tracing on back of a bike, motorcycle, scooter ","Series contains materials from several of Bell's book projects. Includes initial story and picture brainstorming, draft sketches, illustration roughs, storyboards, manuscripts and typescripts, color experiments and specifications, book dummies and mock-ups, planning documents, and publishing house correspondence. Each book project shows Bell's process of writing and illustrating her books, from rough draft to finished project.","Food Friends is a board book that shows complementary food pairing familiar to children, i.e. cookies and milk, bacon and eggs. ","Sub-series includes draft pages and illustrations, and book jacket mock-ups.","Bug Patrol was written by Denise Dowling Mortensen, with illustrations by Bell. The children's book follows Captain Bob on his job policing various bug behaviors, including housing protests and noise violations. ","Subseries includes mock up pages, draft text, and colored pencil illustrations.","Rabbit and Robot is the first in an illustrated series of books for early readers. It focuses on the funny friendship between a rabbit and a robot. ","Sub-series includes book dummy, draft text, chapter outlines, book mapping, cover options, and pencil sketches.","I Yam A Donkey is a children's book that details the silly conversation between an excited donkey and a grammar-focused yam. ","Subseries includes color painted cartoon cells on waxy paper,  white outlines, and some balloon speech bubbles. ","Sock Monkey Boogie Woogie is a children's book that continues the adventures of Sock Monkey as he attends an important dance and seeks a dance partner. ","Sub-series includes color tests, book mapping, a book dummy, page outlines, and illustrations on tracing paper.","Sock Monkey Rides Again is a children's book that details Sock Monkey's latest acting role in a movie about singing cowboys. ","Sub-series includes email exchanges, text drafts, and page mock-ups. ","Inspector Flytrap was written by Tom Angleberger with illustrations by Bell. It is the first in a chapter book series for young readers. The book follows the adventures of the Inspector Flytrap's Detective Agency, aided by Nina the Goat. ","Sub-series includes pink post-it note edits and revisions, draft text and book outlines.","Bee-Wigged is a children's picture book about a lonely bee seeking friendship. ","Sub-series includes sketches, planning documents, handwritten notes, draft pages, book mock-ups, full size pages and illustrations on tracing paper. ","Pages are pencil sketches on tracing paper, 15 numbered sheets","Pages are pencil sketches on tracing paper, 9 numbered sheets","Pages are in black and white, 16 numbered sheets","Illustrations are in black and white, 10 numbered sheets","Printed copies of Bee-Wigged sketches, 10 numbered sheets","Itty Bitty is a children's board book about a very small dog who decorates his new home, a hollowed out dog bone. ","Sub-series includes draft pages, font ideas, dog book title list, fabric swatch ideas, and illustration sketches on tracing paper. ","Rabbit and Robot and Ribbit is an illustrated book in a series for young readers that continues the storyline of Rabbit and Robot. In this book, the pair meets up with a new frog friend, Ribbit, and the trio works to play together well.","Sub-series includes drafts of the book text, book jacket mock-ups, revisions, and draft illustrations.","Crankee Doodle is an illustrated children's book that plays on the traditional \"Yankee Doodle\" song. The funny storyline follows Mr. Doodle, who is very cranky and  his horse is unable to change this bad attitude. ","Sub-series includes text draft, book jacket mock-ups, revisions, and draft illustrations. ","Series contains Bell's contributions to edited anthologies, collections, and previously published items. Materials include rough drafts, drawing outlines, color descriptions, and other elements from Bell's creative process.","Draft of Bell's short story, including color choices and descriptions, 44 pages.","Bell contributed the comic, \"Crazy Little Thing Called Lunch!\" to the comic collection – an homage to the Sunday comics page edited by Jennifer L. Holm, Matthew Holm, and Jarrett J. Krosoczka. ","Other contributors include Peanuts and Jason Shiga. ","Includes Bell's notes in pencil, draft illustrations, 7 pages, dimensions and Ef Deafo size mentioned. ","Bell's contribution is \"A Most Serious Recitation of the Poem 'Trees.'\" ","Funny Girl is an anthology of funny stories, edited by Betsey Bird, written by and featuring women. Other contributors include Lisa Graff, Raina Telgemeier, and Akilah Hughes. ","Includes Bell's notes about language, font to use, pencil on ripped out notebook paper, red hearts stamped across first page, orange highlighter on some sections, 7 pages. ","Bell wrote the Foreword to Beverly Cleary's 1964 Ribsy, a novel from a dog's point of view about being separated from his owner. It is the sixth book in Cleary's Henry Huggins series and contains illustrations by Louis Darling. ","Series contains publications (magazines, newspapers, journals) that feature stories and photographs on Bell's childhood, education, and career path as a children's author and illustrator. Most detail her experiences with childhood hearing loss and her desire to be understood and respected.","News story about Bell runs p. 14-16 and includes her husband, fellow author-illustrator Tom Angleberger. Magazine includes a small post-it: \"We loved the college photo!\" ","Article covers Bell and Angleberger's time at William \u0026 Mary, including \nworking in the graphics department of the Flat Hat student newspaper staff. ","Other topics include their publications, working styles, and how they collaborate. ","First issue of the magazine, and the article about Bell runs p. 34-43. ","Bell discusses her development of the main character from El Deafo, her experiences with hearing loss, her writing process, and answers questions about her childhood, favorite book, and inspirations","Newspaper published on 20 January 2017, and Bell's comic is featured on the 6th page from back, publication tagline: \"A Woman's Place is in the Revolution.\" ","Published contributions were selected from \"over 1000 submissions that were sent in from across the world.\" Published by Desert Island, Brooklyn, New York. ","Bell's contribution is \"Voice\" and it is a graphic representation of comments made about actor Marlee Matlin during the 2016 presidential election. ","From the December 2017 magazine issue, story runs p. 11-15, includes list of Bell's published works, her experiences with hearing loss and the Phonic Ear hearing aid, her career path to illustrating and writing children's books, and photographs from her childhood and her award-winning book, El Deafo.","Series consists of fan mail Bell received from readers. Most letters concern the Sock Monkey book series. Some correspondence from individual children and their parents; others are from school classrooms and camps. There are two photographs of Bell performing in front of a school-age audience.","20 letters to Bell, thanking her for a class visit to Salem Elementary School, dated 27 January 2005","Thank you card to Bell, dated 16 February 2006","Large poster, dated 13 April 2006, thanking Bell for a visit to East Salem and the Camp Shining Kids, signed by the students","Thank you note from the Donahue family, dated 16 December 2008","Thank you letters from child and parent, dated 27 January 2009","Flyer for night with Cece Bell at Christiansburg Elementary School, 26 February 2009","Thank you to Bell from Christiansburg Elementary School, dated 5 March 2009","Thank you card to Bell, dated 16 March 2009","21 drawings to Bell from Charlottesville area, postmarked 26 April 2009","15 drawings, on lined composition paper, to Bell thanking her for talking to their class, 3 June 2009","21 letters from students at SIS Parkside 101 in China, each addressed to \"Cece\" and discussing their favorite books","Two photos of Bell in front of an audience","Sock Monkey book, handmade by a child and illustrated with crayon","Letter from a teacher, Kimberly, in China, written in blue marker on fish-themed stationery","Handmade book of drawings from Camp Shining Star Kids, titled Sock Monkey Goes to East Salem, with 17 student pictures with Sock Monkey bound together with black ribbon","Thank you drawings from Christiansburg Elementary School students, with 20 pictures"],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Bell, Cece","Angleberger, Tom"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Bell, Cece","Angleberger, Tom"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":51,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:05:36.541Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9167","ead_ssi":"viw_repositories_2_resources_9167","_root_":"viw_repositories_2_resources_9167","_nest_parent_":"viw_repositories_2_resources_9167","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9167.xml","title_filing_ssi":"Cece Bell Papers","title_ssm":["Cece Bell Papers"],"title_tesim":["Cece Bell Papers"],"unitdate_ssm":["circa 1988-2017"],"unitdate_inclusive_ssm":["circa 1988-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00312","/repositories/2/resources/9167"],"text":["MS 00312","/repositories/2/resources/9167","Cece Bell Papers","Children's literature -- Illustrations","Picture books","Authors, American--Women","Illustration of books -- 21st century","Illustration of books -- Awards -- United States -- Juvenile literature","Children's books","Illustrators","Watercolors (paintings)","Watercolors (drawings)","Design drawings","Manuscripts for publication","Correspondence","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Artwork arranged according to media: watercolors, print, pastel, and other media.","Series arranged chronologically by book publication date.","Within each title the materials are organized according to stages of production, from rough to finished. ","Series arranged chronologically by publication date.","Series arranged chronologically by publication date. Stories about Bell are marked.","Series arranged chronologically.","Cece Bell (William \u0026 Mary class of 1992) is an American children's book author and illustrator. She has published 11 books, and several others co-written with her husband, Tom Angleberger. In 2015, her graphic novel, El Deafo, won a Newberry Honor and the Eisner Award for Best Publication for Kids.  El Deafo is the semiautobiographical story of a hearing impaired bunny who finds superpowers in her new hearing aid. Much of her work uses speech bubbles to define dialogue.","Papers of Cece Bell (W \u0026 M '92), an award-winning author and illustrator of children's books. The collection documents Bell's creative process, from initial brainstorming to finished product, and also details editing interactions between Bell, her husband Tom Angleberger (W \u0026 M '92), and others. Includes story development, illustration tests and sketches.","Artwork done by Bell during her undergraduate years at William \u0026 Mary, from 1988-1992. Includes watercolors, prints, pastels, and pencil sketches. From Bell's student work, one can see how she developed the whimsical and imaginative qualities found in her later artistic work, especially in the pastels and prints. Lewis Carroll's Alice in Wonderland and \"Jabberwocky\" feature prominently in Bell's early work. She also depicted the university grounds and nearby neighborhoods. Some of the artwork appears to depict her now husband, Tom Angleberger.","Featuring a plate, white porch with the United States flag, and steep roofs through trees","Plate scene is labeled in pencil on back: \"Cece Bell, Untitled, Summer 90, Watercolor.\"","On loose sheets of watercolor paper","William \u0026 Mary campus scenes, ","Pastel watercolors, abstract, on watercolor paper from spiral notebook or loose sheets","3 watercolors of William \u0026 Mary's campus possibly featuring the Crim Dell, the Sunken Gardens, Lake Matoaka, and either the President's House or the Brafferton. ","Pastel watercolors, abstract, on watercolor paper from spiral notebook or loose sheets","No signature or title labels","3 watercolors of William \u0026 Mary's campus and the Historic Area, 2 torn from watercolor paper spiral","2 watercolors, one with red alligator, crocodile, pencil, flag; and one with two multicolored alarm clocks with faces and small figures in the lower left hand corner (pencil sketch of clock on folded sheet)","2 watercolors, possible of William \u0026 Mary's campus, torn from watercolor notebook","Unevenly shaped black and white paintings, possibly Gouache","One painting, perhaps oil and watercolor, depicts a close-up eyeball","One painting, perhaps oil and watercolor, depicts a cow with bridle","2 watercolors of William \u0026 Mary's campus","Black and white print (from an etching?) of bespectacled, short-haired head wearing a dress with pinafore and holding a vial labeled \"drink me.\" The figure stands on a checkered floor with a small door in the background. The figure casts a shadow, and has a small cat peeking out from the hair above the left ear.  ","Labeled, in pencil, \"2/90, 'Curiouser + Curiouser!' C Bell.\"","Two prints. One is matted, with pink text in foreground and the Jabberwocky monster in the background (black and white), titled \"Jabberwocky\" in pencil, with Cece Bell signature, \"With special thanks to Lewis Carroll\" on print's lower right hand corner, 21 x 16\"","Second print is un-matted with text in white and the Jabberwocky monster in the background (black and white), \"With special thanks to Lewis Carroll\" on print's lower right hand corner, some brown stains at top of print and along bottom border, 23 x 18.5\"","Images of a spiky haired, bespectacled figure, with arms outstretched and purple shirt, with one collagraph textured plate, made of cardboard pieces painted with watercolor, 12 x 18\"","Second collagraph print, brown hair, green and black-lined background, green eyes, 14.5 x 23\"","Mono-print ","Matted print of a large eyed, mouth agape figure with detached hands and feet, mustache and either a hat or hair","Labeled, in green marker, \"Fritz Junior\" with some sizing specs: \"126%, p 4\" 19/180","Figure, with curly limbs, eyeglasses, deerstalker cap, shorts and t-shirt, creeps away from an open door in the background","Drawn on 4 sheets of white paper taped together, no label or signature","Red-haired figure with green and orange hat, blue shirt, purple pants, green booties, black jester neck ruffle, and yellow wings leaping over the tops of two Pepto-Bismol bottles","Titled, in black and pink, \"Pepto prancing pixie\"","Light pencil tracing on back of a bike, motorcycle, scooter ","Series contains materials from several of Bell's book projects. Includes initial story and picture brainstorming, draft sketches, illustration roughs, storyboards, manuscripts and typescripts, color experiments and specifications, book dummies and mock-ups, planning documents, and publishing house correspondence. Each book project shows Bell's process of writing and illustrating her books, from rough draft to finished project.","Food Friends is a board book that shows complementary food pairing familiar to children, i.e. cookies and milk, bacon and eggs. ","Sub-series includes draft pages and illustrations, and book jacket mock-ups.","Bug Patrol was written by Denise Dowling Mortensen, with illustrations by Bell. The children's book follows Captain Bob on his job policing various bug behaviors, including housing protests and noise violations. ","Subseries includes mock up pages, draft text, and colored pencil illustrations.","Rabbit and Robot is the first in an illustrated series of books for early readers. It focuses on the funny friendship between a rabbit and a robot. ","Sub-series includes book dummy, draft text, chapter outlines, book mapping, cover options, and pencil sketches.","I Yam A Donkey is a children's book that details the silly conversation between an excited donkey and a grammar-focused yam. ","Subseries includes color painted cartoon cells on waxy paper,  white outlines, and some balloon speech bubbles. ","Sock Monkey Boogie Woogie is a children's book that continues the adventures of Sock Monkey as he attends an important dance and seeks a dance partner. ","Sub-series includes color tests, book mapping, a book dummy, page outlines, and illustrations on tracing paper.","Sock Monkey Rides Again is a children's book that details Sock Monkey's latest acting role in a movie about singing cowboys. ","Sub-series includes email exchanges, text drafts, and page mock-ups. ","Inspector Flytrap was written by Tom Angleberger with illustrations by Bell. It is the first in a chapter book series for young readers. The book follows the adventures of the Inspector Flytrap's Detective Agency, aided by Nina the Goat. ","Sub-series includes pink post-it note edits and revisions, draft text and book outlines.","Bee-Wigged is a children's picture book about a lonely bee seeking friendship. ","Sub-series includes sketches, planning documents, handwritten notes, draft pages, book mock-ups, full size pages and illustrations on tracing paper. ","Pages are pencil sketches on tracing paper, 15 numbered sheets","Pages are pencil sketches on tracing paper, 9 numbered sheets","Pages are in black and white, 16 numbered sheets","Illustrations are in black and white, 10 numbered sheets","Printed copies of Bee-Wigged sketches, 10 numbered sheets","Itty Bitty is a children's board book about a very small dog who decorates his new home, a hollowed out dog bone. ","Sub-series includes draft pages, font ideas, dog book title list, fabric swatch ideas, and illustration sketches on tracing paper. ","Rabbit and Robot and Ribbit is an illustrated book in a series for young readers that continues the storyline of Rabbit and Robot. In this book, the pair meets up with a new frog friend, Ribbit, and the trio works to play together well.","Sub-series includes drafts of the book text, book jacket mock-ups, revisions, and draft illustrations.","Crankee Doodle is an illustrated children's book that plays on the traditional \"Yankee Doodle\" song. The funny storyline follows Mr. Doodle, who is very cranky and  his horse is unable to change this bad attitude. ","Sub-series includes text draft, book jacket mock-ups, revisions, and draft illustrations. ","Series contains Bell's contributions to edited anthologies, collections, and previously published items. Materials include rough drafts, drawing outlines, color descriptions, and other elements from Bell's creative process.","Draft of Bell's short story, including color choices and descriptions, 44 pages.","Bell contributed the comic, \"Crazy Little Thing Called Lunch!\" to the comic collection – an homage to the Sunday comics page edited by Jennifer L. Holm, Matthew Holm, and Jarrett J. Krosoczka. ","Other contributors include Peanuts and Jason Shiga. ","Includes Bell's notes in pencil, draft illustrations, 7 pages, dimensions and Ef Deafo size mentioned. ","Bell's contribution is \"A Most Serious Recitation of the Poem 'Trees.'\" ","Funny Girl is an anthology of funny stories, edited by Betsey Bird, written by and featuring women. Other contributors include Lisa Graff, Raina Telgemeier, and Akilah Hughes. ","Includes Bell's notes about language, font to use, pencil on ripped out notebook paper, red hearts stamped across first page, orange highlighter on some sections, 7 pages. ","Bell wrote the Foreword to Beverly Cleary's 1964 Ribsy, a novel from a dog's point of view about being separated from his owner. It is the sixth book in Cleary's Henry Huggins series and contains illustrations by Louis Darling. ","Series contains publications (magazines, newspapers, journals) that feature stories and photographs on Bell's childhood, education, and career path as a children's author and illustrator. Most detail her experiences with childhood hearing loss and her desire to be understood and respected.","News story about Bell runs p. 14-16 and includes her husband, fellow author-illustrator Tom Angleberger. Magazine includes a small post-it: \"We loved the college photo!\" ","Article covers Bell and Angleberger's time at William \u0026 Mary, including \nworking in the graphics department of the Flat Hat student newspaper staff. ","Other topics include their publications, working styles, and how they collaborate. ","First issue of the magazine, and the article about Bell runs p. 34-43. ","Bell discusses her development of the main character from El Deafo, her experiences with hearing loss, her writing process, and answers questions about her childhood, favorite book, and inspirations","Newspaper published on 20 January 2017, and Bell's comic is featured on the 6th page from back, publication tagline: \"A Woman's Place is in the Revolution.\" ","Published contributions were selected from \"over 1000 submissions that were sent in from across the world.\" Published by Desert Island, Brooklyn, New York. ","Bell's contribution is \"Voice\" and it is a graphic representation of comments made about actor Marlee Matlin during the 2016 presidential election. ","From the December 2017 magazine issue, story runs p. 11-15, includes list of Bell's published works, her experiences with hearing loss and the Phonic Ear hearing aid, her career path to illustrating and writing children's books, and photographs from her childhood and her award-winning book, El Deafo.","Series consists of fan mail Bell received from readers. Most letters concern the Sock Monkey book series. Some correspondence from individual children and their parents; others are from school classrooms and camps. There are two photographs of Bell performing in front of a school-age audience.","20 letters to Bell, thanking her for a class visit to Salem Elementary School, dated 27 January 2005","Thank you card to Bell, dated 16 February 2006","Large poster, dated 13 April 2006, thanking Bell for a visit to East Salem and the Camp Shining Kids, signed by the students","Thank you note from the Donahue family, dated 16 December 2008","Thank you letters from child and parent, dated 27 January 2009","Flyer for night with Cece Bell at Christiansburg Elementary School, 26 February 2009","Thank you to Bell from Christiansburg Elementary School, dated 5 March 2009","Thank you card to Bell, dated 16 March 2009","21 drawings to Bell from Charlottesville area, postmarked 26 April 2009","15 drawings, on lined composition paper, to Bell thanking her for talking to their class, 3 June 2009","21 letters from students at SIS Parkside 101 in China, each addressed to \"Cece\" and discussing their favorite books","Two photos of Bell in front of an audience","Sock Monkey book, handmade by a child and illustrated with crayon","Letter from a teacher, Kimberly, in China, written in blue marker on fish-themed stationery","Handmade book of drawings from Camp Shining Star Kids, titled Sock Monkey Goes to East Salem, with 17 student pictures with Sock Monkey bound together with black ribbon","Thank you drawings from Christiansburg Elementary School students, with 20 pictures","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Bell, Cece","Angleberger, Tom","English"],"unitid_tesim":["MS 00312","/repositories/2/resources/9167"],"normalized_title_ssm":["Cece Bell Papers"],"collection_title_tesim":["Cece Bell Papers"],"collection_ssim":["Cece Bell Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Bell, Cece","Angleberger, Tom"],"creator_ssim":["Bell, Cece","Angleberger, Tom"],"creator_persname_ssim":["Bell, Cece","Angleberger, Tom"],"creators_ssim":["Bell, Cece","Angleberger, Tom"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Children's literature -- Illustrations","Picture books","Authors, American--Women","Illustration of books -- 21st century","Illustration of books -- Awards -- United States -- Juvenile literature","Children's books","Illustrators","Watercolors (paintings)","Watercolors (drawings)","Design drawings","Manuscripts for publication","Correspondence"],"access_subjects_ssm":["Children's literature -- Illustrations","Picture books","Authors, American--Women","Illustration of books -- 21st century","Illustration of books -- Awards -- United States -- Juvenile literature","Children's books","Illustrators","Watercolors (paintings)","Watercolors (drawings)","Design drawings","Manuscripts for publication","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["6 Linear Feet"],"extent_tesim":["6 Linear Feet"],"genreform_ssim":["Watercolors (paintings)","Watercolors (drawings)","Design drawings","Manuscripts for publication","Correspondence"],"date_range_isim":[1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eArtwork arranged according to media: watercolors, print, pastel, and other media.\u003c/p\u003e","\u003cp\u003eSeries arranged chronologically by book publication date.\u003c/p\u003e\n","\u003cp\u003eWithin each title the materials are organized according to stages of production, from rough to finished. \u003c/p\u003e","\u003cp\u003eSeries arranged chronologically by publication date.\u003c/p\u003e","\u003cp\u003eSeries arranged chronologically by publication date. Stories about Bell are marked.\u003c/p\u003e","\u003cp\u003eSeries arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["Artwork arranged according to media: watercolors, print, pastel, and other media.","Series arranged chronologically by book publication date.","Within each title the materials are organized according to stages of production, from rough to finished. ","Series arranged chronologically by publication date.","Series arranged chronologically by publication date. Stories about Bell are marked.","Series arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eCece Bell (William \u0026amp; Mary class of 1992) is an American children's book author and illustrator. She has published 11 books, and several others co-written with her husband, Tom Angleberger. In 2015, her graphic novel, El Deafo, won a Newberry Honor and the Eisner Award for Best Publication for Kids.  El Deafo is the semiautobiographical story of a hearing impaired bunny who finds superpowers in her new hearing aid. Much of her work uses speech bubbles to define dialogue.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Cece Bell (William \u0026 Mary class of 1992) is an American children's book author and illustrator. She has published 11 books, and several others co-written with her husband, Tom Angleberger. In 2015, her graphic novel, El Deafo, won a Newberry Honor and the Eisner Award for Best Publication for Kids.  El Deafo is the semiautobiographical story of a hearing impaired bunny who finds superpowers in her new hearing aid. Much of her work uses speech bubbles to define dialogue."],"scopecontent_html_tesm":["\u003cp\u003ePapers of Cece Bell (W \u0026amp; M '92), an award-winning author and illustrator of children's books. The collection documents Bell's creative process, from initial brainstorming to finished product, and also details editing interactions between Bell, her husband Tom Angleberger (W \u0026amp; M '92), and others. Includes story development, illustration tests and sketches.\u003c/p\u003e","\u003cp\u003eArtwork done by Bell during her undergraduate years at William \u0026amp; Mary, from 1988-1992. Includes watercolors, prints, pastels, and pencil sketches. From Bell's student work, one can see how she developed the whimsical and imaginative qualities found in her later artistic work, especially in the pastels and prints. Lewis Carroll's Alice in Wonderland and \"Jabberwocky\" feature prominently in Bell's early work. She also depicted the university grounds and nearby neighborhoods. Some of the artwork appears to depict her now husband, Tom Angleberger.\u003c/p\u003e","\u003cp\u003eFeaturing a plate, white porch with the United States flag, and steep roofs through trees\u003c/p\u003e\n","\u003cp\u003ePlate scene is labeled in pencil on back: \"Cece Bell, Untitled, Summer 90, Watercolor.\"\u003c/p\u003e\n","\u003cp\u003eOn loose sheets of watercolor paper\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary campus scenes, \u003c/p\u003e\n","\u003cp\u003ePastel watercolors, abstract, on watercolor paper from spiral notebook or loose sheets\u003c/p\u003e","\u003cp\u003e3 watercolors of William \u0026amp; Mary's campus possibly featuring the Crim Dell, the Sunken Gardens, Lake Matoaka, and either the President's House or the Brafferton. \u003c/p\u003e\n","\u003cp\u003ePastel watercolors, abstract, on watercolor paper from spiral notebook or loose sheets\u003c/p\u003e\n","\u003cp\u003eNo signature or title labels\u003c/p\u003e","\u003cp\u003e3 watercolors of William \u0026amp; Mary's campus and the Historic Area, 2 torn from watercolor paper spiral\u003c/p\u003e","\u003cp\u003e2 watercolors, one with red alligator, crocodile, pencil, flag; and one with two multicolored alarm clocks with faces and small figures in the lower left hand corner (pencil sketch of clock on folded sheet)\u003c/p\u003e","\u003cp\u003e2 watercolors, possible of William \u0026amp; Mary's campus, torn from watercolor notebook\u003c/p\u003e","\u003cp\u003eUnevenly shaped black and white paintings, possibly Gouache\u003c/p\u003e\n","\u003cp\u003eOne painting, perhaps oil and watercolor, depicts a close-up eyeball\u003c/p\u003e\n","\u003cp\u003eOne painting, perhaps oil and watercolor, depicts a cow with bridle\u003c/p\u003e","\u003cp\u003e2 watercolors of William \u0026amp; Mary's campus\u003c/p\u003e","\u003cp\u003eBlack and white print (from an etching?) of bespectacled, short-haired head wearing a dress with pinafore and holding a vial labeled \"drink me.\" The figure stands on a checkered floor with a small door in the background. The figure casts a shadow, and has a small cat peeking out from the hair above the left ear.  \u003c/p\u003e\n","\u003cp\u003eLabeled, in pencil, \"2/90, 'Curiouser + Curiouser!' C Bell.\"\u003c/p\u003e","\u003cp\u003eTwo prints. One is matted, with pink text in foreground and the Jabberwocky monster in the background (black and white), titled \"Jabberwocky\" in pencil, with Cece Bell signature, \"With special thanks to Lewis Carroll\" on print's lower right hand corner, 21 x 16\"\u003c/p\u003e\n","\u003cp\u003eSecond print is un-matted with text in white and the Jabberwocky monster in the background (black and white), \"With special thanks to Lewis Carroll\" on print's lower right hand corner, some brown stains at top of print and along bottom border, 23 x 18.5\"\u003c/p\u003e","\u003cp\u003eImages of a spiky haired, bespectacled figure, with arms outstretched and purple shirt, with one collagraph textured plate, made of cardboard pieces painted with watercolor, 12 x 18\"\u003c/p\u003e\n","\u003cp\u003eSecond collagraph print, brown hair, green and black-lined background, green eyes, 14.5 x 23\"\u003c/p\u003e\n","\u003cp\u003eMono-print \u003c/p\u003e","\u003cp\u003eMatted print of a large eyed, mouth agape figure with detached hands and feet, mustache and either a hat or hair\u003c/p\u003e\n","\u003cp\u003eLabeled, in green marker, \"Fritz Junior\" with some sizing specs: \"126%, p 4\" 19/180\u003c/p\u003e","\u003cp\u003eFigure, with curly limbs, eyeglasses, deerstalker cap, shorts and t-shirt, creeps away from an open door in the background\u003c/p\u003e\n","\u003cp\u003eDrawn on 4 sheets of white paper taped together, no label or signature\u003c/p\u003e","\u003cp\u003eRed-haired figure with green and orange hat, blue shirt, purple pants, green booties, black jester neck ruffle, and yellow wings leaping over the tops of two Pepto-Bismol bottles\u003c/p\u003e\n","\u003cp\u003eTitled, in black and pink, \"Pepto prancing pixie\"\u003c/p\u003e\n","\u003cp\u003eLight pencil tracing on back of a bike, motorcycle, scooter \u003c/p\u003e","\u003cp\u003eSeries contains materials from several of Bell's book projects. Includes initial story and picture brainstorming, draft sketches, illustration roughs, storyboards, manuscripts and typescripts, color experiments and specifications, book dummies and mock-ups, planning documents, and publishing house correspondence. Each book project shows Bell's process of writing and illustrating her books, from rough draft to finished project.\u003c/p\u003e","\u003cp\u003eFood Friends is a board book that shows complementary food pairing familiar to children, i.e. cookies and milk, bacon and eggs. \u003c/p\u003e\n","\u003cp\u003eSub-series includes draft pages and illustrations, and book jacket mock-ups.\u003c/p\u003e","\u003cp\u003eBug Patrol was written by Denise Dowling Mortensen, with illustrations by Bell. The children's book follows Captain Bob on his job policing various bug behaviors, including housing protests and noise violations. \u003c/p\u003e\n","\u003cp\u003eSubseries includes mock up pages, draft text, and colored pencil illustrations.\u003c/p\u003e","\u003cp\u003eRabbit and Robot is the first in an illustrated series of books for early readers. It focuses on the funny friendship between a rabbit and a robot. \u003c/p\u003e\n","\u003cp\u003eSub-series includes book dummy, draft text, chapter outlines, book mapping, cover options, and pencil sketches.\u003c/p\u003e","\u003cp\u003eI Yam A Donkey is a children's book that details the silly conversation between an excited donkey and a grammar-focused yam. \u003c/p\u003e\n","\u003cp\u003eSubseries includes color painted cartoon cells on waxy paper,  white outlines, and some balloon speech bubbles. \u003c/p\u003e","\u003cp\u003eSock Monkey Boogie Woogie is a children's book that continues the adventures of Sock Monkey as he attends an important dance and seeks a dance partner. \u003c/p\u003e\n","\u003cp\u003eSub-series includes color tests, book mapping, a book dummy, page outlines, and illustrations on tracing paper.\u003c/p\u003e","\u003cp\u003eSock Monkey Rides Again is a children's book that details Sock Monkey's latest acting role in a movie about singing cowboys. \u003c/p\u003e\n","\u003cp\u003eSub-series includes email exchanges, text drafts, and page mock-ups. \u003c/p\u003e","\u003cp\u003eInspector Flytrap was written by Tom Angleberger with illustrations by Bell. It is the first in a chapter book series for young readers. The book follows the adventures of the Inspector Flytrap's Detective Agency, aided by Nina the Goat. \u003c/p\u003e\n","\u003cp\u003eSub-series includes pink post-it note edits and revisions, draft text and book outlines.\u003c/p\u003e","\u003cp\u003eBee-Wigged is a children's picture book about a lonely bee seeking friendship. \u003c/p\u003e\n","\u003cp\u003eSub-series includes sketches, planning documents, handwritten notes, draft pages, book mock-ups, full size pages and illustrations on tracing paper. \u003c/p\u003e","\u003cp\u003ePages are pencil sketches on tracing paper, 15 numbered sheets\u003c/p\u003e","\u003cp\u003ePages are pencil sketches on tracing paper, 9 numbered sheets\u003c/p\u003e","\u003cp\u003ePages are in black and white, 16 numbered sheets\u003c/p\u003e","\u003cp\u003eIllustrations are in black and white, 10 numbered sheets\u003c/p\u003e","\u003cp\u003ePrinted copies of Bee-Wigged sketches, 10 numbered sheets\u003c/p\u003e","\u003cp\u003eItty Bitty is a children's board book about a very small dog who decorates his new home, a hollowed out dog bone. \u003c/p\u003e\n","\u003cp\u003eSub-series includes draft pages, font ideas, dog book title list, fabric swatch ideas, and illustration sketches on tracing paper. \u003c/p\u003e","\u003cp\u003eRabbit and Robot and Ribbit is an illustrated book in a series for young readers that continues the storyline of Rabbit and Robot. In this book, the pair meets up with a new frog friend, Ribbit, and the trio works to play together well.\u003c/p\u003e\n","\u003cp\u003eSub-series includes drafts of the book text, book jacket mock-ups, revisions, and draft illustrations.\u003c/p\u003e","\u003cp\u003eCrankee Doodle is an illustrated children's book that plays on the traditional \"Yankee Doodle\" song. The funny storyline follows Mr. Doodle, who is very cranky and  his horse is unable to change this bad attitude. \u003c/p\u003e\n","\u003cp\u003eSub-series includes text draft, book jacket mock-ups, revisions, and draft illustrations. \u003c/p\u003e","\u003cp\u003eSeries contains Bell's contributions to edited anthologies, collections, and previously published items. Materials include rough drafts, drawing outlines, color descriptions, and other elements from Bell's creative process.\u003c/p\u003e","\u003cp\u003eDraft of Bell's short story, including color choices and descriptions, 44 pages.\u003c/p\u003e\n","\u003cp\u003eBell contributed the comic, \"Crazy Little Thing Called Lunch!\" to the comic collection – an homage to the Sunday comics page edited by Jennifer L. Holm, Matthew Holm, and Jarrett J. Krosoczka. \u003c/p\u003e\n","\u003cp\u003eOther contributors include Peanuts and Jason Shiga. \u003c/p\u003e","\u003cp\u003eIncludes Bell's notes in pencil, draft illustrations, 7 pages, dimensions and Ef Deafo size mentioned. \u003c/p\u003e\n","\u003cp\u003eBell's contribution is \"A Most Serious Recitation of the Poem 'Trees.'\" \u003c/p\u003e\n","\u003cp\u003eFunny Girl is an anthology of funny stories, edited by Betsey Bird, written by and featuring women. Other contributors include Lisa Graff, Raina Telgemeier, and Akilah Hughes. \u003c/p\u003e","\u003cp\u003eIncludes Bell's notes about language, font to use, pencil on ripped out notebook paper, red hearts stamped across first page, orange highlighter on some sections, 7 pages. \u003c/p\u003e\n","\u003cp\u003eBell wrote the Foreword to Beverly Cleary's 1964 Ribsy, a novel from a dog's point of view about being separated from his owner. It is the sixth book in Cleary's Henry Huggins series and contains illustrations by Louis Darling. \u003c/p\u003e","\u003cp\u003eSeries contains publications (magazines, newspapers, journals) that feature stories and photographs on Bell's childhood, education, and career path as a children's author and illustrator. Most detail her experiences with childhood hearing loss and her desire to be understood and respected.\u003c/p\u003e","\u003cp\u003eNews story about Bell runs p. 14-16 and includes her husband, fellow author-illustrator Tom Angleberger. Magazine includes a small post-it: \"We loved the college photo!\" \u003c/p\u003e\n","\u003cp\u003eArticle covers Bell and Angleberger's time at William \u0026amp; Mary, including \nworking in the graphics department of the Flat Hat student newspaper staff. \u003c/p\u003e\n","\u003cp\u003eOther topics include their publications, working styles, and how they collaborate. \u003c/p\u003e","\u003cp\u003eFirst issue of the magazine, and the article about Bell runs p. 34-43. \u003c/p\u003e\n","\u003cp\u003eBell discusses her development of the main character from El Deafo, her experiences with hearing loss, her writing process, and answers questions about her childhood, favorite book, and inspirations\u003c/p\u003e","\u003cp\u003eNewspaper published on 20 January 2017, and Bell's comic is featured on the 6th page from back, publication tagline: \"A Woman's Place is in the Revolution.\" \u003c/p\u003e\n","\u003cp\u003ePublished contributions were selected from \"over 1000 submissions that were sent in from across the world.\" Published by Desert Island, Brooklyn, New York. \u003c/p\u003e\n","\u003cp\u003eBell's contribution is \"Voice\" and it is a graphic representation of comments made about actor Marlee Matlin during the 2016 presidential election. \u003c/p\u003e","\u003cp\u003eFrom the December 2017 magazine issue, story runs p. 11-15, includes list of Bell's published works, her experiences with hearing loss and the Phonic Ear hearing aid, her career path to illustrating and writing children's books, and photographs from her childhood and her award-winning book, El Deafo.\u003c/p\u003e","\u003cp\u003eSeries consists of fan mail Bell received from readers. Most letters concern the Sock Monkey book series. Some correspondence from individual children and their parents; others are from school classrooms and camps. There are two photographs of Bell performing in front of a school-age audience.\u003c/p\u003e","\u003cp\u003e20 letters to Bell, thanking her for a class visit to Salem Elementary School, dated 27 January 2005\u003c/p\u003e\n","\u003cp\u003eThank you card to Bell, dated 16 February 2006\u003c/p\u003e\n","\u003cp\u003eLarge poster, dated 13 April 2006, thanking Bell for a visit to East Salem and the Camp Shining Kids, signed by the students\u003c/p\u003e\n","\u003cp\u003eThank you note from the Donahue family, dated 16 December 2008\u003c/p\u003e","\u003cp\u003eThank you letters from child and parent, dated 27 January 2009\u003c/p\u003e\n","\u003cp\u003eFlyer for night with Cece Bell at Christiansburg Elementary School, 26 February 2009\u003c/p\u003e\n","\u003cp\u003eThank you to Bell from Christiansburg Elementary School, dated 5 March 2009\u003c/p\u003e\n","\u003cp\u003eThank you card to Bell, dated 16 March 2009\u003c/p\u003e\n","\u003cp\u003e21 drawings to Bell from Charlottesville area, postmarked 26 April 2009\u003c/p\u003e\n","\u003cp\u003e15 drawings, on lined composition paper, to Bell thanking her for talking to their class, 3 June 2009\u003c/p\u003e","\u003cp\u003e21 letters from students at SIS Parkside 101 in China, each addressed to \"Cece\" and discussing their favorite books\u003c/p\u003e","\u003cp\u003eTwo photos of Bell in front of an audience\u003c/p\u003e\n","\u003cp\u003eSock Monkey book, handmade by a child and illustrated with crayon\u003c/p\u003e\n","\u003cp\u003eLetter from a teacher, Kimberly, in China, written in blue marker on fish-themed stationery\u003c/p\u003e\n","\u003cp\u003eHandmade book of drawings from Camp Shining Star Kids, titled Sock Monkey Goes to East Salem, with 17 student pictures with Sock Monkey bound together with black ribbon\u003c/p\u003e\n","\u003cp\u003eThank you drawings from Christiansburg Elementary School students, with 20 pictures\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of Cece Bell (W \u0026 M '92), an award-winning author and illustrator of children's books. The collection documents Bell's creative process, from initial brainstorming to finished product, and also details editing interactions between Bell, her husband Tom Angleberger (W \u0026 M '92), and others. Includes story development, illustration tests and sketches.","Artwork done by Bell during her undergraduate years at William \u0026 Mary, from 1988-1992. Includes watercolors, prints, pastels, and pencil sketches. From Bell's student work, one can see how she developed the whimsical and imaginative qualities found in her later artistic work, especially in the pastels and prints. Lewis Carroll's Alice in Wonderland and \"Jabberwocky\" feature prominently in Bell's early work. She also depicted the university grounds and nearby neighborhoods. Some of the artwork appears to depict her now husband, Tom Angleberger.","Featuring a plate, white porch with the United States flag, and steep roofs through trees","Plate scene is labeled in pencil on back: \"Cece Bell, Untitled, Summer 90, Watercolor.\"","On loose sheets of watercolor paper","William \u0026 Mary campus scenes, ","Pastel watercolors, abstract, on watercolor paper from spiral notebook or loose sheets","3 watercolors of William \u0026 Mary's campus possibly featuring the Crim Dell, the Sunken Gardens, Lake Matoaka, and either the President's House or the Brafferton. ","Pastel watercolors, abstract, on watercolor paper from spiral notebook or loose sheets","No signature or title labels","3 watercolors of William \u0026 Mary's campus and the Historic Area, 2 torn from watercolor paper spiral","2 watercolors, one with red alligator, crocodile, pencil, flag; and one with two multicolored alarm clocks with faces and small figures in the lower left hand corner (pencil sketch of clock on folded sheet)","2 watercolors, possible of William \u0026 Mary's campus, torn from watercolor notebook","Unevenly shaped black and white paintings, possibly Gouache","One painting, perhaps oil and watercolor, depicts a close-up eyeball","One painting, perhaps oil and watercolor, depicts a cow with bridle","2 watercolors of William \u0026 Mary's campus","Black and white print (from an etching?) of bespectacled, short-haired head wearing a dress with pinafore and holding a vial labeled \"drink me.\" The figure stands on a checkered floor with a small door in the background. The figure casts a shadow, and has a small cat peeking out from the hair above the left ear.  ","Labeled, in pencil, \"2/90, 'Curiouser + Curiouser!' C Bell.\"","Two prints. One is matted, with pink text in foreground and the Jabberwocky monster in the background (black and white), titled \"Jabberwocky\" in pencil, with Cece Bell signature, \"With special thanks to Lewis Carroll\" on print's lower right hand corner, 21 x 16\"","Second print is un-matted with text in white and the Jabberwocky monster in the background (black and white), \"With special thanks to Lewis Carroll\" on print's lower right hand corner, some brown stains at top of print and along bottom border, 23 x 18.5\"","Images of a spiky haired, bespectacled figure, with arms outstretched and purple shirt, with one collagraph textured plate, made of cardboard pieces painted with watercolor, 12 x 18\"","Second collagraph print, brown hair, green and black-lined background, green eyes, 14.5 x 23\"","Mono-print ","Matted print of a large eyed, mouth agape figure with detached hands and feet, mustache and either a hat or hair","Labeled, in green marker, \"Fritz Junior\" with some sizing specs: \"126%, p 4\" 19/180","Figure, with curly limbs, eyeglasses, deerstalker cap, shorts and t-shirt, creeps away from an open door in the background","Drawn on 4 sheets of white paper taped together, no label or signature","Red-haired figure with green and orange hat, blue shirt, purple pants, green booties, black jester neck ruffle, and yellow wings leaping over the tops of two Pepto-Bismol bottles","Titled, in black and pink, \"Pepto prancing pixie\"","Light pencil tracing on back of a bike, motorcycle, scooter ","Series contains materials from several of Bell's book projects. Includes initial story and picture brainstorming, draft sketches, illustration roughs, storyboards, manuscripts and typescripts, color experiments and specifications, book dummies and mock-ups, planning documents, and publishing house correspondence. Each book project shows Bell's process of writing and illustrating her books, from rough draft to finished project.","Food Friends is a board book that shows complementary food pairing familiar to children, i.e. cookies and milk, bacon and eggs. ","Sub-series includes draft pages and illustrations, and book jacket mock-ups.","Bug Patrol was written by Denise Dowling Mortensen, with illustrations by Bell. The children's book follows Captain Bob on his job policing various bug behaviors, including housing protests and noise violations. ","Subseries includes mock up pages, draft text, and colored pencil illustrations.","Rabbit and Robot is the first in an illustrated series of books for early readers. It focuses on the funny friendship between a rabbit and a robot. ","Sub-series includes book dummy, draft text, chapter outlines, book mapping, cover options, and pencil sketches.","I Yam A Donkey is a children's book that details the silly conversation between an excited donkey and a grammar-focused yam. ","Subseries includes color painted cartoon cells on waxy paper,  white outlines, and some balloon speech bubbles. ","Sock Monkey Boogie Woogie is a children's book that continues the adventures of Sock Monkey as he attends an important dance and seeks a dance partner. ","Sub-series includes color tests, book mapping, a book dummy, page outlines, and illustrations on tracing paper.","Sock Monkey Rides Again is a children's book that details Sock Monkey's latest acting role in a movie about singing cowboys. ","Sub-series includes email exchanges, text drafts, and page mock-ups. ","Inspector Flytrap was written by Tom Angleberger with illustrations by Bell. It is the first in a chapter book series for young readers. The book follows the adventures of the Inspector Flytrap's Detective Agency, aided by Nina the Goat. ","Sub-series includes pink post-it note edits and revisions, draft text and book outlines.","Bee-Wigged is a children's picture book about a lonely bee seeking friendship. ","Sub-series includes sketches, planning documents, handwritten notes, draft pages, book mock-ups, full size pages and illustrations on tracing paper. ","Pages are pencil sketches on tracing paper, 15 numbered sheets","Pages are pencil sketches on tracing paper, 9 numbered sheets","Pages are in black and white, 16 numbered sheets","Illustrations are in black and white, 10 numbered sheets","Printed copies of Bee-Wigged sketches, 10 numbered sheets","Itty Bitty is a children's board book about a very small dog who decorates his new home, a hollowed out dog bone. ","Sub-series includes draft pages, font ideas, dog book title list, fabric swatch ideas, and illustration sketches on tracing paper. ","Rabbit and Robot and Ribbit is an illustrated book in a series for young readers that continues the storyline of Rabbit and Robot. In this book, the pair meets up with a new frog friend, Ribbit, and the trio works to play together well.","Sub-series includes drafts of the book text, book jacket mock-ups, revisions, and draft illustrations.","Crankee Doodle is an illustrated children's book that plays on the traditional \"Yankee Doodle\" song. The funny storyline follows Mr. Doodle, who is very cranky and  his horse is unable to change this bad attitude. ","Sub-series includes text draft, book jacket mock-ups, revisions, and draft illustrations. ","Series contains Bell's contributions to edited anthologies, collections, and previously published items. Materials include rough drafts, drawing outlines, color descriptions, and other elements from Bell's creative process.","Draft of Bell's short story, including color choices and descriptions, 44 pages.","Bell contributed the comic, \"Crazy Little Thing Called Lunch!\" to the comic collection – an homage to the Sunday comics page edited by Jennifer L. Holm, Matthew Holm, and Jarrett J. Krosoczka. ","Other contributors include Peanuts and Jason Shiga. ","Includes Bell's notes in pencil, draft illustrations, 7 pages, dimensions and Ef Deafo size mentioned. ","Bell's contribution is \"A Most Serious Recitation of the Poem 'Trees.'\" ","Funny Girl is an anthology of funny stories, edited by Betsey Bird, written by and featuring women. Other contributors include Lisa Graff, Raina Telgemeier, and Akilah Hughes. ","Includes Bell's notes about language, font to use, pencil on ripped out notebook paper, red hearts stamped across first page, orange highlighter on some sections, 7 pages. ","Bell wrote the Foreword to Beverly Cleary's 1964 Ribsy, a novel from a dog's point of view about being separated from his owner. It is the sixth book in Cleary's Henry Huggins series and contains illustrations by Louis Darling. ","Series contains publications (magazines, newspapers, journals) that feature stories and photographs on Bell's childhood, education, and career path as a children's author and illustrator. Most detail her experiences with childhood hearing loss and her desire to be understood and respected.","News story about Bell runs p. 14-16 and includes her husband, fellow author-illustrator Tom Angleberger. Magazine includes a small post-it: \"We loved the college photo!\" ","Article covers Bell and Angleberger's time at William \u0026 Mary, including \nworking in the graphics department of the Flat Hat student newspaper staff. ","Other topics include their publications, working styles, and how they collaborate. ","First issue of the magazine, and the article about Bell runs p. 34-43. ","Bell discusses her development of the main character from El Deafo, her experiences with hearing loss, her writing process, and answers questions about her childhood, favorite book, and inspirations","Newspaper published on 20 January 2017, and Bell's comic is featured on the 6th page from back, publication tagline: \"A Woman's Place is in the Revolution.\" ","Published contributions were selected from \"over 1000 submissions that were sent in from across the world.\" Published by Desert Island, Brooklyn, New York. ","Bell's contribution is \"Voice\" and it is a graphic representation of comments made about actor Marlee Matlin during the 2016 presidential election. ","From the December 2017 magazine issue, story runs p. 11-15, includes list of Bell's published works, her experiences with hearing loss and the Phonic Ear hearing aid, her career path to illustrating and writing children's books, and photographs from her childhood and her award-winning book, El Deafo.","Series consists of fan mail Bell received from readers. Most letters concern the Sock Monkey book series. Some correspondence from individual children and their parents; others are from school classrooms and camps. There are two photographs of Bell performing in front of a school-age audience.","20 letters to Bell, thanking her for a class visit to Salem Elementary School, dated 27 January 2005","Thank you card to Bell, dated 16 February 2006","Large poster, dated 13 April 2006, thanking Bell for a visit to East Salem and the Camp Shining Kids, signed by the students","Thank you note from the Donahue family, dated 16 December 2008","Thank you letters from child and parent, dated 27 January 2009","Flyer for night with Cece Bell at Christiansburg Elementary School, 26 February 2009","Thank you to Bell from Christiansburg Elementary School, dated 5 March 2009","Thank you card to Bell, dated 16 March 2009","21 drawings to Bell from Charlottesville area, postmarked 26 April 2009","15 drawings, on lined composition paper, to Bell thanking her for talking to their class, 3 June 2009","21 letters from students at SIS Parkside 101 in China, each addressed to \"Cece\" and discussing their favorite books","Two photos of Bell in front of an audience","Sock Monkey book, handmade by a child and illustrated with crayon","Letter from a teacher, Kimberly, in China, written in blue marker on fish-themed stationery","Handmade book of drawings from Camp Shining Star Kids, titled Sock Monkey Goes to East Salem, with 17 student pictures with Sock Monkey bound together with black ribbon","Thank you drawings from Christiansburg Elementary School students, with 20 pictures"],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Bell, Cece","Angleberger, Tom"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Bell, Cece","Angleberger, Tom"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":51,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:05:36.541Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9167"}},{"id":"viblbv_repositories_2_resources_2261","type":"collection","attributes":{"title":"James Dean Collection","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2261#creator","type":"document_value","attributes":{"value":"Dean, James D. (1931-2024)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2261#abstract_or_scope","type":"document_value","attributes":{"value":"The collection consists of reference material NASA artist James Dean used in producing the artwork for astronaut Michael Collins' book \u003cem\u003eLiftoff: The Story of America's Adventure in Space\u003c/em\u003e and Dean's book \u003cem\u003eJourney into Space\u003c/em\u003e.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2261#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2261","ead_ssi":"viblbv_repositories_2_resources_2261","_root_":"viblbv_repositories_2_resources_2261","_nest_parent_":"viblbv_repositories_2_resources_2261","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2261.xml","title_filing_ssi":"Dean, James, Collection","title_ssm":["James Dean Collection"],"title_tesim":["James Dean Collection"],"unitdate_ssm":["1961-1988"],"unitdate_inclusive_ssm":["1961-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2003.061"],"text":["Ms.2003.061","James Dean Collection","Archives of American Aerospace Exploration (AAAE)","Astronauts","Science and Technology","Authors","Businesspeople","Illustrators","The collection is open for research.","Some of this collection has been digitized and is available online.","This collection is arranged according to subject matter into the following series:","Series I: Project Mercury, 1961-1986","Series II: Project Gemini, 1963-1985","Series III: Project Apollo, 1964-1985, n. d.","Series IV: Skylab, 1969-1985, n. d.","Series V: Space Station, 1970-1987, n. d.","Series VI: Planets and the Sun, 1972-1986","Series VII: Liftoff Chapters - James Dean Copy, 1987, n.d.","Series VIII: Miscellaneous, 1963-1988","Born in Fall River, Massachusetts, James Dean attended the Swain School of Design in New Bedford, Massachusetts, before eventually playing a key role in the creation of the NASA art program. He became the NASA director of films, publications and television, then founding director of the Fine Arts Program at NASA from 1961-1974, after which serving as the Curator of Art at the National Air and Space Museum. Dean passed away in Washington, D.C. on March 22, 2024, at the age of 92.","Pilot, astronaut, U.S. assistant secretary of state, National Air and Space Museum director, and author, Michael Collins was born in Rome, Italy, on October 31, 1930. He graduated from Saint Albans School in Washington, D.C., before attending the U.S. Military Academy (West Point), where he obtained a bachelor of science degree in 1952.","Collins received an Air Force commission and, after pilot training, was assigned to Nellis Air Base for advanced training on the F-86 Sabrejet. Upon completion of training, he was assigned to the 21st Fighter- Bomber Wing, stationed in Victorville, California and, later, France. In 1961, Collins completed test pilot school and was assigned to Edwards Air Force Base, where he tested experimental fighter jets. (In the meantime, he had married Patricia Finnegan; the couple would have three children: Kathleen, Ann and Michael.)","Interested in NASA's manned space program, Collins enrolled in the newly established Aerospace Pilot School in 1963. In October of that year, he was among the third group of astronauts selected by NASA. Collins served as a member of the backup crew for the Gemini 7 mission and as pilot of NASA's Gemini 10 mission (launched July 18, 1966) with commander John Young. Among the mission's noteworthy accomplishments were the establishment of a new orbital altitude record, a rendezvous with an Agena target vehicle, and two spacewalks conducted by Collins.","Due to the rotational basis on which astronauts were assigned to Apollo missions, Collins was originally scheduled to be a member of the Apollo 8 flight crew. His need for back surgery, however, forced his re- assignment to a later mission. The postponement placed Collins on the crew of Apollo 11 (launched July 16, 1969), the first manned mission to land on the lunar surface. As the mission's command module pilot, Collins orbited the moon while commander Neil Armstrong and lunar module pilot Edwin E. \"Buzz\" Aldrin descended to its surface.","In January 1970, Collins resigned from NASA and served as assistant secretary of state for public affairs before becoming the first director of the Smithsonian Institution's National Air and Space Museum in April 1971; he was promoted to undersecretary of the Smithsonian in April 1978. During this time, Collins began writing about his experiences in the space program, leading to his book  Carrying the Fire (and a subsequent children's adaptation,  Flying to the Moon and Other Strange Places ). His expertise and talents led to numerous requests for speaking engagements, articles and book reviews. In 1988, he published  Liftoff!, a book on the history and future of space exploration; his  Mission to Mars was published in 1990.","Collins served on the boards of numerous organizations and corporations throughout the 1970s and 1980s. He became vice-president of field operations for the Vought Corporation in 1980, then resigned to head his own consulting firm, Michael Collins Associates, in 1985. He retired from the Air Force Reserve with the rank of major general in 1982.","Collins' awards include the Presidential Medal of Freedom; the Collier, Harmon and Goddard trophies; the Air Force Distinguished Service Medal with Oak Leaf Cluster; the Distinguished Flying Cross and many others. He has received awards from eleven other countries and honorary degrees from six colleges and universities.","Michael Collins died on April 28, 2021.","The guide to the James Dean Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the James Dean Collection commenced and completed prior to 2004. Additional materials were integrated and the description updated in June 2023 and March 2024.","The collection was originally titled Michael Collins Collection: James Dean Resource Material, but during accessioning and processing, the collection was renamed James Dean Collection, to better reflect the contents of the collection."," Part of the processing, arrangement, and description of this collection was created as part of the project, \"Piercing the Veil: Creating Access to the Archives of American Aerospace Exploration at Virginia Tech,\" funded by the   National Historical Publications and Records Commission (NHPRC)  from 2022 to 2024.","See the  Michael Collins Papers, Ms1989-029,  also at Virginia Tech Special Collections and University Archives.","The collection consists of reference material NASA artist James Dean used in producing the artwork for Michael Collins' book  Liftoff: The Story of America's Adventure in Space . The bulk of the contents include NASA file photos, files from the twelve Gemini missions, the majority of Apollo missions (mostly Apollo 11), the Spacelab project, the Hubble telescope, space shuttle missions, the Challenger accident, and many other NASA related subjects. Also included are photos from the Project Mercury missions, images of NASA aircraft, NASA promotional material, and photos of U.S. officials and NASA personnel. An original rough draft copy of  Liftoff , divided by chapter, is included. The additional materials added to this collection include magazines, posters, and notes on NASA missions. The additional materials primarily include materials relating to the book  Journey into Space  by James Dean.","A number of publications have been separated from the collection and added to the Rare Book Collection. A list of items are available from Virginia Tech Special Collections and University Archives.","Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The collection consists of reference material NASA artist James Dean used in producing the artwork for astronaut Michael Collins' book  Liftoff: The Story of America's Adventure in Space  and Dean's book  Journey into Space .","Special Collections and University Archives, Virginia Tech","Dean, James D. (1931-2024)","Collins, Michael, 1930-2021","The materials in the collection are in English."],"unitid_tesim":["Ms.2003.061"],"normalized_title_ssm":["James Dean Collection"],"collection_title_tesim":["James Dean Collection"],"collection_ssim":["James Dean Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Dean, James D. (1931-2024)","Collins, Michael, 1930-2021"],"creator_ssim":["Dean, James D. (1931-2024)","Collins, Michael, 1930-2021"],"creator_persname_ssim":["Dean, James D. (1931-2024)","Collins, Michael, 1930-2021"],"creators_ssim":["Dean, James D. (1931-2024)","Collins, Michael, 1930-2021"],"access_terms_ssm":["Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The James Dean Collection was donated to the Special Collections in 2003 and 2007."],"access_subjects_ssim":["Archives of American Aerospace Exploration (AAAE)","Astronauts","Science and Technology","Authors","Businesspeople","Illustrators"],"access_subjects_ssm":["Archives of American Aerospace Exploration (AAAE)","Astronauts","Science and Technology","Authors","Businesspeople","Illustrators"],"has_online_content_ssim":["false"],"extent_ssm":["4.4 Cubic Feet 9 boxes and 1 oversize folder"],"extent_tesim":["4.4 Cubic Feet 9 boxes and 1 oversize folder"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/328\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged according to subject matter into the following series:\u003c/p\u003e\n","\u003cp\u003eSeries I: Project Mercury, 1961-1986\u003c/p\u003e\n","\u003cp\u003eSeries II: Project Gemini, 1963-1985\u003c/p\u003e\n","\u003cp\u003eSeries III: Project Apollo, 1964-1985, n. d.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Skylab, 1969-1985, n. d.\u003c/p\u003e\n","\u003cp\u003eSeries V: Space Station, 1970-1987, n. d.\u003c/p\u003e\n","\u003cp\u003eSeries VI: Planets and the Sun, 1972-1986\u003c/p\u003e\n","\u003cp\u003eSeries VII: Liftoff Chapters - James Dean Copy, 1987, n.d.\u003c/p\u003e\n","\u003cp\u003eSeries VIII: Miscellaneous, 1963-1988\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged according to subject matter into the following series:","Series I: Project Mercury, 1961-1986","Series II: Project Gemini, 1963-1985","Series III: Project Apollo, 1964-1985, n. d.","Series IV: Skylab, 1969-1985, n. d.","Series V: Space Station, 1970-1987, n. d.","Series VI: Planets and the Sun, 1972-1986","Series VII: Liftoff Chapters - James Dean Copy, 1987, n.d.","Series VIII: Miscellaneous, 1963-1988"],"bioghist_html_tesm":["\u003cp\u003eBorn in Fall River, Massachusetts, James Dean attended the Swain School of Design in New Bedford, Massachusetts, before eventually playing a key role in the creation of the NASA art program. He became the NASA director of films, publications and television, then founding director of the Fine Arts Program at NASA from 1961-1974, after which serving as the Curator of Art at the National Air and Space Museum. Dean passed away in Washington, D.C. on March 22, 2024, at the age of 92.\u003c/p\u003e","\u003cp\u003ePilot, astronaut, U.S. assistant secretary of state, National Air and Space Museum director, and author, Michael Collins was born in Rome, Italy, on October 31, 1930. He graduated from Saint Albans School in Washington, D.C., before attending the U.S. Military Academy (West Point), where he obtained a bachelor of science degree in 1952.\u003c/p\u003e\n","\u003cp\u003eCollins received an Air Force commission and, after pilot training, was assigned to Nellis Air Base for advanced training on the F-86 Sabrejet. Upon completion of training, he was assigned to the 21st Fighter- Bomber Wing, stationed in Victorville, California and, later, France. In 1961, Collins completed test pilot school and was assigned to Edwards Air Force Base, where he tested experimental fighter jets. (In the meantime, he had married Patricia Finnegan; the couple would have three children: Kathleen, Ann and Michael.)\u003c/p\u003e\n","\u003cp\u003eInterested in NASA's manned space program, Collins enrolled in the newly established Aerospace Pilot School in 1963. In October of that year, he was among the third group of astronauts selected by NASA. Collins served as a member of the backup crew for the Gemini 7 mission and as pilot of NASA's Gemini 10 mission (launched July 18, 1966) with commander John Young. Among the mission's noteworthy accomplishments were the establishment of a new orbital altitude record, a rendezvous with an Agena target vehicle, and two spacewalks conducted by Collins.\u003c/p\u003e\n","\u003cp\u003eDue to the rotational basis on which astronauts were assigned to Apollo missions, Collins was originally scheduled to be a member of the Apollo 8 flight crew. His need for back surgery, however, forced his re- assignment to a later mission. The postponement placed Collins on the crew of Apollo 11 (launched July 16, 1969), the first manned mission to land on the lunar surface. As the mission's command module pilot, Collins orbited the moon while commander Neil Armstrong and lunar module pilot Edwin E. \"Buzz\" Aldrin descended to its surface.\u003c/p\u003e\n","\u003cp\u003eIn January 1970, Collins resigned from NASA and served as assistant secretary of state for public affairs before becoming the first director of the Smithsonian Institution's National Air and Space Museum in April 1971; he was promoted to undersecretary of the Smithsonian in April 1978. During this time, Collins began writing about his experiences in the space program, leading to his book \u003ctitle render=\"italic\"\u003eCarrying the Fire\u003c/title\u003e(and a subsequent children's adaptation, \u003ctitle render=\"italic\"\u003eFlying to the Moon and Other Strange Places\u003c/title\u003e). His expertise and talents led to numerous requests for speaking engagements, articles and book reviews. In 1988, he published \u003ctitle render=\"italic\"\u003eLiftoff!,\u003c/title\u003ea book on the history and future of space exploration; his \u003ctitle render=\"italic\"\u003eMission to Mars\u003c/title\u003ewas published in 1990.\u003c/p\u003e\n","\u003cp\u003eCollins served on the boards of numerous organizations and corporations throughout the 1970s and 1980s. He became vice-president of field operations for the Vought Corporation in 1980, then resigned to head his own consulting firm, Michael Collins Associates, in 1985. He retired from the Air Force Reserve with the rank of major general in 1982.\u003c/p\u003e\n","\u003cp\u003eCollins' awards include the Presidential Medal of Freedom; the Collier, Harmon and Goddard trophies; the Air Force Distinguished Service Medal with Oak Leaf Cluster; the Distinguished Flying Cross and many others. He has received awards from eleven other countries and honorary degrees from six colleges and universities.\u003c/p\u003e\n","\u003cp\u003eMichael Collins died on April 28, 2021.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note - James Dean","Biographical Note - Michael Collins"],"bioghist_tesim":["Born in Fall River, Massachusetts, James Dean attended the Swain School of Design in New Bedford, Massachusetts, before eventually playing a key role in the creation of the NASA art program. He became the NASA director of films, publications and television, then founding director of the Fine Arts Program at NASA from 1961-1974, after which serving as the Curator of Art at the National Air and Space Museum. Dean passed away in Washington, D.C. on March 22, 2024, at the age of 92.","Pilot, astronaut, U.S. assistant secretary of state, National Air and Space Museum director, and author, Michael Collins was born in Rome, Italy, on October 31, 1930. He graduated from Saint Albans School in Washington, D.C., before attending the U.S. Military Academy (West Point), where he obtained a bachelor of science degree in 1952.","Collins received an Air Force commission and, after pilot training, was assigned to Nellis Air Base for advanced training on the F-86 Sabrejet. Upon completion of training, he was assigned to the 21st Fighter- Bomber Wing, stationed in Victorville, California and, later, France. In 1961, Collins completed test pilot school and was assigned to Edwards Air Force Base, where he tested experimental fighter jets. (In the meantime, he had married Patricia Finnegan; the couple would have three children: Kathleen, Ann and Michael.)","Interested in NASA's manned space program, Collins enrolled in the newly established Aerospace Pilot School in 1963. In October of that year, he was among the third group of astronauts selected by NASA. Collins served as a member of the backup crew for the Gemini 7 mission and as pilot of NASA's Gemini 10 mission (launched July 18, 1966) with commander John Young. Among the mission's noteworthy accomplishments were the establishment of a new orbital altitude record, a rendezvous with an Agena target vehicle, and two spacewalks conducted by Collins.","Due to the rotational basis on which astronauts were assigned to Apollo missions, Collins was originally scheduled to be a member of the Apollo 8 flight crew. His need for back surgery, however, forced his re- assignment to a later mission. The postponement placed Collins on the crew of Apollo 11 (launched July 16, 1969), the first manned mission to land on the lunar surface. As the mission's command module pilot, Collins orbited the moon while commander Neil Armstrong and lunar module pilot Edwin E. \"Buzz\" Aldrin descended to its surface.","In January 1970, Collins resigned from NASA and served as assistant secretary of state for public affairs before becoming the first director of the Smithsonian Institution's National Air and Space Museum in April 1971; he was promoted to undersecretary of the Smithsonian in April 1978. During this time, Collins began writing about his experiences in the space program, leading to his book  Carrying the Fire (and a subsequent children's adaptation,  Flying to the Moon and Other Strange Places ). His expertise and talents led to numerous requests for speaking engagements, articles and book reviews. In 1988, he published  Liftoff!, a book on the history and future of space exploration; his  Mission to Mars was published in 1990.","Collins served on the boards of numerous organizations and corporations throughout the 1970s and 1980s. He became vice-president of field operations for the Vought Corporation in 1980, then resigned to head his own consulting firm, Michael Collins Associates, in 1985. He retired from the Air Force Reserve with the rank of major general in 1982.","Collins' awards include the Presidential Medal of Freedom; the Collier, Harmon and Goddard trophies; the Air Force Distinguished Service Medal with Oak Leaf Cluster; the Distinguished Flying Cross and many others. He has received awards from eleven other countries and honorary degrees from six colleges and universities.","Michael Collins died on April 28, 2021."],"odd_html_tesm":["\u003cp\u003eThe guide to the James Dean Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the James Dean Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James Dean Collection, Ms2003-061, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James Dean Collection, Ms2003-061, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the James Dean Collection commenced and completed prior to 2004. Additional materials were integrated and the description updated in June 2023 and March 2024.\u003c/p\u003e","\u003cp\u003eThe collection was originally titled Michael Collins Collection: James Dean Resource Material, but during accessioning and processing, the collection was renamed James Dean Collection, to better reflect the contents of the collection.\u003c/p\u003e","\u003cp\u003e\u003cimg width=\"200\" align=\"left\" src=\"https://digitalsc.lib.vt.edu/files/original/a2eeb5148408709c99f3e268e1177900.jpg\"\u003e Part of the processing, arrangement, and description of this collection was created as part of the project, \"Piercing the Veil: Creating Access to the Archives of American Aerospace Exploration at Virginia Tech,\" funded by the \u003ca target=\"_blank\" href=\"https://www.archives.gov/nhprc\"\u003e National Historical Publications and Records Commission (NHPRC)\u003c/a\u003e from 2022 to 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the James Dean Collection commenced and completed prior to 2004. Additional materials were integrated and the description updated in June 2023 and March 2024.","The collection was originally titled Michael Collins Collection: James Dean Resource Material, but during accessioning and processing, the collection was renamed James Dean Collection, to better reflect the contents of the collection."," Part of the processing, arrangement, and description of this collection was created as part of the project, \"Piercing the Veil: Creating Access to the Archives of American Aerospace Exploration at Virginia Tech,\" funded by the   National Historical Publications and Records Commission (NHPRC)  from 2022 to 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eSee the \u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/lib.vt.edu/repositories/2/resources/1656.oai_ead.xml\"\u003eMichael Collins Papers, Ms1989-029,\u003c/a\u003e also at Virginia Tech Special Collections and University Archives.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See the  Michael Collins Papers, Ms1989-029,  also at Virginia Tech Special Collections and University Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of reference material NASA artist James Dean used in producing the artwork for Michael Collins' book \u003ctitle render=\"italic\"\u003eLiftoff: The Story of America's Adventure in Space\u003c/title\u003e. The bulk of the contents include NASA file photos, files from the twelve Gemini missions, the majority of Apollo missions (mostly Apollo 11), the Spacelab project, the Hubble telescope, space shuttle missions, the Challenger accident, and many other NASA related subjects. Also included are photos from the Project Mercury missions, images of NASA aircraft, NASA promotional material, and photos of U.S. officials and NASA personnel. An original rough draft copy of \u003ctitle render=\"italic\"\u003eLiftoff\u003c/title\u003e, divided by chapter, is included. The additional materials added to this collection include magazines, posters, and notes on NASA missions. The additional materials primarily include materials relating to the book \u003ctitle render=\"italic\"\u003eJourney into Space\u003c/title\u003e by James Dean.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of reference material NASA artist James Dean used in producing the artwork for Michael Collins' book  Liftoff: The Story of America's Adventure in Space . The bulk of the contents include NASA file photos, files from the twelve Gemini missions, the majority of Apollo missions (mostly Apollo 11), the Spacelab project, the Hubble telescope, space shuttle missions, the Challenger accident, and many other NASA related subjects. Also included are photos from the Project Mercury missions, images of NASA aircraft, NASA promotional material, and photos of U.S. officials and NASA personnel. An original rough draft copy of  Liftoff , divided by chapter, is included. The additional materials added to this collection include magazines, posters, and notes on NASA missions. The additional materials primarily include materials relating to the book  Journey into Space  by James Dean."],"separatedmaterial_html_tesm":["\u003cp\u003eA number of publications have been separated from the collection and added to the Rare Book Collection. A list of items are available from Virginia Tech Special Collections and University Archives.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A number of publications have been separated from the collection and added to the Rare Book Collection. A list of items are available from Virginia Tech Special Collections and University Archives."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8c7702bff925f63eadaf614924537ca4\" label=\"Abstract\"\u003eThe collection consists of reference material NASA artist James Dean used in producing the artwork for astronaut Michael Collins' book \u003ctitle render=\"italic\"\u003eLiftoff: The Story of America's Adventure in Space\u003c/title\u003e and Dean's book \u003ctitle render=\"italic\"\u003eJourney into Space\u003c/title\u003e.\u003c/abstract\u003e"],"abstract_tesim":["The collection consists of reference material NASA artist James Dean used in producing the artwork for astronaut Michael Collins' book  Liftoff: The Story of America's Adventure in Space  and Dean's book  Journey into Space ."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Dean, James D. (1931-2024)","Collins, Michael, 1930-2021"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_coll_ssim":["Collins, Michael, 1930-2021"],"persname_ssim":["Dean, James D. (1931-2024)","Collins, Michael, 1930-2021"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":103,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:07:49.676Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2261","ead_ssi":"viblbv_repositories_2_resources_2261","_root_":"viblbv_repositories_2_resources_2261","_nest_parent_":"viblbv_repositories_2_resources_2261","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2261.xml","title_filing_ssi":"Dean, James, Collection","title_ssm":["James Dean Collection"],"title_tesim":["James Dean Collection"],"unitdate_ssm":["1961-1988"],"unitdate_inclusive_ssm":["1961-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2003.061"],"text":["Ms.2003.061","James Dean Collection","Archives of American Aerospace Exploration (AAAE)","Astronauts","Science and Technology","Authors","Businesspeople","Illustrators","The collection is open for research.","Some of this collection has been digitized and is available online.","This collection is arranged according to subject matter into the following series:","Series I: Project Mercury, 1961-1986","Series II: Project Gemini, 1963-1985","Series III: Project Apollo, 1964-1985, n. d.","Series IV: Skylab, 1969-1985, n. d.","Series V: Space Station, 1970-1987, n. d.","Series VI: Planets and the Sun, 1972-1986","Series VII: Liftoff Chapters - James Dean Copy, 1987, n.d.","Series VIII: Miscellaneous, 1963-1988","Born in Fall River, Massachusetts, James Dean attended the Swain School of Design in New Bedford, Massachusetts, before eventually playing a key role in the creation of the NASA art program. He became the NASA director of films, publications and television, then founding director of the Fine Arts Program at NASA from 1961-1974, after which serving as the Curator of Art at the National Air and Space Museum. Dean passed away in Washington, D.C. on March 22, 2024, at the age of 92.","Pilot, astronaut, U.S. assistant secretary of state, National Air and Space Museum director, and author, Michael Collins was born in Rome, Italy, on October 31, 1930. He graduated from Saint Albans School in Washington, D.C., before attending the U.S. Military Academy (West Point), where he obtained a bachelor of science degree in 1952.","Collins received an Air Force commission and, after pilot training, was assigned to Nellis Air Base for advanced training on the F-86 Sabrejet. Upon completion of training, he was assigned to the 21st Fighter- Bomber Wing, stationed in Victorville, California and, later, France. In 1961, Collins completed test pilot school and was assigned to Edwards Air Force Base, where he tested experimental fighter jets. (In the meantime, he had married Patricia Finnegan; the couple would have three children: Kathleen, Ann and Michael.)","Interested in NASA's manned space program, Collins enrolled in the newly established Aerospace Pilot School in 1963. In October of that year, he was among the third group of astronauts selected by NASA. Collins served as a member of the backup crew for the Gemini 7 mission and as pilot of NASA's Gemini 10 mission (launched July 18, 1966) with commander John Young. Among the mission's noteworthy accomplishments were the establishment of a new orbital altitude record, a rendezvous with an Agena target vehicle, and two spacewalks conducted by Collins.","Due to the rotational basis on which astronauts were assigned to Apollo missions, Collins was originally scheduled to be a member of the Apollo 8 flight crew. His need for back surgery, however, forced his re- assignment to a later mission. The postponement placed Collins on the crew of Apollo 11 (launched July 16, 1969), the first manned mission to land on the lunar surface. As the mission's command module pilot, Collins orbited the moon while commander Neil Armstrong and lunar module pilot Edwin E. \"Buzz\" Aldrin descended to its surface.","In January 1970, Collins resigned from NASA and served as assistant secretary of state for public affairs before becoming the first director of the Smithsonian Institution's National Air and Space Museum in April 1971; he was promoted to undersecretary of the Smithsonian in April 1978. During this time, Collins began writing about his experiences in the space program, leading to his book  Carrying the Fire (and a subsequent children's adaptation,  Flying to the Moon and Other Strange Places ). His expertise and talents led to numerous requests for speaking engagements, articles and book reviews. In 1988, he published  Liftoff!, a book on the history and future of space exploration; his  Mission to Mars was published in 1990.","Collins served on the boards of numerous organizations and corporations throughout the 1970s and 1980s. He became vice-president of field operations for the Vought Corporation in 1980, then resigned to head his own consulting firm, Michael Collins Associates, in 1985. He retired from the Air Force Reserve with the rank of major general in 1982.","Collins' awards include the Presidential Medal of Freedom; the Collier, Harmon and Goddard trophies; the Air Force Distinguished Service Medal with Oak Leaf Cluster; the Distinguished Flying Cross and many others. He has received awards from eleven other countries and honorary degrees from six colleges and universities.","Michael Collins died on April 28, 2021.","The guide to the James Dean Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the James Dean Collection commenced and completed prior to 2004. Additional materials were integrated and the description updated in June 2023 and March 2024.","The collection was originally titled Michael Collins Collection: James Dean Resource Material, but during accessioning and processing, the collection was renamed James Dean Collection, to better reflect the contents of the collection."," Part of the processing, arrangement, and description of this collection was created as part of the project, \"Piercing the Veil: Creating Access to the Archives of American Aerospace Exploration at Virginia Tech,\" funded by the   National Historical Publications and Records Commission (NHPRC)  from 2022 to 2024.","See the  Michael Collins Papers, Ms1989-029,  also at Virginia Tech Special Collections and University Archives.","The collection consists of reference material NASA artist James Dean used in producing the artwork for Michael Collins' book  Liftoff: The Story of America's Adventure in Space . The bulk of the contents include NASA file photos, files from the twelve Gemini missions, the majority of Apollo missions (mostly Apollo 11), the Spacelab project, the Hubble telescope, space shuttle missions, the Challenger accident, and many other NASA related subjects. Also included are photos from the Project Mercury missions, images of NASA aircraft, NASA promotional material, and photos of U.S. officials and NASA personnel. An original rough draft copy of  Liftoff , divided by chapter, is included. The additional materials added to this collection include magazines, posters, and notes on NASA missions. The additional materials primarily include materials relating to the book  Journey into Space  by James Dean.","A number of publications have been separated from the collection and added to the Rare Book Collection. A list of items are available from Virginia Tech Special Collections and University Archives.","Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The collection consists of reference material NASA artist James Dean used in producing the artwork for astronaut Michael Collins' book  Liftoff: The Story of America's Adventure in Space  and Dean's book  Journey into Space .","Special Collections and University Archives, Virginia Tech","Dean, James D. (1931-2024)","Collins, Michael, 1930-2021","The materials in the collection are in English."],"unitid_tesim":["Ms.2003.061"],"normalized_title_ssm":["James Dean Collection"],"collection_title_tesim":["James Dean Collection"],"collection_ssim":["James Dean Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Dean, James D. (1931-2024)","Collins, Michael, 1930-2021"],"creator_ssim":["Dean, James D. (1931-2024)","Collins, Michael, 1930-2021"],"creator_persname_ssim":["Dean, James D. (1931-2024)","Collins, Michael, 1930-2021"],"creators_ssim":["Dean, James D. (1931-2024)","Collins, Michael, 1930-2021"],"access_terms_ssm":["Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The James Dean Collection was donated to the Special Collections in 2003 and 2007."],"access_subjects_ssim":["Archives of American Aerospace Exploration (AAAE)","Astronauts","Science and Technology","Authors","Businesspeople","Illustrators"],"access_subjects_ssm":["Archives of American Aerospace Exploration (AAAE)","Astronauts","Science and Technology","Authors","Businesspeople","Illustrators"],"has_online_content_ssim":["false"],"extent_ssm":["4.4 Cubic Feet 9 boxes and 1 oversize folder"],"extent_tesim":["4.4 Cubic Feet 9 boxes and 1 oversize folder"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/328\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged according to subject matter into the following series:\u003c/p\u003e\n","\u003cp\u003eSeries I: Project Mercury, 1961-1986\u003c/p\u003e\n","\u003cp\u003eSeries II: Project Gemini, 1963-1985\u003c/p\u003e\n","\u003cp\u003eSeries III: Project Apollo, 1964-1985, n. d.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Skylab, 1969-1985, n. d.\u003c/p\u003e\n","\u003cp\u003eSeries V: Space Station, 1970-1987, n. d.\u003c/p\u003e\n","\u003cp\u003eSeries VI: Planets and the Sun, 1972-1986\u003c/p\u003e\n","\u003cp\u003eSeries VII: Liftoff Chapters - James Dean Copy, 1987, n.d.\u003c/p\u003e\n","\u003cp\u003eSeries VIII: Miscellaneous, 1963-1988\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged according to subject matter into the following series:","Series I: Project Mercury, 1961-1986","Series II: Project Gemini, 1963-1985","Series III: Project Apollo, 1964-1985, n. d.","Series IV: Skylab, 1969-1985, n. d.","Series V: Space Station, 1970-1987, n. d.","Series VI: Planets and the Sun, 1972-1986","Series VII: Liftoff Chapters - James Dean Copy, 1987, n.d.","Series VIII: Miscellaneous, 1963-1988"],"bioghist_html_tesm":["\u003cp\u003eBorn in Fall River, Massachusetts, James Dean attended the Swain School of Design in New Bedford, Massachusetts, before eventually playing a key role in the creation of the NASA art program. He became the NASA director of films, publications and television, then founding director of the Fine Arts Program at NASA from 1961-1974, after which serving as the Curator of Art at the National Air and Space Museum. Dean passed away in Washington, D.C. on March 22, 2024, at the age of 92.\u003c/p\u003e","\u003cp\u003ePilot, astronaut, U.S. assistant secretary of state, National Air and Space Museum director, and author, Michael Collins was born in Rome, Italy, on October 31, 1930. He graduated from Saint Albans School in Washington, D.C., before attending the U.S. Military Academy (West Point), where he obtained a bachelor of science degree in 1952.\u003c/p\u003e\n","\u003cp\u003eCollins received an Air Force commission and, after pilot training, was assigned to Nellis Air Base for advanced training on the F-86 Sabrejet. Upon completion of training, he was assigned to the 21st Fighter- Bomber Wing, stationed in Victorville, California and, later, France. In 1961, Collins completed test pilot school and was assigned to Edwards Air Force Base, where he tested experimental fighter jets. (In the meantime, he had married Patricia Finnegan; the couple would have three children: Kathleen, Ann and Michael.)\u003c/p\u003e\n","\u003cp\u003eInterested in NASA's manned space program, Collins enrolled in the newly established Aerospace Pilot School in 1963. In October of that year, he was among the third group of astronauts selected by NASA. Collins served as a member of the backup crew for the Gemini 7 mission and as pilot of NASA's Gemini 10 mission (launched July 18, 1966) with commander John Young. Among the mission's noteworthy accomplishments were the establishment of a new orbital altitude record, a rendezvous with an Agena target vehicle, and two spacewalks conducted by Collins.\u003c/p\u003e\n","\u003cp\u003eDue to the rotational basis on which astronauts were assigned to Apollo missions, Collins was originally scheduled to be a member of the Apollo 8 flight crew. His need for back surgery, however, forced his re- assignment to a later mission. The postponement placed Collins on the crew of Apollo 11 (launched July 16, 1969), the first manned mission to land on the lunar surface. As the mission's command module pilot, Collins orbited the moon while commander Neil Armstrong and lunar module pilot Edwin E. \"Buzz\" Aldrin descended to its surface.\u003c/p\u003e\n","\u003cp\u003eIn January 1970, Collins resigned from NASA and served as assistant secretary of state for public affairs before becoming the first director of the Smithsonian Institution's National Air and Space Museum in April 1971; he was promoted to undersecretary of the Smithsonian in April 1978. During this time, Collins began writing about his experiences in the space program, leading to his book \u003ctitle render=\"italic\"\u003eCarrying the Fire\u003c/title\u003e(and a subsequent children's adaptation, \u003ctitle render=\"italic\"\u003eFlying to the Moon and Other Strange Places\u003c/title\u003e). His expertise and talents led to numerous requests for speaking engagements, articles and book reviews. In 1988, he published \u003ctitle render=\"italic\"\u003eLiftoff!,\u003c/title\u003ea book on the history and future of space exploration; his \u003ctitle render=\"italic\"\u003eMission to Mars\u003c/title\u003ewas published in 1990.\u003c/p\u003e\n","\u003cp\u003eCollins served on the boards of numerous organizations and corporations throughout the 1970s and 1980s. He became vice-president of field operations for the Vought Corporation in 1980, then resigned to head his own consulting firm, Michael Collins Associates, in 1985. He retired from the Air Force Reserve with the rank of major general in 1982.\u003c/p\u003e\n","\u003cp\u003eCollins' awards include the Presidential Medal of Freedom; the Collier, Harmon and Goddard trophies; the Air Force Distinguished Service Medal with Oak Leaf Cluster; the Distinguished Flying Cross and many others. He has received awards from eleven other countries and honorary degrees from six colleges and universities.\u003c/p\u003e\n","\u003cp\u003eMichael Collins died on April 28, 2021.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note - James Dean","Biographical Note - Michael Collins"],"bioghist_tesim":["Born in Fall River, Massachusetts, James Dean attended the Swain School of Design in New Bedford, Massachusetts, before eventually playing a key role in the creation of the NASA art program. He became the NASA director of films, publications and television, then founding director of the Fine Arts Program at NASA from 1961-1974, after which serving as the Curator of Art at the National Air and Space Museum. Dean passed away in Washington, D.C. on March 22, 2024, at the age of 92.","Pilot, astronaut, U.S. assistant secretary of state, National Air and Space Museum director, and author, Michael Collins was born in Rome, Italy, on October 31, 1930. He graduated from Saint Albans School in Washington, D.C., before attending the U.S. Military Academy (West Point), where he obtained a bachelor of science degree in 1952.","Collins received an Air Force commission and, after pilot training, was assigned to Nellis Air Base for advanced training on the F-86 Sabrejet. Upon completion of training, he was assigned to the 21st Fighter- Bomber Wing, stationed in Victorville, California and, later, France. In 1961, Collins completed test pilot school and was assigned to Edwards Air Force Base, where he tested experimental fighter jets. (In the meantime, he had married Patricia Finnegan; the couple would have three children: Kathleen, Ann and Michael.)","Interested in NASA's manned space program, Collins enrolled in the newly established Aerospace Pilot School in 1963. In October of that year, he was among the third group of astronauts selected by NASA. Collins served as a member of the backup crew for the Gemini 7 mission and as pilot of NASA's Gemini 10 mission (launched July 18, 1966) with commander John Young. Among the mission's noteworthy accomplishments were the establishment of a new orbital altitude record, a rendezvous with an Agena target vehicle, and two spacewalks conducted by Collins.","Due to the rotational basis on which astronauts were assigned to Apollo missions, Collins was originally scheduled to be a member of the Apollo 8 flight crew. His need for back surgery, however, forced his re- assignment to a later mission. The postponement placed Collins on the crew of Apollo 11 (launched July 16, 1969), the first manned mission to land on the lunar surface. As the mission's command module pilot, Collins orbited the moon while commander Neil Armstrong and lunar module pilot Edwin E. \"Buzz\" Aldrin descended to its surface.","In January 1970, Collins resigned from NASA and served as assistant secretary of state for public affairs before becoming the first director of the Smithsonian Institution's National Air and Space Museum in April 1971; he was promoted to undersecretary of the Smithsonian in April 1978. During this time, Collins began writing about his experiences in the space program, leading to his book  Carrying the Fire (and a subsequent children's adaptation,  Flying to the Moon and Other Strange Places ). His expertise and talents led to numerous requests for speaking engagements, articles and book reviews. In 1988, he published  Liftoff!, a book on the history and future of space exploration; his  Mission to Mars was published in 1990.","Collins served on the boards of numerous organizations and corporations throughout the 1970s and 1980s. He became vice-president of field operations for the Vought Corporation in 1980, then resigned to head his own consulting firm, Michael Collins Associates, in 1985. He retired from the Air Force Reserve with the rank of major general in 1982.","Collins' awards include the Presidential Medal of Freedom; the Collier, Harmon and Goddard trophies; the Air Force Distinguished Service Medal with Oak Leaf Cluster; the Distinguished Flying Cross and many others. He has received awards from eleven other countries and honorary degrees from six colleges and universities.","Michael Collins died on April 28, 2021."],"odd_html_tesm":["\u003cp\u003eThe guide to the James Dean Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the James Dean Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James Dean Collection, Ms2003-061, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James Dean Collection, Ms2003-061, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the James Dean Collection commenced and completed prior to 2004. Additional materials were integrated and the description updated in June 2023 and March 2024.\u003c/p\u003e","\u003cp\u003eThe collection was originally titled Michael Collins Collection: James Dean Resource Material, but during accessioning and processing, the collection was renamed James Dean Collection, to better reflect the contents of the collection.\u003c/p\u003e","\u003cp\u003e\u003cimg width=\"200\" align=\"left\" src=\"https://digitalsc.lib.vt.edu/files/original/a2eeb5148408709c99f3e268e1177900.jpg\"\u003e Part of the processing, arrangement, and description of this collection was created as part of the project, \"Piercing the Veil: Creating Access to the Archives of American Aerospace Exploration at Virginia Tech,\" funded by the \u003ca target=\"_blank\" href=\"https://www.archives.gov/nhprc\"\u003e National Historical Publications and Records Commission (NHPRC)\u003c/a\u003e from 2022 to 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the James Dean Collection commenced and completed prior to 2004. Additional materials were integrated and the description updated in June 2023 and March 2024.","The collection was originally titled Michael Collins Collection: James Dean Resource Material, but during accessioning and processing, the collection was renamed James Dean Collection, to better reflect the contents of the collection."," Part of the processing, arrangement, and description of this collection was created as part of the project, \"Piercing the Veil: Creating Access to the Archives of American Aerospace Exploration at Virginia Tech,\" funded by the   National Historical Publications and Records Commission (NHPRC)  from 2022 to 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eSee the \u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/lib.vt.edu/repositories/2/resources/1656.oai_ead.xml\"\u003eMichael Collins Papers, Ms1989-029,\u003c/a\u003e also at Virginia Tech Special Collections and University Archives.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See the  Michael Collins Papers, Ms1989-029,  also at Virginia Tech Special Collections and University Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of reference material NASA artist James Dean used in producing the artwork for Michael Collins' book \u003ctitle render=\"italic\"\u003eLiftoff: The Story of America's Adventure in Space\u003c/title\u003e. The bulk of the contents include NASA file photos, files from the twelve Gemini missions, the majority of Apollo missions (mostly Apollo 11), the Spacelab project, the Hubble telescope, space shuttle missions, the Challenger accident, and many other NASA related subjects. Also included are photos from the Project Mercury missions, images of NASA aircraft, NASA promotional material, and photos of U.S. officials and NASA personnel. An original rough draft copy of \u003ctitle render=\"italic\"\u003eLiftoff\u003c/title\u003e, divided by chapter, is included. The additional materials added to this collection include magazines, posters, and notes on NASA missions. The additional materials primarily include materials relating to the book \u003ctitle render=\"italic\"\u003eJourney into Space\u003c/title\u003e by James Dean.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of reference material NASA artist James Dean used in producing the artwork for Michael Collins' book  Liftoff: The Story of America's Adventure in Space . The bulk of the contents include NASA file photos, files from the twelve Gemini missions, the majority of Apollo missions (mostly Apollo 11), the Spacelab project, the Hubble telescope, space shuttle missions, the Challenger accident, and many other NASA related subjects. Also included are photos from the Project Mercury missions, images of NASA aircraft, NASA promotional material, and photos of U.S. officials and NASA personnel. An original rough draft copy of  Liftoff , divided by chapter, is included. The additional materials added to this collection include magazines, posters, and notes on NASA missions. The additional materials primarily include materials relating to the book  Journey into Space  by James Dean."],"separatedmaterial_html_tesm":["\u003cp\u003eA number of publications have been separated from the collection and added to the Rare Book Collection. A list of items are available from Virginia Tech Special Collections and University Archives.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A number of publications have been separated from the collection and added to the Rare Book Collection. A list of items are available from Virginia Tech Special Collections and University Archives."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8c7702bff925f63eadaf614924537ca4\" label=\"Abstract\"\u003eThe collection consists of reference material NASA artist James Dean used in producing the artwork for astronaut Michael Collins' book \u003ctitle render=\"italic\"\u003eLiftoff: The Story of America's Adventure in Space\u003c/title\u003e and Dean's book \u003ctitle render=\"italic\"\u003eJourney into Space\u003c/title\u003e.\u003c/abstract\u003e"],"abstract_tesim":["The collection consists of reference material NASA artist James Dean used in producing the artwork for astronaut Michael Collins' book  Liftoff: The Story of America's Adventure in Space  and Dean's book  Journey into Space ."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Dean, James D. (1931-2024)","Collins, Michael, 1930-2021"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_coll_ssim":["Collins, Michael, 1930-2021"],"persname_ssim":["Dean, James D. (1931-2024)","Collins, Michael, 1930-2021"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":103,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:07:49.676Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2261"}},{"id":"viu_repositories_3_resources_1100","type":"collection","attributes":{"title":"Jefferson Wallace collection","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1100#creator","type":"document_value","attributes":{"value":"Wallace, Jefferson, 1864-1951","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1100#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains typescript and manuscript books, all richly illustrated with watercolor paintings and illuminations by commercial artist and Richmond resident, Jefferson Wallace. These include The Fairy Book, The Story Teller, Anthology of English poetry, The Virginia Text Book: Containing a history of Masonic Grand Lodges and The Book of Myths. The content mainly focuses on mythological stories, fairy tales, original stories and selections from English\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1100#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1100","ead_ssi":"viu_repositories_3_resources_1100","_root_":"viu_repositories_3_resources_1100","_nest_parent_":"viu_repositories_3_resources_1100","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1100.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/122641","title_filing_ssi":"Wallace, Jefferson collection","title_ssm":["Jefferson Wallace collection"],"title_tesim":["Jefferson Wallace collection"],"unitdate_ssm":["1890-1950"],"unitdate_inclusive_ssm":["1890-1950"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.16338","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1100"],"text":["MSS.16338","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1100","Jefferson Wallace collection","Richmond (Va.)","witchcraft, folklore, and mythology","Fairy tales","Illustrators","This collection is open for research use.","Jefferson Wallace (1864-1951) was a commercial artist from Richmond, Virginia.  Wallace was born in Richmond on August 8, 1864, to Charles M. and Joyce W. Clopton Wallace.   He was active in state and city politics. He was the Secretary of Richmond's Democratic Committee and challenged Joseph Bryan, an American publisher and industrialist from Richmond to a duel in 1894. Bryan refused him publicly in The Richmond Times, effectively ending the practice in Virginia, saying that duels were uncivilized. ","Wallace went on to study commercial art in New York and returned to Richmond to work. He was active in fraternal organizations and served as a Master Mason of Dove Lodge for nearly 52 years. He served as a high priest of the Temple Chapter No 32, Temple Chapter No 32, Ancient Free and Accepted Masons (AF\u0026AM), and an honorary member of Fraternal Lodge No 53. He married Anne Wynn Hawthorn in 1906 in Lunenburg, Virginia. They had one child, Anne Wallace, and would divorce. He died in Richmond on March 31, 1951, and is buried in Hollywood Cemetery in Richmond. ","This collection contains typescript and manuscript books, all richly illustrated with watercolor paintings and illuminations by commercial artist and Richmond resident, Jefferson Wallace. These include The Fairy Book, The Story Teller, Anthology of English poetry, The Virginia Text Book: Containing a history of Masonic Grand Lodges and The Book of Myths. The content mainly focuses on mythological stories, fairy tales, original stories and selections from English","The \"Anthology of English Poetry, selected from the writings of British and American Poets and illuminated by Jefferson Wallace, Richmond, Virginia MCMXXVI [1926]. Contains 327 pages including index. Illuminated in watercolor throughout, with attractive borders, decorations, illuminated letters, and ornaments and portrait rondels of poets. Large collection of male poets, both minor and major. Selected names include Samuel Taylor Coleridge, Rudyard Kipling, Edgar Allan Poe, and Oscar Wilde.","\"The Fairy Book, MS Edition of Colored Illustrations by Jefferson Wallace\" contains 296 pages of heavily ornamented typescript, with borders in the medieval style and hundreds of illuminated figures and decorations in the margins. The book is incomplete. The entire book was to be over 346 pages; we lack the final 6 tales. With twenty-seven full page watercolor illustrations with captions and pagination indications.","\"The Storyteller\" contains 192 pages, with illuminated letters, full page watercolor illustrations, chapter headings, tail piece, and so on. Typescript of a group of stories by Wallace, with notations to a printer as well as notes to himself of things still to be done. Of particular interest are several stories set in Richmond, including a tale about Richmond Theater, the Carrington family of Richmond, Cary Street. Many illustrations of Richmond places and people, including African-American figures.","The full title page reads: \"The Virginia Text Book: Containing a history of Masonic Grand Lodges and the Constitutions of Masonry or Ahiman Rezon together with a digest of the laws, rules and regulations of the Grand Lodge of Virginia, also a complete compilation of the illustrations of masonic work, as drawn from Preston, Webb, Read and others by John Dove, Grand Secretary of the Grand Lodge of Virginia. Engrossed and illuminated by Jefferson Wallace, Worshipful Master of Dove Lodge, No. 51, Richmond, Virginia 1925.\" It is a heavily illustrated typescript; illustrations are pen and ink drawings with extensive hand-coloring, and include portraits, illuminated capitals, and whimsical marginal illustrations. It is in unbound gatherings.","\"The Book of Myths\" is a leather-bound 1913 illustrated manuscript by Jefferson Wallace for his daughter, Anne Clopton Wallace. Jefferson Wallace's bookplate, place marked Richmond, Virginia, appears at the volume's front endpage. The hand-illustrated and colored frontispiece of the book features the subtitle \"Some of the Sweet Myths of Nature\" and features the credit line \"Arranged for Mistress Anne Clopton Wallace by Her Daddy.\" Underneath these captions is \"Philadelphia, MCMXIII,\" where the manuscript was completed for Anne in 1913. Opposite the frontispiece is a photograph of Jefferson alongside Anne, captioned \"The man and the girl. Scranton, Pa., January 1, 1914.\" There is a table of contents that covers up to page 115, but there are another 23 additional pages following that for a total of 143 pages, including the title and content pages. The book's content is separated into eight sections: \"Greek Mythology,\" \"Folk-Lore,\" \"Bible Stories,\" \"Indian Stories,\" \"Persian Fables,\" \"Japanese Stores,\" \"Norse Mythology,\" and \"Hindu Mythology.\" Wallace's hand-drawn coat of arms, seen on his bookplate, appears again following the table of contents. There is a total of 35 stories across these sections. Each story ranges in length and is typewritten at the center of each page inside a rectangle. Surrounding each text block are hand-illustrated and colored scenes associated with each story. There are more robust scenes depicted from each story pasted on brown cardstock and captioned throughout, with page numbers provided in reference to each occurrence's location in the volume. Many of these illustrations depict vibrant wildlife and nature scenes. The front cover of the book is gilt with \"The Book of Myths\" and \"Anne Clopton Wallace, Her Book.\"","Albert and Shirley Small Special Collections Library","Wallace, Jefferson, 1864-1951","English"],"unitid_tesim":["MSS.16338","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1100"],"normalized_title_ssm":["Jefferson Wallace collection"],"collection_title_tesim":["Jefferson Wallace collection"],"collection_ssim":["Jefferson Wallace collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Richmond (Va.)","witchcraft, folklore, and mythology"],"geogname_ssim":["Richmond (Va.)","witchcraft, folklore, and mythology"],"creator_ssm":["Wallace, Jefferson, 1864-1951"],"creator_ssim":["Wallace, Jefferson, 1864-1951"],"creator_persname_ssim":["Wallace, Jefferson, 1864-1951"],"creators_ssim":["Wallace, Jefferson, 1864-1951"],"places_ssim":["Richmond (Va.)","witchcraft, folklore, and mythology"],"acqinfo_ssim":["This collection was purchased from Black Swan Books by the Small Special Collections Library at the University of Virginia Library in July and August 2017. An addition to the collection was purchased from Charles Agvent on February 17, 2026."],"access_subjects_ssim":["Fairy tales","Illustrators"],"access_subjects_ssm":["Fairy tales","Illustrators"],"has_online_content_ssim":["false"],"extent_ssm":["0.6 Cubic Feet 1 letter size document box and 1 half-width letter size document box"],"extent_tesim":["0.6 Cubic Feet 1 letter size document box and 1 half-width letter size document box"],"physfacet_tesim":["typescript books and unbound pages; Virginia text-book unbound"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eJefferson Wallace (1864-1951) was a commercial artist from Richmond, Virginia.  Wallace was born in Richmond on August 8, 1864, to Charles M. and Joyce W. Clopton Wallace.   He was active in state and city politics. He was the Secretary of Richmond's Democratic Committee and challenged Joseph Bryan, an American publisher and industrialist from Richmond to a duel in 1894. Bryan refused him publicly in The Richmond Times, effectively ending the practice in Virginia, saying that duels were uncivilized. \u003c/p\u003e\n","\u003cp\u003eWallace went on to study commercial art in New York and returned to Richmond to work. He was active in fraternal organizations and served as a Master Mason of Dove Lodge for nearly 52 years. He served as a high priest of the Temple Chapter No 32, Temple Chapter No 32, Ancient Free and Accepted Masons (AF\u0026amp;AM), and an honorary member of Fraternal Lodge No 53. He married Anne Wynn Hawthorn in 1906 in Lunenburg, Virginia. They had one child, Anne Wallace, and would divorce. He died in Richmond on March 31, 1951, and is buried in Hollywood Cemetery in Richmond. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Jefferson Wallace (1864-1951) was a commercial artist from Richmond, Virginia.  Wallace was born in Richmond on August 8, 1864, to Charles M. and Joyce W. Clopton Wallace.   He was active in state and city politics. He was the Secretary of Richmond's Democratic Committee and challenged Joseph Bryan, an American publisher and industrialist from Richmond to a duel in 1894. Bryan refused him publicly in The Richmond Times, effectively ending the practice in Virginia, saying that duels were uncivilized. ","Wallace went on to study commercial art in New York and returned to Richmond to work. He was active in fraternal organizations and served as a Master Mason of Dove Lodge for nearly 52 years. He served as a high priest of the Temple Chapter No 32, Temple Chapter No 32, Ancient Free and Accepted Masons (AF\u0026AM), and an honorary member of Fraternal Lodge No 53. He married Anne Wynn Hawthorn in 1906 in Lunenburg, Virginia. They had one child, Anne Wallace, and would divorce. He died in Richmond on March 31, 1951, and is buried in Hollywood Cemetery in Richmond. "],"prefercite_html_tesm":["\u003cp\u003eMSS 16338, Jefferson Wallace collection, Small Special Collections Library at the University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 16338, Jefferson Wallace collection, Small Special Collections Library at the University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains typescript and manuscript books, all richly illustrated with watercolor paintings and illuminations by commercial artist and Richmond resident, Jefferson Wallace. These include The Fairy Book, The Story Teller, Anthology of English poetry, The Virginia Text Book: Containing a history of Masonic Grand Lodges and The Book of Myths. The content mainly focuses on mythological stories, fairy tales, original stories and selections from English\u003c/p\u003e","\u003cp\u003eThe \"Anthology of English Poetry, selected from the writings of British and American Poets and illuminated by Jefferson Wallace, Richmond, Virginia MCMXXVI [1926]. Contains 327 pages including index. Illuminated in watercolor throughout, with attractive borders, decorations, illuminated letters, and ornaments and portrait rondels of poets. Large collection of male poets, both minor and major. Selected names include Samuel Taylor Coleridge, Rudyard Kipling, Edgar Allan Poe, and Oscar Wilde.\u003c/p\u003e","\u003cp\u003e\"The Fairy Book, MS Edition of Colored Illustrations by Jefferson Wallace\" contains 296 pages of heavily ornamented typescript, with borders in the medieval style and hundreds of illuminated figures and decorations in the margins. The book is incomplete. The entire book was to be over 346 pages; we lack the final 6 tales. With twenty-seven full page watercolor illustrations with captions and pagination indications.\u003c/p\u003e","\u003cp\u003e\"The Storyteller\" contains 192 pages, with illuminated letters, full page watercolor illustrations, chapter headings, tail piece, and so on. Typescript of a group of stories by Wallace, with notations to a printer as well as notes to himself of things still to be done. Of particular interest are several stories set in Richmond, including a tale about Richmond Theater, the Carrington family of Richmond, Cary Street. Many illustrations of Richmond places and people, including African-American figures.\u003c/p\u003e","\u003cp\u003eThe full title page reads: \"The Virginia Text Book: Containing a history of Masonic Grand Lodges and the Constitutions of Masonry or Ahiman Rezon together with a digest of the laws, rules and regulations of the Grand Lodge of Virginia, also a complete compilation of the illustrations of masonic work, as drawn from Preston, Webb, Read and others by John Dove, Grand Secretary of the Grand Lodge of Virginia. Engrossed and illuminated by Jefferson Wallace, Worshipful Master of Dove Lodge, No. 51, Richmond, Virginia 1925.\" It is a heavily illustrated typescript; illustrations are pen and ink drawings with extensive hand-coloring, and include portraits, illuminated capitals, and whimsical marginal illustrations. It is in unbound gatherings.\u003c/p\u003e","\u003cp\u003e\"The Book of Myths\" is a leather-bound 1913 illustrated manuscript by Jefferson Wallace for his daughter, Anne Clopton Wallace. Jefferson Wallace's bookplate, place marked Richmond, Virginia, appears at the volume's front endpage. The hand-illustrated and colored frontispiece of the book features the subtitle \"Some of the Sweet Myths of Nature\" and features the credit line \"Arranged for Mistress Anne Clopton Wallace by Her Daddy.\" Underneath these captions is \"Philadelphia, MCMXIII,\" where the manuscript was completed for Anne in 1913. Opposite the frontispiece is a photograph of Jefferson alongside Anne, captioned \"The man and the girl. Scranton, Pa., January 1, 1914.\" There is a table of contents that covers up to page 115, but there are another 23 additional pages following that for a total of 143 pages, including the title and content pages. The book's content is separated into eight sections: \"Greek Mythology,\" \"Folk-Lore,\" \"Bible Stories,\" \"Indian Stories,\" \"Persian Fables,\" \"Japanese Stores,\" \"Norse Mythology,\" and \"Hindu Mythology.\" Wallace's hand-drawn coat of arms, seen on his bookplate, appears again following the table of contents. There is a total of 35 stories across these sections. Each story ranges in length and is typewritten at the center of each page inside a rectangle. Surrounding each text block are hand-illustrated and colored scenes associated with each story. There are more robust scenes depicted from each story pasted on brown cardstock and captioned throughout, with page numbers provided in reference to each occurrence's location in the volume. Many of these illustrations depict vibrant wildlife and nature scenes. The front cover of the book is gilt with \"The Book of Myths\" and \"Anne Clopton Wallace, Her Book.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains typescript and manuscript books, all richly illustrated with watercolor paintings and illuminations by commercial artist and Richmond resident, Jefferson Wallace. These include The Fairy Book, The Story Teller, Anthology of English poetry, The Virginia Text Book: Containing a history of Masonic Grand Lodges and The Book of Myths. The content mainly focuses on mythological stories, fairy tales, original stories and selections from English","The \"Anthology of English Poetry, selected from the writings of British and American Poets and illuminated by Jefferson Wallace, Richmond, Virginia MCMXXVI [1926]. Contains 327 pages including index. Illuminated in watercolor throughout, with attractive borders, decorations, illuminated letters, and ornaments and portrait rondels of poets. Large collection of male poets, both minor and major. Selected names include Samuel Taylor Coleridge, Rudyard Kipling, Edgar Allan Poe, and Oscar Wilde.","\"The Fairy Book, MS Edition of Colored Illustrations by Jefferson Wallace\" contains 296 pages of heavily ornamented typescript, with borders in the medieval style and hundreds of illuminated figures and decorations in the margins. The book is incomplete. The entire book was to be over 346 pages; we lack the final 6 tales. With twenty-seven full page watercolor illustrations with captions and pagination indications.","\"The Storyteller\" contains 192 pages, with illuminated letters, full page watercolor illustrations, chapter headings, tail piece, and so on. Typescript of a group of stories by Wallace, with notations to a printer as well as notes to himself of things still to be done. Of particular interest are several stories set in Richmond, including a tale about Richmond Theater, the Carrington family of Richmond, Cary Street. Many illustrations of Richmond places and people, including African-American figures.","The full title page reads: \"The Virginia Text Book: Containing a history of Masonic Grand Lodges and the Constitutions of Masonry or Ahiman Rezon together with a digest of the laws, rules and regulations of the Grand Lodge of Virginia, also a complete compilation of the illustrations of masonic work, as drawn from Preston, Webb, Read and others by John Dove, Grand Secretary of the Grand Lodge of Virginia. Engrossed and illuminated by Jefferson Wallace, Worshipful Master of Dove Lodge, No. 51, Richmond, Virginia 1925.\" It is a heavily illustrated typescript; illustrations are pen and ink drawings with extensive hand-coloring, and include portraits, illuminated capitals, and whimsical marginal illustrations. It is in unbound gatherings.","\"The Book of Myths\" is a leather-bound 1913 illustrated manuscript by Jefferson Wallace for his daughter, Anne Clopton Wallace. Jefferson Wallace's bookplate, place marked Richmond, Virginia, appears at the volume's front endpage. The hand-illustrated and colored frontispiece of the book features the subtitle \"Some of the Sweet Myths of Nature\" and features the credit line \"Arranged for Mistress Anne Clopton Wallace by Her Daddy.\" Underneath these captions is \"Philadelphia, MCMXIII,\" where the manuscript was completed for Anne in 1913. Opposite the frontispiece is a photograph of Jefferson alongside Anne, captioned \"The man and the girl. Scranton, Pa., January 1, 1914.\" There is a table of contents that covers up to page 115, but there are another 23 additional pages following that for a total of 143 pages, including the title and content pages. The book's content is separated into eight sections: \"Greek Mythology,\" \"Folk-Lore,\" \"Bible Stories,\" \"Indian Stories,\" \"Persian Fables,\" \"Japanese Stores,\" \"Norse Mythology,\" and \"Hindu Mythology.\" Wallace's hand-drawn coat of arms, seen on his bookplate, appears again following the table of contents. There is a total of 35 stories across these sections. Each story ranges in length and is typewritten at the center of each page inside a rectangle. Surrounding each text block are hand-illustrated and colored scenes associated with each story. There are more robust scenes depicted from each story pasted on brown cardstock and captioned throughout, with page numbers provided in reference to each occurrence's location in the volume. Many of these illustrations depict vibrant wildlife and nature scenes. The front cover of the book is gilt with \"The Book of Myths\" and \"Anne Clopton Wallace, Her Book.\""],"names_ssim":["Albert and Shirley Small Special Collections Library","Wallace, Jefferson, 1864-1951"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Wallace, Jefferson, 1864-1951"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-03T07:05:19.966Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1100","ead_ssi":"viu_repositories_3_resources_1100","_root_":"viu_repositories_3_resources_1100","_nest_parent_":"viu_repositories_3_resources_1100","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1100.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/122641","title_filing_ssi":"Wallace, Jefferson collection","title_ssm":["Jefferson Wallace collection"],"title_tesim":["Jefferson Wallace collection"],"unitdate_ssm":["1890-1950"],"unitdate_inclusive_ssm":["1890-1950"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.16338","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1100"],"text":["MSS.16338","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1100","Jefferson Wallace collection","Richmond (Va.)","witchcraft, folklore, and mythology","Fairy tales","Illustrators","This collection is open for research use.","Jefferson Wallace (1864-1951) was a commercial artist from Richmond, Virginia.  Wallace was born in Richmond on August 8, 1864, to Charles M. and Joyce W. Clopton Wallace.   He was active in state and city politics. He was the Secretary of Richmond's Democratic Committee and challenged Joseph Bryan, an American publisher and industrialist from Richmond to a duel in 1894. Bryan refused him publicly in The Richmond Times, effectively ending the practice in Virginia, saying that duels were uncivilized. ","Wallace went on to study commercial art in New York and returned to Richmond to work. He was active in fraternal organizations and served as a Master Mason of Dove Lodge for nearly 52 years. He served as a high priest of the Temple Chapter No 32, Temple Chapter No 32, Ancient Free and Accepted Masons (AF\u0026AM), and an honorary member of Fraternal Lodge No 53. He married Anne Wynn Hawthorn in 1906 in Lunenburg, Virginia. They had one child, Anne Wallace, and would divorce. He died in Richmond on March 31, 1951, and is buried in Hollywood Cemetery in Richmond. ","This collection contains typescript and manuscript books, all richly illustrated with watercolor paintings and illuminations by commercial artist and Richmond resident, Jefferson Wallace. These include The Fairy Book, The Story Teller, Anthology of English poetry, The Virginia Text Book: Containing a history of Masonic Grand Lodges and The Book of Myths. The content mainly focuses on mythological stories, fairy tales, original stories and selections from English","The \"Anthology of English Poetry, selected from the writings of British and American Poets and illuminated by Jefferson Wallace, Richmond, Virginia MCMXXVI [1926]. Contains 327 pages including index. Illuminated in watercolor throughout, with attractive borders, decorations, illuminated letters, and ornaments and portrait rondels of poets. Large collection of male poets, both minor and major. Selected names include Samuel Taylor Coleridge, Rudyard Kipling, Edgar Allan Poe, and Oscar Wilde.","\"The Fairy Book, MS Edition of Colored Illustrations by Jefferson Wallace\" contains 296 pages of heavily ornamented typescript, with borders in the medieval style and hundreds of illuminated figures and decorations in the margins. The book is incomplete. The entire book was to be over 346 pages; we lack the final 6 tales. With twenty-seven full page watercolor illustrations with captions and pagination indications.","\"The Storyteller\" contains 192 pages, with illuminated letters, full page watercolor illustrations, chapter headings, tail piece, and so on. Typescript of a group of stories by Wallace, with notations to a printer as well as notes to himself of things still to be done. Of particular interest are several stories set in Richmond, including a tale about Richmond Theater, the Carrington family of Richmond, Cary Street. Many illustrations of Richmond places and people, including African-American figures.","The full title page reads: \"The Virginia Text Book: Containing a history of Masonic Grand Lodges and the Constitutions of Masonry or Ahiman Rezon together with a digest of the laws, rules and regulations of the Grand Lodge of Virginia, also a complete compilation of the illustrations of masonic work, as drawn from Preston, Webb, Read and others by John Dove, Grand Secretary of the Grand Lodge of Virginia. Engrossed and illuminated by Jefferson Wallace, Worshipful Master of Dove Lodge, No. 51, Richmond, Virginia 1925.\" It is a heavily illustrated typescript; illustrations are pen and ink drawings with extensive hand-coloring, and include portraits, illuminated capitals, and whimsical marginal illustrations. It is in unbound gatherings.","\"The Book of Myths\" is a leather-bound 1913 illustrated manuscript by Jefferson Wallace for his daughter, Anne Clopton Wallace. Jefferson Wallace's bookplate, place marked Richmond, Virginia, appears at the volume's front endpage. The hand-illustrated and colored frontispiece of the book features the subtitle \"Some of the Sweet Myths of Nature\" and features the credit line \"Arranged for Mistress Anne Clopton Wallace by Her Daddy.\" Underneath these captions is \"Philadelphia, MCMXIII,\" where the manuscript was completed for Anne in 1913. Opposite the frontispiece is a photograph of Jefferson alongside Anne, captioned \"The man and the girl. Scranton, Pa., January 1, 1914.\" There is a table of contents that covers up to page 115, but there are another 23 additional pages following that for a total of 143 pages, including the title and content pages. The book's content is separated into eight sections: \"Greek Mythology,\" \"Folk-Lore,\" \"Bible Stories,\" \"Indian Stories,\" \"Persian Fables,\" \"Japanese Stores,\" \"Norse Mythology,\" and \"Hindu Mythology.\" Wallace's hand-drawn coat of arms, seen on his bookplate, appears again following the table of contents. There is a total of 35 stories across these sections. Each story ranges in length and is typewritten at the center of each page inside a rectangle. Surrounding each text block are hand-illustrated and colored scenes associated with each story. There are more robust scenes depicted from each story pasted on brown cardstock and captioned throughout, with page numbers provided in reference to each occurrence's location in the volume. Many of these illustrations depict vibrant wildlife and nature scenes. The front cover of the book is gilt with \"The Book of Myths\" and \"Anne Clopton Wallace, Her Book.\"","Albert and Shirley Small Special Collections Library","Wallace, Jefferson, 1864-1951","English"],"unitid_tesim":["MSS.16338","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1100"],"normalized_title_ssm":["Jefferson Wallace collection"],"collection_title_tesim":["Jefferson Wallace collection"],"collection_ssim":["Jefferson Wallace collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Richmond (Va.)","witchcraft, folklore, and mythology"],"geogname_ssim":["Richmond (Va.)","witchcraft, folklore, and mythology"],"creator_ssm":["Wallace, Jefferson, 1864-1951"],"creator_ssim":["Wallace, Jefferson, 1864-1951"],"creator_persname_ssim":["Wallace, Jefferson, 1864-1951"],"creators_ssim":["Wallace, Jefferson, 1864-1951"],"places_ssim":["Richmond (Va.)","witchcraft, folklore, and mythology"],"acqinfo_ssim":["This collection was purchased from Black Swan Books by the Small Special Collections Library at the University of Virginia Library in July and August 2017. An addition to the collection was purchased from Charles Agvent on February 17, 2026."],"access_subjects_ssim":["Fairy tales","Illustrators"],"access_subjects_ssm":["Fairy tales","Illustrators"],"has_online_content_ssim":["false"],"extent_ssm":["0.6 Cubic Feet 1 letter size document box and 1 half-width letter size document box"],"extent_tesim":["0.6 Cubic Feet 1 letter size document box and 1 half-width letter size document box"],"physfacet_tesim":["typescript books and unbound pages; Virginia text-book unbound"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eJefferson Wallace (1864-1951) was a commercial artist from Richmond, Virginia.  Wallace was born in Richmond on August 8, 1864, to Charles M. and Joyce W. Clopton Wallace.   He was active in state and city politics. He was the Secretary of Richmond's Democratic Committee and challenged Joseph Bryan, an American publisher and industrialist from Richmond to a duel in 1894. Bryan refused him publicly in The Richmond Times, effectively ending the practice in Virginia, saying that duels were uncivilized. \u003c/p\u003e\n","\u003cp\u003eWallace went on to study commercial art in New York and returned to Richmond to work. He was active in fraternal organizations and served as a Master Mason of Dove Lodge for nearly 52 years. He served as a high priest of the Temple Chapter No 32, Temple Chapter No 32, Ancient Free and Accepted Masons (AF\u0026amp;AM), and an honorary member of Fraternal Lodge No 53. He married Anne Wynn Hawthorn in 1906 in Lunenburg, Virginia. They had one child, Anne Wallace, and would divorce. He died in Richmond on March 31, 1951, and is buried in Hollywood Cemetery in Richmond. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Jefferson Wallace (1864-1951) was a commercial artist from Richmond, Virginia.  Wallace was born in Richmond on August 8, 1864, to Charles M. and Joyce W. Clopton Wallace.   He was active in state and city politics. He was the Secretary of Richmond's Democratic Committee and challenged Joseph Bryan, an American publisher and industrialist from Richmond to a duel in 1894. Bryan refused him publicly in The Richmond Times, effectively ending the practice in Virginia, saying that duels were uncivilized. ","Wallace went on to study commercial art in New York and returned to Richmond to work. He was active in fraternal organizations and served as a Master Mason of Dove Lodge for nearly 52 years. He served as a high priest of the Temple Chapter No 32, Temple Chapter No 32, Ancient Free and Accepted Masons (AF\u0026AM), and an honorary member of Fraternal Lodge No 53. He married Anne Wynn Hawthorn in 1906 in Lunenburg, Virginia. They had one child, Anne Wallace, and would divorce. He died in Richmond on March 31, 1951, and is buried in Hollywood Cemetery in Richmond. "],"prefercite_html_tesm":["\u003cp\u003eMSS 16338, Jefferson Wallace collection, Small Special Collections Library at the University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 16338, Jefferson Wallace collection, Small Special Collections Library at the University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains typescript and manuscript books, all richly illustrated with watercolor paintings and illuminations by commercial artist and Richmond resident, Jefferson Wallace. These include The Fairy Book, The Story Teller, Anthology of English poetry, The Virginia Text Book: Containing a history of Masonic Grand Lodges and The Book of Myths. The content mainly focuses on mythological stories, fairy tales, original stories and selections from English\u003c/p\u003e","\u003cp\u003eThe \"Anthology of English Poetry, selected from the writings of British and American Poets and illuminated by Jefferson Wallace, Richmond, Virginia MCMXXVI [1926]. Contains 327 pages including index. Illuminated in watercolor throughout, with attractive borders, decorations, illuminated letters, and ornaments and portrait rondels of poets. Large collection of male poets, both minor and major. Selected names include Samuel Taylor Coleridge, Rudyard Kipling, Edgar Allan Poe, and Oscar Wilde.\u003c/p\u003e","\u003cp\u003e\"The Fairy Book, MS Edition of Colored Illustrations by Jefferson Wallace\" contains 296 pages of heavily ornamented typescript, with borders in the medieval style and hundreds of illuminated figures and decorations in the margins. The book is incomplete. The entire book was to be over 346 pages; we lack the final 6 tales. With twenty-seven full page watercolor illustrations with captions and pagination indications.\u003c/p\u003e","\u003cp\u003e\"The Storyteller\" contains 192 pages, with illuminated letters, full page watercolor illustrations, chapter headings, tail piece, and so on. Typescript of a group of stories by Wallace, with notations to a printer as well as notes to himself of things still to be done. Of particular interest are several stories set in Richmond, including a tale about Richmond Theater, the Carrington family of Richmond, Cary Street. Many illustrations of Richmond places and people, including African-American figures.\u003c/p\u003e","\u003cp\u003eThe full title page reads: \"The Virginia Text Book: Containing a history of Masonic Grand Lodges and the Constitutions of Masonry or Ahiman Rezon together with a digest of the laws, rules and regulations of the Grand Lodge of Virginia, also a complete compilation of the illustrations of masonic work, as drawn from Preston, Webb, Read and others by John Dove, Grand Secretary of the Grand Lodge of Virginia. Engrossed and illuminated by Jefferson Wallace, Worshipful Master of Dove Lodge, No. 51, Richmond, Virginia 1925.\" It is a heavily illustrated typescript; illustrations are pen and ink drawings with extensive hand-coloring, and include portraits, illuminated capitals, and whimsical marginal illustrations. It is in unbound gatherings.\u003c/p\u003e","\u003cp\u003e\"The Book of Myths\" is a leather-bound 1913 illustrated manuscript by Jefferson Wallace for his daughter, Anne Clopton Wallace. Jefferson Wallace's bookplate, place marked Richmond, Virginia, appears at the volume's front endpage. The hand-illustrated and colored frontispiece of the book features the subtitle \"Some of the Sweet Myths of Nature\" and features the credit line \"Arranged for Mistress Anne Clopton Wallace by Her Daddy.\" Underneath these captions is \"Philadelphia, MCMXIII,\" where the manuscript was completed for Anne in 1913. Opposite the frontispiece is a photograph of Jefferson alongside Anne, captioned \"The man and the girl. Scranton, Pa., January 1, 1914.\" There is a table of contents that covers up to page 115, but there are another 23 additional pages following that for a total of 143 pages, including the title and content pages. The book's content is separated into eight sections: \"Greek Mythology,\" \"Folk-Lore,\" \"Bible Stories,\" \"Indian Stories,\" \"Persian Fables,\" \"Japanese Stores,\" \"Norse Mythology,\" and \"Hindu Mythology.\" Wallace's hand-drawn coat of arms, seen on his bookplate, appears again following the table of contents. There is a total of 35 stories across these sections. Each story ranges in length and is typewritten at the center of each page inside a rectangle. Surrounding each text block are hand-illustrated and colored scenes associated with each story. There are more robust scenes depicted from each story pasted on brown cardstock and captioned throughout, with page numbers provided in reference to each occurrence's location in the volume. Many of these illustrations depict vibrant wildlife and nature scenes. The front cover of the book is gilt with \"The Book of Myths\" and \"Anne Clopton Wallace, Her Book.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains typescript and manuscript books, all richly illustrated with watercolor paintings and illuminations by commercial artist and Richmond resident, Jefferson Wallace. These include The Fairy Book, The Story Teller, Anthology of English poetry, The Virginia Text Book: Containing a history of Masonic Grand Lodges and The Book of Myths. The content mainly focuses on mythological stories, fairy tales, original stories and selections from English","The \"Anthology of English Poetry, selected from the writings of British and American Poets and illuminated by Jefferson Wallace, Richmond, Virginia MCMXXVI [1926]. Contains 327 pages including index. Illuminated in watercolor throughout, with attractive borders, decorations, illuminated letters, and ornaments and portrait rondels of poets. Large collection of male poets, both minor and major. Selected names include Samuel Taylor Coleridge, Rudyard Kipling, Edgar Allan Poe, and Oscar Wilde.","\"The Fairy Book, MS Edition of Colored Illustrations by Jefferson Wallace\" contains 296 pages of heavily ornamented typescript, with borders in the medieval style and hundreds of illuminated figures and decorations in the margins. The book is incomplete. The entire book was to be over 346 pages; we lack the final 6 tales. With twenty-seven full page watercolor illustrations with captions and pagination indications.","\"The Storyteller\" contains 192 pages, with illuminated letters, full page watercolor illustrations, chapter headings, tail piece, and so on. Typescript of a group of stories by Wallace, with notations to a printer as well as notes to himself of things still to be done. Of particular interest are several stories set in Richmond, including a tale about Richmond Theater, the Carrington family of Richmond, Cary Street. Many illustrations of Richmond places and people, including African-American figures.","The full title page reads: \"The Virginia Text Book: Containing a history of Masonic Grand Lodges and the Constitutions of Masonry or Ahiman Rezon together with a digest of the laws, rules and regulations of the Grand Lodge of Virginia, also a complete compilation of the illustrations of masonic work, as drawn from Preston, Webb, Read and others by John Dove, Grand Secretary of the Grand Lodge of Virginia. Engrossed and illuminated by Jefferson Wallace, Worshipful Master of Dove Lodge, No. 51, Richmond, Virginia 1925.\" It is a heavily illustrated typescript; illustrations are pen and ink drawings with extensive hand-coloring, and include portraits, illuminated capitals, and whimsical marginal illustrations. It is in unbound gatherings.","\"The Book of Myths\" is a leather-bound 1913 illustrated manuscript by Jefferson Wallace for his daughter, Anne Clopton Wallace. Jefferson Wallace's bookplate, place marked Richmond, Virginia, appears at the volume's front endpage. The hand-illustrated and colored frontispiece of the book features the subtitle \"Some of the Sweet Myths of Nature\" and features the credit line \"Arranged for Mistress Anne Clopton Wallace by Her Daddy.\" Underneath these captions is \"Philadelphia, MCMXIII,\" where the manuscript was completed for Anne in 1913. Opposite the frontispiece is a photograph of Jefferson alongside Anne, captioned \"The man and the girl. Scranton, Pa., January 1, 1914.\" There is a table of contents that covers up to page 115, but there are another 23 additional pages following that for a total of 143 pages, including the title and content pages. The book's content is separated into eight sections: \"Greek Mythology,\" \"Folk-Lore,\" \"Bible Stories,\" \"Indian Stories,\" \"Persian Fables,\" \"Japanese Stores,\" \"Norse Mythology,\" and \"Hindu Mythology.\" Wallace's hand-drawn coat of arms, seen on his bookplate, appears again following the table of contents. There is a total of 35 stories across these sections. Each story ranges in length and is typewritten at the center of each page inside a rectangle. Surrounding each text block are hand-illustrated and colored scenes associated with each story. There are more robust scenes depicted from each story pasted on brown cardstock and captioned throughout, with page numbers provided in reference to each occurrence's location in the volume. Many of these illustrations depict vibrant wildlife and nature scenes. The front cover of the book is gilt with \"The Book of Myths\" and \"Anne Clopton Wallace, Her Book.\""],"names_ssim":["Albert and Shirley Small Special Collections Library","Wallace, Jefferson, 1864-1951"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Wallace, Jefferson, 1864-1951"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-03T07:05:19.966Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1100"}},{"id":"viu_repositories_3_resources_1798","type":"collection","attributes":{"title":"John Leech watercolor sketches","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1798#creator","type":"document_value","attributes":{"value":"Leech, John, 1817-1864","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1798#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains eight original pen, ink, and watercolor sketches with initials by the English caricaturist John Leech (1816-1864). Illustrated roughly around 1840, each illustration depicts his observations of daily British life of the lower and middle classes: on the street, in taverns, and at home. All contain captions related to the image, and some have titles in addition to their caption. These titles include \"A Speculation,\" \"On the Boulevards,\" \"A Toothless Trio,\" \"A Learned Trio,\" and \"The Moustache Movement.\"\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1798#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1798","ead_ssi":"viu_repositories_3_resources_1798","_root_":"viu_repositories_3_resources_1798","_nest_parent_":"viu_repositories_3_resources_1798","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1798.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/226414","title_filing_ssi":"Leech, John watercolor sketches","title_ssm":["John Leech watercolor sketches"],"title_tesim":["John Leech watercolor sketches"],"unitdate_ssm":["undated, circa 1840"],"unitdate_other_ssim":["undated, circa 1840"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16912","Archival Resource Key","/repositories/3/resources/1798"],"text":["MSS 16912","Archival Resource Key","/repositories/3/resources/1798","John Leech watercolor sketches","England -- History","Illustrators","cartoons (humorous images)","drawings (visual works)","Good","This collection is open for research.","John Leech  ( 1817–1864 )  was an English caricaturist known for his contributions to  Punch   the weekly humor and satire magazine, as well as the first illustrator of  Charles Dickens ' 1843 novella  A Christmas Carol .  Leech was born in London in 1817, the son of the landlord of the London Coffee House on Ludgate Hill. He  studied at Charterhouse School, where he met his life-long friend, the novelist, William Makepeace Thackeray.  He continued his studies of medicine, at the age of sixteen, at St. Bartholomew's Hospital, before leaving his studies to pursue an artistic profession. His first publication was 'Etchings and Sketchings, By A Pen, Esq.' (1835) and he joined Punch in 1841, regularly contributing to the magazine until his death. His illustrations included political cartoons, social caricature, scenes of everyday life and sporting works. Aside from Punch, he contributed to many other illustrated periodicals including  The New Monthly Magazine , T he Illuminated Magazine ,  The Illustrated London News  and  The Field . He died at the age of forty-seven in London. ","Resources ","\"Leech, John.\"  Benezit Dictionary of Artist s. 31 Oct. 2011; Accessed 11 Jul. 2025. https://www.oxfordartonline.com/benezit/view/10.1093/benz/9780199773787.001.0001/acref-9780199773787-e-00106434. ","\"John Leech.\"  Encyclopedia Britannica , revised March 21, 2024.  https://www.britannica.com/biography/John-Leech. ","\"John Leech.\" Lambiek Comiclopedia . Lambiek, revised October 6,  2024. https://www.lambiek.net/artists/l/leech_john.htm. ","Leech's caricatures relate to the Lea Iselin Collection of Humor at the University of Virginia.","This collection contains eight original pen, ink, and watercolor sketches with initials by the English caricaturist John Leech (1816-1864). Illustrated roughly around 1840, each illustration depicts his observations of daily British life of the lower and middle classes: on the street, in taverns, and at home. All contain captions related to the image, and some have titles in addition to their caption. These titles include \"A Speculation,\" \"On the Boulevards,\" \"A Toothless Trio,\" \"A Learned Trio,\"  and \"The Moustache Movement.\"","Albert and Shirley Small Special Collections Library","Punch ","The New Monthly Magazine","he Illuminated Magazine","The Illustrated London News","The Field"," Benezit Dictionary of Artist","Encyclopedia Britannica","Lambiek Comiclopedia","Leech, John, 1817-1864","John Leech","Charles Dickens","English"],"unitid_tesim":["MSS 16912","Archival Resource Key","/repositories/3/resources/1798"],"normalized_title_ssm":["John Leech watercolor sketches"],"collection_title_tesim":["John Leech watercolor sketches"],"collection_ssim":["John Leech watercolor sketches"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["England -- History"],"geogname_ssim":["England -- History"],"creator_ssm":["Leech, John, 1817-1864"],"creator_ssim":["Leech, John, 1817-1864"],"creator_persname_ssim":["Leech, John, 1817-1864"],"creators_ssim":["Leech, John, 1817-1864"],"places_ssim":["England -- History"],"acqinfo_ssim":["This collection was purchased from Jarndyce Antiquarian Booksellers by the Small Special Collections Library, University of Virginia on 18 September 2024."],"access_subjects_ssim":["Illustrators","cartoons (humorous images)","drawings (visual works)"],"access_subjects_ssm":["Illustrators","cartoons (humorous images)","drawings (visual works)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good"],"extent_ssm":[".04 Cubic Feet 1 legal folder"],"extent_tesim":[".04 Cubic Feet 1 legal folder"],"genreform_ssim":["cartoons (humorous images)","drawings (visual works)"],"date_range_isim":[1840],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"bioghist_html_tesm":["\u003cp\u003e\u003cpersname\u003eJohn Leech\u003c/persname\u003e (\u003cdate\u003e1817–1864\u003c/date\u003e)  was an English caricaturist known for his contributions to \u003ccorpname\u003ePunch \u003c/corpname\u003e the weekly humor and satire magazine, as well as the first illustrator of \u003cpersname\u003eCharles Dickens\u003c/persname\u003e' 1843 novella \u003ctitle\u003eA Christmas Carol\u003c/title\u003e.  Leech was born in London in 1817, the son of the landlord of the London Coffee House on Ludgate Hill. He  studied at Charterhouse School, where he met his life-long friend, the novelist, William Makepeace Thackeray.  He continued his studies of medicine, at the age of sixteen, at St. Bartholomew's Hospital, before leaving his studies to pursue an artistic profession. His first publication was 'Etchings and Sketchings, By A Pen, Esq.' (1835) and he joined Punch in 1841, regularly contributing to the magazine until his death. His illustrations included political cartoons, social caricature, scenes of everyday life and sporting works. Aside from Punch, he contributed to many other illustrated periodicals including \u003ccorpname\u003eThe New Monthly Magazine\u003c/corpname\u003e, T\u003ccorpname\u003ehe Illuminated Magazine\u003c/corpname\u003e, \u003ccorpname\u003eThe Illustrated London News\u003c/corpname\u003e and \u003ccorpname\u003eThe Field\u003c/corpname\u003e. He died at the age of forty-seven in London. \u003c/p\u003e\n","\u003cp\u003e\u003cemph\u003eResources \u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\"Leech, John.\"\u003ccorpname\u003e Benezit Dictionary of Artist\u003c/corpname\u003es. 31 Oct. 2011; Accessed 11 Jul. 2025. https://www.oxfordartonline.com/benezit/view/10.1093/benz/9780199773787.001.0001/acref-9780199773787-e-00106434. \u003c/p\u003e\n","\u003cp\u003e\"John Leech.\" \u003ccorpname\u003eEncyclopedia Britannica\u003c/corpname\u003e, revised March 21, 2024.  https://www.britannica.com/biography/John-Leech. \u003c/p\u003e\n","\u003cp\u003e\"John Leech.\"\u003ccorpname\u003eLambiek Comiclopedia\u003c/corpname\u003e. Lambiek, revised October 6,  2024. https://www.lambiek.net/artists/l/leech_john.htm. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["John Leech  ( 1817–1864 )  was an English caricaturist known for his contributions to  Punch   the weekly humor and satire magazine, as well as the first illustrator of  Charles Dickens ' 1843 novella  A Christmas Carol .  Leech was born in London in 1817, the son of the landlord of the London Coffee House on Ludgate Hill. He  studied at Charterhouse School, where he met his life-long friend, the novelist, William Makepeace Thackeray.  He continued his studies of medicine, at the age of sixteen, at St. Bartholomew's Hospital, before leaving his studies to pursue an artistic profession. His first publication was 'Etchings and Sketchings, By A Pen, Esq.' (1835) and he joined Punch in 1841, regularly contributing to the magazine until his death. His illustrations included political cartoons, social caricature, scenes of everyday life and sporting works. Aside from Punch, he contributed to many other illustrated periodicals including  The New Monthly Magazine , T he Illuminated Magazine ,  The Illustrated London News  and  The Field . He died at the age of forty-seven in London. ","Resources ","\"Leech, John.\"  Benezit Dictionary of Artist s. 31 Oct. 2011; Accessed 11 Jul. 2025. https://www.oxfordartonline.com/benezit/view/10.1093/benz/9780199773787.001.0001/acref-9780199773787-e-00106434. ","\"John Leech.\"  Encyclopedia Britannica , revised March 21, 2024.  https://www.britannica.com/biography/John-Leech. ","\"John Leech.\" Lambiek Comiclopedia . Lambiek, revised October 6,  2024. https://www.lambiek.net/artists/l/leech_john.htm. "],"prefercite_html_tesm":["\u003cp\u003eMSS 16912, John Leech watercolors, Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16912, John Leech watercolors, Small Special Collections Library, University of Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eLeech's caricatures relate to the Lea Iselin Collection of Humor at the University of Virginia.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Leech's caricatures relate to the Lea Iselin Collection of Humor at the University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains eight original pen, ink, and watercolor sketches with initials by the English caricaturist John Leech (1816-1864). Illustrated roughly around 1840, each illustration depicts his observations of daily British life of the lower and middle classes: on the street, in taverns, and at home. All contain captions related to the image, and some have titles in addition to their caption. These titles include \"A Speculation,\" \"On the Boulevards,\" \"A Toothless Trio,\" \"A Learned Trio,\"  and \"The Moustache Movement.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains eight original pen, ink, and watercolor sketches with initials by the English caricaturist John Leech (1816-1864). Illustrated roughly around 1840, each illustration depicts his observations of daily British life of the lower and middle classes: on the street, in taverns, and at home. All contain captions related to the image, and some have titles in addition to their caption. These titles include \"A Speculation,\" \"On the Boulevards,\" \"A Toothless Trio,\" \"A Learned Trio,\"  and \"The Moustache Movement.\""],"names_ssim":["Albert and Shirley Small Special Collections Library","Punch ","The New Monthly Magazine","he Illuminated Magazine","The Illustrated London News","The Field"," Benezit Dictionary of Artist","Encyclopedia Britannica","Lambiek Comiclopedia","Leech, John, 1817-1864","John Leech","Charles Dickens"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Punch ","The New Monthly Magazine","he Illuminated Magazine","The Illustrated London News","The Field"," Benezit Dictionary of Artist","Encyclopedia Britannica","Lambiek Comiclopedia"],"persname_ssim":["Leech, John, 1817-1864","John Leech","Charles Dickens"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:52:00.356Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1798","ead_ssi":"viu_repositories_3_resources_1798","_root_":"viu_repositories_3_resources_1798","_nest_parent_":"viu_repositories_3_resources_1798","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1798.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/226414","title_filing_ssi":"Leech, John watercolor sketches","title_ssm":["John Leech watercolor sketches"],"title_tesim":["John Leech watercolor sketches"],"unitdate_ssm":["undated, circa 1840"],"unitdate_other_ssim":["undated, circa 1840"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16912","Archival Resource Key","/repositories/3/resources/1798"],"text":["MSS 16912","Archival Resource Key","/repositories/3/resources/1798","John Leech watercolor sketches","England -- History","Illustrators","cartoons (humorous images)","drawings (visual works)","Good","This collection is open for research.","John Leech  ( 1817–1864 )  was an English caricaturist known for his contributions to  Punch   the weekly humor and satire magazine, as well as the first illustrator of  Charles Dickens ' 1843 novella  A Christmas Carol .  Leech was born in London in 1817, the son of the landlord of the London Coffee House on Ludgate Hill. He  studied at Charterhouse School, where he met his life-long friend, the novelist, William Makepeace Thackeray.  He continued his studies of medicine, at the age of sixteen, at St. Bartholomew's Hospital, before leaving his studies to pursue an artistic profession. His first publication was 'Etchings and Sketchings, By A Pen, Esq.' (1835) and he joined Punch in 1841, regularly contributing to the magazine until his death. His illustrations included political cartoons, social caricature, scenes of everyday life and sporting works. Aside from Punch, he contributed to many other illustrated periodicals including  The New Monthly Magazine , T he Illuminated Magazine ,  The Illustrated London News  and  The Field . He died at the age of forty-seven in London. ","Resources ","\"Leech, John.\"  Benezit Dictionary of Artist s. 31 Oct. 2011; Accessed 11 Jul. 2025. https://www.oxfordartonline.com/benezit/view/10.1093/benz/9780199773787.001.0001/acref-9780199773787-e-00106434. ","\"John Leech.\"  Encyclopedia Britannica , revised March 21, 2024.  https://www.britannica.com/biography/John-Leech. ","\"John Leech.\" Lambiek Comiclopedia . Lambiek, revised October 6,  2024. https://www.lambiek.net/artists/l/leech_john.htm. ","Leech's caricatures relate to the Lea Iselin Collection of Humor at the University of Virginia.","This collection contains eight original pen, ink, and watercolor sketches with initials by the English caricaturist John Leech (1816-1864). Illustrated roughly around 1840, each illustration depicts his observations of daily British life of the lower and middle classes: on the street, in taverns, and at home. All contain captions related to the image, and some have titles in addition to their caption. These titles include \"A Speculation,\" \"On the Boulevards,\" \"A Toothless Trio,\" \"A Learned Trio,\"  and \"The Moustache Movement.\"","Albert and Shirley Small Special Collections Library","Punch ","The New Monthly Magazine","he Illuminated Magazine","The Illustrated London News","The Field"," Benezit Dictionary of Artist","Encyclopedia Britannica","Lambiek Comiclopedia","Leech, John, 1817-1864","John Leech","Charles Dickens","English"],"unitid_tesim":["MSS 16912","Archival Resource Key","/repositories/3/resources/1798"],"normalized_title_ssm":["John Leech watercolor sketches"],"collection_title_tesim":["John Leech watercolor sketches"],"collection_ssim":["John Leech watercolor sketches"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["England -- History"],"geogname_ssim":["England -- History"],"creator_ssm":["Leech, John, 1817-1864"],"creator_ssim":["Leech, John, 1817-1864"],"creator_persname_ssim":["Leech, John, 1817-1864"],"creators_ssim":["Leech, John, 1817-1864"],"places_ssim":["England -- History"],"acqinfo_ssim":["This collection was purchased from Jarndyce Antiquarian Booksellers by the Small Special Collections Library, University of Virginia on 18 September 2024."],"access_subjects_ssim":["Illustrators","cartoons (humorous images)","drawings (visual works)"],"access_subjects_ssm":["Illustrators","cartoons (humorous images)","drawings (visual works)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good"],"extent_ssm":[".04 Cubic Feet 1 legal folder"],"extent_tesim":[".04 Cubic Feet 1 legal folder"],"genreform_ssim":["cartoons (humorous images)","drawings (visual works)"],"date_range_isim":[1840],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"bioghist_html_tesm":["\u003cp\u003e\u003cpersname\u003eJohn Leech\u003c/persname\u003e (\u003cdate\u003e1817–1864\u003c/date\u003e)  was an English caricaturist known for his contributions to \u003ccorpname\u003ePunch \u003c/corpname\u003e the weekly humor and satire magazine, as well as the first illustrator of \u003cpersname\u003eCharles Dickens\u003c/persname\u003e' 1843 novella \u003ctitle\u003eA Christmas Carol\u003c/title\u003e.  Leech was born in London in 1817, the son of the landlord of the London Coffee House on Ludgate Hill. He  studied at Charterhouse School, where he met his life-long friend, the novelist, William Makepeace Thackeray.  He continued his studies of medicine, at the age of sixteen, at St. Bartholomew's Hospital, before leaving his studies to pursue an artistic profession. His first publication was 'Etchings and Sketchings, By A Pen, Esq.' (1835) and he joined Punch in 1841, regularly contributing to the magazine until his death. His illustrations included political cartoons, social caricature, scenes of everyday life and sporting works. Aside from Punch, he contributed to many other illustrated periodicals including \u003ccorpname\u003eThe New Monthly Magazine\u003c/corpname\u003e, T\u003ccorpname\u003ehe Illuminated Magazine\u003c/corpname\u003e, \u003ccorpname\u003eThe Illustrated London News\u003c/corpname\u003e and \u003ccorpname\u003eThe Field\u003c/corpname\u003e. He died at the age of forty-seven in London. \u003c/p\u003e\n","\u003cp\u003e\u003cemph\u003eResources \u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\"Leech, John.\"\u003ccorpname\u003e Benezit Dictionary of Artist\u003c/corpname\u003es. 31 Oct. 2011; Accessed 11 Jul. 2025. https://www.oxfordartonline.com/benezit/view/10.1093/benz/9780199773787.001.0001/acref-9780199773787-e-00106434. \u003c/p\u003e\n","\u003cp\u003e\"John Leech.\" \u003ccorpname\u003eEncyclopedia Britannica\u003c/corpname\u003e, revised March 21, 2024.  https://www.britannica.com/biography/John-Leech. \u003c/p\u003e\n","\u003cp\u003e\"John Leech.\"\u003ccorpname\u003eLambiek Comiclopedia\u003c/corpname\u003e. Lambiek, revised October 6,  2024. https://www.lambiek.net/artists/l/leech_john.htm. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["John Leech  ( 1817–1864 )  was an English caricaturist known for his contributions to  Punch   the weekly humor and satire magazine, as well as the first illustrator of  Charles Dickens ' 1843 novella  A Christmas Carol .  Leech was born in London in 1817, the son of the landlord of the London Coffee House on Ludgate Hill. He  studied at Charterhouse School, where he met his life-long friend, the novelist, William Makepeace Thackeray.  He continued his studies of medicine, at the age of sixteen, at St. Bartholomew's Hospital, before leaving his studies to pursue an artistic profession. His first publication was 'Etchings and Sketchings, By A Pen, Esq.' (1835) and he joined Punch in 1841, regularly contributing to the magazine until his death. His illustrations included political cartoons, social caricature, scenes of everyday life and sporting works. Aside from Punch, he contributed to many other illustrated periodicals including  The New Monthly Magazine , T he Illuminated Magazine ,  The Illustrated London News  and  The Field . He died at the age of forty-seven in London. ","Resources ","\"Leech, John.\"  Benezit Dictionary of Artist s. 31 Oct. 2011; Accessed 11 Jul. 2025. https://www.oxfordartonline.com/benezit/view/10.1093/benz/9780199773787.001.0001/acref-9780199773787-e-00106434. ","\"John Leech.\"  Encyclopedia Britannica , revised March 21, 2024.  https://www.britannica.com/biography/John-Leech. ","\"John Leech.\" Lambiek Comiclopedia . Lambiek, revised October 6,  2024. https://www.lambiek.net/artists/l/leech_john.htm. "],"prefercite_html_tesm":["\u003cp\u003eMSS 16912, John Leech watercolors, Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16912, John Leech watercolors, Small Special Collections Library, University of Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eLeech's caricatures relate to the Lea Iselin Collection of Humor at the University of Virginia.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Leech's caricatures relate to the Lea Iselin Collection of Humor at the University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains eight original pen, ink, and watercolor sketches with initials by the English caricaturist John Leech (1816-1864). Illustrated roughly around 1840, each illustration depicts his observations of daily British life of the lower and middle classes: on the street, in taverns, and at home. All contain captions related to the image, and some have titles in addition to their caption. These titles include \"A Speculation,\" \"On the Boulevards,\" \"A Toothless Trio,\" \"A Learned Trio,\"  and \"The Moustache Movement.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains eight original pen, ink, and watercolor sketches with initials by the English caricaturist John Leech (1816-1864). Illustrated roughly around 1840, each illustration depicts his observations of daily British life of the lower and middle classes: on the street, in taverns, and at home. All contain captions related to the image, and some have titles in addition to their caption. These titles include \"A Speculation,\" \"On the Boulevards,\" \"A Toothless Trio,\" \"A Learned Trio,\"  and \"The Moustache Movement.\""],"names_ssim":["Albert and Shirley Small Special Collections Library","Punch ","The New Monthly Magazine","he Illuminated Magazine","The Illustrated London News","The Field"," Benezit Dictionary of Artist","Encyclopedia Britannica","Lambiek Comiclopedia","Leech, John, 1817-1864","John Leech","Charles Dickens"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Punch ","The New Monthly Magazine","he Illuminated Magazine","The Illustrated London News","The Field"," Benezit Dictionary of Artist","Encyclopedia Britannica","Lambiek Comiclopedia"],"persname_ssim":["Leech, John, 1817-1864","John Leech","Charles Dickens"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:52:00.356Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1798"}},{"id":"viu_repositories_7_resources_57","type":"collection","attributes":{"title":"University of Virginia Medical Illustrations collection","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_57#creator","type":"document_value","attributes":{"value":"Bernie, Frederick, fl. 1792","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_57#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe collection comprises mostly of anatomical illustrations of humans and animals by professional medical illustrators and medical practioners, but there is a good number of caricatures. Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. In addition, there are some drawings in notepads and on tracing paper.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_57#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_7_resources_57","ead_ssi":"viu_repositories_7_resources_57","_root_":"viu_repositories_7_resources_57","_nest_parent_":"viu_repositories_7_resources_57","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_57.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/56","title_ssm":["University of Virginia Medical Illustrations collection"],"title_tesim":["University of Virginia Medical Illustrations collection"],"unitdate_ssm":["1720-1969","undated"],"unitdate_bulk_ssim":["undated"],"unitdate_inclusive_ssm":["1720-1969"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.67","Archival Resource Key","/repositories/7/resources/57"],"text":["MS.67","Archival Resource Key","/repositories/7/resources/57","University of Virginia Medical Illustrations collection","Illustrators","Medical libraries","cartoons (humorous images)","drawings (visual works)","7.5 linear feet: 4 boxes with dimensions 16 in x 20 in x 3.5 in 2 document boxes","Collection is open to research.","Authenticated by Medicine Rara 185 Madison Ave, NY, NY 10016.","The illustrations are arranged by the name of their illustrator, and by chronology, then grouped by the subject of the drawing. The exceptions to this arrangement are items where the artist or subject is unknown or if there is no series for individual artists.","The University of Virginia has taught the study of human anatomy as part of the medical curriculum since its first session in 1825. ","The creator of several of the drawings in the collection, Harvey E. Jordan (1878-1963), was on the faculty of the School of Medicine at the University of Virginia between 1907 and 1949 and had a strong interest in anatomy throughout his career. Jordan served as a Professor of Histology and Embryology, Director of Anatomical Laboratories, and, from 1938 to 1949, as the Dean of the Department of Medicine (in 1950 the title changed to \"Dean of the School of Medicine\"). During his tenure as Dean, Jordan started a Division of Medical Illustration at the Univeristy. Among the many professional societies to which he belonged was the American Association of Anatomists, and throughout his career he wrote many papers on the subject of microscopic anatomy.","In addition to Harvey E. Jordan, the collection also contains work by illustrators including P. Le Paumier, Helen Lorraine, and Ted Bloodhart. P. Le Paumier (dates unknown) was a French illustrator whose work was published in the book  Travaux pratiques d'anatomie. Cahier d'ostéologie,  by French anatomist André Latarjet (1877-1947). Helen Lorraine (1892-1980) was a medical illustrator who graduated from Johns Hopkins School of Art as Applied to Medicine (1916) and studied under Max Brodel and J. Shelton Horsley. Lorraine's illustrations were produced for Dr. Charles Bruce Morton (1908-1966), a University of Virginia School of Medicine graduate (B.S. 1920, M.D. 1922) and professor of Surgery and Gynecology at UVA from 1927 to 1954. Little is known about the other illustrators. Some works in the collection are not identified.","Another set of prints included in this collection are the Elizabeth Mandell historical prints collection, which consists of prints, illustrations, and pages from an unidentified text. Items include 3 anatomical plates; 3 surgical plates; and a print of a physician and patient from the Illustrated Times, London Dec. 8, 1880. Also included: an image of a doctor and patients from an \"extra supplement to the Illustrated London News, May 19, 187?\"; and illustrations from the International Medical and Sanitary Exposition. The 4 loose pages contain an entry on Anatomy and are taken from the same text as the anatomical and surgical plates (possibly an encyclopedia).","In 2026, the English and French caricatures were added to the collection. ","The collection comprises mostly of anatomical illustrations of humans and animals by professional medical illustrators and medical practioners, but there is a good number of caricatures. Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. In addition, there are some drawings in notepads and on tracing paper.","From The Graphic: an illustrated weekly newspaper, page 109","5 figures: 1. extempore dressing on the Battlefield. 2. ward tent and apparatus for steaming throat and bronchial cases, Guy's Hospital. 3. (ditto), St. Mary's Hospital. 4. a bad accident case: London Hospital. 5. bath lift: Middlesex Hospital.","Extra supplement to the Illustrated London News May 19 1877.","Caricature by definition is a representation in which the subject's distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect. Nineteenth-century medicine provided caricaturists with a wealth of material. Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.","While some caricatures were straightforward in their message, others contained yet another layer of meaning. Medical conditions could symbolize failed interpersonal relationships, national political affairs, and everything in between. Ailments caused by the follies of fashion, such as ill-fitting footwear or constricting corsets, inspired many drawings. Artists also directly linked illness to excesses in nineteenth-century social life, particularly over-consumption of food and alcohol.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","English Caricature:\nPrecariousness of Life\nHeroic Medicine\nPray Remember the Poor Debtors\nQuacks \u0026 Nostrums\nDoomed Relationships\nFashionable Follies\nNineteenth-Century Excess\nEnglish Artists\nFootnotes, Bibliography, \u0026 Links","French Caricature:\nScenes of the Day\nMedicine in France\nMedical Caricatures or Political Commentary?\nHunchbacks: Mocked or Mocker?\nPublic Health: The Need Is Pressing\nWet Nursing: Paying Consumers\nFrench Artists\nFootnotes, Bibliography, \u0026 Links","The caption of this image describes the 'Extraordinary Effects of Morison's Vegetable Pills', re-growing a man's legs overnight. Morison's Vegetable Pills were the brainchild of James Morison (1770-1840) and sold from 1825 onwards. Morison believed that all disease was caused by an impurity of the blood that could only be purged by his vegetable pills. The pills, a laxative based on a variety of herbs, including rhubarb and myrrh, were sold in chemists, grocers and even libraries. Morison believed that his pills could be taken in large doses but a number of deaths proved him wrong. Many labelled him a quack and his pills a poison. The print is by Charles Grant Jameson (active 1832-1850); artist: Grant, Charles Jameson; maker: J Kendrick; place made: London, England, United Kingdom.","Colored etching by G[eorge] Cruikshank: Source of the Southwark Water Works, or [headed] Salus Populi Suprema Lex. Published by S. Knight, [1832]. 51x32.5cm. Printed on broadsheet with text poem beneath: Royal Address of Cadwallader... water-king of Southwark [John Edwards]. Concern at pollution and threat to public health. ","The satirical poem 'Royal Address of Cadwallader ap-Tudor ap-Edwards ap-Vaughan, Water-King of Southwark', published in 1832, is a comment on the pollution of the River Thames, the main water supply for London. The crowd chants \"Give us clean water\" and \"We shall get the cholera\" – 1832 being the year that a major cholera epidemic hit London. The writer of the poem and the people in the illustration appear to believe that cholera is spread by vapours from rotting waste – the miasma theory of disease. However, John Snow (1813-1858) discovered that cholera is a water-borne disease. Despite this, many physicians still accepted the miasma theory. The illustration was drawn by the artist and caricaturist George Cruikshank (1792-1878).","Inscription: Lettered with title, \"Ex Marmore Antiquo,\" three lines of description of subject beginning \"He grounded his Precepts upon Aesculapius. ...,\" and production details: \"P. P. Rubens Del.,\" \"I. Faber Fecit,\" and \"Printed for \u0026 Sold by Tho: Bowles next the Chapter House in St. Pauls Ch. Yard and John Bowles at the Black Horse in Cornhill.\"","This satirical response to \"fast living\" centers on a figure whose left side is a skeleton holding a spade before a tombstone lettered with a quote from Romans 6.23, \"The wages of sin is death,\" with other biblical admonishments below. The figure's right side is fashionably dressed living aristocrat standing in a parkland with a temple similar to one at Stowe in Buckinghamshire. Emblems of the Order of the Garter are part of the man's dress and items that refer to gambling and partying are strewn around his buckled shoe. These include part of a \"EO\" wheel (an 18th century game similar to roulette), dice and a shaker, cards, and a masquerade ticket to the Pantheon in London. A scroll that confirms the man's \"Pedigree\" suggests that rank offers no protection from mortality.","This cartoon by J. A. Wales.found in Puck on April 14, 1880 satirizes the Eclectic Medical College of Pennsylvania, a diploma mill selling fake medical degrees in the later decades of the 19th century. \"Professor Grind-Em-Out\" is, no doubt, the school's \"Dean,\" John Buchanan, who was finally arrested in 1880, due in part to his exposure in the popular media.","Etching depicting a group of male academics and students, many wearing mortar boards, gathered around a professor who reads form a book inscribed 'Datur Vacuum.'","Within a lugubrious coat-of-arms, Hogarth depicts three well-known quacks with a group of twelve portly physicians. The three quacks at the top of the print are Joshua Ward, perhaps the most famous charlatan of his time; Sarah Mapp, a well-known bonesetter; and John Taylor, an oculist. The bewigged physicians dispel the stench of death by sniffing the pomander attached to the top of their canes. According to Hogarth, proper physicians and disreputable quacks are all members of the same Company of Undertakers. The Latin caption, Et plurima mortis imago, translates as \"And many are the faces of death.\"","A sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration.","A sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration.","Some materials may be subject to copyright restrictions.","Claude Moore Health Sciences Library","Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. J., 1803-1847","English, French, Latin"],"unitid_tesim":["MS.67","Archival Resource Key","/repositories/7/resources/57"],"normalized_title_ssm":["University of Virginia Medical Illustrations collection"],"collection_title_tesim":["University of Virginia Medical Illustrations collection"],"collection_ssim":["University of Virginia Medical Illustrations collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916"],"creator_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916"],"creator_persname_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916"],"creators_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916"],"access_terms_ssm":["Some materials may be subject to copyright restrictions."],"acqinfo_ssim":["The bulk of the illustrations in the collection were donated by Dr. Claude Coleman to the Plastic and Maxillofacial Surgery Department at the University of Virginia. The collection was transferred to the Claude Moore Health Sciences Library in approximately 2009."],"access_subjects_ssim":["Illustrators","Medical libraries","cartoons (humorous images)","drawings (visual works)"],"access_subjects_ssm":["Illustrators","Medical libraries","cartoons (humorous images)","drawings (visual works)"],"has_online_content_ssim":["true"],"digital_objects_ssm":["{\"label\":\"“Very Ill!”: The Many Faces of Medical Caricature in Nineteenth-Century England \u0026 France Online Exhibit\",\"href\":\"https://wayback.archive-it.org/18731/20250701185054/https://exhibits.hsl.virginia.edu/caricatures/\"}"],"physdesc_tesim":["7.5 linear feet: 4 boxes with dimensions 16 in x 20 in x 3.5 in 2 document boxes"],"extent_ssm":["7 boxes (7 containers)"],"extent_tesim":["7 boxes (7 containers)"],"physfacet_tesim":["77.0 linear inches "],"genreform_ssim":["cartoons (humorous images)","drawings (visual works)"],"date_range_isim":[0,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e","\u003clegalstatus id=\"aspace_761807940929756b048fd8cece628502\"\u003eAuthenticated by Medicine Rara 185 Madison Ave, NY, NY 10016.\u003c/legalstatus\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.","Authenticated by Medicine Rara 185 Madison Ave, NY, NY 10016."],"arrangement_html_tesm":["\u003cp\u003eThe illustrations are arranged by the name of their illustrator, and by chronology, then grouped by the subject of the drawing. The exceptions to this arrangement are items where the artist or subject is unknown or if there is no series for individual artists.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The illustrations are arranged by the name of their illustrator, and by chronology, then grouped by the subject of the drawing. The exceptions to this arrangement are items where the artist or subject is unknown or if there is no series for individual artists."],"bioghist_html_tesm":["\u003cp\u003eThe University of Virginia has taught the study of human anatomy as part of the medical curriculum since its first session in 1825. \u003c/p\u003e\n","\u003cp\u003eThe creator of several of the drawings in the collection, Harvey E. Jordan (1878-1963), was on the faculty of the School of Medicine at the University of Virginia between 1907 and 1949 and had a strong interest in anatomy throughout his career. Jordan served as a Professor of Histology and Embryology, Director of Anatomical Laboratories, and, from 1938 to 1949, as the Dean of the Department of Medicine (in 1950 the title changed to \"Dean of the School of Medicine\"). During his tenure as Dean, Jordan started a Division of Medical Illustration at the Univeristy. Among the many professional societies to which he belonged was the American Association of Anatomists, and throughout his career he wrote many papers on the subject of microscopic anatomy.\u003c/p\u003e\n","\u003cp\u003eIn addition to Harvey E. Jordan, the collection also contains work by illustrators including P. Le Paumier, Helen Lorraine, and Ted Bloodhart. P. Le Paumier (dates unknown) was a French illustrator whose work was published in the book \u003ci\u003eTravaux pratiques d'anatomie. Cahier d'ostéologie,\u003c/i\u003e by French anatomist André Latarjet (1877-1947). Helen Lorraine (1892-1980) was a medical illustrator who graduated from Johns Hopkins School of Art as Applied to Medicine (1916) and studied under Max Brodel and J. Shelton Horsley. Lorraine's illustrations were produced for Dr. Charles Bruce Morton (1908-1966), a University of Virginia School of Medicine graduate (B.S. 1920, M.D. 1922) and professor of Surgery and Gynecology at UVA from 1927 to 1954. Little is known about the other illustrators. Some works in the collection are not identified.\u003c/p\u003e\n","\u003cp\u003eAnother set of prints included in this collection are the Elizabeth Mandell historical prints collection, which consists of prints, illustrations, and pages from an unidentified text. Items include 3 anatomical plates; 3 surgical plates; and a print of a physician and patient from the Illustrated Times, London Dec. 8, 1880. Also included: an image of a doctor and patients from an \"extra supplement to the Illustrated London News, May 19, 187?\"; and illustrations from the International Medical and Sanitary Exposition. The 4 loose pages contain an entry on Anatomy and are taken from the same text as the anatomical and surgical plates (possibly an encyclopedia).\u003c/p\u003e\n","\u003cp\u003eIn 2026, the English and French caricatures were added to the collection. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["The University of Virginia has taught the study of human anatomy as part of the medical curriculum since its first session in 1825. ","The creator of several of the drawings in the collection, Harvey E. Jordan (1878-1963), was on the faculty of the School of Medicine at the University of Virginia between 1907 and 1949 and had a strong interest in anatomy throughout his career. Jordan served as a Professor of Histology and Embryology, Director of Anatomical Laboratories, and, from 1938 to 1949, as the Dean of the Department of Medicine (in 1950 the title changed to \"Dean of the School of Medicine\"). During his tenure as Dean, Jordan started a Division of Medical Illustration at the Univeristy. Among the many professional societies to which he belonged was the American Association of Anatomists, and throughout his career he wrote many papers on the subject of microscopic anatomy.","In addition to Harvey E. Jordan, the collection also contains work by illustrators including P. Le Paumier, Helen Lorraine, and Ted Bloodhart. P. Le Paumier (dates unknown) was a French illustrator whose work was published in the book  Travaux pratiques d'anatomie. Cahier d'ostéologie,  by French anatomist André Latarjet (1877-1947). Helen Lorraine (1892-1980) was a medical illustrator who graduated from Johns Hopkins School of Art as Applied to Medicine (1916) and studied under Max Brodel and J. Shelton Horsley. Lorraine's illustrations were produced for Dr. Charles Bruce Morton (1908-1966), a University of Virginia School of Medicine graduate (B.S. 1920, M.D. 1922) and professor of Surgery and Gynecology at UVA from 1927 to 1954. Little is known about the other illustrators. Some works in the collection are not identified.","Another set of prints included in this collection are the Elizabeth Mandell historical prints collection, which consists of prints, illustrations, and pages from an unidentified text. Items include 3 anatomical plates; 3 surgical plates; and a print of a physician and patient from the Illustrated Times, London Dec. 8, 1880. Also included: an image of a doctor and patients from an \"extra supplement to the Illustrated London News, May 19, 187?\"; and illustrations from the International Medical and Sanitary Exposition. The 4 loose pages contain an entry on Anatomy and are taken from the same text as the anatomical and surgical plates (possibly an encyclopedia).","In 2026, the English and French caricatures were added to the collection. "],"otherfindaid_html_tesm":["\u003cp\u003eAll of these illustrations were digitized and curated in an online exhibit written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.\u003c/p\u003e\n","\u003cp\u003eThe web archived exhibit can be found via the Internet Archive's Wayback Machine here: \u003cextref\u003ehttps://web.archive.org/web/20251212135051/https://exhibits.hsl.virginia.edu/caricatures/index.html\u003c/extref\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids"],"otherfindaid_tesim":["All of these illustrations were digitized and curated in an online exhibit written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.","The web archived exhibit can be found via the Internet Archive's Wayback Machine here:  https://web.archive.org/web/20251212135051/https://exhibits.hsl.virginia.edu/caricatures/index.html"],"prefercite_html_tesm":["\u003cp\u003eUniversity of Virginia Anatomical Illustrations Collection, #MS-67, Historical Collections \u0026amp; Services, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e"],"prefercite_tesim":["University of Virginia Anatomical Illustrations Collection, #MS-67, Historical Collections \u0026 Services, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe collection comprises mostly of anatomical illustrations of humans and animals by professional medical illustrators and medical practioners, but there is a good number of caricatures. Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. In addition, there are some drawings in notepads and on tracing paper.\u003c/p\u003e","\u003cp\u003eFrom The Graphic: an illustrated weekly newspaper, page 109\u003c/p\u003e\n","\u003cp\u003e5 figures: 1. extempore dressing on the Battlefield. 2. ward tent and apparatus for steaming throat and bronchial cases, Guy's Hospital. 3. (ditto), St. Mary's Hospital. 4. a bad accident case: London Hospital. 5. bath lift: Middlesex Hospital.\u003c/p\u003e","\u003cp\u003eExtra supplement to the Illustrated London News May 19 1877.\u003c/p\u003e","\u003cp\u003eCaricature by definition is a representation in which the subject's distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect. Nineteenth-century medicine provided caricaturists with a wealth of material. Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.\u003c/p\u003e\n","\u003cp\u003eWhile some caricatures were straightforward in their message, others contained yet another layer of meaning. Medical conditions could symbolize failed interpersonal relationships, national political affairs, and everything in between. Ailments caused by the follies of fashion, such as ill-fitting footwear or constricting corsets, inspired many drawings. Artists also directly linked illness to excesses in nineteenth-century social life, particularly over-consumption of food and alcohol.\u003c/p\u003e\n","\u003cp\u003eThe 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.\u003c/p\u003e\n","\u003cp\u003eEnglish Caricature:\nPrecariousness of Life\nHeroic Medicine\nPray Remember the Poor Debtors\nQuacks \u0026amp; Nostrums\nDoomed Relationships\nFashionable Follies\nNineteenth-Century Excess\nEnglish Artists\nFootnotes, Bibliography, \u0026amp; Links\u003c/p\u003e\n","\u003cp\u003eFrench Caricature:\nScenes of the Day\nMedicine in France\nMedical Caricatures or Political Commentary?\nHunchbacks: Mocked or Mocker?\nPublic Health: The Need Is Pressing\nWet Nursing: Paying Consumers\nFrench Artists\nFootnotes, Bibliography, \u0026amp; Links\u003c/p\u003e","\u003cp\u003eThe caption of this image describes the 'Extraordinary Effects of Morison's Vegetable Pills', re-growing a man's legs overnight. Morison's Vegetable Pills were the brainchild of James Morison (1770-1840) and sold from 1825 onwards. Morison believed that all disease was caused by an impurity of the blood that could only be purged by his vegetable pills. The pills, a laxative based on a variety of herbs, including rhubarb and myrrh, were sold in chemists, grocers and even libraries. Morison believed that his pills could be taken in large doses but a number of deaths proved him wrong. Many labelled him a quack and his pills a poison. The print is by Charles Grant Jameson (active 1832-1850); artist: Grant, Charles Jameson; maker: J Kendrick; place made: London, England, United Kingdom.\u003c/p\u003e","\u003cp\u003eColored etching by G[eorge] Cruikshank: Source of the Southwark Water Works, or [headed] Salus Populi Suprema Lex. Published by S. Knight, [1832]. 51x32.5cm. Printed on broadsheet with text poem beneath: Royal Address of Cadwallader... water-king of Southwark [John Edwards]. Concern at pollution and threat to public health. \u003c/p\u003e\n","\u003cp\u003eThe satirical poem 'Royal Address of Cadwallader ap-Tudor ap-Edwards ap-Vaughan, Water-King of Southwark', published in 1832, is a comment on the pollution of the River Thames, the main water supply for London. The crowd chants \"Give us clean water\" and \"We shall get the cholera\" – 1832 being the year that a major cholera epidemic hit London. The writer of the poem and the people in the illustration appear to believe that cholera is spread by vapours from rotting waste – the miasma theory of disease. However, John Snow (1813-1858) discovered that cholera is a water-borne disease. Despite this, many physicians still accepted the miasma theory. The illustration was drawn by the artist and caricaturist George Cruikshank (1792-1878).\u003c/p\u003e","\u003cp\u003eInscription: Lettered with title, \"Ex Marmore Antiquo,\" three lines of description of subject beginning \"He grounded his Precepts upon Aesculapius. ...,\" and production details: \"P. P. Rubens Del.,\" \"I. Faber Fecit,\" and \"Printed for \u0026amp; Sold by Tho: Bowles next the Chapter House in St. Pauls Ch. Yard and John Bowles at the Black Horse in Cornhill.\"\u003c/p\u003e","\u003cp\u003eThis satirical response to \"fast living\" centers on a figure whose left side is a skeleton holding a spade before a tombstone lettered with a quote from Romans 6.23, \"The wages of sin is death,\" with other biblical admonishments below. The figure's right side is fashionably dressed living aristocrat standing in a parkland with a temple similar to one at Stowe in Buckinghamshire. Emblems of the Order of the Garter are part of the man's dress and items that refer to gambling and partying are strewn around his buckled shoe. These include part of a \"EO\" wheel (an 18th century game similar to roulette), dice and a shaker, cards, and a masquerade ticket to the Pantheon in London. A scroll that confirms the man's \"Pedigree\" suggests that rank offers no protection from mortality.\u003c/p\u003e","\u003cp\u003eThis cartoon by J. A. Wales.found in Puck on April 14, 1880 satirizes the Eclectic Medical College of Pennsylvania, a diploma mill selling fake medical degrees in the later decades of the 19th century. \"Professor Grind-Em-Out\" is, no doubt, the school's \"Dean,\" John Buchanan, who was finally arrested in 1880, due in part to his exposure in the popular media.\u003c/p\u003e","\u003cp\u003eEtching depicting a group of male academics and students, many wearing mortar boards, gathered around a professor who reads form a book inscribed 'Datur Vacuum.'\u003c/p\u003e","\u003cp\u003eWithin a lugubrious coat-of-arms, Hogarth depicts three well-known quacks with a group of twelve portly physicians. The three quacks at the top of the print are Joshua Ward, perhaps the most famous charlatan of his time; Sarah Mapp, a well-known bonesetter; and John Taylor, an oculist. The bewigged physicians dispel the stench of death by sniffing the pomander attached to the top of their canes. According to Hogarth, proper physicians and disreputable quacks are all members of the same Company of Undertakers. The Latin caption, Et plurima mortis imago, translates as \"And many are the faces of death.\"\u003c/p\u003e","\u003cp\u003eA sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration.\u003c/p\u003e","\u003cp\u003eA sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection comprises mostly of anatomical illustrations of humans and animals by professional medical illustrators and medical practioners, but there is a good number of caricatures. Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. In addition, there are some drawings in notepads and on tracing paper.","From The Graphic: an illustrated weekly newspaper, page 109","5 figures: 1. extempore dressing on the Battlefield. 2. ward tent and apparatus for steaming throat and bronchial cases, Guy's Hospital. 3. (ditto), St. Mary's Hospital. 4. a bad accident case: London Hospital. 5. bath lift: Middlesex Hospital.","Extra supplement to the Illustrated London News May 19 1877.","Caricature by definition is a representation in which the subject's distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect. Nineteenth-century medicine provided caricaturists with a wealth of material. Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.","While some caricatures were straightforward in their message, others contained yet another layer of meaning. Medical conditions could symbolize failed interpersonal relationships, national political affairs, and everything in between. Ailments caused by the follies of fashion, such as ill-fitting footwear or constricting corsets, inspired many drawings. Artists also directly linked illness to excesses in nineteenth-century social life, particularly over-consumption of food and alcohol.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","English Caricature:\nPrecariousness of Life\nHeroic Medicine\nPray Remember the Poor Debtors\nQuacks \u0026 Nostrums\nDoomed Relationships\nFashionable Follies\nNineteenth-Century Excess\nEnglish Artists\nFootnotes, Bibliography, \u0026 Links","French Caricature:\nScenes of the Day\nMedicine in France\nMedical Caricatures or Political Commentary?\nHunchbacks: Mocked or Mocker?\nPublic Health: The Need Is Pressing\nWet Nursing: Paying Consumers\nFrench Artists\nFootnotes, Bibliography, \u0026 Links","The caption of this image describes the 'Extraordinary Effects of Morison's Vegetable Pills', re-growing a man's legs overnight. Morison's Vegetable Pills were the brainchild of James Morison (1770-1840) and sold from 1825 onwards. Morison believed that all disease was caused by an impurity of the blood that could only be purged by his vegetable pills. The pills, a laxative based on a variety of herbs, including rhubarb and myrrh, were sold in chemists, grocers and even libraries. Morison believed that his pills could be taken in large doses but a number of deaths proved him wrong. Many labelled him a quack and his pills a poison. The print is by Charles Grant Jameson (active 1832-1850); artist: Grant, Charles Jameson; maker: J Kendrick; place made: London, England, United Kingdom.","Colored etching by G[eorge] Cruikshank: Source of the Southwark Water Works, or [headed] Salus Populi Suprema Lex. Published by S. Knight, [1832]. 51x32.5cm. Printed on broadsheet with text poem beneath: Royal Address of Cadwallader... water-king of Southwark [John Edwards]. Concern at pollution and threat to public health. ","The satirical poem 'Royal Address of Cadwallader ap-Tudor ap-Edwards ap-Vaughan, Water-King of Southwark', published in 1832, is a comment on the pollution of the River Thames, the main water supply for London. The crowd chants \"Give us clean water\" and \"We shall get the cholera\" – 1832 being the year that a major cholera epidemic hit London. The writer of the poem and the people in the illustration appear to believe that cholera is spread by vapours from rotting waste – the miasma theory of disease. However, John Snow (1813-1858) discovered that cholera is a water-borne disease. Despite this, many physicians still accepted the miasma theory. The illustration was drawn by the artist and caricaturist George Cruikshank (1792-1878).","Inscription: Lettered with title, \"Ex Marmore Antiquo,\" three lines of description of subject beginning \"He grounded his Precepts upon Aesculapius. ...,\" and production details: \"P. P. Rubens Del.,\" \"I. Faber Fecit,\" and \"Printed for \u0026 Sold by Tho: Bowles next the Chapter House in St. Pauls Ch. Yard and John Bowles at the Black Horse in Cornhill.\"","This satirical response to \"fast living\" centers on a figure whose left side is a skeleton holding a spade before a tombstone lettered with a quote from Romans 6.23, \"The wages of sin is death,\" with other biblical admonishments below. The figure's right side is fashionably dressed living aristocrat standing in a parkland with a temple similar to one at Stowe in Buckinghamshire. Emblems of the Order of the Garter are part of the man's dress and items that refer to gambling and partying are strewn around his buckled shoe. These include part of a \"EO\" wheel (an 18th century game similar to roulette), dice and a shaker, cards, and a masquerade ticket to the Pantheon in London. A scroll that confirms the man's \"Pedigree\" suggests that rank offers no protection from mortality.","This cartoon by J. A. Wales.found in Puck on April 14, 1880 satirizes the Eclectic Medical College of Pennsylvania, a diploma mill selling fake medical degrees in the later decades of the 19th century. \"Professor Grind-Em-Out\" is, no doubt, the school's \"Dean,\" John Buchanan, who was finally arrested in 1880, due in part to his exposure in the popular media.","Etching depicting a group of male academics and students, many wearing mortar boards, gathered around a professor who reads form a book inscribed 'Datur Vacuum.'","Within a lugubrious coat-of-arms, Hogarth depicts three well-known quacks with a group of twelve portly physicians. The three quacks at the top of the print are Joshua Ward, perhaps the most famous charlatan of his time; Sarah Mapp, a well-known bonesetter; and John Taylor, an oculist. The bewigged physicians dispel the stench of death by sniffing the pomander attached to the top of their canes. According to Hogarth, proper physicians and disreputable quacks are all members of the same Company of Undertakers. The Latin caption, Et plurima mortis imago, translates as \"And many are the faces of death.\"","A sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration.","A sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration."],"userestrict_html_tesm":["\u003cp\u003eSome materials may be subject to copyright restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Some materials may be subject to copyright restrictions."],"names_ssim":["Claude Moore Health Sciences Library","Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. J., 1803-1847"],"corpname_ssim":["Claude Moore Health Sciences Library"],"names_coll_ssim":["Gans, Sigismund, 1829-1831 ","Humphrey, Hannah, 1750-1818"],"persname_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. J., 1803-1847"],"language_ssim":["English, French, Latin"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":248,"online_item_count_is":2,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:24:18.661Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_7_resources_57","ead_ssi":"viu_repositories_7_resources_57","_root_":"viu_repositories_7_resources_57","_nest_parent_":"viu_repositories_7_resources_57","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_57.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/56","title_ssm":["University of Virginia Medical Illustrations collection"],"title_tesim":["University of Virginia Medical Illustrations collection"],"unitdate_ssm":["1720-1969","undated"],"unitdate_bulk_ssim":["undated"],"unitdate_inclusive_ssm":["1720-1969"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.67","Archival Resource Key","/repositories/7/resources/57"],"text":["MS.67","Archival Resource Key","/repositories/7/resources/57","University of Virginia Medical Illustrations collection","Illustrators","Medical libraries","cartoons (humorous images)","drawings (visual works)","7.5 linear feet: 4 boxes with dimensions 16 in x 20 in x 3.5 in 2 document boxes","Collection is open to research.","Authenticated by Medicine Rara 185 Madison Ave, NY, NY 10016.","The illustrations are arranged by the name of their illustrator, and by chronology, then grouped by the subject of the drawing. The exceptions to this arrangement are items where the artist or subject is unknown or if there is no series for individual artists.","The University of Virginia has taught the study of human anatomy as part of the medical curriculum since its first session in 1825. ","The creator of several of the drawings in the collection, Harvey E. Jordan (1878-1963), was on the faculty of the School of Medicine at the University of Virginia between 1907 and 1949 and had a strong interest in anatomy throughout his career. Jordan served as a Professor of Histology and Embryology, Director of Anatomical Laboratories, and, from 1938 to 1949, as the Dean of the Department of Medicine (in 1950 the title changed to \"Dean of the School of Medicine\"). During his tenure as Dean, Jordan started a Division of Medical Illustration at the Univeristy. Among the many professional societies to which he belonged was the American Association of Anatomists, and throughout his career he wrote many papers on the subject of microscopic anatomy.","In addition to Harvey E. Jordan, the collection also contains work by illustrators including P. Le Paumier, Helen Lorraine, and Ted Bloodhart. P. Le Paumier (dates unknown) was a French illustrator whose work was published in the book  Travaux pratiques d'anatomie. Cahier d'ostéologie,  by French anatomist André Latarjet (1877-1947). Helen Lorraine (1892-1980) was a medical illustrator who graduated from Johns Hopkins School of Art as Applied to Medicine (1916) and studied under Max Brodel and J. Shelton Horsley. Lorraine's illustrations were produced for Dr. Charles Bruce Morton (1908-1966), a University of Virginia School of Medicine graduate (B.S. 1920, M.D. 1922) and professor of Surgery and Gynecology at UVA from 1927 to 1954. Little is known about the other illustrators. Some works in the collection are not identified.","Another set of prints included in this collection are the Elizabeth Mandell historical prints collection, which consists of prints, illustrations, and pages from an unidentified text. Items include 3 anatomical plates; 3 surgical plates; and a print of a physician and patient from the Illustrated Times, London Dec. 8, 1880. Also included: an image of a doctor and patients from an \"extra supplement to the Illustrated London News, May 19, 187?\"; and illustrations from the International Medical and Sanitary Exposition. The 4 loose pages contain an entry on Anatomy and are taken from the same text as the anatomical and surgical plates (possibly an encyclopedia).","In 2026, the English and French caricatures were added to the collection. ","The collection comprises mostly of anatomical illustrations of humans and animals by professional medical illustrators and medical practioners, but there is a good number of caricatures. Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. In addition, there are some drawings in notepads and on tracing paper.","From The Graphic: an illustrated weekly newspaper, page 109","5 figures: 1. extempore dressing on the Battlefield. 2. ward tent and apparatus for steaming throat and bronchial cases, Guy's Hospital. 3. (ditto), St. Mary's Hospital. 4. a bad accident case: London Hospital. 5. bath lift: Middlesex Hospital.","Extra supplement to the Illustrated London News May 19 1877.","Caricature by definition is a representation in which the subject's distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect. Nineteenth-century medicine provided caricaturists with a wealth of material. Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.","While some caricatures were straightforward in their message, others contained yet another layer of meaning. Medical conditions could symbolize failed interpersonal relationships, national political affairs, and everything in between. Ailments caused by the follies of fashion, such as ill-fitting footwear or constricting corsets, inspired many drawings. Artists also directly linked illness to excesses in nineteenth-century social life, particularly over-consumption of food and alcohol.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","English Caricature:\nPrecariousness of Life\nHeroic Medicine\nPray Remember the Poor Debtors\nQuacks \u0026 Nostrums\nDoomed Relationships\nFashionable Follies\nNineteenth-Century Excess\nEnglish Artists\nFootnotes, Bibliography, \u0026 Links","French Caricature:\nScenes of the Day\nMedicine in France\nMedical Caricatures or Political Commentary?\nHunchbacks: Mocked or Mocker?\nPublic Health: The Need Is Pressing\nWet Nursing: Paying Consumers\nFrench Artists\nFootnotes, Bibliography, \u0026 Links","The caption of this image describes the 'Extraordinary Effects of Morison's Vegetable Pills', re-growing a man's legs overnight. Morison's Vegetable Pills were the brainchild of James Morison (1770-1840) and sold from 1825 onwards. Morison believed that all disease was caused by an impurity of the blood that could only be purged by his vegetable pills. The pills, a laxative based on a variety of herbs, including rhubarb and myrrh, were sold in chemists, grocers and even libraries. Morison believed that his pills could be taken in large doses but a number of deaths proved him wrong. Many labelled him a quack and his pills a poison. The print is by Charles Grant Jameson (active 1832-1850); artist: Grant, Charles Jameson; maker: J Kendrick; place made: London, England, United Kingdom.","Colored etching by G[eorge] Cruikshank: Source of the Southwark Water Works, or [headed] Salus Populi Suprema Lex. Published by S. Knight, [1832]. 51x32.5cm. Printed on broadsheet with text poem beneath: Royal Address of Cadwallader... water-king of Southwark [John Edwards]. Concern at pollution and threat to public health. ","The satirical poem 'Royal Address of Cadwallader ap-Tudor ap-Edwards ap-Vaughan, Water-King of Southwark', published in 1832, is a comment on the pollution of the River Thames, the main water supply for London. The crowd chants \"Give us clean water\" and \"We shall get the cholera\" – 1832 being the year that a major cholera epidemic hit London. The writer of the poem and the people in the illustration appear to believe that cholera is spread by vapours from rotting waste – the miasma theory of disease. However, John Snow (1813-1858) discovered that cholera is a water-borne disease. Despite this, many physicians still accepted the miasma theory. The illustration was drawn by the artist and caricaturist George Cruikshank (1792-1878).","Inscription: Lettered with title, \"Ex Marmore Antiquo,\" three lines of description of subject beginning \"He grounded his Precepts upon Aesculapius. ...,\" and production details: \"P. P. Rubens Del.,\" \"I. Faber Fecit,\" and \"Printed for \u0026 Sold by Tho: Bowles next the Chapter House in St. Pauls Ch. Yard and John Bowles at the Black Horse in Cornhill.\"","This satirical response to \"fast living\" centers on a figure whose left side is a skeleton holding a spade before a tombstone lettered with a quote from Romans 6.23, \"The wages of sin is death,\" with other biblical admonishments below. The figure's right side is fashionably dressed living aristocrat standing in a parkland with a temple similar to one at Stowe in Buckinghamshire. Emblems of the Order of the Garter are part of the man's dress and items that refer to gambling and partying are strewn around his buckled shoe. These include part of a \"EO\" wheel (an 18th century game similar to roulette), dice and a shaker, cards, and a masquerade ticket to the Pantheon in London. A scroll that confirms the man's \"Pedigree\" suggests that rank offers no protection from mortality.","This cartoon by J. A. Wales.found in Puck on April 14, 1880 satirizes the Eclectic Medical College of Pennsylvania, a diploma mill selling fake medical degrees in the later decades of the 19th century. \"Professor Grind-Em-Out\" is, no doubt, the school's \"Dean,\" John Buchanan, who was finally arrested in 1880, due in part to his exposure in the popular media.","Etching depicting a group of male academics and students, many wearing mortar boards, gathered around a professor who reads form a book inscribed 'Datur Vacuum.'","Within a lugubrious coat-of-arms, Hogarth depicts three well-known quacks with a group of twelve portly physicians. The three quacks at the top of the print are Joshua Ward, perhaps the most famous charlatan of his time; Sarah Mapp, a well-known bonesetter; and John Taylor, an oculist. The bewigged physicians dispel the stench of death by sniffing the pomander attached to the top of their canes. According to Hogarth, proper physicians and disreputable quacks are all members of the same Company of Undertakers. The Latin caption, Et plurima mortis imago, translates as \"And many are the faces of death.\"","A sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration.","A sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration.","Some materials may be subject to copyright restrictions.","Claude Moore Health Sciences Library","Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. J., 1803-1847","English, French, Latin"],"unitid_tesim":["MS.67","Archival Resource Key","/repositories/7/resources/57"],"normalized_title_ssm":["University of Virginia Medical Illustrations collection"],"collection_title_tesim":["University of Virginia Medical Illustrations collection"],"collection_ssim":["University of Virginia Medical Illustrations collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916"],"creator_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916"],"creator_persname_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916"],"creators_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916"],"access_terms_ssm":["Some materials may be subject to copyright restrictions."],"acqinfo_ssim":["The bulk of the illustrations in the collection were donated by Dr. Claude Coleman to the Plastic and Maxillofacial Surgery Department at the University of Virginia. The collection was transferred to the Claude Moore Health Sciences Library in approximately 2009."],"access_subjects_ssim":["Illustrators","Medical libraries","cartoons (humorous images)","drawings (visual works)"],"access_subjects_ssm":["Illustrators","Medical libraries","cartoons (humorous images)","drawings (visual works)"],"has_online_content_ssim":["true"],"digital_objects_ssm":["{\"label\":\"“Very Ill!”: The Many Faces of Medical Caricature in Nineteenth-Century England \u0026 France Online Exhibit\",\"href\":\"https://wayback.archive-it.org/18731/20250701185054/https://exhibits.hsl.virginia.edu/caricatures/\"}"],"physdesc_tesim":["7.5 linear feet: 4 boxes with dimensions 16 in x 20 in x 3.5 in 2 document boxes"],"extent_ssm":["7 boxes (7 containers)"],"extent_tesim":["7 boxes (7 containers)"],"physfacet_tesim":["77.0 linear inches "],"genreform_ssim":["cartoons (humorous images)","drawings (visual works)"],"date_range_isim":[0,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e","\u003clegalstatus id=\"aspace_761807940929756b048fd8cece628502\"\u003eAuthenticated by Medicine Rara 185 Madison Ave, NY, NY 10016.\u003c/legalstatus\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.","Authenticated by Medicine Rara 185 Madison Ave, NY, NY 10016."],"arrangement_html_tesm":["\u003cp\u003eThe illustrations are arranged by the name of their illustrator, and by chronology, then grouped by the subject of the drawing. The exceptions to this arrangement are items where the artist or subject is unknown or if there is no series for individual artists.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The illustrations are arranged by the name of their illustrator, and by chronology, then grouped by the subject of the drawing. The exceptions to this arrangement are items where the artist or subject is unknown or if there is no series for individual artists."],"bioghist_html_tesm":["\u003cp\u003eThe University of Virginia has taught the study of human anatomy as part of the medical curriculum since its first session in 1825. \u003c/p\u003e\n","\u003cp\u003eThe creator of several of the drawings in the collection, Harvey E. Jordan (1878-1963), was on the faculty of the School of Medicine at the University of Virginia between 1907 and 1949 and had a strong interest in anatomy throughout his career. Jordan served as a Professor of Histology and Embryology, Director of Anatomical Laboratories, and, from 1938 to 1949, as the Dean of the Department of Medicine (in 1950 the title changed to \"Dean of the School of Medicine\"). During his tenure as Dean, Jordan started a Division of Medical Illustration at the Univeristy. Among the many professional societies to which he belonged was the American Association of Anatomists, and throughout his career he wrote many papers on the subject of microscopic anatomy.\u003c/p\u003e\n","\u003cp\u003eIn addition to Harvey E. Jordan, the collection also contains work by illustrators including P. Le Paumier, Helen Lorraine, and Ted Bloodhart. P. Le Paumier (dates unknown) was a French illustrator whose work was published in the book \u003ci\u003eTravaux pratiques d'anatomie. Cahier d'ostéologie,\u003c/i\u003e by French anatomist André Latarjet (1877-1947). Helen Lorraine (1892-1980) was a medical illustrator who graduated from Johns Hopkins School of Art as Applied to Medicine (1916) and studied under Max Brodel and J. Shelton Horsley. Lorraine's illustrations were produced for Dr. Charles Bruce Morton (1908-1966), a University of Virginia School of Medicine graduate (B.S. 1920, M.D. 1922) and professor of Surgery and Gynecology at UVA from 1927 to 1954. Little is known about the other illustrators. Some works in the collection are not identified.\u003c/p\u003e\n","\u003cp\u003eAnother set of prints included in this collection are the Elizabeth Mandell historical prints collection, which consists of prints, illustrations, and pages from an unidentified text. Items include 3 anatomical plates; 3 surgical plates; and a print of a physician and patient from the Illustrated Times, London Dec. 8, 1880. Also included: an image of a doctor and patients from an \"extra supplement to the Illustrated London News, May 19, 187?\"; and illustrations from the International Medical and Sanitary Exposition. The 4 loose pages contain an entry on Anatomy and are taken from the same text as the anatomical and surgical plates (possibly an encyclopedia).\u003c/p\u003e\n","\u003cp\u003eIn 2026, the English and French caricatures were added to the collection. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["The University of Virginia has taught the study of human anatomy as part of the medical curriculum since its first session in 1825. ","The creator of several of the drawings in the collection, Harvey E. Jordan (1878-1963), was on the faculty of the School of Medicine at the University of Virginia between 1907 and 1949 and had a strong interest in anatomy throughout his career. Jordan served as a Professor of Histology and Embryology, Director of Anatomical Laboratories, and, from 1938 to 1949, as the Dean of the Department of Medicine (in 1950 the title changed to \"Dean of the School of Medicine\"). During his tenure as Dean, Jordan started a Division of Medical Illustration at the Univeristy. Among the many professional societies to which he belonged was the American Association of Anatomists, and throughout his career he wrote many papers on the subject of microscopic anatomy.","In addition to Harvey E. Jordan, the collection also contains work by illustrators including P. Le Paumier, Helen Lorraine, and Ted Bloodhart. P. Le Paumier (dates unknown) was a French illustrator whose work was published in the book  Travaux pratiques d'anatomie. Cahier d'ostéologie,  by French anatomist André Latarjet (1877-1947). Helen Lorraine (1892-1980) was a medical illustrator who graduated from Johns Hopkins School of Art as Applied to Medicine (1916) and studied under Max Brodel and J. Shelton Horsley. Lorraine's illustrations were produced for Dr. Charles Bruce Morton (1908-1966), a University of Virginia School of Medicine graduate (B.S. 1920, M.D. 1922) and professor of Surgery and Gynecology at UVA from 1927 to 1954. Little is known about the other illustrators. Some works in the collection are not identified.","Another set of prints included in this collection are the Elizabeth Mandell historical prints collection, which consists of prints, illustrations, and pages from an unidentified text. Items include 3 anatomical plates; 3 surgical plates; and a print of a physician and patient from the Illustrated Times, London Dec. 8, 1880. Also included: an image of a doctor and patients from an \"extra supplement to the Illustrated London News, May 19, 187?\"; and illustrations from the International Medical and Sanitary Exposition. The 4 loose pages contain an entry on Anatomy and are taken from the same text as the anatomical and surgical plates (possibly an encyclopedia).","In 2026, the English and French caricatures were added to the collection. "],"otherfindaid_html_tesm":["\u003cp\u003eAll of these illustrations were digitized and curated in an online exhibit written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.\u003c/p\u003e\n","\u003cp\u003eThe web archived exhibit can be found via the Internet Archive's Wayback Machine here: \u003cextref\u003ehttps://web.archive.org/web/20251212135051/https://exhibits.hsl.virginia.edu/caricatures/index.html\u003c/extref\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids"],"otherfindaid_tesim":["All of these illustrations were digitized and curated in an online exhibit written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.","The web archived exhibit can be found via the Internet Archive's Wayback Machine here:  https://web.archive.org/web/20251212135051/https://exhibits.hsl.virginia.edu/caricatures/index.html"],"prefercite_html_tesm":["\u003cp\u003eUniversity of Virginia Anatomical Illustrations Collection, #MS-67, Historical Collections \u0026amp; Services, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e"],"prefercite_tesim":["University of Virginia Anatomical Illustrations Collection, #MS-67, Historical Collections \u0026 Services, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe collection comprises mostly of anatomical illustrations of humans and animals by professional medical illustrators and medical practioners, but there is a good number of caricatures. Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. In addition, there are some drawings in notepads and on tracing paper.\u003c/p\u003e","\u003cp\u003eFrom The Graphic: an illustrated weekly newspaper, page 109\u003c/p\u003e\n","\u003cp\u003e5 figures: 1. extempore dressing on the Battlefield. 2. ward tent and apparatus for steaming throat and bronchial cases, Guy's Hospital. 3. (ditto), St. Mary's Hospital. 4. a bad accident case: London Hospital. 5. bath lift: Middlesex Hospital.\u003c/p\u003e","\u003cp\u003eExtra supplement to the Illustrated London News May 19 1877.\u003c/p\u003e","\u003cp\u003eCaricature by definition is a representation in which the subject's distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect. Nineteenth-century medicine provided caricaturists with a wealth of material. Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.\u003c/p\u003e\n","\u003cp\u003eWhile some caricatures were straightforward in their message, others contained yet another layer of meaning. Medical conditions could symbolize failed interpersonal relationships, national political affairs, and everything in between. Ailments caused by the follies of fashion, such as ill-fitting footwear or constricting corsets, inspired many drawings. Artists also directly linked illness to excesses in nineteenth-century social life, particularly over-consumption of food and alcohol.\u003c/p\u003e\n","\u003cp\u003eThe 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.\u003c/p\u003e\n","\u003cp\u003eEnglish Caricature:\nPrecariousness of Life\nHeroic Medicine\nPray Remember the Poor Debtors\nQuacks \u0026amp; Nostrums\nDoomed Relationships\nFashionable Follies\nNineteenth-Century Excess\nEnglish Artists\nFootnotes, Bibliography, \u0026amp; Links\u003c/p\u003e\n","\u003cp\u003eFrench Caricature:\nScenes of the Day\nMedicine in France\nMedical Caricatures or Political Commentary?\nHunchbacks: Mocked or Mocker?\nPublic Health: The Need Is Pressing\nWet Nursing: Paying Consumers\nFrench Artists\nFootnotes, Bibliography, \u0026amp; Links\u003c/p\u003e","\u003cp\u003eThe caption of this image describes the 'Extraordinary Effects of Morison's Vegetable Pills', re-growing a man's legs overnight. Morison's Vegetable Pills were the brainchild of James Morison (1770-1840) and sold from 1825 onwards. Morison believed that all disease was caused by an impurity of the blood that could only be purged by his vegetable pills. The pills, a laxative based on a variety of herbs, including rhubarb and myrrh, were sold in chemists, grocers and even libraries. Morison believed that his pills could be taken in large doses but a number of deaths proved him wrong. Many labelled him a quack and his pills a poison. The print is by Charles Grant Jameson (active 1832-1850); artist: Grant, Charles Jameson; maker: J Kendrick; place made: London, England, United Kingdom.\u003c/p\u003e","\u003cp\u003eColored etching by G[eorge] Cruikshank: Source of the Southwark Water Works, or [headed] Salus Populi Suprema Lex. Published by S. Knight, [1832]. 51x32.5cm. Printed on broadsheet with text poem beneath: Royal Address of Cadwallader... water-king of Southwark [John Edwards]. Concern at pollution and threat to public health. \u003c/p\u003e\n","\u003cp\u003eThe satirical poem 'Royal Address of Cadwallader ap-Tudor ap-Edwards ap-Vaughan, Water-King of Southwark', published in 1832, is a comment on the pollution of the River Thames, the main water supply for London. The crowd chants \"Give us clean water\" and \"We shall get the cholera\" – 1832 being the year that a major cholera epidemic hit London. The writer of the poem and the people in the illustration appear to believe that cholera is spread by vapours from rotting waste – the miasma theory of disease. However, John Snow (1813-1858) discovered that cholera is a water-borne disease. Despite this, many physicians still accepted the miasma theory. The illustration was drawn by the artist and caricaturist George Cruikshank (1792-1878).\u003c/p\u003e","\u003cp\u003eInscription: Lettered with title, \"Ex Marmore Antiquo,\" three lines of description of subject beginning \"He grounded his Precepts upon Aesculapius. ...,\" and production details: \"P. P. Rubens Del.,\" \"I. Faber Fecit,\" and \"Printed for \u0026amp; Sold by Tho: Bowles next the Chapter House in St. Pauls Ch. Yard and John Bowles at the Black Horse in Cornhill.\"\u003c/p\u003e","\u003cp\u003eThis satirical response to \"fast living\" centers on a figure whose left side is a skeleton holding a spade before a tombstone lettered with a quote from Romans 6.23, \"The wages of sin is death,\" with other biblical admonishments below. The figure's right side is fashionably dressed living aristocrat standing in a parkland with a temple similar to one at Stowe in Buckinghamshire. Emblems of the Order of the Garter are part of the man's dress and items that refer to gambling and partying are strewn around his buckled shoe. These include part of a \"EO\" wheel (an 18th century game similar to roulette), dice and a shaker, cards, and a masquerade ticket to the Pantheon in London. A scroll that confirms the man's \"Pedigree\" suggests that rank offers no protection from mortality.\u003c/p\u003e","\u003cp\u003eThis cartoon by J. A. Wales.found in Puck on April 14, 1880 satirizes the Eclectic Medical College of Pennsylvania, a diploma mill selling fake medical degrees in the later decades of the 19th century. \"Professor Grind-Em-Out\" is, no doubt, the school's \"Dean,\" John Buchanan, who was finally arrested in 1880, due in part to his exposure in the popular media.\u003c/p\u003e","\u003cp\u003eEtching depicting a group of male academics and students, many wearing mortar boards, gathered around a professor who reads form a book inscribed 'Datur Vacuum.'\u003c/p\u003e","\u003cp\u003eWithin a lugubrious coat-of-arms, Hogarth depicts three well-known quacks with a group of twelve portly physicians. The three quacks at the top of the print are Joshua Ward, perhaps the most famous charlatan of his time; Sarah Mapp, a well-known bonesetter; and John Taylor, an oculist. The bewigged physicians dispel the stench of death by sniffing the pomander attached to the top of their canes. According to Hogarth, proper physicians and disreputable quacks are all members of the same Company of Undertakers. The Latin caption, Et plurima mortis imago, translates as \"And many are the faces of death.\"\u003c/p\u003e","\u003cp\u003eA sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration.\u003c/p\u003e","\u003cp\u003eA sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection comprises mostly of anatomical illustrations of humans and animals by professional medical illustrators and medical practioners, but there is a good number of caricatures. Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. In addition, there are some drawings in notepads and on tracing paper.","From The Graphic: an illustrated weekly newspaper, page 109","5 figures: 1. extempore dressing on the Battlefield. 2. ward tent and apparatus for steaming throat and bronchial cases, Guy's Hospital. 3. (ditto), St. Mary's Hospital. 4. a bad accident case: London Hospital. 5. bath lift: Middlesex Hospital.","Extra supplement to the Illustrated London News May 19 1877.","Caricature by definition is a representation in which the subject's distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect. Nineteenth-century medicine provided caricaturists with a wealth of material. Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.","While some caricatures were straightforward in their message, others contained yet another layer of meaning. Medical conditions could symbolize failed interpersonal relationships, national political affairs, and everything in between. Ailments caused by the follies of fashion, such as ill-fitting footwear or constricting corsets, inspired many drawings. Artists also directly linked illness to excesses in nineteenth-century social life, particularly over-consumption of food and alcohol.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","English Caricature:\nPrecariousness of Life\nHeroic Medicine\nPray Remember the Poor Debtors\nQuacks \u0026 Nostrums\nDoomed Relationships\nFashionable Follies\nNineteenth-Century Excess\nEnglish Artists\nFootnotes, Bibliography, \u0026 Links","French Caricature:\nScenes of the Day\nMedicine in France\nMedical Caricatures or Political Commentary?\nHunchbacks: Mocked or Mocker?\nPublic Health: The Need Is Pressing\nWet Nursing: Paying Consumers\nFrench Artists\nFootnotes, Bibliography, \u0026 Links","The caption of this image describes the 'Extraordinary Effects of Morison's Vegetable Pills', re-growing a man's legs overnight. Morison's Vegetable Pills were the brainchild of James Morison (1770-1840) and sold from 1825 onwards. Morison believed that all disease was caused by an impurity of the blood that could only be purged by his vegetable pills. The pills, a laxative based on a variety of herbs, including rhubarb and myrrh, were sold in chemists, grocers and even libraries. Morison believed that his pills could be taken in large doses but a number of deaths proved him wrong. Many labelled him a quack and his pills a poison. The print is by Charles Grant Jameson (active 1832-1850); artist: Grant, Charles Jameson; maker: J Kendrick; place made: London, England, United Kingdom.","Colored etching by G[eorge] Cruikshank: Source of the Southwark Water Works, or [headed] Salus Populi Suprema Lex. Published by S. Knight, [1832]. 51x32.5cm. Printed on broadsheet with text poem beneath: Royal Address of Cadwallader... water-king of Southwark [John Edwards]. Concern at pollution and threat to public health. ","The satirical poem 'Royal Address of Cadwallader ap-Tudor ap-Edwards ap-Vaughan, Water-King of Southwark', published in 1832, is a comment on the pollution of the River Thames, the main water supply for London. The crowd chants \"Give us clean water\" and \"We shall get the cholera\" – 1832 being the year that a major cholera epidemic hit London. The writer of the poem and the people in the illustration appear to believe that cholera is spread by vapours from rotting waste – the miasma theory of disease. However, John Snow (1813-1858) discovered that cholera is a water-borne disease. Despite this, many physicians still accepted the miasma theory. The illustration was drawn by the artist and caricaturist George Cruikshank (1792-1878).","Inscription: Lettered with title, \"Ex Marmore Antiquo,\" three lines of description of subject beginning \"He grounded his Precepts upon Aesculapius. ...,\" and production details: \"P. P. Rubens Del.,\" \"I. Faber Fecit,\" and \"Printed for \u0026 Sold by Tho: Bowles next the Chapter House in St. Pauls Ch. Yard and John Bowles at the Black Horse in Cornhill.\"","This satirical response to \"fast living\" centers on a figure whose left side is a skeleton holding a spade before a tombstone lettered with a quote from Romans 6.23, \"The wages of sin is death,\" with other biblical admonishments below. The figure's right side is fashionably dressed living aristocrat standing in a parkland with a temple similar to one at Stowe in Buckinghamshire. Emblems of the Order of the Garter are part of the man's dress and items that refer to gambling and partying are strewn around his buckled shoe. These include part of a \"EO\" wheel (an 18th century game similar to roulette), dice and a shaker, cards, and a masquerade ticket to the Pantheon in London. A scroll that confirms the man's \"Pedigree\" suggests that rank offers no protection from mortality.","This cartoon by J. A. Wales.found in Puck on April 14, 1880 satirizes the Eclectic Medical College of Pennsylvania, a diploma mill selling fake medical degrees in the later decades of the 19th century. \"Professor Grind-Em-Out\" is, no doubt, the school's \"Dean,\" John Buchanan, who was finally arrested in 1880, due in part to his exposure in the popular media.","Etching depicting a group of male academics and students, many wearing mortar boards, gathered around a professor who reads form a book inscribed 'Datur Vacuum.'","Within a lugubrious coat-of-arms, Hogarth depicts three well-known quacks with a group of twelve portly physicians. The three quacks at the top of the print are Joshua Ward, perhaps the most famous charlatan of his time; Sarah Mapp, a well-known bonesetter; and John Taylor, an oculist. The bewigged physicians dispel the stench of death by sniffing the pomander attached to the top of their canes. According to Hogarth, proper physicians and disreputable quacks are all members of the same Company of Undertakers. The Latin caption, Et plurima mortis imago, translates as \"And many are the faces of death.\"","A sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration.","A sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration."],"userestrict_html_tesm":["\u003cp\u003eSome materials may be subject to copyright restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Some materials may be subject to copyright restrictions."],"names_ssim":["Claude Moore Health Sciences Library","Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. 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